The Crime That Has No Name

This is the second book in the Gosick series. Only two of these Japanese light novels were printed in English, but there is also an anime based on the series that has been dubbed in English.

It’s 1924, and mysterious things happen around the fictional European country of Sauville. The students at the elite boarding school called St. Marguerite Academy are obsessed with ghost stories and spooky legends, as are many of the people of Sauville. Kazuya Kujou, a Japanese student attending the school, is among the few who doesn’t enjoy these stories, but he can’t help but become involved. One of his closest friends is the mysterious and enigmatic Victorique, who is the subject of some spooky legends herself. Victorique is both a student and prisoner at the school. She is a child genius, and rather than attend classes with the other students, she prefers to spend all of her time reading and studying by herself in the conservatory at the top of the library. Kazuya is one of the few people who ever sees or speaks to Victorique because he brings her assignments from class.

The reasons why Victorique is allowed to skip class, have special library privileges, and housing away from the other students but is still a prisoner, forbidden to leave the school, are partially, but not completely, explained in this book. Victorique is not a normal girl or a normal student, and there are some dark secrets in her past that even she doesn’t fully understand.

When the story begins, Kazuya has just received his allowance from home, and another friend at school, Avril, convinces him to come shopping with her. Avril is one of the students who really loves ghost stories, and she insists on telling them to Kazuya, even though he doesn’t want to hear them. Avril knows about Victorique, and she tells Kazuya that the rumor is that Victorique isn’t really a human but a legendary creature call a “gray wolf.” Kazuya doesn’t think Victorique is anything other than an extremely smart but also extremely temperamental girl.

While they are shopping, Avril is a little offended that Kazuya has her help pick out a present for Victorique. Kazuya wants to give Victorique something because she’s normally not allowed to leave the school. Avril and Kazuya study some items being offered for sale by a nun, and Avril suggests that Kazuya give Victorique a fancy turban. As they look over the other items, a music box that is apparently some kind of magic trick bursts open and releases a pigeon. Then, the nun cries out that the most expensive item for sale, a fancy plate with historical value, has been stolen! Kazuya thinks that Victorique will enjoy hearing about the theft even more that getting a present.

When Kazuya tells Victorique about the theft, she says that it’s not that interesting because it’s a very simple matter. Before she can explain why it’s simple, her half-brother, Inspector Grevil de Blois, comes to the library to once again indirectly consult with his sister about the case. When he walks in and sees Victorique sitting there, wearing the fancy turban that Kazuya bought for her, he panicks, mistaking her for someone called Cordelia Gallo. Kazuya has no idea who he’s talking about, but neither of them seems to want to explain. Once Grevil realizes that he was mistaken, he pretends like nothing happened and starts talking about the case. Victorique simply explains that the thief was the nun, and that she was the one who set up the distraction with the music box and the pigeon.

The next day, Kazuya looks at the newspaper, and he sees that Grevil was unable to catch the nun before she got away. Then, something else in the newspaper catches his attention, a notice that says, “Descendants of the Gray Wolves. Midsummer Feast is near. We welcome you all with open arms.” The people of Sauville, and the school in particular, are obsessed with legends and ghost stories. The story of the Gray Wolves is a popular legend about a mythical race of people who are smarter than normal humans. The basis of the legend is that people who were unnaturally smart were said to be human-wolf hybrids. Kazuya remembers that people at the school call Victorique a “reincarnation of a Gray Wolf”, like they’ve been calling him “the Reaper” based on their stories and legends. He decides to show the notice to Victorique.

When Kazuya shows the notice to Victorique, she is shocked. After she accidentally trips and falls and throws a childish fit about it, she shows Kazuya a centuries-old account of a village of gray wolves who spoke human language. Kazuya doesn’t know what to think about the stories. To be honest, he’s never been very interested in the legends and ghost stories of Sauville, even though everyone else is obsessed with them. Instead, he finds himself wondering if Victorique is unnaturally sensitive to pain because it seemed like she really overreacted from her trip and fall. As an experiment, he gives her forehead a slight flick. When he does that, Victorique reacts as if he had just slapped her and tells him that she’ll never speak to him again. He tries to apologize, but Victorique ignores him, so Kazuya just storms out of the library.

Later that night, while Kazuya is studying, he looks up and sees what looks like a large suitcase moving on its own outside the window. It turns out to be Victorique, trying to sneak out of the school with way too much luggage. She’s still not speaking to Kazuya, but Kazuya is concerned about her because even normal students aren’t allowed to leave the school grounds after hours, and Victorique isn’t supposed to leave the school at all. Kazuya doesn’t know exactly why Victorique is sneaking out of the school, but he knows that, while she is extremely intelligent, she has very little knowledge of or experience with the outside world. He worries that she won’t be able to cope on her own. Even though Victorique still isn’t speaking to him, he leaves the school with her and finds out that she’s taking a train to the village that is hosting the Midsummer Feast and inviting the descendants of the Gray Wolves.

Victorique and Kazuya find themselves on a train with the thieving nun from before. She’s heading to the same town they are because she says that she grew up there. She introduces herself as Mildred Arbogast. When they get to town, the innkeeper says that they had better get inside because there’s a storm coming and the Gray Wolves come out on nights like that. He says that the Gray Wolves live in a village in the mountains and that they’re werewolves. They look like normal humans, but they hunt people when they come out. When the innkeeper describes them as being short with golden hair, it suddenly occurs to him that Victorique looks just like them.

In spite of Victorique looking like a Gray Wolf, the innkeeper allows them to rent rooms for the night. He lets Kazuya know that, since that notice appeared in the newspaper, other people who have been curious about the Gray Wolves have been showing up, but he thinks that they’re asking for trouble because the Gray Wolves won’t tolerate anyone looking into their affairs. When Kazuya says that the nun is from this town, the innkeeper says that isn’t true. It’s a small town, so everyone knows everyone else, and the nun is a total stranger.

When Victorique finally starts talking to Kazuya again, she says that the reason why she wanted to come to this place was to clear her mother’s name. Her mother is Cordelia Gallo, which is why Grevil mistook her for Cordelia. Victorique shows Kazuya a pendant she has made from a gold coin. On the other side of the pendant is a picture of Cordelia Gallo, and she really does look like Victorique. For the first time, Victorique talks to Kazuya about her mother. Cordelia was a dancer, but at some point, she became involved with Victorique’s father, the Marquis de Blois. After she gave birth to Victorique, she mysteriously disappeared, and Victorique was raised in isolation in her father’s mansion. (This is why Victorique is so naive about the outside world and awkward and temperamental around other people. She’s extremely learned in terms of book knowledge but low on experience with the outside world and other people.) Victorique only remembers seeing her mother once, when she sneaked up to her window one night and gave her the pendant, but she knows that her mother still watches over her. Victorique also knows that her mother was originally from the village of the Gray Wolves. Apparently, Cordelia was once a maid there, but she was banished from the village for committing a terrible crime. Her father became involved with Cordelia because he wanted a child with the blood of the Gray Wolves, although he has always been a little afraid of Victorique, which is why he keeps her at a distance, either held prisoner in his mansion or at the school for her entire life. (The Marquis de Blois is a nefarious character with grandiose schemes of power, which are addressed further in other stories in the series and in the anime based on them, and he wanted a child like Victorique as part of those schemes.) Now that an invitation has been extended to the descendants of the Gray Wolves, Victorique is determined to see the village where her mother came from and, if possible, clear her name of the crime she supposedly committed.

The next day, Victorique and Kazuya travel to the village of the Gray Wolves along with the nun and three young men, who say that they’re college students. The village has a Medieval look to it, and the people there wear old-fashioned clothes. People there recognize Victorique as Cordelia’s daughter immediately. It makes them uneasy, but they say that they do not hold her responsible for what Cordelia did and say that she is welcome to stay for the Midsummer Festival, even though her mother is a murderer.

The leader of the Gray Wolves, Sergius, explains that the Gray Wolves aren’t really werewolves. They’re normal people, but they prefer to live in isolation from the outside world. People just assume things about the Gray Wolves because they have odd, old-fashioned lifestyles, don’t mix with other people much, and inhabit a village in a mountainside surrounded by real wolves. The Midsummer Festival is one of the few times that they allow other people in from the outside. The purpose of the festival is to welcome home the spirits of their ancestors and pray for a good harvest.

Sergius invites Victorique and Kazuya to stay with him for the festival. In his manor, a maid called Harminia says that Cordelia murdered the previous village chief, leaving gold coins scattered around his body. Cordelia was an orphan who worked as a maid for the village chief at the manor. She was blamed for the chief’s death because she was the only other person who had access to his study, where he was murdered. Victorique says that they only have until the end of the festival to investigate the murder her mother was accused of committing because the village won’t let them stay any longer. However, there are more crimes afoot in the village, and the original murderer is still there after all these years.

There is an English translation available to read for free online at Internet Archive.

This is not a series for young kids. It’s more for teens and young adults because parts get truly violent and disturbing. I find the series interesting for its references to other detective series, ghost stories, and legends, but I have to admit that the plots of the stories get a little over-the-top. As the series goes on, the stories get weirder.

This particular story fills it parts of Victorique’s back story, which even she doesn’t fully understand at first. As I said, the Marquis de Blois is a nefarious character with an over-the-top, long-term plan to seize power in Sauville, using his young daughter’s mysterious heritage and Sauville’s obsession with legends and stories. His plot is revealed later, but this book focuses on Victorique’s mother backstory. Years ago, Cordelia was framed for a murder she didn’t commit. If she hadn’t been, she would never have left the village, and Victorique wouldn’t have been born. Victorique eventually discovers who committed the original crime and clears her mother’s name, but nobody from the outside will be able to return to the village for a long time because the drawbridge to the village gets destroyed. At the end of the book, Victorique still doesn’t know where her mother currently is, but she learns a few things about her life.

The motive for the original murder concerns prophecies and fortune-telling, like the first story in this series, although in a different way. The Gray Wolves believe in prophecies, just like the rest of Sauville believes in legends. In a similar way, there is at least some truth to these prophecies just like there is always at least some basis for Sauville’s legends. The previous chief of the village was murdered because he gave his murderer a prophecy at a past Midsummer Festival that person couldn’t bear to hear. As Victorique explains it, “It’s just fortune-telling. You didn’t have to take it seriously. But you had strong faith in the laws of the village and the words of the village chief. You could not doubt the divination.” Because this person didn’t doubt what the village chief said, they believed that the only way to change their fate was to kill the person who made the prophecy. Ironically, it is that crime that makes the prophecy come true.

The story raises the questions of whether fate is unavoidable and whether prophecies are self-fulfilling. If the murderer had asked the previous chief a different question at the festival or just refused to believe what he said, would things have turned out differently for everyone? There’s no real answer to that, but the murderer’s belief that the prophecy had power is what set everything in motion. Victorique and Kazuya also receive prophecies about their futures that cause them some worry. Because I know how the rest of the series goes, I know that there is some truth in the prophecies for them, that they will be caught up in events larger than themselves that will separate them, but that’s not the entire story for them. There is a separation coming for them in this series, but it’s only a temporary one. As strange as this series is, it actually does have a happy ending for our heroes. Whether the two of them might be separated again once WWII starts is a matter of speculation because the series doesn’t extend that far. It’s possible, but they will have plenty of time together first, and as Victorique points out, you don’t really have to believe fortune-tellers.

Gosick: the Novel

The year is 1924, and a boy from Japan named Kazuya Kujo is attending a prestigious boarding school called Saint Marguerite Academy, in the small European country of Sauville (fictional). The students at this school have an obsession with ghost stories. Kazuya is a very serious boy, and he doesn’t see the appeal of all of these gruesome stories, although his friend, Avril Bradley (an international student from Great Britain) loves them and insists on sharing scary stories with him. Part of the reason why Kazuya doesn’t like all the scary stories is that other students insist on calling him “the Reaper” based on a character from one of the more popular ghost stories. However, he’s not the only student at school who stands out, and some of the school’s ghost stories have more truth behind them than Kazuya would have dreamed.

There is one seat in Kazuya’s class which is always empty. That seat belongs to Victorique, and Kazuya is one of the few people at the school who has ever seen her. Victorique never comes to class, preferring to spend her time reading and studying by herself in the conservatory at the top of the library. One day, when their teacher gives Kazuya some papers to take to Victorique, Avril tries to ask Kazuya what Victorique is like. Kazuya doesn’t want to explain much about Victorique, just saying that she can be blunt and kind of mean, which is true. Victorique is brilliant, a child genius, and she looks like a little china doll, but she’s not easy to get along with. She’s temperamental and not used to dealing with other people in general. She smokes a pipe, like Sherlock Holmes, and makes deductions using her “fountain of knowledge”, even about places she hasn’t been and things she hasn’t witnessed, like Nero Wolfe.

Victorique is not allowed to leave the school grounds (for reasons which are explained as the series continues), and aside from Kazuya, there’s only one other person who visits her: her older half-brother, a local police detective. He never admits that he gets help from Victorique on his cases, and he typically prefers to act like he’s talking to Kazuya rather than speak to Victorique directly. Victorique, who is often bored, enjoys solving puzzles and mysteries, so she does give her brother help, although there is little affection between them.

One day, Victorique’s brother, Grevil de Blois, comes to consult with her, through Kazuya, about the murder of an elderly fortune teller. After hearing a description of the murder, Victorique correctly realizes that the fortune teller was killed by her maid. However, that isn’t the end of it. Kazuya thinks that it’s unfair that de Blois always takes the credit for Victorique’s solutions to mysteries. This time, when he finds out that the grateful family of the fortune teller has given de Blois a yacht as a present and that he’s planning to spend the weekend on it, Kazuya decides that he’s going to make de Blois share this present with Victorique. Victorique is normally forbidden to leave the school grounds, but with Kazuya threatening to reveal the true secret of his success, de Blois agrees to take Kazuya and Victorique with him on the weekend yachting trip. Neither of the two kids really likes de Blois, and the thought of spending an entire weekend with him, even aboard a luxury yacht isn’t great, but it is one of the rare opportunities Victorique has to leave the school.

Victorique has rarely been anywhere other than the mansion where she was born and the school, so everything is new and fascinating to her as they take a train to the seaside to meet de Blois at the yacht. When they get there, de Blois informs them that they’ve been having trouble understanding the maid who murdered the fortune teller because she only speaks Arabic, but apparently her motive was revenge for something she calls “the box.” Then, de Blois suddenly gets word that the maid has escaped. He has to leave the kids aboard the yacht, but he tells them to just stay there and wait for him.

Victorique realizes that the yacht once belonged to the fortune teller and that some of her belongings are still on it. Among them, they find a strange invitation to a dinner party called “Evening at the Bottom of the Box” on a luxury cruise ship anchored nearby. The invitation also mentions that the main dish will be rabbit. This is chilling because it is known that the fortune teller kept rabbits and periodically allowed her dog to hunt them. It was part of her fortune telling – she would predict things based on which rabbits survived the hunt and which did not. (There is a graphic description of this at the beginning of the book that I hated. Although I found the overall mystery intriguing, there are some very gross and violent things in it.) Since they are bored and want to learn what the mystery is about, Victorique and Kazuya decide to use the invitation and attend the dinner in the fortune teller’s place.

When Victorique and Kazuya join this mysterious dinner party on the luxury ship, Kazuya suddenly recognizes that the name the of ship is the same as the one of a ghost ship in one of the scary stories that Avril told him at school! The ghost stories that have been going around the school have more truth to them than Kazuya or even the students who are obsessed with them have guessed. Some dark things have happened in the history of Sauville which have become part of its local legends. Events that resemble the ones that happened years before and are described in the ghost story are starting to repeat themselves. There is at least one murderer among the dinner party guests, and someone is playing a deadly game. Now, Victorique and Kazuya will have to play along to find the answers and save their own lives!

This is the first book in the Gosick series of Japanese light novels and one of only two that were published in English. There is a full set in Japanese, of course, and I think the German language translation is also a complete set. There is an English translation of this first book available to read for free online at Internet Archive. Because not many copies were published in English, English copies are collectors’ items and can be expensive. As of this writing (September 2023), the cheapest copies on eBay are about $30, and they can go for much higher on Amazon. All of the stories in the series have been made into an anime, and that is available in the US on Amazon Prime. Because of the violence in the story, I would recommend this book and the anime for teens or young adults. It’s not for young kids!

This was the first book in this series that I read, one of only two published in English. The first time I read it, I was surprised at how many tropes of old ghost stories and detective stories that the series references. Victorique uses a pipe, which is an obvious reference to Sherlock Holmes and his famous pipe, but Victorique is also frequently a Nero Wolfe type of detective, relying on an assistant to go places that she can’t go and give her information. She spends most of her time amassing knowledge through reading, and she is able to use that knowledge to make order out of the “chaos” of a mystery.

The basis of this mystery is in fortune telling, and at the beginning of the story, Victorique is reading a book about fortune telling. She explains to Kazuya Kujo how fortune telling actually works. Basically, it’s all about psychology. People think that fortune telling works because they believe it will work, and they make things happen to cause the predicted future to happen. It’s like all prophecies are self-fulfilling prophecies – they may or may not have happened except that people believed that they would, so they made sure they did. People remember and record accurate predictions because those are the most exciting and amazing, and they forget all the inaccurate ones. Fortune tellers are also good at reading people and telling people what they want to hear, which is what they already think will happen or what they’re hoping and working to make happen.

Fortune telling is at the heart of the mystery. Mysteries in this series tend to have over-the-top plots, and this one is no exception. The grudge against the fortune teller and the other guests invited to the dinner goes back to when the fortune teller staged a very large experiment in fate at the request of some very wealthy and influential clients. This past fortune telling experiment was along the lines of the ones that she did with rabbits, only it was with human children. As I said, there are violent and gruesome aspects of this story, and in this case, they were playing with human lives.

As with other books and stories in this series, the ghost stories that the kids pass around at school turn out to have at least some basis in fact. Sauville (remember, it’s a fictional country) and some of its leading citizens have violent histories. There is a long history of conspiracies, power struggles, and general skullduggery in this place. Because of the citizens’ long obsession with stories and legends, much of what has happened there has become legendary, and important people have used the citizens’ superstitions and stories to obscure the truth. Solving the crime means exposing what really happened and the truth behind the legends.

What I found most interesting about this story was its references to some classic characters in detective fiction and ghost stories, and I appreciated Victorique’s thoughts on the nature of fortune telling and human expectations. In the end, it may be more important what people believe and work to make true than what was actually predicted. However, I have to admit that the over-the-top plots of these mysteries are probably a large part of why this series wasn’t printed beyond the second book in the United States. In the beginning of the book, there is also a reference to Kazuya being suspected of a crime. This incident was in the Gosick manga, not the light novels. It is shown in the anime, but I don’t think the manga was printed in English.

The Time of the Ghost

The Time of the Ghost cover

The Time of the Ghost by Diana Wynne Jones, 1981.

This isn’t a very long book, but it packs a lot in! This is both a time travel story and a supernatural ghost story, but with the odd twist that we don’t initially know who the “ghost” is, and she isn’t really dead. She’s trying to save her own life.

In the beginning, although this book is from the first person perspective, we don’t know quite who the narrator is. Even the narrator isn’t quite sure who she is or what has happened. Her last memory is that there was some sort of accident, and her mind doesn’t seem to be working right. Now, she seems to be walking through the countryside, but she can’t remember what happened earlier that day or even what she had for lunch. When she looks down to see what she’s wearing that day, she realizes in a panic that she can’t see herself. She has become a ghost!

It takes her some time to get her panicked thoughts together, but she gradually begins to recognize the countryside. She is surprised that she can look over a hedge, thinking that it was something she had always wanted to do before, and she must have grown. There is a small hut nearby, and she recalls that there is an old rag doll called Monigan inside. Exploring further, she finds herself at a school and locates a classroom she recognizes. To her surprise, she discovers that it’s a Latin class full of boys, and although she has no body, she is sure that she’s a girl, so this can’t be her class. However, she does recognize the teacher as someone familiar but also intimidating.

Leaving the classroom, she continues exploring the school, and she finds people she is sure are her family. She remembers that the woman is called Phyllis, and Phyllis is her mother. There are also girls called Imogen, Fenella, and Charlotte. The ghost thinks that these are her sisters and that her name is Sally because Phyllis seems to call her Sally, although nobody really seems to see her. Sometimes, people just seem to have a sense that someone is there, and the dog, Oliver, seems to know she’s there. Pieces of information click in the ghost’s mind. This family’s last name is Melford. The teacher in the Latin class is her father. Sally is short for Selina. Charlotte is called Cart as a nickname.

The ghost finds herself angry and hating her family. She wonders if she could have died in the accident she vaguely remembers and if she came back to get some sort of revenge on her family, but the idea horrifies her, and she’s sure that she wouldn’t have thought of it in other circumstances.

The ghost watches as Fenella goes to the little hut and pretends to worship the doll Monigan and call her forth, like the doll is some kind of oracle. The ghost remembers that Cart was the one who started this game a year before and that she always thought that it was a boring game. Cart started the game because the four sisters had been fighting over the doll or playing with it too roughly one day, and they had each grabbed an arm or leg and pulled the doll apart. Cart had felt guilty about that, so she sewed the doll back together (badly, because she’s bad at sewing), and she turned the doll into a kind of oracle that the girls would worship to make it up to the doll that she had been ruined. Now, the doll is moldy and mildewy from being left in the little hut for a year. Only little Fenella still plays this game, although the doll has never actually done anything magical when they’ve called on her.

Gradually, the ghost begins putting the pieces of her memories together. Her parents manage a boarding school for boys. The girls help out with chores at the school, but they’re mostly expected to stay out of the way. Although they attend a different school themselves, it feels like they never get a break from school because they live at one. They never even get summers off because there are summer courses for disabled children at the boarding school.

Sally the ghost listens to her sisters complaining about her in her absence. They resent her for being overly sweet and a perfectionist and for defending their parents when the other girls criticize them. Sally is angry with them for the things they say behind her back and for their constant bickering and drama. Imogen gets melodramatic and picks at her sisters because she’s worried about not achieving the music career she really wants. Cart keeps trying to shut Imogen down because she feels overwhelmed by sentiment and emotions, and admittedly, Imogen’s emotions are frequently overwhelming. This dynamic between Imogen trying to express her overwhelming emotions and Cart trying to shut her down is a large part of the quarreling between the girls. Fenella, the youngest of the sisters, is just being a silly little girl, and she is rather fed up with her older sisters. At one point, Sally finds a poem that Fenella wrote that explains her relationship with her sisters:

“I have three ugly sisters
They really should be misters
They shout and scream and play the piano
I can never do anything I want.”

It’s a pretty accurate description of what goes on in their house. All of the girls are loud and argumentative, and a large part of the tension in their house comes from the inability of any of them to do what they want to do. Sally notices some pictures on the walls and remembers their father (whom the girls only refer to as “Himself”, never as “father” or “dad”) yelling at them and calling them “bitches” for stealing art supplies from the school for drawing and painting. Imogen’s drama about her music career is because she’s not allowed to use the music room at the school for practicing, and she thinks that she’ll never get a chance to develop her abilities. The parents pay more attention to the students at the school than they do to their own daughters, even forgetting to leave the girls any supper sometimes. The girls’ home life is not happy, and that’s why they’re not happy with each other. The two oldest girls especially are not happy with their parents because of their neglect.

As Sally listens to her sisters talking about her, Cart and Imogen admit that they’re both jealous of Sally because she gets to be somewhere else that will be important to her future career. Sally wishes that they would say where she’s supposed to be because she can’t remember. She finds a few unfinished rough drafts of letters that she wrote to her parents, trying to tell them that life at the school didn’t have much to offer her and that she was going away, but Sally can’t imagine where she would have gone. One of the letters even says that her life is in danger, but from what?

There is a bright spot in the girls’ lives, and that’s a secret friendship they’ve developed with some of the boys at school. The boys visit them in the kitchen after dinner, and they have coffee together. As ghostly Sally watches one of these visits, the boys ask the girls what happened to Sally, which ghostly Sally is (literally) dying to hear. Sally’s sisters explain that Sally’s disappearance is part of a Plan the girls have.

It’s obvious that the girls’ parents neglect them. While Sally has always been defending their parents to the other girls, the other girls want to prove to her that their parents would never notice if something awful happened to one of them. A lot of the strange things that Sally has witnessed them doing that day are part of this Plan. Fenella has been going around the entire day with big knots tied in her hair, and their parents haven’t noticed. Fenella says that if they continue to not notice, she’ll act like she’s fallen seriously ill. Sally’s sisters say that Sally has gone to stay with a friend named Audrey Chambers, but their parents don’t know and still haven’t noticed that she’s even gone.

The sisters and the boys decide to try holding a seance for fun, and ghostly Sally uses this as an opportunity to communicate with them. Although she has some difficulty and misspells her message, she manages to convince Imogen that she’s the one communicating and that she’s dead. Imogen gets hysterical, but the others calm her down by phoning her friend’s house and confirming that Sally is there and that she’s fine. Ghostly Sally can’t understand it. She’s sure that she’s really Sally, but how can that be if Sally is definitely at her friend’s house?

Ghostly Sally seeks out living Sally, and to her surprise, she finds her, although she feels disconnected from this girl. She also learns that this Sally has been secretly doing things with a boy from the school, Julian, performing nighttime rituals with the doll, Monigan. Although ghostly Sally remembers having been friends with Julian, seeing him from outside herself makes her realize that Julian is actually sinister and disturbed. In her spirit form, she also realizes that their rituals with Monigan have stirred up something genuinely supernatural, apart from herself.

As things become more clear to her, the ghost begins to think that she was wrong about being Sally. She is still sure that she is one of the four sisters, neglected at her parents’ school, but she doesn’t think that she’s Sally after all, and that’s why she had no knowledge of Sally’s secret rituals with Julian and couldn’t remember where Sally was or what she was thinking. She also realizes that everything she has seen happened when she was younger. Somehow, after her accident, her spirit went back into the past, seeing things that she and her sisters used to do.

As the “ghost” wakes up in the hospital in the present day, she also realizes that she is not actually dead. She’s been having an out-of-body experience. Worse, her “accident” wasn’t really an accident. Someone tried to kill her. Julian, also older now in the present day, shoved her out of his car while they were driving somewhere. He was deliberately trying to kill her! Something that happened during that time in the past, during the time with the Monigan rituals and the girls’ Plan to confront their parents over their neglect led up to this attempted murder.

The “ghost” still can’t remember everything that happened in the seven years since then, leading up to the attempted murder, and she’s still confused about who she really is. She only senses that Monigan tried to kill her through Julian. Although the girls once thought that Monigan was just a game, Monigan is actually a real, evil spirit. Seven years ago, Monigan told them that it would claim a life, and now, Monigan is trying to do so. Can the “ghost” regain her memories and figure out what to do in time to save her life before the next attempt?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

Earlier, I covered The Headless Cupid, in which children play at being witches and doing magical rituals that are clearly nonsense, but this book has children who are coerced by some ancient supernatural spirit into doing “real” occult rituals. The children’s rituals involve blood and cruelty to animals, which I didn’t like when I was reading the story. We don’t fully get to know what Monigan actually is, although there are indications that Monigan might be some kind of ancient goddess that craves sacrifices, especially human sacrifices. Monigan seems to remember receiving sacrifices before, in the distant past. Although Cart thinks that she invented Monigan, that Monigan is just a doll they tore, and that all of their rituals are just playacting, the “ghost” realizes that they were all being manipulated by the spirit called Monigan into thinking that. Monigan took advantage of the neglected children and their mentally ill friend for its own purposes. I think Monigan was based on Morrigan from Irish mythology. We are told in the story that this British boarding school is built on a site that has been inhabited from ancient times, and the girls’ father is obsessed with the archaeology of the area, which may also be responsible for stirring up this ancient spirit.

The intriguing part of this story is first that the readers aren’t sure whether or not the “ghost” is actually dead, and then, the readers as well as the ghost have to determine the ghost’s true identity. At first, the “ghost” thinks that she knows who she is, but then, she thinks that she was wrong. (Or was she?) Even when she is awake in the present day, her mind is still confused, and even two of her sisters, while they know that Julian’s attempt to kill her was part of Monigan’s curse, find it difficult to remember everything that happened when all of this started. The “ghost” has to go through the events of the past, with Monigan working against her all the time, to figure out what set off this threat against her before she runs out of time. She knows that Monigan plans to kill her before the day is over, and she doesn’t have much time left to break this curse or prevent it from happening in the first place. The “ghost” isn’t sure at first that she can change the past, but she gradually manages to get through to the other children and figure out a solution with the help of her sisters.

I found the parents in the story not just neglectful but actually cruel and infuriating. The father keeps calling his daughters “bitches” when he gets angry at them. When the girls appeal to their mother about how they’re not being fed and have to keep begging food from the school’s kitchen, the mother shuts her eyes and tells them to stop bothering the cook. The cook is also revealed to be stealing food from the kitchen herself, which may be the reason why both the girls and the students have little to eat, but when the girls tell their mother about it, their mother doesn’t want to hear about it. She just doesn’t want to go to the bother of finding another cook. I’m amazed that the girls haven’t actually died at some point before this or that social services hasn’t gotten involved. The girls do attend a different school from the one their parents manage, so they would have the opportunity to get help and attention from an outside source.

At one point, Fenella openly tells her mother that she’s neglecting them while she only pays attention to the boys at the school, and her mother says that girls can look after themselves while boys can’t. It’s like her mother looks at the girls like some people look at pet cats when they just let them roam and hunt for their own food. I don’t even approve of people neglecting their cats, like they don’t even have pets so much as a nodding acquaintance with feral animals. Even in the present day, when our “ghost” lies in a hospital bed after a murder attempt, their mother doesn’t come to see her because she’s too busy helping the boys at the school to pack their trunks. The father is openly hostile to his daughters, and the mother doesn’t seem to have any feeling or concern for them at all.

The concept of the book was interesting, but it’s not one that I would care to read again because I found it dark and frustrating, although it does end well. Things do improve for the girls in the past after their father discovers their weird rituals and sends them off to their grandmother’s house, angrily declaring that he never wants to see any of them again. The father’s rejection of them is actually a blessing. At their grandmother’s house, they get regular food and the attention that they desperately need. The mother partly redeems herself at the end of the book by coming to see her daughter after all, saying that she felt obligated to get the boys all packed but now that’s done, so she is free to stay with her daughter until she’s fully recovered. The girl does recover, and she begins reconciling herself to her past traumas, both the supernatural ones and the ones resulting from her parents’ neglect and her tumultuous relationship with her sisters.

One thing that the “ghost” accomplishes is that she gets a look at her past and herself as they really are, viewing herself and everything that happened from a neutral position as the “ghost.” Seeing herself from the position of a third person, she discovers that she doesn’t like the things she’s done or the person she’s been during these last several years. That’s why she has felt so disconnected from herself and her memories and why she couldn’t even recognize herself or the things she did in the past. The “ghost” is so upset with herself and ashamed of her life choices that she wonders if she’s really worth saving from Monigan. Fortunately, her sisters truly love her and know that she’s worth saving. Their bad choices and poor behavior to each other have been largely the result of their parents’ neglect, a trauma they all share and understand. Although the ghost doesn’t remember everything at first, the other sisters know that, after they went to live with their grandmother and received the attention and care they really needed, they all improved and their relationships with each other improved. They’ve been trying to move on from their past ever since, and they need to settle the matter about Monigan once and for all to truly be free to go forward in their lives. One of the sisters knows exactly what kind of sacrifice will finally appease Monigan and save her sister’s life.

Monigan wants something perfect as a sacrifice, but our “ghost” isn’t a perfect person. Nobody is perfect, and our “ghost” has become truly aware of her flaws and the nature of her troubled past through her out-of-body experiences. However, things can be perfect in someone’s imagination, and one of the sisters has a more powerful imagination than the others. Someone has a dream that is perfect, at least in her mind. When she gives Monigan that dream, she not only frees her sister from Monigan but herself from something that her future self has realized that she doesn’t really want. Both she and her sister have been clinging to things that were harmful to both of them, making them into the kind of people neither of them really wanted to be. It was their insecurity from their parents’ neglect that made them cling to things that they thought would make them special and distinct. Once they are free from these harmful influences, not only does Monigan stop trying to take their lives, but they are truly free for the first time to become something better. Monigan does claim one life at the end of the story, but in that case, it’s only justice.

Down a Dark Hall

Down a Dark Hall cover

Fourteen-year-old Kathryn Gordy, called Kit, is going to boarding school for the first time. She doesn’t really want to attend the Blackwood School for Girls, but her widowed mother has remarried, and she and Kit’s new stepfather, Dan, will be going on an extended honeymoon in Europe. Kit tried to persuade her mother to take her with them on the trip to Europe, but Dan is firm that she can’t come on their honeymoon trip. The Blackwood School has a good reputation, and graduation from the school would guarantee Kit entrance to a good college. At first, Kit thought it might not be so bad if her best friend, Tracy, could attend the school, too, but although Tracy applied to Blackwood, she wasn’t accepted there. Kit hates the idea of going there alone. Worse still, when her mother and Dan take her to the school, it’s an imposing, castle-like mansion that gives Kit the creeps. Her mother and Dan think it looks impressive, but just the sight of the building gives Kit a terrible sense of evil. Even though she doesn’t want to stay, her mother and Dan insist.

Because her mother and Dan have to leave on their trip, Kit has arrived at the school a day early, before classes will start. Madame Duret, the headmistress of the school, welcomes them and explains a little about the school’s history. The school is fairly new. Before it was a school, the mansion was the private home of a man called Brewer, who died about ten years ago. Because few people would want a house that size outside of town, the building was vacant for some time before the Blackwood School moved in, and there are some ghost stories and urban legends about it in the area. Kit’s mother and Dan laugh it off.

Madame Duret gives them a tour of the school and mentions her art collection. She says that she enjoys collecting lesser-known works by famous artists. The dorm rooms are incredibly luxurious. Each student will have a room to herself with a private bath and a canopied bed with velvet draperies. Art is important to Madame Duret, and she says that she wants the surroundings to inspire her students. When it comes time for Kit’s mother to say goodbye to her, her mother asks her if she thinks she could be happy at the school. If Kit really feels like there’s something wrong with the place, her mother is willing to delay her trip and make other arrangements. Shrugging off her earlier misgivings, Kit tells her mother that she will be fine, and her mother and Dan leave.

The school still bothers Kit, but she feels like she has to try to do well there for her mother’s sake. She knows that things have been hard for her since her father died several years before. Although nobody believes her, Kit remembers seeing her father’s ghost in her room the night he died in a car accident while he was on a business trip. Her mother has managed since then, but she wasn’t really happy until she met Dan, and Kit appreciates that her mother needs adult companionship. Still, Kit senses that this school is very strange, and there are things wrong it it. She can’t figure out why her friend, Tracy, was rejected by the school. The canopied bed is luxurious but kind of creepy because it reminds her of a scary story. Then, she notices that the bedroom doors have locks on the outside of the doors but not the inside.

At dinner that evening, Kit meets Professor Farley, who is a teacher at the school, and Madame Duret’s son, Jules. Professor Farley teaches math and science, and Jules, who has only recently gotten his degree, will teach music, giving the students piano lesssons. Madame Duret herself teaches languages and literature, and apart from these three, there are no other teachers at the school. Professor Farley says that he is the one who convinced Madame Duret to open a school in the United States, having seen her success at her school in England. A young cook named Natalie also works at the school, but strangely, Natalie says that Madame Duret doesn’t want her to speak to the students much.

When the other students begin arriving, Kit realizes that there aren’t going to be many students at this school, either. In fact, there are only three other students besides Kit: Sandy, Lynda, and Ruth. All of the girls also seem to be somewhat removed from their families. Sandy is an orphan who lives with her grandparents, who don’t drive, so they didn’t even drop her off at the school. Lynda and Ruth have both been to boarding schools before, and they were dropped off by a chauffeur. They say that Blackwood isn’t like their old school. Kit still wonders why Tracy wasn’t accepted to the school when there are so few students. Kit realizes that she herself isn’t a top student, and the other three students at this school are quite different from each other. However, Professor Farley says that there are other qualifications besides grades, and all of the girls at this school have the qualities they were looking for. Madame Duret refuses to discuss test results at all.

Kit does her best to settle into the school. Everyone acts nice to each other, and the classes are like having private tutors because there are so few students. However, Kit is still nervous and having strange dreams. She never remembers what she’s been dreaming about, but she dreads these strange dreams, so she has trouble getting to sleep. The only way she can get to sleep is to exhaust herself by reading and writing letters late at night until she is exhausted.

One night, while Kit is writing a letter to Tracy late at night, she hears a scream that is choked off suddenly. Although Kit is afraid, she feels like she has to investigate and find out if there is someone in trouble. She thinks the scream came from Sandy’s room. When Kit tries to check on Sandy, Sandy doesn’t answer, and she has trouble getting into Sandy’s room. Kit feels like there is someone in Sandy’s room, and the room is weirdly cold. When Kit finally gets the light on, Sandy is a little disoriented. She doesn’t remember screaming, but she remembers a strange dream about a young woman in old-fashioned clothing, who was watching her. Sandy tells Kit that she’s had strange dreams like this before, although not about this particular woman. When her parents were killed in a plane accident, Sandy sensed the accident when it happened, and she saw her parents in a dream, not unlike the apparent dream that Kit had about her father when he died. The next day, Kit talks to Lynda and Ruth and learns that they have also been having strange dreams that they have trouble remembering.

These dreams seem to be the one thing that all four of the Blackwood girls have in common, and all of them find them disturbing. When Kit has morning piano lessons, she feels strangely tired and her fingers are sore, as if she’s been playing the piano for hours already. Kit tries to talk to Jules about the strange things that have been happening and her own sense of unease. He tries to give her reasonable explanations, but from the way he speaks, Kit has the uneasy feeling like he knows something that he’s not telling. Jules tells Kit that he’s had some strange dreams himself, but he thinks it’s just the atmosphere of the strange old house. Kit asks him if he’s still having the dreams, and he says he is, but he also likes the house and thinks that it’s just a matter of getting used to the place.

Strange things continue to happen at the school. Lynda wakes up from a nap and suddenly draws an incredibly realistic portrait of Kit when she’s never even taken art classes or done any drawing before. Then, someone steals the portrait out of Kit’s room. Letters and post cards from Kit’s mother and Tracy reveal that they haven’t received any of the letters that she’s been writing to them. Sandy tells Kit that she has a sense that Blackwood School is evil, just like Kit felt when she first arrived.

Ruth is the one who realizes that all of the girls have ESP. Sandy and Kit both experienced ESP when they saw visions of their dead parents. Ruth admits that her excellent grades are only partly due to her naturally high IQ. She can also sense the contents of books without reading them and read the minds of people giving her tests, so she can give them exactly the answers they’re looking for. Lynda isn’t as bright as the other girls, but Ruth has been friends with her for a long time and has discovered that Lynda has memories of herself in a past life, when she lived in Victorian England. Ruth realizes that the girls’ psychic abilities are the reason why the four of them, and only the four of them, were chosen to be students at Blackwood School. The school has a dark purpose beyond providing an education, and these four isolated girls are there to fulfill that purpose.

The book is available to borrow and read for free online through Internet Archive. It was also made into a movie in 2018.

I read this book because it was mentioned as a book a character was reading in another children’s book, The Shimmering Ghost of Riversend, and because it occurred to me that it would fit the Dark Academia genre that’s been popular in the last few years. The reason why this book was mentioned in the other story is that both books involve ghosts who have the ability to act through other people and help them to do things that the living people couldn’t do by themselves. I have a tolerance limit on scary stories, but I felt like I had to read this one because it was mentioned in the other book, and I was curious about it. I’m not sure that I want to see the movie because trailers of the movie make it look even darker than the book, but the book didn’t go beyond my tolerance limits.

In Down a Dark Hall, Madame Duret has psychic abilities of her own and is using girls with psychic abilities to channel the spirits of famous dead people so they can complete works that they were unable to complete in life. Lynda draws and paints pictures that she shouldn’t be able to produce because she has no natural talent for art or training in it. She also begins signing her pictures with the initials TC because she is actually channeling the spirit and abilities of Thomas Cole. Sandy begins writing sonnets without having any prior interest and ability in poetry before because she is channeling Emily Bronte. Ruth finds herself making mathematical notes that are really too advanced for her and barely within her understanding. She’s not sure who she’s been channeling because the scientific and mathematical principles she’s been receiving have little personality attached to them. The reason why Kit’s fingers are always sore and she’s so tired every morning is that she’s been channeling Schubert and other musicians, playing piano music at night. There is one night when multiple musicians fight to control her and get their music out.

The girls are not channeling these spirits through any will or conscious effort of their own. Each of these episodes occurs either while the girls are asleep or just after they wake up from having been asleep. Madame Duret isn’t just facilitating this possession for the sake of art, literature, and scholarship, but also out of greed. She is known for having an impressive collection of works of little-known works of art from famous artists, but what no one else knows is that those works were not produced within the artists’ lifetimes. She has performed this same trick of using the psychic abilities of students to channel the spirits of dead artists to produce new works before, and she artificially ages these works so no one knows that they are new instead of previously-undiscovered works.

Being possessed by the spirits of the dead is disturbing enough, but the girls of Blackwood School also come to realize that the psychic bonds between them and these famous spirits are getting stronger over time. If they don’t find a way to escape Blackwood School soon, they will become permanent. Records in Madame Duret’s office reveal that some of her previous students died from their experiences, and others lost their minds and ended up in mental institutions. No one could stand this type of channeling over the long term and keep their sanity intact, and the spirits themselves don’t seem to have much or any concern for the well-being of the girls channeling them. They seem to have so many ideas that they want to get out that they push the girls harder and harder to produce them. Some of the spirits are gentler and more personable than others, but some regard the girls simply as tools to be used. They can even get violent when the girls resist them or when different spirits interrupt each other’s work. This is a very creepy book, and the girls have some close calls, but fortunately, it has a good ending. I like atmospheric books, but I don’t like books that are overly dark, and I was relieved that all the girls survived. I would have found it hard to take if children died during the course of the story.

Although I knew before reading the book that the story involved ghosts and possession, I initially thought that the isolation each girl has from family and friends was part of the reason why these particular girls were chosen for the school. Before I found out that each girl has psychic abilities, I noticed that none of them are in a position where they are very closely watched by their relatives. Kit’s mother and stepfather are going to be traveling through Europe, so they won’t be trying to visit the school anytime soon, and it would make sense if they didn’t hear from Kit for a while. Sandy is an orphan whose grandparents can’t travel easily, so they won’t be coming to check on her every weekend. Lynda’s mother is an actress who now lives in Italy, so again, there is a separation by great physical distance. Ruth’s parents are busy professionals with doctorates. None of the girls is likely to have any visitors while she’s at school or anybody who would be overly concerned about not hearing from them for a while. At first, I thought that could have been part of the reason why Tracy was rejected as a student, because she has both parents living, and those parents would be in more of a position to check on her and more likely to go to the school themselves if they didn’t hear from her. However, it turns out that her rejection is really because she isn’t psychic, like Kit. The chosen students’ relative isolation from family is just icing on the cake to their psychic abilities and plays into the plot as a reason why nobody outside the school realizes all the weird things that are going on.

I thought that the build-up of the sinister atmosphere at the school was great! Kit has a blatant sense of evil when she first arrives, which feels at first like we’re just being told that the place is evil, but there are also a lot of little details that support it. First, the place is overly luxurious for a boarding school, especially one with so few students to support it. Kit is quick to spot that the girls’ doors can only lock from the outside, which is chilling, although Jules says that’s just to keep people from going into their rooms when they’re not there themselves. However, someone does enter Kit’s locked room to take the portrait of her that Lynda drew, indicating that the girls’ rooms are not safe from anyone and that it’s possible for them to be locked in and unable to get out.

There are also hints from the beginning of the book that Madame Duret and Professor Farley are sinister. Blackwood is actually Madame Duret’s third school that we know about. She had one in France, one in England, and now, one in the US. For some reason, she tends to move countries, which seems odd for someone building a reputation as an elite educator. Boarding schools often have an air of tradition, and their reputations rest on long-term success, which is built over time. Moving around is actually a warning sign, at least to me, that Madame Duret doesn’t want to stay places long enough for people to figure out what she’s really been doing at her schools. Even Jules admits that he doesn’t know things about his mother because he has spent most of his life at other boarding schools himself, not at her schools, so the two of them have mostly been living apart. However, he does know about the possessions of the girls because he has the recordings of the music Kit plays at night. It’s just that he doesn’t fully realize the harm being done to the girls until the end of the book or the harm his mother has already done to previous students.

The old mansion the school is in has a sinister history. The former owner, Mr. Brewer, lost his wife and children, including a baby, in a fire at the house, mostly due to smoke inhalation because the fire didn’t damage the building too badly. After that, he lived as a recluse, and he would act like his family was still alive, buying things for them in town. He could have just lost his mind from grief, but there are indications that his family still haunted the house as ghosts. Locals started telling ghost stories about the place after a plumber heard a baby crying in the house.

Recent reprintings of this book have been updated to include the concepts of laptops, cell phones, and emails, which were not in use when the book was first written. The explanation for why the girls can’t use their laptops to email anybody or get outside help is that there is no Wi-Fi or Internet access at the school. They can write reports on their laptops, but they can’t do much else. Their cell phones don’t get signals, so they can’t call or text anyone.

The version of the book that I used for the cover image is one of the new, revised books with modern technology, and it also has an interview with the author, Lois Duncan, in the back, in which she talks about the inspiration behind the story, her own beliefs about ghosts and psychic abilities, and how she was impacted by the murder of her own daughter, which she earlier documented in a book called Who Killed My Daughter?, in which she consulted psychics for insight into her daughter’s death because the police seemed unable to make progress in the case. Her daughter’s murder happened in 1989, years after Down a Dark Hall was written. Lois Duncan wrote many suspense books for children and young adults, but after her daughter’s death, she gave up writing suspense because it was too upsetting for her to write about girls in danger. She started writing picture books instead. Duncan had already passed away by the time one of the suspects in the case confessed more than 30 years after the murder.

Behind the Attic Wall

This story is told as a flashback, so we know that things get better for the main character, but she is still haunted by her past experiences.

Twelve-year-old Maggie is an orphan who has been bounced around between foster homes and boarding schools because of her bad behavior. Her bad behavior is because she feels neglected and unloved. She eventually comes to live with her great aunts and an uncle in an old house that used to be a boarding school. Maggie has memories of the house where she once lived with her parents before they died, but no place she’s been since has seemed home-like.

When she first arrives, her eccentric Uncle Morris picks her up at the station. Uncle Morris has a sense of humor, which is both charming and also gets on Maggie’s nerves. When she gets a look at the institutional-looking old house where her great aunts and uncle live, she is physically ill. She has lived in various boarding schools and is horrified at the idea of living in another. Her last boarding school expelled her, and the headmistress called her a “disgrace.” Maggie had hoped that, for once, living with relatives might mean living in a real home.

Her two aunts, Harriet and Lillian, remind her of the headmistresses at boarding schools, although their rules are different from most headmistresses. They lecture her about health and nutrition and worry about her being undernourished. They give her old-fashioned, hand-me-down clothes to wear that Maggie assumes are the uniforms of this old school. One of her aunts gives her a baby doll, but Maggie tells her that she doesn’t like dolls and doesn’t play with them. She doesn’t have any dolls, and if she ever had any before in her life, she doesn’t remember. Her aunt thinks her rejection of this gift is horrible. Her aunts don’t seem to understand much about children, and they are both horrified when Maggie dumps out her glass of milk because they gave her warm milk instead of cold. However, her Uncle Morris is amused and tells her that she might be the “right one” after all. Maggie isn’t sure what he means by that.

After her aunt leaves her alone in her new room, Maggie plays with the doll a little, imagining that she’s explaining it to a group of girls who have never seen a doll. A game that Maggie often plays with herself is to mentally explain common things to a group of imaginary girls who don’t know what any of them are. Then, she goes exploring the rest of the old house. Because this building is so obviously an old school, she keeps expecting that she will eventually encounter other students, but there are no students. Maggie is the only child in the old house.

Maggie finds her aunts’ rooms and tries on their curlers, a necklace, and a fancy pair of shoes. She gets in trouble with her aunts for doing that, and that’s the moment when Maggie understands that there really are no other children around to see her get in trouble. At first, her aunts think that maybe agreeing to accept Maggie was a mistake and that they can’t handle her. However, they decide to keep her, at least for the present.

They explain to Maggie that the building where they live did use to be a boarding school for girls. It was founded by some ancestors of their, whose portraits hang in the parlor. Maggie is amazed at the idea of ancestors because she barely even remembers having parents and has little concept of her extended family. The old school closed after some kind of disaster, and it reopened in a new location down the road. Now, the new school is a private day school for both boys and girls, catering mostly to wealthy families, who can afford the fees. Maggie is horrified when she finds out that she will be attending this school because she knows that a poor orphan like her in her shabby, hand-me-down clothes is going to be an oddity among the wealthy private school students.

On her first day at the school, Maggie has a panic attack while imagining going through the routine of her teacher telling the whole class about her unfortunate history and the tragic deaths of her parents in a car accident when she was little and asking the other students to be patient and charitable to her. She’s experienced this before, and she knows that, while the other students start off treating her charitably, they soon get tired of being charitable and start picking on her. Maggie tries to run away from the class, and that earns her a reputation as a weirdo right off the bat. The other kids immediately start treating her like a weirdo and calling her the usual nasty names, and Maggie’s only relief is that, this time, they didn’t go through the false kindness phase first.

Uncle Morris doesn’t live at the old school with the aunts, but he lives nearby and sometimes comes to visit. He continues to spout his witty nonsense and plays weird practical jokes that make no sense. Maggie starts to understand that her uncle’s form of teasing isn’t meant to be mean, unlike the kids at school, but none of it really makes any sense to her. His jokes are pointless, and he doesn’t respond to anything, even Maggie’s emotions, in a normal way, turning everything into some kind of bizarre joke.

Then, Maggie starts to hear voices in the house. She can’t tell where the voices are coming from, but she knows they’re not her aunts, and her aunts never seem to hear them. They talk about random things, like tea, roses, a lost umbrella, and a dog. Maggie asks her aunts who’s talking, but her aunts say no one is. They think that it’s just Maggie’s imagination because she’s highly strung, but Maggie knows that she’s not imagining it. Her Uncle Morris also seems to hear the voices because he reacts to them at one point, but when Maggie tries to ask him about it, he dodges the question and makes another of his nonsense jokes.

One day, while her aunts are out of the house, the voices call to Maggie and ask her to join them. Maggie searches for the source of the voices, and behind the wall in the attic, she discovers a small room with a pair of mysterious dolls who are alive. They walk and talk. At first, Maggie thinks this must be some kind of trick, but it isn’t. She tries to ask the dolls what they are, but they speak in nonsense jokes in response to serious questions, like Uncle Morris.

Maggie is unnerved by the dolls at first, and she throws a fit about how stupid their pretend tea party is, kicking the dolls aside in fear because she can’t understand them and is afraid of what they might do to her. The dolls simply conclude that they must have been wrong and that Maggie isn’t the right one and stop talking to her. Maggie tells them that she doesn’t care and doesn’t want to be the right one, but actually, she can’t stop thinking about the dolls. She wonders what they mean about the “right one” and what kind of person would be the right one. She also feels guilty about damaging the dolls when she kicked them, so she returns to the attic to fix them. When she starts to fix them, the dolls begin speaking to her again.

The dolls become Maggie’s friends, giving her the love she so desperately needs. Maggie also feels needed by someone else for the first time in her life, enjoying the feeling of taking care of the dolls, sort of the way she took care of the girls in her imagination. However, the dolls have a spooky origin, and when Maggie realizes the truth about the dolls, it changes her life forever.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I wasn’t sure if I was going to like this one or not because, while I like sort of atmospheric spooky themes, I have limits on how many scary and sad themes I can take. It did help that the book is divided into sections, each with a prologue about Maggie in the present day as she looks back on this strange period in her life. The prologues explain how Maggie is now in a happier home with people she has come to think of as her parents and younger children that she has also come to love as little sisters. The other kids are fascinated by the stories that she tells about her time with her aunts at the old boarding school, and Maggie enjoys explaining things to them, like she used to do to the imaginary girls, only she speaks more politely to the real girls. Since her time with her aunts, she has learned to get along better with people, and this ghost story is about how she learned how to build connections with people.

The book makes it clear that Maggie’s bad behavior is because she has been lonely, neglected, and mistreated since her parents’ deaths. She has been in various foster homes and boarding schools, but the people who were her caretakers didn’t really love her or have any patience with her. The other children in her boarding schools used her as a target for teasing and bullying, causing Maggie to look at everyone new she meets with suspicion, waiting for them to turn on her, even if they acted nice at first. The adults don’t really build a relationship with Maggie and just expect Maggie to be perfectly behaved, regardless of her provocation. Maggie remembers having spoken to psychologists before, who had her draw pictures of her feelings and family, but they never really solve anything for Maggie. Maggie still feels neglected and unloved, and when the adults at each place she’s been get tired of her, they just ship her off to somewhere else, where the process continues. Maggie’s bad behavior is like shooting herself in the foot, sabotaging possible friendships and relationships, but it becomes more understanding when you realize that this is the only pattern of relationships she knows. Children and adults have both mistreated her, so she doesn’t have any knowledge of healthy and loving relationships to draw on to know how people are supposed to treat each other.

That’s been Maggie’s life for as long as she remembers. The only clothes she has are old, worn pieces of various school uniforms from the various boarding schools where she’s been, and she has no toys or personal possessions except for a pack of cards that she uses to play solitaire, a game that one of her former boarding school roommates taught her. It’s the only game Maggie knows how to play other than imaginary games.

Maggie’s aunts and even her Uncle Morris aren’t particularly good for her. Her aunts have no patience or understanding for her. The aunts do care about Maggie. Maggie does become better fed and healthier because the aunts are concerned about her health, but they don’t understand how to take care of her emotional health. They also have some selfish motives in their care of Maggie, wanting to show off her improvement to their health society because they want to prove their health theories. Uncle Morris is quietly supportive of Maggie, but I found him rather trying because, when Maggie tries to speak to him seriously and sincerely, he just makes jokes and never really addresses her feelings or the realities of her situation. Admittedly, it’s partly because he knows the truth about the dolls but can’t admit it. Still, constant jokes aren’t what Maggie really needs, and his jokes and nonsense wear on her. The dolls also speak nonsense, but they give Maggie the opportunity to learn valuable lessons about how to get long with others and build relationships with them.

One of the first lessons that Maggie learns is that, while other people have done things to hurt her, she also does things that hurt other people’s feelings. Before she can begin to develop relationships, she has to learn to control herself, to not treat other people in hurtful ways, and to apologize and do things to repair damage she’s done. She can’t begin to build a relationship with the dolls until she repairs the damage she did the first time she met them. Maggie is actually amazed that she was able to do it because she has never fixed anything in her life. She is unaccustomed to the idea that she can make things better when things have gone wrong or when she’s done something wrong. Most of her past problems have just ended in failure and with her being sent away.

Maggie also learns that building relationships with other people means caring about their needs, and Maggie likes the feeling of being needed by someone. Acting out the tea parties with an empty tea pot and wooden pieces of bread and watering the fake roses on the wallpaper is still ridiculous, but she does it all anyway because the dolls need her to do it. She gives them presents, too, the first presents that she’s ever given anybody. One of the girls at Maggie’s school, Barbara, sees Maggie making a present for one of the dolls and gives Maggie a little paper umbrella for a doll. Maggie learns that it’s possible for people to bond over shared interests.

However, there is a dark side to this story. There are hints all along about what the dolls really are. The man doll, Timothy John, is always reading a torn scrap of a newspaper about a fire, but he can never finish the story because most of it is missing. Every day is Wednesday for them, and they say that is the day they arrived in that room. When they show Maggie their best Sunday clothes, which they never wear because every day is Wednesday to them, Maggie is surprise to see that the clothes are burned. The dolls also speak of a third person who is supposed to join their doll household at some point, but they say that it can’t be Maggie because she’s supposed to be their visitor.

The truth is that the dolls are the ghosts of her ancestors, the ones who founded the school. They were killed in a fire in the 1800s, along with their dog, who is now a little china dog in their attic room. The story in the little newspaper scrap is about them, and the fire is the reason why the school had to be moved to another building. Maggie doesn’t realize the truth until she runs away after an argument with her aunts because she didn’t come to the party of their society and finds their grave stones. It’s the anniversary of their deaths, and she meets Uncle Morris at their graves. The only time Uncle Morris doesn’t make jokes is when he explains to Maggie how they died.

After the aunts catch her in the attic with the dolls and Maggie finds out who and what they are, the dolls stop moving and talking to her. Maggie tries moving them herself, acting out their tea party, and talking for them. Maggie is afraid that the dolls have now died forever, but there is the third person the doll spoke of to consider. The third person is Uncle Morris. It occurred to me that the story leaves it a little ambiguous about whether the dolls were really the ghosts of the ancestors or if Maggie’s own lonely imagination, inspired by Uncle Morris’s nonsense and bits of family history made her feel like they did. However, the ending of the story indicates that Maggie didn’t imagine any of it because her Uncle Morris dies of a heart attack and becomes a doll in the attic with the other dolls. When Uncle Morris joins the other dolls, the other dolls come to life again. However, it could still be the imaginings of a lonely and grieving child.

Maggie’s aunts decide that they simply can’t handle Maggie, so they are the ones who arrange for her to go to her new family. It was the best thing that they could have done for Maggie. The new family is the family that Maggie really needs, and they want to keep her permanently. She never tells her new sisters the truth about the dolls. Maggie misses being with the dolls, who are also her family, but the idea that they are still alive and that Uncle Morris is keeping the other two in the attic company so they won’t be lonely without her makes her feel better. It’s a bittersweet story.

One of the things that bothers me about ghost stories is that it’s sad to think about how the people got killed. I like stories that are kind of mysterious, but behind the ghost story, there is real tragedy. I feel really bad for Maggie’s ancestors and their poor dog, although they don’t seem to mind their condition too much. On the other hand, maybe some of their nonsense talk is to cover up the sad parts, so they can forget the tragedy and pretend like they’re still living their normal lives and make it so they don’t have to answer Maggie’s uncomfortable questions. Maybe that’s even where Uncle Morris learned that trick.

There are times when the dolls seem to have some memory of the past and what happened to them, but they’re kind of caught in a sense of timeless, so it’s hard to tell how much they really remember. If they really are ghost dolls and not just dolls who are alive in Maggie’s imagination, there’s no explanation about why they are dolls. Did they have dolls made of themselves while they were alive that they came to inhabit after death? Is it because they’re now playing at a life they’re no longer living? The story doesn’t say. Uncle Morris seems to know more than he tells, and he may have known somehow that he would also become a doll after his death. If he met the dolls himself when he was young, he may have made a conscious decision that he would join them one day. However, we don’t know for sure how much he knows or how or why the other dolls know to expect him after his death. Poor Maggie’s life has been about loss since the death of her parents. She lost them and her first home and every home she’s had since then. The idea that people she loves stay alive in the dolls could still be her imagination. The story indicates it’s all really happening, but readers can still decide for themselves.

Gone Away

I haven’t found a copy with its dust jacket intact.

Gone Away by Ruth Tomalin, 1979.

Time flies?
Ah no.
Time stays.
We go.

Sundial motto from the beginning of Gone Away

Francie is an only child living on a farm called Goneaway Farm in Sussex in the 1930s. It’s a very old farm, and there’s a story about it that, hundreds of years before, another family once lived there, another couple with only one child. One day, this family went to a fair in another town, Alchester, and for reasons nobody understands, they never returned to this farm. The farm stood empty for a long time before it had a new owner. Because this old family went away with no explanation, the farm came to be called Goneaway. In spite of this strange story and the age of the farm, Francie has never felt that the farm was haunted or that there was anything sinister about it. Then, Francie finds herself staying in a real haunted house.

There are no illustrations in the book. It starts with this quote.

Because the farm where Francie lives with her parents is far away from local schools, Francie studies her lessons at home with her parents’ help, but she often gets distracted by the animals on the farm and doesn’t focus on her lessons. Francie’s great-aunts, Aunt Berta and Aunt Fanny, live in Scotland, but when they come to visit the farm, they see how Francie isn’t getting her schoolwork done. The aunts are also concerned at how isolated Francie’s life is. There are no other children living nearby to be friends with Francie, and they think that her life must be lonely. They talk to Francie’s parents about sending her to boarding school, but they say that they can’t afford it. They can’t even afford a car, which is why they can’t drive Francie to school in town. The aunts remind Francie’s mother that she used to board in a private house with a nice family so she could attend school when she was young. Boarding with a family wouldn’t cost as much as a fancy boarding school, and she could come home on weekends. Still, Francie’s parents are reluctant to send her away because they think she’s too young, and they’re not ready to part with her.

When the aunts leave after their visit and her parents don’t bring up the subject of school again for a while, Francie is relieved. She loves her life on the farm, and she doesn’t want to leave. Yet, she also finds herself oddly disappointed, too. She’s read stories about children at schools, and their adventures do sound exciting. She thinks it would be ideal if she could go to school during the day and come home afterward, like other children do, but that just won’t work with her family’s circumstances. Her parents’ attempts to find friends for her just aren’t working, either. Her parents start inviting other farm families to visit on Sundays, but Francie doesn’t get along with their children. The reasons why she doesn’t get along with them are largely because the other children don’t behave well, but these incidents convince Francie’s parents that maybe the aunts were right and that Francie could benefit from going to school and meeting a wider range of other children.

Her parents write to the high school in Alchester and inquire about registering Francie. They arrange for Francie to take entrance exams, but Francie has mixed feelings about it. On the one hand, the idea of boarding and going to school, with the knowledge that she will come home on the weekends, seems exciting, but on the other hand, she worries that the children at the school won’t be any more friendly than the children of the nearby farm families. Her mixed feelings continue through the day when she and her mother visit the school. At first, Francie thinks that maybe she’ll flunk the entrance exams on purpose so she won’t have to leave her farm. Then, after the initial tour of the school, Francie thinks that going there may be exciting after all, so maybe she’ll try to pass the exams. The exams are difficult, and she expects she’ll fail them after all because she really can’t do the work. Her parents tell her not to worry because, if she fails this year, she can always study more and try again next year. However, it turns out that she did pass. The arithmetic portion of the exam really was too difficult for her because the person giving her the exam accidentally gave her a higher level test instead of the basic entrance exam, but Francie did an excellent job on the writing portion of the test.

Since Francie will be attending the school in Alchester after all, she and her mother begin shopping for her school uniforms and other supplies. Francie is still worried about the prospect of boarding with strangers in town, and her mother isn’t sure how to find a house or family willing to take her. A boarding prospect turns up because Francie is too small and skinny for even the smallest available size of the school uniform, and she and her mother have to visit a professional tailor. The tailor, Mrs. Majendie, also has a few rooms that she rents out to boarders. Francie isn’t sure that she’ll like boarding with Mrs. Majendie at first because she and her house seem a bit grand, her dog seems oddly bored and unresponsive to Francie’s friendliness, and her other boarder is the headmistress of another school in town, the Chantry School. However, the available room is beautiful, with a four-poster bed and tapestries, and the room has a view of the nearby churchyard, where the children from the Chantry School are playing among tombstones in the old graveyard. Mrs. Majendie says that the Chantry School was once a chapel, and her own house was once an old inn. She also says that a new housekeeper will be moving in soon with her daughter, who will attend the Chantry School. It all seems like a fairy tale kind of place to Francie, and she is reassured that there will be another girl living in the house with her, so she tells her mother that she would like to board there.

When she actually starts school, it goes pretty well. The classes aren’t too hard, the subjects are interesting, and she gets along well with the other girls. There is an older girl called Trixie who likes to play pranks on the younger students, and some of the girls tease Francie about her height, but the older girl who is assigned to look after her, Verity, tells Francie not to take any notice of those girls. At first, Francie is able to use her bicycle to get from school to the train station, so she is able to go home every night, but then, as the days grow shorter, and it gets dark sooner, she can’t do that anymore, so she starts to board in town with Mrs. Majendie.

Her boarding experience turns out to be different from what she first thought, though. It turns out that the new housekeeper isn’t very friendly, and her daughter decided to stay with her grandmother instead of coming to town with her mother, so the house is lonelier than Francie had expected. The atmosphere is also different in the winter than in the summer, when Francie first saw her room. The room seems colder, darker, and a little more sinister in the winter, and in the evening, there aren’t any children playing in the churchyard outside. At night, she hears strange sounds, like a tapping and a wailing. When Trixie learns that the place where Francie is boarding is Falcon House, she implies that there’s something really wrong with the place, but Francie assumes it’s just another of Trixie’s tricks. Then, when other students try to get Trixie to shut up and remind her that they all promised not to talk about it in front of Francie, Francie realizes that there really is something weird about the house. She tries to get Verity to explain it to her, but Verity refuses, which just makes Francie angry and more scared. Now, she knows there is a real secret about the house, but she doesn’t know exactly what it is.

A strange man comes to visit Falcon House, and Francie sees that his card says he is Dr. D. Bone Fane from the Circle for Psychical Research. Francie doesn’t know what it means, so she asks some of the other girls at school if they know. One of them, Bryony, says that she’s met this man before. He’s a ghost-hunter from the United States, investigating supposedly haunted places. Bryony’s father teaches in the Abbey choir school, and this man has been pestering him about stories of a haunting there, although Bryony’s father thinks it’s all boring nonsense. From this information, Francie realizes that Dr. D. Bone Fane is interested in Falcon House because he thinks it’s haunted. She confronts Verity about it, and Verity admits that there are stories of hauntings at Falcon house. Nobody’s ever actually seen the ghost that haunts the house, only heard things, and the only people who have heard the ghost are children. According to the stories, Mrs. Majendie’s own children were the last children to be haunted by the ghost, and they were so scared of the house that they begged their mother to send them to boarding school so they could get away from it. Francie is the first child to live in the house since the Majendie children grew up. Francie realizes that this is why the housekeeper didn’t bring her own daughter to the house and why she seems uneasy about Francie’s presence in the house. Mrs. Majendie even gave her nightlights as a gift because she was expecting Francie to be frightened. The headmistress at Francie’s school told everyone not to talk about the ghost stories, not because she believes in them, but because she was afraid that Francie would believe them and get scared. Everyone but Francie has known about the ghost stories from the beginning, and they’ve all been waiting to see what she will experience in the house, if anything.

The more Francie thinks about it, the more she realizes that she sensed the presence of the ghost on her first visit to the house. Besides the noises she’s been hearing at night, the dog in the house reacted to something at the top of the stairs, as if an invisible hand was petting him. When Francie returns to Falcon House after visiting Verity, it’s a stormy night, and she’s terrified about what might be waiting for her at the top of the stairs. However, when she gets there, and she realizes that it’s just her, the dog, and the ghost, she suddenly realizes that the ghost isn’t a menacing presence. The dog likes it, and it seems a little teasing, but it doesn’t mean Francie any harm. Strangely, its presence begins to feel reassuring to Francie because she’s no longer alone in the house, the only child among adults. The ghost is a child, too. In fact, it’s the ghost of the child from Goneaway, the one who disappeared hundreds of years ago, along with its parents.

The more that Francie investigates, the more she comes to realize that the ghost needs her help. Helping the ghost means learning the truth about the family who once lived on the farm that Francie calls home.

This book was originally published in the UK. The book is available to borrow and read for free online through Internet Archive. There is a sequel to this book called Another Day.

My Reaction and Spoilers

This book fits well with the Dark Academia aesthetic, and it could also be considered Dark Cottagecore because of the farm and countryside themes. When Francie is on the farm, she describes the animals and plants in the countryside. Francie’s school isn’t a boarding school, but she does have to board in a spooky place to go there. There are many literary references throughout the story, and there’s a note in the beginning of the book about the poetry references. Francie reads The Story of the Amulet by E. Nesbit for fun, and her class at school reads Treasure Island. She uses stories she’s read to help her understand what is happening around her. When she makes friends with a girl named Geraldine at school, Geraldine also uses story references to explain what she thinks is happening with the ghost.

When Francie first begins to interact with the ghost, she is only able to sense its presence but not really see it. As the ghost begins to interact with her, it gradually begins becoming more visible. At first, Francie can’t even tell whether the ghost is a boy or a girl, only that it’s a child about her size. She wonders why the stories she’s heard about this child and its parents never mention whether the child is a boy or a girl or what its name and age were. She thinks it’s sad that so many little piece of history get lost.

What she eventually realizes is that the child and its parents were probably plague victims because they disappeared around the time that the plague came through this area in the Middle Ages. She thinks that they probably caught the plague when they came to town for the fair and were buried in one of the unmarked mass graves she’s heard about, and that’s why they were never able to return home. When she talks it over with Geraldine, Geraldine realizes that the children who have been able to see the ghost were all suffering from homesickness when they first arrived at Falcon House. The ghost is awakened by feelings of homesickness in other children because that’s what the ghost has been feeling the entire time. What it wants is to go home to the farm, and Francie has to find a way to help bring it home with her. There is a twist in the ghost story later that leaves Francie wondering how much of what she’s perceived about the ghost is her imagination and another girl, the housekeeper’s daughter, sneaking around the house. However, there really is a ghost, and Francie does figure out how how to help it. It comes home for Christmas with Francie.

During the story, Francie struggles with the difficulties of being away from home and going to school for the first time, and she also starts to consider what it’s going to mean for her future. She still thinks of herself as living at Goneaway Farm, but then, the wife of a farm hand refers to her as becoming a “visitor.” Francie feels uneasy about that because she knows that the woman’s son also went away for school and decided that he would rather do something other than farming, so he now lives somewhere else. Francie still thinks of the farm as her home, and it upsets her to think of the farm without her or her life without the farm in her future. But, is that really what she wants? Before her great-aunts raised the issues of school and friends, Francie was content with her life and didn’t realize that either of those things was something she was missing or might want. Now that she’s going to school in town, meeting new friends, and experiencing some independence to explore the town on her own, what else might she discover that she wants and never knew she could experience before? Will the new things she learns and wants to experience mean giving up her old life, which she still loves? These are all questions that people have as they’re growing up and pursuing an education.

Nobody really knows where life will lead them when they’re just starting out, and that can be scary, but at the same time, growing up does mean change. The changes that Francie experiences are ones that she would have experienced anyway, eventually. Her mother understands some of how Francie feels because she also boarded as a child so she could go to school, but at the same time, Francie realizes that her mother doesn’t understand everything that she’s going through because she isn’t there with her every day. Her mother doesn’t fully know what her classes or teachers are like or what the other people she meets and lives with at Falcon House are like. For the first time in Francie’s life, she and her mother are starting to live different lives, and there are some things that Francie must experience and make decisions about on her own.

The practice of children from rural areas boarding at a private house to attend a day school in town is a real part of history, both in the UK and in the US. I covered that earlier when I reviewed Sixteen and Away From Home, a book set in the 19th century Midwestern US, and The Secret School, when a teenage girl named Ida wants to go to high school in the 1920s. Anne Shirley did the same in Anne of Green Gables, which is set in 19th century Canada. This is what children from rural areas in different countries have had to do if they wanted more schooling than they could get in their area.

There is a scene in the story with some gyspies. The book calls them both “gypsies” and “travellers.” One of them tells Francie’s fortune, which gives her hints about what to do. There is also a scene where girls from Francie’s school put on a performance, and there is a dancing dragon and a student who is dressed as a “Chinese boy” for part of it. The “Chinese boy” costume is only mentioned briefly and not described in detail. It’s the sort of thing that is discouraged now in school, people dressing up as people from other races.

The Lives of Christopher Chant

This is the fourth book in the Chrestomanci series.  In this series, there are many different dimensions, and in each of those different dimensions, there are alternate versions of our world, and there are copies of every person in the world.  Different versions of our world can differ dramatically in their history, and individual people’s lives can differ dramatically between the worlds. There is one person in each generation who has no duplicates in any of the other worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across their duplicates in the other worlds are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions and between worlds, and he acts to keep a balance between them and make sure that the different worlds keep their proper course. This book is about the childhood of the current Chrestomanci, Christopher Chant, and how he came to be the Chrestomanci.

Young Christopher Chant’s early childhood isn’t very happy. His parents have a very unhappy marriage, and his father never pays any attention to him at all. In fact, Christopher hardly even sees him and isn’t confident that he’d recognize him if he met him anywhere. Christopher later learns that his parents’ marriage was one of convenience. His mother has a great deal of money, and his father is from an important family. Christopher’s social-climbing mother wants him to be very important when he grows up. Christopher is mostly raised by a series of nannies and governesses, none of which stay very long. Servants in general don’t stay very long in the Chant household because the parents’ angry bickering and the passive aggressive notes that they force servants to pass to each other when they eventually stop speaking to each other directly make life unbearable. Christopher only learns that this is not how most households are when his nannies and governesses apologize to him before they leave.

Eventually, his parents’ relationship collapses entirely after his father loses a great deal of money, and his father either leaves his mother or is sent away in disgrace. His mother brings her brother, Christopher’s Uncle Rafe, to live with them instead, and she lets Uncle Rafe run the family finances and attend to Christopher’s education. Christopher enjoys having Uncle Rafe in the house because Uncle Rafe is a jolly man and actually pays attention to him, unlike his own father.

Something else that Christopher first thinks is normal but later learns isn’t normal at all are the strange dreams he has. Christopher often dreams of a strange place filled with valleys. Every time he enters one of the valleys, he has adventures there, and people give him presents. He often loses the presents before he returns home, but sometimes, he manages to keep them, waking up with them in his bed in the morning.

One day, the new governess Uncle Rafe hired catches Christopher playing with one of the strange objects and asks him where he got it. When he tries to tell her about his dreams, she doesn’t believe him at first. Thinking that he may have stolen the strange object from somewhere, she takes him before his mother and Uncle Rafe. However, Uncle Rafe does believe Christopher’s explanation. He says that Christopher seems to be a spirit traveler, having the ability to go to other worlds in his sleep, and he is amazed that Christopher was able to bring an object back with him.

Uncle Rafe asks Christopher to try a few tests of his abilities. First, he asks Christopher to look for a man in his dreams and to bring back a package from that man. Christopher does so successfully. The man is called Tackroy, and Tackroy explains more about the other worlds to Christopher. Every valley Christopher sees is a different world. There are series of worlds, and those series of worlds have numbers. The world where Christopher lives is number 12. At first, Tackroy thinks that there are only 12 worlds, but Christopher says that there are many more than that. Christopher can see better in the space between worlds because, as Tackroy realizes, he is actually there physically, where Tackroy can only be there mentally or in spirit. It is because Christopher can go to other worlds physically that he can bring back objects. Tackroy has hardly any substance in these other worlds, being almost like a ghost, until Christopher realizes that he can help make him more substantial. Both Tackroy and Uncle Rafe are excited by Christopher’s abilities.

Then, they decide to do a test of whether Christopher can carry something living from one world to another. Tackroy asks Christopher to get one of the cats from a temple in world 10. When Christopher enters the temple, he meets a young girl, just a little younger than he is. She says that she is the living embodiment of the goddess Asheth, which gives her special powers. However, she is not allowed to leave the temple except once a year to do a blessing, and she can’t interact much with anything or anyone from outside the temple. It’s a very boring life, and she isn’t very happy in it. When Christopher explains to her about wanting one of the temple cats for his uncle, she agrees to give him the most disagreeable cat in exchange for some books from his world because she is so bored. Christopher agrees, and she helps him to capture the cat. Unfortunately, the cat gives him away when he tries to leave the temple. Christopher is actually killed when a temple guard puts a spear through his chest! That is the first indication that Christopher has nine lives.

When Christopher wakes up, he is in his own bed at home, he has no injuries, and he still has the cat. At first, Christopher’s lack of injury makes him think that the other worlds might be a kind of dream after all, but that doesn’t explain how he still has the cat. Then, he has an accident while pursuing the cat in his room that brings down the curtain rod, which stabs him in the chest again! When he screams, the governess rushes in and tends him.

When Christopher wakes up again, he hears the governess and Uncle Rafe talking. The governess has placed healing spells on him, and she thinks he will recover. Uncle Rafe says that the cat from the Asheth temple is very rare and magical and that wizards would pay a lot of money for parts from the cat. Later, when Christopher sees that the cat is pleading for Christopher to let it go, he does so. As much as a he wants to please his uncle, it does seem cruel to kidnap an animal from its own world and take it to another to be killed and have its parts sold off, even if it’s a mean cat that almost got him killed. When the governess looks for the cat later and can’t find it, Christopher just reminds her that it is a magical cat, so she supposes that it just vanished.

Then, unexpectedly, Christopher’s worried father comes to see him without his mother’s knowledge. His father tells him that he had placed a spell on Christopher to monitor his life, and it seemed like the spell had told him that Christopher was dead. Christopher assures him that he’s fine. His father is relieved, but he is also still worried. He tells Christopher that he did Christopher’s horoscope and that the next year and a half will be dangerous for him. He also warns Christopher that his Uncle Rafe isn’t a nice person and that he should avoid getting mixed up in his business.

In spite of his father’s warnings, Christopher continues to participate in his uncle’s experiments in other worlds with Tackroy. Tackroy apologizes to Christopher profusely for the incident with the spear, saying that he would have felt horrible if Christopher had been killed. It becomes clear that Uncle Rafe’s “experiments” involves a business collecting and selling rare objects from one world to people in another. As Christopher helps Tackroy with it, the two of them become friends, and they enjoy exploring and learning about other worlds.

Things change when Christopher is sent to boarding school. He likes school and making his first friends with other boys. He does well in most of his subjects, although strangely, he can’t seem to do any magic in his magic lessons. It’s strange because Tackroy had told him that he’d probably be really good at magic because of his ability to travel through worlds. He hates to give up on magic studies because he really does want to learn more about magic.

Remembering his promise to bring some books to the goddess girl, Christopher asks a school friend with a sister for advice about what girls like. He buys a set of books about a schoolgirl called Millie. Unfortunately, he can’t seem to travel in his dreams at school, like he did at home. His uncle becomes impatient with him for not keeping his appointments with Tackroy, too. Christopher can’t think what’s wrong. Was there something special about his night nursery at home? Is he growing out of his old abilities?

When the school matron notices that Christopher is having trouble sleeping, she removes the new braces that he had put on his teeth, thinking that they’re causing him pain. Suddenly, Christopher is able to travel in his dreams again. He is able to deliver the books to the goddess girl and rejoin Tackroy in their work in the other worlds. Then, another accident that kills him again reveals his secret, extra lives to everyone, including his parents.

At first, it’s difficult to prove that Christopher has multiple lives, and his parents (of course) argue about what to do about it. After learning that Christopher’s mother secretly plans to take him abroad, Christopher’s father quickly removes him from his boarding school and takes him to Cambridge to be tested by an expert. In spite of his earlier apparent neglect, Christopher’s father does care about him, and for Christopher’s own good, needs to confirm a few things that he has already suspected about Christopher. The expert not only discovers the reason why Christopher was unable to perform magic in class (a sensitivity to silver that shuts down his powers whenever he comes in contact with it) but also proves that Christopher is a rare, nine-lived enchanter. Being one of those rare enchanters means that Christopher is destined to become the next Chrestomanci!

Christopher is shocked and dismayed when he is immediately made the ward of the current Chrestomanci, Gabriel DeWitt, and sent off to Chrestomanci Castle. It’s really the best place for him to learn about his new-found abilities, but Christopher fights it. DeWitt embarrasses him by telling him things about both of his parents and why neither of them is really suited to be his guardian. It’s all true, but that only makes it more embarrassing.

Christopher is lonely as the only child in Chrestomanci Castle, and while he is considered very important, nobody there seems to consider his feelings at all. Nobody cares that he would rather be a professional cricket player than a Chrestomanci! If it wasn’t for his natural abilities, which were just an accident of birth, nobody would have any interest in him at all. Also, even the heavy enchantments of Chrestomanci Castle can’t seem to stop the series of bizarre accidents that begin robbing Christopher of his extra lives. The only person who seems to understand Christopher is his secret friend, the goddess girl in world 10. Like Christopher, she is also a prisoner in her temple, being used by other people for her abilities but not really cared for as a person. More than anything, she wishes she could be an ordinary girl, like the girls in the books Christopher brings her, going to school and having friends.

Christopher wants to keep on working with Tackroy for his uncle because he loves exploring the other worlds and because it gives him some freedom from his life in Chrestomanci Castle, but Tackroy points out that his uncle has also been taking advantage of him. His uncle is getting rich off their activities, and he hasn’t even been paying Christopher for making them possible. Tackroy now knows that Christopher has died or nearly died more than once for his uncle’s business. Christopher has been getting deeply involved in something he doesn’t fully understand. The full truth is going to hurt, but Christopher needs to see it to save the lives he has left and realize his proper place in the world(s).

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Some book lists place this book first in the Chrestomanci series because, if you follow a linear timeline of events in the stories, it does come before the other books, but it was originally the fourth book published, and I think it’s best to read the other books first, especially Charmed Life. The books in this series are fantasy, but they’re also mystery stories. There are secrets to be revealed in every book, and if you read this book first, it spoils some of the mysteries in Charmed Life.

It is a good book to read, though, because it provides some of the missing backstories of some of the other characters. At the end of Charmed Life, Christopher (as the current Chrestomanci) tells Eric/Cat about how he found out that he had nine lives and that he was going to be a Chrestomanci even though he couldn’t cast spells at first. His sensitivity to silver is a part of the story, and the way it is revealed in this book matches his earlier description in Charmed Life.

During the course of the book, we also learn a little more about the extended Chant family and get brief glimpses of Christopher’s cousins, who later go on to marry each other and become the parents of Cat and Gwendolyn Chant. The Chants are known for being a powerful magical family that produces enchanters, who are much more powerful than ordinary witches. Once every generation, they produce a disreputable one, which happens to be Christopher’s father in this generation. Christopher’s father is an enchanter, so he’s more powerful than general witches, but not nearly as powerful as Christopher. He has an over-reliance on the horoscope charts he draws, and they don’t always turn out right.

Christopher’s mother and his Uncle Rafe are part of the Argent family, which is also magically powerful but has a bad reputation. DeWitt doesn’t even specify at first what they are known for, only that he would never associate with them. It’s Christopher’s father, who does care about his son even though he doesn’t really know how to care for him, who points out that “Argent” means “silver”, and this is part of the reason for Christopher’s sensitivity to the metal. The Argent family, including his mother, and especially his Uncle Rafe, are toxic to Christopher in ways that he doesn’t fully understand and finds difficult to accept. Christopher’s mother doesn’t actually mean him any harm, like his Uncle Rafe does, but she is foolish and easily swayed by Rafe. Christopher comes to forgive her because he was also tricked by Uncle Rafe into doing his evil business when he was too young and naive to understand.

We also learn the origins of Christopher’s future wife, Millie, in this book. She is very powerful in Charmed Life, but this book explains why she is so powerful. One thing that I don’t think is adequately explained is how Christopher’s children, Julia and Roger, are not Chrestomancis themselves. After all, there is only one of their father, so I think it should be assumed that there are no duplicates of either of them in the other worlds, but they may be exceptions somehow because there was never a chance that they could have had duplicate selves or because their mother is actually the incarnation of a goddess.

The books in this series blend dark parts with some humor, which make the books lighter to read than they otherwise would be. Because of the dark parts, I wouldn’t recommend these books for anyone younger than the middle school level. Christopher does get killed multiple times in the book (although he still has extra lives left at the end), and there is trading in human lives and souls. The goddess girl, who takes the name of Millie, comes to realize that she is meant to be sacrificed when she gets too old to be the young incarnation of the goddess, which is a horrifying revelation. She runs away to Christopher’s world and begs him to help her go to a boarding school, like in the books she likes to read. Her goddess’s followers pursue her to Christopher’s world, and there is more bargaining for her life. Fortunately, the old priestess who has been caring for her is not as heartless as it seems at first. When she finally meets with the girl in front of Gabriel, she admits that she usually finds a way of sparing the young goddess incarnations, buying their lives with one of the nine lives from the temple cats. She has to do it in secret, but she has saved up enough money in jewels to pay for Millie’s education where she can be safe in this other world. To spare Christopher and the cats the children love from losing their lives, Gabriel kindly gives the priestess one of his own spare lives because he still has several lives left. He also accepts the responsibility of having Millie as his ward and arranging for her education.

Through his adventures and having to take charge as the Chrestomanci and rescue Gabriel when he is in trouble, Christopher comes to more fully understand what it means to be the Chrestomanci. He also comes to understand Gabriel a little better. He is surprised to realize that Gabriel has hated the job of Chrestomanci. Like Christopher, he also felt forced into the role and resented it, but he made himself do the job anyway because it is a vital job for the protection of his world and others. To Christopher’s even greater surprise, he realizes that when he does the job for real instead of just having boring lessons, he actually likes the job much better than Gabriel does and no longer resents being trained for it. Gabriel has also realized how lonely and isolated Christopher is, and he says that he is taking steps to bring other young magicians to the castle to work and be trained, so Christopher will have companions. The story ends happily, and there is even a reconciliation between Christopher’s parents.

Witch Week

This is the third book in the Chrestomanci series.  In this series, there are many different worlds, and in each of those different worlds, there is a copy of every person.  Different versions of our world can differ dramatically in their history, and individual people’s lives can differ dramatically between the worlds. However, there is one person in each generation who has no duplicates in any of the other worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across the other worlds are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions and between worlds, and he acts to keep a balance between them and make sure that the different worlds keep their proper course.

This story takes place in a world where witches are being burned at the stake in the 1980s. At a boarding school for troubled children and orphans, everyone is aware of what an accusation of witchcraft can mean. One day, one of the teachers finds a note in a social studies book saying that one of the students in class 6B is a witch. It’s a serious accusation, but how seriously should anyone take it? This is, after all, a school for troubled children, and children in general play pranks. Mr. Crossly finds the note worrying. Some of the teachers are convinced that this is just a prank or someone playing up for attention. Miss Hodge says that there is a sick mind in class 6B. Mr. Wentworth, whose own son, Brian, is in that class, says that he’s sure that all of the kids in class 6B have sick minds, but that’s just typical. He thinks it’s best if the teachers take no notice of the note. But, the note is correct. There is a witch in class 6B.

Strange things start happening in class 6B and to the students in that class. A flock of assorted birds swarms into their music class. In gym class, Nan Pilgrim can’t manage to climb the rope, no matter how hard she tries. When she and two other students are called to have lunch with the headmistress, Nan finds herself making disgusting comments about the food without her even wanting to say anything, but for some reason, the headmistress can’t hear a thing she says, even though the other students can. Then, it is revealed that Nan’s real name is Dulcinea, which is the name of a famous witch. Could Nan secretly be the witch in class 6B?

Although she can’t openly admit it, Nan is descended from the famous witch Dulcinea, who tried to stop the persecution of witches, and she is also what is called a “witch orphan”, meaning that her parents were witches. However, Nan insists that she’s not a witch herself, and Nan isn’t the only suspicious student in the class. Everyone there is troubled in some way. Brian Wentworth is often picked on for being the son of a teacher. Simon Silverson, Dan Smith, and Theresa Mullet are bullies. They are all eager to point fingers at Nan for being a witch, but could that be to cover up for themselves?

Charles Morgan was sent to the boarding school because his parents think that he is troubled and disobedient and a bad influence on his younger brother. In a way, he is very troubled, but he can’t explain what is really troubling him. When he was younger, he witnessed a witch being burned, something that still traumatizes him. Then, he helped another witch who was being hunted to escape. He can’t admit to his parents that he helped this witch because it was illegal, but the witch promised him good luck for doing so. So far, he hasn’t noticed any good luck, and he feels terrible every time he hears about another witch being burned, thinking that it might be his witch. It all makes him angry and depressed, and he hates the boarding school and everyone there.

Miss Hodge tries to investigate the students by having them act out witchcraft inquisitions. Since most of the children don’t know what happens at an inquisition and aren’t very good actors, most of them are terrible at it. But, she comes to think maybe Charles is the witch because he gets angry at Nan over all the disgusting things she said at lunch and taunts her about them in a way that makes it sound like he’s saying some kind of spell.

When Miss Hodge tries to tell Mr. Wentworth about it, he shrugs it off because he also heard the things Nan said at lunch. Mr. Wentworth interviews Nan about why she said all those things at lunch, but she can’t explain herself. She doesn’t know what made her say those things. Sometimes, she just can’t seem to help herself, and she felt almost possessed. Mr. Wentworth knows about her family’s history and warns her to be careful.

Then, when Charles is trying to escape from some bullies, he somehow manages to turn himself invisible. He doesn’t understand it, but he tries to do something else magical as a test. Since Dan Smith hid his spiked shoes earlier, Charles tries making Dan’s spiked shoes disappear. To Charles’s horror and astonishment, he succeeds! Somehow, he has apparently been a witch the whole time without knowing it. Charles thinks maybe he did some of the other strange things without knowing it, too. He’s always heard that witches are evil, and he thinks maybe he has secretly been evil this whole time and had better confess. An accidental mix-up when he goes looking for the headmistress stops him from confessing immediately, but it leaves him unsure what to do.

Mr. Wentworth has a private conversation with Charles about Miss Hodge’s suspicions about him. He knows what Charles was really talking about when he was arguing with Nan, but he points out to Charles how bad it might sound to someone who didn’t know what he was talking about. Information about witches and the past witch uprisings is drastically censored. There is almost nothing about it in the school library, but Mr. Wentworth understands the situation and explains it to Charles in a no-nonsense way. Nan’s ancestress, Dulcinea Wilkes, had been an advocate for witch’s rights in the 18th century, particularly the right not to be murdered. She said that witches couldn’t help being witches because they were born that way, and it wasn’t fair for them to be murdered for something they just couldn’t help. She said that witches would only use their powers in good ways if people would stop hunting them and burning them, but the murders and burnings continued, and Dulcinea lost her temper. She retaliated with violent spells that frightened people so much that they also murdered Dulcinea by burning her. In remembrance of that, people still continue to burn effigies of her, like they do of Guy Fawkes. Mr. Wentworth says that he thinks what happened to Dulcinea was unfair, but he is worried about his students because there has never been so much stigma against witches at any earlier point in history. Although his students wouldn’t remember it, there was a major witch uprising around the time they were all born. The news of this uprising was largely hushed-up, but the witches attempted to take over the entire government. The revolutionaries were all civil servants, and they were all burned when the uprising was crushed, but the government has been paranoid about anyone with any sign of witchcraft since. When they learned that the leader of the uprisings started showing signs of witchcraft when he was about 11 years old, they even started allowing children to be arrested for witchcraft, even on slight suspicion. The inquisitors have powers that go largely unchecked. Mr. Wentworth knows that any of his students can be hauled away and executed with little recourse.

Even though Mr. Wentworth is concerned with protecting Charles, Charles gets angry with him for giving him a black mark as a reminder to control his behavior, and he glares at Mr. Wentworth. It’s a terrible mistake. It turns out that Charles has the evil eye, and it seems like he accidentally makes Mr. Wentworth disappear. Although Charles tries to pretend like everything is normal, he is desperate on the inside. Soon, someone will realize that Mr. Wentworth is missing and that Charles was the last person to see him. He even tries burning his own finger on a candle to remind himself that burning hurts, and he needs to control himself to avoid being burned to death. When he tries to fix what he’s done with magic, Mr. Wentworth does return, but everyone’s shoes mysteriously disappear.

To Charles’s surprise, the memories of the witch he saw burned and the witch he helped to escape stop bothering him so much after he knows and accepts that he is a witch himself. It’s like he’s always known, inside, that he would be a witch, and once he becomes reconciled to his true nature, he becomes calmer and more self-confident. He knows that he can’t stop being a witch. He can only try to avoid being caught. However, it turns out that he is not the only student who has witchcraft, and when the desperate students seek help or a method of escape from this prison-like school, they accidentally summon Chrestomanci to straighten everything out.

The book is available to borrow and read for free online through Internet Archive (multiple copies, including some in different languages).

Like all of the books in the Chrestomanci series, this book takes place in an alternate world or alternate reality. It explores not only the suspicion and paranoia that go with witch hunts but also the mechanism by which these alternate worlds or realities are created. When the students who have realized that they are witches try to escape, they are given a spell that calls Chrestomanci from his world to theirs. Chrestomanci is accustomed to being summoned to random places on short notice (it’s just one of the hassles that come with the job), but he finds this particular world puzzling. He knows from the similarities between this world and others in the series of worlds that contains his own that he must be in that particular series of worlds, but he recognizes immediately that there is something wrong with it. It has way too many similarities with the world that is “our” world in the series, but yet, there shouldn’t be any witch trials or burnings in the 1980s. He explains that alternate worlds are created when there is some major event that has only two outcomes with an equal chance of happening. Every time that happens, the world splits into two separate worlds where each of the possibilities happen. Because this world is so much like the world that is “ours”, he knows that whatever event caused the split happened fairly recently in history, but for some reason, the split wasn’t complete. There is no real magic in “our” world, but this odd, dysfunctional, split-off world is full of it.

By talking to the students about what they know about the history of their world, Chrestomanci is able to pinpoint the event that caused the problem. As with other Chrestomanci books, Chrestomanci doesn’t just magically solve the problem all by himself, but once he understands the situation, he shows the students at the school where the problem lies and what they need to do to fix it themselves, making use of their own powers, and even some of the mistakes they’ve made, to set their world right and re-integrate their world with “our” world. Once their world is repaired, it’s as if all the witch trials never happened. People who were burned are alive again, and people who were in prison are living perfectly normal lives. The children must sacrifice their magical abilities and all or most of their memories of their old lives to join with our world, which some of them are initially reluctant to do, but once they do it, all of their lives change for the better. Orphans have their parents back, the school is now a day school instead of a boarding school where the children were basically prisoners, and the children are all much friendlier toward each other now that they are no longer part of that toxic atmosphere, where suspicions always surrounded them and everyone is afraid of exposure.

Parts of the story were stressful because of the bullying among the students and the constant threat of imprisonment or death for any child who was proven to be a witch. Most of the adults are not that concerned with the welfare of the students because this entire society is engulfed with paranoia, and everyone is desperate to protect themselves at all cost. The adults are often so preoccupied with saving themselves that they would be willing to throw the children to the wolves rather than face imprisonment or death themselves. The major exception is Mr. Wentworth, who tries to warn children who show signs of witchcraft that they need to be careful. His efforts to protect the children are touching because he has more to lose than some of the other teachers who play along with the politics and paranoia of their society. (Spoiler!) Mr. Wentworth and his son Brian are both witches, and Mr. Wentworth is being blackmailed for most of his salary by the headmistress. Mr. Wentworth advocates self-control to the students as the best way to avoid being caught, but it soon becomes apparent that nobody with witchcraft abilities can fight using them forever. That’s why some of the children’s abilities come out unconsciously, without them even being fully aware of what they’re doing. That’s where the mystery of the story comes in.

Chrestomanci books always contain an element of mystery in some way or other, and from the beginning of the story, there are the questions of who wrote the note about there being a witch in class and who the witch is. We never learn who wrote the note (I don’t remember that being definitely revealed), and in the end, it doesn’t really matter. When Charles realizes that he is a witch, that seems like the answer. However, Charles is not the only witch in class. As one of the other students points out, all of the weird things that have been happening at the school are very different in character, so there is more than one person involved. By the end of the book, it is revealed that (spoiler) the vast majority of the students at the school are witches. Some have been doing magical things unconsciously as their powers have started asserting themselves, and some have done things on purpose because they know they can. Chrestomanci realizes that many more people in their society in general are witches than these paranoid people ever suspected, and witches are only regarded as a minority because of the atmosphere of fear they live in. Everyone has been trying so hard to conceal any sign of abnormality that they all have a warped view of who they all really are and what their society is actually like.

I couldn’t help but notice that, witch or not, absolutely nobody in this society can be called an innocent person. Everybody is doing something illegal, unethical, or simply deceptive. They all have secrets, and they all do things to cover up what they’re doing. Even non-witches are often doing horrible things that they have to cover up. The apparently sweet and proper headmistress is actually a cold-hearted blackmailer. Teachers are manipulative for personal and professional reasons. The so-called “normal” (or “real”, as Nan thinks of it) children are all either secret witches or just horrible bullies and rotten human beings. Like their elders, the “normal” children are sneakily manipulative and practice blackmail and brutality against the other students, knowing that’s the way to get to top of their social heap. As I said, the entire society is toxic, not just the school, and everything the children do is a reflection of their elders (and vice versa, when you think about it). Grown-up witch hunters are like overgrown child bullies, and people like the headmistress probably started their blackmail and manipulation at a young age, just like the students, as tools of survival and self-promotion in this cold, toxic, pitiless world.

The normalization of the toxic parts of this world is both stressful and worrying. People can adjust to many awful things if they are not given any alternative, and that’s what this dysfunctional world represents. There are moments of lightness, though, and some characters are more caring than others. The story is told from the point-of-view of different characters, and much of this book is a psychological study in the different ways people deal with bullying, suspicion, and paranoia. As I said, Mr. Wentworth risks himself sometimes to help students in danger and make them see the seriousness of their situation. Some of the students band together to try to help each other survive their mutual risk, while others are more self-centered, prepared to throw each other under the bus to save themselves. It’s a relief to see all of that end when the world is set right, but it occurs to me that the story has exposed all of the characters’ true characters, what each of them are capable of doing in extreme circumstances. The extreme circumstances brought out the worst in some characters, while others were more creative and caring in spite of everything.

The Magicians of Caprona

The Magicians of Caprona by Diana Wynne Jones, 1980.

This is the second book in the Chrestomanci series.  In this series, there are many different dimensions with different worlds, and in each of those different worlds, there is a copy of every person.  Different versions of our world can differ dramatically in their history across the dimensions, and individual people’s lives can differ dramatically between the worlds. There is one person in each generation who has no duplicates in any of the other worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across the other worlds are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions, and he acts to keep a balance between them and make sure that the different worlds keep their proper course. This book begins with a brief explanation, although most of this was established in the first book in the series, Charmed Life.

In the world where the Chrestomanci lives, magic not only exists but is a known and accepted profession, and society is a little more old-fashioned than in our world. Also, there is a kind of alternate history, and some of the countries are organized differently. This story is set in Italy, which is not a unified country in this world, but a series of small dukedoms. The Chrestomanci series is a somewhat loose series, meaning that, while Chrestomanci appears in the different books and always plays some kind of role, he is not always one of the main characters. This story sets up a Shakespearean kind of feud between two families.

The dukedom of Caprona is known to having the best spell-makers in the world. The problem is that the best spell-makers belong to two particular families, the Montanas and the Petrocchis, who have a long-standing feud. The adults in the families never explain how, exactly, the feud started. They just warn the children to avoid to avoid the children of the other family. When members of the two families meet in public, they usually ignore each other, although sometimes fights break out. The fights are particularly bad when they use magic. Locals and tourists alike are alarmed by these fights and get out of the way to avoid being caught up in them.

Because the adults don’t talk about the cause of the feud, the children of the two families tell each other stories about it. In the Montana family, the children say that it started because the Duke of Caprona favored their family over the Petrocchis. The children also tell each other stories about the other family’s atrocious habits. Young Rosa Montana particularly likes telling her siblings and cousins scandalous stories about how the Petrocchis never bathe and sometimes kill their unwanted babies or eat their own family members. Because the members of the two families almost never see each other, the other Montana children can only suppose that the stories they hear about the Petrocchis are true.

When young Tonino Montana starts school, he is very upset. Things don’t seem to come as easily to him as they do to his siblings and cousins, and he feels awkward when the teacher tells him to do things differently from the way he’s always been taught to do them or repeats things that he’s already learned. When Tonino runs off into the city by himself because he’s upset, the rest of his family worries about him. Old Niccolo, the head of the family, talks to Benvenuto, the head cat in the Montana household, about Tonino. The Montana family keeps cats, who help them at their spell-making, but not everyone in the family has the ability to talk to the cats and understand them. Old Niccolo can communicate with the cats, but even Tonino’s father, Antonio, can’t. Benvenuto tells Niccolo that he will look after Tonino and not to worry about him. Tonino, like Niccolo, can talk to cats, and he hasn’t fully appreciated the talent yet.

Benvenuto becomes Tonino’s special friend. He helps Tonino to understand that, like the kittens he talks to, he’s still young and learning. Tonino needs to give himself time to develop. Benvenuto also tells Tonino that it’s fine to tell his teachers what he already knows, and Tonino comes to realize that he is far ahead of the other students in some ways, having already learned to read. His talent for talking to the cats also gives him a special place in his family. Benvenuto also allows Tonino to give him brushings, which he would never allow from any other family member before, so he becomes more well-cared for.

As time goes on, however, Tonino comes to realize that the adults in the Montana family are worried about the state of their family and the state of Caprona itself. Other dukedoms around them are becoming more powerful, and some of the old spells that the two families made to protect Caprona are breaking down. Of course, the Montanas blame the Petrocchis for the weakness of the spells and for not maintaining them properly, but Tonino realizes that the old Montana spells are breaking down as well. It’s not, as the older Montanas said, that they have had to bear the weight of making up for the weak Petrocchi spells.

Tonino gets his first look at the Petrocchis when both families are summoned to the duke’s palace to discuss the state of their spells and the rival states that are seeking to conquer Caprona. Speaking together for the first time in a long time, both families come to realize that, even though they have separately been working to make their spells stronger, each year, the protective spells they cast on Caprona have been getting weaker. There is a rumor that there is an evil enchanter who has been working against them on behalf of their enemies. Naturally, both Petrocchis and the Montanas secretly suspect each other of being involved. They also can’t help but notice that something is seriously wrong with the duke himself. He seems strangely childlike, and his wife seems to be running everything.

The Montana family offers a solution that even they aren’t sure they can fulfill. There is an old story that all of the children know about an angel who once protected Caprona with a magical song. Everyone thinks that, as along as the song is sung, Caprona will be safe. The children learn this song in school, but what they don’t know is that the words they learn to the song aren’t the original words to the song. The tune is original, but the original words were lost to time. The Montanas know that the song is a powerful spell, but it won’t function correctly until the original words to the song are restored. In their pride against the Petrocchis and their worry about the state of Caprona, the Montanas have pledged that they will find the original words to the song. Also, naturally, the Petrocchis have promised the same. Neither family knows exactly how they will do that, but they are each determined to somehow do it before the other family can.

There is only one person both of the families accept and who can work with either family without earning the resentment of the other: Chrestomanci. The situation is serious, war is pending, and Chrestomanci has also been summoned for help. As the most powerful enchanter in the world, he has the respect of all sides. Since Chrestomanci is British, he admits that he is somewhat limited in how far he can interfere in Italian affairs. His main interest is in the evil enchanter and their misuse of magic, although he will help Caprona and his friends in the magical families, if he can.

Chrestomanci notices that, aside from being able to talk to cats, Tonino also has an ability to tell when someone is an enchanter without being told. Chrestomanci says that he needs to go to Rome to make some inquiries, and he asks Tonino to stay close to his grandfather when his grandfather has to meet with anyone, to see if he can spot the evil enchanter. However, the evil enchanter already knows too much about the two families and about Tonino in particular.

When Tonino is kidnapped by the evil enchanter, his family immediately blames the Petroccis and sets out to confront them … only to be met halfway by the Petrocchi family, on their way to confront the Montanas about kidnapping one of their children, Angelica. The feud between the two families becomes worse than ever, but an accidental encounter between Tonino’s brother Paolo and Angelica’s sister Renata reveals that neither family has kidnapped anyone. The evil enchanter is playing both of the families against each other to distract them from what they really need to do: find the children and prepare to defend Caprona from its enemies. Paolo and Renata have trouble convincing either of their families of the truth because they are already too convinced that the other family is their real enemy, so they struggle to figure out how to save Tonino and Angelica themselves.

Meanwhile, Tonino and Angelica team up in captivity to find a way to escape and tell their families where to find the secret words to the angel’s song. While they are being held captive together, Tonino and Angelica argue about the nature of their families, but by talking together, they come to realize that each of their families has held half of the answer to the problem all along. If only the children can get together and reach their families to tell them the truth about the angel’s song and the identity of the evil enchanter!

The book is available to borrow and read for free online through Internet Archive (multiple copies, including some in different languages).

My Reaction

During the course of the story, we never learn the original cause of the feud between the two families. It might have been something with one family thinking that the other was being favored by a past duke, or maybe it was some private quarrel between the heads of the two families. The cause is less important than the result. For generations, each family has been quietly maligning the other to the children of the family, who have continued to pass on the stories.

When the younger members of both families finally meet and talk to each other, they are initially offended that the other family has been saying the same horrible things about them that they’ve been saying about the other family, but it’s also an eye-opening experience. The two families are actually very similar to each other, both in their professional work and in their private family life. In fact, they live nearly identical lifestyles. The fact is that both families have been contributing to the spells maintaining their city for centuries, working together since before their feud began. Their spells were always intertwined and made to work together. Since the feud started and the families stopped working together, they have still had to work together in the service of their city and duke, but the feud has also served as a distraction from the real sources of danger.

As with other Chrestomanci stories, Chrestomanci doesn’t solve all of the problems of the story himself. Instead, he acts as a helper, revealing key information and providing guidance to help the other characters to solve their own problems. As a neutral observer, Chrestomanci sees both of the families and their quarrel for what they really are. He also helps to reveal the true villain of the story for who they really are.

Chrestomanci also points out the hidden talents of the children in the story. Although Tonino doesn’t think he’s as good as magic as others in his family, he does have other talents and magical abilities. At the end of the story, he goes to England with Chrestomanci to study for a while. His adventures in England are part of one of the short stories in Mixed Magics.

Charmed Life

This is the first book in the Chrestomanci series.  There are many different dimensions with duplicate worlds, and in each of those duplicate worlds, there is a copy of every person.  People’s lives can differ dramatically between the different worlds, but there is one person in each generation who has no duplicates in any of the other dimensions or worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread among the duplicates across the other worlds are now centered on that one person, giving that person, literally, nine lives.  Very often, the Chrestomanci doesn’t realize that he’s a Chrestomanci until he actually dies . . . and fails to die because he uses up one of his spare lives and continues living with the others.

When young Eric Chant’s older sister Gwendolyn gives him the nickname Cat at a young age, saying that he has nine lives, he doesn’t understand that it’s literally true.  Then, he and Gwendolyn are unexpectedly orphaned during a boat accident.  Their parents drown.  Gwendolyn doesn’t because she’s a witch, and the water rejected her.  Cat thought that he was saved because he grabbed hold of Gwendolyn.  Gwendolyn knows differently.

After their parents’ deaths, Cat and Gwendolyn live with their downstairs neighbor for a time, receiving support from the town. Their neighbor, Mrs. Sharp, is also a witch, and she recognizes Gwendolyn’s talent. When she goes through the children’s parents’ things, she finds three letters from someone called Chrestomanci, and she recognizes immediately that they are important. Cat doesn’t fully understand who Chrestomanci is, but everyone regards him as an important person, so much so that they even hesitate to say his name out loud. His signature is valuable, and Mrs. Sharp offers the letters as payment for witchcraft lessons for Gwendolyn from the best tutor in the area, Mr. Nostrum. Gwendolyn breezes through the early lessons easily, and everyone in the neighborhood recognizes her talents. They are sure that Gwendolyn is destined for great things, and they are all eager to ingratiate themselves with her. A local fortune-teller even says that Gwendolyn will be famous and may be able to rule the world if she goes about it in the right way. The fortune-teller also tells Cat’s fortune, but his fortune is a warning that he is in danger from two sides. Cat is frightened and unsure what to think of it.

However, there is still the question about how the children’s parents knew Chrestomanci and what their father argued about with him in their letters to each other. Mr. Nostrum is particularly curious to know what the children know about Chrestomanci, having apparently tried to learn things about him through his signature and failing, but neither of the children can tell him much. Cat still isn’t sure exactly who Chrestomanci is, so he suggests that Mr. Nostrum just write to Chrestomanci himself to ask. It’s such a straightforward approach that it never occurred to either Mr. Nostrum or Gwendolyn to do that before. Gwendolyn ends up writing the letter to Chrestomanci herself, exaggerating her plight as an orphan to gain sympathy, and implying that Cat also drowned in the boat accident. When Chrestomanci arrives to see Gwendolyn, he is initially surprised to see Cat.

Although their relationship to Chrestomanci isn’t explained at first, Chrestomanci takes custody of the children and brings them to live at his castle with his own wife and children, Julia and Roger. Everyone tells the children how lucky they are because living with someone as important as Chrestomanci means hob-nobbing with other important people. Cat realizes that the reason why Gwendolyn wants to go to Chrestomanci is that she is serious about becoming famous and ruling the world. She sees life with Chrestomanci as the first step. Cat is more intimidated and homesick.

Life in Chrestomanci’s castle is quite different from what Gwendolyn expected, though. There is some kind of enchantment over the castle that muffles Gwendolyn’s powers, and that drives her crazy. Gwendolyn is contemptuous of Julia and Roger for being plain and fat, but both of them turn out to be better at magic than she is and are fully capable of standing up to her magical tricks and bullying. Worst of all, nobody seems impressed by Gwendolyn or thinks that she’s special, and Gwendolyn is accustomed to people thinking that she’s special and impressive.

Chrestomanci makes it clear that none of the children are supposed to be practicing magic unless they are under the supervision of their tutor, Michael Saunders. When Gwendolyn and Cat begin having lessons with Michael Saunders along with Julia and Roger, it becomes apparent that Gwendolyn is far behind in her normal subjects, like math and history, even behind Cat, who is younger. Gwendolyn airily tells the tutor that she never paid attention to such things at their old school because she was concentrating more on learning witchcraft. Michael Saunders tells her that she won’t have any more magical lessons until she catches up in her normal studies, and Chrestomanci backs up the tutor. Gwendolyn is infuriated because, not only is nobody treating her like she’s special and impressive, for the first time in her life, they are treating her like what she really is: a spoiled and naughty child.

Gwendolyn’s parents didn’t fully have the ability to impose consequences on Gwendolyn when they were alive, although they were a restraining influence. After they died, nobody tried to restrain Gwendolyn, only trying to ingratiate themselves so she would help them or they could use her for their own purposes. Although Cat has idolized his older sister, there are dark sides to her personality that he has never realized before, and he soon discovers that she has sinister intentions that involve him.

One day, Gwendolyn vanishes and is replaced by one of her duplicates from another world, where magic doesn’t exist.  This other version of Gwendolyn, who is called Janet, has no idea where she is or how she got there.  It is from her that Cat learns that there is no duplicate of himself in her world.  While Cat struggles to figure out what is happening, he helps the new girl to pretend that she is the usual Gwendolyn, although she actually has a very different, much nicer, personality. The more Cat tells Janet about Gwendolyn, the less Janet likes her or the idea of being her, which makes Cat nervous.

When Cat and the new Gwendolyn realize what Cat’s Gwendolyn intends to do, they will need the Chrestomanci’s help to stop her and for Cat to claim his true destiny, the one that Gwendolyn has been attempting to conceal from him all along.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

One of the best parts of the book for me was the setting at Chrestomanci Castle. The idea of living in a castle with magical playmates who can make toy soldiers move on their own is exciting! Cat and Gwendolyn’s rooms in the castle sound like the kind of bedrooms that any kid might imagine having. Even though the castle is strange and sinister things are happening, there is also a kind of coziness to the atmosphere. The children have hot cocoa every morning in the nursery. (I’m not sure why Cat, Gwendolyn, and Janet don’t like hot cocoa. Having hot chocolate for breakfast every morning would have made me happy as a kid, although I admit that, if Chrestomanci and Millie are concerned about their children’s weight issues enough to limit their marmalade intake, that’s not really the best morning drink they could have. I would have suggested tea instead. While we’re on the subject, I didn’t like the way they kept going on about the kids’ weight issues.) They have their own old-fashioned schoolroom in the castle with their own private tutor. When they get allowance money, they can walk to the charming, old-fashioned town nearby and buy candy and other small items. Millie is a doting magical mother, and even though Chrestomanci can be a little intimidating and fussy about appearances, he seems to genuinely care about the children and isn’t above sticking his well-dressed head into the nursery to say good morning and check on them.

During his time at Chrestomanci Castle, Cat learns things about his parents and his sister that he never knew before. His parents were actually cousins, and marriages between cousins in magical families are frequently dangerous, especially when they have children. Chrestomanci is also their parents’ cousin, and the argument he had with their father through their letters was about preventing the couple from having children any children with magical abilities, a suggestion that insulted and angered their father. Their father later came to regret that when young Gwendolyn first started using her powers, and even her parents started to see that she was dangerous. They weren’t quite sure how she was using Cat, but they had the sense that she was using him to do her magic somehow. Nobody thought to take Cat’s nickname seriously until Janet started questioning the reason why Gwendolyn started calling him that.

The truth is that Cat is a nine-lived enchanter. Gwendolyn realized this when he died at birth but didn’t actually die, and even though she was young herself, she found a way to hijack his powers. From the time when he was a baby, she’s been using his powers as if they were her own. That is how Gwendolyn appears to be unusually powerful for her age, even though she’s never really had the patience to go through any of her lessons by the numbers, just glossing over the beginning parts. Cat has been unable to use his own magical abilities because Gwendolyn has been keeping them all for herself, so for a long time, he assumes that he doesn’t have any magic at all. Since Gwendolyn has been doing this for his whole life, Cat has grown accustomed to how it feels and doesn’t notice it until Janet puts together the clues and realizes what’s been happening. When Gwendolyn does particularly powerful magic, she even sacrifices one of Cat’s extra lives, which she placed in a little matchbook for easy use.

Cat is appalled when he finds out about it, and he doesn’t want to believe it at first. However, when he tries to light one of the matches and instantly catches fire, he is convinced. What is even worse is that Gwendolyn and her magic tutor are planning to use him as a human sacrifice to open the gateway to other worlds so that they and the other evil magicians can use their powers to control these other worlds. Gwendolyn is a malevolent narcissist and always has been. Cat is devastated when he learns how little Gwendolyn cares about him, but he manages to finally summon enough anger to stand up to Gwendolyn and take his powers back from her. Like other victims of narcissists, he has always been the stronger and more powerful of the two of them, but he needed some help to see it.

Unlike Gwendolyn, Janet is not a narcissist and is capable of feeling empathy and caring for others. She’s even capable of selfless acts and personal sacrifices for the sake of others when necessary. When Gwendolyn escapes and permanently seals herself in another world where she is a queen, Janet is stuck in Cat’s world, unable to return to her own. It’s a terrible blow for her to be separated from her parents, who are alive in her world. However, when Chrestomanci asks her if she will be okay and if she wants him to try to return her to her own world, she refuses the offer because she has discovered that the double who replaced her in her world is an orphan who badly needs a family. While Gwendolyn was even going to volunteer Janet, one of her other selves as a sacrifice if Cat wouldn’t do, Janet is willing to sacrifice her former life in her world for the sake of one of her other selves. Janet is really the kind of sister that Cat has needed all along. She says that she was supposed to have a younger brother in her world but that he died at birth, and she is fascinated to find Eric/Cat alive in this new world and get to know the brother she lost. Janet learns to love her new brother and to get along with Julia and Roger, becoming the kind of girl Gwendolyn really should have been to her family. She doesn’t have any magical abilities, but she discovers that she can help help her new family because life in her usual world (which is supposed to be our world) has given her a different perspective from theirs. She is the one who suggests to Chrestomanci that he stop using silverware made of actual silver, which impedes his powers, and use stainless steel instead. When Gwendolyn played magical tricks at dinner, Chrestomanci always had trouble dealing with it because he was holding silver, but if he uses stainless steel, he won’t have that problem again. Chrestomanci and Millie admit that they never thought of that because stainless steel cutlery isn’t common in their world.

I remember finding this story fascinating the first time I read it as a kid. There are some dark themes with Gwendolyn’s narcissism, the threats to the children’s lives, and even Cat losing a few more lives. Cat’s growth is central to the story. Once Gwendolyn’s toxic influence is removed from his life, he begins to see the truth about himself and how Gwendolyn has treated him. Cat had always looked to her for comfort as his sister and his last living relative (so he thought), but all along, she was the one who was most dangerous to him, and that’s a terrible betrayal. Once Cat starts to understand the situation, he begins to see his own potential, and he also has some new people in his life who show him better treatment. The castle is charming, the world is fascinating, and the story is thought-provoking about the different ways a person’s life can go in different circumstances. Other books in the series go into more detail about how the different worlds in this universe function and how they split off from each other in different series, based on the outcomes of important events.