Camp Ghost-Away

Pee Wee Scouts

The Pee-Wee Scouts sell powered sugar donuts door-to-door in their neighborhood to raise money for their trip to camp, and there is a special badge for the scout who sells the most. The kids all brag about how much they’re going to sell, each claiming that they can sell the most. Rachel teases Sonny because his over-protective mother will probably go with him while he’s going door-to-door. She calls him a “mama’s boy”, and he calls her “stuck up.” (There is some truth to both of these insults, but they’re still nasty, and no adult comments on it.) Molly and Mary Beth decide to do their selling together because they’re best friends.

In the end, Rachel and Sonny are the biggest sellers, each of them selling more than 100 boxes, in spite of Rachel’s teasing about his mother’s involvement and Rachel’s mother’s objection that donuts aren’t very healthy. However, there are some objections about how fair that is when Rachel and Sonny reveal the secrets of their success. Sonny’s mother sold 80 of his boxes at her workplace, and some kids object that it isn’t fair because Sonny didn’t sell them himself. He gets more teasing about being a “baby” and having his mother do things for him, but Mrs. Peters, the scout leader, says that it’s fair for a mother to sell on their behalf because the most important thing is the money they raise for camp.

Similarly, Rachel explains that her family went to a family wedding, and she sold most of her boxes to her relatives. Her family seems to have money, and her aunt and grandmother each bought 20 boxes. Jealously, Molly says that her relatives will get fat if they eat that many donuts. Rachel says that they won’t because they plan to donate the donuts to hungry people. Again, Mrs. Peters doesn’t say anything about the insults the children trade, just saying that the money they raised is important because they will now be able to afford to go to camp.

The camp is called Camp Hide-Away, and Mrs. Peters gives the children information about the camp and what to pack. They will go to camp next weekend, and Lisa’s mother will come with them on the trip. Rachel brags about how she has two swimsuits to bring, while the other kids only have one each, and she also shows off her new gold bracelet.

When they get to camp and Rachel discovers that they will be sleeping in tents, she isn’t so sure she wants to go camping after all. She doesn’t like bugs, and she worries about bears. The other kids call her “sissy” and “scaredy cat.” Mrs. Peters assures them that it will all be fine, and she has her large dog with them.

That night, they hear a strange sound, which sounds like the moaning of a ghost. The kids debate about whether it’s a ghost or some kind of wild animal. Either prospect is terrifying. When it starts talking, they’re sure it’s a ghost, but Mrs. Peters’s dog saves the day!

I’ve commented before that the kids in this book series do a lot of name-calling. In a way, it’s realistic for young children, but it’s also really annoying. Sonny inevitably gets called “sissy”, “baby”, and/or “mama’s boy” in every book I’ve read. It also bothers me that no adult ever tells the kids not to talk like that. The kids in the story are only six years old, so this kind of name-calling could be considered realistic, but adults telling kids not to talk like that is also realistic. I feel bad for Sonny because he often gets picked on in these books, and I think it’s unfair. Maybe his mother is a little over-protective, compared to the other parents, but at the same time, these kids are only six years old. Things like having a mom who walks to a six-year-old to school and doesn’t want a six-year-old to go door-to-door, selling things to strangers all by himself, are not outrageous. Even Rachel admits that she heard her mother saying that the kids were rather young to be away from home overnight for an entire weekend, and I think that’s true. There is some trouble with homesickness in the story, and I’m not surprised.

Like other books in this series, there are also multiple parts to the story, almost like short stories put together. The first part of this book is about selling the donuts to raise money for camp, and the second part is about their camping trip, although that part also has some smaller episodes. The highlight of the book is the spooky noise that the kids hear at night and think is a ghost. It is pretty quickly revealed that it’s just a couple of the scouts playing a prank on the others. The prank gets foiled by Mrs. Peters’s dog and the pranksters crashing into things because they have sheets over their heads.

There’s also a third part of the story, where Molly has more trouble with camp activities than the other kids. She can’t swim or row as well as they can, and when they look for interesting things, like rocks and wild flowers, on their hike, all she finds is poison ivy. But, she isn’t the only one having problems. Rachel doesn’t like bugs and the camping food, and Sonny gets homesick. Sonny’s mother comes to pick him up because he’s so upset. The other kids tease him again, but the truth is that other kids are also homesick and cry at night. Even Lisa cries, even though her mother is there on the trip. Molly realizes that she is the only one who isn’t homesick. Although she doesn’t get the badges for the standard camp activities, Molly does get one for not being homesick and another for finding Mary Beth’s lost ring. I was surprised that Rachel’s bracelet wasn’t the thing that got lost since she made a big deal of introducing it, but it was Mary Beth’s ring that got lost instead.

Although I often think that the adults don’t explain much to the children in this series, Mrs. Peters does tell the children that homesickness is natural. I think she could have given them a little more advice about it and defended Sonny from the teasing more, though.

Cookies and Crutches

Pee Wee Scouts

This is the first book in the Pee Wee Scouts series. The children in Troop 23 meet after school on Tuesdays, and their leader is Mrs. Peters. One Tuesday, they meet at Mrs. Peters’s house to bake cookies. Mrs. Peters says that, to earn their cookie badge, they must each bake cookies at home without help and have their parents write a note that they have done it. She teaches the children an easy cookie recipe that they will use.

Roger White doesn’t want to bake cookies because he thinks that baking is for girls. Sonny Betz argues that it’s not just for girls, but many of the other children think that Sonny is a sissy because his mother still walks him to school. Sonny thinks that Roger is a creep. Mrs. Peters says that cooking is for everyone who eats. If boys can eat, they can also cook.

Mrs. Peters demonstrates making a recipe for chocolate chip cookies (and the book provides the recipe). Molly and Mary Beth ask if they can make their own batch of cookies for their badge together. They are not supposed to have adults helping them, but Mrs. Peters says that it is fine if they work with each other. In spite of their earlier argument, Roger agrees to make cookies with Sonny as a team.

However, when Molly and Mary Beth try to bake cookies by themselves, they don’t think the cookie batter looks right. It looks too pale, and when Mrs. Peters made her cookies, the batter was more brown. To fix the color problem, they decide to pour in some root beer, which is not part of the recipe. Then, they decide that the batter is too runny, so they add some gravy mix to thicken it. Because they added things they shouldn’t have, the cookies come out all wrong, and the girls worry that they won’t get their badge.

At their next meeting, though, they learn that nobody’s cookies look like they should. Mrs. Peters has the kids make cookies together while she supervises, although she doesn’t help them directly, so they can say that they did it themselves. This time, the cookies work out, although some of them are oddly-shaped. However, all of the kids get their cookie badges together.

The scout troop then organizes an ice skating party with the kids’ fathers. It’s a little awkward because not all of the kids have fathers living at home. Most of the kids without fathers bring an uncle or brother instead, but Sonny doesn’t have either, so his mom comes. The other kids tease him about it because they think he’s already too much of a mommy’s boy.

Some of the kids are also nervous because they don’t know how to skate, and they’re not even sure that their fathers know. Molly gets into trouble because Rachel makes a big deal about her fancy skates, which she owns so she doesn’t need to rent any, and about her dainty little feet. Molly rents a pair in the same size as Rachel’s, trying to prove that her feet aren’t too big, but they’re really too small for her. She has to take off her socks to put them on, and even then, it’s a hard squeeze. She ends up spraining her ankle badly because she’s wearing the wrong skates, and she has to use crutches. Molly doesn’t get her skating badge, but she does get one that’s almost as good as a consolation.

This is one of those children’s books/series where the kids in the story, although they are part of the same troop and seem to be friends for the most part, still say insulting things about each other, like when Roger called Sonny a sissy and Sonny called Roger a creep. I know that kids do things like this sometimes, but I don’t really like books that seem to promote or are permissive about that kind of talk. What bothered me is that, even though the boys were insulting each other in front of Mrs. Peters, she didn’t tell them to stop, which makes it seem like she tacitly thinks those insults are fine. I liked it that she contradicted Roger’s assertion that cooking and baking are only for girls, but I wish that she had said something about the way the kids were insulting each other.

I knew from the beginning of the story that the way Mrs. Peters was teaching these young children to make the cookies, just by watching her, and then expecting them to do it right completely on their own, with no adult supervision, was probably going to lead to a disaster of some kind. Of course, that’s because I’m reading this from an adult perspective. Nobody learns anything complex from only having seen it done by somebody else just one, especially if they just watched and didn’t actively participate. These kids are also young, just in the first grade of elementary school. They can read, but they don’t have advanced reading skills or much experience with cooking anything before. What I’m saying is that they really needed adult supervision, and I didn’t think that telling them that they had to do this completely by themselves wasn’t a great idea. Although, it’s possible that Mrs. Peters assumed that the kids would get more supervision than they actually got, even if the adults didn’t actively help. I think a lot of adults assumed that not helping meant no supervising and no advice or intervention when the kids were about to do something wrong. I have to admit, though, that there wouldn’t be much of a story if they did everything right, and this activity went as expected.

The story has two parts to it, which aren’t directly related. I thought, at first, that the kids would be serving cookies they baked to the dads, and that would be the tie-in between the cooking baking and the party with the fathers. They didn’t, though. The skating incident and Molly’s injury are unconnected to each other. The only connection I can see to the two incidents isn’t explicitly stated, but both of this incidents involve the kids doing something they’ve never done before and not really doing it right. They need to have experiences where things go wrong to start figuring out how to do things right. Although Rachel brags about her skating ability and her skates, after Molly is injured, Rachel admits that she fell down a lot when she was younger and was first learning. Molly feels a little better, realizing that nobody does things perfectly the first time. Although getting hurt isn’t great, learning to use crutches is also something new that Molly experiences that none of the other kids have experienced before.

Garbage Juice for Breakfast

Polka Dot Private Eye

This book follows an earlier book in the series, The Case of the Cool-Itch Kid, while Dawn is staying at her summer camp, Camp Wild-In-The-Woods. Her friend from school, Jill Simon, is at camp with her, and they’ve made friends with another character from the earlier book, Lizzie Lee, who started out as a rival/antagonist for Dawn. Both Dawn and Lizzie like mysteries and being private detectives, and they’ve bonded over that. There is still an element of rivalry between them, but it’s a friendlier rivalry than when they first met each other.

When their camp counselor announces that she has set up a treasure hunt for the campers to solve, Dawn is excited. As the Polka Dot Private Eye, she’s sure that she’ll be the first to solve the mystery! However, Lizzie is the Cool Cat Detective. (Each of them take their names from the detective kits that each of them own.) Dawn knows that Lizzie will be tough competition.

Because the kids in their cabin are from different schools and some were friends with each other before they came to camp, the campers in the cabin have favorites between the two girl detectives. Jill thinks that Dawn is the best detective and will solve the treasure hunt before Lizzie will, while Lizzie’s friends think that she’s going to be the one to solve the mystery. They decide to turn the treasure hunt into a contest to show which of the girls is the best detective.

The first clue is in the form of a rhyme. It seems to have something to do with horses, and the girls are starting to learn horseback riding. There is also a hint about taking a particular trail. It’s tough for both Dawn and Lizzie to investigate the same mystery without getting in each other’s way, following one another or being suspicious that they’re following each other, or accidentally giving each other hints. Is the competition between them really a good idea, or is teamwork what they really need?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I remember reading this book when I was a kid, and I loved it because I always loved treasure hunt books! There are parts of the treasure hunt that readers can solve along with the characters in the story, although it’s not one of those stories that pauses to ask readers if they’ve solved parts before the characters have. It’s just that the information necessary to solve each part of the treasure hunt is given in the story and shown in the pictures, so readers have the opportunity to think what the next step should be along with the characters or before the characters announce what they’ve figured out. Some of the clues point to features of the camp itself, like the names of the trails around the camp, but the story does provide that information to the readers, so there’s nothing that the characters know that the readers don’t. Other clues use pop culture references, like Donald Duck, because their camp counselor is a Disney fan and has items with Disney characters on them.

Dawn and Lizzie do compete with each other to solve the treasure hunt, until they solve the final clue. All through the book, Dawn struggles with the horse lessons because she’s actually afraid of horses. When reaching the prize means going through an area with a lot bugs, Dawn suddenly feels sorry for Lizzie, who is following her but struggling because she’s afraid of bugs. Understanding what it’s like to struggle with something that scares her, she feels some empathy for Lizzie and realizes that she can’t use Lizzie’s fear to get ahead of her and reach the treasure first. She tells Lizzie that they can go together to reach the treasure, so they are able to share the glory. The experience helps the girls a little with their respective fears, and they share the final prize.

The name of this book comes from a kind of mixed fruit juice that the camp serves in the dining hall. None of the campers know exactly what’s in it, nobody really likes it, and the camp rumor is that it’s just strained out of the garbage. It doesn’t really have anything to do with the mystery in the story, but it’s there for background color, the kind of stories that kids tell about food at camps and schools that they don’t like.

Aside from the mystery, the story has some fun camp atmosphere for beginning chapter book readers: horses and barns, the camp dining hall, a picnic with books, and a cozy, rainy night in their cabin with cookies.

Megan’s Island

School will be out soon, and eleven-year-old Megan and her best friend, Annie, are making plans for the summer. Megan’s family doesn’t have much money because her father died when she and her brother, Sandy, were very young, and her mother struggles to find a job that will pay enough to support the three of them. They’ve moved around multiple times in the last several years while her mother looks for better work, and they get by with some help from Megan’s grandfather. This summer, Megan’s family is planning to visit her grandfather at his cottage by the lake. Her grandfather is already staying there, recovering from an injured foot, and Megan’s mother agreed that Annie can come with them on the trip.

However, before school lets out for the summer, something happens that suddenly changes their plans. One evening, while their mother is in the kitchen, clearing up from dinner, she suddenly drops her favorite salad bowl, cutting herself on the glass. Megan and Sandy help her clean up the mess and bandage her cut, but they can tell that it wasn’t just clumsiness that made their mother drop the bowl. She really seems to be upset and even afraid of something. Since they didn’t have any phone calls or mail that could have given her upsetting news, they can only think that it must have been something she heard on the tv news. Their mother had been listening to the news on the small tv in the kitchen before she dropped the bowl, and she quickly turned it off when the children came to see what was wrong.

Their mother refuses to explain what upset her, and she tries to pretend that nothing is wrong, but she quickly tells the children to pack their things because she’s taking them to their grandfather at the lake early. Megan protests that school isn’t out yet, but their mother says that they’ve already finished their tests, so they won’t be missing anything important. Megan also worries that they’re leaving without Annie or even telling Annie that they’re going early, but their mother says it can’t be helped. Then, Sandy overhears their mother asking a friend of hers on the phone, asking her to put their things in storage for her while they’re gone, making the kids worry that they’re leaving for good and not just for vacation. Refusing to answer any more questions from the children, their mother hurries them through their packing and out of the house that very night. She drives them all through the night to get to the lake.

When they get to their grandfather’s cottage at the lake, he is surprised to see them, showing that their early arrival wasn’t something he had arranged with their mother. Later, Megan overhears them talking. Her grandfather urges their mother to tell them the truth about what’s happening because kids are more resilient than they seem, and whatever they’re imagining might be worse than the truth. However, their mother says that the truth really is upsetting, and while she knows that she has always insisted that her children tell the truth, telling them the truth now would mean admitting that she has already lied to them.

Megan is shaken by what she hears. What has their mother lied to them about? Is it something to do with her father? Megan barely remembers him, and their mother gets upset when she asks questions about him. Her mother seems to be hoping that this whole matter will just blow over, but her grandfather comments about how what happened eight years ago didn’t just blow over. He implies that whatever secret their mother is hiding is the real reason why the family has moved around so much, that it wasn’t just because she needed to find new jobs. Megan worries about what her mother could be hiding and what terrible thing could have happened eight years ago that would affect her family today. Then, Megan remembers that eight years ago is about when her father died.

Megan tells Sandy what she overheard and that their mother is hiding a secret, something that might have to do with their father’s death. Before either of the children can talk to their mother and ask her what’s going on, she tells them that she’s leaving them with their grandfather at the lake for a few days because there’s something she has to do. She won’t say where she’s going or what she needs to do, but she says that they’ll be safe there with their grandfather. Megan finds it disturbing that her mother made it a point to say that they’ll be safe because it implies that the reason why they left home so suddenly was that, for some reason, they weren’t safe at home. Megan also begins to wonder whether whatever danger there was at home might find them at the lake.

Sandy seems to find it easier than Megan to put aside whatever worries and secrets are following the family and just enjoy being at the lake, going fishing with their grandfather and exploring the area with Megan, although he later admits that he tried to ask their grandfather some questions while they were fishing that he refused to answer. Megan can’t stop wondering and worrying, though. She and Sandy agree that coming to the lake wasn’t just a vacation. Their mother brought them there to hide from something … or someone.

Megan remembers that, every time they’ve moved before, their mother refused to let them even write letters to friends they were leaving behind. Sandy says that she didn’t tell them not to write any letters this time, and with no phone at the cottage, there’s no other way for Megan to tell Annie what happened and to apologize for their ruined summer plans. Megan decides to go ahead and write to Annie. That letter to Annie changes everything for Megan and her brother.

Megan and Sandy go rowing out on the lake and find an island with a beautiful hiding place beneath an overhanging rock that’s almost like a cave. It becomes a special place for Megan, and she goes there to think. Then, one day, they meet a boy named Ben who’s also staying at the lake for the summer with his divorced father and has been exploring the island that Megan has started to think of as hers. Megan doesn’t like Ben at first because he’s bossy, but he proves to be someone she and Sandy can confide in when the adults won’t give them answers, and he become a useful ally in their troubles.

Ben tells the Megan and Sandy that his father said that someone in the nearby town is looking for a couple of kids with red hair, matching Megan and Sandy’s description. This man claims to be their uncle, but Megan and Sandy don’t have an uncle. Then, Megan spots a strange man prowling around the outside of their grandfather’s cottage. A letter that Megan receives from Annie says that people have been asking about them since they left town, and Ben correctly realizes that someone has traced them through Megan’s letter to Annie. Whatever trouble their mother has been hiding them from has found them. With their mother still away and their grandfather having gone to town for some x-rays on his injured foot, Megan and Sandy hide out with Ben in a tree house they’ve built on the island. The island seems to be their last safe place to hide while they wait for their mother and grandfather to return. But, when they do, will they finally get the answers they need? What terrible secret has their mother been hiding from them all these years?

The book is a winner of the Edgar Allan Poe Award.

I didn’t read this book when I was a kid, but I did read others by the same author, The View From the Cherry Tree and Baby-Sitting is a Dangerous Job. I really liked this book. I think one of the author’s strengths is her ability to create suspense. This story is very compelling. Right from the beginning, readers as well as Megan know that her mother is behaving oddly and that what she is doing has sinister or troubling implications. There isn’t a wholesome or happy reason why anybody decides to skip town suddenly in the middle of the night. I could hardly put the book down, wanting to get into the details of the situation. It was hard for me not to skip to the end to see what happened and what it was all about, but I made myself slow down a little to appreciate the journey.

I guessed, at the beginning, that this was going to turn out to be a case of a non-custodial parent kidnapping their own children after a messy divorce. We are told that Megan’s father died when she was very little and that she barely remembers him, and then, we are told that the family moves frequently because the mother has trouble getting work as a single parent. That, by itself, isn’t necessarily sinister, but after we see the mother rush her children away in the middle of the night and we learn that she has never allowed them to keep in touch with old friends after any of their other moves, it starts to look like a suspicious pattern. I had guessed that what upset her mother while she was watching the news was that there was an announcement about the father looking for his missing children. My other thought was that maybe they were in the Witness Protection Program, possibly because their father was murdered and the mother needed protection from the people who killed him, and that what alarmed the mother on the news was that his killer was being released from prison. That second theory of mine was way off. The first one was closer, but that’s still not quite the situation, although elements of that are close to what happens in the story.

Because the suspense in this was so good, I don’t want to spoil the ending entirely. The custody of the children is the reason for the mother’s panic, but there’s a twist on it that I wasn’t quite expecting, and as the story goes on, it becomes apparent that there are two sets of people hunting for the children instead of one. One set of searchers is who the mother was expecting, but the other set is someone else who has different motives and is an even bigger threat.

I thought it was interesting that the story brought up the question of a person’s right to disappear and whether that disappearance can sometimes be justified. The fact is that it’s not a crime if an adult decides to go voluntarily missing. It’s only a crime if the adult has committed a crime prior to disappearing or in the process of their disappearance or if the person is missing because they’re the victim of a crime. Otherwise, any adult has the right to walk away from their old life, cut off old relationships, change their name, and reestablish their identity somewhere else. People can do this for a variety of reasons, but it usually has something to do with overwhelming problems in the person’s life, mental health issues, and/or abusive relationships. It occurred to me that the mother in the story might be afraid of her ex-husband because he was abusive, and she was afraid of what he might do to the kids if she had to either give him custody of them or share custody with them. Again, that’s not quite the case here, although I was thinking about it through a good part of the story because it would explain the mother’s behavior.

If the mother was a non-custodial parent or had violated custody arrangements with the children’s father, then she would have committed a crime by taking the children. However, that doesn’t turn out to be the case here. The mother hasn’t committed any crime, but the fact that she has the children with her is the reason why someone is looking for them. Missing children is a matter of legal concern and can be a matter of humanitarian concern, although even then, the issue can be complicated. Not all runaway children are “saved” by being found or returned to legal guardians, and some of them have had very good reasons for leaving toxic or abusive home environments. The sad fact of real life is that, sometimes, the people who are searching for missing children can be the very threats those children are escaping. People who disappear have reasons for doing so, but giving them the type of help they need means discovering what those reasons are.

To be honest, I’m not completely sure of the legality of the person looking for the particular children in the story or publicizing their search for them, but it is telling that this individual is using a private investigator to look for them, not the official police. The official police are not looking for the family because the mother hasn’t committed a crime. She is their real mother and has legal custody of the children. The person who is searching for the children does not. When their mother reveals the truth to the children, Megan is forced to consider that a person might have good reasons or at least a compelling motive for wanting to get away from their past and not be found by people who are looking for them.

Part of the issue related to that is that Megan and her brother Sandy were never consulted about whether or not they wanted to separate from their old life or to live the kind of lifestyle they’ve been living. Up to this point, they’ve taken for granted that they’ve had to move and lose contact with friends repeatedly because their mom needed to look for work and had trouble finding jobs as a single parent. When they realize that what’s been happening to their family isn’t normal, that their lives have been disrupted, and that their mother has lied to them about important pieces of their past and even their own identities, the children are understandably shocked and upset. Megan is angry with her mother for the position she’s put them in, and she is right that she needs answers.

Fortunately, things do work out for the best for the kids and their mother in the end. It is a relief that the mother has not actually committed a crime because of what she’s doing. She apologizes to the kids for not explaining things to them sooner, but she explains that, when the whole thing started, they were only little toddlers and couldn’t understand the seriousness of what was happening or what was at stake for them. When Megan learns the full truth, she does come to understand her mother’s motives, and she realizes that it has also changed the way she’s always felt about her father, whose life and death turn out to be very different from what she’s always assumed. Perhaps, if she had found out the truth earlier, when she was much younger, it would have been harder for her to take. Now that she and her brother are old enough to speak up for themselves and the situation they were running from has changed somewhat, things are likely to be much better for them. We’re not entirely sure at the end how things will be for their family or where they will be living, but it seems like their days of hiding and running are over.

The addition of Ben as a character not only gives Megan and Sandy an ally during their worries and evading the people searching for them, but he also provides a different perspective on their situation, in more ways than one. While Megan struggles to come to terms with her family’s secrets and the idea that both she and her family are not quite what she’s always believed they are, she also considers how her situation compares to Ben’s situation with his family.

Ben isn’t a happy kid. He’s been in trouble at different schools and behaves badly because he’s deeply troubled about his parents’ divorce and his mother’s remarriage to a man who isn’t thrilled to be his stepfather. Part of Ben’s troubles with his parents and stepfather are because he’s been acting out, and they don’t know how to deal with him, but deep down, he feels like his parents don’t love him. In fact, he admits that he’s been getting into trouble at school on purpose to get his parents’ attention. He had hoped that things would be better while he was staying with his father over the summer, but his father is a writer and absorbed in his work. He doesn’t seem to care much about what Ben does as long as he doesn’t disturb him while he’s writing. Ben feels like neither of his parents really loves him or wants him.

One thing that Megan has always been sure of is that her mother loves her, and even though her mother hasn’t told her the truth about everything before, Megan can tell that she still cares about her, takes time for her, and does things to ensure her safety. Megan’s family has their problems, but they are still a family. Even though Ben still has two parents and a stepfather, he doesn’t feel like he’s part of a family or that he can really rely on his parents. Megan’s realization that she feels very differently about her mother is part of what convinces her to listen to her mother and understand her side of the story.

Things start working out for Ben by the end of the story, too. He admits that he knows the way his dad acts is because he’s also upset about the divorce. He hadn’t really wanted to divorce his wife, but Ben’s mother wanted to marry someone else. He also hasn’t meant to neglect Ben. He’s just been preoccupied. Before the end of the story, he finishes the book he’s been working on and apologizes to Ben about being so busy. He’s not a bad father, and he and Ben usually get along better with each other. Now that he’s finished with his project and has more time to concentrate on Ben, Ben will get more attention. Ben also reassures Megan and Sandy, who are worried about how other people will look at them when the truth about their family’s past gets out, that he doesn’t see them any differently because of what he knows and that real friends will know and like them for who they are, not judge them for what their family members did.

Cranberry Mystery

Antiques are being stolen from the people of Cranberryport, and no one knows who is responsible. People are looking at each other with suspicion.

After Annabelle, an old figurehead that used to belong to Mr. Whiskers’s grandfather, is stolen from Mr. Whiskers’s house, Mr. Whiskers sees a light on Sailmaker’s Island. He believes that the thieves are hiding on the island, but the sheriff will not listen to him. The only person who listens to Mr. Whiskers and believes him is young Maggie.

When Mr. Whiskers and Maggie set out to the island to find the thieves by themselves, they are captured!  How can they escape and get the authorities?

The book includes a recipe for Grandmother’s Famous Cranberry Pie-Pudding.

The story is more adventure than mystery. The thieves are strangers, not anybody from the town, so there’s no evaluation of different suspects, and Mr. Whiskers has a pretty good idea where the thieves are hiding, so there isn’t much searching for them. It’s more about how Maggie and Mr. Whiskers escape from the thieves and alert the authorities. It’s a nice story, but I just think that the “mystery” could use a little more mystery. The best part is when Maggie uses the old figurehead, Annabelle, as an improved raft to reach the authorities.

The season in this story is “Indian summer“, which is when it’s technically fall, but there’s a warm period. There are different names for this phenomenon, but the term “Indian summer” might be based on the concept that this is the time of year when Native Americans prepared food stores for the coming winter.

Spiderweb for Two

Randy Melendy is feeling morose because the three older Melendy siblings (Mona, Rush, and their adopted brother Mark) have all gone away to school. Rather than attending the local school as they used to, Rush and Mark have gone away to boarding school for the first time this year, and Mona is attending a school in New York City, where they used to live. Since Mona has started acting professionally on the radio, she’s been commuting back and forth from the family’s house in the country to her acting job in the city. This year, her father decided that, rather than continuing to commute back and forth, it would be best for her to remain in the city and go to school there, staying with a family friend, the wealthy Mrs. Oliphant, who is fond of the children. That leaves only Randy and her younger brother, Oliver, at the big Melendy house in the country, known as the Four-Story Mistake.

Since Randy is accustomed to having her very active siblings around her, always doing something interesting, Randy thinks that life is going to be boring and lonely from now on. She recognizes that the older siblings going away to school is just the first step in growing up and moving away from the family. She knows the next likely steps for them are college and marriage, and they will likely never really live all together again, at least not all the time. The housekeeper, Cuffy, tries to reassure Randy that she still has Oliver for company, but Randy isn’t reassured. Oliver is a few years younger than she is, and she doesn’t think they have much in common or much that they would like to do together. However, the two of them are about to be involved in a special shared adventure.

Cuffy sends Randy and Oliver to get the mail, and they are surprised to find an envelope addressed to the both of them in handwriting they don’t recognize. Inside the envelope is a poem that seems to be some kind of puzzle or riddle – the first clue to a treasure hunt! The mysterious letter writer tells them to keep it a secret, and the clue seems to point to a place where the shadow of a tree falls.

It takes Randy and Oliver a little time to decide which tree is supposed to cast the shadow, and their treasure-hunting is delayed by rain. However, when they dig in the correct spot, they find a tin box. Inside the box, there is a little golden walnut box with another clue. This time, the clue indicates that the next clue is being held by someone who loves them, although they don’t know it. It takes some effort for Randy and Oliver to solve this one. At first, they think it’s probably Cuffy or Willy, and searching their pockets or getting them to reveal what’s in their pockets without the kids explaining why they need to know is tricky. Eventually, it turns out that the next clue is hidden on the collar of Isaac the dog.

The treasure hunt continues in this way for the whole rest of the school year. The clues are written as poems on blue paper and send them various places around their own house, the houses of people they know, and various other landmarks, including a grave yard! Randy and Oliver figure out that this treasure hunt must be something their older siblings have created to keep them busy and entertained during their absence. The treasure hunt breaks off periodically when their siblings are home from school for Christmas before resuming after Christmas with another letter.

In between solving the riddles of the treasure hunt, Randy and Oliver do get to spend some time with their siblings. Over Christmas, the family decides to go caroling and visiting friends. For Easter, the girls make Easter bonnets, and Rush makes a special one for their horse. Randy and Oliver never discuss the treasure hunt with their siblings, though, because secrecy is part of the game.

Sometimes, Randy and Oliver get into trouble following clues, and sometimes, they accidentally make the hunt tougher than it has to be because they misinterpret where they’re supposed to go next. Eventually, the hunt leads them to a special surprise from an old family friend, and everyone shares in the surprise!

I liked the treasure hunt in this book because I always like books with treasure hunts that have riddles to solve and clues to follow. I’ve read other reviews of this book online, and other people remember this book fondly for the treasure hunt, although it does have a different feel from the other books in the Melendy Quartet, for several reasons. It’s partly because only two of the Melendy siblings are present for most of the story, although the others do appear sometimes and make their presence felt, even when they’re away. Readers will probably figure out before Randy and Oliver that their absent siblings have set up this treasure hunt for them to keep them busy and give them something to think about so they won’t be too lonely without the others.

This is also the only book in the series that doesn’t make references to WWII because it’s the only book in the series written after the war ends. The war wasn’t a main part of the plot of the other books, but it was always present in the other stories, with the children taking part in activities to help the war effort. The war also affected the attitudes of the children, making them want to do their parts for their family as well as their country. This book never mentions it once, and the focus is on how the children are growing up.

Randy knows that seeing her siblings go away to school is just the first step to them all growing up and moving away. When the older siblings come home for Christmas, they’re already showing signs that they’ve been doing more growing up during the few months they’ve been away from home. When Mona comes home for Christmas, she has a new haircut and is wearing lipstick, and Rush’s voice is starting to change. Eventually, Randy and Oliver will do these things, too, but for now, they’re the ones left behind as kids at home. Through their shared adventures with each other without their siblings, they grow closer to each other than they were before. Oliver was too young to join Randy and the older siblings on some of their previous adventures, but he is growing up, too, and he’s now able to join Randy in shared activities. During the course of their treasure hunt, they have adventures in the countryside, like the siblings did in other books.

Like other books in this series, there are also stories within stories. Sometimes, the main story departs from Randy and Oliver when other people tell them stories about exciting or interesting episodes from their own lives. This books has stories about how Cuffy saved a boy from drowning when she was young, their father’s search for a lost dog, and Mrs. Bishop remembering when she first noticed the patterns of snowflakes.

There’s only one full page picture in the book. The other illustrations are smaller ink drawings at the beginnings of chapters.

Then There Were Five

It’s summer, and the four Melendy children have some big plans! They’ve already started building a dam to make the swimming area on the property of their new house bigger. Their father, who travels frequently, giving lectures, tells them that he’s going to be away for most of the summer. He has to work hard to provide for his big family, and he has also taken a government job that will help the war effort. Mr. Melendy isn’t going to be a soldier because he’s a little old for that and the father of four children. He says that he can’t tell the children about his job, but it will keep him away in Washington for long periods of time. While he’s away, the children will be in the care of the housekeeper, Cuffy, and the handyman, Willy. They will also largely be left to entertain themselves, which is something they definitely know how to do.

Aside from swimming and enjoying themselves this summer, the kids decide that they should also do something useful, to help the war effort. Because of the war, patriotism is running high, and the children feel like they should take on some serious responsibilities. They’ve held events to help the war effort and bought bonds before. This summer, Rush and Randy decide that they’re going to go door to door, collecting scrap metal. Their collecting efforts help them to further get to know their neighbors, and they make friends with the Addison children and a nice, older man named Mr. Titus, who likes to spend his time fishing and baking things and invites the kids to join him sometimes.

However, there is a nasty man called Orin who yells at the children and scares them away when they come to ask him for scrap metal. Soon after this unpleasant incident, Rush and Randy meet Mark, the nice boy who lives with Orin. Mark is an orphan, and he lives with Orin because he’s a distant cousin. Orin’s wife was a nice lady, and Mark liked her, but she died a couple of years before. Orin is mean to everybody, and he mainly sees Mark as a source of unpaid labor on his farm. The Addison children, who know Mark from school, confirm that all of this is true. Orin doesn’t even let Mark go to school very often because he wants to keep him working most of the time. Their teacher and the school superintendent both tried to go see Orin and insist that Mark go to school regularly, but Orin is a violent and frightening man. He chased them both away and sent his mean dogs after them. Nobody really knows what to do about Orin, and most people are afraid to try. He also locks Mark in his room to keep him from running away, although Mark has found a way out and sneaks out sometimes.

The Melendy children feel sorry for Mark, although they try not to be too pitying so they won’t make Mark feel too self-conscious. Rush and Randy start meeting with him secretly to go swimming and fishing and hunt for arrowheads left by the Iroquois who used to live in the area. Rush and Mark also play at being soldiers on a secret mission and go stargazing. Mark knows about the constellations, and the boys watch the Perseid meteor shower in August.

Then, Mark reveals to Rush that Orin and his few friends are making illegal alcohol in a still. They do it because it costs less than buying alcohol. Orin’s friends include a couple of brothers who live in the woods and hardly ever come to town and a man who’s been suspected of bank robbery and murder although nobody was ever able to prove it. The boys spy on Orin and his friends at their still one night, and they hear Orin talking about selling his farm and maybe getting one of the new defense jobs. His friends ask him what he’ll do with Mark if he moves out, and Orin says that he’ll probably just turn him over to the county. One of his friends say that giving Mark to the county might not be so easy because they’ll ask questions, but Orin says he’s thinking of changing his name. The suspected criminal says that he might take Mark because he has trouble keeping workers around his place. Mark tells Rush that he’d rather run away that go live with that criminal, and Rush says that Mark can come stay with his family. The men almost catch the boys listening because the boys are wearing citronella to keep the mosquitos away, but the boys manage to get away before the men catch them.

Rush tells Mark that he’ll talk to his father to see if Mark can stay with the Melendy family or if he knows what else Mark can do. Then, a series of events happen that change everything. First, Cuffy has to go away for awhile to take care of an injured relative, leaving the children even more to their own devices, with Willy and the older children in charge. Then, the in the middle of the night, Rush wakes up to realize that something is on fire. It turns out that Orin’s farm is burning! Rush wakes Randy, and the two of them hurry down to Orin’s farm to see if Mark is safe. They find Mark hurrying to get the animals out of the barn, and neighbors and firefighters are already working on the blaze, but it’s a loosing battle. They manage to save the animals, but both the house and barn are destroyed. Willy, who was also there to help fight the fire, take the Melendy children and Mark back to the Melendy house. Later, Willy informs them that they have discovered that Orin was still in the house and was killed in the fire. (A short flashback informer readers, although the characters in the story don’t know it, that Orin accidentally started the fire when he returned home from his still, drunk, and passed out in the kitchen with a lamp too close to a wall calendar.)

Mark was never fond of Orin because Orin treated him badly, but without Orin, Mark’s custody is in doubt. Mark doesn’t have any other relatives. He’s still only 13 and not old enough to live alone. Rush decides to call his father to ask if Mark can live with them. Mr. Melendy tells Rush to keep Mark at their house for now, and when he returns home from Washington, he’ll straighten things out.

The Melendy children make Mark welcome at their fascinating house, the Four-Story Mistake, and Mark begins to enjoy all the new experiences they give him. He gets to try their books, enjoying classics like Tom Sawyer, Robin Hood, Eight Cousins, and various fairy tales. Mark also likes listening to Rush playing music on his piano. Above all, Mark gets the new experience of living with a family that really cares for him. Mark becomes part of the Melendy family’s idyllic summer, but the children worry about whether or not their father will allow them to stay with them permanently.

This is the third book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

This book is different from the earlier two books in the series because, while the other adventures were all just treated as fun adventures without anything truly tragic happening when things go wrong, this book actually contains some serious issues. Mark is an orphan living with a violent and abusive guardian who frightens all of the local adults who have tried to intervene on Mark’s behalf. Mark’s guardian is also involved with some seriously shady people and illegal activities. The sudden death of Mark’s guardian frees him from the abuse but also leaves his future in doubt. This is the darkest book in the Melendy series. The book doesn’t shy away from Mark’s feelings and the sadness of Orin’s death, even though he was an awful person. Fortunately, because the tone of this series is optimistic, things work out for the best.

Of course, Mr. Melendy agrees that Mark can stay with the family, but in a realistic touch, adopting him isn’t as simple for the family as taking in a stray dog. Some of the local farmers offer Mark a place working on their farms, including the disreputable man and possible criminal who was one of Orin’s friends. Social service agencies want to know about the home and family Mr. Melendy has to offer Mark before they decide whether or not to allow Mark to remain with them, and a social worker comes to interview him. The social worker sees a taste of the family’s boisterous children and eccentric hobbies (at one point, Mona enters the room, practicing the part of Ophelia from Hamlet), but she is charmed by them and sees that Mark loves being with them, and she decides that the Melendy family will be good for him. There is extra legal work for Mr. Melendy to officially adopt Mark after Mark is allowed to stay with them as a ward or foster child, and the local bank is also interested in Mark’s custody because Orin had a mortgage on his farm, and there are financial issues to be arranged.

In the end, the bank claims Orin’s property because of the mortgage, but Mark inherits the animals because he’s Orin’s only relative. Mark keeps a few animals that can live on the Melendy property, and the Melendys help him sell the others in an auction held on their property. They turn the livestock auction into a fair to raise money for the war effort. Some of them make baked goods to sell, Mona dresses up as a fortune teller, and they hold a talent show with other children from school.

The element of raising money for the war effort continues a theme from earlier books in the series and emphasizes the point that this book was set contemporary to the time when it was written, during WWII. I find books that were written during major events and that take those events into account interesting because it shows how people felt about those events and what they wanted children to understand about them. The kids sometimes make references to the war in casual conversation in a way that seems realistic for a child’s observations, such as when they describe someone as having “teeth like a Japanese general”, although I know that what they’re probably referencing is anti-Japanese propaganda cartoons at the time rather than actual pictures of them. That isn’t mentioned in the story, but I’ve seen those cartoons before, so I can envision what kind of teeth the kids in the story are probably picturing.

In spite of the dark parts of the story, the book still has qualities of idyllic life in a big house in the country and the outdoor fun the children have. Some of the images in the story would fit well with cottagecore themes today, such as Mona weaving a strawberry plant in her hair. Oliver collecting caterpillars and watching moths. On Oliver’s 8th birthday, the whole family, including Mark, goes on a picnic to a cave that Mark knows.

There is also a theme around cooking and baking in the story. Mona develops an interest in cooking and baking, and Mr. Titus teaches her recipes and helps her and Randy when they experiment with canning vegetables from the garden. Mona had told her brothers to leave her and Randy alone in the kitchen when they were canning because it was women’s work, and Rush thinks it’s funny that it’s Mr. Titus who rescues them when the job gets too much for them and it becomes obvious that the girls don’t know what they’re doing. Mr. Titus tells the kids at one point that, when he was younger, he was a little embarrassed about his interest in cooking because it didn’t seem like men’s work, but now, he doesn’t care anymore, and he just appreciates doing what he really loves to do.

Another fun note is that the Melendy children like to play a game they call the Comparison Game. One child leaves the room, and the others think of a person they all know or know about. When the other child returns to the room, the others say whether they thought of a male or female person, and the other child starts asking them what that person is like. The child who left the room earlier asks the others what color the person is like, what animal the person is like, what type of weather the person is like, etc., until the child can guess which person they’re talking about by the comparisons made about the person.

The Four-Story Mistake

The Melendy family is moving out of their brownstone in New York and going to live in a house in the country. The children aren’t happy about moving because they’ll miss their old home. They’re sure that no other house would ever be as good as their old one.

However, when they arrive at the house in the country known as the Four-Story Mistake (because it was originally supposed to have four stories but the original owner ran out of money and only could manage three floors and a cupola at the top), they are fascinated and charmed by its size and peculiarities. For the first time, each child in the family can have their own room instead of having to share, and there’s also a room that they can turn into an office (really a playroom), like the children had at their old house. Their father takes them up into the cupola and points out the different directions the windows face and how they resemble the outlooks of each of the children. He reminds Randy, the one who misses the old house the most, of the importance of looking ahead.

The children start to enjoy exploring their new house and the countryside around it. Seven-year-old Oliver finds a secret room in the cellar with some old things that belonged to past children who lived in the house. He keeps it to himself for a while, enjoying his secret, but he gradually lets the other children in on it. It takes Randy more time to learn how to ride her bicycle than the others, but she is thrilled when she finally masters it. However, the others are still doing better than she is. When she is separated from them on a bike ride and crashes in town, knocking herself unconscious and getting a cut on her head, she causes a stir. She is tended to by a traffic cop and his wife, who have a house full of plants and a pet alligator named Crusty, among other pets.

Gradually, the children settle in at the house and start feeling more at home there. They start making friends at the nearby school, and Rush builds a tree house with help from the family’s handyman, Willie. One day, when Rush is home with a sore throat and a fever, he gets restless and sneaks out of the house to hide in his tree house. He falls asleep and gets trapped there during a storm when the ladder falls, and he can’t get down. Eventually, his family realizes that he’s missing and rescues him, but he ends up with a case of bronchitis from the hours he spent in the tree house in the rain. Even that isn’t so bad, though, because they bring him food and let him read in bed until he gets better.

As winter starts, the kids play in the snow and use the sleds that Oliver found in the secret basement room. They also discover a hidden door behind some wall paper upstairs. It leads to a hidden room with blue wall paper that they had never noticed before even though they realize that they should have noticed that there were windows on the outside of the house that should have told them there was an extra room. The children decide to keep the hidden room secret from the adults until they can explore it themselves. Inside the room, they find a portrait of a girl labeled “Clarinda.” The kids secretly clean up the room and try to learn who Clarinda was. It takes some time before they learn what happened to Clarinda, but it’s a fascinating and inspirational story rather than a tragic one.

Meanwhile, WWII is still going on, and Mona comes up with a plan to help the war effort. She enlists the other kids to help collect scrap materials, learn to knit, and buy war bonds. They’re a little dubious about some of Mona’s plans, but they get more interested when she says that she wants to put on a play and charge admission to raise money. Mona is writing the play herself. It’s a fairy tale type story called The Princess and the Parsnip. Of course, Mona will also play the leading role as their resident actress. She almost quits the play when she accidentally gives herself a bad hairdo, but fortunately Cuffy helps her fix it. In fact, the play is such a success and Mona does so well that she gets her first real acting job – a role in a radio play.

Her father knows that she’s young, and he talks to her seriously about accepting the job. He makes sure that Mona understands that an acting career will involve hard work and some odd hours. He expects her to keep up with her school work and also take some time to be a real person and family member and not to put on airs. Mona acknowledges that and is really happy when she gets the part.

Rush becomes a little temperamental when Mona gets her job, and he admits to Randy that it’s because he feels bad that he isn’t making real money, like Mona is. The war has been on his mind, and he feels like he wants to do something serious and important and to also feel like he’s earning money for the family. The problem is that he can’t think of anything he can do. Out in the countryside, there aren’t as many job opportunities, so he feels useless. Then, Randy gives him a suggestion: he can teach piano lessons. Rush has always had a special talent for the piano, and they know that there hasn’t been a music teacher in town since the last one left to get married. Rush isn’t sure he likes the idea, but Randy says that if he isn’t interested in the job he could do best, maybe he wasn’t really serious about wanting a job at all. Thinking it over, Rush decides to give it a try, and he’s actually more successful at it than he expected. He almost quits after a particularly difficult student causes him to lose his temper and hit the other boy, but a talk with the boy’s father straights things out between them.

The book covers most of the children’s first year at their new house, with changing seasons and changes in the children’s lives. They have a Christmas with homemade Christmas presents and a few special surprises from their father and Mrs. Oliphant (a wealthy woman who’s an old family friend). There are adventures with ice skating, and in the spring, Randy finds a diamond at the brook. They acquire some new pets, including Crusty the alligator, who becomes another of their Christmas presents, having outgrown the bathtub where he was living with the policeman. Crusty later escapes and takes up residence in the brook before apparently migrating to Pennsylvania. Besides Mona and Rush finding their first jobs, the children begin showing other signs of growing up. Mona attends her first dance, although the children make a point that they’re not too grown-up yet. By the end of the book, the children are well-settled in their new home and are starting to become comfortable with the changes in their lives that come with moving and starting to grow up.

This is the second book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

This story starts out as a story about kids adjusting to moving to a new house but also turns into a humorous story with Cottagecore elements. The house in the country known as the “Four-Story Mistake” is the stuff of many children’s dreams. It’s large enough for every kid to have their own room plus the room they call the “office”, which is a play room or activity room that all the kids in the family share. Their fabulous house has plenty of rooms to explore, including a cupola and a hidden room with a mysterious backstory.

One of the things I like about this book and others in the series is that there isn’t anything tragic or upsetting in the stories. They’re good books to relax with. When the kids hear the story of the secret, hidden room in their house, there’s an element of drama to the story (one of the stories-within-the story that often appear in this series), but nothing truly tragic. At first, I had thought maybe the original owner of that room had died young, and her family had sealed it up out of grief, but that’s not the case. It turns out that she had dreams of becoming a dancer, so she ran away to pursue her dreams. Her father disowned her and closed up her room after she left, but she actually did achieve her dream, so things worked out for her, and the Melendy kids find that inspiring.

There are woods and a stream nearby, so the kids have outdoor adventures. Even when something goes wrong and the kids have a hard time, like when Rush is sick and gets trapped in his tree house during a storm, it doesn’t end too disastrously, and the hardships are treated more as part of their exciting adventure. Even though Rush suffered during the incident, and Rush’s illness gets worse from being out in the storm, he kind of enjoys the fussing he gets afterward and the time when he’s allowed to stay in bed, reading, while he recovers.

The part where Rush lost his temper with a piano student and hit him surprised me, although how the student’s father reacted to it was even more of a surprise. I think most modern parents would be angry about Rush using physical violence against the other boy, no matter how he was provoked, but that’s not how the father in the story feels. The father knows his son very well, and he understands how he provoked Rush into losing his temper. He also knows why the son was being provoking. The boy wanted Rush to quit as his piano teacher because the boy doesn’t really want to take piano lessons at all. He’s only having piano lessons because his mother wants him to learn to play the piano. Rush handles his loss of temper as professionally as he can, admitting to the boy’s father what happened and offering to resign from the job, but the boy’s father, knowing his son and his son’s motives, refuses to accept that offer. If the father allowed his son to get away with provoking someone else to a fight and then rewarded him by giving the son what he wanted (the end to the piano lessons), the son would learn a bad lesson, that he could get what he wants by behaving badly and being too difficult to handle. It isn’t a good idea to give a kid the idea that acting out gets rewards because it provides an incentive for the kid to continue acting out to get his way.

Instead, the father acknowledges Rush’s professional authority as the piano teacher and says that the boy’s mother wants the piano lessons to continue. Because Rush is the professional authority here, he authorizes Rush to use whatever methods he deems necessary to deal with his student. The father says that he will have a word with his son about this. We never hear exactly what he says to his son, but the son at least grudgingly behaves himself from that point onward, so it seems that the father made it clear to him that bad behavior wouldn’t get him what he wants. It’s true that hitting people isn’t good, but neither is provoking people to a violent reaction, and I was glad that the father acknowledged the provocation and didn’t let it slide. Considering the context of the situation and the character and motives of the people involved, the father’s solution to the problem seems to have been an effective one.

There are coming-of-age elements in the book, partly because the kids are settling into a new home, but also because they’re generally growing up. Some children’s book series have characters who never age, but the Melendy children do age throughout their series. In this book, the two oldest Melendy children get their first jobs, and Mona attends her first dance. I did like it how, after Mona gets home from the dance, she and her siblings run outside to have fun because they want to make the point that they’re not too grown-up yet.

As in the first book in the series, WWII is happening in the background because the series is set contemporary to the time when it was written. The children undertake activities to support the war effort, and their knowledge that the war is happening does cause them to think a little more seriously about life, about doing their part, both for their country and their family. I thought it was an interesting choice for the author to write about children’s thoughts concerning the war while it was happening and the outcome of the war was still unknown. The author seems to be promoting children taking part in civilian activities to support the war, like raising funds, buying war bonds, and collecting useful scrap materials. I think that was probably the attitude of many adults in the 1940s, wanting children to make themselves useful and to show patriotism, and I can see those motives in the choice to let the war be part of the children’s reality. With the story’s other themes of moving, exploring the countryside, growing up, and finding fun and adventure in a new home, I can see how the author could have chosen to focus on those elements and left the time period of the story vague, but I appreciated how the author faced the reality of child readers, acknowledging the war and giving them suggestions for how they could handle their feelings through useful support activities. The countryside in the story isn’t a place where the children hide from the troubles of the world around them but where they can find their own way dealing with them creatively.

The Saturdays

The four Melendy children live in a brownstone townhouse in New York City during the early 1940s. Their mother is dead, but they get along well with their father, and their housekeeper, Cuffy, is a motherly woman and helps look after the children. Each of the children has their own responsibilities in the house and distinctive talents and ambitions in life. Mona is the eldest at age 13, and she wants to be an actress. Rush, age 12, wants to be a mechanical engineer and a pianist. Miranda, who is 10 years old and usually goes by the nickname “Randy”, loves dancing and painting. Oliver, the youngest at 6 years old, wants to be a train engineer.

The children have a room at the top of the house which is a sort of playroom, although they call it the “office.” It has the children’s toys and books and plenty of things that they’ve gathered for their various hobbies, activities, and experiments. However, one rainy Saturday, the kids are bored. It isn’t that they don’t have anything to do. It’s more that the day is so wet and miserable that they have trouble getting interested in anything. While they debate different things they could do or wish they could do and complain about the weather and the size of their allowance, Randy comes up with an interesting idea.

Each of the four children has something that they wish they could do, but they’ve never been able to afford to do it because it costs more than the allowance they receive. Randy suggests that they form a kind of Saturday club. Every week, they will pool their allowances, and one of them will use the collected money to do something they’ve always wanted to do. To make it worth the investment from the others, they all have to agree that they won’t just blow the money on something they could do any time, like buy a bunch of candy. Each child’s special Saturday should be something really exciting and worthwhile. All of the kids are interested and have ideas about what they could do if they had a lump sum equal to four allowances and one free Saturday to do whatever they want by themselves.

When they explain the plan to their father and Cuffy, they agree that the children can do what they like with their allowance money, including taking turns pooling it and sharing it with each other. They also agree that the children can go off by themselves for their adventures as long as they agree to some basic safety rules. Over the next several Saturdays, the children take turns having their own special days with their pooled allowance money.

Randy is the first one to have her turn. As an art lover, she goes to an art gallery. To her surprise, Randy also sees an elderly woman she knows, Mrs. Oliphant, who is an old friend of the Melendy family. Mrs. Oliphant is a kind woman, but the Melendy children never thought of her as much fun. Randy loves the art and the ways the paintings make her feel, almost as though she could step into them and experience what the people in the paintings are experiencing. There is one particular picture that interests her, a picture of a girl who looks like she’s the same age as Randy is now. Randy finds herself wishing that she could meet the girl in the painting, like the girl might be someone she could have been friends with.

Then, Mrs. Oliphant approaches Randy and asks her about whether or not she likes the painting. Randy is surprised when Mrs. Oliphant tells her that it was painted 60 years ago and that she was the girl in the picture. Randy’s artistic afternoon takes an unexpected turn when Mrs. Oliphant invites Randy to have a snack with her, and she tells Randy about her youth in Paris, when she was a lonely only child being raised by a strict father, elderly aunts, and a governess. The artist who painted her was a friend of her father’s, who thought that she looked like a little princess. It was at the inspiration of the artist that young Mrs. Oliphant snuck out of her house to visit her first carnival when her overprotective family wouldn’t let her go, and she was kidnapped for ransom by a gypsy fortune teller. Fortunately, she was found again by the artist at another carnival where the fortune teller was performing. The artist persuaded her father to let him paint her after the rescue. Randy loves that exciting story and is surprised at how romantic and fascinating Mrs. Oliphant really is. Mrs. Oliphant invites her to visit her sometime and see some of the fascinating things that she’s collected over the years, and she buys a little box of petite fours (fancy little cakes that the children have never had before) for Randy to take home to her siblings.

When it’s Rush’s turn for a special Saturday, he decides that he wants to go see an opera because he loves music. He goes to see Wagner’s opera Siegfried (part of a series of operas based on the Nibelungenlied epic poem that helped inspire Tolkien‘s The Lord of the Rings), about a hero and a magic ring made by dwarves and a fearsome dragon. On the way home, Rush rescue’s a stray dog and brings him home. He tries to clean up the dog before showing him to his father and Cuffy, but the dog gets loose before he’s done washing him. Fortunately, the dog manages to charm the rest of the family, so the family gains a pet.

Mona’s turn is next. She really hates her long braids, so she decides to use her Saturday for her first trip to a beauty parlor and asks for a hair cut. She isn’t really sure that her father or Cuffy would approve of it, but nobody has told her not to (because she didn’t ask). At the beauty parlor, they ask her if she’s really sure that she wants a hair cut because her braids are almost down to her waist, but she insists. While she works on Mona’s hair, the stylist tells her a story about how she and her brother ran away to New York as children and how she got into the beauty business.

When she’s finished, Mona is impressed with how beautiful she looks, and she even lets the stylist paint her nails. However, the reception she gets at home is about as bad as Mona might have expected. Her father and Cuffy are pretty conservative on the subject of girls’ hair and makeup. They disapprove of her trying to be too grown up and not consulting them about her hair, and they want to get the nail polish off her fingers as soon as possible. Even her siblings think that she’s been too daring with her appearance.

When Cuffy sees how upset Mona is about their criticism and disapproval, she comforts her, and she admits that the hair cut is actually practical because it will be easier to wash and brush shorter hair than long hair. Mona’s father admits that he might also get used to the hairstyle and come to like it. He further admits that it can be hard for parents sometimes, when they see signs that their children are growing up. Randy also says that Mona really does look like a movie star.

The children continue taking turns with their special Saturdays. Oliver, being only 6 years old, can’t go out into the city alone, like the others can, so the others spend their Saturdays at home with him whenever it’s his turn. Then, on one of Oliver’s Saturdays, he disappears. Sneaking out of the house by himself, he takes the money that he’s saved and asks a policeman the way to the circus, which is at Madison Square Garden.

While his siblings panic when they realize that Oliver is missing, Oliver has a great time at the circus, watching all the animals perform and buying cotton candy and other treats. However, when it’s time to leave, Oliver gets lost on his way home, and he starts feeling sick from everything he’s eaten. He gets a ride home from a friendly policeman on a horse, and looking back on it, Oliver decides that was the best part of his day. He decides that maybe, instead of being a train engineer, he’ll become a policeman on a horse when he grows up.

After Oliver’s circus adventure, the siblings decide that they want to do a shared adventure, so they go on a picnic. Their new dog, Isaac, later saves them from a disaster caused by a careless mistake that could have killed them all at home. The children’s father decides on some home repairs, and the children realize that they won’t be able to go away for their usual summer trip and that they’ll have to economize on their Saturday adventures. Fortunately, Mrs. Oliphant has an idea for a summer adventure for the family. She owns a lighthouse, and she invites the Melendy family for a summer visit!

This is the first book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

I like this series because it’s set contemporary to the time when it was written, in the early 1940s. This first book sets the time period with a comment about a mark on the floor left by one of the children trying out roller skates on Christmas 1939 and one of the children commenting that a stain on the wall looks a lot like Hitler because it looks like a man’s face with a mustache. (One of the other children comments that he’s going to turn the stain into a bearded man, like George Bernard Shaw, because he doesn’t want to see Hitler.) Toward the end of the book, the children talk about the war a little with Cuffy. The war has definitely been going on because they mention bombs and blackouts in London, and Randy asks Cuffy what it was like when the world was peaceful. Cuffy says that it seemed lovely, at least on the surface, but the peace didn’t last. There was another bad war before this one, and a peaceful time in between the two wars when people could travel freely. When Mona was a baby, their parents took a trip through Europe, and Cuffy was there to look after Mona. Because the children live in New York, they never see the war directly, but they’re aware that it’s happening, and they have feelings about it.

Apart from the historical war references, this book is just generally fun to read. It’s fun to see what each of the children does when they have a little money and the freedom to go where they want and do what they want in the city. The kids have minimal adult supervision on their adventures, and it’s the sort of thing that kids today might dream about doing. In general, kids love stories about other kids with the freedom to do what they want to do, although because this family likes the arts and culture, many of their chosen activities, like going to an art gallery or an opera, are things that many other children might not think to do. I was thinking that, probably, one adventure that many kids in my area could do or might do unsupervised might be to get their hair cut and/or nails done in some fancy way, like Mona did.

I was a little surprised that the father of the family reacted as strongly as he did to Mona having shorter hair because shorter hair for women and girls had become more acceptable by the 1940s. I think that regarding short hair as scandalous was more common when the style was new in the late 1910s and the 1920s (see the story Bernice Bobs Her Hair by F. Scott Fitzgerald from 1920). On the other hand, the real issue here seems to be that the father and Cuffy think that Mona is trying to act too old for her age (which is a way of saying too attractive or too sexy for a girl who is still too young to date). The father somewhat admits that it can be a shock to a parent to see how much his daughter is growing up. In that case, it’s not so much about short hair in general but now grown-up and attractive Mona looks in a more adult hairstyle.

Something else I’ve noticed about books in this series is that they frequently contain mini-stories told by other characters to the Melendy children. In this book, we get the story told by the hairdresser about how she and her brother ran away to the city when they were young and the story of Mrs. Oliphant’s adventures when she was kidnapped by a gypsy as a child. Children kidnapped by gypsies is a theme in vintage children’s books, although this is considered a stereotypical depiction in the 21st century. The stereotype of the child-stealing gypsy was probably based in prejudice, the use of community outsiders as scapegoats, and erroneous conclusions drawn from observing family members who do not physically resemble each other. (For example, I remember being told as a child that two blue-eyed parents would not produce a brown-eyed child because blues eyes are a recessive gene, yet it actually does happen, although it’s relatively rare. It’s just that human genetics are complex and produce more variations or throw-backs to earlier generations than some people might expect.) The main character in another book by a different author, The Girl in the Window, challenges the prejudices of adults in her community when they start to blame the disappearance of a local girl on a gypsy.

Dig for a Treasure

This is the second book in The Invisible Island series. It begins with the arrival of the Lennox family and their two children, Hugh and Barbie. The Lennox family has been staying with various relatives since the father got out of the army, but now, they’ve found a house to rent in the small town of Anchorage, Connecticut. The children are looking forward to having a yard to play in, and the mother wants to have a garden.

Unfortunately, when they arrive they are shocked to see that the house they were going to rent has been destroyed by fire. Their landlord, Mr. Prentice, is also on the scene, and he regretfully tells them that the fire just happened, although they don’t know the cause, and that there are no other houses in the area to rent. At first, they think that they will have to go back to staying with relatives, but Mrs. Lennox says firmly that they won’t. The family has had enough of staying with relatives, and they desperately need a place of their own. It’s summer, so her idea is that they can camp out on the property of the burned house for a few months while they look around for another place to rent. The children are excited about the idea of a camp-out. Mr. Prentice says that he wouldn’t have any problem with the family camping on the land, and he returns their rent deposit to them, saying that they can stay at his house that night and get some camping equipment the next day.

While Hugh and Barbie are exploring the area and looking for their cat, who ran off, they meet the children from the first book in the series. Hugh is about the age of David Guthrie, and Barbie is about the same age as Winkie Guthrie, the youngest of the children who play on the island they call “The Invisible Island.” Since the previous book in the series, they have finished their stone hut, and it has a grass and sod roof and four built-in beds for the four Guthrie children. Mr. Guthrie is an architect, and he helped the children build the house.

Hugh and Barbie admire the hut, and they say that they wish they had a stone house like that because it couldn’t catch fire. They explain to the other children what happened to the house that their family was going to rent, and they ask the children if they would consider renting the stone hut to their family until they can find another place to live. Mr. Lennox isn’t really happy about the idea of camping in tents because he lived out of tents when he was in the army.

At first, the Guthrie children and the Leigh children aren’t sure that they want to rent out their stone hut. They spend a lot of time there, and they’ve been trying to save up money to add improvements. The hut really belongs to the Guthries, who built it, but they want to add an extra room for the Leighs. However, after thinking it over, they realize that they can earn more money as rent from the Lennox family than they can by just doing chores, and while the Lennox family stays in the hut, they can camp out on other parts of their little island, like the woods that they call “Sherwood Forest.”

Since the little hut is just a one-room hut with no bathroom or other amenities, the children aren’t sure at first whether the Lennox adults would want to stay there or not. However, staying in a stone hut does sound better than in a tent, where they would also have no bathroom or amenities. Mr. Lennox is also intrigued by the pond, where he can go fishing. The children and the Lennox family talk things over with Mr. Prentice and the Guthrie children’s parents, and they all agree to renting the stone hut to the Lennox family.

The Lennox family still isn’t sure whether or not they’ll find another house for sale or rent in the area. They want to stay in the area because Mr. Lennox has a job nearby and Mrs. Lennox knows that some of her ancestors used to live in the area, although she doesn’t know much about them. However, Anchorage is a small town, and most of the houses already have people living in them. There is only one empty house in the area, but the owner has always refused to rent it or sell it. Mr. Prentice explains that the owner believes that there is a treasure in the house or nearby, a necklace that once belonged to a queen, and she’s been looking for it for years. Mr. Prentice doesn’t think that there really is a necklace or, if there once was, it’s probably long gone, but the owner insists that it exists and is still there, somewhere.

The children are fascinated, and they ask Mr. Prentice to tell them the story of the queen’s necklace. He says that during the time of Queen Elizabeth (Tudor), the ancestors of the Winthrop family who owned the house did something for Queen Elizabeth that caused her to reward them with a golden necklace that was passed down through the family for generations. When the Winthrops came to the colonies in America around 1650, they brought that necklace with them. However, when they came to this area and settled there, they had problems with the local Indians (Native Americans).

Mr. Prentice says that he can’t blame the American Indians for resenting strangers coming and taking over their lands and hunting grounds or for them trying to stand up for their rights, but the situation escalated with increasing violence. David Guthrie protests that American Indians scalped people and that, if he’d been there at the time, he’d “show them.” Mr. Prentice explains that was exactly the problem – everybody who was there at the time thought he’d “show them”, and that’s why the violence escalated. As for the scalping, Mr. Prentice says that white people committed their share of atrocities, too, and when David is older and learns more about it, he might not feel so proud of his side in this battle. (I thought that was an amazingly honest and self-aware interlude about European colonization and its effects on Native Americans for a book written in the late 1940s, when cowboy and western shows were becoming popular, and American Indians were mainly portrayed as violent enemies to be defeated. I was a little concerned at first when “Indians” entered the story, but I was relieved that the author took this attitude.)

Continuing with the local legend, Mr. Prentice explains that the colonists received warning one day that the local tribe was going to attack. In preparation for the attack, some families hid valuable items that they didn’t want stolen or destroyed in the coming battle. Some people buried valuables, and others hid their valuables in wells or caves. Presumably, the Winthrops hid their necklace, called the Queen’s Chain, during this time, but nobody really knows what happened to it. The colonists fled the area, and the American Indians burned the entire village to the ground. Every man-made structure was destroyed during this attack. Although people later returned to the area and rebuilt the town, it’s unknown what valuables they retrieved or when or if they ever retrieved them from their hiding places. Because all the buildings and some of the trees were burned, many landmarks were destroyed, so some people might not have found their hidden valuables again, even if they managed to return to look for them.

Mr. Prentice is related to the Winthrop family, and so is his cousin, Lizzie, who currently owns the rebuilt house known as the Winthrop house. Lizzie is firmly convinced that the Queen’s Chain is still there, somewhere. She thinks it was never hidden during the attack that destroyed the first house and was passed down through the family but hidden by a later generation, which is why she won’t sell or rent the house. Mr. Prentice, on the other hand, thinks that the necklace is lost forever. He thinks that either the necklace was hidden with other valuables that were never retrieved after the attack or that the family found the necklace and sold it to get money to rebuild the farm that was destroyed. Mrs. Prentice, on the other hand, sides with Lizzie, saying that nobody in the Winthrop family would have sold the necklace because it was part of a family trust.

The children are fascinated by the story, and they immediately begin thinking about searching for the necklace themselves. They talk to Miss Lizzie about the story Mr. Prentice told them and use some of the descriptions that she gives them of the old Winthrop property and the plants that once grew in their herb garden to see if they can pinpoint the exact location of the original house and the hiding place that the Winthrops might have used for their valuables. Even though everything manmade was destroyed in the attack, some plants have a way of coming back, and the remains of the old herb garden might still be there, even almost 300 years later.

The treasure hunt takes on greater importance when the Guthrie children learn that their family might not be able to buy the island from Mr. Prentice. Mr. Prentice is also the Guthrie family’s landlord, and the family has been saving up to buy their house from him. They had also hoped to be able to buy the island where the children have been spending so much time, but Mr. Prentice is reluctant to sell it. Lumber is valuable, and he’s thinking of cutting down the pine trees on the island to sell the wood. The children are horrified at the thought that their beloved “Sherwood Forest” might be cut down! Perhaps, if they can find the missing treasure, they can persuade Mr. Prentice to sell the land to them and Miss Lizzie to rent her house to the Lennox family.

The book is available to borrow and read online through Internet Archive (in audio form!).

There isn’t as much imaginary play as “castaways” in this book as their was in the first book in the series, but the theme still shows up in some ways. The kids still go camping on the island. They use tents when the Lennox family is living in their hut. The children’s search for treasure also offers plenty of outdoor adventure, and I really enjoyed the element of mystery in the story.

The children approach the treasure hunt from the assumption that the necklace is still hidden wherever the Winthrops hid their valuables. They do find that spot and recover some relics of the 17th century, but the necklace is not among them. Readers probably won’t guess exactly where the necklace has really been hidden, but there are a few clues to notice along the way. Mrs. Lennox says at the beginning that her ancestors were from this town, even though she doesn’t know much about them. I had guessed that they might have a connection to the Winthrops, especially when Miss Lizzie explains that the name of the girl who hid the family’s valuables before the attack was Elizabeth, and there are other Elizabeths in the family. Besides Miss Lizzie, Mrs. Lennox is called “Betty” when her husband addresses her by her first name, and Betty is another nickname for Elizabeth. When Barbie recognizes something that Miss Lizzie has as being like something her family owns, Miss Lizzie realizes that the Lennox family is related to her. By comparing what each of them has and what Miss Lizzie knows about their family, they figure out what really happened to the necklace. It not only solves the mystery of the necklace, but once Miss Lizzie realizes that the members of the Lennox family are relatives, she’s happy to have them living in the old Winthrop house.

The problem of what will happen to the children’s island and the trees on it is solved when the children win a bet with Mr. Prentice. In the first book, the children called their island “The Invisible Island” because it isn’t obvious at first that it really is an island, surrounded by water on all sides. So far, the children have kept the knowledge to themselves and their parents. When the children accidentally refer to the island in Mr. Prentice’s presence and realize that Mr. Prentice isn’t aware that it’s really an island, they start to explain. Mr. Prentice can’t believe that there’s actually an island on his land, and he says that he will give up ownership if they can prove that it’s really an island. The children easily demonstrate that it’s truly an island, showing him all of the waterways and bodies of water around it, and Mr. Prentice says that they’ve won. The Guthries end up with control of the island and the trees on it.