Mystery of the Witches Bridge

Mystery of the Witches’ Bridge by Barbee Oliver Carleton, 1967.

Thirteen-year-old Dan Pride is an orphan. His father was an international correspondent, and during his early years, Dan lived in different European countries, as his parents traveled around to his father’s assignments. However, three years ago, his parents died in a plane crash. Since then, Dan has been living in a British boarding school. Now, he has returned to the United States to live with his father’s brother, Uncle Julian. Dan doesn’t know what to think about his new town because it’s very different from everything that he’s known before, but he likes the idea of belonging to a family once again because he has been lonely since his parents died.

The Pride family lives in a New England seacoast town. They were one of the founding families of the town in Puritan times, but Dan discovers that the local people aren’t particularly friendly with the Pride family. Billy Ben Corey, a man who works for his Uncle Julian, explains that the Pride family has been rather stand-offish with the townspeople, and there are also rumors and stories about witches that go back to Puritan times. Billy Ben says that most of the modern locals don’t really know all the details of the witch incidents, but the vague rumors that have circulated about the Pride family have caused the townspeople to treat them with suspicion.

This sounds like a somewhat sinister beginning to Dan’s life in York, Massachusetts as he comes to understand how much of life there is governed by the past relationships between the oldest families of the area. Billy Ben tells him that the Coreys have worked for the Prides for generations, but relations between the Prides and the Bishop family haven’t been good and that Dan should avoid them.

Dan presses Billy Ben for more information, and Billy Ben tells him the story of how one of his ancestors, Samuel Pride, was accused of witchcraft back in Puritan times. Some unfortunate happenings at the time, which were probably just the result of bad luck and bad weather, were blamed on him because he was kind of an odd, temperamental person. He was known for playing the fiddle extremely well, and people said that he used it to summon up the devil in the form of a black dog out of the marsh. The person who made the accusation and who led the group that came to arrest Samuel Pride was an ancestor of the Bishop family. Samuel came out to meet the group that came to apprehend them on the old stone bridge that leads to the island in the marsh where the Pride family has their house and farm, Pride’s Point. The story goes that when Samuel met the mob on the bridge, he placed a curse on them, that doom would come for them out of the night, out of the fog, and out of the marsh. Samuel and his wife were executed for witchcraft, and not only after, there was a terrible fog and a sickness that killed many people in town. People said that it was the result of Samuel’s curse. That’s why the Prides and the Bishops have a bad relationship even though they’re neighbors, why the townspeople are still a little suspicious of the Prides, why the Prides are somewhat standoffish of the townspeople (When you think about it, who really wants to be outgoing and friendly with people whose ancestors not only killed yours but who are not welcoming or friendly themselves because they have continually looked at you and your family with suspicion for generations, like you’re the weird ones? The townspeople basically created this situation and have been perpetuating it ever since, yet they act like the problem is with the Pride family instead of themselves. Gaslighting is a relatively new term from the 20th century, but the concept has been around forever, used even by people who don’t know what it is and that it’s what they’re really doing.), and why people in the area are afraid of the stone bridge that they call the Witches’ Bridge, the place where the curse was supposedly delivered. Even into modern times, people in the area see strange lights in the marsh and hear mysterious fiddle music or dog howls that they think might be Samuel’s ghost.

There is still more to come because the mysterious misfortunes of the Pride family have continued even into modern times. Dan is named for his grandfather, Daniel Pride, who died suddenly under very mysterious circumstances, something that still haunts his Uncle Julian. Young Dan learns the story from Mrs. Corey, a relative of Billy Ben’s, who is Uncle Julian’s housekeeper. Daniel Pride had been working to change the family’s image in the eyes of the local people, debunk all the old ghost and witch stories, and lay past quarrels to rest. To try to make peace with the Bishop family and restore the Pride family’s former fortunes, Daniel had been trying to arrange to buy the shipyards that the Bishop family owned, which had formerly been owned by the Pride family. The Bishop family initially agreed to the sale, and one foggy night, Daniel went to see the Bishops to finalize the sale. What happened after that is still a mystery. Daniel was found dead the next day near the old chapel with a look of terror on his face. It’s known that he had a heart condition, so he apparently had a heart attack, but from the marks on the ground, it also appears that he had been running before he collapsed, possibly deliberately frightened to death. Also, there were marks on the ground nearby where his briefcase fell, but the briefcase containing the sale papers was never found. The superstitious people in the area think that Daniel’s death was another symptom of the family’s curse, but it might also have been deliberate murder and theft. The Bishop family insist that they never finalized the sale of the shipyard with Daniel before his death, but Uncle Julian believes that the sale was finalized and that the Bishops are lying to take advantage of his father’s sudden death, just like their ancestors arranged the execution of Samuel for their own advantage. Uncle Julian remains suspicious and bitter about what has happened, just as the townspeople continue to look at the Prides suspiciously.

All of this makes York seem like it’s not the best place to raise a sensitive young orphan, and that’s basically what Uncle Julian says to Dan when Dan arrives at Pride’s Point. Uncle Julian seems elderly and physically frail, and Dan senses that he is a deeply troubled man. Uncle Julian tells Dan that the family and the old family home have a troubled history. That’s why Dan’s father decided to go away and live his life traveling to different places, and that’s why Uncle Julian delayed sending for Dan for so long after his parents’ deaths. Uncle Julian doesn’t seem to think that Pride’s Point is a very healthy place, and he hints at buried secrets. However, he does say that, now that Dan is there, there are going to have to be some changes.

Dan doesn’t think this sounds too hopeful, and he’s lonely and disappointed that he hasn’t found the happy family and home he was hoping for and that he doesn’t even seem particularly welcome there. He can’t even really enjoy playing his violin because of the connection people there seem to have between “fiddle” music, witchcraft, and his supposedly sinister ancestor. As Dan is looking around his new bedroom that night, he suddenly spots a mysterious flashing light from his window, outside in the marsh. It’s creepy because it not only supports all the ghost and witch stories that Dan has just heard but because he recognizes the patterns in the flashes of light as Morse Code … and the message being sent is his own name: D-A-N P-R-I-D-E.

Dan doesn’t believe that any supernatural force was using Morse Code to flash his name at night. It was obviously some human person, but who would do that and why? What is the truth about his grandfather’s death? Is Uncle Julian right that the Bishops caused Daniel Pride to die and then lied about the sale of the shipyard to cheat the Pride family? Or is someone else responsible?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I stand by my earlier statement that there is basically inter-generational gaslighting of the Pride family going on. It’s gone on for so long that the townspeople have trouble recognizing what they’re doing or stopping themselves from doing it, even though some of them seem to have the feeling that it isn’t right. At one point, some of the townspeople who come out to Pride’s Point to help fight a fire make jokes about the Pride curse. I could sense tension in them, and I think it was an attempt to lighten the mood, but under the circumstances, it wasn’t really appropriate for them to joke around, especially not about something that’s been a sensitive topic for the Prides, something that has literally caused members of their family to die and others to be persecuted for generations. Keep your audience in mind, and learn how to read a room, people of York!

Uncle Julian hates the stories and rumors that have circulated about his family since before he was born, but he doesn’t know what to do to stop it, and he sometimes wonders if it wouldn’t be better for the family to simply leave their old family home and start up again somewhere else. Mrs. Corey tells Dan that every single time anything bad happens in the area, people either look at the Prides suspiciously or find a way to blame them, even though they didn’t have anything to do with whatever it was. Dan can tell that Uncle Julian is so accustomed to having people blame him and his family for things and repeat scary stories about them that he halfway believes the stories in spite of himself, and he’s overly sensitive anytime it looks like the townspeople might be trying to blame the Prides for something yet again. That’s what makes this situation gaslighting, because the community’s constant untrue stories have warped even the Prides’ sense of reality and views of themselves. The community of York as a whole has created a situation that makes it difficult for the Prides to make friends with other people and get reality checks, and the most dangerous part of it is that among the few people that the Prides are in the habit of trusting is someone who turns out to be the person they should fear the most.

I couldn’t help but notice that there was someone in the story that Dan trusted too much in the beginning. It’s partly because Dan is young and in a situation where he is just getting to know the circumstances and people involved, but even when this person says things that are untrue, contradictory, or just plain mean, he doesn’t call him on it or seem to question within himself why this person is talking like that, at least not until about the middle of the book. Gaslighters will do this to a person, playing mind games, lying, alternately being friendly and praising their victim and then putting down their victim and/or trying to blacken their name to other people, discouraging them from getting close to people who care about them and might actually help them, acting like normal things that the victim does or feels are somehow weird or abnormal, trying to keep their victims in a constant state of confusion, unsure of what the reality of the situation really is. Although I found myself angry with the people of York in a general way for perpetuating something awful that their ancestors did for generations and for being apparently oblivious to what they’re doing in modern times, there is a definite villain in the story who is both deliberately and concretely evil.

There is a parallel drawn in the story between Uncle Julian’s big, black dog, Caliban, who is disfigured from an old injury and the Pride family themselves. Dan is afraid of the big dog, and Billy Ben tells him that it attacked him once, but Uncle Julian says that Caliban is just distrustful because he was badly abused and injured in his earlier life. People are like that, too. I understand that because I used to volunteer at an animal shelter, and that’s where I got my dog, Betty. (If you look at my About page, you’ll see a picture of Betty.)

I’ll never know Betty’s complete history because she was found wandering alone without a collar before she was brought to the shelter. However, I’m pretty good at reading between the lines, and I can read at least part of the story from her behavior. Betty is afraid of anyone, even me, walking behind her, and I’ve noticed since her shelter days that sometimes, her back end looks a little off-center when she runs. Her tail has an odd, permanent bend at the very tip that we didn’t discover until we had the hair on it trimmed. I think she’s been kicked hard from behind before, hard enough to leave permanent injury. She’s not as scared of things as she used to be after having lived with my family for a few years, but she used to be terrified of newspapers or anybody standing over her with anything in their hands, so I think she’s been hit with things before. Betty also gets scared when people laugh. She’s not as scared as she used to be because she’s gotten used to us laughing at something funny on tv, but there are times when she’s cringed and slunk away with her tail between her legs from people when they laugh and she can’t figure out why they’re laughing. Betty’s fear of laughter actually disturbs me because I think I know why it scares her. Based on her reaction, I’ve think that it’s likely that whoever hurt Betty before laughed when they did it. I think Betty has an association between laughter and pain, and that’s why she takes laughter as a bad sign, reacting fearfully to it when she thinks it might be directed at her. Laughing while inflicting pain is a sick thing to do, the product of a sick mind. There are stories in Betty’s reactions, and I’m disturbed by the mental picture I have of the person who had Betty before.

I have to admit that my own history has also both colored/given me insight into Betty’s behavior. If it isn’t obvious from comments in my previous reviews, I don’t see teasing as a positive thing. I’ve reacted to it in the past much like Betty does to sudden, unexplained laughter, which is why I understand the feeling behind it. Some people say that they like to tease their friends and people they like, but I just don’t like it, and I’ve learned to be more open and honest about how I never will like it. I do not have good feelings about people who tease others for fun, and I deeply resent being told that I have to like it because the people doing it are “just having fun.” It’s not a bonding activity, not with me, no matter who says it is. I absolutely refuse to “bond” with anyone who does it. Anyone telling me that I have to change myself to like people who tease is 100% guaranteed to get on my bad side. I have a bad history with teasing and bullying, I have a bad history with the people who do it, and I just don’t want to be around it. Teasing involves getting a laugh at someone else’s expense, benefiting from their discomfort, and getting a good feeling from making someone else feel bad. I don’t think any of that is right, and it doesn’t take much for it to get way out of hand, especially when people have the impulse press harder to get the reaction they want to their “jokes”, like the other person just didn’t get it, instead of cutting it out when their “jokes” just aren’t funny. It’s always awkward when it comes from people who don’t know the sore spots that they shouldn’t poke at and try to act like they’re special friends who should be cut some slack when the reality is that we don’t really know each other that well, we’re not really close friends, and no such special relationship actually exists between us. Real friends understand and demonstrate respect for each others’ feelings, and they don’t intentionally poke at a friend’s sore spots, like the people of York did to Uncle Julian with their jokes in this story.

What ties all of this together is that Betty’s reaction to laughter is like Uncle Julian’s reaction to the townspeople and their jokes and comments; it’s a conditioned response from long-term negative association. The townspeople are uneasy because Uncle Julian doesn’t laugh with them, but Uncle Julian doesn’t laugh with the townspeople because none of it was actually funny. By perpetuating these witch stories, even in the form of “jokes”, they’re constantly feeding the myths and ghost stories and making the situation worse, and they don’t seem to care about how he or his family feels or how it affects their lives. You can tell who respects you and who doesn’t by seeing who tries to treat you the way you want to be treated. The people of York were making jokes to soothe their own feelings, sharing in-jokes that they’ve had with each other at the Prides’ expense, and they got really uncomfortable when suddenly confronted with Uncle Julian’s, feelings that they helped to provoke and didn’t want to deal with.

Don’t worry about Betty. It’s sad that she’s been afraid of things and it’s kept her from being more outgoing and friendly, but we’re working through it. In non-pandemic times, I take her to places where I know she’s welcome, and she has acquired a fan club of people who like to see her and say hi whenever we visit. Anytime she seems uneasy because we’re laughing about something, I sit next to her, pet her, and praise her for being a Good Girl so she knows that nobody is trying to be mean to her and that we value her. When someone has been programmed through negative reinforcement, positive reinforcement is needed for balance. I’m trying to build more positive associations for her. It’s working, and she’s improving. She behaves very well and is very happy little dog when she’s treated well. Don’t worry about me, either. I’ve had some bad experiences, but I’m not the only one who’s had to deal with this stuff. There are lots of different kinds of people in the world, and I’ve learned some things about finding the kind of people I want to be around and making it clear how I want to be treated. I just gripe and vent now and then because I don’t like mean behavior or seeing others in these situations, and I’m all out of patience for it. I’ve learned what to do to help remedy such problems, but that doesn’t stop me from resenting the people who create problems that need to be solved.

The way both people and animals behave offers clues about what’s been happening with them. Sometimes, they offer warning signs of people to avoid, and sometimes, they are signs that the person or animal is in distress and needs some outside help and support. Caliban’s behavior in the story is more defensive than aggressive. That is, Caliban is reacting, not instigating … and if I saw what Dan saw in the story, I would know immediately to be very suspicious of the person Caliban hates the most because it explains where the source of harm in his life is. In a similar way, the Pride family is mostly reacting, not instigating. They have been harmed, both physically and psychologically, for an extended period of time, and while they seem to have the sense that’s the case, they’ve been too close to the problem for too long to see what the source of the greatest harm really is. But, about halfway through the book, Dan does learn to correctly read the people around him and comes to realize who is really his friend and how isn’t, based not on how others talk about them but by how they each actually treat him. When you pay attention and think about people’s actions in context, you can see who really has your best interests at heart and who doesn’t.

Dan spends much of the story, particularly at the beginning, feeling like he is unwanted, both in York and at Pride’s Point. At first, he thinks that his Uncle Julian doesn’t want him, but he gradually realizes that’s not it. There is someone else who doesn’t want Dan there, for reasons of their own. As I was reading, I noted times when this person said and did things that manipulated Dan’s feelings, even actively trying to make Dan feel bad while carefully seeming “honest” or “helpful” so Dan would continue to listen. I felt so much better when Dan finally realized the truth about this person. I have to say that I was really angry with Uncle Julian when I discovered that he was fully aware of who hurt his dog and that he still trusted this person. For me, the first hint of that would have caused me to permanently sever the relationship because it’s sick behavior and a sign of a disturbed mind, but I can only suppose that he felt unable to because he had been dependent on this person for too long, largely shunned by the wider community, who could have given him a reality check if they’d had a firmer grasp on reality themselves.

Dan, who had never heard of the Bishops before arriving in York, finds himself becoming angry and resentful of them, hating them for what they’ve done to his family for generations. His uncle even warns him not to get involved with the family, but that’s exactly what the real villain wants. When Dan makes friends with a boy named Pip Cole and his twin sister, Gilly, he confides his anger at the Bishops and how he blames them for this whole mess and for perpetuating it for generations, but Pip knows more about the situation than Dan suspects, and he has seen a different side of the problem. Pip tells Dan his family would have less problems if they would just forgive the Bishops, but Dan doesn’t believe it at first because, the way he sees it, the Bishops are the villains, who have actively profited from their villainy all along. I appreciate Dan’s situation. Pip doesn’t fully appreciate that, for Dan and his uncle, it’s not just about the past because they’re still actively suffering from the townspeople’s stories, rumors, and suspicions about them. It’s hard and maybe impossible to forgive something that’s ongoing from people who see no problem with the situation and aren’t particularly sorry. On the other hand, the resolution of this situation requires at least one of the parties involved to make the first move. Dan’s grandfather was trying, but his mysterious death prevented his mission from being completed. Even Uncle Julian reveals that he had been prepared to forgive the Bishops and marry their daughter, but some of the circumstances of his father’s death led him to believe that his fiance actually had a hand in it, and that apparent betrayal is what has left him such a haunted man all of these years.

The stories that Dan has heard about his family are not the complete story. Dan eventually comes to realize that the Prides and the Bishops each have only half of the real story, and because of their reluctance to associate with each other, the Bishops partly out of continued superstition and guilt, not knowing how to deal with the Prides’ anger, and the Prides, because they are both justifiably angry and accustomed to unfair treatment and being shunned by the community. However, it’s important that they do talk to each other because it’s the only way for each of them to get the complete picture of what’s really been happening and learn the real villain’s true motives.

The key to establishing the truth is in the missing briefcase, and both Dan and his enemy are searching for it. Dan needs to make peace with his family’s past, and he finds some help from a mysterious hermit called Lamie, who lives alone in the marsh. Lamie is another outcast of the York community. People avoid him because he has a reputation for being weird. People in this community in general may be “normal” in the sense that their behavior is fairly uniform, but uniformity by itself isn’t a virtue. When you’ve got an entire community doing something they shouldn’t, being the odd one out can be a good thing. Lamie helps Dan when he needs it, and Dan discovers that Lamie is actually a very kind and understanding person. Lamie’s solitary lifestyle is rather unorthodox, but he’s actually happy in his solitude because he knows who he is, he takes care of himself, he’s comfortable with himself, and he’s living the kind of life he likes, in touch with the natural world. When Dan talks to Lamie, he realizes that Lamie is comfortable with his own identity and at peace in his own mind in a way that his uncle isn’t. Even more importantly, Lamie sees things from a different perspective because he isn’t part of the groupthink of this community.

Lamie was friends with Dan’s grandfather, and he tells Dan about a hidden chamber built by the Prides’ ancestors, where Dan’s grandfather kept important family papers. However, Lamie tells Dan that he isn’t sure that he should look for it if his only motive is revenge. Dan does have a desire for revenge after all of the stories of injustice toward his family that he’s heard and what he’s suffered himself since he arrived in this area. Lamie helps to calm Dan’s desire for revenge by quoting from St. Francis of Assisi, emphasizing the importance of forgiveness instead of revenge. The part about truth speaks to Dan, and he comes to realize that what he really wants, more than revenge, is to know the truth about what happened to his grandfather. Lamie tells him that he saw some of what happened the night his grandfather died, from a distance. Because of the fog, he couldn’t see everything, but he knows that the Bishops were telling the truth that Dan’s grandfather didn’t make it to their place that night to complete their deal, defusing Dan’s anger at them for their supposed lies. Lamie’s memories also give him clues about the true identity of his grandfather’s attacker and the location of the secret hiding place. However, to find it and to evade his enemy, Dan will need the help of the very people his uncle has forbidden him to associate with.

I found the parts about the gaslighting of the Pride family and the poisonous duality of their true enemy frustrating and anger-inducing, but once Dan speaks to Lamie (really, my favorite charcter in the story) and begins to sort out who he can trust and who he can’t, I felt a lot better. The story is very atmospheric, with a grand old house and property, surrounded by a foggy marsh, and even when the characters know who their enemy really is, they are kind of trapped with him in a dangerous cat-and-mouse situation as they both race to find what they’re really looking for. By the end of the book, all of the old mysteries are wrapped up, including the source of the the mysterious “fiddler” music.

The Vanishing Scarecrow

The Vanishing Scarecrow by Phyllis A. Whitney, 1971.

Joan Lang and her mother are moving from their town in Connecticut to Rainbow Island, where Joan’s Great Uncle Agate Benson owned his own amusement park. However, the move is sad because Great Uncle Agate’s death in a skiing accident has so closely followed Joan’s father’s death from a long illness. Joan and her mother knew that they were going to have to move to a smaller house because they could no longer afford their bigger one, and Uncle Agate’s sudden death means that they will inherit his house on Rainbow Island and the amusement park that goes with it. Joan and Uncle Agate had been writing letters to each other since her father’s death, and he made her feel less lonely, so Joan knows that she will miss him, but she is looking forward to seeing the amusement park that he had described to her.

However, the terms of Uncle Agate’s will are unusual, and his lawyer is vague on some aspects of them. What they know is that they must live at Rainbow Island and manage the amusement park for three years in order to gain full ownership. If they decide to leave before that time, Uncle Agate has another plan for the amusement park, but the lawyer refuses to tell them what it is immediately.

When they arrive at Rainbow Island, they meet Mrs. Fuller, who works at the amusement park’s gift shop and lives there with her two sons, Peter and Kent. Mrs. Fuller hopes that Kent and Joan will be friends because they’re close in age. Kent doesn’t seem particularly friendly at first, and when Joan confronts him about that, he says that he’s just trying to figure out what she and her mother are going to be like. Kent, like other people who live and work at Rainbow Island, was very attached to Uncle Agate. He appreciated his vision and imagination, and he misses him now that he’s gone. He has trouble believing that things will ever be like they were with Uncle Agate.

Mrs. Fuller and Kent both mention strange things that have been happening at the amusement park recently, including a scarecrow that frightened Mrs. Riddell, the wife of Wilson Riddell, who manages the park, but she says that she’d better let Mr. Riddell explain the situation. When Joan and her mother go to Uncle Agate’s old house to begin unpacking their things, Mr. Riddell comes to talk to them. He doesn’t seem particularly welcoming, either. Joan’s mother tries to ask him about the scarecrow incident, and he explains that someone, possibly a teenage prankster, has been pulling tricks around the park lately. Earlier that day, someone ran right through the Riddell house, terrifying Mrs. Riddell. Mrs. Riddell is described as being a very nervous person who is somewhat unwell, so Mr. Riddell seems uncertain whether his wife actually saw a person dressed as a scarecrow, as she described, or if that was her imagination. Earlier, she also claimed to see a witch. The idea of someone in a scarecrow costume is plausible because the amusement park includes a field of scarecrows, and they do have a spare scarecrow costume that they’ve used in the past to make it look like one of the scarecrows has come to life, to give guests a bit of a thrill. However, the employee who normally wears the costume hasn’t worn it for some time, and it seems like the recent scarecrow sightings are the work of a prankster.

As Kent shows Joan around the amusement park, they meet up with Peter in the Wizard’s Fortress, where he points out that someone has been messing around with the dioramas of historical scenes, moving some of the little figures around to scenes where they don’t belong. In the dungeon of the fortress, Joan meets up with Mr. Riddell’s daughter, Sheri, who is also about her age. Sheri has found the costume the scarecrow was wearing under some straw. Joan isn’t sure that she trusts Sheri because of the strange way she acts and how she seems to be sneaking around, keeping secrets, and playing weird pranks and tricks.

Could Sheri have something to do with the mysterious scarecrow, or could it be Emery Holt, the man who did odd jobs for Uncle Agate and sometimes wore the scarecrow costume as an act in the park? Another suspect could be Jud Millikin, an escaped convict who used to live in the area and who still has family living nearby. Joan and her mother hear people whispering about him, wondering if he might have come back to see his sick daughter, although people say it isn’t likely that he’d show his face in town since the police are looking for him. But why would he want to sabotage the Rainbow Island amusement park? Joan considers that there might be an answer closer to home when she learns that the Riddells and the Fullers don’t really get along, and there seems to be a silent power struggle between them for control of the park. Either of the families might want the other to leave, plus Joan and her mother, so they can be in charge.

Joan finds a message and an audio recording left behind by Uncle Agate for her, in which he seems to have had a premonition of his impending death and saying that the reason why he wants Joan and her mother to manage the park with Mr. Riddell is that the park needs someone with a fresh imagination to keep creating new exhibits and keep the park interesting for new generations of children. Joan wants to find out who is sabotaging the park and to keep Uncle Agate’s vision for the park alive, but her mother isn’t so sure that the situation is going to work for them.

Joan does have a fantastic imagination. She loves writing and making up stories, and she finds the atmosphere of the amusement park inspiring. However, Joan’s mother worries sometimes that Joan lives too much in her stories and doesn’t face up to reality enough. When Joan accuses her of not liking her stories, her mother says it’s not that, it’s just that writers also need a grounding in real life and the real world, and that it’s not good to use fantasies as a way of ignoring real life. She says that Uncle Agate was like that. Uncle Agate and his sister were orphaned from a young age, and while his sister was adopted by a family, Uncle Agate remained in the orphanage for the rest of his youth. When he grew up, he became successful in the toy industry, which was how he gained enough money and expertise to start his amusement park. However, Joan’s mother believes that much of what he did with the park was trying to live out childhood fantasies from his deprived youth and forget the hard realities of it. Joan’s mother says that she finds the real world outside of the amusement park more compelling, and she doesn’t want Joan to live too much in fantasy.

Joan is attracted to fantasy, but she’s realistic enough to know that there won’t be any hope for the park until she learns the true identity of the mysterious scarecrow that is trying to sabotage it. In the recorded message he left for Joan, Uncle Agate refers to a “right place” where Joan will find instructions that will tell her what to do. As Joan explores the the amusement park, familiarizing herself with the attractions and exhibits, she searches for the place that Uncle Agate referred to. Along the way, she has frightening encounters with someone dressed as a witch and the dangerous scarecrow among the regular figures in the exhibits.

My Reaction and Spoilers

The atmosphere of the story is great, and the author does a good job of making everyone Joan meets look like a potential villain or accomplice. All through the book, I kept changing my mind about who the real scarecrow was, and there are red herrings in the form of other people dressing up in costumes. Joan is never sure who to trust. There is a major twist toward the end of the book that turns the entire situation on its head. The rest of the ending after the scarecrow’s identity was revealed seemed a little abrupt to me, but the story has a good overall message.

At the beginning of the story, Joan does actually look at the amusement park on Rainbow Island as a kind of fantastic sanctuary from her problems, where she can escape from the sad loss of her father and uncle and the problems she’s been having at school. However, she learns that the amusement park isn’t really a sanctuary because it has problems of its own and the people associated with it also have their problems. However, these are problems that Joan is more motivated to solve because they are more exciting than her problems back home, and the stakes are high.

Joan and her mother have a frank discussion about facing up to life’s problems, and Joan points out that her mother’s impulse to run away from the park isn’t that different from her reluctance to face up to her problems with her schoolwork. Joan’s mother doesn’t find the park as interesting as Joan does, so she’s not as interested in trying to save it as Joan is. It’s similar to the way that Joan was unmotivated to work harder at school because it bored her, it was less imaginative than the creative writing she likes to do, and she was preoccupied with other major changes in her life. Joan’s mother acknowledges the truth of that, that it’s easier to try to solve a problem when you’re more motivated to work on it, and the two of them agree that, whatever else they do with their lives, they can’t just abandon the park without trying to catch the saboteur.

All of the characters in the story get new perspectives on their lives from this adventure, seeing how the park and their problems fit into a much bigger picture of life. Joan comes to understand that there are some problems that she’ll still have to face up to, like her school problems, no matter what else happens, and she sees that understanding the real problems that real people have is what will give her characters and stories greater depth.

A Spell is Cast

A Spell is Cast by Eleanor Cameron, 1974.

This story is fascinating and magical, partly because of other the stories that it reminds me of and partly because, at various points in the story, I was pretty sure that I knew what kind of book it was going to be, but I was never more than partly correct.

When young Cory Winterslow arrives at the airport in California, she expects to be met by her Uncle Dirk. Uncle Dirk has sent her letters before and a picture of himself, but they’ve never actually met in person. Cory is supposed to be spending Easter vacation with her relatives, the Van Heusens, a wealthy family living on an estate called Tarnhelm. Her mother, Stephanie, sent a telegram to the Van Heusens to tell them when Cory would arrive on the plane from New York, where they’ve been living, but no one shows up to meet Cory at the airport. This seems almost like the beginning of a gothic novel, with a young heroine on her way to meet people she’s never met who turn out to not really be expecting her and aren’t what they appear to be, but that’s not really the case here.

Fortunately, a sympathetic older woman who was also on the plane, Mrs. Smallwood, talks to Cory, who explains the situation. Mrs. Smallwood knows the Van Heusens, and she calls both the house at Tarnhelm and Uncle Dirk’s office. Apparently, Uncle Dirk never mentioned to his secretary that he needed to meet anyone that day, and he’s away on business until late. Nobody is home at Tarnhelm, but Mrs. Smallwood is optimistic that it’s all just an oversight. She says that she’ll give Cory a ride to the house. Cory is hesitant to accept a ride from a stranger because she and Mrs. Smallwood have only just met, but it’s raining and she doesn’t know what else to do, so she goes with her. This part seems a bit worrying, but you don’t have to worry because it’s not a kidnapping story.

On the way to Tarnhelm, Mrs. Smallwood points out local sights, and Cory asks her a bit about her relatives. Cory’s mother has always been reluctant to talk about her relatives in California. Mrs. Smallwood describes Uncle Dirk as a young man who never smiles. She says that his mother, Cory’s grandmother, as a high society woman who sometimes acknowledges acquaintances in public and sometimes doesn’t, depending on her mood, something that often offends Mrs. Smallwood, as one of those acquaintances. They also pick up a boy called Peter Hawthorne, who was out walking in the rain and needed a ride. He introduces himself to Cory as the president of the Explorers Club. His description of Cory’s Uncle Dirk doesn’t sound very favorable, either. However, he mentions that the sign for the mansion at Tarnhelm has a unicorn on it, just like the unicorn on the pendant that Cory wears, which she thinks of as her “amulet”, and Cory takes that as a hopeful sign.

Unfortunately, the Smallwoods’ car runs out of gas. Since it’s not raining anymore, Peter offers to walk Cory the rest of the way to Tarnhelm. Then, it starts to rain again, so they take shelter in a cave that Peter knows. While they wait out the storm, Peter asks Cory more about herself. Cory explains that she usually refers to her mother as “Stephanie” because she’s actually adopted. She later reveals that she doesn’t know anything about her birth parents because Stephanie doesn’t like to talk about them, saying that it makes her sad. Stephanie is an actress, and they’ve had to move around sometimes. Because she’s had to switch schools several times, Cory hasn’t made many friends her own age. Cory doesn’t always go with Stephanie when she travels for work, often staying at home with housekeepers (which she calls “lady-helps”) so she can continue going to school. Stephanie isn’t married, so Cory doesn’t have a father to take care of her. The reason why she has come to stay with her relatives during this school break is that Stephanie needs to travel again for her work and couldn’t manage to find new help to stay with Cory. This is the first mention that Cory’s “mother” isn’t really her mother and these relatives that she’s going to visit aren’t blood relatives. This is central to the plot of the book, but there’s a twist coming, and it’s not the twist that I expected. I had theories about the identities of Cory’s biological parents at this point that turned out to be completely wrong.

When the rain lets up a bit, Peter takes Cory the rest of the way to the house, although they leave her luggage in the cave because it’s too hard to carry it over the muddy ground. When they arrive at the house, the housekeeper, Fergie, welcomes Cory. She says that everyone has been in a tizzy about her because Stephanie actually sent multiple telegrams with different sets of instructions for picking up Cory, so nobody knew when she was really arriving. (This is the first indication that Stephanie is unreliable.) Fergie and her husband, Andrew Ferguson, both work for the Van Heusens, and they make Cory feel welcome at Tarnhelm, fussing over her and giving her and Peter a hot dinner. However, they tell Cory not to mention the cave to her grandmother because she wouldn’t understand, and she might be unhappy about Cory showing up at the house wet and muddy. Peter promises to bring Cory’s luggage up to the house later. If this were a gothic novel style of story, the servants would be strict, unhappy, uncaring, or putting on a facade of caring while being just plain sinister, but the Fergusons are exactly as caring and friendly as they seem to be. This isn’t that kind of book.

The Fergusons are Scottish and a bit superstitious. At dinner, they notice that Cory is left-handed, “cawry-fisted”, as they call it. Peter is intrigued that “cawry” sounds like “Cory”, and the Fergusons say that there’s a superstition that left-handed people are enchanted or bewitched. However, the Fergusons don’t think it’s a bad thing that Cory is left-handed and possibly bewitched; it’s just more of an interesting idea to them. This story isn’t as supernatural as I originally expected.

The Fergusons tell Cory that her grandmother and uncle are good, kind people, but they aren’t used to children and are fussy about some things. Uncle Dirk is known to be moody, and Cory’s grandmother likes things quiet and orderly. Cory starts to think that she might be happier with just the Fergusons, although she is still curious about her relatives. She hopes that they will like her, and maybe if they like her enough, they’ll let her stay longer so she can go to Peter’s school and join his Explorers Club because she badly wants friends. Issues about how to make friends add an element of teen drama to the story, but there’s more going on here than that.

The house is beautiful and charming, and Fergie gives Cory Stephanie’s old room, which Cory loves. It has beautiful, old-fashioned furniture and its own fireplace! She also shows Cory a collection of carved wooden masks hanging on the walls of the hallways that her Uncle Dirk made. Uncle Dirk is an architect, but he’s also been a wood carver. In Stephanie’s room, there is even a mask of Stephanie’s face, which Cory recognizes. During the night, she half wakes up and is aware of her grandmother and Uncle Dirk in her room, whispering about her, saying that she looks rather plain and something about somebody “getting used to” something. They don’t deny this conversion later when Cory asks them about it, and there is less sinister significance to it than it seems at first.

The next morning, Cory meets her grandmother and Uncle Dirk at breakfast. They greet her politely, but her grandmother says that she wants to have a word with Peter about how he should have taken her to his house until the rain stopped, not made her walk through the mud to Tarnhelm, ruining her shoes. Cory asks her not to say anything to Peter because she really wants to join the Explorers, and they wouldn’t let her in if they thought that she was afraid of a little mud. However, her grandmother reminds her that she’s only there for a short visit, and she doesn’t want her getting hurt or doing anything dangerous. Uncle Dirk is more sympathetic and offers to teach her to swim.

Mrs. Van Heusen brings up the subject of Stephanie, and during the conversion, she lets slip that Stephanie has never legally adopted Cory. Now, we’re getting to a major plot point of the story! Stephanie is consumed by her acting work and not good with paperwork, and Mrs. Van Heusen thinks it’s about time that she took care of the issue of Cory’s legal adoption. The news comes as a shock to Cory, who thinks that, not being legally adopted, she doesn’t really belong to the family at Tarnhelm. Both her grandmother and Uncle Dirk hurriedly reassure her that she is family to them and belongs at Tarnhelm and that the official paperwork doesn’t really make a difference to them. There is no danger in the story of Cory being rejected by this family, and they don’t have any objection to her visit or Stephanie’s guardianship of her. However, this is another of the early indications that Stephanie is not as attentive as she should be as Cory’s guardian and that there are aspects of Cory’s life and well-being that are being neglected. Cory is starting to develop a new awareness of these issues.

Cory asks her grandmother and Uncle Dirk about her birth parents because Stephanie has never explained who they were or what happened to them. Her grandmother says that it’s only right that she knows and that Stephanie really should have told her before. Uncle Dirk explains to Cory that her parents’ names were Lawrence and Coralie Winterslow and that they were friends of Stephanie’s when they were young, before they were even married. They all liked to go skiing together. Cory’s parents lived in England for awhile after they were married, and Cory was actually born in London. Then, her parents were killed in a skiing accident in Switzerland. Stephanie had been with them on that skiing trip, and before Cory’s mother died from her injuries, she asked Stephanie to take three-year-old Cory because she had no living relatives on her father’s side and she didn’t want to leave her child with her own relatives, for some reason. Cory is glad to know the story of her parents but sad at the same time and worried about not being legally adopted. Fergie suggests to her that she write to Stephanie about it and see what she says. (At first, I was expecting that there would be more intrigue about Cory’s parents’ deaths, but there’s nothing suspicious about their cause of death. The story that Uncle Dirk tells Cory is exactly what happened. The Winterslows were also definitely Cory’s biological parents. I thought that there might be some intrigue about that, but her birth parents were who Uncle Dirk says they were.)

Later, Cory also asks Uncle Dirk about the unicorn on the sign at Tarnhelm and about her own silver unicorn pendant. Uncle Dirk tells her that he has a fascination for British history and heraldry, which is why he carved the unicorn as the symbol of Tarnhelm. He also says that the pendant used to belong to Cory’s mother and that her father had a matching unicorn tie pin, although he doesn’t know what happened to it after his death. Cory wishes that she’d thought to ask Stephanie about it in her letter.

All of this explanation about Cory’s parents’ history sounds pretty straight-forward, although sad. However, the story doesn’t end there. Everyone has a history, and there are things about her Uncle Dirk that Cory doesn’t know yet as well as the reasons why Stephanie has never completed Cory’s adoption papers.

Cory becomes sick and feverish, spending a few days in bed. During this time, she has strange dreams, but not all of them are actually dreams. She remembers dreaming about a room with a chess set that has carved unicorns instead of horses as the knight pieces. Later, when Uncle Dirk plays chess with her, with a normal chess set, she mentions this dream, and both Uncle Dirk and her grandmother act strangely about it. Eventually, Cory comes to realize that her “dream” wasn’t just a dream, that she actually did get out of bed and wander around while she was feverish, but it takes some time before the full meaning of the chess set becomes clear to her.

Various people comment to Cory about Uncle Dirk’s moods and personality, hinting at past problems he’s had. Cory’s grandmother makes a comment to Cory about Uncle Dirk harming himself more than anyone else, except perhaps for one person, hinting at relationship troubles in Uncle Dirk’s past that contribute to his dark moods. Nosy Mrs. Smallwood also refers to the strange behavior of the Van Heusen family, often rude and unfriendly. While Mrs. Smallwood is a busy-body with issues of her own, she is correct in noticing the casual harm that various members of the Van Heusen family have done to people around them. It’s never intentional and they rarely notice the consequences of what they do, but that’s part of the problem. The Van Heusens are often selfish, thoughtless, and out-of-touch with other people’s feelings and the effects of their actions on others. Even Uncle Dirk acknowledges that members of the family are often hard on each other even when they care about one another.

However, the Van Heusens aren’t all bad, and some of them have changed somewhat over time. Mr. Smallwood, who is a more optimistic and level-headed person than his wife, tells Cory that his wife likes to live in the past, and while Uncle Dirk was a rather thoughtless young man who wouldn’t have made a good husband, he’s grown up since then. He says that Uncle Dirk has become friendlier and more thoughtful toward others, in spite of his occasional dark moods. But, since Uncle Dirk has never been married, what did Mr. Smallwood mean about him not making a good husband?

On the grounds of the Van Heusens’ estate, Cory spots what looks like the foundations of a house that was started to be built but never completed. Peter says that he and the other Explorers sometimes play around these foundations. Cory wonders who was planning to build a house there and why they never finished it. Uncle Dirk gets angry when he catches Cory and Peter snooping around the tower at Tarnhelm, where he keeps some of his old wood-carving things and where Peter finds some mysterious poetry.

Peter later takes Cory to visit Laurel Woodford, a young woman Cory met on the beach earlier, who helped Cory find her necklace when she lost it. Laurel is a weaver. Laurel lives by herself, but she says that she isn’t lonely because she has plenty of things to do that keep her busy. However, there is a kind of sadness about Laurel, and she has secrets of her own. She knows the Van Heusen family herself, and it wasn’t a happy experience for her.

Slowly, without Cory really doing any intentional investigating, the pieces of the past start coming together – Uncle Dirk, a marriage that didn’t take place, a house that wasn’t completed … and two identical unicorn pendants.

The story is haunting and magical, but not because of an real spells or magic. The only ghosts are the ghosts of the past. The book reminds me of a couple of other books that I’ve read, but explaining which ones involves some spoilers. I don’t mind giving spoilers for this story because I haven’t found a copy of this book that’s available to read online, and it’s something of a collector’s item now, with copies typically costing at least $20 and frequently more, although it’s sometimes possible to find one for less.

My Thoughts and A Few Spoilers

One of the interesting things about this book is that it reminds me of other books that I’ve read and liked. Some children’s books are mentioned in the course of the story because Cory likes to read, like The Five Little Peppers and How They Grew and The Story of the Amulet, but these aren’t the books that the story reminds me of.

Throughout the book, the Fergusons use various Scottish words and phrases, sometimes singing old songs or quoting from poems. Mrs. Van Heusen says that she particularly likes the Fergusons because her family was also from Scotland, and they remind her of her youth, which is a comfort to her. The Scottish element and the young orphan learning to make friends and become close to a new family remind me of Mystery on the Isle of Skye, although that book was actually set in Scotland. The books also have a similar feel in the way they approach the element of mystery in the story and the element of “magic” and “spells” that aren’t really magic spells. Both books have an enchanting quality to them, but it’s because of the atmosphere of the stories, not because there’s any actual magic.

During the course of the story, Cory learns more about what it takes to make friends. Peter realizes that Cory isn’t particularly good at making friends and confronts her about the reasons why. It’s partly because Cory has had to change school multiple times, but Peter has also noticed that Cory always waits for other people to approach her with offers of friendship and invitations to join in. If they don’t, she just feels hurt and left out instead of voicing her desire to join in. Even when she gets an invitation, her impulse is to reject it if she thinks it was only offered out of pity. Peter finds it annoying that Cory seems to need people to practically beg her to be their friend and join in activities. It reminds Cory of advice that Stephanie has tried to offer her before that she should just join in and not worry or assume that people don’t want her around. Even Fergie told her that if she wants to make friends, she’ll have to drop her pride, meaning that she’ll have to learn to make the first move and approach other people instead of waiting for them to come to her. This criticism is partly true, but Cory’s experience of life is that many of the things she wants also depend on the decisions of other people, and Peter comes to rethink some of what he said when some of his friends are less than accepting of Cory. It isn’t nice to be invited into a place where you aren’t really made to feel welcome and accepted. This is also a fitting description of Cory’s life with Stephanie, being largely raised by her hired help.

When Cory finally receives Stephanie’s reply to her letter, Stephanie’s selfishness and detachment from Cory’s life become increasingly apparent. Cory shares the letter with her grandmother and Fergie and outright asks her grandmother if she can stay in California. Her grandmother asks her if she won’t miss Stephanie because Stephanie is the only mother she’s known since she was little, but Cory says she won’t because Stephanie is gone so much and busy with her acting, leaving her with hired help. Fergie, while being hired help herself, is more maternal and says that situation is unacceptable, but Cory’s grandmother says that she’s not sure that she’s up to raising another child, that she’s old and wants her peace and quiet now. Even while Cory’s grandmother knows that her daughter is self-centered, she has a kind of self-centeredness of her own. When her grandmother gets dramatic about the worry Cory puts her through when she’s running around the caves with her friends, Cory realizes that Stephanie has been imitating her during her dramatic acts.

Cory begins to get the answers about her past and Uncle Dirk’s when Peter shares some treasure with her that he and other members of the Explorers have found and are hiding in a cave on the Van Heusens’ property. This treasure is part of the reason why some of the other Explorers have been less than welcoming to Cory, not wanting to share it and their secret hiding place with her. They’re worried that she’ll give their secrets away to the Van Heusens, and then, they’ll lose their treasure and their secret hiding place. However, among their treasures is a carved wooden box that Peter found, and it looks like Uncle Dirk’s carving work. Cory points out that the carved wooden box probably belongs to Uncle Dirk, and since it was on the Van Heusen land, he probably hid it in the cave himself. Peter, as the finder of the box, lets Cory have it to return to Uncle Dirk.

In the box, Cory finds four colorful feathers, four pretty seashells, a poem about an angry quarrel signed with the initials “L.W.”, a carved wooden bracelet, a woman’s scarf, and a small silver pendant that is identical to the one that Cory wears. However, the back of this particular unicorn has a rough spot where it used to be mounted on something else, and Cory realizes that this is the one from the tie pin that Uncle Dirk told her about, turned into a necklace. From these pieces, Cory begins to realize that the contents of the box are Laurel’s – her initials on the poem and a necklace made for her that Cory thinks must have come from her father. If that’s true, Cory thinks Laurel must be some kind of relation to her.

Cory also explores the room off the tower in Tarnhelm that contains the amazing chess set with the unicorn knights, and now that she’s no longer sick, she sees that the room also holds other furniture that Uncle Dirk made. Uncle Dirk was the person who started to have the house built, and he was making furniture to go in the house, but for some reason, he stopped and stored the furniture away because there was no new house to put it in. There are also carved masks of Laurel in the room.

Early in the morning, Cory decides to go see Laurel about what she’s found, knowing that if she waits, she’ll miss her because she’s about to leave on a trip. When Cory shows her the box that she’s found and asks her about the unicorn pendant and whether or not they’re related, Laurel tells her that they’re not related but that the unicorn did come from her father’s tie pin. Like my earlier theories, Cory’s theories about Laurel are partly right and partly wrong. After Cory’s parents died, Stephanie sorted through their belongings. She gave the little unicorn necklace to Cory, and she gave Cory’s father’s tie pin to her brother, Dirk. After Dirk got the unicorn tie pin, he had it made into a necklace for Laurel.

Laurel explains that, about seven years earlier, she and Dirk got engaged while they were still in college. However, Dirk was very spoiled by his mother after his sister left home and went to New York to do her acting. He was a very talented wood-carver and looked at himself as an artist who would never have to earn a living because his mother was very wealthy, and she encouraged him in his art. Dirk wanted to drop out of college and just spend his time doing wood carving, without caring much whether he ever made any money at it. Laurel argued with him about it because she didn’t like the idea of living on Mrs. Van Heusen’s money, and she broke off the engagement. Looking back on it, Laurel regrets doing that. She finished college and could have worked to support herself and Dirk independently, just as she’s been supporting herself these last several years, ironically with an art of her own, and with Dirk’s talent at carving, he might have ended up making money at his art anyway, doing something he really loved to do.

It was all about pride. Laurel was too proud to rely on Mrs. Van Heusen, who was happy to support her son’s art, and Dirk was both proud and spoiled and wanted everything his own way on his say-so without working things out with Laurel. Dirk was being a little selfish, but Laurel comes to realize that she was a bit selfish too because she refused to acknowledge how important Dirk’s art was to him and wanted him to be something else. At one point, Laurel wanted to make up with Dirk and talk things out, but he ignored her and refused to talk to her. She got so mad that she left the box of treasures in the cave where she and Dirk used to play as children and threw the engagement ring in the ocean. Since that time, she and Dirk haven’t been able to talk to each other, even though they both wanted to. Dirk gave up the woodcarving that he loved because it was a painful reminder of the reason why he and Laurel broke up. Instead, he went back to college and became an architect so he would have a profession of his own. However, he is given to dark moods because he misses both Laurel and his woodcarving and doesn’t know what to do about it.

The situation gets straightened out when Dirk, realizing that Cory is missing from the house and that fog is coming in, goes to Laurel’s house to make sure that Cory is safe with her. The three of them talk things over, and Dirk asks Cory to give him some time to talk to Laurel alone. Dirk and Laurel make up, and Laurel agrees to marry Dirk as they planned, on the condition that they both adopt Cory because she’s come to love Cory as a niece. Cory is overjoyed to hear the news, and Dirk plans to begin construction on the house that they’d started years before.

The story of the lovers parted by a prideful quarrel and the unicorns that bind them together reminded me of The Little White Horse by Elizabeth Goudge.

There is a scene when Stephanie shows up to claim Cory and take her back to New York, but the family talk it out with her. Stephanie admits that she took Cory partly because that was her promise to her old friend and partly out of guilt because the skiing trip where Cory’s parents were killed had been her idea. Mrs. Van Heusen tells her not to blame herself because she couldn’t have known what was going to happen and Cory’s parents chose to come on the trip with her. Stephanie further admits that she didn’t legally adopt Cory because she was aware that her lifestyle wasn’t particularly suited to bringing up a child, although she’s done her best, and because she knew that Cory did have other relatives. She doesn’t quite admit that she was hoping that one of these other relatives might take her someday, but she gives that impression. Cory’s relatives on her mother’s side haven’t tried to claim her because her grandmother on that side of the family was too old to look after her, and her aunt already had a large family and not much money. Stephanie loves Cory, even though she doesn’t really know how to raise a child and has found it difficult to care for her, and she feels betrayed at first when Cory says that she’d rather stay with Dirk and Laurel. However, Stephanie later apologizes to Cory for making a scene about it because it really would be better for everyone if Cory stayed in California, where she would have a stable life and Stephanie wouldn’t have to worry about her. Stephanie returns to New York on her own, and Cory tells Peter that she’s going to stay in California. Peter and the other Explorers welcome her into their club. Now that Cory knows that she’s going to be staying, everyone feels more like she truly belongs.

The Vanishing Passenger

The Boxcar Children

#106 The Vanishing Passenger by Gertrude Chandler Warner, 2006.

The Alden children have been working on a project at their public library to invite the author of one of their favorite book series to visit as a guest speaker.  However, when they go to meet his train, the author isn’t there.  He’s completely disappeared!

The Aldens know that he got on the train because they spoke to him on the phone earlier.  When they interview some of the passengers, they discover that the train trip was somewhat chaotic.  The train passed through a harsh storm.  A small dog disappeared, and his heart-broken family is searching for him as well.  The evidence seems to point to the author jumping off the train, but why would he do that?  Where is he now, and why hasn’t he tried to get in touch with them?

Carefully, the Aldens have to work backward through the train journey, piecing together the author’s movements to put together the whole story.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I really appreciated the premise of this story. A mysterious disappearance makes a more unusual kind of mystery than the more typical crimes that appear in mystery stories, like theft. This is a story of a trip in which quite a lot of things went wrong.  The kids do manage to track down their missing author with some surprising help from the author’s rival, who is also apparently his friend, showing the children that not all competition has to be unfriendly.

The Mystery at Skeleton Point

The Boxcar Children

Boxcar Children Mystery at Skeleton Point cover

#91 The Mystery at Skeleton Point by Gertrude Chandler Warner, 2002.

Boxcar Children Mystery at Skeleton Point bone collection

Mr. Alden’s cousin Charlotte has recently bought a house and some land at Skeleton Point that is a local landmark.  The doctor who owned the old house collected skeletons.  He was a bone expert and taught aspiring doctors and veterinarians.  It’s a creepy place with a lot of local legends about a skeleton called the Walking Skeleton that came back to life and is trying to turn itself back into a person by stealing pieces from the statuary around the house.  The statues are damaged and missing pieces, although no one really knows why.

Boxcar Children Mystery at Skeleton Point neighbors

The locals have mixed feelings about Charlotte’s desire to donate all the skeletons to a medical school and to clean up the house and renovate it.  Some people don’t like the idea of a local landmark changing.  Greenie, a man who lives nearby, is also an expert on bones who studied with the doctor, and he is upset that the doctor didn’t leave Skeleton Point to him when he died, as he had promised that he would. 

The people Charlotte had hired to carry out the renovations argue with each other about how things should be done and are not happy that Charlotte has asked the Alden children to help out with the cleaning and documenting the statuary around house.  It seems like they’re trying to distract the Aldens and keep them away from the house.

Then, some of the statues around the house disappear.  Who is taking them and why?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

The best part of the story for me was the setting. A house filled with skeletons is a bizarre and creepy idea. But, much of the mystery concerns the statues around the house instead of the skeletons, and honestly, although I had a strong feeling about who was taking the statues, there were times when I suspected other people and different motives for the thefts. The story did a good job of making multiple people look guilty.

The Mystery in the Computer Game

The Boxcar Children

Boxcar Children The Mystery in the Computer Game cover

#78 The Mystery in the Computer Game by Gertrude Chandler Warner, 2000.

Boxcar Children The Mystery in the Computer Game playing

The Alden children love the computer game that they’ve been playing with their cousin, Soo Lee.  The game is called Ring Master, and they have to help the characters in the game to solve puzzles in order to find the magical ring.  Solving puzzles is a specialty of the Aldens.

Then, they get the chance to be play testers for the sequel to Ring Master.  Their grandfather knows the owner of the company that makes the games.  The owner of the company invites the children to come to the company for a tour and even gives them a computer to use to play the test version of the new computer game.

Boxcar Children The Mystery in the Computer Game QuestMaster company

Strangely, some of the people at the company seem upset at the Aldens getting the computer.  Andy, the one of one of the founding members of the company, insists on coming over to the Aldens’ house and working on the computer, giving it some updates.  However, after he leaves, the Aldens realize that some things about the game have suddenly changed.  A new character called Naje suddenly pops up, and she seems to be hanging around places in the game that remind them of places that remind them of real places around town.

Boxcar Children The Mystery in the Computer Game car

The Aldens feel like they’re being given a message through the game, especially when they visit some of the places represented in the game and notice Jane, a member of the computer game company, hanging around these places.  What is Jane up to, and what is the game trying to tell them?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

Boxcar Children The Mystery in the Computer Game posing for a picture

This story deals with corporate spies and the theft of intellectual property, but what makes it really interesting is the sort of treasure hunt-style way the puzzles in the computer game lead them to the culprit. The identity of the mysterious person who is feeding the clues to them is part of the mystery. The fact that the person who is feeding them clues feels like they can’t speak up about their suspicious openly is also a clue to their identity.

The Green Toenails Gang

Olivia Sharp, Agent for Secrets

The Green Toenails Gang by Marjorie Weinman Sharmat and Mitchell Sharmat, 2005.

Olivia’s best friend, Taffy, who left San Francisco and moved to Carmel just before the beginning of the first book in the series, writes a letter to Olivia and invites her to come for a visit.  In her letter she mentions that there is a club in Carmel that she doesn’t want to join.  Olivia senses that Taffy is upset about something and decides to visit her for the weekend.

When Olivia visits Taffy, Taffy tries to persuade her at first that nothing is bothering her, but Olivia correctly guesses that the club she was talking about is one that refuses to let her in and that she’s upset about it.  Taffy calls the club “stupid,” and Olivia says that “lots of clubs are stupid. Like, if three people have green toenails they form a green toenails club and leave everybody else out.” (I like the way Olivia puts things.)  Taffy is inspired by what Olivia says, and she suggests that they should really form a green toenails club and exclude everyone, including the members of the other club.  Olivia thinks that the idea is interesting, but the problem is that there is only the two of them (three, if they can persuade Olivia’s chauffeur to join them) and that when Olivia goes back to San Francisco, Taffy will be the only member of her club in Carmel.

Olivia questions Taffy about the members of the other club and what they do.  Taffy says that a lot of it is secret, but the members are all girls her neighborhood, and they all wear shirts with their first initials on them.  Olivia and Taffy begin to spy on the girls to learn more about them and to see how they can help Taffy to fit in with their club.

When they see the girls riding bicycles, Olivia thinks that they must be a bicycle club.  She buys Taffy a bicycle and teaches her how to ride it.  Riding a bike works to get the other girls’ attention.  Olivia and Taffy ride their bikes past the other girls and stop to talk to them.  The other girls seem friendly enough, and they invite Taffy to go riding with them later.  However, to Olivia’s surprise, one of the club members calls her later and invites her to join the club, not Taffy.  The girl, Nettie, tells her that they aren’t really a bicycle club and that only members are allowed to know the true purpose of the club and the conditions for joining.  Olivia fits the conditions, but they’ll only explain it to her if she agrees to join.  Nettie also says that they all like Taffy but that they’re “not ready for her” and that they’ll be one step closer to inviting Taffy if Olivia joins.  What is this club really about, and how will Olivia joining help Taffy to join?

I guessed, even before Olivia did, that names are important in the club.  The girls were very interested when Olivia told them her name, and there is a reason why they all wear shirts with their first initials on them.  The five girls in the club are: Jasmine, Katrina, Leah, Millicent, and Nettie.  In order to get Taffy in, Olivia has to point out that Taffy’s last name is Plimpton.  (Get it?)  There, I was a little surprised because I had expected that the name Taffy would turn out to be a nickname and that Olivia would tell them that her real name is Patricia or something.  I had forgotten what Olivia said her last name was.

I thought that Olivia made some good points about the nature of clubs and exclusivity.  The reasons for a lot of exclusive groups are really silly and arbitrary because the main point of those group is just to be exclusive, not to fulfill any other purpose.  That this particular club rides bikes could have been their main purpose, and that would be a purpose that actually involves doing something, but their real requirement for joining is much more arbitrary and is mostly based on random chance, making it very difficult for them to ask new people to join even when they want to invite them.  Taffy would have had exactly the same problem if her name had been Abigail or Wendy.  I’m not really sure what they would have done if she had been Jessica or Linda.  Either they’d have to allow some duplication, or they might say that they couldn’t have her at all.

Olivia says, “I hate clubs. All those secret handshakes and pins and meetings and all that rot.” To Olivia, the whole thing is just silly, and she thinks that they should just be friends with people without all the silly secrecy and ritual.  I liked that stuff more when I was a kid myself, and I remember forming clubs with varying degrees of secrecy with kids in elementary school, but to tell the truth, none of them did very much or lasted very long because they had little other purpose to them besides just being a club and the routine of meetings with all the trappings that annoy Olivia take more effort to maintain than they’re worth. The best solution to having a lasting club would probably be to give the club a purposeful activity or set of activities that all of the members could enjoy and that would allow them to recruit new members easily.  If this club eventually focuses more activities like bicycling, it would be likely to last longer and leave them open to more members than they currently have whenever they want to add them.

The book is currently available online through Internet Archive.

The Lancelot Closes at Five

The Lancelot Closes at Five by Marjorie Weinman Sharmat, 1976.

“Camelot” is the name of a new housing development being built in Shady Landing, New York. In the beginning of the story, Camelot has only three model homes, demonstrating what the houses in this new neighborhood are going to look like. In keeping with the Arthurian theme, the three model homes are called “the Excalibur”, “the Lancelot”, and “the Guinevere.” Abby’s family decides that they will buy a house there on the Excalibur model because they are tired of their crowded apartment in Brooklyn and Abby’s parents think that buying a house sounds like a good investment for future.

The move isn’t easy for Abby and her family. Abby doesn’t like leaving her old friends behind. There are several things wrong with the new house, including windows that are nailed shut, doorknobs that fall off, and a flooded basement. Also, the people who live in the village of Shady Landing don’t like the newcomers because trees were cut down to build Camelot.

However, Abby soon finds a friend, Heather Hutchins, who likes to be called “Hutch.” Hutch also lives in the new Camelot neighborhood. Hutch’s family is very health-conscious, believing in all-natural foods, which is why Abby doesn’t usually like to eat at their house, and Hutch’s mother is a very competitive person.

Then, Hutch springs a surprise on Abby. Hutch tells Abby that she wants to run away from home. She doesn’t want to be gone for long, just about day during the Memorial Day weekend. She doesn’t want to go far, planning to spend a night in the Lancelot model home. But, she wants Abby to come with her so she won’t be alone.

At first, Abby is a little reluctant, but Hutch is very persuasive, the idea does seem like a fun adventure, and hiding out secretly so close to home doesn’t seem too dangerous. In fact, since the public is invited to come and walk through the model homes, it doesn’t even seem like trespassing. Abby agrees to do it. The girls’ plan is to tell their families that they’re spending the night with each other but conveniently not mention where so they’ll assume that they’re just having a normal sleepover at each other’s house. Then, they plan to visit the Lancelot and hide there until it closes and all the other people leave.

When she proposes her plan, Hutch doesn’t explain her motives for wanting to run away for a day, and Abby decides not to question her, thinking that Hutch will tell her when she’s ready. She does note that Hutch doesn’t seem to get along well with her mother. Hutch’s mother doesn’t seem to connect well with other people in general, being more focused on what she wants them to do than on just acknowledging them or building relationships with them. Worse still, Hutch’s mother is what Abby calls a “scorecard mother,” always comparing her child to everyone else’s child, constantly keeping track of where Hutch is ahead and where she’s behind. Hutch’s mother has overly high expectations of Hutch and pushes for perfection. Hutch’s mother sometimes quizzes Abby about what she does to help out at home and how each of the girls are doing in school so she can compare them. Abby sometimes feels like she’s in the uncomfortable position of defending Hutch to her own mother.

The Lancelot model home is decorated in a fakey pseudo-Medieval style, in keeping with the Camelot theme. When Abby and Hutch sneak in, they pretend to be part of a family group touring the house and then hide under a bed until everyone else leaves. Their plan works, but staying in the house isn’t quite what Abby imagined it would be. The furniture is uncomfortable because it’s made to be looked at and not actually used. Not all of the appliances even work, like the tv, because they’re just for show and not for using. For their “supper”, Hutch has brought candy bars and pastries, things which her mother normally forbids her to have because they aren’t natural and will rot her teeth. Abby still can’t have some of them because she has food allergies and braces, but Hutch brings pound cake for her.

Hutch finally admits to Abby that her main reason for wanting to have this adventure is just to have the chance to do something for no other reason than she just wants to do it. Abby is right about Hutch’s mother. Everything that she wants Hutch to do is centered around gaining something – recognition, awards, physical health benefits, learning things and getting a mental edge. Hutch just wanted the chance to do something without a particular motive other than just wanting to do it and the fun of planning it out and pulling it off by herself, with the help of her friend.

Unfortunately, Hutch gets carried away with the success of her plan and turns on the lights, which attracts the attention of a passing police car, although the police just try the doors, decide that the lights were left on by accident, and leave without finding the girls. Then, Hutch doesn’t want to go to sleep and stays up, eating candy bars in bed, just because she’s normally not allowed to do that. Abby is uncomfortable in the big, fancy bed that isn’t meant to be slept in and can’t sleep, so she leaves and goes home, making Hutch mad. Abby spends the rest of the night sleeping in her sleeping bag in her family’s basement (which is no longer flooded) so she won’t give away Hutch’s secret.

Later, Abby feels guilty about abandoning Hutch, so she sneaks out early in the morning to check on her. Hutch got out of the Lancelot without being noticed, but she’s still mad at Abby for leaving her when she was trying to do something that was important to her. However, there is worse to come. The police hadn’t forgotten about something strange happening at the model home that night, and now, there’s a rumor in the neighborhood that the house was “vandalized” during the night (meaning the mess that the girls left in the house from the food they ate, trying to sleep in the bed, and using the bathroom). Abby is naturally a more timid person than Hutch, and while she has started to appreciate Hutch’s attempts to help her be more bold and take more chances, it makes her nervous that she and Hutch are the “vandals” whose escapades have now made the local paper. Abby’s father, an author, is even attempting his own investigation into the matter.

Abby is not only worried about repairing her friendship with Hutch but not getting found out for what they did. Then, one of the boys at school starts bragging, claiming that he and his friend were the ones who snuck into the Lancelot to hang out that night. He’s not the only one trying to claim credit for the stunt, either. Abby hopes that the whole thing will just die down and be forgotten, but Hutch doesn’t feel the same way. Even though she originally set out to do something just on a whim without looking for recognition, the idea that someone else might claim recognition for what she did galls her. What will happen when Hutch tries to reveal her role in masterminding the night in the Lancelot?

I purposely sought this book out online because I never owned a copy and I remembered it from when I was in elementary school, but the funny thing is that I don’t remember ever hearing the entire story when I was a kid. I think that my class might have just read a selection from the book, maybe as part of one of those story collections that has excerpts from books to demonstrate certain concepts and give samples of stories. I can’t quite remember now. All I remembered was that the main escapade was just a part of the story that took place at the beginning of the book, and the rest was about what happened because of the girls’ secret nighttime excursion. It makes the book a bit different from other children’s books about kids running away and hiding in usual locations, like From the Mixed-Up Files of Mrs. Basil E. Frankweiler, where most of the book takes place during the kids’ adventure and the kids’ parents are barely seen. In this book, the girls are mostly at their own homes, and the parents have prominent roles.

Runaways generally have two motives – getting away from something or going in search of something, and when you really think about it, they frequently have both. Hutch’s adventure is both about escaping from her mother’s oppressive rules and emphasis on perfection as well as undertaking something unusual and pulling it off for the sense of personal achievement. However, even though Hutch at first insists that she wanted to do it just for the sake of doing something that she wants, with no expectation of recognition or reward, it turns out that isn’t completely true. Part of the reason why she wanted Abby along was to get a sense of recognition from her for the accomplishment as well as her company. Her bad feelings toward Abby for abandoning their adventure and going home were partly because Abby didn’t value that type of uncomfortable adventure as much as she did and didn’t fully acknowledge the cleverness of her plan. Even if it started out as just a fun escapade, undertaken as a brief chance to break a few rules in secret, Hutch badly craves acknowledgement, just not in the form of the constant comparisons he mother makes between her and other people. What Hutch really needs is just to be acknowledged for being herself and to feel valued, no matter how she compares to others. In her attempt to make things right with Hutch again, Abby does something that she never thought that she would ever be bold enough to do: give Hutch’s mother a piece of her mind.

The book is available to borrow and read for free online through Internet Archive.

From the Mixed-Up Files of Mrs. Basil E. Frankweiler

From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E.L. Konigsburg, 1967.

Twelve-year-old Claudia Kincaid is bored with her dull suburban life in Connecticut with her parents and her brothers. Her life also often seems unfair, like she has more responsibilities than her brothers do and she has more chores than her others friends. Basically, Claudia is bored and feeling unsatisfied with her life. She wants to get away from it all and have a little adventure … although not too much adventure because Claudia isn’t the overly-adventurous type.

Claudia is cautious and methodical. When she plans to run away from home, she carefully plans every step and invites her more adventurous nine-year-old brother Jamie to go with her, both for the companionship and because he is a tightwad and has the cash necessary to fund their adventure. Although Claudia and Jamie bicker as siblings, they’re closer to each other than to either of their other brothers. Jamie eagerly accepts Claudia’s proposition to run away, although at first, he’s a little disappointed when he finds out where they’re going.

Claudia plans for them to run away to New York City because, as she puts it, it’s “a good place to get lost.” The city is so big, Claudia is sure that two runaway children will be easily overlooked. She’s also found a great place for them to stay during their adventure: the Metropolitan Museum of Art. Claudia loves comfort, convenience, and beauty, and the museum can offer all of that without the fees of staying in a hotel. There are exhibits of furniture, which provide them with a bed to sleep in, and interesting exhibits to keep them entertained and educated, and all they have to do is evade the security guards. At first, Jamie thinks that sounds a little too tame, but their adventure soon proves to be exciting and challenging, with enough mystery to satisfy both of them.

Claudia and Jamie develop routines for sneaking around the museum, evading the guards, hiding the backpacks and instrument cases that hold their clothes, and raiding the coins in the fountain for extra money. One day, while they’re hiding in the restrooms and waiting for the museum staff to leave, the staff set up a new exhibit for an angel sculpture sold to the museum by the wealthy and mysterious widow Mrs. Basil E. Frankweiler, who is actually the person narrating Claudia and Jamie’s story in a letter to her lawyer.

Claudia develops a fascination for the angel and a desire to learn the truth about the theory that the statue was made by Michelangelo. Between the two children, Claudia is the more imaginative and romantic, but Jamie’s logical mind and zest for adventure serve them well as they delve deeper into the mystery. They do learn something important at the museum, but to get the full truth, they have to leave their planned hiding place in the museum and go see Mrs. Basil E. Frankweiler herself.

Mrs. Frankweiler is a delightfully eccentric student of human nature, who is fascinated by the young runaways who come to her for answers to a mystery hundreds of years old. In exchange for the details of their exploits, Mrs. Frankweiler gives the children a chance to locate the answers they’re seeking in her strange, mixed-up files. In the process, the children learn a secret that gives both of them the sense of being part of something secret and exciting and much bigger than their ordinary, hum-drum lives, which is what they were originally looking for when they ran away from home.

The book is a Newbery Award winner, and it is available to borrow for free online through Internet Archive (many copies).

My Reaction

During the course of the adventure, Claudia and Jamie become closer to each other than they were before they ran away from home. They learn a little more about each other and themselves, and neither of them is quite the same as they were before they started, which is at the heart of Claudia’s reasons for wanting to run away from home in the first place. The language and descriptions in the book are colorful, which is part of the reason why this book is popular to read in schools.

There were two movies made of this story. One is a made-for-tv movie version from 1995, although it changed some of the details from the original story. In the 1995 movie, there is a scene with Jamie getting sick and Claudia worrying about him and taking care of him that never happened in the original book. Also, in the movie, Claudia stops Jamie from taking the coins from the fountain when they had no qualms about raiding the fountain for money in the book. At the end of the book, the children don’t tell their parents where they were hiding when they return home, but in the movie, the parents do find out. There is also an older movie from 1973 which is sometimes called The Hideaways.

Ramona Forever

Ramona is in third grade now, and there are new changes coming in her life. At the beginning of the book, she and her sister Beezus still go to Howie’s house every day after school so Howie’s grandmother can look after them because both of their parents work, although lately Beezus has been finding other places to go after school, like her friend’s house and the library. That’s how Ramona knows from Howie that his rich Uncle Hobart, who has a job in the oil industry, will be coming to visit soon from Saudi Arabia. Ramona mentions it one night at dinner when her Aunt Beatrice is visiting. Aunt Beatrice says that she remembers Hobart from when they were kids and went to the same school, but she hasn’t seen him in years.

When Uncle Hobart comes, he brings a couple of small camel saddles for Howie and Willa Jean to play with. He also gives Howie a unicycle and Willa Jean a small accordion. When he meets Ramona, he embarrasses her by calling her Howie’s girlfriend and singing a verse from an old song about a woman named Ramona (links repaired Nov. 2023), and Ramona takes an instant dislike to him. She flat out tells him that she doesn’t like adults who tease (Neither do I, and I’m in my 40’s.), and he promises to reform, although Ramona thinks that he’s still joking around and isn’t satisfied.

Uncle Hobart takes Howie outside to learn to ride the unicycle, and Willa Jean and Ramona try the accordion. When neither of them can figure out how to use it, little Willa Jean gets frustrated and sits on it, breaking it. Howie’s grandmother, Mrs. Kemp, gets angry at the girls, and Ramona thinks that the accordion was a dumb present to give to a little girl who wouldn’t be able to use it properly for years. Mrs. Kemp tries to shame Ramona to Uncle Hobart, blaming her for the incident. (As if Ramona was the babysitter instead of Mrs. Kemp, who incidentally, is being paid by Ramona’s parents to watch her as well as watching her own grandchildren. Ramona didn’t think of this, but I certainly did.) Ramona never really liked being watched by Mrs. Kemp, but the blaming and shaming makes her realize that Mrs. Kemp actually doesn’t like her and wants to make her feel bad, which is a disturbing feeling from someone who is supposed to be taking care of her. Ramona decides right then that Mrs. Kemp will never look after her again.

When the family talks about the situation at dinner that night, Beezus supports Ramona’s assertion that Mrs. Kemp doesn’t like them, saying that’s the reason why she’s been trying to find other places to go after school. Ramona’s mother asks her if she ever thought that maybe Mrs. Kemp would rather not be a babysitter at all, for either her grandchildren or Ramona, but women of her generation were only brought up to take care of their homes and children, and that’s all she knows how to do, whether she likes it or not.

Personally, I think this is true, but also irrelevant. Mrs. Kemp has a job to do, one that she’s being paid for, and if she’s taking the money, she also needs to take responsibility. Mrs. Kemp blames Ramona for not watching Willa Jean when that was her job, not Ramona’s, and Mrs. Kemp also has a responsibility to Ramona herself because that’s what she’s being paid for. Ramona is Mrs. Kemp’s babysitting charge. She’s a child, the child of paying customers who are specifically paying Mrs. Kemp for childcare. Ramona is not Mrs. Kemp’s personal servant or the babysitter for her granddaughter. Ramona is especially not Mrs. Kemp’s personal therapist or caregiver, who needs to help her manage her emotions or life decisions. Ramona is a child who is only with Mrs. Kemp for the purpose of being cared for by her, so let’s keep it straight who has a responsibility to whom in this situation. Besides not liking adults who tease like bratty children, I also don’t like adults who try to make kids be responsible for things that they should be responsible for themselves. Seeing Mrs. Kemp accepting money in exchange for irresponsibility and a bad attitude about her own general life choices that she takes out on her childcare charges is that much worse. Mrs. Quimby’s insights, while probably true, are also completely unhelpful to the situation. Mrs. Kemp is what she is, and what she is does not make her a good caregiver. Ramona and Beezus are correct to call her on it. Mrs. Quimby is concerned about hurting Mrs. Kemp’s feelings, but I think that should be the least of her concerns in this situation since Mrs. Kemp doesn’t seem to care about the children’s feelings and she’s in a position of trust over them. She is demonstrably not doing the very thing she is supposed to do, which care for the children she is paid to provide with childcare. You have one job, Mrs. Kemp, just one job! Mrs. Kemp is an adult, more than old enough to know better about how to behave and take responsibility for herself and the young children in her care, and she should choose to act like it or be prepared to face the consequences, not continue to get paid and thanked for work she’s not even willing to do, making her young charges miserable every single day. She’s taking advantage of the Quimbys’ desperation for child care, and that’s not right. I wished Mrs. Quimby would step up and support her daughters’ efforts to stand up for their well-being instead of enabling Mrs. Kemp’s bad behavior and making excuses for it, as if it were somehow Ramona’s fault that Mrs. Kemp doesn’t like being a babysitter and that eight-year-old Ramona actually has the power to solve Mrs. Kemp’s life problems. I can only suppose that the reason why Mrs. Quimby doesn’t is that she just doesn’t know where else to find someone willing to watch the girls after school.

Mr. Quimby asks Ramona what she thinks she should do about the situation, and Ramona hates being asked that because she wanted help from the grown-ups, not the responsibility of figuring out the problem with her adult caregiver by herself. Again, I really have to side with Ramona here. It’s not her job to be the adult in this situation, and the older I get, the less patience I have for irresponsible adults. I hated them when I was a kid Ramona’s age (and I ran into plenty of them, too), and I don’t feel any better about them 30 years later. If you want the authority of saying that you’re an adult, you have to take the responsibilities that come with that authority, taking the adult actions and making the adult decisions, not expecting the kids to do your job for you. That’s my attitude. I honestly don’t know what response Mr. Quimby was even looking for from Ramona, either. What can Ramona do if Mrs. Kemp is unhappy about her life choices and doesn’t treat her well because she doesn’t want to be her babysitter? Get some books on psychology from the library and turn into a therapist or career counselor at the age of eight to help Mrs. Kemp work through her emotional issues? Invent a magic potion that will age her to 58 so she can be Mrs. Kemp’s new best friend and they can go out for champagne brunches together instead of Mrs. Kemp babysitting her? What solution are you imagining here, Mr. Quimby? Ramona is an eight-year-old, and what what she thought she should do about this bad situation was talk to her parents, who hired Mrs. Kemp to take care of her in the first place, and get their help. How was she supposed to know that you didn’t want to help her, either? If I were one of the parents in this situation, I’d say that I understood the problem and that I’d think over some other after school possibilities for the girls, maybe look into some temporary care for the girls, possibly in the form of some kind of after school lessons in art or music or sports, paid for with the money that I would have given Mrs. Kemp for babysitting, especially since I already know that the Quimbys are already considering some coming changes for their family that will change their childcare situation. Of course, all of this is setting the stage for what happens next in the story.

Ramona asks if she can just stay home alone after school because some kids do, but her parents don’t like that idea. Beezus says that she could stay with Ramona because she’s in middle school and old enough to babysit. Ramona worries a little that Beezus will be bossy and that they’ll fight with no adults around, but Mr. and Mrs. Quimby agree to let the girls try it for a week while Uncle Hobart is visiting so Mrs. Kemp can spend more time with her son. If the arrangement works and the girls behave themselves, they can keep doing it after Uncle Hobart leaves.

Ramona asks Beezus why she’s so willing to look after her after school, and Beezus explains that things haven’t been to pleasant at her friends’ houses lately. Mary Jane needs to spend a lot of time practicing her piano lessons, and she got into a fight with Pamela because Pamela was acting like a snob and giving her a hard time about her dad’s work situation. Mr. Quimby has had a series of different jobs, and now, he is working only part time and going back to college to train to become an art teacher. Pamela has been bragging to Beezus that her father has a real job and that Mr. Quimby should “stop fooling around and really go to work.” (This is one of those snide kids’ comments that you can tell really came from Pamela’s parents and that she’s just repeating what they say to sound big. Pamela’s parents have probably been bad-mouthing the Quimbys behind their backs to talk themselves up because their employment has been more stable and some people need to look down on someone in order to feel good about themselves. I’ve seen that type before, too. By this point in the story, I had the feeling that the Quimbys seem to know a lot of people who are real jerks in one way or another, and I think it’s time that they made some new friends.) Beezus can’t take it anymore, so she’s stopped speaking to Pamela, which is about all you can do in a situation like that.

Beezus worries about their family’s future because she’s heard that schools are laying off teachers, and she fears that her father might not find a job when he’s done with his degree. She also think that their mother is probably pregnant because of the way that Aunt Bea keeps asking her how she’s feeling and a few months ago, she seemed to be suffering from morning sickness. If that’s true, she probably won’t be able to work much longer because she’ll have to take time off to have the baby and look after it. It make things difficult when the family is already concerned about money, although Beezus says that she wouldn’t mind helping to look after a baby because she likes babies. Ramona worries about the new baby and why their parents would want another child when they already have her and her sister, and she doesn’t like that the adults seem to be keeping important secrets.

The girls try to be extra good and responsible when they’re home alone together so they’ll be allowed to continue staying home alone, but they get into a fight one day when Howie comes over and offers to let Ramona ride his bike because he’s going to practice riding his unicycle. Beezus is afraid that Ramona will get hurt riding the bike and she’ll be considered responsible, but Ramona wants to go ahead and do it anyway because she’s been waiting for Howie to agree to loan her his bike. Ramona likes riding the bike, but she does fall off and scrape her elbow. Beezus refuses to help Ramona clean up afterward because Ramona insulted her before she went bike riding, and Ramona is angry with Beezus. In spite of that, the girls decide not to tell their parents about what happened because they don’t want to go back to Mrs. Kemp and their father specifically tells them not do anything to worry their mother, another sign that she’s probably expecting a baby.

Then, one day after school, the girls discover that their cat, Picky-picky has died, probably of old age. At first, they don’t know what to do, but remembering that they’re not supposed to upset their mother, they decide to bury the cat themselves. The girls are upset, but they manage to bury the cat, and they also make up with each other after their earlier fight. When their parents come home and find out about the cat, they feel badly that the girls had to handle the situation on their own. Mrs. Quimby says that, after they handled this difficult situation, she knows that they can be trusted on their own and that there’s no need for them to go back to Mrs. Kemp.

The girls’ mother finally admits that she’s going to have a baby, and the family begins talking about the new changes that they’ll have to make when the baby comes. The girls wonder who will have to share a room with the new baby, and they come up with ideas for names. Ramona worries about being a middle child now and not the youngest, but her mother reassures her that she still loves her. The Quimbys also consider that they may have to move in order for Mr. Quimby to find a teaching job, although Beezus and Ramona don’t like the idea of moving.

However, there are still more changes to come. Aunt Bea and Uncle Hobart announce that they are getting married! Ramona still doesn’t like Uncle Hobart and doesn’t really want him for an uncle, and after they’re married, they’re planning to move to Alaska because Uncle Hobart will be working in the oil industry there.

Changes aren’t always easy, but the girls enjoy taking part in their aunt’s wedding, and at the end of the book, their mother has the new baby, who turns out to be a girl. They call her Roberta, for a twist on her father’s name. Ramona begins to feel happy and comfortable with the changes in her life because she realizes that she’s growing up.

The book is available to borrow and read for free online through Internet Archive (multiple copies).