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The Little Engine That Could

The Little Engine That Could by Watty Piper, 1930.

A little train is pulling a load of things for children over a mountain. The train is carrying toys of all kinds and also good, healthy food for the children.

Unfortunately, something goes wrong, and the engine pulling the train breaks down. The toys aboard the train know that the children over the mountain are waiting for them and that they will need the food on the train, too. Other train engines pass by, and the toys try to get them to help pull the train.

However, even though these other train engines are not currently pulling loads of their own, each of them has a reason why they cannot help to pull the train with toys and food for children. One engine is old and doesn’t think that he’s strong enough to pull even this small train. The bigger, stronger engines think of themselves as being too important to pull this small train because they handle more important things, like passenger cars or freight for adults, not children.

The toys are despairing, but then, a small blue engine comes along, and they ask her if she can help them. At first, the little engine isn’t sure that she can help because she is only a small engine and has never been over the mountain before, but the toys explain how important it is to get the toys and food to the children, so the Little Engine agrees to try.

As the Little Blue Engine pulls the toy train over the mountain, she gives herself positive self-talk, telling herself “I think I can-I think I can.” When she succeeds in her mission, everyone is happy, and she says, “I thought I could!”

This classic picture book is often used to show children the benefits of positive thinking and being willing to try. Instead of focusing on doubts about herself or reasons not to try, the Little Blue Engine makes the decision to try and tells herself that it’s possible for her to succeed. The Little Blue Engine doesn’t know if she can accomplish the mission (she “thinks” she can, although she doesn’t “know” if she can), but when she is willing to try, she discovers that she actually can. Even though she is small and seems less important than the bigger trains, she accomplishes more because she is willing to do what the bigger trains will not, taking part in something that is outside of her basic, required job. I also like how the book shows that it is sometimes the small, less prestigious tasks that make the biggest difference. Taking food and toys to children doesn’t seem important to the big trains, but it matters to the children and their families over the mountain.

However, this is not the first form of this story. The story of the little train engine that is able to go over the mountain because it thinks it can is actually based on an earlier form of the story that was originally part of a sermon from the early 1900s.

The book is available to borrow for free online through Internet Archive (multiple copies). There are also different cartoon versions of the story.

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The Mystery of the Backdoor Bundle

Three Cousins Detective Club

#28 The Mystery of the Backdoor Bundle by Elspeth Campbell Murphy, 2000.

Sarah-Jane’s mother owns a decorating business, but recently she and her business partner have started repairing dolls because he has discovered that he has a talent for it. One day, while the Sarah-Jane and her cousins, Timothy and Titus, are sitting in the kitchen, someone knocks on the door and leaves a basket with a doll inside it. There is a note with the doll that says, “Please help me!”

When the kids show it to Sarah-Jane’s mother and her business partner, the partner says that the doll is an antique. The question is why anyone would simply abandon the doll with a note asking for help. The only clues they have are some footprints, a button, and a scrap of paper outside with logo of a blue kangaroo.

The doll is hiding a secret, and it’s up to the cousins to learn what it is and to help someone who cannot ask for help directly. This person has done something that they can’t admit to doing, but they’re trying to do the right thing and need some help to make it right.

The theme of the story is Psalm 147:3, “[The Lord] heals the brokenhearted and binds up their wounds.”

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The Mystery of the Dancing Angels

Three Cousins Detective Club

#4 The Mystery of the Dancing Angels by Elspeth Campbell Murphy, 1995.

Sarah-Jane, Timothy, and Titus are visiting their grandparents over the summer when their grandmother’s cousin comes over to discuss some information she has found about their family’s genealogy. The kids’ great-great-great-grandfather was a woodcarver, and he did some work in a large house that is now being restored. There is a story that an expensive ruby necklace that belonged to the former owners of the house may be still hidden somewhere on the property.

The prospect of exploring the old house and maybe finding the missing necklace sounds exciting, but the kids also must spend their time looking after their distant cousin, Patience, who is only four years old and has a tendency of getting into trouble.

When little Patience disappears inside the house, the kids are worried, but she soon returns with the answer to a riddle that has been passed down in their family for generations. Dealing with little kids requires patience, but Patience herself notices details in the woodwork in the house that the adults and older children haven’t noticed.

The theme of the story is patience.

The book is available to borrow for free online through Internet Archive.

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The Mystery of the Silent Nightingale

Three Cousins Detective Club

#2 The Mystery of the Silent Nightingale by Elspeth Campbell Murphy, 1994.

Sarah-Jane’s baby-sitter and friend, Kelly, is graduating from high school. Soon, she will be going away to college. Sarah-Jane is sad that she is leaving, but she is happy her family was able to find her a nice graduation present.

After they pick out their present, Sarah-Jane sees a locket with a nightingale on it in a store window. The nightingale is a Christian symbol for joy, and Sarah-Jane thinks that it would have made a nice present for Kelly if they didn’t already have one.

To everyone’s surprise, someone else buys the locket and leaves it at Kelly’s house. Sarah-Jane feels a little strange that someone else took the idea that she’d had for Kelly’s present. However, it is even more mysterious that there is no note or card with it to say who it is from. Kelly asks the cousins to help her find out who gave her the locket so that she can thank them. As it turns out, the present isn’t just an ordinary graduation present. It’s actually a thank you from someone who has been grateful to Kelly for a long time for a kindness she wasn’t even aware that she had done. Sarah-Jane even had a hand in it herself although she also wasn’t aware of it. Sometimes, it’s the smallest good deeds that can make the biggest difference in someone’s life.

The theme of the story is joy.

The book is available to borrow for free online through Internet Archive.

Themes and Spoilers:

The person who left the present for Kelly is Janice, who works for Kelly’s father. The kids had wondered why she seemed to recognize them when they stopped by Kelly’s father’s office early to show him Kelly’s graduation gown. It turns out that Janice has been grateful to Kelly for years for something kind that Kelly did for her when the cousins were very young. Kelly always used to read to the cousins when they were small, particularly Sarah-Jane. She took Sarah-Jane and the others to the library the day that Sarah-Jane got her first library card. That same day, Janice was also at the library.

Janice had never learned to read and was unable to finish her education. For a long time, she was ashamed to admit to anyone that she couldn’t read. Then, she heard about classes at the library for adults who had never learned to read and decided to go there. When she got to the library, she didn’t know where the classes were being held. She couldn’t read the signs, and she was too embarrassed to ask the librarian. There were some people she knew in the library, and she was so afraid of any of them finding out why she was there that she almost left. Then, Janice saw Kelly with Sarah-Jane and the boys. She saw how happy Sarah-Jane was to get her new library card, and she decided that she really wanted to learn to read, too. Janice knew that Kelly wouldn’t look down on her like some adults would, so she asked Kelly to help her find the class. Kelly helped her, even though she forgot about it later, and Janice was grateful to her for keeping her from backing out.

After Janice learned to read, she was able to finish her education. When she realized that the girl who had helped her years ago was her boss’s daughter, she wanted to give her a present. She wanted it kept secret at first because she was still embarrassed that it took her so long to learn to read. She was worried about what her boss would think of her. However, Kelly’s father doesn’t hold it against her, and Janice’s strict supervisor, Dorothy, even asks her to help tutor her grandson, who has been having learning difficulties.

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Mystery of the Secret Dolls

Mystery of the Secret Dolls Cover

Mystery of the Secret Dolls by Vicki Berger Erwin, 1993.

Bonnie Scott is visiting her great-aunts, Nell and Mollie, in Callaway County over the summer. Aunt Nell invited her to come and help set up her new doll museum, but Bonnie also wants to take advantage of the trip to work on a project about family history. Aunt Mollie has a restaurant, and Bonnie wants to talk to her about old family recipes that she uses and make a book about them. Unfortunately, when Bonnie arrives in her aunts’ town, she learns that Aunt Mollie has closed her restaurant and is helping Aunt Nell with her doll museum. From Bonnie’s awkward arrival, when no one comes to meet her at the bus stop and Marc, the grandson of the local doctor, Dr. Allen, has to help her find her way to her aunts’ house, she begins to see that things aren’t quite what she thought they were in her family and in her aunts’ town.

The reason why no one came to meet Bonnie is that Aunt Nell accidentally injured herself when she fell off a table she was standing on in order to change a light bulb. She broke her leg and had to go to the doctor. Now that Aunt Nell is in a wheelchair, she says that she will especially need Bonnie’s help, although Aunt Nell and Aunt Mollie also have a young black girl, Lynette Key, staying with them and helping out. Lynette is the daughter of an old family friend, and her family’s history is intertwined with Bonnie’s family. Through her aunts and Lynette, Bonnie comes to understand a little more about her family’s history with dolls and the relationship between Aunt Nell and Aunt Mollie.

Aunt Nell is the older of the two sisters, and she’s been bossing Aunt Mollie around for years, and she’s apparently the one who convinced Mollie to close her restaurant and help her with the doll museum project. The old family home belongs to both of them, although Mollie lived in another house while her husband was still alive. Now that both women are childless widows and Mollie has moved back into the family home, Nell has gone back to her old ways of bossing Mollie around. Bonnie is alarmed when Mollie reveals that there has been a break-in, vandalism, and a fire, apparently deliberate, at the museum, and she thinks that Nell should put off the opening, but Nell is trying to ignore the situation and charge ahead with the project, dragging Mollie and Bonnie with her. The aunts are going to have a security system installed at the museum.

Aunt Nell says their family, the Scotts, have made dolls for about 150 years. She shows Bonnie her doll collection, including the portrait dolls, startlingly realistic dolls made of every member of their family, including Bonnie’s ancestors, like her great-great-great-grandfather who fought for the Confederacy during the Civil War. Aunt Nell apparently strongly identifies with the South and Confederacy because she keeps trying to blame the troubles at the museum on “some Yankee.” Not in a specific sense and not necessarily with any particular person in mind (although there is one person who is also labeled as a Yankee who is a suspect for awhile), it’s more that she just generally associates Yankees with bad stuff, and she says that she hopes that Bonnie hasn’t turned into a Yankee from living in a big city like St. Louis. Although the dolls belong to both of the sisters, Aunt Nell really thinks of the dolls as being hers, and she’s determined to make Bonnie’s family history project about the dolls, whether Bonnie wants it to be or not. Aunt Nell says that Lynette’s grandmother used to work for her, making dolls, and she’s pleased that Lynette shares her interest in dolls, but Lynette privately tells Bonnie that the situation goes deeper than that.

As you might have guessed, Aunt Nell’s mental version of history, including the history of her own family, isn’t entirely accurate. Marc lends Bonnie a history book about the area written by his grandfather, but Lynette tells Bonnie not to let Aunt Nell see it because she and Dr. Allen have very different views about history, and Dr. Allen is a “Yankee.” Bonnie asks her what she means by that, and Lynette says that the Scotts have never gotten over being on the losing side of the Civil War. Dr. Allen, by contrast, believes that the Civil War turned out just fine with the South losing, which makes him a Yankee. It matters because Aunt Nell’s interpretation and attitude toward the past is affecting life in the present.

Although Aunt Nell is mentally on the side of the Confederacy, she doesn’t say anything in support of the idea of slavery and doesn’t seem to have bad feelings about Lynette being black. Nell is actually very fond of Lynette, treating her almost like a young niece, and I suspect that Nell probably mentally replaces the word “slave” with “servant” in her head, as some of the other characters in the book do until Lynette reminds them that there’s a difference and it matters. Nell’s attachment to her family’s grand history (which may not be quite what she makes it out to be) and her feeling that the doll-making business must pass to a blood relative keep her from fully seeing the potential that Lynette has to continue the doll-making traditions that their families both share, something that Lynette really wants to do.

Lynette says that women in her family have worked for the Scott women for generations, making dolls. They were originally slaves belonging to the Scott family, and they even shared the same last name because slaves were sometimes given the surnames of their masters. (In my home town, I’ve met black people with the surname White, which might seem a little odd and contradictory, but this is the probable reason why they have that last name.) Some slaves changed their last names after Emancipation, but not all. Lynette says that even after her ancestors were freed from slavery, one of her ancestors, Rosa, chose to keep the last name Scott because of her connection to the doll-making business.

Lynette points out a section in Dr. Allen’s history book about the Scott dolls having a connection to the Underground Railroad because some of them seemed to have been used as signals for escaping slaves. Margaret Scott, an ancestor of Bonnie’s, used to make black dolls, each with a distinctive little red heart sewn on the chest, and after she made one, a slave would mysteriously disappear. She eventually had to stop doing it because people in the area were getting suspicious of her and put pressure on her to stop. In fact, Lynette says Margaret’s own father, the Confederate colonel, tried forced her to stop, saying that he’d close down her doll-making business if she didn’t, but that Margaret and Rosa actually continued making the black dolls in secret, something that Aunt Nell doesn’t believe. The history book notes that the dolls are rare and valuable collectors’ items. Lynette says that Aunt Nell only has one of these black dolls, and she keeps it locked up for safe-keeping, denying that there even are others, but Lynette is sure that there are more, possibly hidden somewhere. Lynette wants to find these dolls, not only because they are valuable but because they can help prove her family’s connection to the Scott doll-making business. Lynette says that her ancestors never got the credit for the beautiful dolls they made because they were only ever slaves or employees of the Scotts, and the entire doll business was in the Scott family name.

Lynette wants to become a doll maker herself, but Aunt Nell really wants Bonnie to take over the family tradition, even though Bonnie has never really been interested in dolls and would prefer to talk cooking and recipes with Aunt Mollie. The realistic dolls portrait dolls actually kind of give Bonnie the creeps, but Lynette has a sentimental attachment to them because she’s been around them all her life, since her grandmother was a doll maker. Once Bonnie understands the history between her family and Lynette’s and Lynette’s doll-making ambitions, she sees why Lynette seemed a little cold to her at their first meeting, but she isn’t interested in learning the doll business or competing with Lynette to be Aunt Nell’s successor. Even though Aunt Nell is bossy and doesn’t understand Lynette’s deep desire to be a doll maker and continue the Scott doll-making business, Lynette kind of likes her and wants to show her that she is just as attached to the doll-making traditions as she is. Lynette and Bonnie make a deal that Lynette will help Bonnie get the recipes she wants from Aunt Mollie if Bonnie will talk to Aunt Nell about the black dolls and try to get more information about them.

Bonnie thinks that hunting for the long-lost dolls sounds exciting. It occurs to her that the valuable dolls might be the reason why someone broke into the doll museum. The aunts’ old house is spooky, right next to a graveyard, and on Bonnie’s first night there, someone leaves Margaret’s portrait doll (which looks a great deal like Bonnie) in Bonnie’s room with a note that says, “Don’t believe everything you hear.” What does the note mean? Who left the doll, and is it connected to the other strange things happening around the doll museum? Is someone trying to scare Bonnie? Are the missing black dolls still somewhere nearby, and can Bonnie and Lynette find them? What is the real truth about the dolls and what happened in Callaway years ago?

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

Although this story doesn’t quite deal with racism in the sense of people hating other people because of race, there is a lot in here about the nature of prejudice, on several levels. Aunt Nell has many preconceived notions about her family and how things in her family ought to be. She assumes from the beginning, when Bonnie contacts her aunts to talk about family history, that Bonnie will do her project about the dolls and the family’s doll-making history and that Bonnie will help her with her doll museum and eventually take over the dolls from her. Aunt Nell started out their relationship with a lot of assumptions, and her assumptions about Bonnie have blinded her to the possibility that Lynette could be the successor to the doll-making business and doll museum that she really wants because they share a common love of dolls and skill in making them. Lynette has already started learning the doll-making business, first from her grandmother and then from Nell, because she loves it, and she is willing to work at developing her skills. She has a similar vision to Nell about the doll business and museum, and the two of them get along well, in spite of Aunt Nell’s bossy personality. It’s only Aunt Nell’s narrow vision of family and sense that the doll-making business should pass to family that keep her from considering the possibility at first. Meanwhile, Bonnie and Mollie are both being forced to go along with Nell’s plans because of what Nell thinks they should do as family, while they both have very different interests and would like the freedom to pursue them. Aunt Nell also has been assuming many things about her sister Mollie for years.

Over 100 years earlier, Margaret Scott also belonged to a family that did not share her interests and her vision of the future. Although she used slave labor in building her doll-making business, she and Rosa found a way to use their craft to help escaping slaves. The Scott family took pride in the doll-making business for generations, but there were sides to Margaret and the dolls that they didn’t understand and appreciate. Before the end of the book, Aunt Nell comes to understand that their family has more variety than she had ever considered and that her goals might not be everyone’s goals.

The ending of the story makes sense and is realistic, but I’ll admit that there were a couple of points that I might have clarified or done differently if I had written the ending. Sometimes, when I’m not entirely satisfied by the ending of a book, I like to say what I would have changed about it, but it’s difficult to do that here without giving too much away. Part that I can say is that I wished that Nell and Mollie had thought of more creative ways to combine their separate interests, like how Bonnie’s final family history project ends up being a combination of both – a cookbook of family recipes, illustrated with pictures of the portrait dolls that represent the people who invented or enjoyed the different recipes. In fact, a cookbook of historical recipes with pictures of historical dolls sounds like a book that many people would actually be interested in buying if they published it professionally and even sold copies through the doll museum, and I found myself wishing that one of the characters would mention that before the end of the book.

The story ends with the impression that Lynette will keep working with Nell and the dolls because, while Bonnie says that she’ll come back and visit, she doesn’t have the interest in doll-making that Lynette does, but I also kind of wished that they would clarify more definitely that Lynette would be continuing the doll-making business. The girls are young yet, so maybe they didn’t feel the need to decide their futures definitely, and it’s enough just to show that’s how things are looking at the end of the book. I had half expected that it would turn out that Lynette and Bonnie are actually related because sometimes slave owners did have children with their slaves, and I suspected that one of the Scott family secrets might have been that Rosa was actually a blood relative and that was part of the reason why she was so close to Margaret and why she kept the Scott family name. The story doesn’t bring up that possibility, focusing on a different secret relationship instead, but I’m still keeping it in mind as a private theory. I like the idea because, if it was true, then it would strengthen Lynette’s ties to the doll-making business she loves, and I think that Nell would appreciate the idea of bringing her more fully into the business as a relative. But, perhaps it’s enough that they just both share the same interest in life

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The Mystery of Drear House

The Mystery of Drear House cover

The Mystery of Drear House by Virginia Hamilton, 1987.

This book is the continuation of The House of Dies Drear, and the final book in the short series.

The Smalls are now settled into the house that formerly belonged to the abolitionist Dies Drear, who used secret tunnels to help smuggle escaping slaves to freedom as part of the Underground Railroad. Thomas Small’s father is a college professor, who finds the history of the house endlessly fascinating, especially now that they know about the hidden treasure that the caretaker, Mr. Pluto has been guarding for many years.

Apart from the Small family and Mr. Pluto, Pesty is only other person who knows where the hidden treasure is. Pesty (a nickname, her real name is Sarah) is the adopted daughter of the Darrow family, who live nearby. The Darrows are generally known to be nasty and scheming, and they have spent years looking for the treasure they know that Dies Drear hid. In the last book, Pesty helped the others to frighten off the Darrows when they were getting too close to the secret, but Thomas is still concerned that they might be a threat. He also privately questions Pesty’s loyalty, wondering if she’ll continue to keep the secret from the Darrows, although Mr. Pluto is confident that she will because she knew the secret of the treasure even before the Smalls did.

Mac, a boy about Thomas’s age, is the youngest of the Darrow brothers, and he’s not as mean as the rest of his family. Thomas kind of wants to be friends with him, but he’s not sure if he can really trust him. Mac tells Thomas that he can come over to visit sometime and that his mother is an invalid who sometimes spends months in bed. When Mac shows an interest in Thomas’s great-grandmother, who is coming to live with them, Thomas gets the idea to bring his great-grandmother over to the Darrow house to visit Mac and Pesty’s mother.

However, before they can visit Mrs. Darrow, she comes to visit them, entering their house through one of the secret passages that Thomas and his family haven’t learned about yet. She startles Thomas’s great-grandmother with her sudden arrival, and Thomas is irritated that Pesty didn’t tell him about that secret passage even though she knew about it. Pesty explains to them that her mother is mentally ill, a chronic condition of some kind, and she gets a little odd during times when she doesn’t take her medicine. Thomas’s great-grandmother seems to understand the situation, and she insists on escorting Mrs. Darrow home.

In the secret tunnel Mrs. Darrow used to come to their house, there are hidden rooms, and when they all arrive at the Darrow house, Mrs. Darrow begins telling them a kind of odd story, really little bits and pieces of stories that she has told Pesty and Mac before. Pesty seems to have a better understanding of what Mrs. Darrow is talking about than Mac does, but Thomas can tell that Mac has heard his mother tell these stories before and that he is also trying to get a better understanding of them. For some reason, Pesty seems to be holding back information from Mac as well as Thomas.

The story that seems to concern Mrs. Darrow the most is about an Indian Maiden (Native American). She seems to get upset at first when Thomas mentions that Mac had mentioned an Indian Maiden before. It turns out that the Darrows are part Native American, and the “Indian Maiden” is one of their relatives from the past. She played a role in the Underground Railroad with Dies Drear but lost her life when she was caught. The Indian Maiden was hiding secrets that Pesty is still trying to protect, and she has also been worried about Mrs. Darrow, who sometimes acts out part of the old story as if she were the Indian Maiden herself.

Meanwhile, it seems like someone is playing the ghost of Dies Drear and trying to frighten Mr. Pluto into telling him about the hidden treasure. Thomas and Pesty see the tracks of this person one day when they go to visit Mr. Pluto. The relationships between the different members of the Darrow family are complicated, and not all of them are really after the same thing.

The book is available to borrow for free online through Internet Archive.

My Reaction and Spoilers

Mrs. Darrow’s mental illness and the different motives of the younger Darrows vs. the older Darrow boys and their father are at the heart of much of the mystery and peculiarity of the Darrow family. Mac actually opposed his father and brothers the last time they tried to get the hidden Drear treasure, and since then, they’ve been shunning him. Pesty tries to look after Mrs. Darrow as best she can, but she’s been handling the job largely by herself, and at the same time, she could really use the support of a mother who can look after her. Pesty doesn’t really like all of the secrets that she has been forced to keep, but for a long time, she hasn’t felt safe in confiding the full truth of anything to anybody. She feels even more left out of the Darrow family than Mac is because she’s their adopted child, not a blood relative, even though she is always looking after Mrs. Darrow and thinks of her as her “Mama.”

The solution to many of the problems with the Darrows comes with the public exposure of the Drear treasure and the end to all the secrecy. The Smalls decide to give Mrs. Darrow the credit for finding the treasure, so although Mr. Darrow is angry that he will never get his hands on the hidden treasure that he and his family have searched for so long, they will get part of the reward money for finding it. The foundation that receives the treasure also gives jobs to Mr. Small and Mr. Darrow, changing the lives of the Darrows for the better. Even though Mr. Darrow didn’t get what his family originally wanted, they end up with something that improves their situation, and they no longer feel the need to hide Mrs. Darrow’s condition from everyone. The Darrows are freed from part of their past, and now, they’ll be able to go forward with their lives. Mr. Darrow also shows that he really cares about his adopted daughter.

The Darrows are a mixed race family, and their heritage is in keeping with real events in American history. People with mixed black and Native American heritage are sometimes colloquially known as “Black Indians,” and people with that type of mixed ancestry have existed in the Americas since Colonial times. By the end of the story, the Darrows’ full history isn’t completely explained in detail, but it seems that it was probably Dies Drear’s work with the Underground Railroad that brought their ancestors together. Freed and escaped slaves did sometimes intermarry with Native Americans.

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The House of Dies Drear

DiesDrearThe House of Dies Drear by Virginia Hamilton, 1968.

Thomas Small, a thirteen-year-old African American boy, is moving from North Carolina to Ohio with his family in order to live in an old house with an unusual history.  His father is a history professor and has rented a house for them that was once owned by an abolitionist named Dies Drear.  Dies Drear was part of the Underground Railroad that smuggled escaping slaves out of the South around the time of the Civil War, and his old house still has secret passages from that time.  The local people believe that Dies Drear still haunts the house along with the ghosts of a couple of slaves who never made it to freedom.

The caretaker of this strange old house is a strange old man called Mr. Pluto.  He lives on the property in a cave that he has made into a house.  Mr. Pluto frightens Thomas, and Thomas is sure that he’s hiding something.

The Smalls’ new town is a close-knit community that doesn’t welcome outsiders. The people seem unfriendly and suspicious of the Smalls, especially the Darrow family.  They know something about the secret passages at the house, but Thomas’s parents don’t want him poking around the passages anymore after he is briefly lost in them.  However, that is where the real secret of the house lies.

Thomas comes to believe that someone is sneaking into the house at night, using the old secret passages.  One night, this person leaves three small metal triangles at the bedroom doors.  These mysterious triangles seem to fit together, but there also seems to be a missing piece.  The Smalls have no idea what these pieces mean or who put them there.  Mr. Pluto holds many of the answers, and he is going to need their help to protect the secret that he has kept safe for many years.

The book is currently available on Internet Archive (multiple copies).  The book won the Edgar Award for Best Juvenile Mystery in 1969.  There is also a made-for-tv movie version of the book.  Sometimes, you can find it or clips of it on YouTube.

There is a sequel to this book called The Mystery of Drear House.  There are only two books in this short series.

My Reaction and Spoilers

I love how the Smalls help Mr. Pluto deal with the Darrows in the end, using the ghost stories about the house to their advantage.  There are hints that besting the Darrows, although it hurt their pride, may actually lead to a better relationship with them in the future.

Thomas and Pesty (a nickname for the young adopted daughter of the Darrow family, her real name is Sarah) are also memorable characters.  Pesty is brave for learning the secret that her family has tried to learn but choosing to protect it instead of reveal it.  Thomas is a thoughtful boy who, because of his earlier upbringing, actually feels more comfortable around older adults than around people his own age.

If you’re wondering about why the abolitionist had a strange name like “Dies Drear”, it isn’t exactly explained.  At one point, the story says that he was from New England.  A possible explanation that I found online is that Dies might actually be another form of the Germanic surname Diess, which may be related to the Biblical name Matthias.  Perhaps Dies Drear might have some Germanic ancestry.  Some people use the mother’s maiden name as a first or middle name for a child.  But, that’s just a theory.

Some teachers use this book to introduce students to the concept of the Underground Railroad.  While I was researching the book online, I also found this pdf of classroom worksheets related to the story. (I had a link to a different set of worksheets before, but those were removed, and I found a different set.)  If you’re looking for additional lesson plans, I suggest looking at Teachers Pay Teachers, where teachers can buy lesson plans from other teachers.  (I’m not sponsored by them, I just know about them from a friend who is a teacher and think it’s a useful resource.)

One final point that I would like to make is that there are no white characters in the story.  Dies Drear was a white man, but he doesn’t actually appear in the book, having died over 100 years before.  Every character who does appear in the book is black.  The funny thing is that I can’t remember any point where the book explicitly describes the characters as black.  It might be my memory playing tricks on me, but I seem to remember knowing that they were all black as I read the book, but I can’t think now why I knew it, and I don’t remember a point where the book actually described anyone’s appearance.  I think I probably knew it partly from context, perhaps subtle hints in the story, but it might also be that I knew what the book was about before I read it because someone told me.  I might even have seen the movie version at some point before reading the book, although I’m not sure now because it’s been years since I first read this story, and I can’t remember if I read the book or saw the movie first.  The movie or clips of it sometimes appear on YouTube.  It’s also available on dvd, although I haven’t seen many copies available.

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Amazing Grace

Amazing Grace by Mary Hoffman, 1991.

Grace loves stories, both hearing them and acting them out. She is imaginative, and likes playing games of pretend and acting out adventures.

When Grace’s teacher tells the class that they are going to perform the play Peter Pan and will be holding auditions for parts in the play, Grace wants the title role of Peter Pan. A couple of the other kids think that it’s odd for her to want to be Peter Pan because she is both a girl and black, which is exactly the opposite of how they usually see the character.

However, Grace still wants to play Peter Pan. When she tells her mother and grandmother what the other kids said, they reassure her that she can get the part if she really wants it and puts her mind to it.

To prove to Grace that a young black girl can get starring roles, her grandmother takes her to see a ballet where the granddaughter of a friend of hers from Trinidad is playing the role of Juliet in Romeo and Juliet.

Seeing the performance cheers Grace up and gives her the confidence to audition for the part of Peter Pan. When her classmates see how good she is when she performs, they all agree that Grace should have the role of Peter Pan.

The message that young girls like Grace can do what they set their minds to, even if the roles they want in life aren’t quite traditional, is a good one. As I read the story, I was also thinking that the objection that Grace can’t be Peter Pan actually doesn’t make much sense if you know that Peter Pan, of all roles in plays, is one that is often played by a female. I remember that when I was a kid in elementary school, there was a girl who played the part of Peter Pan, and one of the teachers explained that women sometimes play Peter Pan, especially when the actors are all adults, because women have the higher-pitched voices that the part really needs. I would liked it if the teacher in the story also mentioned that. Also, acting is about capturing the spirit of the character in the story, thinking and feeling like they would think and feel and acting the way they would act. I would have liked it if they had mentioned that. Grace may not look quite the way people might picture Peter Pan, but if she can capture the character in her performance, she’s a good actor.

I liked the pictures in the book for their realism. In a couple of the pictures which show how Grace like to act out fantasies, she is shirtless, but she is very young and it isn’t possible to really see anything, so I don’t consider it inappropriate, but I thought that I would mention it.

This is a Reading Rainbow Book.

Posted on by TracyC

A Letter to Amy

A Letter to Amy by Ezra Jack Keats, 1968.

Peter wants to invite Amy to his birthday party, even though most of the other kids at his party will be boys. He has a crush on Amy and wants to mail her invitation as a special surprise.

After a couple of false starts, in which Peter almost forgets to tell Amy the time of his party and almost forgets to put a stamp on the envelope, Peter sets out to mail the letter. It’s a rainy, windy day, and the letter gets away from him.

Peter chases the letter and ends up colliding with Amy. He mails the letter quickly so that Amy won’t see that it’s for her and spoil the surprise, but Amy runs away, crying because she fell down.

Peter worries that Amy will be too hurt and angry that he ran into her and knocked her down to come to his party, but things still work out well.

This is a fun slice-of-life story about the awkwardness of first crushes.

The book is available to borrow for free online through Internet Archive.

Posted on by TracyC · 2 Comments

The Hundred Penny Box

The Hundred Penny Box by Sharon Bell Mathis, 1975.

Michael’s great-great-aunt, Aunt Dew (short for Dewbet), has moved in with him and his parents because she is one hundred years old and no longer able to live on her own.  It has been a big adjustment for the entire family, but even though Michael has had to give up space in his room for her, he is glad that she has come to live with them because the old woman fascinates him.  She is (apparently) extremely absent-minded, often calling Michael by his father’s name, John, although some of that seems to be deliberate because she wishes that Michael’s parents had named him after his father.  Other times, she seems to forget that she’s no longer living in her old house or just starts singing an old spiritual song, forgetting what she was talking about before.

John is extremely fond of his elderly aunt because she raised him after his parents died in a boating accident, and she loves him like a son.  Aunt Dew’s own sons are long grown and gone.  However, Michael’s mother, Ruth, finds Aunt Dew’s presence in the house difficult.  Ruth thinks that Aunt Dew doesn’t appreciate some of the nice things that she does for her, and she thinks that Aunt Dew doesn’t like her.  It’s not completely true, but Aunt Dew does seem more comfortable around Michael after spending many years of her life raising boys, and Aunt Dew admits to Michael that she finds it difficult to talk to Ruth because they don’t know each other like she and John do. Aunt Dew and Ruth also have a conflict over some of Aunt Dew’s old possessions.

Aunt Dew is upset that Ruth got rid of some of her old things after she moved in with them.  Michael thought it was a mean thing to do, and Aunt Dew misses these objects.  When Michael argues with his mother about these objects, Ruth explains to him that she’s not trying to be mean.  Ruth compares Aunt Dew to a child, like Michael, saying that she “Thinks she needs a whole lot of stuff she really doesn’t.”  Ruth sees it as just clearing out things that are old and worn out and no good in order to make room for newer, nicer things, comparing it to when Michael got old enough to realize that he didn’t need his old teddy bear that was falling apart and was willing to get rid of it along with some other things in order to make room for Aunt Dew to move in.  Ruth sees clearing out old things as a way to move forward in life and thinks that it’s important to help Aunt Dew adjust to her new life with the family.  However, a lot of Aunt Dew’s long life and past are tied in with some of these objects, and as a one-hundred-year-old woman, Aunt Dew has more past behind her than future life to make room for.  Michael helps her to hide some of them in her closet to keep them from being thrown out, but he’s particularly concerned about her hundred penny box.

When Aunt Dew’s husband was alive, he started a penny collection for her with one penny to represent every year that Aunt Dew has been alive.  After his death, Aunt Dew continued to collect pennies, putting another penny into the box every year to represent her age.  Michael loves the pennies in the box because, when he counts them with Aunt Dew, she will stop him at certain years and tell him stories about things that happened during those years, telling him a lot of family stories.  Michael’s mother isn’t interested in taking the pennies, but she thinks that the old box they’re in is too worn out and should be replaced with something else.  However, Aunt Dew sees that box as being like herself: old and worn and holding all of the years of her life.  To throw it out would be almost like throwing out Aunt Dew herself.  Michael’s mother doesn’t see it that way, but Michael sees the connection.  To try to save the box, Michael hides it from his mother.

The conflict about Aunt Dew’s things isn’t really resolved by the end of the story because Michael’s mother still doesn’t understand how Aunt Dew feels, and we don’t know if she will come to understand or if the box will remain hidden or not.  I found parts of the story frustrating because Ruth doesn’t seem to want to listen to either Aunt Dew or Michael, discounting them as the kid and the old lady.  Even though Ruth is frustrated with Aunt Dew, I think that part of it is her fault for not really listening or trying to understand how she feels. This may be part of the reason why Aunt Dew feels like she can’t really talk to Ruth. To be fair, Ruth doesn’t mean to be mean, but at the same time, she kind of is because she’s too stuck on what she thinks is best and that idea that she knows better than a young boy and an old woman to consider that her ideas might not be what’s best for her family and family relationships and that she needs to give a little. My guess is that she’ll understand how Aunt Dew feels when she’s also an old woman, with more past than future ahead, but with a little imagination and empathy, I think she could see that decades sooner.  I remember reading this book when I was a kid and liking it for the concept of the hundred penny box and the old woman’s stories, but I find the lack of resolution a little frustrating now.  It’s one of those books that makes me want to sit the characters down and explain a few things to them, but I can’t.

Besides the concept of the penny box, I’m also fascinated by the name Dewbet, which I’ve never heard anywhere else besides this story.  The pictures in the book are also unusual, and there’s a note in the back of the book that explains a little about the art style.  The pictures, which are in sepia tones, are painted with water colors, and the light areas were made with water and bleach.

This is a Newbery Honor Book, and it is currently available online through Internet Archive.

There is also a short film version that is available to buy or rent from Vimeo. Teachers Pay Teachers has lesson plans for this book. If you would like to see a reading and discussion with the author of the book, there is a copy on YouTube.