Ruth Fielding at College

Ruth Fielding

Ruth Fielding and her friends have graduated from their boarding schools, and now, they’re headed off to college! Ruth and her best friend, Helen, will be attending Ardmore, a college for young women only. Helen’s twin brother, Tom, will be going to Harvard. When they were at boarding school, they also attended girls’ only and boys’ only schools, but their schools were located near each other, and they were able to visit each other on weekends and attend joint social events held between the schools. Helen and Tom are close as twins, and Helen worries that she won’t be able to see her brother as often while they’re in college. Tom and Ruth are also fond of each other, and although they’re excited about college, they’re also a little sad at the idea of being apart.

While they’re having tea with Aunt Alvirah (the housekeeper), the hired hand working for Ruth’s Uncle Jabez, Ben, comes in and says that there is a boat adrift on the river that runs by the mill where they live. Everyone goes outside to have a look at the boat. At first, they think no one is in it, and Uncle Jabez says, if it’s abandoned, then he will go after it as salvage. Then, they see that someone is in it after all, just lying down in the bottom of the boat, but the boat is drifting toward the dangerous rapids below the mill! Whoever is in the boat seems incapacitated or unaware of their dangerous situation.

Uncle Jabez is less eager to go after the boat when he knows there’s somebody in it than he was when he thought he could get a free boat, but Ruth persuades him that they have to rescue whoever is in the boat. They manage to reach the boat, and they find an unconscious girl in it. They bring the girl back to the house with them, and Tom says that he will get a doctor. However, Aunt Alvirah doesn’t think that a doctor will be necessary because it looks like she has only fainted, and she thinks that the girl will be all right.

When the girl wakes up, she explains that her name is Maggie and that she was working at Mr. Bender’s camp for summer vacationers up the river. After the season ended, the vacationers left, and Mr. Bender paid her for her time at the camp, someone was supposed to give her a ride across the river with her luggage, but Maggie fell asleep while she was waiting in the boat. When she woke up, she was drifting down the river alone. She got scared, and she fainted. Ruth says, if her job is over, then she has no reason to return to Mr. Bender’s camp, and Maggie says that’s true and that she needs to find another job. Ruth says they can use their telephone to call Mr. Bender’s camp to explain the situation and reassure Mr. Bender that Maggie is all right.

Ruth likes Maggie, and she notices, from the way she talks, that she seems more refined than most poor working girls. Aunt Alvirah is getting older, and she often has trouble with her rheumatism. Ruth suggests to Uncle Jabez that they hire Maggie to help Aunt Alvirah at the mill this winter while Ruth is away at college. Uncle Jabez is still a miser and he grumps about Ruth spending his money. Ruth has money of her own now, and she is willing to pay Maggie’s wages, although she says that Uncle Jabez must make sure that Maggie has good food because she looks undernourished. Ruth and Uncle Jabez often butt heads over the issues of money and Ruth’s education because Uncle Jabez never had much education and is both proud of the money he has now and is tight-fisted with what he has. At this point, the story explains some of the history of the characters. Since Ruth retrieved a stolen necklace for the aunt of one of her school friends and received a reward for it (in Ruth Fielding and the Gypsies), Ruth has had enough money to be financially independent of her uncle and to fund her education. She is also correct about Aunt Alvirah’s age and health, and she is concerned for the older woman’s future.

Aunt Alvirah welcomes the idea of help at the mill, and Maggie accepts the position. Ruth notices that Maggie studies an Ardmore yearbook, and she is surprised that Maggie is interested in the school. She has the feeling that there is more to Maggie’s past than she knows.

When Ruth and Helen go to Ardmore, some of the girls have already heard about Ruth’s reputation as a writer of movie scenarios from the movie that Ruth wrote and her classmates helped make to raise funds to replace a dormitory that burned at their school. Some of them are prepared to despise Ruth as being stuck up about her writing, although some who saw the moving picture liked it.

A girl named Edith thinks that they’ll have to “take her down a peg or two” as soon as she arrives. One of the other girls, Dora, reminds the others about the rules against hazing at the school. The rules have been strictly enforced since a hazing incident went too far last year and traumatized a student, Margaret Rolff, who was trying to join the Kappa Alpha sorority. Since that incident, the college has forbidden sororities to initiate freshmen or sophomore students as members and cracked down on hazing rituals. Edith, a sophomore, thinks that’s a shame because the sororities are fun, while May sarcastically remarks about how fun “half-murdering innocents” is. The students aren’t really supposed to talk about what happened to Margaret, although the sophomores don’t see why not because everybody who was at the school when it happened knows about the incident.

Margaret’s nerves were apparently shattered by the incident, and a valuable silver vase, an ancient Egyptian artifact, disappeared from the college library the same night. It isn’t entirely clear what the Kappa Alpha sorority told Margaret to do, specifically, but it seems that Margaret’s initiation task involved both taking the vase from the library and going to nearby Bliss Island alone at night. She was found there the next day in a terrible state. Nobody is sure what happened to the vase, and Margaret was apparently unable to explain it. She left the school soon after, and nobody knows where she is now. The vase might have been stolen by somebody else that night, or it might have somehow been lost in the confusion of the initiation stunt that went wrong. Because the Kappa Alpha sorority was responsible for telling Margaret to commit a theft from the school (or, at least, borrow a rare and valuable object without permission), they are raising money to replace the vase. The students’ opinions about the incident waver back and forth between thinking that Margaret was a naturally nervous and delicate person to be so dramatically affected by the incident to thinking that maybe she faked her trauma as an excuse to get away with the theft herself.

When the other girls start discussing Ruth Fielding again and how grand she must think herself, being involved with the movie industry, a plump girl who is listening to them starts laughing, but she refuses to tell the other girls why. Then, a wealthy-looking girl with a lot of fancy luggage arrives at the school, brought by a chauffeur. Her luggage is stamped with European labels and has the initials “R. F.” on it, so the other girls assume that this must be the overly-grand Ruth Fielding. The plump girl struggles not to laugh as she watches their reactions because she knows Ruth and knows that this girl is someone else.

Meanwhile, Ruth and Helen have traveled to the school by train and are coming from the train station by bus. They arrive at their college dormitory, Dare Hall, just in time to see the other girls giving “R. F.” a hard time because of her fancy luggage. When Edith addresses “R. F.” as “Miss Fielding”, “R. F.” corrects her in front of the other girls, telling her that her real name is Rebecca Frayne. The plump girl, Jennie Stone, laughs at Edith’s presumptuous mistake and greets the real Ruth Fielding and Helen.

Jennie Stone was one of their fellow students at their boarding school, Briarwood Hall, in upstate New York. She was affectionately known as “Heavy” because she’s always been “plump” (or, as the book sometimes calls her, “fleshy”). Ruth and Helen are surprised to see Jennie at Ardmore because they thought that she was lacking some credits to go to college, but Jennie says that she made up those credits, and she wanted to go to college because she really had nothing to do after graduating from Briarwood but eat and sleep and put on more weight. There is some joking about Jennie’s weight, and Helen gives her a teasing pinch, but Jennie reminds her that she has feelings, too. People in Jennie’s family are naturally big, but she is determined that, as part of her college experience, she will lose weight. She wants to keep busy and reform her diet. The mathematics instructor at Ardmore has been advising her about her eating habits, urging her to eat more vegetables. The teacher seems to be hard on Jennie on the point of her weight, but the teacher openly tells her that’s only because she cares about Jennie. She knows that Jennie will want to make friends in college, and she won’t want to get a reputation as the heaviest girl in her class. It’s hard on Jennie, but she appreciates the teacher’s advice and the fact that she cares.

The mathematics teacher, Miss Cullam, also privately confides in the girls that she’s worried about the incident that happened on campus last year. She has some suspicions about the older classes of girls, although she can’t really prove anything against them. Few other people know this, but Miss Cullam admits that she had hidden some papers for last year’s mathematics exam inside the vase that disappeared from the library. It was an impulsive move and only meant to be temporary hiding place for them, but when she tried to get the papers out of the vase, she couldn’t because they were stuck. She went to get some tongs to retrieve them, but by the time she returned to the library, the vase was gone. At exam time, several students that she had not expected to pass her class did unexpectedly well on their final exam. She can’t prove that they got hold of the papers from the vase, and she hates to think that any of her students would cheat, but she still suspects they did. It bothers her that she doesn’t know for sure that they didn’t. Although the vase had value itself, the mathematics teacher’s story raises the possibility that someone knew that the exam papers were in the vase and that was the motive for the theft.

Ruth, Helen, and Jennie talk about the politics between the freshmen, sophomores, and upperclassmen in college. Edith seems undeterred by her earlier mistake and still gives Ruth a hard time about her writing and budding movie career. It doesn’t entirely surprise Ruth that people would give her a hard time because she is a noticeable figure among the freshmen, and having been to boarding school, she knows how things typically work among cliques and class levels at school. Although some of what Edith says embarrasses her and hurts her feelings, she knows that it’s best not to make too much fuss about the things people say, and just wait for it to blow over. It helps that Helen and Jennie stand by her and stand up to the other girls on her behalf. Ruth is somewhat reassured that hazing is forbidden at Ardmore, so she expects that little will happen other than occasional mean comments.

Although hazing is forbidden on campus, the college does allow the upperclassmen some privileges over the underclassmen. They do it with a purpose in mind, using it as a tool to get the freshmen to bond with each other and solidify their class leadership. Few freshmen pay attention to the elections for class president until the seniors put up notices to tell the freshmen that they must all wear baby blue tams (hats), that no other colors will be allowed, and that the freshmen only have three days to comply. The freshmen aren’t sure what the upperclassmen will do if they don’t comply, and some of them are resentful about the upperclassmen commanding them to buy new hats. Helen, like some of the others, initially thinks they should just ignore the command and not bother, showing the upperclassmen that they won’t be bossed around, but Ruth decides that she would rather buy and wear one of the tams because she doesn’t want to draw unnecessary attention to herself and maybe more resentment from the older girls on campus. When they go shopping in town, they see that every shop is selling baby blue tams, and one shop keeper (described as a “Hebrew” for no real apparent reason and having an accent that seems to indicate that he’s an immigrant) comments that blue is their class color, which gives the girls a clue that this is an organized campus tradition or stunt with the support of the local businesses. Because those tams are everywhere in town and other freshmen are buying them, even most of the reluctant freshmen end up with one of those hats. After that, the freshmen realize that they need to get serious about organizing their class leadership so the upperclassmen won’t be dictating everything to them.

There is one hold-out among the freshmen who doesn’t buy one of the tams, and that’s Rebecca Frayne. She just keeps wearing the same tam she was wearing when she arrived at school. When the three days are up, and Rebecca still doesn’t have a baby blue tam, the upperclassmen start boycotting her. If she comes to class in her usual tam, they all get up and walk out. They even walk out on meals when they see her. This seems like more of a punishment for the upperclassmen, who have to leave without finishing their meal, than it is a punishment for Rebecca, and someone does point that out.

(I see what the students say about these traditions being bonding experiences, but I really don’t have any respect for these catty and manipulative tactics because it looks dumb, and I think it just disrupts class for everyone to have so many students walking out. I think my college professors would have counted them as absent if they walked out of class over a dumb hat because student social activities need cannot impact the education they are supposedly here to receive and have no place in the classroom. Whatever they do needs to be done on their own time, not on the teacher’s or the class’s time. Actually, I did have a professor who used to award extra points to students who showed up on days when class attendance was low due to bad weather or people ditching class for sporting events. He would have us take notes or a short quiz and write a special phrase at the top of the paper as a sign that we were there that day when others weren’t, like “Rainy Day Faithful” or “Sports Day Faithful.” I kind of wanted to see the instructors in the story do something similar. On the other hand, if they self-punish themselves by sending themselves away from the dinner table, I’m inclined to think it’s deserved. I’d be inclined to let them do that until they get hungry enough to stop. It’s a rare example of a problem that will eventually solve itself.)

However, Rebecca’s apparent defiance of the social order even gets on the nerves of her fellow freshmen. The others have come to appreciate the bonding experience of buying the matching hats and solidifying their support of their own class leadership. It was a ridiculous and high-handed order from the upperclassmen, but ultimately, a fun and harmless one, a reason for a short shopping trip, and only a minor expense that supports local businesses. The other freshmen don’t understand why Rebecca isn’t joining in with them in class solidarity. Rebecca doesn’t mix much with the other students, and the others think that she doesn’t want to be friends, although Ruth can see that the boycotting she’s suffering is hurtful to her.

However, there may be another explanation for Rebecca’s behavior besides defiance or stand-offishness. Ruth begins to realize that Rebecca not only always wears the same hat but that she’s only ever seen Rebecca wear the same three outfits, over and over. They’re good quality clothes, but it’s odd that she never seems to wear anything else. Although they all saw Rebecca arrive at college with a lot of luggage, more than the other students had, she either doesn’t seem to have many clothes or never wears the other clothes she brought. From the way she arrived and the amount of luggage she had, everyone expected that Rebecca would be the wealthy fashionista of their class, but that hasn’t been the case. Is Rebecca not as wealthy as they thought, and could her choice to not buy a blue hat be because she can’t afford one? But, if her luggage wasn’t full of fashionable clothing, what was really in her large trunk? Ruth becomes concerned about her and tries to figure out what’s really going on with Rebecca.

Meanwhile, Ruth, Helen, and Jennie have been exploring the area around the college. One day, the three of them go to Bliss Island to have a look around. Jennie is hoping that hiking around the island will help her in her quest to lose weight. While they’re exploring, Ruth thinks that she sees someone else on the island. She doesn’t get a good look at this other person, but she thinks it looks a lot like Maggie. Helen thinks that she must be wrong because Maggie is supposed to be helping Aunt Alvirah back at the mill. Later, Ruth sees a light on the island at night and realizes that someone must be camping there.

When Helen and Ruth go to investigate who is camping on the island, Ruth expects to find Maggie. Instead, they find a strange girl who seems to bear a resemblance to Maggie. This other girl seems suspicious and doesn’t want to explain much about herself. What is she doing on the island, and does it have anything to do with what happened on Bliss Island during the hazing incident?

The book is in the public domain and is available to read for free online through Project Gutenberg.

In a way, this story is what I had hoped that Ruth’s first adventures at boarding school in Ruth Fielding at Briarwood Hall would be like. It doesn’t have any spooky stories, but there is an unresolved mystery involving the initiation rituals of a campus sorority, the theft of a valuable object, and a possible cheating scandal. There also also mysteries about the behavior of other students and girls Ruth knows. At first, I thought there might be a connection between all of these things, but the mysteries aren’t call connected.

Ruth is correct that Rebecca isn’t as rich as she looked at first. When Ruth speaks to Rebecca privately, Rebecca explains that her family was once wealthy, and they still live in the biggest house in their small town, but the family’s fortunes have diminished over the years. Her aunt, who takes care of her, thinks it’s important to keep up appearances, which is why she has a few nice clothes but not many. The family has to make real sacrifices to keep up the pretense that they have more money than they really have, and Rebecca arrived at college thinking that she would have to make an impression on the others at the beginning that she came from money so they wouldn’t think that she didn’t belong.

Ruth explains to her that college isn’t really like that. Not everyone at college has much money, and many other girls get part time jobs, like waitress, to pay for their education. Belonging at college comes from participating in activities with everyone else, and Rebecca is pushing other students and potential friends away by not joining in the traditions of the college. Personally, I thought the other students were being too militant about this silly hat thing. I get how people can bond over shared traditions and how school traditions and spirit events are meant to be bonding experiences, but I just think that they went overboard, making too much of a big deal about this one student, with only Ruth thinking to actually talk to her and find out what’s going on with her. It does beg the question of whether the students are really focusing on this as some kind of school initiation/bonding ritual for the fun of it or because the older students are on a power trip and trying to exert control and be exclusive. In a lot of ways, I share Olivia Sharp’s feelings about exclusive clubs and initiation rituals from The Green Toenails Gang. It’s one thing if a club has a particular purpose, but being pointlessly exclusive is something else. This is something that Ruth actually addresses with the upperclassmen later, which was a relief.

However, even though Ruth is sympathetic to Rebecca, Ruth points out to Rebecca that her resistance to participation with the other students is causing problems in her relationships with others. When she doesn’t do what everyone else is doing, she isn’t sharing in their experiences and doesn’t bond with them. That’s when Rebecca says she really can’t afford to buy one of the blue tams, and her aunt would never allow her to take a part time job because that would ruin the pretenses the family tries to maintain about their actual money troubles. Ruth thinks the Frayne family pretenses are as silly as I thought the students’ militant hat ritual was, but she can see that a more creative approach is necessary to solve Ruth’s problem. Rebecca knows how to crochet, so Ruth suggests that she crochet a tam for herself in the baby blue color of their class because that would be cheaper than buying a tam. This will allow Rebecca to participate in this campus ritual and tradition but on her own terms and within her budget.

Then, Ruth quietly has a word with some of the senior students and freshman students about Rebecca’s situation to keep them from harassing Rebecca further while she’s working on her new tam and so they won’t give her a hard time about anything related to money. She even stands up to the seniors and tells them that, if their enforcement of the tam rules was for the sake of campus tradition and creating a memorable bonding experience among the students, they should have compassion for Rebecca and her situation, but if it was only to bully and exert power over the younger students, she will tell the other freshmen that’s the case, the freshmen will completely rebel, and everyone will stop wearing the hats or doing anything else the seniors say to do. If the upperclassmen continue to insist on leaving the dining hall in the face of their disobedience, the freshmen will make sure that the upperclassmen don’t eat on campus for the rest of the year. The seniors understand the situation, appreciate Ruth standing up for her classmate, and like her spirit, so they finally lay off their boycott of Rebecca.

Ruth also helps Rebecca solve her money problems when she realizes that Rebecca has brought something with her to college that is worth real money. Rebecca’s trunks were from the attic of her house, and she brought them just to create the illusion that she had more money and belongings than she really does, but she hasn’t appreciated the value of what they contain. Rebecca has many lessons to learn about the real value of many things. The contents of the trunk seemed a little anti-climactic at first because I had initially thought the story was building up the idea that she might be carrying something more suspicious, maybe something illegal or a smuggled person, but I liked the theme that Rebecca and her family know more about the superficial look of things rather than their true value.

The mystery of Rebecca and her behavior is an interesting side plot that adds dimension to the main plot and mystery, which concerns campus politics and initiation rituals and what happens when they go too far. Most of the rest of the plot and mysterious happenings centers around what happened to Margaret and the vase. In some ways, the solution to that problem turns out to be disappointingly simple. Margaret was a very nervous person who, although academically bright, was too easily influenced by other people and unable to stand up for herself. When Margaret got nervous and messed up the initiation ritual, she didn’t know how to explain herself and fix things. The situation does get resolved, and Margaret is fine. (You might have even guessed where she is through most of the story.)

However, I thought the story did a good job of demonstrating how social initiation rituals and school stunts can get out of hand when closed societies don’t consider how the things they do or ask others to do affect other people. The sorority didn’t really know Margaret as a person before they set her a task that was more difficult for her to do than it might have been for someone else, and Margaret was too timid, nervous, and anxious to be accepted by others to explain how she really felt about it or refuse to do it. This is part of the reason why the school later forbids the sororities from initiating freshmen and sophomores, so the younger students have time to get to know the campus and its groups, develop some confidence, and understand what’s acceptable for a group to ask and what isn’t. Having the sororities only recruit upperclassmen also gives them time to get to know prospective members and set appropriate tasks for people who know their own limits and when the groups are asking too much. The task should also not have involved taking a valuable object that didn’t belong to the sorority and putting it in a position where it could be lost. That is the Kappa Alpha sorority’s fault for setting a task that really wasn’t appropriate under any circumstances.

I liked the multiple mysteries of the story, the ones that connected to each other and the ones that were more stand-alone. There’s also a brief subplot where some of Ruth’s friends fake a haunting to get a relative of a faculty member to move out of her room in their dormitory so they can use the space. Before she came, that room was being used as a public sitting-room for the students, and they resent her taking it. The students involved in the plot don’t tell Ruth what they’re doing or ask her to join them, but they explain it to her when they’ve accomplished their goal. I appreciated that the plot was subtle, just making subtle noises at night using a rocking chair.

Up to this point in the series, Ruth Fielding and her friends were teenagers at boarding school. Now, they’re becoming young women and young men in college. I liked how aspects of their college life resemble their experiences at boarding school, but the characters show that they are now more experienced. The things that happen with the social politics on campus build on the girls’ earlier boarding school experiences, but they are now more aware of the dynamics of these situations and how to deal with them. There are some times when it’s better to go along with the group for the sake of building friendships, but there are also sometimes when they have to stand up for themselves and others and tell the groups on campus that they’ve gone too far. There are times when it’s better to take some teasing and let it go, and there are times when teasing and enforcement of group conformity goes too far, and someone needs to be told to stop and go easier on someone. They still have things to learn, but it was nice to see their development and the use of things they have already learned. Students like Rebecca and Margaret suffer more at college at first because they are more new to the large school environment, and they don’t understand what others expect from them or when and how to stand up for themselves. They need some help from compassionate, experienced students to find their way.

Readers also see main characters are continuing to build their future lives and develop as people. Ruth has already started her writing career, and through the story, we are told that she is still working on a play she’s writing, and she and her friends also take part in the filming of another movie during a school break. Ruth is planning to go further in her writing and movie career, and she is serious about using her education to develop her career.

We don’t know as much about what Helen and Jennie are planning for their futures. Helen’s family is wealthy, so she technically doesn’t need a career, but she is a serious student. Jennie’s trait of being overweight, something which has helped to define her character through the series is interesting in this story both because Jennie stands up for herself and emphasizes that she has feelings and so more than just a fat person to be made fun of, and she’s also decided that she wants to change her image. While her teacher urges her to eat healthier, Jennie also starts joining in the sports on campus. At first, it’s difficult for her, but she gradually becomes stronger and more athletic, and she enjoys it. College is a time for people to experiment with their lives, habits, and self-image, and Jennie specifically wanted to go to college for that reason as part of her personal development.

I didn’t like the repeated references to Jennie as “plump” or “fleshy.” I did like seeing her try new activities to change her appearance and develop different sides of her personality, but the older Stratemeyer Syndicate books do have this odd focus on describing characters’ weight. Heroines are usually described as “slim” or “slender”, pleasant sidekicks are “plump”, and villains and unpleasant characters are actually fat. These designations appear repeatedly in various Stratemeyer Syndicate series, although I think they finally stopped doing it after people raised public awareness about fat shaming. In Jennie’s case, I minded it less than I’ve minded the weight references less than I’ve minded it in other books because she does remind people of her feelings and because her decision to try to improve her weight situation was her own decision rather than one she was bullied into making and is an extension of her trying new activities, experimenting with her self-image, and the college experience of personal development. Jennie was at a point in her life where she felt the need for a change, so she’s just going for it.

At this point, I want to remind readers that characters who develop and change are rare in Stratemeyer Syndicate books, at least the ones that most people remember from their childhoods, because in the series that are still in print, the characters’ ages are frozen.

I’ve pointed this out before, but one of the hallmarks of most of the classic Stratemeyer Syndicate books that most people remember reading when they were growing up is that the characters never age. In series like Nancy Drew and the Hardy Boys, they’re always in their late teens or early twenties, and their exact age often isn’t specified. Readers just know that they’re old enough to be traveling around and doing things without adult supervision, sort of like the characters in the Scooby-Doo cartoons. Also, like Scooby-Doo cartoons, the series get redone about every decade or so to update technology, slang, and world circumstances so that the books take place roughly around the time when they were written. (For example, you won’t find any Cold War references in books written after the 1990s, and existing books for series that were still in print were rewritten and reissued in the mid-20th century, around the time of the Civil Rights Movement, to remove unacceptable racial terms and stereotypes.)

However, it’s worth reminding readers that this wasn’t always true of Stratemeyer Syndicate books. The oldest series produced by the Stratemeyer Syndicate are often unknown or forgotten by modern readers because the characters did age. As the series ran their course, characters grew up, graduated from school, married, and became parents themselves. When Stratemeyer Syndicate characters got too old to be teen detectives or young adventurers, the Stratemeyer Syndicate would simply stop producing their series and start a new one, often with characters who were somewhat similar to characters in previous series but not exactly the same, so they could continue writing series with similar themes and a similar feel, but also a little different. Ruth Fielding is one of those forgotten characters because she did age, and her series ended around the time that the first Nancy Drew books were published. Nancy Drew was meant to be the next generation series to Ruth Fielding, a similar character who has investigates mysteries and has adventures with her friends, but by that point, the Stratemeyer Syndicate realized that, if they never let Nancy age, they would never have to end her series or replace her with anyone else. This is the reason why 21st century readers know who Nancy Drew is, but not many people know Ruth Fielding.

Also, because Ruth Fielding books weren’t being produced during the mid-20th century, when existing Stratemeyer Syndicate books were being revamped and modernized, the Ruth Fielding books were not modernized. The movie industry, which becomes increasingly prominent in the books, makes silent movies because the stories are set in the 1910s. There are some racial terms in books, while not being deliberately insulting, also don’t sound right because they’re not polite by modern standards. It did throw me a bit when the book referred to a shopkeeper as being “Hebrew.” I think I might have heard this before in relation to Jewish people (I can’t remember where right now, although I think it might have been an older book as well), but not often. Using the word “Hebrew” in this way is acceptable in some languages, but not in modern English, and it is considered a derogatory reference by modern standards. It took me out of the story temporarily when I got to that part because I had to stop and think it over. I came to the conclusion that the kind of person who would use “Hebrew” instead of “Jewish” to describe a Jewish person sounds like someone whose primary knowledge of Jewish people comes from reading the Old Testament rather than talking to them in life. Then, after I considered that, I had to stop and consider how Ruth Fielding could know that the shopkeeper was Jewish without even knowing his name or him saying anything about it. I suppose it might have been his general look, but that’s not always reliable. More importantly, it’s a case of the author telling us something as if it makes a difference to the character or the scene when it doesn’t. This goes absolutely nowhere. Ruth has never seen this shopkeeper before because she’s new in town, and we never see him again. This is why writers are discouraged from bringing up people’s racial or ethnic backgrounds unnecessarily because it sounds like they’re trying to make a point about something when there’s no point. This is also why I don’t mind rewrites of books that include outdated or unacceptable racial terms because I read them as a distraction that actually takes away from the story. I suppose, from a scholarly viewpoint, it’s kind of informative about the way people spoke in the past, but from the point of view of someone just trying to enjoy the story, it acts like a speed bump that shakes the reader out of it.

I don’t think the Nancy Drew or Hardy Boys books ever connect the characters with any world events with known dates because that would also mark the characters’ ages relative to events and make it obvious that they don’t age over time, but the Ruth Fielding books do connect to world events, and we’re almost to the point in the series when the characters become directly in World War I. I’ll have more to say about that when we reach that point in the series.

Stories of Rainbow and Lucky: Selling Lucky

This is the fourth book in the Stories of Rainbow and Lucky series. I’ve already started covering this series, and I have to do all five books in a row because the series is set up like a mini-series. That is, none of the books in the series can stand alone; they are all installments of one, longer story. They only make sense together.

It’s an unusual series from the mid-19th century, written on the eve of the American Civil War, by a white author with a young black hero. Rainbow is a teenage black boy who, in the previous installments of the story, is hired by a young carpenter, Handie, who is just a few years older than he is to help him with a job in another town, working on renovating a farm house that Handie has inherited. The rest of the series follows the two young men, particularly Rainbow, through their adventures leaving their small town for the first time, learning life lessons, and even dealing with difficult topics like racism. Lucky is a horse who belongs to a neighbor of Handie’s new farm, and Rainbow has befriended him.

The story is unusual for this time period because it was uncommon for black people to be the heroes of books and for topics like racism to be discussed directly. It’s also important to point out that our black hero is not a slave, he is not enslaved at any point in the series, and the series has a happy ending for him. People don’t always treat him right, but he does have friends and allies, and he manages to deal with the adversity he faces and builds a future for himself. Keep in mind along the way that there are a lot of pun names in this series and that people’s names are often clues to their characters.

This particular installment in the series focuses on the horse, Lucky. Lucky’s owner has decided to sell him, and she asks Handie and Rainbow to take Lucky from the town of Southerton to Boston to sell him. Along the way, they have encounters with thieves and further trouble with racism. However, the story ends happily for both Rainbow and Lucky.

This book is easily available to read online in your browser through NINETEENTH-CENTURY AMERICAN CHILDREN & WHAT THEY READ, I’m going to do a detailed summary below. If you’d rather read it yourself before you read my review, you can go ahead, but some people might want to know what it’s like in more detail.

The first three books in the series focused on Handie’s inheritance of the Three Pines farm, how he hired Rainbow to help him fix it up, their travels to the farm, and their adventures with their new neighbors there. Now, the summer is over, and they have returned to their own small town, but the adventures aren’t over yet.

It’s October, and since his time working for Handie over the summer as a carpenter’s apprentice, 14-year-old Rainbow’s own carpentry skills have improved, and he has bought himself a set of his own tools. Although Rainbow has faced his share of racism, even from people in his own small town, he is generally well-liked by most people because he is kind, friendly, and a good worker. He is still friends with a little white boy named Solomon, who lives nearby. Solomon looks up to Rainbow like an older brother because Rainbow spends time with him, especially since young Solomon’s father died. Solomon has started helping Rainbow with some of his work projects, as a kind of junior assistant. That’s what they are doing when Handie comes with a letter that he has just received from Southerton, the town where the Three Pines farm is.

During the course of the previous book, they befriended a difficult neighbor named Mrs. Blooman, who is the owner of the spirited colt called Lucky. Rainbow, who loves horses and has a talent for handling animals, made friends with Lucky, and he is still the person who is best able to handle him. Mrs. Blooman has had difficulty handling Lucky herself (which is partly her own fault, as the previous book explains), and she has now decided that she wants to sell Lucky. Since nobody handles Lucky as well as Rainbow does, she wants to hire Rainbow to take Lucky to Boston, find a buyer for him, and arrange the sale.

Rainbow is amazed at the job offer. The trip to Southerton was pretty momentous for him, and Boston is farther than he’s ever been, and he has never handled a horse sale before. Still, the money is good, and Rainbow really does like Lucky. Handie suggests that Rainbow think it over and talk to his mother about it. Rainbow is still a minor under the law, but his mother consents for him to take the job, and Handie accompanies Rainbow to Southerton again to pick up Lucky.

In the second book in the series, Handie and Rainbow traveled to Southerton by stage coach, and now, they’re making the same trip again with the same driver, Trigget. Since Trigget is a friend of theirs, they once again ride on top of the stage coach with him, so they can talk along the way, instead of riding inside. Trigget says that they have to stop to pick up another passenger, a young man who is bound for college. Trigget is disparaging of college-educated young men because he thinks that college makes them conceited. However, when college-boy William joins them, he turns out to be more friendly and personable than Trigget thought. Instead of sitting inside the coach, he decides that he would also like to ride on top and chat with them. The author/narrator uses this opportunity to point out that pre-conceived notions about what people are like are often wrong, and you can’t entirely depend on another person’s assessment of what someone else is like:

“Indeed, I think it may be laid down as a general rule, that if you hear a specially unfavorable account of any person whom you do not know, you will find, when you come to get acquainted with him, that he does not more than half deserve the ill account which was given of him. On the other hand, when you hear any one who is a stranger to you very extravagantly commended for certain excellent qualities which he is supposed to possess, you will find, if you come to know him intimately, that he is, after all, not so remarkable as you had been led to expect. People are very prone to exaggerate both the faults and the excellencies of those of whom they speak, by way of making what they say more striking and interesting to those who hear it.”

As they start their journey, Handie and Rainbow catch up with the changes in Trigget’s life since they last saw him. Trigget has gotten married and bought a house. He tells them about the house he bought, which used to belong to another person they also knew. The house needs some fixing up, but Trigget considers it a good deal that was beneficial to both himself and the selling. 

William protests that no deal can be beneficial to both the buyer and seller at the same time because, to his way of thinking, what defines a beneficial deal is the price of what is being sold. If the price is lower than the value of the product, the deal is beneficial to the buyer, and if the price is higher than the value of the product, the deal is beneficial to the seller. Since the price can’t be both higher and lower than the value of the product at the same time, William can’t see how the deal could benefit both the buyer and seller at the same time. (My first thought was, what if the price is neither higher nor lower but simply is the value of the product? However, there are other logical fallacies in William’s argument, as the narrator and the character point out.) The other characters debate the general idea of what makes a deal beneficial, putting forth the idea that the value of anything for sale can be difficult to pinpoint because value may be based on non-tangible aspects of the deal. For example, the same house may be worth more to one person than to another because, aside from the value of the physical aspects of the house, the house may be better suited to the circumstances of the buyer than to the seller, making the buyer view the house as being worth more than the seller might think of it. Rainbow listens to this discussion with interest because he will soon be arranging the sale of Lucky, and he wants the deal he makes to be beneficial to everyone involved.

After they get to Southerton, Rainbow receives instructions for how he can find a buyer and arrange a sale. It will take about four days of travel to reach Boston from Southerton, and Mrs. Blooman is providing money for his traveling expenses. Rainbow will go there on horseback, riding Lucky, and after he sells Lucky, he will return by train. (Unless he fails to sell Lucky, in which case, he is to ride Lucky back to Southerton.) When he gets to Boston, Rainbow is to present Lucky to the owner of a particular stable, Mr. Miles, and this stable-owner will help him to find a buyer for Lucky, if he doesn’t want Lucky himself. Rainbow also has the option to sell Lucky before reaching Boston, provided that he can find a suitable buyer who is willing to pay an acceptable price. 

Handie also gives Rainbow a letter of introduction to present to Mr. Miles, verifying his identity and that he is working for Mrs. Blooman and arranging the sale of Lucky on her behalf. Handie also presents Rainbow with a “certificate”, which he obtained on Rainbow’s behalf from the selectmen of their town before they left home. The “certificate”, as Handie describes it, is a “sort of universal letter of introduction.” This story is set long before drivers’ licenses and other, modern forms of identification, so from a modern standpoint, it performs the functions of an ID card with an added statement on the nature of the subject’s character. The certificate verifies Rainbow’s identity, the fact that is a citizen of his town, that he is known to his town’s leaders, and that he has a good character and can be considered trustworthy, for the benefit of everyone who needs to know any of that. It is signed by the selectmen (the town’s leaders) and says:

“This may certify that the bearer of this, commonly called Rainbow, colored boy, is well known to us, and to all the people of this town, and that he is a boy of excellent character. He is honest, truthful, and trustworthy. He speaks the truth and keeps his promises, and he needs no watching. He is accordingly hereby recommended, as a safe and reliable boy, to all who may have any dealings with him.”

Rainbow puts these important papers in his wallet. Then, he and Handie further discuss the arrangements with Mrs. Blooman. Rainbow wants to know if he needs to arrange a contract or memorandum in writing about their arrangements, but Handie says that this is unnecessary for this type of job. He says that women acting on their own don’t like to arrange contracts in writing like that, but he will act as a witness of the agreement between them, in case there is any dispute later. Handie is a good witness because, while he does care about Rainbow’s welfare and success as a friend, he has no legal or financial claims on the business between him and Mrs. Blooman. Neither of them thinks that there will be any difficult over the arrangement, but it’s important to consider these things, just in case.

Before they leave on the trip to Boston, Rainbow talks to Lucky about how he is going to be sold. Rainbow is sad about that because he likes Lucky and doesn’t expect to see him again after the sale. He thinks these few days that they’ll have together while they’re traveling will be their last time together.

Rainbow says that he wishes Handie would buy Lucky and let Rainbow train him and rent him. Trigget has told Rainbow that, if he can get a horse, he will hire Rainbow to carry mail, so if Handie bought Lucky, Rainbow could pay to rent him out of the wages he would earn as a mail carrier. Handie says that he wishes he could buy Lucky, so they could have that arrangement, but the problem is that Handie doesn’t have enough money to buy him and can’t borrow any more right now. He’s already working off a loan from the first book in the series, and he doesn’t think he can take on such a large expense right now. If Handie and Rainbow can’t buy Lucky themselves, they’re just going to have to let someone else buy him.

Rainbow sets out with Lucky the next day. Because he is riding Lucky to Boston, Handie is not going with him, and he is traveling completely alone for the first time. When they first start out, Lucky assumes that they are just going on one of the routine errands around the town, and as they keep going further and further, he starts getting more uneasy. He keeps wanting to turn back and looks for an opportunity to run away and go home. He almost gets away from Rainbow when they stop to eat, but Rainbow stops him and manages to calm him enough that he can get control of Lucky again.

As Rainbow continues his travels, he gets some questions about his horse from curious people he meets. A couple of them make offers to buy him or suggestions about where he might find a buyer, but none of them leads to anything. Some people make jokes or call him names, but Rainbow ignores them. At one point, he helps a boy with an injured foot, and the boy’s grateful mother gives him supper. She offers to let him spend the night, but he says that he wants to get further before the day ends.

Eventually, he stops at a cheap tavern and asks for a room. They say that he can stay the night, and he puts Lucky in their barn for the night. A black woman working in the kitchen gives Rainbow dinner and says that she will make up a bed for him, but Rainbow says that he would rather sleep in the barn to be near Lucky. It’s a good thing that he does because he overhears a couple of suspicious men he saw earlier talking about stealing his horse (and using some derogatory language about him while they do it). At first, they consider taking Lucky out of the barn that night, but then, they think about how people at the tavern have seen them and might identify them. Instead, they talk about waylaying Rainbow and Lucky further down the road, in the woods. After the men leave, Rainbow talks to Lucky, reassuring him. He also makes a pun about their use of the word “black” to describe him, saying to Lucky that these men seem like the real “black fellows.” (I think he’s referring to “black” in the old-fashioned, literary sense of “evil or sinister”, in this case. These sinister men are “black” in different way than Rainbow is, and it’s a much worse way.) Forewarned of their plans, Rainbow takes steps to make sure that the men can’t get into the barn again that night, and he foils their plans to steal Lucky the next day.

After this experience, Rainbow decides that traveling through smaller towns and country roads is too risky. He thinks that he might be safer from thieves if he sticks to better-traveled roads and bigger towns. When he comes to a larger town, he rents a room at a tavern for the night, and he is approached by a man who calls himself Mr. Truman. Mr. Truman is interested in buying Lucky, and he invites Rainbow to come to his room later to discuss it. The author/narrator informs readers immediately that Mr. Truman is a criminal, so there is no suspense about that, but there is some suspense about how or whether Rainbow will realize it in time to avoid being cheated by him or turning Lucky over to him.

When Rainbow meets with Mr. Truman later about Lucky, Mr. Truman agrees to the price that Mrs. Blooman wants for Lucky. Rainbow is pleased about finding a potential buyer who is willing to pay the right price, and he shows Mr. Truman the papers he has to prove that he is authorized to sell the horse. Mr. Truman asks Rainbow if he will return to Southerton immediately after selling Lucky, and Rainbow says that his plan is to take the train back. Mr. Truman suggests that they meet the next morning at the local train station, shortly before the train to Southerton will leave, to carry out the sale of Lucky, and Rainbow agrees.

However, after leaving Mr. Truman’s room, Rainbow begins to have some doubts about the deal and Mr. Truman himself. On the one hand, he was pleased to get an agreement to buy Lucky so easily, but on the other hand, he realizes that he doesn’t really know anything about Mr. Truman. Maybe Mr. Truman won’t show up to the train station at all to buy Lucky, or if he does, maybe he won’t bring the amount of money he agreed to pay or the money could be counterfeit. Because they agreed to meet shortly before the train will leave, Rainbow realizes that he won’t have much time to count the money or verify that money is real before the train leaves. Maybe that’s part of Mr. Truman’s plan.

Rainbow decides to ask the staff at the tavern what they know about Mr. Truman, but nobody there is able to tell them much. He’s just a man who arrived at the tavern recently and rented a room. Nobody there knows much about him, his background, or his business. Rainbow feels a little more uneasy, and he decides that, when they meet at the train station, he will ask the man who runs the ticket office to help him count the money and verify that the money is good because he figures that the person who sells the train tickets is accustomed to handling money and will know if there’s anything wrong with Mr. Truman’s payment.

When Rainbow arrives at the train station the next day, he finds the ticket seller, shows him his identification papers, and explains to him about the sale of Lucky and that he would like him to observe the sale and verify Mr. Truman’s payment to him. The ticket seller, Mr. Jones, seems intrigued by his request. He and some other men in the station’s freight office discuss Mr. Truman, and none of them know of anyone by that name in this town. Mr. Jones asks Rainbow some further questions about where he met Mr. Truman and what he knows about him. Although Rainbow doesn’t know it, there has been talk in this town about counterfeiters, and there has been some bad money found in the town. What Rainbow says about Mr. Truman awakens some suspicions that Mr. Jones and the other men have had about the origins of the bad money. Mr. Jones and the other men explain to Rainbow what they know about counterfeit money being spread in the town. They agree to witness the sale of Lucky, but they give Rainbow specific instructions about what to do and say so that Mr. Truman won’t sense their suspicions about him too soon and run away before they have evidence against him.

When Mr. Truman comes to buy Lucky, he seems unsettled when Rainbow calls Mr. Jones over to count and verify the money. Mr. Truman tries to make an excuse about wanting to talk to someone so he can leave, but the other men stop him, and he is arrested by an officer. Rainbow is astonished that his vague suspicions about Mr. Truman were correct and that Mr. Truman is an even worse criminal that he thought. He is also relieved that he didn’t go through with selling Lucky to this man. Rainbow offers to pay Mr. Jones for his help in observing the sale and stopping him from making a bad deal, but Mr. Jones says that isn’t necessary. After all, Rainbow has also provided a service by helping to expose the counterfeiter who has been spreading bad money all over town. As a reward for helping to catch the counterfeiter, Mr. Jones provides Rainbow with a pass for himself and a place for Lucky in the horse-box on the next train to Boston, saving them time and money on their journey. He even makes Rainbow’s ticket a round-trip ticket so that he can return to Southerton by train when his business in Boston is concluded.

Lucky, being a horse, finds the train ride upsetting and disorienting. At first, Rainbow isn’t sure which car he should enter or where he should sit on the train, but the brakeman tells him he can sit wherever he likes because “they don’t pay any attention to color on this road, except it be the color of their money.” In other words, this train isn’t racially segregated; all they care about is whether or not the passengers have bought tickets. The brakeman explains more about how hard his work is as a brakeman, which is very hard for the money is paid. Nobody pays him enough to care about passengers’ race as well. Rainbow asks him why he stays in the job, since it sounds pretty demanding, and the brakeman says that it was hard enough to just get this job; getting another, different job would be even harder.

Since the train is about to leave, Rainbow gets on and looks around for an open seat. There are some ladies on board who have filled up some vacant seats with their parcels. Rainbow doesn’t want to disturb them, but a well-dressed young man, looking for a seat himself and seeing Rainbow’s difficulty in finding a place to sit, says that he will find a place for them both. Because the young man is handsome and charming, he is able to convince a young lady to allow him to put her parcels in the upper rack so that he and Rainbow can have the seats she was using for them. When the young man tells a story about how it is wrong to take more than a person has paid for, such as taking up multiple seats when she has only paid for just one, he tells it so charmingly and not in a directly accusing way, that the lady isn’t offended by it. The young man indicates that he thinks that men do this less often on trains than ladies because they are more acquainted with the transactional nature of train travel.

When Rainbow says that this is his first time traveling by train, the man lets Rainbow have the window seat so he can enjoy the view. Rainbow finds the view whizzing past the window as disorienting as Lucky does, although he enjoys it much more. As he watches the scenery moving past, he wonders why it seems like objects that are closer to the train move by faster than ones that are further away. He is tempted to ask the young man about it, but before he can think how to ask the question, the young man gets up from his seat.

When the train reaches Boston, Rainbow reclaims Lucky from the horse-box, and they set out to find Mr. Miles’s stables. Rainbow tries to ask a newsboy for directions, but the newsboy makes fun of him instead, teasing him about his race, “Say, Pompey, how came you both to be so black, you and your horse? Did he catch it of you, or did you catch it of him?” Rainbow ignores him and finds someone else to ask.

Getting around in Boston is tricky, especially for a person who has never been to the city before. A butcher tells Rainbow that the full instructions would be too complicated for him to understand and remember all at once, so he advises Rainbow to take it in steps. He gives Rainbow a part of the directions to his destination, the first street he needs to go down and the first turn he needs to make, and then advises him to ask the next person he sees when he has gone that far. Rainbow continues to ask directions of people in this way, and through a series of questions and answers and getting lost a couple of times, he gradually makes progress and finds his destination.

When Rainbow finds Mr. Miles’s stable, he shows Mr. Miles his papers and explains why he has brought Lucky there. Mr. Miles has one of his workers put Lucky in the stables, and he talks to Rainbow about his journey. He is impressed by the story about how he helped catch the counterfeiter, and he shows Rainbow to a restaurant where he can buy some dinner before they take a look at Lucky and discuss finding a buyer for him. When Rainbow returns, Mr. Miles examines Lucky carefully, and he is pleased with Lucky’s condition. He thinks that he won’t have any trouble finding a buyer for Lucky who will be willing to pay the price that Mrs. Blooman requests.

Soon, a man and a young boy come to the stables, and the boy is immediately fascinated with Lucky. The boy, called Johnny, says that he would like to ride Lucky, and Rainbow offers to take him for a ride because he has taken other boys for rides on Lucky before. The man, who is called Colonel Hammond (often simply called “the colonel”), agrees that Johnny can have a ride with Rainbow. While they have their ride, the colonel talks to Mr. Miles about Rainbow and Lucky. 

The colonel agrees that Lucky seems like a fine young horse, and he would consider buying him, but he already owns many other horses and doesn’t need another one. He is impressed with how well Rainbow handles Lucky and how well he works with young Johnny and asks Mr. Miles what he knows about him. Mr. Miles shows the colonel the identification papers that Rainbow provided to him, and the colonel is pleased with the statement about Rainbow’s character. He asks Mr. Miles about Rainbow’s plans while he is in the city. Mr. Miles doesn’t quite know about Rainbow’s plans, although he knows that he will probably be there for another day or two while they’re looking for a buyer for Lucky. Mr. Miles is planning to offer Rainbow a place to stay among the hostlers in the stable. The colonel says that he would like to invite Rainbow to stay at his house.

The colonel asks Rainbow if he would be willing to drive young Johnny home in the chaise and tells him that, if he would be willing to stay at his house while he’s in Boston, he would be welcome. Rainbow is happy to take Johnny home, and the colonel says that he if goes to the side door of the house and asks for Phebe, she will take care of him. Rainbow takes Johnny home and then drives the chaise back to the stable. He asks Mr. Miles if he should accept the colonel’s offer to stay with him, and Mr. Miles says that would be a good idea. The colonel is a wealthy man with a good reputation.

Rainbow returns to the colonel’s house again and asks for Phebe. Phebe is a black woman who works for the colonel, and she is expecting him. The two of them talk about Rainbow’s journey to Boston, and Rainbow also tells her about his home town. Then, Phebe suggests that he visit the colonel’s stable to see his horses. The colonel’s private stable is relatively small, much smaller than Mr. Miles’s stable, and there are two horses there. The colonel owns more horses than these two, but he boards the others with Mr. Miles. Rainbow is pleased with the stable and horses, and he helps the man who works in the stable until it’s time for supper.

Rainbow has supper with Phebe, and Colonel Hammond has another servant deliver the message that he would like to see Phebe in the library after supper. Phebe goes to talk to Colonel Hammond, and then, she tells Rainbow that Colonel Hammond would like to talk to him about Lucky.

When Colonel Hammond speaks to Rainbow, he says that he has an idea about buying Lucky on speculation. He thinks that Lucky is worth the price Mrs. Blooman is currently asking but that he might worth more in the future. Earlier, Rainbow had confided in Phebe that, if he had the money, Rainbow would buy Lucky himself so he could get the job carrying mail. Phebe told Colonel Hammond about Rainbow’s wish, so Colonel Hammond proposes that he buy Lucky on Rainbow’s behalf, with the idea that Rainbow will pay him back later, with interest. That way, Rainbow can have the horse and get the job he wants right now, and the colonel will gain a profit on his investment later. Rainbow is concerned about his ability to repay the debt, and the colonel tells him that he can pay in installments after he has started earning money from his new job. Colonel Hammond believes that it’s a safe investment because he thinks that Rainbow is trustworthy and will repay the debt in time, and if he can’t, for some reason, Colonel Hammond would have the horse, which is a good horse. To further secure the deal, Colonel Hammond says that they should buy insurance for the horse, in case Lucky gets sick or killed in an accident.

Rainbow is thrilled with Colonel Hammond’s proposal, although he is so overwhelmed that he isn’t sure how to respond at first. Colonel Hammond says that he can take some time to think it over, and Rainbow decides to write a letter to Handie Level about the deal, to see if he thinks this is a good arrangement. Colonel Hammond says that’s fine, and since it will take a couple of days to get a reply to the letter, he would be willing to have Rainbow stay in his house until the reply comes. Colonel Hammond provides Rainbow with a written proposal of the agreement between them to study and to describe to Handie.

When Handie’s reply arrives, Handie advises Rainbow to accept the deal with Colonel Hammond. Handie has spoken to Trigget, and Trigget is still willing to offer Rainbow the job of carrying the mail. Rainbow tells Colonel Hammond that he has decided to accept his offer, and they complete the transaction. Since Rainbow still has a return pass to Southerton for the train, he decides to use it for himself and to use some of his remaining money to pay for Lucky to travel by train, which shortens their journey considerably and saves them money finding places to stay on the way.

The return trip to Southerton takes only hours by rail rather than days by the road. In Southerton, he gives Mrs. Blooman the money for Lucky, and the next day, he and Lucky leave for Rainbow’s home town. Once he gets there, he accepts the job from Trigget. The author/narrator tells us that Rainbow performs the job well, although there are difficulties along the way, which we get to hear about in the final installment of the series.

Overall, I liked the story. I was a little concerned for Lucky’s welfare along the way, even though I already knew that Rainbow was going to end up as his owner eventually because I already knew the general course of the series. I just wasn’t sure exactly how that would happen. I was relieved that nothing really bad happened to the horse along the way because I always get upset with stories where bad things happen to animals.

There is a theme in 19th century and early 20th century books that I call “Rich People to the Rescue.” Although themes of hard work and having a good character are prevalent during that period, and the Stories of Rainbow and Lucky have those themes as well, I’ve noticed that the reward that hard-working people often receive in these stories is that some rich person will recognize and reward their hard work and good character. This story follows that same pattern. I liked the part where Rainbow helps to expose the counterfeiter and the kind ticket seller at the train station rewards him with a free train ticket, but I did feel like Colonel Hammond arranging everything for Rainbow at the end was kind of sudden. Colonel Hammond is a wealthy man, and Mr. Miles says that he often makes speculative investments of that kind to promote people or causes he thinks might be worth it. Because Colonel Hammond has plenty of money, it’s a small risk for him to do this, although he is reasonably careful about securing his investment with well-defined terms and insurance. Framing Colonel Hammond’s generosity as a business arrangement rather than pure charity does make it seem a little more realistic to me than those stories where a rich person just automatically buys things for the deserving main characters unconditionally, and I think that’s what the author means when he has Mr. Miles say that what Colonel Hammond does to help people is better than simply giving people money. Colonel Hammond enables people to proceed with useful projects and ventures in a practical and realistic way.

Racism is a constant theme throughout this series because Rainbow is black. It’s a bold choice for a children’s series written on the eve of the American Civil War. However, I was somewhat surprised that there was less racism in this particular installment of the series than I expected. 

This is the first story in the series where Rainbow is traveling alone instead of under the protection of a white employer. I could see that would make him more vulnerable, and the story does say that young black men who leave home feel more uncertain and vulnerable because they don’t know what kind of reception they might receive from people they meet and they’re aware that it can be nasty. In the first book in the series, the lawyer from their home town even says that there are some places that won’t offer food or accommodation to a black person during their time, which is a difficulty when traveling. At first, I expected to see an example of this with Rainbow traveling alone. However, he is never turned away from taverns or inns where he rents rooms for the night, and he doesn’t seem to have any difficulty finding places to eat. He does meet with thieves and con men along the way, but they’re more general criminals, not targeting him specifically because of his race. There are some random people Rainbow meets on his journey who say rude or derogatory things to him, but that’s about it. Also, nobody has used the n-word since Mrs. Blooman did it in the previous book in the series. I’m just surprised that Rainbow didn’t encounter more problems of that kind or that he wasn’t refused service anywhere.

I’m trying to decide whether Rainbow’s difficulties with racism in the story are more low-key than I expected because that’s more in keeping with the usual daily experienced of the times or if it’s because the author decided to put more emphasis on Rainbow’s adventures with the criminals he encounters. I’m leaning toward the idea that the author wants to put the emphasis on the adventure part of the story and on how Rainbow’s hard work and good character are rewarded in the end. If nobody in his time and location refused service to a black person, the concept of that happening wouldn’t have been mentioned earlier in the series. 

The author, Jacob Abbott, likes showing the details of daily life in his time in his stories, and it’s interesting to read about Rainbow’s travels. In this story, we get to see Rainbow take his first train ride, during which we have an interesting observation about the way scenery appears to move thought the train window, and we also get a complaint about ladies with the habit of taking up extra train seats with their parcels and a lesson on why this is a form of theft. I get the feeling that the author has encountered this situation before, and it really annoys him, although he delivers his rebuke as diplomatically as he can.

We also get to see Rainbow eating in a city restaurant rather than the small town or countryside taverns where he has been before. I found the description of the restaurant interesting. It was one of the places where I though that Rainbow might be refused service at first, but he encounters no difficulties there. What particularly fascinated me about the restaurant is that all the food is pre-made and on display for people walking in to select what they want to eat. Foods that don’t need to be kept hot, like pies and sandwiches, are simply laid out on the counter, and hot dishes are kept behind the counter, warmed by “spirit lamps.” It seems almost like modern fast food, being kept warm under heating lamps. Rainbow just tells the restaurant staff what he wants from the foods he sees, and they give it to him. I see the benefits of this system because, especially in an era without microwaves to quickly warm up food, people can’t wait for dishes they just ordered to be cooked from scratch. Things need to be prepared when they come in. I just didn’t expect it to be so similar to the methods we use for modern fast food. I am a little concerned that the foods that are simply laid out on the counter, like sandwiches with cold meat in them are not being kept at a proper temperature, but it may not matter if they are not there for long because customers claim them pretty quickly.

Cold Chills

Fourteen-year-old twins Ryan and Chris Taylor are on a ski trip in Colorado with their parents, their eight-year old sister Lucy, and their friend, Billy Maguire. Although Billy is a friend of both of the twins, he’s really closer to Chris because the two of them are interested in sports. Ryan is more of an intellectual than either of them, and they tease him about not being as good at sports as they are. When the three of them get together, Ryan often feels left out, although he argues with them that he can do decently well at physical activities; he just cares more about other things.

The ski resort where they will be staying is called Moosehead Lodge. It used to be a very exclusive resort, but it’s fallen on hard times in recent years. The reason why they’re going there is that the current owner is an old friend of Mr. Taylor’s from college, and he’s asked Mr. Taylor to write a travel article about the lodge for a magazine to attract new customers.

It turns out that Dede and Wendy, two girls who attend the same school as the boys, will also be staying there over winter break. The twins have crushes on the girls, but they’re also at the age where they still think girls are weird or likely to spoil their fun, so they have mixed feelings about the girls joining them on the ski trip. The boys consider trying to avoid the girls for the entire trip and make them wonder what happened to them, but Ryan thinks that sounds like something a little kid would do. Billy says that, if the twins are going to hang around with girls, he wants a girl for himself, too.

When they arrive at the lodge, the girls greet them right away, so the hiding scheme definitely won’t work. The girls are enthusiastic that there will be a lot of fun things for them all to do. The lodge includes several stores for the guests to shop in, which the girls and Mr. and Mrs. Taylor find intriguing. However, the boys think that the lodge looks haunted. With all the old-fashioned furniture and paintings, it reminds them of something from a movie.

At their first ski lesson, Chris brags that he doesn’t really even need lessons because he’s such an athlete. However, skiing doesn’t come as naturally to him as soccer does. In spite of his bragging, he is clumsy at his first attempts. He apologizes to the instructor, saying that he’s just eager to get going because he knows that they’ll only be staying there a short time. The instructor says that he understands but that the instructions he’s giving them are important for keeping them safe while they have fun.

When the boys return to the lodge, Mrs. Taylor is very upset because a pearl necklace that’s a family heirloom is missing! When Mr. Taylor and the boys go to the manager to report the loss of the necklace, they find out that other pieces of jewelry have been stolen from other guests. The manager has hesitated to contact the police about it because he’s been hoping that the jewelry was merely misplaced and would turn up. The lodge is suffering financially, and if they have a bad season, they might have to close down. Mr. Taylor likes the lodge and wants to help his old friend, but the thefts have to be cleared up for the lodge to continue functioning. The twins decide that they’re going to be the ones to find their mother’s necklace, bring the thief to justice, and save the ski lodge!

The book is available to borrow and read for free online through Internet Archive.

I liked this book better than the last book I read in the series. It’s more of a mystery than the last one, although there’s still plenty of excitement and adventure. Unlike the other book I read, where the boys know right away who the villains are, in this story, the boys have no idea who the thief is for much of the book. They have to investigate different suspects, and their first suspects turn out to be completely wrong. The boys undertake a deliberate investigation into their suspects, moving from person to person. There are enough potential suspects with apparent odd behavior to keep readers guessing along with the amateur detectives. A skiing accident and a blizzard and avalanche add excitement and adventure to the story.

When the girls argue with the boys about one of their subjects, the boys say that girls would be more likely to fall in love with a jewel thief than to either be a jewel thief or catch one themselves. The kids turn their investigation into a contest, boys against girls, to see which of them can solve the mystery first. The competition between boys and girls gets carried over to the adults, and it even influenced some of my theories about the identity of the jewel thief. Part of what I suspected turned out to be true, but saying what it was would be a spoiler. 

The boys do solve the mystery before the girls, although the solution does disprove some of what the boys said earlier. Considering some of what they said, I would have liked to see more acknowledgement about that, but the book ends a little abruptly after the final solution is revealed. Overall, I liked the story, but I could see some room for improvement in the ending. Although I understand that part of the premise of this series is that the twins can sense each other’s thoughts, that doesn’t really enter into the story, either, which was also a disappointment.

Dangerous Play

Thirteen-year-old twins Ryan and Chris Taylor are visiting Kansas State University during homecoming week because their parents used to attend the university, and the boys are looking forward to getting their first look at life on a college campus. They’re also looking forward to the big football game. At least, Chris is looking forward to the game. Ryan isn’t as athletic and doesn’t see the appeal of sports as much as Chris does. Ryan is more studious. However, both of the boys are hoping to meet Trent Dasher, the star quarterback on the Kansas State football team. Chris wants to ask him for sports advice, and Ryan is hoping to get some pictures of him for their school’s newspaper. Meanwhile, their parents are looking forward to reliving their college years. They met in college, and they spent their honeymoon at the same hotel where they are now staying with the boys.

The twins go in search of Trent Dasher. They contacted him before arriving, so he should be expecting them, but they discover that he is missing. When they go to his dorm room, his roommate doesn’t know where he is. Then, the boys overhear a conversation between Coach Butler and Dean Murray in the athletic offices, in which the coach says that Trent has been behaving oddly recently, and now, he can’t find him. The twins ask Trent’s roommate, Danny, for more information about Trent and if he knows anything about where he might be. Danny says that he and Trent don’t really confide in each other. Even though they’re sharing a dorm room, they’re both pretty busy with their own activities. Danny has noticed that Trent has been unusually nervous recently and that he’s missed some classes, which is out of character for him. Danny suggests that they look for Trent at the Wildcats’ Lair, a snack bar in the University Union where Trent likes to hang out.

Before they leave Trent’s dorm room, the boys sneak a look at Trent’s belongings, and they learn a few things about him. Trent has a girlfriend named Jeannie who lives in their town and has written letters to him. He’s also in danger of failing his chemistry class if he doesn’t get some extra help, and if he fails chemistry, he could lose his scholarship. The boys figured that his problems with his classwork and the threat of losing his scholarship are probably what was worrying him so much.

When the boys go to check out the Wildcats’ Lair, they meet a girl who says that she’s Trent’s girlfriend. Unfortunately, she isn’t Jeannie. When the boys address her as Jeannie, assuming that she’s the one who wrote the letters, she says that’s not her and gets angry. The twins are embarrassing, thinking that they might have just accidentally created a new problem for Trent by complicating his love life.

The boys finally locate Trent talking to a tutor called Wilson about getting help to pass his chemistry exam. It seems like the mystery of the missing athlete is over, but then, Wilson tells Trent that the way he “helps” students is by selling them the test answers. Trent gets angry and refuses to cheat. The boys try approaching Trent, but he doesn’t want to talk to them because he has too much on his mind.

The twins are a little offended at being brushed off by Trent since he knew they were coming and had agreed to meet them, but they can also see that Trent is in trouble and could use some help. They decide to go after him, and they hear him talking to someone on the phone about a special “deal.” Since they just heard him turn down an opportunity to cheat by purchasing test answers, what kind of “deal” is he looking into to solve his problems?

The boys follow Trent and see him meeting with Coach Hatfield from Flint Hills University, Kansas State’s rival. It seems that Coach Hatfield has made Trent an offer to come play for their team, or at least, that’s how Trent interpreted his offer. With his scholarship to Kansas State in danger, Trent is considering the possibility of switching schools. However, it turns out that Coach Hatfield wants something very different. He wants to bribe Trent to throw the upcoming homecoming game and make sure his team loses! He says that he’ll make sure that Trent has enough money for his tuition if he does. Trent is appalled and refuses.

The twins continue to follow Trent as he goes to talk to his girlfriend, Cindi, who is the girl they met earlier. She asks him about Jeannie, but Jeannie is just a high school girl from his home town who has an unrequited crush on him. He’s really serious about Cindi. Trent tells Cindi everything about the troubles he’s been having and the unethical offers he’s had. She asks him why he hasn’t gotten help from the legitimate tutors or from his professor, but he says that the chemistry tutor quit and hasn’t been replaced yet and that his professor seems to have a prejudice against athletes. Trent is thinking that maybe he should just quit college and get a construction job so that he and Cindi can get married, but Cindi doesn’t think that’s a good idea.

Even if Cindi can help Trent find a solution to his problems in chemistry, Trent’s football problems are just beginning. He turned down Coach Hatfield’s proposition, but the Flint Hills football team isn’t going to take no for an answer. They’re prepared to use violence to make sure that the upcoming football game goes their way. Chris and Ryan witness some of them kidnapping Trent! They’ve got to get help and prove that Trent is in trouble to save him!

The book is available to borrow and read for free online through Internet Archive.

There wasn’t really much mystery to the story, which was a disappointment to me. The boys figure out where Trent is and directly witness his kidnapping, so there’s nothing really for them to figure out. It’s more about how they manage to rescue him. It’s more of an adventure story than a mystery. Part of the premise of this series is also that the twins have a kind of psychic connection and can sense each other’s thoughts, but that didn’t really enter into this particular story. The resolution of the situation didn’t depend on them having this ability, and for most of the story, the twins just talk to each other openly about everything without a need to communicate anything silently.

Things turn out okay in the end because Trent is able to make it to the football game and help his team win. The book doesn’t mention any of them going to the police about the coach and football team participating in an actual kidnapping, which made me feel a little weird. It’s great that the boys were able to rescue Trent and that he was able to win the football game honestly. Trent never compromises his values, in spite of the pressure he’s experiencing from all sides, and in the end, there’s an honest solution to his problems with his grades, but still, kidnapping is a serious crime, and I thought that there should have been serious consequences to go with it.

As for Trent’s troubles with chemistry, it turns out that his chemistry professor is actually an old friend of the boys’ parents, and he isn’t really against athletes. The only reason why he hasn’t noticed Trent failing and helped him to get the extra tutoring he needs is that, at a large university, classes are made up of hundreds of students, and professors rely on graduate assistants to help manage the grading. The professor doesn’t know that much about how individual students are doing. They mainly help when students approach them for help, which Trent hasn’t done. When the twins explains Trent’s problems to the professor, the professor talks to Trent, telling him that he should have come to him earlier and that he will help him improve his grades, not because he’s a star athlete but because he’s a student in need of help to complete his degree.

Although I wasn’t thrilled by the mystery itself because it wasn’t much of a mystery, there are some interesting points in this story about both prejudices people have about athletes and the system of success/failure at universities. First, the prejudice part is an obvious one. Many people assume that people are either smart and good at studying or that they’re not smart and that’s why they’re mainly good at sports – like life’s options are brain vs. brawn, with no in-between. The twins themselves represent this notion because Ryan is the studious one and Chris is the athletic one. This seems to be how other people think of them and how they think of themselves. 

Ryan in particular has this view. He’s good in school subjects, better than his brother, but not that good at sports and has no interest in sports. Chris is offended that his brother seems to think that his athletic prowess also makes him the dumber twin and that Ryan is often telling him that he needs to read more and study more or he’s not going to make it in college. Chris argues with Ryan and tells him that just because he’s into sports and not as good at studying as Ryan is doesn’t mean that he can’t manage. Ryan is correct that a student athlete can’t just be all about sports and neglect his school work, as Trent’s situation indicates, but he does underrate the athletes’ abilities to manage and think their way through problems. The boys also have some prejudices against girls, with Ryan particularly thinking of cheerleaders as being brainless, but Cindi, who is also a college cheerleader, comes through for them and helps to rescue her boyfriend. I didn’t like the way the boys talked about girls in the story, but Cindi’s role helps to highlight that theme of underestimating people and their abilities.

Success and failure are major themes in the story. Trent is a successful athlete, and generally, a pretty good student, apparently. However, the failure of one single class could endanger his scholarship and end his entire university career. As the chemistry professor points out later, it’s not just a matter of Trent losing his scholarship because of failing that class; this is a class that is required to complete his degree. We don’t actually know what Trent’s major is, but he apparently needs to understand at least some chemistry for it. Failure of this particular class is just not an option. A student whose scholarship was assured or who had other resources for paying for their education could simply retake a failed class and try to pass the next time, but there’s pressure for Trent because he really relies on his scholarship. Without it, there won’t be a next time for him. What the story points out is that it’s not just Trent’s failure but also the system’s failure. Professors with hundreds of students, and also the pressure of having to do their own researching, writing, and publishing on the side, just can’t keep up with every individual student and give them all the support they need. They rely on graduate assistants and tutors to fill in the gaps and provide that support. Trent falls through the cracks because the chemistry tutor left and hasn’t been replaced yet, and he was reluctant to talk to his professor about it. His lesson is one about how the university system functions and his need to go to his professor about his problems to get the help he needs.

It turns out that Trent isn’t the only one whose future hangs by a thread because of one possible failure. The reason why Coach Hatfield and his players are so desperate to win this upcoming football game is that Coach Hatfield will be fired if they don’t. The Flint Hills football players are desperate to save their coach. They see it as loyalty and as avoiding having to get a new coach that they won’t like as well, but that doesn’t justify engaging in a serious crime to accomplish their goals. In real life, they would be endangering their own futures by pulling this kidnapping stunt. The fact that the coach is willing to go along with such a thing may be a sign of why his career has reached this desperate point in the first place. It might not be just that he’s been unable to deliver the football victories that his university wants but that he also engages in reckless, irresponsible, and unethical behavior. At the very least, we know that he is likely to lose his job because his team lost the football game, but I still think that there are serious legal consequences for his actions.

The Rescue

The Rescue by Mary Cunningham, 1978.

Bob and Becca are going to stay at their aunt’s cabin in the mountains in California with their mother. Becca has been upset since she found out that her best friend, Elaine, will be moving to another state with her family. This trip is partly to get Becca’s mind off of losing her best friend, but Becca keeps thinking about how much she would have liked having her friend along on the trip. The only bright spot for Becca is that she might be able to write to Elaine about how nice the cabin, called Lantern Lodge, is or about the interesting things they might find to do. It’s not as good as having Elaine there to share the experience, but it’s better than nothing.

Lantern Lodge was originally built to be a guest cabin for friends of the movie star who once owned the mansion at the top of the hill. Now, the mansion is owned by an old man whose grandson is staying there with him. Bob wonders what the grandson is like and if he might want to go fishing sometime. There used to be a staircase leading up the hillside from the cabin, but it’s overgrown with brambles now.

Becca finds her way up the hillside by following a friendly Siamese cat, who shows her how she can use a cherry tree to reach the portion of the old stairs that is still climable. When she gets to the top of the hill, she admires the greenhouse where the old man grows orchids. She also discovers that Bob got to the top of the hill before her and has already met the old man’s grandson, Dan. Without revealing herself to the boys, she listens to what they’re saying. Dan explains that he’s taking care of his grandfather’s house and plants while his grandfather is in the hospital with pneumonia.

There’s a weather report on the radio that there’s a storm coming and that people in vacation cabins should watch for flash floods. Bob asks if that means his family should leave Lantern Lodge, but Dan says that there shouldn’t be a problem because the lodge is well-constructed. However, Dan says that Bob should wait until after the storm to go fishing. Bob agrees and heads back to the cabin. Becca, who still hasn’t shown herself to the boys, decides to stay longer because she’s curious about the old mansion and wants to look around more.

Becca heads back to the cabin when it starts to rain, although it’s difficult to get down from the stairs and tree when they’re wet and slippery. Becca manages to do it unharmed, but her mother slips and hurts her arm when she comes outside to look for her. When her mother’s arm swells up, Becca goes to look at the plants where she fell and realizes that there’s poison oak or poison ivy there. The rain has gotten worse, and the road has flooded, so they can’t leave the cabin, even if their mother was able to drive with her injured arm.

Fortunately, the phone at the cabin still works, and Dan calls them to see how they’re doing. They explain about their mother’s injured arm, and Dan gives them the name and number of a doctor to call. He also gives them other advice for dealing with the situation, recommending that they cook as much food as they can and bring it upstairs in case the lower floor of the cabin floods. They should also fill everything they can with clean water for drinking and prepare candles in case they lose electricity. They follow Dan’s instructions and call the doctor’s office. The nurse on duty gives them some instructions for caring for their mother’s arm and says that they’ll try to send a messenger with some medicine.

Dan calls again later to tell them that cabins in the area are being evacuated, and he thinks they should leave their cabin, too. Bob tries to explain that they can’t leave because the road is flooded and help hasn’t come for them, but the phone line goes dead. He doesn’t know how much Dan understood. They know that there is an emergency crew helping with the evacuations, but without a phone, they can’t call for help. There’s only one way left to communicate with the outside world, and that’s the old flagpole that’s been there since before the telephone was installed. A white flag run up the pole is supposed to signal distress, but the rope is rotten, and they can’t raise the flag. Their mother is now feverish and not very aware of what’s going on. What are Bob and Becca going to do?

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

I’ve never been a fan of disaster movies or survival stories, but I did enjoy this one. At one point, Bob says that he used to like seeing disasters movies, but it’s very different from experiencing one in real life. The children are scared, but they try to stay practical and do everything they can to deal with the situation and keep themselves and their mother safe.

It’s not a very long book, but it has some useful information about dealing with disasters. After the phone line goes dead, the kids find a book in the cabin about dealing with disasters. Most of the information in the book doesn’t apply to them, but they make use of the parts they can.

Dan eventually reaches them, but the tree he tied his boat to falls over, trapping him in the house with the kids and their mother. The situation is still dangerous at that point, but the kids realize that there is now one more person to help them. Although Dan was sure that the cabin would be solid, they soon realize that it’s starting to break up, and they have to get out fast. Because he has assisted with other rescues, Dan has the experience they need to help the kids get themselves and their mother to safety. Also, don’t worry about Becca’s pet mouse. I was afraid at first that the mouse wouldn’t make it, but the mouse is okay in the end!

Having survived a real disaster puts the more minor disaster of Elaine moving away into perspective for Becca. It’s sad when a friend moves away, but there are far worse things, and she and her family have come through them together.

The Witch’s Spoon

The Witch’s Spoon by Mary Cunningham, illustrated by Marilyn Miller, 1975.

Tom and Lauren are spending a week with their grandmother at her beach cottage during the summer. They have visited the cottage many times before, and they love revisiting all their favorite places, the bunk beds on the cottage’s sleeping porch, like the tree where they always see baby owls (which they call the owl tree), and the place where they once found some lost coins (which they call the money spot). They know the cottage well, inside and out. This summer, though, there are a few things that are different.

The first thing that the kids notice that is different is that their Grandma has added a new item to her curio cabinet: a big silver spoon with a long handle. They ask their grandmother about the spoon, and she explains that it’s a witch’s spoon. She recently inherited it from the children’s Great-Aunt Hannah (that would be their grandmother’s sister), who used to live in Massachusetts. The spoon is a family heirloom from the time of the witchcraft trials in Salem (“when witches were thought to be as much of a problem to people as air pollution is now” – this is from the mid-1970s). Their grandmother says that there are good witches and bad witches, and good witches would use spoons like this one to stir love potions. Tom doesn’t believe in witches, but Lauren is fascinated by the spoon and the idea of love potions. She is sure that she senses magic from the spoon.

The next thing that will make the children’s visit here different from previous years is that their grandmother has decided that they’re old enough to have a June Day. June Days are a family tradition, and it’s not just because it’s June. During a June Day, the usual household rules are suspended for one day, and the children are allowed to go wherever they want and do anything they want, all on their own. Grandma says that she will prepare meals at the usual times, but for that day, it’s up to the children whether or not they show up for them, so they don’t need to interrupt their adventures. If the children aren’t there to eat their meals, Grandma will share the food with their nextdoor neighbor, Mr. Bunby. There are only a few safety rules that the children have to follow: they are expected to by careful when attempting any activity that might have an element of danger, and they have to leave their grandmother a note about the general area where they are going, like the beach or the nearby woods, so if they’re not back by dark, she’ll know where to look for them. The June Day ends when it gets dark, and the children must be home by then.

The grandmother understands that there is a certain element of risk in letting the children go off by themselves, and she reminds them that “every box has its pill.” That means that, while their children can choose what they’re going to do, they have to face the consequences of their choices, no matter what they might be, good or bad. “If you open the box and find a bitter pill, you have to swallow it.” Getting to make their own rules and decisions for a day doesn’t get them out of taking the consequences of whatever they do. If they get hurt or get into serious trouble, not only will they suffer the hurt or trouble they cause, but their parents may not let them come back next summer, so they need to keep that in mind when making their choices. Freedom still comes with responsibility, and that’s what the children need to be old enough to understand before they can have a June Day. Tom says that they understand, and that they won’t do anything too wild. Their grandmother tells them that they can have their June Day in two days, so they will have time to look forward to the treat and plan for it.

Tom and Lauren have different interests, so each of them decides to make up their own plans for a private adventure. Tom already knows what he wants to do for his June Day. There is a cave near the beach where the children usually aren’t allowed to go, but there are rumors that there is a giant cavern inside where pirates have hidden their treasure. Getting inside the cave will be difficult and involves an element of risk, but he is determined to spend his June Day hunting for pirate treasure. He doesn’t want to persuade Lauren to join him because he thinks she’ll be too scared to do it.

Meanwhile, Lauren thinks how she’s always wanted to hold a baby owl in her hands. She loves animals, and she decides that she’ll try to hold a baby owl on her June Day. She decides she won’t tell Tom about it, because he would probably think that was a silly thing to do. Lauren thinks that she even might try to make a baby owl a pet, just for the rest of the week.

There is one other thing that is different about this year, though. Their grandmother informs them that their cousin, Elizabeth, will be joining them at the cottage this year. Elizabeth’s father is the brother of Tom and Lauren’s father. Years ago, he moved to Italy and married a woman there, and they had only one daughter, Elizabeth. Unfortunately, Elizabeth’s parents died in a car accident, and Elizabeth has been living with her three aunts in Rome. She has never been the United States before and has never met either her grandmother or cousins, so the children’s grandmother has decided to invite her to visit this year.

Tom and Lauren aren’t thrilled at the idea of meeting their Italian cousin. It’s partly jealousy at sharing their grandmother with a girl they don’t really know. Elizabeth was named after their grandmother, and Lauren worries that Grandma will like her better because of that. Tom complains that she’ll probably be fat and smell like garlic because people in Italy eat a lot of spaghetti. It’s a mean thing to say, and even Lauren thinks it sounds ridiculous, but the children’s negative attitudes are also because they realize that Elizabeth’s presence will complicate their secret plans for their June Day. In order to have their secret adventures by themselves, they will also have to avoid their cousin trying to tag along.

In spite of their negativity and thoughts about playing pranks on Elizabeth so she won’t want to stay, Lauren realizes that she is also curious about this cousin and seeing what she’s like. When Elizabeth arrives the next day, she is a slim girl with dark hair, who doesn’t smell like garlic at all. Elizabeth speaks fluent English as well as Italian because she goes to an international school in Rome, so the children are able to talk to each other easily. Lauren feels jealous about the attention that their grandmother showers on Elizabeth, but Elizabeth is nice to Lauren. Elizabeth likes to knit, and she says that she would like to make a sweater for Lauren. Lauren asks her if she’ll have enough time because she’s only visiting for a week, and Elizabeth says that if it’s not finished by the time she has to leave, she will mail it to her. Lauren begins to feel a little sorry that she thought bad things about Elizabeth, but she also still feels jealous because of all the things Elizabeth knows how to do. Elizabeth can play the flute and wears pretty clothes as well as knitting and speaking multiple languages. Then, their grandmother announces that Elizabeth will be allowed to choose one item from her curio cabinet to take back to Italy with her. Tom and Lauren aren’t even allowed to open the curio cabinet without permission!

Their grandmother tells Tom and Lauren that they will each have a chance to choose something from the cabinet when they’re older. The only reason why Elizabeth is choosing now is that she lives far away and can’t come very often. Tom and Lauren each have favorite items in it that they tell Elizabeth to definitely not take before they get a chance to choose, and Lauren suggests that Elizabeth take the witch’s spoon. The witch’s spoon hasn’t been in the cabinet long enough for Tom or Lauren to have developed an attachment to it. Elizabeth is intrigued by the story that witches used it for making love potions, and their grandmother says that, in times of trouble, you can look into the bowl of the spoon and see answers. Elizabeth says that it’s an Italian tradition that a good witch gives children presents on January 6th (see The Legend of Old Benfana). She tries to see her deceased father in the spoon and is disappointed when she can’t. Their grandmother says that it might not be magical anymore or maybe people only saw in the spoon what they wanted to see.

Tom and Lauren continue making their secret plans for their June Day, each kind of wondering what the other is planning to do. When the day arrives, they each get up early and put their plans into action before anybody can ask them what they’re going to do. Of course, their plans don’t turn out the way they thought. Lauren’s attempt to hold a baby owl and maybe make one a pet don’t take into account how the mother owl would feel about that. In the cave, Tom accidentally falls and drops his flashlight, so he’s trapped and unable to find his way out. Neither one of them was specific enough in their notes for anybody to find them quickly when they get into trouble. Fortunately, Elizabeth turns out to be not only a tag-along but a helpful partner in their adventures. Through their various adventures and disasters on this special June Day, the three children come to feel like they really are cousins. At the end of the story, the grandmother makes a special tea blend, and Elizabeth stirs it with the witch’s spoon, turning it into a love potion, but for family love.

I bought my copy of this book through Amazon. I haven’t found a way to read it online.

My Reaction and Spoilers

The book doesn’t say exactly where the story takes place, but I think it’s supposed to be the California coast because that’s where the author lived. The descriptions of the pine forest near the cottage and beach fit the California coast, and the same author wrote another book called The Rescue that takes place at a cabin in California.

The story has some nice cottagecore vibes, with the children having fun and adventures in nature. There are times that they reminisce about past summers at the cottage as well as enjoying the current summer. They once kept a lost, wild baby ferret as a pet temporarily one summer before releasing it back into the woods, and they always have to look for baby owls in the owl tree when they arrive at the cottage. They spend time at the beach, swimming, wading, sunning themselves, and looking for seashells. Lauren has a favorite type of seashell, called angel’s toenails. When Tom explores the cave, he likes seeing the stalactites, and he sees bats and a type of blind fish in the stream of the cave.

Few children these days have the same level of freedom that these children have at their grandmother’s seaside cottage, although for somewhat obvious reasons. Their grandmother speaks to them honestly and sincerely about the nature of risk-taking and accepting the consequences of their actions, but adults will realize that there are obvious problems with each of their plans for June Day. Even as a kid, I would not have tried to pick up a baby owl or keep one as a pet. Wild animals do not want to be made into pets, and they don’t want their babies to be picked up and held by humans. Owls are cute, but they are also birds prey with sharp beaks and talons and will fight back if they feel like someone is intruding on their personal space. Even my child self would have thought of that long before Lauren tries her June Day experiment. Of course, that’s mostly because my elders impressed on me that nobody should mess with wild animals. The reason why we know that certain things are bad ideas is that people actually tried them and found out from personal experience. Maybe some people have to try things themselves before they understand or believe why they’re bad ideas. I have to admit that I once tried to pick up a dead cactus pad when I was about four years old because I had the idea that dead things couldn’t hurt me, so I figured out that it wouldn’t hurt to touch dead cactus. That’s the Arizona version of this type of experimenting with interacting with the natural world, and I was very, very wrong. One benefit of this kind of hands-on experimenting is that the lessons you learn stay with you forever, but as the grandmother of this story says, you have to accept the results of your experiments, whether it’s a clawed head or a handful of cactus spines.

Tom is the one who takes the greatest risk in this story. When he first considers using the June Day to explore the cave, he knows that they’re not usually allowed to go there. The question that immediately came to my mind was why, and the obvious answer is that the adults know that the cave is too dangerous. Tom considers the difficulties of getting into the cave but not the dangers he can encounter inside. Just because the rules have been suspended for the day doesn’t mean that the dangers have also been suspended for the day, which was what their grandmother was trying to get the children to understand. It’s not unlike learning that cactus spines are just as sharp when the cactus is dead as when it was alive. Fortunately, Lauren and Elizabeth manage to rescue Tom without anyone getting hurt.

The adventures that Tom and Lauren end up sharing with Elizabeth help them bond as cousins. They also learn that, while Lauren has some unique skills and lives a very different kind of life in Rome that is exciting in its own way, she isn’t perfect and neither is her life. Elizabeth is an orphan who still misses her parents. The skills that she has are ones that she’s learned from her aunts, who each have their own standards for what Elizabeth should learn and do. Elizabeth’s aunts love her and care for her, but she isn’t always allowed to do what she wants. This summer represents an unusual amount of freedom for her, too.

I think Tom and Lauren might have taken Elizabeth’s sudden arrival better if their grandmother had prepared them for it instead of springing it on them without warning or discussion of how it would affect their summer plans. The grandmother might have also prevented some hard feelings by talking to all of the children about the gift for Elizabeth from the curio cabinet. I understand why Tom and Lauren wanted to prevent Elizabeth from suddenly taking things that they were attached to. If she had, it would have caused some hard feelings among the cousin. If I were the grandmother in this situation, I think I would have sat all three children down and told them that I wanted to give each of them a special gift from the cabinet. Tom and Lauren would have to leave their gifts in the cabinet for the present, partly because the heirloom Tom values most is a pearl-handled gun, and I think he’s too young to have that unsupervised. However, it would be understood that each of the children would own a special heirloom, and they could discuss their choices among themselves so there wouldn’t be hard feelings or the impression that one child was given more choice than the others.

There aren’t really occult themes in the story. The witch’s spoon only does one thing that appears like magic at one point, and there is a logical explanation for that. The love potion tea really just caps off the children’s day of adventure, when they bond over helping each other. The children know that the spoon probably really isn’t magic. The real magic in their imaginations and the time they spend together as family.

Ruth Fielding in Moving Pictures

Ruth Fielding

One day, while Ruth Fielding is out with her friends, Helen and Tom, they see a film crew working by the river. (Because this is the 1910s, they are making a silent film and using the kind of old-fashioned movie camera that needs to be cranked, like the one shown in the picture to the right.) They talk about whether to not they would like to be in movies themselves. The girls think it sounds exciting, but Tom thinks that they’re too young. The girls say that they are not too young because the actress who is being filmed looks like she’s about their age. As they watch, the young actress accidentally falls into the river, which is freezing cold because it’s winter. Ruth and her friends hurry to help pull her out before she drowns. When they get her out of the river, Ruth is appalled at how unconcerned the director is for the actress’s health while she’s clearly suffering from the cold. Ruth and her friends take the actress, Hazel Gray, back to the Red Mill where Ruth lives, where she can warm up and recover.

While Hazel is resting at the Red Mill, she and Ruth tell each other about themselves. Like Ruth, Hazel is also an orphan. Her parents were actors, and some friends raised Hazel to be an actress after her parents died. Ruth tells Hazel that she has been thinking about writing a movie scenario (script) just for fun, and Hazel offers to show it to the director if she does. Ruth isn’t sure she likes the idea because she didn’t like the director, Mr. Grimes. Hazel explains that, while the director can be callous and abrasive, he is a famous director who really knows his business and can help actors and scenario writers make their careers.

The next day, Mr. Hammond, the manager of the film company, comes to the Red Mill to see how Hazel is and to ask Ruth about how the accident happened. He seems concerned about whether or not Ruth’s description of what happened matches what Mr. Grimes told him. Ruth explains what she saw to Mr. Hammond, and she also tells him what she thinks about Mr. Grimes’s lack of concern about Hazel’s welfare. Mr. Hammond says that it’s impossible to change other people, indicating that he knows how callous and unpleasant Mr. Grimes can be, but he promises to make sure that Hazel gets a fair deal for her acting and the accident she suffered.

While he is there, Mr. Hammond becomes fascinated by the quaintness of the Red Mill. He thinks that it would make an excellent setting for a movie. Ruth says that she would love to write a scenario about the Red Mill herself. Mr. Hammond asks her if she’s ever written a scenario before, and Ruth admits that she hasn’t, but there has to be a first time for everything. Mr. Hammond is amused and says that he would be very interested in any scenario that Ruth might write. However, he suggests to her that, before she writes a scenario about the Red Mill, she write a short story about something else, something exciting, so he can see what her writing is like. Ruth happily agrees, and after she returns to boarding school with her friends, she starts writing.

Ruth and Helen are now seniors at their boarding school, and they are starting to think nervously about their lives after graduation. They know that they want to go on to college, but they find the prospect intimidating, too. Neither of them is quite sure what they want to do with their lives. The idea of growing up in general sounds frightening.

The girls aren’t the only ones showing signs of growing up but feeling awkward about it. Ruth finds herself getting unexpectedly jealous about Tom having a crush on Hazel. Helen says that Ruth simply hasn’t been paying attention to the things the boys are doing. All of Tom’s friends at his school have crushes on actresses, and they’ve been collecting pictures of them from the newspapers and pinning them up in their rooms. At the same time, Tom seems oddly sullen that other people are starting to treat Ruth and his sister as young ladies. It’s one thing for him to have a crush on Hazel, who is a couple of years older than they are, but he doesn’t seem to like the idea of Helen and Ruth seeming too grown up.

These things are in the back of Ruth’s mind as she finishes writing her story. After she sends her story to Mr. Hammond, a fire breaks out in one of the dormitories at the school because of a neglected candle. The dormitory that is destroyed is the one where Ruth lives with her friends. Ruth is tempted to try to save their belongings, but the teachers tell her that it’s just too dangerous. They’re just thankful that all the girls are safe.

After the fire, there is the question of rebuilding the dormitory. At first, they think that the insurance money will pay for a new dorm, but it turns out that the school’s forgetful headmaster accidentally let the insurance policy lapse. Some of the girls at the school are from wealthy families, and they are sure that their parents would be willing to contribute to the building of a new dorm, but Ruth sees a couple of problems with that. First, while the wealthier students’ families would certainly be able to contribute sizable amounts toward the building project, the families of poorer students may hesitate to contribute at all because they may be embarrassed that they cannot possibly match the donations the wealthier families can contribute. Second, the girls are overly relying on their parents. While the parents may be glad to help, Ruth thinks it would be better to find a way that the students themselves can contribute to the building fund. The other students agree that they would all like to find a way for everyone to contribute.

An idea for a group project the entire school can participate in comes to Ruth when Mr. Hammond sends Ruth a check to pay for her first story. He thinks that Ruth has a great talent for writing, and he’s going to make her story into a short, one-reel movie! That makes Ruth realize that, if she can write a short story for a short movie, she can write one for a long, five-reel picture. If she can write a long scenario for a movie, all of the girls in the school can be in the film! She thinks that she can persuade Mr. Hammond to produce the picture and distribute it to the surrounding town, and the royalties from the movie can pay for the dorm reconstruction.

Mr. Hammond agrees to help Ruth and her friends make a movie on behalf of the school, and the school’s headmistress agrees to allow the students to participate in the project. The donations that the school has already received from the parents have paid for the removal of the ruins of the old dormitory and the beginning of the construction of the new one, and the money the girls earn from the movie can pay for the completion of the building project. Ruth already has an idea for the plot of the movie, one about girls at a boarding school, so they can film the movie on their own campus. Mr. Grimes turns out to be the film director, and he is still temperamental, but he shows more patience when dealing with the students than he had before.

There are complications, of course. Hazel Gray is one of the professional actresses helping with the movie, and Ruth is still jealous about how fond she seems of Tom. Then, there is drama when the other girls learn which girl left the candle unattended and vent their wrath on her. The girl, Amy, was already a troubled student with an unhappy home life. Then, Amy gets upset when the boy she likes seems to be getting too friendly with Ruth, and she runs away. Ruth and the other girls have to search for her, and they learn the embarrassing secret behind the dormitory fire and some other secrets that Amy has been hiding from them.

This book is now in the public domain and available to borrow and read for free online through Project Gutenberg.

Not exactly a mystery, but there are some things that Ruth and her friends discover some secrets about their prickly fellow student, Amy, and when she runs away, the other girls have to figure out where she went and rescue her. Although Ruth and the other girls are unhappy with Amy because of the dormitory fire and because Amy frequently has a sour attitude, but they become more sympathetic when they learn more about some secrets that Amy is hiding. The embarrassing secret behind the dormitory fire is that Amy is afraid of the dark. She doesn’t want to admit it to the other girls because she doesn’t want to be teased, but that’s why she left a candle burning in her room; she was afraid of returning to her room after dark. The school has electric lights, but she grew up in a more old-fashioned town and isn’t used to them.

Worse still, Amy is terrified that her father will find out that she caused a fire at school. He is already harsh with her, and it has gotten worse since he remarried. He seems to view the child from his first marriage as a nuisance, and it seems like he sent her to boarding school to get her out of the way as he starts a new life with her stepmother. Actually, Amy’s father’s reasons for sending her to boarding school were not just to get her out of the way. Ruth and the others learn that part of Amy’s difficulties with her stepmother have partly been because Amy behaved badly toward her because her aunts disliked her and were a bad influence on Amy. It wasn’t just that the boy she liked seemed to like Ruth that made her run away; she had gotten an angry letter from her father that not only accused her of doing something bad before she left home but also saying that he has heard rumors about her involvement with the fire. He is coming to the school to find out for himself what she’s been doing there, and Amy is terrified of what he will do when he gets there.

To find Amy, the girls and Curly (the boy Amy likes) have to think of all the things they know about Amy and the places she could have gone. Curly knows more than the girls do because Amy confides in him. I appreciated that Ruth and the other girls are much more active in this story in solving the problem of Amy’s disappearance than they often are in other books. In the earlier books in this series, Ruth and her friends frequently rely on chance and coincidence to reveal hidden information and other people to carrying out the final action, but this time, they use their own reasoning to figure out where to look for Amy and go after her themselves. In some ways, I think that the more active roles that Ruth and the others play in the story are because they are growing up. Amy is younger than Ruth and her friends, and they feel responsible for her. In earlier books, adults and others were looking after them and helping them, but now, they are older than someone else. I’m looking forward to seeing how this develops in other books in the series.

When they find Amy, she has had a bad reaction from poison oak or poison sumac, and everyone feels sorry for her. Amy gets the first sympathy that she’s had for some time. Amy straightens out her relationship with her father when he comes and realizes that she was unfair to her stepmother. The other girls at school forgive Amy for the fire when they find out what she’s been through, and her father makes a generous donation to the building fund.

One of the most unique features of this book is that the characters are growing up, and it’s part of the story. That’s something that doesn’t happen in other, later Stratemeyer Syndicate books. In this book, Ruth and her friends graduate from their boarding school. As the girls think about their graduation and going on to college, they’re a little intimidated because they don’t know what they want to do with their lives, but Ruth discovers her talent for writing movie scripts/scenarios. (These are silent films in her time, so there’s no dialog for the “script.” Any dialog that the audience needs to understand would have been shown in text in the intertitles. I think that’s why they call this form of script a “scenario” in the book.) There is some awkwardness in the way the boys and girls in the story start looking at each other because they realize that they’re becoming young ladies and young men. They’re not used to thinking of themselves and each other in that way, and they’re developing crushes.

You won’t find this sort of thing much in the on-going Stratemeyer Syndicate book series, like Nancy Drew and the Hardy Boys. Those characters are frozen in age on purpose, and the Ruth Fielding series was part of the reason why. In early Stratemeyer Syndicate book series, like Ruth Fielding and the Rover Boys, the characters did age. They grew up, graduated from school, got married, and eventually, had kids of their own. The problem for the Stratemeyer Syndicate was that, when their characters got married and became parents themselves, they were starting to get too old to be teen detectives and young adventurers. Their child audiences wanted to read about kids like themselves or teenagers or young adults, not people who were more like their own parents. So, whenever characters started getting too old for the target audience, they would have to end that series and start a new one. After going through the Rover Boys and Ruth Fielding and some of their other popular series in this way, they realized that they could keep a book series going much longer if they just didn’t let the characters age.

That’s why Nancy Drew and the Hardy Boys are frozen in age somewhere in their late teens or early 20s, and the books typically leave it vague which it is. It’s mostly important that readers know that the characters are young but old enough to travel and have adventures by themselves. Nancy Drew is not going to school, and if she takes any classes in individual books, she isn’t studying for a degree. If she did, her series would eventually end because she would graduate and move on to adult life. Similarly, the Hardy Boys are learning to be private detectives by working with their father, who is a private detective, but they will always be in that apprentice phase, so their series can continue. There are times when the characters date other characters or have crushes, but their romances don’t progress to anything serious because that would also age the characters. Every decade or so, the books in those series get revamped or the characters get a new, updated series that incorporates modern technology and culture, but the characters stay roughly the same age throughout. It’s basically what happens with new Scooby-Doo cartoon series, but with books, and the Stratemeyer Syndicate did it with their characters first.

Part of the reason that I wanted to read the Ruth Fielding books was that I knew the characters would age, and I also knew that she was a kind of prototype for Nancy Drew. The Nancy Drew series started around the time Ruth Fielding’s series ended, as a replacement for Ruth Fielding. Fortunately, we’re not at the end of Ruth Fielding’s series yet. The series doesn’t end with her boarding school graduation. It continues through her time in college and into her career in the movies.

Ruth Fielding and the Gypsies

Ruth Fielding

Ruth Fielding and the Gypsies; Or, The Missing Pearl Necklace by Alice B. Emerson (Stratemeyer Syndicate), 1915.

Just as a quick note before I begin to describe the plot of this book, this book is part of the Ruth Fielding series, an early Stratemeyer Syndicate, before they started writing some of their more popular and best-known series, like the Hardy Boys and Nancy Drew. Some books in early Stratemeyer Syndicate series are awkward because they use racial terms that polite people would not use now. During the mid-20th century, around the time of the Civil Rights Movement, the Stratemeyer Syndicate revised the books it had in print, updating the technology and slang terms in the stories to be more modern and removing or altering some questionable racial terms and attitudes. Unfortunately, the Ruth Fielding series had already ended by that time, and these books were not among those that were revised and updated. I’ve explained this before on the pages for some the Stratemeyer Syndicate book series and individual book reviews, but I have to explain it again here because some people might object to the word “gypsy.” I know that’s not really the correct or polite way to refer to the Romany or “Travelers”, as they’re sometimes called, but it can’t be helped here because the Stratemeyer Syndicate put it right in the title. This is one of those books where I just can’t avoid it, and it’s all through the book. Some of the attitudes and stereotypes around the characters are also likely to be objectionable, but I’ll address that further in my reaction section.

The Ruth Fielding series is interesting because it was kind of a precursor to Nancy Drew, with a similar type of heroine, but one that, unlike Nancy Drew, grew up, went through school, and had a career during the course of the series. There are some aspects of this series and the development of the characters that I think were better done in this series than in the Nancy Drew series. There are also times when the books are surprisingly thoughtful about the conditions of life and society in the early 20th century, when they were written, and this book and the next one begin to mark a turning point in the main character’s life. Ruth is a poor girl, and before her education is over, she will have to seriously consider her career options, which is something you don’t see much in the Stratemeyer Syndicate series that are still in print because those characters never age. The characters in the earlier series did, which is why those series ended. There are some things in the series that I don’t like, like the racial terms and attitudes and when the stories are more adventure than mystery because I really prefer mystery, but this is what the books are like. In these reviews, I’m just explaining what the books and characters are like. On the bright side, if you don’t like what the books are like, you can consider that I read and reviewed them, so you don’t have to. You can find out what they’re like from my reviews and save yourself some time.

The Plot

Ruth Fielding is with her Uncle Jabez in a boat on the river near the Red Mill where they live when the boat overturns. Uncle Jabez falls out and hits his head. He almost drowns, but Ruth holds his head above water. She can’t pull him out of the river by herself, but she calls for help and attracts the attention of a passing gypsy boy. The gypsy boy, called Roberto, pulls Uncle Jabez out of the water.

Uncle Jabez is grateful, but the incident brings back an earlier argument about whether boys are more useful than girls. Uncle Jabez argues that boys are more useful than girls because they are stronger and can do heavier work, and he thinks that his near-drowning proves that. Of course, Ruth, Aunt Alvira, and Ruth’s friend Mercy are all offended by that assessment. Aunt Alvira points out that the boy who helped Uncle Jabez wouldn’t have been able to do that if Ruth hadn’t already been holding his head above water and calling for help. Ruth says that not all work is heavy work. Uncle Jabez says that girls are costly because they need money for education, and they’re not likely to have careers afterward, like men do. Ruth says that the reason why she wants an education is so that she can have a career and support herself.

Ruth knows that a poor orphan like her is lucky that she can attend boarding school with her friends. Her friend, Helen, is from a wealthy family, who is willing to fund her education in anything she wants to study, whether it eventually produces money or not, but Ruth doesn’t have that luxury. Eventually, she will have to get a job of some kind. Aunt Alvira says that, when she was young, most girls got a basic education and then got married, which is probably what Uncle Jabez is expecting Ruth to do. However, Aunt Alvira knows that modern girls have more ambitions. (Keep in mind that this story is set around 1915, contemporary to the time when it was written.) Ruth’s music teacher at school thinks that Ruth has a promising voice, and she wonders if she can train as a singer, although that’s not the kind of thing that her uncle would think of as something useful.

Before returning to boarding school with her friends, Ruth goes on a car trip with Helen and Helen’s twin brother, Tom. It turns out to be an unexpectedly eventful trip. Not long after setting out on the trip, they meet up with Roberto again and begin talking with him. The others ask Roberto about being a gypsy and if he wouldn’t prefer a more settled life with a regular job. Roberto says that, while he could work as a farmhand easily enough, few people would hire him for other jobs because he’s a gypsy, and people don’t trust gypsies. Besides, he sees little use in such a life. Tom says that he could afford better food and better clothes if he had a better job. Roberto says that he does well enough traveling around with his family, taking odd jobs, and helping his uncle at horse trades. He tells the others a little about his family and his life with them. After he leaves, Tom makes jokes about the rumors of gypsies kidnapping people.

Further down the road, Tom accidentally hits a lamb in the road with his car. The lamb is still alive, but its leg is broken. The farmer is angry, says that the lamb is useless now, and demands that Tom pay for the lamb. The price he demands is about twice as high as it should have been, but Tom pays it anyway to avoid further trouble. Then, they learn that the farmer, who doesn’t want to be bothered nursing the lamb until it heals, plans to simply kill it and feed it to his dogs. The girls are upset about the poor little lamb, and they plead for its life. Ruth is sure that the lamb can be healed. The farmer says that the lamb is his to do with as he pleases, but Helen points out that the lamb isn’t his anymore because Tom just paid for it. The farmer protests, but they take the lamb anyway. At first, Tom says that he doesn’t know what else to do with the lamb except take it to a butcher, but the girls persuade him to let them keep the lamb and try to help it.

Later, there is a storm, and the group seeks shelter in an old, empty house. The girls go inside while Tom parks their car in an old shed. The girls find the house spooky and wonder if it could be haunted. In some books, investigating a haunting in an old, abandoned house like this would be the main mystery, but in this one, it’s just one episode that gives them a clue to something else. While the girls are exploring the upstairs rooms and Tom is still outside, two strange men enter the house. The girls don’t let the men know they’re there. They’re not sure of who the men are or what their intentions are, so they listen to their conversation. They can’t understand everything the men say because half of their conversation is in an unfamiliar language, but from what the girls understand, they have either committed a theft or are going to be involved in one. The girls don’t want the men to find them or Tom, so they scare them out of the house by spooking some bats, which take flight and frighten the men away.

All of this would be exciting enough, but as they all travel further, Tom’s car breaks down. Tom leaves the girls and sets out on foot to get some help. The girls wait at the car for him, but it starts getting dark, and they start to get worried. A group of gypsies passes by with their wagons, and although Ruth isn’t sure it’s a good idea, Helen asks the gypsies if they can give her and Ruth a ride to her parents’ house. The gypsies ask the girls some questions, and then, they agree that the girls can come with them. Helen leaves a note for her brother that they’ve gone with the gypsies, but when she isn’t looking, one of the gypsies takes the note and destroys it.

It turns out that Ruth’s concerns about the gypsies were justified. The leader of this gypsy band is an elderly woman, who the girls recognize from Roberto’s stories as his grandmother, although Roberto is not currently among the group. The grandmother is a greedy woman, and she has realized from the girls’ car that at least one of them is from a wealthy family. To her, that means that they have relatives who would be able to pay a ransom for the girls. The girls become captives of the gypsies. The old woman also has an ability to hypnotize people with her eyes, and Helen seems particularly susceptible to it. During the night, while spying on the old woman, Ruth also learns that she is involved with the thieves they saw in the empty house.

The girls try to escape from the gypsies, and Helen gets away, but Ruth is caught. The old woman makes Ruth disguise herself as one of the gypsies so no one will notice her among the others. Can Ruth find a way to escape, or will Tom, Helen, or Roberto manage to help her?

This book is now in the public domain and available to borrow and read for free online through Project Gutenberg.

My Reaction and Spoilers

The Mystery/Adventure

The story covers not only Ruth’s adventures but the adventures of Ruth’s friends while she is captive, including Tom’s encounter with a suspicious farm couple and Helen’s frightening experience on a whitewater river. In the end, Roberto does help Ruth to escape. By the time Ruth returns to her friends and is able to tell her story to the authorities, the gypsies are well out of the area.

However, there is still something that bothers Ruth. She knows that Roberto’s grandmother had a valuable pearl necklace in her possession, apparently the spoils of the theft that the men in the empty house were talking about. Ruth wonders who they robbed and where the necklace came from. At first, it seemed like this plot line was going to be left hanging, but when Ruth returns to boarding school with her friends, she gets the answer. A new student is joining the school, Nettie Parsons, and she is the daughter of a multi-millionaire who made his money in sugar. She is the one who was robbed of the pearl necklace, which really belongs to her aunt, and there is a $5,000 reward for its return. $5,000 would be a pretty decent reward even in the 2020s, but it went much further in the 1910s. Ruth realizes that she knows who has that pearl necklace, and if she can get it back for Nettie, she would not only be doing a good turn for a classmate but getting the much-needed reward for herself. $5,000 would be enough to give Ruth some monetary independence and could fund her continued education.

Like other early Stratemeyer Syndicate books, the story is more adventure than mystery, although there are some mystery elements. Ruth gets some of the clues to the theft that the gypsies committed, but it’s more by coincidence than investigation that she discovers who the pearl necklace belongs to. Ruth does get the reward in the end, which allows her to finish at Briarwood Hall and go on to college in later books. However, while the old woman was apprehended with the necklace on Ruth’s information, I think it’s important to note that Ruth does not chase her down and apprehend her herself. Ruth is still at boarding school when others do that on her behalf, and she is then summoned to identify the apprehended suspect. On the one hand, this would never happen that way in a modern, 21st century book. In modern books, the girl heroines are much more active and would insist on catching the bad guys themselves. On the other hand, I have to admit that the way the book did it would actually be the more likely way this situation would play out in the real world, with the boarding school kid just providing information and being kept at boarding school while others apprehend the criminals. I think if the book was rewritten in the 21st century, Ruth would be more active in catching the criminals and retrieving the necklace, but there is some realism in the way the book actually ends.

Ruth’s career ambitions are not resolved in this story but are addressed more directly in the next book in the series.

Stereotypes and Racial Attitudes

I was curious about the notion that gypsies kidnap people because I’ve read about that in other books, and I wondered where that idea came from. According to an article that I found, it seems to come partly from traveling gypsies being used as scapegoats for missing or murdered children (like in old movies, where the small-town sheriff is anxious to blame a “drifter” for a crime) or as “bogeymen” in stories parents told to scare their children into not wandering away from home and also partly from people noticing children among traveling Romany groups who did not seem to resemble the people raising them, particularly if the children seemed to be lighter-skinned or have lighter hair or eyes than the adults. The reasons for the children not looking like the adults have been proven in modern times to be because the children were either adopted or were simply biological children who didn’t look like their parents through quirks of genetics, which sometimes happens. Light-colored eyes and light-colored hair are recessive traits, while dark eyes and dark hair tend to be more dominant traits, but even a dark-eyed, dark-haired person can carry the recessive genes for light hair and eyes, and those recessive traits can come out in the next generation. Basically, the children resemble previous generations in the same family, such as grandparents or great-grandparents, and if observers could see all the generations of the family together, it would be more clear how the traits were handed down to the children. (People also used to think that it was impossible for two blue-eyed parents to have a brown-eyed child, but that also happens sometimes because genetics can be complicated, eye color can be influenced by combinations of multiple genes together, and genetic mutations sometimes take place.) Basically, some people overreact when they see a child who doesn’t match the adults they’re with and start imagining kidnapping, but often, there are other, logical explanations, and being too quick to scream “kidnap!” causes problems. Some people do this to families who have had interracial adoptions. Personally, my brain would be more likely to consider possible divorces or previous relationships or possible affairs or maybe that the adult was actually a hired caretaker rather than a parent to be the next most-likely explanations after adoption for children who don’t look like parents, and I wouldn’t be eager to publicly ask questions about the sexual or reproductive history of total strangers. Unless the child appeared to be in immediate physical danger or was screaming, “Help!” or “This isn’t my daddy!” or something similar, I would be unlikely to interfere. “If you see something, say something” can be helpful, but it also helps if what you see is the big picture.

I also noticed that the gypsies in the story are described as being non-white people because they have darker skin, and even Ruth seems to dislike them and be suspicious of them for that alone. Granted, these particular people are actually criminals in the story who kidnap Ruth and Helen, but Ruth was thinking that just from looking at them. While I would have understood Ruth being reluctant to trust them because they’re strangers and because they know from the men in the empty house that there are thieves in the area, it’s their darker skin that bothers Ruth first. When Ruth first meets Roberto’s grandmother, Ruth thinks that the gypsy woman is too dark and strange/foreign to be trustworthy, and she later hates that her gypsy disguise involves bare feet and her skin dyed darker. She is ashamed of the way she looks in that disguise and thinks that she would be embarrassed for Tom to see her looking like one of the gypsies. Ruth’s prejudices bothered me more than if another character had done it because, while the older Stratemeyer Syndicate books do have inappropriate racial language and attitudes, the characters who are outright racists are typically the ones the stories show to be unfriendly antagonists or outright villains. From what I’ve seen so far, it’s rare for a friendly main character to be outright disparaging of racial appearances even if they have stereotypical notions about other people.

It’s really an irony that Ruth has prejudices against non-white people because the beginning of the story involves an argument with her uncle about his prejudices about girls. If this book had been written, or at least revised, during the 21st century, the rest of the story would have involved overturning both sets of prejudices. In the book as it is, nobody’s prejudices seem to be proven wrong.

Uncle Jabez’s assertions about girls’ usefulness go largely unchallenged. The girls are kidnapped when they’re by themselves, after Tom leaves them alone. Ruth copes decently with her captivity by helping Helen escape, but she needs help to escape herself, and men apprehend the criminals in the end, not Ruth herself. If Ruth’s uncle has any rethinks about the relative usefulness of boys and girls, he doesn’t mention it, and he isn’t presented with any strong evidence in favor of girls. Ruth is just content that she got the reward money for the return of the necklace, so she isn’t solely dependent on miserly Uncle Jabez’s grudgingly-given support.

There are no prejudices about gypsies proven wrong in the story. While I’m sure that most real-world Romany are not kidnappers, the gypsies in the books are criminals and kidnappers. Roberto is fond of his family and their traveling lifestyle, but at the end of the book, he accepts a new job as a gardener at Ruth’s school. He cuts his hair more like mainstream American styles of the time, and he starts wearing more mainstream American clothes. Ruth notes that his skin is still darker, but she is happy about these other changes. It is revealed that Roberto’s family came from Bohemia (a region now part of the Czech Republic) about ten years before, and his grandmother will now be deported back there, but Roberto wants to stay in the United States. He Americanizes his name and starts having people call him Robert. That’s quite a conversion from his attitudes much earlier in the book. Granted, having relatives arrested for theft and kidnapping can have an effect on a person, but from his earlier descriptions of his grandmother, I’m pretty sure that these sort of situations are not new to Roberto’s grandmother and the rest of their group. Maybe getting caught is new, but there is an implication that his greedy grandmother has done shady things before for the sake of money. But, part of the happy ending of this story is that Roberto gets assimilated into mainstream American society and becomes less ethnic, which is bound to leave a bad taste in the mouths of modern Americans.

So, Did I Like the Book?

I liked parts of it. As I pointed out, there are things in this book that are highly problematic for modern people, and I think the book as it is would be more suitable to adults who are interested in nostalgic children’s literature or the evolution of children’s literature. However, there are parts of the book I did find interesting, and I can see ways in which the book could be rewritten to make it both more exciting and more acceptable to modern people. For example, I really liked the part with the empty house where they overheard the thieves talking and the way the girls scared the thieves with the bats. If I were rewriting the story, I would extend that scene and leave out the part with the lamb, which didn’t contribute much to the rest of the story.

Of course, I would just have the criminals be part of a random criminal gang, not Romany. (How common were traveling caravans in the early 20th century anyway? I’ve never seen even one in real life. Was that really a common thing at one point so that it ended up in so many children’s books? From what I’ve read about Romany populations and migrations in the United States, some of the stereotypes about them had some basis in fact, like that some of them occasionally resorted to stealing to survive, but were exaggerated in the press for the sake of sensationalism, so I’m thinking that the prevalence of gypsy caravans and fortune tellers were probably also greatly exaggerated in literature.) I picture the criminal gang organized with the two guys who hide out in the old house being the thieves, and the others being a seemingly-ordinary and pleasant-looking couple who act as the fences of their stolen goods. Then, the girls could hitch a ride from this nice-looking couple after their car breaks down. At first, they wouldn’t know there was a connection between the “nice” couple and the thieves, but they would later accidentally see the couple talking with the thieves and the thieves handing over their goods. The girls would get caught spying on them, so the criminals would kidnap them because the girls now know too much.

Later, after the girls get away from the criminals, Ruth could find out that the necklace they saw being handed over wasn’t among the thieves’ belongings when the police caught up with them. Thinking about the place where the thieves were caught and something she may have heard them say, she could then realize that the thieves doubled back on their trail after the girls escaped from them, returning to their hideout in the abandoned house to hide the necklace because they still don’t know that the girls were in the house when they were talking there before. Then, Ruth could sneak away from her boarding school for a day to go back to the house and look for the necklace, finding it in a clever secret hiding place. I think that arrangement of events would make Ruth more active in solving the mystery, better justifying her acceptance of the reward at the end.

The Richleighs of Tantamount

The Richleighs of Tantamount by Barbara Willard, illustrated by C. Walter Hodges, 1966.

The Richleighs are a wealthy Victorian family in England, their enormous wealth the product of generations of marriages between wealthy families. There are four children in the family (from oldest to youngest): Edwin, Angeline, Sebastian, and Maud. The four Richleigh children are accustomed to their family’s wealthy and luxurious lifestyle, brought up by their fond parents and the governesses and tutors they hire to oversee the children’s education. Overall, the children are happy and appreciate their privileged lifestyle, but there is one thing that bothers all of them. It has bothered them for a long time. They don’t understand why their parents won’t take them to see their family’s ancestral home, Tantamount.

The wealthy Richleigh family owns several grand houses (including one in Scotland and one in Italy), but Tantamount is a mystery to the children. They know it exists because their family has a painting of it, and their grandfather talked about it once. A distant ancestor built this castle-like mansion in Cornwall, on a cliff overlooking the ocean and in a mixture of styles from around the world, and it’s supposed to contain some amazing things. Yet, the children’s father says he has never been there himself. The children’s parents don’t even like to talk about the place, and they’ve never taken the children there. The children know that something mysterious must have happened there at some point, but they have no idea what it is. They just know that they would love to see the place and find out what all the mystery is about! They often speculate about what the place is like, what once happened there, and why they’ve never been allowed to see it.

One day, Sebastian, who is the one who usually asks the most questions, decides to press their mother for answers about Tantamount. She tells him that his great-great-great grandfather, who built the place, was an eccentric and that the mansion is just too big, too inconvenient, and too remote to be of any comfort or use. This inconvenience is one of the reasons why most of the Richleigh family just cannot be bothered to go there. Also, his mother admits that the Richleighs are actually a little ashamed of the house because it is so hideously, overly elaborate and vulgar, even by the luxurious standards of the Richleighs. Sebastian says that he would still like to go there for an adventure, but his mother sees no point to it. She tells him that he can’t always have everything he wants, that he’s already a very indulged boy, and that he should just be happy with what he has. However, the children’s burning desire to see Tantamount and experience what they imagine as its mysteries isn’t really about the physical ownership of the house or the fantastic things that are supposedly kept there but about the spirit of mystery and adventure. As wonderful as everything the Richleigh family has, the children are chasing something else: excitement!

The children’s parents are actually the ones who don’t seem to understand the emotional attachment that people can have to physical belongings. Twice a year, they have their children donated old toys of theirs to the poor, which is a good thing, but poor Maud is traumatized when her parents tell her that she must give up her old rocking horse, Peggy, and that they will replace it with a brand new one. It’s not because Maud has outgrown rocking horses, but Peggy is looking a little shabby from use, and they want the children’s toys to all be in the best condition. They don’t consider the emotional attachment that Maud has to Peggy from her hours of playing with her or that Peggy’s shabbiness is a sign of Maud’s love for her. When they tell Maud that old toys are dangerous for children to play with, Maud asks why they aren’t dangerous for poor children to play with, her mother just tells her not to answer back. (Meaning that she doesn’t have a good answer, and she knows it.) Sebastian says maybe it would be better to just buy the poor children a new rocking horse instead of sending them Peggy, but his father tells him not to be impertinent, showing that this ritual about giving toys to the poor isn’t really about doing something nice for the poor so much as updating the children’s toys for the newest and “best” when that isn’t really what the children themselves want.

Soon after the children’s father gives away Peggy, he falls seriously ill, apparently from something he caught from the family he gave Peggy to. The children worry about what his illness will mean for their family, especially if he dies. Their first thoughts seem fairly petty. They first think that maybe this wouldn’t have happened if he hadn’t decided to give away Peggy. Then, they realize that, with their father ill, they won’t be able to travel to Italy this summer, as the family planned. Then, they think that, if their father dies, they will all have to wear gloomy black, and either Edwin will become head of the family at age 16 or that their uncle will look after the family. Their uncle is a more dour man than their father, so that’s also a gloomy prospect.

Fortunately, the children’s father recovers, and the children are relieved. His doctors advise him to take a sea voyage to recover. The parents will be traveling without the children, and they won’t be going to Italy, but the children say that they understand that this is important to their father’s health. However, this does leave the question of what the children will do while their parents are traveling. The parents ask the children for their opinions about what they would like to do this summer because they want the children to have a pleasant time together while they are gone. There is only one thing that all of the children want, and this time, the children’s parents agree: the children will spend the summer at Tantamount.

The parents make arrangements with Mr. Devine, the agent who manages the property on behalf of the family, for the children to go there for the summer. The children will be chaperoned by their governess, Miss Venus, and Edwin’s tutor, Mr. Gaunt. Before they leave, the children’s father tells Edwin that, since he is 16, he’s no longer just a child, and if any situation should arise which requires him to take charge, he should, as the heir to Tantamount. If anything serious happens, and they need help, they can also send word to Mr. Devine. The children’s mother tells them that there will also be a housekeeper at Tantamount who has a daughter of her own, who will also be helping out.

From the moment their parents leave for their voyage and the children make their final preparations to leave on their trip, they feel like everything is changing. Although they were always aware that they were privileged, they never really noticed much about the details of their lives or home or thought very much about the people who served them. Alone for the first time with Miss Venus and Mr. Gaunt, Angeline is struck with the thought that she never really noticed much about Miss Venus as a person, even what she truly looked like. Before, she was always just the governess, just another part of the steady routine of the children’s lives, but now, dressed for travel and just as excited as the children, she really seems to be a real person. Even Mr. Gaunt is excited and not so much his usual somber self. The children quickly realize that, without their parents there to insist on proper behavior, stiff manners, and a certain appearance, the governess and tutor are relaxing and become more themselves. Mr. Gaunt tells the children stories about his past travels across Europe, and they’re much more fun to hear about than his usual dull lessons. As they step outside of their usual rigid routine, it seems like everything has magically come to life for the children.

When they first arrive at Tantamount, it’s dark, and the place seems sinister. However, they receive an enthusiastic welcome from the housekeeper, Mrs. Pengelly. In the morning, the children see how grand the place truly is. The rooms are big and elaborately decorated, and there are amazing views of the sea.

Even more exciting than that, the children also quickly realize that life at Tantamount offers them the opportunity for more freedom than they’ve ever had in their lives. Without their usual nurses to pick up after them or fuss over what they’re wearing, they are free to make these simple choices for themselves. The idea of looking after themselves for a change and doing things as they want to do them is exciting by itself. Some parts of looking after themselves seem a little daunting at first, but Angeline realizes that it’s also good for them. Young Maud worries about what “they” will say about things the children are doing, but the older children point out that there is no “they” to worry about. Their parents and nurses aren’t there, and everyone who is there technically works for them.

Eagerly, the children begin to explore Tantamount. It is filled with strange and wonderful things, but most of it is in shabby and neglected condition. There are magnificent statues that are crumbling and a beautiful chandelier lies smashed where it fell on the floor of the ballroom. Angeline first thinks that their father will blame Mr. Devine and Mrs. Pengelly for the condition of the house, but Edwin points out that the house has been neglected for generations by the Richleighs themselves. Who knows how many years ago the chandelier fell when nobody in their family even cared whether it was still hanging or not? Edwin himself says that if their ancestral home was neglected to the point where it started falling apart, their own family was to blame. The children discuss which is more of a “folly”, as Mr. Gaunt put it, to build such a grand place in such a remote location or to forget forget about it and let it fall apart. The word “folly” can refer to an unnecessary building like this, and Edwin says that Tantamount is a “folly” in the sense that the family has done well enough without it for years. Edwin says that their ancestor probably had fun building it and that men like that build grand things for travelers to marvel at, but apart from that, they have little use. Since then, most family members have barely even thought about Tantamount. The children begin to feel sorry for the mansion, almost like it’s a neglected animal with a personality of its own. The place starts to feel sad to them.

Edwin also points out that Tantamount is actually dangerous in its crumbling condition. He even saves Maud from stepping onto a section of floor that would have crumbled underneath her. The children realize that they will have to be very careful of everything they do in Tantamount.

Tantamount is a sad and scary place, but still exciting because the children’s adventure is only just beginning. When Miss Venus and Mr. Gaunt see the condition of Tantamount, they decide that they and the children cannot possibly stay there for the summer. However, the children have only just had their first look at the place and have only just begun to delve into its secrets and consider what might be done with the crumbling old mansion. Even more importantly, they have had their first real taste of the freedom and responsibility that Tantamount has offered them, and they won’t give it up so soon. Edwin asserts himself as the de facto head of the Richleigh family and tells the governess and tutor that they may leave if they find it too uncomfortable, but he and his siblings will be staying because they are family and this is their home.

At first, the children are nervous at sending the adults away, but Edwin has thought it out. He has noticed that Miss Venus and Mr. Gaunt are fond of each other, and he suspects that they might take this opportunity to run away and get married. The other children wonder if they will tell their parents that they are at Tantamount alone, but Edwin doubts it. It would take awhile for any message to reach their parents, and the tutor and governess also wouldn’t be too quick to admit that they had abandoned the children, even if the children did request it themselves. The children have also begun to suspect that Tantamount might not be all that it seems. Although their family neglected the place badly themselves, what exactly has Mr. Devine been doing as the steward?

The Richleigh children befriend Nancy and Dick, two sailor’s children who live by themselves nearby. Nancy and Dick are a little afraid of the Richleigh children at first, partly because Edwin attacks them when they first meet, thinking that they’re trespassers, and partly because they know more about the dark history of the Richleighs and Tantamount than the Richleigh children do. However, the children all become friends, and Nancy and Dick teach the Richleighs many things that they need to know to survive on their own at Tantamount. The Richleigh children are happy to get help from Nancy and Dick, and they’re especially happy that, for one in their lives, they’ve made friends on their own instead of just associating with the people their parents have picked out for them to meet. Nancy and Dick are far less fortunate than the Richleighs, and they open the children’s eyes to what poverty really means. Nancy and Dick are also on their own because their mother is dead and their father hasn’t yet returned from the sea.

The Richleighs are impressed with the things that Nancy and Dick know and can teach them, and they also enjoy the carefree summer that they spend with Nancy and Dick. While they’re happy to accept help from them, the last thing the Richleighs want is any adult finding out that they’re living alone at Tantamount. There are still mysteries there for the children to solve, and the last thing they want is to give up the first real freedom that they’ve ever experienced!

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

The Richleighs are practically the personification of a privileged Victorian family. Readers are told that the Richleigh children are accustomed to luxury, although the book is also quick to say that they aren’t spoiled because readers might find them insufferable if they were. However, in the first few chapters, readers might also realize that the Richleigh children are living a rather repressed and highly controlled life. They have all kinds of toys to play with but no control over whether or not they get to keep their favorite old toys. Their parents get rid of anything that they personally think is getting too shabby without regard for sentimentality. Peggy wasn’t just a toy to Maud; she was like an old friend, and she and her siblings are sure that her new owner won’t appreciate her as much or might do something horrible, like sell her for drinking money or turn her into firewood. The parents are unconcerned about Maud’s feelings. They and the children’s nurses are always telling children not only what they should do but how they should feel. When Angeline expresses an opinion, her nurses tell her that “Ladies don’t have opinions – they’re nasty things to have.” When Sebastian tries to make his mother understand how much it would mean to him and his siblings to see Tantamount, he talks about “adventure”, but the book hints that he may have also been thinking of “escape” – escape from the luxurious monotony of their lives, from the constant supervision and control of the adults, and from constantly being told who they are, what they should do, and how they should think and feel. The two oldest children, Edwin and Angeline, realize that their parents are prepared to give them anything they want, but only provided that the children want the things their parents think they should want, like the new rocking horse.

When the children are left to the own devices at Tantamount, they have to take responsibility for themselves and manage everything by themselves for the very first time in their lives. Rather than finding it frightening, however, the Richleigh children find it exciting. Young Maud is the one who’s the most worried because there has never been a time in their lives when the children haven’t had someone taking care of them and telling them what to do. Angeline thinks that learning to do things for themselves will be good for them, and she delights in making simple choices, even deciding what to wear without someone to tell them. However, Maud doesn’t even know how to dress herself without help, and she worries about what “they” would say. Sebastian points out that there is no “they” to say anything. The children themselves are in charge, and Sebastian is looking forward to them doing what they want to do. Maud doesn’t know how they’ll even begin to know what to do without someone telling them, but Edwin reassures her that they’ll figure it out.

Since Edwin is the oldest boy and he already has their father’s permission to act as the heir to Tantamount, the children immediately decide that he’s in charge. It fits the general pattern of Victorian society that they’re all accustomed to, and it makes Maud feel a little better that someone’s in charge. However, because Edwin now gets to run things the way he wants, he doesn’t just want to give his siblings orders. He establishes the group as a family council so they can discuss things and make decisions together. Although he maintains his position as the head of the family council, he cares about how the others feel, and over the course of the summer, he particularly comes to value the thoughts and advice of Angeline, who proves herself to be a sensible and practical young lady.

It isn’t long before the children discover the dark secret of Tantamount that they always suspected was there: it is being used as a hideout for smugglers and has been for some time. The reason why Mr. Devine hasn’t tried to maintain the house or a staff there is that he doesn’t want anybody snooping around and learning the truth about what he’s been doing there. When the children figure it out, they also realize that no one else is aware of their discovery yet. The locals might have their suspicions, but so far, nobody knows that the Richleigh children have made this discovery and that the children are staying at Tantamount all by themselves. However, this situation can’t last. Eventually, the smugglers will come back or Mr. Devine is bound to check on them, and the children will have to decide what they will do when that happens.

The children also must confront the knowledge that their own ancestors must have been the ones who started the smuggling and wrecking business and were responsible for the deaths of many sailors. There was a hint to the dark history of Tantamount in the painting the children have admired for years, but the children just didn’t understand the meaning of it before. The children’s parents don’t seem to be aware of any of this, or they would never have allowed the children to go to Tantamount at all. The children realize that the reason why Tantamount was abandoned by the family was that, at some point, some of the Richleighs decided that they didn’t want any part of this nefarious business anymore, so they got as far away from Tantamount as they could, created new lives and homes for themselves, and tried to prevent the younger generations of the family from finding out what happened there. This is the dark side of privileged families. Although much of the Richleighs’ wealth has come from wealthy marriages, not all of it has, and some has come from some dark sources.

The children still love Tantamount, even for its darkness, and they wish they could do something to cleanse it of all the bad things that happened there. Tantamount has changed them and allowed them their first tastes of freedom, independence, and self-discovery. The oldest children realize that their time there can’t last because their parents will come for them at the end of the summer, and there is still the matter of the smugglers. They try to think of a way to preserve some of the feelings of this transformative summer even when it’s time for them to go home.

In the end, the real villain eventually brings about his own end while trying to destroy Tantamount and hide its secrets forever, and the children pledge to themselves that they will rebuild it someday, but in their own way and for much better purposes. This is a secret that they keep from their own parents, just between the four of them, because this is something that they want and will pursue independently at some point in the future.

There are sad parts to the story as the children reflect on the abandoned and neglected nature of Tantamount and the evil that has happened there. However, there is also adventure and mystery and the kind of magic that comes from a carefree summer spent in a fantastic place!

The Wouldbegoods

The Wouldbegoods by E. Nesbit, 1901.

“We are the Wouldbegoods Society,
We are not good yet, but we mean to try,
And if we try, and if we don’t succeed,
It must mean we are very bad indeed.”

By Noel Bastable

The previous book in the Bastable Children series, The Story of the Treasure Seekers, ended with the children and their father going to live with their “Indian uncle.” The uncle isn’t identified by name, but he is apparently their real uncle, and he had only recently returned from living in India in the previous book, when he invited the Bastables to come live with him at Christmas. Since then, he has been helping the children’s father with his business, and the children are once again going to school, but not boarding school because their father doesn’t believe in boarding schools. However, the six Bastable children are still motherless and not accustomed to being supervised much in their free time.

During the spring, the children of one of their father’s friends come to stay for a visit. The Bastable children don’t like the other children much at first because they seem too timid and too well-behaved. The imaginative Bastable children decide that what these other kids need is a good game of pretend to get them out of their shells. One of the Bastables’ favorite books is The Jungle Books by Rudyard Kipling, so they decide to make their own jungle and act out scenes from the book. They give their guests the book to read, pointing out parts that they want to act out, while they go set up the jungle. They use the garden hose to create a waterfall, and they haul a bunch of their uncle’s taxidermy animals out of the house to set the jungle scene. They also set loose some guinea pigs and a pet tortoise and cover their dog in coal dust so he can be a wolf. Their father’s friend’s son, Dennis (called Denny), starts really getting into the game, but his sister, Daisy, prefers just to read the book. Matters come to a head when the boys frighten Daisy too much with their tiger costumes, and she faints. It is at that moment that their father and uncle arrive with some friends, seeing the children all gathered around Daisy, whom they first fear has died of fright. Some of the boys are nearly naked, their skin covered in brown dye so they’ll look like Mowgli from the book (no modern children should dye their skin for a costume like that, and that should be something adults explain to them, if they read this book), the taxidermy animals are all wet from the hose, the coal-covered dog is on the sofa inside, and the tortoise and one of the guinea pigs are never seen again.

Naturally, the adults are angry at the situation, and the children admit that their game went too far. The uncle swats the boys with his cane (not the girls because it would be ungentlemanly to hit a girl), and all of the children are sent to their rooms and put on a temporary diet of bread and water as punishment. Their father briefly talks of the possibility of boarding school, which shocks the children because they know how he feels about it. What the adults decide to do instead is to send the children to the country for the summer. Their friend from the previous book, Albert’s uncle, is an author, and he has rented a house in the country, where he will be writing. He always appreciates the children’s imagination and playacting, and he agrees to take all eight children, both the six Bastables and Denny and Daisy. (Albert isn’t there, so he’s probably somewhere with his mother.) Of course, since Albert’s uncle (who is never identified by any other name) will be writing much of the time, readers can guess that the children will have little supervision in the country.

The old manor house that Albert’s uncle has rented is a fascinating place. It has a moat around it, and a secret staircase, although it’s not really secret anymore because people already know about it. The eight children immediately begin doing things wrong in the country because they don’t know what they’re supposed to do and what they aren’t supposed to do, and adults usually only tell them what they’re not supposed to do after they’ve already done it. They ring a bell that is only supposed to be rung in emergencies, and they play in some hay that the horses are supposed to eat. Then, the girls in the group bring up an idea they’ve had.

The girls are still feeling guilty over the earlier bad behavior that got them sent to the country in the first place, so they’ve decided that it’s time for them all to reform their characters. Daisy in particular suggests that they form a society to do it because she knows that when people are serious about undertaking a good cause, they form a society for it. The boys aren’t as enthusiastic about the idea of forming a society around just being good, which doesn’t sound very fun or interesting, but the girls talk them into it. Oswald wants to know how it will be organized and who will be in charge, so they begin setting out some rules. Basically, all of the children are in the society, and nobody is allowed to leave it without telling the others. As long as they are in the society, they must always try their best to be good, and every day, they must try to do some good deed, which they will record in special book. After a debate about the name of their society, they decide to call it the Society of the Wouldbegoods. They also decide that this society must be kept secret from the adults, which is a major reason why their efforts turn out the way they do.

The first evening after they form the society, the children are unusually well-behaved but glum because they’re working so hard to be good. Albert’s uncle notices their odd mood, but they can’t explain to him why they feel this way, and he doesn’t press them. They also quickly have trouble finding good deeds to do, especially ones that are fun or interesting.

Dicky’s first good deed effort is to try to fix a window that seems broken to him, but it turns out that he doesn’t understand the reason why the window is the way it is. Because he changes it, a milk pan accidentally falls out the window into the moat. Oswald decides that the only good deed they can do is to retrieve the milk pan and fix Dicky’s mistake. They immediately recruit the other children to help them drag the moat, but none of them really knows how to do that, and by the terms of the society, they can’t ask the adults or tell them what they’re
trying to do. The only thing they can find to use for dragging the moat is a bed sheet, which they ruin by getting it dirty and tearing it, and it still doesn’t help them retrieve the milk pan. Failing that, they decide to make a raft and use it to reach the pan. This works better, but when they reach for the pan, the raft overturns and dumps everyone in the water, and Dora hurts her foot badly on an old tin in the water. Fortunately, the cook sees them fall in the moat, and she hurries to get Albert’s uncle, who gets the boat from the boathouse and rows out to rescue the children. (Apparently, the kids didn’t know there was a boat before they built the raft.)

Their next good deed goes better, although they don’t entirely think of it as a good deed. The children become fascinated with some soldiers who are training nearby. They like to watch the soldiers as they ride by and have their drills and exercises. When they wave to the soldiers, the soldiers blow kisses to the girls, which gives them a thrill. The kids dress up as soldiers and ask Albert’s uncle if they can borrow the old armaments that are decorating the walls of the old manor house as their weapons, and he says yes. (Oh, Good Lord, why? Nothing bad happens to the kids because of those old weapons, and they apparently don’t damage any of the antiques, but given their track record, this was taking a real risk.) The soldiers are amused by the children, and the next time they pass by, they stop and take a rest with the children. The captain of the soldiers takes some time to explain the soldier’s weapons to the children and tells them that they will soon be sent to the front overseas. (This is way too early to be World War I, and they refer to the Southern Hemisphere, so I think they’re talking about the Second Boer War, which was happening while this book was being written and published.) Before the soldiers leave, the children decide that they want to give them a parting gift, so they get some money from their father and give each of the soldiers a pipe and some tobacco, because the soldiers were all smoking during their rest break. Modern children’s books wouldn’t have the kids encouraging their smoking habit, but in this turn-of-the-century book, the gift goes over well. Sadly, the children never see any of the soldiers again after they leave for the front and don’t know what happened to them. Still, they did something nice for the soldiers.

The children’s experiences with the soldiers sets up their next attempt at a good deed, with mixed results. Part of it gets very uncomfortable, but it has a happy ending. The children notice an older woman who also watches the soldiers and seems to get very emotional when she sees them. They find out that her son is also a soldier who is already at the front, and she is very worried about him. The children decide that they should do something nice for her, so they try to weed her garden without permission. The problem is that the children
don’t know how to tell the difference between vegetables and weeds, so they also pull up her turnips and cabbages. The woman is angry with them, but they apologize and say that they’ll talk to their father about making things right with her.

Then, the children have to bring her a postcard addressed to her that was accidentally delivered to them with the mail for the manor house. They don’t even read it ahead of time although they could because they don’t want to do anything else wrong. This is a rare serious moment in this series because the postcard is from the army, and it says that the woman’s son is dead. The woman is very upset, and the children sympathize with her.

Then, the children decide that they can do something else nice for the woman by making a tombstone for her son. They know that he must have been buried at the place where he was killed on the battlefield, so he won’t have a normal tombstone in England, and they think it would be nice to make a memorial for him. The concept of making a memorial for someone who is buried elsewhere is actually a real thing. It’s called a cenotaph (although I don’t think these children know that word because they keep calling it a “tombstone”), and they are commonly done for soldiers who are killed overseas and buried there or whose bodies can’t be retrieved. (The musician Glenn Miller has one because his plane went down in the English Channel during WWII, and his body was never recovered.) Making a memorial of this type for the grieving family of a soldier would be a nice gesture, if it was done well and with the input of the soldier’s family. The kids do the best they can, carving a wooden tombstone and inscribing a beautiful message on it, but they don’t tell the soldier’s mother about it until after they’re finished. At first, the older woman thinks that they’re making fun of her grief, but Alice persuades her that’s not the case and convinces her to take a look. They decorate the tombstone with flowers and offer a lovely message about the soldier’s service to his country. The soldier’s mother is touched, and she appreciates the sentiment, although she has the children move the memorial to a more private spot. She likes it that the children continue to put flowers on the memorial, and she becomes friendly with them.

This episode also has a happy ending because it turns out that the reports of the soldier’s death were wrong. He was actually missing and injured, not killed. His mother and the children learn the truth when he comes home and sees the children decorating his “tombstone.” Fortunately, he is amused by the memorial and the touching sentiment expressed by the children, and his mother is overjoyed at his return. The children celebrate by chopping up the tombstone and using it for a bonfire.

Around this time, the children realize that they don’t have very many good deeds to record in their book, so they decide that they can make notes about any good thing that they notice someone else doing. Nobody is allowed to write about themselves or to persuade someone else to write something about them because bragging about their own good deeds wouldn’t be good or noble. It’s a fortunate decision because many of the children’s other adventures in the country aren’t directly related to the Society of the Wouldbegoods or their good deed efforts, but they count some of the things that certain children do during their adventures as good deeds (and Oswald gripes about things he did which he thought should have been counted but weren’t).

One day, the children are sent out on a long walk because Albert’s uncle has a headache and the children are making too much noise in the house. They decide to check out a tower that has some spooky local legends about it because it contains a tomb about halfway up the tower. The others credit Denny for a good deed because he offers to go first into the spooky tower. (This tower is somewhat based on a real landmark, but the
author took some creative liberties with it. The man who is supposedly entombed there, Richard Ravenal, isn’t a real person. He was created for this book, but he gets a mention in the lore of The League of Extraordinary Gentlemen.) The children have a frightening encounter there with a beggar. They give him a coin as a good deed, but he sees that the children have more money with them, so he locks them in the tower from the outside, telling them that he won’t let them out until they give him the rest. Oswald notices that there are bolts on the inside of the tower door as well as the outside, so he quickly locks them to make sure that the beggar can’t get inside. This turns out to be a good decision because, when the children toss the rest of their money to him, it isn’t as much as he thought they had, and he pounds angrily on the tower door. (Oswald thought that the others should have counted his locking the door as a good deed because it saved them, but they decide not to because it was really more “clever” than “good.” Oswald thinks that’s an unfair technicality.) The children are safe inside the spooky old tower until the beggar leaves, and they are able to signal to someone else to unlock the door from the outside. This incident wasn’t the children’s fault (for a change), but the adults insist that, from this point on, they take the dogs with them when they go very far from the house.

The children make some other attempts at doing good deeds on purpose, but again, they go horribly awry because the children don’t know what they’re doing, and they don’t talk to anybody else about their ideas before they do them. After they cause a disaster that ruins a fishing contest and wrecks a barge full of coal, which costs their father a lot of money to fix, Albert’s uncle explains to them the full consequences of what they did and how much trouble they caused for a lot of people. The children feel terrible about it, and Alice starts to cry. She doesn’t fully reveal the existence of their society to Albert’s uncle, but she does say that they’ve been working so hard at being good and doing good things, but nothing they do works out. She says that they must be the worst children in the world and dramatically says that she wishes they were all dead. Everyone is shocked by this, and Albert’s uncle calmly tells her that they’re not the worst children in the world. He says that he knows they’re all feeling bad about what they’ve done, and he does want them to feel badly because they have seriously caused some real problems, and he doesn’t want them to do these things again. However, he says that he doesn’t want them to give up on the idea of being good because that’s something that they will learn better how to do over time. Also, he notes that, in all the time he’s known then, none of them have ever done anything intentionally mean or wicked, they’ve never lied about what they’ve done, and they’ve always been sorry when things have gone wrong. Being truthful and genuinely regretful for causing harm are worthy qualities.

Oswald feels bad abut that part because he has realized that there’s one thing he’s done that caused a disaster, and he hasn’t admitted it to the others yet. What he did was unintentional, and he didn’t know the incident was his fault at first, but he’s been trying to work up the courage to confess since he realized what he did. Albert’s uncle’s kind words make Oswald confess right away, and Albert’s uncle is appreciative of his honesty for that, too. The others call credit Oswald’s confession as a good deed. He doesn’t think it is, but they say it counts because it was a difficult thing for him to do, and technically, he didn’t have to do it. At that point, nobody had guessed that he was responsible for one of the problems, and if he had kept quiet, it wasn’t likely that anybody would have found out. He had been honest because he simply wanted to be honest and do the right thing, even knowing that people might get mad at him or punish him for what he did.

Albert’s uncle forgives the children, although he still expects them to learn from their misadventures. At this point, the children also begin to consider just how far the Society of the Wouldbegoods will go. So far, it hasn’t been a great success, but they do appreciate what Albert’s uncle says about not giving up on the idea of trying to be good. Still, the children (especially Oswald), decide that it’s time to set an ending point for the society. They decide that each of them will try to do one more good deed of some kind, and when each of them has
one more deed to their name to put in their book, they’ll dissolve the society. From that point on, if any of them want to be good, they’ll do it on their own, when and how they choose do it. (The boys in the group are particularly relieved at this idea, although they’ve all been feeling some strain from the society.)

The children’s escapades still continue, some related to good deed efforts and some just part of summer activities that they do for fun. They try to hold a circus with some farm animals, which get loose. There’s a bonfire that gets out of control and burns a farmer’s bridge (although the children put it out themselves before it gets worse). Dora finds a baby who’s been left alone in his carriage and kidnaps/cares for it. At first, she thinks that maybe he’s the long-lost heir of a noble house who was kidnapped by gypsies, like in books,
and has been abandoned, so she must adopt him and care for him until he can be reunited with his family. Like many of the children’s good deeds, it has mixed results, but this one ends up being more on the side of good. She shouldn’t have just taken the baby from its carriage, and he technically wasn’t kidnapped until she took him. However, it turns out that his nanny was neglecting him, leaving him all alone while she flirted with her boyfriend. When the adults discover that the children have the baby and why they have him, the nanny’s neglect is exposed, and she gets fired.

A couple of the boys later buy a pistol, which they make all the children promise not to tell the adults about. (I thought at first that it was a toy pistol, but it apparently fires real bullets. God only knows why anybody thought it would be a good idea to sell these boys a real gun.) The boys were thinking at first that it would be handy to have if there was a burglar, but one of the boys accidentally shoots a fox with it and kills it. The other children, although they were pretending to be fox hunters, are upset at finding a real dead fox and bury it with a proper funeral before they know that it was one of the other boys who killed it. They get into some trouble over it from the master of fox hounds. The boy who shot the fox explains that, at the time he shot it, it was caught in a metal trap, and it bit him when he tried to let it loose, which is when he accidentally shot it. Albert’s uncle confiscates the pistol because none of this would have happened if the boys hadn’t been playing with a gun, and Oswald thinks that it would serve him right if they really did get a burglar in the house and were unable to fight him off. (I’m pretty sure that they’d be more likely to accidentally shoot one another or one of their own dogs before they shot anybody else.)

Toward the end of the summer, Albert’s uncle agrees to be a host for an antiquities society that wants to see the old manor house and investigate a nearby site for possible Roman ruins. Albert’s uncle is beside himself when he discovers that, rather than being host to a small club, more than 100 people show up to accept his invitation to have tea before touring the grounds. The children, inspired by a book called The Daisy Chain, decide that it would be amusing to bury some pottery that they made themselves, just so the antiquarians will definitely have something to find. That part turns out fine because the antiquarians can easily tell the pottery made by the children from actual antiquities, and they are amused by the children’s “relics.” The problem is that the children also decide to bury some pottery they found in the library along with their own pottery, and those were real relics. The antiquarians get excited when they find those, but Albert’s uncle realizes that those pieces of pottery belonged to the real owner of the rented manor house. The children have to go to the head of the antiquarian society to admit what they’ve done to get the antique pottery back.

From there, the children are inspired by something a tramp says to them to open up a stand offering free drinks (lemonade and tea), but it goes wrong when some people take advantage of their kindness. They also take part in some war games without realizing that it’s all a game or training exercise. Then, while acting out the pilgrimage from The Canterbury Tales, they meet a kind lady, who turns out to have a romantic past with Albert’s uncle! They’re not sure that they like the idea of Albert’s uncle getting married, but they’re willing to try to help him reconnect with his lost love if it will make him happy and for goodness’s sake!

THE EPITAPH

‘The Wouldbegoods are dead and gone
But not the golden deeds they have done
These will remain upon Glory’s page
To be an example to every age,
And by this we have got to know
How to be good upon our ow—N.’

by Noel Bastable

The book is now public domain, so it is available to read online through Project Gutenberg and Internet Archive (multiple copies, including audiobooks). There is also a LibriVox Audiobook on YouTube.

My Reaction

This book reminds me of a couple of more modern books, The Adventures of the Red Tape Gang by Joan Lowery Nixon from the 1970s and Why Did the Underwear Cross the Road? by Gordon Korman from the 1990s, which are both books about kids trying to do good deeds with unintentional and hilarious results.

Just as in the first book in the Bastable Children series, much of what the children do in this story is due to the children’s naivety and imagination and a lack of adult supervision. Oswald makes it a point to say that they were not entirely neglected by the adults while they were in the country. Although Albert’s uncle frequently had to spend time writing, he did spend plenty of time with the children, and their father and Denny’s father came to see them regularly, along with some other adults. The children enjoyed spending time with the adults and doing things with them, but Oswald doesn’t describe much of what they did with the adults because the things they did on their own were the most interesting. (In the sense of dangerous and disastrous, but also exciting.) At various times in the story, they meet up with adults who are happy to talk to the children and explain things about their business or how things work, but the children also like acting on their own initiative, without asking adults for advice or opinion or taking time to really prepare for things they want to do, like when Oswald didn’t want to take the time to actually train an animal to do something when the children decided that they wanted to have a circus with animals. The children’s innocence and ignorance are played for comedy, but child readers would probably appreciate the children’s sense of independence. Few modern children would be given even half of the opportunities the Bastables have to do things on their own and cause as much trouble as the Bastables do.

Racial Issues

In the first book of the series, I talked about some racial issues in the story, and there are also issues with racial language and attitudes in this book. I don’t know whether or not this book has been reprinted with altered language, like the first one. Some of the incidents in this book might take more editing than the first one, like where the kids darken their skin for acting out scenes from The Jungle Books or giving pipes and tobacco to the soldiers.

There is an instance of the use of the n-word in this book, and this time, it’s something Oswald says rather than something the adults say. Basically, he was talking about hard the children were working, and he was trying to imply that they were working like slaves, but instead of saying the word “slaves”, he says the n-word. Children’s word choice is influenced by the books they read reads and the things adults say around them, and we’ve already established that adults around them use the n-word in a casual way.

Again, this brings up the question of whether or not the author herself this that using the n-word is acceptable or if she’s just trying to portray the way some people around her talked. In a way, I think she does address this topic indirectly, although that might be unintentional. There is a point in the story when the children talk about unpleasant things found in poetry, like death and the devil, and they note that a person doesn’t always have to like the things they read or write about. It struck me that, perhaps, the author was trying to explain that she doesn’t always like, advocate, or believe in things that occur in her stories. This conversation isn’t directly related to the use of the n-word, so I’m not sure whether that would be one of the things that the author didn’t really like or not. It might have been a more general notion, like when authors write about sad things that happen or the things the children do that they really shouldn’t. It is a reminder, though, that characters are not exactly the same as their characters, and they may differ in important ways. The nature of the characters suits the story, but may not be a reflection of the author’s life and attitudes.

There is also one instance of an anti-Catholic attitude, but it’s played for humor. The kids are on a tour of Canterbury Cathedral, and their tour guide says, “This is the Dean’s Chapel; it was the Lady Chapel in the wicked days when people used to worship the Virgin Mary.”

(I’ve heard this accusation about Catholics worshiping the Virgin Mary before, all too many times, mostly from my Protestant grandmother. I belong to a family of mixed religions, and I had experiences like this from a very young age. Catholics don’t worship Mary. Catholics honor Mary, which is different. We also have a sense that those who were bound together by faith never lose that spiritual connection to the living members of the church when they die, so living Catholics can still communicate with the departed spiritually through prayer, which is what the whole thing about praying to saints is about. It’s about communication and spiritual support rather than worship. Catholics don’t have to do this if they don’t want to, but it’s always an option, if they feel the need of spiritual support from another soul who might understand their situation, because there is a sense that the spiritual connection is always there. Mary and the other saints are not substitutes for God or Jesus but rather part of an extended spiritual family that supports its other, younger, and more vulnerable living members in a spiritual way as they all, living and dead, serve and worship the same God. I suppose a simpler way of putting it is the concept that those who love us never leave us, or as C. S. Lewis put it in the The Chronicles of Narnia, once a king or queen of Narnia, always a king or queen of Narnia. Some bonds are unbroken by death. The punchline to the tour guide’s comment is in H. O.’s response.)

When the children think about the connotations of changing the name of the chapel from Lady Chapel to Dean’s Chapel because of changing worship styles, H. O. speculates, “I suppose they worship the Dean now?” You can imagine how well that question is received. Yeah, do they worship the Dean, or is the Dean just someone they’ve honored by naming something after him? You tell me if there’s a difference.

War and Soldiers

The scenes with the soldiers and war games remind me of something that the author couldn’t have known when she wrote the book. In the following decade, Britain would be involved with World War I (called the Great War before WWII), and many boys, like the kids in this story, would end up going to war. Oswald thinks that it would be exciting to be a soldier, but real war isn’t a game, and he might have many of his illusions shattered. Knowing what I know about this generation’s future, I have some real concern for the children in this story. There’s a very real risk that they could be killed in battle, just as the young soldier in this book that they built that tombstone for in this story could have died in the war that was being fought during his time. This story doesn’t go that dark because the Bastable Children series is a humor series, but there are moments of real sentimentality in the stories. E. Nesbit couldn’t have known about the war that was coming, but she did know about wars that existed during her lifetime. Introducing the children to the soldiers in this story introduces some serious concepts to the children, who are largely naive about many aspects of life, still thinking of many dangerous things as sources of excitement and adventure. We don’t know what happened to any of the soldiers the children befriended, but the knowledge that the old woman’s son almost died brings it to the children’s awareness that death is a very real possibility in that type of “adventure.” It’s a lesson that will accompany them into their future.