The Korean Cinderella

In this Korean version of the classic Cinderella story, a couple who live in a little cottage have a daughter they call Pear Blossom. Pear Blossom is a lovely girl, and when her mother dies, her father thinks that he should remarry, so he will have a wife to help care for his daughter.

The village matchmaker matches him with a widow who also has a daughter, a girl called Peony. However, after the marriage, it becomes clear that Pear Blossom’s new “mother” doesn’t like her, and her new “sister” doesn’t either. Her stepmother and stepsister are jealous of her, so they nitpick everything she does and make her do all the chores. As Pear Blossom’s father’s health worsens, he is less able to interfere with their mistreatment of Pear Blossom, and the stepmother schemes to find a way to get rid of Pear Blossom entirely.

The stepmother keeps assigning Pear Blossom chores that she thinks will be impossible for her to complete, but various animals take pity on her and help her. A frog helps her to fill a jug that has a leak by plugging the leak, and some sparrows help her to hull a massive amount of rice.

One day, Pear Blossom’s stepmother and stepsister go to a festival in the village, leaving Pear Blossom at home. The stepmother says that she can only go to the festival if she weeds the rice paddies first. However, a huge black ox appears out of a whirlwind and takes care of the task for her!

On her way to the festival, Pear Blossom sees the handsome magistrate but accidentally loses one of her sandals as she gets embarrassed and runs away. The lost sandal helps the magistrate to find Pear Blossom at the festival, and he declares that he wants to marry her.

There is an Author’s Note in the back of the book about the background of this fairy tale, and the author notes that there are multiple Korean versions of this story. There’s also an Illustrator’s Note that discusses the style of the illustrations. It explains about how designs that appear in the illustrations are based on designs from Korean temples, and there is also information about the clothing the characters wear.

The book is available to borrow and read for free online through Internet Archive.

Shirley Climo has written multiple picture books about versions of the Cinderella story form around the world, and it’s fascinating to see how a story that so many of us recognize varies from country to country while still maintaining the same basic pattern. An aspect of this particular version of the story that Climo explains in her Author’s Note is that the animals that help Pear Blossom in the story are sent by a kind of “goblin” called a tokgabi or doggabi. The story itself says this, but in folklore, this kind of “goblin” can represent the benevolent spirit of someone who has died. In this story, the spirit might be Pear Blossom’s mother. This explanation makes sense to me because I remember reading something similar about the Chinese version of the Cinderella story. The story of Rhodopis, which Climo retold in The Egyptian Cinderella, may be the oldest form of the Cinderella story, and it doesn’t have that element of the girl’s deceased mother helping her through trials until she finds happiness, but it does put the concept of the Fairy Godmother from European version of the story in a different light.

This is another children’s picture book where I appreciated the notes from the author and illustrator because they add more depth to the story. When I was a kid, I never read notes like that because I was only interested in the story itself, but notes like this make the book more appealing for older readers.

The Persian Cinderella

This is a Persian version of the classic Cinderella story.

There is a lovely girl named Settareh, a name that means “star” because she has a star-shaped birthmark. Her mother died shortly after she was born, so she has grown up with a stepmother, two stepsisters and some aunts and cousins. Her father leaves her to the women of the family to raise, but she is often ignored and neglected by them. Her stepsisters are jealous that she is pretty and are mean to her.

Then, one day, her father visits the women and gives them each some money to buy cloth for new clothes because the princes is inviting everyone to his palace to celebrate the New Year. However, in the market, Settareh spends her money on other things and has none left to buy cloth. She spends part of her money for something to eat because she’s hungry, and then, she gives some to a poor beggar woman as an act of kindness. Finally, she finds herself compelled to buy a strange blue jug. Her stepsisters tell her that she was a fool for buying the jug, which has an obvious crack in it and for wasting the money that she was supposed to spend on cloth, but Settareh still loves the little blue jug.

Then, Settareh discovers that the jug has a fairy inside and has the ability to grant wishes! Although her relatives think that Settareh won’t be able to attend the festival at the palace because she doesn’t have anything appropriate to wear, Settareh secretly asks the jug for a special gown and comes to the festival anyway. People at the festival don’t recognize her and think that she’s a visiting princess, and she catches the eye of the prince. However, she leaves the party quickly so she can return home before her family, accidentally losing a diamond anklet as she runs away. One of the prince’s servants finds it and gives it to the prince, who begins to search for the girl who wore it.

When the prince finds Settareh, he proposes to her, but Settareh’s jealous stepsisters scheme to get rid of her and take the magic jug for themselves! Settareh will need the prince’s help to escape!

There is an Author’s Note in the back, explaining more about this version of the story, which comes from The Arabian Nights, and some background information to the story, including a little about the New Year festival of No Ruz in the story, which is still celebrated in Iran. There is also an Artist’s Note about the style of the artwork.

The book is available to borrow and read for free online through Internet Archive.

I enjoyed this Persian version of the Cinderella story! I like Shirley Climo’s picture book series showing different versions of Cinderella stories from around the world, including The Egyptian Cinderella and The Korean Cinderella. One of the parts of this story I found the most interesting is that the story doesn’t end when the prince finds the girl who attended his party, as so many other versions of the story do. There is one last obstacle for the couple to overcome, when Settareh’s mean stepsisters use the magic of the jug to turn Settareh into a bird, until she flies to the prince, and he changes her back. I don’t now whether adding one more obstacle to the story enhances it that much, but I appreciated it as an interesting twist. It also resolves the matter of the jug because, while it grants the stepsisters’ evil wish, their wish also destroys the jug, so the wishing is over.

The artwork in the book is beautiful. The artist tried to make the art style as authentically Persian as possible, using models for the characters who were ethnically Persian (Iranian). The artist used a combination of water-based markers, colored pencils, and ink, and pictures are lively and full of color.

The Talking Eggs

There was a poor widow who lived on a small farm with her two daughters, Rose and Blanche. Rose was the widow’s favorite daughter because she was so much like her mother. They were both mean and bad-tempered, and they had grand dreams of becoming rich someday, although neither of them had the slightest idea how to accomplish that. Blanche, on the other hand, was a sweet girl, and her mother made her do all the work while she and Rose just sat on the porch, talking about all of their grand dreams.

One day, when Blanche goes to fetch water from the well, an old woman approaches her and begs her for a drink. Blanche gives her some water, and the old woman thanks her, telling her that she will be blessed for her kindness.

However, when Blanche gets home, her mother and sister yell at her for taking so long. They hit her, and Blanche runs away into the woods. Then, she meets the old woman again. She explains to the old woman what happened, and the old woman invites her to come to her house. However, she cautions Blanche not to laugh at what she sees there. Blanche promises that she won’t laugh.

The old woman is no ordinary woman, and everything at her house is strange. Some of these strange things are amusing, some are amazing, and some are just plain weird and a little alarming. The animals are all strange, with chickens of different colors and cows with curly horns. Then, inside the house, the old woman removes her head and puts it in her lap to brush her hair. Then, the woman produces a fancy stew from just one old bone. After supper, they go outside and watch rabbits in fancy clothing dance.

In the morning, the old woman tells Blanche to go out and gather some eggs before she goes home. Blanche is allowed to take any that tell her to take them and to leave ones that say not to take them. Blanche does as she is told, although the ones that tell her to take them are the plain-looking eggs, and the others are covered in jewels. The old woman tells Blanche to throw the eggs over her shoulder, one at a time, and when she does so, the eggs break and wonderful things burst out of them – fancy clothes, coins and jewels, and even a horse and carriage.

By the time Blanche gets home, she has many beautiful clothes, money, and luxurious things. Blanche’s mother pretends to be nice to her when she returns, but it’s only so Blanche will tell her where she got all the rich things. That night, when Blanche is asleep, her mother talks to Rose, telling her that she should also befriend the old woman and get the same rich rewards as Blanche. Then, they will steal all of Blanche’s things and head to the city to live the rich life that they’ve always dreamed of.

Of course, lazy and bad-tempered Rose isn’t as kind or hard-working as her sister. She ignores the old woman’s instructions and does everything she shouldn’t do. When she tries to force the old woman to give her riches, the old woman’s magic gives her and her mother their just desserts.

This book is a Reading Rainbow Book. It is available to borrow and read for free online through Internet Archive.

There is a note at the beginning of the book that this story comes from a Creole folktale that appeared in a 19th century collection of folktales from Louisiana by Alcee Fortier. It resembles folktales from Europe was probably adapted from fairy tales brought to Louisiana by French immigrants. It reminds me of the Mother Holle story, where a kind, well-behaved, hard-working girl is rewarded for following Mother Holle’s instructions, while her spoiled sister is punished for laziness and disobedience.

The old woman in this story is a similar figure to Mother Holle, with strange powers and magical objects, but there is no explanation of who she might be. The fact that she can remove her head just to brush her hair shows that she’s supernatural, but we don’t know if she’s supposed to be a witch or some other supernatural creature.

Personally, I don’t think I would laugh at any of the things in the old woman’s house. I think the strange animals sound more amazing than comical. I think I’d really be impressed by the different-colored chickens and the cows with the weird horns. I have to admit, though, that if someone takes off their head, my first reaction would probably be to run for it.

After the Sun Sets

This was my favorite book of fairy tales when I was a kid! I gave away my copy years ago and regretted it, but I was thrilled to find another copy later at an antique/vintage mall.

The collection includes some popular fairy tales that you can find in other fairy tale collections, like Cinderella, Brier Rose (the Sleeping Beauty story), and Hansel and Gretel. It also has some stories that are less commonly known these days, like Aiken-Drum, the Brownie and Prince Hal and the Giant. When I was young, my favorite stories in the book, the ones I read over and over, were Snow-White and Rose-Red, The Princess on the Glass Hill, and East of the Sun and West of the Moon.

One of the things that makes this collection unique is that it includes a section of poems at the back of the book. I love the one called Cinderella’s Song, and it was one of the reasons why I missed this collection so badly. I don’t think I’ve seen that poem in any other book.

The illustrations in the book are beautiful! I loved them as a child, and I still find them enchanting as an adult. Some are in black-and-white, but some are in full color.

I didn’t realize it when I was a kid, but this book is actually the third book in a series, The Wonder-Story Books, and it was a unit in The Row, Peterson Basic Reading Program. I have the 1962 edition, but the book is actually older than that. Its copyright was renewed multiple times.

The book is available to borrow and read for free online through Internet Archive. There is also an earlier edition of this book available through Internet Archive, and it doesn’t have the section of poetry included, so the poetry might only appear in the 1962 edition.

Aiken-Drum, the Brownie

Aiken Drum is a Brownie, a magical little man who likes to do chores for other people for little reward. Reward a Brownie too much, and he will leave.

Pat and the Fairies

Pat joins the fairies in a dance, and they loan him a pair of shoes when his wear out. When he later comes to return the shoes, he gets a wonderful reward. A greedy shoemaker tries to join the fairies in their dance and borrow a pair of shoes to get the same reward, but the fairies punish him when he tries to cheat them.

Change About

A husband grumbles about how little his wife accomplishes in the course of a day while she minds the house and their child and he works out in the fields. The husband and wife decide to switch places for a day to prove which of them works harder, and the husband has a surprise about what really happens at home while he’s away.

Cinderella

A girl who is abused by her stepmother and stepsisters receives magical gifts from her fairy godmother so she is able to attend the prince’s ball.

Snow-White and Rose-Red

A widow and her two daughters let a gentle talking bear spend the winter with them so he won’t freeze, but this bear is under a spell.

Snip, The Tailor

A tailor sets out to make his fortune. He uses his wits to defeat a pair of giants and win a castle and half the kingdom from the king.

Brier Rose

This is the Sleeping Beauty story. A young princess is cursed by a bad fairy. When she hurts her hand on a spindle, she and everyone in her castle falls asleep for a hundred years.

Prince Hal and the Giant

Prince Hal is the youngest of a king’s seven sons. The other six have left home to find brides and have never returned home. No one knows what happened to them. Prince Hal sets out to find what happened to his brothers. He finds out that they and their brides have been turned into stone statues in the house of a giant. Prince Hal must find a way to save them and the princess who has become the giant’s latest captive.

Hansel and Gretel

A pair of children are abandoned in the woods, and they find a strange house made of gingerbread. They are almost eaten by the witch who lives in the house.

The Princess on the Glass Hill

Every year on Midsummer Night, the hay disappears from a farmer’s field. Each of his sons tries to find out why, but each of them is frightened by the strange things that happen, until the youngest son faces the phenomenon and discovers a strange horse with a coat of mail that fits him perfectly. The same thing happens twice more so that the youngest son acquires three fine horses and three sets of mail. He keeps them secret at first, but later, he uses them to perform an amazing feat and ride to the top of a glass hill to win the hand of a princess.

East of the Sun and West of the Moon

A white bear comes to a family with many children and says that he will make them rich if the eldest daughter, Freda, will come with him. At first, she doesn’t want to go, but when she does, he takes her to a magical castle. Unfortunately, she disobeys the bear’s instructions while she’s there. He is under a witch’s spell, and Freda must find a way to undo the damage she’s caused and break his spell, following him to the witch’s castle by riding the winds, east of the sun and west of the moon.

I Keep Three Wishes Ready by Annette Wynne – It’s good to know what you want to wish for, just in case you get the chance.

At the Zoo by A. A. Milne – There are many fascinating things to see in a zoo!

Some One by Walter de la Mare – Someone knocked at the door. Who?

Little Nut Tree by Mother Goose – A traditional rhyme about a magical tree. One of my favorites!

The Duel by Eugene Field – The gingham dog and the calico cat have a fight.

Queen Mab by Thomas Hood – About the fairy queen and how she gives pleasant dreams to children.

Cinderella’s Song by Elizabeth Madox Roberts – Cinderella confides her secret to her cat.

Trees by Harry Behn – Trees are wonderful things!

The Story of the Baby Squirrel by Dorothy Aldis – A child finds a baby squirrel and raises it. When it grows up, it runs away, but they think he’s probably still living with the other squirrels nearby. They sometimes see a squirrel who seems to be saying hello to them.

The Hens by Elizabeth Madox Roberts – It sounds like the hens are talking, but what are they saying?

Roads by Rachel Field – Roads might lead anywhere and to all sorts of wonderful things!

Washington by Nancy Byrd Turner – About George Washington. This one seems like an odd inclusion to me, adding a poem about a historical figure to a collection that has more fairy tale themes.

Princess Hyacinth

Princess Hyacinth by Florence Parry Heide, illustrated by Lane Smith, 2009.

For reasons nobody understands, Princess Hyacinth is not affected by gravity, and she floats upward anytime she is not restrained or weighted down.

It’s a real problem because, while it’s difficult enough when she floats up to the ceiling of the palace, if she were allowed out of the palace without something weighing her down, she would simply float away.

Princess Hyacinth’s parents go to great lengths to make sure that she is always secured to something or weighed down with special weighted clothes and a very heavy crown.

Of course, being weighted down all of the time makes life difficult for Princess Hyacinth, too. She wishes that she could go outside and play and swim with the other children, but she can’t because she can’t be outside without the weights. There is one boy in particular who comes by her window with a kite with a crown on it and says hello to her, but it would be difficult for her to go out and play with him.

Then, one day, when Princess Hyacinth is particularly bored and tired of being weighted down, she persuades a balloon man to tie a string to her and let her float among his balloons. At first, it’s fun, floating along as the balloon man walks through the park, but then, the balloon man is startled by a dog and accidentally lets go of her!

As Princess Hyacinth floats upward into the sky, she is thrilled because she has never felt so free in her life, but where will it end? How high can she go, and is there any way for her to get back? Fortunately, there is a way for her to get home, with the help of a friend!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

This story reminded me of a much-older story from the 19th century, The Light Princess, but this picture book is much, much less serious than that book. In The Light Princess, the princess is cursed, and the story is about breaking this curse that has afflicted her all of life. In this book, there is never any explanation about why Princess Hyacinth isn’t affected by gravity, and she is never cured. Instead, she makes a friend who helps her find a way to live with her condition and enjoy it.

I liked the art style in this book. I found it amusing that the king, queen, and palace guards are drawn in the style of the face cards in a deck of playing cards. Princess Hyacinth is a cute little girl, and when she’s wearing her heavy princess gear, you can almost feel the weight of it on her. In the end, there are still times when she has to be tied down, but she seems more normal, less weighted down, because she has found someone to help her deal with her condition.

The Shoemaker’s Boy

Jem’s father is a shoemaker, and Jem is learning his trade. However, things take a bad turn when his mother suddenly becomes ill. It’s a strange kind of illness. She sleeps all the time, can’t eat, and is hardly breathing. The doctors can’t seem to help her, so Jem’s father decides to go on a pilgrimmage to St. James in Spain and pray for his wife to get better.

While he’s gone, Jem has to mind the family business and look after his mother. Jem’s father has a reputation as a incredible shoemaker, with people coming to see him even from other kingdoms, and Jem is worried that he won’t be able to maintain the business on his own because he’s still learning the trade. However, since nothing else seems to help his mother, it seems like his father’s holy pilgrimage is their last hope.

While his father is away, Jem tries his best, but he finds it difficult to keep up with the orders that come in for shoes. He falls behind on his work, and money is running short. Then, one day, he has a strange encounter with three little men, who are only the size of young children. They are all dressed in green, and they ask Jem for the three silver keys. Jem doesn’t know what they’re talking about, but the men say that they were sent to ask him for them because someone was supposed to leave the keys with him. Jem says that nobody has left any keys with him, and suddenly, the little men vanish! At first, Jem thinks that maybe he imagined the whole thing, but this is just the beginning of a series of strange happenings.

Late that night, there is a knock on the door, and when Jem answers it, he is confronted by a knight wearing black. The knight says that he wants Jem to make him a pair of boots because he’s heard that the boots from this shop are the best. Jem doesn’t want the knight to be disappointed, so he explains to him about his father being away and that he is not as good as his father at making boots. The knight appreciates his honesty and says that he will try Jem’s work anyway. He promises Jem an excellent fee for his services if the boots are ready by morning, and to Jem’s surprise, he also asks Jem if someone has left three silver keys for him. Jem tells him that nobody has left any keys with him, and the knight says that someone may leave them by the time the boots are ready, and he asks Jem to take good care of them.

Jem works on the boots through the night, and he’s making good progress when, in the middle of the night, a second knight arrives. The second knight is dressed in white. This knight doesn’t want any boots or shoes. Instead, he asks Jem to take care of a little packet for him while he runs an errand. He says that he has heard that Jem is very trustworthy, and he says that if he doesn’t return by morning, Jem can keep the packet. Jem agrees that he will take care of the packet and make sure no one else touches it.

The rest of the night is very strange. While Jem works hard on finishing the last boot, he hears strange sounds outside, and he thinks that he can hear the little men and the black knight calling out for the mysterious keys. What does it all mean? Are the keys in the packet left by the white knight, and if so, what are they for?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

This is a short, easy beginning chapter book, and it’s a nice story with a Medieval setting, written in the style of an old fairy tale. The story leaves a few questions unanswered at the end. We never really find out who the two knights are or who the little men are, although there are implications that they are supernatural. I think that they also have religious significance, tying them to Jem’s father’s pilgrimage. The contents of the white knight’s packet are not obvious, but it is the solution to Jem’s main problem. When Jem’s father returns home, he also has some information about Jem’s mysterious visitors, although he doesn’t have all the answers, either. Readers know enough at the end to appreciate that Jem made the right decision when he handled the packet and that his experiences were partly a test of his character.

The book mentions Jem’s father putting a scallop shell on his cap when he’s about to begin his pilgrimage. The scallop shell is a symbol of St. James, one of the original Twelve Apostles. The place where Jem’s father was going on his pilgrimage, the shrine of St. James at Santiago de Compostela in Spain is a real place that has been a popular site of religious pilgrimages for centuries. After Jesus was crucified, His disciples traveled to other places to spread the word about Jesus and gain new converts to the new religion of Christianity. St. James went to what is now Spain, and after teaching there, he eventually returned to Jerusalem. It isn’t entirely clear what happened to his body after he died, but one of the stories is that his followers brought his body back to Spain and buried it at the site now known as Santiago de Compostela. St. James is now the patron saint of Spain, and pilgrims who visit Santiago de Compostela often collect a scallop shell as a souvenir of their journey. Actually, that is the one complaint that I have about this book. In the story, Jem’s father puts on a scallop shell as he begins his journey, but in real life, Medieval pilgrims usually used the shell as a sign of completion of their journey.

Saint George and the Dragon

The story of Saint George and the Dragon is an old folktale. The story as told in this children’s picture book was adapted from Edmund Spenser’s Faerie Queene.

The Red Cross Knight, who carries a shield decorated with a red cross, does not know his own name or even where he came from. He only knows that the Queen of the Fairies has sent him to face a terrible dragon. He is accompanied on his journey by a princess with a little white lamb and a dwarf. The Princess’s name is Una, and her kingdom is being attacked by the dragon.

On their journey, they meet a hermit, who shows the knight a distant palace on a mountaintop, where angels travel between the palace and heaven. It’s so beautiful that the knight wants to go there immediately, but the hermit says that this palace is in another world and that he cannot go there until he faces the dragon. The hermit also reveals the knight’s past to him. He is not one of the fairy folk, although the fairy folk are the ones who sent him. The hermit knows that he was kidnapped by the fairies as a baby and hidden in a farm field, where he was discovered by a plowman who named him George. His true destiny is to become Saint George, the patron saint of England.

Una takes George to her parents’ fortress. As they approach, they see the dragon for the first time. George sends Una away from danger, and he and the dragon battle for the first time. The dragon picks up George, horse and all, and throws them to the ground. George manages to drive the dragon away, but he is also injured. At first, he and his friends think he is going to die, but he lies down in an ancient spring that cools and heals him. By morning, he is able to rise and fight again.

The second time George fights the dragon, he is able to cut off part of the dragon’s tail and one of its paws. The dragon’s fire finally drives George away, and once again, George seems too wounded to survive. However, he rests under an apple tree that drops healing dew, and George survives.

The third time George and the dragon fight, George manages to kill the dragon. Everyone celebrates, and Una’s parents thank George. The king gives George rich rewards, but George passes them on to the poor people. George is bound to the service of the Fairy Queen for six years, but the king allows George to marry Una and promises him that he will become the next king when his service is finished.

The book is available to borrow and read for free online through Internet Archive.

I love the colorful illustrations in this story, although some of them seemed a bit brutal for an audience of young children, showing George badly injured and the dragon spurting blood. Because I love folklore, I know that the legend of St. George and the Dragon is a Christian allegory, although it has some basis in earlier folktales and historical figures. I’ve heard different interpretations of what the dragon is supposed to represent. It can be a symbol of evil, the devil, or sin, and I think I’ve heard that it could represent paganism, which was replaced by Christianity (represented by St. George in the story), although I can’t remember where. In a way, I think this is one of those picture book that might mean more to adults because they would understand more of the symbolism, history, and folklore references in the story. On the other hand, who doesn’t love a story that ends with a gallant knight marrying a beautiful princess?

In case you’re wondering, the red cross on St. George’s shield isn’t the red cross used by the International Red Cross. However, Saint George’s Cross is on the national flag of England and is also part of the Union Jack flag of the United Kingdom.

As another odd piece of literary trivia, the legend of St. George has a connection to another story that I’ve on this blog, Phoebe the Spy. The connection isn’t an obvious one because Phoebe the Spy was set in New York during the American Revolution, which seems far removed from Medieval England. However, on April 23, 1770 (St. George’s Day), the St. George Society (originally called the Sons of St. George) was founded at the Fraunces Tavern in New York, just six years before the story of Phoebe the Spy begins at the same tavern. The St. George Society was and still is a charitable organization that helps immigrants from Britain, using the patron saint of England as its namesake.

Princess Furball

There was a princess whose mother died when she was only a baby and whose father never paid much attention to her. In spite of this misfortune, she had a happy childhood because her nurse loved her and let her play with other children. She arranged lessons appropriate to a princess with skilled tutors and let the princess learn how to cook in the royal kitchen.

However, when the princess was grown, the old nurse died, and the princess was very lonely. Her father only cared about the money he could get from the princess’s marriage, and to the princess’s horror, he arranged a marriage to an ogre who promised him fifty wagons of silver in exchange for the princess.

Unable to face the prospect of such a horrible marriage, the princess requests a special gift from her father for her wedding. She asks for three dresses: one golden like the sun, one silver like the moon, and one as sparkling as a the stars. She also asks for a special fur coat made of a thousand different types of fur. At first, the princess doesn’t think the king will be able to meet her demands, but to shock, he sets his people to accomplishing the task and presents her with everything she asked for.

Deciding that there is no other option but to run away, she takes the three dresses with her along with three small golden treasures that belonged to her mother: a ring, a thimble, and a tiny spinning wheel. She also takes along her favorite soup seasonings, which she got from the castle’s cook. Then, she puts on the bulky fur coat and flees into the woods.

In the woods, she is found by the hunting party of a neighboring king. At first, they mistake her for some kind of strange animal. When they find out that she’s a person, they take her back to their castle and put her to work in the kitchen. There, they make her do all the messy cleaning jobs. Nobody knows her real name, so everyone just calls her Furball after her strange, bulky coat made of a thousand patches of fur.

The princess always wears the fur coat as a disguise, but one day, she finds out that the young king of this kingdom is having a ball. She slips away from her kitchen duties and dresses in her dress like the sun. When she is unrecognizable as the kitchen servant, she is able to meet and dance with the king. Being herself is essentially a disguise!

When she slips away from the king and returns to the kitchen, the cook has her make soup for the king, and she uses her special blend of seasonings. When no one is looking, she she also puts her golden ring into the king’s bowl. When the king finds the ring, he asks the cook about it. The cook admits that Furball made the soup, so the king questions her about the ring, but she doesn’t explain.

At the king’s next ball, the princess repeats the same performance, this time wearing the dress like the moon. This time, she slips the golden thimble into the king’s soup when she returns to the kitchen. Again, she doesn’t explain when the king questions her about the thimble.

As in many fairy tales, it’s the third time that’s the charm. When the princess shows up to a ball dressed her her dress like the stars and doesn’t have time to completely change when she gets back to the kitchen that all is revealed, and there’s a happy ending!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I remember reading this book when I was a kid in elementary school! I think I read it when I was about 7 years old, when the book was pretty new. I always liked fairy tales. There is a brief explanation at the beginning of the book that the story is a Cinderella variant. This version is very similar to the English folktale Catskin and to the tale of Many Furs or Thousand Furs by the Brothers Grimm.

Like so many little girls, I was fascinated as a kid with the concept of the dresses that resemble the sun, the moon, and the stars. The fur coat made of many animals is a little alarming to me now, but it makes a good disguise in the story. I love the illustrations that show the princess in all of her different dresses and the Furball disguise!

The story doesn’t explain why the princess put her treasures into the soup, but my guess was that she wanted an excuse to see the king again and a way to keep him intrigued about her identity and her relationship to the mysterious princess who keeps showing up to his balls. It’s only after the king decides that he really loves the mysterious princess that it’s safe to reveal her identity.

Cinderella

Cinderella translated and illustrated by Marcia Brown, 1954.

This is a retelling of the classic Cinderella story, translated from the French Perrault version by Marcia Brown, the author and illustrator of many other classic fairy tales and folktales for children.

As in the classic story, Cinderella is a girl with a cruel stepmother and a pair of spoiled stepsisters, who force her to do all of the work of the house and make her wear rags. Her father never stands up for her because he is too attached to his second wife to oppose her.

When it is announced that the king’s son is holding a ball and that the stepsisters are invited, they hurry to get ready, and they make Cinderella help them. Of course, nobody thinks that Cinderella should go to the ball, and the stepsisters laugh and tease her about it.

When they head off to the ball, Cinderella watches them go and cries. Then, her fairy godmother appears and tells her that she is going to help her. The fairy godmother turns a pumpkin into a fine coach, mice into horses, and a rat into a coachman. She gives Cinderella a beautiful dress to wear and a lovely pair of glass slippers. However, she warns Cinderella not to stay at the ball past midnight, when her magic spells will end, and everything will become what it was before.

At the ball, Cinderella charms the prince and has a wonderful time. She is even nice to her stepsisters when she encounters them. They don’t recognize her in her new finery. Everyone keeps wondering who the girl who appears to be a beautiful princess could be. Shortly before midnight, she leaves the ball abruptly and returns home before her stepsisters do. She tells her godmother everything that happened and that the prince invited her to a ball to be held on the next night.

The next ball is also wonderful, but Cinderella loses track of the time and runs away suddenly when the clock begins to strike midnight. In her haste to get away, she accidentally leaves one of her glass slippers behind. The prince finds it and decides to use it to find this beautiful, mysterious girl he has already come to love.

Many young ladies try on the shoe, including Cinderella’s stepsisters, hoping that it will fit them. However, it will only fit Cinderella, and only Cinderella has the other slipper in the pair.

This is a Caldecott Medal Book. It’s available to borrow and read for free online through Internet Archive.

My Reaction

The story follows the classic Perrault version of the Cinderella story. There are many variations of this fairy tale, but this one is often the best-known. In some versions of the story, Cinderella’s father is also dead, which is why she is left at the mercy of her stepmother and stepsisters, but in this one, he is still alive and is just unconcerned about Cinderella’s treatment. He is never shown in any of the pictures and plays no role in the story.

I enjoyed the illustrations in this book. They’re an unusual style. Objects and people in the pictures are only party defined by pen lines. Many of their edges are more softly defined by color.

The Egyptian Cinderella

The Egyptian Cinderella by Shirley Climo, illustrated by Ruth Heller, 1989.

Rhodopis is a slave girl in Egypt. When she was young, she was abducted from her home in Greece by pirates, who sold her into slavery. Her blonde hair and green eyes make her look very different from the Egyptian servants, and none of them like her.

Most of Rhodopis’s friends are animals, and in the little free time she has, she likes to dance. The elderly man who owns her sees her dancing and has a special pair of rose-red gold shoes made for her so she can wear them while she dances. However, the Egyptian servants are all jealous of her for getting this special gift.

One day, the servants all leave her behind when they go to a special court held by the Pharaoh. While they are gone, a falcon snatches one of Rhodopis’s slippers and flies away. The falcon flies to the court and drops the slipper in the Pharaoh’s lap. The Pharaoh takes this as a sign from Horus that the girl who owns that shoe is destined to be his wife and immediately begins searching for her.

When he finds Rhodopis, the servant girls protest that she is not Egyptian and is only a slave, but the Pharaoh compares her green eyes to the color of the Nile, her light hair to papyrus, and her pink skin to a lotus flower. In his eyes, there could not be any other girl who could represent Egypt, and her slave status doesn’t matter.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I remember loving this book when I was a kid! I always liked fairy tales and folktales, and I think this was one that was introduced to me by our school librarian, probably around the time it first came out in 1989. For a long time, I was unaware that the same author also wrote other books based on variations of the Cinderella story: The Korean Cinderella, The Persian Cinderella, and The Irish Cinderlad. One of the fascinating things about the story of Cinderella is that variations of the story about a girl (usually, it’s a girl, although there are some variations with a boy) who is abused by her stepmother and stepsisters but who triumphs in the end when she marries a king or a prince, who identifies her as the girl he loves by a lost shoe, have appeared in cultures around the world. The classic one that most of us know is the French version by Perrault, but there are other versions of the story that are older.

There is an author’s note in the back of the book that explains that this Egyptian version of the Cinderella story is one of the oldest known Cinderella stories. The Roman historian Strabo recorded the story in the first century BC. The story is legend, but according to the author, Rhodopis was a real slave girl who married the Pharaoh Amasis in the sixth century BC (although accounts of her vary, and it can be difficult to separate history from legend).