The Story of the Treasure Seekers

The story of the treasure seekers book cover

The Story of the Treasure Seekers by E. Nesbit, 1899.

This story (the first in a series) is told by one of the six Bastable children: Dora, Oswald (who won the Latin prize at his school), Dicky, the twins Alice and Noel, and Horace Octavius (called H.O. for short). The narrator initially refuses to identify which of the Bastable children he is, saying that he might admit it at the end, but his constant self-praise (which begins immediately) and the way he refers to his siblings kind of gives it away. At various points in the story, he forgets that he’s trying to be mysterious about his identity and just refers to himself in the first person, although he goes back to the third person when he remembers. The children live with their father, but their mother is dead. The narrator says, “and if you think we don’t care because I don’t tell you much about her you only show that you do not understand people at all.” The story isn’t about missing their mother, but about their search for treasure. (“It was Oswald who first thought of looking for treasure. Oswald often thinks of very interesting things.”)

The Bastables are in need of money. After their mother died, their father was ill for a time. Then, his business partner went to Spain, and his business hasn’t been very good since. The children can tell that their father is economizing on household goods. He’s sold some things from the house, there doesn’t seem to be money to have broken things fixed or replaced, and he’s let the gardener and other servants go. He’s not even sending the children to school right now because he can’t afford the school fees, and people have been coming to the house about unpaid bills. Oswald thinks that the best thing to do is to look for treasure to restore their family’s fortunes.

The children all think of ways that they can look for treasure. Oswald wants to become a highwayman and hold people up, but Dora, as the eldest, rejects that idea as wrong. His next suggestion is that they rescue a rich old gentleman and get a reward, but that’s a long shot. Alice thinks they should try using a divining rod. H.O. is in favor of the idea of being bandits. Noel likes books, and he wants to either write poetry and publish it or possibly marry a princess. Dicky is more practical with things like math and money, and he tells the others about an advertisement in the newspaper about a way to earn money in your spare time. Since the children aren’t going to school and have plenty of time, he thinks they should try it. He also has another idea, but he refuses to explain to the others exactly what the scheme is. Dora, as the eldest, decides that they should just try digging for treasure, not even bothering with a divining rod, because it seems like people always find treasure by digging. Since that’s the most straight-forward method any of them have thought of yet, they decide to go with that.

They recruit Albert, the boy from next door, to help with the digging. They don’t always get along with Albert because Albert doesn’t like reading and isn’t good at games of pretend. (The children seem to know that this treasure hunt is a game, although they’re still half-way hopeful that they’ll actually find something.) Still, they manage to persuade Albert, and the children begin digging a tunnel. It’s Albert’s turn to dig when the tunnel collapses, half-burying the unlucky Albert, who screams and keeps on screaming while Dicky runs to get Albert’s uncle. Albert’s father is dead, so he lives with his mother and his uncle, who used to be a sailor and now writes books. The children all like Albert’s uncle because they like his books, and he seems to know a lot. Albert’s uncle matter-of-factly digs Albert out of the hole and asks the children how he came to be buried. The Bastable children explain about their search for treasure. Albert’s uncle says that he doubts they’ll find any treasure in the area, but as he unearths Albert, he seems to find a couple of coins, which he gives to the children to divide among themselves and Albert. (It’s hinted that Albert’s uncle is just giving the children pocket money that he pretends to find.) It’s an uneven amount, so they agree that Albert can have the larger share because he got buried.

The Bastable children could have used their new pocket money as stake money for the venture Dicky saw in the newspaper, but there are some other things they want to buy, so they spend it all and have to try something else. One of the children (they disagree later about who it was) brings up the subject of detectives, like Sherlock Holmes. They think that detectives must earn a lot of money, so some of them think they ought to try being detectives. Alice says that she doesn’t want anything to do with murders because that would be dangerous, and even if they did kill someone, she would feel bad if she had to be the one to get them hanged for it. After all, surely nobody would want to kill someone more than once anyway, so there’s probably little risk that they’d do it again. (Oh, boy. Alice has apparently never heard of serial killers. Jack the Ripper had already committed his murders by the time this book was written and published.) The others tell her that detectives probably don’t get to choose which crimes they investigate. They just have to look into any mysterious situations they encounter and see what they turn out to be. That reminds Alice that she did see something mysterious herself. She got up during the night because she suddenly remembered that she’d forgotten to feed her pet rabbits, and she saw a light in a nearby house, where the entire family is supposedly away at the seaside. The children think that some criminals may be hiding in the empty house and decide to investigate. It turns out that there is an innocent explanation. Oswald accidentally falls and gets knocked unconscious during the investigation, so Albert’s uncle is again recruited to carry him home, and the uncle lectures them about spying on people.

Since another money-making scheme has failed, they decide to move on to the next idea, publishing Noel’s poetry. He doesn’t have enough poems for a book, but they remember that they’ve seen poetry published in a newspaper, so they decide to talk to the newspaper editor. Oswald and Noel go to see the editor together. Along the way, they meet a woman who also writes poetry. She reads Noel’s poems and says that she likes them, giving the boys a little stake money to get Noel’s literary career started. At first, Oswald refuses the money because he remembers that he’s not supposed to accept gifts from strangers, but the woman insists that the gift is that from a fellow writer, not a stranger, and she gives them her card. The children’s father later says that she’s famous for her poetry, although the boys had never heard of her before.

When they see the newspaper editor, he seems amused by Noel’s poetry (which includes an elegy to a dead beetle) and very interested in how and why he came to write poetry. He invites the boys to join him for tea, and they explain about how they’re trying to restore their family’s fortunes. The editor says that he’s willing to buy Noel’s poems and publish them, and he asks what Noel thinks would be a fair price. Noel isn’t sure because he originally just wrote the poems because he likes poetry, not to sell. The editor offers him a guinea, which is more money than they’ve ever had before, and the boys are impressed and accept it. The editor says that his paper doesn’t normally publish poetry, but he can arrange for it to be published in a different paper. They later see a story in a magazine about them, written by the editor, with all of Noel’s poems with it. Oswald isn’t happy at how the story describes them, but Noel is pleased that he’s been published.

The book continues from the summer through the fall, and the children continue trying various money-making schemes, with varying degrees of disaster and success. Noel finds a princess to marry, but they only get a few chocolates out of that adventure. While Dora is away, visiting her godmother, the other children turn bandits on Guy Fawkes Day. The only person they can find to kidnap and ransom as bandits is Albert, who doesn’t like this game at all. (The children again seem to realize that this is only a game, but at the same time, they hope for a little money out of it.) They write the ransom note for Albert using H.O.’s blood because this adventure was his idea (although they also have to use red ink to finish it because they don’t get enough blood from H.O.’s finger). Albert’s uncle, who enjoys a good game of pretend, comes to ransom Albert, although he can’t pay the enormous sum mentioned in the ransom note. He tells the children that he knows it’s all a game, and he thinks a little more pretend play would do Albert good (Albert doesn’t have much imagination), and the rough play is also punishment for Albert sneaking out of the house while he should have been inside, nursing his cold. However, the uncle says they should have realized how scary that ransom note could have been for Albert’s mother if he hadn’t seen Albert with the children and knew where he was and what was really happening. The children apologize and admit that they don’t think much about people’s mothers since they lost their own. (Although the book is mostly funny, there are sentimental bits, too.)

Albert’s uncle suggests a more harmless money-making scheme to the children – starting a newspaper, and they let Albert join them. Their newspaper contains a couple of serial stories (that don’t entirely make sense, and some of the children can’t think what to contribute to them), some poetry by Noel, some “Curious Facts” (that aren’t entirely factual but are very curious), and an editorial piece on the subject of education by Alice, who says that if she had a school, nobody would learn anything they didn’t want to learn, but there would be cats, and the students would sometimes dress up like cats and practice purring. The newspaper turns out to be not very lucrative, and the children run out of things to write about, so they give that up and return to more hair-brained schemes.

Oswald tries to rescue an elderly gentleman so that the wealthy old gentleman will richly reward him, just like in books, but not finding any danger to save him from, he sets their dog on him, so he can easily save him. The gentleman, a local lord and politician, figures out pretty quickly that this was a scheme and that the dog belongs to the children, and he demands an explanation. The children explain to him about trying to restore their family’s fortunes by doing the things that seem to work for people in books, only nothing they’ve tried works like it does it books. The old gentlemen gives the a lecture about honesty and honor and consideration for other people, and the children make their apologies to him.

From there, they try the part-time job advertised in the newspaper, which turns out to be getting people to place orders for wine by giving them free samples. The children try a little of the wine themselves, but they don’t like it, so they add a bunch of sugar to try to improve the taste. You can imagine how well a group of children trying to give various strangers free wine goes. Eventually, someone confiscates the bottle and tells their father what they’ve been up to.

Although they promise their father that they won’t attempt to go into business again without talking to him about it, they start thinking that they could make a lot of money if they invented a wonderful medicine that would cure something. After arguing about what they’re going to cure, they decide they’re going to cure the common cold. The only way they can think of inventing the medicine is for one of them to get a cold and then for all the others to try various things to cure it. Noel is the one who catches cold, and the others try to cure him. When they can’t cure Noel’s cold, they worry that he’s going to die from it, but fortunately, he does recover.

However, there are times when the children do things that are helpful, typically by accident. The best thing they do is to be extra friendly to a man who comes to see their father. The children come to the conclusion that he’s a poor man and that their father is being kind to him, but they’re not satisfied with the level of hospitality that their father offers. The children decide to invite him to their kind of dinner, and the fun they have together encourages him to give their father the help he needs. The children come to the conclusion that, sometimes, life can be like books.

The book is now public domain, so it is available to read online through Project Gutenberg (also in audio format) and Internet Archive (multiple copies, including audiobooks). There is also a LibriVox Audiobook on YouTube. It’s the first in a series of books about the same children. The story has also been made into movies multiple times. The original book contains some inappropriate racial stereotypes and language, which I discuss below. However, recent reprintings of the book have changed some of the inappropriate language, so the book would probably be okay for modern children, if you pick a book with a recent printing date.

My Reaction

I really enjoyed this story, even though there are some problematic racial issues, which I’m also going to describe and discuss. The descriptions of the children’s schemes and escapades are very funny, and I laughed out loud at some parts. The story reminds me of some of the MacDonald Hall books where the boys do some bizarre fund-raising efforts or try to get publicity for their school. The children’s efforts to find or earn money in this book are based on books that were popular with children in the late Victorian era and money-making schemes that existed at that time. Not all of them would be as familiar to modern children as they would have been to children of the late Victorian era, but I think modern children could understand most of them, with the possible exception of the man who I think was supposed to be a money lender.

If this book was set in modern times, in the early 21st century, I think that their bizarre money-making schemes would be a little more like those in the MacDonald Hall books, although I can think of a few more. Alice’s description of the ideal school, with cats who teach students how to purr, makes me think that, if she were a modern girl, she would want to start a cat cafe out of their house using a bunch of stray cats (or maybe some borrowed from neighbors without permission), which would also be hilarious. I would like to see a book with someone doing something like that because the opportunities for things to go wrong would be both boundless and guaranteed to happen. (Corralling the cats, possibly abducting cats from neighbors, messing up the tea and food, health violations, lack of business license, cats biting and clawing people and messing up the house and trying desperately to escape, etc.)

One thing that I like about the Bastable Children series in general is that there are many references to books that children from the late Victorian era would have known and enjoyed. This book references things that I think came from the Arabian Nights, and the children refer directly to Sherlock Holmes, The Jungle Books, and The Children of the New Forest, which was a 19th century historical novel.

Reality vs Pretend

Much of the book is about the difference between reality and pretend, and the Bastable children often end up about halfway between the two with most of their schemes. They draw much of their inspiration from books they’ve read, and they seem to be aware that much of what they do is a game of pretend, although they also seem to halfway hope that their schemes will work out for them the way they would if they were children from the books they’ve read.

The children’s innocence and naivete about the way the world works is a major reason why they don’t understand how things work differently between the real world and the world in stories. It’s also the reason why they only seem to halfway grasp their father’s money troubles and the reasons for them. Adults often find the innocence of children to be charming, and the adults in the story are often charmed by the children for that reason. It works in their favor in the end because they receive kindness from adults for being charming, innocent children, who know how to have fun. However, the adults in the story also understand the children’s family situation, seemingly even better than they do, and they frequently humor them and help them out of pity. It’s both funny and also a little sad and touching at times for adults reading this book. It’s funny because you can see what the children are really doing and follow their logic as they map out their plans, while at the same time spotting how it’s all going to go wrong before the children see it themselves. It’s also a little sad and worrying because you can also see how little the children are being supervised and how much they turn to the kindly uncle who lives next door for help when they’re in real trouble because their mother is dead and their father is wrapped up in his own troubles.

The subject of the children’s deceased mother comes up periodically throughout the book, as the children think about how things have changed for the family since she died. Dora admits to Oswald that, before their mother died, she asked Dora to look after the younger children. That’s why Dora has been trying to be responsible and to stop the other children from doing things she knows are wrong (like turning into bandits to rob people for money). The other children often get irritated with her for stopping them from doing things they want to do, and they frequently do the wrong thing anyway, even if they have to go behind her back to do it. Oswald develops some sympathy for Dora when he realizes that she’s been trying to do a difficult job that she doesn’t really know how to do, and he talks to some of the other children about going easy on her.

Racial Issues and Gender Stereotypes

This book has been reprinted many times since its original publication, and modern editions have been edited to remove inappropriate racial language. The original book has multiple places where there are racial issues and gender stereotypes, although they mostly come from two very specific sources. The gender stereotypes, which are found in other books in this series as well, come from our narrator, Oswald. Oswald has noticed that his sisters and other girls have different standards from him and his brothers, and it sometimes irritates him. Like other boys in vintage children’s books, he also has a tendency to try to show that boys are better than girls, sometimes saying things like, “Girls think too much of themselves if you let them do everything the same as men.” I partly think that the author, who was a woman, put things like that in her stories to show how boys of her time behaved, but maybe also to poke fun at men who felt threatened by women doing things that were considered for men only, like they’re little boys, feeling threatened by sisters who can do what they do.

Much of the racial issues in the story come from the children’s playacting, which is again based on the books they’ve read. They frequently refer to “Red Indians”, by which they mean Native Americans. Based on what they’ve read from books, American Indians are fascinating and exciting but also savage, and they love all of that. Actually, now that I think of it, that stereotype isn’t a bad description of the Bastable children themselves. They are somewhat savage or semi-feral in their behavior at times, although they would probably hate being called that. They’re certainly not tame children. I don’t entirely blame the children in the story for having misconceptions about other people because children can get misconceptions from things they read, see, or are told by adults. I don’t entirely blame the author for depicting the kind of misconceptions children have, either, especially because the Bastable children’s misconceptions make up a large part of the story and its humor. What is more concerning to me is the original sources of these misconceptions, the things that children get from people who should know better, who might even actually know better but who spread misconceptions anyway for their own purposes.

Whether the author of this book could be considered a source of misconceptions, or at least for perpetuating them, is a matter for debate. The references to other pieces of real literature and how the children use them for inspiration for what they do point to earlier books that sparked these misconceptions and racial stereotypes. I’ve always thought that the things children read early in life set them up for many of their attitudes as adults, and that’s why I think it’s unfair to expose children to literature that creates these misconceptions without an accompanying explanation about why certain attitudes are wrong or harmful and how spreading them causes problems. As adults, we often forgive children for things they do and think because we know they’re young and still learning, but children don’t stay little forever, and they need to know what is expected of them as they grow older. When they’re no longer little kids, people expect them to have a certain level of understanding about the world, the people in it, and how to treat others and speak respectfully about them. If they don’t demonstrate that kind of understanding by a certain age, many people will not take it that they’re still in the learning phase but will think that they’re being deliberately insulting or trying to provoke others when they speak inappropriately. In many cases, those people will be correct because there are people of all ages who like to push other people’s buttons to get a reaction, but I think it’s doing a great disservice to set children up for that type of conflict by trying to keep them “innocent” for too long. I’ve seen that even kids who know that there are certain words they shouldn’t use don’t always seem to understand why they’re not supposed to use them, and that half knowledge is part of the reason why they sometimes throw around nasty terms like they don’t know what they mean. The truth is, some of them really don’t. Kids like that don’t sound charmingly innocent in the 21st century. They sound dumb and clueless because they are these things. The things they don’t know are painfully obvious, and people, even possibly other kids their own age, will definitely notice and openly comment on it. The reason why they’re so clueless is that the adults in their lives who knew enough to tell them, at some point, that these were bad or shocking words to use around other people apparently didn’t explain to them why or make it clear what the social consequences for using these words would be. What I’m trying to say is not that reading this book or others of this vintage is bad, but if you’re going to share books like this with kids, with the original wording, you can’t do it properly without talking to the kids and being very direct about certain subjects. If you’re not, it could lead to problems, and it will be no favor to the child to set them up for that. The things people don’t know will almost certainly hurt them eventually and probably damage their relationships with others along the way.

The Bastable children don’t end up with damaged relationships or social consequences for the things they do because they are still young enough to be considered charmingly innocent and naive in their antics, although at least some of them would be considered old enough to know better about some things by their age. The children don’t even seem to understand the difference between Native American Indians and Indians from India until it is explained to them toward the book, when their “Indian uncle” comes to see them. The Indian uncle is the source of another racial issue in the language he uses. He’s one of the adults who says things he shouldn’t, and I need to talk about what he says and why he says it.

Readers should be aware that the original printing of this book contains the n-word. There is one use of the n-word by an adult character, toward the end of the book. It happens just once in the story, although it threw me when I reached that point because there wasn’t really anything leading up to it, so its use seemed rather sudden. It’s a shame because, up to that point, I was prepared to make some allowances for what the children say about “Red Indians” as part of their innocent ignorance, but as I said, we make allowances for the things children do that we don’t for people who are old enough to know better. The “Indian uncle” just throws out the n-word in a casual expression he uses, like “If Oswald isn’t a man, then I’m a monkey’s uncle,” except he uses the n-word instead of “monkey’s uncle.” A more recent edition of the book I’ve seen replaces the n-word with the word “fool.” I could forgive the children some of the racial stereotypes they use in some of their games because the entire premise of the story is that the Bastable children are naive and somewhat clueless, getting most of their sense of how the world works from storybooks instead of guiding adults, but things that adults say and do are different. To say that this was simply part of the way people talked during this period of history would be taking the easy way out and providing an apparent excuse for the behavior. Everyone has reasons for the things we say and do, and I’m not letting either the author or this “Indian uncle” off the hook that easily without prodding deeper into both of their motives.

The n-word isn’t something that appears in many of the children’s books I’ve read, even the vintage and antique books, because it’s a crude term. Technically, the n-word isn’t even really a word by itself but a slang corruption of a word, and it’s been considered a crudity and an insult since much earlier in the 19th century. By the early 20th century, its use was associated primarily with uneducated and unrefined “poor white trash” in the United States, and whatever their personal racial attitudes, people who wanted to be seen as educated would avoid its use. Those who did use it tended to use it in a derogatory and hostile way. Even in children’s books as old as this one, the use of crude racial terms (when they appear) are often used to establish the personality and background of the character who uses them. They appear as hints of crudeness, lack of good upbringing and moral character, and even violence and criminal tendencies (see books in the Rover Boys series for examples). Even when other characters use racial stereotypes in these stories, the use of the n-word in particular tends to signal something crude and nasty in the user’s character, something that goes beyond the other characters’ level of acceptability, especially when it comes from a character who is portrayed as being old enough and educated enough to know better. A contrast would be the Little House on the Prairie series, where characters sometimes use crude racial terms without being the villains of the story. However, the characters in the Little House on the Prairie books can still fall under the description of uneducated and unrefined. They are a poor farming family who lives much of their lives in the backwoods and on relatively isolated farms. When they associate with other people, it is most often people who are very similar to themselves, so they’re rarely in a position to get feedback from a wider society. The while the Ingalls family does try to better themselves and seek out educational opportunities later in the series, characters in those books could be considered “innocent” about certain things in much the same sense as the Bastable children are. That is, none of them know any better. The term “innocent” implies a lack of knowledge and experience as well as a lack of guilt. The Bastable children are, once again, proof that what you don’t know is obvious to others who do know, and it can hurt your image.

With that in mind, when I have seen the n-word or similar words in print, my main approach is to use it as a clue about the personality of the character who says it or about the author who wrote the dialog or both. One of the difficulties that I encountered with this particular book, compared to others, is that the author sets up the “Indian uncle” who uses the n-word to be one of the “good” characters, a rich and kindly relative who saves them all from poverty. He would seem to be in the position of someone who should know better than to use the n-word, but he does so anyway, in a casual and thoughtless way. That makes this book different from other books, where the n-word is used by characters who are definitely villains and whose use of crude language is portrayed as part of their rough and ill-mannered character. The uncle’s age and position in society wouldn’t seem to put him in the position of an ignorant innocent, and yet, he’s not portrayed as a rough villain. However, there is something else at play in this situation that I think explains who this “Indian uncle” really is and what his deal is, and that’s Victorian British colonialism.

In this series of books, adults are not always referred to by name but by their relationship to the children or the role they play in the children’s lives. In this case, the “Indian uncle” (who is never called anything else by the children, not even by his personal name) is not an “Indian” of any kind. This is just another of the children’s misconceptions because of what their father told them about him. He is apparently really an uncle of the children, and he has recently returned to England from India, but he is white and British, like the rest of their family. This is revealed in hints that go over the children’s heads at first, but which are explained more toward the end of the book.

First, the children listen in on some of the things their father and uncle say to each other when they’re having dinner, and they hear them talking about “native races” and “imperial something-or-other.” The children don’t understand what they’re talking about. Because of the books that they’ve been reading, they’re still under the impression that “Indian” means that this uncle of theirs is a Native American, but adults will put together the bits and pieces and realize that, since this story is late Victorian, the uncle has just come from India, which is under British imperial rule, and like an imperialist, he’s probably not saying many complimentary things about the “native races” there. 19th century British racial concepts were shaped by their colonization and quest for empire and were frequently expressed in a pseudo-scientific form of social Darwinism, that some races of people on Earth had evolved to be more successful than others, with the British at the top of the heap because they had successfully conquered other people and took over their land for their own use. (By this definition, I note that highwaymen and robbers should also be considered vastly superior to the people they rob because they successfully took something away from someone else. I’m sure that the Victorians would be insulted by that comparison, but I think it accurately shows the problems with this type of thinking.)

Second, when the uncle’s house is described, it’s full of taxidermy animals, most of which he killed himself (this is discussed further in the second book in the series) during his travels. That’s when it is revealed that the uncle has actually come from India and is not Native American at all, as the children had supposed. He is a wealthy man who has traveled as an adventurer, which is exciting for the children to hear about, but this is also another clue to the uncle’s personality. I noticed that the author made it a point to say that the uncle’s study was very different from the children’s father’s study because it didn’t have books in it but had those taxidermy animals. I took this as an indication that the uncle is not as much of a man of learning or business as the children’s father. He doesn’t use his study for reading and studying anything. He has money, but I’m guessing that he didn’t get it from having a profession. The children mention that their father went to Balliol College, and they meet a friend of his from his student days. Their father spends most of his time working, even though his business is suffering, and his old friend is also a family man with job (he is described as a sub-editor in the next book in the series). However, the “Indian uncle” is not described as having any profession. We don’t know if he ever attended college, but if he did, it probably wasn’t to be educated for a career. He is a man of leisure or relative leisure, who has apparently spent a good part of his life traveling around the world, shooting things and having them stuffed, and has little interest in books and studying. He’s had the money to live this kind of life, so he does it, fully confident in his superiority and ability to go where he wants and do what he likes. What I’m thinking is that this man is probably their father’s elder brother, who probably inherited money and indulged himself, while his brother studied and worked. Travel can broaden a person’s perspective, but the uncle seems to have traveled for self-indulgent adventure and excitement rather than learning about the world and the people in it. He’s got enough money that he probably doesn’t have to learn anything he doesn’t want to, and as the man who pays the bills and hires people to do things for him, he’s probably not held accountable for much. He can say and do what he likes, so he does that, without giving it a second thought, and maybe not even a first one. This isn’t explained in the course of the book, and I can’t point to much more than I already have to support it, but I think this man is meant to represent a type of wealthy British imperial adventurer.

Ultimately, what I’m saying is that the children think their uncle is a great man because he brings the family to live with him in his big house and helps their father with his business (probably by providing financial backing), so the family’s circumstances improve. He can invest money in their father’s business (the nature of which isn’t specified), and he showers the children with presents, which they love. However, as an adult, I’m noting his apparent relative lack of interest in books, intellectualism, and refinement of manners. I’m sure that the children will find him exciting to be around, but he doesn’t strike me as a learned man, a well-read one, or even a very well-behaved one. He has a lot of money, which can be used to fund the children’s education, but I don’t really trust his guidance or ability to be a role model. I also wonder if the children, who are being given an education and were definitely raised to love books, will continue to see their uncle in a romanticized way as they grow older. Few people can spend their lives traveling around, shooting things, and hiring “native races” to carry their baggage along the way. If that’s most of the uncle’s experience of life, it’s not really going to prepare the children for the future. At the time E. Nesbit wrote this book, she couldn’t have known that, about 15 year later, Europe would erupt into World War I, and boys who were children around this time, like Oswald, Dicky, Noel, and H.O., may very well have ended up being soldiers and had many of their illusions about life shattered. (I have more to say about that when I cover the next book, The Wouldbegoods.) People talk about past people being a product of their times, and in this case, the uncle and his racial attitudes are both a product of this time of imperial Britain and his own wealth, and nobody outside that bubble would see either the way he does.

That brings up the question of what the author, E. Nesbit, really thinks about these things. Does she also share the uncle’s view’s of British imperialism and other races, or is she just portraying the uncle as a type of person she observed around her in society? It’s not entirely clear because everything in the story is presented from young Oswald’s point-of-view, and he is uncritical of these things and seems to have little idea of the larger picture of things. But, there are things in The Wouldbegoods that I think help clarify some aspects of that, some possibly intentionally and others possibly not.

That was a long rant/explanation, but I thought it was important to delve into the issues a little deeper. The tl;dr of it is that, while people were the products of their times, they were also the ones who made their times what they were for their own purposes, even if they didn’t think as deeply about it at the time as we do today, and what we observe about them and their behavior are clues to their personality, life circumstances, and motivations. Overall, I found the racial issues with this story to be aggravating distractions from what is otherwise a fun and funny story, and their removal from modern printings actually improves the story by removing these distractions from the plot. The modern printings are fine for kids to read.

The Movie Version

I watched the 1996 version of the movie, which emphasized the more serious portions of the book and included the character of a female doctor, who helped the family in place of the uncle from India. It wasn’t bad, but it wasn’t as funny as the original book. I’m not sure about other movie versions.

The Railway Children

Railway Children Cover

The Railway Children by E. Nesbit, 1906.

Railway Children toy train explodes

Three children in England live a comfortable and happy life with their parents. Roberta is the eldest, followed by Peter and Phyllis, the youngest. Their family has servants, their mother enjoys helping the children with their lessons and making up stories for them, and their father is clever at fixing broken toys. When Peter turns 10 years old, he is given an electric toy train (a relatively recent innovation for their time and the type of toy only a wealthy family could afford), which is a wonderful present because Peter wants to become a mechanical engineer. However, something goes wrong with the toy train, and it explodes at his birthday party! When Peter’s father comes home, he looks at the toy train and says that he thinks he can fix it, but before he can say much more, some strange men come to the house and want to talk to him. They spend a long time talking while the children’s mother takes the children upstairs. Then, their mother goes downstairs to see their father. When she returns, she seems very upset, but she doesn’t want to discuss it with the children. She only says that their father has been called away and that the children should go to bed.

The next day, their mother is gone for a long time, and the children are worried about what is happening with their parents. Their mother finally returns in the evening, tired and still upset. She tells the children that the men who came the night before brought very bad news and that their father will be away for some time, so she is going to need them to help her. She says that there will be times when she will have to be away for long periods and that she wants them to behave themselves and not fight while she’s gone. She doesn’t want to tell the children what the problem is or for them to ask her or anyone else any questions about it. She only says it’s about their father’s business and none of them really understand their father’s business. They know that their father works in a government office, so his business has something to do with the government, but their mother doesn’t want to say more than that.

Over the next several weeks, their mother is gone for long periods, leaving the children with the servants and with an older aunt who will soon be taking up a position as a governess for another family overseas. The children don’t get along with their strict aunt. The servants are usually more pleasant, but the children have the uncomfortable feeling that the servants know more about their father’s situation than they do. One day, in spite of his promise to behave himself for their mother’s sake, Peter plays a prank on the parlor maid, and the parlor maid angrily tells him that if he doesn’t fix his behavior he’ll go where his father has gone. The children don’t know what she’s talking about, and when they ask their mother, she dismisses the parlor maid. She wasn’t going to keep the parlor maid much longer anyway because she tells the children that they’re going to move to the country.

When they move, they can’t take everything from their house with them because the house in the country is smaller, and their mother says that they have to take the most useful things, leaving many of their prettier things behind. She tells the children that they’re going to have to “play at being Poor.” Readers will understand that they’re not just playing, but the children’s mother tries to frame their move as a great adventure rather than the misfortune it really is. For the children, it is a kind of adventure.

They take a train to the countryside, but when they arrive, they have to walk from the trains station to their new little house because there are no cabs there. A man brings their luggage in a cart. When they arrive at the house, which is called Three Chimneys, it is night, and the woman the mother hired to clean up the house and make supper for them is gone. The man with the cart says that she probably left because their train was late and that she probably left the house key for them under the door step, as people in the countryside tend to do. The key is there, but they discover that the woman hasn’t really done any cleaning for them, and she didn’t make supper. Fortunately, they do have some provisions, packed by the strict but thoughtful aunt, so they are able to put together a small meal for themselves.

Railway Children falling asleep outside

In the morning, Roberta wakes Phyllis and points out that they have no servants in this new house, so they had better get up and make themselves useful. They get things together as best they can for breakfast, although they don’t really know what they’re doing or where everything is. They start the kettle going too soon, burn the kettle, and let the fire go out. The children explore the house’s yard and garden. They can see the train tracks and a tunnel down the hill from the house, and they fall asleep outside because they got up too early. When their mother wakes up, she gets everything ready, fixing their clumsy efforts, and finds a note from Mrs. Viney, the cleaning woman. In her note, Mrs. Viney apologizes for not having everything ready for them the night before because there was a family emergency. She had to leave early because her son-in-law broke his arm, but she promises to be there later that morning to help them.

Life in the country is very different from life in their old home. Their mother now tells them that they are really poor. It’s summer, and the children are not going to school, and their mother spends most of her time writing because she wants to sell stories for money. The children still don’t know where their father is, and it still worries them, but they gradually get used to their new life and to not asking questions about their father. Deep down, Roberta knows that something terrible has happened and that their mother is very upset about it, but because her mother seems like she would be even more upset if the children knew the full truth or just how upset she is, Roberta makes a deliberate decision not to notice anything that her mother doesn’t want her to notice. Whenever it seems like her mother has been upset or crying or whenever there’s been any hint about her father, Roberta deliberately looks away and pretends that she didn’t see anything. She tries to keep cheerful and enjoy this “adventure” that they’re living.

The children develop a fascination for the trains that run by their house, and they go to have another look at the train station. They are not accustomed to being at train stations just to observe them, only to either catch trains or arrive on trains. They are fascinated to notice the details of the station and the train signals. They notice a white mark where the coal is stored, and Peter asks the porter what the mark is for. The porter tells him it’s to mark the level of the coal so they can tell if someone has taken some, giving them a friendly warning not to steal any.

The children’s new poverty doesn’t mean much to them at first because they still have plenty to eat, but when there’s a wet and chilly morning and Peter wants to light a fire, their mother tells him that they can’t afford to light fires in June and that they must save their coal for when it’s really cold. There are other little economies that the family must make. The mother tells the children that they can have either butter or jam on bread, but not both at the same time. If they eat too much at once, they’ll run out before they can afford more.

Railway Children station master

These small things that they can no longer afford give Peter an idea. He decides to stage a daring raid on the coal at the train station for the sake of their family. Although he knows that it isn’t really right, he doesn’t think of it as stealing but more like coal mining because he digs through the coal pile for the pieces underneath, which he figures they won’t miss. However, the station master catches him and insists that he and his sisters come into the train station and explain themselves. Peter explains how his family used to be able to afford fires on wet and cold days, but now they can’t because they’re poor. The station master becomes a little more sympathetic, but he gives the children a lecture about taking things that don’t belong to them. It’s still stealing, even if they think of it by another name. He lets the children keep what they’ve taken so far and lets them go with a warning not to do it again. Peter is horribly embarrassed by the incident, and he is uneasy for a while whenever he sees the station master, but the station master eventually lets him know that he is forgiven and gives them permission to visit the train station again.

The children enjoy visiting the train station and asking the friendly porter questions about the trains and how they work. The porter, whose name is Perks, likes chatting with them and answering their questions. The children watch the trains so much that they begin to recognize that each train is distinctive in its appearance. The trains no longer look all the same to them, and they start giving them nicknames, like the Green Dragon, because it’s pulled by a green engine. When Peter notices that individual trains have numbers written on them, Perks introduces him to the hobby of train-spotting, where people write down the numbers of trains that they’ve seen in a little notebook. (He doesn’t call it by that name, but that’s what he describes.)

The children become especially fond of the train they call the Green Dragon. Every day, they wave to this train, imagining that it’s a magical dragon that will carry their love to their father, wherever he is. Every day, a pleasant-looking older man who rides that train sees them and waves back to them. They begin to think of the man as a friend, waving to him and imagining that he’s also going somewhere to work on “business”, possibly with their father.

Railway Children Phyllis with note

Their new train friend turns out to be very important. When their mother becomes ill with a serious case of influenza, the doctor gives them a list of things they should get for her, most of which they just can’t afford. The children are willing to make do with a diet of bread and water to get her some of the things she needs, but even doing that won’t get her everything she should have. Then, the children come up with a desperate plan. They use a sheet to make a sign to tell the old man on the Green Dragon to look out at the station. When the train comes through the next time, everyone on that side of the train sees the sign, and they all look out at the station, confused because they don’t see anything unusual. It’s just Phyllis at the station, and she slips a note to the old man, explaining their situation and asking if he could get the things they need for their sick mother. The children promise that their father will pay him back or, if he’s lost all his money (as the children are starting to suppose is the case), Peter will pay him back when he’s a man. The nice older man is amused and touched by the message, and he sends them a package with all the things they asked for, plus a few more that he thought of himself. In the note accompanying the package, he says that they should tell their mother only that a friend who heard she was ill sent these things, although they should tell her the full story when she’s feeling well enough to hear it. The old man says that he knows their mother probably won’t be happy that they asked a stranger for help, especially not without asking her first, but he says that he thinks the children did the right thing.

The old man is right about their mother’s feelings. When their mother is well and realizes what the children did, she is angry, and she starts to cry. She says that, while they’re poor, they’re not destitute, and they shouldn’t go around asking strangers for things. Part of that is personal pride and shame at their family’s reduced circumstances. She still can’t bring herself to talk about what really happened to the children’s father and why they’re so poor now. However, they do come to rely on help from strangers and new friends, and they learn that people will help others if they’re asked. Even when they’re not rich themselves and could use some extra money, some people, like the local doctor, still let them them have services at reduced rates and take some pride in their ability to help someone who needs it and who appreciates the help.

Railway Children train engineers

When Roberta decides to get help to fix Peter’s broken toy train, she accidentally hitches a ride on a train engine because she thinks that the train engineers know how to fix trains. The book explains that there are different types of engineers, from people who build engines to people who drive train engines and people who build things like bridges. Not all engineers do the same things, and the people who drive the engines don’t repair them. Fortunately, one of the train engineers has a relative who can fix things. Touched at the young girl’s request for help fixing her brother’s toy, he arranges for his relative to fix it.

The family also comes to experience what it’s like to help someone else who’s less fortunate when a man gets off at their train station, obviously ill and speaking a language that nobody understands or even recognizes. The only language the children have studied in school is French, so they decide to ask him if he speaks any French, even though they can tell that’s not the language he’s speaking. It turns out that the man does also speak French. Their mother speaks better French than the children do, and when she speaks to the man, she recognizes who he is. He is an author from Russia. He wrote a book about the plight of poor people and how to help them, which the mother has read and really appreciates. However, this book put him on the wrong side of the ruling class in Russia, and he spent time in jail as a political prisoner. He was later exiled to Siberia and put in a forced labor camp. The mother is surprisingly frank about the conditions in the camp and the forced marches where prisoners were whipped and left to die if they couldn’t go on. Since this man was able to get away, he has come to England in search of his wife and child. He heard that they had fled to England after his arrest, but he doesn’t know exactly where they are in England. At the train station, he was trying to explain that he was ill and that he lost his train ticket. The family lets him stay with them for a time while he recovers his health.

Railway Children flags

The children become heroes to the railroad when they witness a landslide that blocks the tracks and use the girls’ red flannel petticoats to make warning flags to stop the train. The children averted a terrible accident, and they are publicly thanked and given gold watches as a reward. The old gentleman from the Green Dragon is there, and the children learn that he is a railway director. They write him another note, asking if they can talk to him about an unfortunate prisoner.

The old gentleman meets with the children at their train station the next time his train comes through, and the children tell him about the Russian author, who is still looking for his missing family. The children say that the gold watches are a wonderful reward, but they’re willing to sell them or trade them back to the old gentleman in exchange for help locating the author’s wife and children. The old gentleman recognizes the author’s name and says that he has also read his book. The old gentleman knows some people in the Russian community in London, and since the author is a famous man, people in the Russian community are likely to know where his wife is currently living. He’s happy that the children’s mother is helping the author, and he says he will be glad to make some inquiries on his behalf. The old gentleman also asks the children for more information about themselves. He soon follows through on his promise to help the author, bringing the man’s wife and child to him.

Much of the book is about giving and the ways people help each other. When the children arrange a birthday surprise for Perks, he gets angry at first because he thinks they’re giving him charity. He changes his mind when the children tell him how they collected the birthday presents from various people in the community because they wanted to show him how much they all appreciate him and help that he’s given them in the past. His wife says that he’s been ungrateful for rejecting the presents, but Perks says that it’s not just about being given things but how and why they’re being given. If people gave him things because they thought that he couldn’t afford them or couldn’t work for them, it would have been an insult because he works very hard. If they’re given out of friendship and returned favors, it’s different.

Railway Children Bobbie learns the secret

In the background of the story, there is always the question of what happened to the children’s father and why they had to leave their old home. At one point, their mother worries about why the children have stopped talking about their father and is afraid that the children are forgetting about him. Roberta admits that they talk about him when their mother can’t hear them because she can tell that their mother is sad whenever they mention him around her. Their mother admits that’s true, and she still doesn’t want to tell them the full reason why, only that something bad did happen, and it will be a while before their father can be with them again. The reason for the father’s disappearance adds an element of mystery to the story, although most of the book focuses on the children’s adventures in the countryside. There are clues along the way, from the men who came to get their father to the clothes that Roberta discovers that her mother is keeping for him. There is her mother’s reluctance to be sociable with other people and the way she talks when she describes how awful it is to be in prison, away from your family, and the reasons why a person might be arrested, which aren’t quite the same in England as the reason why the Russian author went to prison. These are the things that Roberta tries to ignore … until she finds something that starkly tells her what all of the adults already know. When Roberta understands the real problem, she can only think of one person who might be able to help: the kind old gentleman who helped them before.

The book is now public domain, so it is available to read online through Project Gutenberg and Internet Archive (multiple copies). There is also a LibriVox Audiobook on YouTube. It’s been made into a movie multiple times, and you can see the 2000 version online through Amazon Prime. It fits well with the cottagecore aesthetic! There is also a sequel movie, not based on an E. Nesbit book, which takes place during WWII, when the children in this story are adults and other children are evacuated to the countryside from London.

My Reaction and Spoilers

The Children’s Father

There are clues all the way through the story to what happened to the children’s father. He was framed for being a spy and a traitor in relation to his work with the government, although he didn’t do was he was accused of doing. People thought he was a traitor because there were letters found in his office that incriminated him, placed there by some unknown person, and these letters convinced the jury at his trial that he was guilty. The trial was conducted during those weeks when the children were at their old home with their aunt and were being told not to ask any questions. They left for the country after he was sentenced to prison. Their mother turns to writing, something that she already enjoyed, to earn money to support herself and the children, and she doesn’t want to see much of anyone because she doesn’t want to face their questions about her husband.

Railway Children the old gentleman

Roberta learns the truth about her father when Perks gives her some old papers with pictures in them to amuse Peter after he is injured by a rake the children were fighting over. The newspaper that is wrapped around the bundle has an article about her father. Roberta reads the article and then asks her mother for the full story. Roberta understands why her mother didn’t want to tell the children what happened because she also can’t bring herself to tell Peter and Phyllis what she now knows, but Roberta still wants to understand the situation herself, now that she knows about it. Her mother tells her that her father suspects that the real traitor and the person who framed him is the man who took his job when he went to prison, but he can’t prove it, and nobody believes him. Although her mother has told her not to ask people for things, the situation is dire, and Roberta can’t let her father stay in prison for a crime he didn’t commit, so she asks the kind old gentleman if he can make some inquiries into the situation on behalf of her father. She just can’t keep the matter to herself, and he’s the only person she knows who seems to have some authority and connections and might be able to do something. The old gentleman is happy to help, especially after the children help his grandson when he is injured.

In the end, the real villain is discovered, and the father is released from prison, but the readers and the children don’t see exactly how that happens because the old gentleman seems to take care of it in London, away from the children and their mother. The book ends with the father arriving at Three Chimneys, so the family is happily reunited, but we also don’t see what their lives are going to be like after that point. They no longer have their old home, and I find it difficult to believe that the father would want to return to his old job, like nothing had happened. If all of your co-workers believed that you were some kind of traitorous spy and seemed to like the guy who framed you, returning to that office would be far too awkward. It’s a life-altering event that might have potentially been life-destroying, not just a small misunderstanding. In the end, it seems like the family will be okay. The family has a wealthy supporter now, so the old gentleman might be able to help the father find a new job. The family has also come to enjoy living in the country and has some friends there, and the mother indicates that she wants to continue her writing, so they might not move somewhere else, at least not right away. It will take the family some time to sort out what they’re going to do, rebuild their family finances, and move on from this incident. We just don’t get to see all of that happening as readers. The book ends on the happy note that things are being set right, and the family is reunited.

The Meaning of Charity and Helping Others

I’d like to point out that there is a theme of rich people coming to the rescue of deserving poor people in many books from the 19th century and early 20th century, like in this book and The Five Little Peppers. People in these stories take pride in being self-sufficient and doing their best on their own, but in the end, it’s the recognition of their worthiness from someone with money and authority who is willing to supply support them that really makes a difference in their lives and saves the day. I’ve thought sometimes that the rich-person-to-the-rescue theme seems to contradict the do-it-all-yourself attitudes that the characters in these stories often have, but I think the key to understanding it is in what Perks says about his birthday surprises – it matters how and why gifts are given.

The same gift or act of kindness can take on different meanings, depending on the motives and attitudes of the giver. Perks would have been insulted if people gave him charity because, to him, it would be like people telling him that he was incompetent at getting things for himself and his family, which isn’t true. However, the same gifts take on different meanings when they’re meant as a salute to his friendship and helpfulness to others because he can tell himself that he did things to earn them. The children in this story earn the help they get from the kind old gentleman (who is never named in the story) and others in the community through their acts of kindness and heroism to the community, so they are demonstrating their usefulness and competence instead of asking for things they haven’t earned and don’t deserve. They can take pride in their competence and good deeds, so they’re not mere “charity” cases, who take without giving. At least, I think these are the implications of stories like this. I get the concept about personal pride, but I don’t feel the same way about it because I think there are more important priorities.

Railway Children Perks' birthday

Personally, I don’t have negative associations with the concept of “charity”, either giving or receiving. I’m more like Perks’s wife, who’s just grateful that somebody cares and that people think of them and are willing to give. I appreciate when things are getting accomplished, people are being helped, and objects are being put to good use by people who will actually use them. In situations like that, I’m more oriented toward the results than concerned about image. (My personal image has always been that of an oddball eccentric anyway. A basically pleasant and helpful oddball, but still an oddball. I like to maintain a certain level of eccentricity because I’ve discovered that there’s a kind of freedom in that. It’s like choosing to be a character actor instead of a teen heartthrob. Nobody can be a teen heartthrob forever, but being a character lasts a lifetime, and the ways you can do it are almost endless.) I have no objection to people giving me things I need or helping me accomplish things I want to do, and I’ve done the same for other people. It’s just life to me, and I think it’s best to focus on the good being accomplished and get on with doing things. (By the way, if you enjoy my nostalgic children’s book blog, please consider buying me a coffee to support the site! Proceeds will help support my book addiction, site maintenance, and future reviews and would be greatly appreciated.)

I’ve worked for nonprofits before, and people who work for nonprofits are there to do good and get the job done. They see needs in their communities, and they want to step in and supply them. There are people who make their lives and careers around making positive change. I certainly wouldn’t want people trying to stop those who are trying to do something good for others just because they have a negative attitude and no plan or effort for accomplishing positive change themselves. Of course, when you have a nonprofit or work for one, people come to you for things they need or to support your cause. They come to you because they’re in the mindset for making positive changes to their own lives or in the community, and that can also play into the concept of how giving is done. If someone just isn’t in the mindset of accepting help or gifts or making positive changes, there isn’t much to be done about it until they are in the mindset to do something.

Railway Children the Russian author

I think this book actually does a good job of presenting that concept. The mother’s and Perks’s sense of pride and attitude toward the concept of charity contrast with the old gentleman, who seems willing to just go ahead and get the job accomplished when he sees what people need or what they’re trying to do. Both Perks and the mother seem to feel a blow to their pride when someone helps them or gives them something, yet both of them are happy to offer help to others who need it. Being the one offering something rather than receiving it seems to make them feel like they’re in a position of strength and competence. The mother takes in both the ill Russian author and the old gentleman’s injured grandson, not seeing those as insulting acts of charity. It’s when she’s both poor and ill herself and doesn’t feel strong or competent that receiving help from someone seems to remind her that she’s vulnerable. I think that’s the feeling that gives her a negative attitude toward charity – perhaps not that she’s fine without help but the thought that she’s in a position to need some help is scary. While she’s sick and has a high fever, Roberta tends to her through the night, and she hears her mother calling out for her own mother. It’s a moment of revelation to Roberta that, no matter how old a person gets, they still have moments of vulnerability, when they need someone else to comfort and help them, like a mother would. It can be a bit humbling to go through those vulnerable moments and have someone see you being vulnerable, but it’s human. The revelation that mothers are also humans who sometimes need other adults doesn’t make Roberta love or respect her mother any less. In fact, it makes her appreciate her mother more for what she goes through for her family and makes her more determined to be helpful and supportive to her mother.

Railway Children Perks

I think Perks experiences a similar a similar attitude to the children’s mother. There are hints that he’s had a rough life himself and has worked hard for the level of stability he has now. When the children try to give Perks money for carrying the old gentleman’s gift to their mother to the house, he gruffly refuses it because he doesn’t want to take money for helping their sick mother. His refusal of their money for his service could be seen as an act of charity to them, but it’s framed more that he’s doing a personal favor or like Perks thinks that the children are offering him a kind of charity by trying to pay him for a service he is willing to provide for free. He also helps other people in the community, and helping others makes him feel strong and competent. Receiving something from others makes him feel like there’s something wrong with him or his life or like other people think there is. Perhaps it reminds him of hard times in his youth. It really seems like it’s only the attitudes of the giver and the receiver that determines what forms of giving are acceptable, and it’s bit subjective. The old gentleman understands that when he writes the note to the children that he sends with his gift to their mother, but he also says that he thinks they did the right thing. Maybe there are some kinds of giving or asking for help that are objectively good or right for reasons other than people’s opinions.

This is a good time to point out that the author of this story, E. (Edith) Nesbit, believed in socialism, although she wasn’t a radical on the subject. I think that’s why she examines the subject of helping others and receiving help from the point of view of people from different classes in society in this story. All of the adults in the story take some pride in their positions in society and in maintaining the appearances associated with those position. Victorian society was very class-based, but the family’s poor circumstances take them out of their usual class and changes the situation for them and others. The children and their mother sometimes really do need the help of other people, whether they like it or not, but they still have the capacity to help others in different ways. One of the themes in the story seems to be that everyone needs something from other people at some times. There are times when what they need might be help and support from others, and there are times when it might be a chance to show that they have the capacity to help others or appreciation for help they’ve already given.

This story raises many questions about giving which don’t have firm answers and can be viewed from different perspectives. Are all of the various forms of giving and receiving only different forms of charity, or are they just the interactions of human beings who all care about each other? Are people’s intentions or the image of giving really what’s important, or is it the giving itself? It may be better to give than to receive, but without someone willing to receive, what is the point of the act of giving?

For another early 20th century book that considers the differences between different classes of people and the meaning and benefits of charity, I recommend Daddy-Long-Legs, which is about an orphan whose college education is funded by a mysterious benefactor. That book is set in upstate New York, and it falls under the Light Academia aesthetic.

Fun Stuff

I always like seeing old books and historical books with scenes where people are playing games because I made a website about Historical Games. In this book, the children play a game that resembles Dumb Crambo (which was a precursor to modern Charades) called the Advertisement Game. In the Advertisement Game, the children act out characters they’ve seen in advertisements for each other to guess. There is also a scene with some boys from a nearby boarding school having a Paper Chase, which is a cross-country outdoor game. One player is the Hare, and he leaves a trail of bits of paper for other players to follow as the Hounds.

Dandelion Cottage

Dandelion Cottage by Carroll Watson Rankin, 1904.

The small cottage used to be a church rectory, but it when Dr. Tucker was hired as the new minister, his family with eight children was too large to fit in the old cottage. By that point, the old cottage was in disrepair anyway, so the people of the church decided it was time to build a new, bigger rectory. Some people consider the small, old rectory to be an eyesore, but Bettie, the only daughter of Dr. Tucker, is fascinated by it. It’s true that the old house is run-down and that some of the windows are broken, but to Bettie, it looks almost like a little playhouse.

One day, Bettie suggests to her friends Jean, Marjory, and Mabel that it would be great if they could have the old cottage, now known as Dandelion Cottage for all of dandelions growing around it, as their own special place to play. All of the girls have noticed that, when the four of them play together, they tend to get on the adults’ nerves, making too much noise or seeming to be underfoot. Marjory is an orphan who lives with a strict aunt, and Bettie has seven older brothers. There just never seems to be enough room for the girls anywhere or adults willing to put up with them for very long. Marjory thinks that the chances of them being able to use Dandelion Cottage for themselves are slim, but she suggests that maybe they could arrange to rent the cottage somehow. None of the girls has very much money, so they aren’t sure how they can rent the place.

Mr. Black, the church warden, sees the girls looking at the cottage and asks them what they’re doing. They explain that they want to rent the cottage so they’ll have somewhere to play. They tell him how Marjory’s aunt won’t let her make paper dolls because cutting paper in the house makes a mess, and Bettie says that her brothers like to play Indians and pretend to “tomahawk” her dolls. (The books in this series sometimes get criticism for racial stereotypes and language, and this is one example. I do understand the part about brothers and dolls, though. My older brother once held one of my dolls for ransom when we were kids.) Not having any money to rent the cottage, the girls offer to clean it up in exchange for being allowed to use it. Mr. Black knows that some of the neighbors have been complaining about how the place has been overgrown with weeds. The church could hire someone to take care of the weed problem, but that would cost money, and they don’t have a lot to spare. Mr. Black tells the girls if they’re willing to pull all the weeds, he’ll let them play in the cottage all summer. The girls aren’t enthusiastic about pulling weeds, but they’re very enthusiastic about having their own playhouse, so they agree to do it. Mr. Black says that he’ll turn over the cottage key to them after they’ve pulled the weeds.

While the girls are pulling weeds, some of them play pretend games, like they’re fighting soldiers or Indians (as in Native Americans, another one of the objectionable points), and finally, they get the job done. Mr. Black is satisfied with the job they’ve done and pleased with their willingness to sow grass seeds and flowers where the weeds once were, so he gives them the key to the cottage for the summer.

The girls are thrilled at having a whole house to themselves all summer, although it needs serious cleaning before they can really use it. Mr. Black, a lonely widower with a fondness for children, (especially Bettie, who reminds him of his own daughter, who died young) stops by to see how the girls are doing. When he finds them exhausted from cleaning and trying to decide if they can manage to clean the floor before they give up for the day, he gives them some peanuts to eat and finishes the cleaning himself. He tells the grateful girls that they can thank him by inviting him to dinner at the cottage some day.

The girls’ parents completely support them playing in the playhouse because it does mean less noise and mess at home, although they refuse to allow the girls to stay in the cottage overnight for safety reasons. They let the girls have some old furniture to furnish the house, including chairs that are missing legs, beds that sometimes have the slats falling out of the bottom, and six clocks, four of which don’t work. The little cottage soon begins to look cheerful and lived-in, although the girls have to warn their visitors about which chairs are unsafe to sit in.

The girls worry at first that they won’t be able to afford to buy food to give Mr. Black dinner as they promised. They know that they could ask their parents for supplies, and even nice Mr. Black would probably provide something for them to cook if he knew that they couldn’t afford anything, but they feel like they really should find a way to buy the supplies for dinner by themselves. They try holding a lemonade stand, which works for a little while, but then, they misplace the money they earned.

Fortunately, their money problems are soon solved when they receive a request for a room to rent from a nice young lady. She is the daughter of the traveling organ tuner who is working on the organs at some local churches. She has arranged to take her meals at the boarding house where her father is staying, but she was unable to get a room there herself, so she is looking for somewhere inexpensive to stay nearby. She will only need the room for three weeks. The girls explain their arrangement regarding the cottage to her, and they show her their best bedroom. Miss Blossom, their new boarder, says that it will suit her just fine. Because the furniture is old and the house is still not in very good repair, they only charge her half rate to stay there, but that’s still more money than the girls have ever earned before! When Dr. Tucker learns who their lodger is, he approves of the arrangement, and Mrs. Tucker and the other parents give the girls some proper bedding and a few other supplies for their boarder. Miss Blossom turns out to be a nice boarder, who sometimes joins the girls in their games, delighting at her stay in their playhouse.

Then, an older woman who lives nearby moves away, and a new family moves into the house next door to the cottage. The Milligans aren’t a very good family. Mr. Milligan swears (the girls’ mother tells them not to listen and to keep the windows of the cottage closed while he’s chopping wood because of the things he says), and Mr. and Mrs. Milligan argue frequently. Laura, the daughter of the family, is the same age as the other girls, and she plays with them for a time, but the other girls stop playing with her because she’s mean to them. She teases them meanly, tries to boss them around, and eventually, steals from them. The stealing ends their friendship. Laura lies to her mother about what happened, blaming the other girls for slapping her and her baby brother and throwing them bodily out of the cottage. Mrs. Milligan comes to the cottage to lecture the girls about their behavior and refuses to believe them when they tell her the truth about Laura. To get revenge on the girls, Laura kills a plant in the girls’ cottage garden. The girls hadn’t purposely planted the plant, and they had been looking forward to seeing what it was as it grew.

Laura continues to do horrible things to the girls, breaking a window of the cottage, throwing dirt through the window, messing up their porch, spreading molasses on their door, and sending her dog through their flower beds. One day, Laura starts a fight with the girls by yelling mean and insulting poems at them. Laura throws tomatoes at the girls, and Mabel throws apples back at Laura. Mabel isn’t normally good at throwing anything (something that Laura taunted her about), and she accidentally hits Mr. Milligan. Mr. Milligan, for once, sees his daughter misbehaving and is angry at her for throwing the tomatoes and wasting food, but he also threatens to have the other girls thrown out of the cottage for their misbehavior. Mrs. Milligan lies to their landlord, Mr. Downing, telling them that the girls have been playing with matches in the cottage. Mr. Downing manages the books for the church, so he evicts the girls from the cottage while Mr. Black is out of town.

The girls go to see Mr. Downing and argue that they’ve already paid their rent in full for the summer with their labor, but Mr. Downing says that their agreement with Mr. Black didn’t make good business sense and it’s “not binding”, so he’s breaking it. He wants to rent the cottage to a paying tenant, and Mr. Milligan himself has offered to rent it while someone else rents the house the Milligans are currently in.

The girls are heartbroken, but they have no choice but to move out. Although, the Milligans’ scheme backfires on both the Milligans and Mr. Downing. Mr. Downing wouldn’t believe the girls when they said that the cottage wasn’t in good enough condition to be anything more than their playhouse, and they were telling the truth. The cottage looked nice when the girls had their things there, but when they take them back and the girls’ brothers strip the house of some repairs that they had made for the girls’ sake, its real condition shows. The Milligans are stuck with a cottage that leaks in the rain, and they can’t move back into their own house because the new tenants have already moved in and don’t want to leave. The Milligans are forced to move out of the neighborhood entirely, so the girls never have to see Laura again. Mr. Downing, angry at the hassle the Milligans gave him over the whole issue, even blaming him for their furniture being ruined by the leaking roof, yells at the girls when they ask if they can move back into the cottage, which is now empty. However, when Mr. Black returns to town, he gives the girls the second key to the cottage, tells them that they can move back in, and has a talk with Mr. Downing about his treatment of the girls and their agreement about the cottage. The girls’ grateful families fix up the cottage even better than it was before, and Mr. Downing gives the girls an embarrassed apology and a peace offering, admitting that they are far better tenants than the Milligans.

The girls have made friends with a lonely older woman who lives near the cottage, Mrs. Crane. Mrs. Crane is a widow who has very little money, and she offers the girls friendship and sympathy during the time when they were evicted from the cottage. The girls feel sorry for her, having no children or other family to look after her. They try to help look after her themselves, and they become increasingly concerned about her when her boarder moves out. She relies on keeping a boarder for income, and she doesn’t know what she will do when he leaves. The girls wish that they were old enough to take her in themselves. One of the best things they do for her is to invite her to the dinner that they finally give for Mr. Black to thank him for all his help. The girls don’t know that Mrs. Crane and Mr. Black have a history with each other, but their parents realize that the two of them having dinner together is something that would be good for both of them.

The book is now public domain, so it is available to read online through Project Gutenberg and Internet Archive (multiple copies). There is also a LibriVox Audiobook on YouTube.

My Reaction

My copy of this book was a present from my grandmother, who told me that she had read it and liked it when she was young. My grandmother was born in November 1918, so the book was already about 20 years old or more by the time she could read it. She grew up on a farm in Indiana, so she was accustomed to small town life in the Midwest, much like the girls in this story. It was very different from my own childhood in a city in the Southwest, but I thought the story was charming, and I wished that my friends and I could have a house all to ourselves!

The books in this series receive some criticism for racial terms. I haven’t read all the books yet, but the issues I’ve spotted in this particular book relate to stereotypes about Native Americans when the children in the stories are playing pretend. The issues I’ve seen so far seem pretty tame compared to some parts in the Little House on the Prairie series, so anyone who is okay with Little House on the Prairie would probably be okay with these books, but since I haven’t read all the books yet, I can’t be completely sure how the rest of the books are. I recommend that adults read through the books first before giving them to children and be prepared to talk about things with child readers. As long as child readers understand that they shouldn’t imitate everything that they read in old books, I think they will be fine. There are also instances of bullying and fat-shaming in the mean things that Laura says to the girls, which kids should know not to imitate, either.

Apart from that issue, this book is a pretty calm, charming story. The book fits with the Cottagecore aesthetic that has been popular in the early 2020s. Modern kids and adults may still enjoy the girls’ sense of independence in their own cottage and how they fix it up and give it new life.

The cottage in the stories is based on a real cottage in Michigan, in the author’s hometown, Marquette. My copy of the book has an About The Author section on the back, with a picture of the author. The girls in the story and their adventures are fictional, but the town did once have a dandelion problem that may have been the inspiration for this story.

Maniac Magee

Maniac Magee by Jerry Spinelli, 1990.

When the character of Maniac Magee is introduced, he is described as a legend or a tall tale. Even though he is a young boy, his origins are unusual, and people have built up stories around him. The story even admits that his personal story is part fact and part legend.

The truth is that “Maniac” is an orphan. His real name is Jeffrey Lionel Magee, and he was born a normal boy with normal parents, but his parents were killed in a trolley accident when he was only three years old. After that, he went to live with his aunt and uncle in Pennsylvania. However, his aunt and uncle had an extremely dysfunctional marriage. They didn’t believe in divorce, so they stayed married, but they lived a strange, separated life in their house. They divided their home in half so they could effectively live apart, avoiding each other most of the time. They shared Jeffrey by taking turns eating meals with him, but they never ate together as a whole family. Eventually, Jeffrey couldn’t take this weird life anymore, where his aunt and uncle never talked to each other. One day, he blew up at them at a program at his school, and he ran away.

For the next year, Jeffrey seems to have wandered around by himself. Nobody is sure exactly where he was during that year, but he eventually turned up in another town about 200 miles from where he started. He wore ragged clothes and worn-out shoes, but he greeted people with a cheery, “Hi.” One of the first people he meets is a black girl named Amanda with a suitcase, and he asks her if she’s running away. Amanda tells him that she’s not running away, just going to school. Her suitcase is full of books. Jeffrey is fascinated by the books, and he offers to carry her suitcase. Amanda thinks it’s strange that a white boy like him is in an area of town that is almost entirely black, and she asks him who he is and where he lives. Jeffrey doesn’t quite know how to answer her at first because he doesn’t really live anywhere.

He asks her why she carries so many books to school, and she explains that she has younger siblings who color all over everything and a dog who chews everything, so she feels like she has to carry her whole personal library around with her to protect it. Jeffrey begs Amanda to loan him a book. At first, she refuses because she doesn’t know if he’ll give it back, but he swears he will. After they argue about it, Amanda tosses him a book because she has to hurry off to school and can’t take time to argue anymore.

Jeffrey continues to wander around the town for several days. People begin to notice him, how he runs everywhere goes, how he’s always carrying a book, and how he shows off his sports prowess by bunting a frog during a baseball game he joins. He lives in the deer shed at the zoo and eats some of the food for the animals, although he also joins a large family at dinner one night because they’re always taking in people or inviting people to dinner, so one extra person doesn’t attract too much attention. Nobody knows what to call him, so they start thinking of him as that “maniac” and start calling him Maniac.

The bully who threw the frog at him in the baseball game gets angry because Maniac’s bunt ruined his perfect record of strikeouts, so he decides to beat up Maniac in revenge. When he and his friends chase after Maniac, Maniac runs in the direction of the invisible line that divides the town in half, into the white portion and black portion of town. Maniac doesn’t understand the division between the parts of the town, but the other kids do, and they won’t follow him across the line between their part of town and the other part of town. Maniac’s disregard of the racial separations in this town is one of the things that sets him apart from other people and accentuates his oddness. He’s not afraid to share food with a black kid, even eating over the same place where the other kid bit.

When one of the black kids fights with Maniac, trying to get the book away from him, a page is torn. Fortunately, Amanda knows immediately which of them ripped the book. Jeffrey/Maniac reassures her that they can fix the torn page, so Amanda invites Jeffrey home with her. He spends the rest of the day with Amanda and her family. In the evening, Amanda’s father offers to take him home, but Jeffrey doesn’t know how to explain that he lives the deer shed at the zoo. In the car with Amanda’s father, Jeffrey tries to pretend that he lives in a house a few blocks down the street, but Amanda’s father knows immediately that it can’t be true. Jeffrey still doesn’t understand the division in the neighborhoods in town, and the house he picked for his pretend house is in the black area of town. When Amanda’s father presses Jeffrey for an explanation, Jeffrey admits that he doesn’t have a home and explains about his past. Amanda’s father immediately takes Jeffrey back to his family’s house, and Amanda’s mother insists that Jeffrey stay with them.

For the first time in about a year, Jeffrey has a home! Jeffrey gets along well with the family and is good with Amanda’s little brother and sister. He likes reading Lyle, Lyle Crocodile to them. He doesn’t even mind taking baths with the little kids or untying their knotted shoelaces.

Maniac starts feeling at home in the black neighborhood, although he’s still regarded as an oddity. His new family calls him Jeffrey, but everyone else calls him Maniac. He is a strange kid, who turns out to be allergic to pizza and breaks out in a pepperoni-shaped rash when he eats it. He’s a very fast runner and good at sports, and he seems to have a special talent for untying knots. Because of his time spent living in a dysfunctional house where people didn’t talk to each other and his time living alone on the streets, there are many things that Jeffrey doesn’t understand about other people. He doesn’t understand social dynamics and racial issues, and it takes him some time to understand how other people look at him as well as at each other.

One day, when he’s playing with the other kids in the street, an older black man calls him “whitey” and tells him to go home, back to his “own kind.” He doesn’t believe that Maniac lives in the neighborhood. His new siblings tell the old man to go away, and the old man keeps ranting about people belonging with their “own kind” until a woman leads him away. The incident disturbs Maniac. Amanda says that the old man is a “nutty old coot” and that Jeffrey should ignore him, but the incident makes Jeffrey realize that there are some people in the neighborhood who don’t want him there. Jeffrey wants to stay with his new family, and they want him to stay, but Maniac worries that his presence is creating a problem for them. Can he find a way to truly become part of this new family he so desperately needs?

This book is a Newbery Medal winner. It’s available to borrow and read for free online through Internet Archive (multiple copies), and there is also a Literature Circle Guide for book groups and classrooms.

My Reaction and Spoilers

I remember reading this book in class when I was in elementary school. The story is interesting because it’s framed as a tall tale but about a contemporary boy. “Maniac” Magee is described as being a legendary child because of his unusual ability for untying knots and his strange allergy to pizza. No real human being can actually be allergic to pizza because pizza isn’t a single food. There are many different ways of making pizza using various combinations of common ingredients. People can be allergic to some of the ingredients in a pizza, but if they were, that wouldn’t be an allergy to pizza itself, and those people would also be allergic to other types of food containing those same ingredients. That’s not Maniac’s problem, though. He seems to be particularly allergic to just pizza by itself. Maniac does things that are impossible and inherently beyond the normal child in everything he is, even in his defects, a classic tall tale character. One of his famous feats, untying an infamous knot in the neighborhood, is like the legendary Gordian Knot. The story is dressed with humor and tall tale elements, but it has themes that are very serious and even heart-rending.

Tall tale elements aside, this is a story about racial issues and a lonely, neglected child who desperately needs a family and a place to belong. Because the story focuses on Maniac as a tall tale character, the racial issues in the story aren’t immediately obvious, although they begin entering the story as soon as Maniac finds his way to his new town and encounters the girl who will be his new sister. The one thing that Maniac really needs is a stable and loving home. He is an orphan, and he ran away from his aunt and uncle’s home because they were too dysfunctional. As a runaway, he wanders for a time, looking for a better home and people who really care about him. He eventually finds that loving home with a family of a different race. Some people might find it strange that he feels a sense of belonging with people who, on the surface, seem quite different from him, but a sense of family goes much deeper than surface appearances. Maniac himself, on the surface, is a very unusual boy compared to most boys in the world, but deep down, he’s still a kid who needs love, attention, a family, and a place to call home. His new family offers him all these things, regardless of how unusual he is, and what they look like doesn’t matter.

The opposition of some parts of the community messes up this loving home for Maniac partway through the story, and he runs away and spends time on his own again. For a time, he lives in the locker room of a baseball stadium, looked after by a groundskeeper who is an elderly, washed-up baseball player. The groundskeeper, Grayson, passes away during the course of the story, but their friendship helps Maniac to understand some things about people. Grayson was also a neglected child. His parents were drunks, and unlike Maniac, he never learned to read because his teachers never tried to teach him. He was placed in a class with kids who were considered unable to learn because they were troubled or had learned problems. Because his teachers never had any faith in his ability to learn, he never really tried. Maniac is like a grandson to him and opens his eyes to many things before his death.

After Grayson dies, Maniac returns to wandering again, believing that he is jinxed to lose any home he has and anybody he cares about. However, Maniac still cares about other people, and he discovers that other people also care about him. When he tries to introduce a tough black boy to some white boys he’s staying with, hoping to make a connection, it goes wrong, and Maniac starts to think it’s all hopeless. However, when Maniac is unable to help one of the white boys when he’s in trouble and the black boy saves him, the white boys come to see the black boy in a different light, grateful to him for saving one of them and taking care of them. The black boy also comes to look at Maniac differently. When he confronts Maniac about why he couldn’t rescue the boy, Maniac admits for the first time that he’s still haunted by the memory of how his parents died, and the situation reminded him too much of it, so he was unable to handle it. The black boy softens at seeing this human side to Maniac and the other white boys. He’s the one who brings Amanda to Maniac, and Amanda insists that he come home with her. Maniac hesitates at first because he thinks he’s jinxed, but Amanda won’t put up with any nonsense from him, and Maniac comes to realize that they really are a family and that he is really going home.

As a side note, I also remember my elementary school librarian reading Lyle, Lyle Crocodile to my class when I was in first grade. In fact, she said it was one of her favorite books, and she also read others in the series to us. I had forgotten that the book was mentioned in this story, which was published the year after I first heard Lyle, Lyle Crocodile, but it did bring back some nostalgia for me. When Maniac teaches Grayson to read because Grayson never learned when he was a kid, they find well-known picture books on the sale rack at the library, including The Story of Babar, Mike Mulligan’s Steam Shovel, and The Little Engine That Could.

Mary Jane

Mary Jane is a twelve-year-old African American girl in the American South in the 1950s. Her father is a lawyer, and her older brother, James, is also studying law. Her older sister, Lou Ellen, is a nurse. Her grandfather used to teach at the state agricultural college, and now, he has a farm where he likes to experiment with different types of plants. Mary Jane spends her summers on her grandfather’s farm. Although this seems like a perfectly normal middle-class background, as a black girl in the 1950s, Mary Jane is aware that her race makes all the difference to some people, and she’s about to become even more aware.

Things are changing in society and education. When Mary Jane graduates from her old school, there is an announcement that the high school in her town that was formerly for white students only, Woodrow Wilson High, will become integrated and that black students, like Mary Jane, will be allowed to attend there the following school year, if they want to apply. It has a junior high school division, which is how she can move from the elementary school to the high school. Her older siblings attended the all-black high school for their education, and they have done well for themselves since, but Mary Jane knows that Woodrow Wilson High can offer her the best level of education that she can get for her town, and she wants to go there. It offers a wider curriculum than the all-black school, especially in the sciences, and Mary Jane’s ambition is to be a biologist. Her grandfather says that he became a biologist without attending the fancy high school. He was mostly self-taught, working his way up from being a farm laborer and cleaner to afford more education, but Mary Jane says that things are changing. People’s expectations about education are changing. Mary Jane knows that going to Woodrow Wilson High will give her knowledge she needs and wants and will open up important opportunities in her life. She also insists that it is her right to attend the school of her choice, so there is no reason for her not to go to that school. Her grandfather and parents ask her if any of her friends will be going to that school with her, and she says that only one boy she knows will be going, but she also insists that she doesn’t want to attend high school for socializing. She wants an education.

Education is the reason why Mary Jane’s family has done as well as they have. Mary Jane’s great-grandmother was a slave, and Mary Jane likes to hear her grandfather tell the story about how she learned to read and write in secret. When she had learned enough, she forged a pass for herself to leave the plantation where she lived so she could go north to New York City and start a new life. People with an education have an advantage in life.

Mary Jane thinks her great-grandmother was incredibly brave, and her grandfather says that she will also have to brave, especially if she attends Woodrow Wilson High. Even though she will be allowed to go there now, her grandfather knows that many people won’t want her there. Teachers and students and students’ parents have all made up their minds about what black people are like, and they’ll have many assumptions about Mary Jane before they’ve even met her. Her grandfather warns her that her education will be difficult, frequently lonely, and may involve some real hurt. Mary Jane isn’t too concerned at first because she says that things are changing and that she used to play with some white children in her neighborhood when she was little. Her grandfather says that it’s true that some white people care and can be friendly and helpful. People need friends and help from other people, and even Mary Jane’s great-grandmother found help from white people when she arrived in New York. Her grandfather says that there will be days when Mary Jane will feel like the whole world is against her, but it will help if she remembers that not everyone is against her and some will want to help.

When Mary Jane returns home from her trip to the farm to get ready for the new school year, things are exciting. Her father has given her new furniture for her room, so her room looks more grown-up and is a better place for studying. She also gets a new vanity table so she can do her hair in her room. Her mother buys her new clothes and has her hair done at a beauty parlor for the first time. Mary Jane doesn’t really care that much about clothes or having the latest hair style, but her mother says that appearances are important in high school. Her mother comments on the thing that “they” are wearing this year, not really defining who “they” are, and even the hair dresser says that if “they” say mean things about her, she shouldn’t pay attention. It bothers Mary Jane that people keep saying things like this to her because she realizes that “they” are the people who are going to be her new classmates at her new school, and it seems like everyone is bracing themselves and preparing Mary Jane to expect bad things from them. Mary Jane tries to tell herself and others that this experience of going to a new high school won’t be as bad as everyone seems to expect, but it really feels like everyone is trying to prepare her for a terrible ordeal. She knows that there are bound to be some mean kids, but there were mean kids at her old school, too. Is it really going to be that much different?

An article about Mary Jane and the other five black students who will now be attending Wilson High as it integrates appears in the local paper. (The book and the article refer to them as “Negro children” because “Negro” was a more common word at the time and considered one of the more polite words until around the time of the Civil Rights Movement, which is why it’s still a part of some organizational names, like the United Negro College Fund. Sometimes, the book also uses the term “colored” for similar reasons. The black people in the story refer to themselves by both of these terms. The Civil Rights Movement is responsible for the shift to “black” as a generic term because people wanted to distance themselves from older words that carried more emotional baggage, which is why “Negro” sounds out-of-date to us. It feels like it belongs to this time and these people, some of whom definitely have emotional baggage.) Everyone in town knows that there will be black students going to the formerly all-white high school. Mary Jane’s aunts and uncles give her presents and school supplies, and one of her aunts even thanks her for being the first in the family to do this because things will be much easier for the younger cousins who will come after her. It all makes Mary Jane realize that she is doing something very novel and that she will be accomplishing something beyond giving herself a better education. On the one hand, she feels proud, like a brave explorer entering uncharted territory, but on the other, she begins to get very nervous.

The night before Mary Jane’s first day at Wilson High, her father tells her that he will be taking her to school, accompanied by one of the other black students and his father. Mary Jane is surprised because the school is within easy walking distance. Then, her father tells her the reason why everyone is so nervous. While Mary Jane was visiting her grandfather on the farm over the summer, there were public protests and complaints about the black students attending the white high school. Some white adults have threatened that they will stop the black students from attending the school, and the students’ parents and the police are preparing to protect the children, if necessary. Mary Jane’s simple first day at a new school just a few blocks away is going to be much more complicated and possibly dangerous than she had imagined. Her father tells her that if she’s had second thoughts about it, nobody would blame her if she decided to back out at the last minute. However, Mary Jane can’t bring herself to do that. Even though she is starting to get scared, backing out would seem like a betrayal of the trust people are putting in her and her family’s dedication to improving themselves through education. Her aunt and cousins are hoping that she will pave the way for others. She wants to be like her brave ancestor, who escaped from slavery. She tells her father that she still wants to go to Wilson High.

As they approach the school on the first day, there are police cars in front of the building and angry, screaming protestors yelling things like, “Go back to Africa!” and “Two-four-six-eight, We ain’t gonna integrate.” (This is a direct, literal quote from one of these types of protests from real life. People shouted that at Ruby Bridges, too.) Grown women are threatening to rip young Mary Jane’s curls right out of her head, and all she can do is keep her eyes forward and keep walking past them into the school as the police officers physically retrain the protestors from actively carrying out their threats. (This is also completely true-to-life. Grown adults did threaten children, and there is historical film footage that shows them doing it. They really were like this, and I’ve had feelings about that since I saw some of that footage when I was still a child. In this one, the white man at the very beginning delivers an implied threat about how long the black students will live because he thinks it’s impossible for the police to stay at the school forever – remember, you heard it directly from him, not from me. I was a white child, but that didn’t make me feel any better when I saw things like this. I don’t think anybody in their right mind should ever trust that someone wouldn’t hurt you when you’ve already seen what they’re willing to do to some other defenseless kid, even if the ostensible reason doesn’t seem to apply to you. People’s toleration of you only lasts until they decide it doesn’t, and some people are more unstable, volatile, and generally untrustworthy in their personal temperament than others, especially when they’re deliberately being that way in public, in front of cameras and police. These people knew dang well what they were doing, it was deliberate and planned, and they were proud of themselves for doing it and weren’t at all sorry. Even young me could see that.) Fred, the black boy Mary Jane knows from her old school, shows Mary Jane how his hands are shaking after they get inside the building.

This ordeal is only the first of many ordeals. At the junior high assembly for the students in the lowest grades at the school, which includes Mary Jane and Fred, some of the students start chanting about how they don’t want her. The school principal puts a stop to that, calling the behavior “disgraceful”, but that doesn’t put a permanent stop to it. A girl named Darlene in her home room refuses to sit next to her because her mother told her not to, but the teacher tells the girl that students in her class sit where they are assigned and won’t take any nonsense. When Mary Jane talks to Fred, he says that he’s been receiving worse. Other students have kicked him and knocks his books out of his hands. The one white student who showed them any kindness at all was a blond girl who showed them how to find their classrooms. (This film footage of a newscaster interviewing white students at Central High in Little Rock in 1957 shows the mixed feelings of the white students at the time of integration. Some were against it, some seemed to be okay with it, and most seemed to think that the violent demonstrations against the black students were just taking everything way too far. I found it interesting when some students commented that the parents were more of a problem than the students because that was my sense as well.) The screaming mob is still outside the school when it’s time to go home, and flashes go off in their faces because there are photographers taking pictures of the new black students. At the end of the day, Mary Jane returns home to her mother, who has been listening to news reports about the protests at the school all day, picturing that her daughter might be beaten and bloody and could be lying in the halls of the school, dying.

Mary Jane is proud of herself for getting through this ordeal as well as she has, but this is only the first day of a very long school year. The ordeal isn’t confined to the classroom, either. Grown-up strangers, both men and women, call the house and threaten to murder her if she continues attending the school, some saying that they’ll blow up the family’s house. Mary Jane’s father just leaves the receiver off the hook and tells Mary Jane to ignore it. When Mary Jane sees her picture in the newspaper, awful Darlene is behind her in the picture with her face ugly and twisted in hate. (I think that image might have been inspired by the lady with the vicious expression in this famous photograph taken in front of Little Rock Central High School in 1957. When Darlene and her mother were first introduced, this was the face that I pictured for them.) Mary Jane thinks about what her grandfather told her and wonders if Darlene’s only problem is that she just doesn’t know Mary Jane and has too many assumptions about her. (I think Darlene’s issues go much deeper than that, but I’ll rant about that in my reaction below.) What keeps Mary Jane willing to keep going to Wilson High is the story about her slave ancestor. This school integration ordeal is a major defining moment of her life, and she imagines what stories she might have to tell her children someday.

The days continue, and the reactions to the students integrating at the school are almost schizophrenic. There are more protests, insults, and threats, but there are also more newspaper stories and even an offer for Mary Jane to be interviewed on a television show in New York. Mary Jane is excited at the idea of being on television, but her parents turn down the offer because she is a student who should be in school, not a television star in New York. Part of society declares that it wants to see the black students dead and might even make it happen if the police weren’t physically restraining them while part of society is praising the students for their bravery in the face of the protestors who are threatening to kill them. (The book doesn’t quite phrase it like that, but I think that’s actually a crucial point. This schizophrenic social reaction is like the mixed feelings that were exhibited in the footage I linked above.) Mary Jane even gets a fan letter from a girl in Tokyo, praising her for her bravery. Mary Jane tells everyone who asks that it’s “all right”, but on the inside, it really isn’t.

Mary Jane comes to understand what her grandfather tried to tell her about how her education at Wilson High would be lonely and even hurtful. She and Fred eat lunch together every day because no one else will eat with them. Other students either pointedly ignore them or stare at them like they’re exotic wild animals or harass them. Even though Mary Jane said that she wanted to go to school for an education, not to socialize, it’s hard when nobody wants to talk to her except to give her a hard time. Trying to ignore the yelling protesters outside the school also distracts her from listening to her teacher. Fred is the only one who really understands because he is going through the same experiences she is, but he gets busier when he joins the school’s basketball team. The boys on the team start accepting him because he plays basketball, but Mary Jane has trouble finding a club that will accept her. Even her old friends from her old school are busy now at the school where most of the black kids go, so they aren’t available to hang out on weekends, like they used to. It seems like they even resent her a little for going to Wilson, like she thinks that she’s better than they are and too good for their school. Gradually, the adult protesters stop coming to the school and calling the house, but the student bullies are still there at school, and Mary Jane is still painfully lonely.

There are times when people try to reach out to Mary Jane at school, but it doesn’t come off well because their efforts are clumsy and Mary Jane has been trying so hard to bury her feelings and resentment that she can’t bring herself to accept their efforts. A girl named Sharon acts nice and talks to Mary Jane, and Mary Jane briefly softens, but then, it turns out that Sharon is only pumping Mary Jane for information about her background because she believes a conspiracy theory that her family is actually from New York and that they were paid (by unspecified sources) to come to this town for the sole purpose of infiltrating this high school. Mary Jane is shocked, and when she tells Sharon that this is her home town and she was born there, Sharon loses interest and walks away from her before she’s even done speaking. This just makes Mary Jane even more reluctant to open up to anyone who approaches her. The choir teacher assumes that all black people are good at singing because of Negro spirituals, but Mary Jane insists that she can’t sing, which is true. She’s never been able to carry a tune, so it’s embarrassing to be pressured to sing when she knows she can’t. Although being good at music is a positive stereotype compared to some of the other stereotypes people have about black people, it’s still just as wrong for Mary Jane as all of the others, and it’s embarrassing to be confronted with it. Mary Jane feels like nobody will look at her outside of the usual stereotypes. Mary Jane does well in her classes, but she could use a little help in French. Her French teacher offers her tutoring after school, but Mary Jane turns it down because she feels like the teacher is offering it out of pity. At lunch, she buries herself in her French book, teaching herself phrases about all of the things she hates or how to tell herself that she doesn’t care, to avoid the other students who are being mean to her or staring at her, but in the process, she misses seeing students who are trying to get up the courage to actually talk to her for non-conspiracy and non-bullying purposes.

Things change when Mary Jane rescues a squirrel from a cat. She loves animals and knows how to care for them because of her grandfather. Sally, the girl who helped her find her class on the first day, also loves animals and is happy that Mary Jane saved the squirrel, and the two of them bond over their temporary pet. Sally helps Mary Jane to get the squirrel home, where Mary Jane’s mother says that she can only keep it until it has recovered. The girls’ mutual caring for the squirrel and their attempts to find a permanent home for him help them develop their own friendship and help Mary Jane to create bonds with the other students.

The book is available to borrow and read for free online through Internet Archive.

The author of this book, Dorothy Sterling, was not a black woman herself, and even if she had been, she would have been too old to be one of the students experiencing desegregation directly at the time it happened because she was born in 1913. Everything she talks about in this book was based on what she observed as an adult at the time of the Civil Rights Movement. She was a Jewish-American journalist, writer, and historian from New York. As an adult writer, she was researching strong women from history to use as inspiration for girls when she learned about Harriet Tubman. She found Harriet Tubman’s story particularly inspiring, and she was amazed that nobody had ever taught her about Harriet Tubman or other strong black women when she was young. She supported the Civil Rights Movement, and when the characters in this book talk about sympathetic white people who try to help, she’s partly talking about herself. Although Dorothy Sterling also wrote mystery stories for children (I’ve covered a couple on this site already), one of her best-known books was a biography of Harriet Tubman for children. She also wrote other nonfiction books about African American history. This video on YouTube explains a few details about her life. She also wrote an autobiography.

I wanted to read this book because I was intrigued about a story involving school desegregation that was written while it was all happening. I noticed, as I was reading the book, that it particularly drew on the desegregation of Central High in Little Rock in 1957 for inspiration, and based on the historical footage that I linked above, it was pretty accurate in its interpretation. I think the author was paying close attention to the events and news footage available at the time.

However, I knew before I even started reading it that it was going to be stressful because I find all stories about bullying and one-upmanship in any form to be stressful. I’ve mentioned that many times on this site, and I’ve probably also mentioned that I believe that racism is an extension of a bullying personality and one-upmanship behavior. I firmly think that this is part of Darlene’s problems. If racists weren’t bullying someone based on race, I’m positive that they’d be bullying someone else for some other reason or no reason at all because I think they are the type of people who don’t feel like they’re on top until they’re putting someone else down. It’s the combined defensiveness and aggression of petty social climbers who are deeply insecure about what, precisely, their real social position is, like they automatically move down some kind of imaginary numbered rank anytime something good happens to someone, somewhere. Who they’re putting down or why are probably just a matter of opportunity for them. I think they’re obsessed with being on top and look for any excuse to justify it that they can, unless they’re in a situation where they don’t feel the need to justify themselves at all.

I’ve come to these conclusions based not just on my reading but observations from life, and for me, that’s the worst part of reading books like this. I have names and faces from real life that I associate with the racists in these stories and with aspects of their personal behavior. Some of them might be classified more as bullies than racists, but since their behavior is practically identical, how much difference does it really make? Not much to me. If that sounds like contempt, derision, and judgement … yes, it absolutely is. I am very judgemental about this. While I understand issues like anxiety and insecurity and sympathize with other sufferers, I have very little sympathy for someone who uses their anxieties and insecurities to actively harm other people, and I insist that they must be stopped. Tolerance, like everything else, has limits, and here is where I draw the line. I think everyone has some issue that deeply bothers them and which they find intolerable, and in choosing this particular one, I think I’ve made a decent choice.

When I was a kid, I have to admit that I didn’t enjoy reading books about racism like this in school, but not for the reasons that certain people have been alleging, and I have feelings about some of these allegations, too. I’ve been reading in the news recently that certain people don’t want kids to read books about racism and similar issues in school because they’re afraid that white kids will be ashamed to be white, a much-disputed assertion. Since I grew up a white girl in public schools where we read stories about the Civil Rights Movement and incidents of racism similar to the ones described in this story, I think I’m qualified to have an opinion about my feelings at the time and the long-term effect that type of reading had on me.

I can’t speak for every kid out there, but that definitely was not what bothered me as a kid. When I say that I didn’t enjoy reading about racism, what I mean is I just didn’t like the frustration of hearing about mean people while being unable to do anything about them. It is depressing and frustrating to hear about awful things happening when there’s nothing you can do to stop them or change them because they happened before you were even born. I wasn’t sorry for the racists in those stories, and I didn’t identify with them or what they were doing on a personal level. I didn’t feel like one of them or want to be one of them or even want to be friends with them. I didn’t want any of them in my vicinity or even in my mind. I wanted to be rid of them or to avoid them. They are very mean and extremely frustrating people who don’t care and won’t stop, and that is stressful even just to hear about! I don’t like having them around even in book form, and it just can’t be avoided when the main story is specifically about people dealing with them and their antagonism. That’s the main hardship for books about racism for me. I know that’s the feeling that these stories are supposed to impart, to make you feel like you were there and show you what that felt like. It’s not supposed to be fun reading because nobody thinks that going through situations like that with racists and bullies picking on you is fun. These kinds of books are meant for education and encouraging empathy and understanding. There can be a kind of fulfillment in that, although it can be an emotional ordeal to get there. Life is full of mixed emotions.

As an adult, I think that it was good for me to read some books about some of the more turbulent and racist periods of our history for general understanding of life, history, and society, even though they were emotionally difficult to get through. I don’t regret reading any of them, and I would recommend that kids and young adults read at least some books of this type. I don’t think it’s something to read all the time. It helps to vary it a bit with lighter subjects to avoid getting too frustrated and depressed. It’s not what I would call light reading, but it’s worth it when you go into it with the understanding of what you’re reading and why. I think talking to kids about what these kinds of stories are about and what they’re referencing before they read them can help to prepare them for the rollercoaster of emotions they’re bound to experience while reading them. In fact, I think discussing difficult emotions in the context of both history and fiction can be an important tool for learning to identify and deal with difficult emotions in life in general.

As for the responsibility of white people with racism, I’ve come to realize as an adult that there are two definitions for the word “responsible”: the one where someone is at fault for something and the one where someone feels called to take action and control of the situation. I knew, even as a child, that as far as these past incidents of racism were concerned, I was not in the first category, but I very much felt the second one while being in a position where I could not take the action I wanted to take. I always felt like an old soul who took life more seriously than the other kids, and I very much understand the feelings of the children in this particular story. They have no control over the adults in their lives and the adults’ behavior because they’re just kids, but because the adults have not been behaving responsibly and dealing with issues in their society, it all falls on the shoulders of the kids to work it out among themselves somehow. It’s doubly hard because some of those same adults are sabotaging their efforts and recruiting their classmates to be against them every step of the way.

I was very interested in the interviews of the white students that I linked above because some of them did have the feeling, even at the time, that the parents were more of a problem than the students in the desegregation process. Even in cases where the students were acting out, it seemed to be because their parents already were and were urging them to do it. Even today, it’s a common complaint from teachers that the students with discipline problems are the ones whose parents also behave badly and who urge them to ignore their teachers’ efforts to get them to control themselves and to treat others with respect. The things that happened in both the story and in real life desegregation look like just a more extreme version of the same types of disrespect and bad behavior.

Sally becomes Mary Jane’s friend, but she can’t always do everything she wants to do with her friend because the adults in her life try to stop her. Her parents wouldn’t be so hesitant about what they allow her to do or the friendships she makes if they were able to make all the decisions by themselves, but during the course of the story, we learn that they are under pressure and threats from the pushy and racist people in their neighborhood. Because those people put themselves and what they want to do first and seem willing to back that up with harm, Sally’s parents feel forced to put their own priorities and standards second. That means Sally and her feelings and priorities come third, pushed aside by the angry and pushy neighbors and Sally’s parents’ efforts to protect her … from their own neighbors. Neighbors are supposed to be the people who have your back, but in both the story and in real life situations like this one, neighbors could be the people threatening a knife in your back if you don’t do what they want, and that is truly scary.

The adults in this community may, possibly, care about Sally somewhat, in a sort of shallow and general way because she is a child, but their hatred and their suspicious conspiracy theories (like the one Sharon has) are far more important to them than Sally and her parents are, and it shows. They back up those feelings with definite and deliberate actions. If they have to hurt, intimidate, or frighten their neighbors to get their way, even a child, so be it. If they have to exclude Sally from a store to exclude the person Sally’s with at the time, they do that. Sally’s white, but these other white people are not her friends. They do not treat her like a friend at any point in the story. She’s just a pawn in this nasty game they’re playing, and they get upset when she doesn’t play like they want her to.

I can see that Sally’s still a little higher than black people like Mary Jane in this social hierarchy, but in the grand scheme of things, it’s not by that much because certain other people insist on being first, and they back that up with threats and violence. That’s something that Mary Jane comes to see during the course of the story. Just because Sally is white doesn’t give her immunity from bad treatment from other white people. The people who are higher up the social chain have created their own team in this goal (like Darlene’s mother’s little coffee klatch of nastiness – the antagonistic mothers’ group that is not the PTA but thinks it should rule the school), and everyone else is the enemy or at least an acceptable casualty.

That was something I realized as a child, too. It’s something that still rankles. The racists and bullies both in real life and these stories might not have picked a white kid like me as their first target, if they had a more obvious target of opportunity, but that wouldn’t guarantee that I wouldn’t be a target. There’s no such thing as being safe around someone like that. The list of people and things they tend to nitpick and attack certainly isn’t limited to just one thing, is it? From people who dress in ways they don’t like to people who read things they don’t like to people who believe things they don’t like, they have about as many things to criticize about people who live in their own neighborhoods as Mrs. Mortimer did about the whole entire world. (See Countries of the World Described … or don’t. It’s an example of Victorian era children’s nonfiction that can teach you about as much about prejudice and mental illness as it can about geography. Few geography books would go as far as being critical not only about the personal habits and beliefs of people in every single country they cover but also about the relative quality of their rivers and trees, but Mrs. Mortimer is an intrepid armchair explorer, mainly followed by people with morbid curiosity.) In fact, I’m pretty sure that there are at least two things about me that would have made me a target for this particular group eventually, including the fact that I clearly do not like those kinds of people because of the way they act.

They might think they’ve got the right to dislike anybody they wish, say whatever they want, and treat other people as badly as they like, while thumping on the First Amendment to justify it, but God help the person who openly says anything against them. It’s maddening. That’s why I have that urge to get rid of them or get away from people like that. There just can’t be anything good from a relationship with someone like that. I don’t like these kinds of people because they are mean and selfish, and I feel constantly frustrated and angry around them. Those are not likeable qualities to bond over. I think these people care about themselves and their own status way too much to be truly concerned for anyone else’s well-being, either in the short term or the long term. Everyone is disposable if they think their own ego or social status are in the balance. This is why I feel the way I do about bullying and one-upmanship. They get in the way of everything that’s more decent and interfere with everyone who’s more responsible. People who are determined to be #1 at all costs are bound to give someone else #2, if you see what I mean.

I came back to add something to this review. I forgot to say what it was that I would have wanted to do if I had been present for the incidents described in this story or something similar. When I was a kid, I remember daydreaming about several possibilities, most of which would have likely ended with the racists and bullies wiping the floor with me because I was a small and nerdy little girl with glasses who wasn’t physically strong and didn’t expect any mercy from them for the sins of not liking them, telling them off, or fighting back. Of course, I’m 40 years old now, and that makes a difference.

If I were in charge of Darlene and had the ability to make unfettered decisions regarding her education and discipline, I know exactly what I would do, this is the way I would describe it to Darlene herself:

“Darlene, you know exactly why you’re here today and why I want to talk to you. By now, everyone at this school knows how you’ve been picking on Mary Jane and starting fights with her, and we all know why. I don’t want to argue this point with you. I’ve discussed this situation with your teachers, and you’ve been behaving this way in all of your classes. They’ve spoken with you and with your mother multiple times, and you have made no effort to improve. You’ve made it clear that you think that Mary Jane is undeserving of being at this school and that black people are inferior. You seem to think that you know a lot about black people. We’re going to find out just how much you really do know. Normally, when a student is physically aggressive with her classmates and disrespectful to her teachers, she might be suspended or expelled from school, but since you like to think of yourself as different and not bound by the rules of behavior that the other students follow, we are going to treat you as a special case. For the rest of this semester, you will be our exchange student to the local black school.

While you are there, you will follow their rules and listen to their teachers. Nobody will suspend you or expel you from that school because I know you would probably see that as a reward for your bad behavior. No, you will attend that school every day, and you will not be allowed to run away from any problems you decide to create there. Every day, you will return to that school and see the same people, who will all remember whatever you did or said to them the day before, and you will face the consequences of your actions. If you don’t, you might have to stay another semester to get their full school experience. You thought it was acceptable to be rude and abusive to the only black girl at a white school. Now, we’ll see how the only white girl at a black school manages.

Maybe you think you know how that will go, but I say that you don’t. Nobody really knows what other people will be like until they’ve actually met them and spent time with them. Nobody gets to control other people. The best any of us can do is behave as well as we can and hope that other people will do the same and at least treat us with respect. Of course, because humans have free will, they still have the ability to choose to treat you badly anyway, just like you did with Mary Jane, and that’s the risk you’ll be taking, both at the black kids’ school and everywhere else you go in life when school is over. The black children might surprise you. If the black students treat you better than you’ve treated Mary Jane, you might want to consider which of the two of you is really the better person. On the other hand, if they treat you just as badly as you’ve treated Mary Jane … well, at least you’ll find out what it’s like to be at the mercy of people who act just like you.

One thing I know for sure is that, if you’re as smart as you like to think you are, you’ll learn to work on making friends instead of enemies. Consider it important training for later life. Adults don’t always get to choose who they live near or who they have to work with, but they still have to live and get their jobs done. And you know what? Adults who know that they are capable of doing that, managing their emotions and getting on with life, no matter where they are who’s around have better self-esteem than those who don’t think they can do those things. That realization is an important tool in building self-confidence. Not all of the kids at school realize that your bad behavior is partly because you are not self-confident, but I can tell. That’s why you try so hard to control other people, isn’t it? I think you don’t feel like you have control of yourself or that you don’t measure up, and that’s why you put other people down, but that’s not a healthy way to deal with these feelings. Facing up to difficult situations and seeing that you can handle them and that you can control yourself, even when you don’t feel like it, will do much more for you. You won’t worry so much about who other people are or what they’re doing if you’re satisfied with yourself and your ability to manage yourself and deal with life, instead of trying to hide from things and people that make you uncomfortable or fight against them.

I know what I’m talking about, partly because that’s how I try to look at the situation when I’m dealing with you. I don’t find it easy or pleasant to deal with you because you do tend to take out negative emotions on other people. When you lash out at other people, it creates disturbances for me and your teachers to deal with, it encourages other students to behave badly, and it distracts everyone from the things they need to do. It makes my life and job as hard as you’ve been trying to make Mary Jane’s life and time at school, and that’s why this behavior can’t continue. However, as difficult as it is I’m still here, still doing my job, and trying to look after your education, even though it not easy or pleasant. I’ll still be checking up on you and working with you even while you’re attending the other school because I still want you to learn from this experience, both academically and emotionally. I also have a responsibility to your hosts at your new school to see that you don’t become a punishment or burden for them. You will learn how to behave yourself because I will be supervising your time there, I will tell you how to behave appropriately, and I will ask your hosts if you have been following my instructions. You will practice what I teach you, or there will be further consequences for you from me.

It’s better to work on developing emotional regulation skills and behavioral control while you’re young rather than older. This is serious, and it will affect your life in the future, even if you can’t imagine it now. The truth is that most adults quickly lose patience with other adults who can’t manage themselves and their emotions. Adults tolerate some of that in children, up to a point, because we know you’re learning and need time to practice, but by the time you are an adult, there will be the expectation that you have already mastered these skills. If you can’t control yourself as an adult, people will be angry with you and see you as immature and a troublemaker. It’s the sort of behavior that can end marriages and get people fired from their jobs. Employers will be less willing to tolerate bad behavior than your teachers are because they won’t want you to distract everyone from their jobs or drive away customers and co-workers. Even if you think that your only job will be that of a housewife, you should know that housewives sometimes have to help their husbands entertain bosses and co-workers. If you have a reputation for provoking people and creating disturbances and you make trouble between your husband and his co-workers, whoever they may be, it won’t reflect well on your husband’s career. Think, Darlene. This is your future we’re talking about. When you’re an adult, it will be no good saying that everyone should just accept you doing these things because people acted like that when you were a kid or your mom did this or said that when you were young. When you’re an adult, everyone will be looking at you and only you, and they won’t want to hear about what you did when you were a kid or what people used to let your mother do.

If you don’t learn to get along with people instead of antagonizing them or taking out your feelings on them, you’ll be arranging a lifelong punishment for yourself that will be far worse than anything I would arrange for a semester, and you’ll have no one to blame but yourself. A person who can’t get along with people could end up very lonely. You may find it difficult to make new friends, except among people with equally negative habits, and you may even lose some friends that you have when people get tired of all the fights, drama, and negativity. After this exchange student experience, I believe that you will not only come to see the reality of the people you’ve been harassing but will also acquire greater discipline and emotional control. If you don’t work on these things or if you continue to do things that provoke other people, you will at least learn how to face the consequences of your actions. You are dismissed.”

The Light at Tern Rock

The Light at Tern Rock by Julia L. Sauer, 1951.

Not long before Christmas, the lighthouse keeper at Tern Rock, Byron Flagg, approaches Martha Morse, asking her if she would be willing to temporarily take the job of tending the lighthouse while he takes a vacation. The lighthouse can never be untended because ships rely on that light, and it can be difficult for Mr. Flagg to find someone to take over his duties for an extended period of time, especially so close to Christmas. Mr. Flagg wants to hire a substitute with experience tending the lighthouse. Mrs. Morse lived there for 14 years while her late husband was the lighthouse keeper. Although many people would be daunted by the isolation of the lighthouse, Mrs. Morse actually loved it because she enjoyed the beauty of the sea and nature. She knows that she would enjoy staying there again. However, she hesitates to take the job of temporarily tending the light because she is caring for her young nephew, 11-year-old Ronnie. Ronnie might enjoy the adventure of staying in a lighthouse, but he would have to miss some school.

Mr. Flagg appeals to Mrs. Morse’s sense of nostalgia about the lighthouse and points out that Ronnie could bring along some of his schoolwork to study during their stay. Mr. Flagg says that their stay will only be for two weeks, and that he’ll return and relieve them on December 15th. Mrs. Morse points out that the weather around Tern Rock can be unpredictable and that he might not be able to return when he says he will, but Mr. Flagg says he is confident that he can. They talk to Ronnie about it, and Ronnie says that he would like to see the lighthouse, but he wants to be home for Christmas. Mr. Flagg assures them that won’t be a problem and that they will enjoy their stay at the lighthouse, so they agree to go.

When they arrive at the lighthouse, Ronnie is awed by rugged environment of Tern Rock and daunted by the isolation of the lighthouse. His Aunt Martha says that she understands how he feels, that he wonders if they’re up to the task, but she assures them that they are. The job they will do is a necessary one because, without the light, the rocks in this area are a danger to ships.

As they settle in, Ronnie becomes fascinated with the lighthouse. The interior is comfortable and designed to be compact, almost like the interior of a ship. His Aunt Martha establishes their schedule, teaching Ronnie what they need to do. She turns off the light at sunrise and lets it cool down while they have breakfast. Then, they clean the lamp, polish its lens, and do other chores to keep the light in working order. Ronnie does his schoolwork in the afternoon, and they turn on the light when the sun goes down. They spend their evenings doing quiet activities, like reading and playing games. Although Aunt Martha wasn’t sure that the quietness and monotony would appeal to an active boy like Ronnie, Ronnie finds the newness of the environment and the change in his usual routine fascinating.

Ronnie’s feelings change when December 15th arrives, and Mr. Flagg doesn’t. The weather is good, so there’s no reason why a boat shouldn’t approach Tern Rock, but Aunt Martha says that there may have been some other problem that delayed him. She doesn’t think an extra day or two at the lighthouse will hurt them, but the days go by, and still, Mr. Flagg doesn’t come. They are still comfortable in the lighthouse and there haven’t been any problems with the light, but Ronnie is angry because he realizes that Mr. Flagg lied to them. Christmas is approaching, and it becomes clear that Mr. Flagg never had any intention of being back at the lighthouse in time for Christmas.

Ronnie has trouble understanding and excepting Mr. Flagg’s lies and broken promises. Ronnie and Aunt Martha discuss the importance of honesty and the meaning of broken promises. Ronnie thinks that Mr. Flagg has been wicked. He has certainly been unfair, but Aunt Martha says that there are worse kinds of wickedness, and before they jump to conclusions about what has happened, they need to know the reasons for it.

Aunt Martha says that the Christ Child visits every home on Christmas, and no place is too distant for Him to reach, so they should make the lighthouse ready and prepare for Christmas. Ronnie doesn’t see how they can because they didn’t bring any decorations or anything for Christmas. Ronnie considers firing the cannon that would signal an emergency to bring someone out to the lighthouse, but Aunt Martha firmly tells him no. The cannon is only for serious emergencies, when there are lives in danger, not for mere disappointment and self-pity. However, Mr. Flagg has left some special surprises for them.

It is true that he intentionally deceived them about being back in time for Christmas. When Ronnie finds a sea chest with a Christmas message, he knows for certain that Mr. Flagg was lying to them the entire time, which makes him angrier. However, a letter that Mr. Flagg left explains his reasons, which earns their sympathy. To soften the blow of his deception, he has also left them some special presents and treats gathered from exotic places. This still isn’t the Christmas that Ronnie and Aunt Martha had originally planned, and being lied to doesn’t feel good. Still, in the end, this Christmas is pretty special and memorable, and they both realize that they are exactly where they need to be.

The book is a Newbery Honor book. It is recommended for ages 8 to 12 years old. It is available to borrow and read for free online through Internet Archive. The author, Julia L. Sauer, also wrote Fog Magic.

My Reaction

I wasn’t familiar with this story when the Coronavirus Pandemic started, which is a pity because this would have been a great book for the type of Christmas we had in 2020. Still, this is a lovely Christmas story, and the pandemic isn’t quite over yet. Things have improved considerably since 2020 because people have been vaccinated, but for those who still need to be cautious and are disappointed that things aren’t completely back to normal or anyone who has hard feelings toward someone or is having a rough Christmas for any other reason, this story is a useful reminder that disappointments are still temporary, and sometimes, the place where you find yourself is exactly where you need to be. Also, disappointments and inconveniences can come with compensations, if you’re open to experiencing them.

Mr. Flagg shouldn’t have lied to Mrs. Morse and Ronnie. He acknowledges in his letter that this was a hurtful thing to do, and he explains his reasons. Basically, he was lonely and desperate. As a lighthouse keeper, he is what we might call an “essential worker”, someone who can’t easily take time off from his work because he does a necessary job that can only be done in a particular place. People’s lives depend on the light from the lighthouse, so Mr. Flagg can’t leave his job for any length of time unless he finds someone qualified who is willing to take his place. This story is set during a time before lighthouses became automated, so there must be a human in this role.

Mr. Flagg is in his 60s, and he explains in his letter that he has spent most of his Christmases either alone or with other adults because of his life as a sailor and lighthouse keeper. He has a niece who has several children and who would be happy to have him for Christmas, but he has never managed to find anyone who was willing to relieve him from his duties during Christmas before. He was desperate to spend at least one Christmas with his family, so he resorted this deception out of desperation, but he left all the presents and special treats for Aunt Martha and Ronnie because he didn’t want them to be miserable.

Aunt Martha is getting older herself, and she understands how Mr. Flagg feels, having lived a similar sort of life. When she lived at the lighthouse, she and her husband were together, but Mr. Flagg has never married, and he was desperately lonely. Ronnie has more trouble understanding the feeling because he is younger and hasn’t experienced this type of loneliness before. Aunt Martha points out that Ronnie will have many more Christmases before him, more than either she or Mr. Flagg have left. One disappointing or just bizarre Christmas won’t mean that much to him in the long term. With maybe 50 or more future Christmases to come as well as the ones he’s already experienced, this strange Christmas in the lighthouse is just one more memory or story to tell other people in Christmases to come.

Part of this story is about forgiveness, but they don’t use that word at all in the story. People have different views about what forgiveness entails, but I think it’s important that Aunt Martha and Ronnie don’t excuse Mr. Flagg’s actions. They come to understand his motives, and they feel pity or sympathy for him for the kind of rough and lonely life he’s lived, but that doesn’t make lies to them good or right. He did something hurtful by betraying their trust, and there will probably be some kind of reckoning between them when Mr. Flagg eventually shows up. Mr. Flagg acknowledges that in his letter, that the knowledge that he betrayed their trust will keep him from fully enjoying Christmas with his family, even when he’s finally getting the kind of Christmas he has wanted, and he can’t blame them for whatever they’re feeling as they read his letter. So, the story never says that what Mr. Flagg did was okay or that it didn’t hurt that he lied to the people who were helping him. Lying was wrong, and it was hurtful, and the characters are honest about that. They don’t try to pretend that they’re not hurt, which I think would have made their feelings worse in the long run. Instead, it’s about looking past that hurt to something better and finding things to be happy about even in a situation where they didn’t want to be.

Aunt Martha sees that what’s really preventing Ronnie from enjoying Christmas as they happen to have it is his anger, disappointment, and bitter feelings and the way he broods about them. Brooding about the angry things he wants to say to Mr. Flagg when he sees him isn’t making his Christmas any better. Aunt Martha compares cleaning out negative emotions to cleaning house before the holiday. You have to clear out all the dust and negativity to let in something better. They will eventually see Mr. Flagg, and there will probably be words between them, but those words can wait while they enjoy themselves as best they can for this Christmas. By then, each of them will probably have a better sense of just how they really feel about the situation and what they want to say about it anyway.

Once Ronnie works through his feelings and is able to put aside his anger, he realizes that this Christmas is something special. He does miss the class Christmas party the rest of his school is having, but in return for that sacrifice, he is experiencing something truly unique that his school friends will probably never experience. He doesn’t fully consider how unique this experience actually is at first, but he senses that there is a unique feel to Christmas in the lighthouse, with its giant light. Ronnie considers the tradition of putting candles in windows at Christmas, to guide the Christ Child or other travelers. (They emphasize candles as welcoming the Christ Child in the story, but when I first heard of the tradition, it was to welcome travelers or absent family members.) He realizes that, by tending the lighthouse, he and his aunt are doing the same thing, but they’ve got the biggest candle of anyone!

Whatever your Christmas happens to be this year, wherever you’re spending it, and whoever you’re spending it with (even if it’s just yourself), don’t forget to do the little things to make it special and enjoy it for whatever it is! Merry Christmas!

Miracles On Maple Hill

Miracles On Maple Hill by Virginia Sorensen, 1956.

Ten-year-old Marly and her family are moving from Pittsburgh to the countryside, to Marly’s mother’s grandmother’s old house on Maple Hill. They’re making the move for Marly’s father’s sake. Marly’s father was a soldier and prisoner of war, and everyone says he was lucky to return home from the war. (The book doesn’t specify which war, and no date is given for the story, but the book was written during the 1950s. If it was set slightly earlier than the time of writing, it could be WWII, and if it’s in the 1950s, it would be the Korean War. Not giving the story a date gives it a timeless feel.) Since then, he has suffered from the stress of his experiences. He is frequently tired and irritable. He is easily startled by loud noises, even a door slamming, and he finds arguments between Marly and her older brother Joe too much to handle. On Christmas, he can’t even bring himself to get out of bed to celebrate with his family. (He is suffering from shell shock or PTSD, although the characters in the book don’t use those terms. Mostly, they just describe the symptoms they see in him without giving it a name. Much of our modern understanding of what PTSD is and how to treat it came out of the World Wars and following conflicts, like the Korean War and the Vietnam War. During the 1950s, they had a general sense of what it was, and they called it different names, like “battle fatigue” or “combat stress reaction” or “gross stress reaction,” but not everyone fully understood it or how to treat it. They didn’t have as many resources for dealing with it, so this family is trying to find their own solution by giving the father a quiet place to rest and process his feelings.) Marly’s mother thinks that the peace of the countryside will do him good.

It’s March when the family makes their first trip to Maple Hill, and there is still snow on the ground. Their car gets stuck in the snow before they reach the house. Joe and Marly both get out of the car to find help. Twelve-year-old Joe initially didn’t want Marly to come with him because he’s in a phase where he likes to show off and make a big deal about how much better he is at doing things than his younger sister, but Marly sets off by herself and meets their friendly neighbor, Mr. Chris. Joe is a little offended that Marly saved the day instead of him, but Mr. Chris and his wife are very friendly and helpful. They remember the children’s mother from when she used to visit her grandmother as a child, and they welcome the family like they’re relatives themselves. Marly likes Mr. and Mrs. Chris, but her father finds their friendliness a little overwhelming. He feels like what he really needs is time alone, and he doesn’t feel much like chatting with people.

The old house at Maple Hill is a little run down because no one has lived there for years. The family has a lot of fixing-up to do, but Marly’s mother thinks that the work will be good for the children’s father. Marly and Joe aren’t used to living in the countryside, and they find some parts of it fascinating. They use a pump for water for the first time and take baths in an old tub. The house contains a Franklin stove (and Marly references the story Ben and Me by Robert Lawson).

Marly is upset when her family kills a nest of baby mice, although they tell her that mice are pests, and they have to get rid of them or be overrun by them. Marly loves animals, and she would have loved to keep the cute little mice as pets. Marly talks about her feelings with Mr. Chris when he shows them how he processes maple syrup. Mr. Chris says that he understands how Marly feels. He also has a soft spot for small animals. Although he doesn’t tell his wife about it, he has a little mouse friend who visits him every day. Marly’s family is there for the conversation, and they say that Marly makes too big a deal out of getting rid of pests, but Mr. Chris says that there’s nothing wrong with Marly for caring and gives her an extra taste of the maple sap. To Marly’s surprise, her father takes her on his lap and says that the only thing wrong with Marly caring too much is that she’ll have to spent her life crying more than she would otherwise have to. Feeling an emotional attachment to people or animals can mean having your feelings hurt when you lose them, and what Marly’s father has been through is about the most extreme version of having hurt feelings that human beings experience.

Marly’s father stays at Maple Hill alone for a couple of months while his wife and children return to the city so the children can finish the school year. In spite of her father’s reluctance to be around people, he does become friends with Mr. and Mrs. Chris in their absence. He sometimes calls his family from the phone at their house. Mr. and Mrs. Chris help him adjust to living in the countryside. He discovers how much life in the countryside is influence by changes in the weather, much more so than life in the city, where people spend more of their time indoors, and Mr. Chris gives him an almanac to use. Mr. Chris tells Marly that, when she and her brother return to the countryside in the summer, he’ll take her around and show her everything, and he’ll show her all the “miracles” at Maple Hill, meaning the wonders of the natural world.

However, even people in the peaceful countryside have their troubles. Marly overhears her mother talking to Mrs. Chris, and Mrs. Chris says that she’s worried about Mr. Chris’s health. Jolly Mr. Chris has suffered a heart attack before, and he hasn’t been taking it easy. He’s always been a hard worker, and Mrs. Chris worries that he pushes himself too hard.

Over the summer, when Marly and her brother and mother return to Maple Hill, Marly has to get used to life in the countryside, as her father has. One morning, when she tries to make pancakes for her family by herself, she accidentally fills the kitchen with smoke because she doesn’t really know how to use the old-fashioned stove. Her father comes in and helps her, and at first, Marly is worried that he’s going to get really angry, the way he often has when things go wrong because of his stress from the war. However, this time, he reacts much more calmly because he knows how to handle the situation, and he admits that he did the same thing himself when he first used that stove. It’s one of the first signs that Marly’s father has been improving in the peaceful countryside.

As Mr. Chris promised, he shows Marly the wonders of the countryside and introduces her to different types of plants and animals. Joe likes to show off what he knows about plants and animals and their scientific names from his books, but Marly enjoys learning the colloquial names for plants from Mr. Chris and observing them directly. However, she realizes that she and her brother Joe have to be careful not to overtax Mr. Chris. When Mr. Chris gets really enthusiastic about something, he pushes himself harder than he should.

As the summer comes to an end, Marly’s parents discuss whether the mother should return to the city with the children for school or if they should stay at Maple Hill year-round now. Marly’s father loves life in the country. He has been growing crops on the farm, and he feels better in the peaceful countryside. He wants to stay there for at least for one year before trying city life again. Marly is eager to stay, although Joe is reluctant because he really likes his old school and the museums and theaters of the city. However, even Joe finds some parts of country life fun and fulfilling, so he is persuaded to give it a try. It helps that boys Joe’s age take the bus to the bigger school in the next town, and that school has a marching band, because Joe had wanted to join the band at his old school.

Staying in the country year-round gives the children the opportunity to experience the changes in nature and farm life through the seasons. However, as it reaches a year since they first came to Maple Hill, Mr. Chris suffers another heart attack. While he is in the hospital, Marly’s family steps in to help harvest and process the maple sap crop, turning it into maple syrup. It’s hard work because the family also has their own crop to tend to, but helping Mr. Chris helps Marly’s family as well. Through hard work for the sake of helping someone else and the relationships they build with their new community, Marly’s father’s old tiredness and harshness turns to gentleness, further healing his spirit.

The book is a Newbery Medal winner. It’s available to borrow and read for free online through Internet Archive (multiple copies, including one translated into Chinese).

My Reaction

Cottagecore Style

This book is a gentle story that would appeal to people who enjoy Cottagecore Style Books. It’s full of the wonders of nature and life in the countryside, and the family’s little farmhouse is cozy and charmingly old-fashioned. The “miracles” in the book refer to changes in the natural world that take place over time and with the changing of the seasons. Even Marly’s father’s recovery is natural and gradually takes place over time during the course of the story.

The book doesn’t go into detail about what Marly’s father experienced as a soldier, but it does a good job of showing how the war has affected him. He is tense, nervous, and angry because of his experiences, but not in a way that would be too frightening for children. Getting away from the chaos of the city and working outside in nature does help him. The physical activity of working outdoors gives him an outlet for his stress, and the slower pace of life and limited number of people he sees in the country give the chance he needs to rest.

Cottagecore as a genre and aesthetic became very popular during the Coronavirus Pandemic of the early 2020s. I explained when I wrote my list of books that fit the genre how the pandemic forced many people to change the way they were living. During the height of the pandemic, when there were lockdowns and quarantines, people didn’t get out as much. Many people worked from home, if they could, and limited the number of people they would see. This caused some people to feel stressed and cooped up, but one of the ways they were able to alleviate that feeling was to spend time outside, whether it was in their own gardens or in public parks or in the open countryside. When people were outside, there was less risk of contagion because they either wouldn’t encounter other people or could encounter them from a safe distance. Being out in nature, as much as they could manage, helped people feel a little more free. It gave them a welcome break from being inside their own homes all the time, and seeing beauty in the natural world can be soothing for all kinds of stress.

I mention this because that’s similar to the way Marly’s father and the rest of their family felt when they decided to go to the country. Marly’s father’s condition was hard on his family as well as himself because they were worried about him and because he would become moody and irritable at small things they would do which ordinarily wouldn’t have bothered him much. For a long time since he came back from the war, everyone had to be extremely careful about what they did around him because they didn’t want to upset him. In the countryside, without other distractions and causes of stress, everyone in the family was able to relax more. That’s why books of this kind became so popular during the pandemic; people saw in them feelings that they were experiencing themselves because of the stressful situation everyone was going through. I noticed that the people who handled the social distancing of the pandemic the best were the ones who used it as an opportunity to enjoy a slower pace of life and simple pleasures and to strengthen their connections with a small number of important people, like the people in this story do. Of course, individual circumstances varied, and some people had a greater ability to do this than others, but I think it’s interesting and helpful to note these common ways that people have of dealing with trauma and stress, even when the trauma and stress come from different sources.

Life and Death of Animals and War

There is a subplot that continues all the way through the book about how Marly feels about animals and how her feelings clash with both the way her family feels and the realities of life in the country. She gets very upset when her family destroys the nest with baby mice, and she bonds with Mr. Chris about their caring for small animals. However, Mr. Chris shocks her when he talks about hunting a family of foxes. Marly cares about the foxes because they have five babies, and she can’t imagine how a caring man like Mr. Chris would hunt baby animals. What is the difference between cute little baby mice and baby foxes? Mr. Chris explains that the foxes have been hunting his chickens, and they also eat mice. By eliminating the foxes, he can save the lives of other animals. The area has too many foxes already, and there is a bounty on their pelts. What Mr. Chris and the rest of Marly’s family understand, and which Marly struggles to come to terms with, is that sometimes animals pose a risk to other animals and even to humans. The mice would carry disease if they were allowed to live in the house with humans, and the foxes are killing the chickens. In a perfect world, everything would be able to live peacefully side-by-side without hurting each other, but the world isn’t perfect, and circumstances mean that something that poses a risk to something else sometimes has to be killed. It’s a good metaphor for war.

Marly’s father didn’t go to war because he wanted to. He was sent to war because the government decided it was necessary to prevent something even worse from happening. People don’t normally want to hurt and kill each other, but when faced with someone who poses a real threat, they will. Part of the reason why Marly’s father has suffered is that he had to endure things that went against his natural instincts. Ordinarily, he wouldn’t want to hurt or kill other people, but he had to as a soldier, and he had to survive other people’s attempts to hurt or kill him. To survive those circumstances, he had to change his way of thinking, and now that it’s over, he’s struggling to get back into the mindset of peace, where not every loud sound is a threat, conflicts are minor, and it’s okay to care about people and be sentimental about things. During their time at Maple Hill, the family also meets a hermit who came to the countryside while he was recovering from shell shock from a previous war. The book doesn’t say what war that was, but he’s been in the area for years. If Marly’s father was in either WWII or the Korean War, this man could have been a soldier during WWI, given the time period. The hermit’s experiences show the family and readers that the trauma of war affects people in similar ways across generations and between conflicts, and that what Marly’s father experienced is an inherently human reaction. It also points to the similar ways people have of responding to that type of trauma. Both Marly’s father and the hermit found solace in nature and the peaceful countryside.

Fortunately, Marly and her brother figure out a way to save the foxes from being hunted by scaring them away from their den. If you can get past the early point in the book where they destroy the nest of mice, no further animals were harmed during the course of the story. There is a point where Marly gets some chickens of her own to care for, and I was worried that the foxes would come and eat them, to prove her family’s point that some animals have to be hunted, but I was glad that didn’t happen. Marly does reflect more on how animals eat each other later in the book without needing to have anything else killed. She thinks about how she and her brother saw small animal bones and fur around the foxes’ den and how her own family eats meat and eggs. Mr. Chris says that everything needs to eat something to survive, and that helps Marly to understand the cycles of life and death in the animal kingdom and in farming. The lessons in the book are pretty gentle even though they touch on serious topics.

Boys vs Girls

One of the criticisms that I’ve sometimes seen about this book is the stereotypical gender roles in the story, but I think that’s a little unfair because Marly in particular questions the ways boys act and how other people view boys and girls. It starts very early in the story when the family’s car gets stuck and Joe doesn’t want Marly to go with him to get help. When Marly goes on her own and finds help first because she’s put a little more thought into where to go for help, Joe feels a little bad that his younger sister did better than he did. There’s a kind of competition between them that mostly seems to come from Joe, and Marly gets a little offended sometimes when he tries to leave her out of things so he can be first to do something.

I thought that it was perceptive of her to realize that boys try to prove that they’re better at things than girls because they “seemed afraid they’d stop being boys altogether if they couldn’t be first at everything.” Marly knows that boys aren’t treated the same as girls, and I think her comment comes pretty close to the reason why. The boys have a stronger idea of what they’re supposed to be, relative to girls, and in a way, they’re more threatened when either they’re not as good at something as a girl is or a girl does something that they think is supposed to be a boys’ activity. I’ve noticed men and boys with this sort of attitude even in the 21st century, and it’s ironic that they don’t seem to realize that very attitude puts them at a disadvantage by making their sense of self more fragile and dependent on someone else’s relative skills and interests.

Marly realizes this sense of fragility later in the story when she thinks about how she really likes being a girl better than she would like being a boy. Although some people might tell girls that they can’t do certain things or think of girls as being silly compared to boys, Marly realizes that there is a greater amount of freedom for girls in her time and society to simply be human beings than the boys experience. In some ways, the boys of her time seem like they’re being raised to be like little soldiers, possibly to prepare them for the day when they might be drafted, like their fathers. Boys are urged to be tough, competitive, and unsentimental. Marly knows that her brother cries sometimes, but he doesn’t want to be seen crying. Joe is not expected to care about animals or feel anything about killing them. By contrast, Marly can feel emotions and show them freely about anything she wants because she’s a girl. She realizes that people sometimes laugh when a girl does something silly or makes a mistake or asks what seems like a dumb question or is overly emotional about something, but girls are still allowed to do these things without people thinking much of it. They can do all of these things without anyone questioning their identities as girls or human beings in general. Really, everyone does these things once in a while, but Marly realizes that a boy doing one of these very human things is likely to get more criticism and might even be called “girly.” People of this time would question a boy’s identity as a boy in ways that they wouldn’t question a girl’s identity as a girl, and that’s why Joe acts the way he does sometimes, like he has something to prove to everybody. Boys of her time may have more opportunities in some ways, but in some ways, girls are more free to simply be human. Joe acts like he’s competing with his sister sometimes and trying to show her up, but in reality, he’s competing with society’s expectations for him and his own expectations for himself because of what he’s been told that boys are or have to be.

Toward the end of the story, Marly and Joe are so busy trying to help their family and the Chrises with their maple syrup processing that they miss some time in school. The local truant officer comes to check up on them and find out if they’ve been ill, and she is fascinated when she finds out that they’ve been helping to make maple syrup. She admits that, even though she’s lived in the area her whole life, she’s never actually helped to make maple syrup herself or eve watched it being done. She spends some time with the family, watching them work and asking them questions about the process. Based on what she’s seen, she decides that the children are engaging in a practical and educational experience because they are learning something that is culturally and historically relevant to the area that is not taught in classrooms. In fact, she thinks that this is such a great educational opportunity that she not only makes sure that the children are excused from classes until the work is done but also arranges for field trips of other children from the area to come to the farms and help, giving the two families the extra help they really need and the children’s classmates a unique experience. I thought that was a great example of how a disruption to the usual routine can be an exciting and valuable learning experience, something that I think is also relevant to the changes people had to make to their routines and education during the pandemic, but it also brings up the topic of boys’ work vs girls’ work again.

Throughout the book, there are certain types of work that are considered for men or women, and Marly is happy when her mother counts her among the “women” doing work in the kitchen because it makes her feel grown-up. However, there are times when she boldly speaks up about how girls should be allowed to do other things that boys also do. The truant officer is a woman, but when she arranges the field trips of students visiting the farm to help out, she specifically invites only boys at first. Marly asks her why she didn’t invite the girls because she’d like some other girls on the farm. The truant officer admits that she didn’t think of it as something the girls would want to do, but finding the process interesting herself, she decides that she’ll ask the girls to see if they’re interested. Joe dismisses the idea that girls would help out with the maple syrup because farm work is men’s work. Marly points out that she’s been doing this work the entire time herself, and Joe says that she’s different because she’s kind of a “tomboy” (meaning a girl with boyish qualities or who enjoys activities that boys typically enjoy). Marly insists that she’s not a tomboy because she’s very comfortable with her identity as a girl, and she just thinks that other people are wrong about the range of things that girls can do or be expected to enjoy. It turns out that she’s right that other girls are interested in the farm work and making maple syrup and do want to come on the field trips. They just didn’t before because nobody asked them.

I haven’t actually heard anybody say the word “tomboy” in a long time. When I was a kid in the 1980s and 1990s, it referred to a girl who acted like a boy and liked things boys liked, and it was a term far older than my childhood. In the 21st century, I more often hear about girls who are described, or more often, describe themselves as being “not like other girls.” There is still a concept that “typical” boys and “typical” girls like or do certain kinds of things and that people who don’t like or do the typical things are different somehow, although I think that concept isn’t as strict as it once was. I think that 21st century society has a more expansive notion of the types of things people of different genders like and do and a greater recognition of the varying interests people can have. Some people still leap to the conclusion that, just because someone doesn’t do or like what’s “typical”, they might be homosexual or trans (which I think might be part of that fear that Marly described about boys worrying that they’d “stop being boys altogether” if they couldn’t be first and best at everything compared to girls), but that’s not always the case. Humans come in many variations, and in the grand scheme of life, figuring out what’s “typical” for boys or girls doesn’t really tell you much about any particular individual person’s interests or feelings. (If you’ve ever tried to buy Christmas or birthday presents for a kid based on general recommendations for boys or girls their age and guessed wrong for that person, you know what I’m talking about.) There are some things that can really only be decided on an individual level. Marly is not a “tomboy.” She knows who and what she is, and she’s a girl who also likes to do outdoor activities and farm work. That’s really all there is to it, and there are more girls like her who find that appealing, when people bother to ask them how they feel.

History and Language

There aren’t many issues with language in the story, but there is one incident that I thought I would mention. There are a couple of points in the story where the characters discuss the history of making maple syrup. Mr. Chris says that one of his ancestors learned how to do it from some “Indians” in the area, meaning Native Americans, and his family has continued using the same process ever since. The truant officer is intrigued when Marly’s family tells her that, and she wonders how the Native Americans first realized that they could process tree sap into a food product. She does a little research and later tells the family a story about how a Native American woman used tree sap in making a kind of mush for her husband, and he liked the flavor, so they continued cooking with it.

Using the term “Indians” instead of “Native Americans” is very common in older children’s books, especially those from the 1950s or 1960s and earlier. This book isn’t unusual for doing that because it was written in the 1950s, although “Native American” is the preferred term of the late 20th and early 21st centuries when referring to “American Indians.” I think it’s generally better to use the most specific term possible in descriptors because it’s both more accurate and less confusing, and most people find it more polite and respectful. When I was a kid, I remember finding the term “Indian” a little confusing sometimes because I was aware that “Indians” are also people from India, although I could usually tell by context which kind of “Indians” authors meant.

(By the way, if anybody out there know which kind of “Indian” is meant when someone is sitting “Indian style”, meaning cross-legged or what some teachers now call “criss-cross applesauce”, do let me know. I asked one of my teachers when they first taught us to do it when I was a little kid, and I never got an answer. She rudely ignored the question, probably because she didn’t know the answer, either. I thought at the time it was probably based on Native Americans because of where we were living, but I was curious which tribe it was. The more I thought about it, I also realized that I couldn’t rule out India as the source because people sit crossed-legged for yoga, and yoga comes from India. Personally, I prefer to just call that kind of sitting as “sitting cross-legged” because that describes exactly what you’re supposed to do, and both of those other terms require more explanation of what they mean than I think should be necessary for just telling someone how to sit.)

The use of “Indian” instead of “Native American” sounds outdated and can be a little irritating to some people, but there is one instance where the truant officer uses the word “squaw” to refer to the Native American woman who discovered how to cook with sap from the maple tree. “Squaw” is a controversial word because, apparently, it can mean “woman” in a generic sense in some Native American languages, but in other Native American languages, it can mean something more vulgar and offensive. The word is only used briefly in that one part of the story and not in any insulting manner, but if you’re going to read this to children or have them read this story, I think it’s important for them to understand that this is not a word they should use themselves in conversation. If they want to refer to a Native American woman, they should just call her a woman and not use an ambiguous term that may seem insulting to some people. If they can understand that, sometimes, a word can mean different things to different people and that it’s important to consider your audience’s feelings when choosing what to say and how to describe other people, I don’t think this will be a serious issue with this story.

One final note that I thought of adding is about Marly’s name. Nobody in the story ever calls her anything but “Marly”, but I think that’s a nickname. In the early 21st century, there’s been a trend of giving children, especially girls, surnames as first names as a form of “gender neutral” name, but that wasn’t common back in the 1950s, and the surname of “Marley” is usually spelled with an ‘e’, unlike Marly’s name. Marly’s name could just be “Marly” as a variant of “Marley”, but I suspect, although I can’t prove it, that “Marly” is a nickname for Marlene or a similar name. I think her name is probably Marlene because there was a famous actress during the 1930s named Marlene Dietrich, and there was a spike in popularity for the name Marlene during the mid-20th century, probably because of her. Marlene Dietrich was known for defying traditional gender roles, both in her acting career and in her private life. Although she was considered a fashion icon in her time, when she described her sense of fashion in 1960, she said, “I dress for the image. Not for myself, not for the public, not for fashion, not for men. If I dressed for myself I wouldn’t bother at all. Clothes bore me. I’d wear jeans. I adore jeans. I get them in a public store—men’s, of course; I can’t wear women’s trousers. But I dress for the profession.” That sounds like the kind of girl Marly is. She knows that she’s a girl, but she’s her own kind of girl, who knows what she likes and doesn’t like.

How Tia Lola Came to (Visit) Stay

How Tia Lola Came to Visit Stay by Julia Alvarez, 2001.

After Miguel Guzman’s parents get divorced, Miguel’s mother moves from New York to a small town in Vermont with Miguel and his sister, Juanita, and invites her favorite aunt from the Dominican Republic, Tia Lola, to come stay with them and help raise the children. Miguel’s mother has gotten a job as a counselor at a small college in the area, and because of the hours she works, she asks her aunt to come and be with the kids. Miguel isn’t enthusiastic about the arrival of this aunt, who has to be called “tia”, the Spanish word for “aunt”, instead of “aunt” because she doesn’t speak English. Miguel and Juanita know some Spanish, but they’re more accustomed to English because they’ve always lived in the US.

The move from New York to Vermont isn’t easy because Miguel misses his father and New York City, and there are no other Latino families in this small town in Vermont, making Miguel feel like he doesn’t fit in. Some of the kids in Vermont don’t even know that Miguel is Latino, mistaking him for being from some other ethnic group or asking him uncomfortable questions about the way he looks and why his skin is darker than everyone else’s. He misses his old friends in New York and still doesn’t understand why his parents couldn’t just stay married instead of turning their lives upside down with this divorce.

When Tia Lola arrives, Miguel can’t think of anything else to say to her in Spanish except “Te quiero mucho” (“I love you a lot”), which is something his parents say to him. He’s a little embarrassed that he can’t think of anything else and that his sister is more bold with her Spanish, but Tia Lola appreciates the message and says that she loves both Miguel and Juanita, too. Miguel isn’t sure at first how long Tia Lola will be staying with them, but he’s astonished at the amount of luggage she’s brought. She says that she didn’t know what she would need in Vermont, so she brought a little of everything. Among her belongings are potions because Tia Lola practices santeria, particularly related to healing. Miguel’s mother explains that Tia Lola is something like a doctor, but with magic. Juanita thinks that sounds exciting, and she can’t wait to tell other kids about her magical aunt when school starts again after the winter break, but Miguel hopes nobody else finds out about Tia Lola.

Miguel thinks that people will think Tia Lola is crazy for thinking that she can do magic and for her other odd habits. The beauty mark on her face tends to change positions because she keeps forgetting where she put it last time. She refuses to even learn English, saying that Spanish is easier, and if Americans are so clever, how come they haven’t realized that? Miguel dreads what the kids at school will say about Tia Lola because they already tease him about other things. They call him “Goose man” because of his last name and quack at him. (Yes, I know geese honk and ducks quack, but the kids apparently don’t.) Miguel knows that the kids are just trying to have fun, but all the teasing makes him feel really uncomfortable, like he’s always going to be an outsider. Tia Lola is a colorful but eccentric character. A couple of boys from the Little League team at school mistake her for a ghost when they drop by the house because she’s dressed oddly and is carrying a brazier for doing one of her spells to rid the house of evil spirits. Apparently, there were already some local rumors about the house being haunted before they moved in, and Miguel lets the other boys believe that they really saw a ghost for awhile because he can’t think how to explain what Tia Lola was actually doing. At first, Miguel hopes that Tia Lola’s visit will just be temporary so no one will find out who Tia Lola really is and tease him about her. However, he gradually becomes fond of her and comes to reconsider himself whether or not Tia Lola’s “magic” really works.

As the family settles into their new home and the children get used to Tia Lola, they have to sort out some problems and learn how to live with each other. When Tia Lola realizes that Miguel seems embarrassed by her, her feelings are hurt, but Miguel finds a way to let her know that he’s glad she came. Miguel loves the stories that Tia Lola tells them about their relatives and legends of the Dominican Republic, like la ciguapa, a story that Miguel puts to his own use. (I love books with references to folklore and legends!) When she finds out that Miguel wants to try out for Little League, she makes special foods for him to help him get stronger. When Miguel turns ten years old, Tia Lola helps to throw a surprise party for Miguel with the boys from Little League. Miguel is relieved when the boys accept Tia Lola and laugh about how they thought she was a ghost.

Tia Lola sometimes gets homesick for the Dominican Republic, but she begins making friends in Vermont, starting with a local restaurant owner who joins her for Spanish lessons and dancing lessons. Tia Lola points out that people can have fun together even when they don’t speak the same language. However, the kids begin giving her English lessons, and she starts to learn some phrases. Her first attempts to speak English in public don’t go well because, while the kids taught her to speak phrases, they didn’t make the meanings of the phrases clear. Tia Lola starts saying the wrong things at the wrong time until they find a way to help her understand what she’s really saying and when to say it.

Through it all, Miguel keeps wishing that, somehow, his parents could magically get back together. In spite of Tia Lola’s “magic”, Miguel’s life and his parents’ marriage don’t return to the way they were before. Everyone’s life changes. Miguel comes to realize that there can be good changes as well as bad, and some of the changes that seemed really bad at first turn out to be better than he thought. Tia Lola is one of the greatest good surprises of them all, and Miguel finds himself hoping that, rather than just staying for a short visit, Tia Lola will stay with them forever.

This book is the first of a series of stories about Tia Lola, and it is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

There is an interesting element to this story that I didn’t fully appreciate until the second time around. The first time I read this book, I read it in Spanish, the only other language I know with any fluency besides English. When you read the book in English, there are English translations for the Spanish words and phrases that the children use with their aunt. I didn’t need English translations for these phrases because they were pretty simple, but they’re useful for anyone who doesn’t know Spanish or is just a beginner. (By the way, please excuse the fact that I haven’t placed the proper accent marks in the Spanish words. I know where they’re supposed to go, like the ‘i’ in “tia”, but I’ve been having trouble typing them on this keyboard. I can fix that when I figure out what the problem is.)

Because I grew up in the Southwestern US, I took Spanish classes all through school. It’s the most popular foreign language class in Arizona schools because there are people who commonly speak it around here. It’s a very useful skill to have. My speech has always been weaker than my reading ability because of the way classes are taught, and my speech practice has been irregular. I often read children’s books in Spanish to keep my vocabulary sharp, but when I try to speak, I’m often slow. In some ways, I understand how both Miguel and Tia Lola feel, trying to communicate when you’re still learning and you have an imperfect understanding of another language. One of the things I liked about this story is that it shows how it’s okay to start with an imperfect knowledge. In my experience, if you know some of another language, the other person will try to help you and meet you halfway. Even if you don’t say everything exactly right or you’re slow and clumsy, you can still find a way to get your point across, and the more you practice, the more you improve.

Miguel and Tia Lola go through that same process, starting out with communicating imperfectly and learning to meet each other halfway, not just with language but with learning to live together as family. Miguel’s mother says, “The easiest language to learn but the hardest to speak is mutual understanding.” Tia Lola seems to have a kind of magic about her, not the fairy tale kind, but the kind that comes from having a unique way of looking at things and from understanding people. She doesn’t magically have all of the answers, she makes embarrassing mistakes sometimes, and she can’t fix Miguel’s parents’ marriage, but she makes life better for the family by being there and caring.

When Miguel’s father finds out that Tia Lola is staying with them, he likes the idea because Tia Lola will help the children improve their Spanish, something that he also wants. Miguel confides his initial worries about Tia Lola and what the other kids will say about her to his father over the phone. Miguel’s father tells him that, if he is proud of himself and proud of his family, he shouldn’t care what other people think. It’s easier said than done with the other kids at school teasing Miguel all the time. Miguel’s father says that he’ll understand evenutally and also that accepting other people for who they are helps them become the best versions of themselves they can be. Miguel thinks about what his father has told him before about the harmful effects of stereotypes because people make unfair assumptions about other and the things other people have assumed about him because of his background. One kid at school told him that he was bound to make the Little League because his family is from the Dominican Republic, like his baseball hero Sammy Sosa, and that baseball must be in his blood, but Miguel knows that’s just a stereotype. Miguel’s father tells him that his skills at baseball are his own, not due to being from the Dominican Republic, and if he makes the team, it will be because his skills are good and he worked to develop them. It makes Miguel think about some of the things he’s been assuming unfairly about Tia Lola and what she’s like, and he begins looking at her in a different way.

The book ends at Christmas, one year after Miguel’s parents separated, they moved to Vermont, and Tia Lola came to stay with them. Miguel and his mother and sister accompany Tia Lola on a visit to the Dominican Republic, where he meets his other relatives and sees what Tia Lola’s original home is like. There, he makes it clear to her that he wants her to come stay with his family in Vermont permanently, and she decides that she wants to keep living with them, too.

And This is Laura

And This is Laura by Ellen Conford, 1977.

Twelve-year-old Laura Hoffman feels out of place in her family. Her other three siblings are over-achievers. They all have particular talents and interests and earn awards for them or just have the ability to impress people. Laura gets good grades in school, but apart from that, she doesn’t seem to have any unique talents or interests. She doesn’t think there’s anything about her that would earn an award or impress anybody. Laura feels depressingly average next to the other members of her family.

It isn’t that her family is pressuring her to achieve anything in particular or to be like them or do what they’re doing. It’s just that Laura wishes that she had something more interesting and distinctive about herself. Other people who know Laura’s siblings keep comparing her to other members of her family. When she joins the drama club at school, one of her teachers seems a little disappointed that she’s not quite as good at acting as her older sister is. Laura’s friend, Beth, tells her that she’s good, but Laura feels like she’s never good enough, never as distinctive as she should be.

By contrast, Beth’s family is much more conventional. She only has one younger sibling, not three siblings, like Laura. Her mother is a lawyer, and their house is always neat and stylish. Laura’s house is noisy and chaotic, and she describes their household clutter as looking like a rummage sale. Laura thinks of herself as being a more ordinary, conventional person, and it occurs to her that she feels more at home in a conventional house. When Beth comes to visit Laura’s house, Laura worries at first that Beth will think her family is too weird. However, Beth is charmed by their eccentricity. In fact, Laura feels a little hurt at how interesting Beth finds the rest of her family. Laura worries that she’ll always be boring and ordinary compared to everyone else. However, Laura has a special talent that even she doesn’t realize that she has.

While Beth is having dinner with Laura and her family, Laura’s mind wanders from the chaotic conversation at the dinner table. She suddenly finds herself having a vision of her scientist father in his laboratory. She sees him meeting a man in a white shirt and then acting excited, like he’s just had an important discovery. The vision feels strange to Laura different from a daydream. When it’s over, she hears her father saying that he has a lot on his mind, and Laura absent-mindedly tell him that he’ll figure it all out tomorrow, after the man with the white shirt comes. Suddenly, everyone stops eating and stares at her, wondering what she meant, but even Laura herself isn’t sure. She’s aware that she knew her father was working on some difficult problem because he was juggling hard-boiled eggs earlier (something her eccentric father does whenever he needs to think), but she’s never had visions like that before and doesn’t know who the man in the white shirt is or what her vision really means. She just thinks it’s nice that everyone seemed to notice her.

There must be something to Laura’s visions because her father later tells her that he figured out his problem just like she said she would. Beth is intrigued by Laura’s apparent ability to predict things and tries to help her have another vision. Laura sees Beth on a stage with flowers at her feet and takes that to mean that she’ll be the star of the drama club play. However, Laura isn’t sure that her visions are always true because, when Beth tries out for the lead, she only gets the second best part in the play.

Another odd thing about Laura’s ability is that the girls realize that it doesn’t work well in a quiet environment, like Beth’s house. Laura gets visions when she’s surrounded by noisy chaos and starts to feel like she’s either outside of the situation or wants to be outside of it.

At first, Laura likes feeling special and noticed because of this unusual ability she seems to have, but it soon starts to worry her. She’s not sure that she can always trust her visions to be right or her ability to interpret them. She also begins to realize that it’s not so much that people are starting to notice her as a person but to pay attention to her ability, which is different. It starts to make her feel even more out of it than before.

Then, Laura has a terrifying vision where her younger brother, Dennis, is missing and her mother is frantic with worry. Is that vision real? Is something really going to happen to Dennis, or is there another explanation? The vision wasn’t clear on what would happen to Dennis, and if it is a real vision, can Laura do anything to protect her little brother?

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

This story starts off like many other kids’ books I’ve read, where a character feels out of place in their family or wishes that they had some talent that would make them stand out from their siblings. Then, it takes a turn for the mysterious when Laura begins to have visions that make it seem like she can predict the future. At first, Laura enjoys the feeling of being special and noticed, but then, her visions start to frighten her.

Another girl at school, Jamie, hears her talking about it with Beth, and she tells Laura that she’s fascinated by people with psychic abilities. She’s read about it before, and she points out to Laura that not being right all the time or not knowing what a vision means at first doesn’t mean that she isn’t gifted. When she explains to Laura how alarming visions can have perfectly innocent explanations because visions can be metaphorical, Laura feels better.

Jamie persuades Laura to give psychic readings to classmates for money, but the idea of turning her newfound ability into a business doesn’t feel right to her. Sometimes, she sees things that she doesn’t like, things that frighten her. It’s bad enough to predict that a classmate will fail a class, but another vision suggests that a classmate will die. He doesn’t die, but he does get into a car accident, and that’s bad enough. Laura realizes that it’s horrible to see that bad things will happen without having a way to do anything about it. Also, instead of being pleased and proud of her, her family finds the whole business unnerving and all of the kids who come to see her for psychic readings too chaotic, even for them.

There are also the disturbing visions that Laura keeps seeing about Dennis. She takes her friends and her old sister, Jill, into her confidence. Jill says that she will keep a close eye on Dennis to make sure nothing happens to him. Dennis does disappear during the story, and people worry about him, but nothing bad happens to him. Nobody in this story dies, and Laura uses her visions to figure out where Dennis is.

Toward the end of the book Laura talks to her parents about whether or not they’re proud of her because of her psychic abilities. They have a family talk about what it means to be proud of someone. The parents say that they’re not proud of their children for being talented because they don’t see themselves as being directly responsible for their talents. They love all of their children simply because they’re their children, and they’re good people, who do what they think is right and care about others. As far as talents and accomplishments go, the parents see their role as parents as making resources available to their children so they can develop whatever talents they have to the fullest, whether that means letting them have music lessons or encouraging them to try out for the school play. Whatever talents the children have are simply what they were born with, and their achievements are signs that they’re making use of what they have. The children accomplish what they work for themselves, and they’re doing it because they love doing it, not because the parents require it. What makes the parents proud of their children is when they find out what they’re good at and what they love doing. It doesn’t matter to them what their children’s talents are or how their talents compare to each other’s; they just want all of their children to find fulfillment in what they do.

In fact, her mother says that she thinks part of Laura’s trouble is that she’s good at too many things. She’s always gotten good grades in every class, so none of her subjects seems to stand out. If she only got mediocre grades in most subjects and good grades in just one, she would feel like she had a particular talent for that one subject. When she gets equally good grades for everything, nothing stands out to her as her special talent. Rather than being “boring” and “ordinary”, as Laura thinks of herself, she’s actually well-rounded and multi-talented.

Her parents have always been confident that Laura would find her own interests and talents in life. She just feels unaccomplished next to her siblings because, except for Dennis, her siblings are older than she is and have had more time to figure out what their interests are and build up accomplishments. Laura is also a good, caring person, who has been using her talent to help other people to the best of her ability. She looked into everyone else’s future but her own. Her parents say that having a lovable and loving daughter means more to them than any number of impressive accomplishments would be. Whatever anyone else in the world thinks about Laura and her abilities, her family loves her for who she is, not her abilities.

I like the parents’ attitudes, and it seems that the rest of Laura’s family feels the same way, especially her older sister, Jill. I enjoyed how supportive Jill was about both Laura’s psychic abilities and about her acting. When Laura tells Jill that she’s thinking about quitting the drama club because her teacher seems disappointed that her acting isn’t as good as Jill’s, Jill persuades her not to quit. Jill tells Laura that she would understand if she wanted to quit the drama club because she discovered that she really didn’t like drama after all, but she doesn’t want her to quit because she thinks she isn’t good enough. Jill says that Laura is good but that she just needs a little more coaching. She wants her sister to see that she is more talented and capable than she thinks and to make the best use she can of her talents, all of them.

There were a few instances of mild swearing in the book and one semi-dirty joke. When Laura thinks that she’s hopeless at acting because her teacher is disappointed that she’s not like her sister and says that she’s going to give up the drama club, Jill insists that Laura read the role for her so she can see what her performance is really like. Laura doesn’t really want to, but Jill insists that she stand up and read it properly because “You can’t act lying down.” Laura quips that “You can if you’re in an x-rated movie”, and Jill wryly tells her that she’s too young for that. The joke only works if the reader knows what an x-rated movie is, so it would probably go right over the heads of anyone too young to understand it.

One part of this book that I thought was amusing was when Laura explains about her mother’s writing career. When her mother was younger, she played bit parts in movies, and now, she writes gothic romance novels and westerns. Laura doesn’t like the westerns, but she’s read a couple of the gothic romances, and she has noticed that her mother’s gothic romances are very formulaic – “heroines who go to live in crumbling old castles where dark family secrets are buried and everyone acts strangely and the heroine finds herself in Terrible Danger.” That is a concise and accurate description of that entire genre of books. Her mother says that’s part of the challenge of writing gothic romance – writing the same story over and over in different ways so readers can hardly recognize that it’s the same story at all.

The reason why that’s funny to me is that, years ago, my brother and I were sorting through some old books, and we found our mother’s old collection of gothic romance books. I was immediately struck that all the covers on the books looked alike. They weren’t completely identical, but they all had young women in dresses running away from crumbling old manor houses or castles while looking scared. Sometimes, the heroine had a blue dress and sometimes a red one. (More often than not, the dress was blue, but sometimes, there would be a girl in red, pink, or white. Other colors were rare.) There were a few where it looked like it was even the same girl or the same castle viewed from a different angle. I thought it was so funny, I picked up a couple more with very similar covers from a thrift store and made a couple of digital collages with them that I turned into backgrounds for my computer screen. The same story, told over and over in different ways. You can’t judge a book by its cover, but these covers do explain a genre. I’m not saying it’s not a fun genre, only that I find it funny. Whoever did the covers for these books was undertaking the same sort of challenge that writers like Laura’s mother did in writing them.

Gone-Away Lake

Gone-Away Lake by Elizabeth Enright, 1957.

Eleven-year-old Portia and her six-year-old brother Foster are traveling alone by train to visit their aunt and uncle and twelve-year-old cousin Julian in the country for the summer while their parents are on a trip. Portia likes spending time with Julian because Julian is an amateur naturalist and tells her things about animals and birds. When Portia and Foster arrive, their aunt, uncle, and cousin tell them that their dog has had puppies. Portia is allowed to name them, and if her parents agree, she and Foster will even be able to keep one!

While Portia is out exploring the countryside with Julian one day, they find some garnets in a rock. They start chipping some out to take to Julian’s mother, and they find a carved inscription in Latin on the rock with the date July 15, 1891. They’re not sure what the Latin words mean. They figure out that part of the inscription refers to the Philosopher’s Stone, which was supposed to turn different substances to gold. Portia asks if this stone could be the real Philosopher’s Stone, but Julian says that’s impossible because they’ve been using knives to pry out the garnets, and they haven’t turned to gold. They continue to wonder what the inscription really means and why someone put it there.

They explore the countryside further, getting lost. They aren’t too worried because they don’t need to be back soon. They follow a brook and find themselves in a swampy area. Strangely, they stumble over an old rowboat. Then, they spot a row of old, abandoned houses. The houses are in bad condition, but the kids can see that they were built in elaborate Victorian styles. The children wonder why those houses are there on the edge of swamp. Portia finds it a little creepy, but Julian wants to get a better look.

Then, the children hear a voice. Strangely, the voice is repeating an advertisement for medicine for indigestion. The children think it’s funny because no ghost would say something like that. Taking a closer look at the houses, they notice that one seems to be in better condition than the others that it has animals and a garden, so someone must be living there. Thinking about it more, Julian says that the swamp was probably once a pond or a lake, and that’s why it had houses and a rowboat. He hasn’t heard of a lake in the area, but he and his parents haven’t lived in the area for long. The children wonder who lives in the house and decide to find out.

They find an old woman in old-fashioned clothing, listening to a radio. The old lady is surprised to see them but welcomes them, saying that it’s been a long time since she has seen children. She invites them to come inside her house, and the children find themselves in a cluttered and chaotic parlor with each wall covered in a different kind of wall paper. The woman introduces herself as Minehaha Cheever.

The children explain how they ended up there by coming through the swamp, and Mrs. Cheever says that they shouldn’t go through the swamp because there is a dangerous sinkhole there that they call the Gulper. She says that when it’s time for the children to go home, she’ll have her brother show them a better and safer way. Mrs. Cheever says that there used to be a lake there, and that her family and about a dozen others had summer houses there, but the lake largely dried up when a new dam was built. After that, the summer houses were abandoned, and many of them were vandalized. However, her father and another woman locked up their houses with the furniture inside, thinking that they would come back and move them, but they never did. The large and fancy old Villa Caprice is still untouched, but Mrs. Cheever says that she supposes that much of the contents is probably deteriorated. She says that the Villa Caprice gives her the creeps.

The children ask Mrs. Cheever why she’s there, and she says that she used to live somewhere else. After her husband died, she didn’t have much money, and she remembered that the house at the former lake was still there. Her brother, Pindar, also wanted to retire somewhere quiet, so they decided to go live in their family’s old summer house. There was enough furniture and old clothes left there for the two of them, and it suits them. They keep animals. Pindar still has their old car, so he can sometimes go into town for things they need. “Pindar” was one of the words in the inscription on the rock.

Pindar explains that he and his best friend when he was a kid, Tarquin (another of the words on the rock), were the ones responsible for the inscription on the rock. Tarquin was three years older than Pindar, but they were still close friends. However, they had a temporary falling out when Tarquin was 13 years old. Tarquin had gone away to boarding school for the first time, and the next time they met at their summer homes, Tarquin had brought a friend from his new school with him, Edward. Tarquin and Edward were putting on airs and showing off how sophisticated they were because they were 13 years old and knew so much more now that they had been to boarding school. Pindar felt bad about his old friend shunning him and treating him like a little kid, so he started hanging out with his other best friend, Barney. Then, Pindar had the idea of showing Barney the big rock with garnets stuck in it where he and Tarquin used to meet and hang out together.

When Pindar and Barney got to the rock, they discovered that Tarquin and Edward were already there, and the older boys said that they had claimed the rock for themselves. They called the rock the philosopher’s stone and wrote the inscription labeling it as the philosopher’s stone in Latin, which they had learned at their boarding school. The older boys said that the younger ones were too little to be philosophers, like the two of them. Pindar’s feelings were hurt all over again, and he told his father about the situation. Pindar’s father was amused by the older boys and their sophisticated philosopher talk. He said that there was no age limit on who could be a philosopher and explained to Pindar what a philosopher’s stone was supposed to be and how it was supposed to turn things to gold. Then, he suggested a prank that Pindar and Barney could play on the older boys, convincing them that the stone really did have the power to turn things to gold. The older boys were temporarily fooled by the trick. At first, Tarquin was angry about being tricked, but then, he had to acknowledge that he had provoked Pindar and that the trick was a clever one. Tarquin made up with both Pindar and Barney, and he added Pindar’s name and his own to the inscription on the rock. Pindar still considers Tarquin and Barney to be his best friends, and they still write letters to each other in their old age.

Julian and Portia are fascinated by the stories that Pindar tells about the childhood summers he and his siblings and friends spent at this now-vanished lake. Mrs. Cheever said that she loves having children around the place again, and she suggests that Julian and Portia could use one of the old houses that is still in reasonably good condition as a kind of clubhouse. Julian and Portia love the idea, and Pindar and Mrs. Cheever suggest that they use the old house where Tarquin and his family used to stay. It’s in disrepair, but it’s much better than some of the other houses. There is plenty of furniture in the attic that the children can use, too. The children decide to invite some other kids to join them, and they call their club the Philosopher’s Club, after Pindar and Tarquin’s old group of friends.

Julian and Portia invite some other local children to join the Philosopher’s Club and spent a magical summer exploring this abandoned community, picking blackberries, learning about local plants and their uses, and scavenging things from old houses and trying on the clothes from Pindar and Mrs. Cheever’s youth. The boys help Pindar build a bridge over the large sinkhole they call “the Gulper” after Foster falls into it and has to be rescued. When Julian and Portia’s parents meet Uncle Pin and Aunt Min (as they come to call Pindar and Mrs. Cheever) and come to see Gone-Away Lake, the adults also experience the magical, dream-like qualities of this place, and Portia’s parents consider plans that may make the children’s future summers magical.

The book is available to borrow and read for free online through Internet Archive (multiple copies – including a couple of copies of the sequel, Return to Gone-Away).

My Reaction

I remember a teacher reading this book or part of it to us when I was in elementary school, but I couldn’t remember much about the story except for the lake that had gone away and caused the town to be largely deserted. For some reason, I had thought this story was a mystery story, but it’s not.

In many ways, I think this is the perfect nostalgia book because a large part this story is about the nostalgia that the elderly brother and sister in the story have for the place where they used to have their childhood summer adventures, even though the place isn’t what it used to be. Through the stories that they tell the children and the children’s own adventures and explorations of this largely abandoned summer community, they begin building their own attachments to the place and their own nostalgic summer memories.

Because the story takes place in such a unique location, I think it would make a fun kids’ movie with a vibe of nostalgic summer adventure. Although, because the story is largely low-key slice-of-life and the flashbacks of Uncle Pin and Aunt Min to incidents in their youth, I can see that the story might have to be changed a bit to fit the usual movie format, focusing on one definite problem or a particular adventure to give the story its climax. I picture the kids and their Philosopher’s Club making it their mission to preserve this vanishing community, which fits with the way the original story goes, although the kids in the book enjoy the old community for the magic of its dilapidated state rather than wanting to fix it up and restore it to its former glory. I think they could lean into promoting the preservation of nature and the ecosystem of the area, with Julian in particular pointing out what makes this environment unique and how it has become home to animals and insects since the lake changed to a swamp and most of the people left. The Philosopher’s Club might connect with a local naturalist society, and they could build the bridge in the story together to make the swamp safer to traverse for nature lovers and bird watchers. Uncle Pin and Aunt Min could remain on the site as its caretakers. Perhaps, the kids might even find some old notes and drawings in one of the old houses that show some interesting aspects of how the environment has changed and some of the unique animals that make their home there. That didn’t happen in the book, but it would be a sort of environmentally-connected treasure the children could find.