Sarah, Plain and Tall

Sarah, Plain and Tall by Patricia MacLachlan, 1985.

This is a popular book to read in schools in the United States, the first in a series.  It’s a Newbery Award winner, and it shows aspects of farm life during the early 20th century and the concept of mail-order brides, a practice from American frontier days where men living in the West or Midwest, where there were not many available women in the population, would write to agencies or advertise for a bride from the East.  The process for arranging these marriages could vary, but it typically started with written correspondence before the man and woman would meet in person.  In this book, the man looking for a bride, Jacob Witting, is a widower with two children who has a farm on the Great Plains.  The story is narrated by his older child, Anna. The book isn’t very long, and it’s a pretty quick read, but it’s filled with colorful imagery and emotion.

Anna has had to help take care of her little brother, Caleb, since he was born.  Their mother died shortly after giving birth to him, and Caleb frequently asks Anna questions about what their mother was like.  Anna’s memories of their mother are fading because she was still very young when she died, but she really misses her.

Then, Jacob tells the children that he has advertised for a bride from the East, the way a neighbor of theirs did.  The children like their neighbor’s new wife and wouldn’t mind having a mother like her.  The father has received a reply to his advertisement from a woman in Maine, Sarah Wheaton.  Sarah has never been married, and now that her brother is getting married, she feels the need for a change in her life.  She loves living by the sea in Maine, but she is willing to move to start a new life.  She says that she would like to know more about Jacob and his children.

Jacob and the children write letters to Sarah, getting to know her better.  They come to like each other, but the children worry about whether Sarah will change her mind about coming to see them or whether she’ll like them or their farm when or if she comes.  When Sarah tells them that she’s coming during the spring, she says that they will know her because she will be wearing a yellow bonnet and describes herself as being plain and tall (the title of the book).

Sarah will stay with the family for a time while they decide if they can be a family together and if she will marry Jacob that summer.  There are adjustments that they will all have to make.  Life on the prairie is very different from what Sarah is used to, and the children still worry that she won’t want to stay.  Sarah brings seashells from Maine to show them, and they teach her about the local wildflowers.  One of my favorite scenes was where Sarah cuts Caleb’s hair, and they put the hair clippings out for birds to use in their nests.  Caleb was particularly concerned about whether Sarah would sing like their mother used to, and Sarah does. 

Through it all, the children can tell that Sarah really misses the sea.  Sarah does say that the land around the farm kind of rolls, a little like the sea, and they play in a haystack, like it was a dune by the sea.  When they visit their neighbors, Sarah talks with Maggie, the mail-order bride who came from Tennessee.  Maggie understands Sarah feels, missing her home in Maine, and it upsets Anna to hear them talk about missing their old homes.  However, Sarah says that things were changing at home, and Maggie comments that, “There are always things to miss, no matter where you are.”  What the women realize is that, although they miss their old homes, they have grown to love the new people in their lives and would miss them if they tried to go back to where they came from.

At one point, Sarah goes to town alone, and the children worry that she won’t come back, but she does.  She just went to town to buy colored pencils in her favorite sea colors.  Sarah does stay and marry Jacob, setting up the rest of the series.

The book is available to borrow and read for free on Internet Archive (multiple copies).

My Reaction

There is a movie version of this book, which follows the story pretty well. The book wasn’t specific about the time period, although it seems to take place during the early 1900s. The movie and its sequels are set during the 1910s, which makes sense for the rest of the series. The book also didn’t say exactly where the farm was, but the movie clarifies that it’s in Kansas. The movie also emphasizes how much the whole family, particularly Jacob and Anna, misses the mother who died.  In the movie, Jacob forbids the children to use any of his dead wife’s things and doesn’t want to talk about her.  However, when Sarah realizes that trying to avoid his wife’s memory is hurting Anna, she brings out some of the dead wife’s belongs to use, helping the family to make peace with the past and prepare for the future. 

In the movie, Jacob’s pain over his wife’s death is partly about guilt as well as grief. The book doesn’t really talk about why Anna’s mother died after childbirth, but in the movie, Jacob has a painful discussion with Sarah about how he blames himself for his wife’s death because the doctor had warned them that they shouldn’t have any more children after Anna.  Apparently, Anna’s birth had been difficult and caused complications because his wife was so young, and the doctor had said that having another child would be dangerous.  However, after a few years went by, they decided to try for a son to help run the farm, thinking that enough time had gone by for it to be safe.  When his wife died giving birth to Caleb, Jacob felt terrible, thinking that he should have taken the doctor’s warning more seriously and not tried to have another child.  Confessing all of this to Sarah helps Jacob to make his own peace with what happened.  However, none of this discussion appears in the book.

In both the book and the movie, Jacob also has to adjust to Sarah’s different personality.  Sarah is more stubborn and independent than his first wife, with her own way of doing things.  Living with her is different from living the mother of his children.  However, Jacob comes to love Sarah for the person that she is.

The Whipping Boy

The Whipping Boy by Sid Fleischman, 1986.

Jemmy is an orphan who lives in the royal castle as the prince’s new whipping boy.  Prince Horace, or Prince Brat, as the prince is commonly called, is known for constantly misbehaving, playing mean pranks, and refusing to do his lessons (he tells his tutor that he doesn’t need to learn how to read because he could always get someone else to do his reading for him).  However, in their land, it is illegal for anyone to use any kind of physical force or punishment on a prince.  Instead, the royal family employs a whipping boy to take the prince’s punishments for him.  As you can imagine, seeing someone else whipped in his place does little to correct the prince’s bad behavior.  In fact, the prince usually likes the spectacle of the whipping boy yelling.  He doesn’t like it that, unlike the others, Jemmy never yells when he’s whipped.

Jemmy was recruited for the role of whipping boy off the streets, where he survived by being a mudlark and rat catcher.  There are benefits to living in the palace, even if his purpose in being there is to take the prince’s punishments.  Jemmy gets food to eat and nice clothes to wear and attends the prince’s lessons with him, where he pays attention when the prince does not.  Jemmy actually loves the books and learning he receives.

After about a year, though, the prince suddenly comes to Jemmy in the middle of the night and tells him that he’s running away from home and wants Jemmy to come with him as a manservant.  When Jemmy asks him why he wants to leave, the prince says that he’s bored.  Jemmy wonders why Prince Brat wants him to come along instead of a friend, but then he realizes that, as nasty as he is, Prince Brat doesn’t have any real friends.

When the two of them are outside of the palace, Jemmy is tempted to run off and leave Prince Brat to fend for himself, but before he can make up his mind about it, the two boys are taken prisoner by bandits, Cutwater and Hold-Your-Nose Billy (named for all the garlic he eats).

Prince Horace tries to pull rank on the bandits, telling them who he is and ordering them to go away.  It’s a mistake.  When the bandits see the royal crest on the saddle of the horse that the boys are riding, they decide that they can probably get a good ransom for the prince.  Since neither of the bandits can write, they try to make the prince write his own ransom note, but of course, Prince Brat can’t write because he’s refused to learn. 

Jemmy, seeing an opportunity to turn the situation around, offers to write the note instead.  As Jemmy suspected, when the bandits realize that he can write and Horace can’t, they start assuming that he’s actually the prince and that the two boys have switched places.  After writing the note, Jemmy suggests that they let the “whipping boy” (Horace) take it to the castle, thinking that not only will Horace get safely away but that he’ll be rid of Horace after that.

To Jemmy’s surprise, Prince Horace ruins the whole scheme by refusing to return to the castle.  Jemmy tries to reason with him, but Horace says that he won’t go home until he’s ready.  The boys to manage to slip away on the bandits, and Horace insists on following Jemmy even though Jemmy wants to be rid of him.

Although Jemmy can’t understand why, Horace says that he’s having the time of his life.  For once in his life, he doesn’t have people fussing over him and telling him to keep his clothes clean.  Horace has found palace life stifling and boring, and he feels like his father hardly notices him or cares.  Part of the reason why Horace acts up is to get his father’s attention.  Jemmy is surprised by these insights into the prince’s life and character, and he is also surprised that, when he finally gets the chance to slip away and leave Horace behind, he can’t do it.  He knows that Horace isn’t used to life outside the palace, and Jemmy worries about what might happen to him if he’s left alone, although he tells himself that Horace could always return to the castle.

Before their adventures are over, Horace gets to experience what it’s like to do chores for himself and even to be whipped by the bandits, when they think he’s the whipping boy.  Being whipped himself shows Horace what he has subjected others to on his account.  Jemmy is surprised that Horace bears the punishment without crying or complaining, something which Horace says that he learned from watching Jemmy, who made it a point to take whippings with quiet dignity.  Horace also learns what other people really think of him when a woman at a fair comments on the prince’s disappearance, using the “Prince Brat” nickname and saying that the young prince is a “terror” and bound to be a terrible king when he’s older.  Usually, people are careful about what they say in front of the prince, and Horace is shocked to find out how disliked he is because of his bad behavior.  However, Horace’s new experiences and realizations bring a change in his outlook and personality that make him more sympathetic and likeable.  There is also the realization that what Horace really needs in his life isn’t a whipping boy to take his punishments for him but someone who can be a real, honest friend with him, like Jemmy.

In the end, Jemmy becomes the prince’s companion, not his whipping boy, so that the prince will be less lonely and stop acting out to get attention.  The king promises that Horace can keep Jemmy as his companion and his responsibility as long as Horace himself can behave responsibly and do his lessons as he should.

Although the country and characters in the story are fictional, the practice of keeping a whipping boy so that princes wouldn’t have direct physical punishment was a real practice.  Even today, the term “whipping boy” can stand for a person who takes blame or punishment in the place of someone with higher rank or authority, even when the person of higher rank is the one at fault.  For example, if a business manager or CEO makes a bad decision and orders one of his employees to do something they shouldn’t and the employee gets the blame for it as if what they did was their idea and not the boss’s, that employee can be considered the “whipping boy.” Another example would be if a stepchild in a family was given blame or punishment in place of a biological child because of favoritism on the part of the punishing parent (similar to the crude saying “beaten like a red-headed stepchild“). In fact, depending on the circumstances, a “whipping boy” might not even be a person, but a thing or a concept that is blamed instead of the person or thing that is the true cause of a problem, such as blaming “modern society” or “kids these days” for an individual’s bad habits or behavior, “the government” or “the system” for a business’s bad decisions or policies, or “millenials” for practically everything they’ve been blamed for by older people. It is similar to the concept of the “scapegoat” or “fall guy” but with the connotation that the person who is really at fault, the one who is trying to avoid blame or punishment, succeeds because of higher rank, authority, seniority, or some other form of favoritism among those who will assign blame or punishment.

This book is a Newbery Medal Winner and is available online through Internet Archive (multiple copies).

There is also a movie version of the book, sometimes called Prince Brat and the Whipping Boy.  The movie follows the concept of the original story pretty well, but it elaborates more on Jemmy’s life before he became the whipping boy and on how Horace feels neglected by his father.  In the movie, Jemmy is pressed into service as whipping boy by the king’s soldiers, who don’t bother to find out if he has any other family.  Although Jemmy is an orphan in both the book and movie, in the movie, he also has a younger sister he looks after, and part of what he wants to do when he leaves the palace is to find her.  The boys together learn that the younger sister was arrested for attempting to steal a handkerchief in Jemmy’s absence, and they have to rescue her from prison, a side adventure that didn’t occur in the book.  In the movie, Horace also explains to Jemmy that his mother died in a riding accident when he was young and that his father pays more attention to affairs of state than he does to him.  Horace is shown multiple times trying to get his father’s attention, only to be brushed off because his father is too busy.  In the movie, the king almost declares war on another country, thinking that Horace was kidnapped over a border dispute, something that didn’t happen in the book.  In both the book and the movie, Jemmy’s new friendship with Horace brings about a change in the prince.  At the end of the movie, both Jemmy and his sister are taken in to the palace as companions for Horace. Sometimes you can find this movie or clips of it on YouTube. Although it was originally released on VHS, it is currently available on DVD.

Mairelon the Magician

Mairelon the Magician by Patricia C. Wrede, 1991.

This young adult book takes place in an alternate history version of Regency England.  In this world, magic is a normal and accepted part of society.  “Wizard” is an accepted profession, and there is even a Royal College of Wizards dedicated to magic.  Not everyone can be a wizard because not everyone has the ability to use magic.  It is a skill that people are either born with or born without, similar to people who have an innate talent for art or music, compared to people who are born tone-deaf or color-blind.

In this early 19th century world, there is a teenage girl, Kim, who lives on the streets and survives by her own wits, taking whatever jobs she can and committing a little petty thievery whenever she needs to.  She has spent most of her life dressing like a boy and pretending that she is one because life on the streets is even more precarious for a girl.  For a time, she was part of a gang of child thieves run by a woman call Mother Tibb.  As far back as Kim can remember, Mother Tibb was the only one who took care of her as a child.  Kim has no memory of her parents or any knowledge about what happened to them.  She doesn’t even have a last name.  However, before the story begins, Mother Tibb was caught and hanged for her crimes.  Some of the other child thieves were apprehended and put in prison or exiled to Australia, but Kim managed to escape.  Since then, she has been on her own.  So far, she has managed to avoid being pressured in to joining up with other gangs or turning to prostitution to survive, but the fear of that haunts her. Her future is uncertain.

At the beginning of the book, Kim is hired to sneak into the wagon of a traveling magician who is performing in the market and to see what he keeps among his belongings.  The man who hired her doesn’t want her to take anything, but he is particularly eager to see if the magician has a particular silver bowl in possession.  It’s a strange request, but the money that the man offers Kim is too good to pass up.

However, the magician, who calls himself Mairelon, isn’t quite what he seems.  He is not just an ordinary traveling entertainer using some sleight of hand to amuse people in the market.  Kim discovers that he can do real magic as she searches his wagon and is knocked unconscious by a real magical spell that Mairelon uses to protect his belongings.

When Kim wakes up, Mairelon and his servant, called Hunch, have tied her up.  Unlike Hunch, Mairelon has also realized that Kim is actually a girl, not a boy.  The two of them question Kim about why she sneaked into the wagon, and she tells them the truth about being hired to do it.  When she describes the man who hired her, it seems that Mairelon recognizes the description.  The part about the silver bowl also unnerves him.

Surprisingly, Mairelon makes Kim an offer to come with him and Hunch when they leave London.  He is fascinated by Kim’s skills in picking locks, even the lock on the booby-trapped trunk that knocked her unconscious, and he thinks that Kim might be useful to him and Hunch, perhaps helping with the magic act.  In return, he offers to teach Kim some of his magic tricks.  Hunch is dubious about Kim because she has obviously been a thief, and Kim also isn’t sure what to make of Mairelon.  She knows that he’s hiding something, but she isn’t sure what.  No one with real magical abilities like him would ordinarily be making a living with simple magic tricks in the market. 

However, Kim does accept the offer because she’s been worried about one of the major criminals in the area, Dan Laverham, who has been showing too much interest in recruiting her. He is heavily involved with a number of criminal activities, and he knows that Kim is a skilled lock pick.  If he found out that she was a girl, he would probably also press her into prostitution. Dan Laverham would be a good reason to get out of London for a while.  Also, Kim realizes that if she learns a few magic tricks from Mairelon, she might be able to set herself up as an entertainer and make an honest living, safe no matter who finds out that she’s female.  Besides, Kim realizes that if she’s not satisfied with the situation, she could always run away later.

Before leaving London with Mairelon, she returns to the man who hired her, at Mairelon’s suggestion, and tells him that she didn’t see a silver bowl in Mairelon’s wagon (which is true because she was knocked unconscious and didn’t see anything in the trunk).  The man is angry, but Mairelon, who followed her in disguise, helps to create a distraction so that she can get away from the man.  They leave London in the middle of the night because Mairelon says that he was spotted by someone who recognized him when he went out to get magic ingredients.

On the journey, Kim gradually gets to know Mairelon and his situation.  The silver bowl, which Mairelon does have, is actually part of a set of magical objects which, when used together, can compel people to tell the truth without interfering with their ability to answer questions intelligently.  Mairelon’s real name is Richard Merrill, and he is, or was, part of the Royal College of Wizards.  Years earlier, the Royal College of Wizards was analyzing this particular set of magical objects and the unique spell that they control, when they were suddenly stolen, and Merrill was framed for the theft.  At the time, Merrill was unable to prove his innocence (at least not without sounding as if he had done something inappropriate with a lady, which he also did not do – they were just together at the time of the theft because she was helping him and another friend with a magical experiment), but he was also recruited by his friend in the government to be a spy against the French, so the story of his supposed theft gave him a plausible reason for wanting to leave the country.  In the time since then, he and his friend have continued to look into the matter of the theft, and they have made some progress in tracking down the other pieces of the magical set.  At the time that Kim met him, he was on his way to the next piece of the set, a silver platter.

To their surprise, however, they soon discover that someone has been making copies of the platter.  The copies are not magical, but they do confuse the issue.  Who is making the copies and why would they want copies, since they do not have the powers that the original has?  As Kim and Mairelon investigate, they crash a house party at a lavish country estate and spy on a meeting of a rather inept society of druids.  All the while, they are getting closer and closer to finding the original thief.

I loved the combination of mystery, fantasy, history, and humor in this book!  It’s one of my all-time favorites.  It has a happy ending with Mairelon’s name cleared and the thief caught.  They also discover that Kim has the ability to use magic, and Mairelon offers to take her on as his apprentice, saving her from the streets forever.  There is a sequel to this book called Magician’s Ward, about Kim’s life and adventures as Mairelon’s student.  The hints of romance in this book are also much stronger in the next one.  There are only two books in this series, which is disappointing because the characters are so much fun, and I think that there is a lot more room for their development.  By the end of the next book, Kim’s future is looking more certain, but her past is still murky.  Originally, I had expected that there would be secrets revealed about Kim’s past because of her ability to use magic, possibly something that was passed on to her by her parents.  However, by the end of the second book, Kim still doesn’t know who her parents were/are, and it doesn’t look like there’s any chance that she will ever know.  Perhaps it doesn’t really matter. Sometimes, secrets are more tantalizing when you imagine the answers than when you actually find out.

The book is currently available online through Internet Archive.

The Cabin Faced West

The Cabin Faced West by Jean Fritz, 1958.

Ten-year-old Ann Hamilton hasn’t been very happy since her family decided to move West.  Her family lives in 18th century Pennsylvania, and moving West means homesteading in an area where there are few other families, none of which have girls Ann’s age.  Her father and brothers love the adventure of starting over in a new place on the western frontier (what is considered the frontier for their era), but Ann is lonely, surrounded by boys, and missing their old home.  When her father built their cabin, he purposely placed it so that the door faces to the west because he says that’s where their future lies.  Ann’s brothers, Daniel and David, also make up a rule that no one can complain about the west (partly because Ann had already been doing a lot of complaining), saying that anyone who does so will get a bucket of water poured over their head, and they make a game out of trying to catch each other complaining about something.  So, there is nothing Ann can do but suffer in silence and write in her diary, a present from her cousin Margaret when the family left Gettysburg.

There’s a boy close to her age who lives nearby, Andy McPhale, but Ann doesn’t think much of him.  He makes jokes about her being “eddicated” because she can read and write.  Sometimes, he seems like he wants to play with her, but she’s a girl, and he doesn’t want to play girl games.

Andy McPhale also worries about his mother.  His father believes in hunting and trapping more than planting.  Rather than grow some of their food, Andy’s father goes off for days at a time on hunting expeditions, leaving his family with very little while he’s gone.  Ann’s family thinks that this is a sign of poor planning for the future and don’t think highly of Andy’s father for it.

Later, they meet a young man named Arthur Scott who has just arrived in the area and is looking for land to settle on.  When Mr. Scott first arrives, he meets Ann on the road.  Ann has allowed the hearth fire to go out, and she is on her way to her aunt and uncle’s house to borrow some from them because she doesn’t know how to start a fire by herself.  Understanding her problem, Mr. Scott gives Ann a ride home on his horse and helps her to restart the fire, promising not to tell her parents.  They invite him to stay for lunch, and he talks about his time at Valley Forge with Washington’s soldiers when he was only 13 years old.  He was too young to fight, but he volunteered to drive an ammunition wagon.  Ann thinks of George Washington as a hero, and she finds it thrilling that Mr. Scott served with him.

Arthur Scott becomes a friend of the Hamilton family, and Andy McPhale seems jealous of him and the attention that Ann pays to him.  Then, Andy tells her that his family has decided to go back to town for the winter.  In the spring, they will return to the area and try farming, persuaded by their experiences working with the Hamiltons.  To Ann’s surprise, Andy offers for Ann to come with them.  She could visit Gettysburg and stay with her cousin Margaret again.  Ann has been lonely, being the only girl in the area, and it’s a tempting offer.  However, Ann feels like she must stay for her family’s sake and so she won’t feel like a deserter.  When a storm destroys a good part of her family’s crop, she feels terrible and wonders if it’s all really worth it.

In the end, there is a great surprise coming for Ann: she gets to meet her hero, George Washington, when he comes to see some land that he has purchased nearby.

The book is currently available online through Internet Archive (multiple copies).

My Reaction and Addition Information

I first read this book when I was a kid in elementary school. As the cover of the book says, the author won the Laura Ingalls Wilder Medal, which honors authors and illustrators for children who have made long-term contributions to children’s literature. Laura Ingalls Wilder was the author of the semi-autobiographical Little House on the Prairie books, but because those books contain uncomfortable racial language and situations, her name were removed from the award in 2018. The award still exists, but it’s now called the Children’s Literature Legacy Award, which is more descriptive of its purpose.

I liked this book as a kid, although I had forgotten many of the details before I reread it as an adult, and I’m not sure if I fully understood the history behind the story when I was a kid. I think stories actually become more interesting when you know the background, so I’d like to discuss the history a little.

The story is based on the real life of Ann Hamilton, the great-great-grandmother of the author of this book, who did get to meet George Washington in 1784. The author is essentially retelling an old family story. The real Ann Hamilton married Arthur Scott when she grew up.  The place where they lived, called Hamilton Hill in the story, is now called Ginger Hill. In fact, it seems that a member of the Hamilton family caused the name change, although that story isn’t really one for children.

One of the parts of the story that I always remembered from when I read it in school as a kid was the part where Ann talks about “mother’s fried wonders”, basically describing a fried donut. People in the 18th century did make various types of fried pastries, varying in style and name depending on where they lived. For an example of early American donuts, see this video by Townsends about 18th century doughnuts, where they make doughnuts and talk about the history and evolution of American “dough nuts” (they talk about the name and how it seems to come from the original shape – nut-shaped pieces of dough).

Felicity’s Craft Book

American Girls

Felicity’s Craft Book by Rebecca Sample Bernstein and Jodi Evert, 1994.

This is a companion book to the Felicity, An American Girl series.  It explains about the types of crafts that people would do in Colonial America and gives instructions for projects that readers can make at home.

In the beginning of the book, there is a brief history of crafting in America.  It explains that, in the earliest days of the American colonies, people had to get most of their goods from Europe because they had to spend their time and energy on building homes and establishing farms in order to survive.  However, as the colonies became more established, people were more able to make goods for themselves, both in their own homes and as professional craftspeople.  By the time that Felicity lived, during the late 1700s, there were many skilled craftspeople, and those craftspeople also trained new people in their professions in apprenticeships.

Before presenting craft projects that readers can make, the book also offers a few tips for safety and neatness while making things. The crafts are also divided into sections relating to topics like writing, sewing, games and toys, and scented objects that you can make with plants.

The projects explained in this book include:

A quill pen and two types of ink – The book gives instructions for making ink from different types of berries (such as raspberries, strawberries, and blackberries, which make red or purple ink) and walnut shells (which makes a brown ink).

A wax seal – To be used with sealing wax or wax from a candle. These were used to seal letters before the invention of envelopes with glue. (I know that there are people and companies that still make these because I have one myself and the sealing wax to use with it.)

Game of Graces – A hoop with a pair of sticks that were used for a tossing game.

Cup and Ball Game – A common toy in which a cup is attached to the end of a short stick and a ball is tied to it.  Players have to move the toy around and make the ball swing into the cup.

Kites – Made with lightweight paper.

Folding Fan – Made with poster board and ribbon.

Fancy Straw Hat – Explains how to decorate a hat with flowers and ribbon.

Fruit Pyramid – Used as a table centerpiece.

Cross-Stitch Sampler – A basic sampler using only the cross-stitch. (Colonial girls would create more elaborate samplers to show off the range of stitches they could make.)

Sachet – A small bag of potpourri (sweet-smelling dried plants).  Colonists would put sachets into trunks and wardrobes where they were storing their clothes to make them smell nice.  (Some people still do this in modern times.)  In a later part of the book, they also give instructions for making potpourri with herbs and flower petals.

Friendship Pincushion – An embroidered pincushion.

Tussie-Mussie – A small bouquet, like the kind that bridesmaids and flower girls might carry.  (The book says that people in Colonial times might carry one or maybe a pomander ball if they went to visit a sick person because they had an idea that breathing bad air would spread sickness and they were trying to freshen the air with fresh scents.  That’s not quite how sickness is spread, but they were partly correct about sicknesses being airborn.)

Pomander Ball – An orange scented and decorated with spices and cloves.  Besides freshening the air, they can also make nice decorations.

In the sections about different types of projects, there is additional historical information about life and crafts in Colonial America. Because, in the books, Felicity’s grandfather owns a plantation and one of the books takes place there, the craft book also has a section about plantations that includes a brief description of plantation life and slavery, noting that the lifestyle and pastimes that plantation owners enjoyed would not have been possible without their slaves to take care of the plantation chores for them.

The book is currently available online through Internet Archive.

Molly’s Cook Book

American Girls

Molly’s Cook Book by Polly Athan, Rebecca Sample Bernstein, Terri Braun, Jodi Evert, and Jeanne Thieme, 1994.

This is a companion book to the Molly, An American Girl series.  It has recipes from the 1940s that people would have made during World War II.  A section at the beginning of the book explains how shortages and rationing during the war changed the way that people shopped for food and cooked.  For example, people on the homefront didn’t have many canned foods because many canned foods were shipped overseas to soldiers and much of the metal that would have been used to make more cans for food was being used to make other war supplies.  Because certain types of food were in short supply, individuals and families would receive ration books, which contained stamps that represented which types of foods they would be able to buy and how much.  Cookbooks printed during the war focused on creating meals that used little or no rationed products.  People also planted Victory gardens and grew their own vegetables to fill out their meals.

The cookbook is divided into sections for different meals:

Breakfast – Fried Potatoes, Toad-in-a-Hole (not the British dish – this is eggs cooked in a frame of bread, what I first learned to make as Eggs-in-a-Frame), Fried Bacon, Quick Coffee Cake, and Frozen Fruit Cups.

Dinner – Vitamin A Salad (made with carrots and lemon gelatin), Deviled Eggs, Carrot Curls and Celery Fans, Vitality Meat Loaf, Parsley Biscuits, Volcano Potatoes, and Applesauce Cupcakes.

Favorite Foods – French toast, Waldorf salad, PBJ Roll-ups, Jelly Flags, Victory Garden Soup, Nut-and-Raisin Bread, and Fruit Bars.

In each section of recipes, there is more historical information about food in World War II.  There is also a section in the back with party ideas from the 1940s.

For more World War II recipes, I recommend The 1940’s Experiment, which is a blog with recipes from World War II and an explanation of how they can be used to both save money and lose weight because they were intentionally designed to make maximum use of limited resources, both economically and nutritionally. In Molly’s Cook Book, there is a chart that government experts during World War II used to give people guidance on how to budget their food money among seven food groups. The diet that they recommended, both nutritionally and to limit certain rationed foods, was heavy on vegetables and fruits and lighter on meats, grains, and dairy products. This type of diet is basically in keeping with modern nutritional advice, which also emphasizes the importance of vegetables and fruit.

The book is currently available online through Internet Archive.

The Ravenmaster’s Secret

The Ravenmaster’s Secret by Elvira Woodruff, 2003.

Forrest Harper is the son of the Ravenmaster of the Tower of London in 1735.  The story begins by explaining the tradition of keeping ravens at the Tower of London because of the superstition that the Tower would be conquered by its enemies if the ravens ever abandoned it.  This superstition led to the creation of the job of Ravenmaster, who looks after a flock of ravens that live at the Tower with wings clipped so that they can’t fly away.

Forrest Harper lives at the Tower with his parents and sisters, training to become a Ravenmaster, like his father.  He likes the ravens, and they like him.  He is pretty good at caring for ravens, but there is something that bothers him: he thinks that he isn’t brave enough and that others think that he is a coward, too.  He is smaller than the other boys and is often teased.  He has trouble cutting up the squirrels that the rat catcher’s boy (his only real friend, although his mother doesn’t approve of him) brings to him to feed to the ravens.  Even though it’s necessary, Forrest doesn’t like the sight of blood and feels kind of sorry for the squirrels.  Worse still, when Forrest’s family attends the public hangings (which were treated as a kind of festival day with music and entertainment in Forrest’s time), Forrest is unable to look at the criminals who are being hanged.  The one time he does try it, he throws up, and again, the other boys tease him mercilessly for it.  Forrest’s problem, as readers will see, isn’t so much that he’s a coward as he has more empathy than the other boys, both for animals and people, and that isn’t really as much of a problem as he believes.  His father tells him to ignore the bullies because they are foolish, and their foolishness will show in time.

Forrest sometimes dreams of going out into the wider world, beyond the Tower, where he could do something brave that would impress everyone.  The rat catcher’s boy, whose real name is Ned although most people just call him Rat, also dreams of running away because he is an orphan, treated harshly by his master and always in danger of being turned over to the chimney sweep to be used as a climbing boy.  He doesn’t think that Forrest has a real problem because his life at the Tower is pretty good, living comfortably at the Tower with his parents, whatever the local bullies say.  Still, the two boys often imagine what it would be like to go to sea together and have adventures.  When there is an announcement that a new prisoner will be arriving at the Tower, a Scottish Jacobite rebel, Forrest thinks that helping to guard a dangerous rebel will make the Tower bullies respect him.

To Forrest’s surprise and embarrassment, this rebel actually turns out to be a girl.  She is the daughter of the rebel Owen Stewart, who is being held in a different tower at the Tower of London (the Tower of London is actually a fortress with multiple towers – she is imprisoned in Bloody Tower and her father is in Bell Tower).  She has been charged with treason, along with her father and uncle.  Forrest isn’t happy about being given the task of taking food to a girl prisoner. 

However, Madeline McKay Stewart, the girl prisoner, is pretty tough in her own right.  Although Maddy’s been separated from her father and uncle and all three of them are likely to be executed, she is being pretty brave about it.  She talks to Rat and Forrest.  She is interested in Forrest’s pet raven, Tuck, and tells him about how she used to feed baby owls back home.  She talks about her life and family in Scotland, and Forrest realizes that he’s starting to think of her as a friend instead of an enemy to be guarded.

While Forrest is used to hearing English people criticize the Scots for being “savage,” he is astonished and a bit offended when Maddy talks about English people being “evil.”  For the first time, it makes him think of the situation from the other side.  He knows that not all English people are evil and realizes, having seen that Maddy actually has refined manners, that Scottish people aren’t “savage.”  One day, at Maddy’s request, he takes a message to her father in exchange for her ring, which he plans to sell in order to buy Ned back from the chimney sweep after the rat catcher loses his term of indenture to the chimney sweep in a game of cards, sparing him from the horrible life and health problems that the young climbing boys suffer.  Then, Owen Stewart gives Forrest a message to take back to Maddy.  Without really meaning to, Forrest realizes that he has suddenly become a go-between for the rebels and could be considered a conspirator under English law.

As Forrest considers the fate that lies ahead for Maddy and the nature of war between England and the Scottish rebels, it occurs to him that the adults in his life have often done the opposite of the things that they have always taught him were important.  His father always emphasized fairness, yet the war and Maddy’s possible execution are unfair.  Maddy shares Forrest’s feeling that the world might be a better place if people didn’t become adults and abandon their values.

Then, Maddy’s father and uncle are shot while attempting to escape, and Maddy is left completely alone.  Forrest feels badly for Maddy.  Soon after, he is unexpectedly approached by a carpenter who seems to know that he has become friends with Maddy.  The carpenter, who is a stranger to Forrest, tells him that Maddy will soon be executed by beheading but that he has a way to save her life.  Forrest has to decide if he is willing to trust the stranger and save Maddy, knowing that doing so would make him a traitor himself.

One of the parts of this story that interested me was how Forrest noted the hypocrisy in the adults around him as he was trying to decide what he should do.  Qualities that adults often praise and try to instill in their children are often ignored in the way that the adults live and even in how they treat other children, like Ned and Maddy.  Abandoning values, even the ones that they really want their children to have, isn’t something that adults have to do as they grow older, but it is something that some adults do if they think they must in order to live as they want to live or accomplish something that they want to accomplish.  The adults who think that Maddy should be beheaded would probably say that they were doing it for the greater good in promoting their cause against the rebels.  However, treating Ned as a piece of disposable property is something that they mostly do because they can and because they know that there is nothing that Ned can do to stop them.  Ned actually tries to repay his indenture legally with money that Forrest gives him, but although the sweep accepts the money, he refuses to let him go, saying that no one will take Ned’s word over his and that he could always use the money to make sure that Ned is hung as a thief if he tries to make trouble.  It is this type of attitude and situation that make the children realize that they are on their own to solve their problems and that working within the law is not going to be an option for them because the law is not just and it is not on their side.  It’s a frustrating situation, and I often feel frustrated when I encounter this type of thing in books, but fortunately, things do turn out well in the end.

This is one of those coming-of-age stories where a boy must decide what he stands for and where he really belongs.  Through Maddy and the inscription on her ring, which means “Face Your Destiny,” Forrest comes to understand the destiny that is right for him as he helps both Maddy and Ned escape to a better life elsewhere. 

The book also includes some interesting historical information. There’s a map of the Tower of London in the front of the book, and in the back, a short history of the Tower with information about famous prisoners and escapes. There is also a glossary of English and Scottish words that modern children (especially American children) might not know, such as breeches, wench, loch, and tattie-bogle (scarecrow).


The book is currently available online through Internet Archive.  (To borrow a book through Internet Archive, you have to sign up for an account, but it’s free, and then you read the book in your browser window.)

Spoiler: In the last chapter of the book, it explains what happened to the characters after the story ends.  Forrest does become the Ravenmaster after his father, realizing that it is the right kind of life for him and that he no longer desires to have adventures outside the Tower.  He has a wife and daughter, and years later, he receives a message from Ned, who says that he has become a captain in the Royal Navy and that Maddy has gone to live in the colonies with other Stewarts (something that my own Jacobite ancestors did, which is how I got to where I am now).

The Puppeteer’s Apprentice

The Puppeteer’s Apprentice by D. Anne Love, 2003.

Poor Mouse works as a scullery maid in a castle in Medieval England.  She has lived there all her life, since someone abandoned her at the castle as a baby.  She has no idea who her parents are, when her real birthday is, or exactly how old she is (the cook once said she was about eleven, but he wasn’t sure).  She doesn’t even have a real name; Mouse was simply the name given to her by the cook, who makes her work hard and beats her if she makes a mistake.  Mouse’s life is hard, but then one day, she makes a big mistake, and the cook gets in a rage and attacks her with a meat hook.  Mouse escapes from him and flees the castle.  She knows that she cannot go back, but she doesn’t know where to go. 

For the first time in her life, Mouse’s fate is in her own inexperienced hands.  For a time, she joins up with a group of travelers, who take her to the city of York.  However, none of them can adopt Mouse, and she must struggle to make a life for herself.  In York, Mouse sees a puppeteer performing, and she is inspired to learn to be a puppeteer herself.  Through a mixture of trickery and pleading, Mouse convinces the puppeteer to take her on as an apprentice. 

Although Mouse makes many mistakes at first, and the puppeteer gets angry and threatens to leave her behind, the two eventually learn to get along with each other.  Mouse gains skill at making and manipulating the puppets, and her confidence grows.  However, danger still lurks in the future, for the puppeteer also has a dark past and dark secrets which pursue the two of them in their travels.

The book is currently available online through Internet Archive.

My Reaction and Spoilers

Stories with abused and neglected children are always sad. Mouse is failed by various adults who are mainly focused on their own lives and securing their own positions in life before she finally becomes independent. We don’t know why Mouse was abandoned as a baby, although it was probably because her parents were poor and maybe unmarried, which would have been a stigma at the time. We can be pretty sure that, whatever happened, Mouse’s parents’ position in life was too precarious to take care of her themselves. The castle cook she lives with is mainly worried about his own job and is more of an unwilling employer to Mouse than a parent. In fact, employment is more of a theme in Mouse’s precarious life than family. Even the puppeteer is more of an employer to Mouse than a parent. Mouse learns from the puppeteer, but it’s as an employee, and Mouse is well aware that she can be abandoned at any time if she fails to please her employer. In the end, Mouse gains an independence that pleases her, but I still found it a little sad because it seems like the one and only person who can’t abandon Mouse is Mouse herself and that there is little or no security in trusting or relying on others. The eventual goal turns out to be employing herself so she doesn’t haven’t to rely on someone who can dump her. I suppose that can be true in real life, too, but it’s one of hard, dark sides of life.

Although, the adult characters’ focus on securing their own lives and positions first is also a testament to the nature of the time when the story is set. Opportunities are limited by social level, and there are few sources of support for those who suffer unfortunate circumstances. Although it seems like the adults in the story are cruel and neglectful, there’s also a desperation to their own situations. The one person in the story who is willing and able to offer more generosity to Mouse than other characters is able to do so because of his privileged position in life. Even the puppeteer, while seeming more free than other characters, is living under danger and threat, and there is genuine risk to sharing in her life that Mouse doesn’t come to understand until later.

The puppeteer always dresses in loose-fitting clothes to cover up the fact that she is a woman.  Although there is no reason why women cannot be puppeteers, she finds it necessary to disguise herself because she is pursued by an enemy from years ago.  Once, her father, who was a master puppeteer, saved the life of a young Duke who was attacked by a man named Ordin.  Ordin was trying to steal some of the duke’s lands.  The old puppeteer and his daughter stood witness against him, and he was thrown into prison.  Later, when he got out of prison, he attacked the party on the road, killing the old puppeteer and his companions.  Only the daughter escaped alive, and she became a puppeteer to support herself.  Ordin escaped, and she was forced to disguise herself to protect herself.  She even refuses to tell Mouse or anyone else what her real name is through most of the book. 

However, Ordin recognizes her one day while she and Mouse are giving a performance.  He and another highwayman follow them on the road and attack them.  The puppeteer kills the other highwayman but is gravely wounded herself.  Mouse fights back against Ordin, knocking him into the fire, and he burns to death.  They are not far from the duke’s castle, so the puppeteer sends Mouse there to get help.  Mouse tells the duke what happened to the puppeteer, and he has her brought to his castle.  The puppeteer, realizing that she will not recover from her wounds, finally tells Mouse her story and offers her name if Mouse wants it for herself.  The duke offers to let Mouse stay at his castle.  Mouse stays the winter, but in the spring, she decides to leave.  She has come to love life on the road, and she promised the puppeteer that she would take care of the puppets.  Mouse decides to take the puppeteer’s name, Sabine, as her own and sets off on a journey to find a place to perform her new puppet play, one telling the puppeteer’s story.

The Time of the Forest

The Time of the Forest by Tom McGowen, 1988.

The story takes place in the prehistory of Denmark, among its earliest inhabitants.  It shows the conflict between the hunter-gatherers, who are native to the forests of that land, and the farmers, who have traveled to the area to build a new home on the edge of the forests.

When the two groups learn of each other’s existence, they become frightened of each other. The hunters are afraid that the new people will take over their hunting grounds, and they are offended that the newcomers cut down the trees to build their homes and clear land for farming. The farmers are afraid of the forest, the wild animals inside it, and the hunters, who they fear might start hunting them.

A young hunter, Wolf, watches the farmers to learn more about them, and he is fascinated by what he sees. In some ways, the two groups are alike, and Wolf finds himself wanting to know more about the ways of the farmers and maybe even make friends with the pretty girl, Bright Dawn, who he sees tending the farmers’ goats.

However, the son of Wolf’s chief has decided that the newcomers must be destroyed. When Wolf saves Bright Dawn from the chief’s son, the two of them must learn to work together and combine the skills of their different peoples in order to survive.

In the end, after a bloody clash between their respective peoples, both Wolf and Bright Dawn are each exiled from their tribes.  However, their exile actually gives them the freedom to start their own tribe that combines aspects of both of their societies.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

This story was somewhat speculative about the early days of Europe, when societies were starting to shift from hunter/gatherer groups to more settled agricultural groups.  The author says that he was theorizing about the cultural clashes that may have taken place during this time.

Something I noticed about the story is that the groups, particularly the hunter/gatherer group, somewhat resembled some Native American groups around the time that they first encountered European settlers.  The author didn’t say anything about using their lifestyles as inspiration or drawing any parallels between them and early Europeans, but it did make me think about the similarities between groups that are living similar lifestyles but in different places.  In other words, it does seem reasonable that hunter/gatherers living in Europe would be living in circumstances that would be very similar to hunter/gatherer groups in the Americas.

Pirates

Magic Tree House Research Guide

Pirates by Will Osborne and Mary Pope Osborne, 2001.

This book is the nonfiction companion book to Pirates Past Noon, part of the Magic Tree House Series. While the Magic Tree House Series is a fantasy series that involves time travel, there are companion books to some of the novels with nonfiction information related to the stories. The fantasy series is meant to introduce children to different historical periods and encourage an interest in reading, but the companion research guides take children further into certain subjects.

This book focuses on pirates throughout history, explaining how pirates functioned from the time of Ancient Greece and Rome, into the Middle Ages with Vikings, and beyond. It explains that, while legends and adventure stories make the lives of pirates seem fun and exciting, the realities of their lives were more harsh. Throughout the book, Jack and Annie, the characters from the main series, appear in illustrations and side notes to define certain terms or tell the readers fun trivia.

There is a chapter about New World pirates that explains the buccaneers and privateers that preyed on Spanish treasure ships in the Caribbean. The Golden Age of Piracy was in the late 17th and early 18th centuries. It was a period of intense pirating activity as governments recruited privateers to attack the ships of enemy nations. Pirates also attacked ships that traded with American colonies as they increased in size and number. The Golden Age of Piracy ended in the 1720s, when governments began instituting harsher punishments for pirates and sending more warships to confront the pirates. The book includes a Gallery of Pirates where it gives brief biographies of famous pirates, like Henry Morgan, Sir Francis Drake, Blackbeard, and “Calico Jack” Rackham with Anne Bonny and Mary Read.

There are chapters that describe the lives that pirates lived on their ships. One chapter talks about the types of ships that pirates used, how to distinguish between different types, and the trade-offs between size and speed. For example, sloops could move faster, but schooners were larger and could carry more. Although pirates operated outside of the law, they had rules for themselves to establish order and resolve conflicts on their ships, and there were punishments for people who broke the rules. People also had different jobs on pirate ships.

Part of the book also talks about legends of buried treasure and sunken ships. There is some truth to the legends, although mostly, pirates tended to spend their loot shortly after getting it instead of hiding it for later.

At the end of the book, there is a guide for doing further research which suggests research tips, other books to read and documentaries to see, and websites to visit. Of the websites listed in the book, only one still exists as of this writing: Maritime Pirate History. Another one, Treasure Island, pops up thanks to the Wayback Machine. It might be possible to find the others through the Wayback Machine by actually searching the Wayback Machine for them, but with so many other new sites and books that are probably equally as good, it might not be worth the time.