The All-I’ll-Ever-Want Christmas Doll By Patricia C. McKissack, illustrated by Jerry Pinkney, 2007.
Nella lives with her parents and her two sisters, Eddy Bernice and Dessa, during the Great Depression. The three sisters usually get along well and share everything with each other. Shortly before Christmas, Nella tells her sisters how badly she wants a Baby Betty doll as a present, but they tell her it’s useless to wish for that because they’ll never be able to get one during the Depression.
Nella decides to write a letter to Santy Claus anyway, asking for Baby Betty. On Christmas morning, the girls’ mother gives each of them a little bag of treats with peppermint sticks, nuts, oranges, and raisins. Then, their father gives them one special present: a Baby Betty doll.
The girls are overjoyed by this special present of a doll because store-bought presents are rare in this time when so many people struggle with money and families like theirs can’t afford much. The girls are all so eager to play with the doll that they start to fight over who gets to have her first until their father breaks up the fight and their mother confiscates the doll until the girls resolve the argument
Nella persuades her sisters that the only reason they got the doll was because she wrote the letter asking for one, while they didn’t think it would even work. Nella was the one who wanted the doll the most from the beginning. Because of that, her sisters agree that the doll belongs to her and leave her to play with the doll all by herself.
At first, Nella enjoys having her dream doll all to herself, but dolls can’t sing along with songs or clap or laugh at stories, like sisters can. Nella thought that Baby Betty was all that she wanted for Christmas, but she comes to realize that, even better than having the best doll in the world, is having someone to share in the fun.
My Reaction
This is a sweet Christmas story about how people are more important than presents. At first, Nella thinks that all she wants is that special doll, but having the doll all to herself isn’t as much fun as sharing her with her sisters. The doll is pretty, but she can’t do much more than sit there and blink her eyes. Nella needs her sisters to talk to and laugh with.
I like how the author set this story during the Great Depression. A story about siblings learning that it’s more fun to share rather than keep toys to themselves could take place at any time, but the fact that this is set during the Great Depression and the girls know that presents this nice are rare. This family is poor during a time when many people are out of work and money is tight for almost everyone. At the beginning of the story, the girls help their mother to line the walls of their house with newspapers to keep out the drafts, so the readers know they are very poor. The newspaper wallpapers are seen in the backgrounds of the pictures throughout the book, reminding readers how poor the family is. They consider themselves lucky just for betting the simple treats to eat, which we’re told are better than they’ve had other years. The girls know that they are incredibly lucky to get even the one doll for Christmas, and there was no way they could expect their parents to buy one for each of them. The girls fight over the doll because they are all so thrilled to get their hands on her, and they all can’t wait to play with her. We are told that the girls are usually pretty good about sharing with each other, but this sudden appearance of an unusually good present during a time of deprivation is just overwhelming for them.
Nella seems a little selfish at first for wanting the doll for herself, but her sisters agree that it was her particular wish. It was her idea from the beginning to ask for the doll, and it seems unfair to her that her sisters each try to claim it. Fortunately, it doesn’t take Nella long to realize that it’s more fun to have other people to play with and decides to share the doll with her sisters. The girls work out their differences, and they have a much better time when they all join the pretend tea party with the doll.
The book shows the family as being very close-knit. The parents were paying attention to the girls’ wishes when they chose their special Christmas surprise. The father is involved with the girls’ lives, telling them bedtime stories and dealing with their fights, and the mother helps the girls to realize what’s important and work out their differences. Their family doesn’t have much, but I liked the way the parents helped the girls learn how to think of each other, appreciate each other, and share with each other.
The Vincents own a summer cottage in Wisconsin. It was once an old farmhouse, so it is well-insulated and can be heated during the winter, but the Vincents only use it for about 2 or 3 months in the summer. The rest of the time it is empty and used by animals, like mice and woodchucks. However, that’s about to change.
The year is 1930, the Great Depression has started, and many people are out of work and desperate to provide for their families. One such family, a father with his two daughters, happens to be passing near the Vincents’ empty summer house in the middle of October, when the Vincents have already long left the house, when their car suddenly breaks down. They were originally on their way to an aunt’s house to stay with her, but with their car broken down, they’re unable to continue their journey. Mr. Sparkes is a pleasant and easy-going man but impractical and a failed plumber. His eldest daughter, Minty, tends to deal with the practical aspects of things. Minty’s younger sister, Eglantine, called Eggs as a nickname, is the first to notice the empty summerhouse and suggests that, if they could get in, they could make some food. Needing a place to stay for the night and finding a window unlocked, they decide that they’ll go ahead and stay in the house. Although Minty has some reservations about staying in a house that belongs to someone else without their permission, she doesn’t have any better options, and she soon gets caught up in the excitement of exploring this unfamiliar house.
Mr. Sparkes feels like a failure because he’s been in and out of work, and typical jobs just don’t seem to suit him. Their Aunt Amy, the sister of the girls’ deceased mother, thinks that Mr. Sparkes is a failure and a silly, impractical man because he’s always quoting poetry, and his main talent seems to be making his special pancakes. There is some truth to what Aunt Amy says, and Mr. Sparkes acknowledges it. It seems like his only real talent is for making incredible pancakes, although his daughters reassure him that they love him and don’t see him as a failure. They were traveling to stay with Aunt Amy because they have no one else to stay with, but it’s clear from Aunt Amy’s letter that she isn’t looking forward to their arrival, and she also would not welcome their dog, Buster. Eggs says that she wishes they could just stay in this lovely cottage all winter, and Minty wishes the same thing, although she knows it isn’t really right for them to stay in this house without the owners’ permission. Mr. Sparkes likes the cottage, too, because it has a wonderful collection of books, including books of poetry.
The next day, Mr. Sparkes tries to fix the car, but he’s a terrible mechanic. He takes the engine apart and doesn’t know how to put it back together. The girls go to a neighboring farmhouse and ask if anybody there knows anything about cars. Mrs. Gustafson sends her son Pete with the girls to look at the car, and he manages to put the engine back together again, but he isn’t skilled enough to figure out how to fix the original problem. He says that they had better call a mechanic in town to tend to it and that it would likely cost them about $10. The girls are worried because they know that’s about how much money they have left, and if they spend it all fixing the car, they won’t have enough left to buy more supplies and travel all the way to where Aunt Amy lives.
When they explain the situation to their father, Mr. Sparkes says that he thinks they should just stay in the cottage for the winter. Minty says that isn’t right because the house doesn’t belong to them, but their father says that it isn’t doing the owner any good to leave it empty all winter. To make it right, he suggests that they could rent it, so the owner would profit from their stay. The girls ask where he would get the money to rent the house, and their father says he doesn’t know, but he’ll have all winter to think of something. When they leave the cottage in the spring, he plans to leave the money in the cottage with a note, explaining why they stayed there. The girls are relieved that they don’t have to go to Aunt Amy’s house, but Minty is concerned that, by spring, her younger sister and impractical father will have forgotten all about the rent money for the cottage, and she makes up her mind that she will think of a way to get the money herself.
Eggs comes up with a possible way to make some money when she shows her father a contest magazine that she found at the last place where they camped. There are various contests in the magazine that offer prizes, like prizes for solving puzzles or adding the last line to a limerick. Mr. Sparkes is intrigued by the contests, and he says that they can pass the winter by trying them. He’s particularly interested in the contest to write a poem to advertise butter because he loves poetry and the prize is $1,000, which is an enormous sum to them.
Life in the cottage is idyllic. They have some groceries with them to get themselves started, and their father enjoys fishing in the nearby lake for more food. The girls find nuts and cranberries, and their father cuts wood for the stove in the cottage. Minty takes charge of the house, making sure that they keep it neat for the Vincents. The girls learn that the Vincents are the ones who own the house and that they have a daughter called Marcia when they find some of Marcia’s belongings. Sometimes, Minty and Eggs think of Marcia as a friend, and Minty sort of idealizes her in her imagination. Minty likes to imagine the comfortable life she thinks Marcia lives, wherever her family lives in the winter, and she is determined that they won’t let her down by not taking care of the cottage or finding a way to pay the rent.
Then, Mr. Sparkes gets sick, and the girls are frightened because they don’t have much medicine and don’t know what to do. They try to get help from Mrs. Gustafson, but she’s away from home. As Minty is leaving the Gustafson farm, she happens to meet a boy who’s been hunting partridges, and in her desperation, she begs him for help. At first, he is surly and suspicious with her, but when he begins to understand the situation, he agrees to come have a look at her father. The boy, whose name is Joe Boles, is carrying a professional-looking medical kit and seems to know what he’s doing as he attends to Mr. Sparkes. The girls are grateful for his help, and they invite him to spend the night in a spare room in the cottage.
It turns out that Joe is also down on his luck. His father was a doctor, and the medical kit Joe carries used to belong to him. He gets his basic knowledge of medicine from his father and from his grandmother’s home remedies. Joe also wants to be a doctor, but he’s alone now and doesn’t know how he’s going to manage to get the medical training he really wants. Although he’s initially reluctant to explain how he came to be alone, he explains that his father was killed in a car accident. His mother is still alive, but she remarried to a man Joe can’t stand. Eventually, Joe just couldn’t take living with him anymore, so he ran away from home. Joe tells the family that he’s been camping in the woods. Running away from home may not have been the best decision Joe could have made, but he’s determined not to go back, and the family can’t criticize him too much because they’re also sort of running away and hiding out right now.
Joe seems to know what to do to help prepare the cottage for winter, and Mr. Sparkes says that they could use his help around the place. However, Mr. Sparkes admits to Joe that he can’t do much more for Joe than just give him a place to say for the winter, and a borrowed place at that. Joe says that’s fine, and he would like to stay with them for the winter, and he would be willing to pay for his room and board with his labor. The Sparkes family is thrilled to have Joe stay with them and help them. The only point that Mr. Sparkes insists on is that Joe write a letter to his mother to tell her that he’s safe so she won’t worry about him. He says that Joe doesn’t have to be specific about where he’s staying right now, but he knows that Joe’s mother will feel better, knowing that he has somewhere to stay for the winter.
With Joe, Minty and her sister explore the area more and visit the nearby Indian (Native American) reservation. Eggs is a little nervous about the Indians (the term the book uses) at first, worrying about scalping, but Joe tells her not to worry and that the locals are just curious about them. Joe worries less about people recognizing him as a runaway in the reservation village than in the town nearby because it’s a little more remote, although they do accidentally meet the local sheriff in the reservation store, who recognizes Minty from an earlier shopping trip to town. Joe does his best to stay inconspicuous.
While they’re in the reservation store, they learn that the reason why the sheriff is there is that the storekeeper’s son is in trouble. The son, who is a young man in his 20s, got drunk, broke into somebody’s house, ate some of their food, and fell asleep in their bed. The young man’s father argues with the sheriff that the son didn’t actually steal anything from the house, but the sheriff says that what he did was trespassing and that it’s illegal to break into someone’s house, stay there, and use their things without permission. He says that, for that charge, the son will have to spend a week in jail. This incident is troubling to Minty because she knows that she and her family also don’t have permission to use the house where they’re staying, and they’ve been there longer than this young man was in the house where he trespassed. When the sheriff points out that the weather is getting bad and offers to take the kids home, Minty panics at the idea of him finding out where they’re staying and tells him that they plan to spend the night at the reservation.
Of course, the kids don’t really have a place to stay on the reservation, and the weather is bad for camping. They are rescued by the village priest, who says that Joe can stay with him, and the girls can stay with Sister Agnes, one of the nuns who runs the mission school on the reservation. (“Indian schools” like this have a rather scandalous reputation these days for reasons I can explain below.) Minty says that they don’t have any money to pay for a place to stay, but Sister Agnes says that doesn’t matter because “God is your host.” In other words, they’re offering the children a place to stay out of kindness and Christian charity and don’t expect payment. There are some Native American children who also board at the school, some because their houses are too far away for them to travel back and forth between home and the school daily and a couple of children who are orphans and live at the school full time.
There is a scene where some of the Indians are playing drums and dancing, but not the ones living at the school. One of the nuns says that the dancers are “heathen Indians” and that “our Christian Indians don’t dance,” although Minty can tell that the Indian students at the school are feeling the rhythm of the song and enjoying it. Joe takes Minty and Eggs to see the dancers, and they find it fascinating. I didn’t like the “heathen” talk (although I think it’s probably in keeping with the historical setting of the story), but I did appreciate an observation that Minty makes, “Indeed it seemed to be a not entirely un-Christian gathering, for here and there among the gaudy beads was the gleam of a cross on the neck of some forgetful dancer.” That observation contradicts the idea that the dancers aren’t Christians because at least some of them seem to be. That and Minty’s observation that the girls at the school were interested in the dancing and drumming but were being careful not to show it hints at more complex feelings and social dynamics in this village. The people who run the school have some strong opinions about how proper Christians should act, but the Native Americans are still maintaining some traditional practices, and some people are walking a fine line in what they practice and believe.
One of the Indian girls at the dance invites Eggs to join in, and she does. Minty finds that amusing, and Joe tells her to let Eggs have fun because she’s enjoying herself. Sister Agnes asks them later if they enjoyed the dance, and Eggs says she did. Eggs later says that it seems like they don’t have much to do on the reservation, with no “picture shows” (movies) to see and not many toys, so she thinks that the dancing is part of their entertainment. Sister Agnes says, “They are heathen, but God will forgive them.” Minty isn’t too concerned about whether or not the dance might be “heathen” or sinful, but what Sister Agnes says makes her think about what God must think of her family for living in someone else’s house. She hadn’t given it much thought before, but she knows God must know what they’re doing, even if nobody else does, so she prays that He will forgive them, too, and thanks Him for being their host. Before they leave the reservation the next day, a girl Eggs befriended gives them a basket of wild rice, and Eggs give the girl her doll in trade.
When the kids return to the Vincents’ cottage, Mrs. Gustafson is there, visiting with Mr. Sparkes. Mrs. Gustafson seems to accept the idea that they’re renting the house from the Vincent family, although Minty is nervous when she mentions that she writes to them sometimes. Mrs. Gustafson also warns them to beware of strangers because, sometimes, gangster and criminals hide out in the isolated cottages in the area when things get too hot for them in Chicago. Joe has heard stories about that, too.
When the family starts getting replies to their contest entries, the results are disappointing. Many of the contests have catches because they expect entrants to buy things or subscribe to things. There is another contest that they hear about on the radio from a flour company, offering a large cash prize for the best breakfast recipe. Minty thinks that sounds better than any of the other contest options because of her father’s wonderful secret pancake recipe, although her father has become disillusioned with contests. They don’t have much time left to enter that contest, and Mr. Sparkes is reluctant to share the secret recipe. The kids end up spying on Mr. Sparkes to learn his recipe so they can enter the contest on his behalf.
Then, one night, they see a man lurking outside the cottage in a blizzard. Minty warns her father not to let the man in, remembering Mrs. Gustafson’s warnings about criminals hiding out in the area and how they shouldn’t open the door for strangers. However, Mr. Sparkes worries about anyone who might be lost in the blizzard, and he has the children invite the man in. The man has a young girl with him, who is half-frozen and dressed as a boy, for some reason. When Minty realizes that the child is a girl and not a boy, the girl asks her not to tell anyone right away. Minty can tell that there’s something strange about this father and daughter pair, and it makes her uneasy. Then, Minty hears a report on the radio about a stolen car and a reward for information leading to the thieves. Is it possible that this man and his daughter are the ones who stole the car? Minty might consider turning them in for the reward money that her family badly needs, but with the blizzard, they’re now trapped in this cottage with this strange man and the girl. The girl, who goes by the name Topper, is fun and good at planning entertainment, but can she or her father really be trusted?
The book is available to borrow and read for free online through Internet Archive.
My Reaction
This book isn’t a Christmas story, although the title and some of the themes would have set it up well to be a Christmas story. It fits well with cottagecore themes, with the family, down on their luck, staying the winter in a cozy cottage and getting by as well as they can, enjoying simple pleasures. There’s a line in the story that I particularly liked, toward the end of the book, when the children put on a shadow play for their fathers:
“What a lot of fun you could have, Minty discovered, if you made unimportant things seem important and went about them with enthusiasm!”
I think that sentiment embodies the spirit of cottagecore. To really enjoy some of the simple pleasures of life, you do have to put yourself into the mindset that you’re going to enjoy them to the fullest! I read a book about Victorian parlor games that said something similar. A lot of old-fashioned entertainment and games are quite silly when you analyze them, but if you just throw yourself into them whole-heartedly, they can be great fun!
The family in the story is down on their luck and has their troubles, but their stay in the winter cottage is still an adventure, and they enjoy it. Their consciences do trouble them throughout the story because they’re aware that they’ve been using the cottage without permission of the owners. Minty in particular considers the morality of their actions and has a desire to make things right with the owners of the cottage. Fortunately, the story ends happily for the family, with their lives changed for the better. The people who own the cottage find out about them staying there, but they forgive them, and Minty finds a way to repay them for letting them stay.
Native Americans
The part of the story that I think is most likely to cause controversy for modern readers is the part where the children visit the reservation and the mission school. “Indian schools” have a sinister reputation in modern times because of their harsh treatment of their students and deliberate attempts to eliminate Native American culture. In the book, the nuns at the school make it clear that they don’t approve of traditional Native American practices, like the dance the children watch, because they don’t consider them to be Christian. They call such practices “heathen.” Their focus on discouraging their students from participating in traditional cultural practices is based on religious differences and a desire to convert people strictly to Christianity. However, I appreciated that Minty and the other children see both sides of the story and that Minty observes that some of the Native American dancers are wearing crosses, showing that the actual beliefs among the Native Americans are more nuanced than the nuns’ attitudes suggest.
This part of the story has some use of the word “squaw“, which is problematic because it has vulgar and derogatory connotations. The exact definition of the word varies in different Native American languages, but because it is considered vulgar and derogatory, modern people avoid it. At the time this story was first published, in the mid-20th century, many white people had the idea that “squaw” was sort of a generic word for women among Native Americans and didn’t realize the more vulgar side of the word, which is why it appears in some old children’s books, like this one. The word isn’t meant to be intentionally insulting here, although modern readers should understand that this word isn’t polite or appropriate. Apart from that, I appreciated how the main characters, especially Minty, see some of the prejudiced ways people, especially the nuns at the school, look at the Native Americans and their traditions and their realization that there are sides to their culture and practices that the adults have overlooked.
Christmas Farm by Mary Lyn Ray, illustrated by Barry Root, 2008.
Wilma has grown flowers for years, but now, she’s decided that she wants a change. She thinks about what she would like to do with her garden next spring while she’s getting ready for Christmas. Going out to cut a Christmas tree makes her think that maybe she would like to grow Christmas trees instead of flowers.
She starts by ordering 62 dozen small balsam trees (744 trees, for those who are counting), and she gets the boy from next door, Parker, to help her prepare the site for them. They use string to lay out rows for planting the trees.
Wilma knows that it will take longer than a year for the trees to grow big enough to be Christmas trees. As the trees grow, Wilma has to mow around them and take care of them, with young Parker helping her more as he also grows bigger. Wilma loses some trees to pests and weather conditions every year, but by the time the trees are big enough to sell, she has 597 left.
In the months leading up to Christmas that year, people reserve trees, and they also get a buyer who owns a Christmas tree lot in the city. Most of the trees are sold, but there are still some left. They know that the trees that were cut down will sprout again, but they’re also going to order some new ones.
In the back of the book, there is a section that explains more about growing Christmas trees with a chart showing how long it takes the trees to grow.
My Reaction
I thought this book was a sweet and fun look at Christmas tree farms. It takes years to grow trees big enough for Christmas trees, so there is a considerable time investment, and farmers know that they will lose some of their trees to pests or bad weather condition during that time. It’s a project that requires long-term planning and investment.
I always feel a little sorry for the trees when they’re cut down, but I liked how this book explains that, because the stumps of the cut trees are still there with their roots, even cut trees will regrow. The end of this book touches on the cycle of replanting and regrowth, with Wilma and Parker planning for their next phase of planting and cultivating new trees.
I also thought the addition of Parker to the story helps to show the passing of time and the growth of the trees because the boy grows a few years older during the time when they’re letting the trees grow bigger. By the time they’ve sold their first crop of Christmas trees, Parker is getting old enough to take more of an active role in planning the next crop.
Sharing the Bread by Pat Zietlow Miller, illustrated by Jill McElmurry, 2015.
This is a charming picture about a family preparing for an old-fashioned Thanksgiving. The story is told in rhymes as the family begins preparing and cooking their feast.
Every member of the family gathers in their kitchen, which appears to be a late 19th century or early 20th century kitchen, with a wood-burning stove.
Everyone, including the children and grandparents, has something to do, from preparing the turkey to making bread, cranberries, and pumpkin pie and washing dishes. The children also make place mats in the form of pilgrim hats.
As they set the table, everyone is a little tired but pleased with their feast. Then, they all say grace and enjoy the feast that they have prepared, thankful for what they have and the family who made it all with love!
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I thought that this story was sweet, and it had fun and simple rhymes for kids. Everyone in the family has something to do to get ready for Thanksgiving, and adults reading the book with kids can point out how each of the family members relate to each other – grandfather, grandmother, father, mother, son, daughter, brother, sister, aunt, uncle, etc.
The pictures are charming, and I love the look of the old-fashioned kitchen where this story mainly takes place! Adults can also point out to kids how this old-fashioned kitchen is different from the kitchens in modern homes, with its pump at the sink, the wood-burning stove, and the herbs hanging on the wall.
The Log Cabin Quilt by Ellen Howard, illustrated by Ronald Himler, 1996.
Elvirey’s granny loves quilting, and she always saves scraps of cloth from old clothes in a flour sack for her quilts. After Elvirey’s mother dies, her father moves the family to Michigan, traveling by covered wagon. When Elvirey tries to pack some of her mother’s things to bring with them, her father insists that they leave them behind, saying that they don’t have room for them. However, Granny insists on bringing her sack of quilting scraps, saying that she will sit on them in the wagon.
When the family finally reaches their destination, it’s just a clearing in a wooded area. They camp near a spring, and Elvirey’s father and brother begin building a cabin for the family. Elvirey and her sister add the chinking to the log walls of the cabin, packing the gaps with a mixture of mud and grass to keep out the wind.
However, the cabin still doesn’t feel like home to Elvirey. They don’t have her mother’s books, and there aren’t any flowers growing nearby to decorate the house like her mother would.
Then, one cold day, Elvirey’s father goes out hunting. He says that he will back before dark, but he doesn’t return. The night is very cold, and Elvirey and her family suddenly realize that it’s more than unusually cold in the cabin. The chinking they put in the walls of the cabin has frozen and fallen out, and the cold is getting in. Worse still, it’s starting to snow.
They’re worried about what happened to their father, and they’re worried about what they will do with the cold getting into the cabin. Then, suddenly, Elvirey has an inspiration. There is something they can use to fill the cracks in the cabin walls: Granny’s quilting scraps. With scraps from everyone’s clothes suddenly decorating the walls of the cabin, the cabin begins to look like it has turned into a quilt itself. When Elvirey’s father returns, he tells her that her mother would be proud of her, and for the first time, the cabin starts to feel like home to Elvirey.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
There’s a pun in this story that people who don’t know the names of quilting patterns might miss. There are many patterns that the squares of a quilt can have, and Log Cabin is a traditional quilting pattern. When Elvirey and her siblings stuff the quilting scraps into the walls of their cabin, their Granny laughs about them creating a “log cabin quilt”, and it’s not just that she’s amused that they’ve made their cabin walls look like a quilt with all the scraps; it’s a pun on the name of the quilting pattern.
Although the story is about a family of pioneers, the focus of the story isn’t really their journey by covered wagon or the building of their cabin. It’s about loss and change and about what makes a new place feel like home. At first, Elvirey doesn’t feel like their cabin is their home because they no longer have the familiar things that belonged to her mother, and she can’t do some of the things that her mother used to do, like decorating the home with flowers. Even the quilt scraps and their associated memories don’t quite make her feel like home, although they do add a needed touch of color and hominess to the cabin. What finally makes Elvirey feel like home is when her father mentions her mother. Since her mother died, her father hasn’t smiled and hasn’t talked about her mother at all. When he sees what they did with the quilt scraps, he does both, and that makes Elvirey finally feel like they’re home. She really needed that sense of her mother’s presence or her memory to really get a feeling of home.
Elvirey is an unusual name, but I think it’s a nickname or variation of Elvira. Elvira is an unusual name in modern times, and in the United States in modern times, it usually reminds people of Elvira, Mistress of the Dark, a character portrayed by Cassandra Peterson and known for hosting horror movies since the 1980s. That reference has no relation to the story. Elvira/Elvirey is just an interesting and unusual name.
William’s House by Ginger Howard, illustrated by Larry Day, 2001.
It’s 1637 in Colonial New England, and a man named William is building a house for himself and his family. He wants a house that’s like his father’s house in England. The story describes all the steps he and his family go through to build the new house.
The descriptions include interesting historical details about homes from the Colonial era. When the family wants to put a window in their house, they don’t have any glass, so William uses a very thin piece of animal horn instead. It lets in light, but the window opening is still covered. William also uses stones and clay from a nearby creek when he builds a fireplace for the house.
William and his family also need furniture for the house. William uses boards from a wooden packing crate to make a table, and he stuffs bags with corn husks to make beds. When the house is finished, and the family is living in it, the book describes aspects of their daily lives. It describes how the family eats together.
The family has to change some of their habits and make additions to their house and the area around it because conditions are different in New England. The weather is hotter than they’re accustomed to from their lives in England, and their food spoils faster, so William digs a cellar for storing food. Before ice boxes and refrigeration, people would store their food underground in root cellars because it was cooler underground. When the thatch on their roof dries out and becomes a fire risk, William replaces the thatch with singles.
Then, when winter comes and it snows, they realize that the snow is too heavy for the roof, so William replaces the whole roof with one that has a steeper slope, so the snow will slide off. Then, he has to make the fireplace bigger because the house is so cold.
When spring comes, William’s cousin Samuel arrives from England with his wife, and he asks William about the design of his house. Originally, William wanted a house like the one he grew up in, but because he’s living in a different place and under different conditions, he’s had to make many changes to the house. Still, it’s his family’s new house, and it’s exactly what they need it to be.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I love stories about life in the past, and I liked all of the little details of daily life in this story. The main focus of the story is about the building of a new home, and at first, William wants a house like the one where he grew up in England. However, when the family experiences what life is like in New England, they realize that they have to make some changes to their home and the way they live. I like the way the book points out that the style of a person’s home depends on where they live and the circumstances of their life. The family doesn’t fully understand at first what their new lives will be like and what they really need, but they learn to adjust, and they make changes to their new house along the way.
When William’s cousin arrives, he doesn’t understand the design of their house at first. He hasn’t been living in New England yet, but readers know that he’s about to find out some of the reasons why people’s houses in New England are different from those in England at the same time period. At the end of the book, the characters are building a new house near William’s house, so it seems that his cousin and his wife will be living there, and they will benefit from what William has learned about building a house suitable for that environment.
The Legend of the Indian Paintbrush retold and illustrated by Tomie DePaola, 1988.
This story is a retelling of a Native American legend.
In the distant past, there was a boy called Little Gopher who never seemed able to keep up with the other boys with the skills they would need to be warriors. His parents worried about his future, but he had other talents. He had a skill for making things, and the shaman of the tribe told him that his destiny would be different from the others.
One day, Little Gopher had a vision of a grandfather and a young maiden, who came to him, holding an animal skin, a brush made of animal hairs, and paints. These figures told him that these would be the tools he would use to accomplish great things for his people. He would spend his life painting the warrior’s deeds and the shaman’s visions so people would remember them. The maiden told him to find a white buckskin and paint a picture with the colors of the setting sun.
From then on, Little Gopher gathered animal skins and painted them with the scenes of great hunts, warrior’s deeds, and visions from dreams. When he found a pure white buckskin, he tried to paint it with the colors of the setting sun, but they never looked right. He kept trying and studying the sunset to figure out how to make the right colors.
One night, he heard a voice telling him to take the buckskin with him to watch the sunset and that he would find what he needed on the ground there. He did as the voice told him, and he found brushes with paint stuck into the ground. He used the brushes, and they were just the right colors. The next day, everyone saw plants growing with beautiful colors, like the colors of a sunset, where the brushes had taken root.
My Reaction
I remember this book from when I was a kid, and I always kind of paired it in my mind with The Legend of the Bluebonnet by the same author, Tomie DePaola because both of them are retellings of Native American folktales about the origins of particular flowers. In the back of the book, there’s an Author’s Note about the story. A friend of Tomie DePaola had recommended to him that he write this story about the state flower of Wyoming, the Indian Paintbrush, because he had already written about the state flower of Texas in The Legend of the Bluebonnet. The folk tale about the origins of the Indian Paintbrush came from a book about stories and legends about Texas Wildflowers, which was given to Tomie DePaola by another friend. Although the Indian Paintbrush is the state flower of Wyoming, it also grows in Texas.
When I was a kid, I was often too impatient or absorbed with the main story to read Author’s Notes, Forewords, Afterwords, or any explanations outside of the main story, but as an adult, I find that they really do add to the story by adding context. I appreciated this story even more after understanding its connection to the other story, The Legend of the Bluebonnet, and how the author learned this story before making his own retelling.
When Clay Sings by Byrd Baylor, illustrated by Tom Bahti, 1972.
This children’s picture book is a salute to the ancient makers of Native American pottery, dedicated to these makers and the museums that preserve their work. It’s written as free form poetry with images of the American Southwest and designs from Native American pottery.
The story sets the scene on a desert hillside, where pieces of ancient pottery are buried. Sometimes, Indian (Native American) children dig up pieces of old pottery, and their parents remind them to be respectful of what they find because they are pieces of the past and of lives that went before. Sometimes, they’re lucky enough to find pieces that fit together or even a bowl that isn’t broken.
They reflect on the time and skill that went into making the pottery and how strong the pottery would have to be to last well beyond the lives of the people who made it. They think about the people who painted the beautiful designs on the pots and what their lives were like. Could their own children have requested favorite pictures painted on their bowls?
Some designs show animals or bugs or hunters, but others show bizarre creatures that might be monsters or spirits. Others show a medicine man trying to cure a child, ceremonies, dancers in masks and costumes, or the traditional flute player. People can reflect on the lives of those long-ago people and how they compare to the lives of people today.
There is a map in the back of the book which shows the areas of the American Southwest (Arizona, New Mexico, Utah, and Colorado) where the pottery designs the book uses originated from and the tribes that used them.
This is a Caldecott Honor Book. It is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction
I grew up in Arizona, and I remember our school librarian reading books by Byrd Baylor to us in elementary school during the late 1980s or early 1990s. She wanted to introduce us to this author because she wrote about the area of the United States where we lived. In fact, this book about pottery was fitting because, when they were building our school in the 1970s, they found some ancient pottery. They used to have it on display in the school library. Even to this day, it’s common for people creating buildings in this area to have the site surveyed by archaeologists. Finds are fairly common, and the usual procedure is to thoroughly document everything that gets uncovered before burying it again in the same location and constructing the building over it. One of the reason why they usually rebury finds is that, in this dry, desert climate, putting them back into the ground will actually preserve them very well. It’s possible that later generations will find them again (especially with the location documented) when the building is gone or no longer necessary, but they may have better instruments or techniques for analyzing them.
I’m a little divided on how much I like this book, though. On the one hand, I like books about folklore and traditional crafts, and this book focuses on a geographical area that’s very familiar to me. On the other hand, the free verse poetry that reflects on the feelings of people about the pottery doesn’t appeal to me quite as much as books which show the process of making it, like The Little Indian Pottery Maker. I like to see the process and learn more of the known background legends of some of the designs than just try to imagine what things might have been going through the minds of the designers. Toward the end of the book, they show the legendary humpbacked flute player, but they don’t tell you that this figure is called Kokopelli and that there are legends about him. It’s a nice book, but I just felt like there was potential to include more background information.
This book uses the word “Indian” for “Native American” or “America Indian”, which is common in older children’s books.
The Case of the Gobbling Squash by Elizabeth Levy, illustrated by Ellen Eagle, 1988.
This is the first book in the A Magic Mystery series, which is about a couple of kids who like magic tricks. In every book in the series, there is a section in the back with direction for performing the magic tricks in the story.
It’s Thanksgiving, and all of the kids at school are participating in a Thanksgiving Fair. Different kids are doing different things for the fair, and Kate has a booth where she is advertising her services as a detective. Unfortunately, she gets more teasing than people approaching her with mysteries to solve. Then, Max tells her that he needs her help.
Max is an amateur magician, and he keeps a couple of rabbits to use his act. One of his rabbits is missing. When Kate goes to his house to investigate, it doesn’t take her long to figure out where the missing rabbit is … and the rabbit has become a mother, which presents the kids with a new problem to solve. Max’s mother won’t let him keep that many bunnies.
Fortunately, Kate comes up with an idea to use Max’s magic act in their Thanksgiving play at school to provide the bunnies with new homes. However, when she and Max are preparing for the show, the bunnies disappear in a non-magical way. Someone has stolen them! Max points out that they were supposed to give the bunnies away anyhow, but Kate says they can’t let the matter rest until they’re sure that the bunnies are safe in a good home.
Once again, Max and Kate use Max’s magic tricks to expose the bunny thief and to turn their Thanksgiving magic act into something extra special!
The book is available to borrow and read for free online through Internet Archive.
My Reaction
The mystery is a little cheesy, but I thought that the kids were clever in the way they used concepts from magic tricks to solve their problems. Whether they would work so well in real life is questionable, but I though the concept was creative. The first mystery about where the missing rabbit is was easily resolved, but they have to figure out who took all the bunnies. I thought that the solution to that mystery was also obvious because there was really only one person who seemed to have a reason to mess up their magic act, but the mystery may seem more mysterious to young children.
The story gets some credit from me for being set at Thanksgiving because it’s a less popular holiday for kids’ books than Christmas or Halloween. Like other kids’ Thanksgiving books that aren’t set at the First Thanksgiving, this one is set at a school and involves a cheesy Thanksgiving celebration. The Thanksgiving play in the story involves some of the kids being dressed as Pilgrims and Native Americans, and the Native American aspects are also cheesy and stereotypical. It actually reminds me of actual school plays from my own childhood, which were equally cheesy and embarrassing to me when I was a kid.
I really liked the section in the back of the book that explained how all of the magic tricks in the book were done, even the one for their grand finale! The tricks include a card trick, making a coin disappear, and pulling a rabbit out of a hat.
The Mysterious Horseman: An Adventure in Prairietown, 1836, by Kate Waters, 1994.
This book is part of a loose series of books by Kate Waters, showing child reenactors at living history museums, having adventures in the roles of the characters they play. While most of the books are set in Colonial times at Plymouth and Colonial Williamsburg, the setting for this story is the Connor Prairie living history museum in Indiana, which shows life in a small town in the 19th century.
The story centers around a boy named Andrew McClure. He is the only one of his siblings left still living with their parents. His older sister is now married, and his baby brother died of an illness during the last year. His family is still grieving for his little brother. Andrew’s best friend is a boy named Thomas Curtis, who lives nearby, and Andrew works part time at a local inn to earn some money.
One day, while Andrew is doing some sweeping at the inn, he overhears some men talking in the taproom. He doesn’t hear their entire conversation, but he hears them talking about a mysterious rider without a head who chased a schoolmaster. Andrew is startled, and he wonders if that has something to do with the new schoolmaster who is supposed to arrive in town.
When Andrew is done with his work, he goes to the schoolhouse, and he finds his friend Thomas and Thomas’s sister, helping the new schoolmaster to clean the schoolhouse and prepare it for lessons to start. Andrew wants to talk to Thomas about what he overheard at the inn, but the schoolmaster only wants to talk to the boys about lessons.
Later, Andrew does have a chance to talk to Thomas, and both of the boys are spooked by the idea of a headless rider. They even think that they hear the rider on the road! The frightened boys go see Thomas’s father, the blacksmith, and tell him about the rider. Fortunately, the blacksmith knows what the men were talking about, and he can settle the boys’ fears.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I didn’t know about this book until I was looking up Kate Waters’s books for my younger cousins. I was surprised because Kate Waters’s living history museum books are mostly set on the East Coast or focus on the Colonial era. This 19th century book set in Indiana somewhat departs from the theme and has a different feel from the other Kate Waters books, but I enjoyed it. I’ve been to Connor Prairie because I have relatives in the area, and I enjoyed my visit. It’s been years since I’ve been there, so I didn’t immediately recognize the setting. When I read the explanation in the back of the book, I was fascinated to realize that I had visited that location before.
Andrew has a fascination for life on the frontier because he often watches people pass through his town on their way further west, and he daydreams about going west himself. His family is also still coming to terms with the death of his little brother, so the subject of death is still on Andrew’s mind. The deaths of children due to illness were sadly common in the 19th century and on the frontier, and the mourning in Andrew’s family adds to the melancholy and spooky atmosphere of the story.
Most adults and older children will probably recognize what the men at the inn where actually talking about when they were discussing the headless rider who chased the schoolmaster. When the boys talk to Thomas’s father, he immediately recognizes the story as the plot of The Legend of Sleepy Hollow by Washington Irving, originally published in 1820, about 16 years before the story in this book is suppose to take place. The men at the inn were just discussing the plot of the story, not something that they saw on the road themselves.
Jestress's Forgotten Books and Stories 