Twelve-year-old Winnie Brown loves mazes, and she is very surprised when one shows up among all the other graffiti on the schoolyard. The maze is painted on the ground in silver and is big enough for a person to walk through. Winnie and her friend, Harry, try to walk the maze, but it makes them dizzy at first. Then, a cat they’ve befriended finds its way to the center of the maze and disappears right before their eyes!
When Winnie tries to tell her mother about it, her mother doesn’t really pay attention. Although Winnie and Harry try to explain it away as an optical illusion of some kind, Winnie is still convinced that there is something strange about the maze. She feels drawn to it, and she tries to walk it one more time, even though Harry is afraid.
The next thing Winnie knows is that she’s in a hedge maze. She faints, and when she wakes up, she finds that she is being cared for by members of the Taylor family, who owned a large house in the area about a hundred years ago.
Somehow, Winnie must find the path through the maze again in order to go back home. According to the Taylors’ creepy housekeeper, Violet Minot, the only person who really knows the maze is the mazemaker, a distant cousin of hers who disappeared many years ago. Winnie wants very badly to return to her own time, but she fears that Mrs. Minot may have diabolical plans of her own for the mazemaker.
The book is available to borrow for free online through Internet Archive.
Themes and Spoilers
Winnie learns that a couple hundred years before the time of the Taylors and Mrs. Minot, a cousin of Mrs. Minot’s family came to live with them. He was an orphan, and the father of the family liked him better than his sons because he was a good worker, and they were trouble-makers. The cousin, William Sparrow, was afraid of his cousins because he knew they were jealous of him. His grandmother was a witch, and she had taught him a little magic about mazes, like the one that was made near the village in England where he grew up. William built the maze and used its magic to escape from his cousins, who were about to kill him. He came to the Taylors’ time, when the maze had been built into a hedge maze and found work as the Taylors’ groundskeeper.
However, even though William was not murdered by his cousins, they were blamed for his disappearance and looked at with suspicion for the rest of their lives. The locals, having noted their hostility toward their cousin, believed that they probably murdered William and hid his body somewhere. In the end, they were silently judged for the crime that they wanted to commit but didn’t actually commit because they never had the chance to do it. In a way, it’s a kind of justice, although Violet Minot doesn’t see it that way.
Violet Minot, one of their descendants, has been searching for years for the secret to the maze. She believed that if her ancestors hadn’t been blamed for William’s disappearance, her family might have owned the big house and the estate around it. She recognized William when he appeared in her time and threatened to tell everyone in the village who he was if he didn’t share the secrets of the maze with her. To escape her, William went through the maze again and ended up in Winnie’s time. He painted the maze on the ground where it was supposed to be, although it had been covered up by concrete for the schoolyard. Then, William was picked up by the police for defacing public property. His cat roamed the area and made friends with Winnie and Harry.
When Winnie goes back in time through the maze, Violet tries to use her to learn the secrets of the maze. Winnie eventually figures out how to get home because Violet’s great-aunt tells her that there should be an extra turn in the maze, one that isn’t marked, which she made by accident before. Can Winnie and William both outwit Violet and get back to the times where they both belong? Where does William even belong? If he can’t go back to where he came from, where should he go?
The story ends happily and something that Winnie knows from her time settles the matter of where William should live the rest of his life. There is one person in time who loves him and never stopped looking for him when he disappeared from her time. William’s time quandary and the existence of his magic maze have accidentally trapped other people in time, and when he resolves his problem and decides where he really belongs, he is able to free the others who were trapped and put an end to the magic.
Charlotte Mary Makepeace is a new student at a boarding school in England. The school is big and confusing, and there are so many new people to meet that she immediately feels overwhelmed. Starting life at a new school can be intimidating for anyone, but things are about to get particularly strange for Charlotte.
An older girl, Sarah, helps Charlotte to find her room and choose a bed, recommending a bed by the window. Charlotte is a little puzzled at why Sarah singled her out and helped her, and the other girls are jealous that she got to the room first and got first choice of the beds. Still, Charlotte is grateful. She is exhausted, and she feels like she isn’t herself. When she wakes up in the morning, she really isn’t herself.
The room where Charlotte sleeps is called the “Cedar” room, and when she first enters the room, the name puzzles her because there are no cedars nearby. However, when Charlotte wakes up in the morning, there is suddenly a large cedar outside the window. The tree did not grow during the night. In Charlotte’s time, the cedar is gone, but Charlotte is now back in the past, when the cedar was still there. Things in the room are arranged differently, although Charlotte’s bed is still in the same place, and instead of seeing her roommates, Charlotte finds herself alone with a girl she has never seen before, who calls her “Clare.”
Charlotte is very confused. Earlier, she was feeling like she wasn’t herself, and now she has the sense that maybe she has really become someone else. Charlotte doesn’t notice any differences about herself in the mirror, but the other girl doesn’t seem to notice that she’s not Clare, whoever Clare is. The girl just keeps talking to Charlotte as if they already know each other. The other girl’s name is Emily, and it turns out that she is Clare’s younger sister. Charlotte finds herself feeling toward Emily the way that she feels toward her own sister, Emma.
Charlotte is forced to go through the rest of the day, her first at boarding school, as Clare. People keep talking about “the war,” and Charlotte doesn’t know what war they mean at first. When she went to bed, it was the 1960s. At the end of a very confusing day, she returns to bed in the Cedar room, where she finds a diary with the name “Clare Mary Moby” written on it and the date, September 14, 1918. The diary really makes Charlotte realize that she has spent the entire day in the past, and she further realizes that the war everyone was talking about is World War I. However, there is nothing else for Charlotte to do but go to bed. When she wakes up in the morning, she is once again Charlotte. Emily is gone, and Charlotte is back in her own time with her regular roommates. However, it quickly becomes clear that this was not just a dream, and this strange incident repeats itself each day, after Charlotte sleeps in the same bed.
Whenever Charlotte shifts to take Clare’s place in the past, she loses a day in her own time, which helps to convince her that she is not dreaming when she is Clare. Every other day, Charlotte switches places and times with Clare, and she sees the school as it was in the past, toward the end of World War I. Apparently, Clare is living Charlotte’s life whenever Charlotte is living hers, and nobody around them seems to have noticed the switch. Charlotte has no idea why this is happening, other than the fact that she and Clare happen to be sleeping in the same bed, in the same room.
Charlotte
is fascinated by her trips to the past, but they are disorienting. She now has two sets of names to learn, the
people in the past and the people in the present. There are different school rules in the past,
too, and she was still getting used to the rules in her own time. Charlotte and Clare also need to do some of
each other’s homework for classes, and there are some things they can’t
do. Charlotte can’t write an essay about
Clare’s holidays because she has no idea what Clare did on her school holidays,
and Clare is very bad at arithmetic, giving Charlotte bad grades.
The next time she makes the switch, Charlotte learns that Clare and Emily do not usually sleep in the Cedar room. Because of the Influenza Epidemic of 1918, girls have been shifted around as the sick ones are quarantined. Meanwhile, in the 1960s, Clare has created a new diary in an exercise book with Charlotte’s name on it. In the book, Clare has written a letter to Charlotte about their situation. She asks Charlotte to look after Emily when they’re together and to write messages back to her. Clare doesn’t think they should tell Emily about what’s happening. Clare worries that Emily will be confused and frightened.
However, Emily soon discovers the truth, and Charlotte comes to rely on her as the only person in the past who knows who she really is. Emily notices differences between the way Charlotte behaves and the way that Clare behaves, but they are uncanny in their resemblance and behavior in other ways. In many ways, Emily is bolder than both Charlotte and Clare, although her boldness is often to the point of being brash or callous. She is sometimes impatient with Charlotte and Clare’s softer natures, but their apparent softness is due to their greater sense of life’s consequences and their sense of responsibility for Emily. Emily finds talk of the war and bombings exciting, but Charlotte and Clare are both aware of the dangerous reality. As Emily gets to know Charlotte, she points out the ways that she and Clare are similar yet different, and she says that the more time Charlotte spends in 1918, the more like Clare she is becoming. Charlotte worries about the resemblance between her and Clare and how natural it is becoming for her to act like Clare.
In the present, Charlotte is initiated into the usual pranks of a British boarding school by her new roommates, and in the past, she sees soldiers in World War I uniforms. In 1918, students whisper about whether a classmate with a German father could actually be a German spy, and Charlotte is introduced to air-raid alarms. In the 1960s, Charlotte’s roommates wonder about her funny moods, her odd need to be alone, and her reluctance to be friends and join them in activities. In both time periods, Charlotte is constantly afraid of giving everything away by saying something that would be out of character for the person she’s supposed to be or asking questions that she should already be able to answer if she were living every day in one time period. The one element that seems constant throughout these shifts is the bed that she and Clare share in the Cedar room. However, Clare and Emily will soon be sent to board with a family in town, only returning to the school as day pupils. When the Cedar room is turned into another quarantine room for the sick, Charlotte is trapped in the past as Clare, and she worries that she may never return home again. What will happen to her, and will she lose her identity as Charlotte, becoming Clare forever?
This book is a modern classic in children’s literature! I decided that I had to read it because so many people have nostalgic memories of this book and have written positive reviews about it. The Cure even did a song and music video inspired by the book. The song even contains words from the book in the lyrics. This is the original music video that goes with the song. (It’s also on YouTube.)
The book is the third book in the The Aviary Hall trilogy. It is available to borrow for free online through Internet Archive (multiple copies). The other two books in the trilogy are also available on Internet Archive, but Charlotte Sometimes is often regarded as the best of the three and is the best known.
Note: Strangely, this book has three different ending, depending on the edition of the book. Older editions (the original and printings from the 1970s) contain the full text, and newer editions are cropped in two different places. The copies on Internet Archive are different editions and have different endings. This one contains the full text of the original. This one and this one have the endings that include Emily’s letter but not the final scene with Charlotte going home from school. The others don’t have the part with Emily’s letter at all. In order to learn the difference between these endings and the significance of Emily’s letter, you’ll have to read the part of my review that includes spoilers.
Further Thoughts
I was amused by the part where Emily laughs at the name Charlotte because she thinks that it’s kind of old-fashioned in 1918, yet Charlotte is from the future. Names often go in cycles of popularity, and certain classic names have comebacks at regular periods. Right now, in the early 21st century, the names Charlotte, Emma, Emily, and Clare (or Claire) are all pretty popular. In fact, Charlotte has seen a recent resurgence in popularity in the United States. Modern children reading this would actually find many of the names very familiar, thanks to a trend of reviving vintage and classic names. In fact, some of the 1918 names are more popular these days than some of the 1960s names, like Janet and Susannah. Don’t worry, they’ll have their turn again.
I also liked the part where Charlotte tries to consider whether she and Clare really look alike. Emily is a little vague about whether Charlotte and Clare really resemble each other, saying that she might have just seen “Clare” in her because Clare was who she expected to see and that she never really looked at her properly until she realized that she was actually Charlotte. Charlotte thinks about a time where she tried to draw herself by studying her own features in a mirror, but the longer she stared at herself, the more disconnected that she felt from the features she was seeing. This is actually a real phenomenon, and I’ve read other books where people have mentioned it. You can get some odd feelings by staring at yourself in a mirror for too long. I’ve tried it myself, and it can get a little eerie, especially if you look yourself right in the eyes and try not to blink. The longer you look, the more eerie it gets. That’s how that old sleepover trick, Bloody Mary, works. This is sometimes called the “strange-face illusion.” Although Charlotte is having a kind of identity crisis from switching places with Clare, this mirror phenomenon is something that anyone can experience.
Further Note: At the time that I first published this review, January 1, 2020, I hadn’t yet heard of the coronavirus, and I had no way of knowing that there was going to be an outbreak that would eventually turn into a pandemic. Now, in February 2020, I’d like to point out some things to anybody who is as creeped out as I am about this disease. (I had the images of the influenza in this story in my mind when I first started hearing about the coronavirus outbreak, and it didn’t do a lot for my peace of mind.)
Coronavirus and the 1918 influenza have some similarities and differences. Normal seasonal influenza has a death rate of approximately 0.1%. The influenza epidemic of 1918, colloquially called “Spanish Flu“, had a death rate of approximately 2.5%, and it was frightening because many of its victims had been young and apparently healthy before infection, and they died fairly quickly after becoming ill, in a matter of days. (I have more information about that down below.) It spread remarkably fast because of the mass movements of people between countries due to World War I and soldiers returning home toward the end of the war, to the point where it’s never been firmly established exactly where the virus originated.
The coronavirus (as of February 2020, estimates may change later) has a death rate of approximately 2.3%, and most of those deaths have been people who are very old and/or had underlying health problems. It’s bad, but oddly, also somewhat hopeful because, unlike the 1918 influenza, where it wasn’t always obvious who was the most as risk, we can tell ahead of time with the coronavirus who is most at risk, which is helpful for protecting people who are the most vulnerable. We know where the coronavirus started, and although it has spread to countries around the world, public health officials have been taking steps to quarantine people who have contracted the disease or who have been to regions with known infections. It has spread, but perhaps not as rapidly as the Spanish Flu because the 1918 public health officials didn’t understand what they were dealing with at first and didn’t take the steps that we are taking now. If there was any good side to the 1918 influenza epidemic, it was probably that it taught us a few things about how to handle pandemics, including what not to do when one is occurring. The two viruses aren’t precisely the same, but being aware of what we have learned from past experience may help us to stop the situation from becoming worse than it might be otherwise. I know that what is happening and what is probably about to happen is not going to be good because this is just not a good situation, and that can’t be helped, but what can be helped is how we respond to it and make use of what we already know. This current situation is not going to last, but what we do while the situation still exists is going to determine how well we come out of it.
This is not a good time for international travel, and if you can avoid traveling until this crisis is over, I would recommend doing that. If you are in a safe place, I recommend staying there until the crisis passes, and wherever you are, follow the instructions you are given by your public health officials. Before this is over, you may actually get the coronavirus. (I might, too, and I know that as I type this. I live in Arizona, and we’ve only had a few cases so far, but that’s so far.) Health officials are working on a vaccine, but that takes time, and it may not be widely available until next year. However, if you are not in one of the at-risk groups, you will likely survive the experience if you get it, and if you do what your health officials tell you to do, you can help yourself to recover from the disease and avoid spreading it to others. If you think you may be in one of the at-risk groups, follow the instructions that your doctor gives you and seek help (by telephone first) if you think that you may be ill. Try not to be too afraid because, although I know this all sounds scary, one of the first steps to handling difficult situations is believing that it is possible to handle them and taking the steps you know how to take. Take care of yourselves, and consider others as much as possible, too.
Further update: I am now fully vaccinated as of May 2021! I got the reaction that a lot of people got from the Pfizer vaccine; I felt like I had the flu for about a day after getting the second shot. But, after that, I was fine, and I recommend it to other people (provided that you aren’t allergic to anything in the shots – that seems to be the one real caveat to getting them). If you’re a conspiracy theorist, I have not experienced any weird mind control, and I don’t feel any different than I did before. I’m still reading and reviewing children’s books, making various random craft projects, listening to the same YouTube videos, and getting irritated with people I think are jerks, so my version of normal is still basically what it was before. I wouldn’t say that the pandemic is completely over yet because many people are still getting sick and haven’t had their shots, but having more people vaccinated is a good sign. My home state ended up being hit pretty hard during the worst of it, and we have seen some improvement since then because more people are being vaccinated. With vaccinations now open to people age 12 and over, I’m hopeful that there will be more improvement by the end of summer.
Themes and Spoilers
There is a lot more that I’d like to discuss about this book, but I wanted to save this discussion for the end because discussing this story and my opinion of it in depth reveals some major spoilers.
The 1918 Influenza Pandemic
First, I love stories with historical background! When I was in school, my teachers didn’t cover World War I and the 1918 Influenza Pandemic in detail. My high school history teacher, for example, was a major Civil War buff, and she spent so much time going over the major battles of the American Civil War and making us watch Gone with the Wind (which I had already seen and didn’t like because I never liked the character of Scarlett O’Hara) that she kind of rushed through the early 20th century with us, charging onward to World War II. If she said anything about the Influenza Pandemic, it wasn’t much, and it didn’t make much of an impression. In fact, I think that the first time I ever heard about the 1918 Influenza Pandemic (although I can’t remember exactly when I first became aware of it) was through fiction, even though one of my own family members died in that pandemic. However, this was an important, worldwide event that came right at the end of the First World War, and it was shocking because the people who were frequently hit the hardest by the disease were people who were normally young and strong, the people who would usually have been the ones most likely to survive under normal circumstances.
No one knows precisely where and how the pandemic began, although people have attempted to go back through the records and isolate the first cases. This is more difficult than it sounds because the earliest cases of the influenza were lighter, not fatal, and people didn’t think that much about them at first. Also, because of World War I, the mass movement of people across countries due to the war, and the masses of troops returning from the front, the disease was spread farther and faster than it might have been otherwise. Charlotte Sometimes shows some of that real-life pattern. Early in the story, when Charlotte first begins switching places with Clare, a member of the school’s faculty in the past talks about how Clare and Emily were shifted from their old room to the Cedar room because they needed a room for the sick children at the school. At this point in the story, people don’t seem to be panicking about the illness because this was the first phase of the epidemic, when people were getting the earlier, less serious form of the disease, but it’s foreshadowing later events. At one point, Charlotte in the past is blocked from entering the Cedar room and returning to her own time because the disease has spread further through the school and the Cedar Room is also turned into a sick room.
This is a major spoiler, but after Charlotte finally returns home to her own time to stay, she learns that Clare is not alive in her time because she also became ill with influenza, the more deadly form, and she died not long after the end of the war and the end of their time-traveling adventures. At the time of her death, Clare was about thirteen years old and apparently healthy otherwise, which is in keeping with the way this particular illness affected many of its victims. There were a couple of factors which made younger people more vulnerable:
Unprepared immune systems and the body’s overreaction – Young people may have had less exposure to less serious forms of the same disease from earlier years that would have primed their immune systems to respond appropriately when they encountered this influenza. The human body has certain natural defenses against diseases, like the way it can raise a fever to kill off invading germs with higher temperatures, but sometimes, a disease can strike so hard that the body overreacts to fight it (the technical name for this reaction is “cytokine storm“), causing more damage to itself. Sometimes, this can even happen to the point where the body’s own defenses damage the body itself so much that the person dies or develops a secondary problem, such as pneumonia, that could potentially lead to their death. This is an important factor to consider when evaluating why this form of influenza tended to kill otherwise healthy young people – their immune systems were the strongest and also less primed than older adults, so they were the most likely to overreact. This is where modern vaccines can help, providing the priming the body’s immunity system needs to properly cope with serious diseases it has never seen before.
Secondary infections – The people who died of the influenza tended to die of the pneumonia that set in as a secondary infection in their damaged lungs, possibly partly as a result of the body’s overreaction. This was before the development of antibiotics like penicillin, which we use to treat such infections now. This is also where vaccines come in handy because people who can avoid getting sick also avoid developing secondary problems from the illness. Unfortunately, there was no vaccine available in 1918. It wasn’t even obvious to the medical professionals of the time what they were really dealing with, and they lacked medicines that could have helped because they were developed later.
This is basically what happened to Clare, an otherwise healthy teenager, when she caught the influenza. Clare, of course, is a fictional character, but her life and fate were based on real people of the time. This was part of what made the pandemic so scary. People of the time noticed that even people who otherwise seemed young, strong, and healthy were dying of this disease, and it was happening fast. If you read grown-up Emily’s letter to Charlotte in the longer endings to the book, Clare died in a matter of a few days after becoming ill. (This still sometimes happens, but in this particular epidemic, it was happening on a massive scale.) It was happening all over the world, in small towns as well as big cities, and there was nowhere anyone could go to escape it.
Because of the shocking spread of the disease and the tragic youth of many of its victims, the event has found its way into fiction, even children’s literature. Before it was depicted on the television show, Downton Abbey, it was named as Edward Cullen‘s impending cause of death if he hadn’t been turned into a vampire in the Twilight young adult series (he was also a teenager, although older), and it was also described in one of the books of the Sarah, Plain and Tall series, set in the American Midwest. (None of the main characters die in that story, although Anna becomes a nurse and the others fear for her safety, and they witness the burial of a baby who died from the disease, as one of my grandmother’s younger brothers did in real life.)
I added a note above, discussing some of the ways the coronavirus and the 1918 influenza were similar and different. What I’ve described regarding the 1918 influenza’s effects on younger people does not seem to be the case with the current coronavirus (as of February 2020). There may be exceptions, just like more typical seasonal forms of influenza occasionally become serious even in cases of normally healthy young people (I’m not an expert, so I can’t say what the chances of that are, it seems that an overreaction of the immune system is still a primary concern with the coronavirus), but the pattern for the coronavirus so far is that it is most dangerous to the very old and those with underlying health problems. In this situation, we can do a lot to help them by protecting those we already know are most vulnerable.
World War I (or, The Great War)
There are many other historical nuggets in this book besides the influenza epidemic. As I mentioned before, Charlotte learns about life in British boarding schools in the past, finding the discipline harder and the food not as good (possibly due to war rationing).
Some of her 1918 classmates are suspicious of another classmate, Elsie, whose father is German, and they talk about how their parents think that Germans living in England should be interned in camps to isolate them from the rest of the population because some of them might be spies. Emily asks what kind of information a schoolgirl like Elsie could possibly find to pass on to harm the war effort, and one of the other girls says that if one of them comments about a letter they’ve received from their father, saying that he is with the troops in France, Elsie could pass that to her parents, and they could pass it along to Germany. Emily says that’s silly because everyone knows that there are British troops in various places in France, and even Charlotte knows that all British mail is read and censored during this time. In other words, nobody could say anything specific enough in a letter to their children that would be a risk if little Elsie happened to hear about it. Elsie is also plainly uncomfortable with the other girls’ suspicions. Modern adults would see Elsie for what she is: a little girl, very much like the others, born and raised in England, with little personal connection to the country where her father was born. She’s been caught up in the circumstances of the wider world against her will, suddenly finding herself labeled as an outsider in the only home she’s ever known. As a child, there’s not a lot that Elsie can do about this situation, and one wonders if the adults would do anything to help if they knew about it. This was the level of wartime paranoia, and the children were getting it from their parents. It’s difficult for children to learn to behave calmly and reasonably when the adults in their lives are not doing so themselves.
The war is always present in the lives of the 1918 children. Charlotte is also forced to take part in an air-raid alarm at school. When she and Emily board with the Chisel Brown family, they talk about Arthur, their son who was killed in the war, and at one point, they hold a seance to try to contact him. This is also based on real life. There was a rise in spiritualism and spiritualist practices because of the war, just like there was after the American Civil War. When society has been through something traumatic and lost loved ones, they sometimes turn to practices like this for comfort and the hope of reaching out to the people they’ve lost. When Charlotte and Emily witness the seance, they hear Clare’s voice calling to Emily. The girls are not able to communicate with Clare further than that, and there’s no real explanation for why this happened. It’s before Clare dies in her time, and we never hear from Clare’s perspective at any point in the book.
The family, especially Mr. Chisel Brown, have bitter feelings about the war because of Arthur’s death. The bitter feelings are reflected in the way they speak. At one point in the story, Mr. Chisel Brown says, “Damned peace-talk, damned conchies (conscientious objectors – people who refused to fight for moral reasons), hun-lovers (German sympathizers). Should all be hanged, I say.” This is about the strongest language in the book. The girls’ bedroom at the Chisel Brown house has a rather horrifying anti-German poster in it called “Mark of the German Beast,” and when Mr. Chisel Brown thinks that the girls aren’t behaving themselves, he says that they have “hunnish manners,” using references to Germans as derogatory terms.
Different Editions, Different Endings
Charlotte Sometimes, 1970s Cover This edition of the book has the full ending.
Another reason to explain about the fate of the characters is so I can explain how different editions of this book are different from each other. There are three possible endings to the book, depending on which edition you have. In all versions, the reader learns that Emily is Sarah’s mother, and that is the reason why Sarah singled out Charlotte and guided her to that particular bed at the beginning of the book, because her mother asked her to be nice to Charlotte and to help her, knowing what was going to happen with Charlotte and Clare.
Some of the more modern printings of the story omit sections at the end of the book that were part of the original story in which Charlotte hears from the adult Emily in modern times and where Charlotte heads home for Christmas at the end of the term. Even books that say they are unabridged (including the one that I have from Vintage Classics) sometimes include the letter and package from Emily but omit the part where Charlotte goes home on the bus with the other children, for some reason. I’ve seen all three ending formats, and each time one of these sections is cropped off the end of the book, it changes the tone of the ending and some of the subtle meaning of the story.
In books without the letter from Emily or the bus ride home, the ones with the shortest ending, the story ends with Charlotte finding Clare’s old diary hidden in the bedpost of their bed with her last message to Clare and no reply, and the book simply ends. It’s just kind of a sad reflection that Clare is now gone, and the adventures are over. Charlotte is just left with the memory of what happened with no further reflection on what’s it’s going to mean for her life in the future. I find this ending rather stark and unfulfilling, and I don’t know why this was done to the book.
In the first section of the book that is sometimes omitted, Emily writes a letter to Charlotte and sends her some toys that they were given as children in 1918: a bag of marbles, a solitaire board (the board game played with marbles as pieces), and some toy soldiers. Charlotte puts the marbles in a glass of water on her dresser (like Emily once did in the past because the marbles look bigger and shinier in water), the first personal touch that she’s given to her place in the dorm because she’s really only spent about half her time there, and she reflects on how her experiences as Clare have become part of her personal identity. She compares her experiences as Clare and the impact that it has had on her to the country’s experiences of the war and how it has changed life for all of them, far after the events were over. World War I changed the world and will remain part of history, just as Clare is now a part of Charlotte’s personal history. I thought it nicely summed up Charlotte’s feelings about how aspects of Clare have become part of her own personality, although there is one further point to be made about Charlotte’s future.
In the final section of the book, which is omitted the most often and is apparently only found in the oldest editions of the book, pre-1980s, Charlotte takes the bus home from school at the end of term after getting the letter and package from Emily. Charlotte is looking forward to Christmas, and she and other children chant a variation of the “No more pencils, no more books” rhyme. (Their variant doesn’t actually use that phrase, although it has the same format.) Charlotte reflects that the countryside doesn’t really look any different in modern times than it did in 1918 and remembers that this is Sarah’s last term at school, so she may never see her (and, consequently, may never hear from Emily) again. The ending that ends just after Charlotte receives the letter from Emily and displays the marbles leaves Charlotte considering how Clare and her experiences in 1918 will always be a part of her, but the bus ride ends with her feeling more comfortable that she is truly Charlotte again, even after these experiences, and will be heading back to her family and her life in the present day. She is changed, but she is now sure of who she is, without her earlier quandaries about her own identity.
Each time a little piece is left off the end of the story, it changes the tone of the ending, but I like the full ending that includes the bus ride the best because, while Clare and the past will always be a part of Charlotte, Charlotte has regained her sense of identity as herself. She is a changed person because of her experiences, but she is still her own person, and her life is going to continue in the present, not stuck in the past. I also think that the part with Emily’s letter is important for settling unanswered questions for both Charlotte and the reader about what happened after the time travel ended and Clare died. In older Emily’s letter to Charlotte, she says that she knows that Charlotte is the worrying type, like Clare was, and she wants her to know that there is no reason to worry about her or her younger self because of Clare’s death. Emily reassures Charlotte that, although she was upset at Clare’s death, her life has turned out well. After Clare died, Emily continued attending the school, staying with her aunt on school holidays. Her father rejoined her and her aunt later when he was finally discharged from the army. When she grew up, Emily got married and had four children, even though she had said as a child that she didn’t want children at all. Emily also tells Charlotte that she has decided to keep the doll among the toys they were given for herself because it reminds her of another that her family used to own, which is another change in her attitude. When she was a child, she pointedly preferred the toy soldiers to the doll.
I like the versions that included the letter from Emily because, otherwise, her story seems incomplete. I also liked the idea that Emily got married and had children even after saying that she wouldn’t. When she was young, Emily didn’t like the idea of having children because of the way she and Clare were bounced around to different homes and schools after the death of their mother. Young Emily didn’t think it was fair to have children and then die, leaving them alone and at the mercy of other people, but as adult, we can suppose that Emily came to realize that dying isn’t the expectation of most parents. Her mother’s death wasn’t something that her mother could have anticipated any more than Clare’s was, and people can’t live their lives based solely on what might happen. Presumably, Emily eventually met and fell in love with a nice, stable man who helped to convince her that they could manage to raise a family together. Emily doesn’t describe her husband to Charlotte in her letter or go into detail about what he’s like, but she says that attitudes change as people grow up and her life has been generally happy. Life often takes people in directions that they never predicted when they were young. Some people who want to get married and have children never do, for one reason or another (there is a teacher at the school whose fiance was killed in WWI in 1918, and she is still unmarried in the 1960s, having devoted her life to teaching), and some who never thought that they would do anyway. As long as a person can be satisfied with their life, even if it’s not the one they originally imagined when they were young, they’re doing pretty well. Knowing that Emily is satisfied with her life as it turned out gives the readers as well as Charlotte a sense of completion at the end of the story.
The Vintage Classics copy that I have also had an extra section in the back with a list of the characters in the book (helpful for the time jumps) and additional information about the author and World War I.
Magic or Psychic Phenomenon?
This brings us to the reason why Charlotte and Clare were switching places, another factor that is impossible to discuss without considering Clare’s ultimate fate. The book never gives an exact reason why it all happened in any version of the story, although the characters speculate about and draw a few conclusions. Their speculations appear in all of the books , even the ones with the shorter endings. Charlotte and Clare have some similarities in their names (they share the same initials and the same middle name) and lives (they are of similar age, their mothers are both dead, they each have a younger sister with similar-sounding names, and they just recently started going to the same boarding school in their respective times). They might possibly look alike since most people don’t seem to notice many differences between them. It’s possible that the physical resemblance might be a product of whatever magic or psychic phenomenon is causing them to switch places, but I don’t think so or at least not entirely because they are definitely physically switching places and not just transferring into each other’s bodies. We know that they are physically switching places with each other instead of moving into each other’s bodies because, in the final switch at the end, Charlotte accidentally goes to bed while wearing Clare’s bathrobe, and when she wakes up in her own time, she’s still wearing it, causing her to wonder what people will think in 1918 because Clare’s bathrobe has inexplicably disappeared. (This is not Freaky Friday, which was about a body swap.)
However, Clare and Charlotte never meet face-to-face and apparently never see pictures of each other, so Charlotte is entirely dependent on other people’s descriptions of how much she and Clare look alike. It seems that they look enough alike to fool people who aren’t really paying attention, but the people who know them the best and are the most observant can spot which of them is which, even if they can’t exactly articulate how. In real life, the author of this book was one of a set of twins, so some of this seems to be based on her own experiences with her twin and how one person’s identity can be tied to another. According to a blog the author kept, the school in the story is based on the boarding school that she and her twin sister attended in Kent. She does not identify this school by name, but she provides pictures, including one of the cedar tree on the campus that provided the inspiration for the cedar tree in the book, and the pictures are of The New School at West Heath, the school that Princess Diana also attended as a child but at a later date than the author. The school used to be called West Heath Girls’ School and is now called simply West Heath School (this page contains a virtual tour of the school that also shows the cedar tree by the playground – link repaired May 13, 2022). It now accepts both girls and boys and provides special help for children suffering from emotional disorders, learning difficulties, and other personal problems.
What I suspect is the final key to the switch, aside from their odd similarity, is that Charlotte and Clare also may have been in a similar state of mind at the time the switches began taking place that made them more vulnerable to losing their identities. This is speculation, but in the beginning, Charlotte was feeling out-of-place and not quite herself in her new school, and it’s possible that Clare was in a similar emotional state, putting them even more in sympathy with each other.
One of Charlotte’s 1960s roommates, Elizabeth, learns the truth of the girls switching places and comes to be friends with Clare, helping Clare in the present as Emily was helping Charlotte in the past. At the end of the book, Charlotte and Elizabeth become better friends and discuss what made the time switch possible. They discuss the similarities in Clare and Charlotte’s lives and the common dates when the switching began taking place, drawing a few conclusions about the switching and how it was able to happen. Part of what they conclude has to do with the similarities between Charlotte and Clare, but they also take into account the fact that Clare is dead in their time. Although they don’t use these exact words to describe it, it all seems to revolve around two souls that are kindred spirits, but also the idea that human souls cannot be duplicated or divided.
Personal identity is an important theme in the story. Charlotte often finds herself worrying about losing her identity as she is forced to pretend to be Clare and to keep up the pretense of being something like Clare even when she’s in her own time so that her personality won’t seem to shift too abruptly. She and Clare seem to have some similarities in their personalities, but Emily and Elizabeth, the only two people who ever know about the switching, both say that Charlotte and Clare aren’t exactly alike. When Charlotte worries that she’s losing her own identity, she tries hard to look for ways that she and Clare are different, which is difficult for her because, again, while Charlotte is living Clare’s life, she never actually meets Clare and has to rely on others’ descriptions of her personality. Even Emily and Elizabeth never see Charlotte and Clare side-by-side to compare. Charlotte is pleased whenever Emily comments that something she says or does isn’t exactly what Clare would have said or done in the same situation. Toward the end of the book, Charlotte tries to press Elizabeth more about the differences between herself and Clare, trying to clarify her own personality by what makes her different from Clare. Elizabeth tries to explain it by comparing the two of them to another pair of girls in their dorm at school. Those two girls are best friends and often like the same things and do similar things, but they are still very distinct people, like Charlotte and Clare are. It’s not an explicit answer, but it does show that Elizabeth can recognize Charlotte and Clare as different people, independent of each other, in spite of what happened and even though others didn’t notice the differences between them. Yet, the similarities between Charlotte and Clare, and perhaps their similar states of mind, seem to be central factors that allowed them to switch places with each other. Two very similar girls in sympathetic states of mind, happened to be occupying the same physical space (the bed at school) at the same time of year (the beginning of the school year), just years apart.
There is also the matter of Clare’s early death. Both Charlotte and Elizabeth are sad when they learn that Clare died back in 1918, but Elizabeth reasons it out, saying that it makes sense that Clare died and that Emily was Sarah’s mother all along. As Elizabeth explains, Charlotte couldn’t have remained in 1918 and grown up there to become Sarah’s mother (as Charlotte feared might be the truth) because, by the time she was an adult, she would also have been born into their time as Charlotte, and there would have been two Charlottes alive at the same time. If Clare had lived to adulthood and become a mother, there would also be two Clares alive at the same time when the girls started switching places. Both of those situations would have been a logical impossibility because no single person can be two different ages, child and adult, in the same period of time. Even if they were in two different bodies, it would be the same soul because it would be the same person, and there could not be duplicates of a unique, individual soul or personality.
I like it that the book takes the fascinating premise that, even if human souls can swap places with each other or be accidentally confused for one another, they are still unique, individual, and whole, separate from each other, indivisible, and impossible to duplicate. As Elizabeth puts it, Clare was the only one who even could have made the journey through time to swap with Charlotte (or anyone else occupying that bed) because there was no living Clare in the 1960s to create a paradox, just as there was no Charlotte in past because she hadn’t been born yet. If Clare was not already fated to die young, the time journey would have been completely impossible. This is also the reason why nobody else switched places while sleeping in that particular bed. Not only did they not happen to have a similar counterpart occupying the same space at a different point in time, as Clare and Charlotte did, but everyone else who slept in that bed survived and was present in both the past and the future. Elizabeth says that it’s like Clare was a kind of ghost, although she was very solid and alive throughout the switching and her death from influenza took place after it was over. The idea bothers Charlotte because that would have made her a kind of ghost when she traveled back in time, too. Is it possible for someone to be a ghost before they’ve died?
There is no complete answer to that. Part of what makes the book fascinating is the possibilities it raises and allows the reader to consider. There are no magic spells in the book. There is a seance scene, as I mentioned in the section about WWI information, during which Emily and Charlotte hear Clare’s voice instead of the young soldier killed in the war that the family was attempting to contact. However, the main phenomenon of the story doesn’t seem to rely on magic so much as some kind of psychic phenomena – kindred spirits who happened to be sharing a particular space and ended up sharing each other’s lives across time.
Three children, Heidi, Chad, and Luke, are traveling from their home in California to spend a couple of weeks in New York during the summer because their father has to do some work for his advertising firm there. Heidi, the oldest child, didn’t want to go on the trip. She would rather have stayed at home with her best friend, but her parents insisted that she go because she borrowed her mother’s car without permission and took it out driving without an adult in the car even though she only had a learner’s permit, not a real driver’s license, and barely even knew where the car’s controls were (she took her younger brothers along just so they could tell her about the controls, which shows her level of driving skill). The resulting accident she had took out a flower bed. Although her parents didn’t find out about the accident, she decided that perhaps it would be a good idea to get out of town for awhile while the whole incident blows over.
Chad is the narrator of the story, and he explains that his father’s company has rented a house for them to live in while they’re in New York, or rather, part of an old house. It’s a very old house, and it’s five stories tall. There is an old cage elevator that has been repurposed as a telephone nook. It’s a nice place, but there’s something strange about it. Even before they arrive in New York, both Chad and Luke begin dreaming about snow. Then, on their first night in the house in New York, Chad hears voices in the house after midnight. It sounds like a man and a woman. They are trapped somewhere, and they are cold. Even the family’s dog, Victoria Alexandrina (Al for short) is frightened in the house.
Luke loves old houses and places with history, and he seems to have an odd ability to sense the past, even being able to describe what places looked like in the past without doing any research to find out. Luke tries to tell Chad that he has the same ability to get in touch with the past, but Chad doesn’t believe it at first. Luke thinks that they have a special mission in New York, to resolve some kind of unfinished business, although he’s not sure what.
Then, Luke admits to Chad that he’s been hearing the voices in the house, too. The two of them sneak up to the upper floors of the house, the part that they haven’t rented, and they see that the rooms are all empty and in bad repair. When they look out of the windows, they see the landscape as it was years ago, with buildings being constructed that are already old in modern times. Heidi finds them up there and becomes fascinated by a dress that they find in an old trunk.
The boys’ abilities to see the past keep getting stronger, and more strange things happen in the house. A bouquet of flowers suddenly appears in Heidi’s room with a message from a mysterious admirer, and then almost as suddenly, the flowers wilt and the card with the message fades, as if they had aged suddenly. The boys keep seeing people and things from the past all over town as they explore New York City.
At night, Chad and Luke find themselves going back in time in the house’s history. Chad is frightened, but Luke knows that they’re looking for an event in the house’s history, something that must be changed.
Back in the late 1800s, the Dunlap family lived in the house, with two teenage children, Emily and her older brother, Tyler. Their family is fairly well-off, but not as wealthy as the family of the girl Tyler has a crush on. One night, Chad and Luke witness a conversation between Emily and her mother about Tyler’s marriage prospects. Emily thinks that Tyler is making the wrong choice, pursuing the wrong girl in his romantic life. It doesn’t seem like an earth-shattering tragedy, but events are moving closer to an even greater tragedy. It is Emily and Tyler’s voices that the boys have been hearing after midnight in the house.
Chad finds their trips into the past unnerving and he fears that he and Luke might accidentally become stuck in the past. He wants to stop, but Luke insists that they keep going. The situation becomes more urgent because Heidi has also found her way into the past and is falling in love with Tyler! When Chad and Luke go into the past, they are invisible to the people there, but Tyler not only sees Heidi but dances with her at a New Year’s ball. From then on, Heidi is also involved in the adventure. Like Luke, she has a sense that there is something that they need to do in that house, in the past.
Something bad is going to happen to Emily and Tyler. Somehow, they are going to die. Cold. Trapped. During the Great Blizzard of 1888. The kids are not sure quite what exactly is going to happen until almost the end, but they can feel it coming. It has already happened in the distant past, but they need to find the right moment in time to stop it from happening again!
All three of the children, Chad, Heidi, and Luke, have psychic abilities and are able to see and travel through time, although Chad and Heidi have mostly worked to ignore it in their lives, trying to just be normal kids. When they succeed in saving Tyler and Emily Dunlap, they not only change the past but the present, eventually meeting some of Tyler’s descendants (who he marries is a bit of a surprise, although it’s not either of the girls that Emily had expected it to be). There is a kind of odd time loop, though. At the end of the story, they learn about their own, special, previously unknown connection to the Dunlap family and the possible reason why they are gifted with their time-traveling abilities. In saving Tyler and Emily, they are also saving themselves, which oddly, begs the question of how real they were before . . . but, maybe they were always fated to succeed. In the end, the house in New York is still “haunted”, but the final joke (unknown to the current owners) is that Heidi becomes the beautiful but mysterious “ghost” who appeared at the right time and then suddenly disappeared and whose story has been passed down through the generations.
The book is available to borrow for free online through Internet Archive.
Anna, Grandpa, and the Big Storm by Carla Stevens, 1982.
The story takes place during the Great Blizzard of 1888. Anna’s Grandpa is visiting her family in New York City, but he thinks the city is boring. He says that there isn’t much there for him to do. One day, Anna is worried about getting to school because it is starting to snow heavily. Anna’s mother says that she can stay home, but Anna is supposed to be in a spelling bee, and she doesn’t want to miss out. Grandpa volunteers to take Anna to school on the elevated train.
As the two set out, Anna begins to get scared because the storm is getting worse. Grandpa urges her on, and the two make it onto the train. Before they can go very far, the tracks freeze over, and the train gets stuck. Anna and her Grandpa are trapped in the train with a bunch of strangers, waiting for rescue.
Anna and Grandpa make friends with the other people on the train, finding ways to keep themselves moving and warm while they wait for help to arrive, like playing “Simon Says.” Even though Anna doesn’t make it to school for the spelling bee, their adventures turn out to be good for the people they are able to help and the new friends they make. Grandpa sees a different side of life in the city and decides to stay for awhile longer so he can spend time with some new friends.
The story is based upon actual accounts of the famous blizzard when many other people were trapped on the elevated trains around the city. The book is available to borrow and read for free online through Internet Archive.
The Nutcracker by E.T.A. Hoffmann, retold by Anthea Bell, 1816, 1987.
The reason for the two dates of this book is that the original Nutcracker story was written by a German writer, E.T.A. Hoffmann, in 1816, as the novella The Nutcracker and the Mouse King. Some places, including the back of this book note different publishing dates for the original story because it was published more than once during the 1810s, as part of different story collections. This article gives more details about the original version of the story and different publications. Since then, it has been retold many times and in many different forms, including the famous ballet based on the story. In ballets and plays, the name of the heroine is often Clara, but in this picture book, as in the original story, the heroine’s name is Marie.
In the beginning of the book, which is set in the 19th century, Marie and her brother Fritz, are opening their Christmas presents on Christmas Eve. (The book explains that opening presents on Christmas Eve is a German tradition. A friend in Germany also explained that to me once because, in Germany, presents are supposedly brought by the Christ Child, not by Santa Claus. Since then, I’ve read that explanation may vary, depending on whether the household is Catholic or Protestant.) The children receive many wonderful presents, including a toy castle from their godfather, Mr. Drosselmeier. Marie’s favorite present is a nutcracker that looks like an odd little man. When Fritz is too rough with the nutcracker and breaks it, Marie takes care of it.
Marie stays up late, and when she finally puts the nutcracker away at midnight, she is astonished to see an army of mice coming out of the floorboards. The leader of the mouse army is the Mouse King, who has seven heads. The Nutcracker leads an army of toys against the mouse army. The mouse army appears to be winning, so, to save the Nutcracker, Marie takes off her shoe and throws it at the mice. Then, her arm hurts, and she apparently faints.
When Marie wakes up, she is in her own bed, and her mother tells her that she apparently put her arm through the glass door of the toy cabinet, cutting herself badly. When Marie tries to tell her mother about the battle between the toys and the mice, her mother and the doctor think that she’s ill and confine her to her bed for a few days. Mr. Drosselmeier repairs the Nutcracker and returns it to Marie, telling her the reason why nutcrackers look so strange and ugly, calling it The Tale of the Hard Nut.
Year ago, there was a royal banquet given by the King and Queen who were the parents of Princess Pirlipat. A mouse who claimed to be the queen of Mousolia demanded some food from the banquet as the Queen was preparing it. The King was angry that the mouse took some of the food and wanted revenge. The King asked his Court Watchmaker, who was also named Drosselmeier, to build some mousetraps to catch the mouse queen’s seven sons. When the sons were caught, the mouse queen vowed that she’d take her revenge on Princess Pirlipat. Princess Pirlipat was a pretty baby, but the mouse queen turned her ugly. The King took out his anger on the Court Watchmaker, ordering him to find a way to change Princess Pirlipat back to normal and threatening to behead him if he failed. After consulting the Court Astronomer, the Court Watchmaker learned that the key to breaking the spell on the princess was a special nut, which had to be cracked by being bitten by a man who filled certain special requirements, which all happened to be met by the son of the Watchmaker’s dollmaker cousin. The King had promised that the person who could break the spell could marry his daughter, but the mouse queen interrupted the last part of the ritual, causing the young cousin to turn ugly himself. When pretty Princess Pirlipat saw her rescuer turn ugly, she didn’t want to marry him anymore. The Court Astronomer said that the only way to break the spell on the young man was for him to defeat the new Mouse King – the mouse queen’s youngest son – and for him to find a woman who would love him regardless of his appearance.
Marie knows that the story is true because she has seen the Mouse King herself. She loves the Nutcracker and wants to help him. The Nutcracker returns to visit Marie during the night and makes repeated demands of her for her candy and toys. Marie knows that, no matter what she gives him, the Mouse King will keep returning to demand something else. The Nutcracker tells her that he needs a sword to fight the Mouse King. They borrow one from a toy soldier, and the Nutcracker successfully defeats the Mouse King, giving Marie his seven golden crowns.
As a reward for helping him, the Nutcracker takes Marie to the land where he is from, leading her there through a magic staircase in an old wardrobe. The Nutcracker’s land is beautiful, filled with candy and sweets and gold and silver fruit. (The Christmas Wood that they pass through reminds me of the woods in the wardrobe in The Lion, the Witch, and the Wardrobe.) The Prince Nutcracker’s home is Marzipan Castle in Candy City, where his beautiful princess sisters live. They welcome Marie and the Nutcracker home.
Then, suddenly, Marie wakes up, as if it were all a dream. However, Marie knows that it wasn’t a dream because she still has the Mouse King’s crowns. Marie tells the Nutcracker that she loves him. There is a sudden bang, and Marie faints. When she wakes up, she is told that Mr. Drosselmeier’s nephew has come to visit them. The nephew is the Nutcracker, restored to human form and now a handsome young man, thanks to Marie’s love. Marie later marries the nephew, and the two of them rule magical Kingdom of Sweets.
There is a section in the back of the book that explains a little more about E.T.A. Hoffmann and the original version of the Nutcracker story.
This book is available to borrow for free online through Internet Archive.
#13 Rosy Noses, Freezing Toes by Judy Delton, 1990.
At one of the scout meetings, Mrs. Peters, the troop leader, says that her antique vase is missing. It’s a family heirloom, and Mrs. Peters wants to ask the scouts if they know anything about its disappearance or if they have any idea of what could have happened to it. None of them knows, but they’re fascinated by the mystery. After they search the house and can’t find it, Mrs. Peters says that she’ll just have to report its disappearance to the insurance company. Mrs. Peters is willing to let the matter go at that, but the scouts keep wondering what happened to the vase and if one of them could have taken it.
Mrs. Peters tells the scouts that the next badge they will earn will be their music badge. To earn the badge, the children will have to sing or play an instrument or tell the group about the life of a composer. Some of the children already play instruments and know what they’re going to do, but others aren’t sure. Since it’s December, Mrs. Peters suggests that some of them could sing popular Christmas songs or a Hanukkah song.
Sonny Betz declares that he doesn’t want to participate because he can’t play an instrument and over the next few days, he seems upset and nasty with people. Molly asks him what the matter is, and Sonny tells her that his mother is forcing him to take violin lessons. Mrs. Betz has always wanted Sonny to learn to play the violin, and his new violin teacher has assured her that Sonny will be able to learn the first line of Jingle Bells in time for the scouts’ music show, even though it’s coming up fast. Sonny isn’t happy about it, and to make him feel better, Molly tells him that he’s lucky because nobody else will be playing the violin and it will make him different. Unfortunately, the other kids tease him and call him “Maestro,” so he starts feeling bad.
Molly doesn’t like the way the others keep teasing Sonny, and when Tracy says that Sonny is a baby, Molly tells her that it’s not his fault because his mother is the one who makes him take violin lessons and keep the training wheels on his bike even though he’s in the second grade and all the other things that people tease him about. Mrs. Betz doesn’t realize how much Sonny hates some of the things that she makes him do and how much the other kids tease Sonny about these things. Molly overhears her mother saying that Sonny will “be a handful by the time he gets to high school,” probably because she’s imagining that Sonny will rebel against all things his mother has been making him do once he’s a teenager. Actually, it’s not going to take that long.
Mrs. Peters uses the insurance money from her vase to buy a piano. The scouts’ music show goes okay at first, although none of the kids are spectacular at music. Molly, Mary Beth, and Lisa paint their noses red and sing Rudolph the Red-Nosed Reindeer. Kevin whistles. Roger plays White Christmas on the drums with no other accompaniment, confusing everyone about what song he’s actually playing. Poor Sonny has to go last, when everyone is starting to get tired of the entertainment, but he doesn’t play well. The other scouts cover their ears, and the screeching of the violin makes the dog bark and Mrs. Peters’s baby cry. Sonny is so upset that he runs away from the show and has a fit.
The next day, Molly learns that Sonny has run away from home completely, leaving behind a note that he’s heading to Alaska. Everyone is searching for Sonny and getting worried about him being outside alone in the snow. However, Molly soon discovers that Sonny hasn’t gone as far as everyone fears and he’s certainly not on his way to Alaska. She discovers Sonny hiding in her family’s bathtub. Sonny explains to her that he didn’t have the money to go to Alaska, but he couldn’t bring himself to go home, and he picked Molly’s house to hide in because Molly is the only one who didn’t tease at him. Molly promises not to turn him in, but she says that he won’t be able to stay in her bathtub forever. His mother has called the police to report his disappearance, and Molly’s parents are bound to find him eventually. Sonny swears that he can’t go home because he hates playing the violin so much. What can Molly do to help him change his mind?
I didn’t like the way the other scouts were so mean to Sonny in the book. Sonny does do childish things, like being mean to the younger kids on the playground when he’s upset and throwing fits when things go wrong. However, Molly tries to be understanding with Sonny, even when he’s being fussy and whining, and she recognizes that Sonny is in a difficult position. His mother has certain expectations of him, and Sonny doesn’t think that anything will change her mind. The way things work out, though, makes it seem like Sonny never really explained to his mother how upset he was about the violin lessons and maybe not even how upset he’s been about some other things. Part of Sonny’s difficulty and the reason why he seems babyish to the other kids is that he seems to have trouble managing and articulating his emotions, including standing up for himself and what he really wants. Some of the other scouts help Molly to convince Sonny that running away isn’t the solution, and Molly calls Mrs. Betz to tell her that Sonny is okay but won’t come home until she promises that he can stop playing the violin. Sonny declares that he wants to see that in writing, and his mother gladly writes him a note that says that he doesn’t have to play the violin again.
So, what about the antique vase mystery from the beginning of the story? Before the end of the book, they do locate the missing vase (not really stolen, more misplaced and forgotten), but Molly accidentally breaks it. Mrs. Peters says that it’s okay because, with the vase broken, she doesn’t have to give the money back to the insurance company, and she gets to keep her new piano. She’s been wanting a piano, and the truth is that she never really liked the vase, even though it was a family heirloom. Yay? Merry Christmas!
The book is available to borrow for free online through Internet Archive.
#23 Angels Don’t Know Karate by Debbie Dadey and Marcia Thornton Jones, 1996.
Before Christmas, the kids at Bailey School are making snow angels, and they start talking about whether or not real angels exist. Melody and Liza say that they do and that everyone has a guardian angel. Eddie jokes that the new school crossing guard should have one as she repaints the crosswalk lines in the road. The kids say that she should also be careful not to get paint on the sidewalk in front of Mr. Mason’s house Mr. Mason is the meanest man in the neighborhood.
As the kids stand around talking, Ben, the school bully, hits Eddie in the mouth with a snowball. Eddie wishes that he knew karate so that he could take care of Ben, and Ben tells him that he’s a just a chicken, daring him to climb a tree on the playground. The other kids tell Eddie not to do it because the tree branches are snowy and icy and he’d probably fall, but Eddie feels like he has to do it to prove that he isn’t chicken. (Yeah, kid, the best way to prove you’re not scared of things is to do a stupidly dangerous thing because you don’t mind demonstrating that you’re desperately scared of what someone you don’t even like thinks about you.) Of course, Eddie does fall, but the others have the impression that the tree branches seem to be helping to hand him down to the ground, where the new crossing guard catches him. Melody thinks that, for a moment, it looked like the crossing guard had angel wings, but no one else saw it because they were all looking at Eddie.
The crossing guard says that her name is Angela Michaels and that she has just come to town for the opening of a new karate school. She invites the children to come to a karate demonstration at the mall. Eddie thinks that the karate demonstration would be great, and Howie says that karate isn’t about attacking people so much as protecting. More and more, Melody becomes convinced that Angela’s rescue of Eddie was a miracle, that she’s Eddie’s guardian angel, and that she’s come to Bailey City on a mission.
Angela turns out to be a karate expert, and the kids are impressed. Mr. Mason yells at the kids as they walk by his house on the way home, and they wish that Angela would teach him a lesson. Eddie says that if they want to spy on Angela and find out if she’s a real angel, Mr. Mason’s yard is the best place to do it because it’s near the crosswalk and no one would expect kids to be hiding in his yard. The others say that he’s crazy to want to go in mean Mr. Mason’s yard, but Eddie says that if Angela is a real guardian angel, they should be safe.
Mr. Mason catches the children in his yard, and Angela does intervene when Mr. Mason yells at them. She convinces Mr. Mason to let her make him a cup of Heavenly Tea. Melody decides that Angela’s mission is probably to help Mr. Mason be nicer and make some friends. Melody says that they should help Angela by being friends with Mr. Mason and doing nice things for him. The others think that she’s crazy, but she’s convinced that it’s safe to do nice things for Mr. Mason because Angela will make sure that they’ll be safe and that Mr. Mason won’t get mad.
Mr. Mason yells at the kids when they come to help him, but Melody convinces him to accept the cookies they’ve brought him and let them shovel some snow for him and decorate his yard for Christmas. He doesn’t seem particularly grateful at first, but he does accept their kindness. Then, to the children’s surprise, Mr. Mason becomes their new school crossing guard, replacing Angela. He says that Angela had to leave on some important business and that she convinced him that he would like the job, and he admits that he does like it. Melody remains convinced that Angela was an angel. Eddie says that she never proved it, but she says that some things don’t need proof, just belief.
Eddie never does use karate on Ben, but Angela deals with Ben for him. Angela catches Ben bullying another younger boy and teaches him that strong people are supposed to protect weaker people, not bully them. The children take karate lessons from Angela, and she’s tough. Eddie compares her to a drill sergeant. But, being tough isn’t the same as being mean. Angela is serious when she says that strong people have a duty to protect others, and that’s what she teaches other people to do. She uses her strength and toughness to help people, not hurt them. It’s a good philosophy!
The book is available to borrow for free online through Internet Archive.
#17 Elves Don’t Wear Hard Hats by Debbie Dadey and Marcia Thornton Jones, 1995.
The playground equipment at Bailey School is old and breaking, so the PTA has decided to fund a new playground for the children. The playground is going to be built by the Bell Construction Company, and when the children meet the owner, Hollis Bell, he is an odd little man with curly-toed work boots. In fact, all of his men are unusually short. However, Mr. Bell promises to build the children the best playground they can imagine.
However, the parents at the school are arguing about the playground, how much it’s going to cost, and whether it really needed to be replaced at all. There’s not a lot of Christmas cheer going around, but Mr. Bell puts up Christmas trees and tells the children that they have their own kind of magic that can help fix their parents’ arguing.
One day, Mr. Bell comes to the third grade class to interview them about what they would like to have on their playground. All of the kids have different ideas, and they end up arguing about the things they’ve heard their parents say about what the playground should be like. However, Mr. Bell urges them to calm down and work together. He tells the children that they should make a list of what they all want and “check it twice.” One of the kids in the class says that it’s impossible to give everyone what they want, but Mr. Bell says that he’s in the business of making wishes come true. Liza asks what happens if someone puts down a really bad idea, and Mr. Bell says that he’ll know if an idea is a bad idea. Because Mr. Bell is short, his tools jingle like jingle bells, and he acts like he can grant their Christmas wishes, the kids start thinking that he might be an elf.
The kids are allowed to watch the workmen work, but Mr. Bell makes it clear that they’re not allowed in the trailer that’s attached to his truck. Naturally, the kids get curious about the trailer. They can’t help but sneak a look inside, and when they do, they find out that it’s a workshop full of toys!
As the children try to figure out if the construction crew might really be elves, they decide to ask the department store Santa more about elves. The kids debate about the department store Santa really being Santa, and the Santa makes a comment about how he’s been meaning to pay a visit to their school, seemingly ignoring a previous book in the series, when Santa apparently became their school’s janitor. However, later in the book, Howie refers to the “new janitor who keeps turning down the heat,” referring to what happened in the previous book, which is confusing. The department store Santa explains that his elves like to fix things, and they are particularly concerned with fixing people who can’t get along, hinting that the arguments over the school’s playground are what brought the elves to the school. Santa’s advice is for the children not to worry because the elves will disappear on their own “when the time is right.”
The deadline for submitting the plan for the new playground is approaching, and the kids realize that if the adults can’t agree on something, they might end up with no playground at all! When the “elves” leave to take care of a job “up north,” and the playground issue still isn’t resolved, the kids think that they probably weren’t magical elves and that they didn’t fix anything, but the kids aren’t ready to give up yet.
When Eddie suggests that they all just build their own playground out of wood and begins drawing his vision of it, it attracts the attention of the adults. At first, the kids think that they’ll have to do all the work on their playground themselves, but the more the adults hear them talk and study the picture Eddie drew, the more involved they become. When the adults were in charge, they each wanted to be considered the leader and authority on the project, with their ideas overshadowing everyone else’s, but with Eddie in charge, the project moves forward. Even though Eddie is a child, he’s the one with the vision to carry the project through, and he neutralizes the adults’ competing egos. The project ends up being finished unexpectedly fast, and in the end, no one knows who actually completed it, hinting that the Mr. Bell might really have been an elf and that he and the other elves secretly returned once everyone came to an agreement about what they really wanted. As always with this series of books, readers are left to draw their own conclusions.
The book is available to borrow for free online through Internet Archive.
#3 Santa Claus Doesn’t Mop Floors by Debbie Dadey and Marcia Thornton Jones, 1991.
The school’s janitor, Mr. Dobson, quits one day after some kid spreads peanut butter from the food drive box all over the staircase banister. He’s had enough of their pranks! The third grade class’s substitute teacher, Mrs. Ewing, who is teaching the class while Mrs. Jeepers is visiting her family in Romania for Christmas, says that she’d hate to think that someone in their class actually stole food meant for some poor person and used it for an awful prank. The principal confirms that it was someone in their class when he pulls a couple of empty peanut butter jars from their trash can. The culprits turn out to be Eddie and Howie. So, the principal declares that, until they can get a replacement janitor, the third grade class will clean the entire building.
The other kids are angry with Eddie that they now have to give up their recesses to empty trashes and mop floors all over the school, and Melody says that it’s Eddie’s fault that Mr. Dobson is unemployed at Christmas. Eddie complains that “it was only peanut butter” and that it was Mr. Dobson’s choice to quit his job. The other kids know that part of Eddie’s problem is that he has an issue with Christmas, and that’s why he’s trying to spoil things. Eddie’s mother is dead, and ever since her death, his father hasn’t wanted to celebrate Christmas.
Fortunately, the principal soon tells the children that he has hired a new janitor, Mr. Jolly. Mr. Jolly is a cheerful older man with a thick white beard, and he likes to smoke a pipe. Mr. Jolly seems very nice, and he works very fast, but he has an odd way of watching the children and writing things down in a notebook.
Then, one day, the kids see Mr. Jolly talking to an odd little man, and they hear the man call him “S.C.” The little man seems very worried about something and wants Mr. Jolly to come and straighten out some kind of mess before Christmas. However, Mr. Jolly says that the work he is doing at the school is very important. They notice the kids watching them, so they don’t say any more, but the kids soon begin noticing other peculiar things about Mr. Jolly. He keeps the school’s temperature rather cold, but yet he likes to wear shorts. He doesn’t like it when Eddie turns up the thermostat because he likes the cold.
The temperature issue becomes serious because the kids have trouble working when it’s so cold. They have to wear their coats and sweaters all the time, and it gets to the point where it’s actually warmer outside than it is inside the building. Rather than freeze, Eddie decides that he’d rather get rid of Mr. Jolly. However, the other kids don’t want to help him after what happened with Mr. Dobson. Eddie takes it on himself to decorate the teachers’ lounge with toilet paper and turn up the heat again. However, Mr. Jolly solves both problems impossibly fast, and suddenly, the food drive box is overflowing with jars of peanut butter.
Liza is the one who suggests that Mr. Jolly could be Santa Claus. He looks like Santa Claus, and his short friend, who called him “S.C.” looks kind of like an elf. It would also explain why he likes cold so much and how he seems to do things magically fast. The others don’t believe her, and after Eddie pulls another trick that goes wrong, Mr. Jolly actually talks to him about Christmas and Santa Claus. Eddie says that those things are for little kids and even if there was a Santa Claus, he wouldn’t bring him what he really wants for Christmas.
Although Eddie doesn’t actually say it, what he really wants is attention from his dad. His dad is away a lot, working, and Eddie’s grandmother, who takes care of him, is often busy. However, Eddie becomes convinced that miracles can happen when his dad finally comes home for Christmas and actually wants to celebrate the holiday.
The book is available to borrow for free online through Internet Archive.
This book is part of the Samantha, An American Girl series. This is the last book in the original series of Samantha’s stories and explains the changes in the lives of Samantha and her friends, especially Nellie. When Samantha met Nellie in the first book in the series, Nellie was a poor girl working as a servant girl in a neighboring house. Later, Nellie and her family moved to Samantha’s town, Mount Bedford, and Nellie and her sisters were able to attend school for the first time.
Now, Samantha has moved to New York City to live with her Uncle Gard and his new wife, Aunt Cornelia. Samantha likes living with them, although their housekeeper, Gertrude, is strict and often makes her feel like she’s doing things wrong. Samantha’s grandmother, a widow, has remarried to her long-time friend, the Admiral. Samantha’s life has changed considerably since the first book. Since her move to New York City, Samantha hasn’t seen Nellie or her sisters, but their lives have also changed, and not for the better.
When the book begins, Samantha and Aunt Cornelia are making Valentines to give to friends and family. Samantha receives a letter from Nellie that says that her parents have died of the flu and their employer, Mrs. Van Sicklen, is sending her and her sisters to New York City to live with her Uncle Mike. Nellie says that she’ll try to visit Samantha in New York City soon. Samantha is upset to hear that Nellie’s parents are dead, but Uncle Gard and Aunt Cornelia reassure her that Nellie’s uncle will take care of her and that she’ll soon be living much closer to Samantha.
After some time goes by and Samantha doesn’t hear any more from Nellie, she begins to worry about her. Uncle Gard decides to call Mrs. Van Sicklen and find out Nellie’s new address, but she doesn’t know where Nellie’s uncle, Mike O’Malley, lives. All Mrs. Van Sicklen knows is that he lives on 17th or 18th Street, but New York City is so big, that doesn’t help much. Uncle Gard and Aunt Cornelia say that maybe Nellie has had to get a job or look after her sisters and that she’s just been too busy to visit, but Samantha is still worried that something is very wrong.
Samantha decides to start asking around 17th and 18th Streets to see if she can locate Mike O’Malley, and she finds a chestnut seller who knows Mike O’Malley. However, he warns Samatha not to get involved with him because Mike O’Malley is a “hooligan.” Samantha worries about that, but it’s just another reason for her to want to check on Nellie. When she reaches the apartment where Mike O’Malley last lived, he isn’t there anymore. His neighbor explains that Mike O’Malley was a drunk who simply abandoned his nieces in his old apartment. The neighbor took the girls in for a while, but she is a poor woman with children of her own to raise, so she had to turn Nellie and her sisters over to an orphanage, the Coldrock House for Homeless Girls.
Samantha tells her aunt and uncle what she’s learned, and they’re upset that she went to such a dangerous part of the city alone. However, Aunt Cornelia agrees to take Samantha to the orphanage to see Nellie. The directoress, Miss Frouchy, is a stern and sneaky woman, but she agrees to let Samantha see Nellie, even though it isn’t a visitors’ day. It is difficult for the girls to speak candidly with Miss Frouchy watching them and monitoring everything that Nellie says. When Aunt Cornelia asks if Nellie and her sisters need anything, Miss Frouchy interrupts and says that they don’t. However, Samantha notes how thin Nellie looks and suspects that there is more going on than Nellie is being allowed to say, and Miss Frouchy even confiscates the cookies meant for Nellie and her sisters right in front of Aunt Cornelia and Samantha.
Aunt Cornelia asks Miss Frouchy for a tour of the orphanage so that Nellie and Samantha can be alone, and so the girls are able to speak openly. Nellie confirms that things are hard at the orphanage and her sister, Bridget, isn’t strong. Miss Frouchy thinks that Bridget is lazy and doesn’t want to work, so Nellie tries to cover Bridget’s chores as best she can. Samantha says that Nellie could come and stay with her and her aunt and uncle, but Nellie says that they probably don’t need any more maids. Samantha offers to hide Nellie and her sisters, but Nellie thinks that plan is too risky. More than anything, Nellie wants to keep her sisters together. She says with a little more training, she could find a job as a maid and support them.
Samantha returns to the orphanage again with her aunt and uncle to visit all three girls, and she and Nellie arrange to meet secretly at the time when Nellie is supposed to take the fireplace ashes out to the alley for disposal. At their next meeting, Samantha finds out that Miss Frouchy took the gloves that they had given Nellie and even punished her for having them because she said that she must have stolen the gloves. However, there is worse to come. Soon, Nellie tells Samantha that she has been chosen to be sent out west on the Orphan Train, but because her sisters are too young to go, they’ll be left in New York alone. With the sisters about to be split up, Samantha’s plan to help the girls run away and hide is looking better.
Together, Nellie and Samantha help to sneak the younger girls out of the orphanage, and Samantha hides the three of them in an upstairs room in the aunt and uncle’s house that isn’t being used. She sneaks food and toys upstairs to them, and Nellie sneaks out during the day to go looking for work. However, Gertrude soon gets suspicious about how much food Samantha seems to be eating and how she seems to be sneaking around with it. When the girls are finally caught, Samantha owes her aunt and uncle some explanations, but admitting the truth of what has happened changes things for the better for all of the girls.
In the movie version of the Samantha series, which combined all the stories from the Samantha books into one, the story ends at Christmas, but in the book, it’s Valentine’s Day. The Christmas ending is nice, but Valentine’s Day does make for a nice difference, and love is appropriate to the theme of the story. Uncle Gard and Aunt Cornelia end up adopting Nellie and her sisters, so they officially become part of Samantha’s family. Unlike other characters in the story, who see the orphans as either an inconvenience or a source of cheap labor, Uncle Gard and Aunt Cornelia genuinely love them and want to raise them.
Something that struck me about the book was that both Nellie and Samantha are orphans, but their lives were very different at the beginning of the story because Samantha is from a wealthy family with an uncle who loves her and Nellie is a poor girl with an irresponsible uncle. If Samantha had been poor, she might have been destined for an orphanage or the orphan train herself. Because she wasn’t and because her family looks after children well and is willing to share what they have with others, Samantha has a secure future, and Nellie and her sisters become part of their family.
The book ends with a section of historical information about all the changes taking place in Samantha’s time, from technological changes, such as the first airplanes and new cars, to the increasing sizes of cities and new immigrants arriving in the United States.
As girls like Samantha grew up, society continued to change. In earlier books, Samantha’s grandmother talked about how young ladies aren’t supposed to work but learn how to be ladies and take care of a household. By the time Samantha was an adult, in the 1910s and 1920s, it was becoming more common for women to hold others jobs, although they would often stop working when they got married so they could focus on raising their children. The profession of social work evolved to help care for children like Nellie and her sisters. Some social workers also helped immigrants to learn English and train for new jobs when the came to the United States. The book specifically mentions Jane Addams, who founded the settlement house, Hull House.
Change is a major theme of all of the American Girl books, and a girl like Samantha would have seen some drastic changes in the ways that people lived as she got older. Over time, fewer immigrants looked for jobs as domestic servants, and newer forms of household technology, like washing machines, made it easier for housewives to do more of their domestic chores themselves. The section of historical information ends with examples of the changes in styles of women’s clothing through the 1920s, explaining how the changes in clothing styles were part of the changes in the types of lives the women wearing them were leading.
Although the book doesn’t go into these details, I would just like to point out how old Samantha would have been at various points in the 20th century. She was born in 1894, and ten years old in 1904, so that means that she would have been:
23 years old when the US entered World War I in 1917
26 years old when the 19th Amendment granted women’s suffrage in the United States in 1920
30 years old in 1924 (Jazz age and Prohibition)
35 years old when the stock market crashed in 1929, the beginning of the Great Depression
47 years old in 1941, when the attack on Pearl Harbor occurred, and the US entered World War II, and 50 years old in 1944, when the Molly, An American Girl series takes place.
In her 50s during the early days of the Cold War. She would have to live to be 95 to see the end of it.
In her 60s through her early 70s during the Civil Rights Movement.
I like to think about these things because it puts history in perspective, and it gives us some sense of what Samantha’s future life might have been like. When she was a young woman, she may have joined the women’s suffrage movement with her Aunt Cornelia. She probably knew young men her age who went to fight in World War I. (Eddie, the annoying boy who lived next door to Samantha’s grandmother, would have been old enough to fight and may have been a WWI soldier himself.) Perhaps, Samantha’s future husband was a soldier. When she was older, Samantha could have either joined the temperance movement behind Prohibition or visited a speakeasy or at least knew people who did. It’s difficult to say what happened to Samantha’s family during the Great Depression. Depending on their professions and what they may have invested their money in, they may have lost their fortunes in the stock market crash, or they may have ridden out the whole thing in relative comfort. By World War II, Samantha may have had a son who was old enough to fight. One of the things I find interesting about historical novels with children is imagining what their future lives may have been like, and Samantha was born at a time when she would have witnessed many major events throughout her future life. The book shows how women’s fashions changed as Samantha grew up, but I’m fascinated by the events in Samantha’s life that I know must be coming, just because of when she was born. By the end of her life, the world would be a very different place from what she knew when she was young.
The book is available to borrow for free online through Internet Archive.