Posted on by TracyC

Grandfather’s Dance

Grandfather’s Dance by Patricia MachLachlan, 2006.

This is the final book in the Sarah, Plain and Tall series.

Cassie is now in the fourth grade, and things are changing in her family. Cassie has come to love her little brother, John, called Jack, who is now a young child who likes to follow their grandfather around and imitate him. Caleb has gone away to school, and Anna is getting married, which is the major event of the story. Through the planning and anticipation that precedes the wedding, Cassie still keeps her journal, with its occasional flights of fancy.

Anna’s wedding brings new excitement to the family farm and thoughts of both the future and the past. Cassie, unlike her older half-siblings, has never been to Maine or met her relatives there, but Sarah’s brother and aunts are coming to the farm for Anna’s wedding. The others remember the last time they saw these relatives, and Cassie looks forward to seeing them.

Cassie wonders about why people get married, and she can’t imagine anyone she loves enough to marry and spend her life with, except maybe her dog. She tries to picture her own future wedding, with a dog as the groom, but it bothers her that she can’t picture her grandfather at her wedding. At first, she can’t quite figure out why she’s having trouble picturing him in the future, but the more she thinks about it, the more she realizes how old her grandfather is. He even comments on his age, saying that he’s getting older every day. Her grandfather seems to be increasingly feeling his age and his heart condition. Before Anna’s wedding, Cassie and her grandfather talk about her future wedding, and her grandfather tells her that he might not be there when she is married. Cassie tries to convince him that he will be, but he says, just in case he can’t, maybe they should have a wedding for Cassie now. He has Cassie put on the nice dress that she will wear to Anna’s wedding, and they stage a mock wedding for Cassie and their dog, Nick, so her grandfather can say that he was at Cassie’s wedding, too.

Anna’s wedding is beautiful, and Cassie and the others enjoy having Sarah’s brother and aunts visit. After the wedding, they have a picture taken of the whole family together. Sadly, it is the only picture of all of them together. Soon after, Cassie’s grandfather dies. All of the wedding guests are still visiting, so they attend the funeral. Jack is still a little boy and upset and confused by their grandfather’s death, but Cassie assures him that their grandfather loved them and that they won’t forget him. The title of the book comes from a little dance that their grandfather did for Jack earlier in the story, which Jack later imitates after his death.

In the back of the book, the author explains how her family was the inspiration for the family in the book. The grandfather in the story was based on the author’s father, and part of the dedication is to him. The author’s father died two years before this book was published. The farm and landscape around it are kind of a combination of the places where her family has lived in North Dakota, Kansas, and Wyoming, which is probably why the books in the series never specify which state they’re in.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

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The Boxcar Children

The Boxcar Children

BoxcarChildren#1 The Boxcar Children by Gertrude Chandler Warner, 1924, 1942.

“One warm night, four children stood in front of a bakery.  No one knew them.  No one knew where they had come from.”

These are the words that begin not only this story but a series that has been loved by generations and continued well beyond the death of the original author.

The four Alden children are on the run following the deaths of their parents.  Their nearest remaining relative is a grandfather they have never met, and although he should have custody of the children now, none of the children want to go live with him.  All that they know about him is that he is apparently a mean old man who opposed their parents’ marriage.  Henry, the eldest at fourteen, and Jessie, who is twelve, have taken charge of the two younger children, ten-year-old Violet and seven-year-old Benny.  They have a little money, and they’re now traveling on foot in search of a new home.

The first place they stop is a bakery in a nearby town where no one knows who they are.  They don’t have much money, but they know they are going to need supplies for their journey.  The stingy baker and his wife agree to give the children some food and a place to sleep for the night in exchange for some help in their shop.  The children are willing to work and accept the offer.  However, Henry and Jessie overhear the couple talking about them.  They like having the children to help in the shop, but Benny is too young to be of much help.  They are considering taking Benny to an orphanage and keeping the others.  Not wanting to be separated, Henry and Jessie wake Violet and pick up Benny, moving on.  Now, they have a second set of people they’re avoiding, besides their grandfather.

Seeking a place where they can stay while not being noticed by people around them, the children eventually find an old, abandoned boxcar on a disused piece of train track on the edge of some woods.  They take shelter there from the rain and decide that they can turn it into their new home.  There are blackberries growing nearby that they can eat and a stream where they can keep milk cold.  Henry finds odd jobs in a nearby town to earn more money, and the others discover an old dump where they retrieve some old, cracked dishes and other useful items.

It seems like an idyllic life at first.  The children are free of adult control, although they do have to work to create a household for themselves and find food.  They adopt a stray dog they call Watch (he’s their new watchdog), and Henry makes friends who appreciate what a hard worker he is.  However, some of these new friends start to wonder about Henry, where he comes from, and where his parents are.

The children soon realize that someone is spying on them.  Is it someone from the town?  Could the baker and his wife still be looking for them?  Or is it someone sent by their grandfather?  When Violet is suddenly taken ill, the others realize that they need help and someone to trust.

Getting help for Violet does mean that the children’s secret is revealed to everyone, although they learn some important things in the process.  They discover who was spying on them and why and also discover that their grandfather is a nicer person than they thought and truly cares for them.

Although this series is very popular, most people don’t know that the story they read as children was actually a shortened version of the original story that was written in 1924.

The newer, popular version of the book is available online through Internet Archive.  The older version is now public domain and available online through Project Gutenberg.

Comparisons to the Older Version and My Reaction

Along with shortening and simplifying the story from original the 1924 version, the newer version from 1942 changed some of the characters’ names (the children had the same first names, but their family name was originally Cordyce, not Alden) and removed some parts that might be objectionable for young children.

Although the original story doesn’t completely clear up some questions that were left unresolved in the current version, like what the children’s parents were like, precisely how they died, and why they quarreled with the children’s grandfather in the first place, it did supply a few more details in the first chapter.  The original story begins when the children move to a new town with their father.  No one knew exactly where they came from, and the children pointedly refuse to say.  However, they do tell their neighbor, a baker, that their mother is already dead.  Their father is drunk, and the baker thinks that he looks like he’s in such bad condition that he isn’t likely to last much longer.  That turns out to be true when he dies (apparently from alcohol-related causes) soon after.  When they question the children about whether or not they have other relatives, young Benny blurts out that they have a grandfather before the others silence him.  The adults press the children for answers, and they reluctantly admit that there is a grandfather, but they say that he did not like their mother and would treat them cruelly if they were sent to him (or so, apparently, their parents had led them to believe).  The only one of the children who has even seen the grandfather is Jessie (actually called Jess in this version of the story), and it was only from a distance because her father happened to see him passing by and pointed him out.  Later, the children hear the baker and his wife talking, saying that they have no choice but to try to find the grandfather, and the children decide to run away to avoid going to live with him.  The questions of how their mother died and why the grandfather didn’t like her in the first place are never answered.

James Cordyce (the children’s grandfather in the original book, their grandmother is also apparently dead) is a wealthy man who owns steel mills, and he is impressed by the children’s ingenuity and resourcefulness at managing their own affairs while living on their own.  He tells Henry that he wants him to take over the steel mills one day, and the book says that Henry does so when he grows up and does a wonderful job of managing them.  Mr. Cordyce tells the other children that he wants them all to go to college, and then they can do whatever they like when they grow up, which the book says also happens.

Although the books never actually say so, my theory is that Mr. Cordyce/Alden was a hard-headed businessman, particularly when he was younger, driven to succeed and not emotionally demonstrative, and that this attitude caused a rift between him and his son, who may not have shared his father’s business skills and interests.  The grandfather may have wanted his son to follow in his footsteps when the son had other ambitions.  The son may have seen his father as a cold and ruthless businessman and conveyed that impression to his own children after marrying a woman his father disapproved of (Because her family was poor? Because they were unambitious?  Because she had some objectionable personal habit?  There’s no telling), but because he may not have told the children the whole reason why he thought that the grandfather was cruel, the children imagined that he was worse than he really was.

We don’t know what the children’s father did for a living after his feud with his father or exactly where they lived (perhaps in Greenfield or close by so that Jessie was able to catch sight of her grandfather one day).  Why the father took to drinking is also never explained, but I think it may be implied that he did so out of grief for his dead wife.  I think that Henry and Jessie probably had to manage the household for their parents following their mother’s death (and maybe before that if she suffered from ill health), which is part of the reason why the children are so self-sufficient and seem more tied to each other than to any adult.  In any case, the original book says that Mr. Cordyce is interested when the doctor who befriends the children says that Henry and Jessie have business management skills, so I think it sounds like he was thrilled to find out that he might have more in common with his grandchildren than he did with his son and hopeful that Henry would make a better successor in the family business.  But, that’s just the way I read it.

One other point that the original book covered was Watch’s origins.  The later version just has Watch as a stray who the children adopt, but the original story explained that he had just been purchased from a kennel by a wealthy woman when he was lost.  The kennel owner tries to reclaim the dog (kennel name Rough No. 3) on behalf of the woman, but the grandfather offers to buy the dog for much more than the original price.  The kennel owner says that it’s up to the woman who bought him, and they invite the woman to the house.  After hearing how attached the children have become to Watch, the woman allows them to keep him.

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Cheaper By the Dozen

CheaperDozen

Cheaper By the Dozen by Frank B. Gilbreth, Jr. and Ernestine Gilbreth Carey, 1948.

These are the real reminiscences of children from the Gilbreth family about their unusual childhoods during the 1910s and 1920s.  There are a couple of movies based on this book, including the 2003 movie that features the dad who is a football coach, but that story is fictional and bears almost no resemblance to the actual lives of the real Gilbreth family.  The older 1950 movie with Myrna Loy as the mother is closer.  The only parts that they have in common are that there were a dozen children in the family, and they had some unusual systems for handling their chaotic household.

The father of the Gilbreth family, Frank Gilbreth, Sr., was a motion study and efficiency expert.  He was one of the early pioneers in the field, studying the ways that people do things, whether it was routine household chores or making things in factories and trying to find ways to help them perform their tasks more efficiently.  Saving time was a passion for him, and he often used his own children and household as guinea pigs for his projects.  His wife, Lillian Gilbreth, was also a psychologist and engineer and was his partner in his work, continuing it after his death.

Part of the reason Frank Gilbreth was so interested in efficiency was that, in his early life, he worked with his hands and built a reputation as an efficient worker.  Later, he also learned that he had a heart condition that might cause him to lead a shorter life.  He had wanted a large family, and he and his wife had agreed that they wanted an even dozen of children, six boys and six girls.  He got his wish, but he was concerned about helping his children to make it as far as they could through school and giving his large household a structure that would last even after he died.

The stories in this book are mostly funny stories as his children fondly remember the things their father taught them and the usual systems in their house that were designed to keep a dozen children in order.  The stories jump around a bit in time, and it isn’t always clear exactly which children were alive at certain points in the stories.  Whenever Jane, the youngest, is mentioned, the stories take place between 1922 and 1924, and there should be eleven living children in the family at most.  Although the Gilbreths did have a total of twelve children, as they had hoped, they were all single births (no twins or other multiples), spaced out over 17 years.  Also, although this book does not mention it (the sequel, Belles on Their Toes contains a brief footnote), one of the older girls in the family (Mary) died very young of diphtheria, before her youngest sister was born, so there was no point at which all twelve children were together.  Even so, the Gilbreths always referred to their children as their “dozen,” and the stories make it sound like all twelve were together.  (This article explains a little more about Mary’s death and its effect on her family and the reasons why the books explain little about it.)

The children’s birth order isn’t specified in the stories, but for reference, these are their birth and death dates (courtesy of Wikipedia):

Anne Moller Gilbreth Barney (1905-1987)

Mary Elizabeth Gilbreth (1906–1912)

Ernestine Moller Gilbreth Carey (1908-2006)

Martha Bunker Gilbreth Tallman (1909-1968)

Frank Bunker Gilbreth Jr. (1911-2001)

William Moller Gilbreth (1912-1990)

Lillian Gilbreth Johnson (1914-2001)

Frederick Moller Gilbreth (1916-2015)

Daniel Bunker Gilbreth (1917-2006)

John Moller Gilbreth (1919-2002)

Robert Moller Gilbreth (1920-2007)

Jane Moller Gilbreth Heppes (1922-2006)

Wikipedia also claims that there was a thirteenth baby, an unnamed stillborn daughter, but this child isn’t mentioned in the books, and I don’t know for sure if that’s true.  Most of the children lived to adulthood, married, and had children of their own.

Racial Language Warning: I usually make notes about racial language in the books I review.  There are a couple of things I’d like to point out, although I also have to point out that, since this book is non-fiction, the people writing it were quoting people from memory.  Just be prepared for a few things that people said back in the 1910s/1920s that wouldn’t be acceptable in modern speech.  They aren’t central factors in the stories, but they are there.  For example, one of the children’s grandmothers used to get dramatic when threatening the children with punishment and say that she would “scalp them like Red Indians.” (I’m not completely sure if she meant that the Indians would get scalped like that or do scalping like that, but I’m guessing that she probably wasn’t being particular.)  The mother of the family also frequently used the word “Eskimo” to describe bad language or “anything that was off-color, revolting, or evil-minded.”  Most of the time in the book, she says it kind of like the way some people say, “Pardon my French” when using bad language, and her definition of bad language was pretty mild.  I’ve never heard the word “Eskimo” used in that sense anywhere else, and it makes me cringe here.  There is some pay-off to the word when a couple of pet canaries whose full names the mother had declared were “Eskimo” escaped during a boat ride, and one of the kids tries to explain to the boat captain that he’s upset about “Peter” and “Maggie” being lost but he can’t say their last names because they’re “Eskimo,” making the captain think that a couple of Alaskan natives have mysteriously disappeared over the side of his boat.  It reminded me of something similar in Fudge-A-Mania, where Fudge accidentally made people think that his lost pet bird was his crazy uncle.  When sharing this book with children, like other older books, it might be a good idea to make it clear that they shouldn’t try to imitate some of the expressions the book uses because it might cause problems and misunderstandings.  There is also a Chinese cook in one chapter who speaks a kind of pidgin English that no one should imitate, either.

Overall, these are calm, funny stories about a somewhat eccentric family that can make nice bedtime reading.  The book is currently available online through Internet Archive.

Chapters

Each of the chapters in this book talks about a different topic or period in the family’s life:

CheaperDozenShavingWhistles and Shaving Bristles

Introduces the father of the family and his experiments in motion study.  Frank Gilbreth was highly self-confident and frequently took at least some of his children (and sometimes the whole family) with him on visits to factories where he was helping to increase their efficiency.  He gave the children notebooks and pencils and had them take notes about what they saw.

To keep the household orderly and make sure that each child got ready for school on time and did their chores and homework, the parents instituted a chart that each child had to initial after completing certain routine tasks such as brushing teeth or making beds, and there was a special whistle that their father would give to get all of the children to come quickly for a meeting.  The father would sometimes take moving pictures of the children doing chores, like washing dishes, so that he could study their motions and determine if there were wasted motions that could be eliminated so that the task could be completed more efficiently.  He also used himself as a guinea pig, always trying to do daily tasks, like buttoning his coat or shaving, more quickly and efficiently.

Pierce Arrow

The family moves from their home in Providence, Rhode Island, to Montclair, New Jersey.  This chapter explains the move and also the father’s love of practical jokes.  Before taking the family to their real new house, he takes them to one that’s really old and run-down so that the new one will look that much better when they get there.  When they get their large Pierce Arrow car, big enough to carry the whole family, the father tricks each of the kids into looking for the “birdie” in the engine and then honks the horn to scare them.  He thinks it’s funny until one of the kids does the same thing to him.

CheaperDozenCarOrphans in Uniform

This chapter explains that the mother of the family was a psychologist.  While the father instituted systems and dealt out discipline, the mother was often the one who made the systems work, resolving conflicts among the children and making sure that everyone was doing what they needed to do and that they had everything they needed.  Older children also helped by looking after a designated younger sibling.

Much of the chapter explains how things often happened on family outings.  They always took roll call because there were a couple of incidents when children had been left behind by accident on earlier trips.  As a large family, they also attracted a lot of attention.  Sometimes, their father would try to get discounts on things like ticket prices and toll booths by pretending that his children were the nationality of whoever seemed to be in charge, and he was pretty good at guessing that correctly.  All of the Gilbreths were either blonde or red-haired, so Mr. Gilbreth was known to gleefully pretend that they were Irish, when in fact, their heritage was Scottish.  He always thought jokes like that were funny, but finally his wife and children put a stop to his playacting the day that the family was mistaken for an orphanage on an outing.

Visiting Mrs. Murphy

The family enjoyed going on picnics together.  While they were eating, the father would often try to squeeze in an educational lesson, pointing out things like the way ants work together, how a nearby bridge would have been constructed, or what was going on at a nearby factory.  The children learned a lot from him, especially how to notice details in the world around them, but they noted that it was their mother who often put the lessons in perspective for them by pointing out the human side of each of these things, such as describing the fat queen ant in a colony with all of her slaves (their word, I’ve usually heard them referred to as “workers”, but you get the idea) waiting on her or the workmen on a construction project in their jeans, stopping for lunch.  Their father was also pleased by the mother’s descriptions, which complemented his lessons so well.  These stories help explain how the parents worked well together as a team.

The “visiting Mrs. Murphy” was a euphemism for going to the bathroom in the woods because the family didn’t really trust public restrooms.

Mister Chairman

This chapter explains a little about Frank Gilbreth’s youth and how he got his start.  His father died when he was young, and his mother encouraged her children to get the best education they could.  However, Frank Gilbreth decided to get a job instead of going to the Massachusetts Institute of Technology like his mother planned because he was concerned about the family finances and his sisters’ education.  He became a bricklayer and drove his supervisor crazy because he always had tips for working faster and more efficiently.  Eventually, the supervisor adopted some of his suggestions, and Frank discovered his passion for motion study.  He worked his way up in construction until he became a contractor, and he was also hired to study working methods in the factories he built.  He became a wealthy man and met his wife as she passed through Boston on her way to a trip in Europe.  Lillian was from a wealthy family in California, and she had a college degree in psychology.  Although many people didn’t take female scholars seriously in those days, Frank did, and the two of them became a team, both personally and professionally.  They were both interested in the psychology of management, and they applied many of the principles from the professional world to their household and vice versa.

To help organize household tasks and make family decisions, Frank created a Family Council with himself as the Chairman and his wife as the Assistant Chairman that was similar to an employer-employee board.  For the most part, it did help to keep order in the family, but once in a while, the Chairman was overruled, including the time when the children ended up persuading their parents that they should get a family dog.

Touch System

This chapter goes into more detail about how responsibilities and chores were assigned in the family.  It also describes how the father arranged to make best use of “unavoidable delay” in the bathroom by putting Victrolas with language lessons in the children’s bathrooms, so they could learn while bathing or brushing their teeth.  He also taught them how to take baths efficiently, so that they could be in and out of the bathroom as quickly as possible.  Mr. Gilbreth took every opportunity and free moment to improve his children’s minds, including teaching them ways to perform complex math problems at the dinner table.

While working as a consultant for the Remington typewriter company, Mr. Gilbreth developed a system for teaching touch typing, and he taught it to his children.

CheaperDozenSchoolSkipping Through School

Not knowing how long he was going to live, Mr. Gilbreth was anxious to see as many of his children get through school as he could, and he had great confidence in their abilities, so he often pushed his children to skip grades in school, using persuasion and his bombastic personality to get their schools to agree.  The children’s mother, however, saw her children more as individuals who needed time to grow up emotionally and socially as well as intellectually and tempered her husband’s enthusiasm for skipping grades.

The parents also had their children attend church and Sunday School, although the father wasn’t very interested in organized religion.  Lillian volunteered for a number of church projects and committees.  Once, as a joke, a friend of hers who had eight children of her own, referred her to a birth control advocate who was looking for someone local to volunteer to promote the movement.  The friend thought that it was a great joke, and the family saw the humor and made the most of it when the advocate showed up at their house.

Kissing Kin

When the United States joined World War I, Mr. Gilbreth offered his services to the U.S. Army.  While he was working at Fort Sill, Mrs. Gilbreth took their children (they had seven at the time) to visit her relatives in California.  The Mollers were a wealthy family, and the children enjoyed being spoiled by their grandparents and their aunts and uncles after the arduous train journey there.

Chinese Cooking

At first, the children felt like they should be on their best behavior when visiting their grandparents and aunts and uncles.  However, the adults were a little worried about how subdued the children were, and constantly being on their best behavior grew more difficult for the children.  One day, when the adults made the children wear new outfits that they hated for a special party, the children finally rebelled and got them all wet by playing in the garden sprinklers.  From then on, everyone was much more relaxed and informal.

The grandparents had servants, and Billy became rather attached to their Chinese cook, Chew Wong (I’m not completely sure if “Chew” was his real name or a nickname), who was known for being somewhat temperamental.  The cook enjoyed Billy’s company also, although when Billy got troublesome, he sometimes picked him up, held him in front of the oven, and threatened to cook him.  It was an empty threat, but one day, Billy (five years old at the time) pushed the cook when he was standing in front of the oven, also joking that he was going to cook him, and the cook apparently got his hands burned.  (This incident alarmed me a bit.  It seems that the cook wasn’t badly hurt, but still, that’s the kind of problem that horseplay like that can cause, and it could have been really serious.  The cook is described as speaking a kind of heavily-accented pidgin English.)

On the way home, all of the children came down with whooping cough.  When they picked up Mr. Gilbreth, Mrs. Gilbreth told him that next time, he could take the kids to California, and she would go to war instead.

Motion Study Tonsils

The family didn’t get sick very often (and tried hard to ignore it when they did), but this chapter describes what happened when the children all came down with measles and when several of them needed to have their tonsils taken out at the same time.  Their father decided to turn the tonsil operations into a motion study experiment.

Nantucket

The family had a vacation home in Nantucket, Massachusetts that they called “The Shoe” (after the nursery rhyme about the old woman who lived in a shoe and had so many children that she didn’t know what to do).  Although the father promised the kids that there would be no lessons and studying over the summer, he still found ways to teach them things by turning the lessons into games, like when he painted Morse code messages all over The Shoe and offered prizes to the children who could solve them.

This chapter also explains about the Gilbreths’ concept of “therbligs.”  The word comes from “Gilbreth” spelled backward, and it refers to a single unit of thought or motion.  Every task a person does is composed of a certain number of therbligs.  Reducing the amount of time needed for each therblig makes a task more efficient.  They taught this concept to their children as well, putting symbols representing the different possible therbligs on the walls of The Shoe as well.

For a while, The Shoe became a point of interest on local tours.

The Rena

The Rena was a catboat that the family owned.  Their father liked to run it like he was a real ship’s captain.

CheaperDozenBabyBathHave You Seen the Latest Model?

The births of new children were a regular experience in the Gilbreth family through much of the children’s early lives.  This chapter explains how the parents approached the births.  They decided very early in their marriage that they wanted a large family, choosing the number twelve as their target on the day they were married.

Mr. Gilbreth had a lot of theories about babies which he started testing on their first child, Anne.  He refused to allow people to speak baby talk around the babies (although he caved in and did it sometimes himself) so they would learn to speak properly.  He hired a nurse who spoke German in the hopes that the baby would start learning a second language immediately, and the nurse’s horror, he once tried to see if babies have an innate ability to swim by trying Anne in the bathtub. (No, they don’t, and he was careful not to let Anne almost drown.)

Mrs. Gilbreth had her first seven children at home, finding the hospital too dull because they wouldn’t let her work on anything while she was there.  As time went on, the children in the family began to wonder more about where the babies came from, although they knew that it involved their mother spending the day in bed, the doctor coming, and sometimes hearing their mother yell (she was embarrassed that they’d noticed).  Their mother tried to explain babies to them in terms of bees and flowers, but she was too shy to give them any real, direct information about it, and their father didn’t want to discuss the subject with them at all.  This chapter also mentions that part of the family tradition was that the mother would read the book The Five Little Peppers to her children while she was recovering from a birth.  (I also reviewed this book.)

Flash Powder and Funerals

Mr. Gilbreth loved taking pictures of his children (using a frightening amount of flash powder whenever he was in charge of it) and also frequently used pictures and movies of his children as part of his projects or as promotional images.  One of the most bizarre promotions they did was when Mr. Gilbreth was hired by a company that made automatic pencils.  They took pictures and movies of the Gilbreth children burying a coffin full of regular old wooden pencils.  The kids had to bury the coffin and dig it up again multiple times while they took all the pictures and movies they wanted.  Then, when the filming was over, Mr. Gilbreth made them dig up the coffin again and use all the wooden pencils in it so that none of them would go to waste.

Sometimes, these pictures and promotions were embarrassing to the children when they were made public and classmates and teachers talked about them at school.  Some of the reporters who interviewed the family for human interest pieces made up bits of dialogue to make their stories more interesting and embarrassed the family.  (Ex. “I am far more proud of my dozen husky, red-blooded American children than I am of my two dozen honorary degrees …”)

Gilbreth and Company

This chapter explains what it was like for special visitors to come to the Gilbreth house.  Most people found it pretty strange, with so many young children and the strict household rules which the children would also try to enforce on visitors.  The chapter mentions that Mrs. Gilbreth never liked using physical punishments on the children, but Mr. Gilbreth used them regularly.  Mrs. Gilbreth kept trying to tell him that he shouldn’t spank the children on various body parts because of the harm it could do.  At one point, Mr. Gilbreth asks her, irritably, “Where did your father spank you?  Across the soles of the by jingoed feet like the heathen Chinese?”  (It was a thing, but not exclusively Chinese.)

In particular, this part of the book describes two special visitors to the Gilbreth house: the father’s older sister, the children’s Aunt Anne, who came to look after the children while the parents were out of town, and a female psychologist who was trying to analyze the children for a paper she was writing.  The children generally liked Aunt Anne, who also gave them music lessons, even though none of them had any talent for music.  However, they started playing pranks on her when she started getting too militant with them, replacing the routines that their father gave them with ones of her own.

The children were more offended by the visiting psychologist, who asked them deeply embarrassing questions (ex. “Does it hurt when your father spanks you?”) and who seemed to have an agenda to prove that, while the Gilbreth children were smart, they were socially or behaviorally abnormal for living in such a large family under unusual systems.  The children also played pranks on her, getting hold of the answers to the intelligence test that she was giving them so they could give her either abnormally correct answers or psychologically abnormal answers and purposely behaving abnormally in her presence, intentionally twitching and scratching themselves.  Eventually, the psychologist caught on to what they were doing and left in a huff.

Over the Hill

This chapter is about family entertainment.  The Gilbreths liked to go to the movies about once a week, often staying to see films twice.  (Films were silent at this point.)  The father loved the movies as much as the kids, if not more so.  The children also sometimes put on little shows or skits for their parents.  In particular, they liked to do imitations of their parents, many of which involved either taking the children places or being asked questions about what it was like to have so many children.  Mr. Gilbreth also liked to do a “Messrs. Jones and Bones” cross-talk routine like the ones from minstrel shows, where a pair of actors perform pun-based jokes, except that he would play both parts himself, putting on accents like the black-face minstrels.  (Ex. “And does you know Isabelle?” “Isabelle?” “Yeah, Isabelle necessary on a bicycle.”)  The jokes are corny puns, but it’s a little uncomfortable now that I’m old enough to know the origin of this act.  It went over my head as a kid.

CheaperDozenUnderwearFour Wheels, No Brakes

The oldest girls in the family were getting old enough to start dating in the early 1920s, around the time that flapper culture was beginning.  Their parents were fairly conservative in their habits, and the girls argued with them about being allowed to bob their hair and wear the latest fashions, like short dresses.  The parents finally broke down and allowed the girls to have their hair professionally bobbed after Anne gave herself a dreadful bob.  The father drew the line on make-up, however.

Motorcycle Mac

During the early 1920s, girls often referred to their boyfriends as “sheiks” in reference to the popular silent movie The Sheik.  The father of the family often chaperoned his daughters on dates or had one of their brothers do it, although he eased off after getting to know some of the young men better.  The younger siblings enjoyed teasing the older ones about their dates.  My favorite episode when I first read this as a kid was the time when one of Ernestine’s boyfriends climbed a tree outside of her window to spy on her, hoping to see her getting undressed, and the other siblings decided to teach him a lesson by pretending that they were going to set the tree on fire and roast him alive.  (They didn’t do it, they just threatened to.  It’s a dangerous prank, but effective.)

The Party Who Called You…

Mr. Gilbreth knew that he had a bad heart condition even before his last two children were born, and he made preparations that would help his wife to run the household efficiently after his death.  He died in his 50s while he was on his way to a series of conferences in Europe.  He had called his wife from the train station and was on the phone with her when he had his fatal heart attack.

The book ends with describing what his wife and children did after his death.  One of the things that I found most touching was the way that the children described the changes in their mother after her husband died.  They said that in their mother’s youth, she had been accustomed to other people making decisions for her, first her parents, then her husband, who guided their work and who had the idea of the large family in the first place.  In some ways, their mother had been a very nervous, anxious person, afraid of things like going out alone at night, lightning storms, and making speeches (although she did them anyway).  After her husband died, Lillian’s fears seemed to drop away because the thing that she had always feared the most, losing her husband, had happened, and she discovered that she and the children could still manage.  When Lillin’s mother suggested that she move the family out to California to be close to their relatives there, Lillian held a Family Council with the children to decide what they were going to do.  Lillian said that she planned to continue their father’s work, even going to Europe in her husband’s place to present his papers, and that would mean that the children would have to take on greater responsibilities in running the house and caring for the younger children.  The children agreed, and although money was tighter than it was before, they were able to carry on.

Posted on by TracyC

Hitty, Her First Hundred Years

Hitty

Hitty, Her First Hundred Years by Rachel Field, 1929.

Sometimes, I debate about how much detail I should use when describing the plots of books, but since this is such an old book and a more recently released version has altered the events in Hitty’s life significantly, I’ve decided to cover it in detail.  I do not have the updated version and haven’t read it, so what I describe below is the older version.  The book is episodic in nature, following the life and travels of a small doll named Hitty.  This book is a Newbery Award winner and is currently available online through Internet Archive (multiple copies).

These are the memoirs and adventures of a hundred-year-old wooden doll, which she writes as she lives in antique shop. She doesn’t recall exactly when she was made, but she knows that it was about a century earlier and that she was carved by a peddler in Maine for a little girl named Phoebe Preble.

HittyMemoirsThe peddler did some odd jobs for the Preble family on their farm that winter, while the weather was too bad for him to travel. They named the doll Mehitabel (a Biblical name from the Old Testament), and Phoebe nicknamed her Hitty. At her mother’s insistence, Phoebe made clothes for Hitty and embroidered Hitty’s name on the doll’s petticoat. Phoebe’s mother says that as long as she has her name on her clothes, she’ll always know what it is, whatever happens to her. Phoebe doesn’t see what could happen to Hitty because she wants to keep her forever, but Hitty is destined to live an adventurous life.

Phoebe misplaces Hitty more than once during their time together. The first time, she accidentally leaves her at church (when she wasn’t even supposed to bring her there in the first place). Then, Phoebe takes Hitty out to play one day, but she and her brother are frightened when they see some American Indians. (Phoebe lives in the early 1800s.) When they run away from the Indians, Phoebe accidentally leaves Hitty behind. Then, Hitty is picked up by a curious crow and carried to the tree next to the Preble house. She hangs from a tree branch for awhile before they realize that she is there and rescue her.

HittyShipwreckedThen, Phoebe’s father, who is the captain of a whaling ship, convinces his family to join him on a voyage. Life aboard ship turns out to be both exciting and perilous. One day, the ship catches fire, and the Preble family and all the crew abandon it. Hitty, once again, is unfortunately left behind. Although Hitty sees Phoebe gesture back at the ship and knows that Phoebe wants to return for her, it is too late for that.

However, luck is with Hitty, and instead of being burned, she is washed overboard as the ship goes down. Miraculously, she is washed ashore and found once again by the Preble family, who are now castaways on an island. They hope for rescue but fear the “natives” on the island. (Yep. “Savages”, “natives”, etc. These are sadly a common feature in vintage children’s literature. See Edward Eager’s Magic by the Lake for a funnier spoof version. The scene in this book is the sort of generic “savage natives” or “native savages” scenes he was making fun of, except that nobody tries any silly ooga-booga talk to communicate with them, and they don’t turn out to be cannibals. But, it does occur to me that if this book had been written in modern times, people would have insisted that the author give the proper name for the civilization on this island instead of just calling them “natives” and thoroughly research their actual habits and customs and present them in an informative, realistic way for the education of children reading this book, while writers and parents during this period didn’t seem to care about any of that.  Keep this in mind the next time someone tells you that younger generations are lazier and not as well-educated.)

One day, the natives come to have a look at the castaways, and their leader catches sight of Hitty and demands (through gestures) that she be handed over to him. Phoebe doesn’t want to give up her doll, but her father tells her that she has to. It turns out that the natives think that Hitty might be an idol that gives the castaways power, which is why they want it for themselves. Hitty is taken back to the natives’ village, and they use her as an idol themselves, making a little shrine to house her.

Hitty probably would have remained there if she had not been stolen from the temple by some curious monkeys and once again found by members of the Prebles’ party, who return the doll to Phoebe. Fortunately, the family sees a passing ship and manages to get rescued before the natives can come after Hitty again.

However, Hitty’s adventures are still not over. The ship that rescues them is going to India, and unfortunately, this is where Hitty and Phoebe are permanently separated when Phoebe loses her in a bazaar. Instead of being found by Phoebe or her family again, Hitty is found by a snake charmer, who uses her in his act, positioned near the snake. Even though Hitty is made of wood and not vulnerable to snake bites, she still finds the experience frightening.

From this point on (we’re about halfway through the story), Hitty changes hands repeatedly, gaining and losing owners every few years or so. Most of her new owners give Hitty a change of clothes, but they always keep her petticoat with her name still embroidered on it so, as Mrs. Preble once said, Hitty and her new owners always know her name.

An American missionary couple spot Hitty with the snake charmer and realize that her design looks like dolls in America. They have no idea how she got to India, but they buy her from the snake charmer and give her to their daughter, Thankful. Hitty lives with Thankful for a couple of years, and she enjoys her time with her, even though she really misses Phoebe.

HittyOtherDollsThen, Thankful gets sick, and her parents decide that it might be time to send her home to the United States to stay with her grandparents. Thankful takes Hitty with her when she goes home to Philadelphia. Because Thankful’s early life was spent entirely in India, she has been unaccustomed to spending time with American girls her age, and she doesn’t know how to behave around the American children she meets when she first arrives in Philadelphia.  When the some of these (still 19th century) American girls first meet Thankful and Hitty, they think that Thankful is strange and make fun of her for her unusual habits and the way she dresses, telling her that her doll is ugly, too. Hitty has to admit that she isn’t as fancy as the other girls’ dolls. Thankful is so embarrassed by what the other girls say that she decides to hide Hitty in a sofa. After that, the sofa is taken up to an attic for storage, so Hitty remains hidden for a number of years.

HittyQuakerDuring her time in the attic, Hitty resents Thankful for abandoning her, in spite of all the charitable talk of her missionary parents. However, when Thankful is grown, Hitty is finally found by one of Thankful’s younger cousins, Clarissa Pryce, who really appreciates her. She doesn’t know how Hitty came to be in the attic, but thanks to the name still embroidered on Hitty’s petticoat, knows what to call her. Clarissa is a quiet, conscientious girl in a family of Quakers. She dresses Hitty as a Quaker girl, and Hitty lives with her for many happy years, learning to write as Clarissa goes through her schooling.

By now, the time of the Civil War is approaching, and Clarissa’s family are abolitionists. Hitty doesn’t really understand what the war was about, but she remembers being with Clarissa and watching soldiers march off to war. (This is where the updated version of the book differs greatly.  In the older version, Hitty doesn’t witness the war directly, but in the newer one, she does when she is sent to Charleston.)

Eventually, Clarissa gets older and is sent away to boarding school. Hitty is put into storage for awhile and then sent to the Pryces’ relatives in New York, along with some other things. However, Hitty’s package is misdirected and ends up being delivered to the wealthy Van Rensselaer family by accident. There, she is found by Milly Pinch, a seamstress doing some sewing for the Van Rensselaer family. Miss Pinch makes some stylish new clothes for Hitty, although she still lets her keep the petticoat with her name on it.

The Van Rensselaers’ young daughter, Isabella, sneaks into Miss Pinch’s room one day and finds Hitty, and a debate ensues about who really owns her. Mr. Van Rensselaer, on hearing where Miss Pinch found Hitty, says that rightfully, Hitty belongs to their family but that the clothes she is wearing are obviously Miss Pinch’s because she made them. Miss Pinch is gratified that he is being fair about it, but because Isabella really wants both the doll and clothes together, the family purchases them from Miss Pinch and gives her an excellent employment recommendation for her sewing.

Isabella is rather spoiled and has several dolls already, but she genuinely likes Hitty and takes care of her. Unlike Thankful, she even speaks up for Hitty when others say disparaging things about her plainness. While living with Isabella, Hitty even gets the chance to meet Charles Dickens. However, Hitty is stolen from Isabella by a gang of mean boys.

One of the boys in the youth gang takes the doll home with him and gives her to his younger cousin, Katie. The family is poor, but Katie loves her and gives her plenty of attention. When Katie gets sick and goes to live in the country for awhile, Hitty is accidentally lost in some hay and spends a long time in the barn, living with the mice.

When she is finally found, a pair of traveling artists are staying at the farm, and one of them keeps her to use as an artist’s model. He uses her to amuse children when he paints their portraits and even adds her into still life paintings. Hitty worries about how her painted features have faded, but the artist thinks that she’s much easier to paint than newer china dolls because the light doesn’t glare off of her. She stays with him for many years while he travels around the country, but he eventually leaves her with a pair of spinster ladies, Miss Hortense and Miss Annette, in New Orleans when he rents a room from them.

HittyBrideWhile living with these ladies, Hitty learns that Miss Annette’s fiancé died young, fighting for the Confederacy in the Civil War, and she still feels bitterly toward the North because of it. From her time with Clarissa, Hitty knows that many people in the North could say the same about the South, but of course, she can’t actually say so out loud. The ladies make new clothes for Hitty, dressing her as a bride, with her clothes made from an heirloom handkerchief, and put her on display at the Cotton Exposition (aka the 1884 World’s Fair). From there, Hitty is stolen by a little girl named Sally, whose father is the captain of a riverboat that carries cotton up and down the Mississippi River.

Hitty learns that Sally is a lonely child who travels with her father frequently because her mother is an invalid and cannot always take care of her. Sally knows that it was wrong for her to steal Hitty, but she so badly needs a companion that she is even willing to risk jail if it means that she can keep Hitty. However, after attending a revival meeting where there are warnings against the evils of theft and getting caught in a sudden thunderstorm, Sally panics, thinking that God may be about to strike her down for her sins, and throws Hitty into the river. (I found this scene a little disturbing because, when Sally fears that God will smite her with lightning for stealing, she not only makes a desperate apology but asks if anyone has to be struck, couldn’t it be one of the newly-baptized kids, who are sinless and would know that they were going to heaven? The fearful apology is understandable, but it’s a little disturbing to hear this little girl try to throw someone else under the bus like that.)

From the river, Hitty is rescued by a couple of black boys (the book says “Negro” because it was written in the 1920s) who are fishing. One of them gives Hitty to his sister, “Car’line.” (Her name is probably really Caroline, but Hitty just says the name as she hears it, and the boys have a Southern accent. This is one of those books where they try to give the impression of accents with odd spellings like, “How you come by dat doll?” It’s not the worst example I’ve seen of this, but I have to admit that I’ve never really liked the use of odd spellings like that.) Car’line’s family is the poorest one that Hitty has ever lived with, with a fairly sizable family living in a small cabin. However, Hitty likes the way Car’line treats her and how close her family is, and she loves the music that they sometimes play and the old spirituals that they sing.

At Christmas, Car’line’s family goes to a big party at a house that was apparently once an old plantation. The wealthier owners of the house give presents to the poor children of the area, like Car’line. While they are at the party, one of the women at the house, Miss Hope, recognizes Hitty from a newspaper report that a doll in heirloom clothing had disappeared from the Exposition in New Orleans. Car’line is upset when Miss Hope tells her that the doll really belongs to someone else and should be returned, but Miss Hope understands Car’line’s feelings toward Hitty and soothes her by giving her the doll she had played with as a child, a fancy French doll named Mignonette, as a replacement for Hitty.

As the end of the book draws closer, Hitty changes hands more often than before, and she doesn’t describe her time with new owners in as much detail, partly because her new owners tend to be adults and mostly display her, not play with her. Miss Hope attempts to return Hitty to the ladies in New Orleans, but since the heirloom handkerchief clothes are ruined, they decide that she should really be returned to the artist who had her before. When they try to mail Hitty to his address in New York, it turns out that he has moved without leaving an accurate forwarding address. Hitty spends some time as a package in the postal service, ending up in the dead letter office, where she is sold off, along with other undeliverable packages, to people who are willing to take a chance that there might be something interesting or valuable in them. She doesn’t spend much time with the man who bought her because her package is accidentally left behind at a tobacconist’s shop, where she is accidentally delivered to a house with an order of pipes. The lady of the house has been wanting to try a craft project for turning a doll into a pincushion, so she adds padding to Hitty and puts some pins in her (terrifying but not actually painful for Hitty). From there, Hitty is sold at a craft sale, where she is bought as a present for someone’s great aunt. The great aunt doesn’t think much of the pincushion, but her friend collects dolls and recognizes that Hitty is a collectable. For awhile, Hitty lives happily with the friend as part of her collection, until she is lost out of a car on her very first automobile ride. Then, she lays alone in the countryside, fearful that this is going to be the end for her, until she is found and rescued by some picnickers.

HittyCollectableIt is at this point that Hitty learns something astonishing: not only is she now about a hundred years old, but she has actually managed to make it back to her home state of Maine. To her further astonishment, she even returns to the Preble house where she originally lived, which is now the summer home of an elderly woman. Hitty knows that it’s far too late for her to have any hope of seeing Phoebe Preble again, and she never learns what exactly happened to Phoebe in her later life (which I thought was kind of a shame, bu it fits with the story of a doll, drifting from one owner to the next, unable to control her destiny or ask any questions of the people around her). The elderly lady collects antiques, and Hitty becomes a part of her collection, although the lady has no idea that this is Hitty’s original home.

Eventually, the elderly lady dies (it’s implied, but not stated – one summer, she simply never comes back), and her collection is auctioned off. Hitty is again surprised when she discovers that people view her as a valuable antique now. An Old Gentleman buys her at the auction, and when he takes her with him to New York, he comments that he supposes that it’s probably the first time she’s been outside of Maine and that her travels are about to begin. Hitty is amused.

At the end of the story, it is revealed that the Old Gentleman has purchased her for Miss Hunter’s antique shop, which is where she is now writing her memoirs. Miss Hunter and the Old Gentleman are delighted by Hitty and consider her a “museum piece.” Even though they could sell her, they don’t seem anxious to do so. She has become their shop’s mascot, and many people who visit the shop like to say hello to Hitty. Still, Hitty knows from her experiences that change is a part of life, and she is looking forward to seeing more changes in the world around her and the new adventures she may have with future owners!

My Reaction

In some ways, I was surprised by how much I enjoyed this story.  The length may seem a little daunting at first (262 pages about the adventures of a doll!), but the reading time is faster than you think, partly because of the episodic nature of Hitty’s life.  Books that are episodic can sometimes be a drag because, no sooner are the characters out of one situation, they plunge straight into another.  If it isn’t done right, it can leave the reader feeling like it’s all getting tiresome and repetitive and wondering where it’s all heading.  It’s a little different with Hitty, partly because the writing quality is good and partly because her owners and their lives are so varied.  I didn’t think much of the whole “natives” episode (because I never like “savage native” scenes in anything), but her other owners are a eclectic range of people, young and old, who have different interests and uses for Hitty.  Hitty ends up in some worrying situations, but you can feel reassured that she is going to be all right in the end because you know from the beginning that these are her memoirs that she is writing during the course of the story.

Hitty is unable to move around much on her own, which is part of the reason why she moves from place to place because of accidents or intentionally being carried or shipped by people.  However, she does seem to have the ability to move by herself in some small ways, such as writing her memoirs and when she tries to imitate Isabella’s dancing lessons, only to discover that she can’t quite do it because a doll’s legs aren’t jointed in the same way that human ones are.

Apart from the “savage native” scene, I don’t think the book was too bad, racially speaking.  I can’t recall any really objectionable terms being used.  Black people, when they appear, are called either “black” or “Negro”, and nothing insulting is said about them.  They are not treated cruelly in the course of the story.  Hitty enjoys her time as Car’line’s doll and doesn’t think badly of her or hold her in lesser esteem than other owners because she was poor.  The people in India aren’t described too badly, either, although Hitty thinks that the snake charmer was weird, and she seems to think well of the Indian nurse who took care of Thankful.  Thankful’s parents never discover that the Indian nurse gave her additional herbal remedies when she was ill, but Hitty appreciates the nurse’s devotion to the girl, doing everything she could to help her.  Hitty even says that she doesn’t know which medicines helped Thankful the most or if it was really the combination of all of them that saved her from her illness.

Some of Hitty’s owners are obviously nicer than others, with Thankful being arguably among the worst of them.  Even though Thankful’s upbringing is very religious, she and her new American friends are apparently rather shallow and thoughtless.  Even though her new “friends” in Philadelphia aren’t even nice to her, Thankful still worries about how she looks to them and is ready to chuck her beloved doll to please them.  Even spoiled little Isabella takes better care of Hitty and is more loyal to her, standing up to mean people as best she can instead of trying to appease them.

Mostly, Hitty prefers to be owned by young girls because she likes it when they play with her and carry her around, but she does enjoy being with adults who pay attention to her and treat her as a personality instead of as a mere object.  I was glad that none of the children Hitty lives with dies young, which could have been a risk in real life but would have been tragic.  Even with the elderly owner who presumably died, which was probably why her collection was being auctioned, Hitty never sees her die and doesn’t explicitly know that she is dead.  Whether Hitty will ever be owned as a child again now that she is considered an antique is unknown, but the author leaves the end of the story open, so just about anything could happen in Hitty’s future.

In a way, though, Hitty’s fate is already known.  Great Cranberry Island is the part of Maine where Hitty is supposed to have come from, and the Preble house is based on a real house. The story was based on a real doll that the author found in an antique store.  This doll is now at the Stockbridge Library Museum in Stockbridge, Massachusetts. There is also a cafe that is named after Hitty. There are fan sites dedicated to Hitty, some of which have tips for creating a doll very much like her.

Posted on by TracyC · 2 Comments

Magic by the Lake

MagicByLake

Magic by the Lake by Edward Eager, 1957.

Jane, Mark, Katharine, and Martha are finally going to spend the summer at a lake with their mother and their new stepfather! The children were never able to do that before because their widowed mother always had to work during the summer. When they arrive at the cottage by the lake that their stepfather, Mr. Smith, has rented, there is a sign that says, “Magic by the Lake.” The children think that it could just be the name of the cottage because sometimes cottages are giving interesting or amusing names, but having had experience with magic before (this being the second book in the series), they consider the idea that they could be headed for more adventures. Of course, they are correct, but it turns out to be the lake that’s really magical, not the cottage.

MagicByLakeTurtle

The children are playing by the lake when they wish for more magic, and a talking turtle comes up to tell them that, because of their wish, the entire lake is magic. That sounds amazing, but too much magic all at once can be overwhelming. Fortunately, the turtle is also magical, and he has some ability to influence magic in the lake. The children make a deal with him that he can arrange for them to have adventures with magic in the lake, but only one at a time, because that’s what they feel that they can handle. Also, the adventures won’t happen every day, so they can have a chance to rest in between. The grown-ups around them won’t notice any of the magical happenings, and little Martha insists that nothing truly scary will happen to them. Jane protests at that request because she thinks that it will make their adventures as boring as overly-tame children’s books, but the turtle says not to worry because what he thinks of as “not scary” isn’t necessarily what Martha would think of as “not scary.” The turtle tells the children that when they’re ready for adventure, they should think about what they wish for and then touch the lake, and if the time is right for it to happen, it will.

That sounds simple enough, but what they consider the right time and what the lake considers the right time aren’t always the same thing, and just as before, their wishes and adventures don’t go quite as planned. In their first adventure, a mermaid takes them to an island of pirates, the stuff of high adventure. The children are delighted when they discover that the pirates, being adults, can’t really see them, as per their earlier wish for adults not to see their magical activities. It opens the potential for playing dirty tricks on rotten pirates, who seem to perceive them as some sort of ghosts. It’s all fun and games until the pirate captain decides to see if he can make ghosts walk the plank. Their turtle friend saves them by turning them into turtles, which, while magical, makes the rest of the day rather difficult for them because they have to go home and on errands with their mother. Walking on land can be difficult for turtles, and their mother has no idea that they’ve changed at all, still seeing them as children. Whatever magic the children get during the day seems to last until the sun sets, even when they wish it would end sooner.

MagicByLakeGrownUp

Then, while watching their mother and Mr. Smith at a dance, Jane and Katharine wish that they were old enough to join in, about age sixteen. Suddenly, the two of them are teenagers in evening dresses, getting attention from some teenage boys. The girls seem to enjoy the romance of it, but Mark and Martha follow them around, trying to convince the boys that the girls are really younger than they seem to be and dreading the moment when they will inevitably change back to themselves.

The children discover that they don’t even need to be at the lake in order to make the magic happen as long as they’re touching water from the lake. On a rainy date, when the roof of their cottage is leaking, the children realize that the rain water is also lake water. By making a wish on that, they end up at the South Pole in time to save a lost explorer and help him make an important discovery.

MagicByLakeDisappearance

The children enjoy their adventures, but they become worried about Mr. Smith, who has been making the commute back and forth from the lake to his bookshop, and it seems that business hasn’t been good at his bookshop this summer. They consider the idea of using the magic of the lake to solve Mr. Smith’s problems, perhaps by going back to the island where they saw the pirates bury a treasure chest. They figure that if they could bring Mr. Smith an entire chest of pirate treasure, he wouldn’t have to worry about money anymore.

But, of course, that idea doesn’t go as planned. When Martha argues with the others and goes to the island by herself to get the treasure, she breaks all the rules associated with the magic.   Because the rules that previous protected her and her siblings are gone, there is nothing to prevent her from being captured by the cannibals that live on the island. When her brother and sisters try to save her, they are also captured. It’s only the sudden appearance of Martha’s future children and Katharine’s future daughter (although they don’t know it yet), who are on a magical adventure of their own, in a cross-over from another book in the series, The Time Garden.

MagicByLakeTreasure

The children make one more attempt to get treasure for Mr. Smith in a kind of Arabian Knights adventure, but that doesn’t work, either. However, although the children seem to have used up their wishes on the lake, they have the feeling that the magic might allow them one last opportunity to get what Mr. Smith needs. It does in a way that may or might not be magical, although the buried treasure that they find and get Mr. Smith to dig up may be a representation of the pirates’ treasure and not of the old miser (now deceased) who was said to have lived at the old, abandoned cottage by the lake that the children decide to explore. It does seem like quite a coincidence that the old miser’s initials would match those of the pirate captain, and they are carved on the stone over the buried treasure, just like the marker the pirate captain left.

In the scene with the cannibals on the island, the cannibals are stereotypical “savage natives” (or “native savages”, or something generic of that sort, since the terms are used pretty interchangeably in the story). You find things like this pretty commonly in old children’s books, especially prior to the 1960s. But, what made this more palatable for me was that the entire scene is written as a joke on the usual stereotypical books that children of the era would have read. The cannibals speak kind of like American Indians in cheesy old Westerns, using words like “heap” for “very” and randomly adding “-um” to end of words. You know that it’s not really how anybody, even cannibals living on some remote island in an indeterminate ocean, would talk, but it might be how children raised on adventure stories and movies from the 1920s might imagine they would (adding to my earlier theory from the last book that at least some of the children’s adventures might actually take place in their own minds, not in their “real world”).  It may also be a reference to things in tv shows from the 1950s, the time period when the story was written. The best part for me is when the children try to remember what shipwrecked explorers do when confronted with cannibals in some of the stories they’ve read. They start throwing out random words that are meant to sound impressive combined with some gobbledy-gook in an effort to communicate/impress the cannibals. Then, Mark tries to convince them that he’s a powerful god with the ability to control fire. The cannibal chief is unimpressed, telling him that he recognizes what Mark has as an ordinary safety match, which he blows out. So much for the old adventure stories.

The book is currently available online through Internet Archive.

Posted on by TracyC · 1 Comment

Half Magic

HalfMagicHalf Magic by Edward Eager, 1954, 1982.

Jane, Mark, Katharine, and Martha are siblings living in the 1920s. Their father is dead, and their mother works for a newspaper. While their mother is at work, Miss Bick takes care of the house and the children, although she isn’t really good with children. The children are often free to amuse themselves on their own during the summer, and they like to pick out books from the library for entertainment. They particularly enjoy the fantasy books by E. Nesbit (a real author, and they reference her real books during the story), and they wish that exciting, magical things like the ones that happen in her stories would happen to them.

They get their wish (and a great many others) when Jane finds a strange coin on the sidewalk that they mistake for a nickel at first. By accident, they discover that this coin grants wishes, but it has a peculiar habit of only granting half of what a person wishes for (and the coin seems to interpret the idea of “half” pretty liberally, depending on the type of wish, so results can be pretty unpredictable).

Jane is so bored after she finds the coin that she wishes that there would be a fire for some excitement. Suddenly, the children hear a fire engine and discover that a child’s playhouse had caught fire. It could have been coincidence, except that their mother borrows some change from Jane, getting the magical coin by accident. While she is visiting the children’s aunt and uncle and finds their conversation boring, she wishes that she were at home, but finds herself unexpectedly by the side of the road halfway home. She is confused but thinks that she must just be very tired or something and forgot that she was walking home. She ends up accepting a ride from a very nice man who happened to be passing her on the road and thought that she looked lost and confused.

HalfMagicChildrenThese early experiences and a series of odd wishes Mark makes when he doesn’t realize that he has the coin demonstrate to the children not only that the coin is magical but that they have to be extremely careful what they wish for when they have it. They have to word their requests very carefully, asking for twice as much of anything they want in order to counteract the half magic of the coin. Even so, they can’t help but make mistakes and get themselves into trouble.

When Katharine uses her turn with the coin to take them back to the days of King Arthur, she ends up causing trouble and disrupting history by defeating Lancelot in a tournament. Fortunately, Merlin realizes what the children have done and forces them to explain themselves and show him the magic coin. After inspecting it, Merlin gives the children a stern lecture about interfering with the natural course of history. He uses the coin’s magic to undo what the children have done and further uses it to restrict the children’s wishes to affecting only their own time period. He warns them to be more careful about what they wish for, keeping their wishes smaller and more personal, adding that the coin’s magic will eventually be exhausted, so they should save their wishes for what is important.

HalfMagicTheaterThere is one more disastrous experience when the children go to the movies (a silent film because this is 1920s), and Martha accidentally wishes that she wasn’t there while touching Jane’s purse, which holds the coin. Martha, of course, ends up being only halfway “not there,” almost like a living ghost, which terrifies onlookers. Straightening out that mess brings them into contact with Mr. Smith, the nice man who gave their mother a ride home. He owns a bookstore, and he enjoys fantasy stories as much as the children do. He becomes the only adult who knows that the children have been using magic, and he’s fascinated by it, enjoying witnessing their adventures.

When the children’s mother comes to pick them up, Mr. Smith is pleased to meet her again and invites the family to join him for dinner. Mr. Smith is obviously fond of the children’s mother, and most of the children like him, too. However, Jane is uneasy. It’s partly that she worries that Mr. Smith will interfere with their use of the magic coin and partly that she worries about his new relationship with their mother. Of the four children, only Jane, as the oldest, really remembers their father, and she can’t stand the thought that Mr. Smith might become their stepfather and take his place.

HalfMagicSmithWhen Jane argues with the other children about Mr. Smith and rashly wishes that she belonged to another family, the other children call upon Mr. Smith to help them rescue Jane from her foolish wish, her unsuitable new family, and from herself.

In the end, Mr. Smith does marry the children’s mother, and even Jane is happy with the arrangement, having come to appreciate Mr. Smith much better.  Once their mother and Mr. Smith each have what they wished for most — each other and a happy family with the children — they forget about the magic coin.  Although none of the children realize it, the coin also grants Jane one final half-wish in which her father comes to her in a dream-like form, letting her know that he approves of her mother’s remarriage and the children’s new stepfather because he wants them all to be happy.  This gives Jane the reassurance she needs to fully accept Mr. Smith.  The children, deciding that the coin has given them all the wishes it’s going to, leave it in a convenient place for a new owner to find.

You don’t find out what happens with the coin’s new owner apart from when the children see a young girl pick it up and realize that it’s magic when she makes her first wish. However, there is a cross-over scene in another book in the series, Seven-Day Magic, which explains a little more about what happens next.  Books in this series frequently reference and sometimes parody other children’s books that were popular at the time they written, and individual books in the series even sometimes reference each other, even when the main characters have changed.

Speaking of literary references and parodies in this series, sometimes it’s a little difficult to tell for certain which scenes are really meant as parodies and which aren’t.  Knowing a bit about vintage children’s fiction helps, but there may be some scenes in the stories which can make modern readers a little uneasy.  One scene in the book that bothered me was near the beginning, when Mark wishes to be on a desert island.  This was before the children fully realize that the coin only grants half of a wish, so the children just end up in a desert, but not on an island.  The part that bothers me is that they are briefly kidnapped by a kind of wandering Arab man who seems to be planning to ransom or sell them.  This scene is like an old stereotype out of the sort of silent movies that the children would have been watching, and because of that, it was a little painful to read.  The man’s name is Achmed (still in keeping with the stereotype), and they keep referring to him as “Achmed the Arab,” in case you need reminding that that’s what he is.  They get out of their predicament with him by wishing for something that would make him really happy so that he’ll forget about them.  By then, they realize that they need to double their request in order to make the coin work properly, so their wish works.  The coin ends up giving Achmed a beautiful wife and “six plump Arab children” (in case you forgot that Achmed’s children would be Arab as well) and generally improves what Achmed owns, so Achmed becomes a happy family man and gives up his earlier, shady ways.  It’s eye-rollingly stereotypical and cliche, so I think it’s worth telling potential readers that this scene is there.

The cliches and stereotypes (not to mention the constant, unnecessary repetition of the word “Arab” just to remind you that that’s what everyone is, in case you were confused) in that scene were annoying, but unfortunately, things like that crop up pretty regularly in children’s literature from the 1950s and earlier when there are scenes that take place just about anywhere outside of the United States, Canada, or Europe.  That being said, there are a couple of things that make this scene easier to bear.  One is that Mark, realizing that the magic coin can get them out of this situation and that they have the power to put Achmed at their mercy, decides not to do it because it occurs to him that Achmed is probably a desperate man because he is poor.  Mark decides that Achmed would be a better person if he had whatever would make him feel the most fulfilled in life, so he wishes for that for him.  It’s nice that Mark sees him as being a person whose well-being needs to be considered, not just an enemy to be defeated.  Also, it occurs to me that it’s not completely certain that the desert they’re in is a real-life one, even in the children’s fictional world.  I think the assumption is that it is, like we’re supposed to assume that the world of Camelot that they visit is a real part of history, but it may not be.  In fact, the children in different books in this series in general sometimes get philosophical about their magical adventures, wondering about how their magical adventures fit into the real world around them or if they really do, and they never fully get all the answers.   Perhaps the coin took the children to their idea of what a desert or what Camelot would be like, not to those real places.  In 1921, there was a famous silent movie called The Sheik in which Rudolph Valentino played an Arab sheik named Ahmed (Achmed’s name could be a joke on that).  It’s not a movie for children, but it was very popular in the 1920s, and it inspired other movies with Arabian themes, at least a couple of songs, and probably a number of the stereotypes about Arabs of the time.  So, if the kids in the story were imagining an Arabian desert, it would probably be something resembling what they’d seen in movies like that.  This little adventure may have only taken place in the imaginary world, even from the children’s perspective, and the author may be poking fun at the notions children get from popular culture.  Even in the end, the children admit that there are many things they don’t understand about the coin and how it works, like where the other half of Martha went when she was only half there.   In a world where magic works, pretty much anything is possible.  Then again, since the entire book is fictional, it may be best not to worry too much about it.  Still, I just plain didn’t like this scene.  The rest of the book wasn’t so bad.

Overall, it’s a fun story.  Part of the fun for book lovers is in spotting the various literary references in the story because the children talk about the books they like and read and compare their adventures to ones they’ve read about.  The concept of the half-wishes also makes you think.  It’s worth pointing out that, although the children enjoy the general adventure of the coin, most of the children’s wishes, no matter how carefully they word them, don’t turn out the way that they expected, even when they get exactly what they asked for.  Mr. Smith marrying their mother is actually the best wish that comes true in the whole book.

The book is currently available online through Internet Archive (multiple copies).

Posted on by TracyC · 1 Comment

Emil and the Detectives

Emil

Emil and the Detectives by Erich Kastner, translated by May Massee, 1929, 1930.

EmilHimselfThis book was originally written in German.  It was written in Germany during the period between the two World Wars.  The date of the story itself is never specified, but it may actually be earlier than when it was written, prior to World War I.  There is a sequel to the book that I haven’t read where Emil’s vacation ends early because he hears that war has broken out, an incident based on the author’s own boyhood experiences at the start of World War I.

The Emil books have an interesting history because of the time period when they were written.  This video explains how the book came to be written, the time period when it was written, and its cultural impact.  By the time the Nazis came to power, Emil and the Detectives had become popular and, as a harmless children’s book, was saved from Nazi book burnings.  The sequel story, Emil and the Three Twins, wasn’t so lucky, which is why it isn’t as well-known as the first Emil book, although it is available today.  The author, Erich Kastner, was known to be a pacifist and opposed to the Nazi government, which was why many of his works were burned during the Nazi regime and publishers were forbidden to publish new books from him.  (This video explains more about the book burnings and Kastner’s burned works.)  Although his political stance interfered with his writing, and he was questioned by the Gestapo several times, he chose to remain in Germany for the duration of the war.  Another of his children’s books, Lisa and Lottie, which was the basis for the Parent Trap movies by Disney, was written after World War II ended.

EmilTrainAt the beginning of this story, it explains that Emil Tischbein’s father died when he was very young and that his mother works hard as a hairdresser to support the two of them. When she can, she saves a little money for Emil’s grandmother as well. When the story begins, Emil is preparing for a train trip to Berlin to visit his relatives. Emil will be traveling by himself and will meet his relatives near the station when he arrives. His mother gives him some money to take to his grandmother and warns him to be careful. Emil pins the money inside his pocket for security.

On the train, Emil talks to the people who share his train compartment. One of them, who calls himself Herr Grundeis, tells him tall tales about what Berlin is like and gives him a piece of chocolate, which is apparently drugged. Emil falls asleep on the train, and when he wakes up, he realizes that he’s been robbed!

EmilGustavDetermined to get the money for his grandmother back, Emil searches for Herr Grundeis and spots him getting off the train. It’s too soon for Emil’s stop, but he follows Grundeis off the train anyway, tracking him to a café.

While Emil is trying to decide how to handle the situation, another boy who carries a horn that he likes to honk, Gustav, spots him watching Grundeis. Gustav asks Emil what he’s doing, and Emil explains the situation. Emil isn’t sure how to get the money back from Grundeis. At first, he’s afraid to tell the police what happened because of a prank he and some friends pulled at home. He worries that perhaps the police have found out about the prank and that they won’t take him seriously. Gustav is sympathetic to Emil and tells him that he can get together some friends to help.

EmilPonyChocolateGustav recruits a bunch of other boys from the neighborhood, and they continue tailing Grundeis through the city to his hotel. The boys call another friend at home, who keeps track of their progress and gives them reports about what others have said.  Emil gets one of the other boys to tell his relatives that he has been delayed on important business, causing his cousin, Pony Hutchen, to come and tell him that everyone is worried and that he’s going to be in big trouble with his relatives if he doesn’t show up soon.  However, they still have the problem of deciding how to confront Grundeis and get him to return the money.  In this case, the detectives don’t need to solve the mystery of who the thief is.  The real problem is how to prove it.

This book is known around the world and has been made into movies several times, including a Disney version in 1964.  The Disney version still takes place in Germany, but for some reason, Emil’s train trip is changed to a bus trip, and the criminal’s plot is much more elaborate.  It’s available on dvd, and you can see the trailer on YouTube.

The book is currently available online through Internet Archive (multiple copies).

My Reaction and Spoilers

Overall, I liked the story, although I found the book difficult to read because the wording sounded strange and awkward in many places.  I think this is probably because of the translation between German and English.  I have the feeling that the translator was trying to be too literal in the translation instead of focusing on translating for meaning and tone.  Unfortunately, I can’t read German, so I can’t say what the original version was like.

EmilReportersThere was a note in the beginning of my copy of the book that says that many of the character names in the book are actually jokes on the part of the author. It’s not as obvious in English because the forms of the names sound reasonable for German names, but anyone who knows German would spot that they aren’t real names. For example, Emil’s last name is Tischbein, which means “table-leg,” and the thief’s alias, Grundeis, means “ground-ice.”

In the end, the boys use their numbers (they have about a hundred child detective recruits by the end of the story) to corner the thief in a bank, and when they confront him in front of the bank personnel, they manage to prove that Emil is the owner of the money using the pin holes in the bills, where Emil had pinned it to his jacket.  The author of the book also appears briefly in the story as a journalist who interviews Emil and his friends for a newspaper story about how they caught the thief. (I think he’s the one standing at the back of the group of reporters in the picture because the man’s hair looks like Kastner’s, combed back.)

Like in another of Kastner’s books, Lisa and Lottie, there is the theme of a child who behaves well because of the family’s poor circumstances.  Emil, like Lottie, is being raised by a single mother who has to work hard to support the two of them. Both Emil and Lottie understand that if they behave badly and get into trouble, it would create more hardships for their mothers.  They basically live hand-to-mouth, and the children understand that their mothers cannot take time away from work to deal with their discipline problems.  Each of them has had to shoulder some of the household burdens from an early age, and it has made them more serious and also a little closer to their mothers than many of the other children from more affluent families. Aside from Emil’s prank at home (which causes him some worry), he is obedient to his mother and also very concerned about her welfare.

Posted on by TracyC · 2 Comments

Soup

soupSoup by Robert Newton Peck, 1974.

This is the first book in a series about the author’s childhood best friend.  His friend’s real name was Luther Wesley Vison, but he always hated that name.  Because Luther refused to come home whenever his mother called his name for dinner, his mother took to just yelling, “Soup’s on!” when she wanted him to come home to eat.  After that, everyone else just started calling him “Soup”, which he liked a lot better than “Luther.”

Together, Soup and Robert had a reputation for getting into scrapes in their small town in Vermont.  The book is a series of short stories about the funny things they did as kids, like how they got revenge on the school nurse for asking embarrassing questions, how Soup got punished for breaking a window other than the one he’d actually broken, how Soup talked Rob into rolling down a hill in a barrel, and how Robert’s aunt let him tie her to a tree right before a lightning storm.

souppicSome of the stories are laugh-out-loud funny, and some of them have kind of a moral lesson to them, like the time when Rob realized that he didn’t have the heart to lie to his mother even if it would allow him to escape punishment for talking back to the school nurse, the time when Soup and Rob tried to cheat Mr. Diskin out of some money so they would have enough to go to the movies but ended up feeling guilty, and how the boys made themselves sick by attempting to smoke cornsilk.  Others are just stories of childhood events and friendship, like the story of how Rob and Soup played football and how Soup loaned Rob his new shoes when his were ruined.  Even though Soup often got Rob into trouble, he really was a good friend and went out of his way to make Rob feel better when he needed it the most.

Although it is a short chapter book that is easy to read, a couple of the stories might require some further explanations for young children reading them, like the one where the boys smoke cornsilk using homemade pipes and the one where Soup says that someone told him it was all right to cheat Mr. Diskin because he’s a Jew (a belief that they come to rethink when they feel guilty for cheating someone who was always fair with them and was kind to them even when he discovered the deception).  They deal with older practices and prejudices and can be the start of discussions about the lessons people learn by making mistakes. Other than that, these stories present a fascinating look at what it was like to grow up in the country during the 1920s.

The book is available to borrow and read for free online through Internet Archive.