The Matchlock Gun

The Matchlock Gun by Walter D. Edmonds, illustrated by Paul Lantz, 1941, 1969.

Ten-year-old Edward Van Alstyne lives with his family on the mid-18th century American frontier in upstate New York, not far from Albany, during the French and Indian War. His father is captain of the Guilderland militia. Edward has had a long fascination for the large, old matchlock gun that his great-grandfather brought to America from Holland and wonders why his father never uses, preferring his smaller musket. His father shows him the old matchlock gun and explains to him how it works and how it’s old-fashioned, very large, and more difficult to use than his musket.

While Edward’s father, Teunis, prepares to go out on duty, Edward’s mother, Gertrude, worries about what will happen if Indians (Native Americans) attack while he is gone. Teunis doesn’t think that’s likely, but he says that Gertrude can take the children and go to his mother’s house. Gertrude and Edward’s grandmother do not get along because Edward’s grandmother has never approved of her. His grandmother never thought she was good enough for her son because she doesn’t come from a Dutch background, like they do, and because her family is poor. Gertrude would rather not turn to her for help except as a last resort, and Teunis doesn’t blame her.

Gertrude is still nervous after Teunis leaves, and she refuses to let Edward take some butter over to his grandmother’s house, as he often does. She doesn’t want the children going too far from the house, in case there’s trouble. Then, a family friend, John Mynderse, stops by with a message from Teunis, saying that he is fine, but the “French Indians” (the Native Americans aren’t actually French, but they’re allies of the French – I’ll explain below) have burned settlements, and he won’t be home tonight. It’s worrying news. Later, they see smoke on the horizon and worry about how far away it is, unsure of the exact distance.

Although Gertrude tries to be brave, she admits to Edward that she thinks that the fires are close. Edward asks if they should go to his grandmother’s house, but Gertrude would prefer to stay in their own house and wait for Teunis to arrive home. Privately, Gertrude has realized that the old brick house where the grandmother lives is more visible from the main road than their small wooden house. She doesn’t think that there’s anything they can do to help Edward’s grandmother, but she is hoping that she and the children will be overlooked if the Indians come through their area.

Gertrude begins coming up with a plan for defending their house, and she asks Edward if he would be afraid of firing the big, old matchlock gun. Edward wouldn’t mind firing the big gun, but it’s so big, he doesn’t know if he could manage to hold it. Gertrude says that she has a plan for that. Although they are inexperienced, Gertrude and Edward manage to get the gun loaded, and Gertrude chops a hole in the side of their house that they can fire through. Gertrude doesn’t expect Edward to actually aim the gun or hit anything. They just prop it up at the hole, and Gertrude tells Edward that, if she calls his name, he must use a candle to light the powder in the gun. When the powder is lit, Gertrude says that the big gun will go off with a huge bang and might scare off any attackers.

The Indians do come and attack the old brick house, and then, they come for the house where Gertrude and the children are. Gertrude is struck by a tomahawk as she runs for the house as the Indians approach, but she calls out to Edward, and Edward fires the gun. The attackers are killed in by the explosion from the gun, but the family’s house is set on fire. The children manage to drag their injured mother to safety, and Edward rescues the matchlock gun from the burning house.

When Edward’s father and the militia arrive, Gertrude is injured but still alive. The old brick house did not burn, as Gertrude had thought, but the barns were destroyed. The grandmother and her slaves barricaded themselves in the brick house. Edward is praised as a hero for defending his family at such a young age and for killing more Indians by himself than the adults did. (That last part is a little creepy, but they do praise him for that.)

This book is a Newbery Medal winner. It is available to borrow and read for free online through Internet Archive.

My Reaction

The Backstory

This is one of those books where I find the backstory much more interesting than the book itself. This is one of those historical novels for children written and published during World War II that looks back on American history and past conflicts, trying to reinforce historical lessons, instill patriotic feelings, and help children come to terms with the war that was happening around them at the time this book was new. This particular story takes place in the Hudson Valley in New York, not far from Albany, before the American Revolution in a community that’s largely settled by people of Dutch descent.

The family in the story is based on the real Van Alstyne family, and the incident with young Edward helping to protect his family from attackers by firing the family’s old matchlock gun really happened. The story emphasizes the family’s Dutch background. The mother of the family, Gertrude, is described as having a Palatine background, which means that her family was Germanic, but the major emphasis is on the Dutch influences in their background. There are Dutch words and phrases throughout the story.

The Foreword to the story explains the family’s history, but I actually recommend that readers save reading the Foreword last instead of reading it before reading the story. It explains not only the family’s past, but what happened to the family after the incident in the book. Little Trudy grew up and married a man named Hogle, and she became known as an excellent spinner, or spinster, in the professional sense rather that the unmarried sense. Her spinning ability was attributed to having to help her mother from a young age because her mother’s shoulder was permanently damaged from the tomahawk injury she suffered in the story. Trudy is credited as the one who passed on the story about her brother and the matchlock gun to future generations.

When interviewed about his historical novels, which were more for adults than children before he wrote this particular book for children, the author said:

“I want my readers to get out of my books a sense of the relation of history to the present day. History is often taught as a study of dead things and people; or else, and worse, from the debunking angle. What I want to show are the qualities of mind and spirit of plain, ordinary people, who after all carry the burden of human progress. I want to know about people, how they lived, what they hoped for, what they feared. I want to know what it was like to be born into this time or that, and what a man left behind when he died.”

I see the point about focusing on the lives of ordinary people because history is largely made up of daily life. Much of my historical education had this focus as well, not just focusing on the famous people or the major events, which are usually a reflection and extension of what’s happening on the ordinary and every day level. Much historical writing these days also does focus on debunking, which requires prior knowledge of what’s being debunked and why to be really effective, so I don’t think it works too well on level of children.

My personal approach to history, however, is to put things into context. I’ve given you the context of WWII, when this book was written and published, and the author’s view, but to get the full story behind this story, it helps to understand the French and Indian War. In the book, the attacking American Indians are just shown in their role as attackers, attacking innocent women and children and burning their homes. It’s a savage image that leaves a bad taste in the mouths of modern people, but it helps to understand what’s happening in the larger conflict.

In spite of its name, the French and Indian War was not fought between French people and American Indians. Instead, the French and Indian War, also called the Seven Years’ War (1754-1763), was fought between the British and the French, with the French aided by Native American allies. Both the French and the British were claiming territories for colonies in North America to support their empires, and as rivals for territory, each side was trying to assert its authority and control over certain regions. The Native Americans enter into the conflict because each side had Native American allies.

The reasons why Native Americans were willing to ally with these foreign powers and actively fight and risk their lives in the conflict were based on their perceptions of the treatment they were likely to receive from each side and the other tribes that were already allying with each side because of the war and their estimates of how the war was likely to affect their own territories and which side’s victory would be most likely benefit them. When European colonists entered North America, started their colonies, and began instigating these territorial conflicts, they were already entering a land inhabited by groups of people who had their own home territories and their own systems of alliances, relationships, and conflicts with each other. Essentially, the European colonists and this French and British conflict were destabilizing and unsettling Native American groups, and those Native American groups were trying to both work out new alliances with some of these newcomers that would grant them a greater degree of security and to push out groups of newcomers who seemed to represent the greatest threat to them and their territory. What each of these Native American groups wanted most out of this conflict was whatever they thought would best allow them to hold their own territory and put them in the strongest possible position to defend against rivals for that territory. Not all groups were eager to join this fight, but those who did believed that it was their best opportunity to protect themselves. In Walter D. Edmonds’s words, this is “what they hoped for, what they feared,” and this is what they were willing to kill and die for.

The reason why this war is important to American history is not only because it was a territorial struggle between major powers but also because it was one of the events that led to the American Revolution against Britain. The British colonist disputed having to pay Britain’s expenses for this war. The treaty and settlement that ended the war helped shape westward expansion that continued after the Revolutionary War. This war was also part of George Washington‘s early military experience, before he became the famous general of the American Revolution.

Part of what makes the Van Alstyne family’s experiences of this war both fascinating and tragic are that they belong to neither of the major sides of the war. They are not British or French. They are primarily of Dutch descent. That is emphasized repeatedly in the story. It’s how they think of themselves, and they are living among other colonists and settlers of similar backgrounds. Their misfortune is that they are living in one of the regions that is under dispute by larger powers. I think that’s part of the reason why the concept this story appealed to the author of the book. It’s about ordinary people caught up in larger events, and it shows the effect that larger conflicts have on ordinary people.

However, since the main hero of this story is a ten-year-old boy, I have to admit that it does make sense that the boy probably didn’t understand much about the larger conflict going on around him. The story only takes place over a little more than a day. His father leaves one evening, the children go to bed, the family is nervous the end day, they are attacked that night, and then, the father comes home. From the boy’s perspective, this attack on his family might have been the conflict in a nutshell. The territorial disputes between larger colonial powers was likely beyond him, which is why he doesn’t think about them during the course of the story. I still think that readers should understand it even if the characters don’t, though.

A Slave-Owning Family

One other thing that I think is important to mention is that there is slavery in the story, and Edward’s own family has slaves. In particular, Edward’s grandmother uses slaves. The slaves are not actually shown as characters in the story, but they are discussed. At one point in the story, Edward’s younger sister, Trudy, asks their mother why their grandmother has slaves and they don’t. Their mother explains that the old brick house where their grandmother lives and the land and slaves connected to it actually belong to the children’s father, as his father’s heir. So, technically, the slaves actually do belong to Edward’s father. However, their grandmother is very attached to the old brick house, so their father lets her live there and use the slaves to manage the house and estate.

A major reason why they explain all of this is so readers understand the setting of the story better and the relationship that this family has with the grandmother. Teunis built the wooden house where he lives with his wife and children so they could have some independence from his mother. He is willing to let his mother live by herself in the family’s big, old house with slaves to look after her and run the place, but it’s really better for his wife and children if they don’t live with her because of her attitudes. In particular, it’s her attitudes toward the mother of the family that make life difficult for them and leave them not wanting to get closer to her, not her attitudes about slaves. Teunis and Gertrude are willing to manage their smaller house without the help of slaves because it’s worth it to them to have to do without extra help in exchange for some separation from Teunis’s disapproving mother, which tells readers a few things about the grandmother we never see and the relationship the rest of the family has with her. Edward’s grandmother seems to be an overbearing and disapproving woman. While Teunis cares about her and her feelings, their relationship with her is better when they don’t live together in the bigger house, even though they could, making use of the household slaves themselves.

No one in the story disapproves of the idea of slavery, which also leaves a bad taste in the mouths of modern readers. Modern heroes and people who really believe in the ideals of freedom would have sympathy for enslaved people, not people actively practicing slavery itself. Since the family in the story is based on a real family, and keeping slaves was something that this real family actually did, it’s understandable from an historical viewpoint that the Van Alstynes are being described as they actually were. It’s important to acknowledge the way things actually were, even when they weren’t pleasant. But, there’s nothing that says that modern readers have like it. Just because the Van Alstynes are the main characters of this story doesn’t mean that you have to like everything about them or everything they do.

The focus of the story is a young boy who did a brave thing during an emergency situation and saved both his own life and the lives of his mother and little sister in the process. That’s ultimately what the author wanted the children of his time to take away from this story. His focus is on the boy and his family, and he doesn’t explain anything about larger social issues or even the background of the conflict they find themselves in. This is fairly short chapter book, a little less than 100 pages, and it seems aimed at younger elementary school students, not dealing with anything more complex than the main incident and adventure of the story. However, outside the story, readers can understand the wider context of things that happen in the story, and they can feel any way they want about that. If you understand the broader situation enough to have feelings about it, I think that’s a good thing.

For another review of this book, I recommend trying this one. It’s much shorter than mine, but it also has some thoughts about how people feel about historical aspects of this story.

Johnny Tremain

Johnny Tremain by Esther Forbes, 1943, 1971.

The story takes place in Boston around the time of the American Revolutionary War, and famous historical figures appear in the story.

Fourteen-year-old Johnny Tremain is a young apprentice to a silversmith. Even though he is one of the younger apprentices, he has talent and is favored by the silversmith. His favored position allows him to boss the other apprentices, and the silversmith is even considering having him marry one of his granddaughters when he has completed his apprenticeship so he can inherit the business. Johnny doesn’t mind the idea of marrying one of the granddaughters, although he is in the habit of teasing them, and inheriting the business would give him a steady future, although the business isn’t particular lucrative. Most people basically like Johnny, although one of the older apprentices, a boy called Dove, resents him.

Johnny has one particular flaw, and that is that he is arrogant and prideful. While he is talented, he gets overconfident and too full of himself because of his talent. The silversmith even warns him and lectures him about it, telling Johnny not to lord it over the other apprentices that they are not as gifted as he is.

However, Johnny doesn’t listen to him, and he soon pays the price for it. The reason why the silversmith’s shop hasn’t been very lucrative is because the silversmith is getting old, and he can’t work as hard as he used to. That’s one of the reasons why Johnny feels like he has to push the pace in the shop and keep the other apprentices in line. When the silversmith is late making a particular order, Johnny takes it on himself to complete the work on a Sunday, which is forbidden by the laws of Boston at that time and would have been forbidden by the pious silversmith, too, if he knew what Johnny was doing. While Johnny is working, Dove hands him a crucible with a crack it in, thinking to embarrass Johnny by ensuring that the work will go wrong. Unfortunately, it turns out to be worse than that. Johnny’s hand is badly burned by molten silver.

With a crippled and useless hand, Johnny doesn’t see how he can continue his apprenticeship and become a silversmith. For the first time in prideful Johnny’s life, he is an object of pity, and he seems to have no future ahead of him. There aren’t many kinds of work a person in his time can do with only one usable hand. The silversmith’s youngest granddaughter has always been sickly, and people think that she isn’t likely to live to adulthood. Even the girl’s own mother says that it hardly seems worth the effort of raising her when she isn’t likely to survive, and privately, Johnny has also agreed. Now that Johnny is disabled, seemingly useless, and without a future, is he also hardly worth anyone’s help?

The silversmith’s daughter-in-law, Mrs. Lapham, seems to think he isn’t worth anything. In spite of her being the one who originally insisted that he do the task on Sunday that crippled him, she begins giving him repeated and casual insults like “lazy good-for-nothing” and “worthless limb of Satan.” Her previous praise and encouragement for Johnny and wish for Johnny to marry one of her daughters hadn’t been based on any liking for Johnny but only based on what she thought Johnny could do for her and her daughters in the future. Now that he can’t take over the business, Mrs. Lapham is ready to kick him to the curb. Mrs. Lapham discourages Johnny from eating much food, tells him that she’ll be needing the place where he sleeps soon for someone else to help her father-in-law with his shop, and tells the silversmith that he should get rid of Johnny. The silversmith refuses to kick the boy out onto the street with nothing and no prospects, especially since Johnny has been doing small chores for the family to earn his keep. The silversmith tells Johnny that he cannot continuing learning the silversmithing trade, so he’s going to have to find a new one. He encourages Johnny to explore the city and watch different people at their trades until he can find one that he thinks he can do, and then, he will give the contract for Johnny’s apprenticeship to his new master.

However, Johnny is still prideful and can’t see himself doing any of the unskilled trades that might take him, and he only half-heartedly tries to find a new position. He still sees himself as a craftsman, and that’s all he really wants to be. He still feels like other jobs are beneath him. One day, he goes inside the printing shop for the Boston Observer, which the silversmith disapproved of for trying to stir up dissent and resentment against the English king among the colonists, and immediately is fascinated at the way the boy working in the shop interviews a woman about an advertisement for her lost pig. Johnny feels an odd friendly feeling toward the boy, who is a good and patient listener. When the woman leaves, Johnny finds himself pouring out his own story to the boy, whose name is Rab, without his usual arrogance. Rab understands Johnny’s feelings and agrees that most of the jobs that would be open to him now are the unskilled jobs he doesn’t want to do. He says that the Observer could hire him, but it would be a position as a delivery boy and messenger, but that doesn’t sound like the kind of work Johnny really wants. Still, Rab tells him that if he can’t find anything else, he could come back and take the messenger job. Johnny hopes that he can come back and tell him that he’s found a much better job.

However, Johnny still can’t find someone to take him. When he tries to get a job from John Hancock, whose project was the one that ruined Johnny’s hand, John Hancock is repulsed at the sight of Johnny’s hand and won’t even take him as a cabin boy for one of his ships. Johnny is angry and despairing when John Hancock sends him away, but John Hancock sends a slave after him with a whole back of silver, apparently out of guilt. Hungry because he’s had so little to eat lately, he goes to a tavern and orders a great deal of food. He is disappointed to see how much of his money he wasted and realizes that he has been a fool for ordering too much all at once. He spends the rest of his money buying presents for the silversmith’s daughters and new shoes for himself. When Johnny comes home in his new shoes, Mrs. Lapham accuses him of stealing them from someone because she can’t imagine that he could earn enough money to buy them. The girls are happy with the presents until the youngest one suddenly gets upset at Johnny touching her with his bad hand because it looks weird and she’s afraid of it, ruining the moment.

There is one last thing Johnny has that might help him. He has had a silver cup his entire life with his full name on it: Jonathan Lyte Tremain. The cup also bears the family crest of the Lyte family, a wealthy merchant family in Boston. Johnny’s mother never introduced Johnny to her relatives before she died, although she said that she was from a genteel and educated background and their own names, Jonathan and Lavinia, were family names. Johnny knows that the head of the wealthy Lyte family is also named Jonathan Lyte, so he thinks that he could be a relative. For some reason, his mother didn’t want him to show the cup to anyone, although she told him to keep it in case he ever needed it. She said to only show it others if he was in dire trouble and it seemed like even God Himself had forsaken him, and his current situation certainly qualifies.

When Johnny goes to see Mr. Lyte, Mr. Lyte doesn’t believe that he’s really a relative. He thinks that it’s just a story to get some of the Lyte family’s money, and he’s heard stories like this before. Johnny argues unpleasantly with Mr. Lyte before telling him that he has a silver cup that will prove the relationship. Mr. Lyte seems interested in the cup and tells Johnny to bring it to him that night. Before returning to Mr. Lyte with the cup, Johnny goes to Rab and tells him what he’s about to do. Rab gives him some food and a change of clothes before he goes but warns him that Mr. Lyte has been deceptive and unethical in his business dealings.

Rab’s warning is prophetic. When Johnny produces the silver cup, Mr. Lyte agrees that it is part of a set that the family has, but he says that the cup was stolen from his house only two months before. He accuses Johnny of being the thief and has him arrested. Rab finds out about it and asks Johnny if he showed the cup to anyone else before the date when it was supposedly stolen. With his mother dead, the only other person who could vouch that Johnny had the cup before is Priscilla, the Lapham daughter that Johnny was originally supposed to marry before the accident that ruined his hand. Priscilla, called Cilla for short, is willing to testify in court that Johnny showed her the cup before, but Mr. Lyte begins exerting his influence on the Laphams. He places a large order for silver and pays in advance as a kind of bribe, and Mrs. Lapham, who has already decided that Johnny is no good, declares that she will keep Cilla locked up on the day of the trial so she can’t speak on his behalf, even though she knows young Johnny will be executed without her testimony.

Rab correctly realizes that some of the attitudes of people against Johnny are because Johnny is an arrogant hothead who has made enemies because of the sharp and snooty remarks he’s made to them and about them in the past. He points out that these people, who have felt oppressed by Johnny are now taking their opportunity to get even with him and get rid of him, just like the rival apprentice whose dangerous trick ruined Johnny’s hand. If Johnny is going to get out of this mess and change his life, he’s going to have to change his own attitude and behavior and learn to make friends, develop some humility, and show gratitude for the help that he receives.

Fortunately, Rab knows a lawyer who is willing to take Johnny’s case without pay, Josiah Quincy (historical figure – Johnny notices that he has a dangerous-sounding cough, like the kind his mother had before she died, and the real-life Josiah Quincy did die of tuberculosis), because Mr. Lyte is a Tory who has crossed the Colonial Patriots who call themselves the Sons of Liberty with his crooked business dealings. Johnny’s trial becomes the latest skirmish between the two sides of the Revolution that is building. For the first time in his life, Johnny does have cause to be truly grateful to others. Unfortunately, he has also made one more enemy. Mr. Lyte is publicly embarrassed at having been shown to bring a false charge against an unfortunate boy in court, and if anyone is even more proud and arrogant than Johnny has been, it’s Mr. Lyte.

Johnny takes the job of delivery boy for Rab’s newspaper and becomes more involved in the politics of the Colonies and the growing Revolution. He learns how to ride a horse for the first time, even learning to manage a previously abused and skittish horse. Johnny becomes known as a good messenger and finds other side jobs. He develops his use of his uninjured left hand and even increases his use of his damaged right hand. He becomes better read and educated as he builds his messenger career. However, Johnny is also drawn into the growing conflict and learning the truth about his relationship with Mr. Lyte.

The book is a Newbery Medal Winner and available to borrow and read for free online through Internet Archive (multiple copies). It was made into a movie by Disney in 1957.

My Reaction

The Background of the Book

Because this book is an award-winner and has patriotic themes, it is a popular book for children to read and study in American schools. I didn’t actually read the book when I was in elementary school, probably because it contains works like “slut”, but I remember our teacher showing us the Disney live-action movie version from 1957. I still sometimes think of the Liberty Tree and the Sons of Liberty song from that movie. If you read the comments below the YouTube clip of that song, some people were commenting about seeing this movie when they were in 5th grade at school, and that’s about when I saw it, too, back in the 1990s. I found the song stirring then, although it looks a little corny to me now. For patriotic musicals, I prefer 1776, which I saw in high school and which is also corny but brings up some interesting historical topics. 1776 was based on a Broadway play written as the US approached its Bicentennial. If you look at my page of books from the 1970s, you’ll see that people were writing books for children focusing on the American Revolution, Colonial America, and other patriotic themes because the Bicentennial was on people’s minds at the time. The 200-year anniversary of the country was something people wanted to celebrate, and they used it as an opportunity to educate children about the history and lore of the country. Part of what makes Johnny Tremain interesting is that the original book was written in the middle of WWII, which was more of a worrying time rather than a celebration. The Disney move was made after the war, when people were in a celebratory and triumphant mood about how well the country was doing, and it ends on a triumphant note, but the original book was much darker.

During WWII, children’s authors had a choice about whether or not to mention the war in the books they were writing. If you look at my page of books written during the 1940s, you’ll see that some children’s authors addressed the war directly and even worked it into the plots of their books while it was still happening. I’ve marked which ones did that on the 1940s page. However, for those who didn’t want to write contemporary stories mentioning WWII, there were other options. Some authors wrote just-for-fun stories that had nothing to do with the war at all, which were good for helping children relax and take a break from the harsh realities going on around them, and some wrote books with historical themes.

The books with historical themes, like Johnny Tremain, often had a patriotic focus, putting the current war into perspective by reminding children that the country had been through struggles and dark times before, and reinforcing the patriotic ideals that made the struggle worth it. You can see these themes in both American and British books written around the same time, trying to help children understand that concepts of the war, what people were fighting to protect, and why the sacrifices and deprivations of the war were necessary.

There is a scene in Johnny Tremain where James Otis tries to make sure that the Sons of Liberty who are ready to fight the British understand what they’re really fighting for, the larger implications for the rest of the world, and the sacrifices they might make, including their lives. Some of his speech seems a little anachronistic with its mention of rights for everyone, regardless of race, because slavery is practiced during this era. I suppose it’s not impossible that Otis said something like that at some point, but racial equality would not have been high among the priorities of these people in real life. It felt like it was meant more for modern, 20th century audiences. He also makes a reference to rich people in France running down poor children in their carriages, which sounds like a reference to a scene in Charles Dickens’s A Tale of Two Cities, from 1859. My impression is that Otis’s speech in the book is meant more for the book’s original audience of children during WWII than for the original Sons of Liberty. Dr. Warren later makes comments about young men who give up their lives so that others can stand up like men and how a hundred or two hundred years later, men will be doing the same thing. I think those comments are also meant to help 1940s children understand why the men of their time, possibly their own fathers and brothers, might be willing to sacrifice themselves as soldiers.

Johnny Tremain is really a rather dark story in places, which is probably why my teachers showed us the Disney movie rather than having us read the book. They did have us read plenty of other dark stories when I was in school, even ones much darker that this one, although most didn’t have the kind of objectionable language this book does.

Story Themes

Although this is an historical novel, the main focus of the story is the transformation in young Johnny’s life and character as he suffers from misfortune, redeems himself, and plays a part in larger events and history. At the beginning of the story, even though Johnny is an orphan, he seems to have his future made at a young age. He has a particular talent for working with silver, and he’s in an apprenticeship and poised to take over the master’s business someday. However, like many classic heroes, he has the fatal flaw of hubris – he’s too proud of himself. It makes him arrogant and overconfident. His arrogance makes enemies of his fellow apprentices, and in one moment when he pushes his luck, his chief rival does something that seriously harms Johnny and apparently ruins his future. Johnny, who has never had any real patience or sympathy for other people who are less gifted or fortunate than himself finds himself in the position of needing patience and sympathy from others. His master sees the difficulty Johnny is in and tries to help him learn the lessons of humility that he needs to cope with the situation, but for someone as proud as Johnny has been, it’s not easy to cope with his humbled position. It’s a serious struggle for Johnny to find a new place in the world and a new path for his future. There are people who openly despise him for his weakened condition, which is unfair, and initially, he passes up some opportunities for improvement because he considers the jobs beneath him.

Johnny life changes when he finds himself in a situation so hopeless that he is really dependent on the help of other people. Some of those other people help Johnny in the court trial, not just out of a desire to help Johnny but also to embarrass Mr. Lyte by publicly exposing him for bringing a false charge. Still, they save Johnny’s life, and Johnny gains a new life by working for Rab’s family as a delivery boy and following Rab’s example in behavior. Rab is calmer and more thoughtful than Johnny, and he encourages Johnny to learn to be more thoughtful and to think before he speaks and acts. As Johnny does so, he notices that people begin treating him better because he begins giving the chance to do so instead of thoughtlessly offending them or picking fights. With Johnny’s change of attitude and behavior, he is able to forge new relationships, and new opportunities open up for him. While Johnny’s hand getting damaged seemed to be the end of everything to him and the delivery job at first seemed to be beneath him, these changes in his life actually lead to personal growth for him.

Through his work for the newspaper and the Sons of Liberty, Johnny becomes part of the American Revolution. It brings him into contact with many notable Revoluntionary war figures, including John Hancock, Josiah Quincy, Paul Revere, Samuel Adams, John Adams, and Dr. Joseph Warren. Not all of these figures are pleasant figures in the story. John Hancock, in particular, doesn’t treat Johnny well when he’s at the lowest point of his life. Dr. Warren is kind and attempts to help Johnny with his hand when they first meet, but at first, Johnny doesn’t want him to even look at it because he’s still ashamed of it and how it was damaged. Johnny later regrets that, and explains the details of his injury to him. The book ends with Dr. Warren performing a procedure to remove the scar tissue that has kept Johnny’s hand deformed. Without it, his hand will move more freely, and he will be able to fire a gun in the coming war and do other things he thought he would never be able to do again. It is uncertain whether or not he will ever regain enough dexterity to be able to return to being a silversmith, but his eyes have been opened to many other possibilities in life, and he has a cause to fight for first.

During the course of the book, Johnny also takes part in the Boston Tea Party and Paul Revere’s famous ride. His role as one of the participants in larger events is partly to teach and reinforce history lessons and patriotic feelings for the young readers of this book but also to show that even a flawed and somewhat disabled person like Johnny is worth something, has a future, and can participate in larger events and make their mark on the world. The more Johnny does participate in larger events and make connections with other people, the more his life also changes for the better and the more opportunities open up for him.

Life is Full of Mixed Feelings

I also noticed that there are many cases where people have mixed feelings about each other. As I said before, although Johnny becomes allied with the Sons of Liberty and believes in their cause, not all of them really treat him well, at least at first. Johnny also realizes that he doesn’t agree with all of their personal attitudes. At one point, he realizes that Sam Adams wouldn’t approve of the quality of mercy toward his enemies, but Johnny actually does. Although Johnny doesn’t like the British soldiers, there are moments when some of them do something kind or honorable. He doesn’t like them as a group, but he privately acknowledges that he can like certain ones as individuals in certain circumstances. Johnny comes to see the British soldiers as human beings who can be likeable, and as he sees that the situation around them is going to lead to war, he realizes that having to fight and maybe even kill some of these people would be painful. Although he still believes in his cause and is willing to fight for it, the seriousness and pain of war becomes clear to him.

Johnny’s ability to see multiple sides to people’s personalities and the capacity he has to show mercy even toward people he doesn’t like or who have actively tried to harm him are important developments of his character. Mrs. Lapham, Dove, and Mr. Lyte were all pretty bad to Johnny, in different ways. As the story progresses and Johnny’s condition in life improves and he has some separation and independence from both of them, he feels less resentful toward them both and even begins to see them in a better light. Personally, I don’t think that erases the unlikable and even dangerous sides of these characters. Mrs. Lapham would have happily watched Johnny be hung for a crime he never committed and was perfectly willing to take a bribe to lock up her own daughter, knowing that she was an important witness who could save him. That side of her personality is a definite side of her personality, and that is something that she definitely and knowingly did. However, Johnny later has a feeling of nostalgia when he remembers that Mrs. Lapham did have a hard life in some ways and yet was a hard worker, who always tried to look after her household, even when it was difficult, so she isn’t wholly evil. In some ways, her evil side and opportunism is a reflection of the hard life she’s lived and what she thinks she has to do to get ahead in the world and provide security for her fatherless daughters. Again, I don’t see her as being a really good person as a person because of what she does, what she thinks is acceptable to do, and how she treats other people, and I don’t believe that much of that was as necessary or excusable as she seemed to think it was. However, with some time and separation, Johnny starts to remember that she did have some relatively good sides.

I do note that, while it’s good that Johnny sees people for what they are, even acknowledging that unlikable people have their good sides, this does not mean that it would be good or healthy for Johnny to allow himself to be at the mercy or under the control of these people eve again. No matter how hard a worker Mrs. Lapham is, I can’t help but notice she is fundamentally untrustworthy. Knowingly helping to frame a helpless boy for a crime with a death penalty is pretty close to deliberate murder, and that’s about as bad as a person can get. The argument could be made that Mrs. Lapham didn’t know that Johnny didn’t steal the silver cup, but I don’t think that’s true. I’m sure that she was fully aware that he didn’t because of her declaration that she would lock up Cilla on the day of the trial, which indicates that Cilla told her what she knew and that the cup was honestly Johnny’s from the beginning, and she was determined to prevent Cilla from telling the truth in court, making sure that Johnny would die so she and her family could profit from Mr. Lyte’s bribe. No, from what I’ve seen of Mrs. Lapham, merely being a “hard worker”, while a good trait by itself, isn’t enough to redeem her as a character or make her trustworthy because she definitely doesn’t have that hard-working trait in isolation from her willingness to throw people under the proverbial bus and even try to get them killed for the sake of money.

Although Dove is never as sorry for the accident that hurt Johnny’s hand as he told their master he was. Behind the master’s back, he is gleefully cruel to Johnny when he has the opportunity. Admittedly, what Rab says about that being Dove’s form of retaliation for Johnny’s own arrogant meanness toward him is true, but it is equally true that Dove’s own behavior never improves even when Johnny’s does. Initially, Johnny swears revenge against Dove, but when he sees that his life isn’t really ruined by him and Dove gets some comeuppance in other ways, Johnny begins to feel a little more kindly toward him and no longer feels the need for revenge. (Although, he does get Rab to help him toss Dove into the harbor during the Boston Tea Party because Dove was trying to steal some of the tea for himself, in spite of the participants agreeing not to do that ahead of time, and attempting to lie about it. It’s not the grand revenge that Johnny initially envisioned, but it is a brief moment of comeuppance.) Johnny even treats Dove nicely after he goes to work as a stable hand for the British troops. Dove is loyal to the British, but the British are not nice to him in return, largely because Dove isn’t particularly competent at what he does and because he is obviously self-interested. Johnny realizes that he is lonely and could use friends, but even when Dove admits that Johnny and Rab treat him better than anyone else does (largely so they can pump him for information about the British troop movements), Dove still repeatedly tries to tell the British that Johnny is a spy for the Sons of Liberty and openly admits it to Johnny. Dove feels like it’s his duty as a loyal Tory to turn Johnny in, not showing loyalty to the people who have shown him the most kindness. Johnny understands all of that. While Johnny’s behavior has changed and improved, and because of that, Johnny is more respected by the even the British than Dove is. In the end, Dove is his own worst enemy, and his own behavior is the reason why more people don’t like him.

Mr. Lyte deliberately tried to have Johnny executed for a crime he didn’t commit. That was pretty horrible, and Mr. Lyte also steals the silver cup from Johnny when he attempts to sell it to him. It’s all the more horrible when Johnny is a young relative of his. However, there is something of an explanation behind it. Mr. Lyte didn’t recognize Johnny as a relative because he knew Johnny’s father under another name and had believed that Johnny’s mother, who was his niece, had died childless. Mr. Lyte is still an unethical man, both in his personal and business dealings, but although he was wrong about Johnny not being related to him, the one thing he was honest about was saying that was what he believed. His beliefs were wrong and the actions that were based on those beliefs were also wrong, but he wasn’t actually lying about those particular beliefs, even though he has lied about other things. Later, when Johnny’s life changes, he no longer cares about having the silver cup or any relation to the Lytes.

On the other hand, there are also some characters who seem likeable initially but who prove to have dark sides. The most notable character of this type is Lavinia Lyte, the daughter of the wealthy merchant, Mr. Lyte. At first, Johnny has a crush on her because she is pretty, although he knows that they are probably related in some way. However, he eventually discovers that Lavinia Lyte is silly, shallow, spoiled, snobbish, and uncaring. She takes Cilla and her little sister Isannah into her household as servants and companions when their family doesn’t have much money. It does help Cilla and Isannah monetarily, but Johnny notices that Lavinia treats them very differently. She initially only wanted Isannah because Isannah is a pretty and adorable little girl. Lavinia is supposedly mentoring Isannah as a protege and raising her to enter high society, but really, she treats her like a pet lap dog or a living doll she can dress up and play with. Isannah is young and impressionable and has never been much of an independent thinker, often imitating other people throughout the story. Under Lavinia’s influence, Johnny sees that Isannah is becoming spoiled and badly behaved, just like Lavinia, and is not developing properly, either intellectually, morally, or emotionally. Meanwhile, Lavinia treats Cilla like an ungrateful servant, calling her “stupid” when she doesn’t do things right, even when she is merely doing precisely what Lavinia told her to do in the first place. Johnny gets fed up with this situation and tells Lavinia off for it. In return, she snobbishly tells him that he’s just a ragamuffin boy. Although Johnny still feels some attraction for Lavinia because of her looks, he learns what her personal character is really like and what being around her really involves. This remaining attraction he feels for her dies when he understands their real family relationship.

Rab is generally a good character and a positive influence on Johnny, but even he has his faults. People in his family don’t communicate their feelings as much as they should, and Johnny becomes jealous and angry with Rab when he discovers that he’s been courting Cilla behind his back and not talking to him about it. Rab’s desire for a gun so he can fight in their cause also gets him into trouble a couple of times. Even as one of the nicest characters in the book, Rab isn’t perfect, either.

The characters in the story feel very real because they do have multiple sides to their personalities and often cause mixed emotions. Johnny also comes to realize that feelings about people and relationships can change over time. Some relationships develop for the best and others for the worse. It is a sign of Johnny’s growth as a character that he can see and acknowledge the complexity of the characters of other people and his own feelings regarding them. His ability to understand and manage his feelings grows throughout the story.

The Mystery of the Disappearing Cat

Five Find-Outers

The Mystery of the Disappearing Cat by Enid Blyton, 1944, 1966.

Bets is happy that her brother, Pip, is coming home from boarding school, and he’s bringing his friends to visit. Now that the children are reunited, Bets and the others hope that they will find another mystery to solve! The others ask Bets if anything interesting has happened since they were home last, and she says not very much, although someone has moved into the empty house next door. The new neighbor is Lady Candling, who keeps Siamese cats.

The boy who helps the gardener, Luke, is nice and allows the children to visit and see the cats. Lady Candling says that the Siamese cats are valuable prize-winning cats. She keeps them in a large cage most of the time for safety, but Miss Harmer, the housekeeper, takes one out to show the children. Unfortunately, one boy, Fatty, owns a Scottie dog named Buster, and Buster comes into the garden looking for him. Buster frightens the cat and chases her! The cat claws Buster after he chases her into the bushes, and they manage to get Buster under control, but they have trouble finding the cat. Miss Harmer is upset that her cat is lost, and Bets goes to search for the cat.

While Bets is looking for the cat, the gardener, Mr. Tupping comes to find out what the fuss is about. Mr. Tupping is a violent and short-tempered man. (They also emphasize that he has a hooked nose, which I think is probably a stereotype. Enid Blyton’s books often contain derogatory racial stereotypes, although later printings have been revised to remove them.) Mr. Tupping hates children and animals, and he grabs Buster and locks him up, threatening to beat him later. The children try to help Buster, but he chases them out of the garden. Bets is left behind, but she locates the missing cat, and Luke helps to free Buster and get Bets out of the garden without Mr. Tupping seeing her. However, Mr. Tupping threatens Luke with dire consequences if he ever lets the children into the garden again.

This is just the beginning of their troubles with Mr. Tupping. When Mr. Tupping finds out that Bets has visited Luke again, he storms into Bets’s own little garden, rips her strawberry plants out of the ground, burns them, and yells at her. Bets is afraid to report him to the adults because she’s afraid that Luke will get in more trouble with Mr. Tupping. Luke is a poor orphan who lives with his stepfather, and he desperately needs the job, which is the only reason why he continues to work with the nasty Mr. Tupping. Mr. Tupping is also friends with the local policeman, and the children know that the local policeman resents them for solving a mystery before he did, so they’re sure that he will side with Mr. Tupping, no matter what they say about him.

Then, Lady Candling’s prize cat, Dark Queen, disappears, and Luke is blamed for stealing her! The children are sure that Luke is being framed for the cat-napping, but the evidence is against him. Pip and Bets’s own mother saw the cat in its cage when she went to tea with Lady Candling, and Luke was working in a garden bed nearby. Even Luke says that no one else went near the cage between then and the time when the cat disappeared. When a wooden whistle Luke made is found in the cats’ cage, the children are sure that it was planted to frame Luke, but how can they prove it? Then, the cat reappears, and later disappears again! What is going on?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

I found this story frustrating because all of the adults in the story are so oblivious to Mr. Tupping’s violence and aggression. He is actively abusive to the children and animals, but nobody seems to notice or even inquire about signs of trouble. Bets’s mother never seems to notice that all of her daughter’s strawberry plants have suddenly disappeared from her garden and never asks her daughter what happened. Mr. Tupping is able to just march onto the family’s property and abuse an 8-year-old girl with complete impunity, and her mother never notices a thing. (Of course, if I were the girl in question, I would have done what I used to do when I was picked on as a kid – take a deep breath, throw back my head, and scream continuously until help arrives. I figured out at a young age that if you scream from your diaphragm, you can get extra volume and keep the scream going for longer without straining your throat, and it’s difficult for the adults to ignore. You can’t scream like that at every inconvenience or people will start to ignore it, but it’s definitely an attention-getter if you use it when it really counts! Just let Mr. Tupping explain his presence and actions when the adults come to find out why their daughter is screaming like she’s being murdered!)

Mr. Tupping is a very obvious villain. He’s also the first person on the scene each time the cat disappears, the one who strategically assigns Luke to work near the cats’ cages just before the prize cat disappears each time, and the keeper of the key to the cats’ cages when Miss Harmer is away, which she is each time the prize cat disappears. Yet, even though he has means (the key), motive (he hates the kids and animals and wants to get rid of Luke), and opportunity (always the first person in the cats’ cages whenever the cat disappears and the one person who controls where Luke is working), all of the adults immediately look at Luke as the thief, never even questioning Mr. Tupping. An adult would be more likely than a kid to know where to sell a prize-winning cat (heck, as a an adult, I wouldn’t even know where to deal in black market animals), but nope, all of the adults first think a kid did it, like kids have those kinds of criminal connections to the prize cat black market. It drove me completely crazy!

It’s worse because Mr. Tupping is friends with the local policeman and gets favoritism because of it. When the kids consult their friend who is a police inspector, he finds out that Mr. Tupping has a police record for being involved in a dog-napping case (surprise, surprise), which establishes his criminal history and connections to people who deal in stolen animals. I was disgusted that the local policeman never looked into his background himself, but I felt a little better when the inspector reprimands him for making friends with a criminal and overlooking evidence that implicated him and trying to prevent the children from bringing evidence and concerns to light. The local policeman is embarrassed, but at that point, I felt like he deserved to be.

The villain was obvious, but what saved this mystery was that he actually used a clever trick to confuse the time when he actually took the cat. I knew from the beginning who the cat thief was, so the real mystery for me was how he got the cat out of its cage without people seeing him. It turns out that Mr. Tupping takes the cat earlier in the day than everyone thought the cat was stolen. The Siamese cats look very much alike, but the one that was stolen had a marking that was different from the others. With a bit of paint, Mr. Tupping makes a different cat look like the missing one for most of the afternoon, quickly using a bit of turpentine to remove the paint at a strategic moment to make it seem like the cat disappeared at a time when Luke was near the cats’ cages.

Five Go Off in a Caravan

The Famous Five

Five Go Off in a Caravan by Enid Blyton, 1946.

The children (Julian, Dick, Ann, George) and their dog, Timmy, are all looking forward to the summer holidays.  They’re not sure what they want to do, but they think that it would be more fun to go somewhere without the adults instead of going home, but they can’t think of anywhere they can go without adults.  They doze off in the sun while talking about it, but Timmy wakes them when a circus procession passes by.

The children are fascinated by the circus and call to a boy traveling with them, Nobby, asking him where they’re going to be performing.  Nobby says that the circus is on a break, and they’re going to be spending some time at a lake that allows them to camp there with their animals.

As the children watch the caravans of the circus going by, they think that it would be great if they could hire a caravan (horse-drawn travel trailer) and travel in it themselves.  They have a horse, Dobby, who could pull one.  The children ask their mother if they can hire a caravan, and she says that she’ll have to talk to their father about it.  It turns out that their father needs to go up north for part of the summer and wants their mother to come with them, so he thinks that it’s alright if the children want to take a caravan and camp out while they’re away.  The parents decide that the children will need to hire two caravans and borrow an extra horse because they don’t think one caravan will be enough for the four children and their dog, and they insist that the children sent them a message every day to tell them where they are and how they’re doing.

As the children discuss their plans in more detail, they decide that it will be fun to go to the lake where the circus is and get to know Nobby better.  Nobby lives with his uncle, who is the chief clown of the circus, and the children didn’t like what they saw of him before because he didn’t seem jolly at all, but they think it would be fun to be friends with Nobby and get another look at the circus animals. 

The children are eager to get started, but their parents make them pack and plan properly.  When the caravans arrive, the girls choose the red one, and the boys get the green one.  The girls take the new horse, Trotter, and the boys take Dobby for their caravan.  The adults give the children a map of places where they’re allowed to camp.  On their way to the lake, the children camp on farms that allow caravans.

When the children arrive at the lake, Nobby is glad to see them, and he introduces them to his chimpanzee, Pongo, and his terriers, Barker and Growler.  Nobby is friendly, but his Uncle Dan (called Tiger Dan) and Lou the acrobat are rough and unfriendly and don’t want the kids around.  When the children camp near the circus that night, Tiger Dan and Lou try to run them out of the campgrounds, but the children send their dog after them.  The campgrounds are public property, and there isn’t any reason why the children can’t be there.  The children think that Tiger Dan and Lou stumbled on their campsite by accident when they were trying to have some kind of secret meeting.

The next day, the children decide to go camp in the hills, as they had already planned because they know it will be cooler in the hills.  Lou takes an interest in where the children are going, but they don’t want to tell him much because they don’t want Lou and Tiger Dan coming after them to harass them again.  They find a nice place to camp up in the hills on some land belonging to a pleasant farmer and his wife, who also provide the children with food.

However, it isn’t long before Tiger Dan and Lou locate the children’s campsite and try to talk them out of camping at that spot also.  Nobby doesn’t know why Tiger Dan and Lou are up in the hills anyway.  The circus people have been buying some of their food from the farmer, but Nobby says that it’s always the women who go to the farm to buy things, not the men.  It seems like Tiger Dan and Lou are up to something suspicious, but the children don’t know what.

Then, suddenly, the men seem to change their views of the children, encouraging Nobby to be friends with them and to bring the children to visit the circus camp.  The children are suspicious and leave Timmy to guard their caravans while they visit the circus camp, just in case the men try to mess with their camp while they’re gone.  When they return to their own camp, the children discover that the men have tried to poison Timmy with tainted meat!  Fortunately, Timmy didn’t eat the meat, but unfortunately, one of Nobby’s dogs eats some and is violently ill.  The children aren’t sure whether the little dog will survive or not, and they don’t know why the bad men want to get rid of them so badly that they would try to kill their dog.  Whatever’s going on is serious, and they need to get to the bottom of it!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

Traveling without parental supervision is the stuff of vintage children’s books and the dreams of children from every era! The kids in the Famous Five series have far more independence that modern children have, and in fact, the authorities might be concerned about children their age traveling without their parents. Actually, I would think that few adults even at the time of the writing of this book would even consider letting their children travel alone like that. That’s part of the appeal of this type of story, children being able to do things that real children never do.

I didn’t like the part about the dog being poisoned because I always hate it when bad things happen to animals in stories, but don’t worry! Nobby’s dog is fine in the end!

The Castle of Adventure

Enid Blyton’s Adventure Series

The Castle of Adventure by Enid Blyton, 1946.

Since the children’s last adventures, Philip and Dinah’s mother has used the children’s reward money to buy a home for them, so the children won’t have to continue staying with their aunt and uncle on school holidays.  They’ve also invited their friends, Jack and Lucy-Ann, to live with them, so they don’t have to return to their uncle’s house.  Now, the girls go to the same boarding school, and the boys go to their boarding school, and they’re all together on holidays.

When the children are out of school for the summer again, they and their mother go to stay in a cottage near an old castle on a hill.  The children are fascinated by the castle, but their mother doesn’t want them going near it because local people tell sinister stories about it.  She doesn’t explain about their stories, but she seems to think that it might be dangerous.  However, she does agree that the children can go have a look at an eagle’s nest near the castle, knowing how Jack feels about birds.  The children realize that they can use that to get a look at the castle anyway.

They make friends with a local girl named Tassie.  They call Tassie a “wild girl” because she’s a gypsy, has a pet fox, and runs around in old, dirty clothes and without shoes (she carries shoes with her but doesn’t wear them) and seems uneducated.  She doesn’t seem to know what an eagle is or what a bath is (although the children’s mother insists that she get one).  (No, I don’t believe that she’s ignorant for being a gypsy. I think it’s both a stereotype and a plot device.)  However, Tassie knows the area very well and helps the children find their way around.  Tassie is also afraid of the castle.  When the children ask her what stories people tell about the castle, she says that an evil man used to live there, and people would come to see him and never be seen again.  Still, the children want to explore the castle.

When they explore the castle, they find a water pump with a puddle beneath it, indicating that someone has been there recently to prime and use the pump.  Jack also realizes that the eagles in the next have a young eaglet who looks like it’s about ready to fly.  He persuades the children’s mother to let him build a hide (camouflaged shelter) so he can camp out and watch the birds.

While camping out, he realizes that there’s someone else in the castle besides himself.  At night, he hears someone moving around and using the pump, and he thinks he sees a flashing light, like someone signaling to someone else.  In the morning, he thinks maybe he dreamed it, but Lucy-Ann mentions seeing the flashing light.  Lucy-Ann thought that Jack was signaling to her, but Jack realizes that it was someone else and that he wasn’t dreaming.

Exploring the castle further, he finds a hidden room with old furniture and armor and realizes that someone has been hiding there.  Later, he sees some strange men in the castle and hears them speaking a language that he doesn’t recognize.  Who are they and what are they doing there?  Could they have something to do with the assignment that their friend Bill, an undercover investigator, is doing in a town nearby?

The book is available to borrow and read for free online through Internet Archive (multiple copies). It was also made into a tv movie serial. You can see it on YouTube.

My Reaction

Like other Enid Blyton books, there are racial issues in this book that were changed in reprintings. Enid Blyton books often feature stereotypical gypsies (more politely called Romany or Travelers these days) as characters and plot devices. Tassie is a pleasant and helpful character but still stereotypical.

I like the setting for the story. A supposedly abandoned castle makes an exciting place for our young heroes to explore. Even with the references to spooky stories about the place, the kids never really believe that the castle might be haunted. They very quickly realize that there are living people who have been hanging around the place. The sort of sinister characters using the place as a hideout are the same sort of villain characters as in the first book, which brings the kids’ friend Bill back into the story.

I enjoyed the movie serialization of the book, and I thought that it followed the story of the book well.

Island of Adventure

Enid Blyton’s Adventure Series

Island of Adventure by Enid Blyton, 1944.

Philip Mannering is spending part of his summer holidays at the home of one of his teachers, doing some extra studying, which is a bit depressing.  He has fallen behind in school because he recently suffered from Scarlet Fever and Measles, and he is trying to catch up.  He’s not the only boy studying at the teacher’s home, but he isn’t really friends with the others.

One day, he’s doing some studying on the hillside and hears a strange voice telling him to shut the door and not whistle.  There is no door on the hillside, and he wasn’t whistling.  Philip is very confused until he realizes that the voice is coming from a big, white parrot sitting in a tree.  Then, he hears a child’s voice calling the parrot from the garden of the teacher’s house.  Philip is happy, thinking that another boy has joined the study group, but it turns out that he’s only half right.

The voice in the garden belongs to Lucy-Ann Trent, who isn’t a student and isn’t there to study.  Her brother, Jack, is the one who needs to catch up in school because he never focuses on his studies.  Jack has only one interest in life, and that’s birds.  Jack owns the parrot, Kiki, and wants to be an ornithologist when he grows up.  He is bright but disinterested in anything that isn’t related to his chosen field.  Lucy-Ann is only there to spend time with him and keep him company while he gets extra tutoring.  The two of them are orphans.  They don’t remember their parents because they died in a plane crash when the children were very small.  Most of the time, they live at boarding school, which is why they don’t spend as much time together as they like.  Usually, during their holidays, they live with a fussy uncle, which is why the parrot is always barking orders at the children.

Philip also usually lives with an aunt and uncle when he’s not at school.  His father is dead. His mother is still alive, but she spends most of the time working at her art agency.  He also has a sister named Dinah, but they don’t usually get along.  Philip is surprised at how well Jack and Lucy-Ann get along with each other because he’s always fighting with his sister, who has a temper. (Although, admittedly, he does push Dinah to lose her temper.)  Strangely, Philip finds himself wishing that Dinah were also there because, when he becomes friends with Jack and Lucy-Ann, it occurs to him that she would nicely round out the group.

Philip, Jack, and Lucy-Ann become friends by bonding over their shared love of animals. Philip likes the parrot and tells Jack and Lucy-Ann that they would probably like his aunt and uncle’s house because they live by the sea, and there are many sea birds in the area.  Philip doesn’t know much about birds in general, but he likes collecting various small pets, including mice and caterpillars.  The teacher isn’t too happy about these animals because they disrupt study sessions.

Then, Jack and Lucy-Ann get a letter saying that they’re going to have to continue staying with the teacher through the rest of the summer because their uncle has broken his leg and can’t take them back.  The children aren’t happy about that and neither is the teacher because he had other plans after the summer tutoring session ended, even though the uncle has provided a generous check for the children’s care.

Then, Philip has a wonderful idea: maybe Jack and Lucy-Ann can come visit him and his sister at his aunt and uncle’s house.  Dinah has written to him that she’s bored and lonely and misses him, even though they usually fight.  She would like the company, and Philip knows that his aunt and uncle could use the money the children’s uncle is willing to offer for their boarding.  Jack and Lucy-Ann like that idea, but they’re not sure that their uncle and teacher would agree to let them go because they don’t know Philip’s aunt and uncle, and they think maybe Philip’s aunt and uncle wouldn’t want two strange children staying with them.  The children know their plan would be best for everyone, but since they’re not sure that they can persuade the adults, they take the attitude that it’s easier to ask for forgiveness than permission and plot for Jack and Lucy-Ann to run away and join Philip on the train home.  Jack and Lucy-Ann secretly send their trunks to the train station along with Philip’s and tell the teacher that they’re just going down to the station to say goodbye to Philip when he goes.  Then, they quietly buy their train tickets and leave.

When the children arrive at Philip’s home, Aunt Polly is irritated because she isn’t prepared for unexpected guests.  There are no rooms or beds for them, and she says that they can’t stay.  However, she is surprisingly won over by Kiki, who says, “Poor Polly!” over and over in a sad tone.  Not knowing that Kiki is also sometimes called Polly, Aunt Polly thinks that the bird knows her name.  She often feels overworked and rarely gets any sympathy, so she appreciates this gesture from Kiki, who repeats the phrase more often, seeing that it pleases Aunt Polly.  Aunt Polly is also charmed that Polly tells people to get a handkerchief when they sniffle or sneeze because she’s always saying that to Dinah.  When she telephones the children’s teacher to discuss the situation and learns about the fee the children’s uncle is willing to pay for caring for the children, she decides that maybe the children can stay after all.  The relieved teacher promises to endorse the check over to her.

Aunt Polly is relieved to get the extra money, and she reveals to the children that she’s been very worried about expenses because Philip and Dinah’s mother has been ill and hasn’t been able to send the money she usually sends from her job.  Her doctor says that she’s run-down and needs a rest, but her job is an important source of money to the whole family.  Everyone is relying on her, but since she hasn’t been able to send her usual support money for the children, Aunt Polly is worried about how she will afford the children’s school fees.  Philip bravely says that he’s willing to quit school and get a job instead to help out the family, but Aunt Polly says he’s still too young.  Philip has wished before that he was old enough to be the man of the family and provide for his mother.  His uncle isn’t much help with money and doesn’t pay attention to family expenses, too absorbed in his academic work.  Aunt Polly says that the money she’ll get from boarding the Trent children will help out.

Philip says that part of the trouble is that the house where they live is really too large. About half the house is crumbling into ruins from neglect, and the other half is really too big for Aunt Polly to maintain.  Aunt Polly agrees but says that moving would be difficult because few people would want a house like this one, crumbling and located in a rather lonely spot along the coast.  Besides, the children’s uncle loves it because he knows all the history of the area, and he wouldn’t want to leave.  Philip thinks the only thing that will really help is when he and Dinah are old enough to get jobs.  Then, the two of them will be able to help their mother afford a place for three of them.

Philip’s aunt and uncle have a gloomy man named Joe working for them, and he tells the children that the tower room where the boys will sleep on an old mattress (a prospect that seems adventurous to them instead of an inconvenience) isn’t a good room because it’s the only room where they can see the Isle of Gloom.  He says that bad things are associated with the Isle of Gloom because bad people who did terrible things lived there.  Jack asks Philip about the Isle of Gloom.  Philip says that it’s difficult to see, even from the tower room, and it’s always covered in mist.  Nobody lives there now.  Jack thinks it sounds great because the birds on the island have probably never seen people before and won’t be afraid of them, so he could get some amazing pictures.  He thinks maybe he’ll even find some rare birds.  Philip says that he and Dinah have never been there before themselves, and he’s not sure whether there are birds there or not. 

Staying at the house by the sea isn’t easy.  All of the children are expected to help with the chores.  There is no electricity, and they use oil lamps that need to be cleaned.  The water has to be pumped from a well.  Still, Jack and Lucy-Ann think that it’s just part of the adventure.  They enjoy going swimming and fishing with Philip and Dinah, and Jack has fun bird-watching, but Joe the handyman is always spying on them and acting creepy.  He keeps telling the children spooky stories about things lurking in the dark.  For some reason, Joe tries to discourage the children from exploring the area or going out in a boat, but they soon make an interesting discovery. 

While the children are exploring a cave, Philip teases Dinah, and she hits him.  He stumbles back and ends up in a hidden tunnel.  Philip and Jack explore the tunnel and discover that it leads to some carved stone steps and trapdoor that leads up to a storeroom that’s part of the cellars at the house.  Philip says that he never knew this part of the cellar existed.  The boys discover that the door to the storeroom is usually hidden by boxes, but Joe has the key and comes in.  Kiki, who is with Jack as usual, makes some sounds that terrify Joe, who thinks that there are strange and spooky things in the cellar.  The boys think that it’s hilarious that Joe got scared when he’s always trying to scare them.  They steal the key that Joe left in the door so they can come and go whenever they like, but they wonder why Joe even hides the door to the storeroom in the first place.  Philip is sure that even his aunt doesn’t know about that storeroom, or she would have mentioned it before.

Joe is definitely doing something suspicious, going out at night in a boat, fearful that the children will find out what he’s doing. The children make friends with a nice man named Bill, who is staying in an old shack nearby. Bill says that he’s there for bird-watching, but he doesn’t seem to know that much about birds or talk about them as much as Jack does. Bill has a boat and takes the children out sailing, but he doesn’t want to take them to the island and warns them to be careful of Joe. Does Bill know something the children don’t, or does he have some dangerous secrets of his own?

The book is available to borrow and read for free online through Internet Archive (multiple copies). It was first published in Britain, and some US copies use the title Mystery Island instead. The book was made into a movie in the 1980s, and you can see it on YouTube. The movie has John Rhys-Davies as one of the villains.

My Reaction

First, I’d like to get it off my chest that I didn’t like many of the family relationships throughout the book. Aunt Polly’s marriage is a little disturbing because she doesn’t have enough money to run the household, but her husband not only says that he has none to give her and wouldn’t give her any even if he did have money. He doesn’t seem to care about the welfare of either Polly, who is eventually revealed to have a heart condition, or the children in his care. He buries himself in his study most of the time and has almost no idea of what’s going on in the rest of the house or even who’s there. He’s not just obsessed with his studies, but at times, it seems like he’s deliberately hostile toward everyone else, including his wife, like their existence in the house is a terrible inconvenience to him.

I didn’t like the way Philip and Dinah were portrayed as always fighting physically in the book. Admittedly, my brother and I got into physical fights when we were little, but Dinah is twelve years old, and Philip is older than she is. Both of them seem to be too old to be acting the way they do in the story. Dinah is very emotional and has a hair-trigger temper, and Philip, knowing this, intentionally baits her into losing his temper. He likes to put creepy-crawly creatures on her or act like he’s going to, knowing she doesn’t like it and that she’ll react, and then he’s not happy when she lashes out and hits him. While Dinah shouldn’t react by hurting people physically, I could sort of understand it if she constantly has to put up with this from Philip. Living with someone who is always baiting you and escalating his behavior until you break would probably leave anyone broken in the end, and I can’t help but think that Dinah’s emotions would stabilize more if she didn’t have to deal with someone always trying to throw her off balance. Maybe she’d still be an emotional person, but I notice that it’s particularly Philip who gets her to fight physically while nobody else does because they don’t bait her into it. I found that sibling relationship kind of disturbing because Philip seems to know exactly what he’s doing, and as I said, he’s too old to be doing this stuff innocently.

Jack and Lucy-Ann seem to have a more fond sibling relationship. Lucy-Ann sometimes seems a little clingy with Jack, but I think that might be because the children are orphans and are not fond of their stern uncle, so they don’t really have anybody else to be close to except each other.

My copy of the book is one of the later editions that had some of the names and language changed to remove racially-problematic aspects of the story. In the original version of the book, the sinister handyman was a black man called Jo-Jo, and his race was unduly emphasized. I prefer the version where he’s just a weird guy named Joe.

The mystery isn’t bad. I knew right away that Joe was suspicious because he kept acting suspiciously, but the mystery is one of those type where it’s not so much about “whodunnit” as about “What is this person doing?” Readers know that Joe is up to something, but it isn’t clear for much of the book what it is. I had a couple of ideas early in the story, but neither was right.

Bill is also an interesting addition to the story. For part of the book, he looks a little suspicious because readers can tell that he’s not the bird-watcher he pretends to be, but he doesn’t seem to be allied with Joe. Bill is actually a good character, although he’s not what he appears to be, and he becomes one of the important characters in other books in the series.

50 Card Games for Children

50 Card Games for Children by Vernon Quinn, 1933, 1946.

I love games of all kinds, and I was fascinated by this vintage children’s book about card games! Along with the card games, there is also a section in the book with card tricks. The vintage pictures in the book are also nice.

If you’re curious about what kind of card games children were playing during the Great Depression and around the time of WWII, this book offers some interesting insights! There were many games in the book that were already familiar to me, but there were some others that I had never heard of before.

The book is available to borrow and read for free online through Internet Archive.

Sections in the Book:

Card Games that Are Fun to Play

That struck me as an odd title for the very first section of the book, like whatever follows is going to be games that are not fun to play, but basically, this section contains multiplayer card games specifically aimed at children. It becomes clear when you study not only the contents but the titles of the other sections, which are about solitaire games, card tricks, and a section about popular card games that adults play.

I recognized a number of popular children’s card games in this section, like I Doubt It, War, Concentration, Hearts, Old Maid, and “Go Fishing” (which is what they call it instead of Go Fish, which is what I’ve always heard it called). There were some other games that I didn’t recognize, like The Earl of Coventry, Rolling Stone, Frogs in the Pond, and My Ship Sails.

Twelve Games of Solitaire

I was familiar with Klondike, Canfield, Pyramid, and Around the Clock (which I always called Clock Solitaire). I had never heard of Pirate Gold, Spread Eagle, Lazy Boy, or Down the Stairs before.

Twelve Card Tricks

These are magic tricks with cards. Some of them sound a bit complex when you’re reading the descriptions, but I think they would be more clean when actually trying them with a deck of cards.

Some Games That Grown-Ups Play

The games in this section are Rummy, Casino, Seven-Up (also known as High-Low-Jack), High Five, Cooncan, and Five Hundred. Actually, I have seen Rummy decks specifically for children, usually Animal Rummy, but that’s still a Rummy version, so that game isn’t just for adults.

An Easy Lesson in Contract Bridge

I never thought of Bridge as being easy because I’ve always been intimidated by the concept of bidding. I understand trick-taking games like Whist, but I haven’t wanted to try Bridge because of the bidding. Actually, I think this basic description for children is a good tutorial for people like me, who find the bidding concepts confusing.

The Poky Little Puppy

The Poky Little Puppy by Janette Sebring Lowrey, illustrated by Gustaf Tenggren, 1942, 1982.

This is a famous class children’s book, the first in a series from the Little Golden Books collection! In fact, it was one of the original first 12 Little Golden Books that were published in 1942.

Five little puppies like to dig holes under the fence and go exploring. Then, four of the puppies realize that one of their brothers isn’t with them. They look around and find him sniffing at the ground. When they ask him what he’s doing, he says that he smells something.

The puppies realize that the smell is rice pudding, and they hurry home to get some. However, their mother is angry about the holes they dug and sends them to bed without dessert.

The puppy who originally smelled the rice pudding is slower than the others (or “poky” as the book describes him, which is why he’s called the Poky Little Puppy). He comes home later than the others, and while everyone is asleep, he eats all the rice pudding himself.

The next day, their mother puts up a sign telling them not to dig holes under the fence, but the puppies ignore it and dig holes anyway so they can go exploring. While they’re out, the Poky Little Puppy hears something.

The other puppies realize that it’s the sound of chocolate custard being dished up, and they hurry home to get some. Again, they’re punished for digging holes, and they’re sent to bed without dessert. And again, the Poky Little Puppy comes home last and eats all the dessert while everyone is in bed.

The next day, the puppies dig holes again, but this time, when they hurry home for dessert and their mother is mad at them, the four puppies who got home quickly fill in the holes they dug. Their mother, seeing that they fixed the holes, decides to let them have their dessert. The Poky Little Puppy, who came home late again, doesn’t get any because the others ate his share, too.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

This is a very simple story, but I remember liking it as a kid. Kids like stories with repetition, so the repeated incidents in the book appeal to them. The Poky Little Puppy thinks that he’s found a trick to getting all the dessert by staying out late enough that his mother has gone to bed and can’t tell him to go to bed without dessert. But, his trick stops working when the other puppies clean up their act and get the dessert before he even gets there. In the end, all of the puppies learn that digging holes means no dessert for any of them anymore.

Mary Poppins Opens the Door

Mary Poppins Opens the Door by P. L. Travers, 1943.

This Mary Poppins book was written during World War II, and the author has an acknowledgement in the first chapter that things have changed because of the war. Like other Mary Poppins books, each chapter is its own short story, and the first one takes places on Guy Fawkes Day. A note at the beginning explains what Guy Fawkes Day is, and it also mentions that people haven’t celebrated it since the war began. However, the author says that she is sure that the situation is only temporary and that people will celebrate it once again after the war is over.

Sadly, people reading older versions of Mary Poppins books also have to be warned about the racial language. The stories are magical, but at the same time, one of the most grating things about the original printing of this book is that characters have a tendency to use racial language or racial terms as insults. When characters, even Mary Poppins, are irritated with each other, they’ll call people things like “Hottentot“, “black heathen”, “Blackamoor“, and similar things, implying that these people are behaving like “savages.” Some of the words the books use would be considered offensive by themselves, but it’s worse when they’re specifically used as insults. These incidents don’t take place in every story, but they happen throughout the original printing of this book, and they’re also found in other old Mary Poppins books. On a somewhat lighter note, I liked the character of Mrs. Clump, even though she’s an antagonist in one of the stories, because she used “vampire” and “pirate” as insults. If someone is going to use insults, I like them imaginative and funny like that. Fortunately, later reprintings of this book revised or removed the inappropriate racial language, so some people who grew up with the revised versions may not have even been aware that they were ever there.

This is the third time that Mary Poppins returns to the Banks household to be the children’s nanny. In the previous two books in the series, she came suddenly and left suddenly, without warning. Mrs. Banks finds it upsetting that Mary Poppins comes and goes so unexpectedly because she never knows if she can count on her to be with the children or if she will disappear suddenly. All the same, Mrs. Banks is always grateful when Mary Poppins comes because she’s so good at putting the household in order.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Stories in the Book:

The Fifth of November – Mr. Banks is in a bad mood and declares that he won’t be home for dinner that night, upsetting his wife and children because it’s Guy Fawkes Day, and the family wants him to help set off fireworks. He won’t even shake hands with the chimney sweep, even though that’s supposed to be good luck. Part of the trouble is that the family is missing Mary Poppins, and they haven’t found anyone to replace her, leaving the house in disorder. Mrs. Banks considers hiring Mr. Banks’s old governess, but the children beg her not to because they know how strict she is. The discussion is interrupted by the chimney sweep. Mrs. Banks doesn’t remember scheduling the chimney sweep for the day, and the household staff panic at the idea of having to clean up after the chimney sweep. The chimney sweep offers to take the children to the park and set off some fireworks to give the household time to prepare for him, and the children eagerly accept. The chimney sweep and the park keeper set off fireworks with the children. For some reason, though, there are no sparks from the last rocket, and they can’t figure out why. As everyone else starts heading home, the children see something odd in the sky, a strange spark. It gets larger, and the children recognize it as Mary Poppins.

The children are overjoyed to see Mary Poppins again, and she takes them home. Mrs. Banks is also glad to see Mary Poppins again even though she’s still irritated at the way that Mary Poppins comes and goes suddenly without word or warning. Mr. Banks’s mood improves as well. Mary Poppins immediately starts making herself at home and putting things in order. She measures the children, but instead of learning their heights, she learns about bad habits they’ve developed. The children ask Mary Poppins if she’s going to stay with them this time, and she says that she’ll stay “until the door opens.” Jane is upset because the nursery door opens all the time, but Mary Poppins tells her that she means “the other door” without explaining what that means.

Mr. Twigley’s Wishes – When Mrs. Banks says that she needs to find a piano tuner, Mary Poppins recommends her cousin, Fred Twigley. She takes the children to Mr. Twigley’s house to see him. Mrs. Clump, the housekeeper, tries to send them away, but Mary Poppins pushes in anyway. Mr. Twigley has locked himself in a room. When Mr. Twigley finally lets Mary Poppins into the room with the children, they can’t see him at first. When Mary Poppins asks him what’s going on, Mr. Twigley explains that he’s been “wishing” and that he’s hiding from Mrs. Clump. He makes himself visible again and explains that, at certain times and under certain conditions, he has the ability to make seven wishes that come true. It’s a tricky business because it’s easy to waste wishes on whims and random thoughts. Mrs. Clump is scheming to marry him because she wants him to use his wishes to give her what she wants, and Mr. Twigley doesn’t want to marry her. When Mrs. Clump tries to come see him, Mr. Twigley suddenly wishes that he was somewhere safe, and he finds himself on one of the music boxes that he’s been making. Then, suddenly, the children also find themselves on music boxes. Mrs. Clump brings a policeman to deal with the chaos, and Mr. Twigley also traps Mrs. Clump and the policeman on music boxes. Mrs. Clump promises that she won’t try to force Mr. Twigley to marry her anymore if he lets her go. What Mrs. Clump had wanted Mr. Twigley to wish for her was a golden palace, so he shrinks her, turns her into a mechanical woman, and puts her into a music box golden palace.

The Cat that Looked at a King – Michael has a toothache the day after his birthday, and Mary Poppins says that it’s because he’s eaten too many sweets. Michael angrily tells Mary Poppins not to “look at him like that.” Mary Poppins says that “Even a cat may look at a king,” and the children and Mary Poppins talk about what the phrase means and if it’s true. A china cat from the mantelpiece comes to life and runs off. Mary Poppins tells the astonished children that the cat has gone to see the queen.

Mary Poppins begins telling the children a story about a king who thought that he knew practically everything, but he kept wondering about all sorts of random things that he doesn’t know. He would think of all sorts of random questions and then send his subjects out to find the answers for him. He kept everyone so busy with finding out random information and writing it down that ordinary tasks would be neglected. The queen feels neglected by the king, the kingdom is poor, buildings are crumbling because they aren’t being maintained, and the castle is infested with mice. Then, a cat comes to the castle and hunts the mice. Then, it sits on the king’s desk and stares at him. The king asks him what he’s doing, and the cat says that he wants to look at him. The king says the cat can look at him, and when the cat has had a good look, the king asks the cat what he thinks. The cat doesn’t think much of the king, and the king is offended because he thinks that his great knowledge deserves more admiration than that. The cat says that it knows everything, and the king says that’s impossible because even he doesn’t know everything. The cat says that cats know everything, and the king challenges the cat to prove it. The cat agrees to the challenge but sets the condition that whichever of them wins gets to govern the kingdom. As the king asks questions, the cat replies as if they’re all riddles. The king says that he’s not being serious and is missing the point, and the the cat says that all questions must have a point and his ridiculous questions don’t have one. The king is unable to answer any of the cat’s questions, but the queen, a page, and the prime minister can, so the cat says that he has the right to rule the kingdom with the help of the people who could answer the questions.

However, the queen, the page, and the prime minister all refuse to serve the cat because they are all dedicated to the king. The king repents of his foolish pride in his supposed knowledge and says that he’s not sure of who he is really anymore. The cat tells the king to look at him, and the king sees his own reflection in the cat’s eyes. When he sees himself, the king remembers that he’s actually King Cole, a merry old soul, and that he has no need of all these useless facts he’s been obsessing about. The cat says that he will let King Cole have the kingdom back if he can be allowed to visit the queen sometimes, and they agree.

The Marble Boy – Mary Poppins takes the children to the park, and although she doesn’t want to admit it, she is irritated that an old man is sitting in her favorite seat, reading a book. When the man closes the book and gets up, a statue of a boy with a dolphin suddenly leaps down from its pedestal and begs him not to stop reading yet because he’s been reading over the man’s shoulder and wants to finish the story. The shocked man apologizes but says that he has to get home to tea. The marble boy asks him if he can have the book, and the man is reluctant to part with it because he’s been wanting to read it for years, but he finally hands it over and leaves.

Jane and Michael ask the marble boy who he is and how a statue can read and jump off its pedestal. The boy says that his name is Nelius. He is an ancient statue from Greece that was separated from the rest of his family. He is often lonely, but he likes observing people in the park and reading over their shoulders. Mary Poppins, who Nelius says he knows because she’s an old friend of his father, tells Nelius to get back on his pedestal, but Nelius begs her to let him play with Jane and Michael awhile longer. Mary Poppins agrees that he can play with the children for the afternoon, but then, he has to get back on his pedestal before he’s missed.

Nelius enjoys spending time with Jane and Michael and going to the book stall with them. However, he does attract unwanted attention. Mrs. Lark sees his dolphin and thinks that he’s cruelly removed a fish from the water, and she says that she’s going to report him. Various people worry because Nelius is running around naked, so Mary Poppins gives him her jacket to wear. At the end of the afternoon, Nelius gives Jane the book the man gave him, asking her to let him read it over her shoulder, and he gives Michael some money that the man at the book stall gave him to buy clothes. By now, people have noticed that the statue is missing, and the mayor is demanding that the park keeper explain the situation.

Peppermint Horses – Jane and Michael take their father’s walking sticks because they want to play horses with them, like they’re riding hobby horses. Mary Poppins gives the the walking sticks back to Mr. Banks and takes the children and Robertson Ay, who works for the Banks family, on errands. The children get tired of walking and start getting cross. Then, they see a woman named Miss Calico with what looks like a bunch of large candy canes and a sign that says she has horses for rent. The children are confused because they don’t see any horses. It turns out that Miss Calico’s candy canes are magical mounts that people can ride. Mary Poppins rents some of these peppermint horses for the children and Robertson Ay, and they ride them home through the sky, along with other people they know. Mary Poppins rides on her umbrella instead because she never uses walking sticks. The children want to keep their magical candy canes forever and continue to ride them, but they’re only rented. Miss Calico comes around at night and collects them.

High Tide – Mary Poppins takes the children to visit Admiral Boom and his wife because their parents want to borrow a bottle of port from them. They give them the port and a seashell for the children to enjoy. Michael is curious about what port tastes like, and Jane is fascinated by the seashell. She says that she would like to go see the sea.

That evening, while Mary Poppins is still having her half day out, the children hear a voice from the seashell telling them to dive in. They do and find themselves under the sea. The voice from the shell was a trout, and the trout introduces them to other sea creatures and takes them to a garden party that the creatures are having to celebrate high tide. Of course, Mary Poppins turns out to be the guest of honor.

Happy Ever After – It’s New Year’s Eve, and Michael wants to know what happens between the first chime at midnight and the last chime because he’s been told that the old year ends at the first chime and the new one starts at the last chime. Mary Poppins refuses to answer. She takes the children’s toys away from them, lines them up, and puts open books in front of them, also without explaining why, just telling the children to go to sleep.

The children wake up at the first chime of midnight and see their toys come to life. The toys lead the children to the park, where they see all sorts of storybook characters. (Friday from Robinson Crusoe is a rather uncomfortable character.) They explain that the period between the first chime and last chime of midnight on the New Year is called “the Crack”, and it’s the only time of year when characters can come out of their books, provided that they’re left open, and all be friends with each other, even if they’re enemies in their stories. It’s the only time when they truly have Happily Ever After. So, they all have a party to celebrate the Crack, and naturally, Mary Poppins is the guest of honor.

The next day, Michael asks Mary Poppins if they’ll ever have happily ever after themselves, and she says that depends on him.

The Other Door – Mary Poppins’s friends show up to say goodbye to her, although they try not to let the children know that Mary Poppins is about to leave. They all have a dance together, and Mary Poppins takes the baby home from the park before the other children. Jane and Michael realize that Mary Poppins is about to leave when her friends talk about “the door.” They rush upstairs to the nursery, but they don’t see her until Jane spots her in the reflection of the nursery in the window. The door in the reflection is the “other door” that she’d been talking about, and that’s the door that Mary Poppins goes through to leave. The children’s parents come into the room, and the children tell them that Mary Poppins is gone. Mrs. Banks is upset, but Mr. Banks dances because he likes the music from her goodbye party, which is still going on. The family thinks that they see a shooting star, but that’s Mary Poppins leaving. Still, they make a wish not to forget Mary Poppins.

The Little White Horse

The Little While Horse by Elizabeth Goudge, 1946.

The year is 1842, and Maria Merryweather is on her way to her family’s ancestral home, Moonacre Manor. Thirteen-year-old Maria is an orphan. Her mother died when she was a baby, and now, her father has died. Their house in London had to be sold to pay his debts, and now, Maria is going to live with a distant cousin, Sir Benjamin Merryweather, in the country. She is traveling with her nurse, Miss Heliotrope, who has taken care of her since she was little and is like a mother to her, and her dog, Wiggins. Maria and her father were never really close. Maria isn’t sure that she’s going to like living in the country because she is accustomed to city life and the luxuries that come with it. She fears that life in the country will be rough and full of deprivation.

Maria begins to feel better when she actually sees Moonacre. It’s a lovely, romantic, castle-like manor house. The manor also gives her an odd feeling of home because so many Merryweathers have lived there for so long. Sir Benjamin welcomes her, and she likes him immediately. Oddly, Sir Benjamin refers to has as “one of the silver Merryweathers”, saying that she was born during a full moon. It’s true that Maria has unusual silvery gray eyes. Sir Benjamin says that he’s a “sun Merryweather”, born at midday, but that’s okay because moon Merryweathers and sun Merryweathers get along well. He does have a rather warm, sunny appearance.

Sir Benjamin shows them around the manor and to their rooms. The furnishings are a little shabby, but they’re quite comfortable, and they like their new rooms. Maria is charmed because her room is in a turret, and it has a very small door that’s really only big enough for a small girl like her to get in. Miss Heliotrope is worried that she won’t be able to get into Maria’s room if she is ill and needs her, but Maria is sure that isn’t going to be a problem. She loves the room because it just seems so perfect for her. Wiggins even seems to be getting along with Sir Benjamin’s big, old dog, Wrolf, although Maria has some doubts that Wrolf is actually a dog because he doesn’t look like any dog she’s ever seen before.

At dinner that evening, Sir Benjamin talks about giving Maria riding lessons, saying that he has a little gray pony who would be just right for her. Maria mentions a beautiful white horse that she saw from the carriage as they were approaching the manor, but Miss Heliotrope didn’t see it and thinks she just imagined it. Miss Heliotrope thinks that Maria imagines things all the time, like the little boy named Robin, who had a feather in his cap and was a childhood playmate, but Maria insists that the boy really did exist and so does the little white horse. Thinking about Robin makes her wish that he was here to keep her company at Moonacre, but she hasn’t seen him for a couple of years and doesn’t know where he is.

There are a few odd things that Maria and Miss Heliotrope notice about Moonacre, though. Aside from the odd dog, Wrolf, Sir Benjamin seems oddly evasive about who and where the servants are. They never see them, yet someone has been doing the cooking and cleaning and making fires in the fireplaces. There’s even a fire in Maria’s room, but she can’t figure out how anyone got in to make one since the door is too small for even an adult Miss Heliotrope’s size.

The next day, a riding habit appears in Maria’s room. It’s very nice quality, even though Maria can tell that it’s second-hand because it’s an older style and a little worn and has the initials LM on it. Maria like it, but who used to own it, and who put it in her room? In the parlor attached to her room, Maria also sees an old painting that contains a white horse and an animal that looks something like Wrolf, although she’s still not quite sure what kind of animal it is. (What’s that “brave-looking” animal that has a tawny mane and a tuft on its tail? I’m sure if we think about it, it will come to us.)

Sir Benjamin tells Maria that she shouldn’t wander the countryside alone, but she is free to explore as long as she’s with her pony Periwinkle or Wrolf. The one place he doesn’t want her to go is Merryweather Bay because there are rough fishermen there. He refers to Maria as a “princess” and the area around Moonacre as her “kingdom,” and from the way he says it, it seems that he somehow means that literally. Even the local people seem to have some kind of awe and respect for her.

Maria finds the nearby village of Silverydew charming. The Old Parson introduces her to the children of the village, and they tell her about the mysterious “Black Men” (because they all wear black, not their race) who hang out in the woods and by Merryweather Bay. They set traps for animals and steal livestock from the locals, and everyone is afraid of them.

Maria also discovers that Robin is here in the village of Silverydew, and he rescues her from an encounter with the Black Men. Robin tells her that her ancestor, Sir Wrolf, who founded the Merryweather family, was the one responsible for making the Black Men as evil as they are, and because of that, his soul has been unable to enter Paradise. Locals say that his spirit rides around nearby Paradise Hill, weeping because of what he did, and he will continue to do it until someone finds a way of solving the problem he caused.

Maria asks what exactly Sir Wrolf did, and Old Parson tells her the story of Sir Wrolf and how he acquired the lands around Moonacre. At first, Sir Wrolf just owned the land where the manor house sits, but he wasn’t satisfied with that. Although he was known for being brave and jovial, he was also a greedy and selfish person who thought that he was entitled to take anything he wanted from anyone. First, he kicked the monks out of the monastery on Paradise Hill and used the monastery for a hunting lodge. A fierce lightning storm made him abandon it later because he believed that it was sent by the monks as punishment. Then, he decided that he wanted the woods and bay around Moonacre for hunting and fishing, but they belonged to another nobleman called Black William. He tried various ways to take those lands from Black William, including direct warfare, but he was unsuccessful. Then, it occurred to him that Black William had a lovely daughter, his only child, and if he married her, he would share in her inheritance. Sir Wrolf put on a show of apologizing to Black William and demonstrating that he had mended his ways so he could win the affection of Black William’s daughter. The daughter, who was called the Moon Princess because she was as fair and lovely as the moon, believed that Sir Wrolf was sincere and married him. Sir Wrolf did end up falling in love with his bride, and they had a child together, but the lands he expected to acquire through her were still on his mind. Then, Black William suddenly remarried, and his new wife gave birth to a son, who replaced the Moon Princess as the heir to Black William’s lands. Sir Wrolf was outraged by this reversal of fortune, and while he ranted about it, he let slip how he had married his wife in the hopes of getting her lands. The Moon Princess was shocked and hurt, and although her husband insisted that he had come to love her even though he had married her for selfish reasons, she no longer believed him. She grew to hate him for his deception and even turned against the son they had together. She wanted no part of Sir Wrolf’s life anymore. Then, worse still, word reached them that Black William had mysteriously disappeared and his young son was dead. Although there were no indications of foul play, and it was possible that neither of them had really died at all, the Moon Princess came to believe that her husband was a murderer. One day, she rode away on the little white horse that her husband had given her when they married, and she was also never seen or heard from again. With Black William and his son and daughter gone, Sir Wrolf finally had possession of the lands he had coveted for so long, but he was no longer happy. He genuinely missed his wife and felt guilty for what he had done, and he couldn’t enjoy his prize.

The Old Parson explains that the sins of the past still affect the present and will continue to do so until someone makes them right again. The Black Men who now inhabit the disputed lands are probably the descendants of Black William’s supposedly dead son. The Old Parson believes that the boy’s mother probably feared what Sir Wrolf might do to the boy when his father left them, so she pretended that he was dead already. Every generation of Merryweathers since then have tried to push the Black Men out of the disputed lands, but they’ve never been successful. Also, every generation, a young woman very much like the Moon Princess comes to Moonacre, and she gets along well with the sun-like Merryweathers, but so far, a quarrel has always separated them. Maria worries about that because she likes her cousin Sir Benjamin and doesn’t want to leave Moonacre. Old Parson tells her that part of the legend of Moonacre is that, some day, there will be a Moon Princess who will come and will not leave. The legend states that she will right the wrongs of the past and make peace again, but only if she can get over the prideful nature that all Moon Princesses have and love a poor man who is below her station. The townspeople are in awe of Maria because they hope that she will turn out to be that Moon Princess.

Maria adopts the mission of righting past wrongs, reconciling old quarrels, and bringing peace to the valley once again, but she’ll have to be careful. Not everyone is ready for peace yet, and she has to guard against falling into the same bad habits that others have before her. Before she can complete her destiny, she must speak directly to the Black Men in their castle and when she does, they make a bargain with her. They agreed to end their poaching and thievery if she can prove that Black William wasn’t murdered by Sir Wrolf and if she will restore not only their lands but the pearl necklace that belonged to the original Moon Princess. However, that necklace has been missing since the first Moon Princess disappeared. How can Maria give them something that she doesn’t have and doesn’t know how to find?

The book is available to borrow and read for free online through Internet Archive (multiple copies, including one in Chinese). There is also a movie version of the story called The Secret of Moonacre.

My Reaction and Spoilers

I didn’t read this book as a kid, but it’s one that I’ve been meaning to read for some time. I saw the movie version years ago, and I was curious about what the book was like. The movie and the book set up a somewhat different situation for the quarrel between the two families. In the movie, the quarrel was about the fabulous pearls owned by the first Moon Princess and not about land. Also, Loveday and Robin were members of Black William’s family in the movie, which they weren’t in the book, changing the dynamics of their relationships with Sir Benjamin and Maria.

This story is an enchanting light fantasy. The setting by itself is magical, and Maria’s rooms in the manor are like every little girl’s dream! The story also includes odd, seemingly intelligent animals with unusual capabilities, such as the Zachariah the cat, who takes messages for people and lets them into the manor house or guides them around, and Wrolf, who is clearly a lion, even though everyone calls him a dog. The fact that Wrolf is a lion dawns on Maria toward the end of the book, and Robin confirms that’s true, saying that they all keep calling him a dog because it sounds less scary, and they don’t want to alarm anyone.

Maria’s family history is not something to be proud of, as Old Parson points out. Her ancestors were not the greatest people, in spite of their land-ownership and high status. People are looking to Maria to be better than the others who came before her and to make past wrongs right.

From Robin’s mother, Loveday Minette, who also becomes like a mother to her, Maria learns a little more about what it means to be one of the Merryweather “Moon Princesses.” Gradually, it is revealed that Loveday was the last Moon Princess before Maria. She was in love with Sir Benjamin, and the two of them were going to be married, but like all Moon Princesses and Merryweather men, they had a stupid quarrel and parted. Loveday married someone else and had Robin, but even though she has remained near Moonacre and secretly helps the household, she has been careful not to see Sir Benjamin ever since. Over the years, she has come to realize that she made a terrible mistake with Sir Benjamin and regrets it, but like other Moon Princesses, she has too much pride to admit that she was wrong and apologize. She is more mature now, and she sees that, in some ways, she was aggravating to Sir Benjamin and provoked him, and having provoked him to anger, because Moon Princesses tend to love men with tempers (one of the curses of the Merryweather men), was too proud to make up with him. By the same token, Sir Benjamin was legitimately disrespectful of her and her feelings, and when he attempted an apology, it was a half-hearted effort that attempted to preserve his pride more than demonstrate care for Loveday’s feelings, which is why Loveday didn’t feel like she could accept it.

Members of the Merryweather family and the people they marry have a tendency to attach enormous importance to and emotional investment in small things (geraniums, the color pink, etc. – they either passionately love these things or are violently or oppressively against them), and then they blow up at each other when their partner doesn’t feel exactly the same way about them, taking it as personal insult if someone likes something they don’t like or doesn’t like something they do like. (Like in the Internet meme, “Stop liking what I don’t like!”) They don’t know how to tolerate interests they don’t share, not sweat the small stuff, or live and let live. I would say that a lot of it has to do with poor relationship skills and, ultimately, a lack of respect for other people, even the people they love. They don’t respect each well enough to find out why the other person cares so much about something that seems small and annoying. They are self-absorbed in their own feelings, seeing situations only from their own point of view and putting their own feelings first. They see every conflict as some kind of contest about who’s right, with the drive to win against each other, which puts them both in a position of being on opposite teams instead, where one of them has to get the better of the other in some way, instead of on the same winning team. The result is that neither of them ever really wins, and even if one of them defeats the other in something, they ultimately end up losing their whole relationship, so it’s a net loss for everybody.

This is the cycle that has repeated for generations in this family. Loveday realizes that, for this destructive cycle to end, the Moon Princess has to learn not to provoke the one she loves as well as overcome her sense of pride. Also the Moon Princess’s love (it’s pretty clear to everyone that it’s going to be Robin, in this case) has to learn to control his temper, not respond to things as if they were some kind of personal attack, and consider the well-being of others, especially his princess. Both of them need to learn caring and consideration for others and how to put aside pride and self-interest for the sake of peace, both in their personal relationship with each other and for the sake of the wider community. Loveday emphasizes to both Maria and Robin that they must not quarrel with each other. People are depending on them to put things right in the area, and their own future happiness depends on learning to get along with each other.

The things Loveday and other adults emphasize for the children are personal skills that real people do need to learn in order to have relationships with other people and be mature members of a peaceful, stable community:

  • Don’t aggravate people. You can’t have peace if you’re always teasing or provoking people, and picking fights.
  • Choose your fights carefully, and wherever possible, avoid turning small disagreements into big fights. Remember that any battle comes with a cost, and the costs of petty fighting are higher than the rewards.
  • Be considerate of other people’s feelings and respectful of their property. You don’t have the right to do what you want with other people’s property just because you want it or it bothers you that they have it.
  • Understand that nobody is perfect, including you.
  • It is not your partner’s responsibility to please you in every way or give you everything that you want. It is your responsibility to deal with your own emotions and control your own choices and behavior.
  • Sometimes, you really are in the wrong, and you can’t always have everything you want. Accept both of these facts with maturity and take responsibility for your choices.
  • Being wrong can be embarrassing, but not nearly as embarrassing or destructive as not dealing with situations that need attention or problems that need to be solved.
  • The problems you cause affect more than just you, and problems do not go away when they are ignored.
  • Whatever the circumstances, no matter who or what you’re dealing with, it’s never just about you.
  • The word “responsible” has two meanings. The first is being at fault. (Sir Wrolf was responsible for the situation in the valley and the problems it caused.) The second just means taking charge of a situation and doing what needs to be done, sometimes because you’re the only one who can or is willing to do it. (Maria didn’t cause the problems, but she was responsible because she fixed the problems.) The second type of “responsible” is necessary for successful relationships, no matter who the first type applies to.
  • Love requires understanding and accepting each other and allowing each other to be their own person with their own likes and dislikes.
  • Caring means making each other a priority, working as a team, and doing what’s best for the team, even if it requires some compromise and self-sacrifice.
  • Building a shared life or solving shared problems is team effort, not a competition with each other. There is no “winning” unless it’s a shared victory. Otherwise, everyone loses.

It’s not exactly a spell, but the children’s mission is based around learning to function as a couple and to control their tempers and personal behavior. Magical things do start to happen when they learn to consider others’ feelings and not just their own.

There does seem to be some magic in the story. Robin later explains to Maria that the reason why nobody else could see him playing with her in London when they were younger is because he was always in or around Silverydew or Moonacre. He says that he traveled to London to play with her when he was asleep, so he wasn’t physically there. It’s like a form of astral projection or out-of-body experience. Also, like Sir Benjamin’s “dog” turns out to be a lion, the “little white horse” turns out to be a unicorn.

I couldn’t help but notice that all of the known Moon Princesses since the first one and the men that they seem to love before before they quarrel with them seem to be cousins of each other. Loveday Minette and Sir Benjamin were cousins of each other because their fathers were brothers, and Maria and Robin are more distant cousins of each other because their grandfathers were brothers. The idea of marrying a cousin or even loving them romantically seems odd for modern times, but that did happen in noble families in the past, so it might not seem so odd for the characters and others in the story.

This book also taught me what a mangel-wurzel is. They just mention it in passing, like readers should know what it is. It has such a strange name that I had to look it up. It’s a kind of beet, and apparently, it has also been used to make “punkies” or jack o’lanterns in areas where people didn’t grow turnips, before people adopted pumpkins for the purpose. Just an odd bit of trivia.