All In a Day

The format of this book is a little unusual. The book was a cooperative project among authors and illustrators from different countries to show children what is happening around the world at the same moment in different time zones.

Mitsumasa Anno, the primary author of the book, is from Japan, but he writes as a boy called Sailor Oliver Smith, or “SOS”, who has been shipwrecked with his dog on an uninhabited island near the International Date Line in the Pacific Ocean at noon on January 1 (which is also midnight on New Year’s Eve, Greenwich Mean Time). He is on the island for a full day before he is rescued, sending out appeals for help and thinking about what other children around the world are doing at every hour of the day as they celebrate the New Year.

As you read through the book, the small pictures of the children in different countries tell a complete story for each child in each country. The little mini-stories within the main story are presented almost comic book style. They contain no text themselves, but the boy on the island offers commentary on what’s happening with the children in other countries. During the time when SOS is asleep on his island, his dog, Matey, takes over the narration.

Children in Brazil are making and flying kites with their family and going swimming at the beach. People in Australia also go to the beach because it’s summer there in January, and they camp out overnight. A boy in the US sneaks out of bed to get a look at the party his parents are having at midnight, and is woken by his cat the next morning. The boy in England wakes up his too parents early in the morning by playing his trumpet. People in Kenya go a busy market and have dinner as a family. Children in China set off firecrackers, watch fireworks, and eat special foods. The story in Japan is about a little girl whose toy is stolen by a dog, and her cat chases after the dog to get it back. At first, they worry because the cat doesn’t return home for dinner, but the cat eventually comes in late with the toy, eats its fish, and goes to bed. Because this book was written in the 1980s, the book refers to Russia as the Soviet Union. The boy in the Soviet Union goes sledding with his friends and tries to ride his bike in the snow, which doesn’t work well. Children in various countries watch tv and read books during the day, and readers get to see their dreams when they sleep. At the end of the book, SOS sees a ship coming to pick him up at 9 am on January 2.

There is a message at the beginning of the book from all of the authors and illustrators who participated about children around the world, encouraging children to think about children in other places and what they might be doing throughout their day. Because it’s a different time of day in different places, some children are asleep in bed while others are awake and playing. However, it reminds readers that, no matter who we are, where we live on Earth, or what we look like, we’re all human beings on the same planet with the same sun and moon looking down on our days and nights. It’s a call for empathy and unity among nations and the people who live everywhere on Earth. In the back of the book, there is more scientific information about the movement of the Earth around the sun and the rotation of the planet and what makes different time zones. There is also information about the different authors and illustrators around the world who contributed to the project.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I have a vague memory of reading this book when I was young, but I can’t remember exactly when I read it. I think I was an older child because I already understood the concept of different time zones. I do think that kids who are a little older would get more out of the story and the concept of different time zones than very young children.

Older children would also probably find it easier to follow the different story lines of the children in each country. The format of the story may be a little difficult for very young children to follow because it does feel a little disjointed, getting just a snippet of each child’s day and night per page. However, the book is interesting to reread multiple times, following each child’s day, and I remember being fascinated by the notion of what everyone around the world was doing at different times.

The call for people to think about other people in other places and the call for international understanding is a nice, peaceful message for the New Year. As an adult, I was interested in seeing which authors and illustrators contributed to the book. Each set of illustrations for different countries has a different style. The illustrator for the boy in the US is Eric Carle, known for The Very Hungry Caterpillar. Not all of the illustrators are actually from the countries they illustrated, but more are. The two exceptions were for Brazil and Kenya, but the illustrator who did the pictures for Brazil did live there for a time, and the the couple who did the pictures for Kenya wrote and illustrated other books about Africa.

Somewhere in the World Right Now is a picture book on a similar theme, but instead of following children around the world through an entire day, it just shows what’s happening around the world at one particular moment. I think that makes Somewhere in the World Right Now a little easier to follow for younger children.

Hershel and the Hanukkah Goblins

On the first night of Hanukkah, a tired travel, Hershel, trudges through the snow on his way to the next village. There, he hopes to get something to eat and celebrate the holiday with the local villagers. However, when he reaches the village, nobody is celebrating.

When he asks the villagers why they’re not celebrating, they tell him that they can’t because there are goblins haunting the old synagogue on the hill. Every time they try to celebrate Hanukkah, the goblins come after them, blow out the candles on their menorahs, breaks their dreidels, and throw all the potato latkes on the floor.

Hershel decides that he isn’t scared of the goblins, and he’s going to put an end to their mischief. The village rabbi says that the only way to get rid of the goblins is to spend all eight nights of Hanukkah in the synagogue, lighting Hanukkah candles every night. Then, on the final night of Hanukkah, the goblin king must light the candles himself. Although this sounds difficult, Hershel is confident that he can do it. Although the villagers aren’t really expecting Hershel to succeed, they support Hershel in his mission, and they give him some food, a menorah, candles, and matches.

The old synagogue is creepy, and when Hershel lights his first candle, a small goblin appears to ask him what he’s doing. Herself isn’t intimidated by the little goblin, and he tricks the goblin into thinking that he’s strong enough to crush rocks in his hands by squeezing a hard-boiled egg in his hands until it breaks. The little goblins is scared away but warns him that bigger goblins than him will come later. The next night, a bigger goblin comes, but he isn’t very bright and gets his hand stuck in a jar of picks when he tries to take too many. The night after that, tricks the third goblin into playing dreidel with him and giving him all his gold.

It continues like this, night after night, with Hershel tricking the goblins in various ways so that they’ll let him light the candles on his menorah. Finally, Hershel comes face-to-face with the most sinister goblin of all – the king of the goblins. Can Hershel find a way to trick him and get him to light the candles of the menorah himself?

The book is a Caldecott Honor Book and named a Sydney Taylor Honor Book by the Association of Jewish Libraries. It is available to borrow and read for free online through Internet Archive (multiple copies). It was originally published as a short story in Cricket magazine and later as a book, which is why the story has two copyright dates.

I’m not Jewish, and I admit that this isn’t a book I read as a kid, although I do remember that it was one that was often recommended when I was young. As an adult, I decided to try it, since I just never got around to it before. I really do like this story. I enjoyed the folklore elements, and I also appreciated that the main character saves Hanukkah, in much the same way that various characters had to “save” Christmas when I was a kid.

It makes me laugh to think about it now, but Christmas always seemed to be an extremely endangered holiday in Christmas television specials from my childhood. Some evil person or being was always out to destroy Christmas, for various reasons, with varying degrees of logic, and popular television characters always had to “save” it from being destroyed or canceled or whatever. It was fun and entertaining, but when you consider the entire canon of endangered Christmas holiday specials all together, it does seem like there isn’t a single year when Christmas isn’t in danger from somebody or something, making it weirdly routine for Christmas to almost not happen. At some point, I think my brother pointed out that Christmas was always in danger, but it seemed like Hanukkah was relatively safe. (At least, in the land of holiday-themed winter television specials starring well-known cartoon characters.) I figured that Christmas was likely a bigger target for the forces of evil due to its wide mass appeal because there were just more people who celebrated Christmas where I lived than Hanukkah (and also because of the all the related Christmas toy tie-in commercials and advertising sponsors for those shows).

So, I was delighted to see Hanukkah get saved from a band of comically nefarious goblins in this book. The goblin king is a sinister figure in the pictures, but fortunately, he’s not too much brighter than his cohorts. The book has been adapted as a stage play (you can sometimes find clips or trailers from performances on YouTube), and there is also an animated short film of the story. I think it would be fun to see a longer version, though, in video or movie form. The book skims over the details of what Hershel does to trick some of the other goblins after the third one, so there’s room to elaborate and make the story longer. I think I would have been a little scared by the final goblin when I was a little kid, but the goblins not being particularly bright and easy to trick does help remove some of the scare factor.

At first, I though that the story of Hershel might have been a folktale because it reads like one. In the back of the book, the author explains that he wanted to write a story that was somewhat like A Christmas Carol by Charles Dickens but about Hanukkah, and he took his inspiration from the folktale Invanko, the Bear’s Son (also known as Jean de l’Ours or John the Bear), which is includes the hero tricking a goblin, and he added in a Jewish folk hero, Hershel of Ostropol. The resulting story is sort of like a new folktale, remixed from old ones, which is fitting because that’s what happens with folk stories Overall, I thought it was a fun story.

Changes for Kirsten

Kirsten, An American Girl

It’s winter, and Kirsten’s brother, Lars, is going to set animal traps in the woods with his friend, John Stewart, who lives nearby. Kirsten is friends with John’s sister, Mary. Trapping animals for their pelts is one of the ways that the boys make some extra money. The local men are all away, working at a logging camp for the winter. Kirsten isn’t really interested in trapping animals so much as she just wants to get out of her family’s little cabin because she’s been cooped up due to the winter weather, so she persuades the boys to let her come along on their trapping expedition.

As they go through the woods, Kirsten spots an animal snare that someone else set out, and John explains that there’s an old trapper called Old Jack who lives by himself in the woods. He has no family and often prefers to be by himself and avoids meeting many people, although he sometimes helps locals with their own traps. The snare is probably one of his traps. When they find a trap that has a baby raccoon caught by the tail, the boys say that it’s too small for them to kill it for its pelt, and Kirsten feels sorry for it. She persuades them to let her take it home and nurse it back to health, like she did with an injured bird, before releasing it into the wild again.

Kirsten is supposed to leave the little raccoon in the barn because, as her family tries to explain to her, wild animals are wild and uncontrollable. However, Kirsten feels sorry for the little thing because the barn is cold, so she brings it into the cabin. It turns out to be a terrible idea. The raccoon gets loose and knocks over an oil lamp that sets the cabin on fire! Kirsten makes her her little brother and sister get out safely, and when she realizes that the fire is spreading too fast for her to stop it, she manages to save the painted trunk with some of her family’s most important belongings. Unfortunately, the cabin is completely destroyed.

Kirsten’s aunt takes in Kirsten, her mother, and her siblings. It’s a little crowded in her house, but at least, they have a place to go. Everyone is understandably upset, although they are not too hard on Kirsten for causing the disaster. However, her mother says that they had been hoping that maybe they could buy a little land with the money Kirsten’s father is making at the logging camp, but she doesn’t see how they can now. They’re going to have to build a new cabin and replace some of essentials that they lost in the fire.

Then, John and Mary Stewart tell the Larsons that their family will be moving to Oregon because their father has found a new job managing a logging camp there. Kirsten is sorry to see the Stewarts leave because they’ve been good friends, but Aunt Inger points out that the Larsons’ problems will be solved if they can manage to buy the Stewarts’ house. The Stewarts’ house is much bigger than the little cabin where the Larsons lived, and the Stewarts will have to sell their home before they can move anyway. The problem is that the Larsons just don’t have the money to afford the Stewarts’ house.

All Lars can think to do is try to make more money through trapping. Kirsten goes along to help him, and one evening, they stay out much later than they mean to and get lost in the dark woods. When the spot some human tracks in the snow, they think that they are probably the tracks of Old Jack, the trapper hermit. Kirsten thinks that Old Jack sounds frightening, but with no one else to turn to for help and shelter, they decide to follow the tracks to where Old Jack lives. When they find Old Jack’s home in a cave that he has turned into a rough house, they make an important discovery that changes everything for the Larsons.

The book ends with a section of historical information that explains how new settlers moving westward turned frontier areas like the area where Kirsten’s family lived into more settled towns. The farms where people lived became less isolated, and railroads connected cities and rural areas across the country. The first transcontinental railroad in the United States was completed by the time Kirsten would have turned 24 years old, changing the ways that people and goods traveled.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

This was one of the books that I remember I didn’t like in the Kirsten series when I was a kid because it’s just so painful when the family’s cabin burns. Reading the book again, I appreciated how the family wasn’t overly hard on Kirsten about bringing the raccoon into the cabin that caused the fire. I couldn’t really blame the others if they were upset with Kirsten because it’s a major disaster that destroys their home and leaves them in a very precarious position. However, even though they’re understandably upset at the situation, it is nice that they don’t lay a guilt trip on Kirsten about it because that would have made it a much sadder story.

It also helps that the situation works out for the best in the end. When they hear that the Stewarts are moving, they do want the Stewarts’ house, but they just don’t think they will be able to afford it. What changes for the Larsons is that they receive an unusual sort of inheritance from Old Jack. When Kirsten and Lars are lost in the woods and seek shelter from Old Jack, they discover that Old Jack has died. There doesn’t appear to be any foul play. Old Jack was an elderly man, and he seems to have died from natural causes in his house. It’s a grim discovery, but while Kirsten and Lars shelter in his house with the body overnight, they also realize that Old Jack has a hoard of fine animal pelts. Since Old Jack has no family and no one to inherit his property, there is no dispute that the Larsons can claim his pelts because they found his body and plan to arrange for his burial. With the money that Old Jack’s pelts bring, they are able to afford the Stewarts’ house, which is much better than their old cabin. The Stewarts also leave them some furniture and household supplies.

I do like it that the story worked out for the best, although I wasn’t fond of the theme of trapping animals for pelts. I remember that this was an aspect of other books that I read as a kid, like Where the Red Fern Grows, but I never liked hearing or reading about it. I understand hunting for food, and I know the family in the story traps animals for fur because they badly need money, but it’s not a subject that I enjoy hearing about. The metal traps the boys use for trapping animals are considered inhumane in modern times, and their use is now banned or restricted in many countries and states.

Kirsten’s Surprise

Kirsten, An American Girl

It’s winter, and Kirsten’s family is just starting to prepare for Christmas. Kirsten’s mother has her help make their Christmas bread. So many things have changed for their family since they came to America and moved to the frontier in Minnesota, Kirsten asks her mother if they will be celebrating Christmas just like they used to when they lived in Sweden. The family doesn’t have much money and can’t afford extra treats, but her mother says they will do the best they can.

When they arrived last summer, the family didn’t even have enough money to pay for a wagon to carry their belongings to their new house, so they had to leave them in storage in Riverton, including Kirsten’s doll, Sari. Since then, Kirsten has been using a stuffed sock as a doll. Kirsten’s mother tells her that her father has arranged for their trunks to be sent to Maryville, which is closer, but still 10 miles away. Kirsten is eager to retrieve them, but her mother says that will have to wait because there are too many other things they need to do now to get ready for winter. Kirsten worries that they won’t be able to get their trunks before the snows come. If the roads are blocked by snow, they won’t have their trunks until spring! The more Kirsten thinks about the trunks, the more she wishes that they had the things in them, the things that would remind her of her home in Sweden and make their cabin feel more like home.

One day, while she is playing with her cousins, Lisbeth and Anna, Kirsten mentions St. Lucia, and she is surprised when her cousins don’t know what she is talking about. In Sweden, families traditionally celebrate St. Lucia’s Day before Christmas. However, Lisbeth and Anna were too young when they left Sweden, years before Kirsten left with her family, so they don’t remember that tradition, and since they came to America, they only remember celebrating Christmas in December. They ask Kirsten what happens on St. Lucia’s Day. Kirsten explains that it’s the shortest and darkest day of the year. One girl in the family dresses up as the Lucia queen, wearing a white dress and a wreath of candles on her head, and she wakes her family, bringing them a special breakfast with coffee and Lucia buns. Anna is enchanted by this description, and the girl talk about surprising their families with their own St. Lucia’s Day celebration.

Then, Kirsten remembers that the long, white nightgown she used for her St. Lucia’s Day dress last year is in one of her family’s trunks, and St. Lucia’s Day (December 13th) is only five days away. The other girls are about to give up on the idea of celebrating St. Lucia’s Day, but Kirsten thinks maybe they should ask Miss Winston if she knows what to do. Miss Winston is their schoolteacher, and she’s still living with Lisbeth and Anna’s families. Miss Winston has mentioned that she misses the Christmas parties her family and friends had back East, so the girls think that she might enjoy helping them plan a special surprise.

Miss Winston is happy to give the girls some candles and help them make St. Lucia crowns, but Kirsten’s father is still too busy to get the family’s trunks. He gets so annoyed with Kirsten asking about them that he tells her not to ask about them again. Lisbeth says that, if their plan won’t work out for this year, they can do it next year, but Kirsten feels badly for getting their hopes up. Her own hopes are also set on having a St. Lucia Day, but she doesn’t know what to do without the dress in the trunk.

Then, one day, she finally hears her father say that he will have time to go for the trunks, and he thinks he had better do it soon because there will be more snow coming. Kirsten is excited and asks if she can go along with him to get them. At first, he doesn’t want to take Kirsten because there won’t be much room in the sleigh for her, and he thinks it would be better for her to go to school with the other children, but she persuades him to let her come.

The journey to Maryville is fun, riding through the snow and singing a Christmas carol. Kirsten even gets a piece of candy at the general store. When they retrieve the trunks, Kirsten wants to open them right away, but her father says they need to leave because it’s already snowing harder, and they need to get home.

The weather gets worse on their way home, and Kirsten wonders if they should turn back, but her father thinks they can make it home. As it gets worse yet, Kirsten’s father gets out of the sleigh to lead the horse through the snow, and he accidentally twists his knee. With her father injured, Kirsten gets out the sleigh to lead the horse. The situation is dangerous, but fortunately, Kirsten realizes where they are, and she knows that there is a cave nearby where they can take shelter.

When Kirsten and her father arrive home, they are greeted by their worried family, and it’s St. Lucia Day. With some help from Miss Winston and her cousins, Kirsten is able to give her whole family their St. Lucia Day surprise, but it has even greater meaning because of everything they’ve been through.

There is a section of historical information in the back of the book about how Christmas was celebrated on the American frontier in the mid-19th century and how it was different from the Christmases families like Kirsten would have experienced in Sweden.

The book is available to borrow and read for free online through Internet Archive.

This was my favorite of the Kirsten books! Although there is some danger to Kirsten and her father when they get caught in the snowstorm after retrieving the trunks, everything turns out fine, and Kirsten saves her father because she insisted on going with him on the trip. This book is also fun because it introduces readers to the concept of St. Lucia’s Day. I think the first book I read as a kid that explained about St. Lucia’s Day was the nonfiction book Christmas Around the World, but I liked seeing this frontier family celebrate their St. Lucia tradition.

thought that Kirsten’s parents impatience with her “pestering” them about retrieving the family’s belongings was realistic, just like parents in real life might act when a child repeatedly asks for something they can’t give them right away. However, at the same time, Kirsten’s mother seems to understand that Kirsten is asking for the trunks for deeper emotional reasons. Not only does Kirsten badly miss her doll, which has been stored in one of the family’s trunks since the beginning of the series, but the other things in the trunk are both useful for the winter season and have connections to the people the family left behind in Sweden. With Christmas coming, Kirsten and other members in the family are missing those connections and the feeling of home. Kirsten’s mother points out that people are more important than belongings, but she also agrees with Kirsten that some belongings represent ties to other people.

Kirsten also misses the tradition of St. Lucia’s Day because that tradition usually marks the beginning of the Christmas season for the family. When Kirsten surprises her family by dressing in her St. Lucia costume, it’s a happy surprise for everyone and really makes everyone feel like Christmas. However, Kirsten also feels the significance of the holiday more than she ever did before because, having been welcomed home by the lights of their house and her waiting and worried family, she better appreciates the tradition of St. Lucia welcoming others with light and food.

As with other historical American Girls books, I also enjoyed the detailed colored pencil drawings of the characters and scenes!

Willie Bea and the Time the Martians Landed

It’s Halloween 1938, and Willie Bea’s relatives have gathered at the old family farm, near where she lives. Money is tight because of the Great Depression, but one of her aunts lives and works in the city, making more money than the others, and is willing to help fund family dinners and provide a little extra for her nieces and nephews when they need something, like new clothes. The aunt is a little scandalous in their family for her multiple marriages, but the others appreciate her generosity, and the nieces and nephews like getting some extra attention and a few treats from her.

The family gathering is a bit chaotic with children running around and getting into trouble. One of Willie Bea’s cousins gets into particular trouble with her mother for using his bow and arrow set to shoot a pumpkin off of Willie Bea’s younger brother’s head. Their mother panics when she catches them doing it because he could have missed and killed the little boy, but Willie Bea tries to calm her mother. Willie Bea was less worried because she knows her cousin’s archery skill and that he wasn’t going to miss, but she understands that adults think of the risks and aren’t fully aware of what the kids are capable of doing. (I’m siding with the mother on this one. Even people who are very good at something can miss now and then, and it’s a big risk to take with someone’s life.) Willie Bea also realizes that the decision to use her little brother for the William Tell act actually came from another cousin because the cousin doing the archery wouldn’t have thought of it himself, and it’s not fair that her mother doesn’t know to blame this other cousin.

Willie Bea talks to her father about the incident, hoping that he’ll understand how unfair it is. However, her father tells her that what her cousin did was dangerous, no matter why he did it. Even though he has a reputation for being good with archery, even people who are good can still miss, and accidents can happen. (See?) Her father lets Willie Bea know that he’s aware that she and her cousins do risky things sometimes when they’re playing with each other, but as an adult, he and the other adults have a responsibility to tell them when something they’re doing is too risky and to put a stop to it. No matter how many times they’ve done some of these things without having an accident, some things are just accidents waiting to happen. They should never assume that an arrow can’t go wrong just because it hasn’t yet or that they can’t fall from a high place just because they haven’t fallen yet.

Willie Bea is a little embarrassed by the talk and feels like her father still doesn’t understand. However, Willie Bea herself has been starting to understand a few things about her relatives this Halloween, things that she either hasn’t noticed before or only half noticed. She can see that one of her cousins is too manipulative, noting the little tricks she uses to get her way and the things she says and does when she wants to be spiteful. She can see that her other cousin has trouble asking up for himself and is particularly vulnerable to manipulation.

Willie Bea also begins to notice things about the adults in the family and their relationships with each other. Aunt Leah, the aunt who has more money than the others and has been married multiple times seems glamorous and fascinating to Willie Bea. Aunt Leah is into horoscopes and fortune telling, and when she reads Willie Bea’s palm, she predicts something special for her. Although Willie Bea loves her own mother, she is intrigued by the family gossip that her father was seeing Aunt Leah before falling in love with her mother, and Willie Bea fantasizes about what it would be like to live with Aunt Leah in the city. She imagines that it would be exciting, and she asks her father why he chose her mother instead of Aunt Leah. Her father knows that Willie Bea doesn’t entirely understand what it’s like to make that kind of choice and what living with a woman like Aunt Leah would really mean. (It occurred to me that the multiple divorces Leah has had might be a clue.) He just explains to Willie Bea that his choice became clear after he got to know her mother as well as her sister, Leah. He knew her mother was the right choice because she was the kind of steady woman who would always be there for him.

That evening, while Willie Bea is putting together her hobo costume and the ghost costumes for her younger siblings and her parents are listening to the radio, Aunt Leah suddenly bursts in and starts having hysterics about it being the end of the world! It takes Willie Bea’s parents a while to get a clear answer from Aunt Leah about why she’s so upset. When she recovers enough to explain things, she says that she was listening to the radio, and she heard that Martians have invaded New Jersey! She describes the horrible, terrifying reports that the radio announcer made about the Martians destroying army troops with their deadly heat ray. Aunt Leah was so terrified by what she heard that she not only turned off the radio but unplugged it, and she says that she’ll never plug it in again, which might be a moot point, if aliens really are here to destroy the world. (If you know what was infamously broadcast on Halloween 1938, you know what Leah heard and that it’s not what she thinks it is.)

While Willie Bea’s parents are trying to decide what to make of Aunt Leah’s story, Willie Bea’s Uncle Jimmy arrives. He says that the rest of the family has also heard what Aunt Leah heard and that they’re all gathering at the old family farm. Rumor has it that people have seen the terrible invaders over at the Kelly farm. Willie Bea’s mother gathers the children and heads to the family farm that Willie Bea’s grandparents own to be with the rest of the family, while Willie Bea’s father tries to see if he can find the station that Leah was listening to and hear the reports for himself. It occurs to him that it might not be an invasion of the Martians but could actually be Germans and German war machines because they’ve all heard about the Nazi takeover of Germany, and he remembers the horrible Hindenburg disaster. If Germans could make a blimp that explodes into a fiery terror like that, then he thinks maybe they could make something that resembles an alien invasion.

At her grandparents’ farm, Willie Bea watches as various relatives panic, cluster around the radio, trade rumors, and try to figure what’s going on. Rumor has it that there are Martians on the Kelly farm, so Willie Bea convinces young Toughy Clay to go over there and try to see them for themselves. At Willie Bea’s insistence, they use the stilts that the children like to walk on to give themselves longer legs, so they can get there faster. Nothing is as it seems this Halloween, and Willie Bea’s expedition to see the Martians definitely doesn’t go as planned.

The book is available to borrow and read for free online through Internet Archive (multiple copies, including a short picture book version).

Almost of the characters in this book are African American. I don’t think it’s ever stated directly because there’s no need in the story to describe them, compared to anyone else, but I think it’s subtly implied. There is only one point in the story where race is mentioned at all, and that’s when Willie Bea is hurt, and the doctor comes to see her. Willie Bea describes the doctor as an old man who delivered most of the babies in her family and knows everybody in the community, and she says that he visits everyone, black or white, rich or poor. Willie Bea’s family is at the poorer end of the community because the doctor knows that people like them don’t normally call the doctor unless it’s something that they really can’t handle by themselves.

I found the family relationships in the story confusing at first. The kids are all referred to by nicknames, and when they are first introduced, it’s difficult to keep it straight who is whose sibling and who is a cousin, and who is older and who is younger. At least, that’s how it seemed to me. Relationships are explained gradually as the story continues, along with characters’ real names as well as nicknames, but it takes some time to get to the explanations.

The story has a slow start, and the real adventure doesn’t begin until about halfway through the book. In some ways, it’s a coming of age story for Willie Bea because she finds herself seeing her family in ways that she never has before, becoming more aware of different sides of their personalities and gaining more insights into their relationships with each other. She also comes to see firsthand what her father means about the stunts that she and her cousins pull and how she should never assume that they can’t get hurt just because they haven’t before. Much of this book is what I would call “slice of life”, a sort of glimpse into Halloweens of the past in a rural community, especially one particular Halloween that would have been memorable for anyone who was alive at the time in the United States.

The radio broadcast that has Willie Bea’s family and others in the community panicking over an alien invasion is The War of the Worlds, a play based on the novel of the same name by H. G. Wells. This type of panic over this particular radio performance was a real, historical incident because the radio play was presented in the format of news broadcasts at the time, and some people who tuned into the program late misunderstood what they were hearing and thought that it was a real news broadcast about an actual emergency. It wasn’t a widespread panic because, first, people who started listening to the broadcast from its beginning knew what they were listening to, and second, not everyone was listening to the broadcast at all. Still, there was enough panic over the radio performance that it became newsworthy and has become a piece of American history and lore.

I enjoyed the historical details in the story, particularly all the radio play references throughout the story. Willie Bea’s family likes to listen to radio shows, and I’m familiar with some of them because I also enjoy old radio plays. Her family likes to listen to The Shadow and Little Orphan Annie. Willie Bea likes to amuse her siblings by imitating people from the radio, singing theme songs and reciting jokes from Jack Benny, like the famous “your money or your life” joke.

The UFO Mystery

This book is part of the Sherlock Street Detectives series.

Halloween is approaching, and the Sherlock Street Detectives are talking about their costumes. David is going to be a bear, and he made his costume out of an old rug. Pedro is going to be a clown. Walter and Ann, who are twins, refuse to tell anyone what their costumes are because they want it to be a surprise.

Then, David says that he has to go home because it’s dinnertime, and after dinner, he’s going to look for a comet with his telescope. Pedro says that he’s never used a telescope before and asks if he can look, too. David says he can, and Pedro says that he will come back to his house when it’s dark.

When David and Pedro meet to use the telescope, David shows Pedro how to use a star map to find the constellations. While Pedro is looking through the telescope, he thinks that he sees a UFO! At first, David doesn’t believe him. It’s too early to see the comet, so he thinks maybe Pedro saw a meteor. Pedro insists that it was a UFO, and David points out that UFO stands for Unidentified Flying Object. That means that anything that “unidentified” can be a UFO. Pedro can’t identify exactly what it was he saw, but that only means that he didn’t recognize the object. It doesn’t have to be an alien spacecraft, just some normal thing he didn’t recognize, like a meteor, a comet, or even just a firefly.

Since David’s dad works for NASA, Pedro says that they should ask him if it could have been a comet other than the one they were expecting to see. However, David’s dad confirms that there should only have been one comet that night and that the comet should have been in a different part of the sky. The boys talk about getting Walter and Ann to help them investigate, but then, they see some strange creatures in the bushes!

What did Pedro really see through the telescope, and could those weird creatures really be aliens?

The book is available to borrow and read for free online through Internet Archive.

This is fun mystery picture book! Figuring out what/who the aliens are is the easiest part of the mystery, since this is before Halloween and the twins were being mysterious about what their costumes are, although it might seem harder to young children. The answer to what Pedro thought he saw through the telescope is revealed first, although I wasn’t entirely sure what to think of it myself. At first, I thought that the “aliens” might have been throwing around some glowing toy or something, but they would have to have thrown it really high to get it in front of the telescope because the boys were using the telescope on the roof. There’s a perfectly logical explanation behind the phenomenon, and David figures it out by noting where the object was and it was moving. David’s father confirms David’s guess with a call to NASA.

One of the nice things about this simple mystery story is that it introduces some real concepts for stargazers and amateur astronomers. There is a vocabulary list and glossary in the back of the book.

This series also offers good representations for racial diversity. Racial issues don’t enter into the story. The kids are just a bunch of kids who happen to live in the same neighborhood and are friends and like to solve mysteries, but they are a mixed racial group, and that’s nice to see. David is black, Pedro is Hispanic, and the twins are white. The children’s races are not referred to in the text of the story, but they are shown in the pictures.

The Halloween Play

Halloween is coming, and the students in Roger’s class at school are preparing for their Halloween play. The class rehearses their play every day, and they make invitations to the play to send out to people in town.

On the night of the play, the school’s auditorium is full of people waiting to watch the play, and Roger waits backstage for his turn to go on stage. He doesn’t have a big role in the play, but his role is important.

The other students in Roger’s class go on stage, dressed as witches, ghosts, and skeletons. They perform the songs and dances they’ve rehearsed. The audience laughs at the funny parts, and everyone is enjoying the play.

All the time, Roger is backstage, listening and preparing for his part. He counts down the lines until the moment comes when Roger steps on stage for the play’s finale!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I remember reading this book when I was a little kid, and it was a Halloween favorite of mine! Felicia Bond is better known today as the illustrator (but not the author) of If You Give a Mouse a Cookie, which was originally published two years after this particular picture book. The art style between the two books is noticeably similar, but the book about the Halloween play is different because this is about mice who live like people and do not interact with humans. I was also amused that one of the student mice in this book was dressed in an orange shirt with a black zig-zag and black shorts, like the cartoon character Charlie Brown, who wears a yellow shirt with a black zig-zag and black shorts. The tv special It’s the Great Pumpkin, Charlie Brown was known for popularizing the concept of Halloween tv specials, and Roger the mouse plays a large pumpkin in his class’s Halloween play, although Roger isn’t the mouse wearing the Charlie Brown style clothes. Roger is the one in the sweater with an R on the front. I was just amused by this little detail in the pictures of his class.

This picture book is a sweet little story about a mouse boy and the Halloween play given by his class. School plays on a wide variety of themes are a common experience for human children attending both public and private schools, and they are often memorable points in children’s school experiences. They can also be very emotional experiences. Students can be nervous about plays and being on stage in front of an audience, and sometimes, there are conflicts about which students get the best parts. This cute little picture book doesn’t have any drama in it and doesn’t talk about stage fright, although there are other children’s books that address these issues.

Instead, the story is more about a magical evening and the small but important role played by one particular student. Much of the story shows the build-up to the play, and when the play begins, Roger only appears on stage at the end of the play. The rest of the time, he’s listening to the other students from back stage, waiting for his cue to step into the spotlight. We don’t know exactly what the play is about, but it’s not that important. Those quiet moments of anticipation backstage are magical, and Roger will never forget how exciting this evening has been!

Moondial

Araminta Kane, called Minty, has always had the ability to sense things that others can’t. For as long as she can remember, she has had the ability to sense and even see spirits. She doesn’t talk about it much because this happens to her routinely. When she does mention it, her mother assumes that it’s imagination or a trick of the light. Minty becomes more aware of her ability after her father dies, and she is still able to hear his voice from time to time.

She has been learning to cope with her father’s death and the changes to her life since it happened. She and her mother have been getting along pretty well, but her mother has to work long hours. It’s bad enough that Minty has to be alone so much on weekends, but her mother wonders what she will do during her school holidays. Minty’s mother decides to send Minty to stay with her godmother, Mrs. Bowyer, in the village of Belton, for the summer. Mrs. Bowyer is an elderly lady who lives in an old, stone cottage, which is near the old manor known as Belton House. Belton House once belonged to Lord Brownlow, but it is now owned by the National Trust (UK organization that focuses on preservation and protection of historic sites) and operates as a tourist attraction, open to the public. Mrs. Bowyer used to work for the Brownlow family as a domestic servant, and now, she sometimes helps out in the gift shop at Belton House.

Minty is happy about spending the summer with Mrs. Bowyer, who they call Aunt Mary, because she has heard about Belton House, and she would like to see it. She knows that there is a hidden tunnel on the property, and the idea of exploring it sounds intriguing. However, she wonders if that will be enough to keep her occupied all summer, and she does worry about whether her mother will be all right without her. She knows that her mother is still mourning her father and that she sometimes cries at night. Minty’s mother reassures her that she will be fine and that they’ll be too busy working to be sad and lonely. She also reassures Minty that she won’t be bored while she’s in Belton. When she stayed with Aunt Mary as a child, she always had the feeling that Belton was unusual somehow, that unseen things were happening beneath the surface. Minty asks her if she means ghosts, that the village is haunted. Her mother isn’t quite sure because she never actually saw any ghosts or anything of the kind.

Aunt Mary is happy to have Minty stay with her, and she says that Minty can help her in the shop at Belton House. She says that things at Belton House aren’t like they were in the old days, when the Brownlows lived there, and she remarks that they would turn over in their graves if they saw all the tourists and school groups tramping through their house and grounds. Before her mother leaves Belton, they explore the nearby churchyard together. Even though it’s July, Minty feels a strange gust of cold air. She senses that there is something strange about it, she plans to return later and examine the area more closely.

Minty has a strange sense that time doesn’t work in quite the same way in Aunt Mary’s village that it does elsewhere. She thinks it makes sense that time would stand still in the old graveyard because everyone there is dead, but Aunt Mary herself seems to move as if she’s in a different time as well. Aunt Mary is puzzled even about basic pieces of modern technology, not understanding even what Minty’s headphones are for.

While Minty is with Aunt Mary, she gets word that her mother has been in a car accident and is in the hospital. Minty is terrified of losing her mother as well as her father. A nice man named John Benson from her mother’s office is helping to arrange things, and Aunt Mary urges Minty to try not to think about it or worry too much, but Minty can’t help it. When Minty feels like she needs to get out of the house and go for a walk, Aunt Mary suggests that she go explore Belton House and meet Mr. World, the groundskeeper, who likes children.

When Minty meets World, he asks her if she’s there to meet the children. At first, Minty doesn’t know who he’s talking about, since she just saw a tour group of other children leaving the grounds. She asks if there are any children currently living in the old house, but World isn’t talking about living children. World tells her that there are children who haunt the place. He says that they’re trapped and need someone to free them, and he thinks that Minty will be “the one to turn the key” and set them free. This isn’t exactly reassuring talk for Minty’s current situation, but she has the feeling that what World says is true and that she’s just been given a kind of invitation that she can’t refuse.

In the gardens of the manor, Minty finds a mysterious sundial that has the power to take her back in time. The very first time she encounters it, it gives her a strange feeling, and for some reason, she keeps thinking of it as a “moondial” instead of sundial. Suddenly, Minty finds herself back in the Victorian era with a boy named Tom. Tom is an orphan from London who works at the manor house, and the adults there abuse him. Minty tries to intervene, but none of the adults can see or hear her, and she suddenly finds herself back in her own time, uncertain of what made her travel through time and what brought her back to the present.

Later, when Minty visits the old house again, she has another encounter with the sundial/moondial and finds herself visiting the grounds of the manor at night. This time, she meets a girl from the past called Sarah. Sarah sings little rhymes (old, traditional ones – Poor Mary (sometimes called Poor Jenny or Poor Sally, and sometimes she’s weeping for a lost sweetheart and sometimes for a playmate) and Girls and Boys Come Out to Play (listen on YouTube). Minty watches as a frightening adult dressed in black hurries her back into the house, calling her a “little devil.”

When Minty visits Tom’s time again, she learns that Tom has also seen Sarah. He seems to also have the ability to travel through time, and when he sees Sarah, it’s also at night. Tom still thinks that both Minty and Sarah are ghosts. Minty doesn’t know why this is happening, but she senses that she needs to help Tom and Sarah.

When Minty visits the hospital, she isn’t sure what to say to her mother, who is still in a coma, so she decides that she will make recorded tapes about her time-traveling adventures that she can play for her mother, along with some music. The doctor approves of Minty make tapes for her mother to listen to, but Minty tells him that what she has to say is private, and she makes him promise that he and the nurses won’t listen to them while they’re playing. The doctor promises that there won’t be anyone in the room, and they won’t listen to the tapes themselves.

Then, Aunt Mary has a visit from a strange woman called Miss Raven, who says that she’s an author investigating the ghosts at the manor house. Aunt Mary even accepts Miss Raven as a lodger at her house. However, Minty has a strange feeling that Miss Raven is not to be trusted. Miss Raven tries to get Minty to admit that she has seen ghosts. She watches Minty closely and tries to get Aunt Mary to limit Minty’s freedom to go places by herself. World also shares Minty’s suspicions of Miss Raven. He tells her that Miss Raven is probably after the children, and it’s up to Minty to save them. She doesn’t know how to do that, but she’s determined to try.

The book is available to borrow and read for free online through Internet Archive. There is also a BBC miniseries based on the book. It’s available on DVD through Amazon, and you can sometimes see it or clips of it on YouTube. There is also a similar (although not identical) story by the same author called Stonestruck, which involves child evacuees from London during WWII.

I read Stonestruck first, and I read Moondial specifically because another reviewer mentioned the similarities between the two stories. It seems like the author wanted to revisit the themes of Moondial in a somewhat different setting and with some twists when she wrote Stonestruck. The two stories aren’t identical, but there are similar themes of captive children or children’s spirits trapped across time. The time travel in this book centers around the mysterious sundial/moondial, while Stonestruck has ghostly children playing a game, and capturing other children.

There are features of both books that I like, so it’s difficult to choose a favorite between the two of them. I like the features of the child evacuee and the ghostly game from Stonestruck. This one has a truly haunting ending with a frightening scene on a Halloween night in the past. The ending of Stonestruck is a little more open-ended than the ending of Moondial. You can read my review of Stonestruck for more about how that ends, but it’s less definite what happens to the captive children or captive children’s spirits in that book. In this one, we do find out what happens to them. There are hints of Tom’s fate all the way through the story, but Minty doesn’t recognize it immediately, partly because “Tom” is actually a nickname rather than his real name. He later explains to her that kitchen boys are always called “Tom” no matter what their real names are.

Time is important to the story, and Minty realizes that the key to the time travel is that the supposed “sundial” is actually a “moondial.” Sarah refers to it as a “moondial” when they see her because Sarah typically only comes out at night because her face is disfigured by a birthmark and people think it’s a sign of the devil. Since Sarah almost never sees the sundial when the sun is out, it’s a “moondial” to her. The superstition about birthmarks is historical. However, I though that what the characters say about measuring time was interesting.

At one point, World gives Minty a book about sundials to study, and he explains that “clock time is mean time. Sundial time is what they call apparent time …” and the only exact time is star time. Minty takes that to mean that the moondial measures true time. You can measure time by the stars, using Polaris and the Big Dipper, and measuring time that way is based on a 24-hour clock rather than standard 12-hour clocks. Measuring time based on the Earth’s rotation, relative to fixed stars, is called sidereal time. What World says about clocks being based on “mean time”, meaning the “the sun’s average (mean) rate for the year” is true. Sundials measure “how the sun travels across the sky“, but the movement isn’t completely regular, which is why our clocks use the average movement rate. Because of the variations in the sun’s movement from the average or mean calculations, you can’t accurately set a clock or watch by a sundial, unless you know how to calculate for the variations. That’s what World means about sundials showing apparent time. Measuring time by the positions of the stars in the sky creates a “day” that is just slightly shorter than the standard 24-hour day that we measure on clocks. However, star time isn’t the only true way of measuring time. Stars appear to move with the rotation of the Earth, which is pretty accurate, but we now also have the concept of atomic clocks. Even those aren’t 100% accurate, though. There doesn’t seem to be a 100% infallible accurate way of measuring time, but atomic clocks are only off by about 1 second every 100 million years. They’re about as close to full accuracy as we are able to get. The book doesn’t go into all of the scientific details of measuring time because it’s a fantasy story, but I thought that working some real concepts of measuring time into the story was fascinating.

The book also works in the concept of the mottos that are traditionally carved on sundials, like the ones that say they only count the sunny hours. However, some sundials have deeper inscriptions, and the concept of inscriptions on sundials explaining time travel appears in some other fantasy books, like The Time Garden. In this book, Minty considers inscriptions like, “For the Night Cometh – cutting off all Power of Passing of Time” and “Light and Shadow by turns, but always Love.” Both of these inscriptions give her clues to how the moondial works and what she needs to do to help the distressed spirits of the past children, who are trapped in time. Tom and Sarah are both lonely and unloved children where and when they are. When Minty reunites them with the spirit of Tom’s sister, Dorrie, who he is separated from in life, the three spirits are able to be the love and company they each need. There are two carved figures on the sundial, Chronos and Eros – Chronos representing time and Eros representing love. Love transcends time.

Miss Raven is the villain of the story, even though we don’t really meet her until later in the book. Miss Raven may possibly be a witch, and she uses cats to spy on Minty. The details about how and why Miss Raven became a witch are never clarified. She also seems to have originated from Sarah’s time and was once her governess, although that isn’t really clarified, either. Did she turn evil because of her resentment of Sarah, or was she always like that? We also don’t really know why she’s after the children or the children’s souls. At the end, she seems to have vanished, perhaps banished by something Minty did on a fateful Halloween of the past in her final travel through time, although Aunt Mary thinks that she has departed in a normal way. There are things that aren’t fully explained by the end of the story, although we do learn what happened to Tom, and Minty knows that Tom’s spirit is now free and happy with the spirit of his sister and another lonely girl who badly needed friends.

The Halloween scene in the final time travel is really chilling, and it’s especially spooky in the miniseries version of the book.

The Pet Day Mystery

This book is part of the Sherlock Street Detectives series.

It’s Pet Day at school, and twins Walter and Ann are bringing their dog, Watson, and their cat, Fuzz Face to school with them. Watson is really Walter’s dog, and Fuzz Face is Ann’s cat. The school bus is chaotic and noisy because the other children have their pets with them, too.

At school, each of the kids tells the rest of the class about their pet. When it’s time to go to lunch, the kids give their pets food and water and leave them in the classroom.

When they come back from lunch, a pair of hamsters are missing, and their owner, Tina, thinks that Fuzz Face might have eaten them. Ann points out that Fuzz Face couldn’t have eaten the hamsters because Fuzz Face was in his cage during lunch.

The kids figure that the hamsters are probably hiding somewhere in the room, and they ask Tina to tell them everything she knows about the hamsters so they can find them. They use what Tina tells them about the habits of hamsters to figure out where they are.

The book is available to borrow and read for free online through Internet Archive.

It’s a fun picture book mystery, but it’s also educational, like other books in the series. The information the kids give about their pets is true. Some of them say where their pets originally came from, like Pedro, who says that his pet parrot is a breed that comes from South America. Ann mentions that her cat takes vitamins and has to go to the vet sometimes, like people have to visit their own doctors. I liked how the characters use facts about the behavior of hamsters to figure out where the hamsters went.

I was a kid about the age of the characters at the time this book was published, although I don’t remember reading this book at the time. When I was in kindergarten, the year before the book was published, we had a special pet event in my class, but we didn’t do it like the class in this book. As I recall, different people brought in pets on different days so it was less chaotic and there was no chance of one pet eating another, which is a real risk. Also, all pets had to be in cages to keep them from running away or causing trouble, and they were never left unattended. My mother helped me bring our pet birds to class, and she took them home with her immediately afterward, so they weren’t left sitting around the classroom.

The book has a vocabulary list and glossary in the back.

The Mystery of the Missing Scarf

This book is part of the Sherlock Street Detectives series.

Ann doesn’t have much confidence in her twin brother Walter’s dog Watson. She doesn’t think that he’s capable of learning tricks, and when Walter shows her the new trick he’s taught Watson, she isn’t very impressed. The trick is for Watson to just grab a red rag out of Walter’s hand and run off with it.

Ann is more concerned with getting her scarf washed and hung out to dry before they go see their friends. David and Pedro like Watson’s trick. At least, it’s a pretty good trick for Watson because Watson doesn’t know many.

Pedro shows the other kids how he’s making a weather vane. It’s a windy day, so it’s a good time to try it out.

Then, Ann notices that the scarf she hung out to dry is gone! At first, she blames Watson for taking it as part of the trick Walter taught him. However, the dog is not at fault. Pedro uses his weather vane to show Ann how to find her scarf.

The book is available to borrow and read for free online through Internet Archive.

It’s a fun picture book mystery, but it’s also educational. I liked the part where Pedro explains how he made his weather vane. Kids can follow along with his explanation to make a weather vane of their own. The mystery of what happened to the scarf isn’t difficult, but the way the children found the scarf was clever. The book also has a vocabulary list and glossary in the back.