The Moorchild

When Saaski was only a few months old, her grandmother, Old Bess, started to notice that she didn’t look right, compared to the rest of the family or even compared to the way she looked when she was a newer baby. The grandmother tried to brush those thoughts aside, thinking that children change as they grow, and people of the village think that she’s odd herself as a widow who lives alone and knows about herbs. All the same, Saaski seems unusually fussy and throws tantrums, becoming a child who’s difficult to control. It could just be colic, or it could be something stranger.

Old Bess begins to put the pieces together about Saaski’s strange behavior. Saaski seems to hate or fear her own father, and Old Bess realizes that it’s because he is a blacksmith and wears an iron buckle on his belt. Saaski has an aversion to iron. She also has an aversion to salt, and only honey seems to soothe her. Saaski’s eyes change color from time to time, and Old Bess realizes that Saaski not only isn’t her grandchild but that she isn’t even human. Saaski is a changeling, a fairy child switched out for the human child before her christening.

When Old Bess tries to tell her daughter and her husband that Saaski is a changeling, her daughter refuses to believe her. Her husband seems to consider that Old Bess might be right, but he absolutely refuses to do the cruel things to the child that Old Bess tries to tell them will cause the fairy folk to take the changeling back and bring them their real daughter. Old Bess says that Saaski must either be made to tell her true age, which she cannot do because she cannot talk yet, or the parents must do cruel things to her, like beat her, burn her, or throw her down a well. The parents say that they cannot do such things to a baby, no matter what kind of baby it is, and they no longer want to discuss the matter, forbidding Old Bess to tell anyone else of her suspicions.

However, in this case, Old Bess is correct. The child known as Saaski is a changeling, and she knows it herself. Although she is in the form of a human baby, she knows that she is not really a baby. Her fairy name was Moql. She doesn’t know her true age, but she knows that she is a fairy youngling and that she used to live among the other fairies in the fairy mound. She doesn’t like being part of this human family, and she wishes that the fairies would take her back, but she knows that, whatever happens, they never will reclaim her. Even if this family treats her cruelly and the fairies decide to remove her from their house, she knows that they will just place her with a different human family.

The problem is that, unlike other fairies, Moql has no ability to hide from humans. Other fairies can change their shape or color, fade, or just wink out of human vision entirely, but Moql can’t. The fairies discovered it one day when Moql was unable to hide from a human shepherd. She is able to escape from the shepherd, but her blunder isn’t forgiven by the other fairies. Moql’s inability to hide from humans was considered a danger to whole band of fairies. She was taken before the prince of the fairies. When he sees that Moql cannot hide from humans, he remembers that a human man entered the fairy mound some time ago and stayed awhile with a fairy woman. Moql’s mother was a fairy, but her father was that human. As a half-human, Moql will never have the abilities that the other fairy younglings have.

When Moql is considered a danger to the other fairies, they feel little attachment to her or desire to keep her. They don’t consider a half-human likely to work out among the fairies, so they decide to swap her for a human child who might make a good servant to the fairies. They’ve done this before with other younglings like Moql. Moql is frightened because she doesn’t know how to be human. Life in the fairy mound is all that she knows. She is only half human, and if she’s not working out as a half fairy, how can she possibly work out as a human? What if she can’t work out as a human? Will she belong anywhere? What if she belongs nowhere?

The fairies tell her that she will start life all over again as a human baby and that she will forget all about the mound and her past life. The other fairies think nothing of casting her out. None of them really care about her. The fairies don’t feel emotions like humans do, and they don’t feel very much about anybody. Moql’s birth mother doesn’t feel anything for her but a mild curiosity and no concern for her future. Fairy mothers don’t really develop an attachment to their children, who are raised communally in the fairy nursery and school. Most fairies don’t even know who their parents are, and they don’t really develop feelings for their parents any more than parents feel attached to their children. Even fairy couples don’t stay together very long, forgetting about each other when they become bored with the relationship and moving on to others. Fairies don’t really care that much about relationships, like brother and sister, and fairies don’t even have a sense of what being a “friend” means. So far, even Moql hasn’t felt that much for anybody, either. Moql’s first human feelings come with her despair about being torn away from everything and everyone she’s ever known, made worse from realizing that nobody else feels anything for her. In their position, she might not feel anything for the loss of one of them because that’s the fairy way, but the human part of Moql longs for belonging and fears what will happen to her if she can’t find a place or people to belong to.

When Moql wakes the next day, she finds herself as the baby Saaski, but in spite of what the fairies said, she still retains her memories of her fairy life. Everything in this human household is strange. She fears the people who are supposed to be her parents, and most of the things that they offer her to soothe her aren’t soothing to a fairy or half-fairy, which is why she screams and throws tantrums. When she hears Old Bess describe her as a changeling and tries to urge her parents to do things to get rid of her, Moql realizes that she is stuck as a human, no matter what happens. Her only hope is to make herself forget or at least pretend that she doesn’t remember being a fairy and to try her best to be the human baby Saaski. It means pretending that she doesn’t have the ability to do things that a human baby shouldn’t be able to do and that she doesn’t know things that she actually does know. It’s not easy, but Saaski’s memories do fade a bit with time. She has vague memories of her past life, but the longer she lives as a human, the less she remembers of her past.

Time passes, and Saaski grows into a child, but the humans around her have an odd feeling about her. They whisper about her behind her parents’ backs. She doesn’t look like other human children, and odd things seem to happen around her. Saaski doesn’t trust Old Bess because she knows that Old Bess has always suspected she was a changeling. Other children in the village have heard their parents whispering about Saaski, and they start asking her if she really is a changeling. By that point, Saaski isn’t sure anymore what that means.

Old Bess does look for an opportunity at first to get the fairies to take back the changeling, considering shoving her into a pond at one point. However, when she realizes that Saaski has real feelings, she cannot bring herself to do it. She realizes that Saaski is also a victim of the switch when she was exchanged for the real Saaski. She doesn’t really belong among them, Saaski knows it, and Old Bess can tell that it hurts that she’s different and that others don’t accept her. Old Bess isn’t sure how much she understands about herself, her past, or her situation, but it’s been as unfair to her as it has been to the real Saaski and her family. The sense of belonging Saaski craves eludes her.

The only place Saaski really feels at home is out on the moor by herself, although she doesn’t really remember why anymore. That is where she first meets the orphan boy, Tam, who travels with the tinker. Tam knows what other people say about Saaski, but he isn’t afraid of her and likes her anyway. He is the first person who really seems to accept Saaski. For a time, her father forbids her to go on the moor again after she has a distressing encounter with a shepherd, who seems to recognize her as being a fairy.

Surprisingly, Old Bess turns out to be an ally of Saaski’s, urging her parents to let her go to the moor again. She knows how restless Saaski has been, confined to their home. The only thing that has soothed her is the old bagpipes that once belonged to her father’s father. She seems to know how to play them without anyone ever teaching her. Eventually, her parents allow her to return to the moor, partly so she won’t keep playing the bagpipes at home. When she’s able to see Tam again, he is happy to see her, and she shows him how she can play the bagpipes.

There are other things that Saaski seems to know without knowing how she knows. She sometimes sees strange symbols that no one else seems able to see. When Old Bess realizes that she can see these symbols, called runes, the two of them discuss it. Old Bess can’t see them herself, but she knows about them. She learned a lot about such things from an old monk she once cared for and from the books he left behind, which is also where she gained her knowledge of herbs.

Old Bess admits to Saaski that, like her, she is considered strange and that she doesn’t quite belong to the village where they live. She was brought to the village as an infant after she was found abandoned in a basket at a crossroads. They left her at the miller’s house, and she was raised by the miller and her wife. She doesn’t know who her birth parents were, where they came from, or why she was abandoned as an infant, and she was told that the gypsies who found her almost drowned her as a changeling before deciding to leave her in the village.

Saaski also knows that she doesn’t belong in the village, although she can’t think where she does belong. She can’t explain how she is able to see and understand fairy runes or do the other things that she seems able to do, apparently without anyone teaching her. Over time, she gradually discovers or rediscovers the things she could do and knew as a fairy. She discovers that she can see fairies when she spots one stealing Tam’s lunch. Later, a group of fairies try to steal her bagpipes. To Saaski’s surprise, she is able to understand their language, and they seem to recognize her.

Then, after the children in the village bully Saaski again, an illness comes to the village, afflicting all of the children but Saaski. Old Bess says it’s a normal childhood illness she’s seen before, and the children probably got it from the gypsy band who recently passed through town. However, the villagers, who have always been suspicious of Saaski whisper that Saaski is responsible, that she has cursed the other children. Saaski denies is, but the villagers are becoming increasingly hostile. They want her out of the villager, but if Saaski can’t stay there, where can she go?

When Saaski tries to bargain with a fairy for some help to hide from the villagers, the fairy reminds her that she was a fairy herself and that she was never able to disappear. Saaski is stunned at this confirmation of the villager’s suspicions about her being a changeling. When she tells Old Bess about it and about the memories that are now returning to her, Saaski realizes that she really doesn’t belong in this human village, at least not fully. Yet, she remembers that she doesn’t fully belong among the fairies, either. Once again, it leaves her the question of where she does belong. Saaski is going to have to take her fate into her own hands, but before she does, she wants to do something for the family that raised her and has loved her, in spite of everything: find the original Saaski in the fairy mound and return her to her parents.

The book is a Newbery Honor Book.

I enjoyed the story because it is a unique portrayal of the folkloric idea of changelings. Another book I read on the same topic, The Half Child, is told from a real world, historical point of view, without fantasy. In that book, changelings are disabled children or children who aren’t “normal” in some way who are labeled as being something other than human or “real” children because people of the past couldn’t understand why they were different or what was wrong with them.

The Moorchild, however, is fantasy and builds on the folklore concept. In other books with changelings, we see the changelings from the point of view of other people, who wonder about their true nature, but this book includes multiple viewpoints, including that of the changeling herself. In folklore, it isn’t entirely clear why the fairies would want to change their children with human children, leaving them to be raised by other people and possibly never seeing them again. This book builds on that concept, portraying the changeling children as being half human and/or flawed in some way, compared to the other fairies. They do use the human children they gain in the swap as servants, which is a folkloric concept, but this story explains why the fairy child left in exchange for the abducted human child is an acceptable loss to the other fairies.

Fairies in this story don’t have the same types of feelings as humans. In fact, they don’t seem to feel much at all, making most of their lives literally care-free because they just don’t care that much about others or the consequences of their actions. However, they don’t feel much emotional attachment to each other, either. Saaski/Moql’s birth mother doesn’t feel much of anything for her daughter or for the man whose life she changed and worsened through her seduction and rejection. She is completely unconcerned about what has happened to them or what will happen to them because of her. Later, Saaski realizes that the fairies are aware that Saaski is blamed for pranks they played, but they don’t mean it spitefully. They genuinely don’t care whether Saaski or someone else is blamed for things they do as long as they never get caught themselves. When Saaski realizes that the other fairies genuinely don’t care about her or what happens to her, she knows that they will never take her back and that she will never rejoin them.

Saaski feels more emotion than full fairies feel, but she doesn’t always respond in acceptable or predictable ways to the humans she lives with because she doesn’t share all of the emotions they feel. She craves a sense of belonging, but she doesn’t really know how to get it or create it. At times, she feels love and gratitude without being entirely sure what she’s feeling or how to express it. Strangely, she also doesn’t experience hate and resentment in the same way humans do. Tam tries to explain it to her, and Saaski recognizes that the children in the village who bully her feel hatred and resentment to her, but she doesn’t feel those emotions herself. She doesn’t like it when they bully her, and she feels hurt by them, but the emotion of hating and wanting to hurt them back isn’t there. I thought that was an interesting concept, exploring someone with non-conforming emotional reactions. Saaski’s emotions in the story are explained by her fairy heritage, but what made it interesting to me is that neurodivergent humans also have different ways of experiencing and showing emotions that can change the way they are accepted by or interact with other people, which brings the idea of changelings full circle, back to the concept of children who aren’t like other children from birth or a young age.

I thought it was fascinating that we get to see things both from Saaski’s point of view and from the point of view of other people, particularly Old Bess. Old Bess is the first to realize that Saaski is a changeling and not her “real” granddaughter. She understandably wants her real granddaughter back, and she knows the folklore that fairy folk will take back a changeling who has been abused. However, Saaski’s parents, even knowing or suspecting that Saaski might be a changeling, cannot bring themselves to do anything cruel to her, and Old Bess comes around to that point of view herself. By observing Saaski, she sees that Saaski is a child, if not an entirely human child, and an innocent victim of the switch herself, with feelings and a difficult life ahead of her because she doesn’t fit in with this community.

Old Bess also recalls and admits to Saaski that her own past isn’t quite normal and that she also doesn’t quite fit in. I wondered if we would ever get the full story of Old Bess’s past, but unfortunately, we don’t. We know that she was abandoned as an infant, apparently rejected by her birth family or guardian, but we never learn why. I had wondered at first if Old Bess would turn out to be a grown-up changeling. It seems that people once suspected that about her, but apparently, she isn’t because she can’t see the fairies or fairy writing in the way Saaski does. It seems that Old Bess is fully human and not half fairy. In the end, the important point is that, when Old Bess is honest with herself and Saaski about her past, her story has some elements in common with Saaski’s situation. They have both known rejection and abandonment, the difficulties of trying to fit in when they don’t entirely fit in, and the love of people who accepted them and cared for them in spite of it all.

I appreciated that Saaski’s parents do their best to love and care for Saaski even when they know she’s strange and may not be their daughter. They stand up to the people who bully their daughter and pressure them to get rid of her. In fact, in the end, even after Saaski and Tam set out into the world together and they have their birth daughter back, they still think of Saaski and miss her sometimes. Saaski was no replacement for the daughter they lost when they were switched, but at the same time, they realize that their birth daughter doesn’t entirely replace Saaski in their lives and affections. In the end, it’s like they’ve had two daughters, both of them “real”, although one didn’t fit in and eventually left to start a new life elsewhere.

A Spell is Cast

A Spell is Cast by Eleanor Cameron, 1974.

This story is fascinating and magical, partly because of other the stories that it reminds me of and partly because, at various points in the story, I was pretty sure that I knew what kind of book it was going to be, but I was never more than partly correct.

When young Cory Winterslow arrives at the airport in California, she expects to be met by her Uncle Dirk. Uncle Dirk has sent her letters before and a picture of himself, but they’ve never actually met in person. Cory is supposed to be spending Easter vacation with her relatives, the Van Heusens, a wealthy family living on an estate called Tarnhelm. Her mother, Stephanie, sent a telegram to the Van Heusens to tell them when Cory would arrive on the plane from New York, where they’ve been living, but no one shows up to meet Cory at the airport. This seems almost like the beginning of a gothic novel, with a young heroine on her way to meet people she’s never met who turn out to not really be expecting her and aren’t what they appear to be, but that’s not really the case here.

Fortunately, a sympathetic older woman who was also on the plane, Mrs. Smallwood, talks to Cory, who explains the situation. Mrs. Smallwood knows the Van Heusens, and she calls both the house at Tarnhelm and Uncle Dirk’s office. Apparently, Uncle Dirk never mentioned to his secretary that he needed to meet anyone that day, and he’s away on business until late. Nobody is home at Tarnhelm, but Mrs. Smallwood is optimistic that it’s all just an oversight. She says that she’ll give Cory a ride to the house. Cory is hesitant to accept a ride from a stranger because she and Mrs. Smallwood have only just met, but it’s raining and she doesn’t know what else to do, so she goes with her. This part seems a bit worrying, but you don’t have to worry because it’s not a kidnapping story.

On the way to Tarnhelm, Mrs. Smallwood points out local sights, and Cory asks her a bit about her relatives. Cory’s mother has always been reluctant to talk about her relatives in California. Mrs. Smallwood describes Uncle Dirk as a young man who never smiles. She says that his mother, Cory’s grandmother, as a high society woman who sometimes acknowledges acquaintances in public and sometimes doesn’t, depending on her mood, something that often offends Mrs. Smallwood, as one of those acquaintances. They also pick up a boy called Peter Hawthorne, who was out walking in the rain and needed a ride. He introduces himself to Cory as the president of the Explorers Club. His description of Cory’s Uncle Dirk doesn’t sound very favorable, either. However, he mentions that the sign for the mansion at Tarnhelm has a unicorn on it, just like the unicorn on the pendant that Cory wears, which she thinks of as her “amulet”, and Cory takes that as a hopeful sign.

Unfortunately, the Smallwoods’ car runs out of gas. Since it’s not raining anymore, Peter offers to walk Cory the rest of the way to Tarnhelm. Then, it starts to rain again, so they take shelter in a cave that Peter knows. While they wait out the storm, Peter asks Cory more about herself. Cory explains that she usually refers to her mother as “Stephanie” because she’s actually adopted. She later reveals that she doesn’t know anything about her birth parents because Stephanie doesn’t like to talk about them, saying that it makes her sad. Stephanie is an actress, and they’ve had to move around sometimes. Because she’s had to switch schools several times, Cory hasn’t made many friends her own age. Cory doesn’t always go with Stephanie when she travels for work, often staying at home with housekeepers (which she calls “lady-helps”) so she can continue going to school. Stephanie isn’t married, so Cory doesn’t have a father to take care of her. The reason why she has come to stay with her relatives during this school break is that Stephanie needs to travel again for her work and couldn’t manage to find new help to stay with Cory. This is the first mention that Cory’s “mother” isn’t really her mother and these relatives that she’s going to visit aren’t blood relatives. This is central to the plot of the book, but there’s a twist coming, and it’s not the twist that I expected. I had theories about the identities of Cory’s biological parents at this point that turned out to be completely wrong.

When the rain lets up a bit, Peter takes Cory the rest of the way to the house, although they leave her luggage in the cave because it’s too hard to carry it over the muddy ground. When they arrive at the house, the housekeeper, Fergie, welcomes Cory. She says that everyone has been in a tizzy about her because Stephanie actually sent multiple telegrams with different sets of instructions for picking up Cory, so nobody knew when she was really arriving. (This is the first indication that Stephanie is unreliable.) Fergie and her husband, Andrew Ferguson, both work for the Van Heusens, and they make Cory feel welcome at Tarnhelm, fussing over her and giving her and Peter a hot dinner. However, they tell Cory not to mention the cave to her grandmother because she wouldn’t understand, and she might be unhappy about Cory showing up at the house wet and muddy. Peter promises to bring Cory’s luggage up to the house later. If this were a gothic novel style of story, the servants would be strict, unhappy, uncaring, or putting on a facade of caring while being just plain sinister, but the Fergusons are exactly as caring and friendly as they seem to be. This isn’t that kind of book.

The Fergusons are Scottish and a bit superstitious. At dinner, they notice that Cory is left-handed, “cawry-fisted”, as they call it. Peter is intrigued that “cawry” sounds like “Cory”, and the Fergusons say that there’s a superstition that left-handed people are enchanted or bewitched. However, the Fergusons don’t think it’s a bad thing that Cory is left-handed and possibly bewitched; it’s just more of an interesting idea to them. This story isn’t as supernatural as I originally expected.

The Fergusons tell Cory that her grandmother and uncle are good, kind people, but they aren’t used to children and are fussy about some things. Uncle Dirk is known to be moody, and Cory’s grandmother likes things quiet and orderly. Cory starts to think that she might be happier with just the Fergusons, although she is still curious about her relatives. She hopes that they will like her, and maybe if they like her enough, they’ll let her stay longer so she can go to Peter’s school and join his Explorers Club because she badly wants friends. Issues about how to make friends add an element of teen drama to the story, but there’s more going on here than that.

The house is beautiful and charming, and Fergie gives Cory Stephanie’s old room, which Cory loves. It has beautiful, old-fashioned furniture and its own fireplace! She also shows Cory a collection of carved wooden masks hanging on the walls of the hallways that her Uncle Dirk made. Uncle Dirk is an architect, but he’s also been a wood carver. In Stephanie’s room, there is even a mask of Stephanie’s face, which Cory recognizes. During the night, she half wakes up and is aware of her grandmother and Uncle Dirk in her room, whispering about her, saying that she looks rather plain and something about somebody “getting used to” something. They don’t deny this conversion later when Cory asks them about it, and there is less sinister significance to it than it seems at first.

The next morning, Cory meets her grandmother and Uncle Dirk at breakfast. They greet her politely, but her grandmother says that she wants to have a word with Peter about how he should have taken her to his house until the rain stopped, not made her walk through the mud to Tarnhelm, ruining her shoes. Cory asks her not to say anything to Peter because she really wants to join the Explorers, and they wouldn’t let her in if they thought that she was afraid of a little mud. However, her grandmother reminds her that she’s only there for a short visit, and she doesn’t want her getting hurt or doing anything dangerous. Uncle Dirk is more sympathetic and offers to teach her to swim.

Mrs. Van Heusen brings up the subject of Stephanie, and during the conversion, she lets slip that Stephanie has never legally adopted Cory. Now, we’re getting to a major plot point of the story! Stephanie is consumed by her acting work and not good with paperwork, and Mrs. Van Heusen thinks it’s about time that she took care of the issue of Cory’s legal adoption. The news comes as a shock to Cory, who thinks that, not being legally adopted, she doesn’t really belong to the family at Tarnhelm. Both her grandmother and Uncle Dirk hurriedly reassure her that she is family to them and belongs at Tarnhelm and that the official paperwork doesn’t really make a difference to them. There is no danger in the story of Cory being rejected by this family, and they don’t have any objection to her visit or Stephanie’s guardianship of her. However, this is another of the early indications that Stephanie is not as attentive as she should be as Cory’s guardian and that there are aspects of Cory’s life and well-being that are being neglected. Cory is starting to develop a new awareness of these issues.

Cory asks her grandmother and Uncle Dirk about her birth parents because Stephanie has never explained who they were or what happened to them. Her grandmother says that it’s only right that she knows and that Stephanie really should have told her before. Uncle Dirk explains to Cory that her parents’ names were Lawrence and Coralie Winterslow and that they were friends of Stephanie’s when they were young, before they were even married. They all liked to go skiing together. Cory’s parents lived in England for awhile after they were married, and Cory was actually born in London. Then, her parents were killed in a skiing accident in Switzerland. Stephanie had been with them on that skiing trip, and before Cory’s mother died from her injuries, she asked Stephanie to take three-year-old Cory because she had no living relatives on her father’s side and she didn’t want to leave her child with her own relatives, for some reason. Cory is glad to know the story of her parents but sad at the same time and worried about not being legally adopted. Fergie suggests to her that she write to Stephanie about it and see what she says. (At first, I was expecting that there would be more intrigue about Cory’s parents’ deaths, but there’s nothing suspicious about their cause of death. The story that Uncle Dirk tells Cory is exactly what happened. The Winterslows were also definitely Cory’s biological parents. I thought that there might be some intrigue about that, but her birth parents were who Uncle Dirk says they were.)

Later, Cory also asks Uncle Dirk about the unicorn on the sign at Tarnhelm and about her own silver unicorn pendant. Uncle Dirk tells her that he has a fascination for British history and heraldry, which is why he carved the unicorn as the symbol of Tarnhelm. He also says that the pendant used to belong to Cory’s mother and that her father had a matching unicorn tie pin, although he doesn’t know what happened to it after his death. Cory wishes that she’d thought to ask Stephanie about it in her letter.

All of this explanation about Cory’s parents’ history sounds pretty straight-forward, although sad. However, the story doesn’t end there. Everyone has a history, and there are things about her Uncle Dirk that Cory doesn’t know yet as well as the reasons why Stephanie has never completed Cory’s adoption papers.

Cory becomes sick and feverish, spending a few days in bed. During this time, she has strange dreams, but not all of them are actually dreams. She remembers dreaming about a room with a chess set that has carved unicorns instead of horses as the knight pieces. Later, when Uncle Dirk plays chess with her, with a normal chess set, she mentions this dream, and both Uncle Dirk and her grandmother act strangely about it. Eventually, Cory comes to realize that her “dream” wasn’t just a dream, that she actually did get out of bed and wander around while she was feverish, but it takes some time before the full meaning of the chess set becomes clear to her.

Various people comment to Cory about Uncle Dirk’s moods and personality, hinting at past problems he’s had. Cory’s grandmother makes a comment to Cory about Uncle Dirk harming himself more than anyone else, except perhaps for one person, hinting at relationship troubles in Uncle Dirk’s past that contribute to his dark moods. Nosy Mrs. Smallwood also refers to the strange behavior of the Van Heusen family, often rude and unfriendly. While Mrs. Smallwood is a busy-body with issues of her own, she is correct in noticing the casual harm that various members of the Van Heusen family have done to people around them. It’s never intentional and they rarely notice the consequences of what they do, but that’s part of the problem. The Van Heusens are often selfish, thoughtless, and out-of-touch with other people’s feelings and the effects of their actions on others. Even Uncle Dirk acknowledges that members of the family are often hard on each other even when they care about one another.

However, the Van Heusens aren’t all bad, and some of them have changed somewhat over time. Mr. Smallwood, who is a more optimistic and level-headed person than his wife, tells Cory that his wife likes to live in the past, and while Uncle Dirk was a rather thoughtless young man who wouldn’t have made a good husband, he’s grown up since then. He says that Uncle Dirk has become friendlier and more thoughtful toward others, in spite of his occasional dark moods. But, since Uncle Dirk has never been married, what did Mr. Smallwood mean about him not making a good husband?

On the grounds of the Van Heusens’ estate, Cory spots what looks like the foundations of a house that was started to be built but never completed. Peter says that he and the other Explorers sometimes play around these foundations. Cory wonders who was planning to build a house there and why they never finished it. Uncle Dirk gets angry when he catches Cory and Peter snooping around the tower at Tarnhelm, where he keeps some of his old wood-carving things and where Peter finds some mysterious poetry.

Peter later takes Cory to visit Laurel Woodford, a young woman Cory met on the beach earlier, who helped Cory find her necklace when she lost it. Laurel is a weaver. Laurel lives by herself, but she says that she isn’t lonely because she has plenty of things to do that keep her busy. However, there is a kind of sadness about Laurel, and she has secrets of her own. She knows the Van Heusen family herself, and it wasn’t a happy experience for her.

Slowly, without Cory really doing any intentional investigating, the pieces of the past start coming together – Uncle Dirk, a marriage that didn’t take place, a house that wasn’t completed … and two identical unicorn pendants.

The story is haunting and magical, but not because of an real spells or magic. The only ghosts are the ghosts of the past. The book reminds me of a couple of other books that I’ve read, but explaining which ones involves some spoilers. I don’t mind giving spoilers for this story because I haven’t found a copy of this book that’s available to read online, and it’s something of a collector’s item now, with copies typically costing at least $20 and frequently more, although it’s sometimes possible to find one for less.

My Thoughts and A Few Spoilers

One of the interesting things about this book is that it reminds me of other books that I’ve read and liked. Some children’s books are mentioned in the course of the story because Cory likes to read, like The Five Little Peppers and How They Grew and The Story of the Amulet, but these aren’t the books that the story reminds me of.

Throughout the book, the Fergusons use various Scottish words and phrases, sometimes singing old songs or quoting from poems. Mrs. Van Heusen says that she particularly likes the Fergusons because her family was also from Scotland, and they remind her of her youth, which is a comfort to her. The Scottish element and the young orphan learning to make friends and become close to a new family remind me of Mystery on the Isle of Skye, although that book was actually set in Scotland. The books also have a similar feel in the way they approach the element of mystery in the story and the element of “magic” and “spells” that aren’t really magic spells. Both books have an enchanting quality to them, but it’s because of the atmosphere of the stories, not because there’s any actual magic.

During the course of the story, Cory learns more about what it takes to make friends. Peter realizes that Cory isn’t particularly good at making friends and confronts her about the reasons why. It’s partly because Cory has had to change school multiple times, but Peter has also noticed that Cory always waits for other people to approach her with offers of friendship and invitations to join in. If they don’t, she just feels hurt and left out instead of voicing her desire to join in. Even when she gets an invitation, her impulse is to reject it if she thinks it was only offered out of pity. Peter finds it annoying that Cory seems to need people to practically beg her to be their friend and join in activities. It reminds Cory of advice that Stephanie has tried to offer her before that she should just join in and not worry or assume that people don’t want her around. Even Fergie told her that if she wants to make friends, she’ll have to drop her pride, meaning that she’ll have to learn to make the first move and approach other people instead of waiting for them to come to her. This criticism is partly true, but Cory’s experience of life is that many of the things she wants also depend on the decisions of other people, and Peter comes to rethink some of what he said when some of his friends are less than accepting of Cory. It isn’t nice to be invited into a place where you aren’t really made to feel welcome and accepted. This is also a fitting description of Cory’s life with Stephanie, being largely raised by her hired help.

When Cory finally receives Stephanie’s reply to her letter, Stephanie’s selfishness and detachment from Cory’s life become increasingly apparent. Cory shares the letter with her grandmother and Fergie and outright asks her grandmother if she can stay in California. Her grandmother asks her if she won’t miss Stephanie because Stephanie is the only mother she’s known since she was little, but Cory says she won’t because Stephanie is gone so much and busy with her acting, leaving her with hired help. Fergie, while being hired help herself, is more maternal and says that situation is unacceptable, but Cory’s grandmother says that she’s not sure that she’s up to raising another child, that she’s old and wants her peace and quiet now. Even while Cory’s grandmother knows that her daughter is self-centered, she has a kind of self-centeredness of her own. When her grandmother gets dramatic about the worry Cory puts her through when she’s running around the caves with her friends, Cory realizes that Stephanie has been imitating her during her dramatic acts.

Cory begins to get the answers about her past and Uncle Dirk’s when Peter shares some treasure with her that he and other members of the Explorers have found and are hiding in a cave on the Van Heusens’ property. This treasure is part of the reason why some of the other Explorers have been less than welcoming to Cory, not wanting to share it and their secret hiding place with her. They’re worried that she’ll give their secrets away to the Van Heusens, and then, they’ll lose their treasure and their secret hiding place. However, among their treasures is a carved wooden box that Peter found, and it looks like Uncle Dirk’s carving work. Cory points out that the carved wooden box probably belongs to Uncle Dirk, and since it was on the Van Heusen land, he probably hid it in the cave himself. Peter, as the finder of the box, lets Cory have it to return to Uncle Dirk.

In the box, Cory finds four colorful feathers, four pretty seashells, a poem about an angry quarrel signed with the initials “L.W.”, a carved wooden bracelet, a woman’s scarf, and a small silver pendant that is identical to the one that Cory wears. However, the back of this particular unicorn has a rough spot where it used to be mounted on something else, and Cory realizes that this is the one from the tie pin that Uncle Dirk told her about, turned into a necklace. From these pieces, Cory begins to realize that the contents of the box are Laurel’s – her initials on the poem and a necklace made for her that Cory thinks must have come from her father. If that’s true, Cory thinks Laurel must be some kind of relation to her.

Cory also explores the room off the tower in Tarnhelm that contains the amazing chess set with the unicorn knights, and now that she’s no longer sick, she sees that the room also holds other furniture that Uncle Dirk made. Uncle Dirk was the person who started to have the house built, and he was making furniture to go in the house, but for some reason, he stopped and stored the furniture away because there was no new house to put it in. There are also carved masks of Laurel in the room.

Early in the morning, Cory decides to go see Laurel about what she’s found, knowing that if she waits, she’ll miss her because she’s about to leave on a trip. When Cory shows her the box that she’s found and asks her about the unicorn pendant and whether or not they’re related, Laurel tells her that they’re not related but that the unicorn did come from her father’s tie pin. Like my earlier theories, Cory’s theories about Laurel are partly right and partly wrong. After Cory’s parents died, Stephanie sorted through their belongings. She gave the little unicorn necklace to Cory, and she gave Cory’s father’s tie pin to her brother, Dirk. After Dirk got the unicorn tie pin, he had it made into a necklace for Laurel.

Laurel explains that, about seven years earlier, she and Dirk got engaged while they were still in college. However, Dirk was very spoiled by his mother after his sister left home and went to New York to do her acting. He was a very talented wood-carver and looked at himself as an artist who would never have to earn a living because his mother was very wealthy, and she encouraged him in his art. Dirk wanted to drop out of college and just spend his time doing wood carving, without caring much whether he ever made any money at it. Laurel argued with him about it because she didn’t like the idea of living on Mrs. Van Heusen’s money, and she broke off the engagement. Looking back on it, Laurel regrets doing that. She finished college and could have worked to support herself and Dirk independently, just as she’s been supporting herself these last several years, ironically with an art of her own, and with Dirk’s talent at carving, he might have ended up making money at his art anyway, doing something he really loved to do.

It was all about pride. Laurel was too proud to rely on Mrs. Van Heusen, who was happy to support her son’s art, and Dirk was both proud and spoiled and wanted everything his own way on his say-so without working things out with Laurel. Dirk was being a little selfish, but Laurel comes to realize that she was a bit selfish too because she refused to acknowledge how important Dirk’s art was to him and wanted him to be something else. At one point, Laurel wanted to make up with Dirk and talk things out, but he ignored her and refused to talk to her. She got so mad that she left the box of treasures in the cave where she and Dirk used to play as children and threw the engagement ring in the ocean. Since that time, she and Dirk haven’t been able to talk to each other, even though they both wanted to. Dirk gave up the woodcarving that he loved because it was a painful reminder of the reason why he and Laurel broke up. Instead, he went back to college and became an architect so he would have a profession of his own. However, he is given to dark moods because he misses both Laurel and his woodcarving and doesn’t know what to do about it.

The situation gets straightened out when Dirk, realizing that Cory is missing from the house and that fog is coming in, goes to Laurel’s house to make sure that Cory is safe with her. The three of them talk things over, and Dirk asks Cory to give him some time to talk to Laurel alone. Dirk and Laurel make up, and Laurel agrees to marry Dirk as they planned, on the condition that they both adopt Cory because she’s come to love Cory as a niece. Cory is overjoyed to hear the news, and Dirk plans to begin construction on the house that they’d started years before.

The story of the lovers parted by a prideful quarrel and the unicorns that bind them together reminded me of The Little White Horse by Elizabeth Goudge.

There is a scene when Stephanie shows up to claim Cory and take her back to New York, but the family talk it out with her. Stephanie admits that she took Cory partly because that was her promise to her old friend and partly out of guilt because the skiing trip where Cory’s parents were killed had been her idea. Mrs. Van Heusen tells her not to blame herself because she couldn’t have known what was going to happen and Cory’s parents chose to come on the trip with her. Stephanie further admits that she didn’t legally adopt Cory because she was aware that her lifestyle wasn’t particularly suited to bringing up a child, although she’s done her best, and because she knew that Cory did have other relatives. She doesn’t quite admit that she was hoping that one of these other relatives might take her someday, but she gives that impression. Cory’s relatives on her mother’s side haven’t tried to claim her because her grandmother on that side of the family was too old to look after her, and her aunt already had a large family and not much money. Stephanie loves Cory, even though she doesn’t really know how to raise a child and has found it difficult to care for her, and she feels betrayed at first when Cory says that she’d rather stay with Dirk and Laurel. However, Stephanie later apologizes to Cory for making a scene about it because it really would be better for everyone if Cory stayed in California, where she would have a stable life and Stephanie wouldn’t have to worry about her. Stephanie returns to New York on her own, and Cory tells Peter that she’s going to stay in California. Peter and the other Explorers welcome her into their club. Now that Cory knows that she’s going to be staying, everyone feels more like she truly belongs.

Molly’s Pilgrim

MollysPilgrim

Molly’s Pilgrim by Barbara Cohen, 1983.

Molly has been unhappy since her family moved to the smaller town of Winter Hill, New Jersey so that her father could get a better job. In New York City, there were other Jewish girls like her, and she didn’t feel so strange and out-of-place. The Winter Hollow girls don’t understand her at all and don’t like her. Molly’s family fled Russia to escape persecution, and they’ve only been living in America for about a year.  Molly still has a Yiddish accent and doesn’t quite speak proper English yet.  Molly is constantly teased about the way she talks and her unfamiliarity with American habits.

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One girl in particular, Elizabeth, makes up rhymes to make fun of Molly, even following her home from school like a creepy stalker, to continue singing them at her. The other girls follow Elizabeth’s lead because they kind of admire her and because she is always giving them candy.

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Then, one day, the girls’ teacher begins teaching them about Thanksgiving. Of course, Elizabeth makes a big deal about the fact that Molly has never heard about Thanksgiving before. But, Molly finds the story about the pilgrims interesting. The teacher says that for their Thanksgiving activity, instead of making paper turkeys like they usually do, the children are going to make clothespin dolls to look like American Indians and pilgrims, so they can create a scene like the first Thanksgiving.

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When Molly gets home and explains the assignment to her mother, she has to tell her mother what a “pilgrim” is. She explains it by saying that they were people who came from across the ocean in search of religious freedom. Her mother understands that and offers to help Molly with the doll.

However, when Molly sees what her mother has done with the doll, she is worried. The doll is beautiful, but her mother has dressed the doll in the clothes of a Russian refugee, like Molly’s family, not in the traditional Puritan garb of the pilgrims. At first, Molly is sure that she’ll be teased more than ever at school when she shows up with a doll wearing the wrong clothes and that people will think that she’s stupid for not understanding how pilgrims dressed.

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But, Molly’s mother is correct in pointing out that their family are modern pilgrims, coming to America for the same reasons that the original pilgrims did. Molly does get some teasing from Elizabeth (that’s not a surprise, since it’s Elizabeth, after all), but when the teacher asks Molly about the meaning of her doll, it leads everyone to a better understanding, both of the holiday and where Molly and her family fit in with their new country and its history.

Molly’s teacher points out that the holiday of Thanksgiving wasn’t entirely an original idea that the pilgrims invented all by themselves but that they took their inspiration from a much older Jewish tradition from the Old Testament.  Human beings do not exist in a vacuum, and we all regularly take ideas that we’re exposed to and build on them in our own lives.  Although Puritans were generally known for their belief in religious “purity” (hence, their name) and noted for their intolerance to different religions and beliefs, they also strongly believed in education, which frequently involves taking past ideas and knowledge and applying them toward new situations.  Their Thanksgiving celebration was just an example of that, an older idea that they used for their own purpose, adapted to the lives of the people who adopted the tradition.  It was their celebration, but not their sole intellectual property.

The book is currently available online through Internet Archive (multiple copies).

There is also a sequel to this book called Make a Wish, Molly, in which Molly learns about birthday parties in the United States.

My Reaction and Additional Information

The book doesn’t mention it, but the word “pilgrim” itself is also much older than the early Puritan colonists in America.  Before the development of the America colonies, it referred to any religious traveler on their way to a holy place, and many people still use it in that sense.  A person on a pilgrimage could be just about anyone from anywhere going to anywhere else as long as the journey has spiritual significance.  The Puritan colonists used that term for themselves to emphasize the reasons why they were seeking new homes in a new land.  For them, it was a kind of pilgrimage to a place where they could start again.  Molly’s family came to America in search of religious freedom, just as the Puritans did.  Their journeys weren’t quite the same, but they shared a common purpose and ended up in the same place (more or less).

By showing the links between Molly and her family and the pilgrims, Molly’s mother and her teacher help the other students to understand that Molly really does fit in, that her being there makes sense, and that she has a place in their class and in their celebration of Thanksgiving.

This story was also made into a short film. I remember seeing it in school when I was a kid in the early 1990s.  I checked on YouTube, and there are trailers posted for this film.  One thing that I hadn’t remembered from when I was a kid was that the time period of the book was earlier than the film.  In the film, the characters are shown to be contemporary with the time the film was made, but the style of dress of the girls in the book’s pictures and the things that Molly’s mother says about why the family left Russia indicate that the book probably takes place during the late 19th century or early 20th century, possibly around the same time as the events in the famous play/movie Fiddler on the Roof.

As a side note, if you’re wondering why the girl is named Molly, which doesn’t sound particularly Russian, Molly is typically a nickname for Mary and other, similar-sounding, related names.  Molly’s mother also calls her Malkeleh, which may be her original name or perhaps another variant, if her original name was Malka, as another reviewer suggests.

In spite of the warning on that last site I linked to about reading a book with your child that may be covered in class, I say to go ahead and read it anyway.  It’s hard to say what books may or may not be used in classes by individual teachers, and if your child’s teacher doesn’t happen to use this one, it’s still a good story.  Perhaps just warn your child not to say something that would spoil the ending for their classmates who haven’t read it yet.