Posted on by TracyC

How Sign Talk in Pictures

How; Sign Talk in Pictures by Iron Eyes Cody, 1952.

I like nonfiction books on esoteric topics! This one has kind of a kitschy feel to it. It’s partly the “How” in the title, like the way Native Americans talk in old movies, but it was written around the time those old black-and-white westerns were made, and this sort of movie theme is actually a major issue with both the book and the author. We found this book as a library discard, and part of the interest for me is that another book by the same author (available through Internet Archive) was used as recommending reading in a later book on the same subject.

The author and his wife appear frequently in pictures in the book, demonstrating different signals in Indian sign language. Part of the book near the beginning explains about the author’s life, and what it says actually isn’t true, but the real story of the life of “Iron Eyes Cody” is pretty interesting. The main reason for the deception is that Iron Eyes Cody was an actor known for playing Native Americans in films, beginning in the 1920s. To support his film persona, he claimed to be of Native American descent, but the truth is that both of his parents were Italian. His birth name was Espera Oscar de Corti. In the book, he says that he was born on his family’s ranch in Texas, but he was actually born in Louisiana, and his parents owned a grocery store. The family did live in Texas for awhile. After his father died, he and his brothers moved to California to pursue acting careers, changing their last name to Cody. As part of his film persona, he was known to wear his Native American costumes on a daily basis, as if he were living a Native American lifestyle. Many people really believed he was Native American, but this costume quality is part of what gives the book that kitschy vibe. If you think that you’ve never seen or heard of Iron Eyes Cody before, it’s actually very likely that you have because one of his acting roles was that of the “Crying Indian” in the “Keep America Beautiful” anti-pollution PSAs of the 1970s. Yep! He’s that guy, and that’s the man who wrote this book.

So, you can disregard many of the details of Cody’s brief autobiography (there’s a fanciful story there about how he got the name “Iron Eyes”, but Chief Iron Eyes was actually the name of the character he played in the 1948 movie The Paleface with Bob Hope), but what is real is that he was married to an archaeologist of Native American descent, Bertha Parker (referred to as Yeawas in the book and also appearing in pictures to demonstrate the sign language), and they had two adopted children, also of Native American descent (one of which appears in pictures in the book). Outside of his acting work, Cody supported many charitable causes that helped Native Americans and promoted the study of Native American culture. He had a collection of Native American costumes and art that he called the Moosehead Museum, and he offered lessons in Native American arts and crafts, songs and dances, and lore out of his home. (The book doesn’t really offer details about how that worked, but my guess would be that his wife, the archaeologist, provided much of the instruction or at least educated Cody about these subjects before he taught others.) Cody also worked with the Boy Scouts, helping with Scout-O-Ramas and acting as an adviser about Indian (Native American) lore. He also sometimes helped the Girl Scouts. The book is dedicated to “the youth of America, especially the Boy Scouts of America.” If you would like to know a little more about Cody, I recommend this YouTube video and this one.

On the one hand, a person who is deceptive or misleading about their identity and credentials is worrisome and probably rightly considered unreliable. However, as near as I can tell (not being an expert on this topic myself), the information presented here seems reasonably accurate, and I think that’s probably due to research, consulting with experts, and the influence of the author’s wife, who did have credentials as an archaeologist and ethnologist and had connections to other scholars through her museum work. One of the beginning sections of the book is called “A Brief History of Sign Language by Bertha Parker Cody” with an accompanying list of works consulted (texts spanning 1880 to 1926, the 19th century ones apparently written by army officers because their ranks are given, if you’re curious – Bertha’s a woman after my own heart because she also added a note to her citation about a book with a particularly good bibliography section, and I’m a great believer in notes).

So, now that you know who’s talking here, let’s discuss what they have to say about Indian Sign Language, the main topic of this book.

In a foreword to the book, F. W. Hodge, director of the Southwest Museum in Los Angeles, where Bertha Parker used to work, discusses the concept of sign language and non-verbal cues used in communication by people all over the world. People in different countries, speaking different languages, might recognize a nod of the head as meaning “yes” or a finger placed against the lips as a gesture to be quiet, but sign languages convey much more than these simple ideas, allowing people to hold entire conversations. The Indian Sign Language presented in this book was used by many different tribes, ranging from Canada all the way south to Mexico. If members of different tribes encountered each other, they could use this language to communicate, no matter which language they spoke verbally. When people of European descent learned this sign language, they also gained the same ability to communicate with a wide range of Native Americans, without even needing to speak a single word aloud. Hodge said that this was an uncommon skill for people of European descent, although he does mention one of the army officers referenced by Bertha Parker Cody in her essay.

In her essay, Bertha Parker Cody also explains the concept of sign language, referring to it as a kind of “universal language.” She explains how people have used hand signs and gestures to convey ideas and concepts throughout history. She says that the reason why this type of universal language based on gestures was necessary because, in the territory now known as North America, there were once more than 500 different spoken languages among Native Americans. Even groups who were living no more than 10 miles away from each other might be speaking completely different languages, but they would need to be able to interact with each other and communicate. It is unknown exactly who invented this particular system of sign language (although there are some possible theories), but it was particularly developed by the Plains Indians because they were nomadic buffalo hunters, often encountering other tribes as they followed the herds. As an added benefit, because the language is completely silent, hunters could use it without startling their prey, and warriors could use it with each other before a surprise attack on an enemy. Chiefs of tribes would even use sign language to convey important messages because it would guarantee that people would pay attention and focus on the hand signs to interpret what they were saying. She explains that there are signs that the language changed over time and variations existed among different tribes, there was enough commonality that members of different tribes could communicate with each other effectively. She concludes by saying that their hope was that this book would help to keep knowledge of this sign language alive among young people at a time when it was falling out of use and living knowledge.

The actual vocabulary of the sign language is presented in sections organized alphabetically, with drawings and photographs of Cody and his wife performing each of the hand signs.

The book ends with a section about hand signs for numbers and counting and a section presenting examples for forming complete sentences using the hand signs presented in the book.

The final part of the book contains an Acknowledgement from Cody to all of the people who helped with the research and writing of the book, including the photographer and the artist who did the drawn pictures.

My Reaction

I’ve already given some of my thoughts and reactions in the review above, but there is one more thought that I had about this book. I completely understand why this book was library discard. It is an older book, and there are newer ones that cover the same topic as well or better. The author is an actor who is not as culturally relevant as he once was, and although it wasn’t known at the time of his popularity, he was deceptive about his life and past. In some ways, though, reading and researching this book and its background was educational. The education I would say that I got from this book wasn’t just about sign language but also about perceptions vs. reality, the roles people play, the personas created by the movie industry, and also the expectations of the public and the credentials we require or are willing to accept from those with a message to spread.

That last part is the most complicated part, but the resources that I consulted to get the details of Cody’s life pointed out that he did genuinely encourage interest in Native American culture and support causes important to Native Americans, which begs the question of whether he would have been accepted in that role of spreading interest and providing support if it had been known at the time that he was not actually a Native American himself. The truth is that he was something of a fake and a poser. He wasn’t really what he pretended to be, and in a sense, he was acting in a permanent role, even outside movies. He was given roles as a Native American in films because his physical appearance made it credible that he could have been one, and as far as movies are concerned, that’s really all that matters. Average people believed he really was a Native American because he was a good actor and convincing, and they didn’t know enough about real Native Americans to spot the parts about his dress and act that didn’t quite ring true. However, I think that Cody’s interest in Native American culture was genuine, probably the most genuine part of his performance, and he appears to have taken a genuine pride in it. A person lying about their background is deceptive and makes other things that they do suspect, but I’m still left with some questions. If he had been honest about his family’s background, would his interest in Native American culture been accepted or would people have sneered and said that he should have stuck to speaking only about the culture his family came from? Is it possible for someone to adopt a new culture not based on family or upbringing but pure personal interest and choice, and if so, could it ever be as deep or authentic as the culture one is born into and brought up in? Or, will it only ever just be an act or a deception, something that might only fool those who don’t know how to see the reality? What is the difference, or is there one? Could the person doing it even get so deep into the act that they themselves don’t know the difference anymore?

Posted on by TracyC

The Bodies in the Bessledorf Hotel

The Bodies in the Bessledorf Hotel by Phyllis Reynolds Naylor, 1986.

Officer Feeney is the first person who suggests that, someday, there might be a dead body at the Bessledorf Hotel. The hotel is coincidentally located next to the local funeral parlor, which is why the subject of dead bodies comes up, and Officer Feeney has a way of suggesting frightening things that scare Bernie Magruder, son of the hotel’s manager. Officer Feeney’s reasoning is that most people die in bed, so it only makes sense that some of them would be hotel beds. The hotel has 30 rooms, and with people coming and going, it’s surely just a matter of time before a guest dies there. It’s a morbid thought, although Bernie reasons that Officer Feeney is overestimating the number of people who pass through the hotel because it isn’t always full and some of the guests are long-term residents.

Still, Bernie gets a shock after he returns to the hotel, and the cleaning lady, Hildegarde bursts in on him and his parents, hysterical about finding a body in a bathtub of Room 107 with all his clothes on. Bernie’s father tells his wife to call Officer Feeney to write a report of the death and considers whether they can remove the body secretly, perhaps in a laundry cart, to avoid bad publicity for the hotel. Unfortunately, some of their guests already heard Hildegarde screaming about a dead body, so word is out. They want to know if it’s a case of murder or suicide and how it’s being investigated, and one of the long-term guests, who is a poet, has already written a short poem for the occasion.

However, by the time they all get to the room where Hildegarde saw the body, it’s gone. There is nothing in the bathtub, not even water. Officer Feeney shows up and demands to know what’s going on, and Hildegarde insists that she really saw something. The Magruders believe her, but they have no explanation for where the body could have gone. The guests speculate about body-snatchers and ghosts.

All they know about the man who occupied that room is that he gave his name as Phillip A. Gusset, he checked in the evening before, and he said that he would be leaving the next morning. Officer Feeney asks them if there was anything odd about him, like if he seemed nervous or unwell. Nobody remembers anything like that. They remember that he had a mustache and a hat with a red feather and just a single bag with him. He did kind of make Bernie’s parents uneasy, and he seemed to have a strange scent about him, although they find it difficult to describe what it actually smelled like. Officer Feeney says that, without a body or any evidence that something has happened, there doesn’t seem like anything to investigate. Bernie’s father is relieved that there won’t be any report of a murder or death occurring at the hotel because, otherwise, the owner might fire him. Bernie remembers that the man’s slippers were still in the room and goes to get them in case they’re evidence. When he gets there, he discovers that the slippers have mysteriously disappeared.

Bernie’s friends, Weasel and Georgene, think that people will probably never want to rent that hotel room ever again, and Bernie’s father renumbers the rooms so there will be no Room 107. Weasel convinces Bernie and Georgene to help him search the area for the body, thinking that whoever took it would most likely want to dispose of it quickly. They search down by the river, but they only find a bag of garbage that Bernie’s younger brother, Lester, left there to trick them.

Even though there’s no evidence that anything happened and the police aren’t investigating the situation, the incident of the disappearing guest appears in a newspaper in Indianapolis, where the hotel owner, Mr. Fairchild, lives. Mr. Fairchild calls the hotel to demand to know what’s going on. Mr. Fairchild says that he want the hotel to put on live entertainment in the evening on weekends to draw attention away from the incident and bring people in. However, he expects Bernie’s father to hire the entertainment out of his own money since Mr. Fairchild thinks this situation is his fault, and most entertainment is out of the Magruders’ price range. Fortunately, Bernie’s father has joined a barbershop quartet, so his group can do their singing at the hotel.

The singing goes well, but a strange woman with orange hair checks into the hotel and keeps making comments about dead bodies there. Then, one of the waiters finds this woman dead in her room, Room 321. Just like the first body, this body also vanishes. By this time, Bernie’s father suspects that the woman faked her “death” just to scare the waiter and ran away as soon as he was gone. As Bernie’s parents investigate the room, they notice an odd smell that reminds them of the first guest who disappeared. The smell really unnerves his father, but strangely, not his mother. It’s a faint smell that’s difficult to identify, but it conjures different images for both of them. Bernie’s father says it reminds him of sweaty clothes, cigars, and pastrami, while his mother says it makes her think of flowers and a porch swing in the evening.

The Magruders aren’t sure why someone wants to fake deaths at the hotel, but this latest faker didn’t pay for either her room or dinner, and somehow, the newspaper has heard about it and reported it again. Mr. Fairchild is angry, and Bernie knows that they need to figure out who the prankster is before they do it again!

The book is part of the Bessledorf mystery series, also known as the Bernie Magruder series. It is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

Attempts to investigate the mystery alternate with the Magruders’ attempts at cheap hotel entertainment. The barbershop quartet works until one of the members gets laryngitis. Some of the guests start a food fight when the entertainment is bad. Then, Joseph gets some of his friends from the veterinary college who play instruments to come. Personally, I like the part where Lester suggests that they hold a haunted house at the hotel and take people on tours of the rooms where “dead” bodies have been found. They reject that idea, but there are hotels and bed-and-breakfasts that give haunted tours, and people come to investigate ghosts. That actually can be a successful gimmick. I once intentionally stayed in a supposedly haunted hospital that had been turned into a hotel in an old western mining town. A possible murder once occurred there, but I enjoyed the visit.

When a new guest shows up at the hotel with that same, strange scent, Bernie knows that it’s their culprit, back again in another disguise. Now that he knows who to watch, he starts planning how they’re going to trap the person.

I had a couple of ideas in beginning about who was doing all of this and why, but there are some surprising twists in the story. Bernie’s first attempt to catch the villain is weirdly thwarted by the discovery of a dead body that is actually a real, dead person. It’s not a guest; it’s a body stolen from the funeral parlor next door. The bad guy decided to change his tactics.

One of the clues to the person’s identity is that mysterious smell and the way it has an opposite effect on Bernie’s parents. It irritates Bernie’s father but makes his mother feel strangely nostalgic. The truth is that they’re both remembering the same thing or the same person, but although they can’t remember right away exactly what they’re remembering, they have very different feelings about it.

Surprisingly, although Mr. Fairchild threatens to replace Mr. Magruder with another manager, he actually shows up at the hotel himself and discovers that he likes playing detective and figuring out what’s going on. He’s also impressed with the way Mr. Magruder stayed to finish managing things even after he told him that he was planning to hire someone to replace him, and that secures the family’s position.

Posted on by TracyC

Clifford Goes to Hollywood

Clifford

Clifford Goes to Hollywood by Norman Bridwell, 1980.

Clifford the big, red dog gets an offer to be in a movie. He passes a screen test where he has to act out different emotions, and he gets the part in the movie, so he has to go to Hollywood to accept the role, while Emily Elizabeth and her parents stay behind.

In Hollywood, Clifford is given a big, fancy doghouse and all sorts of fancy collars to wear.

However, Clifford quickly gets overwhelmed by all of the fans who mob him.

He misses Emily Elizabeth, so he runs back home to be with her.

The idea of someone going to Hollywood and missing friends back home is kind of cliche. Actually, I think the best part of the book was the screen test, where Clifford has to show different emotions. There are many books that demonstrate different types of emotions to kids, and I thought that was a nice addition to this book. The part where they show all the fancy collars that Clifford has to choose from was nice, too, because kids like to make choices, and this page is an opportunity for kids to decide which of the collars they like best.

The book is available to borrow for free online through Internet Archive.

Posted on by TracyC

The Case of the Visiting Vampire

VisitingVampireThe Case of the Visiting Vampire by Drew Stevenson, 1988.

This is the second book in the series about J. Huntley English, Monster Hunter, an extremely intelligent boy who also believes in real-life monsters and is determined to become a monster hunter so that he can find some. Along with his best friend, Raymond (who narrates the books), and Verna, a bossy girl who goes to school with Raymond, he investigates possible monsters around their small Pennsylvania town. The stories are humorous mysteries, and in a kind of Scooby-Doo fashion, there are other explanations besides monsters for the mysterious things that happen.

In this story, the Big Lake Theater in Barkley, PA, is putting on a play called The Count of Castle Dracula, and a visiting actor from Romania working at a local college is playing the part of the vampire. When Verna gets a part in the play, she becomes convinced that the actor, Bela Mezgar, is a real vampire. He behaves strangely and is never seen out during the daytime. Then, Verna overhears him talking on the phone to someone about his coffin and saying that “one heart must die so the other may live.” She tells Raymond and Huntley what she heard, and the monster hunter eagerly begins his investigation. However, a mysterious stranger also seems to be showing an unusual interest in the actor.

This book was written before the end of the Cold War, when Romania was still a communist country. Although things have changed since then, I don’t think that modern kids would have too much trouble understanding the situation. It’s a fun mystery for elementary school kids.

The book is currently available online through Internet Archive.