Flossie and the Fox

Little Flossie Finley’s mother asks her to take a basket of eggs to Miz Viola because a fox has been troubling her chickens, and they’re too scared to lay eggs. The fox is a sly creature, and he always seems to outwit the hounds.

Flossie doesn’t remember ever seeing a fox before, and her mother tells her that foxes will do just about anything to get eggs. Flossie isn’t sure what she’ll do if she meets the fox, but she remembers what her mother says about how “a fox be just a fox.” She decides that doesn’t sound too scary.

On the way, Flossie does meet the fox. The fox talks to her, and Flossie can tell that he wants the eggs she’s carrying. However, Flossie refuses to be impressed by the fox and tells him that she doesn’t even believe that he’s a fox because she’s never seen one before. The fox is surprised that she isn’t intimidated by him and tries to prove to her that he’s a real fox.

For everything the fox says to try to prove his identity, Flossie has an answer to deny it. He points out his thick fox fur, but Flossie says that rabbits also have thick fur. His pointed nose also doesn’t mean that he’s a fox because rats also have pointed noses. A cat they meet verifies that the fox is a fox, citing his yellow eyes and sharp claws, but since the cat also has yellow eyes and sharp claws, Flossie says that isn’t proof of being a fox. Even his characteristic bushy tail isn’t firm proof because squirrels also have bushy tails.

There is one being who knows for certain that the fox is a fox – the hounds that chase foxes. Flossie knows that as well as the fox does.

The author’s note in the front of the book says that the author enjoyed listening to stories told by her family when she was young, and the story in this book is one that she remembered from her youth. She particularly wanted to tell this story in a rural Southern dialect, like the one her grandfather used when he used to tell stories.

I enjoyed this fun story where a clever girl tricks a classical trickster. She knows that the fox is really fox, but she uses the similarities between the features of a fox and the features of other animals to pretend like she doesn’t and to keep the fox attempting to convince her until she reaches a point where the fox can no longer pursue her. Knowing the author’s connection to this folk tale style story adds an element of coziness, imagining the author hearing the story as a little girl herself.

The time period of the story is indefinite, but from the characters’ clothes, it looks like it might be some time during the late 19th century or early 20th century.

The Talking Eggs

There was a poor widow who lived on a small farm with her two daughters, Rose and Blanche. Rose was the widow’s favorite daughter because she was so much like her mother. They were both mean and bad-tempered, and they had grand dreams of becoming rich someday, although neither of them had the slightest idea how to accomplish that. Blanche, on the other hand, was a sweet girl, and her mother made her do all the work while she and Rose just sat on the porch, talking about all of their grand dreams.

One day, when Blanche goes to fetch water from the well, an old woman approaches her and begs her for a drink. Blanche gives her some water, and the old woman thanks her, telling her that she will be blessed for her kindness.

However, when Blanche gets home, her mother and sister yell at her for taking so long. They hit her, and Blanche runs away into the woods. Then, she meets the old woman again. She explains to the old woman what happened, and the old woman invites her to come to her house. However, she cautions Blanche not to laugh at what she sees there. Blanche promises that she won’t laugh.

The old woman is no ordinary woman, and everything at her house is strange. Some of these strange things are amusing, some are amazing, and some are just plain weird and a little alarming. The animals are all strange, with chickens of different colors and cows with curly horns. Then, inside the house, the old woman removes her head and puts it in her lap to brush her hair. Then, the woman produces a fancy stew from just one old bone. After supper, they go outside and watch rabbits in fancy clothing dance.

In the morning, the old woman tells Blanche to go out and gather some eggs before she goes home. Blanche is allowed to take any that tell her to take them and to leave ones that say not to take them. Blanche does as she is told, although the ones that tell her to take them are the plain-looking eggs, and the others are covered in jewels. The old woman tells Blanche to throw the eggs over her shoulder, one at a time, and when she does so, the eggs break and wonderful things burst out of them – fancy clothes, coins and jewels, and even a horse and carriage.

By the time Blanche gets home, she has many beautiful clothes, money, and luxurious things. Blanche’s mother pretends to be nice to her when she returns, but it’s only so Blanche will tell her where she got all the rich things. That night, when Blanche is asleep, her mother talks to Rose, telling her that she should also befriend the old woman and get the same rich rewards as Blanche. Then, they will steal all of Blanche’s things and head to the city to live the rich life that they’ve always dreamed of.

Of course, lazy and bad-tempered Rose isn’t as kind or hard-working as her sister. She ignores the old woman’s instructions and does everything she shouldn’t do. When she tries to force the old woman to give her riches, the old woman’s magic gives her and her mother their just desserts.

This book is a Reading Rainbow Book. It is available to borrow and read for free online through Internet Archive.

There is a note at the beginning of the book that this story comes from a Creole folktale that appeared in a 19th century collection of folktales from Louisiana by Alcee Fortier. It resembles folktales from Europe was probably adapted from fairy tales brought to Louisiana by French immigrants. It reminds me of the Mother Holle story, where a kind, well-behaved, hard-working girl is rewarded for following Mother Holle’s instructions, while her spoiled sister is punished for laziness and disobedience.

The old woman in this story is a similar figure to Mother Holle, with strange powers and magical objects, but there is no explanation of who she might be. The fact that she can remove her head just to brush her hair shows that she’s supernatural, but we don’t know if she’s supposed to be a witch or some other supernatural creature.

Personally, I don’t think I would laugh at any of the things in the old woman’s house. I think the strange animals sound more amazing than comical. I think I’d really be impressed by the different-colored chickens and the cows with the weird horns. I have to admit, though, that if someone takes off their head, my first reaction would probably be to run for it.

Mirandy and Brother Wind

It’s springtime, and “Brother Wind” (the wind personified) is striding through the valley. Young Mirandy is getting ready for the junior cakewalk, and she imagines that, if Brother Wind was her partner, she would be sure to win the cakewalk. Her mother says that anyone who can catch the Wind can make him do whatever they want, so Mirandy decides that she’s going to catch Brother Wind before the cakewalk and make him dance with her!

That’s easier said than done. Mirandy doesn’t know how to catch the Wind, and her grandmother doesn’t think such a thing is possible. She asks different people what to do, and she tries different ways of catching him. She tries catching him in a quilt, but he gets away.

Then, Mirandy tries visiting Mis Poinsettia, the conjure woman (a sort of witch or woman with magical knowledge), and she asks her if she has a potion that would help. Mis Poinsettia’s advice is to trap the Wind in a bottle of cider, but that doesn’t work, either.

Eventually, Mirandy manages to trap Brother Wind in the chicken coop. Once she has Brother Wind, he has to give her a wish. However, on the night of the cakewalk, Mirandy realizes that there is someone else she wants for a partner besides Brother Wind, and she asks Brother Wind for help in a different way from the one she had planned.

I thought this was a charming picture book, with bright, colorful illustrations that really conveyed that sense of lightness and air in the presence of Brother Wind! The old-fashioned clothing of the characters is part of the charm, and I like this sweet introduction to the concept of a traditional cakewalk. Cakewalks were a kind of traditional African American dance contest with a cake as a prize for winning. The people participating are dancing as they parade around the room, which is a little different from the cakewalks or candywalks that some modern people do at school or church carnivals as a kind of raffle game. In the game version, the players are just walking, not dancing, and they stop on numbered spots whenever the music stops, winning prizes if the number of their spot is drawn. For Mirandy, winning the cakewalk isn’t a matter of stopping in the right place but actually dancing well.

All through the book, there is a boy who likes Mirandy, but Mirandy doesn’t think of him as a dance partner because she has her heart set on Brother Wind as the perfect dance partner, and the boy is kind of clumsy. Mirandy really wants to win the contest, so it’s important to her to have the best partner she can. However, when one of the other girls at the cakewalk talks badly about the boy and his clumsiness, Mirandy can’t stand to hear him being insulted. She boldly declares that the boy will be her partner, and they will win in the contest together … with a little help from Brother Wind.

Willie Bea and the Time the Martians Landed

It’s Halloween 1938, and Willie Bea’s relatives have gathered at the old family farm, near where she lives. Money is tight because of the Great Depression, but one of her aunts lives and works in the city, making more money than the others, and is willing to help fund family dinners and provide a little extra for her nieces and nephews when they need something, like new clothes. The aunt is a little scandalous in their family for her multiple marriages, but the others appreciate her generosity, and the nieces and nephews like getting some extra attention and a few treats from her.

The family gathering is a bit chaotic with children running around and getting into trouble. One of Willie Bea’s cousins gets into particular trouble with her mother for using his bow and arrow set to shoot a pumpkin off of Willie Bea’s younger brother’s head. Their mother panics when she catches them doing it because he could have missed and killed the little boy, but Willie Bea tries to calm her mother. Willie Bea was less worried because she knows her cousin’s archery skill and that he wasn’t going to miss, but she understands that adults think of the risks and aren’t fully aware of what the kids are capable of doing. (I’m siding with the mother on this one. Even people who are very good at something can miss now and then, and it’s a big risk to take with someone’s life.) Willie Bea also realizes that the decision to use her little brother for the William Tell act actually came from another cousin because the cousin doing the archery wouldn’t have thought of it himself, and it’s not fair that her mother doesn’t know to blame this other cousin.

Willie Bea talks to her father about the incident, hoping that he’ll understand how unfair it is. However, her father tells her that what her cousin did was dangerous, no matter why he did it. Even though he has a reputation for being good with archery, even people who are good can still miss, and accidents can happen. (See?) Her father lets Willie Bea know that he’s aware that she and her cousins do risky things sometimes when they’re playing with each other, but as an adult, he and the other adults have a responsibility to tell them when something they’re doing is too risky and to put a stop to it. No matter how many times they’ve done some of these things without having an accident, some things are just accidents waiting to happen. They should never assume that an arrow can’t go wrong just because it hasn’t yet or that they can’t fall from a high place just because they haven’t fallen yet.

Willie Bea is a little embarrassed by the talk and feels like her father still doesn’t understand. However, Willie Bea herself has been starting to understand a few things about her relatives this Halloween, things that she either hasn’t noticed before or only half noticed. She can see that one of her cousins is too manipulative, noting the little tricks she uses to get her way and the things she says and does when she wants to be spiteful. She can see that her other cousin has trouble asking up for himself and is particularly vulnerable to manipulation.

Willie Bea also begins to notice things about the adults in the family and their relationships with each other. Aunt Leah, the aunt who has more money than the others and has been married multiple times seems glamorous and fascinating to Willie Bea. Aunt Leah is into horoscopes and fortune telling, and when she reads Willie Bea’s palm, she predicts something special for her. Although Willie Bea loves her own mother, she is intrigued by the family gossip that her father was seeing Aunt Leah before falling in love with her mother, and Willie Bea fantasizes about what it would be like to live with Aunt Leah in the city. She imagines that it would be exciting, and she asks her father why he chose her mother instead of Aunt Leah. Her father knows that Willie Bea doesn’t entirely understand what it’s like to make that kind of choice and what living with a woman like Aunt Leah would really mean. (It occurred to me that the multiple divorces Leah has had might be a clue.) He just explains to Willie Bea that his choice became clear after he got to know her mother as well as her sister, Leah. He knew her mother was the right choice because she was the kind of steady woman who would always be there for him.

That evening, while Willie Bea is putting together her hobo costume and the ghost costumes for her younger siblings and her parents are listening to the radio, Aunt Leah suddenly bursts in and starts having hysterics about it being the end of the world! It takes Willie Bea’s parents a while to get a clear answer from Aunt Leah about why she’s so upset. When she recovers enough to explain things, she says that she was listening to the radio, and she heard that Martians have invaded New Jersey! She describes the horrible, terrifying reports that the radio announcer made about the Martians destroying army troops with their deadly heat ray. Aunt Leah was so terrified by what she heard that she not only turned off the radio but unplugged it, and she says that she’ll never plug it in again, which might be a moot point, if aliens really are here to destroy the world. (If you know what was infamously broadcast on Halloween 1938, you know what Leah heard and that it’s not what she thinks it is.)

While Willie Bea’s parents are trying to decide what to make of Aunt Leah’s story, Willie Bea’s Uncle Jimmy arrives. He says that the rest of the family has also heard what Aunt Leah heard and that they’re all gathering at the old family farm. Rumor has it that people have seen the terrible invaders over at the Kelly farm. Willie Bea’s mother gathers the children and heads to the family farm that Willie Bea’s grandparents own to be with the rest of the family, while Willie Bea’s father tries to see if he can find the station that Leah was listening to and hear the reports for himself. It occurs to him that it might not be an invasion of the Martians but could actually be Germans and German war machines because they’ve all heard about the Nazi takeover of Germany, and he remembers the horrible Hindenburg disaster. If Germans could make a blimp that explodes into a fiery terror like that, then he thinks maybe they could make something that resembles an alien invasion.

At her grandparents’ farm, Willie Bea watches as various relatives panic, cluster around the radio, trade rumors, and try to figure what’s going on. Rumor has it that there are Martians on the Kelly farm, so Willie Bea convinces young Toughy Clay to go over there and try to see them for themselves. At Willie Bea’s insistence, they use the stilts that the children like to walk on to give themselves longer legs, so they can get there faster. Nothing is as it seems this Halloween, and Willie Bea’s expedition to see the Martians definitely doesn’t go as planned.

The book is available to borrow and read for free online through Internet Archive (multiple copies, including a short picture book version).

Almost of the characters in this book are African American. I don’t think it’s ever stated directly because there’s no need in the story to describe them, compared to anyone else, but I think it’s subtly implied. There is only one point in the story where race is mentioned at all, and that’s when Willie Bea is hurt, and the doctor comes to see her. Willie Bea describes the doctor as an old man who delivered most of the babies in her family and knows everybody in the community, and she says that he visits everyone, black or white, rich or poor. Willie Bea’s family is at the poorer end of the community because the doctor knows that people like them don’t normally call the doctor unless it’s something that they really can’t handle by themselves.

I found the family relationships in the story confusing at first. The kids are all referred to by nicknames, and when they are first introduced, it’s difficult to keep it straight who is whose sibling and who is a cousin, and who is older and who is younger. At least, that’s how it seemed to me. Relationships are explained gradually as the story continues, along with characters’ real names as well as nicknames, but it takes some time to get to the explanations.

The story has a slow start, and the real adventure doesn’t begin until about halfway through the book. In some ways, it’s a coming of age story for Willie Bea because she finds herself seeing her family in ways that she never has before, becoming more aware of different sides of their personalities and gaining more insights into their relationships with each other. She also comes to see firsthand what her father means about the stunts that she and her cousins pull and how she should never assume that they can’t get hurt just because they haven’t before. Much of this book is what I would call “slice of life”, a sort of glimpse into Halloweens of the past in a rural community, especially one particular Halloween that would have been memorable for anyone who was alive at the time in the United States.

The radio broadcast that has Willie Bea’s family and others in the community panicking over an alien invasion is The War of the Worlds, a play based on the novel of the same name by H. G. Wells. This type of panic over this particular radio performance was a real, historical incident because the radio play was presented in the format of news broadcasts at the time, and some people who tuned into the program late misunderstood what they were hearing and thought that it was a real news broadcast about an actual emergency. It wasn’t a widespread panic because, first, people who started listening to the broadcast from its beginning knew what they were listening to, and second, not everyone was listening to the broadcast at all. Still, there was enough panic over the radio performance that it became newsworthy and has become a piece of American history and lore.

I enjoyed the historical details in the story, particularly all the radio play references throughout the story. Willie Bea’s family likes to listen to radio shows, and I’m familiar with some of them because I also enjoy old radio plays. Her family likes to listen to The Shadow and Little Orphan Annie. Willie Bea likes to amuse her siblings by imitating people from the radio, singing theme songs and reciting jokes from Jack Benny, like the famous “your money or your life” joke.

Stories of Rainbow and Lucky: Up the River

This is the fifth and final book in the Stories of Rainbow and Lucky series. I’ve already covering the rest of the books this series, and I have to do all five books in a row because the series is set up like a mini-series. That is, none of the books in the series can stand alone; they are all installments of one, longer story. They only make sense together.

It’s an unusual series from the mid-19th century, written on the eve of the American Civil War, by a white author with a young black hero. Rainbow is a teenage black boy who, in the previous installments of the story, is hired by a young carpenter, Handie, who is just a few years older than he is, to help him with a job in another town, working on renovating a farm house that Handie has inherited. The rest of the series follows the two young men, particularly Rainbow, through their adventures leaving their small town for the first time, learning life lessons, getting new jobs, and even dealing with difficult topics like racism. Lucky is a horse who used to belong to a neighbor of Handie’s new farm. Rainbow befriended him, and in the previous book in the series, he managed to buy Lucky on credit. Because he now owns a horse, he is able to take a new job, delivering mail. This final story in the series follows Rainbow as he begins his new job.

The story is unusual for this time period because it was uncommon for black people to be the heroes of books and for topics like racism to be discussed directly. I wouldn’t say that racism is the main focus of the series. It’s mainly a slice of life and coming of age story for Rainbow as he and Handie both set out in life and begin building careers for themselves, and it’s meant to be educational for young readers. However, racism and racist comments are sprinkled throughout the story, with the author calling attention to the fact that these are not good ways to behave or polite ways of speaking, for the benefit of its original audience of 19th century children. It’s also important to point out that our black hero is not a slave, he is not enslaved at any point in the series, and the series has a happy ending for him. People don’t always treat him right, but he does have friends and allies, and he manages to deal with the adversity he faces and builds a future for himself. 

This particular installment in the series focuses on Rainbow’s new job. It has its hardships and adventures, but it sets up a bright future for Rainbow. Keep in mind along the way that there are a lot of pun names in this series and that people’s names are often clues to their characters.

This book is easily available to read online in your browser through NINETEENTH-CENTURY AMERICAN CHILDREN & WHAT THEY READ, I’m going to do a detailed summary below. If you’d rather read it yourself before you read my review, you can go ahead, but some people might want to know what it’s like in more detail.

This story picks up where the previous book in the series left off, with Rainbow back in his home town with his horse, Lucky. He has just accepted the job of delivering mail. The first characters we see are Thomas and Jerry, two teenage boys working in the stable that belongs to the local tavern. Jerry is younger than Thomas and has only just started working there. He is disgruntled because Thomas won’t let him handle some tasks without supervising him closely. Thomas says that he needs to see how Jerry works before he will trust him to work unsupervised. Jerry thinks that Thomas is implying that he’s incapable of doing the work, which is insulting. Thomas says that his own job depends on his ability to make sure that everything is done correctly in the stables, and as a new employee, Jerry is his responsibility, so Thomas needs to make sure that he knows what he’s doing and does a good job.

Rainbow is boarding Lucky at the stable, and the boys talk about the horse and about Rainbow’s new job. Thomas is a little envious of Rainbow for getting the job of delivering mail, but he couldn’t apply for it himself because he doesn’t have a horse of his own, like Rainbow does. Jerry asks how Rainbow was able to afford a horse, and Thomas explains that he bought it on credit. Making a major purchase on credit involves finding someone who is willing to supply the loan, and Thomas is also a little envious that Rainbow managed to do that because he can’t think of anyone who would trust him enough to loan him that amount of money. Jerry says that he’s surprised that a black boy got the job because the black boys he’s known are so “saucy” (meaning flippant or impudent). However, Thomas says that Rainbow isn’t like that and that he’s smart and a good worker. In spite of the fact that Thomas wishes he was in Rainbow’s position, he admits that Rainbow got to this position because he’s a good worker, and employers trust him because he has demonstrated that he is scrupulous in fulfilling his duties to them. That’s how Rainbow finds people willing to hire him and loan him money.

Rainbow comes to the stable to give Lucky a brushing and take him out for a run. He tells Lucky that he’s been able to have fun up to this point, but soon, they will have to seriously begin their work of carrying the mail. They will have to follow a 24-mile route up the river, traveling in all kinds of weather with a heavy mail sack, and there will be a fine to pay if they don’t stick to the route and arrive on time. However, the work will pay off, and Rainbow says that he will see to it that Lucky has a nice, warm stable and good food. Lucky, being a horse, is unconcerned and is mainly interested in neighing at another horse he sees nearby.

When Rainbow and Lucky return to the stable, Jerry tells Rainbow that Trigget is waiting in the tavern to talk to him. Rainbow goes to see Trigget, and Trigget says that he is there to draw up the contract for Rainbow’s new job. They discuss the job requirements and the pay, and Trigget offers Rainbow advice about how fast his horse can travel and how he can make his mail run on time. Because Lucky is still a young horse, Trigget cautions Rainbow not to run him too hard and risk injury. Traveling the full length of his route at a good pace will take about 8 or 9 hours, so Rainbow should plan accordingly. During periods when the weather is bad and traveling will be slower, Rainbow will have to leave earlier in the morning to make sure that he finishes the route at the proper time.

Trigget also tells him that, even though he’s sure that Rainbow will do his best to be on time with his deliveries, there will be times when he will be late despite his best efforts. Sometimes, the weather will be bad, and there’s always the risk of accidents. Because there are government fines for being late with the mail, Rainbow’s pay includes the option to accept extra money that he can use to pay up to four fines per year, if Rainbow chooses to pay his fines himself rather than having the company pay on his behalf. It’s a bit of a gamble to accept this option because, if Rainbow is late more than four times during the year, he will have to cover the additional late fines himself and will lose money. However, if Rainbow is late less than three times during the year, he can keep whatever is left over from that extra money. Rainbow decides to accept this option because he is confident that he won’t be late very often. With the terms settled, Rainbow signs his contract with Trigget and begins his job.

Rainbow and Lucky set off on their route on the morning of November 1. The book explains that the post office in their town is in a small building next to the tavern, and Rainbow enters from the tavern, using a special key kept on a hook. The postmaster prepared mail bag the night before, so it is ready to go. Rainbow just needs to pick it up.

Rainbow and Lucky ride about 5 miles before they reach the first post office on their route. The postmaster there takes the mail bag from Rainbow, removes the mail meant for his office, and returns the bag to Rainbow. Everything goes according to routine at the first stop, and Rainbow and Lucky continue on their way.

Rainbow begins to consider his new schedule as they travel. They will be traveling for most of the week with a stop at post office No. 5 for a couple of days. The stop at No. 5 would be a good time for Lucky to rest, but Rainbow wonders what he’s going to do there for a couple of days himself. He considers whether he could find any side jobs to do there, like carpenter work or hauling wood.

As they continue on their way, Rainbow talks to Lucky about the countryside, the river, and the bridges, noting how high the water under them can get. About every four or five miles, they stop at another post office. As they keep going up river, the post offices become more primitive. One of them is just in a log cabin with a sign written in chalk to designate it as the post office.

At a place called Mix’s Corner, a man named Mix has a farm and a saw mill. His house also serves as the post office and tavern for the few travelers who come that way. Mrs. Mix handles the mail and gives Rainbow some food while her young son, Ephraim, puts Lucky in the barn, where Rainbow can give him some oats. Rainbow offers to make a whistle for Ephraim, but then, he remembers that it’s better to make whistles in the spring, when the barn is easier to separate from a willow or poplar stem. (There is a detailed explanation here about how that works because the new layer of wood formed in the spring, the alburnum, is softer then. After it has matured, it becomes harder, and it’s more difficult to remove. The author/narrator says that Rainbow doesn’t fully understand the scientific principles behind this process, but he knows from hands-on experience that these wooden stems are easier to work with in the spring. “So much for the philosophy of whistle-making.”) Ephraim is disappointed, so Rainbow offers to make him a windmill toy instead and to bring him a whistle from the store the next time he passes. Stores sell whistles for a penny each, so it wouldn’t be too expensive for Rainbow to buy one for the boy. Ephraim accepts the offer, so Rainbow makes him a windmill out of a wooden shingle (we called this toy a pinwheel when I was a kid, and we made them out of paper), and Ephraim runs around in the yard outside with it to make it spin.

As Rainbow continues on his way, he makes it a point to get to know the people along his route and to make friends with them. At the next house he passes, a woman named Mrs. Captain Myers greets him. The narrator says that she even gives him a “courtesy” (what we would call a curtsy). Normally, she probably wouldn’t make such a formal, deferential gesture for an ordinary black boy, but she knows that he’s the new mail-carrier, and this is an important position in this area as mail is the main form of communication. She values the position Rainbow holds, so he gets special consideration.

She asks Rainbow if he is carrying any letters for her, but he says that he doesn’t know. There is a lock on the mail bag he carries, and he can’t open it because only the postmasters at the post offices along his route have copies of the key. This is how they keep the mail secure. Since he can’t open the bag himself, there’s no way that Rainbow can check for letters for specific people. Mrs. Captain Myers lives a couple of miles from the nearest post office, and she says that it’s often difficult for her to get there to pick up her letters. Rainbow says that, if she likes, he can pick up her mail for her and bring it to her on his return trip, and she say that would be very helpful.

As he rides on, Rainbow confides to Lucky that his desire to make friends and help people he meets along the way isn’t entirely out of kindness for its own sake but also cunning. Rainbow knows that this route will become more difficult to travel during the winter, and there will probably be some times when he will need help from people who live in the area. If he has made friends with them and done them a few good deeds, they will probably be more likely to help him later, when he needs a good deed himself. The narrator/author weighs in at this point with some thoughts about how Rainbow needn’t think this form of “cunning” isn’t also kindness:

Rainbow was very much mistaken in supposing that his disposition to be obliging to the people who lived along the road was to be attributed to cunning and not to kindness. If we really entertain feelings of good-will o those around us, and desire to promote their happiness by every means in our power, and take pleasure in doing it, then we are truly and sincerely kind. The fact that we are aware that, by so doing, we make other people ready to show kindness to us in return, and that we are even influenced in what we do by a desire to secure such requitals, is nothing in any sense derogatory. “Cast thy bread upon the waters: thou shalt find it after many days,” is an injunction of the Scriptures, and it implies that it is right for us to be influenced in our efforts to do good by the hope and expectation of receiving at some day or other a beneficial return.

(I can see the point, that a kind act isn’t diminished by the other person’s gratitude or willingness to return the favor. The author might have also considered that there are also less kind ways for people to try to get people’s cooperation than building up goodwill in advance. Some people might simply expect deferential treatment as their due without showing care or consideration to the other people involved, or worse, they might use the threat of bad behavior to make other people do things for them. Rainbow is taking a better path by showing others that he does care about them and is willing to help them when he can, even if they haven’t done anything for him yet.)

The final stop on Rainbow’s route is post office No. 5, which is in Squire Holden’s house. (The book sometimes calls Mr. Holden by the title “squire,” which can have several meanings. Besides the British gentry title, it can refer to the primary land owner in a village, which may be the meaning here, or to someone who holds a legal position, like the lawyer in the first book in the series, who was also called “Squire.” The legal title is still in use sometimes as a courtesy title for lawyers in the form of “esquire“, after a lawyer’s name, frequently abbreviated as Esq.) The village is very small, with only a blacksmith shop, a mill, and a general store. Squire Holden’s house is only one story with an addition built on that doesn’t look completely finished. Since Rainbow has had some carpentry training from Handie (in the earlier books in the series), he thinks that he might be able to get some work helping the Holden family finish it. Squire Holden isn’t at home when Rainbow arrives, but his wife greets him and tells him where to put the mail bag.

According to the arrangement of his route, Rainbow will be staying with the Holdens for a couple of days before beginning the journey back. Trigget discussed with the Holdens before Rainbow began his job, telling them that the new mail carrier would be a black boy. As mentioned in the first book in the series, some people in this time and area might object to having a black person stay with them, so Trigget wanted to make sure that Rainbow would be welcome with them and would have a place to stay. The Holdens have no objection to hosting Rainbow, with Mrs. Holden saying, “that she never cared at all what color a cow was so long as she gave plenty of good milk.” (Meaning that she isn’t concerned about Rainbow’s race as much as his behavior, and Trigget has given him a good character reference, so it’s all fine with her.) The narrator says that Trigget thought that would probably be the case with the Holdens, but he thought that they would appreciate him discussing the situation with them first anyway, since Rainbow would be staying in their home as a guest. The Holdens’ small daughter, Toolie, is very shy of Rainbow when he first arrives, but she warms up to him gradually during his stay. Rainbow helps to win her over by making a little doll for her.

Mr. Holden is out in the woods, cutting down some trees. Rainbow offers to go and help him, if there is an extra axe, but Mrs. Holden says that the only other axe they have is an old, dull one. Rainbow goes to the village store to see if he can buy an axe, but the store is closed. The nearby blacksmith tells him that the store doesn’t sell axes anyway. All they have is axe handles. Rainbow watches the blacksmith making horse-shoe nails for a while, and the narrator describes the process. The blacksmith comments about the horse Rainbow rode there and asks who owns it. Rainbow says that’s a difficult question to answer because he has bought the horse but hasn’t yet paid for him. Since Rainbow doesn’t explain further about buying the horse by obtaining a loan for the purchase and that it’s the loan that he hasn’t repaid, the blacksmith is surprised and doesn’t really believe him.

Rainbow spots an old axe in the blacksmith shop and studies it. He knows more about evaluating the condition of tools than the blacksmith thinks because of his time working with Handie. Rainbow realizes that the axe is old and has been worn down and resharpened many time before. To put it in good repair again, the axe head would have to be removed from the hand and reshaped through a process they call “setting” (which the author describes as one of his detailed explanations of 19th century life). Rainbow negotiates with the blacksmith to purchase the axe and have it set. (The blacksmith quotes him the price of a “shilling.” It surprised me that he called it a shilling because that’s usually a British monetary description, and this is the mid-19th century, well after the Revolutionary War. I didn’t realize that expression was used in the United States that late. The amount of money in the “shilling” the blacksmith expects is also different from the British shilling. The British shilling would be worth 12 pence or pennies or 1/20 of a pound, but the book explains that the blacksmith wants 26 cents.) The blacksmith asks when Rainbow can pay for it because he said that he didn’t pay for the horse he bought, and the blacksmith doesn’t think he really has any money. To his surprise, Rainbow produces the money and pays right away, which makes the blacksmith hold him in higher regard. The blacksmith says that he can have the axe ready for him that evening.

When Rainbow returns to the Holdens’ house, he uses their old axe to split some wood in the yard. When Mr. Holden returns home for supper, he says that Rainbow can help him to clear a piece of land. He offers Rainbow two shillings a day for his help, which Rainbow considers a good wage. Rainbow tells him about the axe he is buying from the blacksmith, which he can use for clearing some bushes while Mr. Holden cuts down trees. However, Rainbow says that he would also like to explore the neighborhood the next day because he has never been in this area before.

After supper, Rainbow returns to the blacksmith, whose name is Mr. Whackhammer. He helps by operating the bellows while the blacksmith works on the axe. Mr. Whackhammer comments that Rainbow seems to have some understanding of tools, and Rainbow explains a little about his work with Handie over the summer. The blacksmith thinks that he’s bright to have picked up some knowledge of tools in such a short time. After the blacksmith finishes setting the head, Rainbow buys a new handle for it and fits the head to the handle. (The author also describes the process for that.)

Rainbow spends the rest of evening talking and telling stories with the Holdens by the fire. When it’s time to go to bed, Mr. and Mrs. Holden talk to each other a little about Rainbow. Mr. Holden says that Rainbow seems like a smart boy, and Mrs. Holden says that he is also pleasant company, noting that, “I’m more and more confirmed in my opinion, that it is of no consequence what the color of a cow is, provided she is not cross, and gives plenty of good milk.”

The next morning, Rainbow goes out to the woods with Mr. Holden and helps him clear the underbrush on the land he is trying to clear. When he does a good job with that, Mr. Holden says that he can try his hand at cutting down trees, which is trickier. A person cutting down a tree needs to cut it in a particular way so that it will fall in the direction he wants it to fall. The narrator explains how this works, and Rainbow follows Mr. Holden’s example. They make good progress before they go home for dinner. (“Dinner” is frequently what they call lunch in the countryside, and that is the case here. They go home for lunch.)

After dinner, Rainbow says that he would like to take a walk and explore the area that afternoon. The Holdens tell him a little about the people who live nearby, including a man named Mr. Dyker, who is building a house. Rainbow says that he might go see him and offer his help. This, unfortunately, leads us to the second use of the n-word in this series. As Rainbow approaches the house, he hears Mr. Dyker say to the man who is with him, “Who is this (n-word) coming, Dan?” When Rainbow hears that, he almost turns around and leaves, wishing that he hadn’t bothered to come. What stops him is that Dan replies, “Don’t call him a (n-word), Joe, till you find out whether he deserves it.” Rainbow decides that he might take a chance on these men since at least one of the two seems willing to give him a chance. (Personally, I might not be so charitable. Rainbow considers Dan a “fair man” for his comment about reserving judgement to see “whether he deserves it”, but to my way of thinking, calling that comment “fair” would imply that there might be people who do deserve that kind of slur, and I’m not convinced. Granted, it’s not as bad as immediately calling a total stranger something bad for no reason, but it’s still not great.) Rainbow still feels indignant about the insult, but he decides to follow his mother’s advice about “overcoming evil with good.”

Rainbow explains that he heard they would be raising a house frame this afternoon, so he came to see if he could help. Mr. Dyker says that perhaps he can. Mr. Dyker doesn’t think too much of Rainbow’s abilities at first, and he also hesitates to let him do too much because he thinks Rainbow might expect payment. He asks Rainbow what kind of wages he expects, but Rainbow says that he doesn’t need any money. He’s just looking for things to do because he is the new mail carrier and will be staying here for a short time before following the route back down the river. Hearing that Rainbow is the new mail carrier catches Mr. Dyker’s attention. Rainbow explains what he can do to help them, and Mr. Dyker and Dan realize that Rainbow has some carpentry experience. Dan suggests that they let Rainbow show them what he can do. When they see that Rainbow knows what he’s doing, they’re happy to let him work with them. As they work, they chat pleasantly with each other, and they begin feeling better about each other.

When Mrs. Dyker begins to lay out supper, Rainbow gets ready to leave, thinking that they might not way to eat with a black person, considering the way Mr. Dyker talked before, but they insist that they would like him to stay and have supper with them, so he does. While they’re getting the supper ready, Rainbow even picks some flowers for Mrs. Dyker, as “the lady of the new house.” The author/narrator says that this gesture pleases Mrs. Dyker, even coming from a black boy (which seems a little back-handed to me). The author/narrator also says that Mr. Dyker adds a prayer of blessing for Rainbow to their prayer before the meal. He says, “Mr. Dyker was perfectly honest and sincere in these invocations, for he was really a good man, although he had been so heartless, or rather so thoughtless, as to call Rainbow at first by an opprobrious name.”

Mr. Dyker compliments Rainbow on his carpentry skills, and Rainbow thanks him, but he says that he doesn’t plan on becoming a real carpenter. Mr. Dyker asks him why, and Rainbow says that he has trouble with the mathematical skills that professional carpenters need to plan what they build. Handie tried to teach him a little geometry, but he found it difficult to understand. The author/narrator praises Rainbow for this honest and accurate assessment of his own skills and limits. Rainbow knows his tools and can carry out some basic carpentry tasks and assist others, but he knows that he can’t plan out the full construction of a building or more complicated projects by himself. Still, Mr. Dyker thinks enough of Rainbow’s skills that he says anytime he has free time, he will pay him to help further with his building project. Rainbow says that he will be free on Friday, and he can work for Mr. Dyker that day, but he can’t make promises beyond that point. He’s still getting a feel for his new job as mail carrier, and he can’t say what other jobs might come up for him on the side.

On Rainbow’s way back down the river from his first trip, he remembers to pick up Mrs. Myers’s letters for her, as he promised before. He also remember to buy a penny whistle for young Ephraim to take with him when he begins his next route up the river. He knows it’s important to keep his promises while building relationships with the people he meets.

As Rainbow continues making trips up and down the river, he starts to become better friends with little Toolie. In particular, Toolie likes the way he answers the questions she asks. The narrator explains that Rainbow is very good at answering the questions of young children because he knows a little more than they do, but not a lot more. Rainbow is still young himself, in his teenage years, and he is just starting to get out in the world and experience more of life, but he isn’t that much more experienced than a kid yet, which the author says is the ideal mindset for explaining things to kids. Often, adults with a lot of knowledge and experience will try to tell kids too much or make their explanations too detailed when talking to young kids, confusing them. Rainbow is one step ahead of them in his knowledge, and one step further is the most a young kid can take at once.

At this point, the author delivers a reprimand to adults who assume that, just because they cannot give a young child a complete, detailed answer to their questions that the child should not have asked the question in the first place. He says that asking questions and trying to understand the world is part of the natural business of childhood and is important for helping the child to prepare for later life, so a child should never be criticized or shut down for doing that. He says that it is unreasonable for an adult to try to stop children from asking questions or reprimand them for their growing young minds simply because the adult finds it difficult to handle and formulate answers. (I have some thoughts about this, but I’ll save them for my reactions section.)

One day, little Toolie asks Rainbow questions about his appearance, trying to figure out why he looks different from everyone else she knows. (Her questions sound awkward and would be insulting, if they didn’t come from a little child who is just struggling to understand something that she has noticed.) She starts by asking him why his face is black. Rainbow simply says that he’s always been like that. Toolie thinks about it a little and then asks if the black would wash off if he washes his face. Rainbow explains that it won’t because his color is something inside himself that just grows there, and it’s not something on the outside of his skin that would wash off. (Rainbow might not know the word melanin, but this basic description is accurate. The scientific explanation is that all humans have melanin in their bodies, but we have it to different degrees. People with a lot of melanin have darker skin, hair, and eyes, and people with less have lighter features. This is an example of how Rainbow, with little formal education, can’t supply some of the more complex, scientific explanations, but he can deliver simple explanations that are accurate and easy enough for a young child to understand.) Toolie further asks Rainbow about his curly hair, and Rainbow says his hair curls like that naturally, although some people use curling tongs to curl their hair. Toolie understands this because her mother also has curling tongs.

Satisfied with this basic explanation, Toolie tells Rainbow about the schoolhouse up the road. Toolie sometimes goes to school there, when her father has the time to take her there, and she asks Rainbow if he will take her there sometimes. Rainbow says that he could take her on Lucky when he carries the mail, making a pun on male/female: “Then Lucky would have a mail and a female on his back.” Toolie is confused because she doesn’t understand the terms male and female yet. Rainbow asks her what she learns at school, and Toolie says she is learning to count, but she can only count up to nine so far. Rainbow jokes about his own ability to count, saying that he counts, “One couple three several, many more enough, plenty, and ever so many.” Toolie doesn’t believe him that this is the right way to count, and they move on to talking about why the sun is so bright and warm before it’s time for dinner.

Toolie’s parents arrange with Rainbow for him to take her to school one day before he leaves with the mail. Rainbow takes Lucky for a brief run before picking up the mail and Toolie because Lucky is very energetic, and he doesn’t want Lucky to act up and scare little Toolie while she’s riding with him. Toolie is very nervous when she gets up on Lucky, and Rainbow tells her that’s fine and normal:

“Yes,” said Rainbow, “every body’s afraid the first time they ride upon a horse. I expected that you would be afraid. But that’s no matter. It does not hurt any body to be afraid, so don’t you mind it.”

(I like that advice better than “All we have to fear is fear itself.” Learning not to be afraid of your own fear sounds like a more positive move.)

The other children and their teacher are surprised to see Rainbow arrive at the school, carrying Toolie on horseback. He introduces himself and explains that he’s the one who carries the mail. Some of them say that they would love it if Rainbow would bring them letters, and Rainbow laughs before he rides off again.

There is a brief interlude at this point that explains that Toolie is one of the youngest children at the school and describes what the youngest children do. It’s a small, one-room schoolhouse, so the teacher divides her attention between the different levels of students. Mostly, the youngest children just practice reciting their letters for the teacher at various points throughout the day, and the rest of the time, they are allowed to play outside, as long as they stay within sight of the school and come inside when the teacher rings the bell.

As Rainbow continues to travel his route, he meets more people and becomes better acquainted with the terrain and how it changes with the weather and changing season. There is one point when he has to ask a strange for directions for an alternate route because he realizes that the water in a stream he crosses is rising too high and that his usual road may become impassable. Later, he befriends some children he meets while watering his house and makes toy boats for them. He calls the children he meets along his route “my children” because he has a soft spot for young children and likes looking after them and making them little toys.

There are times when the route is harsh due to bad weather, which Rainbow knew would happen before he began the job. He still has to get the mail through as best he can, no matter the weather. There is one time when he has to walk the mail across and then his horse across a flooded crossing. The only time when he misses one of his stops is when he gets lost in a snow storm because the roads are covered in snow, and he fails to reach No. 5. When Rainbow realizes that they’re lost, he and Lucky have to camp out in the woods. Rainbow makes them a couple of huts for shelter, and they are able to find their way in the morning.

Rainbow’s most serious problem comes when Lucky is stolen from Trigget’s stable one night by a couple of thieves. At first, Trigget assumes that Lucky simply got out of the stable himself somehow and is lost, so he loans Rainbow another horse that he can ride to make the mail run. Rainbow is very upset, but he has no choice but to start on his route with the borrowed horse. At every stop on his route, he asks if anyone has seen Lucky, but nobody has.

Meanwhile, the thieves are hiding in a house in the countryside, planning to wait until Rainbow has stopped looking for his horse. Eventually, they plan to take the horse to Boston to sell him. To make Lucky less recognizable, they paint white markings on him. However, Lucky doesn’t like the rough shed where the thieves are keeping him. He gnaws throught he rope securing him. Unable to get out of the shed, he lies down behind some barrels, so when the thieves come to feed him the next day, they don’t see him. When they find him behind the barrels, they lead him out of the shed and have a look at his rope. Seeing that he chewed through his rope, they decide that they need to put a sturdier harness on him. While they’re trying to harness him, Lucky breaks free and runs away.

Lucky wanders around and hides in the woods. Getting hungry, he looks for food and eats some hay from a traveler’s sled. He runs away from most of the people he sees. He really wants to find Rainbow, and Lucky recognizes that Rainbow is black, so he runs away from any white person he sees. When he finally sees a black man coming along the road, he follows him, thinking at first the it might be Rainbow. It isn’t, but Lucky continues to follow him anyway because he reminds him of Rainbow.

The black man, whose name is Augustus, lives in a log cabin. Lucky explores around the cabin and finds a supply of hay, so he starts eating it and then goes to sleep. The next morning, Augustus comes to get some hay for his cows and finds Lucky eating it. Augustus calls to his teenage daughter, Rosalinda, to come and see the horse. He asks Rosalinda if she knows who owns this horse, but Rosalinda says that she doesn’t recognize him and doesn’t think he belongs to anybody nearby.

Augustus puts Lucky in his shed and gives him more hay to eat while he decides what to do. Since they don’t know who really owns him, Augustus decides that they should make some advertisements about the horse they found. Rosalinda knows how to read and write, so Augustus tells her what to write on the advertisements, having her make four copies. Augustus’s plan is to take their advertisements to Mix’s Corner and give them to the mail carrier to post in the tavern. Of course, Rainbow is the mail carrier.

When Augustus meets Rainbow and tells him about the horse he found, Rainbow recognizes Lucky from his description, except for the white markings the thieves painted on him. Rainbow goes with Augustus to have a look at the horse, and he realizes that the white markings are only paint. He knows that someone must have taken Lucky and painted him deliberately, although he still doesn’t know the full story behind Lucky’s disappearance. He is grateful to Augustus for finding Lucky and taking care of him, and he takes Lucky home and cleans him up.

Rainbow runs into trouble as winter begins turning into spring. The snow is still high, but it is just starting to melt, which makes it too soft and too deep for Lucky to walk on. People who live along Rainbow’s route help by trying to clear the roads where they can, so Rainbow can get through, but there are still times and places where Lucky has trouble sinking into the snow.

One day in early April, it rains, and this makes the going even more difficult. Rainbow and Lucky make it to Mix’s Corner, but the people tell him there that he shouldn’t try going further because the conditions are bad. Rainbow feels obligated to try to get the mail through anyway, so he decides that he will walk the rest of the way while leading Lucky. However, when he comes to a bridge, a stranger who lives nearby warns him not to try to cross because the bridge is unsafe. Rainbow could try to cross the stream on the ice, but with the thawing, the ice isn’t safe, either. Since there is a saw mill nearby, Rainbow decides that he can get some boards that can help him cross the ice by himself with the mail bag, but he will have to leave Lucky behind.

Rainbow arranges for the stranger to board Lucky in his barn and to help him lay the boards over the ice so he can cross. (The book explains that laying boards over thin ice can reinforce it so it can support the weight of a person when it otherwise wouldn’t. The idea is that the board will distribute the person’s weight more over the surface of the ice. It states this as a fact that young readers may already know, probably from living in areas where people do this. I’ve never lived in a place where it snows, so I’ve never had a reason to try to cross ice, but I understand the principle of weight distribution.) Rainbow says that he could also use a hand-sled to carry the mail further. The stranger doesn’t have one, but Rainbow asks to borrow his tools and makes one for himself. The man watches while Rainbow crosses the ice, and fortunately, Rainbow reaches the other side safely. Rainbow is able to successfully get the mail through, barely on time, which causes Trigget to lose a bet he made with Jerry because he didn’t think Rainbow would succeed in that weather.

This is the end of the five-book series, and the final chapter explains how our characters are doing and what is likely in store for them in the future. We are told that, “Rainbow went on very prosperously after this in all his affairs.” There are difficulties and dangers in his job, but he is successful because he is prudent and plans ahead for the difficulties he may encounter. The people along his route also help him when he needs it because he’s been so kind to them and their children. Before the end of the year, he is able to repay the loan he used to buy Lucky, so Lucky now belongs to him outright.

Because the loan worked so well for buying Lucky, some people suggest to him that he could buy some farmland in the same way. Handie recommends that he wait until he’s a little older before he does that, and if he wants to buy some land, it would be better for him to do it an area with other black people. While Rainbow gets along well enough with white people because he is so helpful, good-natured, and hard-working, Handie knows that white people don’t always treat Rainbow as well as they should, and he thinks that Rainbow would be happier with people who are like him.

Rainbow says that what he would really like to do eventually is to move to Boston and work for Colonel Hammond, the man who loaned him money to buy Lucky. Rainbow thinks he would enjoy taking care of Colonel Hammond’s horses and driving his carriage, and maybe he could buy a little house for himself so he can go to his own home in the evening. He also thinks that he would like to marry Rosalinda some day, although he hesitates to say that part out loud.

Like the other books in this series, and the series itself in general, this story is mostly slice-of-life, giving readers a look at life in the past. Originally, the places and situations in the book would have been familiar parts of daily life for its intended audience of children in the mid-19th century. Its descriptions of daily things like how blacksmiths make nails or the finer points of making wooden whistles would have just added detail to what would have been familiar to 19th century children. To people reading it in the 21st century, it adds color and dimension to the lives of people in the past, allowing us to picture the ordinary things they would do every day and to get a sense of the things they would have known.

There are adventurous aspects of the story, where Rainbow almost meets with disaster, but no matter what the situation, things always turn out well for him in the end. Sometimes, it seemed to me like the author/narrator built up excitement over Rainbow’s predicament, only for the problems to be solved more easily than expected, which can feel a little deflating. However, it is also reassuring that nothing truly disastrous happens to Rainbow and Lucky in the end, making a gentler read.

Although most of the emphasis of these stories is on daily life, and they’re pretty gentle to read, racial issues are always in the background. Rainbow is always aware that white people look at him differently because of his race, and that this can be a source of potential problems. It’s one of the reasons why he goes out of his way to build up good will with other people, so people come to like him and treat him better. For the most part, this strategy works. The author intended the stories to be educational for children, and there is a lot in the series about how to understand and get along with other people.

Sometimes, people say rude things to Rainbow about his race and appearance. There are three instances where the n-word is used in the entire series, once in the third book, Three Pines, and two times in one scene in this final book, although there are also other, lesser derogatory comments. In vintage children’s books, the way people speak can be clues to their character, and the author of this series particularly likes to examine people’s character and motives. In the second book in the series, Rainbow’s Journey, we had the example of a disreputable man who turns out to be a thief. He is the first person who makes derogatory comments about Rainbow and insists that he doesn’t want to sit near him on the stage coach. Trigget, who is driving the stage coach, tells him off for doing that, and other people laugh at him because they know that he is a disreputable and ill-mannered person in general. I’ve seen other vintage children’s books that use derogatory racial language and attitudes as signs that a character is ill-bred or generally ignorant.

What interested me about this particular series is that the people who use the n-word, characterized as the worst possible language to use, are not the worst characters, just as people. I found that interesting because the characters’ badness wasn’t directly proportionate to the bad language they used. The first person to use the n-word, in the third book, does it during a tirade against Rainbow because he has come to deliver Handie’s refusal to loan her his saw. Basically, she throws a temper tantrum, and she uses the worst possible language she can against the messenger while she’s having her fit just because she’s angry and wants to make him feel as bad as she feels. It’s simply childishness. During their interactions with her and descriptions of how well she doesn’t get along with her other neighbors, the author makes it clear that she is a highly emotional person with little or no sense of self-control, what we might call “no filter” today. For whatever reason, she has little or no ability to regulate her emotions or control the way she expresses them, like she’s permanently stuck in her terrible twos as an adult. Other people besides Rainbow also find her difficult to deal with because of the way she acts, and even she sometimes feels embarrassed about the things she says and does. However, she gradually becomes a more helpful and sympathetic character because the kind, controlled way that Handie and Rainbow respond to her inspires her to improve herself and to put forth a better image.

The two men who use the n-word in this story are different from all of the above. The author characterizes them as being merely thoughtless, especially the first man to do it. I partly believe that because, even after getting to know Rainbow better and appreciating his help, they don’t seem to experience any regret or even realize just how aggravating and offensive Rainbow found their language. The first man in particular, who just casually calls Rainbow the n-word when he’s idly wondering who he is the first time he approaches, is totally clueless. The author characterizes him as being a good man who says his prayers and later even adds a prayer for Rainbow because he’s grateful for Rainbow’s help, never even seems to have an inkling of the bad impression he made on Rainbow with just that comment. In the end, he focuses on how pleased he himself is with Rainbow’s help and totally misses that he’s not completely satisfactory in his own behavior. Rainbow is reconciled to that and appreciates when the man behaves better, accepting him for what he is, but it rankles with me because this man is, in fact, a grown man, and grown people without a clue are just plain aggravating. It just never even dawns on him that he’s done anything that anybody even might object to, and that level of obliviousness drives me crazy. Now, some modern readers might just brush this off as “just the way people talked bad then” and that he didn’t put enough thought into it to really mean anything by it, but I’m not buying it in this instance, for two reasons. In the first place, not everybody is talking like this. Some people realize that this is an ill-mannered and inappropriate way to talk, and they say so. Second, the second man’s comment adds a qualifier on this word that implies that there was more thought behind this comment that even the author of the book isn’t going into.

After the first man makes that off-handed slur, the second man uses the n-word himself, but he does it in the context of telling the first man not to say that until he finds out “whether he deserves it,” meaning whether Rainbow deserves it. It’s this qualifying statement, which is never explained, that makes me uneasy about the assertion that these guys are just “thoughtless.” In order for there to be an evaluation of who “deserves” this language and who doesn’t, there has to be a certain amount of thought into what the term implies and some kind of standard to judge who fits this term and who doesn’t. Rainbow takes the second man’s comment as reassuring, that the man is giving him a chance to prove himself without judging him immediately, but it doesn’t reassure me because I can tell that there is some standard being applied here, it’s a standard that both of the men seem to understand and believe in, I think it’s a negative standard, and I don’t have confidence in their ability to accurately assess other people.

There are reasons why Rainbow and others feel especially insulted by this word and why it’s considered even worse than other words that are also considered rude. To put it mildly, the n-word implies highly unfavorable things about the person being described, and it implies them to a greater degree even that other insulting words. In general, it carries connotations of worthlessness and a sub-human, animal-like state. I know that the men in the story are definitely thinking about some of the unfavorable implications and evaluating them seriously because the second man says that they will see if Rainbow “deserves” the term in a way that says he realizes that the first man may be insulting Rainbow needlessly. I guess it’s nicer to give Rainbow a chance to show his true character before they render judgement, but it’s still troubling because this conversation reveals that these characters do believe that some of the implications of the n-word are accurate about some people and that they think themselves accurate judges of that. It bothers me because I don’t believe either of those things. While I don’t like some people, I don’t think that calling someone sub-human or worthless, particularly just based on race. Also, I have no confidence in the standards or abilities of these people to accurately assess the relative worth of their fellow human beings in general. To be blunt, I believe that self-awareness is a prerequisite for understanding other people, and I don’t think either of these men have much self-awareness. The fact that both men have totally missed the affect that their attitudes have on Rainbow and the effort he has to make to work with them for free just to help them that day makes me think that neither one of them has the capacity to be accurate in their general understanding of other people or to read any individual in particular, even though they have appointed themselves as the judges of the situation. Even after spending all afternoon with him and seeming to get along with him, even noting his initial hesitation to accept the offer to stay for dinner, they still don’t get it. They just never give it a second thought.

You might wonder why does that bothers me so much, if they all managed to get along well enough anyway. I’ll tell you why. How many other people do you suppose they’ve labeled n-words before because those people reacted negatively to them, specifically because they’re clueless and provoked them, and they’ve just never had the self-awareness to realize that they caused it all themselves? I don’t know the overall number, but I could guess that the percentage is likely 100%. Because they have no self-awareness or situational awareness, they casually create bad impressions with the first words out of their mouths. The casual nature of their behavior indicates that this is habitual with them. They are completely comfortable with doing something that makes everyone else uncomfortable because they do it often and think nothing of it.

The author somewhat implies that these men are likely to provoke negative reactions from black people they just casually meet by pointing out that Rainbow could have turned around and walked away at the first mention of the n-word. The only reason why he didn’t do that and leave them there, probably saying that he must have been an n-word, is that he decided to give them a second chance when they didn’t even know that they’d blown the first impression. Rainbow didn’t really have to give them that chance since he was planning to volunteer his services to them, and he didn’t owe them his time or work. Many other people, including me, probably would have walked away with maybe a dirty look and not a single word, and these guys wouldn’t have had a clue why. These guys would probably mutter “What’s their problem?” to that reaction, never realizing that the only problem is their behavior. It bothers me that, even after getting to know Rainbow better, they still don’t know that they almost drove him away or why, and they don’t seem to have any regrets about what they said or realize that Rainbow ever had a problem with it. Because they don’t realize that their behavior is a problem, they’re probably going to do it again with someone else because no real lessons have been learned here. While they have apparently labeled Rainbow as “not an n-word” kind of black person in their minds, nothing has changed the notion that they still have that other people are, so they will probably repeat this process with other black people they meet, cluelessly provoking others and probably blaming them for being provoked. Until someone lays it out for them, they’re just not going to get it, and even then, they might still not because they feel justified and don’t see themselves as others see them.

I’ve said it before that some of the world’s most judgemental people often forget that other people can also look back at them and make their own evaluations of their behavior and character. The author of the story may consider these men as basically good but thoughtless, but bringing up the subject of who “deserves” to be called certain things also raises the question of who really deserves the label of “good.” “Good” is a relative term that comes with levels and gradations. I’d like to to make it plain that, while these men may be good in some ways, I don’t see them as being as good as other characters who also do good things but without talking the way they do. While I’m sure that they’re more law-abiding than the thief from the second book in general character, they rank behind many other characters in my evaluation. Handie, Trigget, and the Holdens all come before them in my estimation, for several reasons. Not only are these characters demonstrably ethical in their dealings with other people, but they give Rainbow a chance to demonstrate his good side to them without making it clear that they were factoring his race/appearance into their assessment of his character. In fact, they explicitly make it clear that they will not do that. More than that, each of them also stands up for Rainbow and/or shows consideration for his well-being. The take his feelings and situation into account, where the men we’re discussing are mostly concerned with what Rainbow can do for them. Even though they later pray for him, the prayer is based around what Rainbow did for them. While I like the fact that they’re showing gratitude for what they’ve received, which is a positive trait, that sense that they’re approaching it from the angle that Rainbow turned out to be a pretty good guy for someone who might have been just an n-word takes the shine off the apple.

It occurs to me that, in pointing out that these men are “good” in spite of their bad/thoughtless behavior, in a way, the author is almost repeating the sentiment of the man who said that they shouldn’t use derogatory language against Rainbow until they see whether or not he deserves to be regarded in a derogatory way. The author seems to be trying to look on the positive side and to encourage readers to find the positive side of other people, even ones who behave badly, but at the same time, there does seem to be an acknowledgement that they did behave badly and that it would take extra effort to get past that bad behavior to their better sides and to see that they might not be totally bad. Yes, these men are acting like rude and clueless racists. However, there is apparently more to their personalities than that. The author would like us to reserve judgement on these men long enough for them to show their true natures and demonstrate that, in fact, they are thoughtlessly rude and clueless and also seem to have some racist attitudes, but they can make exceptions to their racist preconceptions to accept good deeds from particular individuals whom they might otherwise have disdained for their race and remember to be thankful for what they have received and say their prayers.

The second part of that is good, but the first part of that hasn’t gone away. Maybe that’s less bad than if the sum total of their personalities was to swagger around and dish out the slurs and crude language, but less bad isn’t quite the same as “good.” They show gratitude after receiving something but not graciousness on meeting. To me, their up sides just doesn’t make me feel that much better about them, especially since these guys don’t seem to have learned anything from the experience and seem likely to repeat it. At least, Mrs. Blooman learned something and improved. These guys just managed to get through an afternoon and make a business deal for continued services for their project. I can see that the author is trying to demonstrate how issues like this can be smoothed over with good behavior on the part of other people so that people can get along, but I just find it difficult to buy the assertion that these men are that much better than they first seem to be when their good sides don’t seem to have an affect on their bad ones, and they don’t demonstrate a change in thinking or behavior.

After all my analyzing and ranting, what do I think of this book’s potential to teach us more about racial attitudes and interactions during the mid-19th century?

First, I like the fact that the author examines different types of characters who have different motives for their behavior. Human beings have wide-ranging personality types, and I can believe that each of the characters in the story represents the behavior and personality type of people who really existed. I can believe that a genuinely shady person, like the thief, would also have crude manners or racist beliefs due to a bad upbringing or general anti-social attitudes. (I’m guessing that someone who makes their living by taking advantage of their fellow humans and their belongings generally doesn’t hold other people in high regard and might have disdain for particular groups of people.) I have seen people with temperamental natures and poor impulse control, like Mrs. Blooman, and I can believe that someone like her could say some pretty awful things without necessarily meaning them seriously just because she’s lashing out at others during a tantrum. I could believe that the author might have based her on someone he’d seen in real life. I do also believe that the descriptions of the men using the n-word in this book could be realistic, even though I’ve already explained (ranted) about how I don’t look at them quite the way the author does. I believe that they are thoughtless and that they don’t realize the real problems with their behavior or the effect they have on others because they don’t examine their own motives or look at their behavior from someone else’s perspective. They probably also think that they are basically okay because they’re religious, even while provoking people and testing their patience (including mine). All of these types of people seem realistic enough, and some even remind me of people I’ve seen.

However, the second point to keep in mind that the author’s main goal is to write educational stories for children. He’s always in the role of teacher, whether he’s explaining the fine details behind daily things, examining people’s characters, or offering advice on how to behave or deal with someone else’s behavior. Because he is trying to demonstrate the ways that people should act and how people can be influenced to improve their behavior, even the problem people Rainbow meets can generally be managed, and some of them really do improve, at least to some degree. The author is trying to encourage positive behavior and positive outlooks in his young readers.

While I think that his attempts to set good examples are excellent, part of me knows that, in real life, not everybody really does change for the better from the kind behavior of people they disdain. In fact, some people can become increasingly resentful when someone they don’t like seems to be behaving better than they are because they feel like the other person is just acting that way to show them up, so they act contrary to good behavior the other person is showing just to make it clear that the other person can’t influence them. (In modern terms, “vice-signalling” as a response to “virtue-signalling.” ex. “Oh, you don’t like the Confederate flag? Well, I’ve got it waving outside my house, and I’m gonna get it painted on my truck and wear a shirt with it every day! I’ll show you!”) Mrs. Blooman changes her behavior because she feels ashamed of her lack of control and inspired to improve by seeing how well Handie and Rainbow behave. However, in real life, other people might double down on their bad behavior because they feel like they’ve got something to prove, like they’re “strong” for not being influenced by anybody, not even for the better, or because they want to show that they’ve got contempt for other people, no matter what they do. The examples of people and behavior that the author shows throughout this series tend to lean toward the milder side, although there are small implications that Rainbow has seen worse before and that worse and less manageable people are out there.

There are some instances where the author references more difficult and more racist people without directly showing them in the story. For example, we know from the first book in the series that Rainbow wasn’t allowed to go to the small school in his small town because people made it clear that he wasn’t welcome there. Yet, we don’t really see the people in his town abusing him, and people generally seem to like him for being good-natured. Even though we don’t see the people in his town being bad to him or disliking him, we know that they don’t fully accept him and that some have particularly excluded him. When the lawyer managing Handie’s inheritance tells him that he might run into trouble while traveling with Rainbow because some people might not be willing to rent a room to a black person or have a black person dine with them, I expected that this would happen at some point in the story, but it never does. There’s never an instance where they have to try more than one inn, tavern, or boarding house because they are refused service at the first one they tried. There is just that acknowledgement that some people are like that and that it causes problems, but the author doesn’t provide examples of some of the people with the worst behavior.

Overall, my feeling is that the books demonstrate not how everyone behaved during the mid-19th century but how the author would like young readers to behave and how they should respond to examples of poor behavior from other people without becoming angry and overly negative. I think these are useful lessons, and I’d like to think that at least some of the author’s young readers benefited from them. Some pieces of advice that the author provides make sense to me, like maintaining your own good behavior and kindness even in the face of provocation and leaving other people with the echoes of their own bad words rather than returning a flippant comment that might turn negative attention on yourself. The author does provide some insight on how people thought and behaved during the 19th century and how they wanted to inspire the next generation to behave for the better. However, I do know that, in real life, there are even more variations of people that the author doesn’t delve into, particularly some of the more harmful kinds, who do more than just use a bad word, and the kinds that are less likely to change. I think that a modern version of the same story would probably feature some of these darker elements of human behavior, although I also think it would do a disservice to the nature of the story to go too far in the negative direction and forget the positive side that the author wanted to promote. In general, I prefer a balanced approach that includes both the more negative aspects of humanity and the positive ones because I think reality does combine both.

There is one final issue that I’d like to discuss, and that’s the author’s thoughts aobut adults who don’t want to answer children’s questions or try to prevent children from asking questions about difficult topics. The author points out that some adults feel like the children aren’t ready to hear the answers for the questions they’re asking, but the truth is that the questions themselves are the children’s attempts to gain knowledge and make themselves ready for growing up and living in the world. Often, the adults’ insecurity with their ability to handle difficult questions from children that are the problem. It does matter how you answer children’s questions at their level of understanding, and I think the author is correct that it’s best to take things in steps. My own thought is that if kids are ready to ask a question, they are ready to hear an answer, although as the author points out, it doesn’t have to be the most detailed or complete answer. Partial ones can do for a beginning with more details provided later. You can figure out the steps to take by talking to the children and figuring out where they are in their current understanding, but if you shut down their discussion and questions, you’ve closed off that insight into what the children know and really need to understand.

I think that this issue of what children are ready to ask or to learn relates to children’s literature in modern censorship issues. Some adults want more control over what their children read because they think that they aren’t ready for certain things or that certain things will never be appropriate for their kids. Yet, if the kids didn’t have enough understanding about particular topics to be curious about them and want more information or have the reading level necessary for books on these topics, maybe the case is more that the kids are more ready to tackle the tough issues of life than the parents are to see their kids starting to understand these things.

I really don’t have any personal experience of adults censoring my reading when I was a child. My own parents never restricted the books I read or told me that I couldn’t read certain things. They weren’t hanging over my shoulder all the time while I was looking up books at the library or looking through what I selected before I checked it out, although they did talk to me about what I was reading. That wasn’t just because they were playing the Knowledge Police; it was more because my parents just generally liked to talk to me and to know what I was thinking about and what was going on in my life. As an adult looking back, I think that my parents just being interested in my thoughts and approaching issues as part of a conversation instead of a lecture probably did more for me in terms of increasing my range of understanding and methods of expressing myself than if they had tried to be authoritarian and controlling.

My parents also liked to read, and they would tell me about books they were reading, so I would tell them about what I was reading. We could and did talk about things that bothered me or questions I had. The way I evaluate books on this blog or rant about issues and characters I don’t like are pretty much the way I’ve always talked about these things with my parents and friends and, really, anybody who would sit still long enough. Generally, my family is full of people with strong opinions, and we are not usually the type to keep things to ourselves when there are things that bother us. We also do not tend to let go of things we don’t understand, at least not easily. Because my parents and I talked to each other, they generally knew what was going on with me, when there was a complicated issue bothering me, and if I had questions about things. Because they liked to explain things as much as I do, I typically would get an answer to whatever I asked. If I brought up a topic that they didn’t approve of, they would just tell me why they didn’t like it, just like I now explain the parts of books I don’t like. The more I think about it, the more I think that my wide-ranging interesting and the way I express myself in writing are really reflections of what I was allowed to read and talk about when I was young. At this point, I could well imagine that people who don’t like some of the things that I have to say or how wordy I am when I say them taking this as evidence that shutting down children’s conversation and limiting their range of knowledge and self-expression may have some benefits, but that’s the risk we all take.

Ben’s Trumpet

Ben’s Trumpet by Rachel Isadora, 1979.

A boy named Ben likes to listen to the music coming from the nearby jazz club at night.

During the day, Ben stops by the club on his way home from school so he can watch the musicians practice.

Ben’s favorite instrument is the trumpet. Ben doesn’t have a trumpet himself, but he imagines that he does and that he can play for his family or play along with the musicians from the club.

Some of the other kids in the neighborhood laugh at Ben for playing an imaginary trumpet, but the trumpeter from the club doesn’t laugh. When he sees Ben playing his imaginary horn, he compliments him.

Later, when he sees Ben watching the club, the trumpeter invites Ben inside and lets him try his trumpet for real.

This book is a Caldecott Honor Book. It’s available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I thought this was a nice story about an adult who understands a boy’s dream and is willing to take him under his wing. Both Ben and the trumpeter understand the love of music, and the trumpeter sees how badly Ben wants to be a real musician. We don’t know whether Ben eventually becomes a professional musician or not because the story ends with him trying a real trumpet for the first time, but the story implies that the trumpeter may become a mentor to Ben and that this might be the beginning of Ben realizing his dream.

The book doesn’t give a specific date for the story, but the illustrations and use of terms like “the cat’s meow” indicate that it takes place in the 1920s. The illustrations not only give the story its 1920s vibe, but the abstract lines included in the pictures help to convey the sounds of the music and echo the art deco style popular during the 1920s.

There are a couple of things in the pictures that adults should be aware of. There is one picture where Ben’s baby brother is completely naked, for some reason, and there are adults with cigarettes. Other than that, I can’t think of anything else about the book that would be a cause for concern. There is no specific location given for the story, but it takes place in a city, and all of the characters are African American.

The Dark-Thirty

The Dark-Thirty: Southern Tales of the Supernatural by Patricia C. McKissack, 1992.

There are ten short, scary stories in this book, not thirty. The author explains in the beginning that the name of the book comes from an expression kids used when she was young. The “dark-thirty” was the last half hour of light before it became truly dark outside, when the kids had to hurry home so they wouldn’t be out after dark, when the monsters came out. The author was African American, and the stories in this book have African American themes. They were based on stories that the author heard from her grandmother when she was young.

This is a book that I remember a school librarian introducing to us when I was in elementary school, probably around age 10 or 11. My memories of it are a little vague. I had forgotten most of what the stories were about, although the title stuck with me, and I remembered thinking that I should read it again someday. I have to admit that most of the emotions that I experience while reading this book as an adult were anger and frustration. The sad truth is that those are the emotions that permeate much of African American history, from the harsh conditions of slavery to the injustices of racism, and those are the aspects of the stories that stand out to me most as an adult. As I recall, I did think more about the ghost parts of the stories when I was a kid, but I didn’t have as deep an understanding of the background of the stories then. Maybe part of the lesson here is that human monsters are more terrifying than anything supernatural, partly because it’s the people who are or should be closest to you in a shared humanity are the ones who have the most opportunity to cause harm, if that’s what they’ve decided to do. That’s a rather dark thought, but these are dark stories with dark themes.

On a lighter note, I found the stories that introduced pieces of folklore fascinating. I’ve had an interest in folklore since I was a kid, which is part of why this book stuck in my mind for so many years.

I wouldn’t recommend this book for kids younger than 10 years old because of the dark themes. There is also derogatory racial language in the stories (including the n-word), particularly used by the villains, which helps show why they’re villains. I think, before kids are ready for this book, they need to have some background information on the subjects of racism and slavery to understand what’s going on, and they should also know that there are certain words they shouldn’t use themselves, even if other people do.

The book is a Newbery Honor Book. It’s available to borrow and read for free online through Internet Archive.

Stories in the Book:

The Legend of Pin Oak

The story is set during slave days. Harper McAvoy, a plantation owner, has resented one of his slaves, Henri, since they were both young. Harper was neglected by his father after his mother died giving birth to him, and years later, when his father finally returned to their estate, called Pin Oak, he learned that his other had another son with a free black woman, Henri. Their father had hoped that the two boys might be friends and that Henri would help Harper run the estate one day, but Harper always resented Henri for being more like their father than he was and for receiving the attention that his father never showed him. After their father died, Harper thought that he could sell Henri and be rid of him forever, but Henri has actually been a free person all along because his mother was free.

When the slavers try to take Henri anyway, he and his wife run away with their baby. They apparently die jumping to their deaths at a waterfall, although some say that they actually turned into birds and flew away while Harper is killed pursuing them. Others think that Henri and his family may have survived by jumping into a cave behind the waterfall, although there is evidence that Henri didn’t know there was a cave there. Their fate is left ambiguous.

We Organized

As part of the government’s effort to get people back to work during the Great Depression, the Library of Congress employed writers to record the stories of people who had been slaves. This chapter is a poem based on one of those stories.

Justice

This story is about the Ku Klux Klan. A wealthy and influential man called Riley Holt is murdered. The identity of the murderer is unknown, but local people are so shocked and angry at the crime that they are determined to get “justice” … one way or another. A bitter and suspicious local man called Hoop Granger blames a young black man named Alvin Tinsley. However, Alvin has an alibi, and the chief of police, knowing that Hoop is a bully and a liar and has a history of pushing Alvin to take responsibility for things he’s done himself, asks Hoop if he has an alibi, too. He says that he was working at his service station and his friends will vouch for him, but Chief Brown doesn’t think much of any of them as witnesses.

Hoop is a member of the KKK, and to throw suspicion for the murder from himself, he convinces his fellow KKK members that Alvin is guilty and needs to be punished. They capture Alvin and lynch him, but before Alvin dies, he promises to come back and prove his innocence. Hoop and his friends tell everyone that Alvin hanged himself after confessing to Holt’s murder. Not everyone in town believes the story, but they have no way of proving it’s a lie, and the authorities seem satisfied with the explanation (mainly because the mayor’s son was also part of lynch mob, and the mayor is forcing everyone to cover for him). However, Hoop can’t forget what Alvin said about coming back to prove his innocence. He seems haunted by Alvin’s words. Soon, he starts seeing things and becomes convinced that Alvin is coming back for him. Is it really a restless spirit or Hoop’s own guilty conscience?

The 11:59

This story is about train travel and the Brotherhood of Sleeping Car Porters. The Brotherhood of Sleeping Car Porters had stories that they liked to tell each other, like this story about a phantom train called the Death Train or the 11:59.

A retired porter enjoys telling the younger porters stories about how the Brotherhood was formed and the truly great men among the porters. Many of his stories are tall-tales. One of his stories is about the 11:59. When a porter hears the whistle of this phantom train, he only has 24 hours left to live, and nobody can escape it. Not even old Lester.

The Sight

There’s an old superstition that babies who are born with a caul over their heads will have psychic abilities and could be able to see the future or spirits. A boy named Esau gets “the sight” and is able to tell the future from a young age. However, people with “the sight” have to be careful who knows they have that power because some people will try to use them for unethical purposes, which might cause them to lose their gift, and Esau’s father is a con man. Esau knows that his father can’t be trusted, but when he feels compelled to warn his father of danger, his father learns what Esau can do. His father forces him to help him win at gambling with his gift until the gift finally fades. Then, his father deserts him and his mother. Esau’s mother says maybe it’s just as well to lose the sight, and Esau agrees, not liking it when he sees that bad things are about to happen.

Years go by, Esau grows up, and he eventually becomes a soldier in WWII. He manages to make it home safely, but he is surprised by the sudden return of his gift just in time to save his family.

The Woman in the Snow

This story involves the bus boycott in Montgomery, Alabama in the 1950s.

Grady Bishop, a white man with a bad history and a chip on his shoulder, has recently started working as a bus driver, although he’s never happy when he has to take the less prestigious route through the city, where a lot of black people catch the bus. Driving makes him feel powerful, but he considers this route beneath him.

One day, during a bad snow storm, a poor woman with a sick baby begs him for a ride although she doesn’t have money to pay. She’s afraid if she can’t get the baby to the hospital, she’ll die. Grady refuses to give her a free ride, convinced that she’s making too much out of nothing and just trying to get a free ride. Later, he hears that the woman and baby froze to death in the storm. A year after that, he sees the same woman again on the same route. Startled, Grady crashes his bus and is killed.

Years later, a black bus driver has that route, and other drivers tell him about the ghost lady with the baby that they see whenever it starts snowing. He becomes the last person to see the ghost lady … because he’s the first to give her a ride.

The Conjure Brother

This story explains that “conjure women” were women who sold herbal cures and practiced folk magic to help people change their luck.

A girl named Josie is tired of being an only child and wants a brother. However, her mother shows no signs of being pregnant, even though Josie keeps asking her for a brother. When she hears a couple of women talking about the local conjure woman, Josie decides to go see her and ask if she can help her get a brother. The conjure woman gives her a set of instructions to follow, but Josie performs the ritual too early at night. Instead of getting a baby brother, Josie gets an older brother, called Adam. Her parents act like Adam has always been their oldest child. Adam is bossy, and some of the things that used to belong to Josie now belong to Adam. Josie starts to think of Adam as a pest and returns to the conjure woman to ask her to do something about Adam, but instead, she learns an important lesson about sharing her life and house with a sibling.

Boo Mama

This chapter talks about the tumultuous times of the late 1960s and the assassinations of Martin Luther King, Jr. and Robert Kennedy. Some people felt so overwhelmed by everything that was going on that they just wanted to “drop out” of society and ignore the chaos around them.

Leddy has been a social activist since she was in her teens, but then, her husband is killed in the war in Vietnam, leaving her with a young child. After the deaths of Martin Luther King, Jr. and Robert Kennedy soon after her husband’s death, Leddy feels completely overwhelmed. She’s been putting forth all of the effort she has for a long time, and the deaths of the man she loved and the people who inspired her feel like too much. She has a breakdown and starts questioning whether everything she and her friends have done has really accomplished anything. Deciding that she needs a change of scene for her and her son, she moves to a rural community in Tennessee.

At first, her young son seems to do better in the countryside, and Leddy finds the change of pace relaxing, but then, her young son disappears. He wanders away while his mother is hanging out the laundry. The locals put together a search party. They search for days, but all they can find is the boy’s teddy bear. Everyone is convinced that he’s dead, but Leddy can’t give up hope that her son is still alive. Her son does turn up, but he is strangely different. Where has he been, and what has happened to him?

The Gingi

There is an old superstition that “Evil needs an invitation.” Among the Yoruba people of West Africa, there is a belief that evil spirits need someone to welcome them into a house before they can enter, so they will try to trick unsuspecting people into giving them an invitation. They use special talismans called gingi to guard against evil.

A woman named Laura is fascinated by a strange statue that she sees in a shop window. However, when she tries to buy it, the shopkeeper says that she’s never seen it before and warns Laura that evil spirits sometimes disguise themselves to trick people into taking them into their homes. Laura thinks this is just superstition and insists that she wants the statue. The shopkeeper charges her a price that’s too high to discourage her from buying the statue, and it almost works, but for some reason, Laura feels compelled to buy it and pays for it anyway. Seeing that she can’t prevent Laura from taking the statue, the shopkeeper insists that she take a small complementary talisman and keep it with her. The talisman is a small doll, and she gives it to her young daughter to play with.

The Chicken-Coop Monster

The final story in the book is semi-autobiographical, inspired by the author’s feelings when her parents got divorced when she was a child.

A young girl named Melissa is upset about her parents’ divorce. Her parents send her to stay with her grandparents in Tennessee while they’re sorting things out, but she becomes convinced that there’s a monster living in the chicken coop on her grandparents’ property. She and her friends are part of a group called the Monster Watchers of America. Melissa’s grandmother doesn’t believe in the monster, but her grandfather teaches her an important lesson about facing up to life’s monsters.

Famous American Negros

Famous American Negroes by Langston Hughes, 1954.

I sought out an electronic copy of this book because I don’t own a physical one, and after I found out that it existed, I knew that I had to cover it at some point! The book is part of a series of biographies for children that I covered earlier, but what caught my attention was the author of the book, Langston Hughes, the famous poet of the Harlem Renaissance of the 1920s and 1930s. I mostly knew Langston Hughes for his poetry, and I wasn’t aware that he had written any children’s books until I found out that he had written several biography books for this series. When I found out that he specifically wrote books about African Americans and other notable black people from history, it occurred to me that he might have even written biographies of people he knew personally because of the circles he traveled in.

This book focuses on prominent African Americans through history. It contains a series of short biographies and profiles, beginning in the Colonial times and continuing into the mid-20th century, when the book was written. Some were contemporaries of Langston Hughes, but since the biographies are brief and focus only on providing an overview of the subjects’ lives, there is no indication whether Hughes ever met any of them himself. I was a little disappointed about that because I would have enjoyed hearing a personal perspective, but the personalities covered are still fascinating. I also enjoyed how some of the earliest biographies in the book relate to some of the later ones because of the influence some of the earlier people had on the lives of others.

If you’re wondering why he uses the term “Negro” instead of “African American”, it’s because that term was one of the more polite and acceptable terms during his youth and around the time when he wrote this book. (That’s why the UNCF, or United Negro College Fund uses it as well. It was one of the polite terms in use at the time of its founding.) It sounds a bit out of date to people of the 21st century because, around the time of the Civil Rights Movement, which began around the time this book was written, people began advocating for a shift in the words used to describe black people. They wanted to distance themselves from old attitudes about race by using newer terms that didn’t have as much emotional baggage attached to them. This is when terms like “colored” and “Negro” feel out of use and were replaced by “African American” as the correct, formal term to specifically describe an American with African ancestry and “black” (considered somewhat impolite a century earlier, as I understand it, see the Rainbow and Lucky series for an example – I discussed it in the historical description of the 1830s) as the generic term to describe a person with dark skin and African ancestry, regardless of their nationality.

Because this book was written in the mid-1950s, some of the information included is long out of date. People who were alive when Langston Hughes wrote the book are obviously not alive now, almost 70 years later. There are more recent books that cover the same topic and include information about late 20th century and early 21st century musicians Langston Hughes wouldn’t have known about. However, this vintage book is still interesting because of its famous author and because it was written at a turning point in American history, when society was changing and racial issues were being challenged.

The book is available to borrow and read for free online through Internet Archive.

The biographies included in the book are:

Introduction

The book begins with a brief history of black people in America. Langston Hughes points out that histories of African Americans often begin with slavery, but there were people of African ancestry who came to the Americas before that, not as slaves. Some traveled with explorers from Europe as members of their crews and expeditions.

After the slave trade began, slavery affected the lives of black people throughout the American Colonies and, later, the United States. Some slaves managed to find ways to take their fate into their own hands by running away, and of those, some helped others to escape to freedom. Some slaves were able to hire themselves out for wages on the side and saved up enough money to purchase themselves and gain freedom in that way. Some slaves were even freed by the the people who owned them, although others simply lived and died in slavery.

After the end of the Civil War and the end of slavery, former slaves were free to pursue their own destiny, but they were in a precarious position because they had no resources from which to start building their independent lives. Slaves had work experience, but much of their experience was in unskilled labor, which brought low wages. Most slaves had no education. (In many places, it was illegal to teach slaves to read. There were a few exceptions, and some people skirted the law, but this was a major problem for many formerslaves once they were granted their freedom, lacking an essential skill.) They had no money or land of their own. Getting established in their new lives meant building something from nothing or almost nothing, and it was a long, uphill struggle.

Even generations later, racial discrimination added obstacles to the lives of African Americans. The biographies in this book are about people who triumphed over the obstacles in their lives to leave a lasting mark on society.

Phillis Wheatley (c. 1753-1784) – Whose Poetry George Washington Praised

Phillis Wheatley was brought to the American colonies from Senegal as a slave when she was only a small child (approximately age 6 or 7 because she was still losing baby teeth when she arrived). Phillis was not her original name, but it is unknown what her original name was, exactly when she was born, how she became a slave, or what happened to her parents. She was purchased by a tailor named John Wheatley in Boston to be a servant for his family, and the Wheatley family gave her the name Phillis. When she first arrived in Boston, Phillis could not speak England and no one could speak Senegalese, so it was some time before anybody could truly communicate with her, which is part of why we know so little about her earliest years.

Fortunately, the Wheatley family was kind and even nurturing toward Phillis. Even though they purchased her to work for them, they cared about educating her. They taught her read and write, even though it was discouraged to teach slaves those skills and even illegal in some areas. When Phillis learned English and was able to read and write, it soon became apparent that she had a talent for poetry. The Wheatleys supported her poetry, and the granted Phillis her freedom in 1772. By the time she was about 21 years old, her poetry had been printed all over the colonies and in England. Although her poetry was successful, Phillis’s life took an unfortunate turn when she married a ne’er-do-well, and she died in poverty.

Richard Allen (c. 1760-1831)- Founder of the African Methodist Episcopal Church

Sometimes, slave owners used Christianity as an excuse for slavery, claiming that they were saving the souls of heathens. However, even though they converted slaves from Africa to Christianity, they didn’t provide much opportunity for their slaves to have religious worship. Richard Allen was born into a slave family in Philadelphia, and he was a child when he was sold to a farmer in Delaware. When he grew up, he became a Methodist preacher, and his owner let him perform religious services for the other slaves. He also became a wagon driver during the Revolutionary War and earned enough money to buy his freedom.

Once he was free, he returned to Philadelphia as a preacher. There was no Methodist congregation that was only for black people at that time, so he sometimes preached for a mixed congregation. However, some of the white members of the congregation protested to his presence as a black preacher, and some also objected to the presence of the other black parishioners as well. When Allen and a couple of friends were interrupted while praying one Sunday and told to leave the church, Allen realized that the only way any of them would be able to worship in peace would be to form their own group. The society he and his friends formed was the Free African Society, and that group went on to found the Bethel Methodist Episcopal Church. They were among those who helped to tend the sick and bury the dead during the yellow fever epidemic that struck the city in the 1790s.

Ira Aldridge (1807-1867) – A Star Who Never Came Home

Ira Aldridge was the son of a Presbyterian minister in New York. Aldridge started acting at a young age and became part of a black theater troupe, performing in a theater close to the African Free School he attended and the famous Fraunces’ Tavern (mentioned earlier in Phoebe the Spy, this book says that it was owned by a black family but other accounts say that the Fraunces family was mixed race – it has never been firmly established which is more accurate). His father wanted him to further his education, so he sent him to the University of Glasgow in Scotland, which accepted black students. It is unknown whether Ira Aldridge ever completed his degree there, but from there, he went to London to continue his acting career and won acclaim for his portrayal of Othello at the Royalty Theater. Ira Aldridge toured Europe and gathered a prominent following, even winning awards from some of the royal families of Europe. The reason why he never returned home was that he remained in Europe for the rest of his life, still touring as a successful actor up until his death at age 60.

Frederick Douglass (c. 1817-1895) – Fighter for Freedom

Frederick Douglass was born into slavery, originally with the last name of Bailey. In most cases, we know very little about the early lives of individual slaves because few slaves could read and write and their owners didn’t think it was important to even record their birth dates. Frederick Douglass is an exception because he learned to read and write and later wrote his famous autobiography. (The autobiography is now public domain, and you can read it for free online in many places, including Documenting the American South, Project Gutenberg, and Internet Archive (multiple copies). The reading level isn’t difficult, although parts are emotionally wrenching.) His autobiography contains many details of his early life (although even he never knew his own birth date, which is why we can only estimate). The description that follows is a brief summary of both the chapter in this book and the contents of his autobiography:

Frederick’s mother was a slave, but his father was a white man (or in some sources I’ve seen, possibly mixed race). (The book doesn’t identify his father, and his identity has never been definitely established, although there are theories. According to the Library of Congress, Frederick’s “Mother is a slave, Harriet Bailey, and father is a white man, rumored to be his master, Aaron Anthony.”) Because his mother had to work in the fields all the time, he rarely saw her when he was a child. (This book doesn’t mention it, but Frederick’s mother died while he was still young.) He was raised by his grandmother during his earliest years and later by a woman who abused and neglected her young charges. Then, young Frederick was sent to live with and work for another part of the family who owned him in Baltimore. At first, the mother of family was nice to Frederick and gave him his first reading lessons, but her husband put a stop to that, telling his wife in Frederick’s presence that if a slave learns to read and write, they’ll probably run away. Frederick managed to continue his reading lessons in secret with the help of some of the white children in the neighborhood. His new skills did help him to learn more about human rights and what freedom meant, and he also learned about the existence of abolitionists. Newspapers in Baltimore called abolitionists anarchists and accused them of being in the service of the devil, but young Frederick began to see them as possible allies.

As a teenager, Frederick was sent to live with a different branch of the same family in a smaller town. This family became suspicious of him when they found out that he could read and write and that he had joined a Sunday school that was run by a free black man. They decided to send Frederick to a man named Covey who was a “Negro breaker“, which was someone who would “tame” slaves by “breaking” them physically, mentally, and spiritually. In his autobiography, Frederick states that Covey did break him and very nearly killed him, but after a particularly vicious beating at Covey’s hands, Frederick realized both that he couldn’t take anymore and that he wasn’t going to take any more. He fought back. That’s when he began planning to run away. Somehow, plans of his escape leaked out, and he was sent away to work in the shipyards in Baltimore. There, he disguised himself as a sailor, borrowed some papers belonging to a sailor, and sneaked onto a train headed for New York.

When he arrived in New York, he was free, but he wasn’t quite sure where to go or what to at first. He had no place to stay and didn’t know anybody he could trust. Fortunately, a real sailor gave him a place to stay and helped him to connect with a society that helped escaped slaves. He found a job on the wharves and gave himself the name surname Douglass.

What truly makes Frederick Douglass famous is not just that he escaped from slavery, but once he did so, he wanted to help others gain their freedom. He became an abolitionist and gave public talks about slavery alongside many other famous abolitionists. When he met with violence, he moved his family to Canada, but he returned when the Civil War broke out to meet with President Lincoln. His sons became Union soldiers, and after the war, Frederick Douglass held various government offices, including US Marshall, Recorder of Deeds for the District of Columbia, and US Minister to the Republic of Haiti.

Harriet Tubman (c. 1823-1913) – The Moses of Her People

Like Frederick Douglass, Harriet Tubman was born as a slave in Maryland, but unlike Frederick Douglass, she had no early education. From an early age, she had a willful and rebellious personality, which was part of the reason why she was assigned to work in the fields instead of the house. One day, another young slave had gone to a local store without permission, and the overseer decided to whip him. He told Harriet help him to tie up the young slave first. When she refused to do it, the young slave ran away. I’m not completely clear on whether what happened next was deliberately aimed at Harriet or whether she was just in the way when the overseer tried to vent his wrath, but what is known is that the overseer picked up an iron weight and threw it. The weight struck Harriet in the head, cracking her skull. Harriet almost died of the injury and spent days lying unconscious. She eventually recovered, but she never recovered completely. Throughout the whole rest of her life, she bore a scar from the injury and would suffer from periodic seizures and sudden loss of consciousness. Her owner thought that the head injury had left her with diminished intelligence, which wasn’t true, but Harriet realized that it was useful to let him think that.

A few years later, her owner died, and she found out that she and two of her brothers were going to be sold to someone else. At first, they planned to run away together, but her brothers backed out of the plan, and Harriet left by herself. She managed to make her way to Philadelphia, found a job there, and established a new life. However, she didn’t stay in Philadelphia. She returned many times to help other people escape as one of the “conductors” on the Underground Railroad. Her own parents were among the people she rescued, and she never lost any of her “passengers” (partly because if anybody started to panic or turn back, she’d threaten to shoot them, but it worked without her actually shooting anyone). When the Civil War began, she became a Union nurse. She lived a long life, and although her exact age was unknown, she was probably somewhere in her 90s when she passed away.

Booker T. Washington (c. 1858 -1915) – Founder of Tuskegee

Booker T. Washington was also born as a slave to a black mother and a white father. (His mother was a cook called Jane. The identity of his father is still unknown, although the popular belief was that his father was a plantation owner. His mother later married a man named Washington Ferguson, who became Booker’s stepfather.) During the Civil War, Booker’s stepfather was with the Union army, and after the war ended, he rejoined the family and took them to Malden, West Virginia, where he worked in the salt mines. Although Booker was still a child, he also had to work, tending a salt furnace, because his family was poor and needed the money. Both he and his mother wanted to learn to read, but they had to struggle to learn by themselves at first because there was no school for them. When a black man who was able to read moved to the community, the others in town paid him to open a school to teach them. Booker began to take lessons after work, and the school was where he gave himself his last name. In his early life, he had only been known by one name – Booker, but when all the students at the school introduced themselves, he realized that most had two names. Wanting a second name for himself, he called himself Booker Washington.

Wanting a better life than working in the salt mines, Booker decided to pursue an education. He had heard that there was a school in Virginia he could attend called Hampton and decided to go there. It was a difficult journey, and he had to work along the way for money, but he finally made it. When he arrived at Hampton, he was dirty, looked somewhat disreputable, and didn’t have much money, so the head teacher initially had some doubts about admitting him, but he was willing to work at the school as a janitor to pay for his education, so she accepted him. Booker made the most of the opportunity and eventually graduated with honors in 1875. After he graduated, he returned to Malden, West Virginia, as a teacher. Since the previous teacher had left, Booker T. Washington was the only teacher in town. He encouraged his students, including his own brother, to go on to Hampton for higher education, like he had. The founder of Hampton was so impressed with Booker’s students that he offered Booker a job as a teacher at Hampton and house father for a dormitory of Native American students. Booker accepted the job and did well. Then, he received a new offer to establish a school in Tuskegee, Alabama.

Establishing a school for black children in Tuskegee was no easy task. Between limited funds, poor facilities, and threats of violence from the Ku Klux Klan, it was an uphill struggle all the way. However, Booker persevered, and his school became the Tuskegee Institute. One of the innovations that of the Tuskegee Institute that I particularly found interesting was that they had a “movable school”, meaning that they carried books and teachers to rural areas where people could not come to school, bringing school to them. It’s not quite the same as the bookmobiles I grew up with because these were more mobile schools than mobile libraries, but it seems like a kind of precursor. The Tuskegee Institute eventually became Tuskegee University, which still exists.

Daniel Hale Williams (1858-1931) – Great Physician

Daniel Hale Williams‘ early life was more peaceful than many black people of his time because his family was free, not slaves. His earliest years were spent in Pennsylvania, but after his father died, his mother moved the family to Wisconsin. Williams loved to read and received an education in his youth. At first, he thought that he might like to be a lawyer, but he soon learned that he didn’t like the constant arguing in presenting law cases. Instead, he developed an interest in medicine. He found a job working for the Surgeon General of the State and attended Northwestern University in Illinois. After obtaining his medical degree, he became a surgeon in Chicago. He helped other young black people who wanted to study medicine and were having difficulty finding training schools that would accept them and hospitals that would accept them as interns. Dr. Williams became famous for a successful operation on a man who had been stabbed in the heart, the first successful operation of its kind.

Henry Ossawa Tanner (1859-1937) – Who Painting Hangs in the Luxembourg

Henry Ossawa Tanner was the son of a bishop of the African Methodist Episcopal Church and was raised in Pennsylvania. When he was still a child, he saw a man painting a picture in a park, and it inspired him to become an artist himself. His father thought that his artistic ambitions were impractical, but Tanner began experimenting with different types of media, including paint and clay, and he attended the Pennsylvania Academy of Fine Arts. He began selling his paintings professionally while he was still a student. After he graduated, he found a job teaching art at Clark University. He continued to paint and opened a photography studio on the side. A generous churchman gave Tanner some money so he could study art in Europe, so Tanner lived and painted in Paris for several years. He found the artistic life of the city inspiring, and he did a series of paintings with religious themes. In particular, he is known for his painting of The Resurrection of Lazarus, which he painted in 1896. The French government purchased this painting to hang in the Luxembourg, a famous art gallery. Tanner did return to the United States for a time, but finding life in Europe easier because Europe did not practice racial segregation like the United States did at that time, he decided to return to Paris, where he lived the rest of his life.

George Washington Carver (c. 1864-1943) – Agricultural Chemist

George Washington Carver was born a slave, and his father died in an accident while he was still an infant (or shortly before his birth, according to other sources – since he was a slave and slave birthdays were not recorded, that might explain the differing accounts). In fact, while he was still an infant, he and his mother were abducted from the farm where they lived in Missouri by Night Riders, a gang of criminals who kidnapped slaves to sell to different owners in other states. The fate of his mother is unknown (according to the book, although other sources say that she and George’s sister, who was also abducted, were sold to someone in Kentucky), but little George was found because he was ill with whooping cough, so the Night Riders simply abandoned him by the road. George was returned to the people who owned him and his mother, the Carvers, who had offered a reward for his return. The Carvers had no other slaves beyond George and his family. George also had an older brother who managed to avoid being captured by the Night Riders and remained with the Carvers. The Carvers ended up raising George and his brother like adopted children after the loss of their parents and the end of slavery.

During his childhood, George liked to play in the woods and fields near the Carvers’ farm, and he developed a fascination for plants. He often brought samples of different plants to Mrs. Carver to ask her what they were. The Carvers didn’t have much education, but they told him what they knew and gave him his first lessons in reading. Later, George attended a school for black children in another town, Neosha, living with a black woman named Mariah Watkins. From there, he became an itinerant worker, finding jobs and continuing his education wherever he could. Eventually, he attended Iowa State College, studying agriculture. He graduated at the top of his class and wrote a thesis called “Plants as Modified by Man.” He stayed on at the college to get his Masters degree, working as an assistant botany instructor. After he got his MA, Booker T. Washington invited him to teach at Tuskegee as the head of the agriculture department. Carver’s work at Tuskegee made him famous. He ran experiments to determine new uses for agricultural products, devoting the rest of his life to agricultural research.

Robert S. Abbott (1870-1940) – A Crusading Journalist

Robert Sengstacke Abbott was the son of a minister in Georgia. He loved books since childhood and found a job as an apprentice printer after graduating from Hampton. Because his opportunities for advancement were limited in the South, he moved to Chicago, but he still met with discrimination and found it difficult to get work in the printing industry. Discouraged, he studied and practiced law for a time, but he missed his printing work. Instead, he decided to buy his own printing press and start his own newspaper. He knew that African Americans and their concerns weren’t being represented in existing newspapers, so he wanted to become their voice. The newspaper he started was called the Chicago Defender, which became a national newspaper (and which still exists in an online format), although some Southern communities outright banned the newspaper and even made it a crime for a black person to simply possess a copy under the claim that it would incite black people to riot.

Paul Laurence Dunbar (1872-1906) – The Robert Burns of Negro Poetry

Paul Laurence Dunbar‘s father escape from slavery in his youth, returning to fight on the side of the Union during the Civil War. Paul was born after the war, and his father died when he was only twelve years old. His mother didn’t have much education, but she wanted him to be educated and worked hard to make it possible. Paul enjoyed writing poems since he was a child, and when he was in high school, he became the editor of the school paper. One of his English teachers was so impressed by his poetry that she arranged for him to write a poem and read it before a meeting of the Western Association of Writers. When Paul had enough poems to make a book, he had them published with the help of a publisher who loaned him money to cover the publishing costs. He sold enough copies of the book to cover the loan and make a nice profit.

After a stint working for Frederick Douglass at the World’s Columbian Exposition in Chicago, Paul wrote a second book of poetry that made him nationally famous. He received many orders for copies of the book, and he was invited to give public readings of his poems. He even went to London to give readings during Queen Victoria’s Diamond Jubilee. When he returned to the US, he got a job at the Library of Congress and got married, but unfortunately, his life was cut short by tuberculosis.

W. C. Handy (1873-(later D. 1958)) – Father of the Blues

W. C. Handy is mentioned in a later book by Langston Hughes in the same biography series, Famous Negro Music Makers, but his biography doesn’t appear in that book although he made his living in music.

William Christopher Handy was born in Alabama. When he started school, his favorite subject was music. His teacher was a graduate of Fisk University (an African American college with a strong musical tradition, which is also described in Famous Negro Music Makers), and he introduced his students to a variety of musical styles. Handy’s father was a Methodist minister, and he didn’t believe in music outside of church and school. Musicians had a bad reputation, so he didn’t support his son’s musical interests and wouldn’t let him have an instrument of his own. Handy often improvised instruments, and he was inspired by traveling musicians who came to town. In spite of his father’s opposition, Handy joined up with musical groups.

Handy’s father wanted him to follow in his footsteps and be a minister, but Handy told his father that he’d rather be a teacher. When he found out how bad teachers’ salaries were, he found a job in a foundry instead. In his free time, he continued to play music in his church and started an orchestra and brass band. When he lost his job at the foundry due to an economic depression, he formed a quartet with some other young men, and they headed off to the World’s Fair in Chicago. They sang for their food and transportation along the way, only to learn that the World’s Fair was postponed. Instead, they decided to go to St. Louis, but still unable to find singing jobs, the group broke up.

Handy was too proud to go home to his father and admit defeat, so he continued to travel around and pick up whatever odd jobs he could find. Eventually, he joined up with a minstrel group, and he began to make a career in music. He traveled all over the country, giving performances, but when he became a father, he decided that it was time to settle somewhere to give his child a stable life. He took a job teaching music and English in Alabama, but he didn’t like the job because he wasn’t allowed to teach popular music, only hymns and classics. He returned to playing minstrel shows and became the bandmaster for a Knights of Pythias band in Mississippi. He composed music, writing The Memphis Blues and The St. Louis Blues. These songs were big hits, and The St. Louis Blues made Handy a great deal of money. Handy became a music publisher on Broadway, and his company was the largest African American owned publishing company in the US.

Charles C. Spaulding (1874-1952) – Executive of World’s Largest Negro Business

In the years immediately following the end of the Civil War and the Emancipation of the slaves, things were very difficult for black people. The newly-freed slaves had no money or assets to help them establish their new lives or even to take care of their sick or bury their dead. To help each other, they banded together and formed benevolent societies and fraternal organizations to share the resources they had and support each other. Some organizations of this type already existed, but Emancipation led to the expansion of such groups and the formation of new ones.

Charles C. Spaulding was the first manager and later president of the North Carolina Mutual Life Insurance Company. He had grown up poor and only had an eighth grade education. He worked at various jobs until he was approached by the owner of a series of barber shops who was interested in starting an insurance company. Spaulding’s uncle was also interested in the venture, and they hired Spaulding to be the manager of this small company. At first, Spaulding didn’t know much about insurance, and he had to wear a lot of hats in the business, starting out as bookkeeper and janitor of the business as well as its manager. In fact, he was originally the only employee of the company. The very first customer of the insurance company died only a few days into his policy, putting the company into debt immediately, but the owners of the company dutifully paid what they owed to the man’s widow, giving the company a reputation for reliability and earning them more customers. As the business grew, the company also supported public projects of interest to the African Americans in their community, such as the formation of a new library and a new hospital. Spaulding inherited the company after his uncle’s death, and he continued supporting civic projects.

A. Philip Randolph (1889-(Later D. 1979)) – Distinguished Labor Leader

Asa Philip Randolph was born in Florida. His father was a Methodist preacher, and he grew up reading his father’s books of sermons and Shakespeare. After he graduated from high school, he decided to go to New York to look for work. He worked at various jobs, and he became interested in improving working conditions for black people. Randolph gave public talks on the subject in Harlem and helped to start a magazine called The Messenger to advocate for the rights of African Americans. He began to travel to other cities to give talks and fiery speeches, and at one point, he was called “the most dangerous Negro in America” because some people feared what he might stir up in discontented African Americans faced with discrimination and bad working conditions.

Randolph was invited to speak to the Pullman Porters Athletic Association about the importance of trade unions because the porters had unsuccessfully tried to unionize before. Their working conditions were harsh, their pay was low, and the porters hadn’t made any real progress toward improvement. Randolph hadn’t worked as a porter, but he was interested in unions and labor organizations. The porters in New York asked him to help them organize, and they formed the Brotherhood of Sleeping Car Porters in 1925. Some porters were reluctant to join at first because they were afraid of being fired, but Randolph continued to travel and speak about the importance of unions, recruiting new members. The Great Depression was hard on the porters, but the union managed to negotiate for better working conditions and pay.

Ralph Bunche (1903- (later D. 1971)) – Statesman and Political Scientist

This particular biography begins with a brief history of Israel and Palestine and the conflict between the two because of the aftermath of WWII, a conflict that has continued into the 21st century.

Ralph Bunche was the son of a barber in Detroit, Michigan. While he was still young, his parents suffered health problems and were advised to go to a drier climate, so the entire family moved to New Mexico. Ralph enjoyed living in the Southwest, but unfortunately, his parents died, leaving him and his sister with their grandmother. Ralph’s grandmother insisted on him continuing his education, and he also worked part time. After he graduated from high school, his grandmother insisted that he go on to college. He got a scholarship for the University of California, and from there, he got another scholarship to attend Harvard. At Harvard, Ralph studied political science, and after he graduated, he accepted a job from Howard University in Washington DC which wanted to set up a political science department of its own. Washington DC was more segregated than other places Ralph had lived, and he turned his attention to seriously studying racial relations. In 1936, he became one of the co-directors of the Institute of Race Relations at Swarthmore College.

During WWII, Dr. Bunche could not serve in the armed forces because he was deaf in one ear. However, he served the Office of Strategic Services, researching cultural and political attitudes in Africa where the US had strategic interests and wanted to establish military bases. Because he performed this job well, he was chosen to be the Associate Chief of the Division of Dependent Territories in the State Department, making him the first black person to be in charge of a State Department office. After the war, he became one of the consultants in the drafting of the charter of the United Nations, which is how he became involved with the conflict in Israel. Dr. Bunche attended session of the UN, and in 1947, he became part of a UN Special Committee sent to Palestine to negotiate peace. It was a dangerous mission, and other members of the committee were actually assassinated. While the situation in Israel and Palestine has yet to be completely resolved, Dr. Bunche made more progress than the rest of the committee in the 1940s, getting the two sides to agree to an armistice. At the end of the tense negotiations, he had the respect of both sides, and his work earned him a Nobel Peace Prize is 1950.

Marian Anderson (1897-(Later D. 1993)) – Famous Concert Singer

Marian Anderson was a famous singer who became the first black person to sing for the Metropolitan Opera Company the year after this book was written. A later book by Langston Hughes in the same biography series, Famous Negro Music Makers, describes this achievement and other details of her life and work.

Jackie Robinson (1919-(Later D. 1972)) – First Negro in Big League Baseball

Jackie Robinson was the youngest of a family of five children. His father died when he was still an infant, and his mother moved the family from Georgia to California to live with her half brother and find non-segregated schools for the children. Jackie was young during the Great Depression, and times were hard for his family. He sometimes had little to eat. However, he excelled at athletics in school, which helped him to get into Pasadena Junior College and the University of California. He played football for UCLA, but he left college in his final year to find a job and help his family financially. He got a job as an athletic director for a Civilian Conservation Corp camp. When the US joined WWII, Jackie Robinson joined the army, but he was honorably discharged before the end of the war due to an old football injury that began troubling him again. After that, he took a job as an athletic director at a small college, and then, he joined a baseball team called the Kansas City Monarchs.

During the 1940s, black people were barred from joining major league teams, so at first, Jackie Robinson didn’t take it seriously when he was approached by a scout for the Brooklyn Dodgers. However, WWII had brought about changes in racial attitudes and new opportunities for black people. After a stint with the Montreal Royals, Jackie Robinson did join the Dodgers and became famous as a baseball player.

Famous Negro Music Makers

Famous Biographies for Young People

Famous Negro Music Makers by Langston Hughes, 1955.

I sought out an electronic copy of this book because I don’t own a physical one, and after I found out that it existed, I knew that I had to cover it at some point! The book is part of a series of biographies for children that I covered earlier, but what caught my attention was the author of the book, Langston Hughes, the famous poet of the Harlem Renaissance of the 1920s and 1930s. I mostly knew Langston Hughes for his poetry, and I wasn’t aware that he had written any children’s books until I found out that he had written several biography books for this children’s biography series. When I found out that he specifically wrote books about African Americans and other notable black people from history, it occurred to me that he might have even written biographies of people he knew personally because of the circles he traveled in.

This book focuses on prominent African American musicians. It contains a series of short biographies and profiles, beginning with musicians from the 19th century and continuing into the mid-20th century. Most of the musicians described in the book were contemporaries of Langston Hughes, but since the biographies are brief and focus only on providing an overview of the subjects’ lives, there is no indication whether Hughes ever met any of them himself. I was a little disappointed about that because I would have enjoyed hearing a personal perspective, but the personalities covered are still fascinating.

If you’re wondering why he uses the term “Negro” instead of “African American”, it’s because that term was one of the more polite and acceptable terms during his youth and around the time when he wrote this book. (That’s why the UNCF, or United Negro College Fund uses it as well. It was one of the polite terms in use at the time of its founding.) It sounds a bit out of date to people of the 21st century because, around the time of the Civil Rights Movement, which began around the time this book was written, people began advocating for a shift in the words used to describe black people. They wanted to distance themselves from old attitudes about race by using newer terms that didn’t have as much emotional baggage attached to them. This is when terms like “colored” and “Negro” feel out of use and were replaced by “African American” as the correct, formal term to specifically describe an American with African ancestry and “black” (considered somewhat impolite a century earlier, as I understand it, see the Rainbow and Lucky series for an example – I discussed it in the historical description of the 1830s) as the generic term to describe a person with dark skin and African ancestry, regardless of their nationality.

I enjoyed the range of different styles of music covered in the book. Recognized some of the most famous singers in the book by name alone, before I even started reading, but this book also introduced me to some musicians I hadn’t known about before. I knew about Duke Ellington, Louis Armstrong, Bessie Smith, and Marian Anderson, but I hadn’t heard of Lena Horne or Roland Hayes and some of the others. I’m sure that modern children would also be unfamiliar with some of the musicians included in the book. The biographies begin with musicians from the 19th century and end with musicians who were contemporaries of Langston Hughes in the 1950s.

Because this book was written in the mid-1950s, some of the information included is long out of date. People who were alive when Langston Hughes wrote the book are obviously not alive now, almost 70 years later. There are more recent books that cover the same topic and include information about late 20th century and early 21st century musicians Langston Hughes wouldn’t have known about. However, this vintage book is still interesting because of its famous author and because it was written at a turning point in American history, when society was changing and racial issues were being challenged.

The book is available to borrow and read for free online through Internet Archive.

The biographies included in the book are:

The Fisk Jubilee Singers, The Story of the Spirituals

This musical group began touring and singing spirituals in 1871. Some of the first members of this group had been born in slavery. After the end of the Civil War, the American Missionary Association of the Congregational Church established the Fisk School in abandoned army barracks in Nashville to teach black children at the high school level. However, it attracted a much larger student body than high school students. Many of the students had grown up in slavery and never learned to read, so that was the first skill they had to master. In addition to children of all ages, the school attracted older adults who wanted to learn enough to read Bible stories before they died. There was local opposition to a school for black people, and a lack of funding endangered the school’s existence. The school’s treasurer came up with the idea of holding musical performances to raise money. At first, the performers weren’t sure they wanted to sing their spirituals in front of white audiences, but they turned out to be very successful. They even did a European tour and sang before Queen Victoria. The Fisk School continued to grow and later became Fisk University, which still exists in Nashville and is considered one of the top historically black colleges in the US.

James A. Bland (1854-1911), Minstrel Composer

This section begins with an explanation of the creation of the banjo as an American instrument by slaves. People have negative associations with the term “minstrel show” in modern times, but the book explains that the first minstrel shows were performed by black slaves who had a talent for music. They were allowed to travel between plantations to perform their musical shows. Later, white actors and musicians adopted the style of these performances and started wearing blackface to perform their own minstrel shows.

However, James Bland fell in love with banjo music and the style of minstrel performances from a young age. Although minstrel music had a poor reputation, and his parents disapproved of his interest in this style of music, Bland earned extra money by giving street performances while he was in college. Although most theaters only wanted to book all-white minstrel groups in blackface as opposed to all-black minstrel groups, Bland managed to join an all-black group and make a name for himself as both a performer and composer.

Bert Williams (1875-1922), Artist of Comedy Song

In his youth, Bert Williams helped earn money for his family by singing in the street. Later, he formed a partnership with George Walker, and the two of them developed a musical comedy act. Bert Williams became famous for his act, but it also troubled him because he weirdly had to use blackface, even as a black person, because that’s what audiences expected, and he also had to act dumb when he was actually very smart. He wanted to move on to more serious roles as an actor, but people didn’t think he could play anything other than comedic roles. Also, in spite of his fame, he was treated as a second-class citizen everywhere outside of the theater because of Jim Crow laws. He was quoted describing the situation, “It is no disgrace to be a Negro, but it is very inconvenient.”

Bill Robinson (1878-1949), Music with His Feet

Bill Robinson was a famous tap dancer, often credited under his nickname, Bojangles. He was orphaned at a young age and partially raised by his grandmother, who was a former slave. He left school at the age of eight and got a job in a riding stable because he loved horses. He also earned extra money by dancing on street corners and ended up joining a traveling show. He became famous for his dancing and had dancing roles in movies. He is particularly remembered for his appearances in Shirley Temple movies in the 1930s.

(Note: He and Shirley Temple are regarded as the first interracial dance team in movies. While people of the time might have been scandalized by an interracial adult dancing team, it was acceptable for little Shirley Temple to dance with Bill Robinson because of her youth and innocence. Basically, because she was a young child, and he was in his 50s, it was obvious that there could be no romantic relationship between the two of them. Segregationists of the early 20th century feared interracial marriages and created laws to prevent them, which is why they feared any suggestion of romance between a black person and a white person. Shirley Temple was a safe person for Robinson to dance with because she was just a cute little girl dancing with her “Uncle Billy”, not a potential romantic partner.)

Leadbelly (1880s-1949), The Essence of Folk Song

His original name was Huddie Leadbetter, and he had a wild youth. He was a rough fighter who was even charged with murder and assault and sent to prison and escaped multiple times. (The book notes that he may not have actually killed anybody. The book explains that he was involved in brawls with other local people at Saturday night dances, where he was in demand as a musician. During one of these fights, in which a large number of people were involved, a man was killed, and Leadbelly, as he came to be called, was the one who was apprehended and charged for his death. However, in this type of free-for-all fight, it’s difficult to tell who did what, so it isn’t definite that he was responsible for the man’s death. I’m not completely sure whether the description of the fight in the book is fully accurate, though, because I saw it described differently elsewhere. It’s enough for readers to know that he had a rough youth, that he got in trouble for a fight in which someone was killed, and that he was in and out of prison for a time.) However, he had a natural talent for music and a love of folk songs that helped him to build a better life. His performances and recordings are credited for preserving songs that might otherwise have been lost to time.

Jelly Roll Morton (1885-1941), From Ragtime to Jazz

His original name was Ferdinand Joseph Le Menthe, and he grew up in a mixed race family in New Orleans. New Orleans was an exciting city with many different types of music, and Morton (as he later called himself) discovered his love of music early in life. He worked a variety of jobs in his youth, but through it all, he continued to play his music. He traveled the country, learning and playing ragtime and jazz music, eventually composing his own songs.

Roland Hayes (1887-(later D. 1977)), Famous Concert Artist

Roland Hayes was a student at Fisk University (whose origins were described in the first chapter of this book) in his youth. However, while the Fisk Jubilee Singers had popularized Negro spirituals and helped make it acceptable for theaters to book black people to sing these songs, Hayes was in love with classical music from Europe, the style of Beethoven and Brahms and classical opera, and theaters would not book a black performer to perform that style of music. Still, Hayes was determined to find a way to perform the music he loved. Strangely, motion pictures helped him to get his start. Because movies were silent then, all music had to be provided by live musicians in the theater. Hayes got his start singing behind the screens of movie theaters, where no one could tell that the performer was a black man. He also toured with the Fisk Jubilee Singers and made a name for himself in London, where he even sang before King George V.

William Grant Still (1895-(later D. 1978)), Distinguished Composer

In his day, William Grant Still was considered “the most prolific of American Negro composers.” He was raised to have a love of learning and music, although his mother and stepfather thought that music would be an unreliable career, unless he was teaching. For a while, he studied science at Wilberforce University, but he later attended Oberlin College to learn musical composition. He also worked for W. C. Handy’s music publishing company. He later moved to California and composed and arranged music for movies in Hollywood. However, his work extended beyond movies, and he is mainly remembered as a symphony composer.

Bessie Smith (1896-1937), “The Empress of the Blues”

Bessie Smith is described as being a large and tall woman with a powerful voice. She was a blues singer who mainly performed before black vaudeville audiences. The blues style of music had its roots in folk music, and it was considered lowbrow in the early 1900s. Gradually, it began to enter the wider culture and helped to form the style of popular jazz, but at the time, Bessie Smith’s style wasn’t taken seriously by Broadway. Bessie Smith was well-loved in her performances and may have gone on to be a bigger star, but unfortunately, she died from injuries in a car accident. According to the book,she might have survived, but the nearest hospital was for white people only and refused to take her. She died on the way to a hospital that would accept black people. This was just one of the harsh realities of life and death in the segregated South. However, the story about the whites-only hospital appears to have been discredited since this book was written. It seems that she did reach a hospital that accepted black people and lived to have her badly-damaged arm amputated, but she was too badly injured to survive.

Duke Ellington (1899-(later D. 1974)), Composer and Band Leader

Duke Ellington‘s birth name was Edward Kennedy Ellington. His father worked for the Navy Department of the Government, and he was born in Washington, DC. His early interests in life were art and baseball, but his mother had him take piano lessons. In high school, he and some friends started a ragtime band. The band was successful, and they moved to New York. After a few years, they began recording for Columbia Records and other recording companies. He composed music throughout his career, jazz and symphony orchestra.

Ethel Waters was born into a poor family in Pennsylvania and had a hard childhood. She started working as a hotel maid in her early teenage years, and she worked her way up through adversity in the theatrical world. She became a vaudeville singer and actress, eventually going on to make Hollywood movies.

Louis Armstrong (1900-(later D. 1971)), King of the Trumpet Players

Louis Armstrong began his musical education in a very odd way. When he was twelve years old, he was apprehend on the streets of New Orleans for firing a gun in the air on New Year’s Eve. Firing a gun in the air is a dangerous thing to do (people are sometimes killed by celebratory fire), and the authorities decided that he was he was a young hoodlum for running around, firing a gun in the streets. The sent him to the Colored Waif’s Home, which was being used as a youth reformatory as well as an orphanage. As a younger child, he had played music on street corners with some of his friends and had admired musicians who played horns, but he had never had a horn of his own. At the reform school, he was given a coronet and music lessons. Louis loved it, and he loved playing in the reform school’s band when it marched in local parades. He was disappointed when he didn’t get to keep the coronet when he left the reform school. However, his talent had become known. The owner of a local restaurant bought him a horn from a pawnshop so he could play in some of the local bands. At first, he had trouble adjusting to playing again because it had been so long since he had played regularly at the school, and his lip got sore. When that happened, he would fill in the trumpet part by singing in his gravelly voice. It was such a unique sound that word of it spread, and soon, he was getting attention from audiences and other musicians. Early on, he found it difficult to read music, so he learned to play by ear, and he had a talent for adding his own embellishments and variations to songs. He became famous for his scat singing.

Marian Anderson (early 1900s-(later D. 1993)), Metropolitan Opera Star

Marian Anderson began singing in the church choir as a child, and she was so talented that her church raised money to pay for her musical education. Later, she was also sponsored by the Philadelphia Choral Society. In 1925, she entered the New York Philharmonic Competitions and won first place. She did a singing tour of Europe, where she made a name for herself, and when she returned to the US, she became an acclaimed concert artist. In January 1955, she became the first black performer to sing for the Metropolitan Opera Company. (That was the year this book was written, and it discusses this event as a landmark for black musicians.)

Bennie Benjamin (1907-(later D. 1989)), Broadway Song Writer

I couldn’t remember having heard of Bennie Benjamin before, but I had heard of one of his songs, I Don’t Want to Set the World On Fire. It was his first big success, and he became a famous Broadway song writer. Something that made his music different from other black song writers of his day was that his music wasn’t inspired by spirituals, blues, or jazz. He was originally from the West Indies, and he moved to New York as a young man, so he was always more interested in Broadway styles of music than Southern music. At the time this book was written, he was still alive and writing songs.

Mahalia Jackson (1911-(later D. 1972)), Singer of Gospel Songs

As a child in New Orleans, Mahalia Jackson listened to Bessie Smith’s records and was inspired by her singing style. Mahalia’s specialty was gospel music. She never wanted to perform secular songs, but her music wasn’t the same as spirituals. Gospel music is different from spirituals because spirituals evolved from folk music with no known composer, and gospel music is more modern with known professional composers.

Dean Dixon (1915-(later D. 1976)), Symphony Conductor

Dean Dixon‘s mother was a music lover, and when he was a young child, she would take him to symphonies at Carnegie Hall. She had him learn to play the violin, and he played in his high school orchestra. He developed an interest in orchestration, and he formed a small chamber orchestra at the local YMCA, where he acted as the conductor. After high school, he attended the Julliard School of Music and did graduate work at Columbia University. While he was studying, he also led a mixed race symphony of children and adults in Harlem. He went on to become the first black person to conduct the New York Philharmonic Symphony.

Lena Horne (1917-(later D. 2010)), Singing Star of Hollywood

Lena Horne was an actress and singer. In 1942, she became the first black female singer to appear in a Hollywood move as a featured star in a film with white actors. At that time, typical movie roles for black people were minor comedic parts and servants. Even though black people in American society were educated and held professions like doctor or lawyer, movies typically showed them in more menial jobs, like chauffeur or maid. Lena Horne’s role in the movie Panama Hattie, in which she played a singer, helped to set a new precedent. During WWII she toured with the USO. After she became famous, she was known to turn down singing engagements in places that practiced segregation.

Famous Jazz Musicians (1800-1955), Congo Square to Carnegie Hall

This chapter explains the history and evolution of jazz music and discusses some prominent musicians from the early to mid-20th century who have not been discussed earlier in the book. Toward the end of the chapter, the author discusses a particularly interesting point that the National Association of Music Therapy was researching therapeutic uses for jazz music in the 1950s. Langston Hughes was also pleased that jazz could be used to encourage people to take an interest in other aspects of African American culture, like poetry, and how this style of music has spread all over the world.

Susannah and the Blue House Mystery

Susannah and the Blue House Mystery by Patricia Elmore, 1980.

Susannah Higgins and her friend, Lucy, live in Northern California. Susannah loves mysteries and she’s asked Lucy to be her partner as a detective. Susannah loves mysteries and is always looking for a mystery to solve, but so far, the girls haven’t found anything worth investigating. Susannah finally finds the mystery she’s been looking for when another friend’s grandfather fails to meet her at the bus stop. Shy Juliet Travis, who is largely shy because people at school have made fun of the burn scar on her face, meets her grandfather at the bus stop every day, and then, they walk home together. When he fails to show up one day, Juliet is sure that something is wrong. Susannah and Lucy, finding Juliet upset, try to reassure her, saying it’s probably nothing and that her grandfather probably forgot the time or his clock stopped. They offer to walk Juliet home to see if her grandfather is there.

Juliet and her mother live in a small apartment house next door to the old, once-grand Blue House. Her “grandfather” is the last of the old Withers family. (Juliet and her mother aren’t actually related to Juliet’s “grandfather” at all. He’s just a family friend who likes to treat Juliet and her mother like family because none of them really have any close relatives. Mrs. Travis got divorced when Juliet was a baby, and Juliet hasn’t seen her father since. Mr. Withers’s only relative is a niece named Ivy.) The Withers family was once one of the richest families in the area, but they haven’t been really wealthy for some time. Ivy Withers has some money and is a social climber, but the Blue House mansion where Mr. Withers lives has fallen into severe disrepair. Ivy pays Mrs. Travis to be her uncle’s cleaning woman, and that’s about all of the attention either the house or Mr. Withers receives.

Juliet’s mother, Mrs. Travis, cleans houses and is also an artist. When she first meets Susannah and Lucy, she comments that she’d like to do a sketch of Susannah because her face would be good for an African princess. (Susannah is African American, and this is the first mention of it in the book.) Juliet asks her mother about her grandfather, and her mother says that she thinks he went to see his friend Joe. Juliet feels a little better, thinking that her grandfather just lost track of time with his friend, but by the next morning, Mr. Withers still hasn’t come home. Susannah and Lucy go to visit Juliet again, but she and her mother don’t know much about Mr. Withers’s friend, Joe. They don’t know his full name or where he lives to see if he’s really seen Mr. Withers. Susannah says that they should take another look around the Blue House, even though Mrs. Travis has already looked there.

In the Blue House, they discover that Mr. Withers took his good coat instead of his old one and left his wallet with his identification behind. Mrs. Travis also remembers that he was carrying an umbrella, even though it wasn’t supposed to rain that day. From this information, Susannah deduces that he went to another city, where there was a chance of rain, but it couldn’t have been too far away because he didn’t take luggage or his wallet with him, and he was planning to be back to meet Juliet that afternoon. Also, since Mr. Withers doesn’t have a lot of money, he probably went by bus. After making a call to bus station to check the bus schedule for buses leaving around the time he left, they decide that the most likely place he would have gone was Sacramento. Then, the customer service agent tells them that the bus returning from Sacramento arrived late because an old man had a heart attack. Realizing that the old man could have been Mr. Withers, who couldn’t be identified because he left his wallet at home, they begin phoning hospitals to learn where he could have gone. Sadly, they learn that Mr. Withers was the man who had the heart attack and that he died in the hospital.

That would be the end of the mystery of the disappearing grandfather, but it turns out to be the beginning of a greater mystery. Susannah is disappointed that the mystery seems to be over just when she wanted to investigate some odd points of the situation more deeply. Lucy thinks that sounds heartless to be thinking of Mr. Withers’s disappearance and death as just an exciting adventure like that, but Susannah explains that there are still some aspects of the situation that seem strange. They still don’t know why he went to Sacramento. Apparently, it was something important because he felt the need to dress up in his nicer coat. (It couldn’t be to see a doctor because his Medicare card was one of the cards he left behind in his wallet.) They also don’t know who “Joe” is because this friend didn’t turn up at the funeral. Nobody else seems to know who “Joe” is, either.

Susannah also begins to suspect that Mr. Withers may have made a second will, leaving something to Juliet. Mr. Withers didn’t have much to leave, and it’s publicly known that he promised his house to Ivy because she helped him pay the taxes on it for years. Mr. Withers lost most of his money years ago due to a bad investment, and thieves also stole many of the valuable antiques that he used to own. However, on the morning of the day he died, he told Juliet that he was going to leave her a “treasure.” Juliet says that this “treasure” was supposed to be a book of some kind, and he emphasized to her that she should “see a good man.” What is that supposed to mean, and did Mr. Withers really have a treasure to leave to Juliet? Someone else must think that Mr. Withers had something of value because someone has been sneaking around the Blue House at night.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I read this book years ago, when I was in elementary school, but for a long time, I’d forgotten the name of it and much of the plot, which made it difficult to find it again. As with so many other things, I found it again by accident while looking for something else on Internet Archive.

The part that stuck with me the most from when I read it as a kid was the scene where Susannah and Lucy meet Juliet’s mother, who is an artist. Mrs. Travis likes to do sketches of people she’s just met so she can use their faces in paintings later. When she first sees Susannah, she takes her by the chin and studies her face. She compliments Susannah’s bone structure and says that her face would be great for an African princess, which is a rather odd thing to do and say to somebody on first acquaintance. I liked the quirkiness of Mrs. Travis, and I kind of wished somebody would tell me that I looked like a princess. (I don’t, and I never really did. I look more like somebody’s teacher or librarian. I’m not either of those, but I just look like somebody who would be.)

The scene with Mrs. Travis is also the first mention in the book that Susannah is black. She is shown as black on the covers of the books in this series, but Mrs. Travis’s description of her as having the look of an “African princess” is the first indication of it in the text. The reason why I like that is that, before we get to that point, Susannah is described by her friend Lucy as an aspiring detective, an “amateur herpetologist” who dreams of buying the snake called Beelzebub in the pet store, and one of the few people who can draw out shy Juliet and get her to talk before we are given any indication of her race or appearance. I like it that readers are drawn into Susannah’s own quirky and distinctive personality before she is described physically, so she isn’t typed by race or appearance.

Further on in the book, Lucy describes more of Susannah’s appearance, saying that she has glasses and wears her hair in two clumps on her neck. They didn’t always get along because they’re in the same academic group at school, and of the two, Susannah is really the better student. She got on Lucy’s nerves by constantly nagging her to do her homework and improve her grades so their group could get the school’s Top Scholar Award. Susannah complained that Lucy actually could do better at school if she just tried and called her a “clown” and a “dumb blonde” (the first indication of what Lucy looks like) for not even trying to do better. Lucy retaliated against this criticism by drawing unflattering cartoons of Susannah. They started to resolve their differences when they got into an argument over something Lucy said to another classmate about Susannah. Lucy said that Susannah “prevaricates”, which means to lie, but what she really meant was “pontificates.” At first, Susannah was mad at Lucy for calling her a liar, then she laughed when she realized that Lucy mixed up words that were vocabulary words for their class, and then, she realized that there was some justification to Lucy’s criticism of her, that she does sometimes act like a know-it-all. Realizing that someone else had a justifiable criticism of her caused Susannah to soften her own criticism of Lucy, and their relationship improved.

I liked the description of how Lucy and Susannah came to be friends, and it also fits in with how the girls become better friends with Juliet. Appearances are important to Juliet because the burn scar on her face has made it difficult for her to make friends with people. They never explain how she got the scar, but she is very self-conscious of it because of the teasing she got about it early in life. She is very shy and has a habit of turning her head to the side as she talks to people because she doesn’t want them to look at the scar. Lucy thinks to herself that the scar isn’t really so bad. As she spends more time with Juliet, she realizes that she hardly notices it anymore, just like most of the time, she hardly notices anymore that Susannah wears glasses. It’s common for people to have various types of imperfections, and Lucy herself has crooked front teeth. The only reason why Juliet’s scar really matters is that it matters to her because it makes her feel bad about herself. What Juliet wants most of all is an operation to remove the scar tissue so the scar will be less noticeable, but her mother can’t afford it. By the end of the book, she can afford the operation, and she goes ahead with it, although part of me wanted to see her rethink it because she sees that she can make friends anyway, whether she has a scar or not.

Deceptive appearances are a large part of the mystery because things in the Blue House, Mr. Withers’s treasure, and even Mr. Withers himself weren’t quite what they seemed to be. Mr. Withers was unfortunate for losing his money and most of the beautiful antiques that he loved, but he didn’t lose everything. Ivy thinks that he was a lonely, bitter hermit who rejected all of his old friends because he was too proud to see them after he lost his money, but Lucy realizes that the truth is that Mr. Withers just made new friends who wouldn’t judge him because he was now poor. Mr. Withers wasn’t lonely, and he was even happy with the new people in his life and the secret he was keeping. Even the mysterious “Joe” and the “good man” were not what everyone assumed they were at first. As I read through the book, I remembered what Mr. Withers’s trick was, but it took me some time be sure of the villain. I thought I knew who it would turn out to be, but the author does a good job of making multiple people look guilty.

One other thing I’d like to add is that apparently none of the children in this book live in a two-parent household. Books featuring children of divorced families were becoming increasingly common in the 1980s and into the following decades, and there are three children in this book who live in single-parent households. Juliet’s mother is divorced. Lucy lives with just her father, and to her horror, she eventually discovers that he’s starting to date the divorced mother of the most annoying boy in her class (who actually proves to be very helpful in their investigation). Susannah also appears to live with her grandparents. This book doesn’t explain why, but she always talks about her grandparents and not her parents.