Posted on by TracyC

The Mystery of Castle Croome

The Mystery of Castle Croome by Hilda Boden, 1966.

Molly Stewart, an American college student attending Oxford, is an orphan who is barely scraping by when she suddenly receives word that she has inherited an ancient castle in Scotland from her great-uncle, who has recently died. Molly’s friends, a pair of twins called Pat and Penny Roderick (short for Patricia and Penelope), go with her to have a look at the place, but right from the beginning, it seems like nobody wants her there.

Although the lawyer, Mr. Harding, is aware that Molly has been attending Oxford, he also knows that she is planning to return to the United States when she finishes her degree. He also knows that her great-uncle, Sir Malcolm, disapproved when her father married an American and moved to the United States himself, so he was surprised when Sir Malcolm’s will left his estate to his nephew or his nephew’s heirs. Mr. Harding had expected that Sir Malcolm would leave the estate to Jamie Campbell instead because Jamie has been the caretaker for years. The estate doesn’t come with much of an income, and the farms attached to it don’t have tenants, so they’re not bringing in rent money. It would take a lot of work to restore the estate. Since Mr. Harding would rather deal with Jamie Campbell anyway, he thinks that Molly would find it a better deal to just sell the castle to Jamie and use the money to finish her degree and go back to the United States. Molly asks why Jamie Campbell would want to buy the castle if it’s not worth much and needs so much work to restore. Mr. Harding says he might buy it out of sentiment, but Molly wants to have a look at the castle before agreeing to sell it. After seeing it, she might decide that it isn’t the kind of place where she could live, but she won’t know for sure until she sees it herself. Mr. Harding agrees and says that he will tell Jamie Campbell that she’s coming.

When Molly arrives with Pat and Penny, they see that the castle is isolated and rather eerie. Inside, it is run down, and living conditions are primitive. Jamie Campbell, an elderly man, isn’t happy that they’re there. There is no other staff, and while Jamie was happy to serve the old laird and nurse him through his final years, he has no intention of serving this young American grand-niece. Although there is an electrical generator at the castle, Jamie says that it hasn’t worked in years, and he and the old laird used oil lamps and candles. If Molly and her friends think he’s going to go to special efforts for their comfort, they can think again. Molly refuses to be intimidated by his disrespect, and she tells him that, because this castle has been his home for years, he is welcome to continue staying there, although Jamie Campbell thinks that she’s only extending that invitation to get a free caretaker.

Molly is studying engineering at college, and her friends think that she could probably fix the generator, but Molly tells them that she would like to wait to look at it. She hasn’t had much practical experience yet, so she wants to take time to study the situation before she does anything. She also tells her friends not to mention to Jamie Campbell that she has any engineering knowledge. She doesn’t trust Jamie, and she thinks it might be better for him to think that they’re more helpless than they actually are.

Molly sees definite signs that Jamie Campbell hasn’t been honest with them about the real condition of the castle and about even the contents of the castle at the time that her uncle died, and she can tell that he’s deliberately trying to make life harder for them to drive them away from the castle. After Jamie Campbell tells them that there is no running water at the castle, the girls notice that soap next to a sink is still wet, indicating that Jamie has very recently washed his hands there. The girls think that he probably shut off the water right before they got there, and they also think there is probably nothing wrong with the generator, that Jamie probably just turned it off. He tries to keep them from even looking at it, and he’s reluctant to hand over the keys to the castle to Molly. Many pictures are missing from the walls of the castle, and Jamie says Molly’s uncle sold them for money, but another painting disappears during their stay, showing the girls that Jamie is the one looting artwork from the castle. Molly realizes that nobody seems to know exactly what was in the castle at the time her uncle died, making it difficult to prove that Jamie is stealing things. When Molly tries to search her uncle’s desk, she finds that it’s been completely cleared of even routine papers, and Jamie admits in a cagey way that he may have tidied up a little.

Things improve for Molly and her friends when they set out to buy some food and make contact with other people outside the castle. Jamie refuses to even feed them, saying that he barely has enough for himself. He says that he might have been able to provide something for Molly if she was alone, but he can’t be expected to feed her friends, too. Fortunately, the girls have some provisions with them that get them through their first night at the castle. When they set out in the morning to buy more food, they can’t take their care because there’s a large nail in one of the tires. They can’t prove that Jamie sabotaged the car, but they all suspect he did. They decide to set out on foot to find somewhere with a telephone or somewhere they can buy some food. They meet up with a scout troop camping nearby, and they save the girls from stumbling into a bog. They share a meal with the girls, and the girls tell them what’s been happening at the castle.

The scout leaders don’t like the sound of Jamie and the things happening at the castle, and they tell the girls that they will send a mobile shop to the castle to sell them food. There’s a van that travels among the farms in the area, selling groceries, sort of like a food truck, and it carries a surprising variety of goods. The scouts also tell the girls how they forage for wild foods, and they offer their services for changing the car’s tire and other things they might need.

That night, Molly has a frightening encounter with a ghostly white figure, although she believes that it’s just Jamie, trying to frighten her away from the castle. The next day, Molly and her friends confront Jamie about the missing painting, and he tells Molly that her great-uncle sold that painting years ago. He tries to convince her that the only reason why she thought she saw it is that she has “second sight.” He says that it was a favorite painting of her great-uncle’s and that she only saw it because she’s a member of his family and has psychically sensed the memory of the picture. Molly knows that can’t be true because her friends also saw the picture. Molly also asks Jamie about a strange roaring noise that she heard at night that sounded like machinery of some kind, and Jamie tells her that it’s the “Roar of the Stewarts.” He says it’s a bad omen, and that Stewarts hear it before something bad happens. Although none of the girls admits to having seen a “ghost” the night before, Jamie also tells them about the “Specter of the Castle”, and he insists that all of these bad omens are signs that Molly and her friends should leave the castle because it’s dangerous for them.

Molly and her friends know that Jamie badly wants to frighten them away from the castle, and part of that might be that he’s been looting objects from it since Molly’s great-uncle died, but what is the real cause of the machine noises in the night? Then, suddenly, Jamie welcomes a pair of unexpected guests into the castle as paying guests. Mr. and Mrs. Smith claim that they’re traveling tourists who think it would be exciting to stay in a real castle. Molly tries to discourage them from staying by charging them more than anyone might expect from staying in a run-down castle with primitive living conditions, but the Smiths insist that they would enjoy an authentic experience. Molly and her friends are immediately suspicious, especially when they realize that the Smiths don’t seem to have a car, and there’s no obvious way they could have even reached this out-of-the-way castle. Who are they really? Are they confederates of Jamie’s? What has Jamie really been doing at the castle, and what is he so afraid that Molly and her friends will discover if they stay?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I found this book recently at a used book sale, but I recognized the title because I tried to find this book when I was a kid. I wanted it because it was on a list of suggested books in the back of another mystery book I read and liked as a kid. Actually, I think I enjoyed it more as an adult than I would have has as a kid. As a kid, I would have liked the notion of a girl inheriting a spooky old castle that might be haunted, but in this story, it’s pretty obvious right away that Jamie is behind all the mysterious things happening.

This story is not like other mysteries where you have to wonder who among the suspects could be responsible for the mysterious happenings because Jamie is the only suspect from the beginning. The real mystery, for both the characters and the readers is why he’s doing it. It’s a “whydunnit” more than a “whodunnit.” Although it would have been fun and atmospheric if Molly and her friends believed that the castle was haunted and were scared, I have to admit that I loved how unimpressed the girls were when Jamie awkwardly makes up his spooky stories and excuses about “second sight”, the “Roar of the Stewarts”, and the “Specter of the Castle.” They know that he’s just making it all up. They just don’t kick him out of the castle immediately because he’s an old man who’s been there for years, and they also want to know that he’s up to.

It turns out that part of what he’s up to is obvious and part actually resembles the mystery book that had this listed as a recommended book. Readers can figure out the more obvious part themselves, but there’s a revelation later that Jamie is also involved in another crime that he can’t explain away as any misunderstanding. There’s a suspenseful part of the story where the girls are trapped in the castle with Jamie and his confederates and need to figure out how to escape or summon help. I thought that the ending part wrapped up a little quickly, but overall, I liked the story. I think I enjoyed the book more now than I would have if I’d found it when I was a kid.

Posted on by TracyC

Mystery of the Strange Traveler

Mystery of the Strange Traveler by Phyllis A. Whitney, 1951.

This book was originally published under the title The Island of Dark Woods.

Laurie Kane and her older sister, Celia, are traveling by train without their parents to visit their Aunt Serena in New York. Aunt Serena has invited the girls to come stay with her while their parents are traveling in Asia for one of their father’s newspaper assignments. In her letter to the family, Aunt Serena hints at exciting things that are happening. She used to be a schoolteacher, but she says that she’s starting a new business, and the girls can help her with it, although she won’t say what it is until they arrive. Also, Aunt Serena has recently moved to a new house. When their father sees where she’s living now, he’s intrigued because it’s the location of their “ancestral mystery.” He would tell the girls the story himself, but Aunt Serena says in her letter that she would like to be the one to tell them about it. There father says that Aunt Serena loves being tantalizing and mysterious. Laurie, who loves mystery stories, wonders about it all the way to New York.

Aunt Serena lives in a wooded area on Staten Island, near Clove Lakes Park. She has a small red brick house with another outbuilding on her property that she says used to be an old cobbler’s shop. Her new business idea is to turn it into a small bookshop. Laurie loves it immediately because she loves books. She wants to be an author herself, and Aunt Serena says that she might even get a chance to meet her favorite author, Katherine Parsons, because she lives in the area. Celia is the practical one, and she asks Aunt Serena all the practical questions about how she plans to get people to come to her little shop when there are no other stores around them to draw customers in. Aunt Serena says that she’s not expecting her shop to turn into a big business. It’s more of a small hobby business to bring in a little extra money and also be a fun activity.

Laurie and Celia begin unpacking some of the books that Aunt Serena will sell in her small shop, and Laurie is pleased to see a collection of books by Katherine Parsons. On the back of one of the books, there’s a picture of the author and a short biography. Laurie is pleased to note that Katherine Parsons is left-handed, like herself. There are times when Laurie has difficult with things because she’s left-handed, and she feels a kinship toward the author because she shares that trait.

Meanwhile, Celia has noticed that there is a boy next door, moving the lawn. Laurie is more interested in books than boys, so she doesn’t find this exciting news. Celia tries to get the boy’s attention, but he seems to be ignoring her. When he does seem to notice the girls, he turns away quickly, like he wants to avoid them. Celia points out to Laurie how the house where the boy is looks very different from the rest of the houses around it – big, old-fashioned, dark, and creepy. Laurie comments that it looks haunted, and their Aunt Serena surprises them by saying it is.

The boy, Norman, lives with his grandfather, Mr. Bennett, in the old house. Mr. Bennett is a difficult man, and Aunt Serena admits that she got on his bad side when she first moved to the area by asking him if she could buy his house. Aunt Serena admits that she didn’t actually want to buy Mr. Bennett’s house; she was only using her inquiry as an excuse to talk to him and maybe get a look inside the house. However, Mr. Bennett took offense at the inquiry.

There is another boy in the neighborhood called Russ Sperry, and he’s friendlier. His mother sends him to bring a cake to Aunt Serena, and Aunt Serena says that she hopes he will be friends with the girls and show them around. Russ stays awhile to have some cake and chat, and he mentions that Norman Bennett’s father is in South America because he has a job there, which is why he’s staying with his grandfather. Aunt Serena says that Norman’s mother is dead and that his father rarely comes home. She doesn’t approve of the lonely way Norman’s grandfather seems to be raising him because it seems like Norman doesn’t have any friends. Laurie thinks that Norman’s loneliness is at least partly his own fault because he seems to avoid contact with people when she and Celia try to approach him. Celia decides that Russ is cute, but Laurie finds herself intrigued by Norman, not because she wants to flirt with him but because there’s an element of mystery about him.

The girls try to ask Aunt Serena more about what she means when she says that the Bennett house is haunted, but she says that she would rather talk about that later. She gets the girls busy unpacking their belongings, arranging things in her shop, and talking to Russ about the area. Russ helps to explain the geography of Staten Island, and Aunt Serena tells the girls more about the history of the area. Aunt Serena mentions that there are dances in the park on Wednesday nights, which sounds exciting to Celia. When Laurie spots Norman passing by, wearing riding clothes, Russ explains that there are a couple of stables in the area, where people can rent horses. There are plenty of things for the girls to do in the area, and Aunt Serena begins planning an opening party for her bookshop, with Katherine Parsons there as a special guest to sign her books.

Laurie is excited about the party and the opportunity to meet Katherine Parsons, but she continues to think about the mystery of why Norman seems so unfriendly. Soon, other strange things start happening. One night, she sees a light in Aunt Serena’s bookshop, as if someone were sneaking around in there. However, when Laurie goes to wake Aunt Serena to show her, the light is gone, and the next day, there aren’t any obvious signs that anything in the shop was disturbed.

When Laurie has a chance encounter with Mr. Bennett, where she asks him if he’s ever seen the ghost that haunts his house, he says, no he hasn’t seen it. The ghost is supposedly a phantom stagecoach, but Mr. Bennett doesn’t believe it exists. Once Laurie knows that there’s supposed to be a phantom stagecoach, she tries to press Aunt Serena for more details, but Aunt Serena refuses to tell them the rest of the story until she can tell them on a gray, stormy day, when the atmosphere is right.

When a stormy day comes and Aunt Serena agrees to tell the story, she allows Celia and Laurie to invite Russ and Norman over to hear it, too. Norman comes to hear the story without his grandfather’s permission because he’s always known there was some story about the house, but his grandfather hasn’t wanted to talk to him about it. When Aunt Serena tells the ghost story, the connections between the Kane family and the Bennett family become clear.

About 100 years before, there was a stagecoach route that ran through this area. One stormy day, a stagecoach was passing through the area, and one of the passengers, a woman with an infant daughter, was seriously ill and had become delirious. The stagecoach driver sought help at the Bennett house. The Bennetts brought the sick woman inside the house, along with the infant daughter. The stagecoach driver sent a doctor to tend to the woman, but she died in the Bennett house. They had no idea who the woman was and were unable to trace her origins or family. If the woman had a husband or the infant girl had a living father, the man never showed up to inquire after his wife or to claim the baby. All the Bennetts had do go on were the meager possessions the woman was carrying with her, and the little girl herself, whose last name was unknown but the mother had called “Serena.”

At this point, Serena explains that this Serena was the ancestor of the Kane family, the great-grandmother of Celia and Laurie. Since nobody was able to discover where she and her mother came from or locate any relative, the Bennetts adopted the first Serena and raised her until she grew up, got married, and moved away from the island. However, local people still tell stories about the terrible day when the first Serena and her ill mother were brought to the area, claiming to have seen a ghostly stagecoach pull up to the Bennett house and a ghostly woman get out.

Laurie is intrigued by the mystery surrounding her family’s origins. Aunt Serena shows them some of the belongings that the first Serena’s mother had when she died, which have been passed down as heirlooms. There was a doll with doll clothes, a woman’s dress with bonnet and gloves, a sewing kit, a fan, an old novel the woman must have been reading at the time, and a purse containing a very old coin. The old coin is another oddity about this strange situation because it dates from before the Revolutionary War and would have been long obsolete by the time the woman died during the 19th century. Is it still possible to solve a mystery that’s about 100 years old? Will Laurie and her family ever learn who their ancestors really were? Why does Mr. Bennett not want them to visit his house or talk about the old mystery or the ghost story? Does he know more about them than he wants to admit?

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Themes

The mystery in the story unfolds slowly, which might make people who are used to faster-paced modern stories a little impatient. Aunt Serena takes quite a while from the time when she first mentions that the house next door is haunted until she actually explains what the ghost is supposed to be and what the mystery surrounding their family is. However, Aunt Serena values atmosphere, so the story could appeal to people who don’t mind a slower-paced mystery as long as it has a good atmosphere.

When the mystery does begin, some parts are resolved quickly and others are more of a puzzle. The idea of an orphan with an unknown identity and a hidden past is always intriguing. The light in the bookshop at night, on the other hand, turns out to be less of a mystery, and Mr. Bennett’s reluctance to discuss the ghost story and the old mystery turns out to be nothing sinister. Mr. Bennett doesn’t really have any hidden knowledge about the orphaned child or her dead mother. It’s just that he’s a very reclusive person who craves peace and quiet so he can work on his private projects. He also has some resentment toward the Kane family because, while they used to be very close, Laurie’s grandfather was the one who inspired Mr. Bennett’s son to take a job in another country, which is why Mr. Bennett and Norman rarely see him. By the end of the story, though, things get patched up between them.

Every time the matter of the mysterious orphan and the question of whether or not the house is haunted by her mother is raised, Mr. Bennett has had to deal with a bunch of people and reporters stopping by his house, harassing him with questions and asking for tours of the place, and he’s sick of it. He doesn’t want Aunt Serena or the kids raising the issue again because he doesn’t want to deal with everybody’s questions anymore, and he has no more information to give anyone. As far as he’s concerned, the mystery is unsolvable because he thinks whatever trail there might have been has long since grown cold, and if it were ever possible to learn the dead woman’s identity or the real origins of the child, someone else would have figured it out a long time ago. However, Laurie tells Mr. Bennett that she thinks that there’s still a chance to figure it out, and that plays into one of the major themes of the story.

The Atmosphere and Location

The atmosphere of the story is pleasant, with Aunt Serena’s cheery little house decorated with bowls of wildflowers and her little bookshop. Aunt Serena greatly believes in establishing atmosphere, creating scene, and setting a mood. On the stormy day when Aunt Serena finally tells the girls the local ghost story, she makes it a point to set the atmosphere for the story by making popcorn and lighting candles.

Like other books by Phyllis Whitney, this story is set in a real location and uses some of the history of that location. The original title of this book came from the original Native American name for Staten Island, Monocknong, which the fictional author in the story, Katherine Parsons says means “The Island of Dark Woods.” Mr. Bennett disagrees, though, saying that it actually might mean, “The Place of the Bad Woods,” and they debate about different possible translations and meanings of the phrase. The history of the Staten Island plays directly into the story because it turns out that Laurie’s ancestors were involved with the historical events of the area, particularly Santa Ana’s stay on Staten Island after the Battle of the Alamo in Texas that was part of the Texas Revolution against Mexico.

A couple of other points I’d like to make regarding history are about race in the story. Toward the end of the book, Mr. Bennett hires “a young colored woman” as a housekeeper. “Colored” is a dated term in the 21st century, but this book was written in the 1950s, when that was considered one of the more polite ways to refer to black people. The popular terms we use now (“black” as the informal generic term and “African American” as the formal term specific to black people of African descent who live in the United States) came into use after the Civil Rights Movement as people tried to distance themselves from older terms as a way to shed the emotional baggage associated with them. The housekeeper, Anna, becomes friendly with Laurie, and she offers her a new perspective and some helpful advice about a different approach to tracing her family’s roots. Anna enters the story late, so she doesn’t appear much, but she is helpful, and I didn’t notice anything particularly stereotypical about her, although I suppose the idea of a black person in domestic service might be kind of cliche.

The other thing I wanted to mention is that American Indians are referred to multiple times in the story when the characters discuss the island’s history. The characters always refer to them as just “Indians” instead of “American Indians” or “Native Americans”, which is typical of the 1950s. At one point, Celia and Laurie are discussing their role in the island’s history. Celia talks about how she was glad that she wasn’t around then because there were massacres and “the Dutch kept buying the island from the Indians and the Indians kept taking it back.” However, Laurie says that was “because the white men cheated them.” I appreciated that Laurie acknowledged that, and I think that this exchange not only highlights some of the stereotypical views people had in the 1950s about Native Americans and history, but also differences between the ways Celia and Laurie look at other people. I have more to say about that below, but Celia tends to cling toward accepted views and the general social rules of society while Laurie has a talent for empathy and looking at situations from another person’s perspective. I’ve noticed that the author, Phyllis Whitney, has used this technique in other books of hers to subtly challenge stereotypes, pointing out that different groups of people have their own perspective and their own side of the story.

This book is fun for book lovers. Laurie’s favorite author, Katherine Parsons, is fictional, but the story captures the spirit of book lovers. It turns out that Norman is a book lover, too, and Laurie is able to draw him out and bond with him over their shared love of books. Aunt Serena also praises Laurie for her ability feel empathy for other people, a quality that she believes comes partly from Laurie being a book lover. After all, readers are accustomed to the idea of seeing circumstances through the eyes of someone else and experiencing their thought processes when they read a story. Aunt Serena believes that one of the benefits of reading it that it helps to cultivate a person’s skills in using empathy to understand other people and that readers carry that technique over into the real world.

I will say, though, that Laurie’s story took an unexpected turn. Laurie is a book lover, but through her association with Katherine Parsons, she unexpectedly realizes that, while she’s always dreamed of writing stories and being published, she doesn’t actually like the writing process. She enjoys the stories other people have written, and she has a knack for understanding characters, whether real or on the page, but she’s surprised to realize that the routine of writing doesn’t appeal to her. She feels a little sad at the realization because it means giving up an old dream but also a little relief because her life is now open to more possibilities that she might like better.

The Sisters and 1950s Social Rules

I also enjoyed the relationship between the two sisters in the story. They get on each other’s nerves and fight with each other sometimes, but they also care about each other and make up with each other after fighting. Celia, as the older sister, is more interested in boys than Laurie is, and she has all kinds of social rules about how to talk to boys and how to get their attention. Laurie knows that Celia and her friends talk about these things a lot, but Laurie doesn’t really understand all of their little rules and thinks a lot of them sound silly, like the idea that girls can’t invite boys to things but have to wait for the boys to ask them or that they should pretend like they’re not too interested in a boy so the boy will approach them first. This book was written in the 1950s, so a lot of Celia’s social expectations about how girls and boys should act around each other sound dated, but I enjoyed Laurie questioning Celia’s rules.

Laurie thinks it more important to know about what specific people like and how to appeal to them as individuals than to adhere to more general social rules. This is especially apparent when the girls try to get Mr. Bennett to let them in his house and talk to him. When the sisters compete to ingratiate themselves to Mr. Bennett so they can get access to the house and talk to him about the mystery, their different approaches play on their concepts of social rules and human empathy. Celia tries a very conventional approach, trying to appeal to Mr. Bennett in a general way, but Laurie decides that “Mr. Bennett was too much of an individual to be governed by rules that worked for most people” and tailors her approach to him as an eccentric individual.

Celia’s idea is to make some homemade cupcakes and take them to Mr. Bennett as a gift because she believes in the old axiom that the way to a man’s heart is through his stomach. As Laurie suspects, though, this approach falls flat because Mr. Bennett isn’t interested in baked goods. Laurie has a better idea of what Mr. Bennett really likes because she has talked to Norman about him, and she decides that the way to get his attention is to demonstrate a shared interest in something he likes. Knowing that he likes nature more than anything else, she starts putting together a collection of interesting leaves and asks Mr. Bennett if he can help identify them. Mr. Bennett isn’t really impressed by her collection because she didn’t mount the collection properly, most of her collection is very common leaves that he thinks she should be able to identify if she knew anything about trees, and she also included a sample of poison ivy, which she should have known better than to touch. However, he is sufficiently amused by her efforts and her mistake to talk to her for a few minutes.

No Man is an Island

One of the major themes of the story is that “No man is an island”, meaning that people do need other people. Aunt Serena is concerned that Mr. Bennett’s obsession with solitude is hurting his grandson because he’s making it difficult for Norman to make friends. Mr. Bennett has forbidden Norman to bring any other kids to the house because he doesn’t want to deal with the noise and disturbance. Because she’s been a teacher, Aunt Serena knows that Norman needs more opportunities to socialize with his peers. Mr. Bennett doesn’t even seem to pay much attention to Norman himself because he’s too absorbed in his own work.

What Laurie points out to Mr. Bennett when Mr. Bennett tries to tell the kids that the old mystery is unsolvable is that a group of people working together can accomplish more than any one person, working alone. They don’t have many clues to the past, but just because they don’t all make sense to any one of them doesn’t mean that parts of them wouldn’t make sense to different people. By pooling their knowledge and consulting other people, they could still put together the pieces of the past.

Along the way, Laurie also makes Mr. Bennett realize that there are many things he doesn’t know about Norman. Even though he and Norman have been living alone together for a long time, Mr. Bennett hasn’t paid much attention to Norman or things Norman has been doing. Norman has felt lonely and neglected, although he hasn’t wanted to admit how much. When Mr. Bennett realizes that Norman is an artist and has been developing his skills to an impressive degree without him even seeing any of Norman’s projects, he realizes that he has been too absorbed in his own concerns and starts to make an effort to learn more about what’s happening in the lives of the people around him. This is a similar situation to a grandmother in another of the author’s books, Mystery of the Angry Idol.

Posted on by TracyC

Meg Mackintosh and The Case of the Curious Whale Watch

Meg Mackintosh Mysteries

Meg Mackintosh and The Case of the Curious Whale Watch by Lucinda Landon, 1987.

Meg and her brother, Peter, are going on a whale watch trip with their grandfather. As they board the boat, their grandfather tells them that the captain is well-known as a treasure hunter, looking for pirate treasure.

On board the Albatross, they are greeted by Captain Caleb and meet his mate Jasper, and the other whale watch guests. The guests are Mrs. Clarissa Maxwell and her nephew Anthony, who seems to like gambling; a man named Oliver Morley, who likes stamps; a college student called Carlos de Christopher; and a marine biologist, Dr. Susan Peck.

Meg asks Captain Caleb about his treasure hunting, and he shows everyone an old map that’s been in his family for many years. The sailor who gave it to them also gave them a whale’s tooth with a scrimshaw carving of a whale on it. It’s supposed to help explain where the treasure is hidden. Some of the members of the expedition debate about how much money the treasure of the map would be worth, but Dr. Peck is completely opposed to treasure hunting because it’s disruptive to the environment.

The group enjoys watching the whales, although Meg’s grandfather has to go lie down for a while because he’s seasick, and lazy Jasper spends his time reading comic books in the lifeboat. When they encounter a storm, and everyone goes into the cabin to get out of the rain, they discover that the map is missing!

Who could have taken it? Various members of the whale watch have talked about their need for money, and Dr. Peck said that she thought the map should be destroyed to prevent damage to the environment. Meg goes over the pictures she’s take to find the thief!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I like the Meg Mackintosh books because it’s fun to solve the mystery along with the heroine. Like other books in the series, readers are supposed to use the story and the clues in the pictures to solve the mystery. At various points in the story, the story pauses for readers to figure out something about what’s happening, and these are good points for readers to check that they’re on track and to review the information they know so far. The story isn’t very long, but there are multiple points for readers to figure out something about what’s going on.

I did figure out the answer to this one very quickly. It’s partly because I’m an adult and this is aimed at children, but more importantly, I’ve seen the movie Charade with Audrey Hepburn, which used a similar plot device. The story did a good job of making all the suspects look like they had a motive, but when you figure out what the thief’s real goal was, there’s only one person who qualifies. Kids in early elementary school would probably find the mystery more challenging.

Posted on by TracyC

Meg Mackintosh and The Mystery at Camp Creepy

Meg Mackintosh Mysteries

Meg Mackintosh and The Mystery at Camp Creepy by Lucinda Landon, 1987.

Meg Mackintosh is at a summer camp in Maine! The camp is called Camp Crescent, but it soon gets the name Camp Creepy because there’s a ghost story about the camp. The story says that an old man named Stuart once lived in the building that the camp uses for a boathouse and that he still haunts the camp. When people start hearing strange noises at night, the campers start thinking maybe the ghost story is true.

To celebrate the Fourth of July, the camp decides to hold a treasure hunt with puzzles for the campers to solve. Everyone is excited about the treasure hunt, but Meg is especially excited because she’s solved treasure hunts before. However, in her excitement to start the treasure hunt, she accidentally drops the first clue on the camp fire, and much of it burns.

Everyone is angry with Meg for messing up the treasure hunt because they’re supposed to solve it before nightfall to enjoy the prize. Although they don’t know what the prize is supposed to be, they’re told that it won’t be any good if they find it too late. While the others go on a hike, Meg fakes a stomach ache because she just can’t face the other campers again.

At the camp’s infirmary, Meg meets two other campers who are staying behind. Russell has a bad case of poison ivy, and Tina has been dealing with homesickness. They ask to see what’s left of the first clue, and Meg shows them. Something in the clue reminds Meg of something she saw at camp earlier, and the three of them begin thinking that they might be able to solve the after all. If they can just get past that first burned clue, they can continue the treasure hunt like normal.

Can the three of them manage to solve the treasure hunt and save the prize for all the other campers? Will they meet Stuart’s ghost along the way?

The Book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I always enjoy treasure hunt stories, and like other Meg Mackintosh mysteries, this story gives readers the opportunity to figure out the clues and puzzles along with Meg. The information readers need is in the pictures of the story.

Most of the focus of the story is on the treasure hunt, and the ghost is kind of a side plot. Maybe the ghost would seem a little spookier to young readers, but I have to admit that I found it difficult to think of anybody named Stuart as sounding very sinister. The legend of Stuart doesn’t even seem to carry any consequences for people who see him other than it just being spooky, so I didn’t think the story was that creepy.

Posted on by TracyC

Camp Ghost-Away

Pee Wee Scouts

Camp Ghost-Away by Judy Delton, illustrated by Alan Tiegreen, 1988.

The Pee-Wee Scouts sell powered sugar donuts door-to-door in their neighborhood to raise money for their trip to camp, and there is a special badge for the scout who sells the most. The kids all brag about how much they’re going to sell, each claiming that they can sell the most. Rachel teases Sonny because his over-protective mother will probably go with him while he’s going door-to-door. She calls him a “mama’s boy”, and he calls her “stuck up.” (There is some truth to both of these insults, but they’re still nasty, and no adult comments on it.) Molly and Mary Beth decide to do their selling together because they’re best friends.

In the end, Rachel and Sonny are the biggest sellers, each of them selling more than 100 boxes, in spite of Rachel’s teasing about his mother’s involvement and Rachel’s mother’s objection that donuts aren’t very healthy. However, there are some objections about how fair that is when Rachel and Sonny reveal the secrets of their success. Sonny’s mother sold 80 of his boxes at her workplace, and some kids object that it isn’t fair because Sonny didn’t sell them himself. He gets more teasing about being a “baby” and having his mother do things for him, but Mrs. Peters, the scout leader, says that it’s fair for a mother to sell on their behalf because the most important thing is the money they raise for camp.

Similarly, Rachel explains that her family went to a family wedding, and she sold most of her boxes to her relatives. Her family seems to have money, and her aunt and grandmother each bought 20 boxes. Jealously, Molly says that her relatives will get fat if they eat that many donuts. Rachel says that they won’t because they plan to donate the donuts to hungry people. Again, Mrs. Peters doesn’t say anything about the insults the children trade, just saying that the money they raised is important because they will now be able to afford to go to camp.

The camp is called Camp Hide-Away, and Mrs. Peters gives the children information about the camp and what to pack. They will go to camp next weekend, and Lisa’s mother will come with them on the trip. Rachel brags about how she has two swimsuits to bring, while the other kids only have one each, and she also shows off her new gold bracelet.

When they get to camp and Rachel discovers that they will be sleeping in tents, she isn’t so sure she wants to go camping after all. She doesn’t like bugs, and she worries about bears. The other kids call her “sissy” and “scaredy cat.” Mrs. Peters assures them that it will all be fine, and she has her large dog with them.

That night, they hear a strange sound, which sounds like the moaning of a ghost. The kids debate about whether it’s a ghost or some kind of wild animal. Either prospect is terrifying. When it starts talking, they’re sure it’s a ghost, but Mrs. Peters’s dog saves the day!

My Reaction and Spoilers

I’ve commented before that the kids in this book series do a lot of name-calling. In a way, it’s realistic for young children, but it’s also really annoying. Sonny inevitably gets called “sissy”, “baby”, and/or “mama’s boy” in every book I’ve read. It also bothers me that no adult ever tells the kids not to talk like that. The kids in the story are only six years old, so this kind of name-calling could be considered realistic, but adults telling kids not to talk like that is also realistic. I feel bad for Sonny because he often gets picked on in these books, and I think it’s unfair. Maybe his mother is a little over-protective, compared to the other parents, but at the same time, these kids are only six years old. Things like having a mom who walks to a six-year-old to school and doesn’t want a six-year-old to go door-to-door, selling things to strangers all by himself, are not outrageous. Even Rachel admits that she heard her mother saying that the kids were rather young to be away from home overnight for an entire weekend, and I think that’s true. There is some trouble with homesickness in the story, and I’m not surprised.

Like other books in this series, there are also multiple parts to the story, almost like short stories put together. The first part of this book is about selling the donuts to raise money for camp, and the second part is about their camping trip, although that part also has some smaller episodes. The highlight of the book is the spooky noise that the kids hear at night and think is a ghost. It is pretty quickly revealed that it’s just a couple of the scouts playing a prank on the others. The prank gets foiled by Mrs. Peters’s dog and the pranksters crashing into things because they have sheets over their heads.

There’s also a third part of the story, where Molly has more trouble with camp activities than the other kids. She can’t swim or row as well as they can, and when they look for interesting things, like rocks and wild flowers, on their hike, all she finds is poison ivy. But, she isn’t the only one having problems. Rachel doesn’t like bugs and the camping food, and Sonny gets homesick. Sonny’s mother comes to pick him up because he’s so upset. The other kids tease him again, but the truth is that other kids are also homesick and cry at night. Even Lisa cries, even though her mother is there on the trip. Molly realizes that she is the only one who isn’t homesick. Although she doesn’t get the badges for the standard camp activities, Molly does get one for not being homesick and another for finding Mary Beth’s lost ring. I was surprised that Rachel’s bracelet wasn’t the thing that got lost since she made a big deal of introducing it, but it was Mary Beth’s ring that got lost instead.

Although I often think that the adults don’t explain much to the children in this series, Mrs. Peters does tell the children that homesickness is natural. I think she could have given them a little more advice about it and defended Sonny from the teasing more, though.

Posted on by TracyC

Garbage Juice for Breakfast

Polka Dot Private Eye

Garbage Juice for Breakfast by Patricia Reilly Giff, illustrated by Blanche Sims, 1989.

This book follows an earlier book in the series, The Case of the Cool-Itch Kid, while Dawn is staying at her summer camp, Camp Wild-In-The-Woods. Her friend from school, Jill Simon, is at camp with her, and they’ve made friends with another character from the earlier book, Lizzie Lee, who started out as a rival/antagonist for Dawn. Both Dawn and Lizzie like mysteries and being private detectives, and they’ve bonded over that. There is still an element of rivalry between them, but it’s a friendlier rivalry than when they first met each other.

When their camp counselor announces that she has set up a treasure hunt for the campers to solve, Dawn is excited. As the Polka Dot Private Eye, she’s sure that she’ll be the first to solve the mystery! However, Lizzie is the Cool Cat Detective. (Each of them take their names from the detective kits that each of them own.) Dawn knows that Lizzie will be tough competition.

Because the kids in their cabin are from different schools and some were friends with each other before they came to camp, the campers in the cabin have favorites between the two girl detectives. Jill thinks that Dawn is the best detective and will solve the treasure hunt before Lizzie will, while Lizzie’s friends think that she’s going to be the one to solve the mystery. They decide to turn the treasure hunt into a contest to show which of the girls is the best detective.

The first clue is in the form of a rhyme. It seems to have something to do with horses, and the girls are starting to learn horseback riding. There is also a hint about taking a particular trail. It’s tough for both Dawn and Lizzie to investigate the same mystery without getting in each other’s way, following one another or being suspicious that they’re following each other, or accidentally giving each other hints. Is the competition between them really a good idea, or is teamwork what they really need?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Some Spoilers

I remember reading this book when I was a kid, and I loved it because I always loved treasure hunt books! There are parts of the treasure hunt that readers can solve along with the characters in the story, although it’s not one of those stories that pauses to ask readers if they’ve solved parts before the characters have. It’s just that the information necessary to solve each part of the treasure hunt is given in the story and shown in the pictures, so readers have the opportunity to think what the next step should be along with the characters or before the characters announce what they’ve figured out. Some of the clues point to features of the camp itself, like the names of the trails around the camp, but the story does provide that information to the readers, so there’s nothing that the characters know that the readers don’t. Other clues use pop culture references, like Donald Duck, because their camp counselor is a Disney fan and has items with Disney characters on them.

Dawn and Lizzie do compete with each other to solve the treasure hunt, until they solve the final clue. All through the book, Dawn struggles with the horse lessons because she’s actually afraid of horses. When reaching the prize means going through an area with a lot bugs, Dawn suddenly feels sorry for Lizzie, who is following her but struggling because she’s afraid of bugs. Understanding what it’s like to struggle with something that scares her, she feels some empathy for Lizzie and realizes that she can’t use Lizzie’s fear to get ahead of her and reach the treasure first. She tells Lizzie that they can go together to reach the treasure, so they are able to share the glory. The experience helps the girls a little with their respective fears, and they share the final prize.

The name of this book comes from a kind of mixed fruit juice that the camp serves in the dining hall. None of the campers know exactly what’s in it, nobody really likes it, and the camp rumor is that it’s just strained out of the garbage. It doesn’t really have anything to do with the mystery in the story, but it’s there for background color, the kind of stories that kids tell about food at camps and schools that they don’t like.

Aside from the mystery, the story has some fun camp atmosphere for beginning chapter book readers: horses and barns, the camp dining hall, a picnic with books, and a cozy, rainy night in their cabin with cookies.

Posted on by TracyC

Megan’s Island

Megan’s Island by Willo Davis Roberts, 1990.

School will be out soon, and eleven-year-old Megan and her best friend, Annie, are making plans for the summer. Megan’s family doesn’t have much money because her father died when she and her brother, Sandy, were very young, and her mother struggles to find a job that will pay enough to support the three of them. They’ve moved around multiple times in the last several years while her mother looks for better work, and they get by with some help from Megan’s grandfather. This summer, Megan’s family is planning to visit her grandfather at his cottage by the lake. Her grandfather is already staying there, recovering from an injured foot, and Megan’s mother agreed that Annie can come with them on the trip.

However, before school lets out for the summer, something happens that suddenly changes their plans. One evening, while their mother is in the kitchen, clearing up from dinner, she suddenly drops her favorite salad bowl, cutting herself on the glass. Megan and Sandy help her clean up the mess and bandage her cut, but they can tell that it wasn’t just clumsiness that made their mother drop the bowl. She really seems to be upset and even afraid of something. Since they didn’t have any phone calls or mail that could have given her upsetting news, they can only think that it must have been something she heard on the tv news. Their mother had been listening to the news on the small tv in the kitchen before she dropped the bowl, and she quickly turned it off when the children came to see what was wrong.

Their mother refuses to explain what upset her, and she tries to pretend that nothing is wrong, but she quickly tells the children to pack their things because she’s taking them to their grandfather at the lake early. Megan protests that school isn’t out yet, but their mother says that they’ve already finished their tests, so they won’t be missing anything important. Megan also worries that they’re leaving without Annie or even telling Annie that they’re going early, but their mother says it can’t be helped. Then, Sandy overhears their mother asking a friend of hers on the phone, asking her to put their things in storage for her while they’re gone, making the kids worry that they’re leaving for good and not just for vacation. Refusing to answer any more questions from the children, their mother hurries them through their packing and out of the house that very night. She drives them all through the night to get to the lake.

When they get to their grandfather’s cottage at the lake, he is surprised to see them, showing that their early arrival wasn’t something he had arranged with their mother. Later, Megan overhears them talking. Her grandfather urges their mother to tell them the truth about what’s happening because kids are more resilient than they seem, and whatever they’re imagining might be worse than the truth. However, their mother says that the truth really is upsetting, and while she knows that she has always insisted that her children tell the truth, telling them the truth now would mean admitting that she has already lied to them.

Megan is shaken by what she hears. What has their mother lied to them about? Is it something to do with her father? Megan barely remembers him, and their mother gets upset when she asks questions about him. Her mother seems to be hoping that this whole matter will just blow over, but her grandfather comments about how what happened eight years ago didn’t just blow over. He implies that whatever secret their mother is hiding is the real reason why the family has moved around so much, that it wasn’t just because she needed to find new jobs. Megan worries about what her mother could be hiding and what terrible thing could have happened eight years ago that would affect her family today. Then, Megan remembers that eight years ago is about when her father died.

Megan tells Sandy what she overheard and that their mother is hiding a secret, something that might have to do with their father’s death. Before either of the children can talk to their mother and ask her what’s going on, she tells them that she’s leaving them with their grandfather at the lake for a few days because there’s something she has to do. She won’t say where she’s going or what she needs to do, but she says that they’ll be safe there with their grandfather. Megan finds it disturbing that her mother made it a point to say that they’ll be safe because it implies that the reason why they left home so suddenly was that, for some reason, they weren’t safe at home. Megan also begins to wonder whether whatever danger there was at home might find them at the lake.

Sandy seems to find it easier than Megan to put aside whatever worries and secrets are following the family and just enjoy being at the lake, going fishing with their grandfather and exploring the area with Megan, although he later admits that he tried to ask their grandfather some questions while they were fishing that he refused to answer. Megan can’t stop wondering and worrying, though. She and Sandy agree that coming to the lake wasn’t just a vacation. Their mother brought them there to hide from something … or someone.

Megan remembers that, every time they’ve moved before, their mother refused to let them even write letters to friends they were leaving behind. Sandy says that she didn’t tell them not to write any letters this time, and with no phone at the cottage, there’s no other way for Megan to tell Annie what happened and to apologize for their ruined summer plans. Megan decides to go ahead and write to Annie. That letter to Annie changes everything for Megan and her brother.

Megan and Sandy go rowing out on the lake and find an island with a beautiful hiding place beneath an overhanging rock that’s almost like a cave. It becomes a special place for Megan, and she goes there to think. Then, one day, they meet a boy named Ben who’s also staying at the lake for the summer with his divorced father and has been exploring the island that Megan has started to think of as hers. Megan doesn’t like Ben at first because he’s bossy, but he proves to be someone she and Sandy can confide in when the adults won’t give them answers, and he become a useful ally in their troubles.

Ben tells the Megan and Sandy that his father said that someone in the nearby town is looking for a couple of kids with red hair, matching Megan and Sandy’s description. This man claims to be their uncle, but Megan and Sandy don’t have an uncle. Then, Megan spots a strange man prowling around the outside of their grandfather’s cottage. A letter that Megan receives from Annie says that people have been asking about them since they left town, and Ben correctly realizes that someone has traced them through Megan’s letter to Annie. Whatever trouble their mother has been hiding them from has found them. With their mother still away and their grandfather having gone to town for some x-rays on his injured foot, Megan and Sandy hide out with Ben in a tree house they’ve built on the island. The island seems to be their last safe place to hide while they wait for their mother and grandfather to return. But, when they do, will they finally get the answers they need? What terrible secret has their mother been hiding from them all these years?

The book is a winner of the Edgar Allan Poe Award.

My Reaction and Some Spoilers

I didn’t read this book when I was a kid, but I did read others by the same author, The View From the Cherry Tree and Baby-Sitting is a Dangerous Job. I really liked this book. I think one of the author’s strengths is her ability to create suspense. This story is very compelling. Right from the beginning, readers as well as Megan know that her mother is behaving oddly and that what she is doing has sinister or troubling implications. There isn’t a wholesome or happy reason why anybody decides to skip town suddenly in the middle of the night. I could hardly put the book down, wanting to get into the details of the situation. It was hard for me not to skip to the end to see what happened and what it was all about, but I made myself slow down a little to appreciate the journey.

I guessed, at the beginning, that this was going to turn out to be a case of a non-custodial parent kidnapping their own children after a messy divorce. We are told that Megan’s father died when she was very little and that she barely remembers him, and then, we are told that the family moves frequently because the mother has trouble getting work as a single parent. That, by itself, isn’t necessarily sinister, but after we see the mother rush her children away in the middle of the night and we learn that she has never allowed them to keep in touch with old friends after any of their other moves, it starts to look like a suspicious pattern. I had guessed that what upset her mother while she was watching the news was that there was an announcement about the father looking for his missing children. My other thought was that maybe they were in the Witness Protection Program, possibly because their father was murdered and the mother needed protection from the people who killed him, and that what alarmed the mother on the news was that his killer was being released from prison. That second theory of mine was way off. The first one was closer, but that’s still not quite the situation, although elements of that are close to what happens in the story.

Because the suspense in this was so good, I don’t want to spoil the ending entirely. The custody of the children is the reason for the mother’s panic, but there’s a twist on it that I wasn’t quite expecting, and as the story goes on, it becomes apparent that there are two sets of people hunting for the children instead of one. One set of searchers is who the mother was expecting, but the other set is someone else who has different motives and is an even bigger threat.

I thought it was interesting that the story brought up the question of a person’s right to disappear and whether that disappearance can sometimes be justified. The fact is that it’s not a crime if an adult decides to go voluntarily missing. It’s only a crime if the adult has committed a crime prior to disappearing or in the process of their disappearance or if the person is missing because they’re the victim of a crime. Otherwise, any adult has the right to walk away from their old life, cut off old relationships, change their name, and reestablish their identity somewhere else. People can do this for a variety of reasons, but it usually has something to do with overwhelming problems in the person’s life, mental health issues, and/or abusive relationships. It occurred to me that the mother in the story might be afraid of her ex-husband because he was abusive, and she was afraid of what he might do to the kids if she had to either give him custody of them or share custody with them. Again, that’s not quite the case here, although I was thinking about it through a good part of the story because it would explain the mother’s behavior.

If the mother was a non-custodial parent or had violated custody arrangements with the children’s father, then she would have committed a crime by taking the children. However, that doesn’t turn out to be the case here. The mother hasn’t committed any crime, but the fact that she has the children with her is the reason why someone is looking for them. Missing children is a matter of legal concern and can be a matter of humanitarian concern, although even then, the issue can be complicated. Not all runaway children are “saved” by being found or returned to legal guardians, and some of them have had very good reasons for leaving toxic or abusive home environments. The sad fact of real life is that, sometimes, the people who are searching for missing children can be the very threats those children are escaping. People who disappear have reasons for doing so, but giving them the type of help they need means discovering what those reasons are.

To be honest, I’m not completely sure of the legality of the person looking for the particular children in the story or publicizing their search for them, but it is telling that this individual is using a private investigator to look for them, not the official police. The official police are not looking for the family because the mother hasn’t committed a crime. She is their real mother and has legal custody of the children. The person who is searching for the children does not. When their mother reveals the truth to the children, Megan is forced to consider that a person might have good reasons or at least a compelling motive for wanting to get away from their past and not be found by people who are looking for them.

Part of the issue related to that is that Megan and her brother Sandy were never consulted about whether or not they wanted to separate from their old life or to live the kind of lifestyle they’ve been living. Up to this point, they’ve taken for granted that they’ve had to move and lose contact with friends repeatedly because their mom needed to look for work and had trouble finding jobs as a single parent. When they realize that what’s been happening to their family isn’t normal, that their lives have been disrupted, and that their mother has lied to them about important pieces of their past and even their own identities, the children are understandably shocked and upset. Megan is angry with her mother for the position she’s put them in, and she is right that she needs answers.

Fortunately, things do work out for the best for the kids and their mother in the end. It is a relief that the mother has not actually committed a crime because of what she’s doing. She apologizes to the kids for not explaining things to them sooner, but she explains that, when the whole thing started, they were only little toddlers and couldn’t understand the seriousness of what was happening or what was at stake for them. When Megan learns the full truth, she does come to understand her mother’s motives, and she realizes that it has also changed the way she’s always felt about her father, whose life and death turn out to be very different from what she’s always assumed. Perhaps, if she had found out the truth earlier, when she was much younger, it would have been harder for her to take. Now that she and her brother are old enough to speak up for themselves and the situation they were running from has changed somewhat, things are likely to be much better for them. We’re not entirely sure at the end how things will be for their family or where they will be living, but it seems like their days of hiding and running are over.

The addition of Ben as a character not only gives Megan and Sandy an ally during their worries and evading the people searching for them, but he also provides a different perspective on their situation, in more ways than one. While Megan struggles to come to terms with her family’s secrets and the idea that both she and her family are not quite what she’s always believed they are, she also considers how her situation compares to Ben’s situation with his family.

Ben isn’t a happy kid. He’s been in trouble at different schools and behaves badly because he’s deeply troubled about his parents’ divorce and his mother’s remarriage to a man who isn’t thrilled to be his stepfather. Part of Ben’s troubles with his parents and stepfather are because he’s been acting out, and they don’t know how to deal with him, but deep down, he feels like his parents don’t love him. In fact, he admits that he’s been getting into trouble at school on purpose to get his parents’ attention. He had hoped that things would be better while he was staying with his father over the summer, but his father is a writer and absorbed in his work. He doesn’t seem to care much about what Ben does as long as he doesn’t disturb him while he’s writing. Ben feels like neither of his parents really loves him or wants him.

One thing that Megan has always been sure of is that her mother loves her, and even though her mother hasn’t told her the truth about everything before, Megan can tell that she still cares about her, takes time for her, and does things to ensure her safety. Megan’s family has their problems, but they are still a family. Even though Ben still has two parents and a stepfather, he doesn’t feel like he’s part of a family or that he can really rely on his parents. Megan’s realization that she feels very differently about her mother is part of what convinces her to listen to her mother and understand her side of the story.

Things start working out for Ben by the end of the story, too. He admits that he knows the way his dad acts is because he’s also upset about the divorce. He hadn’t really wanted to divorce his wife, but Ben’s mother wanted to marry someone else. He also hasn’t meant to neglect Ben. He’s just been preoccupied. Before the end of the story, he finishes the book he’s been working on and apologizes to Ben about being so busy. He’s not a bad father, and he and Ben usually get along better with each other. Now that he’s finished with his project and has more time to concentrate on Ben, Ben will get more attention. Ben also reassures Megan and Sandy, who are worried about how other people will look at them when the truth about their family’s past gets out, that he doesn’t see them any differently because of what he knows and that real friends will know and like them for who they are, not judge them for what their family members did.

Posted on by TracyC

Spiderweb for Two

The Melendy Family Series

Spiderweb for two by Elizabeth Enright, 1951.

Randy Melendy is feeling morose because the three older Melendy siblings (Mona, Rush, and their adopted brother Mark) have all gone away to school. Rather than attending the local school as they used to, Rush and Mark have gone away to boarding school for the first time this year, and Mona is attending a school in New York City, where they used to live. Since Mona has started acting professionally on the radio, she’s been commuting back and forth from the family’s house in the country to her acting job in the city. This year, her father decided that, rather than continuing to commute back and forth, it would be best for her to remain in the city and go to school there, staying with a family friend, the wealthy Mrs. Oliphant, who is fond of the children. That leaves only Randy and her younger brother, Oliver, at the big Melendy house in the country, known as the Four-Story Mistake.

Since Randy is accustomed to having her very active siblings around her, always doing something interesting, Randy thinks that life is going to be boring and lonely from now on. She recognizes that the older siblings going away to school is just the first step in growing up and moving away from the family. She knows the next likely steps for them are college and marriage, and they will likely never really live all together again, at least not all the time. The housekeeper, Cuffy, tries to reassure Randy that she still has Oliver for company, but Randy isn’t reassured. Oliver is a few years younger than she is, and she doesn’t think they have much in common or much that they would like to do together. However, the two of them are about to be involved in a special shared adventure.

Cuffy sends Randy and Oliver to get the mail, and they are surprised to find an envelope addressed to the both of them in handwriting they don’t recognize. Inside the envelope is a poem that seems to be some kind of puzzle or riddle – the first clue to a treasure hunt! The mysterious letter writer tells them to keep it a secret, and the clue seems to point to a place where the shadow of a tree falls.

It takes Randy and Oliver a little time to decide which tree is supposed to cast the shadow, and their treasure-hunting is delayed by rain. However, when they dig in the correct spot, they find a tin box. Inside the box, there is a little golden walnut box with another clue. This time, the clue indicates that the next clue is being held by someone who loves them, although they don’t know it. It takes some effort for Randy and Oliver to solve this one. At first, they think it’s probably Cuffy or Willy, and searching their pockets or getting them to reveal what’s in their pockets without the kids explaining why they need to know is tricky. Eventually, it turns out that the next clue is hidden on the collar of Isaac the dog.

The treasure hunt continues in this way for the whole rest of the school year. The clues are written as poems on blue paper and send them various places around their own house, the houses of people they know, and various other landmarks, including a grave yard! Randy and Oliver figure out that this treasure hunt must be something their older siblings have created to keep them busy and entertained during their absence. The treasure hunt breaks off periodically when their siblings are home from school for Christmas before resuming after Christmas with another letter.

In between solving the riddles of the treasure hunt, Randy and Oliver do get to spend some time with their siblings. Over Christmas, the family decides to go caroling and visiting friends. For Easter, the girls make Easter bonnets, and Rush makes a special one for their horse. Randy and Oliver never discuss the treasure hunt with their siblings, though, because secrecy is part of the game.

Sometimes, Randy and Oliver get into trouble following clues, and sometimes, they accidentally make the hunt tougher than it has to be because they misinterpret where they’re supposed to go next. Eventually, the hunt leads them to a special surprise from an old family friend, and everyone shares in the surprise!

My Reaction and Spoilers

I liked the treasure hunt in this book because I always like books with treasure hunts that have riddles to solve and clues to follow. I’ve read other reviews of this book online, and other people remember this book fondly for the treasure hunt, although it does have a different feel from the other books in the Melendy Quartet, for several reasons. It’s partly because only two of the Melendy siblings are present for most of the story, although the others do appear sometimes and make their presence felt, even when they’re away. Readers will probably figure out before Randy and Oliver that their absent siblings have set up this treasure hunt for them to keep them busy and give them something to think about so they won’t be too lonely without the others.

This is also the only book in the series that doesn’t make references to WWII because it’s the only book in the series written after the war ends. The war wasn’t a main part of the plot of the other books, but it was always present in the other stories, with the children taking part in activities to help the war effort. The war also affected the attitudes of the children, making them want to do their parts for their family as well as their country. This book never mentions it once, and the focus is on how the children are growing up.

Randy knows that seeing her siblings go away to school is just the first step to them all growing up and moving away. When the older siblings come home for Christmas, they’re already showing signs that they’ve been doing more growing up during the few months they’ve been away from home. When Mona comes home for Christmas, she has a new haircut and is wearing lipstick, and Rush’s voice is starting to change. Eventually, Randy and Oliver will do these things, too, but for now, they’re the ones left behind as kids at home. Through their shared adventures with each other without their siblings, they grow closer to each other than they were before. Oliver was too young to join Randy and the older siblings on some of their previous adventures, but he is growing up, too, and he’s now able to join Randy in shared activities. During the course of their treasure hunt, they have adventures in the countryside, like the siblings did in other books.

Like other books in this series, there are also stories within stories. Sometimes, the main story departs from Randy and Oliver when other people tell them stories about exciting or interesting episodes from their own lives. This books has stories about how Cuffy saved a boy from drowning when she was young, their father’s search for a lost dog, and Mrs. Bishop remembering when she first noticed the patterns of snowflakes.

There’s only one full page picture in the book. The other illustrations are smaller ink drawings at the beginnings of chapters.

Posted on by TracyC

Then There Were Five

The Melendy Family Series

Then There Were Five by Elizabeth Enright, 1944.

It’s summer, and the four Melendy children have some big plans! They’ve already started building a dam to make the swimming area on the property of their new house bigger. Their father, who travels frequently, giving lectures, tells them that he’s going to be away for most of the summer. He has to work hard to provide for his big family, and he has also taken a government job that will help the war effort. Mr. Melendy isn’t going to be a soldier because he’s a little old for that and the father of four children. He says that he can’t tell the children about his job, but it will keep him away in Washington for long periods of time. While he’s away, the children will be in the care of the housekeeper, Cuffy, and the handyman, Willy. They will also largely be left to entertain themselves, which is something they definitely know how to do.

Aside from swimming and enjoying themselves this summer, the kids decide that they should also do something useful, to help the war effort. Because of the war, patriotism is running high, and the children feel like they should take on some serious responsibilities. They’ve held events to help the war effort and bought bonds before. This summer, Rush and Randy decide that they’re going to go door to door, collecting scrap metal. Their collecting efforts help them to further get to know their neighbors, and they make friends with the Addison children and a nice, older man named Mr. Titus, who likes to spend his time fishing and baking things and invites the kids to join him sometimes.

However, there is a nasty man called Orin who yells at the children and scares them away when they come to ask him for scrap metal. Soon after this unpleasant incident, Rush and Randy meet Mark, the nice boy who lives with Orin. Mark is an orphan, and he lives with Orin because he’s a distant cousin. Orin’s wife was a nice lady, and Mark liked her, but she died a couple of years before. Orin is mean to everybody, and he mainly sees Mark as a source of unpaid labor on his farm. The Addison children, who know Mark from school, confirm that all of this is true. Orin doesn’t even let Mark go to school very often because he wants to keep him working most of the time. Their teacher and the school superintendent both tried to go see Orin and insist that Mark go to school regularly, but Orin is a violent and frightening man. He chased them both away and sent his mean dogs after them. Nobody really knows what to do about Orin, and most people are afraid to try. He also locks Mark in his room to keep him from running away, although Mark has found a way out and sneaks out sometimes.

The Melendy children feel sorry for Mark, although they try not to be too pitying so they won’t make Mark feel too self-conscious. Rush and Randy start meeting with him secretly to go swimming and fishing and hunt for arrowheads left by the Iroquois who used to live in the area. Rush and Mark also play at being soldiers on a secret mission and go stargazing. Mark knows about the constellations, and the boys watch the Perseid meteor shower in August.

Then, Mark reveals to Rush that Orin and his few friends are making illegal alcohol in a still. They do it because it costs less than buying alcohol. Orin’s friends include a couple of brothers who live in the woods and hardly ever come to town and a man who’s been suspected of bank robbery and murder although nobody was ever able to prove it. The boys spy on Orin and his friends at their still one night, and they hear Orin talking about selling his farm and maybe getting one of the new defense jobs. His friends ask him what he’ll do with Mark if he moves out, and Orin says that he’ll probably just turn him over to the county. One of his friends say that giving Mark to the county might not be so easy because they’ll ask questions, but Orin says he’s thinking of changing his name. The suspected criminal says that he might take Mark because he has trouble keeping workers around his place. Mark tells Rush that he’d rather run away that go live with that criminal, and Rush says that Mark can come stay with his family. The men almost catch the boys listening because the boys are wearing citronella to keep the mosquitos away, but the boys manage to get away before the men catch them.

Rush tells Mark that he’ll talk to his father to see if Mark can stay with the Melendy family or if he knows what else Mark can do. Then, a series of events happen that change everything. First, Cuffy has to go away for awhile to take care of an injured relative, leaving the children even more to their own devices, with Willy and the older children in charge. Then, the in the middle of the night, Rush wakes up to realize that something is on fire. It turns out that Orin’s farm is burning! Rush wakes Randy, and the two of them hurry down to Orin’s farm to see if Mark is safe. They find Mark hurrying to get the animals out of the barn, and neighbors and firefighters are already working on the blaze, but it’s a loosing battle. They manage to save the animals, but both the house and barn are destroyed. Willy, who was also there to help fight the fire, take the Melendy children and Mark back to the Melendy house. Later, Willy informs them that they have discovered that Orin was still in the house and was killed in the fire. (A short flashback informer readers, although the characters in the story don’t know it, that Orin accidentally started the fire when he returned home from his still, drunk, and passed out in the kitchen with a lamp too close to a wall calendar.)

Mark was never fond of Orin because Orin treated him badly, but without Orin, Mark’s custody is in doubt. Mark doesn’t have any other relatives. He’s still only 13 and not old enough to live alone. Rush decides to call his father to ask if Mark can live with them. Mr. Melendy tells Rush to keep Mark at their house for now, and when he returns home from Washington, he’ll straighten things out.

The Melendy children make Mark welcome at their fascinating house, the Four-Story Mistake, and Mark begins to enjoy all the new experiences they give him. He gets to try their books, enjoying classics like Tom Sawyer, Robin Hood, Eight Cousins, and various fairy tales. Mark also likes listening to Rush playing music on his piano. Above all, Mark gets the new experience of living with a family that really cares for him. Mark becomes part of the Melendy family’s idyllic summer, but the children worry about whether or not their father will allow them to stay with them permanently.

This is the third book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

My Reaction and Some Spoilers

The Darkest Book in the Series

This book is different from the earlier two books in the series because, while the other adventures were all just treated as fun adventures without anything truly tragic happening when things go wrong, this book actually contains some serious issues. Mark is an orphan living with a violent and abusive guardian who frightens all of the local adults who have tried to intervene on Mark’s behalf. Mark’s guardian is also involved with some seriously shady people and illegal activities. The sudden death of Mark’s guardian frees him from the abuse but also leaves his future in doubt. This is the darkest book in the Melendy series. The book doesn’t shy away from Mark’s feelings and the sadness of Orin’s death, even though he was an awful person. Fortunately, because the tone of this series is optimistic, things work out for the best.

Of course, Mr. Melendy agrees that Mark can stay with the family, but in a realistic touch, adopting him isn’t as simple for the family as taking in a stray dog. Some of the local farmers offer Mark a place working on their farms, including the disreputable man and possible criminal who was one of Orin’s friends. Social service agencies want to know about the home and family Mr. Melendy has to offer Mark before they decide whether or not to allow Mark to remain with them, and a social worker comes to interview him. The social worker sees a taste of the family’s boisterous children and eccentric hobbies (at one point, Mona enters the room, practicing the part of Ophelia from Hamlet), but she is charmed by them and sees that Mark loves being with them, and she decides that the Melendy family will be good for him. There is extra legal work for Mr. Melendy to officially adopt Mark after Mark is allowed to stay with them as a ward or foster child, and the local bank is also interested in Mark’s custody because Orin had a mortgage on his farm, and there are financial issues to be arranged.

In the end, the bank claims Orin’s property because of the mortgage, but Mark inherits the animals because he’s Orin’s only relative. Mark keeps a few animals that can live on the Melendy property, and the Melendys help him sell the others in an auction held on their property. They turn the livestock auction into a fair to raise money for the war effort. Some of them make baked goods to sell, Mona dresses up as a fortune teller, and they hold a talent show with other children from school.

The element of raising money for the war effort continues a theme from earlier books in the series and emphasizes the point that this book was set contemporary to the time when it was written, during WWII. I find books that were written during major events and that take those events into account interesting because it shows how people felt about those events and what they wanted children to understand about them. The kids sometimes make references to the war in casual conversation in a way that seems realistic for a child’s observations, such as when they describe someone as having “teeth like a Japanese general”, although I know that what they’re probably referencing is anti-Japanese propaganda cartoons at the time rather than actual pictures of them. That isn’t mentioned in the story, but I’ve seen those cartoons before, so I can envision what kind of teeth the kids in the story are probably picturing.

The Lighter Side

In spite of the dark parts of the story, the book still has qualities of idyllic life in a big house in the country and the outdoor fun the children have. Some of the images in the story would fit well with cottagecore themes today, such as Mona weaving a strawberry plant in her hair. Oliver collecting caterpillars and watching moths. On Oliver’s 8th birthday, the whole family, including Mark, goes on a picnic to a cave that Mark knows.

There is also a theme around cooking and baking in the story. Mona develops an interest in cooking and baking, and Mr. Titus teaches her recipes and helps her and Randy when they experiment with canning vegetables from the garden. Mona had told her brothers to leave her and Randy alone in the kitchen when they were canning because it was women’s work, and Rush thinks it’s funny that it’s Mr. Titus who rescues them when the job gets too much for them and it becomes obvious that the girls don’t know what they’re doing. Mr. Titus tells the kids at one point that, when he was younger, he was a little embarrassed about his interest in cooking because it didn’t seem like men’s work, but now, he doesn’t care anymore, and he just appreciates doing what he really loves to do.

Another fun note is that the Melendy children like to play a game they call the Comparison Game. One child leaves the room, and the others think of a person they all know or know about. When the other child returns to the room, the others say whether they thought of a male or female person, and the other child starts asking them what that person is like. The child who left the room earlier asks the others what color the person is like, what animal the person is like, what type of weather the person is like, etc., until the child can guess which person they’re talking about by the comparisons made about the person.

Posted on by TracyC

The Four-Story Mistake

The Melendy Family Series

The Four-Story Mistake by Elizabeth Enright, 1942.

The Melendy family is moving out of their brownstone in New York and going to live in a house in the country. The children aren’t happy about moving because they’ll miss their old home. They’re sure that no other house would ever be as good as their old one.

However, when they arrive at the house in the country known as the Four-Story Mistake (because it was originally supposed to have four stories but the original owner ran out of money and only could manage three floors and a cupola at the top), they are fascinated and charmed by its size and peculiarities. For the first time, each child in the family can have their own room instead of having to share, and there’s also a room that they can turn into an office (really a playroom), like the children had at their old house. Their father takes them up into the cupola and points out the different directions the windows face and how they resemble the outlooks of each of the children. He reminds Randy, the one who misses the old house the most, of the importance of looking ahead.

The children start to enjoy exploring their new house and the countryside around it. Seven-year-old Oliver finds a secret room in the cellar with some old things that belonged to past children who lived in the house. He keeps it to himself for a while, enjoying his secret, but he gradually lets the other children in on it. It takes Randy more time to learn how to ride her bicycle than the others, but she is thrilled when she finally masters it. However, the others are still doing better than she is. When she is separated from them on a bike ride and crashes in town, knocking herself unconscious and getting a cut on her head, she causes a stir. She is tended to by a traffic cop and his wife, who have a house full of plants and a pet alligator named Crusty, among other pets.

Gradually, the children settle in at the house and start feeling more at home there. They start making friends at the nearby school, and Rush builds a tree house with help from the family’s handyman, Willie. One day, when Rush is home with a sore throat and a fever, he gets restless and sneaks out of the house to hide in his tree house. He falls asleep and gets trapped there during a storm when the ladder falls, and he can’t get down. Eventually, his family realizes that he’s missing and rescues him, but he ends up with a case of bronchitis from the hours he spent in the tree house in the rain. Even that isn’t so bad, though, because they bring him food and let him read in bed until he gets better.

As winter starts, the kids play in the snow and use the sleds that Oliver found in the secret basement room. They also discover a hidden door behind some wall paper upstairs. It leads to a hidden room with blue wall paper that they had never noticed before even though they realize that they should have noticed that there were windows on the outside of the house that should have told them there was an extra room. The children decide to keep the hidden room secret from the adults until they can explore it themselves. Inside the room, they find a portrait of a girl labeled “Clarinda.” The kids secretly clean up the room and try to learn who Clarinda was. It takes some time before they learn what happened to Clarinda, but it’s a fascinating and inspirational story rather than a tragic one.

Meanwhile, WWII is still going on, and Mona comes up with a plan to help the war effort. She enlists the other kids to help collect scrap materials, learn to knit, and buy war bonds. They’re a little dubious about some of Mona’s plans, but they get more interested when she says that she wants to put on a play and charge admission to raise money. Mona is writing the play herself. It’s a fairy tale type story called The Princess and the Parsnip. Of course, Mona will also play the leading role as their resident actress. She almost quits the play when she accidentally gives herself a bad hairdo, but fortunately Cuffy helps her fix it. In fact, the play is such a success and Mona does so well that she gets her first real acting job – a role in a radio play.

Her father knows that she’s young, and he talks to her seriously about accepting the job. He makes sure that Mona understands that an acting career will involve hard work and some odd hours. He expects her to keep up with her school work and also take some time to be a real person and family member and not to put on airs. Mona acknowledges that and is really happy when she gets the part.

Rush becomes a little temperamental when Mona gets her job, and he admits to Randy that it’s because he feels bad that he isn’t making real money, like Mona is. The war has been on his mind, and he feels like he wants to do something serious and important and to also feel like he’s earning money for the family. The problem is that he can’t think of anything he can do. Out in the countryside, there aren’t as many job opportunities, so he feels useless. Then, Randy gives him a suggestion: he can teach piano lessons. Rush has always had a special talent for the piano, and they know that there hasn’t been a music teacher in town since the last one left to get married. Rush isn’t sure he likes the idea, but Randy says that if he isn’t interested in the job he could do best, maybe he wasn’t really serious about wanting a job at all. Thinking it over, Rush decides to give it a try, and he’s actually more successful at it than he expected. He almost quits after a particularly difficult student causes him to lose his temper and hit the other boy, but a talk with the boy’s father straights things out between them.

The book covers most of the children’s first year at their new house, with changing seasons and changes in the children’s lives. They have a Christmas with homemade Christmas presents and a few special surprises from their father and Mrs. Oliphant (a wealthy woman who’s an old family friend). There are adventures with ice skating, and in the spring, Randy finds a diamond at the brook. They acquire some new pets, including Crusty the alligator, who becomes another of their Christmas presents, having outgrown the bathtub where he was living with the policeman. Crusty later escapes and takes up residence in the brook before apparently migrating to Pennsylvania. Besides Mona and Rush finding their first jobs, the children begin showing other signs of growing up. Mona attends her first dance, although the children make a point that they’re not too grown-up yet. By the end of the book, the children are well-settled in their new home and are starting to become comfortable with the changes in their lives that come with moving and starting to grow up.

This is the second book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

My Reaction

This story starts out as a story about kids adjusting to moving to a new house but also turns into a humorous story with Cottagecore elements. The house in the country known as the “Four-Story Mistake” is the stuff of many children’s dreams. It’s large enough for every kid to have their own room plus the room they call the “office”, which is a play room or activity room that all the kids in the family share. Their fabulous house has plenty of rooms to explore, including a cupola and a hidden room with a mysterious backstory.

One of the things I like about this book and others in the series is that there isn’t anything tragic or upsetting in the stories. They’re good books to relax with. When the kids hear the story of the secret, hidden room in their house, there’s an element of drama to the story (one of the stories-within-the story that often appear in this series), but nothing truly tragic. At first, I had thought maybe the original owner of that room had died young, and her family had sealed it up out of grief, but that’s not the case. It turns out that she had dreams of becoming a dancer, so she ran away to pursue her dreams. Her father disowned her and closed up her room after she left, but she actually did achieve her dream, so things worked out for her, and the Melendy kids find that inspiring.

There are woods and a stream nearby, so the kids have outdoor adventures. Even when something goes wrong and the kids have a hard time, like when Rush is sick and gets trapped in his tree house during a storm, it doesn’t end too disastrously, and the hardships are treated more as part of their exciting adventure. Even though Rush suffered during the incident, and Rush’s illness gets worse from being out in the storm, he kind of enjoys the fussing he gets afterward and the time when he’s allowed to stay in bed, reading, while he recovers.

The part where Rush lost his temper with a piano student and hit him surprised me, although how the student’s father reacted to it was even more of a surprise. I think most modern parents would be angry about Rush using physical violence against the other boy, no matter how he was provoked, but that’s not how the father in the story feels. The father knows his son very well, and he understands how he provoked Rush into losing his temper. He also knows why the son was being provoking. The boy wanted Rush to quit as his piano teacher because the boy doesn’t really want to take piano lessons at all. He’s only having piano lessons because his mother wants him to learn to play the piano. Rush handles his loss of temper as professionally as he can, admitting to the boy’s father what happened and offering to resign from the job, but the boy’s father, knowing his son and his son’s motives, refuses to accept that offer. If the father allowed his son to get away with provoking someone else to a fight and then rewarded him by giving the son what he wanted (the end to the piano lessons), the son would learn a bad lesson, that he could get what he wants by behaving badly and being too difficult to handle. It isn’t a good idea to give a kid the idea that acting out gets rewards because it provides an incentive for the kid to continue acting out to get his way.

Instead, the father acknowledges Rush’s professional authority as the piano teacher and says that the boy’s mother wants the piano lessons to continue. Because Rush is the professional authority here, he authorizes Rush to use whatever methods he deems necessary to deal with his student. The father says that he will have a word with his son about this. We never hear exactly what he says to his son, but the son at least grudgingly behaves himself from that point onward, so it seems that the father made it clear to him that bad behavior wouldn’t get him what he wants. It’s true that hitting people isn’t good, but neither is provoking people to a violent reaction, and I was glad that the father acknowledged the provocation and didn’t let it slide. Considering the context of the situation and the character and motives of the people involved, the father’s solution to the problem seems to have been an effective one.

There are coming-of-age elements in the book, partly because the kids are settling into a new home, but also because they’re generally growing up. Some children’s book series have characters who never age, but the Melendy children do age throughout their series. In this book, the two oldest Melendy children get their first jobs, and Mona attends her first dance. I did like it how, after Mona gets home from the dance, she and her siblings run outside to have fun because they want to make the point that they’re not too grown-up yet.

As in the first book in the series, WWII is happening in the background because the series is set contemporary to the time when it was written. The children undertake activities to support the war effort, and their knowledge that the war is happening does cause them to think a little more seriously about life, about doing their part, both for their country and their family. I thought it was an interesting choice for the author to write about children’s thoughts concerning the war while it was happening and the outcome of the war was still unknown. The author seems to be promoting children taking part in civilian activities to support the war, like raising funds, buying war bonds, and collecting useful scrap materials. I think that was probably the attitude of many adults in the 1940s, wanting children to make themselves useful and to show patriotism, and I can see those motives in the choice to let the war be part of the children’s reality. With the story’s other themes of moving, exploring the countryside, growing up, and finding fun and adventure in a new home, I can see how the author could have chosen to focus on those elements and left the time period of the story vague, but I appreciated how the author faced the reality of child readers, acknowledging the war and giving them suggestions for how they could handle their feelings through useful support activities. The countryside in the story isn’t a place where the children hide from the troubles of the world around them but where they can find their own way dealing with them creatively.