Tom Brown’s School Days

This classic children’s book from the mid-19th century is famous as the story that popularized the concept of British children’s boarding school stories, although many people in the 21st century haven’t read it themselves.

Young Tom Brown was brought up in a very close family, although they are often given to quarrels and drama among each other. He is the eldest of his parents’ children and spends his early young life in the vale where he was born, raised by his family and his nursemaid, Charity. Tom’s mother has a talent for training young servants. She is kind and patient with servants in training, treating them almost like older children of the family. Charity is rather clumsy and not too bright, and she has her hands full with young Tom. He is a strong and rebellious little boy. Charity’s relatives have a farm nearby, and she takes him there to pick up supplies for the Brown household. The people on the farm are kind to Tom, and they also help raise him. Because Tom resists training and supervision from women, the Brown family eventually hires an older servant, Benjy, to take care of Tom from about age four. Benjy takes little Tom fishing and tells him stories about the history of the Brown family. Generally, Tom’s early childhood is pleasant and easy.

As Benjy gets older, he is troubled more by arthritis and finds it harder to keep up with young Tom. Tom gets a governess at home, and when Tom begins lessons at the local school, he begins to calm down at home because he spends his energy at school and playing with the local boys in the village. Being friends with other boys his own age is good for Tom because they share the same interests and levels of energy. They play games and wrestle with each other for fun. Then, when Tom is nine years old, his family sends him away to boarding school. There are some sad goodbyes from the local boys in the village, and the other boys give him some little toys as going-away presents. This is the first time that Tom has ever been away from home, and this is where the story of Tom’s education really starts.

Tom spends about a year at a private school before going on to a public school. The author pauses here to explain the differences between British private schools and public schools. Unlike in the United States, “public” schools are still schools that require school fees, but private and public schools differ in who is accepted as a student and how the students are treated in their time outside of class. In the author’s time and young Tom’s time, students at private schools are more closely supervised in their off hours, with the idea that molding the students into good citizens (which is considered a higher goal in their education than the subjects taught in the classroom) cannot be adequately accomplished in classroom time only and that most of it takes place outside of the classroom. At public schools, the author says, the boys have more freedom and less supervision outside of class.

The boys at the private boarding school Tom attends are supposed to be supervised by school ushers, who monitor their behavior, resolve quarrels, and set a good example for them. Unfortunately, the ushers at Tom’s school aren’t very well educated or good at their job, and they have little interest in doing their job properly. As a consequence, the older students bully the younger ones, students are encouraged to tattle on each other, and physical punishments are used to keep the students in line. In spite of this and some homesickness, Tom actually has a pretty good time at school with his new friends at school. They have some adventures (some of which involves cruelty to animals they find, and the author makes it clear that he doesn’t endorse this and thinks that the bee stings they get are earned) and delight in scaring each other with ghost stories at night. However, this school isn’t really the best treatment or education Tom can get, so it’s just as well that he is sent to a public school after this.

Tom’s change in school comes when there’s an outbreak of disease in the area, and the schoolmaster of the private school is one of the people to become ill. All of the boys are sent home to their families. Since Tom has already told his father that he would rather attend a public school and since school at the private school is canceled for the rest of the term, Tom’s father decides to send him to Rugby. When Tom goes to Rugby, his father talks to him about his school experiences. Tom’s father says that he is going to Rugby at a younger age than he had planned to send him, and if schools are still like they were when he was young, he’s going to see people doing many cruel things and will hear bad talk from other people. He urges Tom, whatever happens at school, to be brave, kind, and truthful and, no matter what other people say, to not say anything he wouldn’t be willing to have his mother or sister hear him say. If he does these things, he won’t have to feel ashamed to see his family when he comes home from school, and they won’t be ashamed of him. This talk and the thoughts of his mother make Tom a little emotional, although he tries not to show it too much.

Tom’s father privately reflects on the reasons why Tom is going away to school. Partly, Tom is going to school because Tom really wants to go and have that experience. The fact is that Tom’s father doesn’t really care too much about Tom learning subjects like Latin, and his mother doesn’t care too much about academics, either. Tom’s parents aren’t too concerned about what kind of scholar Tom is. What Tom’s father really wants for Tom is what he has already told him to be. He wants his son to be brave and truthful, and he wants Tom to be a good and helpful English gentleman and a Christian. Basically, he’s more concerned with his son’s character and life choices than with his son’s grades. He thinks about whether or not he should warn Tom about various temptations he might experience at school, but he decides not to because Tom is still just a boy, and he thinks he wouldn’t understand.

Tom takes a stage coach by himself to school, nervous about what the school will be like but excited about the the experiences he is about to have. When Tom arrives at Rugby, a more experienced student, Harry East, helps Tom get settled and acts as a mentor to Tom about school life. East’s aunt is an acquaintance of Tom’s family, and she knew Tom would be coming to Rugby, so she asked East to hemp Tom. He explains the school grounds and uniform pieces to Tom, describes student activities and sports to him, and answers his questions.

Tom loves sports and is eager to play Rugby football, but East tells him that he won’t be able to play until he learns the game. Football is different at Rugby, and it’s a much rougher game than other schools play. East says players often get hurt and break bones. There is a match that day, and Tom finds it exciting to watch, especially since their house wins! After the match, East says that he doesn’t have any allowance money right now, so Tom buys some food they can have for tea, and they share some of it with some of the other boys from their school house. Tom starts making friends with the other boys, and they all talk about the match together.

After tea, East says that it’s time to join their house for singing. Tom is surprised, but East says that group singing among the students is a regular school activity. There are also speeches from other students at the school singing. Today’s speech is about their house’s victory at the football match. One of the students speaking, Brook, praises the players and congratulates them for their victory on behalf of the house, with all the other boys cheering. He says that their house won the match because their house has the best house spirit and team spirit, and they know they can depend on each other. However, he also issues a warning to the students about bullying in the house. Some of the older students have been picking on the younger ones. He doesn’t want to encourage tattling among the students, and he says that learning to deal with bullies is a valuable skill that makes a boy tougher, but at the same time, bullies are cowards, they encourage cowardly behavior among others, and they break up house spirit and bonds of teamwork among the students. He cautions everyone that too much bullying and allowing bullying to continue will destroy the house spirit that helped them win today, so if they want to continue winning and enjoying house victories, they’d better cut it out. Some of the younger students look at the older students have been doing the bullying, especially a boy called Flashman.

Brook also cautions the other students against drinking in the local pubs and talks to them about their new headmaster. Some of the students haven’t been happy with him because he’s changing some of the school customs. Students have been grumbling and would like to see the new headmaster gone, but Brook points out that Brook isn’t going anywhere and that the “customs” he’s been changing have been destructive pranks and other habits that were also causing problems. The new headmaster hasn’t touched some of the customs that really matter to the students, like their sports, and in fact, the headmaster was also watching the match today. There are mixed feelings among the boys at this part of the speech because they like the idea that the headmaster, who they call “the doctor”, was watching the match, but at the same time, the boys don’t really know him or trust him yet.

The author notes that the new headmaster found the school in a state of disorder and mismanagement when he took his position, and the changes he’s been making are about restoring order to the school. The boys, not knowing the difference between a more orderly and well-managed school and the one they got to know when they first arrived, don’t appreciate the doctor’s wisdom of kindness yet. Tom first encounters the doctor when he leads the students in prayers.

Before bed, Tom and the other younger boys meet with some bullying from Flashman and Flashman’s cronies. Some of the other boys are terrified, but Tom and East allow themselves to endure the bullying, being “tossed” by the older boys so the other boys will be spared. The other boys are grateful to them for this, so they start to hold Tom in high regard.

This eventful first day is a good introduction for Tom about what life at Rugby School will be like for him. Sports, bullying, pranks, fighting, camaraderie among the other students, singing, speeches, and the new headmaster are going to be major themes for him in his education. Like other younger students, Tom has to act as a servant and do chores for older students, part of a tradition called “fagging” (more about that below in my reaction). Tom does well in his classes at school because he has already had a good grounding in his subjects, and he is generally positive about his life at school, in spite of the bullying. He loves participating in the school sports and physical games, like Hare and Hounds.

However, things do get harder for Tom at school. Because he is doing so well at his grade level, he is quickly promoted to the next. When he gets there, with some of his new friends, like East, Tom becomes less studious and more unruly, like the others. Also, the older boys who were trying to set a good example for the others and protect the younger students from the bullies graduate from the school, leaving bullies and less conscientious students as the senior students. The bullying gets worse, and as Brooks had predicted, it breaks the spirit of teamwork in Tom’s house. The students in the house start dividing into factions of bullies and bullied, the younger students against the older.

The younger students get increasingly resentful of the ill treatment and bullying of the older students and start getting rebellious against the system of “fagging” at the school, with Tom and the others declaring that they simply won’t serve the older students anymore. When students like Flashman the bully call for them, they just pretend they don’t hear and refuse to answer them. Flashman and the others try to physically break into Tom and East’s room when they refuse to come, but Tom and East barricade themselves inside. Their success against the older students encourages other students to rebel. Tom considers going to the headmaster about it, but the others discourage the idea. None of the students want to go to the schoolmasters unless absolutely necessary because the students think that the right thing to do is to work out their own problems with each other.

Diggs, one of the older students who is nicer tells the others that, when he and Flashman were younger students, the students in their grade also rebelled against the older students to teach them not to bully them, but Flashman didn’t rebel with the others. Instead, he ingratiated himself to the older students, continuing to serve them and bribing them with treats he got from home. He has evaded discipline and consequences for his behavior by making himself into a useful toady for the students with more authority. Now, Flashman and his cronies increasingly bully the younger students and use physical hurt to subdue them. The younger students retaliate against them with pranks. Tom and East become Flashman’s particular enemies because they live close together in their house and because Tom and East started the rebellion and have been open and accurate in their criticism of his cowardice, refusing to be subdued by the beatings he gives them.

Matters with Flashman come to a head over a lottery, when Flashman pressures other students to turn over their tickets to him. Tom refuses to part with his, and Flashman and his cronies beat him and burn him, hurting him so badly that Diggs intervenes, worrying that they might kill Tom. Diggs shows Flashman to be a coward when he confronts him over the incident and hits Flashman, but Flashman doesn’t fight back because he’s afraid of getting hurt himself. This doesn’t end Flashman’s aggression against the younger boys, and when he starts getting worse again with Tom and East, Diggs urges the two boys to gang up on Flashman. For them to fight him singly wouldn’t be a fair fight because Flashman is several years older than they are and bigger, but Diggs considers it fair for both of them to stand up to Flashman at once. To Flashman’s shock, the two boys do gang up on him. He’s much bigger than they are but not as good at fighting and pretty cowardly about fights where he doesn’t have some obvious, overwhelming advantage. Tom and East win the fight, giving Flashman a cut on his head that bleeds. At first, Tom and East are worried about whether they’ve hurt Flashman badly, but Diggs has a look at the wound and tells Flashman off for being dramatic about how hurt he is. Flashman has only skinned his head a little, and he’s done much worse to the younger boys. Flashman never physically fights the boys again. He eventually leaves the school, being sent away by the headmaster after he becomes disgracefully drunk at a nearby pub one evening. The headmaster was already displeased with Flashman, and this was the last straw. The younger boys are glad to see the bully gone, although some of the older students bear some resentment against the younger ones for their rebellion and their triumph over someone from their level.

Tom and East are emboldened by their victory and for moving up at school, and they become regular rule breakers. They never consider the justice or reasons behind school rules, taking them more as challenges. They get into trouble for trespassing on someone else’s land to go fishing, and the land owner’s gamekeeper brings Tom before the headmaster. Later, Tom and East climb onto the roof of the school and carve their names on the minute hand of the school clock. They are caught because they accidentally change the time on the clock, and when someone investigates why the clock is wrong, finds their names.

Later, they sneak into town against the headmaster’s orders and get caught. They are both taken before the headmaster for this, and they receive floggings for their stunts. The headmaster also gives them a lecture about the dangerous nature of some of their stunts, pointing out that they could have fallen and broken bones from the clock stunt. He points out that they never think about the reasons why rules exist, thinking of them only as whims of the schoolmasters, which isn’t the case. The rules exist for good reasons, and they apply to everyone at the school, including Tom and East. The headmaster says he doesn’t want to keep giving them floggings for their stunts, and if they can’t gain some maturity and reform their behavior, he’ll send them both away from the school. Tom and East are shocked because they never thought that they might have gone far enough to risk their positions at the school. They love their lives at the school and don’t want to be sent home in disgrace. The headmaster tells them to think about their futures at the school seriously when they go home for a term break.

Privately, the headmaster has a word about the boys with one of the other schoolmasters. The headmaster is concerned that, if they continue their irresponsibility and recklessness, they will fail their studies, get into some really serious trouble, and possibly turn into thoughtless bullies of the younger children as they get older. The other schoolmaster acknowledges that they are not the best students and they are a problem, but he thinks that they’re not really bad boys and could still be turned into decent young men. He says to the headmaster that what these boys need is something to give them a sense of responsibility and suggests making each of them responsible for a younger boy at school. Protecting a new boy from the older bullies could settle them and make them more serious and responsible and prevent.

When Tom returns to school for the next term, he expects that he and East will be allowed to share a room and study, which is something that they’ve hoped for. They’ve been making plans for all the ways they can have fun and goof off in their own space. Instead, the school matron introduces Tom to a new boy who will be sharing his room and who will be Tom’s responsibility. George Arthur is a pale, timid, skinny boy, and Tom can see that he’s just the sort of boy who would be picked on by the others. Tom is annoyed at having his plans with East spoiled, but the matron stirs his sense of sympathy by telling him that George Arthur’s father is dead and that he has no brothers. Tom can see that young Arthur will probably be made miserable at school by bullies unless someone stands up for him and teaches him how to handle life at school, so he agrees to take responsibility for him.

The schoolmaster is correct that looking after little George Arthur changes the way that Tom looks at himself, his fellow students, and his education. The change starts when Arthur says his prayers openly at night, getting him a teasing from the other boys, who take any sign of weakness or sentiment as an opportunity for teasing. Tom defends Arthur from them. He also feels a twinge of shame because he remembers, for the first time in a long time, that he had once promised his own mother that he would always say his prayers at night, and he has become neglectful about this, specifically because he wanted to avoid the teasing or bad opinion of the other students. It shames Tom a little to think it, but he realizes that, although Arthur may be physically weaker than he is, he has displayed more moral courage than Tom has simply by saying his prayers, regardless of what the other students think.

Looking after Arthur gives Tom a sense of responsibility, as the schoolmaster hoped, and Tom appreciates feeling like he has a purpose. He enjoys seeing timid Arthur beginning to develop as a student and start to make a new friend on his own. However, Arthur also has things to teach Tom. Tom’s friendship with Arthur helps his own personal development and causes him to consider sides of himself he hasn’t thought about much. As Arthur opens up more to Tom, he explains that he is serious about religion because his late father was a clergyman. When he was alive, his father used to read the Bible with him. Inspired by Arthur’s example, Tom becomes more serious and starts exploring his religious side, although he takes some teasing and criticism from the other students over this budding sentimentality and defense of little Arthur. Tom and East start participating in Bible readings and study with Arthur, considering some of the deeper questions of life and religion that they’ve never considered before. They begin to think even more deeply about life and death when a disease spreads through the school. Arthur becomes ill and another boy dies. Tom is relieved when Arthur recovers, but his near death and the other boy’s death cause Tom to really consider life and death seriously for the first time.

As Tom develops a deeper understanding of life and religion, he finds himself a little at odds with East, who still doesn’t take life seriously. Fortunately, the two of them respect each other enough as friends to talk about their views seriously with each other. Tom doesn’t consider himself as knowledgeable about the subject or as good as explaining it to others as Arthur, but through their conversation, East realizes that he does actually care about the subject and goes to talk to the headmaster about his feelings and about confirmation. The headmaster’s kind understanding and reassurance is an inspiration to the boys, and they come to respect him, although Tom doesn’t fully understand the headmaster and what he’s done for the boys until he is a young man.

At the end of the story, Tom is with some college friends when he hears that the old headmaster has died, and he feel compelled to visit Rugby School again to pay his respects and reflect on his old headmaster.

The book is now in the public domain. It is available to read for free online through Project Gutenberg and Internet Archive (including an audiobook version). Tom Brown’s School Days has been made into movies and tv films and miniseries multiple times. There is also a sequel to this book called Tom Brown at Oxford, which focuses on Tom Brown’s university experiences.

Although it was not the first book set at an English boarding school, this 19th century book is famous for being the book that popularized the trend of British boarding school stories, which has continued for over 150 years since! There are also references to this specific story in other books, and I have to admit that it gave me a giggle to recognize the scene that Terry Pratchett parodied in his novel Pyramids. The story is semi-autobiographical, based on the experiences the author, Thomas Hughes, had when he attended Rugby School as a boy during the 1830s. There is now a statue of Thomas Hughes outside the Rugby School Library.

The headmaster in the story is only called “the doctor” for most of the story, until the very end, when Tom learns of his death and his last name is given as “Arnold.” Tom’s headmaster is based on Thomas Arnold, who was the real, historical headmaster of Rugby when the author of the book was a student there himself. The real Thomas Arnold did die suddenly of a heart attack at age 46 in 1842, and this book is an homage to his memory as well as the recollections and thoughts of the author on the subject of education. The real life Thomas Arnold did reform the habits and organization of Rugby School, like the headmaster in the story, focusing on the religious and character development of students and creating a system of prefects called “praepostors” as student monitors, something that is referred to in the story. Other British boarding schools copied and built on his ideas and practices. (Added fun fact: Thomas Arnold was the great-grandfather of the author Aldous Huxley, known for Brave New World.)

The book requires some patience for modern because the author spends some time setting the scene and explaining the background of Tom’s family and early childhood before really getting into the story. Part of the reason for that is that the author, Thomas Hughes, based the story on his own childhood and youth, and he spends some time comparing the childhood and conditions of life in young Tom’s time with life at the time he wrote the story.

Hughes admits that he doesn’t like the direction the social situation has been heading in his time, and he feels that his time period is at a changing point. He sees many of the old ways of life falling aside, and he partly blames the new upper classes, who take advantage of the working class, using them to enrich themselves (“buying cheap and selling dear”). He’s describing an increasingly industrialized and urbanized society with a significant wealth gap between the wealthiest members of society and the working class, which was characteristic of Victorian society. Hughes notes that some members of the upper classes profess to be trying to reform the lower classes, but the author says they don’t really understand the working classes at all. There is part of the story, early in the book, after he describes young Tom’s experiences at a local fair, where he delivers a lecture to the younger members of these rising upper classes on the subject. Hughes was a social reformer in the Victorian era, so he has many thoughts about how to improve society and a pretty accurate understanding of social conditions during his lifetime, and he works them into the story of Tom’s education.

It’s interesting to see Thomas Hughes’s descriptions of Rugby School and boarding school life and education in the 1830s. I’ve never been to a boarding school before, and neither have most of the other readers who enjoy boarding school stories. It’s getting to see a type of school that most of us will never attend that makes stories of this kind fascinating. Seeing them as they looked in the past is especially fascinating. I’ve read other books and seen documentaries about boarding schools in Britain, and it was interesting to note the aspects of school life that are the same or different from what someone might encounter in a modern school. From what I’ve learned about British boarding schools, extracurricular activities, like sports and singing, are still major features of British boarding schools that have stood the test of time. However, modern schools have cracked down on bullying and abuse from older, higher level students.

A couple of words that appears in the story, “fags” and “fagging” sound like derogatory terms from modern times, but it has nothing to do with homosexuality in this context. “Fagging” was a tradition at British public schools of this time and earlier, where senior students used younger students as servants, giving them menial chores to do. The “fags” described in the story are younger students, who are described as performing various tasks, like fetching things for the older students, cleaning, carrying messages, or arranging furniture for singing. The problem with the tradition of fagging was that it often led to bullying and abuse of younger boys at the hands of the older students, and this is something that’s addressed in the story. The bullying and abuse associated with this tradition is what led to the end of the tradition in modern times.

There are also other student habits which would seem odd by modern standards, including some which would definitely not be allowed for boys of this age. The students at the school are about 11 to 19 at the oldest, but they routinely drink beer, even the younger boys, although I think it’s probably a weak version. The ways the students are treated with regard to money and how they spend their money are also odd by modern standards. Their allowances may be withheld from them as a punishment. There are times in the story when students in need of money auction off some of their own belongings, a subject that appears in A Sweet Girl Graduate, although the boys don’t get in trouble for this as the girls in A Sweet Girl Graduate did. The older boys also impound the allowances of the younger boys for a lottery at one point, using the funds to purchase sweepstakes tickets on a horse race. The younger boys are not consulted about their participation in the gambling, and the only problem that arises from it is when Flashman tries to bully them out of their tickets to get ones he thinks are likely to win.

As the author reflects on his time at school, his experiences with friends and classmates, and the inspiration of his old headmaster, he also offers advice to other boys and his thoughts on what it means to be a man and to take charge of ones own development. I don’t think modern parents and teachers would agree on all of his advice, but he makes it clear what experiences from his school days have led him to believe what he does about how boys and men should conduct themselves.

At one point, he says that he has no problem with the idea of boys fighting with each other because he sees fighting and struggling as just part of the role of men in life. He says his only concern is whether or not they’ve chosen the right side to fight on. Flashman serves of an example of how bad people can actually be quite popular, at least among their cultivated cronies, and are often supported by the social system or know how to use the system to their advantage. The author warns other boys not to see another person’s popularity or social position as a sign that they are good people or that they are in the right in a situation because the opposite is very often true. What is good and right is independent of popularity, power, and money and is determined by other factors. He admits, through the character of Tom, that he has developed a soft spot for underdogs and says, even if you think the underdog is wrong in his beliefs, he shouldn’t be scorned but respected for his willingness to fight for what he believes, even knowing that he doesn’t have popular support.

At the end of the story, when the headmaster dies, the character Tom despairs because, although he has moved on from Rugby School, and he realizes that many of the boys who are there now don’t know who he is and wouldn’t recognize him as one of them, the headmaster was a guiding light in his life and spiritual development. He still feels ties to his old school and headmaster because his time there and the headmaster’s influence set him on the course for his life and development. The author reflects that Tom the character was still someone self-centered at this age, and in the first shock of hearing about the headmaster’s sudden death, he thinks of the loss of the headmaster as a personal loss that no one else would understand. However, when he returns to Rugby and thinks about it further, he realizes that he is not the only one whose life was touched by the man, remembering that he left behind a wife and children and that the headmaster cared about all of his students and influenced them all in different ways. Tom the character sheds some of his self-centeredness and realizes that it’s time to move on in his life. The author also says that there is a flaw in looking to mortal men, even the kindest and greatest among them, as the ultimate source of guidance because no mortal man lives forever. Tom the character will tend to his own spiritual development from this point forward and look to God Himself for guidance. In this way, it seems that young Tom the character has developed into the kind of young man his father wanted him to be in the beginning, making his education successful.

Before Tom learns of the headmaster’s death, he discusses his future ambitions with an old schoolmaster, saying that he wants to make a difference in the world as well as earn a good living. The schoolmaster cautions him to be certain of his priorities and know which of those two goals is more important. There are many people who spend their lives making money but do nothing of lasting importance for the world and other people, and there are many people who do good in the world without making much money. If Tom focuses too much on making money, he may sacrifice the goal of doing good in the world, so he needs to remember what he really wants to accomplish in his life and what he wants to prioritize.

Thomas Hughes went to Oxford after his time at Rugby School, like his character, and he became a lawyer, social reformer, and member of Parliament as well as a writer. Among his books are books about religion and the nature of manliness. The themes of Tom Brown’s School Days really were the themes of his life, and he genuinely means the advice that he offers to young men in the story.

Madeline in London

This book is part of the Madeline series about a little girl at a small boarding school in Paris. The son of a Spanish Ambassador, Pepito, lives next door to the girls. He’s a menace to them at first, but the girls make friends with him. However, in this book, Pepito moves to London because his father has been relocated for his job.

When Pepito and his parents go to London, Pepito is unhappy there because he’s lonely for Madeline and the other girls from the boarding school. With Pepito growing thin and depressed from his unhappiness, Pepito’s father arranges for the girls from the boarding school to visit for Pepito’s birthday to cheer him up.

When Miss Clavel and the girls arrive in London, there’s a happy reunion, but then, they remember that they didn’t bring Pepito a present for his birthday. Madeline remembers that Pepito has always wanted a horse, and they find an old, retired army horse who is still healthy and gentle.

However, when they give the horse to Pepito, they quickly discover that there are complications to owning a horse as a pet. The horse hears a trumpet, and reacting to his army training, he runs off with Pepito and Madeline on his back to join a parade.

Then, they forget to feed him, so he eats everything in the garden, making himself sick. It seems like the embassy in London is no place for a horse, but Madeline and her friends may have room for one at their school!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Giving someone a horse for a present without checking with their parents or making sure that they have what they need to take care of a horse isn’t something that people realistically do, but the Madeline books rarely worry about the practicalities of a situation. It’s all fun and adventure!

I was seriously worried about the horse after they forget to feed him and he helps himself to random plants in the garden, especially when they find him with his feet up in the air. Fortunately, everything works out okay, which is characteristic of Madeline books, too. How the trustees of Madeline’s school will react when they find out that the girls now have a pet horse, since they raised a fuss earlier about the girls having a dog, is anyone’s guess, but the story doesn’t worry about that, either.

Like other books in this series, the pictures in the book alternate between limited color images, mostly in black and yellow, and full color images.

Madeline and the Bad Hat

Madeline is a little girl at a small boarding school in Paris. The Spanish ambassador moves into the house next door, and the girls at the boarding school get to know his son. However, his son, Pepito, is a wild boy who Madeline starts calling the “Bad Hat.” He teases the girls, scares them by playing ghost, and worst of all, is cruel to animals.

However, Pepito is actually lonely, and he wants the girls’ attention. He tries to win them over by being polite and doing things to impress them. Unfortunately, his idea of what impresses people can be horrific, like building a guillotine for the chickens the cook will prepare and playing practical jokes.

One day, he goes way too far and tries to release a cat into a pack of dogs! The cat tries to evade the dogs by getting on top of Pepito’s head, so the girls and Miss Clavel have to rescue both the cat and Pepito himself from the dogs!

Because Pepito has now gotten hurt himself by one of his pranks, he swears to Madeline that he’s learned his lesson, and he won’t do anything to hurt another animal. He even decides to become a vegetarian!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I didn’t remember much about this book from when I was a kid. I vaguely remembered that Pepito was a troublemaker who played pranks and teased the girls, but I didn’t remember that he was cruel to animals. Actually, I was kind of horrified by the guillotine for distressed chickens and the cat that he attempted to feed to the dogs.

Pepito only learns his lesson when he gets hurt himself and discovers what it’s like to be on the receiving end of pain. I didn’t mind him showing off a bit or playing pranks like dressing up like a ghost. The cruelty to animals part, though, I found distressing, even as an adult. I don’t think I’d read this book again because of that.

Madeline’s Rescue

The Madeline stories are considered children’s classics, and this is one of the best-known books in the series. It starts out much like the first book in the series, introducing the old house in Paris where Madeline and her classmates stay for boarding school and describing how brave Madeline is. However, at the part that explains that Madeline knows how to frighten their teacher, Miss Clavel, Madeline falls from a bridge over the river while she’s trying to walk on the edge.

Fortunately, Madeline is saved from drowning by a dog that jumps into the water to save her. Miss Clavel and the other girls take Madeline and the dog back to the school, dry them off and put them to bed. The girls keep the dog and name her Genevieve. Genevieve is a smart dog, and soon, she’s a very pampered and happy pet.

However, when the trustees of the school come for an inspection, they raise a fuss about the girls keeping a dog in the school and turn Genevieve out! The girls are very upset, so they immediately go out and search for Genevieve.

Fortunately, Genevieve returns, and there is a surprise for the girls that finally settles all the arguments they’ve been having about whose bed the dog will sleep in that night!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

As with the other books in the Madeline series, the beginning of the story echoes the first Madeline book, but this one expands on Madeline’s habit of walking on the edge of the bridge and frightening Miss Clavel, showing that Miss Clavel has reason to worry about Madeline’s stunts.

I remember reading this book when I was a kid and being really worried about what would happen to the dog, Genevieve! I always loved dogs, and I was worried about her when the trustees turned her out of the school. After Genevieve returns to the school, there’s no follow-up on how the trustees react and whether or not they approve of her and her puppies staying at the school, but it seems like everything will be okay. With plenty of puppies for the girls at the school, they no longer fight about who gets to sleep with Genevieve or give her attention. Staying at a boarding school where every girl gets a puppy of her own to look after would be a dream for many girls!

Something I noticed in this book is that the style of the pictures varies between cartoon style in black and yellow and a more impressionistic style with full color. This is also true in other Madeline books. The more colorful pictures tend to show more emotional or dramatic moments.

Madeline

“In an old house in Paris
that was covered with vines
lived twelve little girls
in two straight lines.”

The Madeline stories are considered children’s classics today, and these words, which are the opening lines in other books in the Madeline series, introduce Madeline’s school. Madeline is a little girl who lives in a small boarding school in Paris, tended by Miss Clavel.

Madeline is the smallest girl at the boarding school. She’s a brave girl, who isn’t scared of either mice or lions at the zoo, and she sometimes does daring stunts that frighten Miss Clavel.

One night, Miss Clavel wakes up because Madeline is crying. She calls the doctor, who examines Madeline and rushes her to the hospital because she needs to have her appendix removed.

After the operation, Madeline has to stay in the hospital for a while. Miss Clavel brings the other girls from the school to visit her, and they are impressed by all the candy and presents that Madeline has received from her family. Even more impressive, Madeline now has a scar that she shows to the other girls.

After the other girls return home and go to bed, Miss Clavel wakes up to find them all crying. Madeline has made having her appendix out look like so much fun, they all want to do it!

I wouldn’t say that I was a particular fan of Madeline as a kid, but I did read at least some of the books in the series. As an adult, I had forgotten that they were told entirely in rhyme, even though I still sometimes get those opening lines stuck in my head.

I remember thinking as a kid that I wouldn’t want to have my appendix out! Even if you get presents and an impressive scar, having an operation always sounded awful to me. It didn’t occur to me until I was older, but the Madeline cartoons and movie tended to portray Madeline as an orphan, but she isn’t. She’s just a student at a small boarding school. This book is one of the stories that mentions her family, with her papa sending her a dollhouse as one of the presents she receives while she’s in the hospital.

I also didn’t realize, until I was researching this series for the blog, just how old the first Madeline book was. It was originally published in 1939, on the eve of WWII. I don’t think the books ever have anything in them to tie the stories to any particular events, and they seem almost timeless, although I suppose that the girls’ school uniforms are a little old-fashioned. This timeless, idealized portrayal of Paris was popular with the book’s original audience of Americans during WWII.

I was curious about the author, Ludwig Bemelmans. He was born in Austria and grew up in Austria and Germany during the late 19th century and early 20th century. As a young man, he was apprenticed to his uncle, who owned a hotel, but Bemelmans was difficult to manage and got into trouble while working there. He later told a story about shooting and wounding a headwaiter who whipped him, although that might have been just a tall tale. Eventually, however, his uncle decided that he couldn’t deal with him, so he told him he would either have to go to reform school or go to the United States, where his father was living after having left him and his mother years before. He moved to the United States and lived there during WWI. He spent some time working in a series of hotels and restaurants. He eventually joined the US Army in 1917, although they wouldn’t send him to Europe because the US was at war with Germany, and he was German. He became a US citizen in 1918, and he developed an interest in art. He worked as a cartoonist before writing and illustrating children’s books. He wrote the first seven of the Madeline books, and the last one was published after his death. Since then, his grandson, John Bemelmans Marciano has written other Madeline books.

Carmen Learns English

Carmen is in kindergarten and has been learning English at school. Her little sister, Lupita, will start school next year, and Carmen thinks about how she wants Lupita to learn English before she starts school. The family is from Mexico, and the girls speak Spanish at home.

School hasn’t been easy for Carmen because the other kids don’t speak Spanish. They all speak English, and they speak fast, which makes it difficult for Carmen to follow their conversations. It helps that her teacher knows some Spanish. Her teacher’s Spanish isn’t very good, but in a way, Carmen finds that comforting because her teacher will understand if her English isn’t very good, either. People who are learning another language understand what it’s like when someone else is learning, too.

Carmen gradually learns new English words at school. When she gets home, she draws pictures of what she’s learned and teaches her mother and little sister the English words. At first, Carmen is too shy to say the words out loud at school because she isn’t confident about how she’s saying them, but she practices at home.

Sometimes, kids at school give Carmen a hard time. Some kids think that she talks funny. When she counts in Spanish instead of English, they think that she’s saying the numbers wrong. Her teacher helps by teaching all the class to count in both Spanish and English, so all the students will learn both languages. Carmen helps to teach the other students words in Spanish, and when she gets home, she teaches Lupita the English words that she has learned.

Because Carmen has been helping Lupita to learn English, Lupita will have an easier time at school than Carmen had when she started. Carmen realizes that she really likes teaching, and she thinks that she might like to be a teacher herself someday.

I thought this was a good story about a child starting school while having to learn a new language at the same time. My mother used to teach English language learners, and she liked the story, too. She said it reminded her of some of the students she used to teach.

I thought that the teacher’s approach, having Carmen teach the other kids some Spanish while she was learning English was a good idea. Some of the other students find Carmen a little strange and confusing at first because they don’t understand the way she speaks, but when they start trading words in different languages, they all start to understand each other better. The other students begin to understand the concept that people can speak in different languages and that there can be different words that mean the same thing, depending on the language they’re speaking. I think it also helps them start to identify with Carmen because, like her, they are also starting to learn an unfamiliar language. As I said, people who are learning a new language or who have studied another language before can understand the difficulties of now always knowing all the words they want to say or exactly who to say them and can sympathize with other people who are also learning new languages.

I also liked it that Carmen realizes that, if she helps her sister to learn some English before she starts school, her sister will have an easier time. She has compassion for her sister because of her own experiences and wants to make things easier for Lupita. By helping both her sister and her fellow students, she also learns that she likes sharing what she knows with other people. She discovers that she likes teaching and might want to be a teacher herself someday.

I read this book as an adult because it’s a relatively new book that didn’t exist when I was a kid, but it reminds me of another book that I did read as a kid, I Hate English, which is about a girl from China learning English. The Chinese girl has some similar troubles learning English and feeling uneasy around people who don’t understand her, although she also struggled with the fear that she would lose her native language or cultural/personal identity by learning a new one. Carmen doesn’t mention that in this story, but some of my mother’s old Spanish-speaking students had that worry when they were learning English, too. Perhaps part of the reason why Carmen doesn’t feel like that is because her teacher encourages her to teach the other students some Spanish, giving her the opportunity to keep speaking it from time to time and share the language with others. In a way, this story was closer to my experiences when I was younger because Carmen is like the kids my mother used to teach and because Spanish is what I studied in school myself.

Thank You, Mr. Falker

When little Trisha turns five years old, her grandfather introduces to her to reading in the same way he has done for other children in the family, with a taste of honey on a book, to remind her that knowledge is sweet. Trisha already loves books because her mother reads to her every night, and other members of the family also read to her. She’s looking forward to learning to read herself.

However, when she starts going to school, she finds that she has trouble learning to read. She likes drawing, and other kids at school admire her drawings, but for some reason, she struggles at deciphering the letters that other kids seem to learn so easily. When she looks at writing on a page, everything looks like wiggling shapes, and she has trouble figuring out what sounds they’re supposed to make. Other children move forward with their reading lessons, but Trisha struggles and starts to feel dumb.

Trisha asks her grandmother if she thinks she’s different from the other kids, and her grandmother says that everyone is different and that’s “the miracle of life.” Trisha asks if she thinks she’s smart, and her grandmother says she is. That makes her feel a little better, but why can’t she read like the other kids?

Trisha continues to struggle in school, even after the family moves from Michigan to California. She is in third grade at that point, and other children insult her and tease her when she struggles, and Trisha feels dumber than ever. She spends more time drawing and daydreaming, and she starts hating school, sometimes pretending that she’s sick so she won’t have to go.

Things only start to improve for her in fifth grade, when she gets a new teacher, Mr. Falker. Mr. Falker doesn’t cater to the teacher’s pets like other teachers do, and he notices Trisha’s artistic talent and praises her for it. He also stops the other kids from teasing Trisha in class when she struggles, although one boy, Eric, continues to bully Trisha terribly and get other kids to gang up on her when the teacher isn’t looking until Mr. Falker finally catches him.

Mr. Falker works with Trisha to improve her reading and reassures her that she is not stupid. He realizes that the reason she has struggled with reading is that Trisha doesn’t see letters the way other kids do, and he points out that she’s actually been clever in the way she’s managed to hide just how much she’s been struggling all this time.

Mr. Falker introduces Trisha to Miss Plessy, a reading teacher, and the two of them work with her to develop techniques that improve her reading skills. Gradually, Trisha begins to make real progress, and she begins to feel the sweetness of knowledge that her grandfather talked about.

The book is available to borrow and read for free online through Internet Archive.

The end of the book explains that the story is autobiographical. Patricia Polacco was the Trisha in the story, and she did have trouble learning to read until the read Mr. Falker realized how she was struggling and helped her. At the end of the story, the author says that she met Mr. Falker again years later and thanked him, telling him that she can become a children’s author.

There is a difference between real life and the story, though. In the book, Trisha is in the fifth grade when she gets help with her reading, but in real life, Patricia Polacco was apparently 14 years old and in junior high school. The book doesn’t say exactly what the cause of Trisha’s learning difficulties is, but she is apparently dyslexic, based on the description and because Patricia Polacco was dyslexic in real life.

I enjoyed seeing this part of the author’s childhood, although I found the part with the school bullies stressful. I do think it was important to include that part, though, because that can be part of the experience of children who struggle in school. Although Eric is an obvious bully in the story, the other kids also make Trisha miserable with their teasing and insults. It occurred to me that they may not all think of themselves as bullies, but at the same time, a person doesn’t have to think of themselves a bully in order to be one. Bullying is a behavior, and it exists independently of self-identity. Part of me wondered, if the girl and the teacher in the story are both real, were the bullies also real, and if so, did any of them ever read this story and recognize themselves? Maybe some did, and maybe they didn’t. Maybe not all of them would even care, if they had.

Regardless, I do think stories like this can be useful as a preemptive measure against bullying by showing kids how their behavior can affect other people and what may be going on in the life of a person they’re teasing or bullying. While I’m sure that everyone thinks of themselves as being the heroes of their own story, I think people sometimes need a reminder that, at the very same time, they are also supporting characters in everyone else’s story, for good or bad. In a way, we’re all self-casting in every story we’re in by the ways we choose to act as we go through life’s story in general.

The bully antagonists aren’t really the main focus of the story, though. They act as further obstacles to the problem that Trisha is trying to solve, but ultimately, the story is really one of gratitude toward the teacher. Part of what the teacher does for Trisha is to shut down the bullies so Trisha can focus on what she needs to learn and he can focus on helping her. Even more importantly, Mr. Falker helps Trisha to see that she is smart and capable. It takes a little more work for her to make progress than others because she has a condition to overcome, but with a little help, she can do it. It really opens up a whole new world for her, and she finally gets to taste that sweetness that comes with knowledge.

I’ve heard of the tradition of giving children a taste of honey before they begin their lessons. When I was a student, I thought I remembered a teacher mentioning this tradition to us as a Greek tradition. It might be, although when I tried to look it up, I couldn’t find anything about Greece. I found references to it as a Jewish tradition, which would make sense for Patricia Polacco’s family.

Patricia Polacco’s real-life grandmother also appears in the story, the same grandmother who appears in another of Polacco’s books, Thunder Cake. Her grandfather wasn’t present in that story, but he is in this one. Both of the grandparents are mentioned as dying before the story ends.

The Haunted Clock Tower Mystery

Boxcar Children

Grandfather Alden is attending a reunion at his old college, Goldwin University, and he brings his grandchildren with him so he can show them where he went to school. The children are fascinated with the beautiful campus, especially with its clock tower. Their grandfather and Ezra Stewart, who works at the college and is responsible for maintaining the clock tower and playing its carillon bells. Ezra demonstrates to the Aldens how the carillon bells work, and he also shows them the smaller training keyboard, where he has trained his assistants. Ezra plays concerts for the campus on the carillon bells, but he gets irritated with his new assistant, Andrea Barton, because she never puts his music back where it belongs.

The Aldens run into Grandfather Alden’s old college roommate, Joel Dixon, who is also there for the reunion. Joel brought his son Don with him because Don has business in the area, and he’s been interested in the college since he started reading a book about it. At dinner, they also meet Grandfather Alden’s old history professor, Julia Meyer, who says that she’s working on a special project, but is mysterious about it.

That night, Benny sees a light in the clock tower. Ezra insists that nobody goes into the clock tower at night, and Benny wonders if it could be a ghost! Then, someone sabotages the carillon. Was it the mysterious night visitor, and if so, who could it be and why?

When the children look at the book Don has been reading, they learn that there may be a secret hidden treasure on the campus that dates from the Civil War. Is their mysterious “ghost”, looking for it, too? Is Don the one searching for the treasure, or is could it be the history professor or maybe Ezra’s new assistant?

The book is available to borrow and read for free online through Internet Archive.

I always like treasure hunt stories, and I enjoyed seeing the Aldens figuring out the clues to find the hidden treasure! They know that someone else is looking for the treasure, too, and I thought at least one person was a really obvious suspect. What I like about this book, though, it’s that it’s one of those stories where each of the potential suspects has something to hide. There isn’t just one person who’s been sneaking around the clock tower at night. Different people have been there for different reasons, not all of which have anything to do with the treasure. Part of the mystery involves figuring out who is doing what in the clock tower and why.

The addition of the carillon to the story is a fascinating and unique feature. I’ve seen carillon bells before, but I enjoyed hearing Ezra describe how they use the training keyboard for practice. I think, for most kids in the target audience for this book, this story be their first introduction to the idea of a carillon.

The Mystery on Stage

The Boxcar Children

Boxcar Children Mystery on Stage play announcement

Jessie decides that she wants to try out for a part in a local stage play of The Wizard of Oz. She wants to try for the role of Dorothy, but many other girls also want that part. A spoiled rich girl named Melody is sure that she will get the part because she’s had professional training, and her mother is very pushy. Another girl, Sarah, ends up getting the role by giving an excellent, heart-felt performance. However, Jessie gets the role of the Cowardly Lion, and Melody is offered the role of the Scarecrow. Melody is very upset about not getting the role of Dorothy, but she takes the role of the Scarecrow anyway. The other Alden kids also help out with the play in various ways, like building scenery and making costumes.

Boxcar Children Mystery on Stage threatening message

Soon, strange things start happening at the theater. Someone calls the play’s director and threatens that something bad will happen if he directs the play. Then, someone crosses Sarah’s name off a casting list and writes a note saying not to go on with the program. Props are stolen, a costume is destroyed, and lettering on a poster is changed. So many things are going wrong, people are starting to wonder if this play is going to happen after all.

Who could be responsible? Was Melody so upset about not getting the lead that she or her mother have decided to sabotage the whole play? Could the grumpy actor playing the Wizard have a reason to want to shut down the play? What secrets is Sarah hiding? Why does she seem to disappear suddenly at times? Or could more than one person be responsible for what’s happening? And why does the actor playing the Tin Man never want to remove his helmet?

Boxcar Children Mystery on Stage fallen light

I thought the mystery was pretty good, and the author did a good job of making a number of people look guilty. I had the feeling from the beginning that Sarah didn’t have her parents’ permission to be in the play, and that’s why she seems to run off or disappear suddenly, because they wouldn’t approve of what she’s doing. I was partly right, but it’s more complicated than that, and it’s important to the mystery.

I laughed out low at one point when the Aldens were talking about the grumpy and fussy actor who is playing the wizard, saying how he seems good at his part, but “it’s too bad about his personality.” It sounds like a serious slam, and honestly, there are some times when I’ve had similar thoughts about some people. In a way, though, that’s a sort of secondary theme to the story. There are some people involved with the production of the play who are really difficult to work with. They’re very good at what they do, like how Melody has had acting and singing lessons and does well on stage, but at the same time, they’re also disagreeable, self-centered, or pains to work with.

Boxcar Children Mystery on Stage Dorothy holding bouquet

Another theme of the story is the idea that things that seem like a disappointment can work out for the best. Jessie is a little disappointed at first that she didn’t get the role of Dorothy, but she turns out to like being the Cowardly Lion, and she realizes that she’s actually having more fun with that role than she would have with the role of Dorothy. Melody almost refuses to take the part of the Scarecrow because it isn’t the starring role of the play, but she does anyway. She likes it better than she thought she would, although she still wishes that she had a part where she could wear a pretty dress, like Dorothy.

The Deserted Library Mystery

The Boxcar Children

Mr. Alden tells his grandchildren that a friend of his in a nearby small town, Pete, is concerned about their local library. The town is really too small to support a library, and when the last librarian left, they weren’t able to replace her. The library has fallen into disrepair and is in danger of being torn down. However, the building is old and has historical significance. It might be preserved as a historical landmark, but it needs some cleaning and organizing. Mr. Alden asks his grandchildren if they would be interested in the project, and they say they would. Pete spends part of the year living at his restaurant in town, so the Aldens can use his house while they’re working on the library project.

When they get to Pete’s house, they have to do a cleaning job there because Pete hasn’t been there in a while, and the place seems a bit spooky to them. The library seems a little spooky to them, too, when they begin looking around, but they soon begin finding some significant treasures. The children find a sword hilt from the Civil War along with a letter about the sword being awarded to a soldier by General Lee, but for some reason, the blade of the sword is missing! They children know that, if they can find the sword blade, it would be of great historical significance.

Then, strange things start happening in the library. Food that they bring for lunch disappears, and the kids start feeling like they aren’t along in the building. They search the library and find a 10-year-old boy named Miguel Morales. Miguel explains that his mother is dead and that he heard his father’s fishing boat sank. If his father is dead, he has nowhere to go and is afraid of being put in an orphanage or children’s home. The Boxcar Children sympathize with Miguel because they were once in a similar position, but they also tell Miguel that the situation might not be as bad as he thinks. They don’t know for certain whether Miguel’s father is dead or not. He can’t hide in the library forever, so they invite Miguel to stay with them and help with the library project while they check and see for certain what really happened to Miguel’s father. Henry contacts his grandfather to ask for his help and to see if he can learn anything about Miguel’s father. Mr. Alden agrees to help Miguel and is thrilled to hear about the Civil War sword.

Finding Miguel seems to clear up the mystery of who has been in the library, but the children soon begin to realize that there is a second intruder. The kids find a gray work glove in the library that doesn’t belong to any of them, and Jessie hears someone humming when no one is supposed to be there. Then, someone tries to trap them in Pete’s house by putting a big branch in front of the door, and when they get out and return to the library, they find the place trashed! Someone has thrown all the books around and torn them and turned the furniture over. Later, someone sneaks into Pete’s house at night, while the children are there but asleep, to search the place. Henry is pretty sure that the mysterious intruder is searching for the Civil War sword, the most valuable thing they’ve found so far.

I like the location and set-up of the story. An abandoned library makes a nice, spooky place to have mysterious things happening and people lurking around. Although this book was written by a ghost writer after Gertrude Chandler Warner’s death, it has a lot of the flavor of the original books in the series – opportunities for the Alden children to show off their self-sufficiency and community-oriented volunteer work, another child who is on his own and needs some help, and a mystery that is more adventure in some ways than mystery.

I liked the idea that the kids think they’ve solved the mystery of who’s been lurking around the library when they find Miguel, only to realize that there’s someone else snooping around. It was a little disappointing that we seem to know what the mysterious lurker is looking immediately for because there’s only valuable item associated with the library, and there’s no twist to it. We also don’t really get to to know the culprit as a character outside of his lurking. This isn’t the case that there are multiple people to suspect. By the time we learn the culprit’s identity, we already know him as the culprit. I would have preferred more mystery with a choice of known suspects, but something that does complicate the mystery is also that the antique sword is broken, so the kids have to find the other part of it.

The side plot with the question of whether or not Miguel’s father is alive adds some suspense. Although the Boxcar Children are optimistic that Miguel’s father survived his boat sinking, and Mr. Alden says that he will take care of Miguel, Miguel privately thinks to himself that, if it turns out that his father isn’t among the survivors, he will run away again. Readers are left in suspense because we are told that there were survivors from the boat, but we aren’t told whether Miguel’s father is one of them until the end.