Posted on by TracyC

The Mystery of the Cupboard

The Mystery of the Cupboard by Lynne Reid Banks, 1993.

This is the fourth book in the Indian in the Cupboard series. It’s also the longest book in the series and the one that reveals the most about the history of the magical key and cupboard and how their secrets tie into the secrets in Omri’s own family. It was my favorite book in the series when I was a kid!

Omri’s parents have surprised him by telling him that they’re planning on moving to a new house again. Omri wasn’t exactly happy with their last move, and his room and other parts of their new house were damaged after his last adventure with time travel, when his friend Patrick brought back a tornado with him. However, now that the house has been repaired and he’s settled in, Omri doesn’t like the idea of having to pack up and leave and get used to a new place again. His parents want to move to the country, but it’s not even the area where Patrick now lives. Instead, they’re planning to move to a house that his mother has just inherited.

The house Omri’s mother has inherited belonged to an older cousin of hers she never actually knew. He didn’t leave his house specifically to her; it’s just that he died and left no will, and Omri’s mother happens to be the nearest living relative his lawyers could find. When they finally see the house and find out how much land is attached to it, it turns out to be much better than Omri expected.

There are just two things that concern Omri. The first is the package that he asked his father to store at a bank for him – the magical cupboard and key. Although Omri asked his father to put them in a bank deposit box to keep them safe and prevent himself from being tempted to use them again because it’s too dangerous, he doesn’t like the idea of them being too far away from where he’s living. His father promises to have them transferred to a bank near their new home. The second thing that worries him is that his cat mysteriously disappears soon after they move into the new house. (The cat is okay, she just sneaked away to have kittens.) His parents say that she’s just roaming her new territory and might be a little angry for being moved from her old home and that she’ll come back to Omri once she’s settled in, he still worries about her.

One night, he think he hears his cat crying and goes looking for her. He doesn’t see her, but he stumbles on something that was hidden in some old thatch that fell of the roof of the house. It turns out to be a metal box and a notebook belonging to someone named Jessica Charlotte Driscoll, written in 1950. Omri doesn’t know who she is, but the notebook is a story of her life, in which she describes incredible things happening to her which her family doesn’t believe. Omri wonders if she could be a relative of his, and the name Charlotte reminds him of his grandmother, Lottie. He never knew his grandmother and his mother doesn’t even remember her mother because she died in a bombing during WWII, when she was very young. The woman who wrote the notebook couldn’t have actually been his grandmother because she would have been dead for several years by 1950, but perhaps it was a family name.

Omri questions his mother about the cousin who owned the house and her family’s history. Jessica Charlotte turns out to be the sister of Omri’s great-grandmother, his mother’s great-aunt. Great Aunt Jessica Charlotte was the younger sister of his mother’s grandmother. After her mother was killed in the war, Omri’s mother was raised by her grandmother. Omri’s mother had asked her about her younger sister when she was a girl, but her grandmother didn’t like to talk about her. Apparently, Jessica Charlotte had been an actress with a somewhat scandalous past. However, the cousin who used to own this house was Jessica Charlotte’s son, Frederick. Frederick never married, and although Omri’s mother thought that Jessica Charlotte had lived abroad somewhere, it’s possible that she lived at this house for a time.

Much of the story is told through entries in Jessica Charlotte’s notebook. When Omri begins to read the notebook, written toward the end of Jessica Charlotte’s life, he learns, to his shock, that Jessica Charlotte was the original owner of the magic cupboard and that she had her own Little People who visited her from other times and were her friends. After Omri reads that, he questions Gillon, the brother who gave him the cupboard, and he admits that he didn’t really find it in an alley, like he said. He actually found it in the basement of their old house with a bunch of other junk. He just didn’t have the money to buy Omri a birthday present at the time, and Omri had kind of a fascination for secret drawers and boxes, so Gillon thought that he might have some fun with the old cupboard, and he made up the story about mysteriously finding it to make it more interesting. (I suspect that the author was just retconning this part to make it agree with the idea that the cupboard was passed down through Omri’s family, but I like the way this comes out, so I’m okay with that.)

The notebook further explains that Jessica Charlotte had been envious of her older sister because she was prettier, luckier, and often seemed favored by everyone. However, in mocking the young men who came to court her older sister, Jessica Charlotte discovered that she had a talent for mimicry, which led her to become an actress, although her family thought that it was a disreputable profession and disapproved. Jessica Charlotte also discovered that she was psychic and sometimes had visions of the future. She eventually left home and became an actress. Her sister, Maria, still visited her secretly sometimes, against their parents’ wishes.

After awhile, Jessica Charlotte became pregnant with Frederick, which was when she first came to the old house where Omri’s family now lives. She didn’t have any money and couldn’t work while pregnant, and because she was unmarried, she would have been considered shameful if people knew. At that time, the house was a farmhouse belonging to a relative of Frederick’s father. By that point, Jessica Charlotte realized that her boyfriend wasn’t a good person and wasn’t going to be a good father to their son, but he did arrange for this relative of his to help her through her pregnancy. Frederick was born in the house, and because he was illegitimate and sensed his mother’s complicated feelings about him and the circumstances of his birth, he and his mother were never as close as they really should have been.

Meanwhile, Maria got married and had a daughter, Lottie, who was Omri’s grandmother, the one who was killed in the war. Jessica Charlotte says that she did something that wronged Maria and Lottie, and Omri stops reading the diary for a time, but he decides that he really has to continue and know the full story.

Over the years, Jessica Charlotte lived a hard life, supporting Frederick through a mixture of acting and other odd jobs, including fortune telling because of her psychic abilities (although she never used her gift to see into the future for herself or anyone close to her because she was afraid she might see something bad happen to them and be unable to stop it). Meanwhile, Maria was living a very comfortable life with her husband and daughter. Even after their parents died, Maria still had Jessica Charlotte visit secretly because of her tainted reputation, and she never wanted to meet Frederick or talk about him because his birth was the cause of her sister’s scandal. Still, Jessica Charlotte continued to see her sister and became fond of Lottie.

However, Maria was basically a pampered snob who didn’t understand her sister’s life and hardships and also had a streak of self-centeredness. One day, when Lottie was a young child, Maria said that when Lottie was older, she didn’t want her to see so much of her aunt, implying that Jessica Charlotte would be a bad influence on her. Jessica Charlotte was deeply offended by that, but she was also fearful about losing the last family members who were still speaking to her. She had lost so many of her other relationships that she still felt the need to be close to Maria and Lottie as much as she could and visit their pampered and comfortable little world, enjoying occasional tastes of their happier and more comfortable lives.

Yet, Jessica Charlotte’s jealousy for Maria’s pampered life and anger at her callousness continued to eat at her. One day, when Maria was showing her all of her nice jewelry, Jessica Charlotte got the urge to steal a beautiful pair of earrings. First, Maria was being, at the very least, thoughtless and callous for showing off all of her nice jewelry to her much poorer sister, who could never have things like that herself. Maria not only had no concept about what her sister’s life was like outside of her occasional visits, but she purposely never asked her about how she was doing, how her son was doing, or even where they were living, how they were getting by, if they needed anything, or if she could help them in any way. She didn’t know because she didn’t want to know any of these things, and the fact that she didn’t want to know any of that indicates that she knew enough to understand that their circumstances weren’t pleasant. To show off all of her pretty things like that just seems like rubbing it in. Second, Jessica Charlotte had been in need for so long that she saw all of the pretty jewels as symbols of Maria’s comfortable life, something she hungered for herself. The pair of earrings weren’t something that Jessica Charlotte wanted just for the sake of having them but because of what they represented to her, the life that she couldn’t share in and which she knew that Maria would soon shut her out of when she declared that her visits with her young niece would have to stop soon.

Jessica Charlotte planned out the theft in advance, making a duplicate key for her sister’s jewelry box and thinking that her sister would just assume that she’d mislaid that one pair of earrings somewhere. Unfortunately, when Maria noticed that the earrings were gone, she thought Lottie had done something with them, and when she kept insisting that Lottie tell her where they were, Lottie got upset and ran out of the house into the street. Matt, Maria’s husband and Lottie’s father, chased after her and was hit by a cab and killed. Jessica Charlotte felt terrible when she heard the news because she hadn’t meant for anyone to get hurt, but there was nothing she could do to take it all back.

Omri knows how Maria and Lottie’s lives went after that point because of what his mother told him about their family history. After Matt died, Maria and Lottie didn’t have very much money to live on, just a little pension, and then their house was burgled, and many of Maria’s nice things were stolen, including the rest of her jewelry, so she couldn’t sell them for extra money. Maria had to move to smaller, cheaper lodgings and get a job for the first time in her life in order to support herself and her daughter, living a life closer to what her sister had been doing. When Lottie was grown and married, she and her husband helped to support her mother, but after they were killed in WWII, Maria took in Lottie’s daughter (Omri’s mother) and had to keep working in order to raise her. Although they were now living in more equal circumstances, the two sisters did not become close again because of Jessica Charlotte’s guilt about what she’d done. Jessica Charlotte ended up buying the old house in the country where her son had been born and told her sister that she was going to live abroad, never telling her exactly where. She had not expected to see Maria again anyway since Maria was planning to cut her out of her daughter’s life before Jessica Charlotte stole the earrings, and after Matt died, Jessica Charlotte couldn’t bring herself to face Maria. Jessica Charlotte lived in the country house until her death in 1950.

When Jessica Charlotte became too weak to write any longer, shortly before her death, she had Frederick finish the story in the notebook. Aside from the difficult feelings between Frederick and his mother because of the circumstances of his birth and the rough and poor childhood he endured, Frederick also says that the two of them don’t really get along because they are very different types of people. When he was grown, Frederick went into business as a metal smith, eventually owning his own factory that made toy soldiers and other metal toys. During WWII, the government had him convert his toy factory to manufacture munitions. He wasn’t happy about it, but it did make him fairly well-off. After the war, Frederick had hoped to go back to making metal toys, but plastic was coming into vogue as the material of choice for toys, and Frederick couldn’t stand the stuff. He thought that the newer plastic toys were cheap and shoddy compared to his detailed works of art in metal. (It was kind of true.) There were basically two choices before Frederick: convert to making the cheap plastic toys he hated or switch to making different types of metal products. He switched to making metal boxes and cabinets.

Frederick never really believed in his mother’s supposed psychic powers, but when he was upset about plastic ruining his metal toy business, he admits that he let his mother talk him into participating in a silly ritual. He was so angry and upset that his emotions were ruining his health, so his mother told him to build something to put his feelings into and shut them away. Frederick built Omri’s magical metal cupboard. When he was finished making it, his mother had him visualize cleansing himself of all of his anger and hatred of plastic and shutting that feeling away in the cupboard. To his surprise, his mother shut and locked the cupboard with a different key from the one that he’d made to put in the cupboard’s lock (her key to her sister’s jewelry box). He thought that this ritual was kind of crazy at first, but he did feel better after he did it. He felt weak for a time, but then he recovered. He still didn’t like plastic, but not to the point where it harmed his health anymore.

Jessica Charlotte had said her son had also inherited her psychic “gift”, even though he didn’t believe in it. Apparently, his strong feelings about plastic produced a kind of magic spell or curse that affected the key and the cupboard and created the effect of bringing plastic toys to life. Jessica Charlotte discovered this herself because her son had given her a set of plastic figures in order to demonstrate to her how these little figures were inferior to his metal ones. Jessica Charlotte put them in the cupboard and brought them to life, and these little friends of hers brought her some happiness in her final days. Frederick thought that her mother was imagining that she was talking to fairies or something and never found out about his mother’s little friends or the magic of the cupboard.

When Jessica Charlotte realized that she was dying, she used the cupboard to send her little friends back to their own time periods, except for one little maid named Jenny, who refused to go back because she’d had a terrible life in her own time. Instead of making her go back, Jessica Charlotte confided in one of the workmen fixing the thatch on her roof and gave Jenny to him. This man, Tom, was lonely because his wife left him for someone else, so Jenny was good company for him for many years, until one day, she simply turned back to plastic suddenly. When Omri finds Tom as an old man and introduces himself as Jessica Charlotte’s distant nephew, Tom explains all of this to him, saying that all he can think of is that Jenny’s physical body must have died in her own time after having been in an apparent coma for years. He buried her little plastic figure respectfully. Tom is also the one who sent the cupboard and key to Maria after Jessica Charlotte died along with a note dictated to him by Jessica Charlotte, hinting at the nature of the cupboard and key and tacitly admitting to the theft of the earrings, so Maria knew the truth of the theft before her own death.

Omri comes to realize that the metal box that Jessica Charlotte left behind, and which was sealed with wax, must contain her collection of little figures. When his friend, Patrick, comes to visit him at his new house, Omri explains the whole situation to him, and Patrick suggests that Omri’s magic key will probably open this metal box, too. Of course, he also points out that if Omri opens the box with that special key, it will bring the figures inside to life, just as it has with the cupboard and Omri’s old trunk. Omri sees Jessica Charlotte’s old figurines as a way of finishing her story and feels compelled to bring them back to life one last time, although he knows that bringing figures to life always comes with complications, and he will have no way of knowing who or what the figures are until the box is open.

When Omri gets the chance to talk to Jessica Charlotte’s little friends, he not only learns more about his great-great-aunt’s past and the history of the cupboard but also sees an opportunity to change the past of his mother and great-grandmother by preventing the robbery that made them poor. But, if he meddles in the past, what will that mean for his future?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction:

This is my favorite book in the Indian in the Cupboard series. I suspect that the author of the series didn’t originally have an explanation for why the cupboard and key were magic, but that’s just a guess on my part. The explanation behind the magic in this book makes sense, and those parts that didn’t quite mesh with the earlier books (like Omri’s brother’s original explanation of finding the cupboard in an alley) were briefly explained. Sometimes, when book or movie series try to explain something magical or a mysterious secret they’ve left hanging, it turns into a let-down because the explanation feels rushed or implausible or fits clumsily into the earlier parts of the story, but this one was pretty smooth, intriguing, and also opened up some new story possibilities.

In previous books, Omri and Patrick both did impulsive things with the cupboard that put their small friends, themselves, and other people in danger, but in this book, both of the boys seem to have matured. Although Patrick thinks of Jessica Charlotte as a bad person and a thief for stealing her sister’s earrings, Omri tries to explain to him that she was a much more complex and conflicted person than that. Yes, Jessica Charlotte was a thief, but her motives were beyond mere greed, and it wasn’t long before she regretted what she’d done and the lasting hurt that she’d caused her family. In considering Jessica Charlotte’s theft and the theft that the burglar who was one of Jessica Charlotte’s little friends later committed against Maria, partly out of personal greed and partly as retribution against Maria on Jessica Charlotte’s behalf, Omri and his mother both come to terms with their family’s history. Patrick, who in previous books had been the more impulsive one when he and Omri interacted with the little people from the past, acts as a restraining influence in this book when Omri is tempted to change his family’s past for the better by preventing the thefts that left his great-grandmother without money. Patrick is the one who makes it clear to Omri that, just as Jessica Charlotte’s theft of a single pair of earrings radically changed the lives of her sister and niece, if Omri tries to stop those events from happening, he might change his family’s past so much that he might accidentally prevent himself or even his own mother from being born in the first place. After Omri tells the thief to give back the jewel box he stole, Omri worries that he’s gone too far, but it turns out that one request was actually fated to happen, just as it turns out that Jessica Charlotte later realized that she had met Omri briefly in what she thought was a dream when he brought her plastic figure to life. Not all of Omri’s “meddling” with the past was really meddling but was actually part of what was fated to happen and has already had an effect on the past even before he knew it.

At the end of this book, something that Omri has alternately dreaded and wanted to happen: his father discovers the secret of the cupboard and meets Omri’s small friends. In books, there is usually this assumption that if parents ever find out about their children’s magical adventures, they will end because the parents will put a stop to them or somehow, the magic will be ruined. However, in this case, the magic is not ruined, and there is one more book in this series where both Omri and his father take part in the magic.

Posted on by TracyC

The Secret of the Indian

The Secret of the Indian by Lynne Reid Banks, 1989.

This is the third book in the Indian in the Cupboard series.

This book immediately picks up where the last book in the series left off, with Omri injured after witnessing the battle in Little Bear’s time and he and Patrick and their small army having just fended off the gang of local hoodlums who had tried to break into Omri’s house and rob it. Omri’s parents return home from the party they had attended and are appalled to see Omri hurt, although the story of the burglary covers up the real reason for Omri’s injuries, which the boys don’t think they can tell Omri’s parents. Omri still can’t adequately explain how part of his head got burned, but he makes up a story about him and Patrick trying to light a bonfire and accidentally getting burned. His parents are occupied, alternately angry with the babysitter who was supposed to come and didn’t and with themselves for leaving before they were sure that she had arrived. The police come to question the boys and inform the parents that the reason why the babysitter didn’t come was that she was mugged that night. Omri knows who the thieves are, but hesitates to turn them in.

First, Omri needs to deal with Little Bear and his band of warriors. Some of them were killed in the battle, and others are injured. Patrick and Omri bring the Matron who treated Little Bear before to life to help them, but although she does her best, she says that her skills aren’t adequate to help them all and that they need a real surgeon. The Matron is sharp and tells the boys that it’s useless to insist that this is all just a dream because she knows that, strange as this situation is, it’s all real and that the death and pain she’s witnessed around her are real. The boys explain to her about the key and cupboard that bring plastic figures to life, and she asks them if they can get a doctor. It’s Sunday, so the boys can’t just go buy one, but the Matron came from a set owned by Patrick’s cousin, Tamsin, and there were other medical professional figures in it. When Patrick’s other cousin, Tamsin’s twin, Emma, comes to Omri’s house to see Patrick, Omri is forced to let her in on the secret and recruit her to help him.

Meanwhile, Patrick has gone back in time with Boone the cowboy. In Boone’s time, Patrick is tiny, the size of the figures in his own time. Unfortunately, Patrick made a terrible mistake by going back to Boone’s time with Boone as a plastic figure. That meant that Boone became a real person in the chest, trapped under Patrick’s body and almost smothered to death and needs to be treated by the Matron in order to survive.

In Boone’s time, tiny Patrick ends up in the company of Ruby Lou, a woman who likes Boone. Patrick knows that Boone is unconscious in the desert and helps Ruby Lou to find him. The doctor in their time doesn’t know what’s wrong with Boone and can’t figure out why he’s unconscious, suggesting only that they let him rest for the present and recover. Ruby Lou presses Patrick for answers, and he explains everything to her about how they travel through time using the magic key and how Boone has just left his full-size body behind to go into the future in the form of a little figurine. It’s an incredible story, but Ruby Lou believes him and expresses concern about getting Boone back safely. But soon, they’re all in trouble when there’s cyclone threatening.

Also meanwhile, Mr. Johnson, the headmaster of Omri’s school, has learned about Omri’s story that won the contest. Back in the first book of this series, Mr. Johnson actually saw Little Bear. At the time, he thought that he was hallucinating, but Omri’s supposedly fictional story has now convinced him that he really saw what he saw. He demands that Omri tell him the truth about his “Red Indian.” (Omri corrects him, saying that it isn’t right to say “Red Indian” and that they prefer to be called “American Indian” or “native American”, but Mr. Johnson angrily insists that he’s always said “Red Indian” and will continue to do so, establishing him as an unsympathetic villain in the story.) Mr. Johnson is relieved to know that he wasn’t hallucinating before, but since Omri is reluctant to explain anything, he decides to call Omri’s mother. When she answers, she demands that Omri tell her where Patrick is because his mother is frantically looking for him.

Of course, Omri knows that Patrick is still in the trunk in his room, in a coma-like state because he’s still in the past and there are living miniature people in his room who will also be discovered if people start searching. Can Omri fix everything in time to rescue Patrick and his little friends and prevent their secret from being exposed?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

Although the story takes place immediately after the previous one left off, the rules of the magic in this world have changed a little. Before, when a person from Omri and Patrick’s time went back to the past, they kind of became part of the scenery. This time, when Patrick visits the Old West, he is there as a tiny person, although no figurines of the boys exist in the past. What this book does emphasize is that the magic key does change real people from modern times into little people into people in another time and real people from other times into tiny people in modern times. At this point in the series, it’s all still mysterious why the key is magic and why the little cupboard in particular only seems to affect plastic items and people. Some of those explanations come in the next book.

I did like the parts where other people, including Patrick’s cousin Emma and Mr. Johnson in the present and Ruby Lou in the past, catch on what’s happening with Omri and Patrick and their plastic figures. In so many children’s books, the magic absolutely depends on secrecy. In this series, Patrick and Omri both know that they don’t want most people to know their secret because they don’t want people either interfering or thinking that they’re crazy. With Patrick disappearing mysteriously and other things happening because of their interactions with the little people from the past, it makes sense that people would start noticing that the boys have become involved in something really strange, even thought some of them don’t know what it is. However, the magic still works for them even when other people find out and the people who could pose a threat to their activities either never find out the truth or are distracted or apparently discredited.

At the end of this book, Omri becomes more serious about the risks of the cupboard and decides that he wants the key put away, to be give to his future children in the event of his death. However, there are other books in this series to come, so they do use the key again.

Posted on by TracyC

The Return of the Indian

The Return of the Indian by Lynne Reid Banks, 1986.

This is the second book in the Indian in the Cupboard series.

Omri’s family has moved to a new house, but Omri doesn’t like it. The new house is bigger than the old one, but the neighborhood around it is a bit run-down and shabby. Most of the kids in the area go to the state school (public school in the US), but Omri attends a private school, and his school uniform makes him stand out from the other kids. The other kids in the neighborhood view him as an outsider and like to push him around, especially the group of bigger boys who like to hang out near the arcade. Omri is a little afraid of the local bullies, but he doesn’t like to show it. Instead, he remembers how brave his small American Indian friend, the one who came to life from his plastic figurine, was with him, even though Omri was many times bigger than he was. Still, Little Bear was a real warrior, who knew how to fight. Ormi wishes that he could fight like an American Indian or maybe a cowboy, like Boone. If he could do that, he wouldn’t have any reason to fear the local bullies.

Patrick, Omri’s best friend, is also living in a new house in the country and is now going to a different school because his parents have divorced. (The story indicates that Patrick’s father was abusive, hitting his wife and children.) When the two of them meet again, Patrick denies remembering their plastic figures that came to life. That bothers Omri, although he thinks that Patrick really does remember but doesn’t want to admit it because talking about things like that would make him seem weird when he’s trying to fit in with his new home.

Then, Omri wins a writing contest for a story that he wrote about his plastic Indian. He’s thrilled, although he also feels a little guilty because the contest was supposed to be for fiction, and his magical adventures with Little Bear were real. Although, his story is his own work, even if he didn’t exactly make up Little Bear.

Ever since his adventures with Little Bear the previous year, Omri has asked his mother to keep the key to the cupboard “safe” for him. Really, he has wanted to remove the temptation to bring Little Bear to life again. After their previous adventures, they had all decided that it would be better for Little Bear and Boone to remain in their own lives in the past. Yet, having won this contest, Omri has the sudden desire to see Little Bear again and tell him all about it. His mother usually wears the key as a pendant around her neck, and one day, when she takes it off, Omri decides that he’s going to use it.

However, when he brings Little Bear and his wife, Bright Stars, back to life from plastic, he finds that time has moved forward for Little Bear, just has it has for him. Little Bear is badly injured, having been shot by a soldier. Bright Stars begs Omri for help. Since Omri once brought a WWI medic to life to help with a wound before, he tries it again. Unfortunately, this time, all Omri gets is an empty pile of the medic’s clothes. Shocked, Omri realizes that this is a sign that the medic was killed in action. Time moved forward for him since their last encounter, and the medic, Tommy, who was a real person in the past, was killed during the war.

Still desperate to help Little Bear, Omri rushes to see Patrick at his aunt’s house and explains the situation. At first Patrick tries to pretend that the figures coming to life was just their imaginations, but when Omri impresses on him that Little Bear is in trouble and needs help, Patrick takes him seriously and comes up with a solution. One of his cousins got a set of plastic figures for her birthday, and they all have different professions. Among them, there is a nurse and two doctors. If they borrow one of those figures, they will have medical help. The cousin finds them messing with her toys and fights with them, so they have to rush off in a hurry, taking the nurse figure instead of one of the doctors, but she’s better than nothing.

After the nurse, known only as Matron, gets over the shock of finding herself very small, Omri explains Little Bear’s condition to her. She’s reluctant to try to operate on him herself because she’s not a surgeon, but since there is no one else to help, she does so anyway. Omri gives her Tommy’s medical bag so she’ll have the implements she needs. She manages to help Little Bear, and Little Bear recovers.

Although Patrick says that his mother got rid of most of his plastic figures when he stopped playing with them, he still has the cowboy, Boone, because he was special. Patrick uses the cupboard to bring him back to life, and they explain to him about Little Bear. When Little Bear is well enough to talk, he explains that his village was attacked by French soldiers, and many of his people are dead. Boone spots Omri’s collection of plastic figures, with soldiers from different periods and suggests sending them back with Little Bear to fight the French. Patrick is all for it, but Omri points out that there are problems with that. All of those figures aren’t just toy soldiers; they represent real people from history. They all come from different periods of history, and they all have their own goals and personalities. They would all be shocked at finding themselves in an unexpected place and a completely different time period than their own, and there’s no telling how these armed people might react. What would a Medieval knight, who might be on his way to the Crusades, understand about American Indians from the 18th century, and why would he be willing to fight on their behalf? Which side would a member of the French Legion pick? They wouldn’t be able to even speak to all of Omri soldiers because they come from different countries and speak different languages, and even if they choose modern British soldiers using modern weaponry, what would that mean for history? They don’t belong in the 18th century, and because they’re real people, they would be killing other real people and might get killed themselves.

Patrick thinks that Omri thinks too much, but Ormi knows that Patrick is too impulsive. Patrick does impulsively bring some modern soldiers to life, and they almost shoot everyone because they’re in the middle of a battle. Patrick quickly turns them back to toys and apologizes. Then Omri has another idea: they can’t explain to people from other time periods that Little Bear needs their help to fight in the French and Indian Wars, but they could appeal to other American Indians. Finding allies for Little Bear is fine, as long as they’re the kind of allies who could reasonably appear in Little Bear’s time and understand and be willing to aid him.

There are complications in this plan when Little Bear says that he wants modern weapons his people can use and a modern soldier to teach them how to use them. Omri has misgivings about this but gives in to Little Bear’s request. While Little Bear goes back to his time with his new allies and weapons, the boys worry about what’s happening in the battle and Bright Stars, who is still in their care, gives birth to Little Bear’s son. Boone suggests to Omri that, if he’s concerned about how the battle is going, there might be a way to go back in time and see it.

Ormi has an old wooden chest in his room, and Boone suggests that he could see if the key fits the box and use it to send himself back to Little Bear’s time. Not only does Omri help Little Bear and the others, but this odd army also helps Omri when the local bullies try to rob his house in the middle of the night.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction:

I read the first book in this series when I was in elementary school as part of a class assignment. There are parts of this series I like, but parts I don’t.

I like the way Omri thinks about the little people from his cupboard. He remembers that all of the plastic figures are only plastic when they’re toys, but as soon as they come to life, they are real people, pulled out of their own lives and into his, and they have a responsibility to them. He feels terrible when he realizes that his old friend, the WWI medic called Tommy, died during the war because he wasn’t just a toy, he was a real person who helped them when they needed him, and Omri realizes that he probably died not long after they returned him to his own time. Patrick is less thoughtful, but he does wonder if their interaction with him played a part in his death, and Omri thinks it probably didn’t because his full-sized body must have remained in the past and would have died anyway. When they last talked to him, Tommy said that he’d heard the sounds of an attack, and that could have been the attack that killed him. When Omri sends Little Bear back with his new allies and weapons, Omri feels guilty because he realizes that he’s basically playing God, sending real people to kill other real people in past, but he goes through with it because he feels committed to it at that point, having assembled and armed this fighting force and promised it to Little Bear.

I didn’t like some of the stereotypical stuff about cowboys and American Indians. This is one of those books where they try to write characters speaking with an accent, and that always feels awkward to read, and I’m not sure that everything Omri says about American Indians is true. At first, Omri says that American Indians gave birth alone, so he’s not too worried about Bright Stars. When I read that, I wasn’t sure if any American Indian tribes had that as a custom, so I looked it up. Apparently, there is some basis for that happening, although sometimes women would also help each other, and since most of the white people who said that Native Americans gave birth alone were men and wouldn’t have been involved in assisting the birth anyway, they may not have been fully aware of who else would have been involved. When Bright Stars starts giving birth, Omri remembers hearing that, when women give birth for the first time, it can take a long time for the baby to arrive, and he wonders if that’s true of American Indians as well as white women. That question made me cringe a little. As an adult white woman, I would assume it probably is because there many aspects of the human condition that are just universal, but again, Omri’s a boy who doesn’t have any relevant life experience experience, and even I can’t swear what Native American births are like, so I suppose I can’t fault him for wondering.

This is the book that establishes that the key used with the cupboard is magic by itself. It seems to fit in any lock and can send people back in time. When they’re sent back from the present day, Omri observes that the person sent to the past is cold and motionless in the chest, which scares him. Also, the boys observe that when they go to the past, they seem to be part of the scenery, part of the paintings on the side of Little Bear’s teepee, unable to speech or move by themselves, just watching what happens. It’s odd, but in stories where there’s magic, there are still rules, and as the boys experiment more with the key, part of the rules start becoming more clear to the readers.

Posted on by TracyC

Mystery of the Melted Diamonds

Mystery of the Melted Diamonds by Carol Farley, 1986.

This is the last book in the Kipper and Larry mystery series.

This time, Larry has come to visit Kipper and his family on their farm in Kansas while his father attends a police convention in Florida and will be spending Christmas with them. At first, Kipper thinks that Larry probably regrets this visit because Kansas isn’t very exciting, and it’s snowing while Larry’s father is in sunny Florida.

The situation gets worse when Kipper gets into a fight with his friend Scooter when Larry and Kipper were supposed to be spending the night at Scooter’s house. Scooter apparently cheated at a game, and Kipper got so mad that he said that he and Larry would just go home. The problem is that the boys have to walk a couple of miles to reach the farm where Kipper’s family lives, and the snow has turned into a blizzard.

The boys start to get scared that they might freeze to death when Larry spots a light from a house nearby and heads toward it. Kipper thinks that it’s a dangerous mistake because the house with the light is the old Morgansterne house, and it’s been empty for years. However, when the boys reach the house, there are oil lanterns burning in the windows and a fire in a wood-burning stove. Out of desperation, the boys let themselves into the house to warm up, but then they start to wonder who lit the fire and the lanterns. They search the house to see if there’s anyone there, but they don’t find anyone. The only thing they find upstairs is an old box of Christmas ornaments.

The boys spend the rest of the night in the house without seeing anyone and continue to the farm in the morning. When they explain to Kipper’s mother what happened and where they spent the night, she’s concerned, both because the boys were out in the snowstorm and because nobody should be in the old Morgansterne house. Old Miss Morgansterne, who owns the house, has been living in a retirement home, and no one else is supposed to be there. Kipper’s mother decides to call the sheriff and have him look into it.

The sheriff comes and questions the boys about what they saw in the house, and they ask him about a robbery at a jewelry store in town that the family heard about on the radio while waiting for him to arrive. Larry wonders if there’s a connection between the robbery and the supposedly empty house that seemed to be occupied by someone before they arrived. The sheriff doesn’t see why there would be a connection between the two events, but Kipper’s younger brothers think that maybe the robbers were in the house the whole time, hiding in some kind of secret passageway, like in books and movies. The sheriff thinks that the boys have overactive imaginations.

However, there is more to the theory that the house and the robbery are connected than the sheriff thinks. Soon, the sheriff is alerted that the car that is believed to belong to the robbers has crashed into a pond near a dangerous curve in the road and the two men inside the car are dead. When they search the car, they find some of the jewelry from the robbery, the less expensive costume jewelry, so it seems that they were correct that these men were the robbers, but strangely, the most expensive jewels from the robbery, diamonds, are still missing. The sheriff says that it’s almost like they melted away, like the diamond-like snow that Larry commented on earlier.

It makes sense to the boys that the robbers were in the Morgansterne house before they were. They remember seeing a car like the robbers’ car along that road before the snow storm got bad, and it would explain why the house was empty all that night. The robbers accidentally saved the boys’ lives by lighting the stove in the house for them, but they never returned to their hideout in the empty house because they had their car accident. But, somewhere along the way, the diamonds they stole seem to have vanished. Can the boys figure out how?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

Overall, I liked the story. I had more than one theory about where the diamonds were, and one of them turned out to be correct, but there was enough doubt in my mind to keep the story interesting until the end.

Posted on by TracyC

Mystery of the Fog Man

Mystery of the Fog Man by Carol Farley, 1966.

This is the first book of the Kipper and Larry mystery series. Kipper (real name Christopher) and Larry are 13-year-old cousins. The two boys meet each other for the first time in this book, when Kipper comes to visit Larry and his family in Michigan. The boys had written letters to each other before, but they were both excited to finally meet in person.

Larry and his father live in Ludington, on the shores of Lake Michigan, and Larry takes Kipper fishing soon after he arrives, which is when Kipper first encounters the mysterious figure known only as The Fog Man. This strange old man starts Kipper, and Kipper finds him eerie. Larry explains to Kipper that The Fog Man is kind of a local eccentric. He is apparently both deaf and mute. No one knows his real name. He apparently lives in the nearby forest, but during the summer, he comes to the beach to collect driftwood, which he sells to tourists, who are fascinated by this eccentric old man, and to the lady who runs the nearby gift shop, Miss Norton.

Shortly after this encounter, the boys learn that someone has stolen thousands of dollars from the safe on one of the car ferries that travel back and forth across Lake Michigan and Wisconsin. (Another book by the same author but in a different series takes place on one of these car ferries, The Case of the Vanishing Villain.) Kipper and Larry are able to see the scene of the robbery because of Larry’s father’s position as the local chief of police. However, the boys’ adventures are just beginning.

The most likely suspect in the robbery seems to be a man called Karminsky, who worked on the ferry. He disappeared around the time of the robbery, and Larry’s father thinks that he’s hiding out somewhere in the area, waiting for the police to stop looking for him so he can make his getaway. Larry is intrigued by the idea that the robber might be hiding out in the woods nearby. Although his father forbids the boys to go looking for the robber, they can’t resist checking out the woods anyway.

Larry confides in Kipper that he really wants to help his father catch this robber so that his father will be a big success and get public recognition. Larry sometimes feels bad that he and his father have been alone since his mother died when he was young. He thinks that, if his mother was still alive to help his father take care of him, his father would be able to do much more in his life and career, so Larry wants to be the help that he thinks his father really needs.

Soon, the boys think that they’ve found Karminsky’s hideout in the woods, but even though they lie in wait for him all night, they don’t manage to catch him there. The only person they see in the area is the Fog Man, and to Kipper’s shock, he sees the Fog Man walking without his characteristic limp!

When the boys later find the Fog Man’s coat and a fake white beard, they reach different conclusions about what happened. Kipper thinks that the Fog Man was involved in the robbery all along and that he was always in disguise from the beginning. However, Larry is accustomed to thinking of the Fog Man as a harmless old eccentric who has hung around town for the last few years, selling driftwood to tourists. Larry thinks that the Fog Man might be an innocent victim of Karminsky’s, that Karminsky may have killed him so he could take his place and blend in with the usual beach scene until he could make his escape.

Then, Larry’s father tells them that Karminsky has been found in another town, apparently having missed being on the ferry in the first place. So, if Karminsky was never on the ferry and never in Ludington, who stole the money and masqueraded as the Fog Man?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I bought this book because I always liked the Flee Jay and Clarice mystery story that I mentioned before and wanted to see more by the same author. I liked it because, while I thought that I understood things pretty quickly in the story, there are some surprising twists to the mystery. I thought that I had it figured out twice, but I was surprised both times, and the true identity of the Fog Man remains a mystery until the very end.

Posted on by TracyC · 1 Comment

The Berenstain Bears Trick or Treat

The Berenstain Bears

The Berenstain Bears Trick or Treat by Stan and Jan Berenstain, 1989.

“Even little bears
expect a good fright
when they go out for treats
on Halloween night.”

Brother and Sister Bear are looking forward to trick-or-treating on Halloween night with their friends. Sister is going as a ballerina, and Brother is dressed as a monster. When Brother jumps out at Mama in his monster costume, she pretends to be frightened, and when he takes off his mask, Mama comments that “appearances can be deceiving.” Sister asks what that means, and Mama explains that “things aren’t always what they look like.”

This is the first year that Brother and Sister will be allowed to go out trick-or-treating without their parents. They plan to trick-or-treat with friends, and they talk about the houses that they plan to visit. The one house in the neighborhood that they don’t want to visit belongs to Miz McGrizz. Miz McGrizz’s house looks spooky, and the kids think that she might be a witch. Mama tells them that’s nonsense and that Miz McGrizz is a nice person.

As the young bears set out to trick-or-treat with their friends, some of the bigger, tougher cubs in the neighborhood try to talk them into joining them in some pranks. First, they want to decorate Miz McGrizz’s house with toilet paper.

However, before the cubs can do anything, Miz McGrizz comes out of her house, and seeing the cubs, tells them that she’s ready for them. Although the kids are frightened at first, it turns out that Mama really was correct about Miz McGrizz. Miz McGrizz is just a nice old lady who has a special treat for the cubs who are brave enough to visit her house.

In real life, trick-or-treaters shouldn’t go into the houses of people they visit unless they know them very well, but in this case, it’s not so bad because the cubs’ mother approves of Miz McGrizz and would be fine with the children visiting her.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Posted on by TracyC

Corduroy’s Halloween

Corduroy’s Halloween, based on the character created by Don Freeman, pictures by Lisa McCue, 1995.

I’ve seen this book as both a regular picture book and a lift-the-flap book. The basic story is the same either way, and the illustrations are similar in either copy. I just happen to have the lift-the-flap copy. This is one of the Corduroy books where Corduroy lives on his own with his stuffed animal friends and no humans are present in the story.

Corduroy and his friends are excited because Halloween is coming! There are many things to do, like raking leaves, choosing pumpkins for jack o’lanterns, and entering a window-painting contest.

Corduroy shops for the supplies that he will need for his Halloween party.

By Halloween night, all of the decorations are up, and Corduroy gets his first trick-or-treaters, including some trick-or-treating for UNICEF.

Corduroy and his friends also take part in the Halloween costume parade. In the lift-the-flap copy, you can lift up character’s masks and see their faces. I think that makes this a good book for helping to explain to young children that people in scary costumes are just ordinary people beneath the masks.

Then, they return to Corduroy’s house to have their party and bob for apples. Happy Halloween!

Posted on by TracyC

Clifford's Halloween

Clifford

Clifford’s Halloween by Norman Bridwell, 1986.

Halloween is Emily Elizabeth’s favorite holiday! Emily Elizabeth talks about the various holidays that she and Clifford enjoy, but Halloween is the one they enjoy the most.

Last Halloween, she considered various costumes for Clifford, but Clifford decided that he wanted to be a ghost, covered with a giant sheet. (I love how they say that nobody could guess who the giant ghost is, like there could be someone else in the neighborhood that big.)

When you’ve got a giant dog, bobbing for apples doesn’t go the way you expect.

However, when you’ve got a giant dog, nothing else is very scary, either.

The book ends with Emily Elizabeth considering different costumes for Clifford for this Halloween, inviting the reader to think of other possible costumes.

I like the idea of letting kids consider which Halloween costumes they like the best from the ones that Emily Elizabeth considers. Kids like making choices, and trying to think of costumes that would work on a gigantic dog presents a creative challenge. When Emily considers dressing Clifford as a knight, they don’t consider where she’s going to get a suit of armor that size, but the books in this series don’t worry much about the logistics of caring for a dog the size of Clifford.

When I first read this book back in the 1980s (I was four years old when the book was new, although I can’t remember exactly how old I was when I first read it), I didn’t think too much about the Indian (Native American) costume with a pipe, although I wouldn’t think of suggesting that as a costume for anyone now. It’s partly because there’s something of a stigma against Native American costumes now. It’s not enough of a stigma to get people to stop wearing them and major costume retailers from selling them, but enough that some people raise eyebrows at them because of some of the connotations attached to them. If you read some of the reviews of Native American costumes on Amazon, like I did, it seems that more of them were purchased for school plays and projects or Thanksgiving plays than for Halloween. However, the part about this costume that particularly jumped out at me was the ceremonial pipe. Kids sometimes dressed as American Indians for Halloween when I was young, although the practice is discouraged now, but with all of the anti-smoking campaigns aimed at children when I was young, most of our parents wouldn’t have even considered giving us a peace pipe as part of a costume, even ignoring the social and cultural implications of that. I think that idea shows the age of the book’s creator. I grew up in the American Southwest, but I didn’t grow up on old western shows where peace pipes were a common feature. I didn’t see those shows until I was older, and by then, they looked pretty cheesy. I think that the book’s author was from the generation that was raised on those westerns and had nostalgic associations with them.

The book is available to borrow for free online through Internet Archive.

Posted on by TracyC

Count Draculations!: Monster Riddles

Count Draculations!: Monster Riddles compiled by Charles Keller, 1986.

This is one of those themed joke books for kids that has monster and Halloween-themed jokes.  The jokes are the basic kid-friendly question-and-response type with lots of puns.  There are also some cute black-and-white illustrations.

Some of my favorite jokes:

Why do witches get A’s in school?

Because they are good at spelling.

How do you get into a locked cemetery?

With a skeleton key.

Why did Frankenstein’s monster go to the psychiatrist?

He thought he had a screw loose.

Why did the invisible man go crazy?

Out of sight, out of mind.

Posted on by TracyC

Halloween Cookbook

Halloween Cookbook by Susan Purdy, 1977.

I remember getting this book from my school library when I was a kid. I never actually made anything from it because it was a little beyond my cooking skills. Still, I was fascinated by the recipes in the book, especially the stew inside the pumpkin.

Some recipes in the book use specifically Halloween shapes and colors, while others are more general fall and harvest-themed recipes. The recipes are organized by category with section for food that can also be used as Halloween decorations and other sections for brunch and lunch, vegetable dishes, meat dishes/main courses, and snacks and desserts.

Some of the recipes are old, traditional ones from around the world, such as the ones for Fried Pumpkin Blossoms (an Italian recipe) and the Indonesian Corn Fritters. A brief section at the beginning of each recipe explains a little about the recipe’s background.

In the beginning of the book, there are notes about converting between units of measurement, including converting between imperial and metric units. There is also a guide for converting between Celsius and Fahrenheit temperatures. There are other cooking tips for beginners, such as how to separate eggs (I’ve never done it with my hands, like in the book, but it’s useful to know) and how to chop onions and press garlic.