The Indian in the Cupboard by Lynne Reid Banks, 1980.
Omri thinks that he’s starting to get tired of collecting and playing with plastic figures when his friend Patrick gives him a plastic American Indian figure that he doesn’t want anymore for his birthday. At first, Omri doesn’t think much of the Indian figure because it’s just a used plastic figure that doesn’t match any other figure sets he has, so he’s not sure how he can use it in his games. Then, his brother Gillon gives Omri a wooden cupboard that he rescued from an alley. Omri likes the cupboard, and his mother lets him have an old key that happens to fit the cupboard so he can lock it. His mother says that the key used to belong to her grandmother’s jewelry box, which fell apart years ago. As Omri tries to decide what he wants to keep in the cupboard, his mother suggests putting his American Indian figure in it because she found it in the pocket of his other pants. Omri puts the toy in the cupboard and locks it. Later, he hears sounds coming from the cupboard, and when he opens it, he discovers that his toy Indian figure has come to life!
Omri is startled to see that the Indian has come to life, and the tiny Indian is afraid of him. The Indian pricks him with his tiny knife and threatens to hurt him if he comes closer. The Indian insists that he’s not small, it’s Omri who is big. When Omri’s mother comes into the room, Omri quickly shuts and locks the cupboard so his mother won’t see that his toy has come to life. Later, when he opens the cupboard again, the Indian is just a plastic toy again. Omri is sure that he didn’t imagine the figure coming to life, but he’s not sure why that happened or why it’s just a toy again now.
Then, that night, after Omri locks the Indian in the cupboard again, he comes to life once more. This time, when Omri opens the cupboard and talks to the Indian, he asks the Indian what happened. The Indian replies that nothing happened, he just went to sleep. Then, he asks Omri for food and a blanket. Omri asks the Indian more about himself and learns that the Indian is named Little Bear and is the son of an Iroquois chief. He offers Little Bear a plastic teepee from his collection of toys to sleep in, but Little Bear recognizes that it’s not a real teepee and besides, Iroquois sleep in longhouses, not teepees. Omri can’t provide a longhouse, so he makes a better-looking teepee out of sticks and a piece of felt, so it’s at least not plastic. Little Bear accepts it.
Omri begins to realize that either his new cupboard or the key that he’s been using with it or both are magical and can bring toy figures to life. He begins doing experiments to see how it works and what else he can make real. The plastic teepee becomes a real one after being locked in the cupboard, but a metal toy car doesn’t change at all, making Omri realize that, for some reason, the cupboard only works with plastic toys.
Omri tells Little Bear that he’s in England now, not America, and Omri discovers that Little Bear approves of the English because the Iroquois fought with the English against the French and the Algonquins. Omri asks Little Bear if he also fought, and Little Bear brags about what a fighter he is and how many scalps he’s taken, but adds that they were French and not English. It sounds kind of stereotypical, but the author is referring to real battles that took place during the 17th century and 18th century around the Great Lakes area, during the French and Iroquois Wars and the French and Indian War, giving Little Bear a rough time period and location. This is meaningful not only for historical reasons, but also because it indicates that Little Bear isn’t just a toy with no personality or history. As far as Little Bear is concerned, he’s a real person with a past and memories and a life beyond being Omri’s toy. In fact, he doesn’t really know anything about being a toy sometimes in Omri’s time period. Omri also realizes that Little Bear’s history makes him a real person, somehow pulled more than 200 years into the future in miniature form, instead of just a toy brought to life.
Still, Omri delights in having adventures with Little Bear, introducing him to things Little Bear otherwise wouldn’t have. When Little Bear says that he’s never hidden a horse before because the Iroquois don’t have them in his time, Omri brings one of his plastic horses to life so Little Bear can ride. When Little Bear gets hurt, Omri brings a WWI medic from his set of toy soldiers to life so he can treat the wound. The medic, Tommy Atkins, is alarmed when he sees Omri and confused when he’s asked to treat an American Indian, but he does so anyway, deciding that it’s all just a dream. Omri lets him think so and then puts him back in the cupboard to send him home.
Omri does some research about Iroquois to learn more about Little Bear and his history. Patrick wonders about Omri’s obsession with the little toy figure he gave him, but Omri is reluctant to tell him. Then, when Omri buys another Indian figure, an old Indian chief, and brings it to life, the poor old man goes into shock at the site of Omri and dies. Omri feels terrible about causing the old man’s death, coming to recognize that the old man was also a real person, sometime and somewhere, and he wouldn’t have died if Omri hadn’t put him in the cupboard and brought him into his time as a miniature person. Then, Patrick gives Omri a plastic cowboy figure. Omri doesn’t want it because he doesn’t want the cowboy to come to life and hurt or kill Little Bear. Patrick is impatient, saying that’s how the game of cowboys and Indians goes and that’s what people do with figurines of cowboys and Indians, have them fight. That’s when Omri realizes that he needs to explain to Patrick that it’s more than just a game and there are real people involved.
Patrick is stunned when Omri shows him Little Bear, and when Omri tells him about the dead chief, he comes to realize that this game is serious. In spite of that, Patrick asks Omri to let him bring just one figure to life. At first, Omri tries to prevent Patrick from bringing another figure to life because the situation is already complicated enough, but Patrick does so anyway when Omri leaves him alone in his room … and the figure that Patrick picks is the cowboy.
Having an American Indian and a cowboy both in Omri’s room, even in miniature form is just as much trouble as Omri feared it would be. The two of them pose a very real threat to each other, and Omri tries to do his best to help them get along with each other. To make things more complicated, Little Bear says that he wants a wife, and the boys take him to the store to pick out a female American Indian from the plastic figures. The school principal sees the figures, but fortunately, decides that he’s just unwell and hallucinating. Meanwhile, Omri has to impress on Patrick that their little people are actually people and not toys simply to be played with. Of course, there’s only one way to ensure that their new little friends will be able to safely continue their lives: send them home!
Personally, I would have ended the game and sent Little Bear home as soon as I realized that he could die, like the chief in the story, but the boys keep their miniature living people for much longer. In fact, this is the first book in a series, and the boys have further adventures with Little Bear, Boone the cowboy, and other figures/people.
This book was commonly used in schools when I was a kid, and it might still be. When I was a kid, my teacher didn’t go into detail about Little Bear’s time period or explain about the context of his life and the conflicts with the French and Algonquin that he described. Now, as an adult, I have more context for understanding what he’s talking about. I also appreciate the author of the book pointing out that different types of Native Americans lived in different types of homes in the past, something that Omri didn’t understand at first, and I liked that Omri started doing his own research to better understand the Iroquois. The book never gives an exact date to Boone the cowboy or Little Bear’s time periods, but by context, Boone has to be more than 100 years younger than Little Bear, from sometime in the late 19th century. I appreciate having some historical details added to a fantasy story about toys coming to life, but the book isn’t very specific, focusing more on the complications involved in keeping miniature people from the past alive and secret in Omri’s bedroom.
There is also a movie version of this book. The book is available to borrow and read for free online through Internet Archive.
Mystery of the Witches’ Bridge by Barbee Oliver Carleton, 1967.
Thirteen-year-old Dan Pride is an orphan. His father was an international correspondent, and during his early years, Dan lived in different European countries, as his parents traveled around to his father’s assignments. However, three years ago, his parents died in a plane crash. Since then, Dan has been living in a British boarding school. Now, he has returned to the United States to live with his father’s brother, Uncle Julian. Dan doesn’t know what to think about his new town because it’s very different from everything that he’s known before, but he likes the idea of belonging to a family once again because he has been lonely since his parents died.
The Pride family lives in a New England seacoast town. They were one of the founding families of the town in Puritan times, but Dan discovers that the local people aren’t particularly friendly with the Pride family. Billy Ben Corey, a man who works for his Uncle Julian, explains that the Pride family has been rather stand-offish with the townspeople, and there are also rumors and stories about witches that go back to Puritan times. Billy Ben says that most of the modern locals don’t really know all the details of the witch incidents, but the vague rumors that have circulated about the Pride family have caused the townspeople to treat them with suspicion.
This sounds like a somewhat sinister beginning to Dan’s life in York, Massachusetts as he comes to understand how much of life there is governed by the past relationships between the oldest families of the area. Billy Ben tells him that the Coreys have worked for the Prides for generations, but relations between the Prides and the Bishop family haven’t been good and that Dan should avoid them.
Dan presses Billy Ben for more information, and Billy Ben tells him the story of how one of his ancestors, Samuel Pride, was accused of witchcraft back in Puritan times. Some unfortunate happenings at the time, which were probably just the result of bad luck and bad weather, were blamed on him because he was kind of an odd, temperamental person. He was known for playing the fiddle extremely well, and people said that he used it to summon up the devil in the form of a black dog out of the marsh. The person who made the accusation and who led the group that came to arrest Samuel Pride was an ancestor of the Bishop family. Samuel came out to meet the group that came to apprehend them on the old stone bridge that leads to the island in the marsh where the Pride family has their house and farm, Pride’s Point. The story goes that when Samuel met the mob on the bridge, he placed a curse on them, that doom would come for them out of the night, out of the fog, and out of the marsh. Samuel and his wife were executed for witchcraft, and not only after, there was a terrible fog and a sickness that killed many people in town. People said that it was the result of Samuel’s curse. That’s why the Prides and the Bishops have a bad relationship even though they’re neighbors, why the townspeople are still a little suspicious of the Prides, why the Prides are somewhat standoffish of the townspeople (When you think about it, who really wants to be outgoing and friendly with people whose ancestors not only killed yours but who are not welcoming or friendly themselves because they have continually looked at you and your family with suspicion for generations, like you’re the weird ones? The townspeople basically created this situation and have been perpetuating it ever since, yet they act like the problem is with the Pride family instead of themselves. Gaslighting is a relatively new term from the 20th century, but the concept has been around forever, used even by people who don’t know what it is and that it’s what they’re really doing.), and why people in the area are afraid of the stone bridge that they call the Witches’ Bridge, the place where the curse was supposedly delivered. Even into modern times, people in the area see strange lights in the marsh and hear mysterious fiddle music or dog howls that they think might be Samuel’s ghost.
There is still more to come because the mysterious misfortunes of the Pride family have continued even into modern times. Dan is named for his grandfather, Daniel Pride, who died suddenly under very mysterious circumstances, something that still haunts his Uncle Julian. Young Dan learns the story from Mrs. Corey, a relative of Billy Ben’s, who is Uncle Julian’s housekeeper. Daniel Pride had been working to change the family’s image in the eyes of the local people, debunk all the old ghost and witch stories, and lay past quarrels to rest. To try to make peace with the Bishop family and restore the Pride family’s former fortunes, Daniel had been trying to arrange to buy the shipyards that the Bishop family owned, which had formerly been owned by the Pride family. The Bishop family initially agreed to the sale, and one foggy night, Daniel went to see the Bishops to finalize the sale. What happened after that is still a mystery. Daniel was found dead the next day near the old chapel with a look of terror on his face. It’s known that he had a heart condition, so he apparently had a heart attack, but from the marks on the ground, it also appears that he had been running before he collapsed, possibly deliberately frightened to death. Also, there were marks on the ground nearby where his briefcase fell, but the briefcase containing the sale papers was never found. The superstitious people in the area think that Daniel’s death was another symptom of the family’s curse, but it might also have been deliberate murder and theft. The Bishop family insist that they never finalized the sale of the shipyard with Daniel before his death, but Uncle Julian believes that the sale was finalized and that the Bishops are lying to take advantage of his father’s sudden death, just like their ancestors arranged the execution of Samuel for their own advantage. Uncle Julian remains suspicious and bitter about what has happened, just as the townspeople continue to look at the Prides suspiciously.
All of this makes York seem like it’s not the best place to raise a sensitive young orphan, and that’s basically what Uncle Julian says to Dan when Dan arrives at Pride’s Point. Uncle Julian seems elderly and physically frail, and Dan senses that he is a deeply troubled man. Uncle Julian tells Dan that the family and the old family home have a troubled history. That’s why Dan’s father decided to go away and live his life traveling to different places, and that’s why Uncle Julian delayed sending for Dan for so long after his parents’ deaths. Uncle Julian doesn’t seem to think that Pride’s Point is a very healthy place, and he hints at buried secrets. However, he does say that, now that Dan is there, there are going to have to be some changes.
Dan doesn’t think this sounds too hopeful, and he’s lonely and disappointed that he hasn’t found the happy family and home he was hoping for and that he doesn’t even seem particularly welcome there. He can’t even really enjoy playing his violin because of the connection people there seem to have between “fiddle” music, witchcraft, and his supposedly sinister ancestor. As Dan is looking around his new bedroom that night, he suddenly spots a mysterious flashing light from his window, outside in the marsh. It’s creepy because it not only supports all the ghost and witch stories that Dan has just heard but because he recognizes the patterns in the flashes of light as Morse Code … and the message being sent is his own name: D-A-N P-R-I-D-E.
Dan doesn’t believe that any supernatural force was using Morse Code to flash his name at night. It was obviously some human person, but who would do that and why? What is the truth about his grandfather’s death? Is Uncle Julian right that the Bishops caused Daniel Pride to die and then lied about the sale of the shipyard to cheat the Pride family? Or is someone else responsible?
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I stand by my earlier statement that there is basically inter-generational gaslighting of the Pride family going on. It’s gone on for so long that the townspeople have trouble recognizing what they’re doing or stopping themselves from doing it, even though some of them seem to have the feeling that it isn’t right. At one point, some of the townspeople who come out to Pride’s Point to help fight a fire make jokes about the Pride curse. I could sense tension in them, and I think it was an attempt to lighten the mood, but under the circumstances, it wasn’t really appropriate for them to joke around, especially not about something that’s been a sensitive topic for the Prides, something that has literally caused members of their family to die and others to be persecuted for generations. Keep your audience in mind, and learn how to read a room, people of York!
Uncle Julian hates the stories and rumors that have circulated about his family since before he was born, but he doesn’t know what to do to stop it, and he sometimes wonders if it wouldn’t be better for the family to simply leave their old family home and start up again somewhere else. Mrs. Corey tells Dan that every single time anything bad happens in the area, people either look at the Prides suspiciously or find a way to blame them, even though they didn’t have anything to do with whatever it was. Dan can tell that Uncle Julian is so accustomed to having people blame him and his family for things and repeat scary stories about them that he halfway believes the stories in spite of himself, and he’s overly sensitive anytime it looks like the townspeople might be trying to blame the Prides for something yet again. That’s what makes this situation gaslighting, because the community’s constant untrue stories have warped even the Prides’ sense of reality and views of themselves. The community of York as a whole has created a situation that makes it difficult for the Prides to make friends with other people and get reality checks, and the most dangerous part of it is that among the few people that the Prides are in the habit of trusting is someone who turns out to be the person they should fear the most.
I couldn’t help but notice that there was someone in the story that Dan trusted too much in the beginning. It’s partly because Dan is young and in a situation where he is just getting to know the circumstances and people involved, but even when this person says things that are untrue, contradictory, or just plain mean, he doesn’t call him on it or seem to question within himself why this person is talking like that, at least not until about the middle of the book. Gaslighters will do this to a person, playing mind games, lying, alternately being friendly and praising their victim and then putting down their victim and/or trying to blacken their name to other people, discouraging them from getting close to people who care about them and might actually help them, acting like normal things that the victim does or feels are somehow weird or abnormal, trying to keep their victims in a constant state of confusion, unsure of what the reality of the situation really is. Although I found myself angry with the people of York in a general way for perpetuating something awful that their ancestors did for generations and for being apparently oblivious to what they’re doing in modern times, there is a definite villain in the story who is both deliberately and concretely evil.
There is a parallel drawn in the story between Uncle Julian’s big, black dog, Caliban, who is disfigured from an old injury and the Pride family themselves. Dan is afraid of the big dog, and Billy Ben tells him that it attacked him once, but Uncle Julian says that Caliban is just distrustful because he was badly abused and injured in his earlier life. People are like that, too. I understand that because I used to volunteer at an animal shelter, and that’s where I got my dog, Betty. (If you look at my About page, you’ll see a picture of Betty.)
I’ll never know Betty’s complete history because she was found wandering alone without a collar before she was brought to the shelter. However, I’m pretty good at reading between the lines, and I can read at least part of the story from her behavior. Betty is afraid of anyone, even me, walking behind her, and I’ve noticed since her shelter days that sometimes, her back end looks a little off-center when she runs. Her tail has an odd, permanent bend at the very tip that we didn’t discover until we had the hair on it trimmed. I think she’s been kicked hard from behind before, hard enough to leave permanent injury. She’s not as scared of things as she used to be after having lived with my family for a few years, but she used to be terrified of newspapers or anybody standing over her with anything in their hands, so I think she’s been hit with things before. Betty also gets scared when people laugh. She’s not as scared as she used to be because she’s gotten used to us laughing at something funny on tv, but there are times when she’s cringed and slunk away with her tail between her legs from people when they laugh and she can’t figure out why they’re laughing. Betty’s fear of laughter actually disturbs me because I think I know why it scares her. Based on her reaction, I’ve think that it’s likely that whoever hurt Betty before laughed when they did it. I think Betty has an association between laughter and pain, and that’s why she takes laughter as a bad sign, reacting fearfully to it when she thinks it might be directed at her. Laughing while inflicting pain is a sick thing to do, the product of a sick mind. There are stories in Betty’s reactions, and I’m disturbed by the mental picture I have of the person who had Betty before.
I have to admit that my own history has also both colored/given me insight into Betty’s behavior. If it isn’t obvious from comments in my previous reviews, I don’t see teasing as a positive thing. I’ve reacted to it in the past much like Betty does to sudden, unexplained laughter, which is why I understand the feeling behind it. Some people say that they like to tease their friends and people they like, but I just don’t like it, and I’ve learned to be more open and honest about how I never will like it. I do not have good feelings about people who tease others for fun, and I deeply resent being told that I have to like it because the people doing it are “just having fun.” It’s not a bonding activity, not with me, no matter who says it is. I absolutely refuse to “bond” with anyone who does it. Anyone telling me that I have to change myself to like people who tease is 100% guaranteed to get on my bad side. I have a bad history with teasing and bullying, I have a bad history with the people who do it, and I just don’t want to be around it. Teasing involves getting a laugh at someone else’s expense, benefiting from their discomfort, and getting a good feeling from making someone else feel bad. I don’t think any of that is right, and it doesn’t take much for it to get way out of hand, especially when people have the impulse press harder to get the reaction they want to their “jokes”, like the other person just didn’t get it, instead of cutting it out when their “jokes” just aren’t funny. It’s always awkward when it comes from people who don’t know the sore spots that they shouldn’t poke at and try to act like they’re special friends who should be cut some slack when the reality is that we don’t really know each other that well, we’re not really close friends, and no such special relationship actually exists between us. Real friends understand and demonstrate respect for each others’ feelings, and they don’t intentionally poke at a friend’s sore spots, like the people of York did to Uncle Julian with their jokes in this story.
What ties all of this together is that Betty’s reaction to laughter is like Uncle Julian’s reaction to the townspeople and their jokes and comments; it’s a conditioned response from long-term negative association. The townspeople are uneasy because Uncle Julian doesn’t laugh with them, but Uncle Julian doesn’t laugh with the townspeople because none of it was actually funny. By perpetuating these witch stories, even in the form of “jokes”, they’re constantly feeding the myths and ghost stories and making the situation worse, and they don’t seem to care about how he or his family feels or how it affects their lives. You can tell who respects you and who doesn’t by seeing who tries to treat you the way you want to be treated. The people of York were making jokes to soothe their own feelings, sharing in-jokes that they’ve had with each other at the Prides’ expense, and they got really uncomfortable when suddenly confronted with Uncle Julian’s, feelings that they helped to provoke and didn’t want to deal with.
Don’t worry about Betty. It’s sad that she’s been afraid of things and it’s kept her from being more outgoing and friendly, but we’re working through it. In non-pandemic times, I take her to places where I know she’s welcome, and she has acquired a fan club of people who like to see her and say hi whenever we visit. Anytime she seems uneasy because we’re laughing about something, I sit next to her, pet her, and praise her for being a Good Girl so she knows that nobody is trying to be mean to her and that we value her. When someone has been programmed through negative reinforcement, positive reinforcement is needed for balance. I’m trying to build more positive associations for her. It’s working, and she’s improving. She behaves very well and is very happy little dog when she’s treated well. Don’t worry about me, either. I’ve had some bad experiences, but I’m not the only one who’s had to deal with this stuff. There are lots of different kinds of people in the world, and I’ve learned some things about finding the kind of people I want to be around and making it clear how I want to be treated. I just gripe and vent now and then because I don’t like mean behavior or seeing others in these situations, and I’m all out of patience for it. I’ve learned what to do to help remedy such problems, but that doesn’t stop me from resenting the people who create problems that need to be solved.
The way both people and animals behave offers clues about what’s been happening with them. Sometimes, they offer warning signs of people to avoid, and sometimes, they are signs that the person or animal is in distress and needs some outside help and support. Caliban’s behavior in the story is more defensive than aggressive. That is, Caliban is reacting, not instigating … and if I saw what Dan saw in the story, I would know immediately to be very suspicious of the person Caliban hates the most because it explains where the source of harm in his life is. In a similar way, the Pride family is mostly reacting, not instigating. They have been harmed, both physically and psychologically, for an extended period of time, and while they seem to have the sense that’s the case, they’ve been too close to the problem for too long to see what the source of the greatest harm really is. But, about halfway through the book, Dan does learn to correctly read the people around him and comes to realize who is really his friend and how isn’t, based not on how others talk about them but by how they each actually treat him. When you pay attention and think about people’s actions in context, you can see who really has your best interests at heart and who doesn’t.
Dan spends much of the story, particularly at the beginning, feeling like he is unwanted, both in York and at Pride’s Point. At first, he thinks that his Uncle Julian doesn’t want him, but he gradually realizes that’s not it. There is someone else who doesn’t want Dan there, for reasons of their own. As I was reading, I noted times when this person said and did things that manipulated Dan’s feelings, even actively trying to make Dan feel bad while carefully seeming “honest” or “helpful” so Dan would continue to listen. I felt so much better when Dan finally realized the truth about this person. I have to say that I was really angry with Uncle Julian when I discovered that he was fully aware of who hurt his dog and that he still trusted this person. For me, the first hint of that would have caused me to permanently sever the relationship because it’s sick behavior and a sign of a disturbed mind, but I can only suppose that he felt unable to because he had been dependent on this person for too long, largely shunned by the wider community, who could have given him a reality check if they’d had a firmer grasp on reality themselves.
Dan, who had never heard of the Bishops before arriving in York, finds himself becoming angry and resentful of them, hating them for what they’ve done to his family for generations. His uncle even warns him not to get involved with the family, but that’s exactly what the real villain wants. When Dan makes friends with a boy named Pip Cole and his twin sister, Gilly, he confides his anger at the Bishops and how he blames them for this whole mess and for perpetuating it for generations, but Pip knows more about the situation than Dan suspects, and he has seen a different side of the problem. Pip tells Dan his family would have less problems if they would just forgive the Bishops, but Dan doesn’t believe it at first because, the way he sees it, the Bishops are the villains, who have actively profited from their villainy all along. I appreciate Dan’s situation. Pip doesn’t fully appreciate that, for Dan and his uncle, it’s not just about the past because they’re still actively suffering from the townspeople’s stories, rumors, and suspicions about them. It’s hard and maybe impossible to forgive something that’s ongoing from people who see no problem with the situation and aren’t particularly sorry. On the other hand, the resolution of this situation requires at least one of the parties involved to make the first move. Dan’s grandfather was trying, but his mysterious death prevented his mission from being completed. Even Uncle Julian reveals that he had been prepared to forgive the Bishops and marry their daughter, but some of the circumstances of his father’s death led him to believe that his fiance actually had a hand in it, and that apparent betrayal is what has left him such a haunted man all of these years.
The stories that Dan has heard about his family are not the complete story. Dan eventually comes to realize that the Prides and the Bishops each have only half of the real story, and because of their reluctance to associate with each other, the Bishops partly out of continued superstition and guilt, not knowing how to deal with the Prides’ anger, and the Prides, because they are both justifiably angry and accustomed to unfair treatment and being shunned by the community. However, it’s important that they do talk to each other because it’s the only way for each of them to get the complete picture of what’s really been happening and learn the real villain’s true motives.
The key to establishing the truth is in the missing briefcase, and both Dan and his enemy are searching for it. Dan needs to make peace with his family’s past, and he finds some help from a mysterious hermit called Lamie, who lives alone in the marsh. Lamie is another outcast of the York community. People avoid him because he has a reputation for being weird. People in this community in general may be “normal” in the sense that their behavior is fairly uniform, but uniformity by itself isn’t a virtue. When you’ve got an entire community doing something they shouldn’t, being the odd one out can be a good thing. Lamie helps Dan when he needs it, and Dan discovers that Lamie is actually a very kind and understanding person. Lamie’s solitary lifestyle is rather unorthodox, but he’s actually happy in his solitude because he knows who he is, he takes care of himself, he’s comfortable with himself, and he’s living the kind of life he likes, in touch with the natural world. When Dan talks to Lamie, he realizes that Lamie is comfortable with his own identity and at peace in his own mind in a way that his uncle isn’t. Even more importantly, Lamie sees things from a different perspective because he isn’t part of the groupthink of this community.
Lamie was friends with Dan’s grandfather, and he tells Dan about a hidden chamber built by the Prides’ ancestors, where Dan’s grandfather kept important family papers. However, Lamie tells Dan that he isn’t sure that he should look for it if his only motive is revenge. Dan does have a desire for revenge after all of the stories of injustice toward his family that he’s heard and what he’s suffered himself since he arrived in this area. Lamie helps to calm Dan’s desire for revenge by quoting from St. Francis of Assisi, emphasizing the importance of forgiveness instead of revenge. The part about truth speaks to Dan, and he comes to realize that what he really wants, more than revenge, is to know the truth about what happened to his grandfather. Lamie tells him that he saw some of what happened the night his grandfather died, from a distance. Because of the fog, he couldn’t see everything, but he knows that the Bishops were telling the truth that Dan’s grandfather didn’t make it to their place that night to complete their deal, defusing Dan’s anger at them for their supposed lies. Lamie’s memories also give him clues about the true identity of his grandfather’s attacker and the location of the secret hiding place. However, to find it and to evade his enemy, Dan will need the help of the very people his uncle has forbidden him to associate with.
I found the parts about the gaslighting of the Pride family and the poisonous duality of their true enemy frustrating and anger-inducing, but once Dan speaks to Lamie (really, my favorite charcter in the story) and begins to sort out who he can trust and who he can’t, I felt a lot better. The story is very atmospheric, with a grand old house and property, surrounded by a foggy marsh, and even when the characters know who their enemy really is, they are kind of trapped with him in a dangerous cat-and-mouse situation as they both race to find what they’re really looking for. By the end of the book, all of the old mysteries are wrapped up, including the source of the the mysterious “fiddler” music.
Fabrizio was an orphan living on the streets of the medieval city of Pergamontio before he was taken in as a servant by Mangus and his wife, Sophia. It was really Sophia’s idea that Mangus needed a personal servant. Mangus says that he is able to take care of himself, and he is impatient with Fabrizio because Fabrizio is ignorant and uneducated.
When Sophia goes to visit her sister, Fabrizio tries extra hard to please Mangus so that Mangus will continue to let him live in his house. Mangus is primarily a scholar, but he supplements his income by performing magic tricks at a local tavern. That evening, a black-robed figure appears at the magic show, warning of danger coming to Mangus. The next day, the magistrate, DeLaBina, accuses Mangus of spreading papers with treasonous messages about the king around the city. During this time, all writing is by hand, and no one can understand how these papers can all look so identical unless they were produced by magic.
At first, DeLaBina offers to let Mangus go if Mangus gets rid of the papers and reveals the identity of the traitor. When Mangus protests that he cannot do real magic and that he knows nothing about the papers, he is arrested. Shortly afterward, DeLaBina is murdered. Fabrizio’s only hope of saving his master, and himself, is to find the real traitor.
The book is available to borrow and read for free online through Internet Archive.
My Reaction and Spoilers
I didn’t like this book as well as I liked the original Midnight Magic. Partly, the problem was that I feel like some of the events of this story should have changed people and events in the other book, and they don’t because this book, which is supposed to take place earlier than the other story, was actually written after the other story. It all just seems out of order, and I didn’t like the addition of Prince Cosimo to the royal family. In this book, Prince Cosimo is the crown prince of Pergamontio, not Prince Lorenzo from the previous book. Prince Cosimo did not appear in Midnight Magic (although his absence is explained by the end of this book) and was never even referred to in that book (which is the part that really bothers be me everyone in that book would have known all about him and what happened to him, and I feel like Fabrizio should have at least thought about him in passing, it’s just weird when characters suddenly exist in a series that you know didn’t exist before).
Basically, there is a plot (although not by the person who did the plotting in the other book) to overthrow the king, who is wildly superstitious. The printing press is a relatively new invention in this time period, and Pergamontio has never had one before, which is why no one can understand why the writing on the papers is so strangely uniform. This is the other thing that bothers me about this book. Pergamontio is supposed to be somewhat backward in comparison to other kingdoms, partly because the king is so superstitious, but it just seems like going a bit far for people to suspect that oddly-uniform writing would be a sign of witchcraft because people of that time would already be aware of the existence of signet rings and official seals which were used as stamps in wax to mark documents, like a kind of signature. Like a printing press, those would also produce an identical image, time after time of use. Basically, they’re all just complex forms of stamps. Superstitious or not, I think that people of that time who were capable of reading probably would have been able to tell that a stamp of some kind was being used, even though they might not have seen one as complex as a printing press before.
In the story, a family has recently brought a printing press to the city, and printing the treasonous papers was the first job they were hired to do. Shortly afterward, Maria, the daughter of the family, was arrested while passing out the papers. Her parents are taken into custody by Count Scarazoni, who is a sinister character in his own right but is actually in opposition to the real traitor in this book.
Scarazoni was the figure in the black robe who tried to warn Mangus. Fabrizio is arrested when he tries to gather up more of the papers for Mangus so they can learn where they came from. He is nearly executed for treason, but he is saved by Scarazoni because Scarazoni realizes that the real traitor wanted him dead because he feared that Fabrizio might know too much. At the prison, Fabrizio meets Maria and helps her to escape as well. Maria explains to him the true origins of the papers, and they find DeLaBina’s body. This is the murder referenced in the title of the book, and they must solve it to uncover the identity of the real traitor!
As in the other book in this series, Fabrizio and Mangus use a magic trick at Mangus’s trial to shock the traitor into revealing himself. Although, at the end of the story, the king still believes that Mangus is a real magician, Scarazoni points out that without Mangus’s “magic” the real traitor might not have been discovered. The king tells Mangus that he will let him go provided that he confine himself to his own home and no longer practice magic, setting events up for the beginning of the other story.
The Hidden Treasure of Glaston by Eleanore M. Jewett, 1946.
The
year is 1171. Twelve-year-old Hugh, a
somewhat frail boy with a lame leg, arrives at the abbey of Glastonbury with
his father on a stormy night. Hugh’s
father is a knight, and in his conversation with Abbot Robert on their arrival,
he makes it known that, although he loves his son, he is disappointed in the
boy’s frail condition because he can never be a fighter, like a knight’s son
should be. The abbot rebukes him, saying
that there is more to life than war and that he, himself, is also of noble
blood. The knight apologizes, and says
that, although it is not really the life that he would wish for his son, he asks
that the abbey take him in and educate him.
Although the knight (who refuses to give his name, only his son’s first
name) says that he cannot explain his circumstances, the abbot senses that the
knight is in trouble and is fleeing the area, perhaps the country of England
entirely.
It is
true that the knight is in trouble, and he is fleeing. Since Hugh’s health is delicate, his father
cannot take him along in his flight.
Realizing that the abbey will provide him with a safer life, Hugh’s
father wants to see him settled there before he leaves and gives the abbey a
handsome gift of expensive, well-crafted books as payment for his son’s
education. The abbot is thrilled by the
gift, although he says that they would have accepted Hugh even without it. Then, the knight leaves, and the monks begin
helping Hugh to get settled in the abbey.
Hugh is upset at his father’s leaving and the upheaval to the life he has always known, although he knows that it is for the best because of his family’s circumstances. Although the story doesn’t explicitly say it at first, Hugh’s father is one of the knights who killed Thomas Becket, believing that by doing so, they were following the king’s wishes. Hugh’s father did not actually kill Beckett himself, but he did help to hold back the crowd that tried to save Beckett while others struck the blows, so he shares in the guilt of the group. Although Hugh loves his father, he knows that his father is an impulsive hothead. Now, because of the murder, Hugh’s father is a hunted man. By extension, every member of his household is also considered a criminal. Their family home was burned by an angry mob, their supporters have fled, and there is no way that Hugh’s father can stay in England. However, the prospect of life at the abbey, even under these bleak circumstances, has some appeal for Hugh.
Hugh has felt his father’s disappointment in him for a long time because his leg has been bad since he was small, and he was never able to participate in the rough training in the martial arts that a knight should have. Even though part of Hugh wishes that he could be tough and strong and become the prestigious and admired knight that his father wishes he could be, deep down, Hugh knows that it isn’t really his nature and that his damaged leg would make it impossible. Hugh really prefers the reading lessons he had with his mother’s clerk before his mother died. His father always scorned book learning because he thought that it was unmanly, something only for weak people, and Hugh’s weakness troubles him. Hugh’s father thinks that the real business of men is war, fighting, and being tough. However, at the abbey, there are plenty of men who spend their lives loving books, reading, art, music, and peace, and no one looks on them scornfully. For the first time in Hugh’s life, he has the chance to live as he really wants to, doing something that he loves where the weakness of his bad leg won’t interfere.
The abbot is pleased that Hugh has been taught to read and arranges for him to be trained as a scribe under the supervision of Brother John. Hugh enjoys his training, although parts are a little dull and repetitive. Hugh confides something of his troubles in Brother John, who listens to the boy with patience and understanding. Although he does not initially know what Hugh’s father has done, Hugh tells his about the burning of his family’s home, how they struggled to save the books that they have now gifted to the abbey, and how there were more in their library that they were unable to save. Hugh tells Brother John how much he hates the people who burned their home and how much he hates the king, who caused the whole problem in the first place. His father would never have done what he did if the king hadn’t said what he said about Thomas Becket, leading his knights to believe that they were obeying an order from their king. Brother John warns Hugh not to say too much about hating the king because that is too close to treason and tells him that, even though he has justification for hating those who destroyed his home, he will not find comfort in harboring hate in his heart. He also says that not all that Hugh has lost is gone forever. People who have left Hugh’s life, like his father, may return, and there are also many other people and things to love in the world that will fill Hugh’s life. Brother John urges Hugh to forget the past and enjoy what he has now. When Hugh says how he loves books but also wishes that he was able to go adventuring, Brother John says that adventures have a way of finding people, even when they do not go looking for them.
One
day, when Brother John sends Hugh out to fish for eels, Hugh meets another boy
who also belongs to the abbey, Dickon.
Dickon is an oblate. He is the
son of a poor man who gave him to the abbey when he was still an infant because
he was spared from the plague and wanted to give thanks to God for it. Dickon really wishes that he could go
adventuring, like Hugh sometimes wishes, although he doesn’t really mind life
at the abbey. Because Dickon is not good
at reading or singing, he helps with the animals on the abbey’s farm. Although he is sometimes treated strictly and
punished physically, he also has a fair amount of freedom on the farm,
sometimes sneaking off to go hunting or fishing. He also goes hunting for holy relics. Dickon tells Hugh about the saints who have
lived or stayed at the abbey and how the place is now known for miracles. He is sure that the miracles of Glaston will
help heal Hugh’s leg, and he offers to take him hunting for holy relics. Hugh wants to be friends with Dickon, but at
first, Dickon is offended that Hugh will not tell him what his last name
is. Dickon soon realizes the reason for
Hugh’s secrecy when a servant from Hugh’s home, Jacques, comes to the abbey to
seek sanctuary from an angry mob that knows of his association with Hugh’s
father.
The abbot
grants Jacques temporary sanctuary but tells him that he should leave the country
soon. When Dickon witnesses Jacques’s
explanation of why the mob was after him, comes to understand his connection to
Hugh. Although the mob does not know
that Hugh is actually connected to Jacques, Dickon spots the connection and
tells Hugh that he forgives his earlier secrecy. Dickon even helps Jacques to leave the abbey
the next day, in secret.
Now
that Dickon knows Hugh’s secret, he lets Hugh in on his secrets and the secrets
of the abbey itself. He shows Hugh a
secret tunnel that he has discovered.
There is an underground chamber between the abbey and the sea where more
parchments and some other precious objects are hidden. Dickon doesn’t know the significance of all
of the objects, although there appear to be holy relics among them. Dickon’s theory was that monks in the past
created this room and tunnel to store their most precious treasures and get
them away to safety in case the abbey was attacked and raided. At some point, part of the tunnel must have
collapsed, blocking the part of the tunnel leading to the abbey. The boys are frightened away when they hear
the ringing of a bell and can’t tell where it’s coming from. Could there have been someone in a part of
the tunnel that is now blocked off from the part where they entered?
Since Hugh is sworn to secrecy concerning Dickon’s discovery, he can’t ask Brother John about it directly, but he gets the chance to learn a little more when Brother John asks him to help clean some old parchments so they can reuse them. Most of them are just old accounting sheets for the abbey that they no longer need. Brother John said that they were stored in an old room under the abbey. Hugh asks Brother John about the room and whether there are other such storage rooms underground. Brother John says that there are rumors about a hidden chamber somewhere between the abbey and the sea where they used to store important objects for safety, but as far as he knows, no living person knows where it is or even if it still exists. Hugh asks Brother John about treasures, but as far as Brother John is concerned, the real treasures of the abbey are spiritual. However, when Hugh notices some strange writing on one of the parchment pieces that doesn’t look like accounting reports and calls it to Brother John’s attention, Brother John becomes very excited and orders him to stop cleaning the parchments so that he can check for more of the same writing. Among the other scrap parchments, they have found pieces that refer to Joseph of Arimathea, who provided the tomb for Jesus after his crucifixion. According to legend, Joseph of Arimathea also took possession of the Holy Grail, the cup that Jesus used at the Last Supper, which was supposed to have special powers, and that he left the Middle East and brought the Holy Grail to Glaston, where it still remains hidden. This story is connected to the legends of King Arthur, who also supposedly sought the Holy Grail. The parchments may contain clues to the truth of the story and where the Holy Grail may be hidden.
This story combines history and legend as Hugh and Dickon unravel the mysteries of Glastonbury and change their lives and destinies forever. Although Hugh and Dickon both talk about how exciting it would be to travel and go on adventures, between them, Hugh is the one whose father would most want and expect his son to follow him on adventures and Dickon is the one who is promised to the abbey. However, Hugh loves the life of the abbey and serious study, and Dickon is a healthy boy who is often restless. Their friendship and shared adventures at the abbey help both Dickon and Hugh to realize more about who they are, the kind of men they want to be, and where they belong. Wherever their lives lead them from this point, they will always be brothers.
There are notes in the back of the book about the historical basis for the story. In the book, the monks find the tomb of King Arthur and Guinevere. Although the story in the book is fictional, the real life monks of Glastonbury also claimed to find the tomb of King Arthur. The bones they claimed to find were lost when the abbey was destroyed later on the orders of Henry VIII, but this documentary (link repaired 2-27-23) explains more about the legends and history of King Arthur. The part about Glastonbury is near the end.
The Door in the Wall by Marguerite de Angeli, 1949.
The story takes place in Medieval England. Robin is the son of a noble family. All his life, there has been the expectation that Robin would learn to be a knight, like his father. Soon after Robin turns ten years old, Robin’s father goes away to fight in Scotland, and Robin’s mother arranges for him to be sent away to begin his training as a knight while she takes a position as lady-in-waiting to the queen. However, soon after his parents’ departure, Robin becomes terribly ill and loses the use of his legs.
Now, Robin is miserable and wishing that his mother was still with him to help him get over his illness. Instead, he is looked after by servants. Then, after Robin throws a fit and refuses to eat, his servants disappear. The next person Robin sees is Brother Luke, a friar from St. Mark’s monastery. The friar tells him that his servants were ill and have fled from the plague, but one of them sent him to care for Robin. He feeds Robin and tells him that he will take him to St. Mark’s and continue to care for him there. Robin tells Brother Luke about how he was supposed to be taken away for training but that he was unable to go because he was ill, and he asks how they will get to St. Mark’s because he cannot walk. Brother Luke says that the man who was supposed to escort him to the castle where he would live and be trained as a knight may be unable to get back into London because travel is restricted due to the plague, so Robin’s training will have to wait. As for how they will travel, Brother Luke has a horse that they can ride.
Before they leave, Brother Luke asks Robin to remember the wall around his father’s garden and the wall around the Tower. He points out that all walls have a door in them somewhere and that if you follow a wall long enough, you will eventually find the door. At first, Robin doesn’t understand what Brother Luke is trying to tell him, but the metaphor is the theme of the book and it becomes clear through the adventures that follow. The wall stands for adversity, and the door stands for solutions to problems, other paths to take, and ways to move forward in life. What Brother Luke is trying to say is that there are many types of problems in life (the walls), but that problems have solutions (doors). There are ways around obstacles, and if you persevere, you will find them. He reminds Robin of this throughout the story.
At St. Mark’s, Robin stays in Brother Luke’s quarters, and Brother Luke takes care of him. When Robin is a little stronger, Brother Luke gives him wood to whittle. When he grows stronger yet, Brother Luke gives him writing lessons. As the plague begins to pass and there are fewer patients to tend to, Brother Luke begins to carry Robin around or push him in a cart, taking him to visit other parts of of the monastery.
Since Robin still cannot walk, Brother Luke thinks it’s important to keep his mind and hands busy, one of the first “doors” that he finds for Robin around his current limitations. Brother Matthew oversees Robin as he learns and practices carving wood, teaching him patience when he has a temper tantrum on ruining one of his first projects. Brother Luke helps Robin to write a letter to his father, in which Robin explains his current situation, and a traveling minstrel, John-go-in-the-Wynd, will carry it to Scotland when he goes there with some soldiers. Later, Brother Luke even takes Robin to go fishing and begins teaching him to swim. In spite of these improvements, Robin still worries about his inability to walk and how it will affect his future and his father’s hopes for him to be a knight.
When John-go-in-the-Wynd returns with a reply from Robin’s father, Robin’s father says that he is distressed to hear that Robin has been ill, although he thankful that Robin did not get the plague and die with so many others. Robin’s illness was severe, but he is already showing signs of recovering. His father has made arrangements for him to travel to the castle of Sir Peter in Shropshire, who is Robin’s godfather and where he was meant to go for his training, accompanied by Brother Luke and John-go-in-the-Wynd, as soon as he is well enough to travel. Since Robin has already become well enough to make himself a pair a crutches with his new woodworking skills and has begun to use them, they decide to proceed with the journey.
On the journey to Sir Peter’s castle, they have adventures, narrowly escaping from thieves and visiting a fair in Oxford. Robin encounters Welsh speakers for the first time. Although Robin is worried about what Sir Peter will think of him when he sees his condition, Sir Peter welcomes the travelers gladly. He has recently been injured in battle and still recovering himself. Robin says that he doesn’t think that he will make a very good page because of his difficulties in walking but that he can read, write, and sing to provide entertainment. Sir Peter says that there are many ways to serve others and that people must do what they can.
Brother Luke and John-go-in-the-Wynd stay at the castle to help Robin settle in, and Sir Peter gives Robin duties that he can perform. Robin asks Brother Luke if he thinks that he will ever be able to walk normally again, and Brother Luke admits that he doesn’t know but that he is sure that Robin will have a fine life ahead of him. People are not perfect, but everyone has to do the best they can with what they have. Robin soon learns to get around well enough to navigate the castle easily and play with the other boys, but he is still bent and unable to walk without crutches. Robin’s disability and the craftsman skills he learned from the monks have taught him patience and that he feels better after accomplishing difficult tasks.
Then, one foggy day, the Welsh surround and attack Sir Peter’s castle. The defenders hold out in the keep, but they begin to run low on food, and strangely, the well seems to be running dry. As they run low on water, hope seems to be lost. They begin to devise a plan for someone to slip out and go for help. Robin volunteers to go. He knows where John-go-in-the-Wynd is staying with his mother nearby, and he can tell him about the situation in the castle and where to go for help. Robin knows that if anyone catches sight of him, he will look like a poor, lame, shepherd boy, and no one will suspect him of coming from the castle.
Robin has felt badly about his new disability, but his youth and disability are actually what allow him to pass unchallenged through the enemy lines. Suddenly, his disability actually becomes an advantage, allowing him to do what others cannot. Robin’s future may not be the one that he first expected, but he has found ways to move forward in his life and ends up a hero!
The book is a Newbery Award Winner. It is available to borrow and read for free online through Internet Archive (multiple copies).
William’s Doll by Charlotte Zolotow, pictures by William Pene du Bois, 1972.
A boy named William wants a doll to play with, like the one the girl next door has. Other boys make fun of him and think he’s a little strange, calling him a “sissy,” but he likes the idea of having a doll to love that he could treat like it was a real baby.
William’s father buys him toys that boys usually like, like a basketball and a train set. William likes the train set and gets pretty good at basketball, but he still wants a doll of his own.
When his grandmother comes to visit, William tells her about wanting a doll, and she decides that it’s a good idea and gives him one. William’s father worries about it, but the grandmother reassures him that there’s nothing to worry about. William’s desire for a doll is a fatherly instinct, not because he’s a “sissy.” William likes having something small to love and care for, like a father would for a real baby, and it’s a good thing for a boy to learn the gentleness and responsibility that he would need to know as a future father.
The book is available to borrow and read for free online through Internet Archive.
Further Thoughts and My Opinion
The book has two messages. First, not everyone feels bound by gender when it comes to the things that they like, and there’s no reason to feel like they should. Sometimes, people feel pressure to like what their friends like or what society think that they should like and to deny that they like certain things because they’re worried that people will think that they’re weird or uncool, which can be an uncomfortable position to be in. Speaking as a childless adult who likes, collects, and reviews children’s books, I know how that is. If it was going to stop me, I wouldn’t have maintained this blog for almost four years, and I wouldn’t have more than 600 books reviewed here, not to mention what’s hanging around my room right now. I’m not even halfway though my personal collection yet.
When you think about it, it does seem kind of unfair that even people who support a little girl’s right to play with traditional boys’ toys, like toy cars, can sometimes get uneasy about the idea of a boy playing with a doll. People weren’t always so understanding when girls wanted to do “boy” things, like play sports, and there are times when they could be a little more understanding about boys who sometimes want to do “girl” things, too. Some people might consider cooking to be more of a girl’s hobby than a boy’s hobby, but some of the most famous chefs in the world are men, and what woman wouldn’t be impressed by a boyfriend who can cook a romantic dinner? People might think that sewing is a girl’s hobby, too, but many professional tailors and leather workers are men as well, and there are some guys who make their own costumes for historical reenactments. To some people, poetry might sound girly and too sentimental for a boy, but try telling that to Shakespeare, Robert Louis Stevenson (who wrote, among other things, poems for children), Percy Shelley (“Look on my works, ye Mighty, and despair!”), and all of the other famous men who have been authors and poets. Sometimes, people just aren’t looking at the big picture. I think that, partly thanks to books like this, people have been loosening up a little on some of the “shoulds” in life – what they think people “should” do or “should” like.
No one in the story says anything about sexual orientation, although that may be part of the father’s worry and possibly the root of the “sissy” accusations. In the story, William is too young to be concerned about sexual relationships, and his wish for a doll has nothing to do with who he might want to date or marry in the future. He has very specific reasons for wanting a doll, which he explains, and they have nothing to do with sex or romance. I’m not going to speculate about William’s potential orientation because it’s outside of the range of this story, and actually, I think that the story is stronger if his orientation is completely unrelated to his wish for a doll. If the other boys and William’s father think that the doll automatically points to homosexuality, they may be overstepping. Part of the grandmother’s point is that emotions like love and caring go beyond the idea of sex, and gentleness and nurturing qualities are good things to encourage. Also, William’s efforts to stand up for what he wants, even knowing that others don’t agree with him, could be seen as a first step to becoming his own man. Who’s really more of a “sissy,” the guy who lets his friends lead him around by the nose and tell him what to think because he’s scared of being called a “sissy,” or the guy who will stand up and defend his baby, taking care of it no matter what?
The grandmother’s explanation leads to what I think is the second message, that having gentle, loving, and nurturing qualities doesn’t make a boy less of a boy or, by extension, a man less of a man. These are human emotions, and all humans have some desire for these feelings. These are the feelings that real relationships are built on: closeness, gentleness, and nurturing. These are qualities that women look for in husbands. These are also qualities that make a man a good father, which is ultimately what William wants to be when he grows up. Children have male parents as well as female parents, and it’s fine for William to want to be a good parent someday.
We don’t know, at the end of the story, how long William’s interest in the doll will last. Children sometimes go through phases where they’re really interested in something, and a few months later (maybe sooner, depending on the kid’s attention span), they put it aside when something new comes along. William is trying out a concept in his life, which is a large part of growing up, and once he’s tried it out, he may either build on it or move on to other things. Given William’s interests and character, I think he will probably remember the feelings he’s had and the lessons he’s learned even after he puts the doll aside. When he’s a little older, perhaps he’ll earn some extra money by babysitting younger kids in the neighborhood. Maybe he’ll combine his varied interests and end up coaching a kids’ basketball class at the local community center. He might end up being a teacher as well as a father, since he likes the idea of nurturing young children.
People who grew up in the 1970s may remember the story of William’s Doll from the cartoon and song on Free to Be… You and Me. There was also a short live action film of the story. In the live action film, it was a grandfather who bought William a doll, and the grandfather reminds the father that he also had a doll for awhile when he was small, reminding him that children grow and change, and this phase in William’s life is just part of his path of growing up. The short film was later parodied on Rifftrax.
Harold and the Purple Crayon by Crockett Johnson, 1955.
Harold loves drawing things with his purple crayon. In fact, everything in the story is a creation of Harold’s, drawn with his purple crayon.
First, Harold decides that he wants to go for a walk in the moonlight. He draws a moon and a path that he can follow.
Along the way, he decides to draw a forest with an apple tree. However, he makes the mistake of drawing a dragon to guard the tree, and it frightens him.
Harold’s hand shakes, and he accidentally draws water and falls in. Fortunately, he also draws a boat and sails to a beach where he can have a picnic lunch.
After a series of adventures, Harold decides that he wants to go home, but he has trouble finding his home. He looks for his bedroom window, and then realizes that his window should look out on the moon, which is still in the sky.
After drawing his window and bed, Harold goes to sleep.
The story is rather surreal. We never see Harold’s real home or any other people who are not drawn by Harold. All we see in the story is Harold and the things he draws with his purple crayon. This is a story about the power of imagination, and at the end, we can only imagine Harold’s real life because we never see him return to it.
The book is available to borrow for free online through Internet Archive (multiple copies).
Where the Wild Things Are by Maurice Sendak, 1963.
One evening, Max puts on his wolf costume and starts causing trouble all over the house. His mother calls him a “wild thing” and sends him to bed early without supper.
As Max mopes in his room, a forest grows around him, and Max climbs into a boat and sails away.
Max eventually arrives at “the place where the wild things are.” There are all kinds of wild beasts and monsters there, and they make Max their king because he’s the wildest of them all.
After they all go parading about and swinging from trees, Max sends all the wild things to bed and is lonely because he wants to be with someone who loves him.
So, Max sails home again to have his supper, which is waiting for him, still hot.
Max’s magical journey is in his own head. Angry and hurt at being told off for his behavior, he imagined himself far away from where he was being punished, in a place where he could act any way he wanted and tell other people what to do. But, that wasn’t satisfying because what he really wants is to be loved and cared for. Wild monsters don’t get the kind of nurturing that small human boys get from their mothers, so there are benefits to being a civilized human. This is a classic children’s book about the power of a child’s imagination and how love and human feeling wins out over anger.
The book is a Caldecott Medal Winner. It’s available online through Internet Archive.
The Sleepy Puppy by Mary Jo Chamberlin, illustrated by Florence Sarah Winship, 1961.
Johnny’s father brings a new basset hound puppy home to his son. Johnny is excited about his new dog, but the puppy is sound asleep. Johnny’s father tells him that puppies are like small children, that they need sleep and love, and when they grow bigger, they’ll be more active. Johnny has to be patient and let his puppy grow.
The puppy falls asleep in his dinner and on the grass outside when Johnny takes him out to play. The puppy seems to be able to sleep through anything, and Johnny wonders if the dog will ever be able to do more than sleep.
On the Fourth of July, Johnny tries to get his dog to pull a little cart in the pet parade, but Johnny ends up having to pull the cart with his dog on it instead.
Then, one day, Johnny’s puppy wakes Johnny because he wants to play. Suddenly, Johnny’s dog is full of energy, and Johnny can play with him!
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I loved this book when I was a little kid, and I think it has a good lesson for young children about caring for pets. Animals, especially young ones, do require patience and time to grow, just like human children do. Johnny is bound to also learn that they also require some training once they get active, but there’s time for that, and that’s been the subject of other children’s books.
Charlie the Tramp by Russell Hoban, illustrated by Lillian Hoban, 1966.
Disclosure: I am using a newer edition of the book, published by Plough Publishing House. Plough sent a copy to me for review purposes, but the opinions in the review are my own.
One day, when Charlie Beaver’s grandfather comes to visit, his grandfather asks him what he wants to be when he grows up. The grandfather assumes that he knows the answer to the question because everyone in the family is a beaver, and beavers naturally do beaver work. (Beaver is apparently both species and profession in books where beavers talk and wear clothes.) However, Charlie stuns his family when he declares that he wants to be a tramp.
Few families would be happy to hear a child say that he wants to be a tramp. Charlie’s grandfather says that he’s never heard a child want to be tramp, and his mother says that she doesn’t think he means it. However, Charlie thinks that being a tramp would be good because he wouldn’t have to learn how to chop trees or build dams or other routine jobs. Charlie thinks that tramps have a lot of fun and just work now and then at little jobs when they need something to eat. Charlie thinks that the little jobs would be much more fun than the ones his father really wants him to do. Charlie’s grandfather says that kids these days just don’t want to work hard.
However, Charlie’s parents decide that if he wants to be a tramp, they’ll let him try it out. Charlie makes himself a little bundle with some food, and his parents let him sleep outside, telling him to come back for breakfast. Both the father and grandfather quietly admit that they both wanted to be a tramp when they were his age, so it’s not just kids these days.
Charlie has some fun, roaming the countryside, sleeping under the stars, and enjoying his freedom. In the morning, he comes home and does some chores to earn his breakfast, lunch, and dinner. In between, he goes out to roam the countryside again.
Charlie begins to notice that something keeps waking him up in the night, an odd sound that he can’t identify at first. Eventually, he realizes that it’s the sound of a nearby stream. For some reason, the trickling sound of the stream seems nice but makes him feel restless. It inspires him to swim in the stream and begin building his own dam, working through the night.
When Charlie sleeps through breakfast, his family comes looking for him and admires the good job that Charlie did on his dam and the pond that he has created. When they ask him about why he was making a dam when he was trying to be a tramp, Charlie says that he likes doing both and can do either sometimes. His family is satisfied that Charlie is a good worker, and his grandfather says, “That’s how it is nowadays. You never know when a tramp will turn out to be a beaver.”
It isn’t that Charlie expects to go through life without doing work because he insisted on working to earn his meals even when he was being a tramp. It was more that Charlie wanted the freedom to decide when he wanted to work and what kind of work he was going to do. However, he is a beaver and has a beaver’s instincts. In the end, he sees the appeal of doing a beaver’s work, building dams, enjoying it because he made the dam himself in the way he wanted to make it. I think it shows that when a person has the knowledge and ability to do something and the interest in doing it, they will eventually use their skills, perhaps in surprising ways. I remember reading some advice to writers that said that people write because “they can’t not do it,” and that’s true of many aspirations in life. Sometimes, when people know what they really want to do with their lives, they can’t resist doing it, and sometimes, people realize what their aspirations are when they find something that they can’t resist doing. Charlie is a beaver because it’s a part of who he is, and he can’t not do it. As he grows up, he will continue growing into that role, just as human children eventually grow up to be the people they are going to be.
This book is available to borrow for free online through Internet Archive, but it’s also back in print and available for purchase through Plough. If you borrow the book and like it, consider buying a copy of your own!
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