The Night Before Christmas

The Night Before Christmas by Clement C. Moore, illustrated by Corinne Malvern, 1949.

This version of The Night Before Christmas is part of the classic Little Golden Books series. The original poem, A Visit From St. Nicholas by Clement Clarke Moore, has been made into picture books for children many times since it was first published in 1823, but this version has some sentimental value to me. I think it was the first version that I ever read as a child. I had forgotten which version it was for years, but when I found this book again recently, I recognized the pictures. (It’s funny, but I remember thinking as a child that the youngest child looks a little too big to be in a cradle, but she is in the picture when the children are being put to bed.) Most people think of the poem as being called The Night Before Christmas instead of its original title, A Visit From St. Nicholas, because the phrase “the night before Christmas” appears in the first line of the poem. Many of the picture book versions that we read as children used The Night Before Christmas or ‘Twas the Night Before Christmas as a title.

This Little Golden Book makes a cozy and pleasant bedtime story for Christmas Eve with its images of a 19th century/Victorian family hanging up their stockings and going to bed on Christmas Eve with the anticipation of the sweets, presents, and fun of the next day. Then, the father of the family is suddenly woken when he hears Santa Claus arriving.

This 19th century poem established and popularized the image of Santa Claus as generations of Americans came to know it. It describes him as a fat and jolly little old man and names all of the reindeer who pull his sleigh. This is probably the first piece of writing that established that Santa has eight reindeer and gave them specific names, which would later be echoed in the storybook and song versions of Rudolph the Red-Nosed Reindeer.

The father of the family in the poem happily watches Santa Claus leaving presents for his children and then leaving by the chimney and riding off in his sleigh with a cheery, “Happy Christmas to all and to all a good night!”

Various picture book versions of this poem are available online through Internet Archive, including this Little Golden Book version.

The Light at Tern Rock

The Light at Tern Rock by Julia L. Sauer, 1951.

Not long before Christmas, the lighthouse keeper at Tern Rock, Byron Flagg, approaches Martha Morse, asking her if she would be willing to temporarily take the job of tending the lighthouse while he takes a vacation. The lighthouse can never be untended because ships rely on that light, and it can be difficult for Mr. Flagg to find someone to take over his duties for an extended period of time, especially so close to Christmas. Mr. Flagg wants to hire a substitute with experience tending the lighthouse. Mrs. Morse lived there for 14 years while her late husband was the lighthouse keeper. Although many people would be daunted by the isolation of the lighthouse, Mrs. Morse actually loved it because she enjoyed the beauty of the sea and nature. She knows that she would enjoy staying there again. However, she hesitates to take the job of temporarily tending the light because she is caring for her young nephew, 11-year-old Ronnie. Ronnie might enjoy the adventure of staying in a lighthouse, but he would have to miss some school.

Mr. Flagg appeals to Mrs. Morse’s sense of nostalgia about the lighthouse and points out that Ronnie could bring along some of his schoolwork to study during their stay. Mr. Flagg says that their stay will only be for two weeks, and that he’ll return and relieve them on December 15th. Mrs. Morse points out that the weather around Tern Rock can be unpredictable and that he might not be able to return when he says he will, but Mr. Flagg says he is confident that he can. They talk to Ronnie about it, and Ronnie says that he would like to see the lighthouse, but he wants to be home for Christmas. Mr. Flagg assures them that won’t be a problem and that they will enjoy their stay at the lighthouse, so they agree to go.

When they arrive at the lighthouse, Ronnie is awed by rugged environment of Tern Rock and daunted by the isolation of the lighthouse. His Aunt Martha says that she understands how he feels, that he wonders if they’re up to the task, but she assures them that they are. The job they will do is a necessary one because, without the light, the rocks in this area are a danger to ships.

As they settle in, Ronnie becomes fascinated with the lighthouse. The interior is comfortable and designed to be compact, almost like the interior of a ship. His Aunt Martha establishes their schedule, teaching Ronnie what they need to do. She turns off the light at sunrise and lets it cool down while they have breakfast. Then, they clean the lamp, polish its lens, and do other chores to keep the light in working order. Ronnie does his schoolwork in the afternoon, and they turn on the light when the sun goes down. They spend their evenings doing quiet activities, like reading and playing games. Although Aunt Martha wasn’t sure that the quietness and monotony would appeal to an active boy like Ronnie, Ronnie finds the newness of the environment and the change in his usual routine fascinating.

Ronnie’s feelings change when December 15th arrives, and Mr. Flagg doesn’t. The weather is good, so there’s no reason why a boat shouldn’t approach Tern Rock, but Aunt Martha says that there may have been some other problem that delayed him. She doesn’t think an extra day or two at the lighthouse will hurt them, but the days go by, and still, Mr. Flagg doesn’t come. They are still comfortable in the lighthouse and there haven’t been any problems with the light, but Ronnie is angry because he realizes that Mr. Flagg lied to them. Christmas is approaching, and it becomes clear that Mr. Flagg never had any intention of being back at the lighthouse in time for Christmas.

Ronnie has trouble understanding and excepting Mr. Flagg’s lies and broken promises. Ronnie and Aunt Martha discuss the importance of honesty and the meaning of broken promises. Ronnie thinks that Mr. Flagg has been wicked. He has certainly been unfair, but Aunt Martha says that there are worse kinds of wickedness, and before they jump to conclusions about what has happened, they need to know the reasons for it.

Aunt Martha says that the Christ Child visits every home on Christmas, and no place is too distant for Him to reach, so they should make the lighthouse ready and prepare for Christmas. Ronnie doesn’t see how they can because they didn’t bring any decorations or anything for Christmas. Ronnie considers firing the cannon that would signal an emergency to bring someone out to the lighthouse, but Aunt Martha firmly tells him no. The cannon is only for serious emergencies, when there are lives in danger, not for mere disappointment and self-pity. However, Mr. Flagg has left some special surprises for them.

It is true that he intentionally deceived them about being back in time for Christmas. When Ronnie finds a sea chest with a Christmas message, he knows for certain that Mr. Flagg was lying to them the entire time, which makes him angrier. However, a letter that Mr. Flagg left explains his reasons, which earns their sympathy. To soften the blow of his deception, he has also left them some special presents and treats gathered from exotic places. This still isn’t the Christmas that Ronnie and Aunt Martha had originally planned, and being lied to doesn’t feel good. Still, in the end, this Christmas is pretty special and memorable, and they both realize that they are exactly where they need to be.

The book is a Newbery Honor book. It is recommended for ages 8 to 12 years old. It is available to borrow and read for free online through Internet Archive. The author, Julia L. Sauer, also wrote Fog Magic.

My Reaction

I wasn’t familiar with this story when the Coronavirus Pandemic started, which is a pity because this would have been a great book for the type of Christmas we had in 2020. Still, this is a lovely Christmas story, and the pandemic isn’t quite over yet. Things have improved considerably since 2020 because people have been vaccinated, but for those who still need to be cautious and are disappointed that things aren’t completely back to normal or anyone who has hard feelings toward someone or is having a rough Christmas for any other reason, this story is a useful reminder that disappointments are still temporary, and sometimes, the place where you find yourself is exactly where you need to be. Also, disappointments and inconveniences can come with compensations, if you’re open to experiencing them.

Mr. Flagg shouldn’t have lied to Mrs. Morse and Ronnie. He acknowledges in his letter that this was a hurtful thing to do, and he explains his reasons. Basically, he was lonely and desperate. As a lighthouse keeper, he is what we might call an “essential worker”, someone who can’t easily take time off from his work because he does a necessary job that can only be done in a particular place. People’s lives depend on the light from the lighthouse, so Mr. Flagg can’t leave his job for any length of time unless he finds someone qualified who is willing to take his place. This story is set during a time before lighthouses became automated, so there must be a human in this role.

Mr. Flagg is in his 60s, and he explains in his letter that he has spent most of his Christmases either alone or with other adults because of his life as a sailor and lighthouse keeper. He has a niece who has several children and who would be happy to have him for Christmas, but he has never managed to find anyone who was willing to relieve him from his duties during Christmas before. He was desperate to spend at least one Christmas with his family, so he resorted this deception out of desperation, but he left all the presents and special treats for Aunt Martha and Ronnie because he didn’t want them to be miserable.

Aunt Martha is getting older herself, and she understands how Mr. Flagg feels, having lived a similar sort of life. When she lived at the lighthouse, she and her husband were together, but Mr. Flagg has never married, and he was desperately lonely. Ronnie has more trouble understanding the feeling because he is younger and hasn’t experienced this type of loneliness before. Aunt Martha points out that Ronnie will have many more Christmases before him, more than either she or Mr. Flagg have left. One disappointing or just bizarre Christmas won’t mean that much to him in the long term. With maybe 50 or more future Christmases to come as well as the ones he’s already experienced, this strange Christmas in the lighthouse is just one more memory or story to tell other people in Christmases to come.

Part of this story is about forgiveness, but they don’t use that word at all in the story. People have different views about what forgiveness entails, but I think it’s important that Aunt Martha and Ronnie don’t excuse Mr. Flagg’s actions. They come to understand his motives, and they feel pity or sympathy for him for the kind of rough and lonely life he’s lived, but that doesn’t make lies to them good or right. He did something hurtful by betraying their trust, and there will probably be some kind of reckoning between them when Mr. Flagg eventually shows up. Mr. Flagg acknowledges that in his letter, that the knowledge that he betrayed their trust will keep him from fully enjoying Christmas with his family, even when he’s finally getting the kind of Christmas he has wanted, and he can’t blame them for whatever they’re feeling as they read his letter. So, the story never says that what Mr. Flagg did was okay or that it didn’t hurt that he lied to the people who were helping him. Lying was wrong, and it was hurtful, and the characters are honest about that. They don’t try to pretend that they’re not hurt, which I think would have made their feelings worse in the long run. Instead, it’s about looking past that hurt to something better and finding things to be happy about even in a situation where they didn’t want to be.

Aunt Martha sees that what’s really preventing Ronnie from enjoying Christmas as they happen to have it is his anger, disappointment, and bitter feelings and the way he broods about them. Brooding about the angry things he wants to say to Mr. Flagg when he sees him isn’t making his Christmas any better. Aunt Martha compares cleaning out negative emotions to cleaning house before the holiday. You have to clear out all the dust and negativity to let in something better. They will eventually see Mr. Flagg, and there will probably be words between them, but those words can wait while they enjoy themselves as best they can for this Christmas. By then, each of them will probably have a better sense of just how they really feel about the situation and what they want to say about it anyway.

Once Ronnie works through his feelings and is able to put aside his anger, he realizes that this Christmas is something special. He does miss the class Christmas party the rest of his school is having, but in return for that sacrifice, he is experiencing something truly unique that his school friends will probably never experience. He doesn’t fully consider how unique this experience actually is at first, but he senses that there is a unique feel to Christmas in the lighthouse, with its giant light. Ronnie considers the tradition of putting candles in windows at Christmas, to guide the Christ Child or other travelers. (They emphasize candles as welcoming the Christ Child in the story, but when I first heard of the tradition, it was to welcome travelers or absent family members.) He realizes that, by tending the lighthouse, he and his aunt are doing the same thing, but they’ve got the biggest candle of anyone!

Whatever your Christmas happens to be this year, wherever you’re spending it, and whoever you’re spending it with (even if it’s just yourself), don’t forget to do the little things to make it special and enjoy it for whatever it is! Merry Christmas!

The Dark is Rising

The Dark is Rising Sequence

The Dark is Rising by Susan Cooper, 1973.

The day before his eleventh birthday on Midwinter, Will Stanton has an uneasy feeling that something is about to happen. First, the rabbits that his family keep behave oddly. Then, other animals seem to be afraid of him when they never have before. When he and his brother James go to pick up some hay from Mr. Dawson, Mr. Dawson makes an odd comment about “the Walker” being abroad and that it’s going to be a bad night. Then, Mr. Dawson says that he has something for Will for his birthday. He gives Will an odd iron ornament and tells him to keep it safe and not talk about it with other people. Everything about this day seems odd to Will, but he accepts this unusual gift.

That night, Will has an increasing sense of terror, and a rook apparently breaks the skylight in his room during a snow storm. The next day, Will can’t seem to wake up his sleeping family. He puts on warm clothes and leaves the house with a strange feeling that this is somehow his destiny. Things in the area look different, as if he is now in a different time, sometime in the past. Eventually, he sees a man he knows who works for Mr. Dawson, John Smith. John Smith is working on horseshoes for a black horse that belongs to a mysterious stranger in a dark cloak. The mysterious stranger offers him food and a ride on his horse, but Will refuses both. The stranger gives him an uneasy feeling, and without really knowing why, Will says that he is looking for “the Walker.” The cloaked stranger tells him that “the Rider is abroad” and tries to grab him, but John Smith pulls him out of the way, and the stranger is angry. John Smith tells Will that he is just newly woken and will have to figure things out for himself but to trust his instincts today. A beautiful white horse appears, and John Smith says that Will can ride it, if he wants, but Will’s instincts tell him that he needs to go on alone. As he leaves, Will sees John Smith giving the white mare shoes that look like the iron ornament that Mr. Dawson gave him.

As he explores the countryside further, Will encounters a wandering tramp that he saw attacked by rooks the day before and confronts him as being “the Walker.” The Walker is defensive and suspicious, and he asks Will to show him “the Sign.” Will realizes that he must mean the iron ornament that he now wears on his belt, but before he can show it to the Walker, the Rider comes and frightens the Walker away. The Rider sees his Sign and comments that Will only has one of them so far, and that won’t help him much. Fortunately, the white mare comes and carries Will away from the Rider.

The white mare carries Will away into the hills, he has a sensation like he’s falling, and then, he finds himself alone in the snow near a pair of carved wooden doors that appear to be standing by themselves, attached to nothing. Will pushes on the doors and finds himself in what seems to be a great hall, hung with tapestries. There is an old woman and a tall man standing by the fireplace, and they greet him. Will tries to ask them about the doors and why they seem to be standing by themselves, but the doors have vanished behind him. The man says that Will’s first lesson is that nothing is what it seems to be.

The man introduces himself as Merriman Lyon (introduced in the previous book in the series), and he says that he and Will were born with the same gift, the power of the Old Ones. Now that it’s Will’s eleventh birthday, his gift is awakening, but he must learn how to control it. At first, Will doesn’t think that he has any particular gift, so Merriman shows him how he can receive mental pictures from someone else’s mind and send them a mental picture and how he can even put out a fire with his mind. Will becomes convinced that he does indeed have powers that normal boys don’t have. Merriman tells him that this gift is a burden, like many special gifts, but he was born with this gift for a special purpose.

Merriman says that he doesn’t want to tell him too much yet because the full knowledge of his destiny may be dangerous for him while he is still learning to use his gift. However, he does tell Will that he is actually one of the Old Ones, the first of his kind to be born in the last 500 years, and he will be the very last of them. Like other Old Ones, he will play a role in the battle between good and evil. His first role is that of the Sign-Seeker. He must find the six Signs and guard them. The iron ornament is the first Sign, but the others won’t be as easy to find.

Will returns to his family and his ordinary life, buying Christmas presents for his siblings for the coming holiday, but he knows that his life is no longer ordinary. He has much to learn about how to use his powers, and the sinister forces that pursue him to try to stop him from carrying out his mission.

The book is a Newbery Honor Book. It’s available to borrow and read for free online through Internet Archive (multiple copies). The book was adapted as a movie called The Seeker in 2007.

My Reaction and Spoilers

Fantasy books sometimes have to deal with the subject of religion and the relationship between magic and religion. This book also does so somewhat, but I noticed that it also seems to try to remove itself from consideration of the issue at the same time. At one point, Merriman discusses the idea of witches and witchcraft trials with Will, telling him that none of those involved were Old Ones, like the two of them. He says that everyone involved with witchcraft trials were ordinary humans, most of the people who were called “witches” were innocent victims although a small number were genuinely evil, and generally, the witchcraft trials were the result of human madness and irrationality, not genuine magic. In other words, readers don’t need to worry about trying to reconcile the power of the Old Ones with witchcraft because the author says that the two of them are two different, unrelated things.

Will and his family celebrate Christmas during the course of the book, and they go to church, so it’s apparently fine for an Old One to also be a Christian. Yet, there is a scene at church on Christmas where Will and John Smith have to stop the forces of the Dark attacking the church. The minister tries by calling on the powers of God and exorcising the evil spirits, but John Smith says that the minister’s efforts don’t work because “This battle is not for his fighting”, apparently indicating that the powers of Light and Dark as portrayed in this story are somehow outside of any religion or the interference of any god because they are forces that are completely unto themselves. The traditional Christian view would be that God commands the forces of good and light while the devil commands the forces of evil and darkness, but they’re saying here that’s not the case in this story. Will’s thought is that there is a place that exists out of time where all the Gods that ever were came from and also all of the forces and powers in the world, and it seems like some of these exist independently of each other, that they don’t have any beginning and so none of them is less old than any of the others. There is an element of pagan and folklore traditions that runs through these books, and I think that part of this concept references that, but I also see that looking at the battle between Light and Dark in this way, as being something independent of absolutely everything else, leaves the author of the stories free to have it play out in whatever way makes a good story without having to make it adhere to any rules and traditions other than the ones she’s chosen.

Of course, even fictional magic has to follow some rules in order to make logical sense to the readers. As I said, there are pagan and/or folklore traditions that are implied to be true or to have more significance than most people would suspect. Will uses holly as a form of protection for his home during Christmas. Aside from its association with Christmas, there are also many folkloric superstitions about holly. It is also revealed that part of what makes Will so special is that he is the seventh son of a seventh son, another concept from folklore.

A theme that is carried over to this book from the first one in the series is that evil can sometimes appear innocent and even friendly. People who have appeared as friends before can be revealed to be secretly evil or coerced to the dark side, even people who have been close before. Those who aren’t as in tune with the battle between good and evil may be fooled by friendly smiles, charming manners, and a pleasant appearance, but those who are aware of the difference between dark and light can feel when someone isn’t right.

There is one case in this book where a previously good person turns to the Dark because he feels betrayed about how Merry put his life at risk for the cause of the Light. I feel like this could have been avoided if Merry had been more honest with him in the beginning about the risks of what they were doing and the reasons why it was so important, but Merry seems to feel like it was all inevitable, something that was fated to be. Yet, at the end of this person’s life, Merry emphasizes that all of the choices this person made were his own, and although he went through much suffering because of things that had to happen as they did, he could have still had a better life even while undergoing his ordeals if he had made different choices along the way. I think I see what he means, that there are some things in life that are unavoidable but people can make them better or worse through their own choices and behavior, but I still feel like Merry set him up for this bad situation because he didn’t explain things properly when he should have. Maybe that was Merry’s bad decision, too?

Parts of this book actually reminded me of The Box of Delights, a vintage children’s fantasy book that also takes place at Christmas. In both books, Herne the Hunter, a character from folklore, makes an appearance, and the boys in each story get turned into different animals through their adventures with magical books.

Two Are Better Than One

Two Are Better Than One by Carol Ryrie Brink, 1968.

This is a gentle coming-of-age story about two thirteen-year-old girls in Idaho during the early 1900s, but it’s told in a interesting format, as the reminiscences of one of the girls as an old woman and focusing on a story that the girls were writing together as teenagers. It’s like a story about a story within a story.

One Christmas, elderly Chrystal Banks receives a special present from her old friend, Cordelia Crump. The package contains two miniature dolls (she calls them “pocket dolls”) that Chrystal gave to Cordelia 60 years before. At first, Chrystal doesn’t remember giving her friend Cordy” these dolls but admits that her memory is starting to fail her. As she studies the little china dolls and their exquisite details, she begins to remember them and when she gave them to her friend. The dolls’ names are Lester and Lynette, and Chyrstal remembers how Cordy used to say that the little dolls were magical because any day she carried them seemed to become special and exciting. Even when Chrystal and Cordy grew older, supposedly too old for dolls, they still continued to love and believe in the magic of their special pocket dolls.

Before young Chrystal Reese (as she was known before her marriage) gave the dolls to Cordy, they were a Christmas present to Chrystal from her Uncle Dick. That was the Christmas when the girls were in seventh grade and were early thirteen years old. Uncle Dick had acquired a number of interesting presents for Chrystal on his trip to Europe. He doted on his niece because she had no parents or siblings, living only with her grandmother and Aunt Eugenia and their dog, Rowdy. All of the presents are wonderful, but the little dolls are something special. As she unwraps them, they are hidden within a small box inside another box inside of another box (not unlike the story itself). Chrystal loves the elegant, detailed, jointed dolls immediately and names them Lester and Lynette because they just seem like the right names for the dolls.

Immediately, she goes to see if the little dolls will work well in the dollhouse that she’s made out of orange crates. She has spent considerable time and most of her allowance money putting paint and wallpaper into the little house and making furniture for it. She made all of the dollhouse furniture to fit two small dolls that she already has, Elsie and Eileen. However, Elsie and Eileen are four inches tall, and Lester and Lynette are only about two-and-a-half inches tall, so they won’t work in the house. At first, Chrystal is unsure what to do with the tiny dolls. She loves them, but she’s going to have to figure out where to put them and how to play with them if they won’t fit into the doll house. Then, she gets the idea to give the little dolls to her best friend, Cordy. It’s a sacrifice to part with such a lovely present so soon after getting it, but she wasn’t satisfied that the little bottle of perfume she was going to give Cordy was really a good present. Besides, the girls are so close that they already share everything with each other, and as they like to say “Two are better than one.” Giving the dolls to Cordy won’t be like giving them so much as sharing them with someone who can help to make them even more fun.

Cordelia Lark (her maiden name) grew up in a well-off family with mostly boys. Her father was president of the local bank and president of the school board and a civic leader in other ways, and Cordy had four brothers and no sisters. Cordy and Chrystal are kind of like the sisters neither of them ever had. They like to call each other “Tween”, which is their special pronunciation of “Twin.” They justify being twins because their birthdays are only two weeks apart, so they’re almost exactly the same age.

On the way to Cordy’s house to give her the special Christmas present, Chrystal passes by the courthouse. When she and Cordy pass the courthouse, they can see the barred windows of the jail, and they make up stories to spook each other about how one of the prisoners might escape. On this particular day, Chrystal sees one of the prisoners gripping the bars of his window and looking out. He’s the first prisoner Chrystal has ever actually seen. She’s a little afraid of him, and when he starts talking to her, she doesn’t know what to say at first. The man first asks her what she’s staring at, and then he wishes her a Merry Christmas, even though he’s not having one. Not knowing what else to do, Chrystal murmurs “Merry Christmas” back and hurries on.

When Chrystal gets to Cordy’s house, the two girls exchange presents. It turns out that each of them almost got the other some perfume, but each of them changed their mind at the last minute and decided on something better. Cordy’s present to Chrys (as she sometimes calls her) is a book, which makes Chrystal happy because she loves books and didn’t get any for Christmas this year. But, it’s not just any book. This is Chrystal’s first grown-up novel instead of a children’s book. (They mention the Oz books, the Little Peppers, and the Little Colonel series as books they’ve read.) It makes Chrys feel grown-up. It’s a romantic story about a Southern girl during the Civil War who falls in love with a Northern soldier and eventually marries him. Chrys says that Cordy shouldn’t have told her the ending before she’s read it, but she’s still thrilled at having her first grown-up book.

Chrys worries that, since Cordy gave her a grown-up present, she’ll think that the little dolls are babyish, but Cordy loves Lester and Lynette immediately. She says nobody gave her a doll this year, and she felt disappointed because she loves dolls, and it just didn’t seem like Christmas without one. Chrys explains that these are pocket dolls, and they’re meant to be carried around in pockets, so they can go everywhere with the owner. Cordy says that they’re so tiny and perfect that they must be magic, and she decides to keep the names that Chrys gave them, Lester and Lynette. Cordy thinks that the little dolls are perfect to take along on adventures.

When Chrys tells Cordy about the prisoner, the two of them are nervous, although they don’t really think he can escape. Chrys asks Cordy to walk her home, but after they pass the courthouse, Cordy realizes that she’d have to walk past the courthouse alone on her way home. So, Chrys and Cordy turn around and walk the other way again, but then, they realize that they still have the same problem. No matter which way they go, they have to pass the courthouse, and no matter who walks who home, one of them will have to go alone at least partway. After they go back and forth a couple of times, they pause in front of the courthouse, and Cordy has an idea. She gives Chrys the Lester doll, keeping the Lynette doll for herself. That way, each of them will have someone to keep them company, and it will be like they aren’t alone. It gives each of them enough courage to go the rest of the way home, and it’s the beginning of their adventures with the dolls.

Chrys is inspired by her first grown-up book, and she thinks that maybe she’d like to write novels when she grows up. When the girls are in school, they like to write notes and funny poems with each other when they’re supposed to be studying, and Chrys suggests to Cordy that they start writing a novel together. Cordy agrees, and they decide to take turns writing chapters. They decide that the story will be about Lester and Lynette, and Chrystal writes the first chapter. Chrystal calls the story “The Romantical Perils of Lester and Lynette.”

However, the girls get in trouble for goofing off and not paying attention in class. Their strict teacher, Miss Hickenlooper, decides that the two girls can’t sit together anymore, and she confiscates Lester and Lynette and locks them in her desk. The girls are devastated. If the teacher wanted them to move desks, that was disappointing but justified, but she had no right to just take the dolls. The girls think that they’ll have to wait until the end of term to get them back, but they continue writing the story about the dolls. Chrystal had been going to write the first chapter about an elopement, but because the dolls are now imprisoned in the teacher’s desk, she decides to write it as a prison escape instead.

In the new version of the first chapter of the story, Lester and Lynette are brother and sister, and they are imprisoned in a castle overlooking the Rhine river in Germany (part of the the girls’ geography lesson in school) by their evil guardian, Baron von Hickenlooper. Lynette is rescued/kidnapped by a Viking pirate named Oskar, who carries her away from her brother, who still remains in the castle.

From this point on, the events in Chrys and Cordy’s lives alternate with new chapters of their tandem story about Lester and Lynette. Pieces of the girls’ lives work their way into the story. When the girls are ready to trade turns writing the story, they give each other what they’ve written so far and say “Muggins!” (The word comes from playing games like Dominoes and Cribbage where, if one player spots that another has missed a score or failed to count something properly, they can call “Muggins!” and add the overlooked points to their own score. I think what they’re implying is that this story is a game where one person picks up whatever the other one has left unfinished.) The girls also continue adding verses to an unflattering poem that they started writing about their teacher.

By accident, the girls loose track of the mean poem about their teacher, and Miss Hickenlooper finds it. At first, the girls are terrified that Miss Hickenlooper is going to be furious with them and do something horrible in punishment, but to their surprise, she starts crying. Miss Hickenlooper end up having a heart-to-heart talk about the girls’ experiences in Miss Hickenlooper’s class, what Miss Hickenlooper hoped for when she started teaching, and why she took Lester and Lynette from them. Miss Hickenlooper had wanted to be a teacher for a long time and was looking forward to it, but she had been away from it for a long time because she had to take care of her mother during a lengthy illness. Since she started teaching again, she can tell that her students haven’t been happy with her, but after reading the poem, she realizes that it’s worse than she thought. Even strict teachers can be respected by their students as long as they’ve taught their principles well and the students are learning valuable lessons. Miss Hickenlooper feels like she’s failed as a teacher because she hasn’t managed to connect with her students at all, and she’s making them miserable. The girls come to the surprising realization that their teacher really does care about her students and what they think of her.

The talk between the girls and Miss Hickenlooper was a little uncomfortable because the girls realize that they’ve done an injustice to Miss Hickenlooper by writing the mean poem about her, but I actually liked this part of the story because it’s the kind of honest communication that I often find missing in stories. Rather than anyone blustering or dodging or trying to save face, the girls and their teacher honestly discuss what happened and how they feel, and everyone involved learns something from the experience. The girls appreciate having this “human” communication with their teacher, and it earns their respect, more than any angry tirade or show of strength on their teacher’s part ever would have. It’s this very kind of open honesty and humanity with real feeling behind it that’s been missing from the class so far, and it’s what has prevented Miss Hickenlooper from really connecting with her students.

The girls apologize to Miss Hickenlooper about the poem, and Miss Hickenlooper admits the justice of some of their complaints. Miss Hickenlooper admits that maybe she went a little far in making Cordy turn out her pockets and taking her dolls from her for an extended period of time. Getting into someone’s pockets and taking personal possessions is a kind of invasion of privacy, and Miss Hickenlooper says that she only did it because the girls weren’t paying attention in class, which is true. In return, Chrys and Cordy acknowledge that they only wrote the poem to blow off steam because they were angry, but they also went too far, and they really should have considered their teacher’s feelings. The girls promise not to write any more poems like that, and Miss Hickenlooper gives Lester and Lynette back to them. Miss Hickenlooper says Cordy can keep the dolls in her pocket if she wants as long as the girls pay attention in class from now on. To further apologize, the girls make cards for their teacher and give her the two bottles of perfume that they almost gave each other for Christmas (“Two are better than one.”), and they start going out of their way to be nicer to her.

The girls’ talks with Miss Hickenlooper through the rest of the school year give her feedback that helps her to improve as a teacher. Later, when the girls are watching a lightning artist (someone who paints pictures very fast, not the more modern definition of someone who works in animation) at work and happen to see Miss Hickenlooper in the store as well, they point out that one of the artist’s pictures reminds them of the Rhine that they studied in class. Miss Hickenlooper doesn’t think much of the quality of the painting, but she admits that it does look like the Rhine and that another painting the artist did reminds her of Switzerland when she was there. The girls are amazed that Miss Hickenlooper has been to Europe because, other than Chrys’s Uncle Dick, they don’t know anyone who has. They ask her why she never talked about it in their geography lessons because that would have made them much more exciting, hearing about other countries from the perspective of someone who was actually there. Miss Hickenlooper is surprised. She says that she was only focused on teaching the lessons that she was assigned to teach and just never thought about including anything personal because she didn’t think her students would be interested in her personal stories. Again, it’s that personal element that Miss Hickenlooper needs if she wants to connect with her students on a personal level.

As the story continues, the girls also start to consider their attitudes about boys and men and future husbands. So far, most of their knowledge of boys has come from the boys at school and Sunday school and Cordy’s brothers, all pretty immature and rowdy. But, the girls are growing up, and so are some of the boys. New young men also come into the girls’ lives.

A friend of Chrystal’s grandmother asks her if she would be willing to rent a room to her 19-year-old son, who is looking for a place to stay as he takes his first teaching job at the local college. (That sounds young for a college teacher. In modern times, a nineteen-year-old would be a college student himself. Remember, this is the early 1900s, and education in the United States was very different then. Back then, teachers didn’t need to have the advanced degrees that they do now, and Mr. Banks later explains that he skipped grades when he was younger to get through school faster.) Chrystal’s grandmother agrees, although Chrystal isn’t anxious to have a teacher living in her house after her problems with her own teacher at school. Chrys also isn’t sure what to expect from a man living in the house because there’s never been a man in this house before. Cordy’s brothers are pretty rowdy. However, their new lodger, Mr. Banks, turns out to be quiet, polite, and very nice. (His last name is an indication that he’s going to be Chrystal’s future husband. There’s six years’ difference in their ages, but as times goes on, and Chrystal gets older, that’s not going to seem like as much of a gap.) He is the first person to ever address Chrystal as “Miss Reese”, which makes her feel grown-up.

Cordy’s family also has a boarder, Mr. Crump, who is attending the local college (obviously, Cordy’s future husband, based on her future last name). Mr. Crump is working his way through college by selling pots and pans, and Cordy goes with him to help carry things, bringing along Chrys because “Two are better than one.” The girls end up giving him some advice on his sales patter that helps him make more sales.

Meanwhile, the girls’ Sunday school class, which calls itself the Dorcas Club, decides to host a masquerade party with the boys’ class (who have dubbed themselves the Armored Knights) as their guests. Chrys and Cordy think of the boys as immature and uncouth and roll their eyes at the older girls who are boy-crazy. Then, because the party is on Presidents’ Day, all of the girls in the group want to go dressed as Martha Washington, and there’s a big argument about it. Originally, Chrys and Cordy wanted to be Martha Washington, too, but since that’s what all the others want, they decide that they want to do something completely original. Inspired again by the dolls, they decide to go dressed as dolls. However, because they don’t want to be like the prissy girls trying to be pretty and impress the boys, they decide not to go as elegant dolls but as old rag dolls in patched clothing.

The girls do win prizes for both the funniest and most original costumes at the party because they’re the only girls who don’t show up as some version of Martha Washington. However, the triumph turns against them because the girls who are in charge of the main entertainment for the evening have decided to turn it into the girls’ very first dance party with the boys, something that Cordy and Chrys weren’t expecting. Rag doll costumes are good for fun and games, but not so much for serious dancing and the possibility of budding romance. While all of the boys are wearing various fanciful costumes themselves, like pirates and clowns and cannibals, it turns out that they’re only interested in the girls who dressed in pretty clothes as Martha Washington, and none of them want to dance with the rag dolls. Chrys and Cordy were proud of themselves for being more original than the other girls, but it seems that the boys prefer “pretty” to “original.” At the end of the evening, none of the boys even want to walk Chrys and Cordy home. Chrys and Cordy feel embarrassed because their efforts to be “original” seem to have strayed a little into the outlandish at a time when the other girls and boys are starting to seriously get interested in each other.

Fortunately, their families guessed that something of the sort might happen and asked the young men boarding with them to go to the house hosting the party and walk the girls home if they had no one else to walk with them. Mr. Crump confirms to the girls that boys would prefer to walk with girls who made an effort to look pretty instead of girls who look like rag dolls. Mr. Crump says that there will be other parties, and next time maybe they’ll go as something more elegant, like Martha Washington, but the girls aren’t too thrilled about doing this type of party again. Mr. Banks takes a different view and says that he actually thought that the rag doll costumes were rather clever and that it was really better for the girls to be different instead of trying to be like every other girl in order to not stand out. “Sometimes it may hurt, but I think it’s better to be original.” Mr. Banks the college teacher is more mature than Mr. Crump the college student, and I think he has the right idea. Looks and clothing styles change, and people have different priorities when they get older, but original thinking and an interesting personality are hard to replace and never go out style. When Chrystal says that she doesn’t even know how to dance, Mr. Banks offers to teach her, so she can be more confident at future parties.

Having the boarders walk them home actually turns out to be an unexpected victory for Chrys and Cordy because, while the other girls were making fun of them for not having any of the boys dance with them or walk them home, Chrys and Cordy ended up being escorted by young men. Getting boys is all well and good for young girls, but being escorted by young men makes Chrys and Cordy look like young women, putting them on a higher level than mere girls. Chrys and Cordy don’t see it that way at first because Mr. Crump and Mr. Banks are just their families’ boarders and friends and treat them like younger sisters (at this point in their lives, anyway), but the other girls notice that the young men are more mature than the Sunday school boys, and it causes them to look at Chrys and Cordy with a little more respect for having their attention. In some respects, Chrys and Cordy might seem less mature than the girls who are excited about wearing makeup and getting boys because they’re into outlandish costumes and dolls and “romantical” stories, but in other respects, they may actually be a little more mature than the other girls for being confident in their individuality and the new awareness they’re acquiring of other people’s feelings. In the end, girls want to marry men, not little boys, anyway.

Through the spring, the girls have other adventures and continue writing their story with their dolls. Along the way, there are other signs that the girls are growing up. They notice that this is the first year when they’re more interested in getting new Easter bonnets than they are in their Easter eggs. Cordy’s family is heavily involved in the social life of the local college because two of their boys are students there, and Cordy even gets to go to some of the campus parties. She helps to serve punch there and sometimes gets to dance. She eventually arranges for Chrys to come with her to help with serving and have her first dance, too. Miss Hickenlooper also discusses the girls’ future with them, suggesting that they take exams to see if they can skip the eighth grade and go straight into high school because she thinks they’re smart enough to pass. The girls are uncertain if they want to go on to high school so quickly. They know they’re growing up, but they haven’t thought about high school yet (and this is a time period when not everyone even attended high school). There is also the horrible thought that one of them might pass the test while the other didn’t, and they might end up going to different schools and being in different grades. Miss Hickenlooper says that they don’t necessarily have to go on to high school yet, if they feel that they’re not ready, even if they’re offered the opportunity, but she urges them to take the tests anyway to see if they have the option. It makes the girls start questioning their future lives, what they really want, and where their education will take them.

At one point, Cordy’s brothers find their unfinished novel in Cordy’s room, steal it, and use it to make fun of the girls. The story isn’t really very well written because Chrys and Cordy are only thirteen years old. As readers will have noticed, there are spelling mistakes all through the story, and the girls also get mixed up about geography because they’re just focused on making the story exciting instead of really thinking about the setting. After their characters’ adventures on the Rhine, the girls send them floating in a boat to a tropical island with coconuts and palm trees because they don’t think about just how far away the tropics actually are. (Being shipwrecked on an island is also a common trope of vintage and antique children’s books, so they’ve probably read this type of story themselves. Just scroll through my lists of children’s books from the 1900s and earlier, and you’ll see what I mean.) Although Mr. Crump was laughing at the girls, too, he rescues the story from Cordy’s brothers and gives it back to them when he sees that the joke is going too far. However, the girls are somewhat dispirited, thinking that their story might be deeply flawed. At first, they don’t know if they really want to continue writing it, but in their desperation, they turn to the one person they know will be honest with them about what they’ve written and can not only tell them whether or not the story can be fixed but how to do it – their teacher, Miss Hickenlooper.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Themes, Spoilers, and My Reaction

The story is one of those gentle, calm stories with a few funny episodes and some genuinely touching moments. Fans of slice-of-life historical books like the Betsy-Tacy series will like this book. It is a coming-of-age story for Chrys and Cordy, as they begin to develop new attitudes and come to a deeper understanding of themselves and other people and start thinking about the future. However, the girls’ adventures also teach other people around them some lessons.

One of the themes of the book involves how people let their personalities show. Although the girls were originally thought silly for their outlandish rag doll costumes at the party, they were more bold and creative than the girls who just wanted to look like everyone else. Even though their creativity wasn’t fully appreciated at first, it ends up working in their favor in the long run.

One of the biggest developments in the story is the relationship between the girls and their teacher, and the keys to that relationship are learning how to see other people as people, how to be open about showing their personal sides, and how to appreciate people with different personalities. The girls begin as thoughtless students, and their teacher is a strict disciplinarian with little patience for their goofing off, which is why the girls see her as their antagonist. However, the girls’ eventually realize that, through their mean and complaining poem, they’ve hurt their teacher’s feelings as much as she’s hurt theirs, maybe more. It leads them to see her in a new light, as a person and just just their jailer (the role of her alter ego in the girls’ story). The honest talks between the girls and their teacher not only helps the girls to become more thoughtful and considerate of others’ feelings but also show their teacher that the key to improving her teaching and developing a better relationship with her students is to be a little more personal with her students. She gradually learns that letting her students see her as a person with interesting life experiences earns their respect more than just acting like an unfeeling drill sergeant enforcing discipline. Inspired by the girls’ interest in her travels when she was younger, Miss Hickenlooper starts bringing postcards and souvenirs from her travels to class to show during geography lessons. The students are fascinated by her souvenirs and stories and start thinking of her as an a kind of intrepid explorer or sophisticated world traveler instead of a dull woman who focuses on dry memorization and gets mad at them for daydreaming in class. As she tries new ways of approaching her lessons and adding in personal experiences, Miss Hickenlooper takes on a whole new role in the children’s lives and sparks all of their imaginations. All of the students, not just Chrys and Cordy, start behaving better because they become genuinely interested in what Miss Hickenlooper has to say and show them. They don’t want to make her angry because she’ll stop telling the interesting stories if they don’t get their work done. Just because she’s gotten more interesting and personal doesn’t mean she’s gotten soft. Don’t be afraid to be interesting and different!

The girls never actually show Miss Hickenlooper their story because they’re a little embarrassed by what they’ve gotten wrong, but they ask her questions about some of the things that they put in their story to find out what’s right. They do end up finishing the story and giving Lester and Lynette a grand wedding, but they also acknowledge that they are getting too old and busy with other things to continue playing with dolls, even Lester and Lynette. They plan to put Lester and Lynette away for now as souvenirs of their childhoods. Later, they do tell Miss Hickenlooper about their novel, and while she hasn’t read it, she has the feeling that she knows what it’s like from knowing the girls and their writing. (The girls wrote about scenes from their novel when asked to describe places they know for their high school entrance exams.) She tells them that she appreciates their imaginations but that they should remember to focus on the real world around them and gaining real experiences to write about in the future.

There are also themes that focus on what growing up and maturity mean. Because the story focuses on one school semester in the girls’ lives, there are many questions that the book leaves unresolved about what happened in the girls’ later lives, but it seems that their lives turned out well, and they look back on their experiences with Lester and Lynette as a turning point when they really started growing up. Toward the end of the story, the girls begin appreciating some of the possibilities of life and the wider world that they never considered before. Through it all, there is also the girls’ constant friendship. At the very end, elderly Chrys writes a letter to elderly Cordy, thanking her for sending the dolls and reminding her of this special time in their lives.

The author of this book, Carol Ryrie Brink, was also a child around the time that Chrys and Cordy were children. There is a picture of her as a child above her biography on the dust jacket of the book. She is also the author of Caddie Woodlawn, which is better known than this book.

I love books that contain details about life in the past, and there are a lot of fun details included in this story. I’ve mentioned some above, but that’s just scratching the surface. At one point, Chrystal says that the only paper she has that’s good for painting pictures is the pieced of paper that separate pieces of Shredded Wheat in the box. The lined paper from the notebooks she uses for school isn’t as good. When she’s out of those pieces of paper, she has to eat more Shredded Wheat to get more. I don’t remember seeing any similar kind of paper in shredded wheat boxes in my lifetime, so this must be something that existed before modern packaging.

At the college dances, the girls have dance cards for the young men to write their names and initials in to secure spots for dances. There are also occasional mentions of food, and Chrys mentions having floating island pudding for dessert, which I’d never heard of before. It’s a kind of meringue that floats on a base of vanilla custard.

Sammy Keyes and the Runaway Elf

Sammy Keyes

Sammy Keyes and the Runaway Elf by Wendelin Van Draanen, 1999.

Every year, Sammy’s town, Santa Martina, puts together a calendar with pictures of people’s pet dogs. People whose dogs are chosen for the calendar pictures get to ride in the town’s Christmas parade with their pets. Sammy is a cat-lover instead of a dog-lover, so she’s usually not too interested in the parade float with the dogs, but now, her friend Holly is living and working with the people who own the dog-grooming business and who prepare the float.

Sammy goes to the parade early to help Holly and the others to get the canine calendar float ready. She meets Mr. Petersen, the disagreeable man who assembles the dog calendar. Then, they learn that one of the dog owners has broken her leg and will need someone else to manage the dog, Marique, on the float. Marique is important because she’s trained to jump through a hoop, and they’re planning to have her jump through a Christmas wreath on the float. The dog owner’s daughter says she can’t be on the float with the dog because she promised her mother that she would make a video recording of the parade for her, so she has to be in the audience. Various other people also refuse to handle Marique because they have other jobs to do or other dogs to manage. Eventually, Sammy gets recruited to ride on the float and handle Marique.

At first, it goes pretty well, and Marique is a big hit with her jumping-through-the-wreath act. Then, some people show up dressed like the Three Wise Men and carrying cats, for some reason. Marique jumps off the float and runs off into the crowd. Before Sammy can do anything more than shout a warning to the others on the float to hold on to their dogs, both the cats and the other dogs start going wild and running in all directions. Everyone jumps off the canine calendar float and begins chasing after their dog. Sammy searches for Marique through the chaos.

Sammy doesn’t find Marique, but she does meet an unhappy little girl named Elyssa, who is dressed as an elf. Officer Borsch finds both girls and escorts them back to Elyssa’s mother. Officer Borsch wants to take Sammy home (which is a problem because Sammy secretly lives with her grandmother at a retirement community that doesn’t allow children, and they’ve been trying hard to avoid anyone finding out), but Elyssa insists that she wants Sammy to stay with her. When Elyssa goes to buy Sammy a soda, her mother questions Sammy about what Elyssa said to her. Elyssa seems to have an odd obsession with the moon and a tendency to run off by herself (making her the “runaway elf” in the title), but her mother doesn’t want to explain it. Elyssa asks if Sammy can spend the night with her. Sammy says that she has to get home, but Elyssa’s mother says it’s okay if the girls want to see each other tomorrow. Elyssa’s mother encourages the friendship between Elyssa and Sammy because Elyssa seems to need someone to open up to, although Sammy isn’t quite sure why.

Sammy’s grandmother’s friend Hudson finds Sammy, and she explains what happened with the Canine Calendar float. The more Sammy thinks about it, the more she suspects that her school nemesis, Heather Acosta, was one of the people dressed as Wise Men and holding cats. She can’t prove it, but it’s the sort of nasty trick Heather would do. The problem is that Sammy has also realized that Marique jumped off the float right before the cats and dogs went crazy. Just before the chaos started, Sammy heard someone calling Marique’s name, and Marique took off in the direction of the voice. Who was calling to Marique, and where is the dog now?

Marique’s owner, Mrs. Landvogt, is blaming the groomer who was managing the float for the disaster and her dog’s disappearance, which Sammy knows isn’t fair. Then, Sammy’s best friend, Marissa, calls her and says that Mrs. Landvogt is a neighbor of hers and wants to see Sammy. When Sammy meets Mrs. Landvogt, she is angry and in no mood for excuses. Mrs. Landvogt has received a ransom note for her dog, proving that someone took the dog on purpose. Rather than expecting apologies from Sammy for losing her dog, she insists that Sammy find Marique and get her back. At first, Sammy says that she doesn’t think she can do that, but Mrs. Landvogt says that she knows all about Sammy, and more importantly, she knows where Sammy really lives. If Sammy doesn’t find Marique, Mrs. Landvogt threatens to report Sammy and her grandmother for violating the terms of the retirement community. Sammy has no choice but to undertake the investigation. She also needs to find out where Mrs. Landvogt gets the information she uses to pressure people. Sammy isn’t her only victim … and therein may lie the solution to the mystery.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

In this book, Sammy feels a little awkward about Elyssa wanting to be friends with her because Elyssa’s a few years younger than she is. When kids are young, a few years’ difference in age makes a big difference in terms of knowledge, behavior, and interests, and she has trouble seeing what she and Elyssa would have in common and do together. When she talks to Hudson about it, he doesn’t think that age is such a big issue. He’s in his 70s, about the age of Sammy’s grandmother, and a few years’ age difference doesn’t make much of a difference to adults. Sammy is uncomfortable, thinking about how Hudson is decades older than she is. She likes spending time with him, but she worries that maybe she looks like a baby to him and that he just tolerates her in the way she tolerates Elyssa as first. As an adult who’s spent time babysitting and playing with younger cousins, I know it’s not really like that, not to people with depth to their relationships and personalities. People of different ages and backgrounds can still bond with each other over common interests and enjoying talking to each other and spending time together. People who are young at heart and enjoy nostalgia can also have fun sharing in kids’ activities. Playing kids’ games with kids won’t make you a kid again, but it can be fun to feel like one for a few hours at a time, now and then. There’s also something to be said for getting in touch with earlier versions of yourself that have never completely left you and being reminded of the things that you loved when you were young, another theme that enters into the story when Sammy considers some of the unhappy adults around her and what’s made them that way. During the course of the story, Sammy and Elyssa become real friends, and Sammy does help her to come to terms with what’s really bothering her.

During her investigation and through her budding friendship with Elyssa, Sammy begins to learn the secrets of some of the unhappy people in her community. The truth is that everyone has suffered some form of hardship or loss in their lives, and as I mentioned last year when I was talking about experiencing Christmas in a Pandemic, feelings like this can come out stronger around Christmas. Christmas is both the last major holiday before the New Year and a time that people romanticize as being perfect and magical. The problem is that life itself isn’t perfect and magical, and people can feel angry and depressed when the reality of their situations doesn’t match their vision of how their life and Christmas should be, especially if they’re really dealing with a serious situation or long-term unresolved feelings, as many people in this story are.

There is real grief and loss in the story. Elyssa is still struggling to come to terms with the death of her father the year before. He was a police officer who was killed in a situation that went horribly wrong. Elyssa was not at her father’s funeral because a psychologist said that she might find it traumatic at her age. Instead, her mother simply told her that her father went to heaven. However, Elyssa understands more than her mother thinks she does. She knows where her father is buried, and when she runs off by herself, she often goes there to stare at his grave and try to understand how he can be underground and in heaven at the same time. Elyssa’s worries and confusion come out when Sammy’s nosy neighbor, Mrs. Graybill, the one who suspects the truth about Sammy’s life with her grandmother and has often tried to expose it in the past, becomes injured. Mrs. Graybill’s health deteriorates, and she becomes a patient in the nursing home where Elyssa’s mother works. Sammy becomes her only visitor there and learns the truth about her unhappy past and how the resentments she’s borne throughout her life have harmed her and left her with many regrets. Sammy is actually at Mrs. Graybill’s side when she dies, and the two make peace with each other before the end. Witnessing the death of a former nemesis and coming to terms with her real humanity is an emotional roller coaster for Sammy, but facing her own inner turmoil helps her to see how to help Elyssa face hers.

Not everything in the story has a perfect resolution. Sammy does figure out where Marique the dog is, and the dog is safe, but she can’t bring back Elyssa’s dad or Mrs. Graybill, and there are some people who are going to have to learn some lessons of their own about how to resolve their feelings and face up to their own hardships and bad decisions. The brighter spots in the story are what Sammy learns from her experiences and with helping other people face their problems. People really do have to face up to their situations, even when they’re unpleasant, and deal with their emotions in healthy ways. The people in the story who are the most unhappy are those who have tried to hide from their feelings or deal with them through spite and long-term resentment. Sammy comes to understand the importance of forgiveness and focusing on positives instead of negatives when it comes to dealing with one of her own long-term problems: her own mother.

Before the beginning of the series, Sammy’s mother, Lana, left Sammy with her grandmother while she was pursuing an acting career. Even though Sammy had missed her mother when she first left, she has come to realize that she resents her mother for abandoning her to the precarious, secretive life she lives with her grandmother and for putting her second to her acting ambitions. She feels like being a mother wasn’t important to Lana and that her mother only thinks of her as an afterthought when Sammy was depending on her so much. I would say that there is definite truth that Lana has neglected Sammy and her welfare and that Sammy has justification for being angry with her. In this book, Lana is excited about getting her biggest part yet, and Sammy is mortified to find out that this amazing role is in a commercial for anti-gas medicine. Lana sees the commercial as a possible stepping stone to something better, but Sammy thinks it’s embarrassing and a terrible result for the sacrifices that Sammy herself has had to make in her life for the sake of Lana’s “career.” However, seeing what long-term anger and resentment has done to other people in the story causes Sammy to consider that she should also learn to cultivate some forgiveness in her life for Lana so she won’t go down the unhappy paths that other people have. To get past the parts that she has genuine reason to feel angry about Sammy remembers the good times that she and her mother shared before, the times when Lana was nice to her and motherly, and the reasons why she missed her mother in the first place.

I can see why a little forgiveness can be healing, but I don’t see it as a perfect solution, especially not to problems like Sammy’s. Sammy and her grandmother are genuinely living a precarious life which Lana doesn’t seem to understand or appreciate. Even though Sammy finds a way to stop the blackmail in this story, her danger isn’t over, and she lives with it every single day. If Sammy is caught living with her grandmother, her grandmother could actually lose her home, and Sammy might be sent into foster care because social services might decide that neither her mother nor grandmother can or is willing to provide for her. I think it’s important to understand that Sammy isn’t just harboring a petty resentment against her mother; she’s dealing with a serious situation. Hiding in her grandmother’s little senior apartment with only extremely minimal belonging isn’t a fun adventure for her, it’s actually a serious situation with lasting consequences to her well-being. While her desire to temper her resentment toward her mother with some forgiveness and positive memories can help her get a healthier emotional balance, as a responsible adult, I think that Lana’s failure to address the reality of this situation and her role in it is going to remain an unhealthy problem in the lives of her nearest and dearest. If this were real life instead of a fictional story, I think it’s likely Sammy would be showing even more emotional trauma and would probably be in foster care already. It wouldn’t matter then if Lana wanted forgiveness or for people to look only at her good points when she had fun with her little girl because I don’t think judges award custody on that basis, not to someone with a long-term history of neglect because she wanted the freedom to “follow her dreams.”

This book isn’t a particularly happy story for Christmas. It turned out to be darker even than I thought it would be when I started, and Sammy Keyes mysteries tend to be a bit gritty. I would say that it’s more thought-provoking. I would not give this book to a child currently suffering from trauma because, when someone is actively suffering, dealing with characters’ suffering can feel like pulling double duty or rubbing salt in the wound. However, for those in the mood for a deeper understanding of dealing with life’s difficulties, especially at a time of year when everyone expects happiness and joy, it isn’t bad.

Parts of the story are genuinely touching. Sammy is understanding and gentle with Elyssa and changes her life for the better. There are even a couple of bonding moments between her and Officer Borsch. Officer Borsch was a friend of Elyssa’s father, and when Sammy asks him about what happened, Officer Borsch candidly admits that he was there when he was killed and still has nightmares about it. Sammy understands nightmares because she had them when her mother left her. Later, the two of them help each other. Sammy uses some of Hudson’s advice for a little psychological warfare on Heather that gets her to admit the cat prank in front of Officer Borsch. Officer Borsch promises to put some healthy fear into Heather that will help keep her in line in the future. The resolution of the prank also saves Officer Borsch some embarrassment at the office because he was on duty when it happened and took some flak for it, and Sammy also learns something about Borsch’s nemesis on the force from Mrs. Landvogt that will allow Borsch to resolve a serious problem that both he and Elyssa’s father had tried to solve.

The Christmas Tree Mystery

The Christmas Tree Mystery by Wylly Folk St. John, 1969.

A couple of days before Christmas, twelve-year-old Beth comes running to her 10-year-old sister Maggie, saying that she’s in trouble and needs her help. Beth doesn’t know whether Maggie can help at all, but she thinks she’s done something wrong and needs somebody to listen to her. Someone stole the family’s Christmas tree ornaments the day before, and Beth saw someone running out of their backyard right after the theft. She was sure that the person she saw was Pete Abel, and that’s what she told everyone. However, the girls’ older stepbrother, Trace, says that it couldn’t have been Pete. Beth thinks that it would be awful if she’s leapt to the wrong conclusion and wrongly accused Pete of theft, but then again, she can’t be sure that Trace is right, either. Trace says that Pete was somewhere else at the time, but he doesn’t want to say where because, for some reason, that might also get Pete in trouble. Beth doesn’t know whether to believe him or not.

The kids are part of a blended family that has only been together for less than a year, so the children are still getting used to each other and their new stepparents. Beth likes their new little stepsister, Pip, but teenage Trace is harder to get used to. Trace is frequently angry, and much of his anger comes from his mother’s death. Beth knows sort of how Trace feels because her father died three years ago. She knows what it’s like to miss a parent, and try to keep their memory alive. Even though Beth doesn’t think of her stepfather, Champ, as being her father, she tries to be fair toward him and accept that he’s doing his best to take care of them. Sometimes, she wishes she could talk about it all with Trace, but Trace has made it clear that he doesn’t want to talk. Trace doesn’t like to talk about his mother and gets angry when anyone else even mentions her.

Beth thinks that Pete was the thief because the boy she saw running away was wearing a jacket like the one Pete has and has the same color hair. However, she didn’t actually see his face, and Maggie points out that other kids have similar jackets. Also, they found an old handkerchief of the house with the initial ‘Z’, and that wouldn’t belong to Pete. Beth has to admit that she may have been mistaken about who she saw. However, she can’t think of anybody whose name begins with ‘Z’, either. She worries that if she was wrong to say it was Pete that she saw she may have broken one of the Ten Commandments because she was bearing false witness. All that Beth can think of to make things right is apologize to Pete for being too quick to accuse him and try to find the thief herself, but she needs Maggie’s help to do that.

Why anybody would steal Christmas ornaments right off a tree is also a mystery. Some of the ornaments that belonged to Champ had some value and could possibly be sold for money, but most did not. The thing that Beth misses the most is the little angel that she had made for the top of the tree years ago. Its only value is sentimental, and Beth worries that a thief might just throw it away if he didn’t think it was worth anything. Also, if Trace is so sure that Pete is innocent, why can’t he explain where Pete really was when the theft occurred? Trace is sneaking around and seems to have secrets of his own. Then, after the family gets some new ornaments and decorates the tree again, the ornament thief strikes again! The new set of ornaments disappears, but strangely, the thief brings back Beth’s angel and puts it on top of the tree. If it had just been a poor kid, desperate for some Christmas decorations, they should have been satisfied with the first set. Is anybody so desperate for ornaments that they would take two sets, or is it just someone who doesn’t want this family to have any? And why did the thief return the angel?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

The idea of somebody stealing Christmas ornaments sounds like a whimsical mystery for the holiday, but even though I’ve read books by this author before, I forgot that Wylly Folk St. John can bring in some of the darker sides of life. Much of this story centers around getting ready for Christmas, but there are some truly serious issues in the story. This is a book that would be better for older children. For someone looking for someone for younger children or a lighter mystery for Christmas, something from the Three Cousins Detective Club series would be better. (See my list of Christmas Books for other ideas.) It’s an interesting story, and I enjoyed the book, but I wouldn’t call the mood light.

The ways this new blended family learns to get along with each other and Trace learns to cope with his grief at the loss of his mother are major themes in the book. The parents try to be conscientious of the children’s feelings, making joint decisions and rules for the children as “The Establishment” of the house so none of the children feel like a stepparent is discriminating against them. The reason why the stepfather is called Champ is because he’s a chess champion, and Beth knows that her mother gave him that nickname so the girls wouldn’t feel awkward, wondering whether to call him by his name or refer to him as their dad. Beth is grateful for the nickname because, although she likes and appreciates Champ as a person, she does feel awkward about calling anybody else “dad” while she still remembers her deceased father. Trace calls his stepmother Aunt Mary for similar reasons, and Beth understands that. What she doesn’t understand is why Trace insists on wearing the old clothes that were the last ones his mother bought for him, even though they no longer fit him. Aunt Mary has bought him some nice new clothes that would fit him better, but he won’t wear them, and he even insists on washing his clothes himself, without her help. Beth asks her mother about that, but she says it doesn’t bother her because, if Trace is willing to help with the laundry, that’s less for her to do. Beth says that they ought to just donate all of Trace’s old clothes so someone else who can actually wear them can have them, but her mother doesn’t want to be too quick to do that because she doesn’t want to upset Trace. I can understand that because Trace is still growing, and it won’t be much longer before he won’t be able to wear those old clothes anymore anyway. The day that he can’t pull one of those old shirts over his head or put on old pants without splitting them will be the day he’ll be ready to get rid of them. Time moves on, and eventually, Trace won’t be able to help himself from moving on with it, and I think Aunt Mary understands that.

Part of the secret about Trace and his grief is that his mother isn’t actually dead, although he keeps telling people that she is. The truth is that his parents are divorced and his mother left the state and has gone to live in Oklahoma with her relatives. At first, Beth’s mother doesn’t even know that Trace has been telling the girls that his mother died, but when Beth tells her mother that’s what Trace said, her mother tells her the truth. She doesn’t want to explain the full circumstances behind why Champ divorced Phyllis and why she left, but she says that she can understand why Trace might find it easier to tell himself and others that she’s dead instead of accepting the truth. There is an implication that Phyllis did something that Beth’s mother describes as something Trace would see as “disgraceful” (I had guessed that probably meant that she had an extramarital affair, but that’s not it) that lead to the divorce. So, Trace is actually feeling torn between losing his mother and learning to live without her and his anger at her for what she did. He both loves and hates his mother, and that’s why he finds it easier to think of her as dead and gone and refuse to talk about her any further than deal with these painful, conflicting emotions. Beth’s mother also indicates that Phyllis was emotionally unstable, saying that the atmosphere in the household wasn’t healthy for Trace and his little sister because Phyllis “kept them all stirred up emotionally all the time”, and that’s why she didn’t get custody of the children and isn’t allowed to see them now. It turns out that there was a lot more to it than that, and that figures into the solution to the mystery.

When I was reviewing an earlier book from the 1950s by a different author about children coping with grief and a new blended family, Mystery of the Green Cat, I talked about how books from the 1950s and earlier tended to focus on the deaths of parents when explaining why children lived in households with stepparents and step-siblings and how books from the 1960s and later started to focus more on the issue of divorce. This book kind of combines aspects of both of those types of stories. Beth understands the grief of a parent dying, and Trace has to come to terms with his parents’ divorce, which is a different kind of loss, although it’s still a loss. As I explained in my review of that earlier book, in some ways, divorce can be even more difficult for children to understand than death. Both are traumatic, but divorce involves not just loss but also abandonment (a parents who dies can’t help it that they’re no longer there, but it feels like a parent who is still living somehow could, that it’s their choice to leave their children and live apart from them, which leads to feelings of rejection) and the complicated reasons why people get divorced, including infidelity and emotional abuse. In this case, it also involves drug abuse.

I was partly right about the solution to the mystery. I guessed pretty quickly who the real thief was, but there’s something else I didn’t understand right away because I didn’t know until later in the book that Trace’s mother was still alive. Before the end of the book, Trace and Beth and everyone else has to confront the full reality of Phyllis’s problems. They get some surprising help from Pete, who has been keeping an eye on things and has more knowledge of the dark sides of life than the other children do. (Whether his father ever had a problem similar to Phyllis’s is unknown, but it seems that at least some of the people his father used to work with did, so it might be another explanation for Pete’s family’s situation.) Because Pete has seen people in a similar situation before and knows what to do. I had to agree with what Beth said that much of this trouble could have been avoided if Champ had been more direct with Trace before about his mother’s condition, but Beth’s mother says that sometimes children don’t believe things until they see them themselves. Champ was apparently trying to protect his children from Phyllis before, but because Trace had never seen his mother at her worst, he didn’t understand what was really happening with her. There is frightening part at the end where the children have to deal with a dangerous situation, but it all works out. Trace comes to accept the reality of his mother’s condition and that things will never be the same again, but he comes to appreciate the stepsisters who came to his rescue and brought help when he needed it.

The Mysterious Christmas Shell

Tom and Jennifer are visiting their grandmother and their Aunt Vicky and Aunt Melissa Vining in Monterey for Christmas while their parents are in New York, taking care of Aunt Winny, who is sick. However, the children can tell that something is wrong as soon as they arrive because Mrs. Nipper, their aunts’ housekeeper, seems upset, and the house isn’t decorated for Christmas like it usually is. They have a Christmas tree, but there are no ornaments on it yet, and the Christmas greenery hasn’t been laid out.

The children hear their aunts talking about a letter that their father (the children’s grandfather) had written before he died. They know that he wrote the letter, but they’re upset because they can’t find it. The aunts explain to the children that they had to sell Sea Meadows, the wooded lands that they own, to a man called Theodore Bidwell. It’s a deep disappointment because Sea Meadows is full of ancient sequoias, and the children always liked to go camping and exploring there. Originally, Mr. Bidwell told them that we was only planning to put a few houses on that land that wouldn’t require removing many of the old trees, but now, they’ve learned that he’s actually planning on creating a large summer resort town. The aunts are upset that Mr. Bidwell lied to them to get them to sell the property, but there wasn’t much they could do anyway because they badly needed money to settle debts they had after their father died. The saddest part is that the family business has improved since they made the sale, and the aunts could now afford to buy back the property, but Mr. Bidwell refuses to sell it back to them.

There is one thing that might change the situation. Before the aunts’ father died, he discussed changing his will. He decided that, rather than leave that land to them as he originally planned, he wanted to leave it to the state of California to be turned into a state park. He thought it was the best way of ensuring that the natural beauty of the land would be preserved, and his daughters approved. The aunts already had the family business, and they didn’t need the land for their own sake. However, for some reason, his lawyer never got the letter their father said he was going send about the change in his will. The aunts are sure that he actually wrote the letter, but they think it got lost or mislaid instead of being mailed. If the aunts can find the letter that their father wrote, it would prove that the land actually belongs to the state of California and that it was never really theirs to sell. They’d have to refund Mr. Bidwell’s money, but they’re prepared to do that. It’s more important to them that the land would be preserved from development. Even local people have been angry with the family for selling the land to Mr. Bidwell because they don’t want the development, either.

When Tom and Jennifer begin helping with the Christmas decorations, and they start reminiscing about the Christmas before, the last Christmas when their grandfather was alive and he wrote his letter about the land, they remember that their cousin Elsa was also visiting. Elsa is about Jennifer’s age, and she and her parents are living in France now, so she doesn’t come to visit very often. The mention of Elsa makes the aunts remember that there was something that their father wanted to tell them about Elsa. He mentioned a funny thing she did, but then, they were interrupted, and he didn’t finish telling them what it was before he died. Everyone starts to wonder if Elsa may have done something with the important letter, but they can’t ask her because they know that she and her parents are visiting friends somewhere in France for Christmas, and they don’t know where or how to get in touch with them. (This is the 1960s, pre-Internet and pre-cell phones, so there are no methods of communication they can use that are independent of also knowing their physical location. They have to either know the address or phone number of where they are staying, and they don’t.)

The children’s grandmother recalls that Elsa was still with them even after Tom and Jennifer left with their parents, and they talked about Sea Meadows and showed her the deed to the land. Elsa had been helping to put away Christmas decorations at the time, and while the adults were talking, she suddenly started to cry. She had cut her finger on something, but they were never sure how she did that because none of the decorations were broken. Elsa was also upset because she had done two things earlier in the day that had caused trouble: she’d broken a little figurine and she’d forgotten to tell her grandfather about a phone call from a friend. She seemed worried that she had done yet another thing wrong, but her grandfather told her not to worry because troubles come in threes, and if the cut finger is her third trouble, she has nothing more to worry about. However, their grandmother recalls that Elsa didn’t seem reassured by that. Rather than being the third trouble of last Christmas, Elsa’s cut finger is a clue to a bigger problem that Elsa was afraid to admit, and that’s the clue they need to solve the problems of this Christmas.

The book is available to borrow and read for free online through Internet Archive. There is an earlier book with the same characters, a mystery about a sea monster in the same area of California, called The Terrible Churnadryne, but I haven’t read it and haven’t been able to find a copy.

I read this book years ago, and I remember liking it, but for a long time, I couldn’t remember the details of the story. I only remembered bits and pieces. I didn’t remember that it was a Christmas story, which would have helped. I remembered that a girl did something with an important paper, but until I reread the book, I couldn’t remember why the paper was important. What stayed with me the longest was the solution to the missing letter and the cut on Elsa’s finger. But, because I forgot that this was a Christmas story, I misremembered exactly what Elsa put the letter in.

I also remembered that one of the aunts had a secret hiding place in a cave when she was young, and when they revisit the cave, they find cave drawings done by Native Americans. I also remembered that the cave is dangerous at certain times because the tide comes in. Years ago, Aunt Melissa was almost trapped there because she stayed too long and was caught by the tide. When her father found out, he refused to allow her to go there alone again. Since her mother and sister didn’t like going to the cave at all and she and her sister soon went away to boarding school, she gave up going there entirely for a long time. She was always sad about the loss of her secret hiding place. However, when she returns there as an adult, it contains part of the secret to unraveling what happened to her father’s letter last Christmas.

At one point in the story, Jennifer finds a very distinctive seashell with red and green colors. Everyone is amazed because it’s a court cone, not a shell normally found on the shores of California, and it also doesn’t normally appear in those colors. This is the shell that Jennifer calls the Christmas Shell. This shell doesn’t directly contain the solution to the mystery, but its shape and something Jennifer does with the shell awaken some of Aunt Melissa’s memories. I also remembered that Jennifer was the one who figured out what Elsa did after watching her brother fiddling around with a napkin in a napkin ring.

While I was rereading this book, I was happy to see all the bits and pieces of my memories of this book fall into place alongside the clues to the mystery. Stories with secret hiding places are always fun, and this one has two – Aunt Melissa’s old secret hiding place in the cave and the place where the missing letter is hidden.

There is also a reference in this story to the Elsie Dinsmore books, a children’s series from the late 1800s and early 1900s.

The Box of Delights

The Box of Delights by John Masefield, 1935, 1957.

This book is a sequel to The Midnight Folk. Since the events of the previous book, Kay Harker has become a student at a boarding school, and he is now returning home for Christmas.

At the train station, Kay panics when he realizes that he can’t find his ticket, but it is returned to him by a nice old man with a dog named Barney. Kay also sees some men who seem to be looking for someone else. He overhears their description of the man they’re looking for, but they seem to conclude that the man isn’t on the train. Kay thinks that they might be police detectives, looking for an escaped criminal. His conclusion is proven correct when a porter tells him later that the detectives caught the man they were looking for, trying to disguise himself as a duchess. Kay asks what the criminal did, and the porter says that he’s murderer who killed his father-in-law in a very brutal way. Now, the detectives are taking him away in a special card with an armed guard, and he will probably hang for the crime. Kay finds the story thrilling, but he wonders if the guard made it up or embellished it. When he buys a newspaper, he doesn’t see anything about a murder like the porter described in it.

Kay enjoys the train ride home because, when he went to school, it was by car, so he’s seeing things on the journey home that he hasn’t seen before. On the train, he meets a couple of men dressed like theology students, but whether they’re really theology students is questionable. They sometimes speak to each other in a foreign language that Kay thinks might be Italian, and they trick Kay into playing a card game for money that’s like the Shell Game. Kay only plays once, and when he realizes that he’s been tricked, he decides the men are sinister. The two men ask Kay about the countryside, and one of them refers to him as “Mr. Harker” when Kay never introduced himself. Kay asks the man how he knew his name, but the man never really explains. When Kay arrives at his train station and meets Caroline Louisa, who looks after him, he realizes that his coin purse and watch are missing. Strangely, when he checks for them, he finds the ticket that he thought that he’d lost, so the ticket the nice man gave him must have been his own.

The nice man with the dog is also at the train station. Caroline Louisa thinks that he looks like a Punch and Judy man, and when Kay asks him, he simply says that he is a showman. He also seems to speak in odd riddles, telling Kay that “the Wolves are Running” and asking him if he will do anything to stop them biting. Kay says that he doesn’t know what he means. Rather than explaining, the man asks him to go to a shop in town to buy some muffins, and while he’s there, to look for a lady wearing a ring like the one he’s wearing and give her the message that “The Wolves are Running.” Kay is surprised that this man also seems to know his name and won’t explain how.

When Kay returns to Caroline Louisa, he mentions the men on the train who knew his name, and she says that they probably read it on his luggage labels. Without telling Caroline Louisa why, Kay asks if they can stop in town to buy some muffins. Caroline Louisa also mentions that the four Jones children, Peter and his three sisters, will be spending Christmas with them because their parents have to go abroad. Kay gets along pretty well with the Jones children, and Peter will be sharing a room with him. Kay says that he will have to get some extra presents for the Jones children in town as well. They stop in town, Kay buys the muffins as he was told, and sees the woman that the old man described with a ring like his. Not knowing why it’s important, Kay passes along his message to her, and she nods to him. Then, Kay notices that there are people in town with Alsatians, and they seem to be on the scent of something. Kay wonders if they could police dogs, and Caroline Louisa says she doesn’t know, but she doesn’t like them herself because they remind her too much of wolves.

When they get home to Seekings, the four Jones children are already there. (We did not met them in the previous book, so these are new characters to readers, although Kay has already met them at this point.) Kay thinks of Peter as “a good honest sort of chap.” Of his three sisters, Kay thinks of Jemima as being the smart one. Maria is untidy and has a toy pistol. She has a fascination with gangsters, like in the movies, and she wishes that they could find a gang of robbers and have a battle with them. Susan looks like a small fairy.

Kay gets the idea of inviting the man they’ve come to think of as the Punch and Judy man to the house to perform for them. When he goes back to town to invite him, another man wearing the same ring as the others stops him and tells him to pass on the message that “Someone is safe.” Kay thinks that the message is intended for the Punch and Judy man and passes the message on to the old man when he sees him. He tries to ask the old man what he’s been talking about when he talks about the “Wolves”, but he’s evasive. Instead, he tells Kay that he will come perform a Punch and Judy show for the children at Seekings at the time he was thinking of. Kay asks him how he knew he was going to make that request, but he ignores the question. The old man produces the image of a Phoenix in the fireplace at the pub where they are talking, and he says that he has other wonders in a little box that he will show him later.

When the old man, whose name is Cole Hawlings, comes to Seekings to perform for the children, he does many magic tricks that appear to be real magic. After his performance, some Christmas carolers come to the house, and Kay spots three men, who seem to be spying on the house, trying to see into the study. One of them is one of the men who tricked him with the card trick on the train. Cole Hawlings is very nervous about these men and starts talking about wolves running again.

Caroline Louisa is unexpectedly called away to tend to her sick brother, and while Kay is seeing her off, the other children are approached by one of the spying men, who asks where Hawlings went. Maria, who didn’t actually see Hawlings leave, mistakenly says that he left with the carolers. As Kay returns to the house, he overhears the spying men talking about it. They are definitely after Hawlings, and they are associates of Abner Brown, the villain from the previous book. Kay realizes that his old enemy has returned, and once again, he will have to face off against evil magic.

When Kay meets up with Hawlings again, Hawlings says that it’s not really him that the wolves are after but the Box of Delights that he carries. He gives it to Kay for safe keeping. Kay doesn’t fully understand the purpose of the box, although Hawlings shows him how to use it to return home without any time seeming to have passed. The next day, Kay brings Peter with him when he goes to see Hawlings, and the boys witness Hawlings being kidnapped and dragged into an airplane! They try to report it to the police, but the police don’t believe that they witnessed a kidnapping, and someone else turns up in another town, claiming to be Hawlings. Where is the real Hawlings, why do Abner Brown and his people want his box so badly, and what is Kay going to do with it?

The book is available to borrow and read for free online through Internet Archive (multiples copies). There have been multiple dramatizations of the book, and you can sometimes find them or clips of them on YouTube.

My Reaction

I felt like this story was more cohesive than The Midnight Folk, which seemed more disjointed. It is still episodic and tries to work in various elements from children’s fantasies, stories, and folklore. When Kay opens the box, he finds a strange book, and when he opens the book, he finds himself in a forest with Herne the Hunter, a character from folk legends. Herne turns Kay into different animals. After a delightful adventure exploring the woods with Herne in different animal shapes, Kay finds himself back in his own bedroom with hardly any time having passed. Later, the children use the box to shrink themselves to hide from the villains and meet fairies. Aside from the traditional and folklore elements, there are also elements of modern stories and fantasies. The children have a fascination with gangsters (probably from movies of the time), and the villains have some pretty impressive equipment, like a taxi that turns into an airplane and airplanes that fly silently, seeming to combine more modern technology with an element of fantasy or magic.

I also liked the addition of Peter and his sisters because it gave Kay other children he could talk to and who could see the things he sees and share in his adventures. Kay doesn’t tell his friends everything, although they do share in various parts of his adventures, and I’m actually amazed that they take these parts in stride and don’t ask as many questions as I think they should be asking. The adults around them are completely oblivious to the magical happenings, with the exception of Hawlings.

As an historical food note, the police inspector recommends to Kay that he have a hot milk drink called a posset, and he describes what goes into one, but the version that he describes is non-alcoholic. The original drink was an alcoholic beverage, but presumably, this one was toned down for children. The way they describe it in the book, it sounds similar to a non-alcoholic eggnog, but served hot.

Shadow Over Mousehaven Manor

Shadow Over Mousehaven Manor by Mary DeBall Kwitz, 1989.

Minabell Mouse is happily looking forward to her Aunt Pitty Pat visiting her for Christmas with her new husband, Magnus, but she receives an urgent message from Magnus, saying that her aunt is very ill and may not survive much longer. He urges Minabell to home to her aunt’s home, Mousehaven Manor right away and bring the copy of her aunt’s will that her aunt left with her. With her home suddenly damaged badly by a storm, Minabell does immediately set out for Mousehaven Manor, crossing the Illinois prairie through the tunnel called Rodent Run, which small animals use to travel in safety. Before she leaves home, one of her friends gives her a Christmas present to take with her, something long and thin. It’s awkward to carry, but her friend insists that she take it with her and open it on Christmas. Another friend warns her to beware of the tough Chicago rats who are a gang of criminals who have invaded Chicago’s City Hall.

On the way, Minabell Mouse stops to rest and has a fearful encounter with a group of rats carrying a pirate flag with the name “Prairie Pirates” on it. She witnesses them murder a chicken at a farm, pluck it, and carry it off. It’s horrifying, and Minabell is lucky that the pirates didn’t see her. She is alerted by a stranger who makes her keep quiet.

The stranger introduces himself as Secret Agent Wendell Weasel, a member of the Illinois State Ski Patrol, a form of animal law enforcement. Minabell asks Wendell who those pirates were, but before he answers her questions, he insists that she identify herself and tell him where she’s going and why. Minabell explains to Wendell about her aunt, and he looks at the copy of the will she is carrying, which leaves everything to her, as her aunt’s closest relative.

Wendell urges Minabell to turn around and go home because it’s too dangerous for her to continue her journey. The Prairie Pirates are a band of Chicago rats, and the “Sungam” that they heard the pirates chant is the code name of their leader. Wendell says that he can’t tell her more than that because the information is classified, but he says that if Minabell really thinks about the word “Sungam”, she will see that there is a good reason not to go to her Aunt Pitty Pat and Uncle Magnus. (Hint, hint.) Of course, Minabell doesn’t see what Wendell is talking about at first and continues her journey because she thinks Aunt Pitty Pat needs her. She does, but not in the way Minabell expects.

Minabell does realize the significance of the word “Sungam” when she uses it to frighten off cats who attack her. Puzzling over the word more, Minabell tries writing it out in the snow and sees that it’s “Magnus” spelled backward. Minabell realizes that her aunt has actually married the leader of the Prairie Pirates! The Prairie Pirates have taken over Mousehaven Manor, and her beloved aunt is their prisoner! (Flying their pirate flag over the house isn’t the most subtle way to lure an innocent victim into their new hideout. I don’t think it even counts as a hideout anymore if you have a banner advertising that you’re there. Even if Minabell hadn’t already figured out the code name clue, the flag is a dead giveaway. Just saying.)

There is still time for Minabell to turn back before meeting the pirates, but she can’t leave her aunt in danger and Mousehaven Manor occupied by the enemy. However, she’s going to have to come up with a clever plan, or she’s going to be in danger, too.

I haven’t found a copy of this book online, but there is also a sequel called The Bell Tolls at Mousehaven Manor. There are only two books in the series.

My Reaction and Spoilers

I had to get this book because I vaguely remembered a teacher reading it to my class years ago in elementary school. There was a lot about the book that I forgot over the years. I had completely forgotten that it was actually a Christmas story. My strongest memory of this story was actually a small detail, but one that they repeat during the book. Minabell has a little ritual that she does whenever she needs to remember something, particularly when she needs to remember where she hid something. I had forgotten the rhyme she says, but I remembered her writing what she needs to remember on her forehead with her finger. That struck me as actually a clever trick because writing something, even if you never look at it again, helps things to stay in your memory because you really need to concentrate in order to write, and you can remember the act of writing, which brings back the memory of what you’ve written. When I was a kid, after hearing this story, I used to do that sometimes, write something on my forehead with a finger to help me remember.

Reading the book as an adult, the Sungam/Magnus clue is pretty obvious. The plot also sort of reminds me of The Mysteries of Udolpho, which I read several years ago because I really like Jane Austen’s Northanger Abbey, which references and parodies that book. The connection that book and this one is that part of the long, rambling, episodic plot of The Mysteries of Udolpho involves an aunt who has cluelessly married the leader of a gang of bandits, and the leader of the gang just wants to acquire her money and property. This book is a little different because the mouse aunt has not actually married the rat; he’s just holding her captive so he can take over her house and use it as the base for his gang and claiming that they’re married to justify occupying the manor. Like in The Mysteries of Udolpho, the bandit leader holds the aunt and her niece captive at an isolated manor house, trying to get the aunt to not only sign over all her money and property to him but also her niece’s inheritance. That’s why Magnus told Minabell to bring her copy of her aunt’s will. He needs to change the will so that it leaves Mousehaven Manor to him.

So, strangely, Shadow Over Mousehaven Manor is a little like The Mysteries of Udolpho for children. I actually recommend it more than The Mysteries of Udolpho because The Mysteries of Udolpho is rather long and disjointed. Both books contain some admiration of the beauties of the countryside while the character that travel, but the scenery descriptions are much longer in The Mysteries of Udolpho, and Shadow Over Mousehaven Manor is just more fun to read because it involves talking mice and pirate rats. The mice in this book are also much more sensible than the humans in The Mysteries of Udolpho. The mouse aunt knows darn well what Magnus is, while the human aunt was completely clueless almost up to the point where her husband caused her death. I’ve amused friends sometimes with describing The Mysteries of Udolpho, and I might put my short (short-ish) explanation of the plot (plots) of the book on the Internet sometime just for fun, but I mostly recommend reading that book only if you’ve already read and like Northanger Abbey.

I’m going to include some spoilers for the story because this book isn’t currently available to read online. Minabell has the presence of mind to realize that, before she attempts to enter Mousehaven Manor and save her aunt, she needs to hide the will she is carrying because she can’t let it fall into Magnus’s hands. When she does reach the manor, she is also imprisoned with her aunt in the manor’s dungeon, along with a friend who came to try to help her. (I don’t really know why any mansion in the US, mouse or human, needs a dungeon, but maybe mouse history in the US was more feudal than human society or something. It doesn’t really matter. It’s just a really cool mouse manor house, and it has a dungeon. It also has secret passages.) They get out of the dungeon because the aunt remembers an old song that has a clue to a secret way out of the dungeon, and they find their way to the belfry tower, where they ring the bell to signal for help. There, they meet a family of bats hibernating in the bell tower. The bell wakes them up, and one of them helps them reach their friends. Minabell, her aunt, and their friends battle the pirates and drive the out of Mousehaven Manor. They celebrate with a big New Year’s party, and Minabell decides that she wants to continue living at Mousehaven Manor with her aunt.

The Hidden Message

Adventures in the Northwoods

The Hidden Message by Lois Walfrid Johnson, 1990.

The story, like the others in its series, is set on a farm in Wisconsin during the early 20th century.

One night, Kate McConnell wakes up to hear her mother and stepfather talking. The family needs money for the new planting season, so Papa Nordstrom has decided to take a job in a lumber camp over the winter. It will keep him away from home for a couple of months. He doesn’t really want to leave his family, but there’s a new baby on the way, and they really need the money. His absence on the farm means that the children will have to take on extra chores to help out. Kate also worries because conditions in lumber camps can be dangerous. Her birth father was killed in an accident in a similar camp, and she doesn’t want the same thing to happen to Papa Nordstrom.

Before Papa Nordstrom leaves for the lumber camp, he butchers a pig so his family will have meat while he’s gone. With winter setting in, it’s important to make sure that food supplies are secure. That’s why Kate knows it’s serious when her friend Josie tells her at school that someone stole her family’s steer, the one they were planning to butcher for meat this winter. Her family has no other source of meat, and they might go hungry if they can’t find the steer. Josie asks Kate for help because she and Anders solved a mystery involving a mysterious stranger who took things before.

One of the possible suspects is an older boy who has recently returned to school, who the others call Stretch. Kate has never met Stretch before because he’s been gone from school, doing farm work, since before she arrived in the community. Anders knows him, though, and he tells Kate that Stretch is trouble. Part of the reason they call him “Stretch” is that he has a habit of stretching the truth. Kate finds Stretch handsome at first, but Anders warns her not to get involved with him. Kate thinks Anders is exaggerating about Stretch because other people at school seem to like him. Anders says that if Kate wants to like someone, she should like Erik instead. Kate has a kind of rivalry going with Erik since he dipped her braid in his inkwell, and it permanently stained her dress. Anders says that Erik didn’t really mean to ruin her dress, but Kate is still unhappy about the incident. So, although Kate can tell that Erik is more responsible in other ways and is a bright and dedicated student, and they go to the same church, she has reservations about liking him.

However, Kate soon comes to realize just how dangerous Stretch is. Their teacher warns them all away from the frozen lake because the springs in the lake make the ice unpredictable. While the others play on the playground, Stretch talks Kate into walking by the lake with him. He says that he knows it’s safe because he was out on the lake earlier that morning, although Kate has her doubts about it. Then, Kate spots Anders’s dog out on the ice. Worried about the dog, Kate tries to call to him, but the dog doesn’t come to her like he usually does. Kate steps onto the ice to get the dog, and the ice breaks. Kate nearly drowns in the icy water, but Erik saves her. Kate realizes that, when she was in danger because of Stretch, Stretch actually abandoned her to drown. Later, he won’t even admit that he was the reason why Kate went down to the lake in the first place. When Kate is warmer and able to think better, she also begins to realize that the reason why Anders’s dog wouldn’t come to her when she called was because she was with Stretch, and the dog is afraid of Stretch, indicating that Stretch has been cruel to the dog in the past.

Kate’s brush with death opens her eyes to what Stretch is really like. It also creates a problem because the teacher writes a letter to Kate’s mother about the incident, letting her know that Kate did something very dangerous. Kate doesn’t want her mother to know what happened because it would upset her, especially with Papa Nordstrom being away and the children supposed to be behaving responsibly to help her on the farm. Kate wants to hide the teacher’s letter and not tell her mother, although Anders and Lars try to persuade her to be honest about what’s happened. They argue about it, and Kate accuses them of wanting to tattle on her, threatening to tell on them if they do something wrong. She feels sorry for upsetting them, especially young Lars, but she’s afraid of how her mother might react when she finds out what happened. Anders warns her that her mother might still find out what happened from someone else and that by being dishonest and fighting with Lars, she’s starting something that she’s going to regret. But, Kate can’t even bring herself to confide in anyone that Stretch was the reason she went down to the lake. Even though he almost got her killed and didn’t even try to help her, she can’t bring herself to tattle on him. (That’s dumb, on several levels. I’ll explain why below.)

After the incident with Kate falling through the ice, Stretch avoids going to school for awhile. Then, one day, Kate sees him stealing candy at the general store. Even though Kate knows what she saw, she still can’t bring herself to tell on him, and she even begins making excuses for him in her mind to make him seem less bad. When he offers her a ride home, she’s a little hesitant, but she decides to accept to avoid the long walk home. On the way, she asks him why he didn’t help her when she fell through the ice, but he never answers her. She also notices that his hand is oddly blue, and when she asks about that, he says that he must have just worked that hand too hard when he was cutting wood. However, he doesn’t have wood in the back of his wagon. He’s hauling boxes of something. This time, she decides to tell Anders about Stretch stealing, but she doesn’t mention the boxes in the back of Stretch’s wagon because she still doesn’t know what to think about them.

The secret about the ice incident comes out when Kate’s step-siblings, feeling uncomfortable about her deception, play a prank on her to get her to tell on herself. Knowing how afraid of mice Kate is, they put a dead one in a box with the label, “Pretty on the outside, like this on the inside,” on top. When Kate opens it, she screams, and her mother comes running. Knowing why they played this prank on her, Kate explains the truth to her mother. Her mother gives her a punishment for lying to her before, and Kate sees how upset she is that Kate didn’t tell her the truth earlier.

However, Kate hasn’t quite learned her lesson about lying. She sneaks out when she’s supposed to be grounded in her room by climbing down the tree outside the window. While she’s outside without permission, she spots a loose cow belonging to Josie’s family and guides it back to them. It’s a good deed, but she was still out without permission, and Tina spots her. Kate is angry and accuses Tina of “spying” on her and tries to persuade her not to tell. Kate can tell that Tina is upset and worries about lying to her mother and making her mad. Kate feels badly, but she can’t seem to stop herself from doing these things. She still continues to sneak out during her period of being grounded. When little Tina tries to imitate her by climbing down the tree herself and gets stuck, Kate has to rescue her. Her mother spots them once they’re down on the ground, and Kate confesses everything.

Kate feels like an awful person because Tina could have been badly hurt or even killed by following her example. Her mother says that everyone is awful in the sense that humans are all imperfect, and that’s why they commit sins. That is why God sent His son to redeem human sins. It’s good to be sorry when you’ve done something wrong and ask for forgiveness because forgiveness will be granted, and if you accept Jesus as your Savior, he will take away your sins. (I’ve heard this before, the part about everyone being “awful”, or words to that effect. This is kind of a Protestant way to phrase this. When I’ve heard it before, it usually seems to be from Protestants with a more Evangelical outlook, although that might vary. I don’t disagree with the principles, but Catholics would say it differently, and I may include a little more about it in my reaction.)

Meanwhile, there are still more thefts occurring in the community. Someone robs Erik’s family of all of the vegetables and fruit they’ve canned for the winter. Having food stores stolen at the onset of winter puts the family in a precarious position, and everyone else in the community worries about their foods stores, too.

One day, when Erik is at Windy Hill, Anders starts teasing Kate about her organ playing. He takes it too far, and both Kate and Erik tell him to stop. To Kate’s surprise, Erik hits Anders when he refuses to stop when asked, and the boys start to fight. Kate’s mother comes in, stops the fight, and makes the boys clean the room as punishment, which leads to several revelations. Kate comes to realize that Anders is a major reason why Erik has been teasing her. Anders has been urging Erik to tease her and also using Erik as an excuse for his own teasing. Now, Erik is getting as tired of it as she is. Erik confides in Kate that he knows that Stretch was the reason she went down to the lake when she fell in, and the only reason he hasn’t told anyone else is that he can’t prove that Stretch was there or that he abandoned Kate when she got into trouble.

As the kids move Kate’s organ back into position from the cleaning, Anders almost drops his end, and he accidentally opens a secret hiding place in the organ, knocking a hidden book onto the floor. The book contains church hymns in Swedish, but there’s also a torn part of a note in English. Unfortunately, they don’t have enough of the note to really understand what it means. (This is the “hidden message” of the title, and it doesn’t enter the story until about the final third of the book. I suspected it was a Biblical quotation, but I couldn’t place it from the fragment.) The note fragment contains the word “fear”, which makes the children worry that someone might be in trouble and asking for help. Erik asks them when and where they got the organ, but Kate explains that they bought it a few months ago at a fair in Grantsburg, and she doesn’t even know the name of the man who sold it. Papa Nordstrom might know, but since he’s away, they can’t ask him.

Stretch still seems like the likely suspect for the food thefts. Kate has seen him do some suspicious things, and he’s been telling some obvious lies, but she and Anders have difficulty finding any positive proof to get the authorities to intervene. Then, the thief takes the pig that Papa Nordstrom left for his family and the lid from their stove, rendering the stove useless until it’s replaced. With the stakes that much higher, Kate knows that they have to catch the thief, fast!

Kate also manages to figure out who originally owned the organ and who left the book and the message in the secret hiding place. The original owner is someone Kate already knows who used to play the organ. As I guessed, the message is actually part of a Biblical quotation (Psalm 118, Verse 6). The message is part of the theme of the story, but it doesn’t have anything to do with the theft directly. However, some strange things that the former owner of the organ has observed help to provide Kate and Anders with the proof they need to get back everything that was stolen. The story ends at Christmas.

The book is available to borrow and read for free online through Internet Archive.

Themes and My Reaction

In some ways, I was disappointed in this book. The identity of the thief isn’t really a surprise. Most of the mystery concerns how to prove it. Also, even though the title of the book refers to the hidden message, the mystery doesn’t center around the hidden message, and the hidden message doesn’t contribute directly to the solving of the mystery. Its main contribution to the story is to provide a theme: “The Lord is on my side; I will not fear. What can man do to me?” This quotation does give Kate the courage she needs to confront the thief.

Honesty in Relationships

I don’t blame Kate for having reservations about liking Erik at first. I know that things end up improving between them as the series goes along and even during this book, but he really did do something dumb and started off on the wrong foot with her. He’s not the first to do it, and frankly, it’s become a rather sad cliche. (It’s not unlike Gilbert in Anne of Green Gables and the way he started off wrong with Anne by making those “carrots” comments about her hair.) I’ve heard people say that boys will do mean things like that because they like girls and just don’t know how to say it, but you can’t just let people keep causing problems without some feedback about it because it doesn’t lead to good relationships. You don’t want to give someone the impression that you’re okay with teasing or rough play when you’re not because, if they don’t know it bothers you, they’ll never stop doing it, and it will drive you crazy. We all teach people how to treat us through the feedback we give. If Erik really cares about Kate, he’ll learn to give her the kind of attention she wants instead of the kind she doesn’t.

I started feeling better about Erik when he started standing up to Anders because Anders was going to far and wouldn’t stop even after both Erik and Kate telling him to stop. I appreciated that, while Erik may have initially felt compelled to join Anders in teasing Kate, Erik seems to have developed a sense of when to stop teasing and is willing to draw a hard line when necessary, even standing up to a friend and telling him “no.” Toward the end of the story, Anders finally has an honest talk with Kate, asking her why she didn’t tell him that Stretch was with her at the lake and abandoned her when she got in trouble. The answer is that Anders teases Kate all the time about everything. His constant teasing prevents her from confiding in him about things that they really should discuss. His teasing shuts down conversations before they even start. Anders finally tells Kate that he is her brother and wants to help her when she needs it, and he says that he wouldn’t tease her about anything really important. That attitude sounds promising. Unfortunately, he still insists that he’ll be the judge of what’s important, so I think that relationship still needs some work.

I’ll never understand people who say that teasing helps build relationships. Never. I’ve never seen it work that way in real life, not for building relationships of any depth, at least not unless the relationship has already been established on another basis first. It usually goes the other way, preventing relationships from developing or getting deeper than being shallow because relentless teasing does tend to shut down conversations and prevent people from opening up to each other. Why should someone tell you anything at all if they know that’s the reaction they’re going to get from you and that you don’t care that they don’t like it? The only times when teasing seems tolerable in real life is when the people involved already have built solid relationships with each other based on other qualities, really know each other well, and trust each other. Relationships are frequently based on trust, and you simply can’t trust someone who’s not really listening to what you say so much as trying to figure out how to use any and every little thing you say as a punchline for a dumb and hurtful joke for their own amusement or so they can score a few points off someone else and feel clever about it. I see it more as using other people than building a relationship with them. I just don’t feel endeared to anyone who only seems to be using me to score points to impress some third party onlookers. You can’t build a relationship based on teasing by itself. At least, I know I can’t. It just doesn’t work. What I’m trying to say is that Anders has not built a relationship with Kate and is both oblivious or resistant to feedback. He does not know when to take a hint and shut up even when people tell him plainly and not even when someone physically tackles him to the ground over it. So far, Kate has been doing all the heavy lifting in her relationship with Anders, trying to win him over, and he’s not really giving her much in return, although he’s slowly starting to show some signs of being helpful.

The characters in the story also alternately worry about being thought of as tattle-tales or criticize others for “tattling.” I’ve always thought all that “tattling” stigma was dumb. I know sometimes “tattling” means complaining about really petty things to one-up someone else, which is truly annoying (as I think all forms of one-upmanship are). However, people also use that word to try to shame people for talking about problems that really do need to be discussed. The way I look at it, if you’re going to be either mean or an idiot in a way that hurts other people, you forfeit your rights to complain about those other people talking about your meanness or idiocy. It’s not like the person talking about you made you do what you did, they didn’t ask to hurt by you, and if you did what you did in public, where other people could see it, it already counts as public knowledge anyway.

In 1906, when the story takes place, the Kate’s biggest worry is that her mother will hear about things she’s done from a neighbor at church because that’s their biggest opportunity for seeing and talking to other people. Every kid at school knows that she almost drowned, and since that was the big event of the day, they all no doubt told all of their parents about it. It’s common knowledge, not tattling. In the early 21st century, news of Kate’s brush with death at the lake would be all over social media before the end of the day because an entire classroom of people is aware of what happened and will be excited to talk about it. Even in cases where something happened that wasn’t serious enough for the school to immediately call the parent and tell them directly, any usual incident at school will get around fast. Usually what irritates people about “tattling” is that it can be pointless, petty nitpicking. However, the lake incident in this book was a matter of life and death, so I think complaining about anybody “tattling” is pretty dang petty itself. I think there needs to be a distinction between petty complaining and serious discussion. I think the anti-tattling attitudes people have teach bad morals, including dishonesty, self-delusion, and excuse-making, all issues that Kate has to confront in herself during the course of the story.

By choosing not to “tattle” on Stretch, which actually wouldn’t be “tattling” so much as just giving an honest answer to questions people were directly and specifically asking Kate about how she happened to be out on the frozen lake, Kate has also left Stretch open to doing similar things in the future to other innocent victims. She isn’t helping herself or the next person who could use some honest warnings. She didn’t initially trust Anders’s warnings about Stretch because he wouldn’t answer her questions about Stretch in specific terms (perhaps for fear of being thought a tattler), but Kate is now in a position to describe Stretch’s behavior in very specific terms herself, from first-hand knowledge. Anders was trying to be honest with Kate in his warnings, but he wasn’t fully honest and is already known for being an annoying teaser, which is why he didn’t seem believable. For all Kate knew, it just might have been another of his dumb jokes to embarrass her. (Another problem with too much teasing – no one knows when you’re actually trying to be honest and sincere about something, and few people are prepared to believe it because those are not a teaser’s default modes. If the teaser has already built a relationship based on qualities other than teasing alone, I suppose those close to him might be able to tell the difference, but no one else will, and Anders hasn’t built that kind of relationship with Kate yet.) If Anders had simply said why he didn’t trust Stretch, maybe Kate would have believed him and been more careful in the first place. Kate had to learn the hard way that Anders was telling her the truth about Stretch, and now, she’s going to have to learn the hard way that she also needs to drop her “tattling” hang-ups and be fully honest with herself and other people. Again, we teach others how to treat us, and Stretch could use some fully honest lessons from various people in his life. Don’t worry; he does get some help at the end of the book.

I was interested in what Anders said at the part of the story where he and Kate are talking about whether it’s better for her to like Stretch or Erik. Anders says that Papa Nordstrom has said that liking people is a choice, and people can make good choices or bad choices about who to like, which leads me to a few comments I have about the religious themes in the stories.

Sin and Forgiveness

I’ve explained before that I came from a family of mixed religions, although I was raised Catholic, and my religious education has also been somewhat mixed from childhood, although mainly Catholic. The only reason why I mention it is because, although Catholics and Protestants have similar ideas about the flawed nature of humanity, the causes of sin, and the role of Jesus in redeeming humanity, they have different ways of phrasing these concepts, which can sometimes give people wrong impressions and make it seem like their views are more different from each other than they actually are. When I see it, the differences are partly on where each puts the emphasis and the words they use.

A friend of mine (Mormon) was taking a college religious studies course and she was irritated by the way the teacher talked about original sin and about human beings as being “awful.” I can’t remember the exact phrasing she said that the teacher used, but it was something similar to what the mother says in this book about everyone being “awful.” My friend told me about it because she knows I’m Catholic and don’t mind discussing these things, and she thought her teacher was Catholic. I said that didn’t sound like a Catholic speaking. I looked it up, and it turns out that the teacher was specifically speaking from an Evangelical viewpoint, which is what I expected would be the case because, as I said, I’ve heard this before. I get the concept, but I don’t like that phrasing. It seems like it implies that all humans are inherently “bad” (which is what got on my friends’ nerves), but that’s not really the concept, not in real life or in this book.

The article that I linked in the first paragraph of this section explains it very well, but as a quick overview, the real issue is not that humans are inherently “bad” or “awful.” Not completely. (That’s what some people call the doctrine of “total depravity“, although even some of its adherents say that’s still a misunderstanding of the concept of “total depravity.”) It’s just that human beings are not perfectly good. Humans are inherently imperfect, which is different from just being flat-out “awful.” We’re not completely good or completely bad, just imperfectly between the two. Since we have elements of each in us, neither side can be ignored to get the full picture, and we can make choices about which of our sides we favor and try to maximize. Because we are imperfect as humans, we all sometimes have impulses, desires, and lapses in judgement that lead us to sin. That’s a part of who we are, but at the same time, we also have other desires for relationships with God and our fellow human beings that lead us to self-improvement and a desire to do good for others.

As Papa Nordstrom observed, we all have the ability to make choices. (This is part of the concept of “free will.” Catholics believe strongly in the concept of free will and reject any concept that original sin renders people unable to use their free will to make good decisions and consciously reject flawed impulses. I think that helps make “original sin” seem less of a tragedy because, while there’s always a struggle, knowing that there are still things you can do about it helps. Nobody’s doomed just for being human.) People can make good choices or bad choices. They can choose to give in to their worst impulses or practice mindfulness and self-discipline to resist them and strive for improvement. Understand that there are times when anyone could potentially do the wrong thing or have the impulse to do it. It happens to everyone from time to time, in varying degrees, throughout their lives. But, having the impulse to do something doesn’t mean you have to give in to it every time. Because human beings are imperfect, we often need some help and support to make the right choices when we’re struggling, and that’s the help that Christians look for when they turn to Jesus, accepting Him as their Savior, the example of what to do when they’re not sure how to control their feelings and impulses. People just need to make the choice to seek out that help when they’re struggling with bad habits or a crisis of conscience because there is help available, both spiritual help and help from other human beings. People can choose to say they’re sorry for bad decisions they’ve made and ask for forgiveness and guidance for making better choices, both from God and their fellow humans. (Kate should have been honest with her mother because she’s there to help and guide her and needs to know when something serious happens.) I prefer that description to saying that “we are all awful.” We’re not “awful.” We’re imperfect, and even if we’ll never be perfect in our human state, we can improve. That doesn’t sound as bad, does it?

The part where Kate rescues Tina from the dangerous situation she was in because of Kate’s bad example sort of reminds me of the end of Disney’s Freaky Friday from 1976, when the mother and daughter are talking about what they’ve done and what they’ve learned from being each other for a day:

“I am so much smarter than I thought. And so much dumber.”
“Oh, my darling, aren’t we all?

Other Interesting Topics

I thought the part of the story where Kate was talking to her organ teacher, Mr. Peters, about the difference between playing by ear and learning the notes was interesting. Mr. Peters points out that Kate is in the habit of playing songs by ear but she hasn’t really learned to read music. He tells her that she’ll learn more if she gets in the habit of reading the music for herself instead of depending on someone else playing a song for her to learn it. She later uses her new knowledge of reading music to learn to play one of the songs in the Swedish book of hymns. Musical notes are the same even if the songs are written in other languages.