Posted on by TracyC

The Shadow Guests

The Shadow Guests by Joan Aiken, 1980.

When Cosmo’s mother and brother mysteriously disappear, Cosmo’s father sends him to live with eccentric cousin Eunice in England, who is a mathematician educated at Cambridge and who now lives in Oxford. Cosmo’s father plans he will join Cosmo in England later, after he’s finished wrapping up the family’s business in Australia.

After Eunice picks up Cosmo at the airport, she tells him that she’s arranged for him to attend a small boarding school. Cosmo has never been to any kind of school before because his family lived too far outside of town. He and his brother always had their lessons together at home. Cosmo isn’t sure he’s going to like living with all these strangers at school, but Eunice says that she arranged for him to be a boarder rather than a day pupil so he would make friends faster. Eunice lives at the old Curtoys mill house, and Cosmo joins her there on weekends.

However, most of the other students at school don’t seem particularly friendly, and one of the teachers seems oddly confrontational about Cosmo’s father. He knows that Cosmo’s father, Richard Curtoys, was once a well-known cancer researcher in London, and he doesn’t know why he gave it all up and moved his family to the middle of nowhere in the Australian Bush. Cosmo doesn’t know what to say because he was very young when his family moved to Australia, and he doesn’t really know why they moved.

On his next weekend with Cousin Eunice, he asks her about it and whether or not the family’s sudden move to England had anything to do with what happened to his mother and brother. Eunice admits that it did. Cosmo’s father hadn’t wanted to explain and had left it up to Eunice to decide how much to tell Cosmo, but Eunice believes that it’s better for people to know everything than not know anything. Eunice reveals to Cosmo that their family has been under a curse for generations.

The Curse

The curse apparently started with the Roman invasion of Britain. Their family seems to have Roman roots, and one of their ancestors was apparently a Roman soldier. When the Romans took over Britain, they wanted to convert the inhabitants to the Roman religion, which was still pagan at that time. According to the legend passed down in their family, their ancestor was one of a group of soldiers who were ordered to destroy a pagan British temple. The son of one of the priestesses at the temple tried to resist them, and Cosmo’s ancestor killed him. The boy’s mother then killed herself out of grief. The boy’s grandmother, who was also a priestess, placed a curse on Cosmo’s family: in every generation, the eldest son of the family would die in battle, and his mother would die of grief.

Since then, Eunice says, the curse seems to have come true. She can list generations of their family where the eldest son has died in battle, including Cosmo’s father’s generation. Cosmo’s father was the youngest son of his family, and his elder brother, Frank, died young in battle. After Frank’s death, when Richard was only 10 years old, his mother died of grief, just like in the curse. Richard claimed that the curse was all nonsense when he was an adult, and he refused to tell his wife about it when they got married. However, Eunice had been friends with his wife before she met Richard, and she didn’t think it was fair to keep the secret from her, now that they had two sons of their own. Eunice admits that she told Cosmo’s mother everything, and that the story seriously upset her. It was Cosmo’s mother who insisted on moving to Australia, hoping to get as far away from the curse and any potential war as possible.

When Eunice explains this, some of the things about Cosmo’s family begin to make sense to him. Eunice admits that it seems like the elder brothers of the family resent the younger ones, who are safe from the curse, and Cosmo realizes that he sensed that his brother seemed to be hard on him or resent him, indicating that he probably had some sense that he had an ordeal or possible early death to face that Cosmo would be spared. Yet, younger brothers in the family are not entirely spared from the curse. It’s true that they live to carry on the family line, but each of them is also destined to lose their first son, and shortly afterward, to lose their wife to grief at their son’s death. Cosmo considers that maybe, when he’s grown up, he’ll just adopt a child to get around the problem.

He somewhat compares the family curse to a form of cancer. Some families are more genetically prone to particular types of cancers than others, and the way that members of those families survive is if, somehow, a genetic mutation is introduced to the family line, something that makes those individuals different from the ones before. It’s an indication that, maybe, this curse might not afflict their family forever. If someone, like Cosmo, can figure out how to be different from earlier generations of his family, and not pass on the cursed element to the next generation, there might be an end to the curse. Figuring out how to do that is going to be difficult, though.

Eunice says that his mother tried to evade the curse by running away, but apparently, it didn’t work. Nobody knows exactly what happened to Cosmo’s mother and brother, only that their car was found abandoned, and that they appeared to go off into the Australian desert on foot. Searchers have found no sign of them since, and because it’s such a harsh environment, people don’t think it’s likely that they’re still alive. Nobody knows why they went off into the desert, except maybe either the curse drew them there or they were trying to escape from it. Eunice’s housekeeper, who also knows about the curse, talks about it with Cosmo, and Cosmo asks her whether she thinks it’s possible to break the curse. Like Cosmo, she thinks it might be a case of gradual changes, members of the family doing things differently from earlier generations. Unlike Eunice, she thinks that maybe what Cosmo’s mother and brother did was one such change, and it’s difficult to tell what effect it has had yet.

Cosmo remembers a strange old man who visited them once in Australia. He thinks the man was probably a sorcerer or something because he told them things about their futures. He’s not sure what the man said to his mother, except that it seemed to upset her, and she was never the same afterward. Eunice suspects that the man may have told her that it’s impossible to run away from heredity and destiny. The man told his brother something about there being many different types of battles, which might indicate that staying away from wars would not be sufficient to save him from his destiny. The old man didn’t clarify that statement, but it’s true that people also fight internal and emotional battles every day, no matter where they are. Was this the battle Cosmo’s brother lost or could lose, and has it actually claimed his life already?

Cosmo had always thought his brother and mother were braver than he was, but now, he comes to question that. They had tried to run from their apparent destinies, and maybe the running caused them to go missing, and maybe even to die. When Cosmo’s father writes to him about the family curse, he explains that he has come to believe that the curse is a self-fulling prophecy, that it only comes true because people expect it to. Perhaps Cosmo’s mother and brother would have been fine if they hadn’t tried so hard to outrun their curse, putting themselves into a dangerous situation.

Of course, Cosmo realizes that it’s easier for Cosmo and his father to put aside their fear than it was for Cosmo’s mother and brother. Being the direct subject of an existential curse is certainly much more terrifying than just being part of a family that has a curse that may kill people around you. These thoughts cause Cosmo to consider the nature of fear and how people can be afraid of many different things and how the nature of a person’s fears make a difference in how they are affected by them. What one person can face with courage may be the undoing of another.

The Ghosts

Meanwhile, the other kids at school have become deliberately hostile to Cosmo. They accuse him of being stuck up and lying to them about Australia, and they start saying that Cosmo has probably never even been to Australia. Cosmo knows that all of the things that they say about him are untrue and unfair, but there isn’t much he can say to refute it. It seems to be a form of hazing at the school. He thinks about how petty and childish the other kids are and how they have no concept about the serious issues that are hanging over Cosmo. In a way, though, Cosmo discovers that he’s actually more comfortable brooding over the curse than he is thinking about the obnoxious kids at school. There is a kind of comfort in knowing your life fits a pattern, even if it’s a disturbing and unpleasant one. He also thinks about what the old man told him, that one day, he would have three friends. Because of the way kids at school act, Cosmo can’t image having any friends there at all, but that prediction comes true as well.

Cosmo gradually discovers that the mill house where his aunt lives is haunted. Eunice tells him about a phantom coach and horses that are supposed to appear at night, and Cosmo begins seeing a boy who calls himself Con. Con first appears to him as a little boy, about 4 years old, but each time Cosmo sees him, he gets a little older. He also eats Cosmo’s candy bars from his room. Eventually, Con speaks to Cosmo as a young man. He admits that he took the candy because eating someone else’s food forms a relationship between the two of them. Con explains to Cosmo that his father was a free Roman soldier, but his mother is a slave woman, so Con himself is a slave. The only way he can win his freedom is to play in the gladiatorial games, and he needs Cosmo’s help to practice. At night, Cosmo practices Roman style fighting with Con, but it is gradually revealed that Con does not expect to survive his upcoming fight. When Con speaks to Cosmo more about his family, it is revealed that Con is a member of Cosmo’s family from the distant past. He is the eldest son in his generation, and he knows about the family curse. Because of the curse, he expects to die fighting. Cosmo tries to explain to Con that he doesn’t need to believe in the curse.

Whether that helps Con or not isn’t apparent because Cosmo has to spend the next weekend at school and doesn’t see Con again. The next ghost he sees is a boy called Sim. Sim has been living at a monastery in the Middle Ages, getting an education, but his father has pledged him to his uncle to go fight in the Crusades. Sim is worried because he doesn’t know anything about fighting and thinks that he’ll be killed. He asks Cosmo if he can help him learn to fight. Again, Cosmo doesn’t know much about fighting, but he tries his best to help Sim. He doesn’t really see why Sim has to be obligated to go to war if he’s no good at it and doesn’t want to go, but he does notice that Sim’s eyesight is poor, and what he really needs are glasses.

Then, some of the hauntings at the mill house turn frightening. Cosmo is almost killed in multiple, inexplicable accidents. It seems like a poltergeist is out to get him. One of the boys who’s been giving Cosmo a hard time at school is also visiting the mill house and witnesses some of these accidents one weekend because his father works with Eunice. Not only do the boys learn to get along better after getting to know each other, but Cosmo starts realizes that the boy, Moley, actually has some problems of his own. He has an unhappy home life because of his stepmother. Moley also has a weak heart that keeps him from participating in certain school activities. Knowing this makes Cosmo feel more sympathetic toward him. Moley also comes to realize that something mysterious and threatening is happening to Cosmo, and he witnesses a ghost that Cosmo doesn’t see: a stern old woman in black. Moley has the sense that this old woman is responsible for the accidents happening to Cosmo, although he doesn’t seem to recognize that she is a ghost at first. It seems like Cosmo has now become the target of his family’s curse, which shouldn’t happen because he isn’t the eldest son. Has Cosmo become the target of the curse or some other supernatural force that now sees him as a threat?

My Reaction and Spoilers

I enjoyed the story, although I feel a little conflicted about the ending. The story is somewhat open-ended. We know that Cosmo survives his ordeals. Part of me wonders if the curse may have actually saved his life, after a fashion. If his bother was fated to die and Cosmo was fated to survive, then the forces trying to kill Cosmo were destined to fail. But, that’s just conjecture. These questions are never really answered. In the end, Cosmo doesn’t know if anything he’s done has changed the nature of the curse or if it actually can be changed. He still doesn’t know what might be in store for his future wife and children or if he will actually have a future wife and children. The only way to know is to live his life as best he can and deal with whatever comes along the way.

There are two things that I can see that he gains from his ordeals: closure about his mother and brother and a glimpse at what various other relatives have done in the past to change their fate (or if they did anything). I think there are some indications, based on Cosmo’s encounters with family ghosts, that what his father believes about the curse is probably true, but the story leaves that up to the imaginations of the readers. If you like speculative books, you might enjoy this one.

Metaphysics

Although Eunice is a mathematician, she’s also interested in metaphysics. She and Cosmo have discussions about the nature of time and reality and the possibility of other dimensions or other realities, which have a bearing on whether or not we interpret the ghosts that Cosmo sees as ghosts or not. In some ways they seem like ghosts, but in others, they might be people who have not yet died but who have crossed over in time.

This isn’t confirmed, though, and during Cosmo’s ghost experiences, someone from the past is attempting to kill him. (Spoilers) At first, I thought that the old woman attempting to kill Cosmo was the old priestess who originally put the curse on his family and who was trying to stop Cosmo from helping the ghosts who came to him to survive and thwart the curse. That isn’t the case, though. What Cosmo discovers is that various ancestors have tried different ways of thwarting the curse themselves. So far, none of them have been successful (and I’ll have more to say about that), but Cosmo discovers that one ancestress and her son actually became evil sorcerers themselves. The old lady is a sorceress, and she believes a prophecy that her son will die in a fight with Cosmo, so both she and her son are traveling through time and actively trying to kill Cosmo to save the son from the family curse.

During his struggles with this unholy duo, Cosmo is very close to being killed, and he has a near-death experience. He sees a beautiful, peaceful place, with Con and Sim and his mother and brother. He wants to join them all there, but they tell him that it’s not his time, and they will wait for him there until it is. This seems to represent a vision of Heaven and to confirm the supernatural nature of the story and that Cosmo’s mother and brother are also both dead.

Destiny and Curses (Lots of Spoilers)

I already said that, in the end, we don’t know if anything that Cosmo has seen, done, or experienced has broken the curse or changed his future or his family’s future. What we do see through Cosmo’s experiences are two things: that different generations of the family have tried to thwart the curse in different ways and that (although the story doesn’t explicitly spell this out) there may have been reasons other than the curse itself for what happened to the sons who died, including what Cosmo’s father said about belief in the curse itself causing it to come true.

Con tried to practice his fighting skills in an effort to win his battle, but unlike Cosmo, he never seemed to seriously consider that maybe he didn’t need to fight that battle at all. We’re not sure exactly how many generations removed he was from the original curse (maybe one or two, possibly more?), but it seems that enough time has gone by to convince him that the curse is real and that he should believe in it. Did his belief that he was going to his destiny and going to die in the upcoming fight cause him to actually seek out that fight and also to lose it?

When Sim comes to Cosmo, Cosmo tries to talk to him about just choosing not to fight, but Sim explains that isn’t an option for him. His father arranged it with his uncle, and Sim has no power to refuse to go. The choice not to fight isn’t open to Sim, but Cosmo also realizes that, beyond simply not being a skilled fighter, Sim is also at a disadvantage because he has bad eyesight. So, was Sim’s death almost arranged by his family because they had already concluded that it was his fate to die in battle, never teaching him to actually fight and overlooking his eyesight? If they had left Sim in the monastery, where he was studying, maybe nothing bad would have happened to him.

After Cosmo recovers from his near death at the hands of the sorceress and her son, who was an 18th century member of the Hellfire Club, he learns their fate from Eunice. Both the evil mother and her son died at the same time in the river where they nearly drowned Cosmo, indicating that they accidentally got themselves killed in their attempt to kill him. The prophecy that said the son would die while fighting Cosmo was actually a self-fulfilling prophecy. If they simply hadn’t believed it and had ignored Cosmo, he would have never met them at all, living in a completely different time and having no way to magically travel through time on his own. It’s only because they sought him out and actually started the fight that both of them died, which lends credence to what Cosmo’s father says about believing in the curse causes it to happen.

Before the end of the story, Cosmo’s father tells him that searchers have finally found his mother’s and brother’s bodies in the desert, confirming his vision of them in Heaven. We still don’t know exactly why they went off into the desert to die. Were they trying to flee the curse in a panic, so they weren’t thinking about how this decision could lead to their deaths? If they had simply chosen not to believe in the curse and had continued living in London instead of trying to wildly flee, losing the battle with their own emotions, perhaps they would have both lived normal lives and not died early … maybe.

There’s no real way to prove exactly what happened to Cosmo’s mother and brother. We never hear what happened to them from their point of view, and what decisions they made because of it. Both Cosmo’s father and Eunice says that they shouldn’t blame them for how they attempted to deal with something beyond themselves because they did the best they knew how at the time, even if no one else understands. This leads me to consider that maybe the real curse of the family is: bad decisions. Whenever the curse seems to arise again, each generation has to decide how they will handle it: run or fight, believe or not believe, etc. Each time, they’ve made the wrong choice for their circumstances.

In a way, Eunice bears some responsibility for what happened to Cosmo’s mother and brother, although no one blames her for her role in the situation. Cosmo’s father, having concluded that belief in the curse causes it to come true, had decided not to tell his wife or kids about the curse, so they would never have to grapple with whether they believed it or not. But, apparently, he never explained that logic to Eunice because she spoiled it by telling Cosmo’s mother and shocking her into taking a course of action that led to her and her elder son dying. Would the situation have been different if she had said nothing or if she had said something but said it at a different time from the one she actually chose? Eunice says that she thought Cosmo’s father should have explained the situation before he got married. Maybe that would have changed things or maybe it wouldn’t, but if she felt that strongly that this was the right thing to do, she could have brought up the subject earlier. Maybe she should have talked to both of Cosmo’s parents before their marriage to either get everything out in the open or at least understand why she should keep the secret. Either Eunice didn’t do that or she weakened in her resolve to keep the secret, and she inadvertently set the curse cycle in motion again.

The supernatural nature of this story and its ghosts suggests that the curse is probably real on some level and not just a series of bad luck incidents and unfortunate mistakes that the family makes. The hopeful outlook, the one that Eunice’s housekeeper believes, is that, little by little, with each passing generation, the family changes. Each generation is a little different from the last. Cosmo’s brother was apparently the first not to die in a conventional battle or a physical fight. He died trying to avoid fighting. With him, it seems to have been some kind of internal battle. This may be true of later generations, or maybe this is the first step in shattering the pattern of the curse. Possibly, all that Cosmo has seen will grant him the ability to make better choices, teach this children how to break old patterns, or do something drastically different that nobody else has done before. It’s hard to say, but realizing that it’s hard to say what might happen or what could have happened is a major part of the story.

Thinking about the curse and all of the ways the family could break it and all of the ways they’ve failed to break it so far shows the unpredictable nature of the choices people make in life. Each generation apparently did something they thought was for the best, whether they were embracing fate, fighting fate, or running from fate. The story leaves open the possibility that fate (or the curse) will always find them in some form, no matter what they do. If they don’t actively go to war, they may face their battles in another way, like internal or emotional battles. Who’s to say whether a different sort of internal battle might have taken Cosmo’s brother in London, even if the family said nothing about the curse to him or his mother? As a teenager, he might have had a battle with drugs or depression and lost. He might have gotten a disease and lost that battle. Life has a lot of maybes, and none of us can foresee every possible struggle or disaster.

Another maybe is that maybe the important point isn’t whether or not the curse exists or whether or not they can save all the potential victims but what each of them chooses to do with the life they have while they have it. Cosmo and his father will keep on living. His father will return to his important cancer research, and Cosmo will have decisions to make about his own life. He may or may not decide to have kids, he may or may not tell his future wife or fiance about the curse, and he may or may not try to adopt a child rather than have a biological one. In fact, unless the curse guarantees that sons will be born in the family, we don’t know for sure whether Cosmo might have all daughters. Really, anything is possible. What his future children’s struggles might be or what the real risks to them could be are a distant unknown right now in Cosmo’s life. In the end, he will have to trust them to a certain extent to make the right choices or at least the best choices that they know how when their battles come to them, in whatever form they take. We all have battles of our own to face and risks we take, no matter who we are, and nothing in life is guaranteed for any of us.

There is one last thing that did surprise me. In all of the ways it seems people in Cosmo’s family tried to end or thwart the curse, did nobody think of maybe some form of apology or atonement? The curse stems from an ancient offense someone in their family committed. Perhaps, if they found a way to say they were sorry, it would do something to end the vengeance against them, but it seems like nobody even suggests it. Heck, the evil sorceress lady and her son acquired the ability to use magic and travel through time, but because they were evil and stupid, they went after Cosmo, who was probably their greatest ally, instead of looking further back in time for the real source of their problems. Couldn’t they have gone and faced the priestess lady and either stopped her from creating her curse or stopped their ancestor from killing her grandson? There are a lot of maybes to this whole situation, but I’m honestly surprised that they didn’t think of that one.

School Troubles

Some of the school experiences in the story may have been based on the author’s own education. Joan Aiken was home schooled until she was 12 years old, and then, she was sent to the Wychwood School in Oxford, a boarding and day school. It’s possible that she also encountered difficulties adjusting to being at school with other children and the hazing and bullying that can occur in that type of environment. In the story, Eunice sees value in learning how to get along with other people, although Cosmo questions the value of learning to get along with people as awful as the kids at his school.

He gradually begins to learn more about the relationships of kids at school by observing them as an outsider. Some of the awful ways of treating him are considered some kind of hazing or initiation, and he’s expected to undergo it with some degree of grace before they will grant him acceptance. It’s all pretty idiotic and immature. Cosmo realizes it, although he knows he can’t show much reaction, or it will make things much worse. It’s the sort of thing I hated when I was a student myself. I admit that I was shy and socially awkward, and I didn’t get along well with many other kids because I just couldn’t stand this sort of thing.

Over 30 years later, I haven’t really changed my mind about that. I get that being around other people can open your eyes to human nature and how to deal with your fellow flawed human beings, but I see the same problem in this story as I do in real life: allowing this system of hazing encourages the personal entitlement of particular students, and it also is detrimental to the mental health of people who struggle to deal with them. I think schools do better at this now than they did when I was a kid, when it seemed like almost 100% of the personal development, learning, and personal responsibility was put on the shoulders of everyone else who has to deal with this type of person. I think I have much, much less patience for this kind of thing now than I used to due to overexposure early in life, which does call into question whether what I learned from that experience was really beneficial or not. On the whole, I actually do think that I benefited from exposure to other people, in spite of all the stresses and mental health issues along the way. Part of the issue is, when you’re part of a group of people, you have to put up with the worst parts of that group to spend time with the better parts of the group. If you avoid society too much, you don’t meet the better parts. Learning social skills and human understanding also requires time and practice, which is what Cosmo learns in the story.

People who bully and cause problems can be considered in the learning phase of developing social skills themselves. It’s just that there do have to be rules about how much of their bad behavior can be allowed while they learn. They can’t be allowed to sabotage other people’s social development for the sake of their own because that only leads to their personal entitlement at someone else’s expense. If they are spared consequences for their actions, they never learn anything, either, never improving or showing signs of development, just putting more needless stress on other people and never seeming to understand or care why. I’ve seen far too many examples of this in real life.

I actually enjoyed the way the school in the book handled some of these conflicts. The headmaster is a psychologist, and although some of the things he does seem a little unfair, he actually discusses his reasons for doing this with Cosmo. He understands how his students think and feel, and he knows how to give consequences for actions that not only enforce the school’s rules and better treatment for bullied children but also which affect their relationships with each other more positively.

At first, Cosmo is angry when he’s punished along with some of the other kids who have been bullying him for a prank he tried to discourage them from committing. However, the headmaster apologizes to him for that, saying that he knows those other kids have been giving him a hard time, treating him like he thinks he’s better than they are. One of the other teachers says that Cosmo has been targeted because he’s one of the bright students, and some of the members of his family have a more prestigious reputation than Cosmo realizes. By giving Cosmo the same punishment as the other boys, while the other boys are made to acknowledge that it’s unjust and that Cosmo doesn’t deserve it as much as they do, the headmaster is showing the other boys that they don’t have reason to think that Cosmo is being treated better than they are, ending some of their resentment against him. He also knows that the boys can now accept Cosmo as being one of them, united in resentment against the headmaster for being harsh and unfair. The headmaster is willing to take their resentment against him because, as an adult faculty member, he doesn’t need to be one of “them”, as in one of the students or their “friend” or “pal.” He’s apart from them anyway in terms of age and status, and part of his role is guiding their actions and relationships with each other. In a way, Cosmo admires the logic and the tactic, even though it means enduring the punishment, and it does improve the way the the other boys treat him.

Posted on by TracyC

Princess Sonora and the Long Sleep

Princess Sonora and the Long Sleep by Gail Carson Levine, 1999.

This story is a retelling of the classic fairy tale, Sleeping Beauty. It’s part of a series of other retellings and re-imaginings of classic fairy tales called The Princess Tales.

When Princess Sonora was born, her parents invited the usual fairies to give her gifts. They do this because it can be dangerous to anger fairies, although fairies’ gifts are a risky proposition at the best of times. Unfortunately, there are two complications with the fairies who give Princess Sonora gifts. First, one of the fairies decides to top a previous fairy’s gift of intelligence by making Princess Sonora ten times as intelligent as any other human on earth. As a result, Princess Sonora is an unnaturally intelligent baby who begins to talk almost immediately and is smart enough to understand the second problem that arises.

Her parents neglected to invite a particular fairy because they’d heard a rumor that she was dead. Of course, the fairy shows up anyway, angry at the lack of invitation, and immediately curses Princess Sonora. As in the original Sleeping Beauty story, the curse is that, someday, Princess Sonora will prick her finger and die. Also, as in the original story, the last fairy who hadn’t yet given a gift uses her gift to soften the curse so that, instead of dying, Princess Sonora and everyone else in and around her castle will fall asleep for 100 years. She can’t completely remove another fairy’s spell because that might provoke a fairy war, but this change to the curse gives the family hope. She promises that Princess Sonora will meet an eligible prince when she wakes up. Princess Sonora, being an unnaturally intelligent baby who can talk, also gives her own feedback and suggestions on the situation, to her parents’ amazement. Her parents decide to try to prevent the curse from coming true by hiding anything that can prick Princess Sonora, but baby Princess Sonora has already realized that this will be impossible. She knows that the curse will come true someday, and as she lies in her cradle, she begins to make plans to prick herself on purpose, someday when she can choose just the right moment.

Being smart is generally a good thing, but Princess Sonora’s unnatural intelligence makes her a very peculiar girl in a number of ways. For one thing, she loves books and is always reading, even as a baby. She grows up to be a very studious girl. That’s not so bad, but Princess Sonora carries it to extremes. She also refuses to sleep. It’s partly because she knows that, at some point, she’s going to spend 100 years sleeping, so there’s no point in wasting more time asleep. She’s also afraid of sleep because she doesn’t know where her mind will go when she sleeps, and with her massive intelligence, she loves her mind and doesn’t want it to go away. Instead of sleeping, she just reads all night or thinks about things. Because of her intelligence, curiosity, and constant reading, Princess Sonora knows the answers to many questions, but people often find it irritating because they don’t want to hear her long explanations or all the ways she knows for people to do their jobs better. People start saying to each other, “Princess Sonora knows, but don’t ask her.” Princess Sonora wishes that other people would be more interested in what she has to say, but she knows better than to force the issue.

When Princess Sonora turns 14 years old, her parents begin looking for a prince she can marry, assuming that she doesn’t prick herself and fall asleep for 100 years first. They choose Prince Melvin, from a large and wealthy kingdom nearby. It seems like a smart match, but Princess Sonora knows it isn’t a good one. Prince Melvin has also received gifts from the fairies, and while they include positive qualities, like honesty and bravery, they don’t include intelligence. Prince Melvin isn’t very smart and wouldn’t appreciate any of the things Sonora knows or has to say. He would marry her anyway because he’s Honest and Traditional, but Sonora knows that she wouldn’t be happy. When she meets him, he’s very dull. The fairies made him a Man of Action, not of thought. He’s decided that thinking gets in the way, so he has few ideas and certainly no interesting ones. Sonora begins to think that the right time for pricking her finger might be coming soon. Pricking her finger doesn’t quite go as she had planned, but the curse works.

When Princess Sonora and everyone in the castle is put to sleep for 100 years, they are half-forgotten. Princess Sonora becomes a kind of legend, and the saying “Princess Sonora knows, but don’t ask her” becomes a common saying when someone doesn’t know the answer to something, with few people knowing who Sonora really is or why you’re not supposed to ask her what she knows. That is, until a prince with curiosity and a thirst for knowledge, someone who really needs Sonora’s knowledge to solve a problem, seeks her out for the answers he really needs. When Sonora wakes, she finally meets a prince needs a princess like her and is truly happy to hear what she has to say!

My Reaction

I liked this story when I first read it as part of a collection of other stories in the same series. Gail Carson Levine, who is also the author of Ella Enchanted, often writes stories themed on fairy tales but with her own twists. Princess Sonora’s extreme intelligence and fear of sleep weren’t part of the original fairy tale, although they fit this story nicely. I found the scene with the fairies giving Sonora gifts a little disturbing. When one of the fairies gives her the gift of beauty, the baby physically changes, and it is described as being painful. It is a theme in other stories by Gail Carson Levine that the magical gifts fairies give often have unfortunate side effects. Some of them really turn out almost like curses, but in this case, it turns out to be just what Sonora really needs and leads her to the person who really needs her. Even after people stop getting gifts from fairies when they’re babies, they still have quirks, and Sonora’s quirks fit with Prince Christopher’s quirk for curiosity!

Posted on by TracyC · 1 Comment

Howl’s Moving Castle

Howl’s Moving Castle by Diana Wynne Jones, 1986.

The kingdom of Ingary is the land of fairy tales. There is magic, and in a family of three children, it’s always expected that the youngest of the three will be most successful. Sophie Hatter, as the oldest of three, is disappointed when she first realizes that, but she reconciles herself to her rather dull fate. She is devoted to her younger sister and half-sister, and she does her best to look after them and help prepare them for their futures.

When Sophie Hatter’s father dies, her stepmother Fanny has to decide what arrangements to make for the family’s hat shop and the three girls in the family: Sophie, her younger sister Lettie, and her half-sister Martha.  Because Martha is very bright and expected to one day seek her fortune in the world, as third children generally do, Fanny arranges for her to become an apprentice to a respected witch.  Lettie becomes an apprentice in a pastry shop, where she will learn a good trade and possibly meet a nice young man to marry.  Sophie, as she had always expected, continues to work in the hat shop.  None of the three girls are particularly excited about the arrangements, but they make the most of it.  Sophie does have a talent for hat-making.  In fact, she has a very unusual talent because, as she talks to the hats while she makes them, the things she predicts for the buyers come true. People become increasingly attracted to the hat shop because it seems like good things happen to people who buy hats there.

Sophie is good at working in the hat shop, but she has to admit that her life there is dull. She doesn’t really know what else she would want instead, but she feels isolated, hearing gossip from other people but not really talking to anybody herself. A visit to her sister Lettie on May Day puts Sophie’s life in perspective and calls the things that are expected of older and younger siblings into question. Sophie learns that her sisters, dissatisfied with the arrangements Fanny made for them and having ambitions other than the ones that are expected of them, have secretly switched places with each other. Lettie craves learning and adventure, so she has taken Martha’s place as the witch’s apprentice to learn magic. Martha doesn’t actually care about going out to seek her fortune at all. She doesn’t want adventure or riches. What she really wants, although she’s never admitted it before, is to marry, settle down, and have ten children. Working in the pastry shop, she has already attracted quite a following of young men, and she’s sure that she’ll find one who will love her and make her happy. Neither of them cares about fitting the tradition mold of three siblings, and they’re both concerned about Sophie’s future. Sophie has never had any particular ambitions of her own, but her sisters know that being shut up in the hat shop all the time isn’t good for her. They think Fanny is taking advantage of her because it’s Sophie’s work that’s attracting all the customers these days, and Fanny isn’t even paying her an apprentice’s wage! Apprentices like Lettie and Martha get wages at other businesses, but Sophie’s been working for free while Fanny takes all the profits. It gives Sophie a lot to think about, and she becomes convinced that she’s being exploited when she asks Fanny about wages, and Fanny puts her off. Sophie is so angry that she thinks maybe she should run away to seek her fortune, but she can’t shake the idea that eldest children can’t do that. Soon, circumstances intervene to force Sophie to be the one to go out and seek her fortune anyway.

Dangerous and mysterious things are happening in the kingdom. Rumor has it that the evil Witch of the Waste has threatened the king’s daughter and that the king’s personal wizard, Suliman, has vanished after going to deal with her. People think that the Witch of the Waste probably killed him. The king’ brother, Prince Justin, also went in search of Suliman and disappeared.

One day, the Witch of the Waste pays a visit to Sophie’s hat shop.  Mistaking Sophie for one of her sisters, the witch curses Sophie, turning her into an old woman.  Unable to explain to anyone what has happened (which is part of the curse), Sophie makes the decision to leave the hat shop, finding a new job as housekeeper to the mysterious wizard Howl, a sinister figure himself.  Little is known about Howl, although he is known to live in a strange castle that moves from place to place, apparently of its own accord, and he has a reputation for breaking women’s hearts.

Howl is even stranger although somewhat less sinister when Sophie gets to know him.  He allows Sophie to stay in his castle, not so much by requesting her to stay but by not telling her to leave, much like he did with his apprentice Michael, an orphan who came to live with him and gradually became his apprentice when Howl decided not to send him away.  Howl is vain (using makeup and hair dye to make himself more handsome), immature, and somewhat cowardly, but he is still a powerful wizard and can accomplish great things when he makes up his mind that he wants to (or finds himself unable to refuse).  He doesn’t real steal girl’s souls, as some of the rumors about him say, but he is definitely a flirt and a womanizer, who drops girls as soon as they fall in love with him because he likes pursuing them but is afraid of commitment. In fact, he even has Michael spread scandalous rumors about him in the towns where they do business so people will be more reluctant to try to get him to commit to anything or anybody.

Howl has other problems aside from his immaturity and fear of commitment.  Calcifer, the mysterious fire demon that powers the moving castle, hints as much to Sophie.  He hopes that Sophie will be able to help, although he, too, is unable to explain the reason why for magical reasons.  Howl is not an ordinary person, but a traveler from another dimension, from a strange country called Wales, the same place where the king’s wizard, Suliman, was from. In Suliman’s absence and against Howl’s will, the king recruits Howl to be the new royal wizard, to find the missing Suliman and Prince Justin, and to deal with the Witch of the Waste.

Sophie struggles to convince/cajole/force/help Howl to save the kingdom and to learn the secret curse that Howl himself is living under even while suffering from her own curse.  Surprisingly, it seems that Sophie is the key to breaking not only Howl’s curse but her own.

The book is available to borrow and read for free online through Internet Archive (multiple copies). It’s the first book in a loose series. Many people these days are familiar with the story because it was made into a Miyazaki movie, although the movie was very different from the book in a number of ways.

My Reaction and Spoilers

I first read this book when I was in high school, years before the movie version was made. In a way, the book is party mystery or puzzle as well as fantasy. Calcifer and Howl have a problem that they can’t talk about because of the magic around it. Only one rumor about Howl is true: Howl is literally heartless. But, Calcifer has a heart. It takes a long time for Sophie to make the connection and to realize what Calcifer actually is and what Howl did. Howl made a sacrifice years before that has left both Howl and Calcifer in a precarious position. The clues to Howl’s past and the arrangement between him and Calcifer are in a poem by John Donne that turns out to be part of Howl’s nephew’s school assignment. The Witch of the Waste, who turns out to be one of Howl’s former, discarded conquests, knows Howl’s secret and is trying to use it to get revenge on Howl.

Although the movie version is very good, and I enjoyed watching it, it is very different from the original book. The beginning part of the movie, where Sophie is working in the hat shop and cursed by the Witch of the Waste before going to work for Howl is very similar to the original book. However, the major problem of the war in the movie never happened in the book. War is a common theme in Miyazaki movies, but there’s nothing in the book about wizards making themselves into weapons of war. Instead, the main problems of the book are about lifting Sophie’s curse, figuring out what the secret contract between Howl and Calcifer is, evading the wrath of the Witch of the Waste, and finding the missing Suliman and Price Justin. The movie addresses the arrangement between Howl and Calicifer, but it doesn’t fully cover any of the rest of it. There are some characters and plot lines from the book which were combined or reduced in the movie in favor of the war plot, which I found less interesting because it has less intrigue. In the movie, the Witch of the Waste is tamed and redeemed as a character, but in the book, she really is evil and is never redeemed.

There’s also nothing in the movie about Howl being from Wales in our world and the land where he lives being a different dimension, but that’s a major part of Howl’s character in the book. In the book, Sophie even visits Wales with Howl and meets his family. His sister thinks that Howl, known as Howell Jenkins in his native Wales, is a wastrel, who hasn’t made anything of himself in spite of his college education. She’s only partly right. What she doesn’t know is that Howl started learning about magic at university, which is how he found out how to travel to other dimensions and make himself into a wizard. In spite of his immaturity and attempts to avoid certain types of service, he is actually very skilled and powerful. Howl can’t tell his sister the truth, so he just lets her think that he’s a wastrel.

Sophie finds Wales strange and mysterious. She is terrified when Howl takes her and Michael for a ride in his car. One of my favorite parts is when Howl needs to talk to his nephew about the poem he was assigned at school, but he doesn’t want to talk to Howl because he’s playing a computer game with a friend. Sophie and Michael don’t understand computers or that the boys are playing a game, so when the friend says that he can’t stop to talk or he’ll lose his life, they think that the boy’s life is really in danger. They almost panic when Howl pulls the plug on the computer to get his nephew’s attention, totally unworried about his nephew possibly dying. That’s one of the reasons why I prefer the book to the movie. Many of the humorous little moments like this are lost in the movie, although the movie did keep the episode where Howl has a temper tantrum and fills the house with green slime.

There are also intricacies of the plot that aren’t explained in the movie. The one I mind the most is that the movie doesn’t fully explain how the curse on Sophie works or how it gets broken, either. The book provided more information, which helps Sophie fully appreciate who she really is. As Calcifer realized soon after meeting Sophie, removing the curse on Sophie is complicated because it has two layers. Howl even admits later that he’s been quietly trying to remove Sophie’s curse himself, but he was never successful because Sophie was actually maintaining the curse herself. The first layer was what the Witch of the Waste did to her, but Sophie herself has magical powers that she has been unconsciously using throughout the book. The reason why good things kept happening to the people who bought her hats was that she was unconsciously casting spells on the hats when she talked to them while making them. The second layer of the spell on Sophie herself was her unconsciously reinforcing her sense of being old through all of the negative things she’d been telling herself about being the eldest child in her family. Sophie’s power typically manifests in the things she tells to people and things, and she’s been telling herself all the wrong things.

Because of all of the tales about how the youngest children are the ones who successfully go out to seek their fortune, Sophie has felt relegated to just being the eldest, helping other people, and not really thinking about what she wants for herself. Even as a young woman, she acted and felt old before her time because she didn’t have any confidence in herself or anything to look forward to in her future. Her sisters even worried about her for not having enough self-respect, no ambitions or dreams of her own, or ability to stand up for herself. Because she never expected to do much of anything with her life or any belief that she might have talents of her own, she and everyone else completely overlooked all of the magic that she’s been instinctively doing. When Sophie discovers that her sisters have switched places and learns about their real life ambitions, she is stunned to realize that she has badly misunderstood both of them for most of their lives, also making assumptions about them based on their birth order. She has also misjudged or underestimated other people, but the person she’s misjudged and underestimated is herself. Howl is the one who tells her that there’s nothing wrong with her being the eldest sister; the times when she gets things wrong have been when she acts without fully thinking things through. Part of the key to breaking her curse is to get rid of the negative feelings she’s had about herself and her ability and to see herself for who she really is: a person with powerful talents and a right to want things and achieve things for herself and her future. Once she sheds her doubts about herself and her abilities and stops thinking of herself as just the eldest and doomed to fail, she realizes how she can use her powers to save Calcifer and Howl, and Calcifer lifts the rest of her curse.

Posted on by TracyC

The Light Princess

The Light Princess by George MacDonald, 1864.

A long time ago, a king is irritated with his queen because they have no children. The queen tells him to be patient, and she eventually gives him a daughter. The king is very happy, but he makes a critical mistake. He forgets to invite his own sister to his daughter’s christening. It would be embarrassing for anybody to forget to invite a family member to an important event, but it’s a serious problem in his case because his sister is a wicked witch. She has a nasty temper and is vindictive. So, she decides to show up for the christening anyway and get her revenge by putting a spell on the baby princess. From that moment on, the baby is weightless, no longer bound by gravity.

It doesn’t take the little princess’s parents long to realize who has caused this strange malady in their child. It’s not all bad. Her nurses find her very easy to carry around, and people in the palace have fun playing ball with the princess as the ball, and the little princess herself seems to find all of this delightful. However, there is always the fear that she could blow away by accident, which does happen once, when she is blown out of a window and into the garden. Her parents continually worry about her future. At the queen’s urging, the king attempts to go to his sister and apologize about forgetting her invitation to the christening and ask her to lift the spell on the princess, but his sister denies all knowledge of the spell. The king knows she’s lying, but as long as she continues to deny it, there isn’t much he can do.

The problem goes much deeper than the princess having difficultly keeping her feet on the ground literally. She also has difficulty keeping her feet on the ground mentally. Her lack of gravity extends to an inability to see the “gravity” or seriousness in any situation. She laughs all the time, at everything, even when nothing is funny, although there is no real depth of feeling to her laughter. Even though she laughs all the time, she never smiles, leaving it open to question whether she ever really feels happiness or any emotion at all. She certainly doesn’t understand genuinely serious or catastrophic situations or other people’s emotions. When her mother cries, the princess just thinks that she’s making funny faces and odd sounds because she can’t seem to understand what crying means or the emotion behind it.

When the princess gets older, her parents talk to her about her condition, but the princess refuses to take it seriously. They try to ask her about what she feels. The princess says that she doesn’t feel anything, except that she sometimes feels like she’s the only one who has any sense, and then, she bursts into a wild, inappropriate fit of laughter. When they ask her if there’s anything she wants in life, all she can think of is to have someone tie a string to her and fly her like a kite, and then, she bursts into laughter again.

Since it’s useless trying to get through to the princess, the king and queen try consulting others, but nobody can agree on a solution. They consider metaphysics and philosophy. They recommend education and bloodletting. Her parents wonder if she would acquire some gravity if she fell in love, but the princess can’t seem to fall into anything … until the day she falls into the lake.

There is only one thing that the princess seems to love at all, and that’s the lake near the castle. When they take the princess out in a boat one day, she falls into the lake, and when she is in the water, she has gravity. She loves the water and loves swimming. She seems to have a better temperament when she is in the water, and she behaves better after a swim. Since water seems to affect the princess, they begin to consider that the cure to her problem might be to make her cry – a way of producing water that requires a grave emotion. However, nothing seems to make the princess cry. She is too flighty. (This book is full of puns related to gravity and flying, and they’re all given in a grave, direct manner.)

Then, one day, a prince tries to rescue the princess from the lake because he thinks she’s about to drown. When he pulls her from the water, she loses her gravity, and she angrily tells him to put her back in the lake. Unsure of how to do it when she’s weightless, the prince grabs hold of her and jumps into the lake with her. The princess is surprised and delighted because she has never truly fallen before. Now, she has fallen in with the prince … maybe in more ways than one.

However, even though the princess is starting to feel something for the prince, she has trouble understanding what she feels, not having felt much of anything for most of her life. When the lake suddenly begins drying up, the princess’s condition starts getting worse. The prince, who has truly begun to care about the princess, is willing to sacrifice himself to save the lake and the princess. It is only when the princess is confronted with the full reality of the prince’s sacrifice on her behalf that she is able to fully feel something and break free of her curse.

This book is now in the public domain, and you can read it online in your browser at Lit2Go. It is also accompanied by audio readings of each of the chapters.

My Reaction

Like other Victorian era children’s stories, there is a moral to this one, but it’s phrased in a unique and fun way. I remember liking this story the first time I read it as a kid, but I forgot about all of the puns involving “gravity”, which can refer to the force that makes things fall to earth or a state of serious emotion. The princess in the story lacks both, so she is very literally “flighty” and “can’t keep her feet on the ground.” Both of those terms are related to the idea that serious people have more emotional gravity, and unserious people lack it. For most of the book, the princess is an unfeeling air-head. I also missed the mention that the king doesn’t like puns, which may tacitly explain why his sister chose to make her curse in the form of a pun, knowing that her brother wouldn’t understand it.

The book notes that real happiness requires some emotional gravity because the person has to have enough emotional depth to understand their real emotional state and react appropriately to their emotions. That’s why the book describes the princess as never seeming happy, even when she laughs insanely at everything. She has no emotional depth or understanding. She doesn’t feel very much emotionally, and she has trouble understanding even her own limited emotional range. People often have trouble telling the difference between her laughing and screaming. Either way, it’s just a lot of loud noise with no real feeling behind it, and it’s pretty disturbing. It’s only when confronted with the apparent loss of the man she loves that the princess is able to feel a definite emotion. Fortunately, it all ends happily for our prince and princess. At the last minute, she decides to sacrifice her lake to save him, and finally, cries for the first time in her life, and that breaks her spell.

People don’t like to feel negative emotions, and some will use all kinds of defense methods to avoid what they’re feeling, but negative emotions (within reason, not taken to excess) are important to emotional health. People need to feel their full emotional range, and negative emotions often act as safety features in our lives. They tell us when we’re in an unsafe or unhealthy situation or when we’ve done something wrong, and they motivate us to do whatever is necessary to fix the situation. The princess’s habitual reaction to anything and everything is crazed and unfeeling laughter, but that’s not what she needs. She needs real feeling and honest tears to restore both her physical and emotional gravity. The princess, staring at the prince as he is about to die is literally staring death in the face and feeling the “gravity” of it. Contemplating the impending death of the prince and understanding for once the seriousness and finality of it, the princess experiences sadness and loss, and through that, she comes to understand love and sacrifice. Only when she has been through all of that is the princess truly able to be happy with her prince and his recovery. The princess has a difficult time adjusting to her new gravity, in more ways than one. She has to learn to walk for the first time because she always floated easily through life before, and sometimes, she falls down and hurts herself. She sometimes complains about it, but it’s still worth it because she has gained the ability to fully feel and to love and be loved.

During the story, none of the main characters actually have names. They are only referred to by their titles: king, queen, princess, and prince. Their names aren’t as important as their roles in the story.

There is a more modern story called Princess Hyacinth: The Surprising Tale of a Girl Who Floated from 2009 that uses the concept of a princess who is unaffected by gravity, but in a different way. It’s a picture book, and in that story, the princess isn’t cured of her lack of gravity. Instead, she learns how to make the most of it.

Posted on by TracyC · 1 Comment

The Mystery of the Whispering Mummy

The Three Investigators

The Mystery of the Whispering Mummy by Robert Arthur, 1965.

In the original editions of The Three Investigators, their cases were introduced by Alfred Hitchcock. Later editions of the books in the 1990s were rewritten to remove Alfred Hitchcock, but I’m using the version of this book that includes Alfred Hitchcock’s introduction for my review.

This story begins with two letters address to The Three Investigators. One of them is from an elderly woman in a wealthy area of town, who has heard about how The Three Investigators helped a friend of hers find her lost parrot in the previous book in the series. This lady would like their help to find her missing cat. Bob and Pete thinks that sounds like a simple enough case, but their other letter is from Alfred Hitchcock, so they decide to read that before committing themselves.

Alfred Hitchcock’s letter is incredible! He tells The Three Investigators about an old house that has been turned into a private museum by an archaeology professor. His museum has relics from his archaeological digs in Egypt. Recently, a mummy has arrived at his museum from a museum in Egypt. Professor Yarbrough was the one who originally discovered that particular mummy, but since it arrived at his museum, he has noticed a bizarre phenomenon. The mummy seems to whisper! Professor Yarbrough can’t figure out how the mummy can whisper, but it seems like the mummy is trying to tell him something important. Professor Yarbrough has consulted with a friend, Professor Freeman, who is a language expert, but the mummy only seems to talk when Professor Yarbrough is alone. Knowing how crazy this predicament sounds and what his other colleagues would say if he told them, Professor Yarbrough decides to tell his friend Alfred Hitchcock instead. That is why Alfred Hitchcock decides to tell The Three Investigators and see what they make of it.

Bob and Pete think that the mummy mystery sounds exciting but creepy. Since Jupiter is away on an errand, they decide that they would rather try to find the missing cat first. However, when Jupiter returns, he already knows about their prospective cases, and as predicted, he can’t wait to investigate the mummy. At first, Professor Yarbrough doesn’t have much confidence in the boys because they’re younger than he expected, but Jupiter persuades him to let them try. The professor’s butler, Wilkins, is very nervous and tells the boys that there is a curse on the mummy. Strange things are happening that make Wilkins think that the professor is in danger from the curse. The boys are there when a large statue in the professor’s museum suddenly falls over, almost striking the professor. Wilkins would rather send the mummy back to Egypt, but the professor doesn’t believe in curses. In spite of the talking mummy, the professor is sure that there must be a logical, scientific explanation for everything.

Jupiter also believes in scientific solutions, and his first theory about the whispering is that it’s being transmitted electronically, but they can’t find any electronics on or around the mummy. His next idea is to capture some of the mummy’s speech on a recording, which is successful. Professor Freeman says that the mummy seems to be speaking a form of ancient Arabic.

Then, Wilkins sees someone walking around in a jackal costume. Someone steals the mummy, and strangely, comes back a second time to steal the mummy case. Even the missing cat puts in an appearance.

Who wants the professor to think that the mummy is whispering and believe that it’s cursed? Who wants the mummy case, and why is that case even more important to the thief than the mummy itself?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

From the beginning of the book, I had a couple of theories about who could be responsible for the mummy’s whispering and “curse”, but I was only partially correct. There are different people involved, doing different things and for different reasons. The main villain is one of the people I suspected, but I didn’t know this person’s motive until it became clear that the mummy case is what they really want. The missing cat is part of the mystery, but don’t worry, the cat is fine and being cared for!

Posted on by TracyC · 1 Comment

The Mystery of the Mummy’s Curse

The Boxcar Children

The Mystery of the Mummy’s Curse by Gertrude Chandler Warner, 2002.

The Alden children are at the museum to get a sneak preview of the new Egyptian exhibit because the man in charge of the exhibit is the son of one of their grandfather’s friends.  When he shows them the mummy that will be the centerpiece of the exhibit, one of his assistants accidentally falls off a stepladder and breaks her ankle.  The museum personnel joke that it’s the “mummy’s curse,” although they quickly reassure the children that they don’t believe in curses.

With the opening of the exhibit coming soon, there’s a lot of work to do, including cleaning up the exhibit hall where it will be set up.  Losing the assistant has left the museum short-handed, so the Aldens volunteer to help with the cleaning and setting up.

However, the children notice other odd things about the exhibit when they’re helping to clean up.  They hear strange noises, as if someone were creeping around the off-limits areas where the artifacts are being stored and the exhibit getting set up.  Then, some of the artifacts that they noticed when they were first introduced to the exhibit disappear.  When they check to see what else is missing, they realize that some of the artifacts they’ve seen aren’t even listed on the official roster.  Jessie tries making her own list of artifacts in the exhibit, since the master list isn’t reliable, but someone steals it.

Who is stealing from the Egyptian exhibit?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I enjoyed the mystery. I was pretty sure that I knew early on who was responsible for the thefts, but mysteries involving museums, mummies, and stolen artifacts are my cup of tea!

I did think, as I was reading this, that few museums would let random kids help set up an exhibit like this, including valuable artifacts, even if most of what they were doing is just cleaning up. In the story, the eldest of the Alden children is 14, and I’ve done enough volunteer work to know that there are age limits and training requirements for certain volunteer tasks. There are really only two reasons why kids like the Aldens would be doing this. One, the requirements of the story: having the kids help set up an exhibit of Egyptian artifacts is exciting, something that plenty of kids would find fascinating, and it allows them to be in the right place to notice the thefts. Two, Grandfather Alden is rich: if the children’s grandfather wasn’t rich and well-connected, the Aldens wouldn’t be doing most of what they do in the stories. The second reason isn’t as charming as the first, and it never occurred to me when I was younger that the Aldens are actually very privileged to be in the position to do the things they do and meet the people they meet, but they are.

I wouldn’t say that the knowledge spoils the story for me, but it did make me stop and think. Sometimes, when adults, especially older adults, look back on books like the Boxcar children series, they talk about how independent the kids in these stories are and how willing to work, but the truth is that, in most of the stories, the kids’ grandfather sets them up with the opportunities for volunteer work or independence that the children have. The kids didn’t get this volunteer position because it’s an extension of special classes any of them are taking in history or archaeology or because they’ve done lower-level volunteer work for the museum before, working their way up, or because they applied for the position. They got it because of someone their grandfather knows. The Alden children are still willing to take advantage of opportunities that come their way and work hard at them and learn whatever they can, but when you think about it, it’s not quite the same as people who have to prove themselves and their merits first just to get the opportunity to do the same thing. So, I enjoy the story for the fun and mystery, but thinking about it now, as an adult who has done volunteer work for museums as well, I’m not quite so impressed with the way other, older adults compare the characters to real kids of non-rich, non-connected parents.

There are still volunteer opportunities for youths who want to get involved in museum work, but most of them require the kids to be older teens. One of the reasons for the age requirements is that there can be liability issues if someone gets hurt on the job, but people who hire volunteers also want to know about the skills the volunteers have, what kind of training they’ve had or need, and how much they can alreay do unsupervised. Rules can vary by location and position, but in the places I’ve been, kids under 14 are usually required to be supervised by an adult, 18 or over. Often, teens who do those sorts of jobs have already proved their skills or worked their way up in some way, applying for volunteer jobs and discussing their skills, taking related classes, being part of museum programs for younger children before, and/or volunteering in tandem with a parent first. The same is true of other places where I’ve volunteered, like animal shelters. So, the kids who seem more independent are that way because the adults in their lives took them through the preparation and training first and helped them connect with people who could take them further. This is a fun mystery story, but just understand that real children often aren’t like kids in mystery adventure books because they are real people in the real world, where circumstances are different from the ones in fiction. Real life has rules and regulations, and not everybody has a rich grandfather or family friends who are willing to treat them as special exceptions to the rules. If you want to see the kids around you get involved in a cause like this and gain some skills, the best way to go about it is to get involved yourself, both with the cause and with the lives of the kids, and give them the training and knowledge they need to go further on their own. Things like this don’t just happen on their own.

Posted on by TracyC

The House on Hackman’s Hill

House on Hackman's Hill cover

The House on Hackman’s Hill by Joan Lowery Nixon, 1985.

This creepy book is interesting partly because it is told in two parts. About half the story is a flashback that explains the history of the house and the mummy inside it, and the rest continues in the present day.

The very beginning of the story is in the present, starting with a pair of cousins. While they are visiting their grandparents, Jeff tells his cousin Debbie that he’s found out about an old, abandoned house nearby that supposedly contains a hidden mummy and that there’s a reward for anybody who finds it. Debbie doesn’t believe him at first, but he says that he heard all about it from their grandparents’ neighbor, Mr. Karsten. Jeff persuades Debbie to come with him to check out the old house. Debbie comes and takes pictures of it because she’s interested in entering a photo contest.

The place looks really creepy, and they have the odd feeling like somebody is watching them, even though the house is supposed to be empty. Debbie says that they should ask their grandparents what they know about the old house. At first, the grandparents don’t want to talk about it. They just say that it’s an old house and not very interesting. Debbie asks them directly about the mummy, and they say that there are a lot of rumors about the old place, but they don’t really believe them. The kids decide to talk to old Mr. Karsten again. Mr. Karsten says that he knows all about the old house on Hackman’s Hill because he lived there for awhile when he was young, back in 1911.

Paul Karsten’s Story

Paul Karsten’s mother was a secretary, and she went to work for Dr. Hackman, the former owner of the house, after the death of her husband. Dr. Hackman was a strange man with changeable moods. He was pleasant enough to Mrs. Karsten, but he hated children and didn’t really like having her son Paul in his house. Dr. Hackman was a history professor, specializing in Egyptology. He was approaching retirement, and he wanted to devote himself to his papers and his collection of Egyptian artifacts. Mrs. Karsten’s job was to help him catalog his collection, and Dr. Hackman offered such a good salary, Mrs. Karsten couldn’t refuse. The mummy was delivered the same day that Paul and his mother moved into the house.

Paul was given a room in the tower of the house, and while he thought that it had a great view at first, he got nervous when he noticed how the tower room was situated on the edge of a cliff. One of Dr. Hackman’s servants, Jules, makes a comment about how Paul should be careful because they don’t want “another accident”, refusing to say more about whatever “accident” occurred there before. Paul was uncomfortable with the house and with Dr. Hackman. He tells his mother that the house frightens him and that he wants to leave, but his mother reassures him that the place only looks strange because of the Egyptian artifacts. Paul found the artifacts he once saw at a museum exhibit frightening and he’s particularly disturbed by a statue that Dr. Hackman has of a man with an animal head, but his mother says that’s just a statue of an Egyptian god.

Paul had notice earlier that a long box had been delivered to the house, and he gives into temptation and tries to look inside. However, he is stopped by Jules. Jules and his wife Anna warn Paul that this house isn’t very good for children and that Dr. Hackman doesn’t like people nosing around or messing with any of part his collection. At dinner, Paul admits to Dr. Hackman that he tried to look in the box and apologizes for his curiosity. Dr. Hackman accepts the apology, and before Paul goes to bed that evening, Dr. Hackman shows him the mummy case that was in the box. Paul asks him if it’s real, and Dr. Hackman says it is. Paul says that he heard that it’s illegal to take real mummies out of Egypt, but Dr. Hackman says that there are ways, if you’re willing to pay for it, and he was. Dr. Hackman says that his eventual goal is to turn his house into a museum of Egyptian artifacts so that scholars will come there to study them and read his papers, and he will be famous. He also says that he knows how to protect himself from the mummy’s curse. The talk of curses scares Paul, but Dr. Hackman says that nothing has ever happened to him personally because of any tomb curses … implying that something might have happened to someone else.

When Paul tells his mother that Dr. Hackman has a real mummy, she is worried and upset. She doesn’t like the idea of people obtaining artifacts through unethical or illegal means, although she knows that the laws are poorly enforced. Mrs. Karsten doesn’t believe in superstitious curses, but soon, strange things begin to happen. While putting away his things in his room, Paul discovers a strange, triangular piece of gold metal with some kind of design on it. When he goes up to bed, he feels like someone is there in the room, although he can’t find anyone. During the night, he wakes up, sees that one of his windows is open, and feels an odd urge to walk toward it, but fortunately, his mother comes to check on him and stops him. Paul and his mother both realize that they were woken by the sound of a cry in the night. His mother supposes that it was some kind of night bird, but Paul knows that it was probably something to do with the curse.

Paul insists that Jules and Anna tell him about the accident that took place in his room. They say that they weren’t working for Dr. Hackman when it happened, but they know that the person who fell from the tower room was a guest of Dr. Hackman’s, he was from Egypt, he died when he fell, and his body was shipped back home. At first, Paul thinks that the gold piece he found probably belonged to the Egyptian guest, but that’s not quite it.

Dr. Hackman gives Paul the job of polishing some of his statues, knowing that they bother him. It amuses Dr. Hackman as a mean joke. However, Paul’s fear of them fades while working with them because he begins to appreciate their artistry. Dr. Hackman is surprised that Paul is able to see that and not just be afraid of the statues. Paul asks him about the statue of the man with the animal head, and he explains that it’s a statue of Anubis, the god of the dead, and scares Paul again by saying that Anubis is the one responsible for the curses on tombs. He says that Anubis’s head is a jackal head and that jackals hunt at night and have a bark like a cry. This confirms to Paul that the curse was responsible for the cry he and his mother heard.

Paul eventually comes to realize that the strange gold piece attracts the mummy and the mummy’s curse, which is why Dr. Hackman knows that he’s in no danger. Dr. Hackman put it in the tower room to make sure that the mummy’s wrath would only come to whoever was in that room … and that’s why he made sure that Paul was given that room, too. To protect himself and his mother, Paul knows that he has to get rid of that gold piece.

Mr. Karsten finishes his story by explaining to Jeff and Debbie where he hid the gold piece and how Dr. Hackman disappeared, apparently a victim of the curse. Nobody ever discovered what happened to Dr. Hackman, and the mummy disappeared that same night, but a museum has offered a reward for anybody who finds the mummy. Mr. Karsten says that various people have tried to stay in the house and find the mummy, but nobody has succeeded. Everyone has been frightened off after just a single night in the house.

Jeff doesn’t believe in curses, and Debbie agrees to accompany him into the old house to find the mummy and claim the reward.

Return to the Present

The rest of the story is about Jeff and Debbie’s adventures with the house on Hackman’s Hill. Jeff says that he thinks all the spooky curse stuff was just put on by Dr. Hackman, who was a mean old man having a joke by scaring a kid with all that talk of curses. Dr. Hackman was definitely a mean old man who enjoyed scaring young Paul Karsten, but questions still remain. How much of what Paul experienced was really real, and what happened to Dr. Hackman? If the curse was just something he made up, why did he scream the night he disappeared, and where did he go?

Jeff’s idea is that all the creepy stuff happened at night, so the best time to go look for the mummy would be during the day. (That’s actually pretty sensible. Why go to a supposedly haunted house during the night if you don’t have to?) The kids make a plan and put together a collection of useful supplies and food for their mummy hunt. They decide to go while their grandmother is busy watching her favorite soap opera and their grandfather is in town, arranging some sort of surprise for them.

When they enter the house, they discover that everything is still inside. All of the furniture and Egyptian artifacts are like Mr. Karsten described them. Debbie has an instant camera that with takes pictures that develop themselves. (No brand name mentioned, but basically, a Polaroid instant camera or something very similar. Those were popular when I was a kid in the 1980s and into the early 1990s, especially for families and amateur photographers. They’re not as popular now with the popularity of smart phones and digital photography, but they’re still around. Although police photographers now use digital cameras, instant cameras have been used in accident and crime scene photography because they produce quick results, the photos last for a long time, and because they develop immediately after being taken, they can’t be digitally altered. What I’m saying is that Debbie has made a good choice for recording their adventures and any evidence that they uncover, and it pays off almost immediately.) When Debbie takes a picture of the statues that Mr. Karsten told them about, she notices something frightening right away: the Anubis statue doesn’t show up in photographs.

Jeff discounts the photographic evidence because Debbie’s hand shook, and the picture is somewhat blurred. However, the kids start hearing noises in the house. Then, Debbie notices that a bad snow storm is approaching. She wants to leave the house immediately, but Jeff realizes that they can’t because they’d never make it back to their grandparents’ house by the time the storm hit. Night approaches, and the kids are about to see just how true Mr. Karsten’s story was. The kids are trapped in the house by the snow storm, but they’re not there alone.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

I thought that this was a fun, creepy story. The creepiness is tempered somewhat in the first half of this story because it’s told in the form of a flashback. We know during the first part of the story that Paul survives his ordeals and lives to old age because he’s telling the story of what happened when he was young to Jeff and Debbie as an old man. When Jeff and Debbie go into the house themselves, it’s less certain what’s going to happen.

There are points in the story after Jeff and Debbie enter the house where it seems uncertain how much of what Paul Karsten experienced was supernatural and how much might have been due to the machinations of Dr. Hackman, who seems to have been a very disturbed man by himself. They soon discover that the house has secret passages that could allow Dr. Hackman to move around the house unseen and create some strange phenomena himself to scare or harm people in the house. There was a point where I thought perhaps everything would turn out to be part of some elaborate plot by Dr. Hackman or someone else, but (spoiler) there is real supernatural phenomena happening.

Before the end of the book, Jeff and Debbie discover both where the mummy is hidden and where Dr. Hackman hid the mummy’s golden eyes, which Anubis has been searching for all this time. They also learn what really happened to Dr. Hackman all those years ago. He apparently did become the victim of the curse that he had tried to evade by inflicting it on others. When the story ends, it seems that the curse is ended permanently, although Jeff and Debbie do manage to get some things out of the experience.

I liked how, even though the story does turn out to be supernatural, the author introduced the idea that it might not be because that element of uncertainty kept the suspense going for longer and introduced some interesting possibilities for readers to consider. It also made it a little more plausible that the kids would be willing to enter the house because they could believe that the house itself was harmless without Dr. Hackman there to continue his plots.

Posted on by TracyC

The Curse of the Pharaohs

Sherlock Holmes’ Tales of Terror

The Curse of the Pharaohs by Kel Richards, 1997.

This is the first book in a short series of spooky mysteries for children featuring Sherlock Holmes.

One foggy night, a woman named Laura Coffin comes to Baker Street to see Sherlock Holmes, and his friend, Dr. Watson. She’s very worried about her uncle, Professor Sloane Coffin, who is an Egyptologist, living in Scotland. He’s been very ill and is likely to die, but Laura is increasingly alarmed by his mental state. Her uncle has come to believe in the Ancient Egyptian religion and believes that, when he dies, he will return from the dead. He thinks this power to return from the dead and live forever will come from a diamond he found in a tomb in Egypt called the Eye of Osiris. Laura and her uncle’s doctor, Dr. Cabot, have also come to suspect that her uncle’s medical state may be due to poison, although they’re not sure who could be poisoning him. Laura has come to Sherlock Holmes because the local authorities don’t believe her.

The most likely suspects for poisoning the professor would be his lawyer, Mr. Grizzard, who has been staying in his house and seems to have a sinister and unhealthy influence over the professor; the professor’s manservant, who Laura suspects of plotting to steal her uncle’s diamond when he dies; and a mysterious Egyptian man who has been staying nearby and seems to be lurking around the professor’s property for unknown reasons. Sherlock Holmes promises Laura that he and Dr. Watson will come to Scotland and investigate her uncle’s condition. Privately, he tells Dr. Watson that he thinks that there is something else that’s bothering Laura, something that she’s not telling them.

When they arrive in Scotland, Laura is glad to see them, although Mr. Grizzard isn’t. Laura introduces them to Dr. Cabot and her uncle. Dr. Watson doesn’t recognize the disease that the professor is suffering from, and Dr. Cabot says that he can’t figure out why the professor is so sick. Based on the tests he’s done, the professor really shouldn’t be this bad, but he does look like he’s dying. The professor accuses his niece and everyone else of only being concerned about his diamond. The professor confirms that he believes everything that his niece said earlier. He says that he believes in Ancient Egyptian gods (he calls them “gods of darkness”, which doesn’t seem scholarly), and he believes that, through his diamond, they will bring him back to life, and he will live forever.

Soon after Holmes and Watson meet the professor, he suddenly dies. Mr. Grizzard explains the professor’s will and final wishes. Laura is the professor’s primary heir, but she cannot take possession of the estate until she is 21 years old, so Mr. Grizzard will be in charge of the estate as executor until then. The professor had an Egyptian-style tomb built in his backyard, and his wish was to be buried there, along with his diamond. Mr. Grizzard makes certain that the professor’s requests are carried out, including the requirement that the tomb must be able to unlock from the inside.

Holmes spots a man spying on the funeral. He and Watson take turns watching this man as he seems to be observing the tomb and waiting for something. As Watson watches this man during a storm, he sees the door of the tomb open and the professor come out! Unfortunately, Watson is knocked unconscious by a falling tree branch. When he wakes up, there is no sign of the professor, and the man who was spying on the tomb has been murdered!

Did Watson really see what he thought he saw? Did the professor really rise from his tomb and kill the man watching him? Why was this man watching the tomb in the first place? What will the professor do now, and what does he want?

My Reaction

When I first got this book, I wasn’t quite sure what to expect. Pastiches can take familiar characters in some unusual directions, and I had read a review criticizing this series for adding supernatural elements and Christian themes that weren’t found in the original Sherlock Holmes stories. I thought that the story would probably be a pseudo-ghost story, somewhat like Scooby-Doo mysteries, where it seems like something supernatural is happening, but there’s actually a rational, more physical explanation. However, I wasn’t completely sure for most of the book whether that would be the case or not. There’s room left for readers to wonder whether Professor Coffin has really risen from the dead or not.

For those who prefer the ghosts to have logical explanations … you won’t be disappointed. There is a rational explanation for everything that happens in the story, and there are multiple people who could be good candidates for the villain behind everything that happens. Some of my suspicions turned out to be correct, but there are actually multiple villains involved, which complicates the situation and offers surprises for readers.

The other reviewer was right that there are Christian themes in the story. The Christian themes don’t really come into the story until the end, when Holmes and Watson are discussing the case with Laura Coffin. Laura asks why God allows people to behave wickedly. Holmes and Watson say that it’s not so much a matter of God allowing it as people choosing to commit evil deeds, and reassuring her that, sooner or later, everyone faces the judgement of God. Laura feels disillusioned about some of the people she trusted, but they also reassure her that, as a wealthy young heiress, she has her life still ahead of her to enjoy, and she will find better people. The religious talk and the quote from the Bible do seem a little out of character because I can’t recall the characters focusing on religious morals in the original stories so much as the deductive process, but I didn’t think it was bad. It was just a brief conversation, not overdone. If the characters had talked that way all the way through the book, it might have been a bit much, but it seemed plausible enough for a brief conversation on the subject.

The themes of the story reminded me of the Sherlock Holmes computer game The Mystery of the Mummy, but the story in that computer game isn’t the same one in this book.

Posted on by TracyC

My Sister the Witch

My Sister the Witch by Ellen Conford, 1995.

Norman Newman is convinced that his sister, Elaine, is a witch. When he goes to her room one evening to call her to dinner, he catches her all dressed in black and chanting strange words.

Norman likes to read horror and mystery books, and he uses some of the techniques that he has learned from reading his favorite mystery stories to investigate his sister. Some of these techniques don’t work as well for Norman as they do for the characters in his books, partly because he doesn’t really know how they work (like which end of a glass you’re supposed to put against a door when you’re trying to listen in on someone) and partly because the characters and situations in books are fictional and some of the things they do don’t work that well in real life.

Early in the story, Norman uses one of his scary stories for a book report for school, and his teacher tells him that she wants him to start to read other types of books. She makes him write an extra book report, telling him that he has a week to read something outside of his usual genre and report on it. That incident and some other pieces of bad luck cause Norman to think that maybe Elaine really is a witch and that she put a curse on him, just like a witch in the book he just read.

Norman’s friend, Milo, thinks that Norman’s imagination is just running away with him. It’s happened before because of the scary stories he reads. Once, he thought that their teacher might be an alien.

When Norman has a brief streak of good luck, he starts to think that whatever curse Elaine put on him may be over, but then, he gets sick to his stomach. He goes to the library to get a book for his new book report, and he also gets a non-fiction book about witches. Then, he overhears Elaine talking to her friend, Deirdre, about something being powerful and scaring Deirdre’s sister. The two of them begin chanting together. Norman decides that he was right about Elaine being a witch and that Deirdre must be a witch, too.

After some research, Norman and Milo learn that, to get rid of the effects of a magic spell, they need to learn the words to the spell and say it backwards. Norman doesn’t remember the whole spell from when he heard Elaine say it, so Milo says that he’ll just have to look for a copy of the spell in her room. The book they consult also says that a spell can be neutralized if the person it was cast on duplicates it, which means gathering all the materials used in the spell, but Norman doesn’t know where he would find things like newts’ eyes and frogs’ toes. Either way, it looks like Norman’s going to need a copy of Elaine’s spell. However, even when he gets it and tries to break the curse, things still go wrong. What can Norman do to get rid of this bad luck spell?

I particularly liked the character of Milo in the story. Milo uses a wheelchair because he was hit by a car when he was young and can’t walk. Norman notes that, although Milo can’t use his legs, he gets around very well in his wheelchair and that he has very strong arms. Milo is also more level-headed than Norman, pointing out to him how he has allowed his imagination to run away with him in the past.

The book is available to borrow and read for free online through Internet Archive.

Spoilers and Other Thoughts

I thought that the secret behind Elaine’s spell was pretty obvious from the beginning because the book repeatedly says that Elaine wants to be an actress. It reminded me of other stories I’ve seen where someone’s playacting was mistaken for some real life danger. Overall, I enjoyed the book, even though I figured out what was going on pretty quickly. Kids might be in suspense for longer.

By the end, Norman still hasn’t learned his lesson because the next scary story he reads leaves him looking at his dog suspiciously. There is at least one sequel to this story called Norman Newman and the Werewolf of Walnut Street.

Posted on by TracyC · 3 Comments

The Case of the Muttering Mummy

MutteringMummy

The Case of the Muttering Mummy by E.W. Hildick, 1986.

Joey Rockaway needs to buy a special present for his mother’s birthday. Having broken his mother’s china cat ornament recently, he has decided that he will buy one of the replicas of a golden cat statue from Egypt at the Egyptian exhibit at the local museum. The other members of the McGurk Organization come to the museum with him, and McGurk uses this as an opportunity to give them a kind of memory test about objects in the exhibit.

Actually, everything in the exhibit is a replica, not just the items sold in the museum gift shop. Justin Matravers, a wealthy man who has recently died, collected Egyptian artifacts, but part of his will specified that the collection should never be put on public display. However, his widow, who wanted to show off the collection, had replicas made of everything in the collection so that she could have those put on display.

MutteringMummyCase

McGurk sneers about how everything in the exhibit is fake, although he is actually surprisingly superstitious. The museum always did have a real mummy case on display. They always said that the mummy case was empty, but some of the more superstitious kids, like McGurk, believe that there is a mummy inside the case and that there is a curse on it. McGurk has nicknamed the mummy Melvin. The other kids aren’t afraid of Melvin or Egyptian curses, and while they are looking around the Egyptian exhibit, Mari plays a joke by using her ventriloquist skills to make the mummy case “talk.” This trick sets off a bizarre mystery for the McGurk Organization.

A scholar and author, Harrison Keech, is sketching the replicas at the exhibit and witnesses Mari’s trick and Joey picking out the replica cat for his mother. After he asks Joey if he can take a look at the cat, Keech suddenly becomes very upset, saying that the cat statue is cursed! He says that Mari’s joke has angered the spirit of the mummy and awakened the spirit of Bastet. The mummy was a follower of Bastet, the Egyptian cat goddess, and it will now be drawn to the statue if they remove it from the museum. Mari tells Joey that she can tell from Keech’s voice that he’s making up the whole story and that he shouldn’t let that stop him from buying the cat.

MutteringMummyNight

However, strange things start happening after Joey buys the cat. It seems like someone is following him home, a dark, shadowy figure. Joey thinks it might even be the mummy, come back to life! The others are skeptical, and McGurk arranges a kind of test where Joey brings the statue with him to a meeting of the organization. Sure enough, a strange figure lurks outside their meeting, and they hear strange whispers in a foreign language!

The spookiness doesn’t last for long. It turns out that Mari, as well as being a ventriloquist, has some skill with different languages and recognizes what the “mummy” says as being Greek, not Egyptian, and the phrases as being typical things that someone might say in a restaurant. When the kids find a scrap of bandage outside, they are quick to notice that it’s a modern, elasticized bandage, like the kind you can get at any pharmacy.

So, the question becomes who is playing at being a mummy and why? Is it Keech, wanting to make the kids think that the mummy story he told them is real, and if so, what would he have to gain from it? The only other two people who know about the story are Joanne, who works at the museum, and Donny, her fiancé, who is jealous of the attention she’s been paying to Keech when he comes to the exhibit.

MutteringMummyLies

I have some complaints about this book that hadn’t occurred to me when I read it as a kid. At one point, Donny, who is described as being a social worker, comes to visit the kids because he wants to hire the organization to check up on Keech and his relationship with Joanne. Donny is very jealous, and when he explains how Joanne seems to be falling for all of Keech’s crazy mummy stories, he suddenly turns to Wanda and Mari and says, “You women, you’ll believe anything when a smarmy two-bit jackass like that starts shooting his mouth off!” That’s just really inappropriate for an adult to say to kids, and the whole situation is weird on several levels. First of all, Donny is an adult, and if he’s having issues with his love life, especially with the woman he thinks he wants to spend the rest of his life with, the last thing he should do is hire kids (even really smart ones) to handle the issues for him. Second, Wanda and Mari are young girls, not “women,” and what little girls believe is no business of Donny’s. Trying to imply that Wanda and Mari might someday fall for a “jackass” is not only insulting but implies that Donny is thinking about Wanda and Mari in terms that no grown man should be thinking about girls their ages. I find it disturbing that Donny is apparently a social worker, a person in a position of trust who is supposed to help people in difficult situations to manage their lives, and he’s acting like this. Also, toward the end of the book when the bad guy (I won’t say who it is here, although I thought that the answer was pretty obvious even early in the story) is making his escape, he shoves Joanne aside and calls her a “slut.” That’s pretty strong language for a kid’s book of this level. None of this occurred to me when I was a kid, so maybe other kids reading this wouldn’t notice, but I thought that I’d mention it because these things bother me now.

At one point, Brains gives a demonstration of using water displacement to determine the volume of irregularly-shaped objects, explaining how Archimedes discovered the principal (although I’m not sure that Archimedes’ Principal was quite as he explains it), as the kids investigate what makes Joey’s cat statue so special. You might be able to guess what it is. It seemed pretty obvious to me. The one thing that seemed the most puzzling was how it was done. Mari also offers an interesting explanation of the different kinds of lies that people tell and their motives for doing so.

The book is currently available online through Internet Archive.