Posted on by TracyC

Conrad’s Fate

Chrestomanci

Conrad’s Fate by Diana Wynne Jones, 2005.

This is the fifth book in the Chrestomanci series.  In this series, there are many different dimensions, and in each of those different dimensions, there is a copy of every person.  Different versions of our world can differ dramatically in their history across the dimensions, and individual people’s lives can differ dramatically between the dimensions. There is one person in each generation who has no duplicates in any of the other dimensions.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across the other dimensions are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions, and he acts to keep a balance between them and make sure that the different worlds keep their proper course.

Conrad lives in the 7 series of worlds in Chrestomanci’s universe. His family owns a bookshop. Well, technically, his Uncle Alfred owns the bookshop. He started it with Conrad’s father, but he says that Conrad’s father needed a large amount of money before his death, so he sold Alfred his half. When he was young, Conrad and his older sister, Anthea, imagined that their father probably lost a large amount of money at the casino. Conrad likes that idea because he’s a bit of a risk-taker himself and likes doing adventurous things, like rock climbing. Uncle Alfred tells them that they’re wrong about their father gambling. He says that he thinks that the aristocrats at the mysterious Stallery Mansion stole a large amount of money from their father. He doesn’t explain any more about how that happened, but he cautions Conrad not to be such a risk-taker because he has bad karma.

Conrad doesn’t understand what karma is, and his sister explains that karma is sort of like fate, but it’s the consequences of good or bad deeds committed in previous lives coming back to affect the present life. She thinks that the only way to clear bad karma is to correct for the misdeeds of the past. Conrad is intrigued and asks if it’s really possible for people to live more than once, but everybody else is busy with things they’re trying to do, and nobody will give him a straight answer. Conrad can’t help but wonder what this could all mean for his karma and his fate.

One day, while Conrad is looking for a book in the shop that is part of a series he’s been reading, he realizes that the books in the series have changed titles, and although he can tell that the basic stories are the same, some of the details are different. When Conrad asks his uncle about it, Uncle Alfred is very angry. He says that it’s the fault of the aristocrats at Stallery Mansion. Uncle Alfred explains that the aristocrats at Stallery Mansion make themselves richer by very literally playing the possibilities. They use powerful magic to evaluate different possible realities and make little shifts in the nature of reality itself to make things go the way they want them to go for their business interests, so they can turn bigger profits. The problem is that any little change in reality can have a ripple effect, changing many other details of life around them, from the titles of books to the color of everyone’s mailboxes. Not everyone notices these magical changes in reality because they use mind games to fool people into thinking that whatever changes they made were always like that. (It’s a weird combination of gaslighting and the Mandela Effect.) They also use powerful enchantments around their area to stop people from sensing what they’re doing, so powerful that they disrupt computers and television sets. Uncle Alfred is a magician himself, so he can tell what they’re doing, and he despises them for their manipulations.

However, Uncle Alfred is greedy and manipulative, too. Conrad discovers how greedy and manipulative he is after his sister leaves home to go to university. Both his mother and uncle are angry at her for leaving because she had been doing much of the work around the house and bookshop, and they had never had to pay her to do it. Anthea knows they’ve been taking advantage of her, and that’s the reason why she knows that she needs to leave and build a life of her own. Conrad misses her after she goes, and his uncle has to actually hire another girl and (gasp!) pay her to work for him. He frets constantly about how much it costs to actually pay someone wages in exchange for work. The other girl, Daisy, tells Conrad that his uncle isn’t hard up for money at all. The bookshop is very successful, and with what it brings in, Uncle Alfred could afford to pay her much better than he does. He just doesn’t want to do it because he’s so stingy. All of the money he brings in, he spends on himself. For the first time, Conrad becomes aware of how much money his uncle spends on fine port and tailored clothes. His mother is also two-faced, spending all of her time writing books about the oppression and subjugation of women while making Conrad do all the cooking in Anthea’s place. Conrad’s not very good at cooking, but his mother won’t cook anymore because she doesn’t want to be subjugated as a woman. She’s not above subjugating her own children for her benefit, though.

Conrad realizes that he has to use the techniques that Daisy uses to get his mother and uncle to stop exploiting him as badly as Anthea. He stops cooking and refuses to make any more food until his uncle agrees to give him things he wants as payment, like a bicycle. He notices that other kids at school get presents from parents without having to work for them or bargain for them, like he does, but he supposes that it’s all part of his bad karma.

Uncle Alfred has been blaming all of the changes that have taken place since Anthea left on Conrad’s bad karma. Conrad isn’t sure whether he lived a past life or not, since Anthea said that she didn’t believe in past lives, but since he keeps getting into trouble in various ways, he suspects that his karma might really be bad. He also starts blaming his bad karma for any accident he has (which all sound like perfectly ordinary accidents that could happen to anybody, really), and he starts feeling like maybe he deserves it all somehow for past sins. He asks his uncle what he could have done that could cause his karma to be bad. His uncle says he doesn’t know and that he’ll try to figure it out with magic.

When Conrad is getting old enough to go to high school, Conrad realizes that he’s going to have to use some kind of persuasion or negotiation to get his uncle to let him go on with his education. He wants to learn magic himself, but he knows that his uncle will probably want him to work in the bookshop for free, like Anthea did. His plan is to offer to work part time for his uncle in exchange for the money to attend high school with his friends when word spreads that Count Rudolph of Stallery Mansion has died. His heir is a 21-year-old man, and he only has a younger sister. People speculate that both of them will have to marry soon to ensure that their family line will continue. Sure enough, there is an announcement that the new count, Robert, will marry soon. People say that the old count’s wife is a controlling person and that she will control her son and his new wife, too. For some reason, the news upsets Uncle Alfred and his group of magicians.

Then, when it’s time for Conrad to leave his school and declare whether or not he’s going on to high school, his mother shocks him by telling him that he can’t go to high school because he already has a job at Stallery Mansion. Conrad demands that his Uncle Alfred explain what this job at Stallery Mansion is and why he signed him up for it. His Uncle Alfred says that he has learned through his magic that, in Conrad’s previous life, he was supposed to kill a wicked person, and he failed to do it, so this person continued their wickedness and has been reborn as an equally wicked person. Uncle Alfred says that this person’s current incarnation is someone at Stallery Mansion and that he got Conrad a job as a servant there so he can take care of the mission he failed to do in his previous life … to kill the person he is supposed to kill. Uncle Alfred says that this is the only way that Conrad can clear his bad karma and go on to live his own life. If he doesn’t, fate will take retribution on him by killing him before the year is out. Conrad isn’t sure whether to believe Uncle Alfred or not, but Uncle Alfred’s magician friends all say the same thing to Conrad, that they can read his bad karma and that it will hang over him and may kill him soon if he doesn’t clear it. As horrible as it is, twelve-year-old Conrad resigns himself to going to Stallery Mansion as a servant with a mission to kill some unknown evil person to save his own life.

When he goes for his interview at Stallery Mansion, Conrad is hired on as a page boy along with another boy, who is taller, handsomer, and very well-dressed. This other boy calls himself Christopher Smith, although Conrad is sure that “Smith” isn’t really his last name. At first, Conrad regards Christopher as a professional rival, but Christopher assures him that he isn’t interested in competing to move up the ranks of the servants. In fact, he admits that he is here for another purpose, and as soon as he’s found what he’s looking for, he will leave. Both Conrad and Christopher have their own intrigues.

Of course, Christopher is really Christopher Chant, who is currently in training to be the next Chrestomanci in his world. He is in Conrad’s world to find Millie, who has run away from boarding school because the other girls there were bullying her, and she didn’t feel like she was learning anything. Christopher had tried to tell their guardian, Gabriel DeWitt, who is the current Chrestomanci, that Millie was miserable, but he wouldn’t listen. After Millie disappeared, DeWitt still wouldn’t listen when Christopher tried to tell him that Millie was no longer in their world, so he went in search of her himself. He knows that she’s somewhere close, somewhere in Stallery Mansion, but he can’t find her, and he’s very worried. It feels like she’s trapped somewhere, but Christopher isn’t sure where.

Conrad is moved by Christopher’s story and offers to help him find Millie. Then, Christopher also witnesses the changes in reality that Conrad has seen and sees how someone at Stallery has been playing with probabilities. When Conrad confides in Christopher about his bad karma from a previous life, Christopher is sure that what his uncle told him isn’t true, no matter what his uncle and his uncle’s friends said. Together, Conrad and Christopher must confront the mysteries of Stallery: who is changing the nature of reality at Stallery and how, where is Millie and why can’t they find her, what is the truth about Conrad’s fate?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

I really liked seeing young Christopher Chant in this adventure, while he’s still learning how to be the Chrestomanci. As an adult, Christopher is always very sure of himself and able to handle just about anything, but here, he’s still young and not always sure of himself. He has high self-confidence from knowing that he’s a powerful, nine-lived enchanter, but in this story, he runs up against things that he doesn’t completely know how to handle. He puts on a show of knowing what he’s doing, but both Conrad and Millie know that there are times when he’s just bluffing or muddling his way through.

I also enjoyed seeing Christopher’s relationship with Millie develop more. They were both children in The Lives of Christopher Chant, but they have known each other for years now. It’s pretty clear that Christopher has strong feelings for Millie from the way he desperately searches for her when she’s lost. Millie knows that he’s powerful, but she also knows his faults from growing up with him. She knows that there are times when he’s lazy and doesn’t want to bother learning something, so he just bluffs his way through. He’s also grown accustomed to getting his way with things. When Millie first told him that she was unhappy at school, he wanted to run away with her so they could live alone on an island together, and Millie realized that was a terrible idea. She likes Christopher, but she doesn’t want to live alone on an island or have him constantly dictating what they’re going to do. That was why she took matters into her own hands and ran away on her own. Since Christopher is a teenage boy, I can guess why he wants to be alone on an island with the girl he likes, and even Conrad realizes that Christopher is trying to be like a knight errant to Millie by single-handedly charging to her rescue. Christopher really does love Millie, and he’s trying to be her hero and help her in romantic ways.

Christopher is a little full of himself and still has some growing up to do, but both Conrad and Millie admit that they like him in spite of his faults. The fact that they know both his good and bad points and still like him makes their relationships with him stronger. Christopher’s faults, like his superior attitude and fussiness about his clothes are minor in the face of bigger issues. He’s on the side of good, where other people in the story definitely aren’t, and although he is powerful, he never abuses those powers. Millie respects Christopher, and he does his best to look after her. At the end of the story, Conrad says that Christopher and Millie are engaged to be married, and Christopher trusts Millie with the ring that contains one of his extra lives.

When Conrad and Christopher start working at Stallery Mansion, they both learn about the divided world of a wealthy mansion with servants, with areas where the family lives and the areas where the servants live, like that shown in Upstairs Downstairs, Gosford Park, and Downtown Abbey. The boys have to learn to make themselves unobtrusive, like they’re pieces of furniture, except when they’re needed to do something for the family. They also learn to be observant and to anticipate the needs of the people they serve. Conrad has some experience with housework and cooking from home, but when Christopher arrives, he has little or no idea how to do certain things because there are staff at Chrestomanci Castle to take care of the chores. Christopher isn’t exactly humbled by his time as a servant, but he does gain the experience of working a regular job and doing menial chores, like polishing shoes. It is a learning experience for him.

I thought it was pretty obvious from the beginning that Uncle Alfred and his friends were villains and that they made up the idea of Conrad’s bad karma to manipulate him into doing their bidding. Fortunately, both Christopher and Anthea help to convince Conrad of the truth before he does anything horrible. Anthea has also discovered that her father was the real owner of the bookshop, not their uncle, even has a half partner. When he died, he left it to their mother and to his children after her. Uncle Alfred has been using memory spells of his own to manipulate everyone into believing that he owns the bookshop. Anthea only realizes it after being away from his influence for a few years and meeting Conrad again at Stallery.

What Christopher realizes about Stallery Mansion is that it’s built on a probability fault, a place where several different probabilities happen to meet. The mansion keeps shifting between different probabilities, and the reason why they have trouble finding Millie is that she has gotten trapped in one particular probability. They can’t reach her until the mansion is in her particular probability. Part of the peculiar shifting of the mansion through probabilities seems to happen naturally because of its location, but both Christopher and Anthea realize that someone is helping it along. Unraveling the mystery of who is responsible reveals some further secrets about Conrad’s family and Conrad himself. Conrad has magical abilities and ends up receiving training from de Witt along with Christopher.

While Christopher and Millie learn a few things from their experiences, Gabriel de Witt also admits at the end of story that he has learned a few things about the way he was treating both of them. As their guardian, he takes his job of educating them and preparing them for the future seriously, something that he berates Conrad’s mother for neglecting for her own children. However, he confesses that he has neglected the emotional well-being of his wards and that he is partly responsible for them running away. When Millie complained about her school and Christopher told him off for ignoring Millie’s unhappiness, Gabriel brushed it off as teenage melodrama, but he later admits that he should have taken their complaints more seriously. After Millie ran away, he did what he should have done in the first place and went to the school to see the conditions there for himself, and he admits that Millie was right that it wasn’t a good school. He promises Millie that he will find her a better school where she can finish her education. He still makes it clear to Christopher that he was behaving like a hothead by running off himself and taking unnecessary risks, but the two of them eventually forgive one another. Later books show that Christopher and Millie still have respect and affection for Gabriel as adults. Gabriel de Witt isn’t always a perfect guardian and he doesn’t always understand young people, but he does care about his young wards and wants the best for them, which contrasts with the way Conrad’s mother and uncle were just using him and his sister with no thought to their well-being or future.

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Mixed Magics

Mixed Magics by Diana Wynne Jones, 2000.

This book is part of the Chrestomanci series. Although most of the books in the series are longer novels, this book is a collection of four shorter stories, all set in the universe of Chrestomanci, where there are multiple dimensions with other worlds and series of worlds. The Chrestomanci is a powerful enchanter with nine lives (or, at least, he starts out with that many – he leads a dangerous life, or lives). The Chrestomanci’s job is sort of like the ultimate law enforcement for magic. He prevents the misuse of magic and stops evil magicians, especially ones who disrupt the balance between the worlds. The stories in this book focus on different characters, some of which were introduced in earlier books in the series. Of course, the Chrestomanci plays a part in every story. The book was published in 2000, but some of the stories were published in the 1980s in other sources.

I really like these stories because some of them clear up issues that were unresolved in other books in the series. Like Cat, I assumed that Christopher Chant became the Chrestomanci on the death of Gabriel DeWitt, his predecessor, who was introduced in The Lives of Christopher Chant. But, it turns out that Chrestomanci isn’t always a job for life. Gabriel DeWitt actually retired from the job and had years of happy retirement. One of the stories in this book shows Gabriel DeWitt at the end of his lives. He had several left at the end of his career, more than either Christopher Chant or Eric “Cat” Chant (who is Christopher Chant’s young cousin and the next nine-lived enchanter in line to be Chrestomanci) has now. (The Chants seem to have a tendency to lose lives faster than other Chrestomancis both because they are more reckless in their youth than DeWitt was and because their own relatives have either actively killed them more than once or put them in extreme danger for personal gain. They are a complicated family.) We get to see that even nine-lived enchanters don’t live much beyond the age their human bodies can manage. When they get very old, they repeatedly die of old age, over and over, until they use up the last of their remaining lives.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Stories in the Book:

Warlock at the Wheel

Following the adventures in Charmed Life, the Willing Warlock had his magical powers removed by Chrestomanci. With no way to pursue his usual work in magic, he turns to a life of crime. Unfortunately, he’s terrible at crime. He tries to steal a car and is almost caught by the police. He holds up a post office with a toy pistol and uses the money to pay a magician to send him to another world where he can have his magic again. When he reaches the new world, he can do magic again, and he attempts to continue his life of crime. It turns out that he isn’t any better at crime in the new world, though. He accidentally steals a car that also has a bossy little girl and an angry dog in it. There are some things that are worse than prison!

Stealer of Souls

This book starts after the events in The Magicians of Caprona. Chrestomanci invited Tonino Montana to visit England and have some training at Chrestomanci Castle. However, Cat Chant and Tonino don’t get along when they first meet. Cat resents Chrestomanci making him responsible for Tonino, who is younger. His cousins and Janet think Tonino is nice, and Chrestomanci is interested in learning more about Tonino’s unique abilities. Cat knows that he has no real reason to resent Tonino, but he does because Tonino is now the center of everyone’s attention. As the next Chrestomanci and the youngest of the children who normally live at the castle, Cat has become accustomed to everyone paying attention to him and looking after him instead of the other way around. He doesn’t really want someone to be his responsibility.

It gets worse when Gabriel DeWitt, the former Chrestomanci, says that he wants to meet Tonino. The current Chrestomanci can’t go to see him just now, so he sends Cat to DeWitt with Tonino. Cat has met Gabriel DeWitt before, but he finds it difficult to talk to him because DeWitt is a very old man and an old-fashioned one, and Cat has to be on his very best behavior around him. When he first learned about being a Chrestomanci, Cat assumed that the new one didn’t take over until the previous one was dead, but Gabriel actually retired from the job when Christopher Chant’s training was complete, and he was ready to take over. However, now that Gabriel has gotten very old and sick, his remaining extra lives are leaving him as he repeatedly dies of old age. It’s alarming to Cat, who doesn’t want to watch him die. Yet, it’s important for Cat to see DeWitt one more time because DeWitt has something important to tell him.

DeWitt believes than an evil enchanter called Neville Spiderman is stalking him and that he’s trying to get hold of both Christopher’s and Cat’s extra lives. Everyone else thinks that DeWitt is imagining things because of his poor health. Neville Spiderman lived long before DeWitt himself, and everyone believes that he’s dead. DeWitt insists that Neville Spiderman has the ability to travel through time and tells the boys to warn Christopher of the danger.

However, as the boys take the train back to Chrestomanci Castle, their memories suddenly leave them. They become confused about exactly who they are and where they are going. All Cat remembers is that he’s supposed to look after Tonino. A stranger takes charge of them and delivers the boys to a strange house in London, where they are told that they are apprentices who have just arrived from the poor house.

The owner of this house is Neville Spiderman, who tells them that his workshop exists outside of normal time. He has managed to keep himself alive much longer than a normal person, and he is working on a spell to turn himself into a ten-lived enchanter in an attempt to become more powerful than any Chrestomanci. Part of the trouble is that he needs to know which of the boys is Eric Chant, and with their memories affected, neither of the boys is entirely sure, either. They can tell that they’re in danger and that Spiderman is planning to kill one or both of them. Spiderman needs two more souls from nine-lived enchanters to complete his collection. All that Cat remembers for certain is that he’s supposed to look after Tonino as the boys struggle to remember who they are and how to use their powers.

In this story, we learn that Tonino’s mother, Elizabeth, who was originally from England, was one of the children with magical abilities who were brought to Chrestomanci Castle to study and act as companions to Christopher Chant, the current Chrestomanci, at the end of The Lives of Christopher Chant. We also see Mordecai and Rosalie, two other characters from that book.

Carol Oneir’s Hundredth Dream

Although Carol Oneir is young, she is already famous for her dreams. She has the ability to control her dreams and make it possible for wizards to bottle her dreams and sell them for other people to enjoy. Then, on the night when she is about to have her 100th dream, she is unable to do it. Days go by, and she cannot seem to dream at all. Carol is very upset, but the doctors can’t seem to find anything wrong with her. Carol’s father is an old school friend of Chrestomanci’s, so he asks Chrestomanci if he can help Carol. After the adventure in the previous story, Chrestomanci is vacationing in the south of France with his family, and he asks his old friend and his wife to bring Carol to him there.

When Chrestomanci insists on talking to Carol alone, he discusses her methods for dreaming and her past dreams, evaluating them like a reviewer would a series of books. In a way, that’s what Carol’s dreams are, like stories or books meant to be enjoyed by other people while they sleep. Chrestomanci realizes that part of Carol’s problem is that she’s too self-conscious. Her dreams have all been made public, her mother constantly monitors her and urges on her success, and she is often interviewed for newspapers for details of her life. There are some private thoughts that Carol has had that she can’t bring herself to tell anyone, and something is happening in her 100th dream that she can’t even bring herself to tell herself.

When Carol tries to dream once more, she learns that all of the characters in her dreams are on strike. Her characters are angry with her for their living and working conditions. They get no time off, some of them get killed off in her dreams, her main hero and heroine don’t really want to marry each other, and none of them get credit or compensation for their work. Carol has completely misunderstood her characters. She has underestimated how real they are, and she has cast them in the wrong roles, ones that are really unsuited to their true personalities. They all need some time to be themselves and relax between story dreams. When it comes right down to it, so does Carol. She’s as much in a rut as her characters, and she also needs some time to develop her own personality and understanding of other people and to come up with new story concepts. Everyone needs a vacation and some privacy sometimes.

Carol’s characters drink alcohol in this story, something that shocks Carol herself because she never allows them to do that in the course of her dreams. Her dreams are meant primarily for girls her age, so they’re age-appropriate, but the alcohol use is part of the characters showing Carol that they have their own independent personalities and need time to themselves to do more adult things outside the setting of her dream stories.

The Sage of Theare

The world of Theare is extremely orderly. Even their heaven and gods are very precise, with everyone knowing their rule and following detailed rules. Then, one day, the gods learn that the prophesied Sage of Dissolution has been born! According to the prophecy, this Sage will question everything and break down the order of this carefully-ordered world. The gods are fearful of the chaos this will bring, so they decide that they must put a stop to it by finding and killing the Sage before he can grow up and start asking his questions.

I’ve always found the different ways fantasy books approach the subject of religion interesting. Some fantasy authors try to ignore the issue altogether because they don’t want religious beliefs to disrupt the fantasy elements or change the way people look at them. Others try to invent or adopt religions that match the fantasy elements. The universe of Chrestomanci is based on the concepts of parallel worlds, different dimensions, and alternate realities, which leaves quite a lot of possibilities open. Religion or religious concepts enter into all or most of the books at some point. There’s a world that’s supposed to be “our” world, where things work like they do in real life, and Chrestomanci’s related world, where the religions that we know exist alongside magic, accepted as normal by their society. There are churches and cathedrals and clergy, and Chrestomanci himself seems to be a Christian, as established in earlier books. He attends church and is friendly with clergy members. When he was younger, he once thought that his mother might want him to grow up and become a missionary because of the way she talked about missionaries, and he says that he doesn’t believe in the “heathen” gods and goddesses of other worlds, initially not even believing that the girl he ends up marrying is really the avatar of a goddess in the world where she was born. It was eventually proved in The Lives of Christopher Chant that the goddess was real, at least within that particular world, although that story kind of hints that much of the magic Millie did was her own magic as a powerful enchantress, not necessarily the goddess’s. I’m still not sure whether Millie is still supposed to be one of the goddess’s incarnations or not, but since she’s living an independent life in another world now, it no longer seems to matter, except that her magic is very powerful. In this story, Christopher Chant, regardless of what his inner beliefs are, is not afraid to tell actual gods what he thinks of their plans when they’re in the wrong.

This particular story establishes the idea that, in this universe, religion and heaven and gods or goddesses are all individual to each individual world. Each world has its own Heaven and at least one god or goddess, and these are distinct from those in other worlds, so what’s true about each of these varies depending on the world where the story is set. (There may not be an over-arching God of the entire universe in this fictional universe, or if there is, there is no explanation of that.) In this particular story, all the religious rules point to order, and the gods themselves love rules. They are terrified of the concepts of disorder and chaos. However, when they decide that they’re going to eliminate the Sage of Dissolution, they have a problem. They’re not really sure which of the worlds he’s in or where exactly he will be asking all of his questions. They search and search, but they can’t seem to find him.

Then, one of the gods, Imperion, takes a break and visits the mortal woman he loves, Nestara. He is devoted and faithful to her, and he loves the small son they already have, Thasper. Thasper was very slow to learn to speak, but now that he has … he has started asking questions. To his shock, Imperion realizes that Thasper is the Sage of Dissolution. It’s just that nobody realized it until he gained enough ability to speak to start asking his questions. Imperion can’t bring himself to kill his own son, so he decides to take him to another world, out of the reach of the other gods. He tells Nestara that the other gods have approved of making Thasper a god, too, and he must take him to be the cupbearer of the Great Zond, the highest god. He puts Thasper into a sphere of forgetfulness to make him stop asking questions and makes sure to take Thasper to a world with kind people who will raise him. When he admits to the other gods what he’s done, they are satisfied that the problem of the Sage is settled and that he will not interfere with their orderliness.

Thasper spends several years in his sphere of forgetfulness, not aging, but when someone finds him, the spell ends. As soon as he is out of the sphere, he starts asking questions again. The people of this world don’t mind answering his questions, but they can tell that he’s not from their world. After a little experiment, they figure out that he is from Theare and that he was probably sent to their world because someone found him too disruptive. They return him to Theare and, through magic, convince a woman who has just lost her own son, that Thasper is her son. She and her husband take him in and raise him. He still pesters everyone with questions, and his new mother does her best to answer them.

Then, one day, Thasper receives a message from Chrestomanci (delivered by Cat, who is starting to travel through other worlds as part of his Chrestomanci training), who tells him that his situation is an odd one and that he should call him when he finally meets himself face-to-face. Thasper doesn’t know what means at first. For several years, Thasper develops a fascination for the rules of his world. Rules make an interesting intellectual exercise, and Thasper enjoys thinking about them and making up new games with new rules, the more complicated, the better. Then, Thasper begins seeing messages around town that ask questions and make him think about rules in new ways. All of the messages are signed the Sage of Dissolution. Fascinated, Thasper keeps trying to meet up with the Sage of Dissolution and see him in person, but it seems like he always just misses him. He is going to need Chrestomanci’s help to catch up with himself! At that point, Chrestomanci tells the gods how they would have brought about their own end if they had succeeded in defeating their own prophecy. Of course, seeing the gods for himself answers some of Thasper’s questions, but he can still ask others.

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The Lives of Christopher Chant

The Lives of Christopher Chant by Diana Wynne Jones, 1988.

This is the fourth book in the Chrestomanci series.  In this series, there are many different dimensions, and in each of those different dimensions, there are alternate versions of our world, and there are copies of every person in the world.  Different versions of our world can differ dramatically in their history, and individual people’s lives can differ dramatically between the worlds. There is one person in each generation who has no duplicates in any of the other worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across their duplicates in the other worlds are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions and between worlds, and he acts to keep a balance between them and make sure that the different worlds keep their proper course. This book is about the childhood of the current Chrestomanci, Christopher Chant, and how he came to be the Chrestomanci.

Young Christopher Chant’s early childhood isn’t very happy. His parents have a very unhappy marriage, and his father never pays any attention to him at all. In fact, Christopher hardly even sees him and isn’t confident that he’d recognize him if he met him anywhere. Christopher later learns that his parents’ marriage was one of convenience. His mother has a great deal of money, and his father is from an important family. Christopher’s social-climbing mother wants him to be very important when he grows up. Christopher is mostly raised by a series of nannies and governesses, none of which stay very long. Servants in general don’t stay very long in the Chant household because the parents’ angry bickering and the passive aggressive notes that they force servants to pass to each other when they eventually stop speaking to each other directly make life unbearable. Christopher only learns that this is not how most households are when his nannies and governesses apologize to him before they leave.

Eventually, his parents’ relationship collapses entirely after his father loses a great deal of money, and his father either leaves his mother or is sent away in disgrace. His mother brings her brother, Christopher’s Uncle Rafe, to live with them instead, and she lets Uncle Rafe run the family finances and attend to Christopher’s education. Christopher enjoys having Uncle Rafe in the house because Uncle Rafe is a jolly man and actually pays attention to him, unlike his own father.

Something else that Christopher first thinks is normal but later learns isn’t normal at all are the strange dreams he has. Christopher often dreams of a strange place filled with valleys. Every time he enters one of the valleys, he has adventures there, and people give him presents. He often loses the presents before he returns home, but sometimes, he manages to keep them, waking up with them in his bed in the morning.

One day, the new governess Uncle Rafe hired catches Christopher playing with one of the strange objects and asks him where he got it. When he tries to tell her about his dreams, she doesn’t believe him at first. Thinking that he may have stolen the strange object from somewhere, she takes him before his mother and Uncle Rafe. However, Uncle Rafe does believe Christopher’s explanation. He says that Christopher seems to be a spirit traveler, having the ability to go to other worlds in his sleep, and he is amazed that Christopher was able to bring an object back with him.

Uncle Rafe asks Christopher to try a few tests of his abilities. First, he asks Christopher to look for a man in his dreams and to bring back a package from that man. Christopher does so successfully. The man is called Tackroy, and Tackroy explains more about the other worlds to Christopher. Every valley Christopher sees is a different world. There are series of worlds, and those series of worlds have numbers. The world where Christopher lives is number 12. At first, Tackroy thinks that there are only 12 worlds, but Christopher says that there are many more than that. Christopher can see better in the space between worlds because, as Tackroy realizes, he is actually there physically, where Tackroy can only be there mentally or in spirit. It is because Christopher can go to other worlds physically that he can bring back objects. Tackroy has hardly any substance in these other worlds, being almost like a ghost, until Christopher realizes that he can help make him more substantial. Both Tackroy and Uncle Rafe are excited by Christopher’s abilities.

Then, they decide to do a test of whether Christopher can carry something living from one world to another. Tackroy asks Christopher to get one of the cats from a temple in world 10. When Christopher enters the temple, he meets a young girl, just a little younger than he is. She says that she is the living embodiment of the goddess Asheth, which gives her special powers. However, she is not allowed to leave the temple except once a year to do a blessing, and she can’t interact much with anything or anyone from outside the temple. It’s a very boring life, and she isn’t very happy in it. When Christopher explains to her about wanting one of the temple cats for his uncle, she agrees to give him the most disagreeable cat in exchange for some books from his world because she is so bored. Christopher agrees, and she helps him to capture the cat. Unfortunately, the cat gives him away when he tries to leave the temple. Christopher is actually killed when a temple guard puts a spear through his chest! That is the first indication that Christopher has nine lives.

When Christopher wakes up, he is in his own bed at home, he has no injuries, and he still has the cat. At first, Christopher’s lack of injury makes him think that the other worlds might be a kind of dream after all, but that doesn’t explain how he still has the cat. Then, he has an accident while pursuing the cat in his room that brings down the curtain rod, which stabs him in the chest again! When he screams, the governess rushes in and tends him.

When Christopher wakes up again, he hears the governess and Uncle Rafe talking. The governess has placed healing spells on him, and she thinks he will recover. Uncle Rafe says that the cat from the Asheth temple is very rare and magical and that wizards would pay a lot of money for parts from the cat. Later, when Christopher sees that the cat is pleading for Christopher to let it go, he does so. As much as a he wants to please his uncle, it does seem cruel to kidnap an animal from its own world and take it to another to be killed and have its parts sold off, even if it’s a mean cat that almost got him killed. When the governess looks for the cat later and can’t find it, Christopher just reminds her that it is a magical cat, so she supposes that it just vanished.

Then, unexpectedly, Christopher’s worried father comes to see him without his mother’s knowledge. His father tells him that he had placed a spell on Christopher to monitor his life, and it seemed like the spell had told him that Christopher was dead. Christopher assures him that he’s fine. His father is relieved, but he is also still worried. He tells Christopher that he did Christopher’s horoscope and that the next year and a half will be dangerous for him. He also warns Christopher that his Uncle Rafe isn’t a nice person and that he should avoid getting mixed up in his business.

In spite of his father’s warnings, Christopher continues to participate in his uncle’s experiments in other worlds with Tackroy. Tackroy apologizes to Christopher profusely for the incident with the spear, saying that he would have felt horrible if Christopher had been killed. It becomes clear that Uncle Rafe’s “experiments” involves a business collecting and selling rare objects from one world to people in another. As Christopher helps Tackroy with it, the two of them become friends, and they enjoy exploring and learning about other worlds.

Things change when Christopher is sent to boarding school. He likes school and making his first friends with other boys. He does well in most of his subjects, although strangely, he can’t seem to do any magic in his magic lessons. It’s strange because Tackroy had told him that he’d probably be really good at magic because of his ability to travel through worlds. He hates to give up on magic studies because he really does want to learn more about magic.

Remembering his promise to bring some books to the goddess girl, Christopher asks a school friend with a sister for advice about what girls like. He buys a set of books about a schoolgirl called Millie. Unfortunately, he can’t seem to travel in his dreams at school, like he did at home. His uncle becomes impatient with him for not keeping his appointments with Tackroy, too. Christopher can’t think what’s wrong. Was there something special about his night nursery at home? Is he growing out of his old abilities?

When the school matron notices that Christopher is having trouble sleeping, she removes the new braces that he had put on his teeth, thinking that they’re causing him pain. Suddenly, Christopher is able to travel in his dreams again. He is able to deliver the books to the goddess girl and rejoin Tackroy in their work in the other worlds. Then, another accident that kills him again reveals his secret, extra lives to everyone, including his parents.

At first, it’s difficult to prove that Christopher has multiple lives, and his parents (of course) argue about what to do about it. After learning that Christopher’s mother secretly plans to take him abroad, Christopher’s father quickly removes him from his boarding school and takes him to Cambridge to be tested by an expert. In spite of his earlier apparent neglect, Christopher’s father does care about him, and for Christopher’s own good, needs to confirm a few things that he has already suspected about Christopher. The expert not only discovers the reason why Christopher was unable to perform magic in class (a sensitivity to silver that shuts down his powers whenever he comes in contact with it) but also proves that Christopher is a rare, nine-lived enchanter. Being one of those rare enchanters means that Christopher is destined to become the next Chrestomanci!

Christopher is shocked and dismayed when he is immediately made the ward of the current Chrestomanci, Gabriel DeWitt, and sent off to Chrestomanci Castle. It’s really the best place for him to learn about his new-found abilities, but Christopher fights it. DeWitt embarrasses him by telling him things about both of his parents and why neither of them is really suited to be his guardian. It’s all true, but that only makes it more embarrassing.

Christopher is lonely as the only child in Chrestomanci Castle, and while he is considered very important, nobody there seems to consider his feelings at all. Nobody cares that he would rather be a professional cricket player than a Chrestomanci! If it wasn’t for his natural abilities, which were just an accident of birth, nobody would have any interest in him at all. Also, even the heavy enchantments of Chrestomanci Castle can’t seem to stop the series of bizarre accidents that begin robbing Christopher of his extra lives. The only person who seems to understand Christopher is his secret friend, the goddess girl in world 10. Like Christopher, she is also a prisoner in her temple, being used by other people for her abilities but not really cared for as a person. More than anything, she wishes she could be an ordinary girl, like the girls in the books Christopher brings her, going to school and having friends.

Christopher wants to keep on working with Tackroy for his uncle because he loves exploring the other worlds and because it gives him some freedom from his life in Chrestomanci Castle, but Tackroy points out that his uncle has also been taking advantage of him. His uncle is getting rich off their activities, and he hasn’t even been paying Christopher for making them possible. Tackroy now knows that Christopher has died or nearly died more than once for his uncle’s business. Christopher has been getting deeply involved in something he doesn’t fully understand. The full truth is going to hurt, but Christopher needs to see it to save the lives he has left and realize his proper place in the world(s).

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

Some book lists place this book first in the Chrestomanci series because, if you follow a linear timeline of events in the stories, it does come before the other books, but it was originally the fourth book published, and I think it’s best to read the other books first, especially Charmed Life. The books in this series are fantasy, but they’re also mystery stories. There are secrets to be revealed in every book, and if you read this book first, it spoils some of the mysteries in Charmed Life.

It is a good book to read, though, because it provides some of the missing backstories of some of the other characters. At the end of Charmed Life, Christopher (as the current Chrestomanci) tells Eric/Cat about how he found out that he had nine lives and that he was going to be a Chrestomanci even though he couldn’t cast spells at first. His sensitivity to silver is a part of the story, and the way it is revealed in this book matches his earlier description in Charmed Life.

During the course of the book, we also learn a little more about the extended Chant family and get brief glimpses of Christopher’s cousins, who later go on to marry each other and become the parents of Cat and Gwendolyn Chant. The Chants are known for being a powerful magical family that produces enchanters, who are much more powerful than ordinary witches. Once every generation, they produce a disreputable one, which happens to be Christopher’s father in this generation. Christopher’s father is an enchanter, so he’s more powerful than general witches, but not nearly as powerful as Christopher. He has an over-reliance on the horoscope charts he draws, and they don’t always turn out right.

Christopher’s mother and his Uncle Rafe are part of the Argent family, which is also magically powerful but has a bad reputation. DeWitt doesn’t even specify at first what they are known for, only that he would never associate with them. It’s Christopher’s father, who does care about his son even though he doesn’t really know how to care for him, who points out that “Argent” means “silver”, and this is part of the reason for Christopher’s sensitivity to the metal. The Argent family, including his mother, and especially his Uncle Rafe, are toxic to Christopher in ways that he doesn’t fully understand and finds difficult to accept. Christopher’s mother doesn’t actually mean him any harm, like his Uncle Rafe does, but she is foolish and easily swayed by Rafe. Christopher comes to forgive her because he was also tricked by Uncle Rafe into doing his evil business when he was too young and naive to understand.

We also learn the origins of Christopher’s future wife, Millie, in this book. She is very powerful in Charmed Life, but this book explains why she is so powerful. One thing that I don’t think is adequately explained is how Christopher’s children, Julia and Roger, are not Chrestomancis themselves. After all, there is only one of their father, so I think it should be assumed that there are no duplicates of either of them in the other worlds, but they may be exceptions somehow because there was never a chance that they could have had duplicate selves or because their mother is actually the incarnation of a goddess.

The books in this series blend dark parts with some humor, which make the books lighter to read than they otherwise would be. Because of the dark parts, I wouldn’t recommend these books for anyone younger than the middle school level. Christopher does get killed multiple times in the book (although he still has extra lives left at the end), and there is trading in human lives and souls. The goddess girl, who takes the name of Millie, comes to realize that she is meant to be sacrificed when she gets too old to be the young incarnation of the goddess, which is a horrifying revelation. She runs away to Christopher’s world and begs him to help her go to a boarding school, like in the books she likes to read. Her goddess’s followers pursue her to Christopher’s world, and there is more bargaining for her life. Fortunately, the old priestess who has been caring for her is not as heartless as it seems at first. When she finally meets with the girl in front of Gabriel, she admits that she usually finds a way of sparing the young goddess incarnations, buying their lives with one of the nine lives from the temple cats. She has to do it in secret, but she has saved up enough money in jewels to pay for Millie’s education where she can be safe in this other world. To spare Christopher and the cats the children love from losing their lives, Gabriel kindly gives the priestess one of his own spare lives because he still has several lives left. He also accepts the responsibility of having Millie as his ward and arranging for her education.

Through his adventures and having to take charge as the Chrestomanci and rescue Gabriel when he is in trouble, Christopher comes to more fully understand what it means to be the Chrestomanci. He also comes to understand Gabriel a little better. He is surprised to realize that Gabriel has hated the job of Chrestomanci. Like Christopher, he also felt forced into the role and resented it, but he made himself do the job anyway because it is a vital job for the protection of his world and others. To Christopher’s even greater surprise, he realizes that when he does the job for real instead of just having boring lessons, he actually likes the job much better than Gabriel does and no longer resents being trained for it. Gabriel has also realized how lonely and isolated Christopher is, and he says that he is taking steps to bring other young magicians to the castle to work and be trained, so Christopher will have companions. The story ends happily, and there is even a reconciliation between Christopher’s parents.

Posted on by TracyC

Witch Week

Witch Week by Diana Wynne Jones, 1982.

This is the third book in the Chrestomanci series.  In this series, there are many different worlds, and in each of those different worlds, there is a copy of every person.  Different versions of our world can differ dramatically in their history, and individual people’s lives can differ dramatically between the worlds. However, there is one person in each generation who has no duplicates in any of the other worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across the other worlds are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions and between worlds, and he acts to keep a balance between them and make sure that the different worlds keep their proper course.

This story takes place in a world where witches are being burned at the stake in the 1980s. At a boarding school for troubled children and orphans, everyone is aware of what an accusation of witchcraft can mean. One day, one of the teachers finds a note in a social studies book saying that one of the students in class 6B is a witch. It’s a serious accusation, but how seriously should anyone take it? This is, after all, a school for troubled children, and children in general play pranks. Mr. Crossly finds the note worrying. Some of the teachers are convinced that this is just a prank or someone playing up for attention. Miss Hodge says that there is a sick mind in class 6B. Mr. Wentworth, whose own son, Brian, is in that class, says that he’s sure that all of the kids in class 6B have sick minds, but that’s just typical. He thinks it’s best if the teachers take no notice of the note. But, the note is correct. There is a witch in class 6B.

Strange things start happening in class 6B and to the students in that class. A flock of assorted birds swarms into their music class. In gym class, Nan Pilgrim can’t manage to climb the rope, no matter how hard she tries. When she and two other students are called to have lunch with the headmistress, Nan finds herself making disgusting comments about the food without her even wanting to say anything, but for some reason, the headmistress can’t hear a thing she says, even though the other students can. Then, it is revealed that Nan’s real name is Dulcinea, which is the name of a famous witch. Could Nan secretly be the witch in class 6B?

Although she can’t openly admit it, Nan is descended from the famous witch Dulcinea, who tried to stop the persecution of witches, and she is also what is called a “witch orphan”, meaning that her parents were witches. However, Nan insists that she’s not a witch herself, and Nan isn’t the only suspicious student in the class. Everyone there is troubled in some way. Brian Wentworth is often picked on for being the son of a teacher. Simon Silverson, Dan Smith, and Theresa Mullet are bullies. They are all eager to point fingers at Nan for being a witch, but could that be to cover up for themselves?

Charles Morgan was sent to the boarding school because his parents think that he is troubled and disobedient and a bad influence on his younger brother. In a way, he is very troubled, but he can’t explain what is really troubling him. When he was younger, he witnessed a witch being burned, something that still traumatizes him. Then, he helped another witch who was being hunted to escape. He can’t admit to his parents that he helped this witch because it was illegal, but the witch promised him good luck for doing so. So far, he hasn’t noticed any good luck, and he feels terrible every time he hears about another witch being burned, thinking that it might be his witch. It all makes him angry and depressed, and he hates the boarding school and everyone there.

Miss Hodge tries to investigate the students by having them act out witchcraft inquisitions. Since most of the children don’t know what happens at an inquisition and aren’t very good actors, most of them are terrible at it. But, she comes to think maybe Charles is the witch because he gets angry at Nan over all the disgusting things she said at lunch and taunts her about them in a way that makes it sound like he’s saying some kind of spell.

When Miss Hodge tries to tell Mr. Wentworth about it, he shrugs it off because he also heard the things Nan said at lunch. Mr. Wentworth interviews Nan about why she said all those things at lunch, but she can’t explain herself. She doesn’t know what made her say those things. Sometimes, she just can’t seem to help herself, and she felt almost possessed. Mr. Wentworth knows about her family’s history and warns her to be careful.

Then, when Charles is trying to escape from some bullies, he somehow manages to turn himself invisible. He doesn’t understand it, but he tries to do something else magical as a test. Since Dan Smith hid his spiked shoes earlier, Charles tries making Dan’s spiked shoes disappear. To Charles’s horror and astonishment, he succeeds! Somehow, he has apparently been a witch the whole time without knowing it. Charles thinks maybe he did some of the other strange things without knowing it, too. He’s always heard that witches are evil, and he thinks maybe he has secretly been evil this whole time and had better confess. An accidental mix-up when he goes looking for the headmistress stops him from confessing immediately, but it leaves him unsure what to do.

Mr. Wentworth has a private conversation with Charles about Miss Hodge’s suspicions about him. He knows what Charles was really talking about when he was arguing with Nan, but he points out to Charles how bad it might sound to someone who didn’t know what he was talking about. Information about witches and the past witch uprisings is drastically censored. There is almost nothing about it in the school library, but Mr. Wentworth understands the situation and explains it to Charles in a no-nonsense way. Nan’s ancestress, Dulcinea Wilkes, had been an advocate for witch’s rights in the 18th century, particularly the right not to be murdered. She said that witches couldn’t help being witches because they were born that way, and it wasn’t fair for them to be murdered for something they just couldn’t help. She said that witches would only use their powers in good ways if people would stop hunting them and burning them, but the murders and burnings continued, and Dulcinea lost her temper. She retaliated with violent spells that frightened people so much that they also murdered Dulcinea by burning her. In remembrance of that, people still continue to burn effigies of her, like they do of Guy Fawkes. Mr. Wentworth says that he thinks what happened to Dulcinea was unfair, but he is worried about his students because there has never been so much stigma against witches at any earlier point in history. Although his students wouldn’t remember it, there was a major witch uprising around the time they were all born. The news of this uprising was largely hushed-up, but the witches attempted to take over the entire government. The revolutionaries were all civil servants, and they were all burned when the uprising was crushed, but the government has been paranoid about anyone with any sign of witchcraft since. When they learned that the leader of the uprisings started showing signs of witchcraft when he was about 11 years old, they even started allowing children to be arrested for witchcraft, even on slight suspicion. The inquisitors have powers that go largely unchecked. Mr. Wentworth knows that any of his students can be hauled away and executed with little recourse.

Even though Mr. Wentworth is concerned with protecting Charles, Charles gets angry with him for giving him a black mark as a reminder to control his behavior, and he glares at Mr. Wentworth. It’s a terrible mistake. It turns out that Charles has the evil eye, and it seems like he accidentally makes Mr. Wentworth disappear. Although Charles tries to pretend like everything is normal, he is desperate on the inside. Soon, someone will realize that Mr. Wentworth is missing and that Charles was the last person to see him. He even tries burning his own finger on a candle to remind himself that burning hurts, and he needs to control himself to avoid being burned to death. When he tries to fix what he’s done with magic, Mr. Wentworth does return, but everyone’s shoes mysteriously disappear.

To Charles’s surprise, the memories of the witch he saw burned and the witch he helped to escape stop bothering him so much after he knows and accepts that he is a witch himself. It’s like he’s always known, inside, that he would be a witch, and once he becomes reconciled to his true nature, he becomes calmer and more self-confident. He knows that he can’t stop being a witch. He can only try to avoid being caught. However, it turns out that he is not the only student who has witchcraft, and when the desperate students seek help or a method of escape from this prison-like school, they accidentally summon Chrestomanci to straighten everything out.

The book is available to borrow and read for free online through Internet Archive (multiple copies, including some in different languages).

My Reaction and Spoilers

Alternate Worlds

Like all of the books in the Chrestomanci series, this book takes place in an alternate world or alternate reality. It explores not only the suspicion and paranoia that go with witch hunts but also the mechanism by which these alternate worlds or realities are created. When the students who have realized that they are witches try to escape, they are given a spell that calls Chrestomanci from his world to theirs. Chrestomanci is accustomed to being summoned to random places on short notice (it’s just one of the hassles that come with the job), but he finds this particular world puzzling. He knows from the similarities between this world and others in the series of worlds that contains his own that he must be in that particular series of worlds, but he recognizes immediately that there is something wrong with it. It has way too many similarities with the world that is “our” world in the series, but yet, there shouldn’t be any witch trials or burnings in the 1980s. He explains that alternate worlds are created when there is some major event that has only two outcomes with an equal chance of happening. Every time that happens, the world splits into two separate worlds where each of the possibilities happen. Because this world is so much like the world that is “ours”, he knows that whatever event caused the split happened fairly recently in history, but for some reason, the split wasn’t complete. There is no real magic in “our” world, but this odd, dysfunctional, split-off world is full of it.

By talking to the students about what they know about the history of their world, Chrestomanci is able to pinpoint the event that caused the problem. As with other Chrestomanci books, Chrestomanci doesn’t just magically solve the problem all by himself, but once he understands the situation, he shows the students at the school where the problem lies and what they need to do to fix it themselves, making use of their own powers, and even some of the mistakes they’ve made, to set their world right and re-integrate their world with “our” world. Once their world is repaired, it’s as if all the witch trials never happened. People who were burned are alive again, and people who were in prison are living perfectly normal lives. The children must sacrifice their magical abilities and all or most of their memories of their old lives to join with our world, which some of them are initially reluctant to do, but once they do it, all of their lives change for the better. Orphans have their parents back, the school is now a day school instead of a boarding school where the children were basically prisoners, and the children are all much friendlier toward each other now that they are no longer part of that toxic atmosphere, where suspicions always surrounded them and everyone is afraid of exposure.

Themes and Spoilers

Parts of the story were stressful because of the bullying among the students and the constant threat of imprisonment or death for any child who was proven to be a witch. Most of the adults are not that concerned with the welfare of the students because this entire society is engulfed with paranoia, and everyone is desperate to protect themselves at all cost. The adults are often so preoccupied with saving themselves that they would be willing to throw the children to the wolves rather than face imprisonment or death themselves. The major exception is Mr. Wentworth, who tries to warn children who show signs of witchcraft that they need to be careful. His efforts to protect the children are touching because he has more to lose than some of the other teachers who play along with the politics and paranoia of their society. (Spoiler!) Mr. Wentworth and his son Brian are both witches, and Mr. Wentworth is being blackmailed for most of his salary by the headmistress. Mr. Wentworth advocates self-control to the students as the best way to avoid being caught, but it soon becomes apparent that nobody with witchcraft abilities can fight using them forever. That’s why some of the children’s abilities come out unconsciously, without them even being fully aware of what they’re doing. That’s where the mystery of the story comes in.

Chrestomanci books always contain an element of mystery in some way or other, and from the beginning of the story, there are the questions of who wrote the note about there being a witch in class and who the witch is. We never learn who wrote the note (I don’t remember that being definitely revealed), and in the end, it doesn’t really matter. When Charles realizes that he is a witch, that seems like the answer. However, Charles is not the only witch in class. As one of the other students points out, all of the weird things that have been happening at the school are very different in character, so there is more than one person involved. By the end of the book, it is revealed that (spoiler) the vast majority of the students at the school are witches. Some have been doing magical things unconsciously as their powers have started asserting themselves, and some have done things on purpose because they know they can. Chrestomanci realizes that many more people in their society in general are witches than these paranoid people ever suspected, and witches are only regarded as a minority because of the atmosphere of fear they live in. Everyone has been trying so hard to conceal any sign of abnormality that they all have a warped view of who they all really are and what their society is actually like.

I couldn’t help but notice that, witch or not, absolutely nobody in this society can be called an innocent person. Everybody is doing something illegal, unethical, or simply deceptive. They all have secrets, and they all do things to cover up what they’re doing. Even non-witches are often doing horrible things that they have to cover up. The apparently sweet and proper headmistress is actually a cold-hearted blackmailer. Teachers are manipulative for personal and professional reasons. The so-called “normal” (or “real”, as Nan thinks of it) children are all either secret witches or just horrible bullies and rotten human beings. Like their elders, the “normal” children are sneakily manipulative and practice blackmail and brutality against the other students, knowing that’s the way to get to top of their social heap. As I said, the entire society is toxic, not just the school, and everything the children do is a reflection of their elders (and vice versa, when you think about it). Grown-up witch hunters are like overgrown child bullies, and people like the headmistress probably started their blackmail and manipulation at a young age, just like the students, as tools of survival and self-promotion in this cold, toxic, pitiless world.

The normalization of the toxic parts of this world is both stressful and worrying. People can adjust to many awful things if they are not given any alternative, and that’s what this dysfunctional world represents. There are moments of lightness, though, and some characters are more caring than others. The story is told from the point-of-view of different characters, and much of this book is a psychological study in the different ways people deal with bullying, suspicion, and paranoia. As I said, Mr. Wentworth risks himself sometimes to help students in danger and make them see the seriousness of their situation. Some of the students band together to try to help each other survive their mutual risk, while others are more self-centered, prepared to throw each other under the bus to save themselves. It’s a relief to see all of that end when the world is set right, but it occurs to me that the story has exposed all of the characters’ true characters, what each of them are capable of doing in extreme circumstances. The extreme circumstances brought out the worst in some characters, while others were more creative and caring in spite of everything.

Posted on by TracyC

The Magicians of Caprona

The Magicians of Caprona by Diana Wynne Jones, 1980.

This is the second book in the Chrestomanci series.  In this series, there are many different dimensions with different worlds, and in each of those different worlds, there is a copy of every person.  Different versions of our world can differ dramatically in their history across the dimensions, and individual people’s lives can differ dramatically between the worlds. There is one person in each generation who has no duplicates in any of the other worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across the other worlds are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions, and he acts to keep a balance between them and make sure that the different worlds keep their proper course. This book begins with a brief explanation, although most of this was established in the first book in the series, Charmed Life.

In the world where the Chrestomanci lives, magic not only exists but is a known and accepted profession, and society is a little more old-fashioned than in our world. Also, there is a kind of alternate history, and some of the countries are organized differently. This story is set in Italy, which is not a unified country in this world, but a series of small dukedoms. The Chrestomanci series is a somewhat loose series, meaning that, while Chrestomanci appears in the different books and always plays some kind of role, he is not always one of the main characters. This story sets up a Shakespearean kind of feud between two families.

The dukedom of Caprona is known to having the best spell-makers in the world. The problem is that the best spell-makers belong to two particular families, the Montanas and the Petrocchis, who have a long-standing feud. The adults in the families never explain how, exactly, the feud started. They just warn the children to avoid to avoid the children of the other family. When members of the two families meet in public, they usually ignore each other, although sometimes fights break out. The fights are particularly bad when they use magic. Locals and tourists alike are alarmed by these fights and get out of the way to avoid being caught up in them.

Because the adults don’t talk about the cause of the feud, the children of the two families tell each other stories about it. In the Montana family, the children say that it started because the Duke of Caprona favored their family over the Petrocchis. The children also tell each other stories about the other family’s atrocious habits. Young Rosa Montana particularly likes telling her siblings and cousins scandalous stories about how the Petrocchis never bathe and sometimes kill their unwanted babies or eat their own family members. Because the members of the two families almost never see each other, the other Montana children can only suppose that the stories they hear about the Petrocchis are true.

When young Tonino Montana starts school, he is very upset. Things don’t seem to come as easily to him as they do to his siblings and cousins, and he feels awkward when the teacher tells him to do things differently from the way he’s always been taught to do them or repeats things that he’s already learned. When Tonino runs off into the city by himself because he’s upset, the rest of his family worries about him. Old Niccolo, the head of the family, talks to Benvenuto, the head cat in the Montana household, about Tonino. The Montana family keeps cats, who help them at their spell-making, but not everyone in the family has the ability to talk to the cats and understand them. Old Niccolo can communicate with the cats, but even Tonino’s father, Antonio, can’t. Benvenuto tells Niccolo that he will look after Tonino and not to worry about him. Tonino, like Niccolo, can talk to cats, and he hasn’t fully appreciated the talent yet.

Benvenuto becomes Tonino’s special friend. He helps Tonino to understand that, like the kittens he talks to, he’s still young and learning. Tonino needs to give himself time to develop. Benvenuto also tells Tonino that it’s fine to tell his teachers what he already knows, and Tonino comes to realize that he is far ahead of the other students in some ways, having already learned to read. His talent for talking to the cats also gives him a special place in his family. Benvenuto also allows Tonino to give him brushings, which he would never allow from any other family member before, so he becomes more well-cared for.

As time goes on, however, Tonino comes to realize that the adults in the Montana family are worried about the state of their family and the state of Caprona itself. Other dukedoms around them are becoming more powerful, and some of the old spells that the two families made to protect Caprona are breaking down. Of course, the Montanas blame the Petrocchis for the weakness of the spells and for not maintaining them properly, but Tonino realizes that the old Montana spells are breaking down as well. It’s not, as the older Montanas said, that they have had to bear the weight of making up for the weak Petrocchi spells.

Tonino gets his first look at the Petrocchis when both families are summoned to the duke’s palace to discuss the state of their spells and the rival states that are seeking to conquer Caprona. Speaking together for the first time in a long time, both families come to realize that, even though they have separately been working to make their spells stronger, each year, the protective spells they cast on Caprona have been getting weaker. There is a rumor that there is an evil enchanter who has been working against them on behalf of their enemies. Naturally, both Petrocchis and the Montanas secretly suspect each other of being involved. They also can’t help but notice that something is seriously wrong with the duke himself. He seems strangely childlike, and his wife seems to be running everything.

The Montana family offers a solution that even they aren’t sure they can fulfill. There is an old story that all of the children know about an angel who once protected Caprona with a magical song. Everyone thinks that, as along as the song is sung, Caprona will be safe. The children learn this song in school, but what they don’t know is that the words they learn to the song aren’t the original words to the song. The tune is original, but the original words were lost to time. The Montanas know that the song is a powerful spell, but it won’t function correctly until the original words to the song are restored. In their pride against the Petrocchis and their worry about the state of Caprona, the Montanas have pledged that they will find the original words to the song. Also, naturally, the Petrocchis have promised the same. Neither family knows exactly how they will do that, but they are each determined to somehow do it before the other family can.

There is only one person both of the families accept and who can work with either family without earning the resentment of the other: Chrestomanci. The situation is serious, war is pending, and Chrestomanci has also been summoned for help. As the most powerful enchanter in the world, he has the respect of all sides. Since Chrestomanci is British, he admits that he is somewhat limited in how far he can interfere in Italian affairs. His main interest is in the evil enchanter and their misuse of magic, although he will help Caprona and his friends in the magical families, if he can.

Chrestomanci notices that, aside from being able to talk to cats, Tonino also has an ability to tell when someone is an enchanter without being told. Chrestomanci says that he needs to go to Rome to make some inquiries, and he asks Tonino to stay close to his grandfather when his grandfather has to meet with anyone, to see if he can spot the evil enchanter. However, the evil enchanter already knows too much about the two families and about Tonino in particular.

When Tonino is kidnapped by the evil enchanter, his family immediately blames the Petroccis and sets out to confront them … only to be met halfway by the Petrocchi family, on their way to confront the Montanas about kidnapping one of their children, Angelica. The feud between the two families becomes worse than ever, but an accidental encounter between Tonino’s brother Paolo and Angelica’s sister Renata reveals that neither family has kidnapped anyone. The evil enchanter is playing both of the families against each other to distract them from what they really need to do: find the children and prepare to defend Caprona from its enemies. Paolo and Renata have trouble convincing either of their families of the truth because they are already too convinced that the other family is their real enemy, so they struggle to figure out how to save Tonino and Angelica themselves.

Meanwhile, Tonino and Angelica team up in captivity to find a way to escape and tell their families where to find the secret words to the angel’s song. While they are being held captive together, Tonino and Angelica argue about the nature of their families, but by talking together, they come to realize that each of their families has held half of the answer to the problem all along. If only the children can get together and reach their families to tell them the truth about the angel’s song and the identity of the evil enchanter!

The book is available to borrow and read for free online through Internet Archive (multiple copies, including some in different languages).

My Reaction

During the course of the story, we never learn the original cause of the feud between the two families. It might have been something with one family thinking that the other was being favored by a past duke, or maybe it was some private quarrel between the heads of the two families. The cause is less important than the result. For generations, each family has been quietly maligning the other to the children of the family, who have continued to pass on the stories.

When the younger members of both families finally meet and talk to each other, they are initially offended that the other family has been saying the same horrible things about them that they’ve been saying about the other family, but it’s also an eye-opening experience. The two families are actually very similar to each other, both in their professional work and in their private family life. In fact, they live nearly identical lifestyles. The fact is that both families have been contributing to the spells maintaining their city for centuries, working together since before their feud began. Their spells were always intertwined and made to work together. Since the feud started and the families stopped working together, they have still had to work together in the service of their city and duke, but the feud has also served as a distraction from the real sources of danger.

As with other Chrestomanci stories, Chrestomanci doesn’t solve all of the problems of the story himself. Instead, he acts as a helper, revealing key information and providing guidance to help the other characters to solve their own problems. As a neutral observer, Chrestomanci sees both of the families and their quarrel for what they really are. He also helps to reveal the true villain of the story for who they really are.

Chrestomanci also points out the hidden talents of the children in the story. Although Tonino doesn’t think he’s as good as magic as others in his family, he does have other talents and magical abilities. At the end of the story, he goes to England with Chrestomanci to study for a while. His adventures in England are part of one of the short stories in Mixed Magics.

Posted on by TracyC · 2 Comments

Charmed Life

Charmed Life by Diana Wynne Jones, 1977.

This is the first book in the Chrestomanci series.  There are many different dimensions with duplicate worlds, and in each of those duplicate worlds, there is a copy of every person.  People’s lives can differ dramatically between the different worlds, but there is one person in each generation who has no duplicates in any of the other dimensions or worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread among the duplicates across the other worlds are now centered on that one person, giving that person, literally, nine lives.  Very often, the Chrestomanci doesn’t realize that he’s a Chrestomanci until he actually dies . . . and fails to die because he uses up one of his spare lives and continues living with the others.

When young Eric Chant’s older sister Gwendolyn gives him the nickname Cat at a young age, saying that he has nine lives, he doesn’t understand that it’s literally true.  Then, he and Gwendolyn are unexpectedly orphaned during a boat accident.  Their parents drown.  Gwendolyn doesn’t because she’s a witch, and the water rejected her.  Cat thought that he was saved because he grabbed hold of Gwendolyn.  Gwendolyn knows differently.

After their parents’ deaths, Cat and Gwendolyn live with their downstairs neighbor for a time, receiving support from the town. Their neighbor, Mrs. Sharp, is also a witch, and she recognizes Gwendolyn’s talent. When she goes through the children’s parents’ things, she finds three letters from someone called Chrestomanci, and she recognizes immediately that they are important. Cat doesn’t fully understand who Chrestomanci is, but everyone regards him as an important person, so much so that they even hesitate to say his name out loud. His signature is valuable, and Mrs. Sharp offers the letters as payment for witchcraft lessons for Gwendolyn from the best tutor in the area, Mr. Nostrum. Gwendolyn breezes through the early lessons easily, and everyone in the neighborhood recognizes her talents. They are sure that Gwendolyn is destined for great things, and they are all eager to ingratiate themselves with her. A local fortune-teller even says that Gwendolyn will be famous and may be able to rule the world if she goes about it in the right way. The fortune-teller also tells Cat’s fortune, but his fortune is a warning that he is in danger from two sides. Cat is frightened and unsure what to think of it.

However, there is still the question about how the children’s parents knew Chrestomanci and what their father argued about with him in their letters to each other. Mr. Nostrum is particularly curious to know what the children know about Chrestomanci, having apparently tried to learn things about him through his signature and failing, but neither of the children can tell him much. Cat still isn’t sure exactly who Chrestomanci is, so he suggests that Mr. Nostrum just write to Chrestomanci himself to ask. It’s such a straightforward approach that it never occurred to either Mr. Nostrum or Gwendolyn to do that before. Gwendolyn ends up writing the letter to Chrestomanci herself, exaggerating her plight as an orphan to gain sympathy, and implying that Cat also drowned in the boat accident. When Chrestomanci arrives to see Gwendolyn, he is initially surprised to see Cat.

Although their relationship to Chrestomanci isn’t explained at first, Chrestomanci takes custody of the children and brings them to live at his castle with his own wife and children, Julia and Roger. Everyone tells the children how lucky they are because living with someone as important as Chrestomanci means hob-nobbing with other important people. Cat realizes that the reason why Gwendolyn wants to go to Chrestomanci is that she is serious about becoming famous and ruling the world. She sees life with Chrestomanci as the first step. Cat is more intimidated and homesick.

Life in Chrestomanci’s castle is quite different from what Gwendolyn expected, though. There is some kind of enchantment over the castle that muffles Gwendolyn’s powers, and that drives her crazy. Gwendolyn is contemptuous of Julia and Roger for being plain and fat, but both of them turn out to be better at magic than she is and are fully capable of standing up to her magical tricks and bullying. Worst of all, nobody seems impressed by Gwendolyn or thinks that she’s special, and Gwendolyn is accustomed to people thinking that she’s special and impressive.

Chrestomanci makes it clear that none of the children are supposed to be practicing magic unless they are under the supervision of their tutor, Michael Saunders. When Gwendolyn and Cat begin having lessons with Michael Saunders along with Julia and Roger, it becomes apparent that Gwendolyn is far behind in her normal subjects, like math and history, even behind Cat, who is younger. Gwendolyn airily tells the tutor that she never paid attention to such things at their old school because she was concentrating more on learning witchcraft. Michael Saunders tells her that she won’t have any more magical lessons until she catches up in her normal studies, and Chrestomanci backs up the tutor. Gwendolyn is infuriated because, not only is nobody treating her like she’s special and impressive, for the first time in her life, they are treating her like what she really is: a spoiled and naughty child.

Gwendolyn’s parents didn’t fully have the ability to impose consequences on Gwendolyn when they were alive, although they were a restraining influence. After they died, nobody tried to restrain Gwendolyn, only trying to ingratiate themselves so she would help them or they could use her for their own purposes. Although Cat has idolized his older sister, there are dark sides to her personality that he has never realized before, and he soon discovers that she has sinister intentions that involve him.

One day, Gwendolyn vanishes and is replaced by one of her duplicates from another world, where magic doesn’t exist.  This other version of Gwendolyn, who is called Janet, has no idea where she is or how she got there.  It is from her that Cat learns that there is no duplicate of himself in her world.  While Cat struggles to figure out what is happening, he helps the new girl to pretend that she is the usual Gwendolyn, although she actually has a very different, much nicer, personality. The more Cat tells Janet about Gwendolyn, the less Janet likes her or the idea of being her, which makes Cat nervous.

When Cat and the new Gwendolyn realize what Cat’s Gwendolyn intends to do, they will need the Chrestomanci’s help to stop her and for Cat to claim his true destiny, the one that Gwendolyn has been attempting to conceal from him all along.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

One of the best parts of the book for me was the setting at Chrestomanci Castle. The idea of living in a castle with magical playmates who can make toy soldiers move on their own is exciting! Cat and Gwendolyn’s rooms in the castle sound like the kind of bedrooms that any kid might imagine having. Even though the castle is strange and sinister things are happening, there is also a kind of coziness to the atmosphere. The children have hot cocoa every morning in the nursery. (I’m not sure why Cat, Gwendolyn, and Janet don’t like hot cocoa. Having hot chocolate for breakfast every morning would have made me happy as a kid, although I admit that, if Chrestomanci and Millie are concerned about their children’s weight issues enough to limit their marmalade intake, that’s not really the best morning drink they could have. I would have suggested tea instead. While we’re on the subject, I didn’t like the way they kept going on about the kids’ weight issues.) They have their own old-fashioned schoolroom in the castle with their own private tutor. When they get allowance money, they can walk to the charming, old-fashioned town nearby and buy candy and other small items. Millie is a doting magical mother, and even though Chrestomanci can be a little intimidating and fussy about appearances, he seems to genuinely care about the children and isn’t above sticking his well-dressed head into the nursery to say good morning and check on them.

During his time at Chrestomanci Castle, Cat learns things about his parents and his sister that he never knew before. His parents were actually cousins, and marriages between cousins in magical families are frequently dangerous, especially when they have children. Chrestomanci is also their parents’ cousin, and the argument he had with their father through their letters was about preventing the couple from having children any children with magical abilities, a suggestion that insulted and angered their father. Their father later came to regret that when young Gwendolyn first started using her powers, and even her parents started to see that she was dangerous. They weren’t quite sure how she was using Cat, but they had the sense that she was using him to do her magic somehow. Nobody thought to take Cat’s nickname seriously until Janet started questioning the reason why Gwendolyn started calling him that.

The truth is that Cat is a nine-lived enchanter. Gwendolyn realized this when he died at birth but didn’t actually die, and even though she was young herself, she found a way to hijack his powers. From the time when he was a baby, she’s been using his powers as if they were her own. That is how Gwendolyn appears to be unusually powerful for her age, even though she’s never really had the patience to go through any of her lessons by the numbers, just glossing over the beginning parts. Cat has been unable to use his own magical abilities because Gwendolyn has been keeping them all for herself, so for a long time, he assumes that he doesn’t have any magic at all. Since Gwendolyn has been doing this for his whole life, Cat has grown accustomed to how it feels and doesn’t notice it until Janet puts together the clues and realizes what’s been happening. When Gwendolyn does particularly powerful magic, she even sacrifices one of Cat’s extra lives, which she placed in a little matchbook for easy use.

Cat is appalled when he finds out about it, and he doesn’t want to believe it at first. However, when he tries to light one of the matches and instantly catches fire, he is convinced. What is even worse is that Gwendolyn and her magic tutor are planning to use him as a human sacrifice to open the gateway to other worlds so that they and the other evil magicians can use their powers to control these other worlds. Gwendolyn is a malevolent narcissist and always has been. Cat is devastated when he learns how little Gwendolyn cares about him, but he manages to finally summon enough anger to stand up to Gwendolyn and take his powers back from her. Like other victims of narcissists, he has always been the stronger and more powerful of the two of them, but he needed some help to see it.

Unlike Gwendolyn, Janet is not a narcissist and is capable of feeling empathy and caring for others. She’s even capable of selfless acts and personal sacrifices for the sake of others when necessary. When Gwendolyn escapes and permanently seals herself in another world where she is a queen, Janet is stuck in Cat’s world, unable to return to her own. It’s a terrible blow for her to be separated from her parents, who are alive in her world. However, when Chrestomanci asks her if she will be okay and if she wants him to try to return her to her own world, she refuses the offer because she has discovered that the double who replaced her in her world is an orphan who badly needs a family. While Gwendolyn was even going to volunteer Janet, one of her other selves as a sacrifice if Cat wouldn’t do, Janet is willing to sacrifice her former life in her world for the sake of one of her other selves. Janet is really the kind of sister that Cat has needed all along. She says that she was supposed to have a younger brother in her world but that he died at birth, and she is fascinated to find Eric/Cat alive in this new world and get to know the brother she lost. Janet learns to love her new brother and to get along with Julia and Roger, becoming the kind of girl Gwendolyn really should have been to her family. She doesn’t have any magical abilities, but she discovers that she can help help her new family because life in her usual world (which is supposed to be our world) has given her a different perspective from theirs. She is the one who suggests to Chrestomanci that he stop using silverware made of actual silver, which impedes his powers, and use stainless steel instead. When Gwendolyn played magical tricks at dinner, Chrestomanci always had trouble dealing with it because he was holding silver, but if he uses stainless steel, he won’t have that problem again. Chrestomanci and Millie admit that they never thought of that because stainless steel cutlery isn’t common in their world.

I remember finding this story fascinating the first time I read it as a kid. There are some dark themes with Gwendolyn’s narcissism, the threats to the children’s lives, and even Cat losing a few more lives. Cat’s growth is central to the story. Once Gwendolyn’s toxic influence is removed from his life, he begins to see the truth about himself and how Gwendolyn has treated him. Cat had always looked to her for comfort as his sister and his last living relative (so he thought), but all along, she was the one who was most dangerous to him, and that’s a terrible betrayal. Once Cat starts to understand the situation, he begins to see his own potential, and he also has some new people in his life who show him better treatment. The castle is charming, the world is fascinating, and the story is thought-provoking about the different ways a person’s life can go in different circumstances. Other books in the series go into more detail about how the different worlds in this universe function and how they split off from each other in different series, based on the outcomes of important events.

Posted on by TracyC

The Lost City of Faar

Pendragon

The Lost City of Faar by D.J. MacHale, 2003.

Press and Bobby have followed Saint Dane to the territory of Cloral, a world completely covered by water and occupied by peaceful people who live in floating cities.  Of course, with Saint Dane on the loose, things aren’t going to stay peaceful for long.  An entire city of people are killed when they eat poisoned food, and it looks like Cloral’s entire food supply may be in danger. 

Saint Dane is commanding a group of pirates raiding cities for their food supplies.  Among the dead is Cloral’s last Traveler, and his successor is his son, Spader, who has no idea what the Travelers are or what kind of dangerous mission awaits him.  Spader takes his father’s dead very hard and vows revenge upon Saint Dane.  As Bobby, Press, and Loor, who Bobby introduces to Spader in order to help explain who Travelers are, acquaint Spader with his new duties as the Traveler of Cloral, they try to convince him that preserving the peace of Cloral is more important than seeking revenge.  Spader is hot tempered, and they try to teach him to use peaceful means to combat Saint Dane, who has superior strength, anyway. 

Before he died, Spader’s father left behind one clue to the solution of their problems: a reference to the lost city of Faar, apparently the last city on dry land on Cloral. According to legend, it sank many years ago, but its advanced civilization may not have been completely destroyed. Centuries ago, the water level of Cloral rose, and the people of Faar realized that their city would soon be underwater.  They built a dome to protect their city, and they have been secretly helping the people in the floating cities by tending to their underwater farms and sharing technology with them.  However, they have been afraid to openly reveal themselves to the rest of Cloral because they were worried about their culture becoming contaminated. 

When Press, Bobby, and Spader tell them that Saint Dane knows where they are and is on his way to destroy them, most of the people flee the city.  The dome is broken, and it looks as though they will be unable to retrieve the equipment that the people of Faar were going to give them to save Cloral’s food supply.  However, the one person who remained in Faar and was killed was talking about making Faar “transpire.” Bobby, wanting to fulfill the dead man’s mission, activates the machinery to make it happen.  It turns out that the people of Faar have made it possible for their city to detach from the ground and float to the surface, like the other cities of Cloral.  Faar and its people have now rejoined the rest of Cloral, and they are able to retrieve the machinery they need.  Sadly, Spader tries to chase down Saint Dane as he escapes through the flume, and Press is killed saving him.  Spader volunteers to accompany Bobby on his mission to stop Saint Dane.

Throughout the books, Bobby, like Spader, has to come to terms with the fact that his life and his entire identity are not what he has always thought they were. Other Travelers also go through the same process as they learn about what it means to be a Traveler and to accept the mission of the Travelers. All through the series, there are other revelations about the nature of the Travelers themselves and how they came to be.

The book is available to borrow for free online through Internet Archive.

Posted on by TracyC

The Merchant of Death

Pendragon

The Merchant of Death by D.J. MacHale, 2002.

Bobby Pendragon is a normal fourteen-year-old boy, or at least he thought he was.  One day, his mysterious Uncle Press shows up at his house right before he’s supposed to leave for an important basketball game at school and tells him that he needs his help and that Bobby must come with him right away. 

Although Bobby doesn’t know what is going on, he goes with his uncle and begins a terrifying journey to another world.  His uncle reveals to him that they are both Travelers, members of a select group of people who can use gateways called flumes to travel across time and space to other worlds.  Worlds everywhere are in chaos, and an evil Traveler called Saint Dane is manipulating events to cause more chaos and destruction.  On the world of Denduron, the decadent Bedoowan society is oppressing the Milago miners, and thanks to Saint Dane, their world is about to erupt in warfare unless Bobby and his uncle can stop it.

Bobby and his uncle are separated for a while when some Bedoowans capture Uncle Press, and Bobby meets up with fellow travelers Osa, Loor, and Alder.  Osa, the most experienced Traveler, is killed trying to protect Bobby, and Bobby makes some mistakes that make the situation worse, including having his friends back home send him some items that are advanced technology to the people of Denduron. 

The Milago have discovered an explosive mineral called Tak, and they are using it to build a super weapon to wipe out the Bedoowan.  Saint Dane is trying to increase tensions between the two groups of people so that they will use this weapon, which will lead to the destruction of their world … unless Bobby and his friends can stop it.

This series reminds me a little of old movie serials, like Flash Gordon, where the good guys must defeat an evil overlord, free people from oppression, and bring peace to warring groups.  However, like with Flash Gordon’s evil nemesis, Ming the Merciless, Saint Dane has a way of escaping even when our heroes have put a stop to his plans. By the time matters are straightened out with the Bedoowans and the Milago, Saint Dane has escaped to another world, and Bobby and his companions must find him and stop him from causing further destruction.

The book is available to borrow for free online through Internet Archive.