Haunting at Black Water Cove

Haunting at Black Water Cove by Norma Lehr, 2000.

Kathy is spending some time with her mother at the lake while her mother takes care of a friend’s lodge there.  Kathy’s great-grandmother and her brother used to live in the area, and her mother used to visit the lake regularly as a little girl.  Soon after she arrives, Kathy meets a new friend, Drew, a boy who lives with his older brother and is self-conscious about his asthma.  While the two of them are by the lake, Kathy thinks that she keeps seeing a raft that nobody else can spot.  Later, she sees the ghost of a young girl in a ragged dress with a blue aura around her. 

Drew writes a small local newsletter, and when Kathy accompanies him to interview an elderly woman, she learns that years ago, her great-granduncle, Duncan, was involved in the disappearance of the woman’s older sister.  Ruby Faye’s body was never found, but people believe that she must be dead, assuming that she must have drowned in the lake. They believed that Duncan must have somehow caused Ruby Faye to drown because he was with her at the time. Although Duncan had a reputation as being a bit of a hooligan, Kathy can’t believe that he would have harmed the girl, named Ruby Faye, or let her drown in the lake if he could have prevented it. Duncan himself lost the ability to speak because of whatever happened that day, so he could never explain to anyone what really happened, but it must have been something terrible to send him into such a shocked state. About a year later, Duncan died young of an illness without regaining the ability to speak.

Before Ruby Faye died, the water in the cove had been clear, and the place was called Sunny Bay. Since then, the water turned dark and cloudy, giving Black Water Cove its new name.  Kathy is sure that the ghost girl she’s been seeing is Ruby Faye, and she thinks the girl’s spirit is trying to tell her the truth behind her mysterious disappearance.

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers:

I enjoyed this spooky book for the mystery it poses about the disappearance of a young girl many years before. Because Kathy has been seeing her ghost, readers know that she must have died, but there is still the mystery of how it happened and what left Duncan so traumatized. I love mystery stories, and this story was also interesting for me because it turns out that the secret of Ruby Faye’s disappearance relates to a real historical event. Duncan and Kathy’s other relatives lived in the area during the famous 1906 earthquake that struck Northern California. Ruby Faye disappeared the day after it happened. 

Spoilers

Ruby Faye and Duncan had been in love. Duncan had a raft that Ruby Faye helped him build, and when she disappeared, most people assumed that he had been goofing off on the raft and caused her to drown.  In fact, Ruby Faye did not drown at all; she died from a fall.  When Kathy goes to the spot by the lake where Duncan had left his raft years ago, she sees their spirits act out what happened that day.

Like Drew, Duncan had a handicap that made him self-conscious: one of his legs was shorter than the other, and he couldn’t walk without a crutch.  On the day after the earthquake, he and Ruby Faye were playing by the lake.  She was making a garland of flowers.  She decided to go up the nearby mountainside and get some more flowers.  Duncan warned her not to go because the place was dangerous, but she just laughed it off.  Shortly after she left Duncan, he heard her scream for help.  Duncan tried to go to her, but his crutch had fallen off the raft, and he couldn’t find it.  He tried to get up the mountainside anyway, but he couldn’t manage it.  There was no one else around to help.  While Duncan didn’t cause the accident that befell Ruby Faye, Duncan’s guilt and helpless anger at not being able to save Ruby Faye robbed him of his ability to speak. 

Kathy ventures up the mountainside herself to see where Ruby Faye went when she screamed and disappeared, and just as Ruby Faye did herself, falls into an open mine shaft.  The earthquake opened it up the day before Ruby Faye went there in 1906, but no one thought to look for her there because they were sure she had fallen in the lake.  Kathy manages to hang on until her dog alerts people to her danger, and they come to help her.  Drew is the first person to see Kathy’s dog, but like Duncan, he is unable to save Kathy himself because he gets upset and brings on an asthma attack.  However, he manages to get help from his brother and Kathy’s mother.  After Kathy tells Ruby Faye’s sister what really happened, the water in the bay clears, and Kathy sees the spirits of Ruby Faye and Duncan, happily floating together on their raft.

Mystery of the Haunted Pool

Mystery of the Haunted Pool by Phyllis A. Whitney, 1960.

At the beginning of the story, Susan Price is traveling alone to visit her Aunt Edith. Her father is in the hospital, and her mother and brothers are tending to things at home. Her family wants her to make a good impression on Captain Daniel Teague, who lives in Aunt Edith’s town. Her father’s doctor has advised him to move to the country, where there is less air pollution, and the family would like to move to the small town along the Hudson River where Aunt Edith owns an antique store. However, the only available house that would be big enough for the family would be the Teague house, and Captain Dan hasn’t decided whether to rent or sell his house to them or not. Before Susan arrives, she isn’t sure what’s going on with Captain Dan and the arrangements regarding his house, but it turns out to be a complicated situation involving her aunt’s antique business, the Teague family history, and Captain Dan’s grandson, Gene.

When Susan’s bus reaches the bus stop, Aunt Edith isn’t there to meet her, so she walks to her aunt’s store. Aunt Edith apologizes for not meeting her. The reason why she didn’t is that a woman named Altoona was hanging around her shop, and she didn’t want to leave Altoona there alone. Lately, Altoona has been acting suspiciously, snooping around the shop as though she’s looking for something but doesn’t want anyone to know. Aunt Edith doesn’t know what Altoona is looking for, but it’s making her nervous. In particular, Altoona seems interested in a barrel of old books that Aunt Edith is selling on commission for Captain Dan, but Aunt Edith doesn’t want her looking through them until she’s had a chance to examine them herself.

Aunt Edith says that she’s known Altoona since they were children. Altoona was raised by her father and an older sister, both of whom were strict and unloving. Altoona led a very restricted life until her father and sister both drowned in a boating accident. Since then, Altoona has been indulging herself by spending her inheritance on antiques. However, rather than being a good customer of Aunt Edith’s, Altoona has turned into competition. She seems to delight in trying to beat Aunt Edith to some fascinating antique. Altoona seems to be on the trail of some new discovery, but Aunt Edith doesn’t want to give her the chance to poach something that might be right under her nose in her own shop.

Since Aunt Edith’s husband died years before, she’s been living in a back room of her shop. With her brother and his family wanting to move to the country, she’s planning on helping them get a house and living there with them. Aunt Edith has her eye on a particular house owned by Captain Daniel Teague, but he’s been reluctant to sell, which is why it would help if Susan made a good impression on him. Captain Dan has been living in a big old house with his grandson, Gene, but it’s an expensive house to maintain for just the two of them. He’s been considering renting it to Susan’s family with an option for them to purchase it later. However, he’s been dragging his feet on making a final decision because he wants to make sure that he approves of the Price family and that Aunt Edith won’t sell any of the antique furnishings from the house in her shop without permission. Also, Gene is upset at the idea of moving, and Captain Dan is concerned about Gene.

Aunt Edith explains that Gene is just a little older than Susan and that he was injured in an accident a couple of years before. He was hit by a car, and he’s been in and out of the hospital for treatment. Even now, his leg is stiff, and he has to wear a brace. Susan witnesses his frustration when she watches him trying to play basketball alone the first time she meets him. She can tell that he’s been trying really hard to overcome his disability, but things are still very hard for him. Susan is touched by Gene’s struggles and his stubborn efforts to succeed. She also discovers that he has strength and coordination in his arms, even though his left leg is very weak. When she asks Gene to teach her how to shoot baskets so she can impress one of her older brothers, she begins to realize that sometimes Gene tries too hard, and it makes his situation harder on him. When he gets tense, he has more trouble than when he’s relaxed.

Gene confesses to Susan that he feels guilty about being hit by the car, not only because he got hurt but because of what it’s done to his family. He admits that it was his fault for not looking more carefully before crossing a nearby highway. He feels terrible because his grandfather has spent most of his savings to pay for the hospital and doctors’ bills, and his mother had to get a job in New York City to pay the rest. Gene’s reluctance to move out of the family’s old home is that he knows how much his grandfather loves it, and he would feel even more terrible if his family lost the house because of his careless accident. The two of them seem to be getting along until Susan tries to climb a nearby rock, and Gene angrily tells her not to.

Captain Dan turns out to be a nice man. He’s called Captain because he used to be a river boat captain. He comes from a long line of sailors. When Susan tells him about meeting Gene and how Gene got angry at her for trying to climb a rock, Captain Dan tells her not to try too hard to accommodate Gene and his moods. He says that Gene’s biggest improvements have only come recently, when he started pushing Gene to work harder to improve. He thinks that Gene was a bit coddled up to that point and that he was too discouraged by the doctors’ predictions about what he wouldn’t be able to do anymore without really trying to test his limits and see what he could do for himself. In a way, Captain Dan is actually in favor of the Prices moving into their big family home because he knows that Susan has brothers. He thinks that having other boys around will be good for Gene, getting him to participate in more activities and push himself a little more.

One thing that’s making Captain Dan hesitate is the idea of having Aunt Edith in his house. He admits that he finds it difficult to say no to her when she wants something, and she’s been urging him to let her sell some of his old things in her shop. He’s concerned about what she might talk him into parting with next if she were living in his house. When Gene finds out that Aunt Edith talked his grandfather into parting with that barrel of old books, he gets angry again and talks back to his grandfather.

Susan is surprised at Gene’s rudeness and disrespect, but his grandfather says that part of that comes from Gene not liking himself much right now. Because Gene is unhappy with and disparaging of himself, he’s unhappy and disparaging with everyone. That’s part of why Captain Dan has been pushing Gene to improve himself, to give him more confidence and self-respect because he will see that he still has the ability to improve. Captain Dan also realizes that Gene has an intense attachment to their family home and family heirlooms because he takes more pride in their family’s history than in himself, thinking that he’ll never be able to be proud of himself now. Aunt Edith says that Gene’s father, a pilot who died in a crash, was also a decorated pilot during WWII. When Gene was younger, before he was injured, he was a much more active boy, and his father was proud of him for it. Aunt Edith thinks that Gene worries that his father would be ashamed if he saw his current condition.

Susan likes Captain Dan for his kindness and understanding of Gene. She’s not sure how much help her brothers would be with Gene, though. Her brother Adam, the closest in age to Gene, probably wouldn’t have much patience with a boy like him. That’s probably why Susan’s family decided that Susan would be the best person to break the ice with Captain Dan and Gene.

Susan tells Captain Dan that she saw Altoona watching the house when she came up to see him, and he says that he knows about Altoona’s obsession with antiques. He’s not sure what Altoona is looking for, but he thinks it must be some kind of antique. Mrs. Bancroft, Captain Dan’s housekeeper, says that the family has a secret. Aunt Edith says that rumor has been around their small town for years, but she doesn’t know what sort of secret it’s supposed to be, and with a town full of people who all know each other and each other’s family history, she can’t imagine what could still be secret about the Teague family.

Then, Susan finds an old ship’s log book in the bottom of the barrel of books that Aunt Edith got from Captain Dan. It’s the log book for the Flying Sarah, the ship that one of the Teague ancestors sailed. Aunt Edith returns the log book to Gene because she knows it must be a family heirloom, more valuable to the Teague family than anyone else. However, Gene is still sore about Aunt Edith having the barrel of books, and Susan catches him sneaking into the shop one night while Aunt Edith is out. He says that he wants one of the books, but he refuses to say which one he wants or why. Susan thinks that Gene knows more about his family’s secret than he’s telling and that his concern about the books has something to do with it. It seems like Gene may be on the trail of the same thing Altoona is searching for, but what is it? Captain Dan also seems to know, but he tells Gene in Susan’s presence that it doesn’t matter.

Susan gets a hint from Altoona when Altoona tells her that the old Teague house is haunted by the ghost of Sarah Teague, the wife of the captain who sailed the Flying Sarah, which was named for her. Altoona says that Sarah’s husband was murdered on the Flying Sarah and that Sarah took over the family’s shipping business after his death. Then, Sarah drowned in the little pool in the woods near their house. Altoona says that Sarah promised to come back and haunt the house if things didn’t go her way, but what does that mean?

Susan does some research in an old book about ships and discovers that the captain of the Flying Sarah had been carrying a valuable shipment of jewels for a friend when the ship was attacked by pirates. He died from the wounds he received from the pirates, and the pirates apparently took the jewels along with other valuable objects from the ship. After her husband’s death, Sarah Teague insisted on taking responsibility for the lost jewels and repaying the owner for their loss, which was financially crippling for the family. The book also repeats the story about Sarah Teague haunting the old family home. Soon after Susan and Aunt Edith move into the Teague house, someone break in during the night, apparently looking for something. Susan goes to look at the pool where Sarah drowned and thinks that she sees a strange face looking back at her from the water. What message from the past does Sarah Teague have for them, and what secret has the Teague family been hiding for generations?

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

For much of the book, the exact nature of the Teague family secret is a mystery to Susan, although readers can probably make a pretty good guess at what Susan eventually finds. Part of the difficulty is that the Teagues themselves don’t seem to quite understand what they really have. They know part of the secret, but only part of it. When Susan discovers the rest, it changes things for Captain Dan and Gene. Susan’s brother, Adam, helps Susan with the mystery for part of the book, but Susan is the one who makes the final discovery.

Altoona is kind of a rival/antagonist for solving the mystery, but not an evil one. She appears to be going through a kind of finding herself phase since the deaths of her father and sister. Her family was repressive, so for the first time in her life, she is taking advantage of opportunities to get involved with community activities and indulge her own whims. She dresses in strange ways because she’s trying out all of the things her father and sister would have never allowed her to wear when she was younger. She volunteers at the local library, but she has trouble deciding which books to recommend to the children who visit the library because she’s never read many of them herself. When Susan suggests to her that she should read some of the children’s books herself so she’ll know what they’re like and what they’re about, Altoona balks at the idea of an adult reading children’s books at first. However, she decides that maybe Susan is right, and when she tries some of the children’s books that Susan recommends, she says that she likes them.

Altoona’s pursuit of the Teague family secrets isn’t malicious. It seems to come from her newfound sense of independence and adventure. Figuring out the old mysteries of the Teague family is a sort of personal challenge for her and something that has fascinated her for her entire life, a fascination that she is now free to indulge. She almost messes things up by taking something that doesn’t belong to her, but it turns out to be an innocent mistake because of something Gene did, and she makes things right in the end. Altoona also comes up with a solution to the Price family’s housing problem. She says that she’s always wanted to travel, and at Adam’s encouragement, she’s decided to take an extended international trip for a year or so. While she’s away, she rents her house to the Price family so the Teague family can have their house to themselves again.

The book mainly focuses on self-discovery for Gene as a side plot to the story. At the end of the book, Gene’s problems aren’t completely solved, but he has become more reconciled to his condition and has a better understanding of things he can and can’t do because of the children’s adventures. By learning to get along with Susan and Adam, Gene becomes more ready to face other people and their reactions to his disability. When things improve for him and his family, he also seems less inclined to keep beating himself up over his accident. Things aren’t perfect for him at the end, and he’s probably never going to have completely normal use of his bad leg again. Still, there are signs that he’s mending, both physically and emotionally, and that things will get easier for him.

I like books that mention other books. In this book, the barrel of books that Aunt Edith gets from Captain Dan includes classics, like Little Women and Treasure Island. There are also books by Washington Irving, Gene Stratton Porter (known for A Girl of the Limberlost), and Harold Bell Wright and some “novels about an imaginary kingdom called Graustark.” These are all real authors and books. Aunt Edith says that some of them aren’t old enough to be considered real antiques, but this book was written more than 60 years, so modern standards would be different. Part of the story also includes books that have hidden pictures drawn on the fore-edges of the pages, which can only be seen when the pages are held at an angle. This type of fore-edge drawing or painting is something that can be found in real antique books.

Marianne Dreams

Marianne has been looking forward to her birthday because her parents have promised her that when she is ten years old, she will be old enough to have riding lessons. She and her family live in town, so she doesn’t have easy access to horses, like children in the country do. Her special birthday present is going to have her first lesson at the local riding stable. Her birthday is wonderful, and the riding lesson goes very well, even if some of the more spectacular things that she had imagined before didn’t happen. Marianne would be perfectly happy except, at the end of the lesson, she is more tired than usual and feels achy. By lunchtime, she is feeling definitely ill, and she has a fever.

Marianne’s birthday illness quickly turns into the worst illness she’s ever had. Because of her illness, Marianne has to be confined to her bed for weeks, and she loses track of time. About three weeks after her illness began, she begins to feel a little more like herself and has more awareness of time and what’s happening around her. When she was at her worst, it was hard for her to be interested in anything or focus on anything, but now, she can think clearly enough to be bored and look for something to entertain herself. Marianne’s mother allows her to look through her grandmother’s old workbox, which mostly contains old needlework tools and an array of buttons, ribbons, beads, and other odds and ends that are interesting to look through and sort.

Among the things in the workbox, Marianne finds an old pencil. She immediately likes the look of the stubby old pencil and has the sense that it would be fun to use for drawing, so she picks up her drawing book and begins to draw a picture of a house with a fence around it and some flowers. Marianne’s drawing isn’t particularly great, not as good as what she pictured in her mind’s eye when she started it, but it is the start of something very special.

Although she is starting to feel better, Marianne’s doctor tells her that she is going to miss the whole rest of this term at school. He prescribes strict bed rest for her for the next six weeks. The doctor doesn’t actually say what’s wrong with Marianne, but he tells her that if she doesn’t rest, she could harm herself in a way that would last for the whole rest of her life. Even though she’s bored and says she’d rather be harmed or permanently ill than have to spend more weeks in bed, her doctor is firm with her that this is the way things are. He’ll see that she follows his instructions and recovers whether she likes it or not. Her condition is not contagious, so she can have visitors, but she must remain in bed and rest.

Marianne is sure that these weeks of bed rest are going to be horrible and boring, but soon, something strange begins to happen. She starts having dreams about the house that she drew with that special pencil. When she finds herself in the country with the house, the house is a little misshapen, and it unnerves her. The house is located on an empty, windy prairie, and Marianne can’t even get into the house because she didn’t draw a door handle on the door or put anyone inside the house who could let her inside.

Marianne realizes that she could easily remedy these things by adding more to her drawing, so when she wakes up, she adds a knocker and handle to the door. She also draws a boy looking out one of the windows of the house. The boy seems a little sad when she draws him, but she isn’t sure how to fix his expression, so she just leaves it. Although Marianne isn’t sure whether she’ll ever dream of the house again, she does. In her next dream, the door has the knocker and handle, just like she drew, and there is a sad-looking boy at one of the windows of the house. Marianne waves to the boy and asks him to let her into the house, but he can’t. The boy is upstairs in the house, and there aren’t any stairs down to the ground floor. Marianne asks the boy how he got up there without any stairs, but he says he doesn’t know. Marianne insists that she needs to get into the house, and the boy says that he needs to get out. Marianne gets angry at the boy and the situation, which seems impossible. However, this is not the end of the dreams, and the boy isn’t just a figment of her imagination.

Marianne’s mother hires a temporary governess to tutor Marianne at home so she doesn’t fall too far behind in school. Marianne doesn’t like the idea of the governess at first, but Miss Chesterfield turns out to be friendly, and her visits and lessons add variety to Marianne’s days. When Marianne asks Miss Chesterfield about her career as a governess, she learns that, unlike governesses in books, Miss Chesterfield doesn’t live with her clients. Instead, she tutors different children in their homes, visiting each for a couple hours at a time. All of the children she tutors are children who are behind in their studies or who are studying special subjects that aren’t covered at their school or whose circumstances prevent them for going to school for a time, like Marianne. One of the other children being tutored by Miss Chesterfield is a boy named Mark, who has been left partially paralyzed from a severe illness and can’t walk. Marianne asks Miss Chesterfield if Mark will be able to walk again someday, and she says that it’s likely he will if he takes care of himself in the next couple of months and does what his doctor says.

However, as with Marianne, obeying the doctor’s orders isn’t easy for Mark. While Marianne wishes that she could just be up and about instead of resting like she should, Mark is just the opposite. He loves being at home with his books, and he has trouble pushing himself to start getting up and moving again, which is what his condition really requires. Mark needs to do physical therapy to strengthen his body and retrain his muscles, but it’s difficult and painful. Marianne is sympathetic to Mark because she knows what it’s like to be ordered to do something she doesn’t want to do even though it’s for her own good. She wishes that the two of them could switch places for a time so he could do at least some of her bed resting for her, and she could have the chance to get up and move around. Miss Chesterfield says that she thinks the two of them are better off being themselves and doing what each of them needs to do.

Marianne continues to feel the urge to draw in her spare time. She discovers that she’s unable to erase anything that she’s drawn, but she can continue to add to the picture. She adds more to the background so the house won’t seem to be in such an empty void, and on the opposite page in her drawing book, she draws the interior of the house, adding the stairs that the boy said were missing. This time, when Marianne dreams of the house, she finds herself in the interior, which is mostly empty because she hasn’t drawn furniture yet. She explores the house and finds the boy sitting on a window seat, looking outside, like he did before. The boy has noticed that the world outside the house has changed since Marianne drew hills and a tree. The two of them talk about their situation, trying to understand how they came to be in the house, and Marianne tells the boy that, now that there are stairs, he can go outside. The boy tells her that he still can’t because he can’t walk. He explains to Marianne about how he’s been ill for a long time, and he has special exercises he’s supposed to do to help his muscles, but it still isn’t definite whether he’ll be able to walk again or not. That’s when Marianne realizes that she’s talking to Mark, the same Mark that Miss Chesterfield told her about.

The two children could be dream companions for each other, but Marianne becomes more temperamental the longer she’s cooped up. One day, in a fit of anger because Mark made Miss Chesterfield late to see her and ruined her special surprise present for Miss Chesterfield’s birthday, Marianne turns the house in her drawing into a prison and the rocks outside into monsters that watch the house. Marianne thinks it would be a fitting punishment for Mark to be a prisoner in their dream house, but the problem with that is that Marianne still goes to the house when she’s asleep, too. Whenever she’s there, she’s also in a scary prison, surrounded by rock monsters.

It takes Marianne an embarrassingly long time to realize that everything she adds to her drawing changes the environment of the dreams that both she and Mark share, and even when she realizes that’s the case, Mark has a difficult time accepting it. It seems like, when the kids are in the dream world, they have some trouble remembering the waking world and making connections between the two, although Marianne has more memory of her waking life than Mark does, probably because Mark is more seriously ill. While Marianne has control of the special pencil and more ability to alter the world of their dreams, she can’t change everything, and the two children will have to work together to overcome their obstacles and escape the house. The house is useful for them during their recovery, but they quickly realize that it’s also a dangerous place, and they can’t stay there forever. Although Marianne didn’t draw a way for the rocks with the eyes to move, they are moving, and they’re getting closer all the time.

The book is available to borrow and read for free online through Internet Archive (multiple copies). In 1988, the story was made into a movie called Paperhouse. Paperhouse is a much darker version of the original story, though. There was a much earlier television mini-series from 1972 based on the book called Escape Into Night, which was much more faithful to the original story, although in that version, Marianne had a broken leg from a riding accident instead of being ill. All six episodes of Escape Into Night are currently on YouTube. I don’t know of any other way to watch it if you live in the US. There are dvds available on Amazon, but they’re region coded. For sci-fi fans, I swear that the rock monsters in Escape Into Night also sound like Daleks from the original Doctor Who. The book was originally published in Britain, and the movie versions are also British. There is also a sequel to this book called Marianne and Mark, where the two children from this book meet as teenagers in real life instead of in the dream world.

My Reaction and Spoilers

To begin with, I’d like to explain that, while the concept of a drawing coming to life somewhat reminds me of Harold and the Purple Crayon, this is definitely a more serious book with greater depth. The children in the story are dealing with some serious and frightening problems, both in the real world and the dream world.

I love the way that the pictures in the book alternate between Marianne’s drawings and the children’s “real” experiences. First, we get to see what Marianne draws, and then, we get to see how her drawing comes to life in the children’s dreams. Marianne’s drawings are child-like, with crooked houses, misplaced windows, and stick figures. The dream drawings are as misshapen as Marianne’s drawings, but at the same time, they are more three-dimensional, as the children perceive them when they’re inside them in their dreams.

The book never explains exactly why Marianne is sick or what might happen to her if she doesn’t rest, although I have a couple of ideas. There are illnesses which can leave people severely weakened for long periods of time, and they have to rest or suffer lasting organ damage. When my aunt was young, she was extremely ill with valley fever. That’s probably not the illness Marianne has because valley fever comes from a fungus found in the soil in certain parts of the Americas, but I don’t think it’s found where Marianne lives in Britain. I mention it because I think that it’s similar in severity to Marianne’s illness. Most people who get valley fever don’t have it severely. In fact, most long-term residents of the area where I live have had it at some point in their lives, and it’s often mistaken for a mild flu. However, once in a while, someone has a much more serious case, like my aunt did. My aunt had to spend weeks at home, resting, and a tutor came to the house to help her with her schoolwork until she recovered enough to return to school. Even then, she had certain restrictions. Valley fever is hard on the lungs, so she couldn’t over-exert herself. For a period after she returned to school, she still tired quickly from ordinary activities, she could not take physical education classes, and she even had to use the elevator at her school (which was reserved only for those who needed it) instead of taking the stairs to classes like most of the other students. If my aunt had pushed herself too hard before she had fully built back her strength and stamina, she might have damaged her lungs permanently. I think that the doctor in this book is warning Marianne that her condition is similar, that she might cause herself some form of lasting organ damage if she doesn’t rest and let herself fully recover.

In Marianne’s case, I suspect that Marianne’s illness could potentially damage her heart because her doctor is concerned that she not get angry or over-excited, but that’s just a guess. Illnesses like that are relatively uncommon, but they do happen in real life. Depending on the condition she has, it’s possible that Marianne’s extended bed rest might also be shortened by more modern treatments, if this story happened during the 21st century. It’s difficult to say without knowing what her ailment is, but I think it’s worth pointing out that this story was written during the 1950s, which is also coincidentally the time period when my aunt had her illness in her youth.

In the movie version of the story, Paperhouse, they say that Marianne had glandular fever, but since the book never specifies, some readers have speculated that she might have had rheumatic fever, since the symptoms fit the description of her illness. I tend to think rheumatic fever is more likely because it can potentially cause a risk to the heart, and that seems to be the concern in the book, the reason why Marianne has to rest and be careful to avoid long-term damage to herself until she is fully healed. In Paperhouse, Mark is described as having muscular dystrophy, but the book actually says that Mark has polio. The first polio vaccine was developed by Jonas Salk in the early 1950s, although it took a few years for it to come into widespread use, so it’s plausible that Mark could have caught the disease before he had a chance to be vaccinated.

My parents were both in elementary school during the 1950s, and they remember getting their polio vaccinations and the boosters that they gave to kids in an edible form on sugar cubes. Other people who were young around that time period may have similar memories. Although I never saw a child or young person with polio when I was a kid, probably because all the kids I knew were vaccinated, my parents say that it was a real menace when they were young, and the serious consequences of the disease were a real fear. While my mother was still young, her aunt contracted polio as an adult. Her aunt survived having polio, but there were lasting effects. Even people who recover their strength after having polio while young or relatively young can have it come back on them when they’re older as post-polio syndrome. My mother remembers her aunt before she became ill, but by the time I met my great-aunt, she was an elderly lady in a wheelchair because of the condition. That’s part of the reason why my family believes in the benefit of vaccines in general. We’ve noticed definite improvements between generations because of them.

The characters in the story experience some personal growth from their ordeals. I liked it that, in the beginning of the story, Marianne considers some of the old-fashioned stories she’s read where girls suffer from severe illnesses or ailments that keep them in bed for long period of time. It is a common trope of 19th century and early 20th century books that characters’ lives and personalities are changed by illness because dealing with the illness and the restrictions imposed on them because of it teaches them patience and understanding. (See What Katy Did in the Carr Family series from the late 19th century for an example.) Marianne wonders if she’ll experience the same type of transformation or if she’ll still be the same Marianne she always was after her ordeal is over. Both Marianne and Mark have things they need to learn in order to overcome their respective problems. Miss Chesterfield’s belief that it’s best for them both to learn to manage their problems rather than envying each other is the correct one.

Marianne has to learn about emotional control. During her period of forced rest, Marianne’s temper gets worse because she’s frustrated with her situation, and her doctor warns her that she’s going to have to learn to keep calm because fits of temper are as bad for her health as physical over-exertion. Marianne needs to learn to relax, to not try to push herself or situations to move faster than they need to go, and to keep her temper even when she’s frustrated. When she realizes that the things she draws on paper with the special pencil have real consequences for Mark, who is also struggling through his illness, Marianne also becomes more compassionate and considerate, trying to find creative ways to help Mark through her drawings. It takes some trial and error, but Marianne does become a more thoughtful person. When it’s finally time for Marianne to get out of bed and start to strengthen herself again, she experiences some of what Mark has been struggling with, and it increases her understanding of his situation.

Meanwhile, Mark has to learn to push himself a little harder and to persevere even in the face of hardship. Miss Chesterfield has noticed that, while Mark will work and study hard at things he likes or things that are easy for him, he has a tendency to give up too soon or only make half-hearted efforts at things that are difficult or don’t come naturally to him. While his body is getting the the medical attention it needs, his spirit needs some stirring so he can find the inner strength to keep going with his efforts to restore and improve his physical health. He explains to Marianne how he feels, being physically weak and dealing with the uncertainty of whether or not the exercises he’s been given to do are even going to make a real difference or not. Because his condition is serious, even things that his doctor says are likely to help aren’t completely guaranteed to help. These feelings of uncertainty are a heavy burden for Mark to bear and another obstacle that he has to overcome. He finds it hard to continue making an effort when he knows that it might not make a difference in the long run. He needs to remind himself that, while trying his best may not be enough to help him walk again, doing nothing at all guarantees that he will lose that ability. A chance at improvement is better than no chance at all. Marianne provides support and encouragement for Mark, and seeing the results they experience from their efforts in the dream world encourages the children to do what they need to do in the waking world.

Although the book has fantasy themes, I thought that the descriptions of the children’s struggles in the real world and Marianne’s feelings about her illness were very realistic. Mark and Marianne have to use some different tactics when battling their illnesses because they have different problems. I think the book makes a good point that what’s necessary for one person’s situation isn’t always the same for another’s. Some people need to push themselves a little harder and tackle problems head-on while others need to develop a little more creativity and patience to work around their problems. In the end, Marianne and Mark do both. The children are an inspiration to each other, helping each other every step of the way.

Father’s Arcane Daughter

Father’s Arcane Daughter by E.L. Konigsburg, 1976.

Winston Carmichael lives a very sheltered life during the 1950s. His family is wealthy. They live in Pittsburgh, and he attends a good school, but much of his free time is also taken up trying to entertain his sister, Hilary, called Heidi. He particularly has to look after Heidi every week on Thursday, while his mother leaves to get her hair done. Heidi has some developmental disabilities and is hard of hearing, so Winston’s overprotective family is especially overprotective of her. Because of that and because of her frustrations with her own limitations, Heidi is spoiled and frequently acts out when she doesn’t get her way, making her a pain for Winston to help care for. Even servants have often quit over Heidi’s behavior. However, Heidi’s disabilities are only part of the reason why the children’s parents are overprotective. The other reason is the mysterious disappearance of Caroline, Winston and Heidi’s much-older half sister, from their father’s first marriage. Winston is aware that Caroline was kidnapped years before he was born and is now presumed dead, a traumatic incident in their family. Then, one day, a woman claiming to be Caroline comes to the house to see their father.

The story is actually told in the form of flashbacks as Winston recounts it to a woman, who is at first unnamed. Winston explains how he knew about Caroline’s disappearance and how he wanted to know more about this mysterious woman claiming to be Caroline, partly in the hopes of reducing the shadow that Caroline’s disappearance has cast on all of their lives. The children’s father tells them the story of how Caroline was kidnapped 17 years earlier on her way home from the exclusive college that she was attending in Philadelphia. The kidnappers demanded a large ransom in cash, and it took longer than they thought for Mr. Carmichael to assemble that amount of cash because rich people don’t have all of their money in cash and getting large amounts of cash attracts attention from the authorities. Then, the ransom drop went badly and turned into a shootout between the police and the kidnappers at the house where the kidnappers were hiding. At some point, the house caught fire (no one is quite sure what started the fire), and everyone inside the house was killed. At the time, they assumed that Caroline was one of the people who was killed in the fire, but Mr. Carmichael was never sure because the kidnappers had said something earlier about moving Caroline. He always hoped that maybe Caroline wasn’t in the house and somehow survived, but having heard nothing from her for years, it has seemed likely that she died. After Caroline’s presumed death, her despondent mother died of alcohol-related causes. Mr. Carmichael remarried, and he and his new wife had Winston and Heidi. Still, Mr. Carmichael always hoped that maybe Caroline was alive and he would find her one day.

Caroline’s sudden reappearance, although happy for her father, is strange, and Mrs. Carmichael is suspicious that this woman’s real purpose is to claim the inheritance that Caroline was supposed to inherit from her mother’s family. The deadline for claiming the inheritance is approaching, so the woman claiming to be Caroline could be an imposter who is just after the money. Winston studies his mother’s scrapbook, containing all the known details of Caroline’s life, and he comes to understand his father and his family a little better. Caroline becomes more of a real person in his mind, not just a shadowy figure from the past, but he’s still not sure if the woman claiming to be Caroline is the real Caroline.

“Caroline’s” story is that she was rescued from her kidnapping situation by one of the kidnappers, who apparently had a change of heart, but that she had a kind of identity crisis and a sudden realization that she didn’t know who she wanted to be or what she really wanted out of life. She changed her name to Martha Sedgewick, using information given to her about a dead woman by the kidnapper who released her, and went to Ethiopia. There, she taught English for a time and then worked as a nurse. She says that she found it a very liberating experience. Winston, who feels trapped in his stifling, sheltered life understands that feeling. Caroline said that she fell in love for a time but never married the man she loved because there was a war and he died.

Caroline says that when she finally returned to the United States, she found a job as a nurse at the nursing home where her Grandmother Adkins was living. Caroline says that, at first, she wanted to see her grandmother again and get her opinion about whether or not to reveal herself to the rest of the family. However, Grandmother Adkins was senile when she finally saw her, and Caroline merely acted at her caregiver. Mrs. Carmichael thinks this is suspicious and continually quizzes “Caroline” about old acquaintances, trying to catch her slipping up and revealing herself as an imposter. Surprisingly, “Caroline” never seems to slip, and Winston finds himself becoming fond of her. Caroline has had a wide experience of life and is very well read, and she is a very interesting person to talk to. Winston blossoms intellectually under her influence.

I particularly liked the part where Winston realizes that many of his relatives have given him books to read as presents that they have never read themselves. They like to give him books that have a reputation for being “good” books, and it seems like the proper thing to do and something that will enhance their own reputations, but they never actually read the books themselves and can’t talk about them. Caroline hasn’t read all the books that have been deemed “good”, the kind that people read in order to become educated or have a reputation for being educated. However, Winston can tell by talking to Caroline that she has done a great deal of general reading just because she has a curiosity and a desire to know things. She has become a much more knowledgeable person than the people who collect all the “right” sort of books just to have them and never even open them. Many people in the Carmichael family are largely about appearance, but Caroline has substance.

However, Caroline’s presence in the house makes things uncomfortable for the family, not only because of their doubts about her true identity, but because she challenges the life the family is living and the habits they take for granted. Even though some of those habits have been making life uncomfortable for them, the changes that Caroline subtly begins to make also make them uncomfortable by bringing them out of their shells and forcing them to confront things that they have been trying not to confront. For example, Heidi is never scolded for bad habits like snatching things from others’ plates at dinner because she is young and has disabilities. Caroline doesn’t make those allowances, freely telling the family that she doesn’t like it.

Eventually, Caroline’s father is satisfied that she is his daughter and grants her the Adkins’ inheritance, although at his wife’s insistence, there is a proviso that the fortune will revert to the Carmichaels if any evidence surfaces in the future that Caroline isn’t the real Caroline. Caroline accepts those terms, but a battle of of personalities and wills still continues between her and Mrs. Carmichael over the children. Caroline insists that Winston be allowed more freedom, pointing out that Mrs. Carmichael has been using him as an unpaid babysitter while she goes to get her hair done every week. Caroline recognizes that Winston is young and needs to have some freedom and fun, and Mrs. Carmichael is pained that Caroline has caught on to the fact that her hair appointments are also a convenient excuse to get some freedom for herself.

At Christmas, Winston feels sorry for Heidi, watching other people at the family’s Christmas party, but not being able to understand what is being said around her, and knowing that she can’t understand them. On impulse, he gives her the book of poetry that he had intended to give Caroline. To his surprise, she really likes it. He knows that she can read, but he never thought of her as having the mental capacity to understand anything really complex because of her babyish behavior and fits when she doesn’t get her way on something. However, Heidi really does understand the poems and is able to read them to Caroline and tell her what they mean. At first, Winston refuses to believe it, jealous of the attention and coddling that Heidi has always received and not wanting to share Caroline and the intellectual discussions they have with Heidi.

Heidi continues to listen to their discussions and follow them as best she can. Gradually, in their company, Winston notices that her behavior begins to normalize and more of her true intelligence shows, although she reverts to her old habits around their mother. Hilary/Heidi has always been underestimated by her family because of her disabilities as well as being overprotected. Under Caroline’s influence, she learns that she is capable of more than anyone, including herself, believed possible.

Unfortunately, Mrs. Carmichael still distrusts Caroline, and in her determination to protect Heidi from her influence, will not allow her to spend time with her anymore. Caroline tells Winston that she is tired of all the Carmichaels’ pretenses, the way they try to ignore the real issues with Heidi, and she gives him an envelope, which she says will provide Winston with all the evidence he needs to decide whether she’s the real Caroline or not. Winston has to decide which is more important to him, learning whether the Caroline he knows (or thinks he does) is a pretense or accepting the realities of his family’s problems and the help Caroline can offer in learning to deal with them.

There is also a movie version of the book called Caroline? I saw the movie before I read the book, but I’ll explain the difference between the two below because it involves some spoilers.

The book is available to borrow and read for free online through Internet Archive.

Themes, Spoilers, and My Opinions

The everyone in the story, even the children, speak in a very educated and deep-thinking way, which I found interesting. At first, I thought that the children, especially Winston, should speak a little more colloquially, but then, I decided that it’s really right for him to speak in a more erudite way because of the school he attends and because much of the story emphasizes that he has been very sheltered and largely cut off from forming the sort of childhood friendships that children his age have, so he would probably use much less slang than most kids his age.

During the story, Winston is in the habit of thinking of Heidi by insulting terms, like “troglodyte”, because she is strange and awkward and her weird habits and temperamental fits cause problems for him, like preventing him from bringing friends to the house. At a couple of points, he thinks of her as a “golliwog”, which is an insulting racial term, based on a style of old dolls that look like black-faced minstrels, and later, even Heidi describes herself that way. (The term was actually coined in an old children’s book, where one of these dolls comes to life with some other toys. The doll character was actually a nice character, but since the dolls are considered ugly, its meaning has become an insult.) Winston doesn’t mean that in the racial sense here. He’s trying to convey that Heidi has an awkward, abnormal appearance.

As Winston opens up to Caroline, he finally admits to her that he knows that Heidi is “damaged”, not “special.” In other words, he understands that Heidi has disabilities and that she has been deliberately spoiled by their mother who wants to protect her from having to deal with them. Their mother herself has trouble facing the realities of Heidi’s disabilities and is actually ashamed of her daughter for not being normal, so she tries to ignore them, covering them up with cuteness, pretty dresses, presents, and indulgence. Heidi’s babyish behavior early in the story is not because her mind is infantile, but because of the coddling and overprotection she has received and poor socialization, and also because her family is afraid to face the difficulties that lie ahead for her because of her condition and underrates her capacity to do what other children can do and learn what they learn. It’s true that Heidi has some physical disabilities from birth, and she needs a hearing aid to help her hear (she reads lips up until the point that Caroline insists on her getting a hearing aid) and braces to help correct the way she walks, but her mind is excellent. Through Caroline’s attempts to help her, Heidi herself comes to realize how limited her life has been and the potential she has to expand it if she gets the help she really needs to learn how, and she eventually stands up to insist on what she wants for herself, asking her brother to kidnap her and take her to Caroline to get the help she needs and wants. Caroline acknowledges to Heidi, without being ashamed of her or trying to hide the truth, that she is not “normal” and never will be completely normal, but tells her that if she’s willing to work at it, she can realize her true potential in life, and ultimately, that’s what Heidi wants.

The movie followed the themes of the book very well, showing the effect that Caroline has on the lives of the Carmichaels, helping Hilary/Heidi to realize her true potential, helping her parents to realize what she is capable of and what she needs to make the best use of her real talents, and helping Winston to find his own sense of independence. There are some differences. In the movie, for example, Caroline wasn’t kidnapped. Supposedly, she was killed in a plane crash, although her body was never positively identified, and there was some doubt in her family about whether or not she got on the plane. In the movie, Caroline gives a similar story about feeling the need to go out and find herself, but I think she says that she became a nurse in India, not Ethiopia. (It’s been a while since I’ve seen the movie.)

One thing I am grateful for is that both the book and the movie do give a definite answer to the question of whether “Caroline” is the real Caroline or not. I’m often frustrated with movies and stories that leave loose ends like that, like Disney’s Candleshoe, where they never completely establish whether Casey/Margaret is really Margaret.

When Hilary/Heidi decides that she wants the help of Caroline and a friend of hers, who is a doctor, she asks Winston not to open the envelope. Winston keeps it sealed for years, but Hilary (who long since dropped her childhood nickname) is the women he’s talking to when he’s telling the story from his perspective, and at the end, they decide to open the envelope together and find out the truth.

Do you want to know the truth about Caroline?

The Real Spoilers

So, is Caroline actually Caroline, the same Caroline who was kidnapped and evidently killed years before? No, actually she’s not. She really is Martha Sedgewick, the identity that she supposedly took when she said that she was going off to find herself in Ethiopia. However, she is not posing as Caroline for the sake of the inheritance; she’s doing it for the sake of the family and the children. Grandmother Adkins put her up to it.

Martha really was a nurse in the nursing home where Grandmother Adkins lived before her death. She had lived in Ethiopia with her parents, who had died, and so had the man she loved, as she had said before. She had returned to the United States, alone, lonely, and depressed, before getting a job at the nursing home. Grandmother Adkins noticed her striking resemblance to Caroline, and in her confused stated of mind, sometimes thought that she was Caroline. She talked to Martha about the family all the time, which is how she knew all the right details for playing the part of Caroline. Grandmother Adkins knew that if Caroline never returned to claim her inheritance from her mother, that money would pass to Mr. Carmichael, and by extension to his new wife, whom Grandmother Adkins detested. Toward the end of her life, Grandmother Adkins urges Martha to go claim the Adkins inheritance as Caroline – revealing that, in spite of her supposed senility, she has been deliberately coaching Martha to be Caroline for that purpose. Martha decides to go through with the pretense, not because it was Grandmother Adkins’ dying wish or because she really wanted the money, but because she saw Mr. Carmichael at the funeral and was touched by how sad and lonely he looked. Martha didn’t have a family, so she decided to give Mr. Carmichael his daughter back.

In the end, she actually developed romantic feelings for Mr. Carmichael, but she could never admit to them because of their established relationship as father and daughter. Mr. Carmichael might have felt the same way, but he also couldn’t admit to those feelings without destroying the pretense that Martha was his daughter and admitting that Caroline was really dead. Martha came to love the children, and since she realized that they would never be her stepchildren, she did her best to be their big sister.

Miss Trollope, Caroline’s old headmistress, figures out the truth, and “Caroline” openly discusses the situation with her, including her desire to return to college and learn to educate children with disabilities, like Hilary. The real Caroline’s grades were never good enough to attend a university, but Miss Trollope approves of what “Caroline” wants to do and the good she is doing for the Carmichael children, so she does nothing to reveal the pretense or hinder Caroline’s education. However, Miss Trollope later admitted the truth to Hilary when she pressed her for answers.

The reason why Hilary and Winston are discussing this situation and telling the story in the book is that “Caroline” has just died. Hilary is now a business executive, and Winston is a writer. Hilary is a decisive person as well as intelligent, and she decides to put the papers proving Martha/Caroline’s true identity in her coffin, under her head, to be buried with her. Winston says that Hilary is mysterious and arcane, providing the title of the book. Caroline’s life was hidden and arcane, but Hilary’s true depths are also hidden and arcane because of the person she is.

The Door in the Wall

The Door in the Wall by Marguerite de Angeli, 1949.

The story takes place in Medieval England. Robin is the son of a noble family. All his life, there has been the expectation that Robin would learn to be a knight, like his father. Soon after Robin turns ten years old, Robin’s father goes away to fight in Scotland, and Robin’s mother arranges for him to be sent away to begin his training as a knight while she takes a position as lady-in-waiting to the queen. However, soon after his parents’ departure, Robin becomes terribly ill and loses the use of his legs.

Now, Robin is miserable and wishing that his mother was still with him to help him get over his illness. Instead, he is looked after by servants. Then, after Robin throws a fit and refuses to eat, his servants disappear. The next person Robin sees is Brother Luke, a friar from St. Mark’s monastery. The friar tells him that his servants were ill and have fled from the plague, but one of them sent him to care for Robin. He feeds Robin and tells him that he will take him to St. Mark’s and continue to care for him there. Robin tells Brother Luke about how he was supposed to be taken away for training but that he was unable to go because he was ill, and he asks how they will get to St. Mark’s because he cannot walk. Brother Luke says that the man who was supposed to escort him to the castle where he would live and be trained as a knight may be unable to get back into London because travel is restricted due to the plague, so Robin’s training will have to wait. As for how they will travel, Brother Luke has a horse that they can ride.

Before they leave, Brother Luke asks Robin to remember the wall around his father’s garden and the wall around the Tower. He points out that all walls have a door in them somewhere and that if you follow a wall long enough, you will eventually find the door. At first, Robin doesn’t understand what Brother Luke is trying to tell him, but the metaphor is the theme of the book and it becomes clear through the adventures that follow. The wall stands for adversity, and the door stands for solutions to problems, other paths to take, and ways to move forward in life. What Brother Luke is trying to say is that there are many types of problems in life (the walls), but that problems have solutions (doors). There are ways around obstacles, and if you persevere, you will find them. He reminds Robin of this throughout the story.

At St. Mark’s, Robin stays in Brother Luke’s quarters, and Brother Luke takes care of him. When Robin is a little stronger, Brother Luke gives him wood to whittle. When he grows stronger yet, Brother Luke gives him writing lessons. As the plague begins to pass and there are fewer patients to tend to, Brother Luke begins to carry Robin around or push him in a cart, taking him to visit other parts of of the monastery.

Since Robin still cannot walk, Brother Luke thinks it’s important to keep his mind and hands busy, one of the first “doors” that he finds for Robin around his current limitations. Brother Matthew oversees Robin as he learns and practices carving wood, teaching him patience when he has a temper tantrum on ruining one of his first projects. Brother Luke helps Robin to write a letter to his father, in which Robin explains his current situation, and a traveling minstrel, John-go-in-the-Wynd, will carry it to Scotland when he goes there with some soldiers. Later, Brother Luke even takes Robin to go fishing and begins teaching him to swim. In spite of these improvements, Robin still worries about his inability to walk and how it will affect his future and his father’s hopes for him to be a knight.

When John-go-in-the-Wynd returns with a reply from Robin’s father, Robin’s father says that he is distressed to hear that Robin has been ill, although he thankful that Robin did not get the plague and die with so many others. Robin’s illness was severe, but he is already showing signs of recovering. His father has made arrangements for him to travel to the castle of Sir Peter in Shropshire, who is Robin’s godfather and where he was meant to go for his training, accompanied by Brother Luke and John-go-in-the-Wynd, as soon as he is well enough to travel. Since Robin has already become well enough to make himself a pair a crutches with his new woodworking skills and has begun to use them, they decide to proceed with the journey.

On the journey to Sir Peter’s castle, they have adventures, narrowly escaping from thieves and visiting a fair in Oxford. Robin encounters Welsh speakers for the first time. Although Robin is worried about what Sir Peter will think of him when he sees his condition, Sir Peter welcomes the travelers gladly. He has recently been injured in battle and still recovering himself. Robin says that he doesn’t think that he will make a very good page because of his difficulties in walking but that he can read, write, and sing to provide entertainment. Sir Peter says that there are many ways to serve others and that people must do what they can.

Brother Luke and John-go-in-the-Wynd stay at the castle to help Robin settle in, and Sir Peter gives Robin duties that he can perform. Robin asks Brother Luke if he thinks that he will ever be able to walk normally again, and Brother Luke admits that he doesn’t know but that he is sure that Robin will have a fine life ahead of him. People are not perfect, but everyone has to do the best they can with what they have. Robin soon learns to get around well enough to navigate the castle easily and play with the other boys, but he is still bent and unable to walk without crutches. Robin’s disability and the craftsman skills he learned from the monks have taught him patience and that he feels better after accomplishing difficult tasks.

Then, one foggy day, the Welsh surround and attack Sir Peter’s castle. The defenders hold out in the keep, but they begin to run low on food, and strangely, the well seems to be running dry. As they run low on water, hope seems to be lost. They begin to devise a plan for someone to slip out and go for help. Robin volunteers to go. He knows where John-go-in-the-Wynd is staying with his mother nearby, and he can tell him about the situation in the castle and where to go for help. Robin knows that if anyone catches sight of him, he will look like a poor, lame, shepherd boy, and no one will suspect him of coming from the castle.

Robin has felt badly about his new disability, but his youth and disability are actually what allow him to pass unchallenged through the enemy lines. Suddenly, his disability actually becomes an advantage, allowing him to do what others cannot. Robin’s future may not be the one that he first expected, but he has found ways to move forward in his life and ends up a hero!

The book is a Newbery Award Winner. It is available to borrow and read for free online through Internet Archive (multiple copies).

Mystery at Camp Triumph

camptriumphMystery at Camp Triumph by Mary Blount Christian, 1986.

A year ago, sixteen-year-old Angie was blinded in a car accident.  It was shocking and devastating for her, especially since she was planning to become an artist.  She loved painting, and she feels like all of her dreams have died since she became blind.  Many of her friends no longer speak to her (partly because she has become angry and bitter and they don’t know how to cope with it), and she refuses to return to her old school, partly because of her fears of not being able to cope and largely because she doesn’t want to be the subject of ridicule or pity because of her new disability.  Her mother has been tutoring her at home, and her parents argue frequently about what’s best for her.

On the advice of a psychologist who has been trying to help Angie during her difficult adjustment, Angie’s parents have decided to send her to a special camp for children with disabilities called Camp Triumph.  Angie makes it plain that doesn’t want to go.  She feels that going to the camp with other disabled kids will just a painful reminder that she’s no longer “normal”, and she can’t imagine that there will be anything fun that she can do at a camp now that she can no longer see.  She knows that she’ll never be able to paint again, so she thinks arts and crafts are out, and how can she possibly ride a horse or go on nature walks?  However, her parents are firm with her, telling her that this is for the best.  There are things Angie needs to learn that they can teach her at camp.

Angie’s first days at the camp are miserable.  The other campers try to make friends with her, although she tries their patience with her bitterness and complaining that she doesn’t want to be there.  Then, someone messes with the guide ropes put up to help the blind children find their way around, sending a frightened Angie plunging into the river on her way back to her cabin.  Although she isn’t hurt, she becomes convinced that the camp is dangerous.  Everyone else thinks it was just a mean-spirited prank by one of the other campers.

Then, while visiting the doctor in town, Angie overhears a conversation between people she whose voices she doesn’t recognize, learning that what happened to her wasn’t just a prank.  Someone is deliberately committing acts of vandalism and sabotage at the camp, trying to get it shut down.  But why?   Angie flees the scene when she realizes that the people who were talking have heard her.  Unfortunately, she drops her cane as she flees.  Her cane has her name and address on it, and Angie later finds it lying on her bed in her cabin at camp.  Whoever these mysterious people are, they know who she is and can find her at any time.  Can Angie convince the other campers of what she heard and find the culprits before something worse happens?

Angie is terrified as she tries to solve the mystery, feeling helpless against her unknown enemies, who can see her while she can’t see them.  But, with the help of her new friends at camp, she comes to realize that she isn’t as helpless as she thinks she is.  Her experiences give her a new perspective on her life.  It’s true that things will never go back to being as they were.  Her life won’t be an easy one, and there are certain things that she can no longer do.  But, she comes to realize that there are still many things she can do, and there are other types of art that are still open to her.  In the end, Angie has friends she can count on, a life that’s worth living, and a better future ahead of her than she thinks.

Along with the story, the book describes some of the techniques that Angie has to learn to cope with her blindness: picturing a “clock” to remember the positions of objects around her (ex. “Your suitcase is at two o’clock.”), following the guide ropes with notches in them to know which path she’s on, listening for clues about her surroundings (she and other blind people recognize the sound of clinking from the flagpole at the center of camp and use that to orient themselves when things get confusing), putting notches in the tags of her clothes so that she knows which pieces of clothing match, using her sense of touch to make clay sculptures, etc.

Besides addressing Angie’s feelings and how she copes with them, the story also touches on how disabilities affect the people who are close to the disabled person.  At first, Angie’s parents don’t know how to help her, struggling themselves with coming to terms with what’s happened.  Her mother feels guilty because she was driving the car when they had their accident, and she wasn’t as badly hurt.  Her guilt leads her to baby Angie more than is good for her.  Angie’s father is a stern businessman with high ambitions, failing at first to understand and accept Angie’s feelings and the way her life has changed, reacting with impatience while Angie struggles.  Angie’s parents also had marital problems before the accident, which only added to the tension between them.  In the end, coming to terms with what has happened to Angie not only helps Angie to improve but helps her parents to improve their relationship with each other.

The book is currently available online through Internet Archive.