Posted on by TracyC

The Tattooed Potato and Other Clues

The Tattooed Potato and Other Clues by Ellen Raskin, 1975.

Dickory Dock (yes, that’s her name) is a 17-year-old art student in New York. She takes a part time job as an assistant to a mysterious artist who only calls himself Garson. She really needs the job because she’s very poor and often only has markers to use in making drawings for her art classes. She lives with her brother and his wife because their parents are dead, but her brother and his wife struggle financially and sometimes can’t even pay their bills. However, Garson is a strange person who seems determined to keep the details of his past secret.

Garson requires Dickory to be quiet, well-organized, and observant as his assistant, and she tries her best to be these things. He periodically tests her powers of observation and perception, pointing out that these are valuable skills for artists to have to see beyond the outward appearances of things and into their very essence. Garson lives in a house with a deaf-mute man called Isaac. Isaac frightens Dickory at first because he is a large man who appears scarred and is brain-damaged. Garson says this is just his outward appearance and tells her that Isaac is a gentle soul. On the other hand, Manny Mallomar, the fat, greasy man who rents the lower apartment in the house, is rough and rude. Because he dresses all in white, Dickory describes him as looking “like the ghost of a greasy hamburger.” Manny Mallowmar’s associate, Shrimps Marinara comes to visit him, and Garson praises Dickory for guessing his name because he’s a shrimpy little man. (This pair sounds like the criminals in The Maltese Falcon.) Garson stresses the importance of seeing behind the outward appearance of people and objects to their inner natures, what they hide behind the disguises they wear. Garson himself, however, remains a mystery, purposely covering himself up with bland manners.

Garson is good at reading people, and he accurately realizes that Dickory is a haunted person. Dickory admits that the reason why she lives with her brother is that their parents were murdered. Their parents ran a pawn shop, and they were killed in a robbery. Dickory’s brother (his name is Donald Dock, and he’ll hit anybody who makes quacking sounds at him) is terrible at managing money, which is why they can’t always pay their bills, and they no longer own their parents’ pawn shop as a source of income because he lost it to a bookie.

Strangely, Dickory realizes that, even though Garson is perceptive to people’s hidden deaths, this isn’t always reflected in his work, which does focus on showing people the way they want to be seen, not how they actually are. It’s just the sort of thing Garson tells her not to do, so why does he do it himself?

Then, the Chief of Detectives Quinn comes to see Garson. Garson was talking about the need to see behind people’s disguises with an artist’s eye at a party, and Quinn has come to take him up on the offer. Quinn has been struggling with a case of fraud where widows have been duped out of their savings by a mysterious hair dresser who got them to invest in a new kind of hair treatment. At first, the hair treatment made them look really good … and then, their hair fell out, and the hair dresser was gone with their money. Garson interviews the three fraud victims, and they all describe the hair dresser, who called himself Francis, slightly differently, although there are certain details of their accounts which are the same. In the end, Garson’s conclusion is that “Francis” is actually a woman named Frances, and that she probably had the extremely short hair they described because she was the first victim of her own hair tonic that doesn’t work, and her own hair has only just started to grow back. Garson tells Quinn that she has probably used these ladies’ money to set herself up with her own hair salon.

Garson’s theory of the case turns out to be accurate, so Quinn asks his opinion on another case. This next case involves a counterfeiter whose bills are almost perfect, except he puts his own self-portrait on them where the presidents’ picture is supposed to be. Garson seems to like playing detective in these cases, but Dickory realizes that he is still a mystery himself. He seems to love using disguises, and he tries to trick Dickory with them. Dickory can tell that these disguises aren’t just tests of her observation skills but also seem to be ways for Garson to try out different disguises for his own sake. She also begins to realize that Manny Mallomar isn’t just a disagreeable character but actually a criminal. He’s blackmailing the people who come to visit him, and also Garson, which is the reason why he’s allowed to live in Garson’s house. What is there in Garson’s past that Manny knows and Garson doesn’t want to reveal?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

Ellen Raskin is also the author of The Westing Game. The Westing Game is better-known than this book, and I read The Westing Game first as a kid, which is what led me to this one when I was in middle school. It’s interesting to note that The Tattooed Potato and Other Clues was actually written and published a few years before The Westing Game, and it has some similar themes in the story. Both books involve people with mysterious, hidden pasts, and they delve into the psychology of a cast of characters whose pasts are linked, even though the characters themselves don’t know all the connections between them initially.

Dickory knows from the beginning that Garson is being secretive about his past, but everyone involved in the situation has secrets. Manny Mallowmar and Shrimps are blackmailers, but they also have guilty secrets from their other crimes. Quinn is also not just consulting Garson for help on cases but using those cases as excuses to investigate Garson and the other people in his house. Quinn is aware of Mallowmar’s shady history, and he thinks that he knows what Garson’s guilty secret is. Dickory inadvertently learns the truth behind the murder of her own parents, and she becomes the only person to figure out the full story behind Garson’s past crime.

Garson teaches Dickory how to see behind people’s facades, which is how she is able to learn his true identity and the secrets of his past. Garson didn’t intentionally do anything evil, but he recognizes that, while he is considered a gifted artist for being able to see the truth about people, he has caused great harm to someone he really cared about by revealing painful truths in a heartless way. Garson harbors guilt for the harm he has caused, and in a way, he actually seems to fear his gift for the harm it can do. However, not every kind of truth is hurtful. Dickory shows Garson that some truths can heal, and that he can expose the good and lovable sides of people as well as their dark sides.

Posted on by TracyC · 3 Comments

Sammy Keyes and the Hotel Thief

Sammy Keyes

Sammy Keyes and the Hotel Thief by Wendelin Van Draanen, 1998.

Samantha “Sammy” Keyes lives with her grandmother in her apartment because her mother (who she calls “Lady Lana”) left her with her grandmother a year before, when she left to pursue an acting career. Much of the time, Sammy doesn’t have much to do at her grandmother’s apartment, so she spends her time watching people and nearby buildings with her binoculars. Technically, Sammy isn’t supposed to be living in her grandmother’s apartment because the apartment building is for seniors only, so they have to keep her presence a secret. Sammy only keeps a few belongings that are easily hidden, and she has to hide in a closet when people they don’t know and trust come to the door. She can’t come and go as often as she wants because her grandmother’s nosy neighbor will notice and report her. One day, while looking at a seedy hotel nearby, she witnesses someone with black gloves stealing money from someone’s purse. As she watches, this man looks directly at her and can tell that she’s watching. Sammy has the strange feeling like she’s seen the man somewhere before, but she can’t think where, and she’s nervous that he saw her, too.

A little later, Sammy’s friend, Marissa, comes to the apartment and asks Sammy to help her find her younger brother, who’s missing. Sammy knows that the best place to look for Marissa’s brother is at the pet store, so the two girls hurry off to find him. On her way back to her grandmother’s apartment, Sammy sees that there are police at the hotel, so the theft has been discovered. There are other kids standing around and watching, so Sammy decides to take a look, too. She sees the police interviewing the woman whose money was stolen. As she listens to them talk and mention looking for fingerprints, she can’t help but comment that there won’t be any fingerprints because the thief wore gloves. When the police and victim all hear her say that, they realize that she’s the only witness to the crime. As they question her, she describes what she saw while giving them as little personal information as possible so her secret of living with her grandmother won’t be exposed. When the police take down her name and address, she gives them her real name but Marissa’s address in a wealthy part of town.

The next day, both Sammy and Marissa have their first day of junior high school. Sammy immediately gets the attention of the school mean girl, Heather Acosta (who becomes her school nemesis for the rest of the series). When Heather jabs Sammy in the butt with a sharp pin, Sammy punches her in the nose. Of course, the vice principal shows all kinds of sympathy to poor Heather and punishes Sammy because he claims that nobody saw Heather jab Sammy in the butt with a pin. He makes her sit alone in a tiny closet that the school calls “the Box” to think about what she’s done. Even when Marissa tells the principal what really happened, supporting what Sammy said, the principal just says that there’s never any excuse for punching anybody and that Sammy is suspended. The vice principal expects Sammy to shake hands with her rotten abuser and make peace when she returns to school. (Ooh, I hate that. I’ve got a rant for later.)

After Sammy’s suspension, she and Marissa walk home together, and Sammy tells Marissa about what she witnessed at the hotel. When the two girls stop at the store, they see the woman whose purse was robbed and learn that she’s an astrologer called Madame Nashira (real name Gina). Surprisingly, she admits that she doesn’t really believe in fortune-telling, but she does it anyway because she needs the money. She likes drawing up astrological birth charts for people, though. There’s an interesting scene in the book where she does one for Sammy and explains how it works. (I’ve never been serious about astrology, and I doubt it even more since I took an astronomy class and my teacher showed us how to use a star globe and used it to explain why people’s birth signs aren’t their real birth signs, but it was still kind of fascinating just to think about. I’ve never actually seen a real birth chart before.)

When Sammy gets back to her grandmother’s apartment, Sammy’s grandmother’s nosy neighbor, Mrs. Graybill, tries to find evidence that Sammy is living there against the rules, or Sammy has to pretend like she’s only visiting and leaves to visit a nearby friend, Hudson Graham, an old man who has a lot of books. The two of them talk about other robberies that have happened in the area recently. When Sammy gets back to the apartment, she finds Mrs. Graybill angrily telling her grandmother that Sammy wrote her a threatening note and slipped it under her door. Of course, Sammy didn’t do any such thing. When Sammy sees that the note says, “If you talk, you’ll be sorry,” she knows that the threat is actually from the thief. The thief knew that someone from the apartment building was watching him, but he accidentally delivered the threat to the wrong apartment. With a threatening thief wanting to keep her quiet, Heather and the school principal wanting her butt to suffer at home, the nosy Mrs. Graybill wanting her sent away from her grandmother’s apartment, and the police wanting Sammy at her friend Marissa’s house, Sammy’s witnessing of the theft threatens to expose her own secrets.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

One of the things that stands out to me is that neither Marissa nor Sammy really live in the best homes. Marissa’s family has a lot more money, and they live in a big house, but her parents are busy business people who spend most of their time working and traveling, often leaving Marissa alone with her younger brother, fending for themselves with Pop Tarts and tv dinners. Marissa feels neglected, and she really is. She also doesn’t have many real friends. A lot of the other kids who play up to her, like Heather, are trying to get her to give them money because they’re aware that her parents give her a lot of spending cash, and Marissa has had trouble saying “no” to them in the past. One of the thing Marissa likes about Sammy is that she’s never asked her for money. Sammy likes Marissa for herself.

Sammy is surprised when she finds out that Marissa actually envies her because her grandmother is always there for her in ways her parents aren’t. Sammy doesn’t feel lucky because, even though her grandmother cares about her, she always lives on the edge, having to pretend like she’s not really living with her grandmother, keeping only a few belongings that are easily hidden, and ducking into a closet to avoid being caught. She can never be completely at home in her grandmother’s apartment because she isn’t supposed to be there at all. Sammy’s mother occasionally calls, but Sammy always feels uncomfortable and neglected by her mother’s abandonment of her, which is why she refers to her as “Lady Lana” instead of as her mother.

I thought at first that Sammy’s housing situation might be solved by the end of the book, but it wasn’t. At the end of the story, she’s still secretly living with her grandmother and lying to the police about being Marissa’s foster sister. However, there are hints in this book about another possible place for Sammy and her grandmother to live in the future, so that situation might change. At no point in the story does anyone mention who Sammy’s father is, where he is, or why he didn’t take Sammy when her mother left. The identity of Sammy’s father is actually an over-arching mystery in this series, something that they discuss later.

As for the book’s introduction of “Rear” Admiral Heather the Butt Poker, the book doesn’t use the phrase “rotten abuser”, but that’s my take on it. Get ready for another one of my anti-bullying rants, or skip the rest of this long paragraph and the next two after that. I always find bullying in books stressful, especially when adults take the side of the young bully. It’s not as bad when a bully is punished or at least called out for their bullying, but when adults refuse to believe the victim, it’s awful. I know from long, bitter experience how the worst, most twisted mean kids provoke fights so their victims end up looking like the bad ones when they finally snap. The abusive kids know that the adults like them and will favor them every time. I’ve seen it happen before, and the fact that situations like this end up in books like this shows that it’s a sadly common experience that many people relate to. The abusers’ behavior never changes because they never experience consequences. The adults delude themselves that the abusers are either “normal” kids or will change (somehow, magically) as they get older and gaslight the victims that the situation is their fault and that it’s possible to be friends with the abuser without the abuser changing their behavior and continuing to act the same mean way they always act. I appreciate that the book shows the unfairness of the situation by adults who just want the situation easily resolved and make the kid they don’t like as well take the brunt of it. I know that Sammy’s use of physical retaliation is what put her in trouble, but honestly, I feel more inclined as an adult to think that sometimes physical force is necessary when dealing with a physical abuser. I’ve never heard of anyone who stopped being physically or emotionally abusive because they were asked politely, and when people in authority refuse to do anything, there sadly isn’t much recourse. Heather should not be touching anyone else’s butt, not with a sharp object, not with her hands, and not with anything else. It’s someone else’s butt. Heather should NOT be touching anyone else’s butt for any reason at all, let alone inflicting pain to someone else’s butt by penetrating it with something sharp. At her age, she should be old enough to understand that sort of thing has connotations other than a kid’s prank, and if she isn’t, someone needs to have a long, serious talk with her to explain why. I know that Heather’s meant to be just a thoughtless mean kid and not molester or something, but she’s still young and someone should put a stop to this before it goes any further. Understanding of these things has to come at some point in a person’s life. If there’s any lesson that’s difficult to carry too far, it’s the concept that no one should mess with someone else’s butt and cause pain. If Heather is allowed to mess with people’s butts in this school, understand that there is absolutely nowhere else in this society where she would be allowed to do that without repercussions. There’s no shame in having some weirdo you don’t even know assault your butt, but there’s a whole world of shame for being that weirdo who can’t leave someone else’s butt alone. Also, Heather jabbed Sammy with something sharp that penetrated her skin. Am I the only adult thinking about tetanus and blood poisoning?

Kids who are bullies in school are more likely to engage in aggressive, anti-social, and criminal behavior in adulthood. Shrugging and saying “Kids will be kids” while doing nothing is one of the worst possible things to do. Bullies don’t magically get better when they hit a certain age. If no one intervenes and teaches them that there are some forms of behavior that are never acceptable and really enforce the rules, they will continue their bullying for the whole rest of their lives, seeing the whole rest of the world as being in the wrong for complaining about their behavior, causing workplace stress, family turmoil, and failed relationships. It’s a serious problem. It’s not harmless. It seems like decades past time for the school vice principal to have this explained to him as well. A school can have all kinds of anti-bullying rules, but if they never enforce them for all parties involved, they’re completely useless because it’s like they don’t even exist at all. Kids are pretty good judges of who’s a pushover and what they can get away with, so anyone who’s worked with them should realize that the only rules that matter are the ones that actually get enforced. Unless the vice principal is one of those grown-up bullies himself who never got a clue and can’t stand to realize the reality about himself, which is always a possibility. I just have no sympathy for that.

I wonder if the vice principal considered how his reaction to what Sammy told him about being jabbed in the butt by a sharp object, actively punishing Sammy for what she said and for her physical retaliation to the violation of her body, might be teaching her some terrible lessons about how to respond to a sexual assault, including the one that people in authority will never believe her and will actively punish her because it’s the easiest thing for them to do and that’s all that matters. That happens quite a lot in real life, as the #MeToo movement has shown. This video, which is rather explicit in its descriptions and not for kids, explains about university officials who act like this vice principal and the harm they do when they let sexual violators go unpunished and even rewarded, while their victims are sent jumping through hoops for justice they never plan to give them because they just want them to shut up, go away, and not make trouble for the bullies they really like. At their core, bullying and sexual violence are both about power and control over other people and using people for the perpetrator’s purpose. It’s not really surprising that there is a connection between the two and that young bullies can turn into perpetrators of sexual violence. I wonder if the vice principal’s response would have been different if it had been a boy who jabbed Sammy’s butt instead of a girl. Actually, I don’t really wonder. I’m sure he would never think of that and would spend a lot more time coming up with reasons why this situation is different is different from any form of sexual assault, so harmless, and how he shouldn’t have to think of it if someone asked him. I liked the part where Sammy offered to show him the mark from the pin if he refused to believe her, an offer the vice principal didn’t accept. I know he’s just taking the easy way out here, punishing the person who didn’t lie and deny throwing a punch and maybe sympathizing with Heather because she got noticeably hurt in a place that isn’t covered by pants and underwear, but as an adult who remembers kids like Heather, I have absolutely no respect for this vice principal for his hard-line punish-the-bullied stance. I don’t feel for Heather at all because she got what she provoked, and there was repeated provocation followed up by a physical attack before Sammy finally broke. Every human on Earth has a breaking point, anyone might snap when pushed too far, and nobody is clever for exploiting someone’s human emotions to the point where they break. Learning that is a valuable life lesson. Of course, I know Heather sticks around as a bully for other books, so she’s not learning a thing.

While Sammy is suspended, Heather and her friend Tenille start a scheme at school to get money from other students by milking their sympathy for her “broken nose” (what they call the “Help Heal Heather Fund”). Of course, her nose isn’t really broken. Sammy realizes it because she’s seen someone with a broken nose before, and the bandaging on Heather’s isn’t right. (The book doesn’t mention it, but people with a broken nose also typically get two black eyes or at least dark, obvious bruises under the eyes from the broken blood vessels. I didn’t know that as a kid, but someone told me about that as an adult, so that’s one of the first things I’d look for.) When Sammy realizes that Heather is faking a broken nose and putting bandages on herself, she figures out how to expose her scheme. She calls the office of the doctor Heather mentioned to someone else, pretending to be Heather, and has the doctor’s office call the vice principal to explain that she doesn’t really need to wear bandages, implying that the vice principal is forcing her to wear them against her will out of an abundance of caution. After the vice principal gets the call from the doctor, who chewed him out for forcing a girl to cover her nose in bandages over just a little nose bleed, he marches into the cafeteria and tells Heather to take her bandages off in front of everyone, exposing her fraud. He tells her that they’re going to have a talk in his office about her lies, and Heather tries to hit Sammy, accidentally hitting the vice principal instead. Heather gets suspended for much longer than Sammy was, and the other students are angry with both her and Tenille for taking their money. The vice principal never apologizes to Sammy for his earlier implication that she was lying and for making her sit in that little closet called “the Box” to think about it, but her reputation is restored at school.

Posted on by TracyC

The Double Disguise

Kay Tracey

The Double Disguise by Frances K. Judd (Stratemeyer Syndicate), 1952 (revised from 1941 edition), 1980.

Kay and her friends, Betty and Wendy, stop to help a woman who was knocked down at the train station. As they help the woman up, a man who claims to be the woman’s son picks up the woman’s suitcase and takes her purse away from Kay. However, the man is not the woman’s son and runs away with her things while Kay and the other girls focus on the woman. The woman, Alice Janey, is very distressed when she finds out that she’s been robbed, and Kay invites her to come stay at her house with her mother and cousin, who is a lawyer, while the police try to find her missing belongings.

The invitation to stay at the Tracey house turns out to be fortuitous because Alice Janey is actually an old friend of Kay’s mother, Kathryn. Kathryn Tracey tells Miss Janey that she’s sure Kay and her friends can help her because they’ve solved mysteries before. (Even though my copy of the book numbers this as the first book in the series, when the series was published for the first time, it was much further along in the series. The order of the books was changed in different reprintings, so the girls have had other adventures before this.) Miss Janey used to live in their town, Brantwood, and she has now returned in order to finish some work that her late father was doing. Her father’s old papers were in the suitcase that was stolen. Miss Janey thinks that the person who stole her suitcase was after those papers.

The next day, Kay takes Miss Janey to the house that she’s purchased on the edge of town, but the house is somewhat lonely and isolated. Miss Janey is a bit nervous about being there alone, so she asks Kay if she’s willing to stay with her until she can get a housekeeper. During the night, Kay wakes up because she hears voices, and she discovers Miss Janey talking to a woman who looks like a witch and seems to be some kind of medium or fortune-teller, telling her where to find her missing suitcase and purse. The next day, Miss Janey claims that she a dream about where to look for the purse and suitcase, not saying anything about the witch woman. Kay knows that Miss Janey is hiding something, but she’s not sure why.

When Miss Janey goes to the empty old house that the witch woman described as the place where she would find her bags, Kay and her friends follow her. The bags are there, but they’re empty. Miss Janey disappears, apparently taken away by a couple of men, and she later turns up at her own house.

As Kay befriends Miss Janey, Miss Janey opens up to her and explains a few things. She admits to Kay that she’s been consulting with the fortune teller, Nanna, for some time. Although Kay is suspicious of Nanna, Miss Janey trusts her. Miss Janey also explains that she used to help her late father in his chemical research and that she now has a laboratory set up in her house. Specifically, she’s trying to finish a formula that her father started working on for a substance that is like glass but which has more uses. She was carrying the formula in her bags when they were stolen, and that’s what the thief must have wanted. This technological development would be very valuable, at least when it’s finished, and the thieves might not have realized that the formula was incomplete.

The situation becomes more complicated when Kay discovers that the men who removed Miss Janey from the old house before are detectives who are investigating her because they suspect her of participating in a fraud that has robbed widows of their money. Kay knows that Miss Janey would never take part in such a thing, but this fraud has a connection to the theft of Miss Janey’s formula.

My Reaction

I found this book rather meandering and disjointed. It started off with a pretty strong premise – a lady has her bags stolen at a train station, and it turns out that she’s carrying an unfinished chemical formula that may be worth a lot of money once it’s finished. The fact that the formula is incomplete adds a complication to the story. Are the people who stole the formula capable of completing it on their own or will they have to trick or force the original owner to finish it for them?

Then, the plot is further complicated by a mysterious fortune teller who turns out to own the house where she told the lady her bags would be found. Is she in the plot to steal the formula? There’s a pretty case for it because it would explain how she seems to know things that she shouldn’t know otherwise, and also it turns out that the thieves have actually been renting her house and using it as a base for their plots without her knowledge, so that plot angle doesn’t really go anywhere in the end.

But, then, the plot is further complicated by a couple of detectives who suspect Miss Janey of being part of a fraud to steal money from widows. A widow’s son is briefly arrested breaking and entering because he entered the mysterious old house for his mother’s money, while various other people have entered and left that same old house with no complaints from anyone. Kay and her friend Ronald see a couple of men at the house who dress as women, and realizing that they must be part of the fraud, try to turn them over to the police only for them to drag Kay with them as a hostage when they go rob a train like bandits from a old western movie, resulting in her being temporarily accused of being their accomplice. Then, a vial marked “POISON” (not any specific poison, mind you, just “POISON” – why a chemist would have something with such a vague label is beyond me) is stolen from Miss Janey’s laboratory and ends up in the hands of the widow’s son. However, they don’t really explain why he had it or what he meant to do with it, he doesn’t use it on anybody, and he tells Kay that the fortune teller make him hand it over to her before Kay even reaches him, so that plot point doesn’t go anywhere, either. All the while, the school mean girl and Kay’s nemesis, Chris Eaton, competes with her to solve the mystery in a vague sort of way and spreads various wild rumors about her at various times that don’t really do anything and also don’t really go anywhere but provide temporary distractions from the plot.

Why would people who steal chemical formulas and have the connections to sell them also perpetrate financial frauds targeting widows and also rob trains? This criminal group is quite diversified. The book also has the criminals speaking a foreign language at times because, with such diversified skills, why wouldn’t they also be from some exotic foreign country? It never even leads anywhere. At first, I thought that they were setting it up for the thieves to also be spies, but that is also never explained and doesn’t go anywhere. The “double disguise” part of the story is that the two thieves are men who also periodically disguise themselves as women, but Kay actually sees them putting on their disguises at one point, so that isn’t a plot twist for very long.

The scene with the sleigh crash happens toward the end of the book, and they get one of the thieves from the wreckage. Kay locates the thieves’ apartment and finds the items they stole there, but she doesn’t get the other thief herself. The other thief gets away from her, and a detective just tells her that they caught him at the hospital, visiting his partner in crime. The end. It ends happily, but it was a confusing ride with a lot of points that didn’t really go anywhere along the way.