Posted on by TracyC

The Perilous Gard

The Perilous Gard by Elizabeth Marie Pope, 1974.

Kate Sutton and her sister, Alicia, live in the household of Princess Elizabeth in the year 1558. Alicia hates the Hatfield palace because it’s dreary and poorly maintained, apparently on purpose because Queen Mary Tudor resents Princess Elizabeth and wants her and her household to be uncomfortable. Kate and Alicia are maids in the household, and Alicia decides to write a complaining letter to Queen Mary about the condition of the house. Alicia thinks of herself at trying to help Princess Elizabeth by explaining how bad the conditions there are, but her letter gets heated and insulting toward the queen. Alicia is accustomed to getting away with things and with people not being angry with her because she’s pretty. However, Kate has to be the one with a brain, and she sees immediately that Alicia’s letter is bound to cause trouble.

When Princess Elizabeth receives a reply to Alicia’s letter, she summons the sisters to see her. Queen Mary is very direct in her letter about what she thinks of Alicia Sutton’s letter, but she ultimately blames Kate for it because Alicia is a favorite of hers and Kate reminds her too much of her father, who she never liked. She believes that Alicia is only a sweet innocent and that Kate is a corrupting influence, which is unfair. Queen Mary has decided to separate the sisters, taking Alicia into her own household and sending Kate to Sir Geoffrey Heron at his house, Elvenwood Hall, in Darbyshire. The queen wants Kate to stay at Elvenwood Hall and out of her sight or hearing from now on. Kate has no idea where Elvenwood Hall is, other than in Darbyshire, and she doesn’t know Sir Geoffrey Hall. Although Alicia is initially pleased that the queen doesn’t blame her, she becomes remorseful when she realizes that Kate is taking the blame for the letter, when she knew nothing about it. She offers to write to the queen again and confess everything, taking full responsibility for the letter, but Princess Elizabeth, Roger, and Kate herself all tell her not to. The queen’s mind is made up, and another of Alicia’s letters might make it worse.

Princess Elizabeth asks her tutor, Roger, if she knows anything about Sir Geoffrey Heron, and he says that he’s heard of him. The house, Elvenwood Hall, has another name, Perilous Gard. The word “gard” indicates that the place was once a castle, but Roger knows that the house has been rebuilt with old parts cleared away. The other part of the name “perilous”, indicates that there is a superstitious element to the place, like places rumored to be inhabited by fairy folk or associated with pagan religion. One of his old pupils told him some stories about the place, but Roger would rather not repeat them. The accounts that Roger has heard of Sir Geoffrey say that he is an honorable man, so he thinks that Kate will be safe in his household.

Other than that, Kate has little idea of what to expect from Elvenwood Hall. She doesn’t think that Alicia’s dire fears that Kate will be thrown into a dungeon are true. The queen wants her out of her sight, and that’s why she’s sending her to a relatively remote area where she won’t have to deal with her and putting her under the supervision of a supporter of hers, who is supposed to keep her out of trouble. Kate isn’t actually under arrest.

The journey to Elvenwood Hall is rough. On the way, the traveling party meets an old harper, Randal, who Sir Geoffrey says is a little addled since he suffered from a serious illness. When they tell the harper that Kate is coming to stay at Elvenwood, Randal asks if she might be lost like the last girl. Sir Geoffrey seems upset about what Randal says and hurries Randal away to get some food. Then, Kate hears a laugh and sees a strange woman looking at them from the hill. Then, her horse acts up, and when Kate looks again, the woman is gone.

When Kate sees Elvenwood Hall, it doesn’t seem to be very old due to the recent rebuilding, and its interior is luxurious, compared to the house where Princess Elizabeth is living. It is surrounded by ancient stone walls and battlements, and the older parts of the house are more castle-like and crumbling. Sir Geoffrey is still in the process of renovating the castle and turning it into a luxurious manor. The elderly Dorothy, former nurse to Sir Geoffrey’s wife, is the manor’s housekeeper, and Master John is the estate’s steward. Master John seems cold and unfriendly, but he is in charge whenever Sir Geoffrey is away.

Much to Kate’s dismay, Sir Geoffrey will be leaving Kate under Master John’s supervision while he makes a trip to Norfolk. Kate gets the impression that Sir Geoffrey doesn’t like being at Elvenwood, in spite of its renovations, but under the queen’s orders, Kate is required to stay at Elvenwood and not to travel away from it. Sir Geoffrey also tells her that the queen will not allow her to write to anyone or communicate with anyone outside of Elvenwood without Sir Geoffrey’s permission, of in his absence, Master John’s permission. Sir Geoffrey says that he will not be back at Elvenwood until All Saints’ Day, so Kate will be under Master John’s authority for months.

Elvenwood used to belong to Sir Geoffrey’s wife’s family, the Wardens, and old Dorothy doesn’t like Sir Geoffrey or any of the Heron family. Dorothy says that Sir Geoffrey’s brother, Christopher Heron, was responsible for the death of Sir Geoffrey’s daughter, that he had admitted it, and that Sir Geoffrey never punished him for it. Sir Geoffrey knows that Dorothy has been gossiping with Kate, but he is not upset with Kate for it. He also doesn’t offer any further explanations about what Dorothy said before he leaves on his trip to Norfolk.

Elvenwood Hall is pretty comfortable and nobody there mistreats Kate, but she is often lonely because the place is isolated. The farthest Kate is allowed to go from Elvenwood Hall is to the nearby village, but there isn’t much there. When Kate visits the village, people stare at her and act like they’re afraid of her. Even the village priest makes the sign of the cross at her, as if he thinks that she is something evil. Mostly, Kate has Dorothy as her companion.

Then, one day, she notices a pair of visitors, and Dorothy says that they are pilgrims, coming to visit the holy well on the grounds. Kate knows that some people believe that holy wells have the power to heal or make people more beautiful. Dorothy says that the holy well in the cave here will take away sorrow and pain, if a visitor offers a gift in exchange. The gift is for “those who rule over the well”, who Dorothy says were in this land long before saints and Christianity, but she hesitates to say more about it. She says that Kate can ask Master John, if she wants to know.

When Kate decides to take a look at the well herself, Christopher Heron finds her, grabs her, and hauls her away from it. Kate is startled, and he explains that he thought that she would fall in and be lost in the chasm under the rocks there. Kate thinks that’s silly because the well has a wall around it, but Christopher explains that’s what happened to Sir Geoffrey’s daughter, Cecily. At least, that’s what Christopher thinks happens to her.

He explains that Cecily was a little girl and that her mother was dead when he and his brother came to live at Elvenwood. One day, Sir Geoffrey left on one of his trips, and Christopher was responsible for Cecily. Cecily liked playing a kind of hide-and-seek game, but that day, Christopher found her antics irritating. He left her with Master John and went for walk to visit the well. However, he spotted Cecily following him, so he made a mock wish at the well that Cecily, being a spoiled child, would be in the care of someone else. And, that was the last time he saw Cecily. He supposes that she must have fallen when he wasn’t looking, although he didn’t actually see her fall, and they never found her body. They only found one of her shoes on the path. Christopher feels horribly guilty about losing Cecily, and he knows how her loss has hurt his brother, who has been the only person who loved and cared of him since his mother died giving birth to him. For him to lose Cecily when Geoffrey trusted him to take care of her was terrible, and he knows that his brother has not looked at him in the same way since. As a penance, Christopher has been living in the old leper’s hut on the estate whenever his brother is not in residence.

It’s sad, but Kate thinks that Christopher has been spending too much time feeling sorry for himself. She thinks it would be more sensible if he made a confession to the local priest to clear his conscience rather than brooding over what he could have done or should have done. Christopher says that it’s none of her business what he does, and he will give himself whatever penance he thinks is fitting. Kate thinks that Christopher is indulging in pride and self-pity over what was merely an accident.

When Kate helps to rescue a local boy from a flooded river, his grateful mother talks to her about the guardians of the well, insisting that it’s really the fairy folk. She says that they live in a cave under the hill, that the strange woman Kate saw on the hill is their queen, and that they sometimes steal away children to be their slaves … or worse. She and others in the village think that’s what really happened to little Cecily and that the people at the castle know it, too. She thinks they’re purposely letting Christopher blame himself so that Sir Geoffrey won’t learn that his daughter is really alive and a captive of the fairies.

It does seem to Kate that everyone but the Herons genuinely believes in the fairies and that’s what Dorothy was talking about when she was talking about the guardians of the well being older than the saints. She reflects that Roger believed that the stories about fairies are just references to pagan gods and religious practices, and she starts to wonder if the people of Elvenwood, or the Perilous Gard, are secretly practicing pagan rituals with their traditions about the well. If the fairies are only superstition and the remnants of old religion, though, who was the mysterious woman who was watching Kate’s arrival? Could that have actually been a real fairy queen?

Kate tries to discuss it with Christopher, but he’s convinced that he knows what must have happened to Cecily. Then, they have an encounter with Randal, who tells them that the fairies have stolen away his wits. He knows he’s a bit addled and missing some memories, but he insists that the fairies did it to him because they couldn’t use a musician as one of their sacrifices, so they sacrificed his wits instead. Then, he claims that he has seen a little golden-haired girl dancing with the fairies and that she gave him her slipper to show to someone. To their astonishment, Randal produces a little girl’s slipper that matches the one Cecily lost on the path the day she disappeared! This slipper is much more worn than the other one, indicating that the girl who wore it continued to wear it after she disappeared.

Realizing that Cecily is still alive, Christopher wants to make a thorough search of the chasm beneath the well, but Kate urges caution. Whatever is going on at the well and whatever happened to Cecily, she’s sure that the people at the castle know about it, like the woman from the village said. If they don’t want to find and rescue Cecily themselves, it’s because they have something to hide. Sir Geoffrey’s wife seemed eager to leave this place, where Kate is now trapped by the queen’s orders, after her marriage, and Sir Geoffrey only returned here after she was dead, apparently unaware of the dark things that have happened here and still may be happening. Whatever is going on, the people of Perilous Gard are involved, and Kate and Christopher cannot expect any help from anyone in the castle.

People leave coins and gold as gifts to the well when they ask it for something, and Christopher wonders if that could be the secret source of money for the estate that has funded all the luxurious renovations. Master John could be secretly taking all of the offerings the pilgrims leave. On the other hand, the name of the family that once owned this estate was “Warden”, a name that indicates the caretaker for something. Were they once the caretakers of the well, of a remaining cult of pagans that still practices the old religion and its rituals … or perhaps of actual fairies? What was Sir Geoffrey’s wife afraid of in her old family home, and where is little Cecily now? Was she taken as a hostage to ensure that Sir Geoffrey wouldn’t interfere with whatever the people at the castle are doing … or as a potential sacrifice to fairies or pagan gods? They reflect that the story of Tam Lin, about a lover who rescued her beloved from the fairies, was set on All Hallow’s Eve (Halloween). Cecily’s father plans to return on All Saint’s Day, the day after All Hallow’s Eve (November 1). Kate and Christopher need to get word to Sir Geoffrey or rescue Cecily themselves before it’s too late!

This is a Newbery Honor Book. It is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Some Spoilers

This book was fascinating and suspenseful! From the beginning, I wasn’t really sure whether or not this was a fantasy story. It turns out that it’s what I call pseudo-fantasy. It has all the trapping of fantasy, and there are points when it seems like something supernatural might be happening. However, it seems that, in the end, the “fairies” are humans practicing pagan rituals and who have convinced themselves that they are somehow different from the other humans who live above ground, out of the caves. There may be things that indicate that they might be more than that, but overall, Kate believes from the very beginning, that they are merely humans with strange and dangerous practices. As she puts it, “There were never any heathen gods, only heathen people who believed in them.”

Ancient Religion and Folklore

In their attempts to free Cecily, Christopher and Kate become the captives of the “fairies”, and Christopher is in danger of being used as one of their sacrifices. During their captivity, Kate gets to see some of their practices, and she realizes that they control people through things they give them to drink that affect their minds, and she learns what she needs to know about their rituals and beliefs to thwart their plans. In real life, there are a lot of gaps in our knowledge of pre-Christian religion in Britain because the practitioners didn’t leave written records. Mostly, what know about them is based on archaeology and accounts left by the Romans, which may not be entirely accurate. In the story, the “fairies'” beliefs are based around the idea of sacrifices, energy from humans and the earth, pieces of folklore, and probably the use of some kind of psychedelics. The most interesting and revealing part of their beliefs comes when Kate discusses the need for sacrifice with the fairy queen, and the two of them face off with their respective religious beliefs. During their discussion, they compare their beliefs on the subject of God/gods, power, and the purpose of sacrifice.

The fairy queen says that sacrifice is necessary to take the power from a human life and put it into the land and people through to keep them alive. In spite of her group’s isolation and life in the caves, she seems to understand some of the basics of Christianity, and she says that Kate should understand the notion of sacrifice because Christianity is built around one particular sacrifice. The fairy queen compares Christ’s sacrifice to the sacrifices that her cult holds – one person must give their life for the sake of the others as a way of transferring their life energy. Kate is a Christian, and she knows this description of Christ’s sacrifice isn’t completely accurate, but she tries to convince the queen that Christ’s sacrifice makes other sacrifices unnecessary. She says, since Christ gave Himself for the sake of humanity, He has guaranteed humanity’s safety so no others need to pay the price He paid. The queen argues that Christ’s sacrifice happened a long time ago, that His life energy has passed, and their cult holds a sacrifice on All Hallow’s Eve every seven years to renew the energy. Kate argues that Christ was special as the son of God, the only God that truly exists, and that His energy never dies, that it has transferred to living humans. She uses the story of Christopher’s namesake, St. Christopher, as an example of Christ’s power extending to humans. Unfortunately, the queen takes that to mean that Christopher holds some of Christ’s power in him, so sacrificing Christopher would not only give them the power of his life force but the power of Christ as well. Kate realizes that she can’t persuade the fairy queen or make her understand because the queen will just take everything she says and try to fit it into her views and what she has already decided needs to be done.

The philosophical and theological discussion between the two of them was fascinating, but the only way Kate can disrupt the sacrifice and save Christopher is to use the power of stories these people already believe. Kate never cared much for folk tales and ballads before, but she knows that the queen believes in the legend of Tam Lin and that the method the heroine from that story is the only one that can save a sacrifice like Christopher. When Kate finds out that the queen completely believes in that story, she realizes that she has to use the heroine’s solution from the story to rescue Christopher.

This is a point where the actual ritual differs from the magic in the story of Tam Lin. In the story of Tam Lin, he is physically changed into various forms that are frightening or difficult to hold onto, but his lover has to keep hold of him for him to be released from the magic. In this story, Christopher is not actually transformed into anything. It’s more psychological. The fairies believe that people who are going to be sacrificed need to give themselves to the sacrifice willingly, so they use psychological manipulation to convince Christopher that he has nothing to live for, playing on his feelings of guilt for not protecting his niece better and other traumatic pieces of his past, like his mother dying while giving birth to him and his father resenting him because of it. To hold on to him, like the heroine in the story, Kate has to speak up and convince him that the fairies are lying to him and that he does have things to live for. She needs to hold on to his mind and get him to assert his own will to survive while the fairies try to convince him that the only purpose he has left is to offer himself for sacrifice. “Holding on” in this case means holding on to one’s sense of self and one’s purpose, even in the face of doubts, insecurities, personal trauma, and the toxic influence or manipulation of other people.

Personal Growth

In her arguments with Christopher to get him to see that his life is worth living, Kate also confronts her own inner demons and insecurities – that everyone prefers her pretty sister, that she was blamed for things her sister did, etc. Their experiences with the fairies and confronting their personal demons are traumatic for Christopher and Kate, but they grow through them and come away with a better sense of self and greater self-assurance. Kate’s growth shows in the end both because she other women realize that she no longer fits into her clothes and will need new ones and in her maturity with dealing with her old insecurities when she sees her sister again.

There is a point when, because Alicia is thoughtless in the way she talks and has a habit of giving people the wrong impression about things, Kate thinks that Christopher has fallen in love with Alicia as the prettier sister and that he is going to marry her. This is crushing for Kate because Alicia is often favored by people and because she has fallen in love with Christopher through their shared experiences. The fairy queen makes a last appearance in which she offers to give Kate something to make Christopher fall in love with her, but Kate rejects it. While it would hurt for Christopher to reject her in favor of Alicia, and it would add to past hurts she’s had about Alicia being the favored girl, Kate has grown emotionally through the story. She is above the manipulations of the fairies, and whatever she encounters in her life that might cause her hurt, she has the emotional strength to handle it and do the right thing in spite of it. Her rejection of using dirty tricks is rewarded when Christopher proposes to Kate. Her doubts of his love were only because Alicia is thoughtless in the way she says things to people and because of Kate’s remaining insecurities. Kate is happy that she can accept Christopher’s honest love for what it is without attributing it to any manipulation. They’ve been through the worst together, they’ve seen each other’s insecurities, and they love each other all the more for it.

It isn’t just Christopher and Kate who grow through their experiences. Sir Geoffrey realizes that his own bad decisions and blindness to what was going on contributed to the danger his daughter was in. He had no idea what his steward was involved in and what was going on around the castle. He also realizes that little Cecily needs the attention of someone who can devote herself more to the little girl without distraction and a life in a more settled place with greater access to broader society, so he sends Cecily to her aunt’s house in London. Sir Geoffrey’s acceptance of his own failings absolves Christopher of the last of his guilt over Cecily’s disappearance/abduction.

I also appreciated that characters in the story didn’t hate each other even when they had suffered hut because of them. Sir Geoffrey didn’t stop loving his brother when he thought that Christopher had failed to protect Cecily. He found the loss of his daughter difficult to take, and his brother’s role in that was hard on his feelings for his brother. However, Sir Geoffrey never sought to banish or punish Christopher for it, and when he finds out that Christopher is in trouble, he races to the rescue! In the end, Kate also cares about Alicia. Even when she was punished for the letter that Alicia wrote and thought that she might lose Christopher to her, she didn’t let spite and resentment take over. I appreciate the characters’ growth, and I also liked the way they dealt with their emotions when they were hurt and things were difficult. They still care for their family members because, deep down, they still love them and want to do right by them, even when it isn’t easy.

Posted on by TracyC

The Moorchild

The Moorchild by Eloise McGraw, 1996.

When Saaski was only a few months old, her grandmother, Old Bess, started to notice that she didn’t look right, compared to the rest of the family or even compared to the way she looked when she was a newer baby. The grandmother tried to brush those thoughts aside, thinking that children change as they grow, and people of the village think that she’s odd herself as a widow who lives alone and knows about herbs. All the same, Saaski seems unusually fussy and throws tantrums, becoming a child who’s difficult to control. It could just be colic, or it could be something stranger.

Old Bess begins to put the pieces together about Saaski’s strange behavior. Saaski seems to hate or fear her own father, and Old Bess realizes that it’s because he is a blacksmith and wears an iron buckle on his belt. Saaski has an aversion to iron. She also has an aversion to salt, and only honey seems to soothe her. Saaski’s eyes change color from time to time, and Old Bess realizes that Saaski not only isn’t her grandchild but that she isn’t even human. Saaski is a changeling, a fairy child switched out for the human child before her christening.

When Old Bess tries to tell her daughter and her husband that Saaski is a changeling, her daughter refuses to believe her. Her husband seems to consider that Old Bess might be right, but he absolutely refuses to do the cruel things to the child that Old Bess tries to tell them will cause the fairy folk to take the changeling back and bring them their real daughter. Old Bess says that Saaski must either be made to tell her true age, which she cannot do because she cannot talk yet, or the parents must do cruel things to her, like beat her, burn her, or throw her down a well. The parents say that they cannot do such things to a baby, no matter what kind of baby it is, and they no longer want to discuss the matter, forbidding Old Bess to tell anyone else of her suspicions.

However, in this case, Old Bess is correct. The child known as Saaski is a changeling, and she knows it herself. Although she is in the form of a human baby, she knows that she is not really a baby. Her fairy name was Moql. She doesn’t know her true age, but she knows that she is a fairy youngling and that she used to live among the other fairies in the fairy mound. She doesn’t like being part of this human family, and she wishes that the fairies would take her back, but she knows that, whatever happens, they never will reclaim her. Even if this family treats her cruelly and the fairies decide to remove her from their house, she knows that they will just place her with a different human family.

The problem is that, unlike other fairies, Moql has no ability to hide from humans. Other fairies can change their shape or color, fade, or just wink out of human vision entirely, but Moql can’t. The fairies discovered it one day when Moql was unable to hide from a human shepherd. She is able to escape from the shepherd, but her blunder isn’t forgiven by the other fairies. Moql’s inability to hide from humans was considered a danger to whole band of fairies. She was taken before the prince of the fairies. When he sees that Moql cannot hide from humans, he remembers that a human man entered the fairy mound some time ago and stayed awhile with a fairy woman. Moql’s mother was a fairy, but her father was that human. As a half-human, Moql will never have the abilities that the other fairy younglings have.

When Moql is considered a danger to the other fairies, they feel little attachment to her or desire to keep her. They don’t consider a half-human likely to work out among the fairies, so they decide to swap her for a human child who might make a good servant to the fairies. They’ve done this before with other younglings like Moql. Moql is frightened because she doesn’t know how to be human. Life in the fairy mound is all that she knows. She is only half human, and if she’s not working out as a half fairy, how can she possibly work out as a human? What if she can’t work out as a human? Will she belong anywhere? What if she belongs nowhere?

The fairies tell her that she will start life all over again as a human baby and that she will forget all about the mound and her past life. The other fairies think nothing of casting her out. None of them really care about her. The fairies don’t feel emotions like humans do, and they don’t feel very much about anybody. Moql’s birth mother doesn’t feel anything for her but a mild curiosity and no concern for her future. Fairy mothers don’t really develop an attachment to their children, who are raised communally in the fairy nursery and school. Most fairies don’t even know who their parents are, and they don’t really develop feelings for their parents any more than parents feel attached to their children. Even fairy couples don’t stay together very long, forgetting about each other when they become bored with the relationship and moving on to others. Fairies don’t really care that much about relationships, like brother and sister, and fairies don’t even have a sense of what being a “friend” means. So far, even Moql hasn’t felt that much for anybody, either. Moql’s first human feelings come with her despair about being torn away from everything and everyone she’s ever known, made worse from realizing that nobody else feels anything for her. In their position, she might not feel anything for the loss of one of them because that’s the fairy way, but the human part of Moql longs for belonging and fears what will happen to her if she can’t find a place or people to belong to.

When Moql wakes the next day, she finds herself as the baby Saaski, but in spite of what the fairies said, she still retains her memories of her fairy life. Everything in this human household is strange. She fears the people who are supposed to be her parents, and most of the things that they offer her to soothe her aren’t soothing to a fairy or half-fairy, which is why she screams and throws tantrums. When she hears Old Bess describe her as a changeling and tries to urge her parents to do things to get rid of her, Moql realizes that she is stuck as a human, no matter what happens. Her only hope is to make herself forget or at least pretend that she doesn’t remember being a fairy and to try her best to be the human baby Saaski. It means pretending that she doesn’t have the ability to do things that a human baby shouldn’t be able to do and that she doesn’t know things that she actually does know. It’s not easy, but Saaski’s memories do fade a bit with time. She has vague memories of her past life, but the longer she lives as a human, the less she remembers of her past.

Time passes, and Saaski grows into a child, but the humans around her have an odd feeling about her. They whisper about her behind her parents’ backs. She doesn’t look like other human children, and odd things seem to happen around her. Saaski doesn’t trust Old Bess because she knows that Old Bess has always suspected she was a changeling. Other children in the village have heard their parents whispering about Saaski, and they start asking her if she really is a changeling. By that point, Saaski isn’t sure anymore what that means.

Old Bess does look for an opportunity at first to get the fairies to take back the changeling, considering shoving her into a pond at one point. However, when she realizes that Saaski has real feelings, she cannot bring herself to do it. She realizes that Saaski is also a victim of the switch when she was exchanged for the real Saaski. She doesn’t really belong among them, Saaski knows it, and Old Bess can tell that it hurts that she’s different and that others don’t accept her. Old Bess isn’t sure how much she understands about herself, her past, or her situation, but it’s been as unfair to her as it has been to the real Saaski and her family. The sense of belonging Saaski craves eludes her.

The only place Saaski really feels at home is out on the moor by herself, although she doesn’t really remember why anymore. That is where she first meets the orphan boy, Tam, who travels with the tinker. Tam knows what other people say about Saaski, but he isn’t afraid of her and likes her anyway. He is the first person who really seems to accept Saaski. For a time, her father forbids her to go on the moor again after she has a distressing encounter with a shepherd, who seems to recognize her as being a fairy.

Surprisingly, Old Bess turns out to be an ally of Saaski’s, urging her parents to let her go to the moor again. She knows how restless Saaski has been, confined to their home. The only thing that has soothed her is the old bagpipes that once belonged to her father’s father. She seems to know how to play them without anyone ever teaching her. Eventually, her parents allow her to return to the moor, partly so she won’t keep playing the bagpipes at home. When she’s able to see Tam again, he is happy to see her, and she shows him how she can play the bagpipes.

There are other things that Saaski seems to know without knowing how she knows. She sometimes sees strange symbols that no one else seems able to see. When Old Bess realizes that she can see these symbols, called runes, the two of them discuss it. Old Bess can’t see them herself, but she knows about them. She learned a lot about such things from an old monk she once cared for and from the books he left behind, which is also where she gained her knowledge of herbs.

Old Bess admits to Saaski that, like her, she is considered strange and that she doesn’t quite belong to the village where they live. She was brought to the village as an infant after she was found abandoned in a basket at a crossroads. They left her at the miller’s house, and she was raised by the miller and her wife. She doesn’t know who her birth parents were, where they came from, or why she was abandoned as an infant, and she was told that the gypsies who found her almost drowned her as a changeling before deciding to leave her in the village.

Saaski also knows that she doesn’t belong in the village, although she can’t think where she does belong. She can’t explain how she is able to see and understand fairy runes or do the other things that she seems able to do, apparently without anyone teaching her. Over time, she gradually discovers or rediscovers the things she could do and knew as a fairy. She discovers that she can see fairies when she spots one stealing Tam’s lunch. Later, a group of fairies try to steal her bagpipes. To Saaski’s surprise, she is able to understand their language, and they seem to recognize her.

Then, after the children in the village bully Saaski again, an illness comes to the village, afflicting all of the children but Saaski. Old Bess says it’s a normal childhood illness she’s seen before, and the children probably got it from the gypsy band who recently passed through town. However, the villagers, who have always been suspicious of Saaski whisper that Saaski is responsible, that she has cursed the other children. Saaski denies is, but the villagers are becoming increasingly hostile. They want her out of the villager, but if Saaski can’t stay there, where can she go?

When Saaski tries to bargain with a fairy for some help to hide from the villagers, the fairy reminds her that she was a fairy herself and that she was never able to disappear. Saaski is stunned at this confirmation of the villager’s suspicions about her being a changeling. When she tells Old Bess about it and about the memories that are now returning to her, Saaski realizes that she really doesn’t belong in this human village, at least not fully. Yet, she remembers that she doesn’t fully belong among the fairies, either. Once again, it leaves her the question of where she does belong. Saaski is going to have to take her fate into her own hands, but before she does, she wants to do something for the family that raised her and has loved her, in spite of everything: find the original Saaski in the fairy mound and return her to her parents.

The book is a Newbery Honor Book.

My Reaction

I enjoyed the story because it is a unique portrayal of the folkloric idea of changelings. Another book I read on the same topic, The Half Child, is told from a real world, historical point of view, without fantasy. In that book, changelings are disabled children or children who aren’t “normal” in some way who are labeled as being something other than human or “real” children because people of the past couldn’t understand why they were different or what was wrong with them.

The Moorchild, however, is fantasy and builds on the folklore concept. In other books with changelings, we see the changelings from the point of view of other people, who wonder about their true nature, but this book includes multiple viewpoints, including that of the changeling herself. In folklore, it isn’t entirely clear why the fairies would want to change their children with human children, leaving them to be raised by other people and possibly never seeing them again. This book builds on that concept, portraying the changeling children as being half human and/or flawed in some way, compared to the other fairies. They do use the human children they gain in the swap as servants, which is a folkloric concept, but this story explains why the fairy child left in exchange for the abducted human child is an acceptable loss to the other fairies.

Fairies in this story don’t have the same types of feelings as humans. In fact, they don’t seem to feel much at all, making most of their lives literally care-free because they just don’t care that much about others or the consequences of their actions. However, they don’t feel much emotional attachment to each other, either. Saaski/Moql’s birth mother doesn’t feel much of anything for her daughter or for the man whose life she changed and worsened through her seduction and rejection. She is completely unconcerned about what has happened to them or what will happen to them because of her. Later, Saaski realizes that the fairies are aware that Saaski is blamed for pranks they played, but they don’t mean it spitefully. They genuinely don’t care whether Saaski or someone else is blamed for things they do as long as they never get caught themselves. When Saaski realizes that the other fairies genuinely don’t care about her or what happens to her, she knows that they will never take her back and that she will never rejoin them.

Saaski feels more emotion than full fairies feel, but she doesn’t always respond in acceptable or predictable ways to the humans she lives with because she doesn’t share all of the emotions they feel. She craves a sense of belonging, but she doesn’t really know how to get it or create it. At times, she feels love and gratitude without being entirely sure what she’s feeling or how to express it. Strangely, she also doesn’t experience hate and resentment in the same way humans do. Tam tries to explain it to her, and Saaski recognizes that the children in the village who bully her feel hatred and resentment to her, but she doesn’t feel those emotions herself. She doesn’t like it when they bully her, and she feels hurt by them, but the emotion of hating and wanting to hurt them back isn’t there. I thought that was an interesting concept, exploring someone with non-conforming emotional reactions. Saaski’s emotions in the story are explained by her fairy heritage, but what made it interesting to me is that neurodivergent humans also have different ways of experiencing and showing emotions that can change the way they are accepted by or interact with other people, which brings the idea of changelings full circle, back to the concept of children who aren’t like other children from birth or a young age.

I thought it was fascinating that we get to see things both from Saaski’s point of view and from the point of view of other people, particularly Old Bess. Old Bess is the first to realize that Saaski is a changeling and not her “real” granddaughter. She understandably wants her real granddaughter back, and she knows the folklore that fairy folk will take back a changeling who has been abused. However, Saaski’s parents, even knowing or suspecting that Saaski might be a changeling, cannot bring themselves to do anything cruel to her, and Old Bess comes around to that point of view herself. By observing Saaski, she sees that Saaski is a child, if not an entirely human child, and an innocent victim of the switch herself, with feelings and a difficult life ahead of her because she doesn’t fit in with this community.

Old Bess also recalls and admits to Saaski that her own past isn’t quite normal and that she also doesn’t quite fit in. I wondered if we would ever get the full story of Old Bess’s past, but unfortunately, we don’t. We know that she was abandoned as an infant, apparently rejected by her birth family or guardian, but we never learn why. I had wondered at first if Old Bess would turn out to be a grown-up changeling. It seems that people once suspected that about her, but apparently, she isn’t because she can’t see the fairies or fairy writing in the way Saaski does. It seems that Old Bess is fully human and not half fairy. In the end, the important point is that, when Old Bess is honest with herself and Saaski about her past, her story has some elements in common with Saaski’s situation. They have both known rejection and abandonment, the difficulties of trying to fit in when they don’t entirely fit in, and the love of people who accepted them and cared for them in spite of it all.

I appreciated that Saaski’s parents do their best to love and care for Saaski even when they know she’s strange and may not be their daughter. They stand up to the people who bully their daughter and pressure them to get rid of her. In fact, in the end, even after Saaski and Tam set out into the world together and they have their birth daughter back, they still think of Saaski and miss her sometimes. Saaski was no replacement for the daughter they lost when they were switched, but at the same time, they realize that their birth daughter doesn’t entirely replace Saaski in their lives and affections. In the end, it’s like they’ve had two daughters, both of them “real”, although one didn’t fit in and eventually left to start a new life elsewhere.

Posted on by TracyC

Easter Stories for Children

Easter Stories for Children edited by Van B. Hooper, 1962.

This book was published by Ideals, and if I remember right, is part of a series of holiday/seasonal books for children. (I don’t have a list of other books in the series, though.) It has short stories and poems about Easter. Largely, they’re not very religious in tone, tending to focus on fairies and the Easter bunny. I actually found all the references to fairies confusing because I never heard anybody talk about fairies being associated with Easter when I was a kid. On the religious side, there is one poem about prayer and a story about how the dogwood plant represents the crucifixion. There is also some information about how Easter is celebrated around the world.

The pictures are in sepia tones. Mostly, they’re drawings, but there are also some photographs of cute bunnies and kittens wearing human clothes. The only full color pictures are on the inside of the front and back covers, and they’re scenes of rabbits painting Easter eggs. All in all, it’s a very cute book for Easter.

Stories:

How the Forest Fairies Get Ready for Spring – “Written especially for you by SPARKIE” – All of the forest fairies have special tasks for getting ready for spring.

The Tale of Peter Rabbit by Beatrix Potter (1886-1943) – A classic children’s story about a bunny who disobeys his mother.

Just After Easter by Maryjane McCarthy – Mr. Bunny Rabbit is worried about next Easter because the farmer is having trouble affording grain to feed his chickens. If he can’t keep the chickens, where will they get their Easter eggs? This is the story that has pictures of bunnies and kittens in costumes with props. The kittens try various ways to raise money for the chickens.

The Legend of the Dogwood – author unknown – The legend is that the cross of Jesus’s Crucifixion was made from dogwood, but the plant felt badly about it, so Jesus made the plant too small to be used for such a purpose again and gave it a cross-shaped flower.

Easter in Many Lands – About Easter customs in different countries, and the origins of the word “Easter” and how symbols like bunnies and eggs came to be associated with Easter. This is my favorite section in the book!

The Story of the Colored Easter Egg by “Maryjane” – A fairytale about a kind queen and the origins of Easter eggs.

Poems:

The Magic Pool by Dorothy Weiner – Bunnies color eggs in a magical pond fed by a rainbow.

Easter Bunny’s Secret by Mrs. Roy L. Peifer – The Easter bunny collects drops of paint that Jack Frost uses to paint leaves in autumn and saves them for Easter eggs, but when the paint gets spilled, he needs to get colors from other sources.

The Little Spring Spirit by Leonie Miller – The spirit of spring calls to plants and animals with the change of the season.

If Easter Eggs Would Hatch by Douglas Malloch – What would come out of an Easter egg? Brightly-colored chickens or maybe a little silver bunny?

In Cottontail Town by Marguerite Gode – A famly in Cottontail Town takes in an elderly rabbit and nurses him back to health. He starts a school there to teach the other rabbits how to paint Easter eggs.

The Gray Bunny’s Night – “As told by The big black Bumblebee” – A little gray bunny wants to be brightly colored for Easter, and his wish is granted by the queen of the fairies.

Hippety-Hop to the Barbershop by Claribel Ream – The Easter Bunny is going to the barbershop to deliver eggs and candy for the barber’s children.

Helping One Another by Mrs. Roy L. Peifer – The Little Red Hen helps the Easter Bunny to fill his basket for Easter.

His Bunny by Marilyn Jean Fais – About a little boy’s stuffed bunny. It can be hard on a toy to be a child’s favorite, worn and dragged everywhere, but it’s worth it!

Prayer by Ethel Romig Fuller – If we can hear songs from radio waves that travel through the air, God can also hear prayers.

Seed Thoughts by W. M. Walker – Good and kind thoughts produce good deeds, like plants sprouting from seeds, but selfish thoughts are like weeds that get in the way. Be careful what seed thoughts you grow in the garden of your mind!

Jack in the Pulpit by Mrs. Jessie S. Manifold – Spring plants and animals celebrate the Sabbath Day.

And He Hippety-Hopped Away by Rowena Bastin Bennett – The Easter Bunny delivers eggs and candy to children before sunrise.

Posted on by TracyC

Princess Sonora and the Long Sleep

Princess Sonora and the Long Sleep by Gail Carson Levine, 1999.

This story is a retelling of the classic fairy tale, Sleeping Beauty. It’s part of a series of other retellings and re-imaginings of classic fairy tales called The Princess Tales.

When Princess Sonora was born, her parents invited the usual fairies to give her gifts. They do this because it can be dangerous to anger fairies, although fairies’ gifts are a risky proposition at the best of times. Unfortunately, there are two complications with the fairies who give Princess Sonora gifts. First, one of the fairies decides to top a previous fairy’s gift of intelligence by making Princess Sonora ten times as intelligent as any other human on earth. As a result, Princess Sonora is an unnaturally intelligent baby who begins to talk almost immediately and is smart enough to understand the second problem that arises.

Her parents neglected to invite a particular fairy because they’d heard a rumor that she was dead. Of course, the fairy shows up anyway, angry at the lack of invitation, and immediately curses Princess Sonora. As in the original Sleeping Beauty story, the curse is that, someday, Princess Sonora will prick her finger and die. Also, as in the original story, the last fairy who hadn’t yet given a gift uses her gift to soften the curse so that, instead of dying, Princess Sonora and everyone else in and around her castle will fall asleep for 100 years. She can’t completely remove another fairy’s spell because that might provoke a fairy war, but this change to the curse gives the family hope. She promises that Princess Sonora will meet an eligible prince when she wakes up. Princess Sonora, being an unnaturally intelligent baby who can talk, also gives her own feedback and suggestions on the situation, to her parents’ amazement. Her parents decide to try to prevent the curse from coming true by hiding anything that can prick Princess Sonora, but baby Princess Sonora has already realized that this will be impossible. She knows that the curse will come true someday, and as she lies in her cradle, she begins to make plans to prick herself on purpose, someday when she can choose just the right moment.

Being smart is generally a good thing, but Princess Sonora’s unnatural intelligence makes her a very peculiar girl in a number of ways. For one thing, she loves books and is always reading, even as a baby. She grows up to be a very studious girl. That’s not so bad, but Princess Sonora carries it to extremes. She also refuses to sleep. It’s partly because she knows that, at some point, she’s going to spend 100 years sleeping, so there’s no point in wasting more time asleep. She’s also afraid of sleep because she doesn’t know where her mind will go when she sleeps, and with her massive intelligence, she loves her mind and doesn’t want it to go away. Instead of sleeping, she just reads all night or thinks about things. Because of her intelligence, curiosity, and constant reading, Princess Sonora knows the answers to many questions, but people often find it irritating because they don’t want to hear her long explanations or all the ways she knows for people to do their jobs better. People start saying to each other, “Princess Sonora knows, but don’t ask her.” Princess Sonora wishes that other people would be more interested in what she has to say, but she knows better than to force the issue.

When Princess Sonora turns 14 years old, her parents begin looking for a prince she can marry, assuming that she doesn’t prick herself and fall asleep for 100 years first. They choose Prince Melvin, from a large and wealthy kingdom nearby. It seems like a smart match, but Princess Sonora knows it isn’t a good one. Prince Melvin has also received gifts from the fairies, and while they include positive qualities, like honesty and bravery, they don’t include intelligence. Prince Melvin isn’t very smart and wouldn’t appreciate any of the things Sonora knows or has to say. He would marry her anyway because he’s Honest and Traditional, but Sonora knows that she wouldn’t be happy. When she meets him, he’s very dull. The fairies made him a Man of Action, not of thought. He’s decided that thinking gets in the way, so he has few ideas and certainly no interesting ones. Sonora begins to think that the right time for pricking her finger might be coming soon. Pricking her finger doesn’t quite go as she had planned, but the curse works.

When Princess Sonora and everyone in the castle is put to sleep for 100 years, they are half-forgotten. Princess Sonora becomes a kind of legend, and the saying “Princess Sonora knows, but don’t ask her” becomes a common saying when someone doesn’t know the answer to something, with few people knowing who Sonora really is or why you’re not supposed to ask her what she knows. That is, until a prince with curiosity and a thirst for knowledge, someone who really needs Sonora’s knowledge to solve a problem, seeks her out for the answers he really needs. When Sonora wakes, she finally meets a prince needs a princess like her and is truly happy to hear what she has to say!

My Reaction

I liked this story when I first read it as part of a collection of other stories in the same series. Gail Carson Levine, who is also the author of Ella Enchanted, often writes stories themed on fairy tales but with her own twists. Princess Sonora’s extreme intelligence and fear of sleep weren’t part of the original fairy tale, although they fit this story nicely. I found the scene with the fairies giving Sonora gifts a little disturbing. When one of the fairies gives her the gift of beauty, the baby physically changes, and it is described as being painful. It is a theme in other stories by Gail Carson Levine that the magical gifts fairies give often have unfortunate side effects. Some of them really turn out almost like curses, but in this case, it turns out to be just what Sonora really needs and leads her to the person who really needs her. Even after people stop getting gifts from fairies when they’re babies, they still have quirks, and Sonora’s quirks fit with Prince Christopher’s quirk for curiosity!

Posted on by TracyC

Jenny, the Halloween Spy

JennyHalloweenSpy

Jenny, the Halloween Spy by Lillie Patterson, 1979.

JennySpyWitchOne Halloween, Jenny goes to visit Nancy, a woman who local people say is a witch.  Jenny is curious about magic and, knowing that there are magical creatures abroad on Halloween, she wonders if she might see something unusual at Nancy’s house.

As she arrives at the house, Jenny peeks inside before announcing herself and sees Nancy putting some kind of oil in her eyes.  After Nancy welcomes her inside and offers her some cider, Jenny sneaks a little of this oil and puts it in one of her eyes to see what it does.  She discovers that the oil allows her to see magical beings that are hidden to most people.  There are fairies in Nancy’s house and rich furnishings that appear very ordinary to Jenny’s unaffected eye.

Using her new ability to see magical creatures, Jenny goes to the town market to see what is going on there.  However, when she catches a pixie stealing some fruit, the fairies and other “wee folk” decide to put an end to Jenny’s spying on their activities.  With some magic dust, the pixie removes her ability to see magical creatures and tricks her into getting onto an enchanted horse that takes her on a wild ride ending with a view of the devil!

The book is available to borrow and read for free online through Internet Archive.

My Reaction

JennySpyFairiesThis is a kind of cautionary story about the dangers of curiosity.  Jenny’s curiosity invites the attention of dangerous creatures and leads her into a frightening situation, something that she never wants to repeat.  For the most part, I think that curiosity is a trait that should be encouraged, but Jenny did deliberately seek out a person with a dangerous reputation and pry into the things she was doing, even trying some herself because she wanted to know more about it, so she could be considered to have gone looking for trouble.

In some ways, this book is very strange, but I can see where it draws on old folklore.  The end part about seeing the devil (accompanied by headless hounds) is a little bizarre and rather frightening for a modern children’s picture book but in keeping with folklore about Halloween and witches.  Although everything that happens to Jenny is supposedly really happening, part of me did wonder about the oil that she put in her eye because plants with hallucinogenic properties are used in folk medicine.  As far as the story is concerned, though, the magic and supernatural creatures are real.

The pictures are colorful and fascinating, but this book may be frightening for very young children.  Some of the fairies remind me a little of the pictures that inspired the Cottingley Fairy hoax.

Posted on by TracyC

A Wizard’s Dozen

WizardsDozenA Wizard’s Dozen: Stories of the Fantastic edited by Michael Stearns, 1993.

This is a collection of fantasy stories (roughly middle school level) by different authors.  The tone of the stories varies from light and humorous to dark and serious.  The stories in this collection are:

The Sixty-two Curses of Caliph Arenschadd by Patricia C. Wrede

Caliph Arenschadd has a temper, but unlike other rulers, who have been known to cut off people’s head when they’re angry, Arenschadd is also a wizard.  Because he likes to show off his magic, he has thought of something more creative than executing people: a list of curses to inflict on those who anger him.  As people get him angry, he progresses through the curses in the order that he thought of them, each one worse than the last.  Worse still, he also inflicts the curses on the families of people who annoy him, which is how Imani, the young daughter of the caliph’s vizier has experienced so many at her young age.  However, the caliph has made a serious miscalculation in his latest curse.  This time, he has turned the vizier and his family into werewolves without being able to remove the curse.  As far as anyone knows, it’s impossible to cure lycanthropy.  As the vizier and his family find themselves becoming a threat to those around them, can Imani and her friend Tumpkin find a way to break the curse?

Fairy Dust by Charles De Lint

When Marina’s friend Jason manages to catch a real, live fairy in a jar, she tries to convince him to let it go, but he refuses.  He wants to keep it, just overnight.  But, the fairy ends up dying, and suddenly, Jason himself is severely ill.  Marina is sure that Jason is suffering from a fairy’s curse, but is there anything she can do to save him?

This experience touches on Marina’s absent father, an impractical dreamer, although it does turn out that he has taught Marina an important lesson, and she learns for herself that when she sees someone doing something that she knows is wrong, it is also wrong for her to keep silent.

The Princess Who Kicked Butt by Will Shetterly

In a mystical kingdom, people’s names tell everyone something about their destiny and character.  When a new princess is born in the kingdom, the Fairy Who Was Good With Names comes to bestow a new name on her.  However, the fairy sneezes and no one clearly hears the name that the fairy gave her.  Thinking that the fairy said the princess was “the Princess Who Read Books,” the king and queen make sure that she has plenty of reading material while she’s growing up and don’t give it much more thought.  Later, when the Evil Enchanter tries to force the princess to marry him and her parents to hand over the kingdom, the princess’s true name and her real skills become known.

The Sea Giants by Betty Levin

A great-grandmother translates whale songs for her family to tell them an ancient story: There was once a family that was barely surviving on small fish, small prey, and the little berries that they were able to forage for themselves.  The father wished that he were bigger, stronger, and more powerful so that he could catch bigger prey for his family.  One day, the father and mother paddled out to sea in search of food, and they met a group of giants in their own canoe.   The giants took them back to their own village and gave them food, but although the food they were offered was much larger than anything they could catch themselves, next to the giants, it was about as small as the small prey that the people ate back home.  After while, the couple returned home to their children, guided by a strange gray dog which turns out to be a porpoise.  From then on, the family’s luck begins to change, and they do become more prosperous.  However, the father is unable to forget about the giants, and he feels called to join them again.

Efrum’s Marbles by Joy Oestreicher

Efrum is a giant, but he’s no ordinary giant.  Although Efrum is big (being a giant), he hasn’t grown at all since the age of six.  He is over 30 years old, and he is still a child, which is weird, even for a giant child.  He spends his days playing with other giant children, and his favorite game is marbles.  In fact, he has a favorite marble.  No one knows quite what this marble is made of because no one has ever seen another like it.  It’s strange, and it kind of looks like . . . an eye?  Then, a young giant girl named Brinda plays marbles with Efrum, and for the first time ever, Efrum is tempted to let someone else win his precious, mysterious marble, which clever Brinda realizes may be the first step in helping Efrum to grow up.

“Come Hither” by Tappan King

Meg hates being the middle child in her family.  Her older sister is praised for being responsible, and her younger sister is pampered.  Meg feels like getting into trouble is the only way that she can get attention.  When she gets into trouble and is grounded from her older sister’s birthday party, she decides to amuse herself by messing with her sister’s computer.  She makes a mistake while typing and ends up receiving an invitation from a mysterious elf to join her for a party in his land.  Has Meg just made a serious mistake?

With His Head Tucked Underneath His Arm by Bruce Coville

In a kingdom constantly at war, few young men survive to become old.  Young Brion escapes for a time by pretending to be crippled, but one day, his pretense is exposed, and he is executed for refusing to fight.  However, Brion’s death doesn’t prevent him from returning to end the suffering of his land and hopefully save more people from his fate.

The Queen’s Mirror by Debra Doyle and James D. MacDonald

This is a re-telling of the story of Snow White.  An older servant tells the young princess about the history of the magic mirror, which belonged to the princess’s grandmother, who ordered her own daughter’s death because she feared and resented her beauty.  There are no dwarves in this version, and it’s a slightly different take on the story.  There are hints that the events in the story repeat with the generations.

The Breath of Princes by Alan P. Smale

When Stephanie is kidnapped from her town by a dragon, the dragon tries to convince her that being a dragon’s prisoner is a much better fate than the one that awaits her in small-town life: drudgery, boring marriage, children, etc.  Of course, he plans to eat her eventually, when he gets tired of her.  Young men try to rescue her, but in a way, Stephanie fears that one of them will succeed.  If they do, she will no doubt be obligated to marry the rescuer, and considering what some of them are like, it might even be worse than being eaten by a dragon.  The man she has always dreamed about is a prince she was lucky enough to meet once, but no prince has come to save her.  There may be a way for Stephanie to save herself from either fate, but she has to sacrifice her innocence in the process.

Harlyn’s Fairy by Jane Yolen

Harlyn lives with her Aunt Marilyn, and when she spots a fairy in the garden one day, her aunt begins to worry about her.  Harlyn’s mother is mentally unstable and prone to paranoid delusions, so Aunt Marilyn keeps a close eye on Harlyn.  She discourages her from reading fantasy stories (although Harlyn loves them) for fear of the effect they might have on her mind.  But, Harlyn really did see a fairy.  The question is, what is she going to do about it?

Lost Soul by Vivian Vande Velde

A young man meets a beautiful, mysterious woman by a stream.  She charms him so much that he no longer loves the woman he was going to marry.  In fact, he is so obsessed with her that he can think of nothing else.  What will he do when he realizes that she doesn’t feel the same?  Is she even . . . human?

The Way of Prophets by Dan Bennett

The royal family of the Stuard Isles has a tradition.  At the age of seventeen, each of them must make a journey alone along an old road known as The Way of Prophets.  The things that they see and the things that happen to them along their journey tell them what their destinies are.  They learn what really matters to them and find a focus for their time as rulers.  So many centuries have passed that no one can be quite sure where the original Way of Prophets was, so mostly, the journey takes on a kind of symbolic meaning, but there are stories that say that, every once in awhile, a young ruler finds their way to the true Way of Prophets, and the kingdom changes in some important way.  When Prince Ransom sets out, he hopes to find the true path himself.  However, when he does, it doesn’t turn out to be quite what he imagined, and it makes him question what he really wants most from his destiny.

I love this story for what the prince’s father told him, “When I am gone, when you take the throne, you will be powerful.  That is guaranteed.  Your knights and armies will make sure of it.  And you will be loved and respected.  That, too, is guaranteed.  No matter what you say and do, there will always be those ready to smother you with love and respect, if you let them, simply because you wear the crown.  Because of who you are, Ransom — because of who you will become when I am gone — you need never be hungry or alone.  But there is no guarantee that you will matter.”  If what Prince Ransom wants most is to matter, can the Way of Prophets make it happen?

Faith by Sherwood Smith

Faith tells her friends fantastic stories all the time.  She comes from a poor family with a lot of problems, so most people assume that she just makes up stories to try to make her life sound better than it really is and avoid thinking about the problems.  Usually, her two best friends don’t mind much, but lately, Melissa has been getting tired of hearing Faith talk about how her dog can talk or how her radio can tune in to Middle Earth.  She’s growing up and losing patience with fantasy stories.  Even the girls’ other friend wishes that Faith would stop asking them to believe these wild stories.  Then, after a visit to the trailer where Faith lives, she begins to change her mind.

The book is currently available online through Internet Archive.