family – Page 13 – Jestress's Forgotten Books and Stories

Posted on August 10, 2018January 19, 2019 by TracyC

Under Copp’s Hill

Under Copp’s Hill by Katherine Ayres, 2000.

This book is part of the American Girl History Mysteries series.

The year is 1908, and eleven-year-old Innocenza Moretti lives with her relatives in Boston. They are immigrants from Italy. Innie, as her family calls her, is an orphan. According to the story that her grandmother told her, she was the only one of her parents’ children to survive infancy, her siblings being born prematurely and dying shortly after birth. Innie’s mother was so grateful that Innie survived that she promised her to the Holy Mother at her baptism. Then, Innie’s parents died in a fire in their tenement building when she was about two years old. Innie and her grandmother, Nonna, survived the fire only because little Innie had started crying in the night, and she took her outside to walk her around so that she wouldn’t wake her parents. Because of that experience, Nonna is deathly afraid of fire and also has become convinced that the Holy Mother must have spared Innie (as well as herself). She thinks that Innie is destined to become a nun and has continued to promise her to the Holy Mother in prayer, repeating the promise regularly. Although Nonna thinks that the miracles surrounding Innie’s life are signs of a future life in the Church for Innie, her grandmother’s promises in prayer terrify Innie.

Innie feels trapped by her grandmother’s expectations for her, expectations that the rest of her family don’t even know about. She doesn’t want to be a nun, but her grandmother is sure that she will be. Because of her fears that her grandmother may force her to become a nun when she grows up, Innie is never on her best behavior. She thinks that if she gets a reputation as a trouble-maker, the Church will decide that she is unsuited for a religious life. Unfortunately, Innie’s long-practiced habit of ignoring rules and her problem child reputation lead her to be suspected of something worse than just minor misbehaving.

Innie’s family owns a boardinghouse where they provide food and lodging for young immigrant men. Innie and Nonna live on the ground floor, and Innie’s aunt, uncle, and cousins live above them. Innie spends a lot of time with her cousins, especially Teresa, who is about her age. Her older cousin, Carmela, persuades both Teresa and Innie to join a library club at a new settlement house with her. The settlement house helps girls and young women from immigrant families by teaching them work skills and aspects of American culture that they can use as they become American citizens in exchange for some of the work that the girls do on behalf of the settlement house. Carmela has taken a new job as a pottery painter there and tells her parents that it will be good for Teresa and Innie to go there as well because they will receive help with their schoolwork and they will also have classes to teach them skills like sewing, knitting, and pottery, that they can use to make money later. However, the real attraction of the club for the girls is that they get to listen to music, have dancing lessons, read books, and socialize with other girls about their age. The prospect of sewing classes isn’t appealing for Innie, but she loves books and looks forward to borrowing some from the settlement house library.

At the settlement house, Innie meets a variety of girls from other immigrant families, not just Italian ones. In particular, Innie makes friends with a girl named Matela, who is a Jewish girl from Russia. As the girls talk about a recent, large fire in town, Matela talks about the czar’s soldiers burning things back in Russia and how she misses her grandfather, who is still there. Innie understands Matela’s feelings because she knows what it’s like to miss someone. She doesn’t really remember her parents, but she feels the lack of them in her life. Teresa also becomes friends with Matela, but the three girls agree to keep their friendship secret because each of their families prefers them to associate with girls from backgrounds similar to their own. Innie’s uncle wants the girls to spend time with other Italians, and Matela admits that her father prefers her to spend time with other Jewish girls. The adults don’t really understand the cultural mix at the settlement house.

However, from the very first day that the girls begin going to events at the house, strange things start happening. Things disappear or are oddly moved about. Food disappears. A silver teapot belonging to the ladies who run the settlement house is stolen. Then, someone steals some pottery and a shawl.

To Innie’s horror, she ends up becoming the prime suspect for the thefts because she was caught snooping in an area of the house where she didn’t belong and because she accidentally broke one of the pieces of pottery that the others girls made and tried to sweep it up without telling anyone. When she and her friends snoop around and try to find the missing objects, Innie discovers one of the missing pottery pieces. However, instead of being happy for the clue, the ladies who run the house just think that Innie must have broken more of the pottery and tried to cover it up, like she did before, by hiding the rest of the set. After all, if she was doing some things she shouldn’t have been doing, it’s plausible that she could be a thief, too.

If Innie is going to remain a member of the library club (and continue to have access to books that she can read), she’s going to have to prove her innocence. In fact, proving her innocence may also be important for Carmela, who is supposed to have a citizenship hearing soon. If Innie’s bad reputation causes problems for her at work, she may lose her job and be denied American citizenship!

Matela thinks that the thief could be a ghost from the nearby Copp’s Hill graveyard, but Innie is sure that it must be a human being. There are secrets at the settlement house that even the ladies who run it are unaware of and someone who desperately needs help and can’t ask for it.

Teresa and Matela continue to help Innie, and in the process, Innie confesses to Matela her fears about becoming a nun. It is Matela who helps Innie to find the solution to her problem, urging her to step outside of the small community of Italian immigrants that her family clings to and to seek advice from a priest in the Irish area of the city. As a priest, he has the knowledge that Innie needs to understand her faith, and because he doesn’t know Innie’s family personally, he has the objectivity to help Innie to see her grandmother’s promise in a new light and to understand that her future destiny is still in her own hands. No one can speak for another person or make important promises on their behalf. A religious vocation is a serious decision that only a mature adult can make for herself, or not make, as the case may be. The priest tells her that, as young as she is, Innie should focus on learning to be a good person, and then she will see what direction life leads her. With that knowledge, of course, Innie realizes that she will have to put more effort into behaving herself, but it’s a relief to her to realize that she doesn’t need to purposely misbehave in order to control her life.

Eventually, Innie’s aunt also learns about the grandmother’s promise and Innie’s worries and reassures her that, although her grandmother can be an intimidating woman with what she wants, Innie’s family loves her and that she shouldn’t be afraid to come to them with her questions and concerns. Innie has thought of herself as parentless, at the mercy of her grandmother’s wishes and expectations, but her aunt says that she loves Innie like she does her own daughters and that Innie is as much a part of their family as they are. If Innie has problems, her aunt will be there for her, helping her find whatever answers she needs.

There is also a subplot about how girls in immigrant families (at least, in ones like Innie’s family) aren’t as highly-regarded as boys. When the family is discussing important matters, Innie often tries to comment on what she thinks, but her grandmother keeps telling her to be quiet because it isn’t a girl’s place to comment on business that men should handle and her male cousins sneer at her because they don’t think she knows anything. However, when Innie’s uncle is worried about the legal papers he has to sign in order to open his new grocery business because his English still isn’t good enough to understand them, Innie points out that Carmela’s English is the best of the family because of all the books she had to read and the paperwork she had to complete when she was applying for citizenship and that she would be the best person to study the paperwork. At first, her grandmother makes her try to be quiet and her male cousins laugh, but Carmela speaks up and says that she can help her father, if he wants her to, and her father agrees, on the condition that she act as translator and adviser and let him make the final decisions about the business. Carmela is happy because the arrangement allows her to use her skills without taking her away from the pottery painting that she loves. The point of this part of the story is about acknowledging the talents that people possess and not disregarding them because they are outside of the usual roles and expectations. It fits in with the subplot about the grandmother’s expectations for Innie’s future, which are not really in keeping with either her talents or character. The young people in the story are growing up under different circumstances than their parents, and they will have to learn to find their own way in life, using the abilities they have and the education they can find.

In the back of the book, there is a section with historical information about Boston in 1908. The fire that happens around the time that the story takes place was a real event. The settlement house with its library club was also real, and the ladies who run the settlement house, Miss Brown and Miss Guerrier, were also real people. The book explains more about what life was like for immigrant families like Innie’s and about what the future held for girls like her. Many of the girls who attended the library clubs later became librarians and teachers themselves, which may be Innie’s eventual destiny when she grows up. The book also mentions that the area of Boston where Innie’s family lived still has many Italian restaurants and groceries that were started by immigrant families like Innie’s, so we can imagine that the grocery store that Innie’s uncle wants to open will be successful.

The book is currently available online through Internet Archive.

Posted on August 8, 2018January 19, 2019 by TracyC

Lyddie

Lyddie by Katherine Paterson, 1991.

The year is 1843. Thirteen-year-old Lyddie’s father left home to go West and seek his fortune, and he hasn’t been heard of since. Lyddie helps her mother to take care of their farm in Vermont and the younger children, but they are very poor, and her mother has given up hope of their father returning home. The children’s aunt and uncle, Clarissa and Judah live nearby, but they are of little help, full of fire-and-brimstone talk. Lyddie and her brother Charlie, who is ten, more often turn to their Quaker neighbors, the Stevenses, for help. They are kinder than their aunt and uncle, although their mother disapproves of them for being abolitionists and, in her mind, heathens. Lyddie and Charlie are just grateful for their help. Because of their mother’s depression at the loss of their father, she pays little attention to the things that her children do to keep the farm going and the family together.

However, when a bear enters their house and eats the oatmeal that Lyddie was preparing, their mother, primed by Clarissa’s and Judah’s talk of signs of the end times and such, goes into a panic and sure that the world is going to end. Lyddie and Charlie let her go with their younger sisters to stay with Aunt Clarissa and Uncle Judah while they continue managing the farm as best they can. However, even though their mother sees that the world doesn’t end, she decides that she’s going to hire Lyddie out as a maid at the Cutlers’ tavern and Charlie to work at the mill because the family has too many debts and they will have to rent out their fields and animals.

Luke Stevens, the youngest of the Stevens sons, although much older than Lyddie and Charlie, gives them a ride to their new homes and employment at the mill and the tavern and promises to keep an eye on their house while they’re away. Lyddie is lonely and unhappy working at the tavern, badly missing the family farm and her siblings, especially Charlie. Then, one day, a woman visiting the tavern mentions that she’s one of the factory girls from Lowell, Massachusetts. The woman tells Lyddie that she seems like a good worker and that she could earn a good wage in the factories herself. At first, Lyddie doesn’t believe what the woman says that girls can earn there.

When Lyddie is allowed a brief visit home to her family’s farm, she discovers that Luke Stevens has been allowing a runaway slave to hide there. Lyddie isn’t sure what she thinks of it at first. Ezekial, the fugitive, frightens her because she has never met a black man before, and she knows that if she were to turn him in, there would be a handsome reward that could solve her family’s money problems. However, Ezekial seems to understand the situation that her family is in without her father. Although Lyddie and Charlie are not technically slaves, they have become a kind of indentured servant because of their family’s debts. Ezekial is a father himself, hoping to send for his family when he has found a safe place for them. Lyddie still wonders if her own father is alive, perhaps hoping to send for his family when he can. Having come to a better understanding of Ezekial, she knows that she can’t turn him in, even for the reward money.

Her talks with Ezekial make Lyddie understand that working in the tavern won’t solve her problems, though. As a maid there, she basically works all day for her room and board and has nothing else to show for it. Mrs. Cutler just sends a little money to her mother now and then and even then, she doesn’t always bother, and her mother is in little position to insist on proper wages, making Lyddie little better than a slave. Mrs. Cutler cares nothing about Lyddie or her family’s welfare, just trying to get as much labor out of her for as little as she can. Lyddie finally makes up her mind to seek factory employment in Lowell, Massachusetts, seeing it as her only chance to earn some real wages.

Life in Lowell turns out not to be as glamorous as the woman she met at the tavern made it sound, although the wages are definitely better. The company that owns the fiber mill where Lyddie gets a job has all sorts of rules and regulations for the girls who work there, even ones that intrude on their personal lives outside of work. Anxious to give the impression that all of their workers are of good moral disposition, they insist that the girls attend church on Sundays. Lyddie never had the money to pay pew fees back home, so she is unaccustomed to going to church, but finds that other girls in her position tend to go to Methodist churches, where there are no pew fees, saving their precious wages. Lyddie, who never had much time for schooling when she and her brother were trying to keep the farm going, has trouble understanding all of the terms of the employment contract that she signs but signs it anyway. Her employment turns out to be an education that changes Lyddie’s life, although not in all the ways that she had hoped.

Like Mrs. Cutler, the bosses at the factory have little real care for their workers, trying to get as much work out of them as they can for the least amount of pay they have to give them. The work is hard and the hours are long, but Lyddie keeps at it because the pay is the best she’s ever had and she is starting to save up for her family’s future. The poor working conditions contribute to health problems among the girls, and some of them petition for better working hours, but Lyddie is reluctant to do so because girls who are dismissed “dishonorably” from the factory are blacklisted all over town, and she fears not only risking the loss of her job but the potential to find a new one.

Through her interactions with the other girls and young women at the factory, Lyddie also develops into a young woman. She had previously wished that she’d been born a boy instead because a boy would have a better chance of running her family’s farm, but she comes to realize that there are opportunities out in the world for young women who are willing and able to go out and seek them. In Lowell, Lyddie gets a taste for literature through the books that her friend Betsy reads to her and acquires more lady-like behavior by watching the lady-like Amelia. Neither of them plan on working at the factory forever, and their ambitions, to get married or continue their education, cause Lyddie to consider what she really wants for her own future. Through the difficulties she encounters and everything she learns while facing them, Lyddie really becomes her own woman.

In the end, Lyddie is unable to save her family’s farm and reunite their family there. Her mother dies, and her father’s whereabouts are still unknown, so her uncle sells the farm to pay the debts. However, Charlie and her younger sister Rachel are provided for, the Stevenses decide that they will purchase the farm themselves, and Lyddie becomes reconciled to the loss of the farm through her new vision of the future. She is unfairly discharged from the factory after she catches an overseer molesting another girl and stops him because he blackens her name in retaliation. But, by then, Lyddie has acquired some money and new confidence in herself, and she begins making other plans for her future, which may include both further education and the possibility of marriage. One thing that she knows for certain is that, whatever she does with her life, she wants to move forward as her own, independent person.

The book is currently available online through Internet Archive (multiple copies).

Posted on August 6, 2018January 19, 2019 by TracyC

The Traitor’s Gate

The Traitor’s Gate by Avi, 2007.

The story is set in London, in 1849. Fourteen-year-old John Huffam lives with his parents and sister and their servant, Brigit and attends a school taught by a former military man who acts like he is still in the army and teaches them little beyond discipline and what army life would be like.

Then, one day, John is called home suddenly because of a family emergency. His family has fallen on hard times, and his father is in debt, so the family’s belongings are being confiscated. His father is summoned to appear in court, and if he cannot find the money to pay his debt, he will have to go to debtors’ prison. John’s father is shocked because he doesn’t actually owe any money to the man who is trying to call in the debt, Finnegan O’Doul.

In spite of this, John and the rest of the Huffam family must spend the night in the bailiff’s sponging house, the Halfmoon Inn. There, John’s father again promises John that there is no debt between himself and Mr. O’Doul. He even says that he doesn’t really know O’Doul, although John doubts him. It seems like his father has had dealings of some kind with the man that he wants to keep secret.

John’s father, Wesley Huffam, was originally from a fairly well-off family, but all the family’s money ended up going to a great-aunt instead of to him (possibly because it became obvious to his relatives that he had little skill at handling money in the first place). John’s father is resentful toward the great-aunt, Euphemia Huffam, for inheriting when he thinks that, as a man, he should have been first in line for the family’s money. However, with this enormous (although possibly false) debt hanging over his head, he may be forced to appeal to Great-Aunt Euphemia for help. He persuades John to go and visit Great-Aunt Euphemia on his behalf, since he is not allowed to leave the sponging house for now and the past quarrels between him and his aunt would make it unlikely that his aunt would want to see him. John is beginning to realize that there are pieces of his father’s life and their family’s past that have been kept from him, and he doesn’t like the idea that his father has been deceiving him, but with their family in such a desperate situation, he agrees to visit Great-Aunt Euphemia.

The bailiff, John’s mother, and Brigid all agree that John is going to have to be instrumental in solving their family’s problems. Of all the people in his family, he is the most practical, in spite of his young age. His father is an impractical man, stuck in a vision of his family’s former glory (and his aunt’s current money, which he does not share in) that doesn’t fit their current circumstances. John’s mother thinks that her husband’s job as a clerk for the Naval Ordinance Office doesn’t provide enough money for the family to live on, even though he earns more than twice what typical London tradesmen of the time do. The real problem is that the family doesn’t live within its means (it is eventually revealed that Wesley Huffam has been withholding money from his family that he uses for gambling), and John’s father’s snobbish attitude because he thinks of his family as being more grand than the commoners around them alienates people who might otherwise be friends and help them. John knows that he’s young, and he’s not completely sure what he can do to help his family, but he knows that there is no other option but to try. In the process, he learns quite a lot about life, himself, the people in his family, and the wider issues in the world around him, including some political intrigue that hits uncomfortably close to home.

Great-Aunt Euphemia agrees to see John when he comes to her house, but their first meeting doesn’t go very well. Great-Aunt Euphemia is ill (or says she is), and she bluntly tells John that his father was always bad with money. She is not at all surprised that he is in debt and needs her help. John gets upset at the bad things that Euphemia tells him about his father, and she gets angry when John tells her the amount of the debt. At first, John is sure that she will refuse to help them completely, but Euphemia tells him not to assume anything but that he should come back the next day. Her eventual contribution to helping John’s family in their troubles comes in the form of a job for John.

As John moves around the city, he gets the feeling that he is being followed, and he is. One of the people following him turns out to be Inspector Copperfield (or so he calls himself) from Scotland Yard. When John confronts him, the inspector seems to have a pretty good idea of the difficulty that his family is in and what John himself has been doing. John asks him why he cares, and the inspector says that John’s father is suspected of a crime and that John had better learn more about what his father has been doing and share that information with him. John doesn’t believe that his father could be a criminal, but the accusation is worrying because he knows that his father is hiding something (his gambling addiction isn’t the only secret he has).

The other person following John is a young girl in ragged clothes. The girl, who calls herself Sary the Sneak, approaches John herself, freely admitting that she’s been following him. In spite of her young age, Sarah (or Sary, as she is frequently called) lives on her own and must support herself because her mother is dead and her father was transported to Australia. People don’t often notice a young girl on the street, so sometimes people will pay her to follow someone and provide information about them. The reason why she tells John about it is because she isn’t above playing both sides of the street; sometimes, she gets the people she’s been following to pay her to provide them with information about the people who hired her to spy on them. She considers it even-handed. However, John has no money to pay her for information and finds her spying distasteful, so he doesn’t want to take her up on the offer at first.

However, John does a little spying of his own when his father sneaks away from the Halfmoon Inn, which he is not supposed to do. He follows his father to a pub called the Red Lion, where he witnesses his father gambling with money that he had claimed not to have. More than that, he sees his father arguing with a man who turns out to be O’Doul, another gambler. To John’s surprise, his teacher also shows up and seems to know O’Doul. When John later confronts his father with what he saw at the Red Lion, all his father will say is that he is carrying a fortune around in his head. Later, John overhears the bailiff speaking with someone else, an Inspector Ratchet from Scotland, saying that it appears that Wesley Huffam may be a traitor involved with spies and that the Inspector Copperfield who spoke to John earlier was an imposter, probably also a spy.

Could it be true? Is John’s father really a traitor, selling naval secrets from his job? If so, who can John trust? Conspirators seem to be around every corner, and John has the feeling that the people who are closest to him may be the biggest threats.

The book is currently available online through Internet Archive.

Posted on August 3, 2018January 19, 2019 by TracyC

Daily Life in a Victorian House

Daily Life in a Victorian House by Laura Wilson, 1993.

The book begins by giving some background on the Victorian era, which lasted from 1838, when Victoria became Queen of England, to Queen Victoria’s death in 1901. It was a time of expansion and colonization for the British Empire. Society was becoming increasingly industrialized and urban, although there was still great inequality about who had voting rights, and there were great gaps between rich and poor people.

To explain what a typical day might be like for people living in the Victorian era, the book introduces a fictional upper middle class family, the Smiths. It explains some of the background of the Smith family and the members of the Smith household. Mr. George Smith, the head of the household, is a lawyer. His wife, Florence, does not need to work, so she spends her time overseeing the household servants, managing the household accounts (how much money is needed for household expenses such as food, clothes, and supplies), visiting friends, and shopping. Mr. Smith’s income is good enough to afford for the family to have a cook, two maids, and a nurse to look after the youngest children in the family.

The Smiths have three living children. One of their daughters died in infancy, which was sadly common for that era. The eldest boy in the family, Albert, spends most of his time away at boarding school. The two youngest children, Alice and John, are cared for by their nurse. When John is old enough, he will go away to boarding school, like Albert, but Alice will probably be tutored at home. Their parents spend surprisingly little time with them, even in the general course of a day.

There is a map of the Smiths’ house, and then the book begins explaining what each of the members of the house do at different times of the day. Each day, the servants are the first to get up because they need to light the fires to heat the house and start cleaning and making breakfast, which would be a large meal.

Something that I thought was interesting was that the cook typically purchased food from tradesmen who sold their goods door-to-door. This was also important to the maids, who are in their teens, because they worked such long hours that they really wouldn’t have had time to get away and met young men in any other way. Their suitors would likely be the young tradesmen. Of course, the young tradesmen would have met many young female servants at all of the households they visited during their daily rounds.

The maids would have spent their days cleaning, tasks that would have been more time-consuming without more modern inventions. Vacuum cleaners were invented toward the end of the era, in 1899. Cooking was also a time-consuming job, although the book does explain some innovations for the Victorian kitchen. Because Mrs. Smith had servants to do all of her cooking and cleaning for her, she never even went into her own kitchen at all. It was considered improper for a lady with servants to handle menial tasks herself, and the servants wouldn’t have welcomed her interference in their work.

I liked the sections of the book that explained about the lives of children in the Victorian era the best, although I was surprised at how little time children from well-off families would have spent with their parents. Generally, young children would see their parents in the morning for prayers and spend about an hour with their mother in the late afternoon. Other than that, they would spend most of their time in the nursery with their nurse, who would take care of them and didn’t welcome much parental interference any more than the cook would welcome the lady of the house supervising her work.

I also liked the sections about toys and games and entertainment as well as the description of what young Albert’s life would have been like at boarding school. The book also explains what life and childhood were like for less fortunate people during the Victorian era.

Overall, I really liked this book. It’s a good introduction to Victorian history and life, and it does one of the things that I really wish adult books would do more often: have pictures. Pictures really are worth a thousand words, and actually showing the objects that people of this time would have used in their daily lives is far more effective than pages of lengthy descriptions of them in words only.

The book is currently available online through Internet Archive.

Posted on July 26, 2018July 26, 2018 by TracyC

A Samurai Never Fears Death

A Samurai Never Fears Death by Dorothy and Thomas Hoobler, 2007.

This book is part of the The Samurai Detective Series.

Sixteen-year-old Seikei returns home to visit his birth family in Osaka while Judge Ooka investigates reports of smugglers in the city. Seikei is a little nervous about seeing his birth family because he hasn’t gone to see them since he was adopted by Judge Ooka about two years before. All he knows is that his younger brother, Denzaburo, is helping his father to run the family’s tea business, which is probably a relief to Seikei’s father because Denzaburo was always more interested in the business than Seikei was.

However, things have changed in Seikei’s family since he left Osaka, and his homecoming isn’t quite what he imagined it would be. Seikei had expected that his older sister, Asako, might be married by now, but she says that Denzaburo is keeping her from her dowry because he needs her to help run the family business. Although Denzaburo enjoys business and the life of a merchant, it turns out that Asako has a better mind for it than he has. The two of them have been running the family’s tea shop by themselves because their father is ill. Also, although the family no longer lives above their shop, having bought a new house for themselves, Denzaburo says that he sometimes stays at the shop overnight to receive deliveries of goods. Seikei knows that can’t be true because no one ever delivers goods at night in Osaka. Denzaburo brushes off Seikei’s questions by suggesting that the three of them visit the puppet theater together to celebrate Seikei’s visit.

At the puppet theater, Seikei learns that Asako is in love with a young man who is an apprentice there, Ojoji. Because Ojoji is only an apprentice, the two of them cannot afford to get married, something that Denzaburo laughs about. However, before Seikei can give the matter more thought, they discover that one of the narrators of the plays has been murdered, strangled.

They summon an official from Osaka to investigate the scene, Judge Izumo, but Seikei isn’t satisfied with his investigation because it seems like Judge Izumo is quick to jump to conclusions. Then, suspicion falls on Ojoji. Asako doesn’t believe that the man she loves could commit murder and wants Seikei to ask Judge Ooka to intercede on Ojoji’s behalf, so Seikei begins to search for evidence that will help to prove Ojoji’s innocence.

The mysterious happenings and murders (there is another death before the book is over) at the puppet theater are connected to the smuggling case that Judge Ooka is investigating, and for Seikei, part of the solution hits uncomfortably close to home. However, I’d like to assure readers that Asako and her beloved get a happy ending.

During part of the story, Seikei struggles to understand how the villains, a group of bandits, seem to get so much support and admiration from other people in the community, including his brother. It is Asako who explains it to him. It’s partly about profit because the outlaws’ activities benefit others monetarily, but that’s only part of it. In Japan’s society, birth typically determines people’s roles in life, and each role in society comes with its own expectations about behavior, as Seikei himself well knows. Seikei is fortunate that circumstances allowed him to choose a different path when he didn’t feel comfortable in the role that his birth seemed to choose for him; he never really wanted to be a merchant in spite of being born into a merchant family. Others similarly do not feel completely comfortable with the standards that society has set for them, and their fascination with the outlaws is that the outlaws do not seem to care what society or anyone else thinks of them. The outlaws do exactly what they want, when they want to do it, dressing any way they please, acting any way they please, and taking anything they want to use for their own profit. Denzaburo, who was always willing to cut corners when it profited him, sees nothing wrong with this, and he envies the outlaws for taking this idea to greater lengths that he would ever dare to do himself.

The idea of throwing off all rules and living in complete freedom without having to consider anyone else, their ideas, their wants, their needs, can be appealing. Asako understands because, although she is better at business than either of her younger brothers, she cannot inherit the family’s tea business because she is a girl. She thinks that, because the system of society doesn’t look out for her interests, she has to look out for herself, and what does no harm and makes people happy (in the sense of giving them lots of money) shouldn’t be illegal. At first, Asako sees their activities as victimless crimes. Although she doesn’t use that term to describe it, it seems to be her attitude. However, do victimless crimes really exist? Seikei has a problem with this attitude because what the outlaws are doing has already caused harm in form of two deaths and the risk to Ojoji, who may take the blame for the deaths even though he is innocent. Asako might not care very much about the others at the puppet theater, but she does care about Ojoji.

It’s true that Seikei has defied the usual rules of society by becoming something other than what he was intended to be, and for a time, he struggles with the idea, comparing himself to the outlaws, who were also unhappy with their roles and wanted something different. However, the means that Seikei used to get what he wanted in life are different from the means that the outlaws use, and Seikei also realizes that his aspirations are very different from theirs. While Seikei had always admired the samurai for their ideals and sense of honor and order, the outlaws throw off the ideals of their society in the name of doing whatever they want. Although the outlaws do benefit some of the poorer members of society, paying money for goods that the makers might otherwise have to give to the upper classes as taxes and tribute and trying to stand up for abused children when they can because their leader was also abused as a child, their main focus is still on themselves and what they and their well-paying friends want. Seikei is concerned with justice and truth, which are among his highest ideals. Even though he learns early on that, as a samurai, he could claim responsibility for the deaths at the theater himself because, in their society, a samurai would have the legal authority to kill someone for an insult. Claiming responsibility for the killings would allow Ojoji to go free, and it would be one way to solve the problem quickly and make Asako happy, but Seikei cares too much about finding the truth behind the murders and bringing the real murderer to justice to take the easy way out. It is this difference in ideals and priorities between Seikei and others around him which set them on different paths in life.

One thought that seemed particularly poignant to me in the story is when Seikei reflects that we don’t always understand the importance of the choices we make in life at the time when we have to make them because we don’t fully understand all the ways in which a single choice can affect our lives. He thinks this when the leader of the outlaws offers to let a boy who was abused come with them and join their group after they intervene in a beating that the boy’s father was giving him. They tell him that joining their group would mean that he could do whatever he wants from now on. The boy, not being sure who they are or what joining their group would really mean for him, chooses to stay with his father. Seikei wonders then whether the boy will later regret his decision or not. His father obviously doesn’t treat him well and may not truly appreciate his show of loyalty by remaining, although joining the outlaws comes with its own risks. It’s difficult to say exactly which two fates the boy was really choosing between in the long run and which would be likely to give him a longer, happier life, which is probably why the boy chose to stick with what he already knew.

There is quite a lot in this story that can cause debates about the nature of law and order, society’s expectations, and the effects of crime on society and innocent bystanders. I also found Seikei’s thoughts about what makes different people choose different paths in life fascinating. I’ve often thought that what choices a person makes in life are determined about half and half between a person’s basic nature and the circumstances in which people find themselves, but how much you think that or whether you give more weight to a person’s character vs. a person’s circumstances may also make a difference.

The story also explains what fugu is, and there is kind of a side plot in which Judge Ooka wants to try some. A lot of the characters think that the risk involved in eating the stuff isn’t worth it, but well, a samurai never fears death, right?

There is a section in the back with historical information, explaining more about 18th century Japan and the style of puppet theaters called ningyo joruri, where unlike with marionettes or hand puppets, the puppeteers are on stage with the puppets themselves, wearing black garments with hoods so that the audience will disregard their presence (except for very well-known puppeteers, who might reveal their faces). For another book that also involves this style of puppetry, see The Master Puppeteer.

Posted on June 20, 2018June 15, 2021 by TracyC · 6 Comments

Katy Comes Next

Katy Comes Next by Laura Bannon, 1959.

Ruth is little girl whose parents own a doll hospital. She has always been proud and fascinated by how her parents can make old or damaged dolls beautiful again.

However, Ruth’s own beloved doll, Katy, is in need of repair herself. As her parents rush around repairing dolls for their customers, they keep assuring her that Katy’s turn will come next.

After being put off repeatedly, Ruth starts to think that poor Katy will never get the attention that she needs.

When Ruth’s parents realize how discouraged she is, they decide to take a day off for Katy to come first.

This was one of absolute favorites when I was little! The pictures alternate between black and white and color and show the process that Ruth’s parents go through to repair Katy, repaint her body and features, and give her new hair and eyes.

Ruth also gets to pick out an entirely new wardrobe for Katy. I was always fascinated with the description of how Ruth’s parents fixed the doll, and I enjoyed imagining the doll clothes that I would have selected from the ones they showed in the pictures. Making the choices is half the fun!

When Katy is finally finished, she looks beautiful, and Ruth is happy! This is one of the many out of print children’s books that I wish would come back into print!

Posted on June 6, 2018January 19, 2019 by TracyC · 2 Comments

Magic by the Lake

Magic by the Lake by Edward Eager, 1957.

Jane, Mark, Katharine, and Martha are finally going to spend the summer at a lake with their mother and their new stepfather! The children were never able to do that before because their widowed mother always had to work during the summer. When they arrive at the cottage by the lake that their stepfather, Mr. Smith, has rented, there is a sign that says, “Magic by the Lake.” The children think that it could just be the name of the cottage because sometimes cottages are giving interesting or amusing names, but having had experience with magic before (this being the second book in the series), they consider the idea that they could be headed for more adventures. Of course, they are correct, but it turns out to be the lake that’s really magical, not the cottage.

The children are playing by the lake when they wish for more magic, and a talking turtle comes up to tell them that, because of their wish, the entire lake is magic. That sounds amazing, but too much magic all at once can be overwhelming. Fortunately, the turtle is also magical, and he has some ability to influence magic in the lake. The children make a deal with him that he can arrange for them to have adventures with magic in the lake, but only one at a time, because that’s what they feel that they can handle. Also, the adventures won’t happen every day, so they can have a chance to rest in between. The grown-ups around them won’t notice any of the magical happenings, and little Martha insists that nothing truly scary will happen to them. Jane protests at that request because she thinks that it will make their adventures as boring as overly-tame children’s books, but the turtle says not to worry because what he thinks of as “not scary” isn’t necessarily what Martha would think of as “not scary.” The turtle tells the children that when they’re ready for adventure, they should think about what they wish for and then touch the lake, and if the time is right for it to happen, it will.

That sounds simple enough, but what they consider the right time and what the lake considers the right time aren’t always the same thing, and just as before, their wishes and adventures don’t go quite as planned. In their first adventure, a mermaid takes them to an island of pirates, the stuff of high adventure. The children are delighted when they discover that the pirates, being adults, can’t really see them, as per their earlier wish for adults not to see their magical activities. It opens the potential for playing dirty tricks on rotten pirates, who seem to perceive them as some sort of ghosts. It’s all fun and games until the pirate captain decides to see if he can make ghosts walk the plank. Their turtle friend saves them by turning them into turtles, which, while magical, makes the rest of the day rather difficult for them because they have to go home and on errands with their mother. Walking on land can be difficult for turtles, and their mother has no idea that they’ve changed at all, still seeing them as children. Whatever magic the children get during the day seems to last until the sun sets, even when they wish it would end sooner.

Then, while watching their mother and Mr. Smith at a dance, Jane and Katharine wish that they were old enough to join in, about age sixteen. Suddenly, the two of them are teenagers in evening dresses, getting attention from some teenage boys. The girls seem to enjoy the romance of it, but Mark and Martha follow them around, trying to convince the boys that the girls are really younger than they seem to be and dreading the moment when they will inevitably change back to themselves.

The children discover that they don’t even need to be at the lake in order to make the magic happen as long as they’re touching water from the lake. On a rainy date, when the roof of their cottage is leaking, the children realize that the rain water is also lake water. By making a wish on that, they end up at the South Pole in time to save a lost explorer and help him make an important discovery.

The children enjoy their adventures, but they become worried about Mr. Smith, who has been making the commute back and forth from the lake to his bookshop, and it seems that business hasn’t been good at his bookshop this summer. They consider the idea of using the magic of the lake to solve Mr. Smith’s problems, perhaps by going back to the island where they saw the pirates bury a treasure chest. They figure that if they could bring Mr. Smith an entire chest of pirate treasure, he wouldn’t have to worry about money anymore.

But, of course, that idea doesn’t go as planned. When Martha argues with the others and goes to the island by herself to get the treasure, she breaks all the rules associated with the magic. Because the rules that previous protected her and her siblings are gone, there is nothing to prevent her from being captured by the cannibals that live on the island. When her brother and sisters try to save her, they are also captured. It’s only the sudden appearance of Martha’s future children and Katharine’s future daughter (although they don’t know it yet), who are on a magical adventure of their own, in a cross-over from another book in the series, The Time Garden.

The children make one more attempt to get treasure for Mr. Smith in a kind of Arabian Knights adventure, but that doesn’t work, either. However, although the children seem to have used up their wishes on the lake, they have the feeling that the magic might allow them one last opportunity to get what Mr. Smith needs. It does in a way that may or might not be magical, although the buried treasure that they find and get Mr. Smith to dig up may be a representation of the pirates’ treasure and not of the old miser (now deceased) who was said to have lived at the old, abandoned cottage by the lake that the children decide to explore. It does seem like quite a coincidence that the old miser’s initials would match those of the pirate captain, and they are carved on the stone over the buried treasure, just like the marker the pirate captain left.

In the scene with the cannibals on the island, the cannibals are stereotypical “savage natives” (or “native savages”, or something generic of that sort, since the terms are used pretty interchangeably in the story). You find things like this pretty commonly in old children’s books, especially prior to the 1960s. But, what made this more palatable for me was that the entire scene is written as a joke on the usual stereotypical books that children of the era would have read. The cannibals speak kind of like American Indians in cheesy old Westerns, using words like “heap” for “very” and randomly adding “-um” to end of words. You know that it’s not really how anybody, even cannibals living on some remote island in an indeterminate ocean, would talk, but it might be how children raised on adventure stories and movies from the 1920s might imagine they would (adding to my earlier theory from the last book that at least some of the children’s adventures might actually take place in their own minds, not in their “real world”). It may also be a reference to things in tv shows from the 1950s, the time period when the story was written. The best part for me is when the children try to remember what shipwrecked explorers do when confronted with cannibals in some of the stories they’ve read. They start throwing out random words that are meant to sound impressive combined with some gobbledy-gook in an effort to communicate/impress the cannibals. Then, Mark tries to convince them that he’s a powerful god with the ability to control fire. The cannibal chief is unimpressed, telling him that he recognizes what Mark has as an ordinary safety match, which he blows out. So much for the old adventure stories.

The book is currently available online through Internet Archive.

Posted on June 4, 2018December 20, 2018 by TracyC · 1 Comment

Half Magic

HalfMagic Half Magic by Edward Eager, 1954, 1982.

Jane, Mark, Katharine, and Martha are siblings living in the 1920s. Their father is dead, and their mother works for a newspaper. While their mother is at work, Miss Bick takes care of the house and the children, although she isn’t really good with children. The children are often free to amuse themselves on their own during the summer, and they like to pick out books from the library for entertainment. They particularly enjoy the fantasy books by E. Nesbit (a real author, and they reference her real books during the story), and they wish that exciting, magical things like the ones that happen in her stories would happen to them.

They get their wish (and a great many others) when Jane finds a strange coin on the sidewalk that they mistake for a nickel at first. By accident, they discover that this coin grants wishes, but it has a peculiar habit of only granting half of what a person wishes for (and the coin seems to interpret the idea of “half” pretty liberally, depending on the type of wish, so results can be pretty unpredictable).

Jane is so bored after she finds the coin that she wishes that there would be a fire for some excitement. Suddenly, the children hear a fire engine and discover that a child’s playhouse had caught fire. It could have been coincidence, except that their mother borrows some change from Jane, getting the magical coin by accident. While she is visiting the children’s aunt and uncle and finds their conversation boring, she wishes that she were at home, but finds herself unexpectedly by the side of the road halfway home. She is confused but thinks that she must just be very tired or something and forgot that she was walking home. She ends up accepting a ride from a very nice man who happened to be passing her on the road and thought that she looked lost and confused.

HalfMagicChildren These early experiences and a series of odd wishes Mark makes when he doesn’t realize that he has the coin demonstrate to the children not only that the coin is magical but that they have to be extremely careful what they wish for when they have it. They have to word their requests very carefully, asking for twice as much of anything they want in order to counteract the half magic of the coin. Even so, they can’t help but make mistakes and get themselves into trouble.

When Katharine uses her turn with the coin to take them back to the days of King Arthur, she ends up causing trouble and disrupting history by defeating Lancelot in a tournament. Fortunately, Merlin realizes what the children have done and forces them to explain themselves and show him the magic coin. After inspecting it, Merlin gives the children a stern lecture about interfering with the natural course of history. He uses the coin’s magic to undo what the children have done and further uses it to restrict the children’s wishes to affecting only their own time period. He warns them to be more careful about what they wish for, keeping their wishes smaller and more personal, adding that the coin’s magic will eventually be exhausted, so they should save their wishes for what is important.

HalfMagicTheater There is one more disastrous experience when the children go to the movies (a silent film because this is 1920s), and Martha accidentally wishes that she wasn’t there while touching Jane’s purse, which holds the coin. Martha, of course, ends up being only halfway “not there,” almost like a living ghost, which terrifies onlookers. Straightening out that mess brings them into contact with Mr. Smith, the nice man who gave their mother a ride home. He owns a bookstore, and he enjoys fantasy stories as much as the children do. He becomes the only adult who knows that the children have been using magic, and he’s fascinated by it, enjoying witnessing their adventures.

When the children’s mother comes to pick them up, Mr. Smith is pleased to meet her again and invites the family to join him for dinner. Mr. Smith is obviously fond of the children’s mother, and most of the children like him, too. However, Jane is uneasy. It’s partly that she worries that Mr. Smith will interfere with their use of the magic coin and partly that she worries about his new relationship with their mother. Of the four children, only Jane, as the oldest, really remembers their father, and she can’t stand the thought that Mr. Smith might become their stepfather and take his place.

HalfMagicSmith When Jane argues with the other children about Mr. Smith and rashly wishes that she belonged to another family, the other children call upon Mr. Smith to help them rescue Jane from her foolish wish, her unsuitable new family, and from herself.

In the end, Mr. Smith does marry the children’s mother, and even Jane is happy with the arrangement, having come to appreciate Mr. Smith much better. Once their mother and Mr. Smith each have what they wished for most — each other and a happy family with the children — they forget about the magic coin. Although none of the children realize it, the coin also grants Jane one final half-wish in which her father comes to her in a dream-like form, letting her know that he approves of her mother’s remarriage and the children’s new stepfather because he wants them all to be happy. This gives Jane the reassurance she needs to fully accept Mr. Smith. The children, deciding that the coin has given them all the wishes it’s going to, leave it in a convenient place for a new owner to find.

You don’t find out what happens with the coin’s new owner apart from when the children see a young girl pick it up and realize that it’s magic when she makes her first wish. However, there is a cross-over scene in another book in the series, Seven-Day Magic, which explains a little more about what happens next. Books in this series frequently reference and sometimes parody other children’s books that were popular at the time they written, and individual books in the series even sometimes reference each other, even when the main characters have changed.

Speaking of literary references and parodies in this series, sometimes it’s a little difficult to tell for certain which scenes are really meant as parodies and which aren’t. Knowing a bit about vintage children’s fiction helps, but there may be some scenes in the stories which can make modern readers a little uneasy. One scene in the book that bothered me was near the beginning, when Mark wishes to be on a desert island. This was before the children fully realize that the coin only grants half of a wish, so the children just end up in a desert, but not on an island. The part that bothers me is that they are briefly kidnapped by a kind of wandering Arab man who seems to be planning to ransom or sell them. This scene is like an old stereotype out of the sort of silent movies that the children would have been watching, and because of that, it was a little painful to read. The man’s name is Achmed (still in keeping with the stereotype), and they keep referring to him as “Achmed the Arab,” in case you need reminding that that’s what he is. They get out of their predicament with him by wishing for something that would make him really happy so that he’ll forget about them. By then, they realize that they need to double their request in order to make the coin work properly, so their wish works. The coin ends up giving Achmed a beautiful wife and “six plump Arab children” (in case you forgot that Achmed’s children would be Arab as well) and generally improves what Achmed owns, so Achmed becomes a happy family man and gives up his earlier, shady ways. It’s eye-rollingly stereotypical and cliche, so I think it’s worth telling potential readers that this scene is there.

The cliches and stereotypes (not to mention the constant, unnecessary repetition of the word “Arab” just to remind you that that’s what everyone is, in case you were confused) in that scene were annoying, but unfortunately, things like that crop up pretty regularly in children’s literature from the 1950s and earlier when there are scenes that take place just about anywhere outside of the United States, Canada, or Europe. That being said, there are a couple of things that make this scene easier to bear. One is that Mark, realizing that the magic coin can get them out of this situation and that they have the power to put Achmed at their mercy, decides not to do it because it occurs to him that Achmed is probably a desperate man because he is poor. Mark decides that Achmed would be a better person if he had whatever would make him feel the most fulfilled in life, so he wishes for that for him. It’s nice that Mark sees him as being a person whose well-being needs to be considered, not just an enemy to be defeated. Also, it occurs to me that it’s not completely certain that the desert they’re in is a real-life one, even in the children’s fictional world. I think the assumption is that it is, like we’re supposed to assume that the world of Camelot that they visit is a real part of history, but it may not be. In fact, the children in different books in this series in general sometimes get philosophical about their magical adventures, wondering about how their magical adventures fit into the real world around them or if they really do, and they never fully get all the answers. Perhaps the coin took the children to their idea of what a desert or what Camelot would be like, not to those real places. In 1921, there was a famous silent movie called The Sheik in which Rudolph Valentino played an Arab sheik named Ahmed (Achmed’s name could be a joke on that). It’s not a movie for children, but it was very popular in the 1920s, and it inspired other movies with Arabian themes, at least a couple of songs, and probably a number of the stereotypes about Arabs of the time. So, if the kids in the story were imagining an Arabian desert, it would probably be something resembling what they’d seen in movies like that. This little adventure may have only taken place in the imaginary world, even from the children’s perspective, and the author may be poking fun at the notions children get from popular culture. Even in the end, the children admit that there are many things they don’t understand about the coin and how it works, like where the other half of Martha went when she was only half there. In a world where magic works, pretty much anything is possible. Then again, since the entire book is fictional, it may be best not to worry too much about it. Still, I just plain didn’t like this scene. The rest of the book wasn’t so bad.

Overall, it’s a fun story. Part of the fun for book lovers is in spotting the various literary references in the story because the children talk about the books they like and read and compare their adventures to ones they’ve read about. The concept of the half-wishes also makes you think. It’s worth pointing out that, although the children enjoy the general adventure of the coin, most of the children’s wishes, no matter how carefully they word them, don’t turn out the way that they expected, even when they get exactly what they asked for. Mr. Smith marrying their mother is actually the best wish that comes true in the whole book.

The book is currently available online through Internet Archive (multiple copies).

Posted on April 27, 2018 by TracyC

Mystery Behind Dark Windows

MysteryDarkWindows Mystery Behind Dark Windows by Mary C. Jane, 1962.

Recent years have brought misfortune to the formerly wealthy Pride family. First, Tony and Ellie’s father was killed while on a business trip on behalf of the family’s mill. Then, the workers in the mill went on strike, and the children’s grandfather died. Their Aunt Rachel blames the strikers for putting stress on her father while he was still grieving for his son, thereby causing his death. Because of that and because she doesn’t believe that she can handle the running of the mill herself, she has closed down the mill, putting all of the workers out of a job.

The townspeople of Darkwater Falls struggle to get by without the mill and are angry with the remaining members of the Pride family for the lay-offs, but Aunt Rachel thinks that their suffering is earned and so does nothing to help. If Aunt Rachel would be willing to sell the mill to someone who would put it back into good use and employ people, the community’s problems would be solved, but Aunt Rachel can’t bring herself to do that, in spite of the offers she’s received and the urging of the family lawyer, Mr. Ralph Joslin. She has high hopes that Tony might revive the mill one day when he’s grown up, and in the meantime, she wants to punish the strikers with unemployment and underemployment. However, Aunt Rachel, absorbed in her personal pride and bad feelings, is ignoring some serious issues. The taxes on the disused mill are costing the family dearly, the equipment is rusting, and Tony isn’t even sure that he wants to go into the family business. Tony and Ellie are unhappy with their family’s situation, their aunt’s bitterness, and the way many of the townspeople now look at them, but they’re not sure what to do about it.

MysteryDarkWindowsMillSearch Then, one night, Ellie goes out to look for her aunt’s missing cat and hears someone in the old, supposedly empty mill. When she tries to tell Tony, he doesn’t take her seriously, but Ellie knows what she heard. Ellie later goes back to the mill to take another look at the place, and she sees Jeff, a boy from Tony’s high school, hanging around. Later, she confides what she’s heard and seen in Hank, an old friend who lives on the other side of the river, and Violet, another girl from her class whose family has suffered since the closure of the mill. The two of them start helping Ellie to investigate.

Some people in town have become concerned about children in the area getting into trouble, and they think that maybe some of the local youths have formed a gang. Ellie worries about Tony, who has started sneaking out of the house at night to hang out with friends. Is he now part of a gang? Are he and his friends the ones who were sneaking around the old mill? Or could it be some of the disgruntled townsfolk, bitter about the mill remaining empty and not providing much-needed jobs?

While the kids have a look inside the mill, they discover that someone has been using the place as a hideout. A fire at the mill reveals a number of secrets and sheds light on a town and a family caught in a cycle of bitter feelings and revenge. Aunt Rachel is stunned when some of the townspeople accuse her of setting the fire herself in order to get insurance money for the mill. The fire was clearly arson, and since Aunt Rachel has gone out of her way to make life difficult for people in town, many of them would be ready to believe just about anything of her. It’s up to the young people to put the pieces together and reveal the true arsonist before the mill, the town, and the Pride family are completely destroyed.

Many of Aunt Rachel’s decisions are guided by a mixture of grief and anger, but she is also stubborn and prideful. The Pride family was aptly named. Although they have suffered misfortune, their privileged position as the (former) main employer of the community has given Aunt Rachel the sense that she and others in her family could do no wrong. Aunt Rachel is absorbed in herself, her own feelings (which she places above others), and the past to the point where she feels justified in deliberately causing harm to her community and the people in it, failing to see the consequences of her actions, even the effects that her attitude has on the orphaned young niece and nephew in her charge. Ellie feels like they don’t have a real family because her aunt’s bitter feelings prevent her and her brother from getting close to their aunt. Her aunt’s actions have also made it difficult for her and Tony to get along well with other members of the community, further isolating them from comfort in their own grief.

In a way, the fire brings Aunt Rachel back to reality, forcing her to see the consequences of her actions (and inaction). It comes as something of a shock to her that, while she felt fully justified in her bad feelings for the town, they are also fully justified in feeling badly about her. Somehow, it never occurred to her how someone, doing the things she’s been doing and saying the things she’s been saying, would look to the people she deliberately set out to hurt. For most of the story, the only feelings that were real to Aunt Rachel were her own. Even when she thought about how people hated her, she didn’t think that what they thought would matter until she began to see how it was affecting Ellie and Tony as well as the other children in town. Ellie can see that many things would have been resolved sooner if both her aunt and her brother could open up and discuss things honestly, both within the family and with other people. Although neither of them set the fire, their secretiveness and self-absorption at first create the impression that they did. Ellie’s eventual outburst at her aunt and the real guilty person force both of them to acknowledge the reality of their actions and motives.

I was somewhat fascinated by the motives of the arsonist, who understands the effects that Aunt Rachel’s bitterness and revenge have been having on the young people in town, even her own nephew, better than she does. This person was wrong in the path he tried to take to fix the situation, but he does correctly see that unemployed men not only lack the money they need to properly take care of their families but may also set a bad example for boys and young men, either through the habits and attitudes that they let themselves fall into or by becoming too absorbed in their difficulties to see what’s happening to their own children. I also agree with his assertion that those responsible for putting people out of their jobs bear some responsibility for the results of their actions, something which resonates in today’s economy, where many people are still unemployed or underemployed. The Pride family’s previous high standing in the community was directly because of their ability to employ people and improve the lives of others. When they began making life hard for others and refused to use their ability to help people, they lost that standing. Aunt Rachel was just the last to realize it, which was part of the reason why she was surprised to discover just how badly the town thought of her. She didn’t have a good reputation because she had done nothing to earn one, no matter what her family used to do. She was no longer using their powers for good, so she turned herself into a villain. However, it’s important to point out that the arsonist isn’t really in the right himself because, as Ellie points out, the spirit behind his actions isn’t much different from her aunt’s.

Ellie is correct in pointing out that both her aunt and the arsonist were wrong, not just because of what they did, but because of the feelings and motives behind it. In their own way, each of them set out to deliberately hurt others because they had each been hurt. Which of them was hurt first or hurt worse ultimately doesn’t matter. Their mutual desire for vengeance against each other not only hurt the people around them but kept each of them from doing what they needed to do in order to heal their own wounds. That is also a message that resonates today, in these times of political division, with two large parts of society trying to one-up each other and even actively harm one another, largely because they can’t stand the idea of someone wanting something or believing something that they don’t. Whatever the circumstances, when people focus on winning on their own terms, no matter what the cost, everyone loses in the end.

Toward the end of the story, as Aunt Rachel and the arsonist begin making grudging apologies to one another and reluctant steps to fix things, Ellie decides that grudging and reluctant aren’t good enough and finally gets up the nerve to tell them what she really thinks, what they most need to hear:

“Just selling the mill won’t make things better . . . It’s the way [they] feel about it that’s wrong. That’s what made them act the way they did in the first place. They just wanted to get even with people, and hurt people, because they’d been hurt themselves. And they feel the same way still. You can see they do.”

How much can people help what they feel? It partly depends on what people choose to do about their feelings. Actions guide feelings, and feelings guide actions. Aunt Rachel and the arsonist indulged their bad feelings, nursing them, amplifying them, and making them their first priorities, the guiding force of their actions. As long as they keep doing that, Ellie knows that the problems aren’t really over, and everyone will remain trapped in this bad cycle. Ellie’s honest outburst finally breaks through to both of them, showing them what they really look like to others and making them reconsider their feelings and priorities.

One of my favorite characters in this story was Mr. Joslin, the lawyer. Although he looks a little suspicious himself for a time, he is actually a good man, who looks after the family’s interests and genuinely cares about them as well as about the town. He is the one who convinces Tony to be honest with his aunt about the friends he hangs out with and helps persuade Aunt Rachel to see things from others’ point of view. He loves Aunt Rachel, in spite of her faults, and is honest with her about those faults, telling her what she needs to hear. Of all the characters, with the exception of Ellie, he seems to have the most insight into other people’s feelings and situations. He supports what Ellie says, quoting Lord Bacon, “A man who studieth revenge keeps his own wounds green, which otherwise would heal and do well.”

Posted on March 2, 2018March 8, 2018 by TracyC

Changes for Addy

American Girls

AddyChanges

Changes for Addy by Connie Porter, 1994.

Since the Civil War ended, most of Addy‘s family has managed to reunite in Philadelphia. The one person who is missing is Addy’s little sister, Esther. When Addy and her mother escaped from the plantation where they had been living as slaves, they were forced to leave Esther behind with family friends because she was too little to travel. Since the end of the war, slaves have been released from plantations, but the Walkers haven’t received any word from their friends, Auntie Lula and Uncle Solomon Morgan and don’t know where they or Esther are.

Over the past months, the Walker family has sent inquiries to various aid societies helping war victims and displaced people, asking if the Morgans or Esther have sought help from them. Finally, they get a response from the Quaker Aid Society, saying that the Morgans and Esther were at one of their camps in North Carolina. They stayed for awhile because Esther was ill, but as soon as she was well enough to travel, they were eager to move on to Philadelphia.

Addy is happy because the news means that the Morgans and Esther might already be in Philadelphia, looking for them. However, Addy’s parents are still worried because the Morgans are elderly, and from what the letter said, they were not in good health. The family makes further inquiries to see if they could be at any of the local hospitals.

Eventually, the search for the Morgans and Esther pays off when Addy finds them at a church. Uncle Solomon passed away on the journey to Philadelphia, and Esther seems unsure of who the people in her family are because she was so little the last time she saw them. Auntie Lula pressed on for Philadelphia because she wanted to make sure that Esther made it safely back to her family. Auntie Lula is in bad health herself, and she knows that she isn’t likely to live much longer, making the reunion bittersweet.

AddyChangesProclamation However, Auntie Lula does get to spend a little time with the family before her death, and she tells Addy not to be sad. People don’t always get everything they want in life, but they can take some pride in what they do accomplish. Lula and Solomon may not have gotten everything they wanted in life, not having had much time to enjoy being freed from slavery, but they did get to accomplish what was most important to them. Solomon died knowing that he was a free man, far from the plantation where he’d been a slave. Lula managed to reunite Esther with her family. From there, Lula says, she is depending on the young people, like Addy and her family, to make the most they can of their lives, hopes, and dreams.

The theme of this story is hope and the need to persevere with determination. Life has its difficulties, and not every problem can be solved. However, things can get better. After the reunion with Esther, Addy points out to her mother that Esther wasn’t walking or talking when they last saw her, and they never got to experience seeing her learn. Addy is sad at the time they’ve lost with Esther, which they can never recover. However, because of Lula and Solomon’s determination to bring Esther to them, they will have many more years to come with Esther. Addy’s mother also reminds Addy that those who love us never leave us. Auntie Lula and Uncle Solomon changed the family’s lives for the better because of the good people they were, and their memory will stay with them forever.

In the back, there is a section of historical information about the end of the Civil War, the emancipation of the slaves, and it further explains how racial issues continued into the 20th century, leading to the Civil Rights Movement in the 1960s.

AddyChangesHistorical

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Katy Comes Next by Laura Bannon, 1959.

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