Posted on by TracyC

The Four-Story Mistake

The Melendy Family Series

The Four-Story Mistake by Elizabeth Enright, 1942.

The Melendy family is moving out of their brownstone in New York and going to live in a house in the country. The children aren’t happy about moving because they’ll miss their old home. They’re sure that no other house would ever be as good as their old one.

However, when they arrive at the house in the country known as the Four-Story Mistake (because it was originally supposed to have four stories but the original owner ran out of money and only could manage three floors and a cupola at the top), they are fascinated and charmed by its size and peculiarities. For the first time, each child in the family can have their own room instead of having to share, and there’s also a room that they can turn into an office (really a playroom), like the children had at their old house. Their father takes them up into the cupola and points out the different directions the windows face and how they resemble the outlooks of each of the children. He reminds Randy, the one who misses the old house the most, of the importance of looking ahead.

The children start to enjoy exploring their new house and the countryside around it. Seven-year-old Oliver finds a secret room in the cellar with some old things that belonged to past children who lived in the house. He keeps it to himself for a while, enjoying his secret, but he gradually lets the other children in on it. It takes Randy more time to learn how to ride her bicycle than the others, but she is thrilled when she finally masters it. However, the others are still doing better than she is. When she is separated from them on a bike ride and crashes in town, knocking herself unconscious and getting a cut on her head, she causes a stir. She is tended to by a traffic cop and his wife, who have a house full of plants and a pet alligator named Crusty, among other pets.

Gradually, the children settle in at the house and start feeling more at home there. They start making friends at the nearby school, and Rush builds a tree house with help from the family’s handyman, Willie. One day, when Rush is home with a sore throat and a fever, he gets restless and sneaks out of the house to hide in his tree house. He falls asleep and gets trapped there during a storm when the ladder falls, and he can’t get down. Eventually, his family realizes that he’s missing and rescues him, but he ends up with a case of bronchitis from the hours he spent in the tree house in the rain. Even that isn’t so bad, though, because they bring him food and let him read in bed until he gets better.

As winter starts, the kids play in the snow and use the sleds that Oliver found in the secret basement room. They also discover a hidden door behind some wall paper upstairs. It leads to a hidden room with blue wall paper that they had never noticed before even though they realize that they should have noticed that there were windows on the outside of the house that should have told them there was an extra room. The children decide to keep the hidden room secret from the adults until they can explore it themselves. Inside the room, they find a portrait of a girl labeled “Clarinda.” The kids secretly clean up the room and try to learn who Clarinda was. It takes some time before they learn what happened to Clarinda, but it’s a fascinating and inspirational story rather than a tragic one.

Meanwhile, WWII is still going on, and Mona comes up with a plan to help the war effort. She enlists the other kids to help collect scrap materials, learn to knit, and buy war bonds. They’re a little dubious about some of Mona’s plans, but they get more interested when she says that she wants to put on a play and charge admission to raise money. Mona is writing the play herself. It’s a fairy tale type story called The Princess and the Parsnip. Of course, Mona will also play the leading role as their resident actress. She almost quits the play when she accidentally gives herself a bad hairdo, but fortunately Cuffy helps her fix it. In fact, the play is such a success and Mona does so well that she gets her first real acting job – a role in a radio play.

Her father knows that she’s young, and he talks to her seriously about accepting the job. He makes sure that Mona understands that an acting career will involve hard work and some odd hours. He expects her to keep up with her school work and also take some time to be a real person and family member and not to put on airs. Mona acknowledges that and is really happy when she gets the part.

Rush becomes a little temperamental when Mona gets her job, and he admits to Randy that it’s because he feels bad that he isn’t making real money, like Mona is. The war has been on his mind, and he feels like he wants to do something serious and important and to also feel like he’s earning money for the family. The problem is that he can’t think of anything he can do. Out in the countryside, there aren’t as many job opportunities, so he feels useless. Then, Randy gives him a suggestion: he can teach piano lessons. Rush has always had a special talent for the piano, and they know that there hasn’t been a music teacher in town since the last one left to get married. Rush isn’t sure he likes the idea, but Randy says that if he isn’t interested in the job he could do best, maybe he wasn’t really serious about wanting a job at all. Thinking it over, Rush decides to give it a try, and he’s actually more successful at it than he expected. He almost quits after a particularly difficult student causes him to lose his temper and hit the other boy, but a talk with the boy’s father straights things out between them.

The book covers most of the children’s first year at their new house, with changing seasons and changes in the children’s lives. They have a Christmas with homemade Christmas presents and a few special surprises from their father and Mrs. Oliphant (a wealthy woman who’s an old family friend). There are adventures with ice skating, and in the spring, Randy finds a diamond at the brook. They acquire some new pets, including Crusty the alligator, who becomes another of their Christmas presents, having outgrown the bathtub where he was living with the policeman. Crusty later escapes and takes up residence in the brook before apparently migrating to Pennsylvania. Besides Mona and Rush finding their first jobs, the children begin showing other signs of growing up. Mona attends her first dance, although the children make a point that they’re not too grown-up yet. By the end of the book, the children are well-settled in their new home and are starting to become comfortable with the changes in their lives that come with moving and starting to grow up.

This is the second book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

My Reaction

This story starts out as a story about kids adjusting to moving to a new house but also turns into a humorous story with Cottagecore elements. The house in the country known as the “Four-Story Mistake” is the stuff of many children’s dreams. It’s large enough for every kid to have their own room plus the room they call the “office”, which is a play room or activity room that all the kids in the family share. Their fabulous house has plenty of rooms to explore, including a cupola and a hidden room with a mysterious backstory.

One of the things I like about this book and others in the series is that there isn’t anything tragic or upsetting in the stories. They’re good books to relax with. When the kids hear the story of the secret, hidden room in their house, there’s an element of drama to the story (one of the stories-within-the story that often appear in this series), but nothing truly tragic. At first, I had thought maybe the original owner of that room had died young, and her family had sealed it up out of grief, but that’s not the case. It turns out that she had dreams of becoming a dancer, so she ran away to pursue her dreams. Her father disowned her and closed up her room after she left, but she actually did achieve her dream, so things worked out for her, and the Melendy kids find that inspiring.

There are woods and a stream nearby, so the kids have outdoor adventures. Even when something goes wrong and the kids have a hard time, like when Rush is sick and gets trapped in his tree house during a storm, it doesn’t end too disastrously, and the hardships are treated more as part of their exciting adventure. Even though Rush suffered during the incident, and Rush’s illness gets worse from being out in the storm, he kind of enjoys the fussing he gets afterward and the time when he’s allowed to stay in bed, reading, while he recovers.

The part where Rush lost his temper with a piano student and hit him surprised me, although how the student’s father reacted to it was even more of a surprise. I think most modern parents would be angry about Rush using physical violence against the other boy, no matter how he was provoked, but that’s not how the father in the story feels. The father knows his son very well, and he understands how he provoked Rush into losing his temper. He also knows why the son was being provoking. The boy wanted Rush to quit as his piano teacher because the boy doesn’t really want to take piano lessons at all. He’s only having piano lessons because his mother wants him to learn to play the piano. Rush handles his loss of temper as professionally as he can, admitting to the boy’s father what happened and offering to resign from the job, but the boy’s father, knowing his son and his son’s motives, refuses to accept that offer. If the father allowed his son to get away with provoking someone else to a fight and then rewarded him by giving the son what he wanted (the end to the piano lessons), the son would learn a bad lesson, that he could get what he wants by behaving badly and being too difficult to handle. It isn’t a good idea to give a kid the idea that acting out gets rewards because it provides an incentive for the kid to continue acting out to get his way.

Instead, the father acknowledges Rush’s professional authority as the piano teacher and says that the boy’s mother wants the piano lessons to continue. Because Rush is the professional authority here, he authorizes Rush to use whatever methods he deems necessary to deal with his student. The father says that he will have a word with his son about this. We never hear exactly what he says to his son, but the son at least grudgingly behaves himself from that point onward, so it seems that the father made it clear to him that bad behavior wouldn’t get him what he wants. It’s true that hitting people isn’t good, but neither is provoking people to a violent reaction, and I was glad that the father acknowledged the provocation and didn’t let it slide. Considering the context of the situation and the character and motives of the people involved, the father’s solution to the problem seems to have been an effective one.

There are coming-of-age elements in the book, partly because the kids are settling into a new home, but also because they’re generally growing up. Some children’s book series have characters who never age, but the Melendy children do age throughout their series. In this book, the two oldest Melendy children get their first jobs, and Mona attends her first dance. I did like it how, after Mona gets home from the dance, she and her siblings run outside to have fun because they want to make the point that they’re not too grown-up yet.

As in the first book in the series, WWII is happening in the background because the series is set contemporary to the time when it was written. The children undertake activities to support the war effort, and their knowledge that the war is happening does cause them to think a little more seriously about life, about doing their part, both for their country and their family. I thought it was an interesting choice for the author to write about children’s thoughts concerning the war while it was happening and the outcome of the war was still unknown. The author seems to be promoting children taking part in civilian activities to support the war, like raising funds, buying war bonds, and collecting useful scrap materials. I think that was probably the attitude of many adults in the 1940s, wanting children to make themselves useful and to show patriotism, and I can see those motives in the choice to let the war be part of the children’s reality. With the story’s other themes of moving, exploring the countryside, growing up, and finding fun and adventure in a new home, I can see how the author could have chosen to focus on those elements and left the time period of the story vague, but I appreciated how the author faced the reality of child readers, acknowledging the war and giving them suggestions for how they could handle their feelings through useful support activities. The countryside in the story isn’t a place where the children hide from the troubles of the world around them but where they can find their own way dealing with them creatively.

Posted on by TracyC · 2 Comments

The Saturdays

The Melendy Family Series

The Saturdays by Elizabeth Enright, 1941.

The four Melendy children live in a brownstone townhouse in New York City during the early 1940s. Their mother is dead, but they get along well with their father, and their housekeeper, Cuffy, is a motherly woman and helps look after the children. Each of the children has their own responsibilities in the house and distinctive talents and ambitions in life. Mona is the eldest at age 13, and she wants to be an actress. Rush, age 12, wants to be a mechanical engineer and a pianist. Miranda, who is 10 years old and usually goes by the nickname “Randy”, loves dancing and painting. Oliver, the youngest at 6 years old, wants to be a train engineer.

The children have a room at the top of the house which is a sort of playroom, although they call it the “office.” It has the children’s toys and books and plenty of things that they’ve gathered for their various hobbies, activities, and experiments. However, one rainy Saturday, the kids are bored. It isn’t that they don’t have anything to do. It’s more that the day is so wet and miserable that they have trouble getting interested in anything. While they debate different things they could do or wish they could do and complain about the weather and the size of their allowance, Randy comes up with an interesting idea.

Each of the four children has something that they wish they could do, but they’ve never been able to afford to do it because it costs more than the allowance they receive. Randy suggests that they form a kind of Saturday club. Every week, they will pool their allowances, and one of them will use the collected money to do something they’ve always wanted to do. To make it worth the investment from the others, they all have to agree that they won’t just blow the money on something they could do any time, like buy a bunch of candy. Each child’s special Saturday should be something really exciting and worthwhile. All of the kids are interested and have ideas about what they could do if they had a lump sum equal to four allowances and one free Saturday to do whatever they want by themselves.

When they explain the plan to their father and Cuffy, they agree that the children can do what they like with their allowance money, including taking turns pooling it and sharing it with each other. They also agree that the children can go off by themselves for their adventures as long as they agree to some basic safety rules. Over the next several Saturdays, the children take turns having their own special days with their pooled allowance money.

Randy is the first one to have her turn. As an art lover, she goes to an art gallery. To her surprise, Randy also sees an elderly woman she knows, Mrs. Oliphant, who is an old friend of the Melendy family. Mrs. Oliphant is a kind woman, but the Melendy children never thought of her as much fun. Randy loves the art and the ways the paintings make her feel, almost as though she could step into them and experience what the people in the paintings are experiencing. There is one particular picture that interests her, a picture of a girl who looks like she’s the same age as Randy is now. Randy finds herself wishing that she could meet the girl in the painting, like the girl might be someone she could have been friends with.

Then, Mrs. Oliphant approaches Randy and asks her about whether or not she likes the painting. Randy is surprised when Mrs. Oliphant tells her that it was painted 60 years ago and that she was the girl in the picture. Randy’s artistic afternoon takes an unexpected turn when Mrs. Oliphant invites Randy to have a snack with her, and she tells Randy about her youth in Paris, when she was a lonely only child being raised by a strict father, elderly aunts, and a governess. The artist who painted her was a friend of her father’s, who thought that she looked like a little princess. It was at the inspiration of the artist that young Mrs. Oliphant snuck out of her house to visit her first carnival when her overprotective family wouldn’t let her go, and she was kidnapped for ransom by a gypsy fortune teller. Fortunately, she was found again by the artist at another carnival where the fortune teller was performing. The artist persuaded her father to let him paint her after the rescue. Randy loves that exciting story and is surprised at how romantic and fascinating Mrs. Oliphant really is. Mrs. Oliphant invites her to visit her sometime and see some of the fascinating things that she’s collected over the years, and she buys a little box of petite fours (fancy little cakes that the children have never had before) for Randy to take home to her siblings.

When it’s Rush’s turn for a special Saturday, he decides that he wants to go see an opera because he loves music. He goes to see Wagner’s opera Siegfried (part of a series of operas based on the Nibelungenlied epic poem that helped inspire Tolkien‘s The Lord of the Rings), about a hero and a magic ring made by dwarves and a fearsome dragon. On the way home, Rush rescue’s a stray dog and brings him home. He tries to clean up the dog before showing him to his father and Cuffy, but the dog gets loose before he’s done washing him. Fortunately, the dog manages to charm the rest of the family, so the family gains a pet.

Mona’s turn is next. She really hates her long braids, so she decides to use her Saturday for her first trip to a beauty parlor and asks for a hair cut. She isn’t really sure that her father or Cuffy would approve of it, but nobody has told her not to (because she didn’t ask). At the beauty parlor, they ask her if she’s really sure that she wants a hair cut because her braids are almost down to her waist, but she insists. While she works on Mona’s hair, the stylist tells her a story about how she and her brother ran away to New York as children and how she got into the beauty business.

When she’s finished, Mona is impressed with how beautiful she looks, and she even lets the stylist paint her nails. However, the reception she gets at home is about as bad as Mona might have expected. Her father and Cuffy are pretty conservative on the subject of girls’ hair and makeup. They disapprove of her trying to be too grown up and not consulting them about her hair, and they want to get the nail polish off her fingers as soon as possible. Even her siblings think that she’s been too daring with her appearance.

When Cuffy sees how upset Mona is about their criticism and disapproval, she comforts her, and she admits that the hair cut is actually practical because it will be easier to wash and brush shorter hair than long hair. Mona’s father admits that he might also get used to the hairstyle and come to like it. He further admits that it can be hard for parents sometimes, when they see signs that their children are growing up. Randy also says that Mona really does look like a movie star.

The children continue taking turns with their special Saturdays. Oliver, being only 6 years old, can’t go out into the city alone, like the others can, so the others spend their Saturdays at home with him whenever it’s his turn. Then, on one of Oliver’s Saturdays, he disappears. Sneaking out of the house by himself, he takes the money that he’s saved and asks a policeman the way to the circus, which is at Madison Square Garden.

While his siblings panic when they realize that Oliver is missing, Oliver has a great time at the circus, watching all the animals perform and buying cotton candy and other treats. However, when it’s time to leave, Oliver gets lost on his way home, and he starts feeling sick from everything he’s eaten. He gets a ride home from a friendly policeman on a horse, and looking back on it, Oliver decides that was the best part of his day. He decides that maybe, instead of being a train engineer, he’ll become a policeman on a horse when he grows up.

After Oliver’s circus adventure, the siblings decide that they want to do a shared adventure, so they go on a picnic. Their new dog, Isaac, later saves them from a disaster caused by a careless mistake that could have killed them all at home. The children’s father decides on some home repairs, and the children realize that they won’t be able to go away for their usual summer trip and that they’ll have to economize on their Saturday adventures. Fortunately, Mrs. Oliphant has an idea for a summer adventure for the family. She owns a lighthouse, and she invites the Melendy family for a summer visit!

This is the first book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

My Reaction

I like this series because it’s set contemporary to the time when it was written, in the early 1940s. This first book sets the time period with a comment about a mark on the floor left by one of the children trying out roller skates on Christmas 1939 and one of the children commenting that a stain on the wall looks a lot like Hitler because it looks like a man’s face with a mustache. (One of the other children comments that he’s going to turn the stain into a bearded man, like George Bernard Shaw, because he doesn’t want to see Hitler.) Toward the end of the book, the children talk about the war a little with Cuffy. The war has definitely been going on because they mention bombs and blackouts in London, and Randy asks Cuffy what it was like when the world was peaceful. Cuffy says that it seemed lovely, at least on the surface, but the peace didn’t last. There was another bad war before this one, and a peaceful time in between the two wars when people could travel freely. When Mona was a baby, their parents took a trip through Europe, and Cuffy was there to look after Mona. Because the children live in New York, they never see the war directly, but they’re aware that it’s happening, and they have feelings about it.

Apart from the historical war references, this book is just generally fun to read. It’s fun to see what each of the children does when they have a little money and the freedom to go where they want and do what they want in the city. The kids have minimal adult supervision on their adventures, and it’s the sort of thing that kids today might dream about doing. In general, kids love stories about other kids with the freedom to do what they want to do, although because this family likes the arts and culture, many of their chosen activities, like going to an art gallery or an opera, are things that many other children might not think to do. I was thinking that, probably, one adventure that many kids in my area could do or might do unsupervised might be to get their hair cut and/or nails done in some fancy way, like Mona did.

I was a little surprised that the father of the family reacted as strongly as he did to Mona having shorter hair because shorter hair for women and girls had become more acceptable by the 1940s. I think that regarding short hair as scandalous was more common when the style was new in the late 1910s and the 1920s (see the story Bernice Bobs Her Hair by F. Scott Fitzgerald from 1920). On the other hand, the real issue here seems to be that the father and Cuffy think that Mona is trying to act too old for her age (which is a way of saying too attractive or too sexy for a girl who is still too young to date). The father somewhat admits that it can be a shock to a parent to see how much his daughter is growing up. In that case, it’s not so much about short hair in general but now grown-up and attractive Mona looks in a more adult hairstyle.

Something else I’ve noticed about books in this series is that they frequently contain mini-stories told by other characters to the Melendy children. In this book, we get the story told by the hairdresser about how she and her brother ran away to the city when they were young and the story of Mrs. Oliphant’s adventures when she was kidnapped by a gypsy as a child. Children kidnapped by gypsies is a theme in vintage children’s books, although this is considered a stereotypical depiction in the 21st century. The stereotype of the child-stealing gypsy was probably based in prejudice, the use of community outsiders as scapegoats, and erroneous conclusions drawn from observing family members who do not physically resemble each other. (For example, I remember being told as a child that two blue-eyed parents would not produce a brown-eyed child because blues eyes are a recessive gene, yet it actually does happen, although it’s relatively rare. It’s just that human genetics are complex and produce more variations or throw-backs to earlier generations than some people might expect.) The main character in another book by a different author, The Girl in the Window, challenges the prejudices of adults in her community when they start to blame the disappearance of a local girl on a gypsy.

Posted on by TracyC

Dig for a Treasure

Dig for a Treasure by Dean Marshall, 1949.

This is the second book in The Invisible Island series. It begins with the arrival of the Lennox family and their two children, Hugh and Barbie. The Lennox family has been staying with various relatives since the father got out of the army, but now, they’ve found a house to rent in the small town of Anchorage, Connecticut. The children are looking forward to having a yard to play in, and the mother wants to have a garden.

Unfortunately, when they arrive they are shocked to see that the house they were going to rent has been destroyed by fire. Their landlord, Mr. Prentice, is also on the scene, and he regretfully tells them that the fire just happened, although they don’t know the cause, and that there are no other houses in the area to rent. At first, they think that they will have to go back to staying with relatives, but Mrs. Lennox says firmly that they won’t. The family has had enough of staying with relatives, and they desperately need a place of their own. It’s summer, so her idea is that they can camp out on the property of the burned house for a few months while they look around for another place to rent. The children are excited about the idea of a camp-out. Mr. Prentice says that he wouldn’t have any problem with the family camping on the land, and he returns their rent deposit to them, saying that they can stay at his house that night and get some camping equipment the next day.

While Hugh and Barbie are exploring the area and looking for their cat, who ran off, they meet the children from the first book in the series. Hugh is about the age of David Guthrie, and Barbie is about the same age as Winkie Guthrie, the youngest of the children who play on the island they call “The Invisible Island.” Since the previous book in the series, they have finished their stone hut, and it has a grass and sod roof and four built-in beds for the four Guthrie children. Mr. Guthrie is an architect, and he helped the children build the house.

Hugh and Barbie admire the hut, and they say that they wish they had a stone house like that because it couldn’t catch fire. They explain to the other children what happened to the house that their family was going to rent, and they ask the children if they would consider renting the stone hut to their family until they can find another place to live. Mr. Lennox isn’t really happy about the idea of camping in tents because he lived out of tents when he was in the army.

At first, the Guthrie children and the Leigh children aren’t sure that they want to rent out their stone hut. They spend a lot of time there, and they’ve been trying to save up money to add improvements. The hut really belongs to the Guthries, who built it, but they want to add an extra room for the Leighs. However, after thinking it over, they realize that they can earn more money as rent from the Lennox family than they can by just doing chores, and while the Lennox family stays in the hut, they can camp out on other parts of their little island, like the woods that they call “Sherwood Forest.”

Since the little hut is just a one-room hut with no bathroom or other amenities, the children aren’t sure at first whether the Lennox adults would want to stay there or not. However, staying in a stone hut does sound better than in a tent, where they would also have no bathroom or amenities. Mr. Lennox is also intrigued by the pond, where he can go fishing. The children and the Lennox family talk things over with Mr. Prentice and the Guthrie children’s parents, and they all agree to renting the stone hut to the Lennox family.

The Lennox family still isn’t sure whether or not they’ll find another house for sale or rent in the area. They want to stay in the area because Mr. Lennox has a job nearby and Mrs. Lennox knows that some of her ancestors used to live in the area, although she doesn’t know much about them. However, Anchorage is a small town, and most of the houses already have people living in them. There is only one empty house in the area, but the owner has always refused to rent it or sell it. Mr. Prentice explains that the owner believes that there is a treasure in the house or nearby, a necklace that once belonged to a queen, and she’s been looking for it for years. Mr. Prentice doesn’t think that there really is a necklace or, if there once was, it’s probably long gone, but the owner insists that it exists and is still there, somewhere.

The children are fascinated, and they ask Mr. Prentice to tell them the story of the queen’s necklace. He says that during the time of Queen Elizabeth (Tudor), the ancestors of the Winthrop family who owned the house did something for Queen Elizabeth that caused her to reward them with a golden necklace that was passed down through the family for generations. When the Winthrops came to the colonies in America around 1650, they brought that necklace with them. However, when they came to this area and settled there, they had problems with the local Indians (Native Americans).

Mr. Prentice says that he can’t blame the American Indians for resenting strangers coming and taking over their lands and hunting grounds or for them trying to stand up for their rights, but the situation escalated with increasing violence. David Guthrie protests that American Indians scalped people and that, if he’d been there at the time, he’d “show them.” Mr. Prentice explains that was exactly the problem – everybody who was there at the time thought he’d “show them”, and that’s why the violence escalated. As for the scalping, Mr. Prentice says that white people committed their share of atrocities, too, and when David is older and learns more about it, he might not feel so proud of his side in this battle. (I thought that was an amazingly honest and self-aware interlude about European colonization and its effects on Native Americans for a book written in the late 1940s, when cowboy and western shows were becoming popular, and American Indians were mainly portrayed as violent enemies to be defeated. I was a little concerned at first when “Indians” entered the story, but I was relieved that the author took this attitude.)

Continuing with the local legend, Mr. Prentice explains that the colonists received warning one day that the local tribe was going to attack. In preparation for the attack, some families hid valuable items that they didn’t want stolen or destroyed in the coming battle. Some people buried valuables, and others hid their valuables in wells or caves. Presumably, the Winthrops hid their necklace, called the Queen’s Chain, during this time, but nobody really knows what happened to it. The colonists fled the area, and the American Indians burned the entire village to the ground. Every man-made structure was destroyed during this attack. Although people later returned to the area and rebuilt the town, it’s unknown what valuables they retrieved or when or if they ever retrieved them from their hiding places. Because all the buildings and some of the trees were burned, many landmarks were destroyed, so some people might not have found their hidden valuables again, even if they managed to return to look for them.

Mr. Prentice is related to the Winthrop family, and so is his cousin, Lizzie, who currently owns the rebuilt house known as the Winthrop house. Lizzie is firmly convinced that the Queen’s Chain is still there, somewhere. She thinks it was never hidden during the attack that destroyed the first house and was passed down through the family but hidden by a later generation, which is why she won’t sell or rent the house. Mr. Prentice, on the other hand, thinks that the necklace is lost forever. He thinks that either the necklace was hidden with other valuables that were never retrieved after the attack or that the family found the necklace and sold it to get money to rebuild the farm that was destroyed. Mrs. Prentice, on the other hand, sides with Lizzie, saying that nobody in the Winthrop family would have sold the necklace because it was part of a family trust.

The children are fascinated by the story, and they immediately begin thinking about searching for the necklace themselves. They talk to Miss Lizzie about the story Mr. Prentice told them and use some of the descriptions that she gives them of the old Winthrop property and the plants that once grew in their herb garden to see if they can pinpoint the exact location of the original house and the hiding place that the Winthrops might have used for their valuables. Even though everything manmade was destroyed in the attack, some plants have a way of coming back, and the remains of the old herb garden might still be there, even almost 300 years later.

The treasure hunt takes on greater importance when the Guthrie children learn that their family might not be able to buy the island from Mr. Prentice. Mr. Prentice is also the Guthrie family’s landlord, and the family has been saving up to buy their house from him. They had also hoped to be able to buy the island where the children have been spending so much time, but Mr. Prentice is reluctant to sell it. Lumber is valuable, and he’s thinking of cutting down the pine trees on the island to sell the wood. The children are horrified at the thought that their beloved “Sherwood Forest” might be cut down! Perhaps, if they can find the missing treasure, they can persuade Mr. Prentice to sell the land to them and Miss Lizzie to rent her house to the Lennox family.

The book is available to borrow and read online through Internet Archive (in audio form!).

My Reaction and Some Spoilers

There isn’t as much imaginary play as “castaways” in this book as their was in the first book in the series, but the theme still shows up in some ways. The kids still go camping on the island. They use tents when the Lennox family is living in their hut. The children’s search for treasure also offers plenty of outdoor adventure, and I really enjoyed the element of mystery in the story.

The children approach the treasure hunt from the assumption that the necklace is still hidden wherever the Winthrops hid their valuables. They do find that spot and recover some relics of the 17th century, but the necklace is not among them. Readers probably won’t guess exactly where the necklace has really been hidden, but there are a few clues to notice along the way. Mrs. Lennox says at the beginning that her ancestors were from this town, even though she doesn’t know much about them. I had guessed that they might have a connection to the Winthrops, especially when Miss Lizzie explains that the name of the girl who hid the family’s valuables before the attack was Elizabeth, and there are other Elizabeths in the family. Besides Miss Lizzie, Mrs. Lennox is called “Betty” when her husband addresses her by her first name, and Betty is another nickname for Elizabeth. When Barbie recognizes something that Miss Lizzie has as being like something her family owns, Miss Lizzie realizes that the Lennox family is related to her. By comparing what each of them has and what Miss Lizzie knows about their family, they figure out what really happened to the necklace. It not only solves the mystery of the necklace, but once Miss Lizzie realizes that the members of the Lennox family are relatives, she’s happy to have them living in the old Winthrop house.

The problem of what will happen to the children’s island and the trees on it is solved when the children win a bet with Mr. Prentice. In the first book, the children called their island “The Invisible Island” because it isn’t obvious at first that it really is an island, surrounded by water on all sides. So far, the children have kept the knowledge to themselves and their parents. When the children accidentally refer to the island in Mr. Prentice’s presence and realize that Mr. Prentice isn’t aware that it’s really an island, they start to explain. Mr. Prentice can’t believe that there’s actually an island on his land, and he says that he will give up ownership if they can prove that it’s really an island. The children easily demonstrate that it’s truly an island, showing him all of the waterways and bodies of water around it, and Mr. Prentice says that they’ve won. The Guthries end up with control of the island and the trees on it.

Posted on by TracyC

The Invisible Island

The Invisible Island by Dean Marshall, 1948.

The four Guthrie children (Dit, Allen, David, and Winkie – short for Winifred) find it difficult to play in their family’s apartment, where they always have to be careful not to disturb the neighbors. One rainy day, while their mother is at a dentist appointment, the children act out a scene from The Swiss Family Robinson, where they’re throwing the animals overboard from the shipwreck to swim to the desert island when they accidentally break part of the floor, which is also the same as breaking part of the ceiling for the neighbors underneath. When they get a knock at their door, shortly after, they figure that the neighbors have come to complain.

However, it turns out that their visitor is the neighbors’ cousin, who is staying with them. The children explain about The Swiss Family Robinson, the shipwreck, and how they were throwing particularly heavy ducks overboard from their wrecked ship. The neighbors’ cousin is a good-natured man who enjoys talking to the children. When the children’s mother comes home, she apologizes for the damage and explains that she and her husband are currently looking for a new house with more room for the children to play, but they haven’t found a place yet. The cousin says that he comes from a smaller town himself, Anchorage, Connecticut, and he might be able to help them find a place to buy there.

The Guthries do rent a house in that town that has some land attached to it, and the children are excited about the move. They want to be able to camp out on their land, like castaways from their favorite book. When they stop in town to buy some supplies before heading to their new house, they are surprised that there don’t seem to be any children around. The shopkeeper explains that there’s a measles epidemic going around town, and most of the children have it right now. He asks the Guthries if their children have had measles before, and their mother says they have … except for the youngest, Winkie. She decides that, for safety’s sake, she should keep the children close to home until the epidemic is over, and the kids should wait to try to make some new friends in town.

The children are hoping to find some new friends, but there’s plenty to do at their new house in the countryside to keep them occupied for a while. On their first day there, they are delighted to find out that there’s a brook and a lake on their property. The children convince their father to come exploring with them, and he has them help him to make a map of the area, knowing that they will want to camp out later. After walking around a piece of land that’s bordered by the lake and the brook, they realize that it’s actually an island because it is bordered on every side by water. The lake is on one side, the brook on another, and there are two more brooks or streams on the other sides that separate it from the land around it and make it into a sort of oblong-shaped island. They call it “The Invisible Island” because it isn’t obvious that it is actually an island until someone walks all the way around it and realizes that it’s actually surrounded by water on all sides. As far as they know, nobody else besides them is even aware that it’s an island.

The children’s mother has some reservations about the children camping out on the island, but the children agree to some safety rules and bringing along some practical camping supplies. They make a raft to carry their supplies across the water to the island. The children begin calling their new house “The Wreck”, imagining that they are rescuing supplies from a shipwreck, like The Swiss Family Robinson. They create a hiding place for their tents, and they find a spring on the island, although their father won’t let them drink from it until he has the water tested to make sure that it’s safe.

The children have enough supplies to camp on the island for a week, and they begin having an idyllic summer, with little adult supervision. They swim and bathe in the lake, using colorful soap on a rope that Winkie found when the family bought supplies at the store in town. They feed the birds, explore, and pick wild strawberries. They get ideas for how castaways are supposed to act from The Swiss Family Robinson and The Mysterious Island.

Their parents do come to visit them and check on them, playing along with the shipwreck theme by calling themselves friendly “savages” when they visit the camp. Their father helps the children to bring stones from a quarry to build a hut. Their mother tells them that she has started to meet the neighbors, and they have some nice children who could make good friends for the Guthries, once they’re out of quarantine from the measles. Both the nice man who helped them find the house to rent and the local doctor have nieces and nephews. The children don’t care that their mother thinks the children are well-mannered. They’re more concerned about whether or not they’ll be adventurous types, who would have fun with them on their special island. They think that they would hate to share their island with “apron-string children” who would be too tied to their parents and home and wouldn’t appreciate the independence and adventure the island allows. The truth is that the children have been enjoying their freedom on the island so much that they’re not sure that they want to give it up yet to make friends with the local children, and in a way, they’re grateful to the quarantine for giving them this time to explore by themselves.

However, there are some strange things that the children have started to notice about the island. One day, Winkie’s soap on a rope disappears and reappears in a different place, strangely looking less used than when they last saw it. The children’s wishes also seem to be granted by a mysterious, unknown person. When they wish aloud for a book about castaways that they haven’t read before and book about birds so they know more about the birds they’ve been seeing, they soon find a wooden box that contains books matching that exact description. When they wish that they had more strawberries, they suddenly find more strawberries in their icebox that they can tell came from a store instead of the wild strawberry patch. Winkie has a bizarre encounter with a “dryad”, and the footprint of a 6-toed giant suddenly appears on the beach. Maybe they’re not as alone on the island as they thought, but who else is there with them?

The book is available to borrow and read for free online through Internet Archive (in audio form!)

My Reaction and Spoilers

Copies of this book are difficult to find now. It’s become a collector’s item, and copies go for hundreds of dollars on Amazon at the time of this writing. It’s a shame because it’s really a charming story, and I think it would really appeal to fans of Cottagecore. If I hadn’t found a copy on Internet Archive, I couldn’t even talk about this book at all.

There were many children’s book series published in the mid-20th century about children having adventures in the countryside and independent of their parents and guardians, like The Boxcar Children series or many of the books by Enid Blyton. Some of these books and series seem a little more realistic than others. Most require the children’s families to be at least middle-class or wealthy to be able to set the children up for their adventures. Some books, particularly the ones by Enid Blyton, feature parents who are preoccupied with their own problems or activities and seem less concerned with the children’s welfare than about getting the kids out of their hair. I thought The Invisible Island had a good balance of independence for the children and adult supervision.

The adults in this book know that the children have been camping before, so they have some basic camping skills, and they come to visit the children about every two days, to see how they’re doing and make sure they aren’t having any problems. The kids pride themselves on their independence (they brag that they’re “not apron-string children”), but at the same time, their parents do regularly check on them and are aware of developments on the island, sometimes more so than the children realize. The children confide to their parents some of the strange things they’ve noticed on the island, but not everything because they’re enjoying their adventure so much that “the castaways” don’t want to be “rescued.” Eventually, readers come to understand that the parents know who’s been hanging around the island and that the children are not in any danger.

Adults will probably realize pretty quickly that some of the neighbor children are also camping out in the area, and that these children are the ones moving things around, giving them things, and staging fantastical stunts, like the appearance of the “dryad” and the giant’s footprint. It’s just that they can’t introduce themselves to the Guthrie children yet because the quarantine is still on, and they have to stay mostly separate. As the quarantine ends, they’re able to let the Guthrie children see them and interact with them more, although the game doesn’t completely end until the official end of the quarantine and the surprise party they hold to celebrate. The book ends with the children and their new friends making plans for more adventures that summer.

One of the great things about this book is that it’s one of those children’s books that reference other children’s books. There are other vintage children’s books like this, where the child characters take their inspiration for their games of imagination from their favorite books. The books are named throughout the story, and presumably, child readers from the time when this book was originally printed, would also know these stories and identify with the children’s pretend play. The main favorite book of the Guthrie children is the classic The Swiss Family Robinson, which inspires them not just to camp out but to turn their camping trip into one big game of imagination in which they’re shipwrecked. Most of the things they do in the story are based around that concept, although some fantasy elements also creep in, like fairies and dryads and granted wishes, because the children also enjoy fantasy books and poems. The new friends they make in the area turn out to enjoy similar stories, so some of the mysterious incidents they stage are also based on those stories, further appealing to the children’s imaginations as well as their sense of adventure.

I wasn’t completely sure if the book that their new friends gave to the Guthrie children was meant to be a real book because there are many books with titles like The Smuggler’s Island, and I had trouble locating a book from before 1948 with that exact title. Since the other books and poems they reference are real, The Smuggler’s Island might be real, too. If anybody knows what it is and who wrote it, please let me know. On the other hand, that book, because the children say they’ve never read it before, might just be invented by the author to represent that general genre of children’s fiction.

Other real books, stories, and poems referenced by this story include The Mysterious Island by Jules Verne (which is a sequel to both his Twenty Thousand Leagues Under the Sea and In Search of the Castaways), The Hunting of the Snark by Lewis Carroll (at one point, David recites the lines from the poem, “His intimate friends called him “Candle-ends”, And his enemies “Toasted-cheese”), and the poem Overheard on a Saltmarsh by Harold Munro (which was the inspiration for the dryad scene because it contains a nymph and a goblin and a necklace of green glass beads).

The concept of a quarantine probably would have made this an excellent story for the coronavirus pandemic, but the setting is idyllic and enchanting for any time. The children are clever in the way they set up their camp, trying to keep it as secret as possible. Their island also includes a spring (which is safe to drink from) and a cave, and they start building a stone hut in this book.

There’s only one thing I can think of to complain about in this book, and that’s the concept of the “savages.” When the parents describe themselves as “savages” when they visit the children, they’re playing on themes from earlier vintage books with islands and shipwrecks. “Natives” and “savages” in those stories can either be helpful or, more commonly, threats to the castaways. I’ve complained about this before in previous book reviews with similar themes because there are stereotypes around these generic “natives” and “savages”, and modern children should be taught not to talk about people in those ways. However, there is no malice behind it in this story. The characters aren’t making fun of anyone or disparaging anybody for being “primitive.” It’s just that they’re playing a game of imagination built on these earlier stories, and they’re using this concept as a plot device to work themselves into the story as something other than visiting parents, preserving both the children’s sense of independence and the imaginary world of the children’s game. Anybody who can understand that should be fine with this book.

My only other complaint is that this book is so rare and so long out of print. I really do think it would appeal to modern audiences, especially fans of cottagecore.

Posted on by TracyC

The Mystery of the Haunted Lighthouse

Three Cousins Detective Club

#7 The Mystery of the Haunted Lighthouse by Elspeth Campbell Murphy, 1995.

Sarah-Jane’s parents have been planning a trip, and her cousins, Titus and Timothy are coming, too. At the request of an old family friend, Ned, they are going to visit him and take a look at an old lighthouse that he is thinking of buying. He wants to turn the lighthouse into a bed and breakfast.

However, strange things have started happening at the lighthouse. Someone has vandalized the outside, and Sarah-Jane sees a frightening face up in the tower. Could the old lighthouse be haunted?

The theme of the story is faithfulness.

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Themes

Since this is a Christian-themed mystery, readers can guess that there won’t be any real ghosts. This is more of a light, pseudo-ghost story, like Scooby-Doo mysteries, with another explanation for what’s happening.

There’s more than one kind of haunting. People can be haunted by memories, and living humans are also attached to the places associated with their happy memories. There is someone who has an attachment to the lighthouse and is unhappy that it’s being sold. This person needs to reconcile their feelings to the situation.

Some Christians don’t like the concept of ghost stories at all. In the book, Sarah-Jane likes hearing ghost stories, although she admits that she doesn’t like remembering them later, when she’s alone at night. She enjoys a little spooky excitement, as long as she knows it’s just a story, and she’s hearing it in a safe setting.

Posted on by TracyC

Maria’s Comet

Maria’s Comet by Deborah Hopkinson, illustrated by Deborah Lanino, 1999.

This picture book is a fictional story about a real person, Maria Mitchell. (She pronounced her first name “ma-RYE-ah”, not “ma-REE-ah”.) Maria Mitchell was born into a Quaker family on Nantucket Island, Massachusetts in 1818, and she became the first female astronomer in the United States. She is known for discovering a comet only viewable through a telescope in 1847, and she also became the first astronomy professor at Vassar College. She is the namesake of the Maria Mitchell Association, a science center on Nantucket. She was also an abolitionist, although this topic is not touched on in the book. Maria’s father taught her about astronomy when she was young and encouraged her interests and career at a time when not many women were encouraged to pursue careers or higher education.

Maria’s papa is an astronomer. At night, he goes up on the roof their house to use his telescope, and he explains how the telescope works, gathering and focusing light to make distant objects look larger and closer than they would with just a person’s eyes. He especially likes to look for comets. In their time, they’re not entirely sure what comets are made of, and that’s part of what makes studying them interesting. Maria imagines what it would be like to travel across the sky with a comet, encountering the different planets.

Most of Maria’s life centers around their house and family in Nantucket. There are nine children in the family, so Maria helps with chores and tells her siblings bedtime stories. Sometimes, she and her brother Andrew go into the attic and use an old atlas to pretend that they’re explorers. When they read books, Maria likes books about astronomers, but Andrew likes books about sailors. He wants to be a sailor himself.

When Andrew gets older, he runs away from his family to go to sea on a whaling boat. The entire family is sad that he is gone, and Maria soothes her siblings by telling them stories about all of the amazing places their brother will go. That night, after supper, Maria asks her father if she can come with him to look through his telescope or “sweep the sky” as she thinks of it. For a moment, Maria thinks they will say no, but they agree. Maria wants to be an explorer of the sky, like her brother wanted to explore the seas.

Maria’s father points out Polaris, the North Star, to Maria and says that sailors use it to navigate. Maria wonders if Andrew might be looking at the same star right now. Then, she sees a comet streak across the sky.

There’s an Author’s Note in the back of the book that explains about the real life of Maria Mitchell. It has some comments about what people of her time knew and didn’t now about the planets. When she was young, people only knew about seven planets in the solar system. Neptune was discovered during her lifetime (although not by her), and Pluto wasn’t discovered until 1930, after she had died. There is also a section about the astronomy terms used in the story and famous astronomers.

My Reaction

I enjoy books about historical people, although the author admits in the Author’s Note that this particular story about Maria Mitchell is fiction. I have mixed feelings about that. I don’t like to fictionalize real people, and I’m not entirely sure whether there’s any truth to the story about Maria’s relationship with her brother and how she felt when he left to become a sailor. On the other hand, I did appreciate how the book showed Maria becoming interested in astronomy by watching her father and joining him in his studies of the sky, which is apparently true. Overall, I did enjoy the story.

The pictures in the book are wonderful. They capture the coziness of an old-fashioned 19th-century home and also the wonderment of looking to the skies and imagining exploring the big, wide world and the stars beyond it.

Posted on by TracyC · 2 Comments

Aunt Flossie’s Hats (and Crab Cakes Later)

Aunt Flossie’s Hats (and Crab Cakes Later) by Elizabeth Fitzgerald Howard, paintings by James Ransome, 1991.

On Sunday afternoons, a pair of sisters, Susan and Sarah, go to visit their Great-Great-Aunt Flossie. They love her house because it is full of interesting things, especially Aunt Flossie’s hat collection.

When their aunt welcomes them in, she offers them tea and cookies and promises that they will get some crab cakes later. After they have their tea and cookies, Aunt Flossie lets the girls try on her hats and tells them stories about them.

The girls are fascinated by the different colors and styles of the hats, but to Aunt Flossie, they represent memories. As the girls pick hats to try, Aunt Flossie tells them what the hats remind her of.

One hat that still has a slight smokey smell reminds Aunt Flossie of a big fire she witnessed in Baltimore. Another hat, one with a red feather, reminds Aunt Flossie of the parade she saw at the end of the Great War (what WWI was called before WWII).

Aunt Flossie’s favorite hat has pink and yellow flowers, and it reminds her of the time when she almost lost it, but it was rescued by a friendly dog. The girls love Aunt Flossie’s stories about her hats, and they love the crab cakes they get later with their family!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

This is a sweet, slice-of-life story about an elderly aunt sharing her memories with her young nieces. The girls enjoy their time with their aunt, trying on the hats in her collection and getting glimpses of the past through her stories. By spending time together, getting together for tea (and crab cakes later) and trying on the hats, the girls are also building new memories. Years later, they will be able to tell stories about the afternoons they spent with Aunt Flossie and the stories she would tell them about her hats. A note in the book’s dedication indicates that the story is based on memories of the author’s own elderly Aunt Flossie.

The pictures in the book are colorful, like the colors of the aunt’s hats, and they’re also a little soft. I think the soft quality of the images is a good match for the memories the aunt shares with the girls and the new memories they’re creating by sharing stories and spending time together as a family.

Posted on by TracyC

Mirandy and Brother Wind

Mirandy and Brother Wind By Patricia C. McKissack, illustrated by Jerry Pinkney, 1988.

It’s springtime, and “Brother Wind” (the wind personified) is striding through the valley. Young Mirandy is getting ready for the junior cakewalk, and she imagines that, if Brother Wind was her partner, she would be sure to win the cakewalk. Her mother says that anyone who can catch the Wind can make him do whatever they want, so Mirandy decides that she’s going to catch Brother Wind before the cakewalk and make him dance with her!

That’s easier said than done. Mirandy doesn’t know how to catch the Wind, and her grandmother doesn’t think such a thing is possible. She asks different people what to do, and she tries different ways of catching him. She tries catching him in a quilt, but he gets away.

Then, Mirandy tries visiting Mis Poinsettia, the conjure woman (a sort of witch or woman with magical knowledge), and she asks her if she has a potion that would help. Mis Poinsettia’s advice is to trap the Wind in a bottle of cider, but that doesn’t work, either.

Eventually, Mirandy manages to trap Brother Wind in the chicken coop. Once she has Brother Wind, he has to give her a wish. However, on the night of the cakewalk, Mirandy realizes that there is someone else she wants for a partner besides Brother Wind, and she asks Brother Wind for help in a different way from the one she had planned.

My Reaction and Spoilers

I thought this was a charming picture book, with bright, colorful illustrations that really conveyed that sense of lightness and air in the presence of Brother Wind! The old-fashioned clothing of the characters is part of the charm, and I like this sweet introduction to the concept of a traditional cakewalk. Cakewalks were a kind of traditional African American dance contest with a cake as a prize for winning. The people participating are dancing as they parade around the room, which is a little different from the cakewalks or candywalks that some modern people do at school or church carnivals as a kind of raffle game. In the game version, the players are just walking, not dancing, and they stop on numbered spots whenever the music stops, winning prizes if the number of their spot is drawn. For Mirandy, winning the cakewalk isn’t a matter of stopping in the right place but actually dancing well.

All through the book, there is a boy who likes Mirandy, but Mirandy doesn’t think of him as a dance partner because she has her heart set on Brother Wind as the perfect dance partner, and the boy is kind of clumsy. Mirandy really wants to win the contest, so it’s important to her to have the best partner she can. However, when one of the other girls at the cakewalk talks badly about the boy and his clumsiness, Mirandy can’t stand to hear him being insulted. She boldly declares that the boy will be her partner, and they will win in the contest together … with a little help from Brother Wind.

Posted on by TracyC · 4 Comments

The Diamond in the Window

The Diamond in the Window by Jane Langton, 1962.

Eleanor and Edward Hall are orphans who live with their Aunt Lily and Uncle Frederick in their family’s big but somewhat shabby old house in Concord, Massachusetts. The family has lived there for generations, and they are intellectuals with a particular interest in the literary history of Concord. Uncle Freddy is obsessed with Ralph Waldo Emerson and Henry Thoreau, although he doesn’t share Eleanor’s love of Louisa May Alcott. When a couple of the town leaders threaten to take the family’s house because of unpaid back taxes and to destroy it because they think it’s an eyesore, the children come to learn that their house holds more secrets and history than anyone knows.

As Eleanor and Edward look at the house from the outside, they suddenly realize that there’s an window at the top of the house that’s shaped like a key and made of colored glass. They’ve never seen that window from the inside of the house, so there must be a secret room! The children search the attic and find a trap door that they never realized was there before. When they look into the hidden room, they find a pair of children’s beds and toys.

The children ask Aunt Lily about the room, and she sadly admits that she hadn’t wanted to tell them about it. Then, she begins to explain more about the family’s history and the aunt and uncle the children never knew. Aunt Lily is their father’s sister, and Uncle Freddy is their brother, but there were once two more children in the family, called Ned and Nora. Eleanor and Edward were named after them, but Ned and Nora mysteriously disappeared years ago. Aunt Lily still believes and hopes that, somehow, they will return someday, so she has always kept their room ready for them.

When she shows the children pictures of Ned and Nora in the family’s album, they also see a picture of a young man in a turban and ask about him. Aunt Lily says that the man is Prince Krishna, son of the Maharajah of Mandracore. Their Uncle Freddy has written books about Emerson and Thoreau and was once considered an expert on the Transcendentalists. People who were interested in Transcendentalism, like Prince Krishna, used to come and study with him. Aunt Lily wasn’t really interested in Transcendentalism, but she explains, “I think he said that the Transcendentalists believed that men’s minds were very wonderful, and that they could know all kinds of important things without being taught about them through their eyes and ears –because they were part of something called an Over-Soul.” Eddy approves of this concept because it sounds like it’s about learning without school, and he approves of anything that involves no school.

Everyone was fond of Prince Krishna while he lived and studied with the family, and Aunt Lily said that he used to make up fun games for Ned and Nora, like treasure hunts with real jewels as prizes because the prince was very rich. The children get the sense that Aunt Lily was in love with Prince Krishna, but he also vanished shortly after Ned and Nora did. When they discovered that Ned and Nora were missing from their beds one morning, Prince Krishna dashed around, looking for them, but suddenly, he was also gone, and no one knew where or how.

Eleanor and Eddy return to Ned and Nora’s room upstairs to have another look at it, and they find a mysterious poem called “Transcendentalist Treasure.” From the handwriting, which matches a note that Prince Krishna wrote to Ned and Nora with a present he gave them, Eleanor and Eddy realize that Prince Krishna also wrote the poem. Since the poem seems to be some kind of treasure hunt, the children think that it was probably part of the treasure hunts that Prince Krishna used to make for Ned and Nora. They try to figure out what the clues in the poem mean and what it might lead to, hoping that it might be the jewels that Aunt Lily told them about and which haven’t been seen in the house since Ned, Nora, and Prince Krishna vanished. If they could find those jewels, they could pay the back taxes and save their house!

However, they don’t really begin to grasp the full importance of the poem until they ask Aunt Lily if they can spend the night in Ned and Nora’s room. During the night, they have a bizarre dream, in which they’re climbing an elm tree with Ned and Nora and find a harp, which is something that was mentioned in the poem. A dangerous wind blows them out of the tree, and they wake up. They could have believed that it was only a dream except that they realize that they both dreamed the same thing, Eleanor has bruises and a scratch on her leg that she got from falling out of the dream tree, and Eddy has located the harp in Ned and Nora’s bedroom.

They show the harp to Aunt Lily, and she says that Prince Krishna had given it to Ned and Nora years ago, hanging it in a tree so that they would hear the wind blowing across it. The poem and the dreams that Eleanor and Eddy have seem to be hinting at the treasure hunts that Prince Krishna had with Ned and Nora. Eleanor and Eddy begin to think that solving the riddles in the poem may not only lead them to the jewels but to the truth about what happened to Ned, Nora, and Prince Krishna.

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Some Spoilers

The book introduces the concept of Transcendentalism. I remember my English and history teachers discussing the Transcendentalists when I was in high school, but for some reason, they didn’t appeal to me back then, even though I went through a kind of phase where I was interested in metaphysical topics. I think my teachers put a lot of emphasize on their interest in nature, and I wasn’t an outdoorsy person. The background information in this story revived old memories of my high school classes and actually clarified a couple of points for me. The kids visit real places in Concord, Massachusetts, including the house where Louisa May Alcott once lived, and the book is full of discussions of literary figures and their lives and quotations from their works.

The children’s surrealist dreams connect to real objects in their lives and in the history of the family and their house. The dreams follow the poem that Prince Krishna left behind, and in each of their dreams, they see Ned and Nora up ahead of them, so the Eleanor and Edward realize that they’re following their path. The poem and the dream reference pieces of Transcendental literature and thought, and the children’s uncle explains the references throughout the story.

Many of the dreams also show the children’s personal and mental growth. In one dream, the children examine different images of their future selves, seeing how different choices they make can lead their lives in different directions, and they make up their minds which version of themselves they want to aim to be. In another dream, the children are trapped in a nautilus shell, and they discover that they have to think their way out of it. The thoughts they have help them work their way through each chamber of the nautilus, but they have to use thoughts with increasing depth and complexity to make progress. At first, remembering nursery rhymes is enough to help them move forward, but as they go further, they have to concentrate on more complex poems and higher-level moral and philosophical thoughts.

Although the dreams the children have are very surreal, and readers have no idea where they might be leading, the children do find Prince Krishna and their missing aunt and uncle. When the three of them return, Prince Krishna does explain where they were the entire time they were missing. He doesn’t offer a detailed explanation because they were trapped in a sort of magical/metaphysical prison, but he does explain who trapped them and why. There is a villain in the story, but it takes a while to grasp who and what the villain is because readers don’t really see it/him in his true form and don’t understand who he is and what his motives are until Prince Krishna explains. Eleanor and Eddy end up understanding more than Aunt Lily and Uncle Freddy do in the end, but finding Ned and Nora, Prince Krishna, and Prince Krishna’s treasure changes everyone’s lives for the better. Throughout the book, Uncle Freddy is mentally unbalanced, eccentric at the best of times and outright crazy at others. Local people want to see him committed to an asylum, but his mind was unbalanced by Ned and Nora’s disappearance. Once they’re back, he regains his senses.

The author wanted to write realistic children as her protagonists to appeal to real children. Eleanor and Eddy have their own insecurities and dreams which play into their characters all through the book and appear in the visions of the futures and choices they have to make in their dreams.

Posted on by TracyC

The Little Fir Tree

The Little Fir Tree by Margaret Wise Brown, pictures by Jim Lamarche, 1954, 2005.

A little fir tree feels lonely among the large trees in the forest, but something happens that changes his life forever – he is chosen to be a living Christmas tree for a little boy!

One winter, the boy’s father carefully digs up the tree and brings it home to his young son, who cannot walk because of a lame leg. The boy has been wanting to see the trees in the forest, but since he can’t go to the forest himself, his father has brought a free to him. The little fir tree loves being decorated, and the next evening, guests come and gather around him, singing Christmas carols.

In the springtime, the boy’s father takes the tree back to the forest, where he found it, and he plants the tree again so it will continue to grow. However, the following winter, the boy’s father returns to dig up the tree again and take it back to the boy for Christmas.

The little fir tree loves this ritual of visiting the boy and his family and being their Christmas tree every winter, but the next winter after that, the man doesn’t come to dig him up. The little tree is disappointed and lonely, but he is in for a surprise. This winter, the boy and his family come to see him in the forest!

The book is available to borrow and read for free online through Internet Archive, although that copy has different illustrations.

My Reaction

I mainly know Margaret Wise Brown for Goodnight Moon and The Runaway Bunny, but I found this Christmas story charming. I don’t like Christmas stories from the point of view of trees that are cut down, like the Hans Christian Andersen story, The Fir-Tree, which has a really depressing ending. I like it that this family in this book keeps the tree alive, returning it to the forest every year to continue growing. Things change for both the boy and the tree over the years, as they both continue to grow, but they change for the better, and they continue to be fond of each other and a source of inspiration for each other.

When I was a kid, our elementary school had a large tree on a hill on the kindergarten playground, and the story behind it was that it was once a living Christmas tree from the very first kindergarten class at the school. That tree is still there and alive today, about 50 years after it was first planted there and more than 30 years after I used to play under it. I like to imagine that it will be true of the little fir tree, too, that it will continue growing over the years.

Earlier versions of this book had different illustrations, but personally, I love the illustrations in this printing because they’re detailed and realistic. The version on Internet Archive has illustrations by Barbara Cooney, who is known for Roxaboxen and Miss Rumphius. Cooney’s illustrations are also good, but not as realistic as Larmarche’s, and they’re in a limited color range.

One other difference between versions of the book is that the earlier version also included the musical notes for the carols that the children sing and additional songs that aren’t included in the later version of the book. I enjoy books that include actual music and lyrics, like books that include recipes, because they are fun extras and add an extra dimension to the story by providing an accompanying activity. Although I like the more detailed and realistic illustrations of newer edition of this book, I do prefer the actual music and wider range of songs from the older version.