The Summer Birds

The Summer Birds by Penelope Farmer, 1962.

Aviary Hall is an old, Victorian-era house in a small village in England. It doesn’t really have an aviary, although there are hummingbirds on display in a glass case in the drawing room. Like other houses of its type, it has greenhouses and a walled kitchen garden. Twelve-year-old Charlotte Makepeace and her younger sister, ten-year-old Emma, live there with their grandfather. Every morning, they walk to school, and they admire the birds in the area, wishing that they could fly like that themselves. One morning, they meet a strange boy on their way to school. Charlotte is cautious about meeting strangers, but Emma talks to the boy. Charlotte says that they should hurry, or they’ll be late for school. The boy says that he doesn’t go to school, so Emma invites him to come with them to their school. Charlotte isn’t sure what their teacher would think of the strange boy showing up, but they have to go or they will be late.

However, when they arrive at school, Charlotte gradually begins to realize that nobody seems to notice the new boy except for her and Emma. Other people just look past him, and nobody asks who he is. It’s like they can’t even see him. As the lessons at school continue, Charlotte’s attention wanders, and she finds the heat of the room uncomfortable. Then, the boy invites Charlotte to come away with him, promising that he will teach her more than she will learn in class.

At first, she thinks that people will notice if she leaves, but they don’t. She and the boy run away from the school, and Charlotte feels wonderfully free, like a bird. The boy asks Charlotte if she would like to fly like a bird. Charlotte doesn’t see how that’s possible, but they says that it is and shows her that he can fly. The boy teaches her some exercises to make sure she’s strong enough. Charlotte can’t fly at first, just falling to the ground when she tries, but when the boy urges her to continue trying, she gradually realizes that she is staying in the air longer and longer. They have a wonderful time on this adventure.

The boy is very mysterious about who he is although he asks many questions about Charlotte and her home and family. Charlotte asks the boy if the other kids from school can also learn to fly. The boy says that they have to learn one-by-one, but he will teach them individually, and it has to be a secret.

Then, suddenly, Charlotte finds herself back at school. No one has noticed that she was gone, not even Emma. At first, Charlotte wonders if it was all just a dream, but she discovers that she still has the ability to fly and has to be careful not to let other people see her feet leave the ground when she kicks her feet. Emma can tell that Charlotte has a secret, and she’s irritated when Charlotte refuses to tell her what it is. However, Charlotte knows that Emma will learn soon enough.

Emma learns to fly the next day, and gradually, other children at school also start to be able to see the boy and get their own flying lessons. Charlotte’s best friend, Maggot (a nickname, not her real name), seems particularly accepting of the strange boy and his strange powers of invisibility and flying. She seems to understand things about him, maybe even more than Charlotte does, saying that her uncle has told her about such things.

Their teacher discovers what they’re doing when she catches one of the children flying, and she questions them about it. The children don’t want to admit anything to her because they call swore an oath to keep it a secret, but the mysterious boy says that their teacher is all right and reveals himself to her. He explains that he taught the children to fly, and their teacher is surprisingly accepting of that. She asks if she can also learn, but the boy explains that he can only teach children. The teacher regretfully says that she suspected that might be the case, and the children begin to consider that their ability to fly might also fade with age. The teacher invites the boy to join their class for the rest of the term and seems to quietly support their flying adventures.

When school lets out for the summer, the children continue their flying adventures, still a secret from their parents. The boy, who has still not told anyone his name, is very strange, and not just because he can fly. Charlotte sees him eating insects, which he says he loves, and he doesn’t seem to understand things about school and ordinary houses. During an argument among the boys in the group, who don’t want to be bossed by the mysterious boy without reason, one of the boys, Totty, challenges the mysterious boy about who he really is, where he really comes from, and how he came by his flying magic. The other children are afraid to challenge the mysterious boy because they know that he is strange, they worry that there may be something evil about his magic (although they doubt it), and they fear losing the ability to fly.

The children decide to settle the conflict with a special challenge. If the mysterious boy wins the challenge, he wants to stay with them for the rest of the summer, being their leader and not explaining anything about himself. If Totty wins, the mysterious boy says he will explain who he really is and then leave, although he will let the children keep their ability to fly until the summer is over. The mysterious boy wins the challenge, but at the end of the summer, he makes them all an offer that could change their lives forever.

The book is the first book of the Aviary Hall Trilogy, although it isn’t as well-known as Charlotte Sometimes, which is the third book. It is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

Although Charlotte and Emma are sisters, this is the only book in this short series in which they both appear together. Each of the other books focuses on each of the girls separately. Charlotte Sometimes, the best-known book in the series, is set when Charlotte goes away to boarding school, and the second book in the series, Emma in Winter, takes place while Charlotte is away at school, focusing on Emma, who is left at home. All three books focus on growing up and issues of personal identity, although they do it in somewhat metaphysical terms and with fantasy elements.

Charlotte Sometimes focuses on personal identity as Charlotte finds herself traveling back and forth through time, trading places with another girl who attended her school in the past. At times, Charlotte feels like she’s losing her identity as Charlotte and becoming more like the other girl. One of the things I liked about The Summer Birds was getting a glimpse of Charlotte just being in her own identity all the way through the book. The beginning of the book makes it clear that the other children at school think that Charlotte is a prig (someone who is rigidly well-behaved to the point of being obnoxious), but it also clarifies that it’s because she feels compelled to look after Emma and set a good example for her.

The two girls live with their grandfather Elijah, who is obsessed with astrology, and an elderly, lazy housekeeper. The book never really explains what happened to their parents, but it seems that Charlotte and Emma are orphans. It is established in Charlotte Sometimes that their mother is dead, and this book mentions that their father was a sailor. Their grandfather likes girls to be well-behaved, and Emma is anything but, so Charlotte keeps trying to teach Emma how to act to keep their grandfather happy and trying to smooth things over with their grandfather when Emma misbehaves. In Emma in Winter, Emma has to face up to the realities of her personal behavior and other people’s reactions to her behavior without Charlotte running interference or taking responsibility on her behalf. That’s her coming-of-age moment, and it leads her to become more mature, personally responsible, and better-behaved herself and to appreciate what Charlotte was trying to do for her.

Although each of the books in this short series can be read independently of each other, I think reading all of them adds some depth and understanding to the characters. Charlotte was always a very responsible and cautious person in Charlotte Sometimes, showing that there is continuity to her character, but knowing the history of why is that way makes her more understandable. Although the other children sometimes consider Charlotte a drag for pointing out things that they shouldn’t be doing, it’s Charlotte’s serious nature that causes the other children to question the offer that the mysterious boy makes them at the end of the summer.

We also get to meet Charlotte’s best friend in her home town in this book, a girl called Maggot, who never appears and is never even mentioned in Charlotte Sometimes. The reason why she doesn’t appear in later book is that she is the only one who decides to accept the mysterious boy’s offer at the end of the book, leaving with him to be forever young as a bird. Charlotte is tempted by the offer, but she realizes that accepting it would mean giving up everything else and everyone else in their lives. The children would be happy for a while in their freedom as birds, but they would eventually miss their parents, and their parents would grieve for them because they would never be able to return. Although the other children don’t always listen to her, she is able to persuade them that this is really a serious matter that is about their very lives, forever, not just a brief summer lark. In the end, Maggot is the only one who can accept the offer because she is the only one who has no one left in the village to miss. She is an orphan and lives with an uncle who pays little attention to her. It is implied that he would hardly notice if she left, whereas Charlotte and Emma’s grandfather really would miss them, even if he sometimes doesn’t like their behavior. Maggot was also always the most birdlike, and she probably knew that the boy was really a bird before the others did because her uncle is a gamekeeper.

There are still some questions left unanswered at the end of book, but that is typical of this series. Readers might have guessed that the boy was really a bird all along, but we still don’t really understand his magic or see what happens in the village after Maggot leaves with him. We don’t know for sure that Maggot’s uncle doesn’t miss her or try to look for her, what the other villagers decide happened to Maggot, or if the teacher ever tells anyone what she knows about the children flying or if she understands what happened to Maggot herself.

Overall, it’s a pretty slow-paced book. Most of the story feels like pretty low stakes until the part at the very end, where the boy offers to let the other children come with him to be young birds forever. Then, it becomes a serious question of whether they are willing to continue with their normal lives, growing up and losing their flying magic, or if they’re willing to give up everything and everyone they know and love forever to keep it. Even though most of the story is peaceful, I had the feeling from the beginning that there might be a sinister turn somewhere because the boy’s behavior didn’t always seem straight-forward and friendly, and he was definitely keeping secrets. I had the feeling that the mysterious bird boy wanted something from them or was going to try to get them to do something they shouldn’t eventually. It’s an interesting premise, although I still think that Charlotte Sometimes is the best in the series. Events in this book are also mentioned in Emma in Winter, when characters in the story discuss them with each other, showing that all of the local children still remember their flying adventures together and that the events in this book didn’t just happen in their imagination.

The Enchanted Castle

Two brothers and two sisters spend most of their time at boarding schools. The boys go to a school for boys, and the girls go to schools for girls, so the only times when they are together are when they are home for school holidays or visiting at the house of a kind, single lady who lives near to their schools. Although the children’s parents are grateful for their single friend for hosting the children as guests from time to time, the children find it difficult to play at her house because everything is so neat and proper, and they don’t feel quite at home. Then, during one school break, one of the sisters, the one who makes it home first, comes down with measles. With their sister sick, the other siblings can’t go home, which is a great disappointment, and their parents have to make other arrangements for them. When the children tell their parents that they don’t want to visit the single lady for the entire school holiday, the parents arrange for the boys, Gerald and James (called Jerry and Jimmy), to board at their sister Kathleen’s school. It will be fine for them to be there because Kathleen (called Cathy) is the only student remaining at the school during the holiday, and there will only be one teacher there to supervise them, the school’s French teacher.

This arrangement suits them better than going to the single lady’s house, although they think that they ought to find something special to do during the school holiday. Kathleen suggests that they write a book, but the boys aren’t thrilled by the idea. They would rather do something outdoors, like playing bandits. However, they are a little concerned about the French teacher’s supervision. Fortunately, Gerald is good at charming grownups, when he wants to. Through a combination of flattery and small, thoughtful favors to the teacher, he gets on her good side, and he manages to convince her that he and his siblings would like to have some time to themselves to play and explore outside, maybe in the woods. The French teacher understands that what they really want is some freedom from supervision, but she agrees to give them some time to themselves.

The children don’t actually know if there are any woods in the area, but they decide to do some exploring and see if they can find an adventure of some kind. They end up getting lost during their exploring, but they find it exciting. When they sit down to rest, they find a cave and decide to explore it. The cave turns out to be a tunnel that leads them to a beautiful garden with a lake with a decorative waterfall and swans. The children imagine that it’s the garden of a magical castle. Going a little further, they find a thimble with a crown on it and a thread tied to it. It looks like the kind of thimble that might belong to a princess.

When they follow the thread, they find a young girl in a beautiful dress who looks like she might be a princess. She looks like she’s asleep, so she looks like an enchanted princess or Sleeping Beauty. Jimmy doesn’t really believe that she’s a princess, but the others aren’t so sure, and anyway, it makes a fun game to pretend that she is. Since Jerry is the eldest of the children, Cathy thinks that Jerry should kiss her to wake her up. Jerry refuses, so Cathy says Jimmy should do it. Although Jimmy is sure that she’s really just an ordinary girl dressed like a princess, he says he’ll kiss her to prove he’s braver than Jerry and that he should be the leader for the rest of the day.

When Jimmy kisses the girl’s cheek, she opens her eyes and says that she has been asleep for 100 years. She insists that she’s a real princess and asks them how they got past the dragons. Jimmy still doubts that, even though she shows them a mark where she pricked herself on a spindle, just like in the Sleeping Beauty story. She invites them to come back to the castle and see her beautiful things. The children say that they are hungry, so they go with her go get something to eat.

When they get to the “castle”, the princess brings them bread and cheese to eat with some water. This seem depressingly ordinary, and the princess apologizes, saying that was all she could find. However, she claims that the food in the castle is magical, so it can be whatever they want. The children imagine that it’s roast chicken and roast beef, but all they get is bread and cheese. Cathy doesn’t want to admit at first that it’s just bread and cheese because (like with the Emperor’s New Clothes), there is an implication that there is something wrong with her if the magic doesn’t work for her. Jimmy isn’t discouraged by that, so he asks the princess if it’s a game, but the princess denies it, insisting that the food is magical.

Then, the princess takes the children to a hidden door behind a tapestry. The room inside has paneled walls and blue ceiling with stars painted on it. The princess calls it her “treasure chamber”, but the room is completely empty. The princess acts surprised when the children say that they can’t see any treasure, and they refuse to believe it’s because they’re magical or invisible. The princess has the children close their eyes while she says some magic words. When they open their eyes, suddenly, there are shelves with jeweled objects on them. The children have no idea how the princess accomplished this trick, so they start to believe that maybe she can do magic.

The princess suggests that they all put on some of the jewels and be princes and princesses, too. It’s amusing for a while, but the boys start getting tired of dressing up, and they’re still a little skeptical about who the princess is. They suggest that they go play outside, but the princess insists that she’s actually grown up and doesn’t play children’s games, and she has the others help her put all the treasures back in their proper places. She tells the children that various pieces of jewelry have magical property. Jimmy asks her if that’s really true or if she’s kidding, but the princess insists that it’s true. Jimmy asks her to demonstrate how the magic works. The princess says that she will try on the magic ring that makes her invisible, but only if everyone closes their eyes and counts first.

When the children open their eyes, all of the shelves of jewels are gone and so is the princess. Jimmy says that it’s obvious that the princess just went out the door of the room. When they close their eyes and count again, Jimmy keeps his eyes open and sees the princess hiding behind a secret panel. When he tells the others, the princess says that he cheated. The weird thing is, even though they hear the princess say that he cheated, they still don’t see her. They tell her to stop hiding and come out, but she says that she already has. She says that if they want to pretend like they can’t see her, that’s fine, but the children seriously can’t see her. When the princess realizes that they’re serious that she’s actually invisible, the princess suddenly gets scared. She tries to shake the boys and get them to say that she’s not invisible, and Jerry catches hold of her, still unable to see her. She tells them that it’s time for them to go because she’s tired of playing with them.

Jerry makes the princess look in a mirror to prove that she’s invisible, and the princess gets very upset. Cathy sensibly tells her to just take the ring off, but the princess says it’s stuck. She admits that the whole thing, up to this point, was just a game of pretend. She says that the treasure shelves were hidden behind some paneling, and she just moved it with a hidden spring. She never expected that any of it was actually magical. The truth is that the girl’s aunt works at the house as a housekeeper and that her name is Mabel. She was just playing at being an enchanted princess because the rest of the household is away at the fair, and she happened to hear the other children coming through the hedge maze, so she roped them into her game.

Since one of the objects that Mabel claimed was magical was a buckle that would undo magical spells, Cathy suggests that she try the buckle. Mabel says that’s no good because she only made up that it was magical, but Cathy points out that she also made up the part about the ring being magical, and it turned out to be true, so she might as well try the buckle. Mabel would, but they accidentally locked the key inside the room and can’t get in now.

The children sit down to think about the situation. Since they can’t think what to do, the other children think maybe they should leave and go get their tea, but Mabel insists that they can’t just leave her invisible like this. Instead, she suggests that she go with them to tea and leave her her aunt a note. While they have tea, maybe they can think of something else to help Mabel. In her note, Mabel says that she’s been adopted by a lady in a motorcar and is going away to sea. The others say that’s lying, but Mabel says that it’s fancy instead of lying and that her aunt wouldn’t believe her if she said that she was invisible.

When they return to Kathleen’s school, they have tea and supper. They let Mabel have one of the three plates laid out for them, and Jerry and Cathy share one between them. Fortunately, the French teacher isn’t eating with them and doesn’t see an invisible person eating, but the children don’t know how they’re going to handle breakfast the next morning. They say that Mabel can stay the night with them, sharing Cathy’s bed and borrowing a nightgown. Mabel says that she can get some of her own clothes from the house tomorrow because no one will be able to see her and that she’s starting to see some possibilities for being invisible.

In the morning, the maid who comes to wake Kathleen sees Mabel’s discarded princess dress on the floor and asks Kathleen where it came from. Kathleen makes an excuse that it’s for playacting, which means that she and her brothers will have to figure out some kind of play to put on with it. Mabel thinks that acting sounds exciting, but Kathleen reminds her that she’s still invisible, so no one can see her perform anything.

The children feel bad about Mabel’s lies in the note to her aunt, and they insist that they should go and tell her the truth. Mabel doesn’t think this is a good idea because her aunt won’t believe her, but she reluctantly agrees. When they try to talk to her, the aunt doesn’t really want to listen to them, thinking that it’s just another one of Mabel’s pranks. She says that maybe Mabel was changed at birth and that her rich relatives have finally claimed her. They try to tell her that Mabel is with them, only invisible, and the aunt tells them not to lie to her. They ask about Mabel’s parents, and the aunt says that she’s an orphan. The children think that Mabel’s aunt is crazy because she doesn’t seem concerned about her and doesn’t want to hear anything they have to say, but Mabel says that she thought that her aunt might act that way because she spends so much time reading novels and can imagine anything.

In the meantime, Mabel has had some thoughts about what she can do. She says that she might be able to continue living in the house where her aunt works because the place is supposed to be haunted, so she can play ghost herself. However, the others think that she should stay with them. They just need a way to get some money to buy extra food for her.

Sine the fair is still going on, Mabel suggests that Jerry put on a magic show at the fair to get some money. The others say that Jerry doesn’t know any magic tricks, but Mable points out that it doesn’t matter when he has an invisible friend who can move things around, unseen, and make things disappear. Jerry dresses up as a conjurer from India (in a way that would be considered equal parts cheesy and offensive by modern standards because it involves black face), and he puts on the magic show with Mabel’s help. It’s incredibly successful, and toward the end of it, Mabel feels the ring coming loose. She takes it off and gives it to Jerry, who ends the act by vanishing himself.

Now, Mabel is visible again, and it seems like they’ve solved their problem, but now, they have a new one. The ring is now stuck on Jerry’s finger, and he is the one who’s stuck being invisible. Although Mabel can now go home, she insists on staying with the other children and taking part in their next invisible adventure.

Jimmy says that, if he was invisible, he would turn burglar. The girls point out that would be unethical, so Jerry decides that he will be a detective. There are advantages to a detective being invisible. Then, Mabel remembers that the treasure room is still locked from the inside, and they have to do something about it. Jerry says that, as an invisible person, he can sneak in easily enough through a window. When he does this, he ends up foiling a robbery by actual burglars, although he also ends up letting them escape from the police because he knows that conditions in prisons are horrible and can’t bring himself to send anyone there.

After his adventure, the ring comes loose from his finger while he’s in bed, and the maid at the school, Eliza, finds it and decides to “borrow” it for an outing with her fiance. When her fiance can hear Eliza’s voice but not see her, he thinks that he’s taken some kind of strange turn or fit, possibly because he’s been in the sun too long. The children convince him to go home and lie down while they deal with Eliza. They take Eliza on a little adventure of her own because they’re beginning to see that the ring doesn’t come off someone’s finger until its purpose is fulfilled. Afterward, they manage to convince Eliza that it was all a strange dream that she had because she felt guilty about taking the ring without permission. The children also think that the ring’s power might be diminishing and could be completely spent because it seems like its effect has been lasting shorter and shorter amounts of time every time it’s used. However, this is really just the beginning of the ring’s magic, and it can do much more than they think it can.

At this point, they feel a little guilty that they haven’t spent much time with the French teacher, who is supposed to be looking after them, so the buy her some flowers. She is pleased with the gift, and they have a little party with Mabel as their guest. They find out that the French teacher has artistic abilities, although she rarely has time to draw these days because she’s so busy teaching. Mabel also tells them more about the man who owns the house where her aunt works. Although the house is grand, the man who owns it doesn’t really have enough money to support it and live there full time with a full staff because his uncle wrote him out of his will for falling in love with a girl he didn’t approve of. It’s sad because he also never married the girl because she was sent away to a convent, and although he did try to find her, he never did. Mabel, whose knowledge of convents comes from the scandalous gothic novels that she and her aunt read (much like the kind the main character reads in Jane Austen’s Northanger Abbey), speculates that the girl might be bricked up in a wall by now because that’s the kind of wicked thing that happens in books. The French teacher tells her that real convents aren’t like that and that the women who live there are good and take care of girls without parents, although they can also be strict, and the girls aren’t allowed to leave. She says it in a way that implies that she was one of those girls raised in a convent.

Since the children had claimed earlier that they were going to put on a show of some kind with the princess outfit, they decide to go ahead and perform for the French teacher and Eliza. To fill out the audience for their performance, they make a bunch of stuffed dummies, which the French teacher finds amusing. The children use the ring as a prop in their play, although none of them put it on, and Kathleen wishes that the dummies were alive so they could have better applause from the audience. To the children’s amazement and the French teacher’s and Eliza’s terror, the dummies (which the children think of as “Ugly-Wugglies”) do come to life and start clapping. In a panic, the children debate what to do. Jerry realizes that the ring is actually a wishing ring and is responding to the children’s wishes, so he wishes on the ring that the dummies were not alive, to undo Kathleen’s wish, but it doesn’t work.

To Jerry’s surprise, the dummies begin speaking to him, although their speech isn’t clear because they don’t really have proper mouths. They ask him for a recommendation to a good hotel or suitable lodgings. The dummies don’t seem to know what they are, and they are behaving like respectable, aristocratic people. Jerry tells them that he can show them to some lodgings, if they will wait for him a little. He makes some excuses to give himself time to reassure the French teacher and Eliza that the effect with the dummies was just a trick pulled by the children with string, and he recruits Mabel to help him find a place for the dummies. He does this in an insulting and condescending way, and Mabel tells him off for that, but she agrees to help him. They decide to hide the dummies somewhere on the grounds of the big house where Mabel and her aunt live, thinking that the magic will wear off eventually and that the dummies will turn into dummies again by morning. The dummies turn nasty when Jerry and Mabel try to shut them away, and they are helped by a strange man.

The strange man demands an explanation from the children about the angry people they’ve shut away, but the children don’t want to explain. The man says, if they won’t tell him what’s going on, he’ll simply have to let the people out and ask them, but the children are afraid of what the dummies will do if they’re released. The man assumes that the imprisoned people are other children and this is all some children’s game, so Jerry and Mabel decide that they have to tell him the truth, even though they know it all sounds crazy. They can tell that the man doesn’t really believe him. The man thinks maybe Jerry has a fever or something, and he says that he’ll see the children home. Jerry can tell that the man plans to open the door after the children are gone, and he warns him not to do that. He insists that the man wait until tomorrow to open that door and to wait for them to meet him to see it opened because, by then, they’re sure that the dummies will just be dummies again. The man reluctantly agrees.

When the children arrive the next day, they discover that the man didn’t wait for them to open the door, and he is now lying unconscious and injured, apparently attacked by the dummies. The dummies are gone except for the most respectable dummy, who seems concerned about the unfortunate man on the ground. Mabel runs for smelling salts to revive the unconscious man, and Jerry looks around to see where the other dummies are. They find that the other dummies have turned back into piles of old clothes, and only the one living dummy is left. He seems to be becoming far more real. The children revive the unconscious man, who turns out to be the new bailiff. The bailiff assumes that the strange visions he had were because he was injured accidentally. After the children are sure that he’s all right and send him on his way, they try to figure out what to do with the remaining living dummy.

The remaining dummy seems to have developed a life of his own and is quite a wealthy man, although the children aren’t sure that this will last because the ring’s magic never seems to last very long. Jimmy says that he wishes he was wealthy, and the other children are horrified to see him age quickly, turning into an elderly, wealthy man. Jimmy doesn’t seem to remember who they are, and he refuses to turn the ring over to them when they ask for it, trying to stop his wish. He acts like the dummy is an old acquaintance of his, and he just wants to go to the nearest railway station with his dummy acquaintance.

Jerry sends the girls home to make some excuses for his and Jimmy’s absence, and he follows the now-elderly and wealthy Jimmy on the train to London. There, he learns that Jimmy and the living dummy have somehow acquired business offices, staff, and backstories. Other people seem to have somehow known the two of them for years (a warping of reality that makes Jerry’s head swim because neither of them existed in their current state before) and say that they are business rivals. Jerry pumps a boy who works at one of the offices for information, claiming that he’s a detective and is trying to reunite the elderly Jimmy with grieving relatives. The boy’s advice is that it will be difficult to get through to elderly Jimmy but that he might use the living dummy’s rivalry with elderly Jimmy to arrange things. The living dummy (now known as U. W. Ugli) helps Jerry to get control of the ring, and he wishes himself and Jimmy back to the house where Mabel lives.

Jimmy is restored to his younger self, and the children debate about what to do with the ring. They can see that it has some dangers. Mabel says that she ought to put it back in the treasure room, where she found it. However, while they’re in the treasure room, they begin to wonder if any of the other pieces of jewelry are magical, since the ring became an invisibility ring after Mabel pretended it was. Mabel can’t remember exactly what she said any of the other pieces of jewelry did because, at the time, she was just playing pretend and making things up. Then, something occurs to Mabel. She realizes that the ring only became an invisibility ring because she said it was one, and it turned into a wishing ring when they started calling it that. She says that proves that the ring does whatever they tell it to do, changing its powers to match whatever they say. To prove the point, she declares that the ring will now make people tall, and when she puts it on her finger, she is suddenly unnaturally tall.

Mabel’s experiment did prove the point, but they now have to hide Mabel until the effects wear off. The children get a picnic from Mabel’s aunt and go to hide out in the woods overnight. However, Mabel complicates things when she turns the ring into a wishing ring, and then, she accidentally turns herself into a statue. The children have a nighttime adventure with some living statues, learning that all statues apparently have the ability to come to life at night. They can also swim, so they have a nice swim and a feast. The statue of Hermes tells the children that “‘The ring is the heart of the magic … Ask at the moonrise on the fourteenth day, and you shall know all.'”

Then, the children learn that Lord Yalding, the man who owns the big house, is planning to come, and that he is thinking of renting the house to a wealthy American. Mabel’s aunt is busy, getting the house ready for Lord Yalding and the American. However, it turns out that the children have already met Lord Yalding without realizing it, and with the ring and the treasures in the hidden treasure room, they have the power to secure his future and reunite him with his lost love … if only they can figure out how to manage the ring’s power without causing any more chaos.

The book is now public domain and available to borrow and read for free online through Project Gutenberg and Internet Archive (multiple copies), including an audio recording from Librivox. The story was made into a BBC television miniseries in 1979, but it’s difficult to find a copy these days. As of this writing (April 2024), the only dvd release was in Australia in 2013. Sometimes, clips of it appear on YouTube.

For the first part of the book, it isn’t obvious that there will be any real magic in the story. At first, the children are all just playing pretend with each other, and even when Mabel turns invisible, it’s possible to believe that the children might still be playing pretend and letting their imaginations run away with them. Because the adults don’t seem that concerned about Mabel, I thought that they might have been humoring the children in their game, but the children later realize that the ring has the effect of muting people’s concerns for the one wearing it, even if they’re doing something bizarre or dangerous. That ends when the person takes off the ring, and people become more concerned about them and where they’ve been. The magic in the story is real, and as the story continues it involves too many other people, even adults and various bystanders, for it to just be a game.

Throughout the book, various adults experience the effects of the magic ring and witness things that the children do with it. They come up with various explanations for what they’ve witnessed, so they can disregard it, but they unquestionably experience magical events along with the children and have some consequences from the children’s adventures. While Jerry retrieves Jimmy from London when he accidentally turns himself old and wealthy, they never do retrieve the living dummy, so U. W. Ugli remains doing business there until his magic finally wears off. His employees don’t seem to know what he is and have memories of having worked for him for years, so they report him missing when he finally disappears, and the notice appears in the newspaper.

There’s a lot of humor in the story as the children experiment with the magic, deal with the consequences of their adventures, and try to invent excuses to explain away the inexplicable. There are times when they do try to tell adults the truth about what they’ve been doing and what’s happening, but most of the time, the adults don’t believe them. Sometimes, they feel a little bad about lying to adults and making up stories, but they have to resort to that because nobody really believes the incredible truth.

When the children start telling Lord Yalding the stories of their magical adventures and about the treasures they’ve found in the house, they are unable to prove what they say at first. Lord Yalding gets a chance to experience the magic himself, he thinks that he’s going crazy. At the proper time, the ring’s magic reveals itself to Lord Yalding, his love, and the children so they can all see the true magic and learn the ring’s history, which is a story of magic and tragic love. Lord Yalding comes to understand that he is not crazy and that the magic is real. His lover makes one final wish that turns the wishing ring into a wedding ring. The magic ends, and the castle and grounds are changed because of it, becoming less grand and more ordinary, but Lord Yalding and his bride are able to have their happy-ever-after.

I thought it was interesting that the author provided a backstory for the magic ring, explaining where it came from and its effect on the house and its grounds. I didn’t think there were many clues to that backstory provided along the way, and some buildup to the explanation would have been nice. However, I recognize that the author didn’t have to provide any explanation for the magic at all. Many other fantasy stories don’t offer explanations for magical objects, leaving that up to readers’ imaginations, because the focus is more on the effects of the magic rather than its origins.

As far as we know, the children’s other sister, the one who was sick with measles in the beginning, never finds out what her siblings have been doing during this particular school break. The children remain close to Lord Yalding and his wife, and they host them at their house during school breaks afterward. In fact, it sounds like they spend more time with Lord and Lady Yalding than they do with their parents.

Overall, I enjoyed the story. E. Nesbit’s fantasy stories are children’s classics, and they have influenced other children’s fantasy books that came after them, especially Edward Eager’s Tales of Magic series.

Although the original story is now public domain, there are different versions of this book because there are simplified forms of the story for younger children, and some newer editions have removed some of the problematic parts of the story. Some of E. Nesbit’s books contain problematic racial language or stereotypes or have children doing things that would be unacceptable by modern standards. In this book, such incidents are relatively mild, and their absence wouldn’t materially change the character of the story.

For example, when Jerry dresses up an conjurer from India, he uses black face as part of his costume. In the 21st century, use of black face is considered derogatory toward people with dark skin. In a way, Jerry’s costume is played for comedy because it’s made from pieces of his school uniform, and someone points out that he’s left out spots in his skin makeup. Nobody believes that he’s a real conjurer from India, although they are impressed by his act because they can’t figure out how he accomplishes his tricks.

There is also some anti-Catholic sentiment, although the children seem to say certain things because they’ve gleaned them from sensational novels or things other people have said, and the author does correct for it. The first instance of this comes from Mabel’s concept of the dark deeds done in convents, which she has apparently learned by reading gothic novels. I’ve read some old gothic novels myself, and the idea that sinister things happen in secrecy in convents and abbeys was a popular concept from 18th and 19th century literature. It’s partly due to anti-Catholic sentiment and, probably, because the idea of a closed society that isn’t open to the general public makes for a compelling setting for dark secrets, somewhat like the way secret societies and boarding schools have become the setting for sinister happenings and dark deeds in Dark Academia literature. However, the other does have the character of the French teacher contradict this view of convents with a more benevolent and realistic one, that the people in them are caring but strict. There is one other comment that Jimmy makes in the story when he’s arguing with Mabel, when he seems to be implying something about Jesuits, a branch of Catholic priesthood:

“If you’d been a man,” said Jimmy witheringly, “you’d have been a beastly Jesuit, and hid up chimneys.”

I wasn’t entirely sure what this comment meant, although I think it might be a reference to the ways Catholics hid priests in priest holes, little hidden rooms, when they were at risk for arrest, torture, and even execution in Elizabethan England. Some of these little hiding places were in fireplaces, which I think is what the reference to hiding in chimneys means. At the time, the children were arguing about bravery, so I think Jimmy is implying that Mabel is the type to run and hide in the face of danger. (That might actually be the best option when there’s real danger. Just saying.) If I’ve understood his meaning, that makes Jimmy’s comment more of a slur against Mabel’s bravery than against Jesuits, although he does still call the Jesuits “beastly”, and he’s implying that’s a bad thing to be.

When you read public domain versions of the story online, they will have these elements in the story because they were part of the original book. However, if you find a physical copy in a library, it may or may not have these elements, depending on the printing. If it was printed during the late 20th century or any time during the 21st century, there is a good chance (although not completely guaranteed) that it’s a revised version and may have these parts written out or at least toned down.

The Pinhoe Egg

The Pinhoe Egg by Diana Wynne Jones, 2006.

This is the sixth and final book in the Chrestomanci series.  In this series, there are many different dimensions, and in each of those different dimensions, there is a copy of every person.  Different versions of our world can differ dramatically in their history across the dimensions, and individual people’s lives can differ dramatically between the dimensions. There is one person in each generation who has no duplicates in any of the other dimensions.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across the other dimensions are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions, and he acts to keep a balance between them and make sure that the different worlds keep their proper course.

Marianne Pinhoe and her brother, Joseph, are used to Gammer (their grandmother) telling them and everyone else in their family what to do. Gammer is the matriarch of the magical Pinhoe family, and Marianne, as the only girl born into the family in the last two generations, is expected to eventually succeed her. Joseph has magical abilities, too, but he often pretends that he can’t do things so the rest of his family won’t force him into their magical businesses. He really has a fascination for machines and would rather work with them than do magic, so he does his best to convince the rest of his family that he’s a “disappointment” to them (something that other family members appear to have done when they had interests outside the family). However, Gammer still rules the roost and she has plans in mind for both Marianne and Joseph.

One day, she calls Marianne and Joseph to her house and tells Joseph that she’s got him a job as boot boy at Chrestomanci Castle over the school break. Joseph is angry because he had other plans for the school break and doesn’t want to be a boot boy. Gammer tells him that it’s important for him to go to Chrestomanci Castle because she wants him to act as a spy there. The Pinhoe clan doesn’t live too far from the castle, and for generations, they have been careful to conceal their identities as witches from whichever Chrestomanci happens to be in charge at the time. Gammer says that if Chrestomanci (whom they carefully refer to as the “Big Man” because saying his title aloud calls him) ever found out about them, he and his crew of enchanters would (gasp!) force them to obey rules and regulations and not just use their magic any way they like whenever they feel like it. (If you’ve read all the of previous books in the series, you can see that people like the Pinhoes are part of the reason why rules exist in the first place and why just letting them do whatever they want could be a complete disaster that could tear apart the worlds someday, but oh noes, not rules and regulations and being told not to do insane things that would lead to the destruction of the worlds! We’re not talking petty micromanagement here. Basically, this is a huge red flag, right up front, that the Pinhoes are up to seriously shady stuff that may lead to people dying and/or already have involved people dying.) Gammer wants Joseph to be at the castle to find out if the Big Man has caught on to them or looks like he might be going to. (At this point, we don’t know exactly what activities they’re afraid he’s going to catch onto, but that will become more clear later.) Joseph is still angry and tells Gammer that she can’t make him do it, but something happens that changes everything.

While Marianne and Joseph are still at Gammer’s house, the Farley family comes calling, and they’re angry with Gammer, too. They say that she has somehow betrayed them, particularly Dorothea Farley. After an argument with them, suddenly Gammer seems to lose all of her reason! When she speaks, she doesn’t seem to make any sense, as if she’s completely lost her mind. Marianne thinks that the Farleys cast a spell on Gammer, but she can’t prove it. The rest of the family thinks that the strain of the argument with the Farleys just sent Gammer over the edge because she’s so old. They’re unsure whether or not Gammer is going to recover from this incident or not and how long that might take. They temporarily hire nurses to look after her, but Gammer drives them away by using her magical powers to throw things at them like a poltergeist.

The family members all argue about what to do with Gammer, and in the end, they decide that she must go live with Dinah and her husband because gentle Dinah seems like she’s the only one who can handle her. Some of the relatives argue about who will get Gammer’s house since she will no longer be living there, and Marianne’s father reveals that the house actually belongs to him and that he was just letting Gammer live there. He thinks that the house is too large for his family and that the sensible thing to do is to sell the house and use the money for Gammer’s care and other practical uses. Moving Gammer to Dinah’s house is difficult because she uses her magic to resist it, but they eventually accomplish it. In the meantime, Joseph still has to go to Chrestomanci Castle because all of the arrangements are already made and the rest of the family insists that he do it.

While all this is happening, The Chant family is just returning from their holiday in the south of France (which was in Mixed Magics), and they have no knowledge of what’s been happening with the Farleys and the Pinhoes. Julia and Janet have been reading a horse story for girls and have become obsessed with horses and the idea of owning horses of their own. Chrestomanci asks them if they wouldn’t prefer to have bicycles (Roger says he would and Chrestomanci immediately agrees he can have one), but the girls insist that they must have horses. Millie is sympathetic because she wanted a horse of her own when she was young, and they do have stables at Chrestomanci Castle. Chrestomanci reluctantly agrees and purchases a horse for the girls, with the understanding that they will learn to take care of it properly.

However, when the horse arrives, it turns out that Janet is terrified of horses when she actually meets one, and the horse only likes Eric “Cat” Chant. Initially, Cat thought that all of the horse talk was boring, but he feels a strange kinship for Syracuse the horse, and if he doesn’t take care of him, Chrestomanci might follow through on his threat to have Syracuse turned into dog food. (Chrestomanci is also secretly afraid of horses.) Cat finds riding difficult at first, but he enjoys it and becomes fond of Syracuse. Julia and Janet swear off horses in fear and disappointment and get bicycles, like Roger, so Cat becomes Syracuse’s owner.

One day, while riding Syracuse, Cat has a disturbing encounter with Mr. Farley, the gamekeeper. Mr. Farley has placed spells in the territory around his family’s property to keep people away so their magical activities won’t be noticed by anyone, especially the people at Chrestomanci Castle. Since Cat has been riding around the countryside on his horse, Mr. Farley has become paranoid about Cat snooping around. The Pinhoes have some similar worries.

Then, Jason, one of Chrestomanci’s associates, returns to the castle after having been away for years. Jason brings his new wife, Irene Pinhoe, with him. Jason is a plant expert, and he also has some plant samples. Janet and Julia are both heart-broken that Jason is married because they both had enormous crushes on him, and they are sure that Irene is going to be perfectly awful and that they won’t be able to stand her. However, when Cat meets Irene, he thinks that she seems rather nice. She’s an artist and designer, and Cat can tell that she’s using magic in her drawings. Irene admits that her father was some kind of enchanter, and she may have inherited some of his ability, although she seems oddly embarrassed about it and says that she doesn’t know much about her father’s work. Jason and Irene invite Cat to accompany them while they have a look at a house that they’re planning to buy in the area.

Gammer is still not in her right mind, and at Gammer’s request, Marianne has to look after her cat, Nutcase. This is difficult because Nutcase is hard to control, and he somehow manages to get around the spells that Marianne tries to use to control him. After Nutcase kills a bunch of baby chicks belonging to Dinah, Dinah’s husband threatens to kill Nutcase if he comes near their chickens again. Marianne tries, mostly unsuccessfully, to keep track of Nutcase and keep him out of trouble.

One day, while trying to find Nutcase, she shows up at the house that Jason and Irene are trying to buy while they are there with Cat. It happens to be the old Pinhoe house, the one Marianne’s family is selling, and the Pinhoe family would prefer a Pinhoe to buy it. It helps that Irene is a Pinhoe, and Marianne thinks that she is just like the princess that she imagined in a story that she’s writing. Jason is fascinated by the variety of magical herbs in the Pinhoes’ neglected garden, and he’s sure that he really wants the house, too.

Cat is intrigued by Marianne when they first meet because he can tell that she has powerful magical abilities. Marianne asks Cat to help her find Nutcase, and he agrees. While they’re looking for Nutcase, Cat comments to Marianne how powerful her magic is and that she should trust it more. Cat is surprised at himself for being so bold, and Marianne is surprised at how well Cat has read her.

While they look for Nutcase in the attic, Cat senses that there is something important and magical hidden there, protected by spells, and he feels compelled to figure out what it is. As they investigate further, they find a strange, large egg. Marianne says that she doesn’t really know what kind of egg it is but that Gammer told her that it was a silly joke of her grandfather’s because he claimed it was an elephant’s egg. Cat senses that it’s very important, and he asks Marianne if he can have it. Marianne decides it’s okay if Cat keeps it because nobody else ever really seemed to care about it, and the house needs to be cleaned out when they sell it.

During the night, Cat gets a visit from a large, winged creature that says it’s the egg’s mother. The mother says that a spell prevents her from reclaiming her egg, but she sensed that the egg was moved, so she came to see that it was safe. When the egg hatches, it turns out that it’s a griffin. Cat needs Millie, Crestomanci’s wife, to help with the hatching and caring for the griffin. Crestomanci questions Cat about how he got the egg, and Cat explains that it came from the Pinhoes’ old house, which seems to intrigue Crestomanci.

When Marianne’s uncles learn that Marianne gave the egg to Cat and that it’s hatched, they’re furious with her. They had put the egg in the attic themselves and placed spells on it to prevent it from hatching, although they had never told Marianne about it before.

In the mean time, Marianne has been learning that this isn’t the only secret that her family has been hiding and that things in her family are not what she’s always believed they were. Strange things are happening in the nearby village. First, someone places a bad luck spell on all the Pinhoes. Every member of the Pinhoe family falls victim to various accidents until they find the source of the spell buried in the garden of the old Pinhoe house and destroy it. Then, there’s a plague of frogs and a sudden epidemic of whooping cough that affects everyone in the county.

What Marianne comes to realize is that these curses are being cast by Gammer, who still seems to not be in her right mind. What the other relatives have been taking to be harmless, nonsense mutterings and odd little things that she does to entertain herself have actually been magic spells. The curses have been mostly directed at the Farley family, although because Gammer isn’t really in her right mind, some of them have gone astray and affected other people in the area, including the Pinhoes.

However, when Marianne tries to tell her family what Gammer is doing, nobody believes her. Marianne comes to realize that the Pinhoes themselves have also been under one of Gammer’s spells for their whole lives that cause them to view Gammer with reverence and to make excuses for bad things she does. For some reason, this spell no longer seems to be working on Marianne, even though the other members of her family are still affected. Whe’s beginning to see that Gammer has done some pretty awful things and that her own father has been taking more care of the Pinhoe family than Gammer ever has, even though Gammer has been taking the credit as the family’s leader. Because of Gammer’s spells, none of the rest of the family will listen to anything Marianne tries to say about what Gammer has been doing, and they think that it’s just malicious slander. Worse still, Marianne is in disgrace with them because she gave the griffin egg to Cat.

What is the true story behind the griffin egg, and why are the elder Pinhoes so worried about it? Marianne knows that there is a griffin and a unicorn on the family’s coat of arms. What kind of feud does Gammer have with the Farley family, and are the Farleys really responsible for her present condition? With Gammer’s spells on everyone, how can Marianne get anyone to believe her enough to help her get the answers she needs? Her family has tried hard to avoid getting the attention of Chrestomanci or anyone at Chrestomanci Castle, but they may be the very people Marianne needs now.

My Reaction and Spoilers

I love the Chrestomanci series, and I enjoyed reading this book, although the ending seemed a little confusing and fell a little flat to me. I’m starting out with some minor spoilers, including some for previous books in the series. The major spoilers are at the end. The premise of a magical family with secrets is intriguing and fits well with the rest of the series. At first, Marianne believes everything that her family says and accepts that she will probably be the one to eventually take over Gammer’s position as head of the family. However, Marianne comes to realize that members of her family aren’t what she always thought they were, and some of them are hiding dark secrets. This is also a theme in the Chrestomanci series. Other characters in the series have also discovered that members of their families were hiding dark secrets and have been been betrayed by them. In previous books, the current Chrestomanci was used and betrayed by his uncle when he was young, and Cat’s own sister used him and tried to have him killed.

When Marianne allows Cat to take the griffin egg from their family’s old house, and she begins investigating strange things happening to people in the area, she realizes that her grandmother, who seems like she isn’t in her right mind, is the cause of at least some of it. Her family is unable to accept the truth about Gammer and turns against Marianne. It turns out that even her own father has been hiding secrets from her mother and his children and that, years ago, he was involved in a terrible crime against his own father. When the terrible secrets of the Pinhoe family are finally revealed, some of the Pinhoe marriages break up because the Pinhoe wives realize that their husbands have done some terrible things and have lied to them for years about it. Although Marianne’s parents stay together, Marianne’s mother has to come to terms with the truth about her husband’s past and his lies, and she also realizes that she should improve her children’s education and her own education.

In the end, someone else takes over as the leader and adviser of the Pinhoe family, rather than Marianne, but Marianne doesn’t mind because she’s really too young for the role, and she also realizes that her talents lie elsewhere. Like other young characters in the series, she and her brother are invited to continue their magical education at Chrestomanci Castle with the Chant family children. Marianne’s father is against his children studying with the posh people at the castle because he thinks that they’re trying to be too good for their own family, and Chrestomanci tells him that the only way they’ll be too good for their family is if he decides they are and keeps telling them they are. If that’s the message their father feeds them, then someday, they’ll probably believe it and think that their family has rejected them for being better than they are. Marianne’s father grudgingly allows the children to study at the castle because he can’t stop them and also because he and his brothers have lost face in the community because their past wickedness to their own father has been revealed.

Chrestomanci puts a stop to the feud between the Pinhoes and the Farleys by revealing some of their secrets and by having his assistant take away the Farley family’s magic. He does not take away the Pinhoes’ magic, but he wants to study their unique magic style because it has to do with the life force of living things, and Cat also seems to have a talent for it. This unique style of practicing magic is one of the secrets that the Pinhoes have been trying to keep to themselves, but there are also deeper and darker secrets they’ve been hiding, some of which didn’t really make sense to me.

What is eventually revealed is that Marianne’s grandfather, who supposedly died years before, is still alive. He was imprisoned in an area that contains and hides various mythological creatures, and his own sons were the ones who imprisoned him there in an injured state, while they told the whole community and even their own spouses that he was dead. They did it because Gammer, the grandfather’s wife, and Mr. Farley told them to kill their father. They couldn’t bring themselves to actually murder him, so they just crippled and imprisoned him. The reason why they did it was because he was studying the mythological creatures and brought the griffin egg out of the hidden territory. For generations, the family has believed that it was their duty to keep the mythological creatures imprisoned and secret, so they panicked and tried to stop the grandfather when it looked like he was going to expose everything. This is the major secret of the Pinhoes that they were always afraid someone would discover.

Chrestomanci and his people reveal that the family has a hidden history where they were supposed to be the caretakers of the mythological creatures but their mission got corrupted under the influenced of a particularly fanatic religious group, which convinced past generations that the mythological creatures were “abominations” and that they needed to hide their magical abilities. This doesn’t entirely make sense because, in past books, and even in this one, the local clergy knows and accepts magic. Chrestomanci and his family regularly attend church.

The explanation that readers are given is that the past group of religious fanatics was eventually driven out by other groups that came in later, but there’s not much of an explanation of how that works. We don’t know who these fanatics were supposed to be, and the chain of events is only vaguely explained. The Pinhoes aren’t entirely convinced that any of it is true, and because there aren’t a lot of details provided and not much groundwork was laid for this revelation, I wasn’t really impressed with it, either. It also bothered me that the Pinhoes and their mission to hide mythological creatures are very local, just in the village near Chrestomanci Castle, but for reasons that are also never explained, it seems like there aren’t any other mythological creatures, like griffins and unicorns, anywhere else in England or in any other countries. Were all these mythological creatures, their entire populations, only located in this one, particular village or did this one particular village hide all of them from everywhere in the world just in their little, hidden region? Real life animal populations are generally wide-ranging, so if we accept the idea that unicorns and griffins are real and once lived out in the open, I find it hard to believe that these local families were hiding all of them just in their little woods and that nobody, anywhere else, had a clue about it before or any populations of the same creatures elsewhere. Even if all of the other mythological creatures that once existed everywhere else in the world were wiped out by “fanatics” or other causes, it seems like there should still be evidence of it somewhere, like historical accounts or archaeological evidence. If there are plant experts who study magical plants in this series, it would make sense if there were also animal experts who studied magical animals.

There are just too many plot holes here, and all of this is just kind of dumped on the readers at the end without much build-up. It would have made more sense if the children had some kind of historical lessons that included the history of these “fanatics” or the apparent destruction of mythological creatures or something to set this up before the final revelation, but we didn’t really get that. It felt more like a sudden info dump at the end.

The situation with the Pinhoe family in the book seems meant to illustrate how family stories with a very narrow focus and no outside fact checking can lead to serious misconceptions and how militantly clinging to particular ideas simply because it’s “what we’ve always done” is toxic because it can lead to a warped view of history and the places of individuals in it. The Pinhoes have not just been trying to hide their activities from the authorities, but they’ve also been shielding themselves (both intentionally and unintentionally) from anyone or anything that might put a new perspective on their activities. They’ve been worried about the authorities trying to stop them or interfere with their activities, but at no point did they consider that there might be some sound reasons why the things they’ve been doing are pretty strange and out of bounds.

In a way, I think that the message of the story does have some relevance in the real world. Misconceptions about history and historical propaganda can lead people to do some inappropriate and toxic things. I’m pretty sure that I’ve mentioned somewhere before that I resent the United Daughters of the Confederacy for their textbooks, which were largely propaganda for their personal familial pride. When you have an organization based entirely around the concept of being part of certain families involved in a particular event on a particular side, and the nature of that involvement would seem dubious to people not on that particular side because it implies either support for and/or active participation in an unsavory activity (in this case, owning slaves), you have a group of people with a vested interest in telling a version of the story that puts themselves in a positive light and possibly others in a more negative light to make themselves look better by comparison, regardless of the historical accuracy (much of which, in their case, can be easily debunked by primary sources). “Their” traditional version of the story, the one from the textbooks they produced in past decades, puts Northerners into the role of aggressors, frames the concept of slavery as some kind of noble social service project. Ever heard someone ask if the slaves were grateful that they were given jobs or heard slavery described as a kind of unpaid “job training”? People do, and the propaganda of the United Daughters of the Confederacy is a major reason why. One of their tactics was to make slavery sound like a form of indentured servitude that people to pay off a debt and that could work their way out of once they learned job skills, but in real life, slavery never ends and the people in it never had a debt to pay to the people who owned them. Their works have portrayed black people as varying degrees of incompetent and aggressive, needing to be looked after and controlled. As someone with an interest in children’s literature and a degree in history, I seriously resent this organization, its written works, and the “Catechism” based on their historical fan fiction (my term – the more scholarly one is “pseudohistorical narrative“) that they still make children recite in the 21st century (still touted on their website).

The reason why I’m going on this tangent about United Daughters of the Confederacy and their textbooks is that it’s a real life example of a similar situation to the one that the Pinhoes have during the story. For one thing, there is a generational disconnect because, while the older generations in the Pinhoe family cling to their family’s lore about what their mission is and the secrets the family keeps, they haven’t entirely passed on that legacy to the younger generation yet. There is an enchantment over members of the family that makes them obedient to Gammer, makes them look at her in glowing terms, and makes them disregard bad things Gammer does. However, for reasons that are also not fully explained, Marianne has somehow been exempt from this spell. (I think it might be because, initially, it was assumed that she would be taking over the role of Gammer someday, but it just isn’t really explained.) The older members of the family also cannot fully explain certain things to the children in the family because that would mean revealing what they did to Marianne’s grandfather. Because the direct chain of the narrative was broken, Marianne and her brother don’t look at the family and the things they do in the same way as their elders do. Marianne gave away the griffin egg because the adults tried to act like it was unimportant, to deflect interest from it, giving Marianne the impression that the egg really didn’t matter. Because Marianne has been exempt from her family’s stories about what they consider their mission to be and isn’t under the spell that controls how family members feel about Gammer, she is more open to investigating the situation and seeing the flaws in the things that her family has been saying and doing.

It’s a little like how generations who grew up reading the “textbooks” produced by the United Daughters of the Confederacy have a very different view of history from younger generations or even older people who grew up reading anything else. It sometimes leads to generational conflict as older generations cling to old family stories and the “textbooks” they read in school, and younger generations have more exposure to other ideas through a different set of textbooks and other people’s very different family stories through the Internet and other, modern forms of mass media. The issue of what Americans think about the Civil War isn’t the only time we’ve had this sort of disconnect between how professional historians explain things and how amateurs writers explain them. There was also a panic in the 1920s about how the American Revolution was explained in school textbooks and whether they were sufficiently patriotic. I have some training as an historian because I have a bachelor’s degree in history, but I admit that I didn’t go on for a masters or PhD, so I have some respect for people who are more expert in particular branches of history than I am and are responsible in citing their sources. I have no patience for people who do not reference primary sources or are deliberately misleading. I don’t expect perfection, but honesty and the highest degree of accuracy possible are important when other people depend on you for information.

In the book, Marianne’s father views her different understanding of the family and their situation as being malicious and rejecting her family, thinking herself “better” than they are for thinking that they’re wrong in their understanding of the past. Marianne comes to understand that they’ve done wrong things in defense of that historical understanding, including the way they’ve treated any family members who have disagreed with them in the past. They have been downright cruel, even to their own family members, to protect what their family has always believed and what they’ve always done, and they deliberately shut out any outside influences and interference because, on some level, they are aware that other people would stop them if they knew everything they’ve been doing. They try to keep their activities secret to avoid any interference and consequences from the authorities, and they deride younger generations for getting information or perspective from any outside sources that could offer reality checks. There are people in real life who get defensive about their understanding of history, although the Pinhoes are both a magical and extreme version of that phenomenon, and I still think that their story was explained a little clumsily toward the end of the book. I think more could have been done to build up to that ending, with more hints earlier in the story and some better, more detailed explanations toward the end. Still, I think I get the point that the author was trying to make.

I’m not saying that the author meant this book to be about the United Daughters of the Confederacy. That’s just one of my associations of this type of phenomenon of skewed historical perspective and a toxic level of attachment to family lore as a way of justifying otherwise unacceptable behavior. There are other groups of people who have done similar things, and I think it was the general behavior that the author wanted to examine in a magical setting, removed from any particular real-life group. In fact, I think that’s part of the reason why I was left with the impression that the history of the Pinhoes and their area was poorly-explained and lacked details about which group of fanatics set them on this path generations ago. I think the author didn’t want to involve real history or seem too accusing of any real groups, which would provoke emotional reactions from readers, based on their own understanding of history. (Admittedly, I’m pretty accusing of the United Daughters of the Confederacy, and I know that may rub some people the wrong way, but I’m far from the only person who has issues with their “mint julep textbooks“, the issues with the books and their version of history still exist, and I still stand by my criticism.) It occurred to me that the fanatics who dictated that magic and magical creatures were “abominations” might be early Christian missionaries or Catholics before the Protestant Reformation, but the timing of events in the explanation seemed a little vague to me, so I think, as readers, we are not supposed to care about who they were, specifically, but to see the results of what they did, which lasted for generations. From there, we can reflect on what this type of phenomenon might look like in our own societies and the need to accept some outside input for fact-checking purposes.

Conrad’s Fate

Chrestomanci

Conrad’s Fate by Diana Wynne Jones, 2005.

This is the fifth book in the Chrestomanci series.  In this series, there are many different dimensions, and in each of those different dimensions, there is a copy of every person.  Different versions of our world can differ dramatically in their history across the dimensions, and individual people’s lives can differ dramatically between the dimensions. There is one person in each generation who has no duplicates in any of the other dimensions.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across the other dimensions are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions, and he acts to keep a balance between them and make sure that the different worlds keep their proper course.

Conrad lives in the 7 series of worlds in Chrestomanci’s universe. His family owns a bookshop. Well, technically, his Uncle Alfred owns the bookshop. He started it with Conrad’s father, but he says that Conrad’s father needed a large amount of money before his death, so he sold Alfred his half. When he was young, Conrad and his older sister, Anthea, imagined that their father probably lost a large amount of money at the casino. Conrad likes that idea because he’s a bit of a risk-taker himself and likes doing adventurous things, like rock climbing. Uncle Alfred tells them that they’re wrong about their father gambling. He says that he thinks that the aristocrats at the mysterious Stallery Mansion stole a large amount of money from their father. He doesn’t explain any more about how that happened, but he cautions Conrad not to be such a risk-taker because he has bad karma.

Conrad doesn’t understand what karma is, and his sister explains that karma is sort of like fate, but it’s the consequences of good or bad deeds committed in previous lives coming back to affect the present life. She thinks that the only way to clear bad karma is to correct for the misdeeds of the past. Conrad is intrigued and asks if it’s really possible for people to live more than once, but everybody else is busy with things they’re trying to do, and nobody will give him a straight answer. Conrad can’t help but wonder what this could all mean for his karma and his fate.

One day, while Conrad is looking for a book in the shop that is part of a series he’s been reading, he realizes that the books in the series have changed titles, and although he can tell that the basic stories are the same, some of the details are different. When Conrad asks his uncle about it, Uncle Alfred is very angry. He says that it’s the fault of the aristocrats at Stallery Mansion. Uncle Alfred explains that the aristocrats at Stallery Mansion make themselves richer by very literally playing the possibilities. They use powerful magic to evaluate different possible realities and make little shifts in the nature of reality itself to make things go the way they want them to go for their business interests, so they can turn bigger profits. The problem is that any little change in reality can have a ripple effect, changing many other details of life around them, from the titles of books to the color of everyone’s mailboxes. Not everyone notices these magical changes in reality because they use mind games to fool people into thinking that whatever changes they made were always like that. (It’s a weird combination of gaslighting and the Mandela Effect.) They also use powerful enchantments around their area to stop people from sensing what they’re doing, so powerful that they disrupt computers and television sets. Uncle Alfred is a magician himself, so he can tell what they’re doing, and he despises them for their manipulations.

However, Uncle Alfred is greedy and manipulative, too. Conrad discovers how greedy and manipulative he is after his sister leaves home to go to university. Both his mother and uncle are angry at her for leaving because she had been doing much of the work around the house and bookshop, and they had never had to pay her to do it. Anthea knows they’ve been taking advantage of her, and that’s the reason why she knows that she needs to leave and build a life of her own. Conrad misses her after she goes, and his uncle has to actually hire another girl and (gasp!) pay her to work for him. He frets constantly about how much it costs to actually pay someone wages in exchange for work. The other girl, Daisy, tells Conrad that his uncle isn’t hard up for money at all. The bookshop is very successful, and with what it brings in, Uncle Alfred could afford to pay her much better than he does. He just doesn’t want to do it because he’s so stingy. All of the money he brings in, he spends on himself. For the first time, Conrad becomes aware of how much money his uncle spends on fine port and tailored clothes. His mother is also two-faced, spending all of her time writing books about the oppression and subjugation of women while making Conrad do all the cooking in Anthea’s place. Conrad’s not very good at cooking, but his mother won’t cook anymore because she doesn’t want to be subjugated as a woman. She’s not above subjugating her own children for her benefit, though.

Conrad realizes that he has to use the techniques that Daisy uses to get his mother and uncle to stop exploiting him as badly as Anthea. He stops cooking and refuses to make any more food until his uncle agrees to give him things he wants as payment, like a bicycle. He notices that other kids at school get presents from parents without having to work for them or bargain for them, like he does, but he supposes that it’s all part of his bad karma.

Uncle Alfred has been blaming all of the changes that have taken place since Anthea left on Conrad’s bad karma. Conrad isn’t sure whether he lived a past life or not, since Anthea said that she didn’t believe in past lives, but since he keeps getting into trouble in various ways, he suspects that his karma might really be bad. He also starts blaming his bad karma for any accident he has (which all sound like perfectly ordinary accidents that could happen to anybody, really), and he starts feeling like maybe he deserves it all somehow for past sins. He asks his uncle what he could have done that could cause his karma to be bad. His uncle says he doesn’t know and that he’ll try to figure it out with magic.

When Conrad is getting old enough to go to high school, Conrad realizes that he’s going to have to use some kind of persuasion or negotiation to get his uncle to let him go on with his education. He wants to learn magic himself, but he knows that his uncle will probably want him to work in the bookshop for free, like Anthea did. His plan is to offer to work part time for his uncle in exchange for the money to attend high school with his friends when word spreads that Count Rudolph of Stallery Mansion has died. His heir is a 21-year-old man, and he only has a younger sister. People speculate that both of them will have to marry soon to ensure that their family line will continue. Sure enough, there is an announcement that the new count, Robert, will marry soon. People say that the old count’s wife is a controlling person and that she will control her son and his new wife, too. For some reason, the news upsets Uncle Alfred and his group of magicians.

Then, when it’s time for Conrad to leave his school and declare whether or not he’s going on to high school, his mother shocks him by telling him that he can’t go to high school because he already has a job at Stallery Mansion. Conrad demands that his Uncle Alfred explain what this job at Stallery Mansion is and why he signed him up for it. His Uncle Alfred says that he has learned through his magic that, in Conrad’s previous life, he was supposed to kill a wicked person, and he failed to do it, so this person continued their wickedness and has been reborn as an equally wicked person. Uncle Alfred says that this person’s current incarnation is someone at Stallery Mansion and that he got Conrad a job as a servant there so he can take care of the mission he failed to do in his previous life … to kill the person he is supposed to kill. Uncle Alfred says that this is the only way that Conrad can clear his bad karma and go on to live his own life. If he doesn’t, fate will take retribution on him by killing him before the year is out. Conrad isn’t sure whether to believe Uncle Alfred or not, but Uncle Alfred’s magician friends all say the same thing to Conrad, that they can read his bad karma and that it will hang over him and may kill him soon if he doesn’t clear it. As horrible as it is, twelve-year-old Conrad resigns himself to going to Stallery Mansion as a servant with a mission to kill some unknown evil person to save his own life.

When he goes for his interview at Stallery Mansion, Conrad is hired on as a page boy along with another boy, who is taller, handsomer, and very well-dressed. This other boy calls himself Christopher Smith, although Conrad is sure that “Smith” isn’t really his last name. At first, Conrad regards Christopher as a professional rival, but Christopher assures him that he isn’t interested in competing to move up the ranks of the servants. In fact, he admits that he is here for another purpose, and as soon as he’s found what he’s looking for, he will leave. Both Conrad and Christopher have their own intrigues.

Of course, Christopher is really Christopher Chant, who is currently in training to be the next Chrestomanci in his world. He is in Conrad’s world to find Millie, who has run away from boarding school because the other girls there were bullying her, and she didn’t feel like she was learning anything. Christopher had tried to tell their guardian, Gabriel DeWitt, who is the current Chrestomanci, that Millie was miserable, but he wouldn’t listen. After Millie disappeared, DeWitt still wouldn’t listen when Christopher tried to tell him that Millie was no longer in their world, so he went in search of her himself. He knows that she’s somewhere close, somewhere in Stallery Mansion, but he can’t find her, and he’s very worried. It feels like she’s trapped somewhere, but Christopher isn’t sure where.

Conrad is moved by Christopher’s story and offers to help him find Millie. Then, Christopher also witnesses the changes in reality that Conrad has seen and sees how someone at Stallery has been playing with probabilities. When Conrad confides in Christopher about his bad karma from a previous life, Christopher is sure that what his uncle told him isn’t true, no matter what his uncle and his uncle’s friends said. Together, Conrad and Christopher must confront the mysteries of Stallery: who is changing the nature of reality at Stallery and how, where is Millie and why can’t they find her, what is the truth about Conrad’s fate?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

I really liked seeing young Christopher Chant in this adventure, while he’s still learning how to be the Chrestomanci. As an adult, Christopher is always very sure of himself and able to handle just about anything, but here, he’s still young and not always sure of himself. He has high self-confidence from knowing that he’s a powerful, nine-lived enchanter, but in this story, he runs up against things that he doesn’t completely know how to handle. He puts on a show of knowing what he’s doing, but both Conrad and Millie know that there are times when he’s just bluffing or muddling his way through.

I also enjoyed seeing Christopher’s relationship with Millie develop more. They were both children in The Lives of Christopher Chant, but they have known each other for years now. It’s pretty clear that Christopher has strong feelings for Millie from the way he desperately searches for her when she’s lost. Millie knows that he’s powerful, but she also knows his faults from growing up with him. She knows that there are times when he’s lazy and doesn’t want to bother learning something, so he just bluffs his way through. He’s also grown accustomed to getting his way with things. When Millie first told him that she was unhappy at school, he wanted to run away with her so they could live alone on an island together, and Millie realized that was a terrible idea. She likes Christopher, but she doesn’t want to live alone on an island or have him constantly dictating what they’re going to do. That was why she took matters into her own hands and ran away on her own. Since Christopher is a teenage boy, I can guess why he wants to be alone on an island with the girl he likes, and even Conrad realizes that Christopher is trying to be like a knight errant to Millie by single-handedly charging to her rescue. Christopher really does love Millie, and he’s trying to be her hero and help her in romantic ways.

Christopher is a little full of himself and still has some growing up to do, but both Conrad and Millie admit that they like him in spite of his faults. The fact that they know both his good and bad points and still like him makes their relationships with him stronger. Christopher’s faults, like his superior attitude and fussiness about his clothes are minor in the face of bigger issues. He’s on the side of good, where other people in the story definitely aren’t, and although he is powerful, he never abuses those powers. Millie respects Christopher, and he does his best to look after her. At the end of the story, Conrad says that Christopher and Millie are engaged to be married, and Christopher trusts Millie with the ring that contains one of his extra lives.

When Conrad and Christopher start working at Stallery Mansion, they both learn about the divided world of a wealthy mansion with servants, with areas where the family lives and the areas where the servants live, like that shown in Upstairs Downstairs, Gosford Park, and Downtown Abbey. The boys have to learn to make themselves unobtrusive, like they’re pieces of furniture, except when they’re needed to do something for the family. They also learn to be observant and to anticipate the needs of the people they serve. Conrad has some experience with housework and cooking from home, but when Christopher arrives, he has little or no idea how to do certain things because there are staff at Chrestomanci Castle to take care of the chores. Christopher isn’t exactly humbled by his time as a servant, but he does gain the experience of working a regular job and doing menial chores, like polishing shoes. It is a learning experience for him.

I thought it was pretty obvious from the beginning that Uncle Alfred and his friends were villains and that they made up the idea of Conrad’s bad karma to manipulate him into doing their bidding. Fortunately, both Christopher and Anthea help to convince Conrad of the truth before he does anything horrible. Anthea has also discovered that her father was the real owner of the bookshop, not their uncle, even has a half partner. When he died, he left it to their mother and to his children after her. Uncle Alfred has been using memory spells of his own to manipulate everyone into believing that he owns the bookshop. Anthea only realizes it after being away from his influence for a few years and meeting Conrad again at Stallery.

What Christopher realizes about Stallery Mansion is that it’s built on a probability fault, a place where several different probabilities happen to meet. The mansion keeps shifting between different probabilities, and the reason why they have trouble finding Millie is that she has gotten trapped in one particular probability. They can’t reach her until the mansion is in her particular probability. Part of the peculiar shifting of the mansion through probabilities seems to happen naturally because of its location, but both Christopher and Anthea realize that someone is helping it along. Unraveling the mystery of who is responsible reveals some further secrets about Conrad’s family and Conrad himself. Conrad has magical abilities and ends up receiving training from de Witt along with Christopher.

While Christopher and Millie learn a few things from their experiences, Gabriel de Witt also admits at the end of story that he has learned a few things about the way he was treating both of them. As their guardian, he takes his job of educating them and preparing them for the future seriously, something that he berates Conrad’s mother for neglecting for her own children. However, he confesses that he has neglected the emotional well-being of his wards and that he is partly responsible for them running away. When Millie complained about her school and Christopher told him off for ignoring Millie’s unhappiness, Gabriel brushed it off as teenage melodrama, but he later admits that he should have taken their complaints more seriously. After Millie ran away, he did what he should have done in the first place and went to the school to see the conditions there for himself, and he admits that Millie was right that it wasn’t a good school. He promises Millie that he will find her a better school where she can finish her education. He still makes it clear to Christopher that he was behaving like a hothead by running off himself and taking unnecessary risks, but the two of them eventually forgive one another. Later books show that Christopher and Millie still have respect and affection for Gabriel as adults. Gabriel de Witt isn’t always a perfect guardian and he doesn’t always understand young people, but he does care about his young wards and wants the best for them, which contrasts with the way Conrad’s mother and uncle were just using him and his sister with no thought to their well-being or future.

A Chair for My Mother

A girl explains how her family is saving up for a new chair after a fire destroyed all the furniture in their old home. The fire happened before the story really begins, but the girl explains how she and her mother returned from a shopping trip and discovered that their home was on fire.

The girl’s grandmother and the family cat escaped from the fire, but everything they had in the house burned.

The girl, her mother, and her grandmother all moved in with the girl’s aunt and uncle until they could move into a new apartment. However, they didn’t have any furniture in the apartment. Their relatives, friends, and neighbors all helped them by giving them food and pieces of furniture they didn’t need anymore.

It was a big help, however, a year later, they still don’t have a sofa or comfortable armchairs. The girl’s mother works in a restaurant, and when she comes home, she’s very tired from being on her feet all day. She wishes that they had a comfortable armchair where she could rest after work.

The mother starts saving part of her tips from the restaurant in a coin jar to save up for a new chair. Sometimes, the restaurant owner even pays the girl to do little chores, and she saves part of her money for the chair. Whenever the girl’s grandmother saves money on food she buys, she also puts the savings into the jar. They say that when the jar is full of coins, they will buy the new chair they want.

Eventually, the jar is completely full. They count the coins, roll them in coin wrappers, and take them to the bank to change them for ten-dollar bills. Then, they go shopping for a new chair! There are many chairs to choose from, but they know exactly what kind of chair they want.

The book is a Caldecott Honor Book. It’s available to borrow and read for free online through Internet Archive (multiple copies, including one in Spanish).

I remember this book from Reading Rainbow when I was a kid! The pictures are bright and colorful, and the story offers comfort and hope.

The people in the story have been through a tragedy where they lost almost everything they had, but the book shows how they recover. Although the fire was sad, the story starts after the fire happened, and the girl talks about the help they’ve received and what they’re doing to make their new home more comfortable. They’re over the initial shock of the fire and concentrating on improving their situation from there. This book felt both comforting and very real. I liked how it showed the family recovering from their ordeal through a combination of help from relatives and friends and their own efforts. Other people help them with some basic household items as they move into a new apartment, and they also save up their money for the chair they want to make their new place feel more like home.

Emma

Emma has had a full life, and she has many grandchildren and great-grandchildren. However, she is often lonely when they aren’t visiting her. Most of the time, it’s just her and her pet cat, Pumpkinseed. It’s not a bad life because Emma loves the many simple things in her quiet life, but she unexpectedly discovers a new interest in life when she turns 72.

Her family comes to visit for her birthday, and one of the presents they give her is a painting of the small village where she was born. Although her family doesn’t entirely understand her attachment to her memories of her home village, they know that she is very fond of remembering it. 

However, the painting bothers Emma because it doesn’t look the way she remembers she remembers her village. The village has probably changed since she was last there, but the way the artist has painted it isn’t the way she remembers it. Emma realizes that she wants to capture those memories. Because no one else can paint her village the way it looks in her memories, Emma decides that she will do it herself. She buys an easel and paints and makes her own painting of her village. 

It makes Emma happy when she hangs her painting up in place of the painting that her family gave her because it looks like her memories. However, she doesn’t want her family to think that she didn’t appreciate their gift, so she is careful to replace her painting with the one they gave her whenever her family comes to visit. Everything changes one day when she forgets to makes the switch before her family visits her.

Everyone notices that the painting on the wall is different from the one they gave her, and they ask her where it came from. Emma is embarrassed and admits that she painted it. At first, she wants to put it away, but her family tells her not to do that because it’s a wonderful painting, and they encourage her to paint more.

Emma admits that she already has painted more, and she brings out her other paintings for everyone to see. From then on, she paints more paintings of her village and all of the little things around her that she loves to notice, and she openly displays them. Aside from her family’s visits, she also starts receiving other visitors who come to see her paintings. There are still times when she is alone, but she is no longer lonely when she is alone because she has her art to keep her busy and her memories of all the places and things she loves hanging on her walls.

The book is available to borrow and read for free online through Internet Archive.

I’ve been trying to figure out what this book is for years! I vaguely remember my mother telling me about this book when I was little. I can’t remember if she read it to me or just told me that she had seen the book somewhere, but the vague concept of the story about a grandmother who started painting because her relatives gave her a painting of her home town that didn’t look the say she remembered it stayed with me.

What I didn’t know or didn’t remember was that the grandmotherly painter in the story is based on a real person. In the back of the book, the American author explains that she met Emma Stern when she was living in Paris. Emma Stern was German, and she was born in 1878 and died in 1970. She is known for painting countryside scenes and village life. I’m not sure exactly where the village or small town where she was born was, although this website, which shows a selection of her paintings, has labeled most of them as being St. Wendel.

The story is inspirational because it’s an example of someone who found a new interest in life and a new talent when they were elderly. There are other examples in life of people who were “late bloomers” and found new careers or achieved something amazing in life at a time when many other people are just retired or taking it easy. It’s never too late to do something you really love!

The Most Beautiful Place in the World

The Most Beautiful Place in the World by Ann Cameron, drawings by Thomas B. Allen, 1988.

Juan is a little boy living in the town of San Pablo in Guatemala. It’s not a very big town, but it is very busy. The town is on a lake with several other towns around it, but Juan has spent his whole life in San Pablo.

Juan is from a poor family, although he doesn’t consider his grandmother poor because she owns her own house and is able to take in other relatives whenever they fall on hard times. He knows that his father was the caretaker of a big house in the town, but he abandoned him and his mother when Juan was still a baby. His mother says that his father wanted to continue partying with his friends like he did when he was a single man, spending more than they could afford. After they argued about it, he left his family and went to a bigger city and never tried to see them again. Juan’s mother moved back in with her mother, so Juan grew up in a crowded little house filled with other relatives who needed help because they had gotten sick, lost their jobs, had marital problems, or various other things going wrong in their lives.

Juan’s grandmother supports herself by making arroz con leche and selling it in the marketplace. When Juan is still a small boy, his mother remarries to a man who doesn’t want anything to do with Juan, so his mother abandons him, leaving him with his grandmother. Juan is distressed by his mother’s abandonment, but his grandmother continues to look after him and begins preparing him to live an independent life from a young age. She has him help her sell arroz con leche in the marketplace, and later, she teaches him how to shine shoes so he can earn his own money. Juan is still very young, but his grandmother knows that life will tough for him without his parents.

Juan knows that his mother has had another child, and he feels jealous of his younger half-brother because he gets to live with his mother, and he doesn’t. (I question whether the younger half-brother is really going to be better off in the long run, but I’ll explain why below.) However, he is really jealous of the other children in town who get to go to school. Not all children in town go to school because many are from poor families, who need them to work and earn money, but Juan wishes that he could go to school, too.

He quietly teaches himself to read the signs in town and a newspaper, but he’s afraid to ask his grandmother about letting him to go school at first. He’s worried that, if he asks for that, his grandmother may tell him that she only cares for him because of the money he earns. If his grandmother abandoned him or withdrew her affection for him because he asked for too much, Juan doesn’t know what he would do. However, when he finally brings up the subject of school with his grandmother, he learns how much she really does care for him, how much she plans for his future, and how proud she is of him.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

Juan’s family is poor, and at first, Juan doesn’t understand fully how poor they are. His grandmother’s life is more secure than others because she owns her own house, while others don’t, but even she has limited resources. The house has running water, but it doesn’t have electricity because she can’t afford it. She takes in other relatives when they are in trouble because she cares about her family, but she also has to make sure that everyone does whatever they can to support themselves because she can’t do it alone.

At first, Juan thinks that maybe she just keeps him because he earns money shining shoes, and she keeps most of his wages. However, when he talks to her about school, he learns that she has not spent any of his wages on herself or on other relatives. Instead, she has secretly saved them up because she knew that he would need money for his education, and she uses it to buy school supplies for him. At first, his teacher doesn’t want to accept him in class because the school year has already started, but when he demonstrates that he has already learned math from working in the marketplace and has taught himself to read, she accepts him. He exceeds everyone’s expectations for him, and his teachers even say that they will contribute to his education, if necessary, to keep him in school.

Juan’s grandmother cannot read, and she reveals that her parents wouldn’t let her go to school when she was young, even though she wanted to go. Her parents were afraid that she wouldn’t learn to do any practical work in school, so they didn’t want her to get an education, but she’s always felt disadvantaged because of it. She’s managed to get by in life, but she realizes that she could have done better with an education. She says that if Juan continues to work after school and does well in school, she’ll support his education, as far as he wants to go, even to the university. She says maybe he’ll even be able to figure out some of the big questions in life, like “why some people were rich, and some were poor, and some countries were rich, and some were poor, because she had thought about it a lot, but she could never figure it out.” Juan worries that he won’t be able to live up to his grandmother’s expectations for him, but she tells him not to worry about that. She just hopes for the best for him and wants to see him do the best he can because she loves him, and that’s what Juan really needs to hear.

The title of the story comes from a tourist poster that Juan reads to his grandmother, calling their town, “The Most Beautiful Place in the World.” Juan’s grandmother thinks that the most beautiful place in the can be anywhere where a person can be proud of who they are, but Juan privately thinks that the most beautiful place in the world is somewhere with someone you love and who loves you back. Juan has been deprived of love because of his parents’ abandonment of him, but he has found the love and support he needs from his grandmother, who wants him to succeed in life because she loves him and not just for what he can do for her.

Parts of the story are sad because Juan’s parents callously abandon him, and even his mother tries to act like it’s nothing because she knows his grandmother is taking care of him. I tried to decide how selfish Juan’s mother is in the story. On the one hand, I can see that she is poor and desperate and may have felt compelled to accept the first marriage proposal she was offered just to get out of her mother’s house, but she is very callous to her little son and his feelings and needs.

At first, he doesn’t even quite understand why his mother has left him, not even leaving him the bed they shared, so he has to sleep on some empty rice bags. He goes to his mother’s new house and tries to spend the night there. His mother lets him stay the night but hides him because she says his stepfather will beat him if he catches him in the house, which is why Juan never goes there again. I don’t know whether the stepfather ever beats Juan’s mother or the child they later have together, but the mother’s comment makes me think that it’s likely. Yes, Juan’s mother succeeded in getting remarried and out of her mother’s house, but I don’t think she’s really headed for a better life, and I have doubts about the future her younger child will have. It looks like the stepfather is selfish and temperamental, probably every bit as immature as Juan’s father was, and the children’s mother will always place her own needs first. As hurtful as it was for Juan to be abandoned by his mother, his mother is not going to nurture him and his future in the way his grandmother does. His grandmother has to be tough sometimes because of the family’s poverty, but she still does her best to look after everyone, even at her own expense, because she does love her family and wants the best for them and their futures, not just to get what she wants from other people and get ahead by herself. I would say that’s the quality that makes her different from Juan’s mother. At one point, she even marches Juan to her daughter’s new house and demands that she and her new husband at least provide a real bed for her son, reminding them of their responsibilities.

The book doesn’t go into the details of Guatemalan society and events in the 1980s, when this book was written, which was something I wanted to see. It’s pretty simple story for elementary school level children, but there is more going on behind the scenes that Juan would be aware of as a young boy living in a small town. The time period when this story was taking place was during the Guatemalan Civil War, which lasted from 1960 to 1996. The war and sharp differences in social class are partly responsible for the economic and societal inequities that Juan’s grandmother describes, although the economic and social disparities in Guatemalan society were part of the reason for the war in the first place. There was also general dissatisfaction with government incompetence and interference in Guatemalan affairs on the part of the United States, which sought to use Guatemala as part of its Cold War strategy, including using it as a training ground for Bay of Pigs Invasion against Cuba. These are complicated and long-term situations that would require more explanation than a children’s book of this level can provide, and because the characters in the story live in a small town, they may not be seeing many of these events directly. As he gets older, Juan will probably become more aware of the wider world and the circumstances that have shaped his family’s lives, as his grandmother hopes and expects, especially if he does end up going to the university in the capital city.

Magdalena

Magdalena is switching classes at school. She’s happy about it because she found her old class too chaotic. She thinks she will be happier in her new class. Her friend in her current class at school, a boy named Saul, tells her that she must be an IGC, an Intellectually Gifted Child, in order to get transferred to that class because that class only takes gifted children. However, she is told that she will also have to wait a little for them to give her a desk in the room. When months go by without her being told that there is a spot ready for her and she can make the switch, Saul thinks that they were probably lying to her about her being able to switch classes.

Finally, in January, she is able to switch to the new class, but right away, she runs into trouble with the class bullies. A boy named Andy and his friend start calling her “Miss Two-Ropes” because of her long braids, and the name sticks. Magdalena wishes that she didn’t have to wear her hair in braids, but her grandmother, Nani, insists on it. She loves Nani, who is from Puerto Rico and has looked after her for last two years, ever since her mother died when she was nine years old, but Nani has some old-fashioned ideas about how girls ought to be raised.

Magdalena’s father is a sailor, and he spends much of his time away at sea, so Magdalena and her grandmother are alone most of the time. Nani speaks Spanish to Magdalena at home because she thinks that’s proper for a Puerto Rican family like theirs, although Magdalena speaks English at school. She thinks that her grandmother probably knows more English than she pretends. Nani also keeps a portrait of Great-Grandfather Mendez, which she brought from Puerto Rico. Although he has been dead for years, the portrait always feels like a living person to Magdalena.

After some further teasing from the boys in her class, Magdalena decides to tell her grandmother that she doesn’t like her braids. Nani says that not unusual, that many children don’t like their braids, but they get over it. Magdalena doesn’t think she’s going to just get over it. Like a lot of kids, she would rather just look like everyone else so she won’t get teased, but Nani doesn’t approve of the short hairstyles that are popular among American girls at Magdalena’s school. She says that Magdalena’s braids are a mark of pride and a caring grandmother who brushes and braids her hair. She thinks the American girls wear their hair short because their mothers can’t be bothered to spend time on caring for long hair, and they don’t have grandmothers to nurture them. When Magdalena tells her that the boys at school are calling her names because of her braids, her grandmother decides that she should talk to the teacher about it. Magdalena thinks that having her grandmother talk to the teacher might be more embarrassing than having the boys call her names, so she persuades her grandmother to forget about it for now and let her handle it.

Then, Magdalena is called to the principal’s office at school. At first, Magdalena is upset because it sounds like she’s in trouble, and she can’t understand what she could have done to cause that. She is calmed a little when a black boy in the office, who is also waiting to talk to the principal, is nice to her. It turns out that Magdalena isn’t really in trouble. Instead, the principal wants to talk to her about one of her classmates, a girl named Daisy Gonzales, who is also transferring into her new class.

Madgalena is surprised because Daisy hasn’t struck her as a gifted child. Most of the other students call her “Spook” because she tends to lurk around the school and suddenly jump out at people to scare them, and she is known to frequently skip classes. The principal says that Daisy might be gifted, but it’s difficult to tell. The teachers think that she’s at least bright, but she’s an “under-achiever.” The principal explains that means that Daisy could do better at school than she does, but for some reason, she doesn’t seem motivated to do better. That’s why they’ve decided to transfer her to the class with the gifted students. They think that she isn’t being challenged enough in the class where she is. The teachers are also concerned that Daisy has no friends at school. They’ve noticed that the other girls at school seem to be afraid of Daisy, although they don’t seem to understand about Daisy’s “Spook” act. They do know that Daisy has behavioral problems and an unhappy home life. The reason why the principal is telling Magdalena about this is that she wants Magdalena to try to be Daisy’s friend when she transfers into her new class. The reason why she selected Magdalena to be Daisy’s new friend is because Daisy’s family is also Puerto Rican, like Magdalena’s family, so she thinks that the girls might understand each other better than their other classmates. The principal thinks that Daisy might settle down at school if she had a friend to help her feel more comfortable there. Magdalena isn’t comfortable with the idea of trying to be Spook’s friend because she also finds Daisy spooky, but the principal persuades her to try but not to let on that the principal asked her to do this.

Magdalena has no idea how to approach Daisy/Spook to be friends, since she’s not the easiest person to approach about anything. Then, Sue Ellen, the most popular girl in class tells Magdalena that she wants to be friends with her. She says that she’s been feeling empathy for her since the first day that she came to class and the boys started teasing her, and she felt it again when she got called to see the principal. She asks her what the principal wanted, and Magdalena explains that she asked her to do something, but it’s something really hard, and she isn’t supposed to talk about it. Sue Ellen offers to help her with whatever the principal’s task is. Magdalena thinks maybe making friends with Spook won’t be so bad if Sue Ellen helps, so she takes Sue Ellen into her confidence. Sue Ellen agrees with Magdalena that making friends with Spook would be hard because she’s so weird and spooky. Both girls admit that they’re a little afraid of her, but Sue Ellen agrees to try to be basically nice to Spook along with Magdalena and see what happens. Sue Ellen says that the principal ought to have more empathy for the students and see just how hard it would be to get along with someone like Spook.

Their first attempts at making friends with Spook are clumsy. Sue Ellen tries offering her advice, pointing out that she wore the wrong thing to the school assembly, but criticism and advice aren’t the best ice-breakers. Then, to Magdalena’s surprise, Spook approaches her in the school library, when she is trying to find a specific book for her grandmother. The school library doesn’t have the book she wants, but Spook says that she knows where to find it. However, she will only help Magdalena if she plays hooky and goes with her right now. Magdalena hesitates because she doesn’t really want to skip class and get in trouble, but Spook says that Magdalena will have to come with her because she’s “emotionally disturbed” and might do crazy things if she doesn’t get her way. Magdalena points out that school will end in only 20 minutes, and she asks Spook to wait for her. Spook makes her promise that she won’t change her mind and let her down in that time.

When Magdalena waits for Spook, she doesn’t show up at first, but Spook jumps out at her just when she’s giving up waiting. Spook says that she just wanted to see if Magdalena was serious about wanting to come with her. The place where Spook knows they can find the book turns out to be the Brooklyn Public Library. Along the way, Magdalena begins to learn more about Spook. The reason why she wasn’t dressed right this morning was that the sweater she was wearing was the only thing she had to wear that was clean. She skipped out during the school assembly to go home and see if her mother was back from the laundromat so she could put on something else. Also, Spook isn’t completely friendless. She is friends with a strange woman named Miss Lilley, who wears an unusual, large hat. When Daisy tells Miss Lilley that she got put into the class at school with the smart kids, Miss Lilley congratulates her and tells her that she knew she was smart. Daisy admits that she’s been trying not to let her teachers know that she’s smart because she knows that they will expect more of her and insist that she do all her homework. People don’t expect so much of kids who aren’t bright. There is method to Daisy’s madness. All of her weird and spooky acts are tools that she uses to get her, get out of things that she doesn’t want to do, cover up for problems that she has, and keep people she doesn’t like or doesn’t think would understand her at a distance.

Daisy introduces Magdalena as one of the smart kids from her class, but Miss Lilley thinks that Magdalena’s manners aren’t very polite because she keeps staring. Magdalena has trouble getting over the large hat, which looks like a large pumpkin. Miss Lilley begins evaluating Magdalena’s appearance, and Magdalena comments about how she hates her braids, but her grandmother makes her wear them. Miss Lilley says that she understands that her grandmother likes the quaintness of the braids, but she knows how to deal with that. She also knows where to find a good barber. The black boy who was nice to Magdalena earlier, Samson Shivers, makes money after school by shining shoes outside the library, and when Miss Lilley asks him if he would be willing to lend them money for the haircut, he joins the others at the barber shop. Miss Lilley takes the kids to the barber shop, and Magdalena gets a haircut. Magdalena feels wonderfully free after he haircut, although she saves the braids as a souvenir and worries about what her grandmother will say when she gets home.

Nani is very upset when she sees Magdalena’s short hair and worries that Magdalena is rejecting her care for her and her Puerto Rican heritage. Magdalena says that’s not the case and explains about going to the library and meeting Miss Lilley. Magdalena’s grandmother thinks that she’s bewitched and says that she knows how to deal with that. She uses herbs on Magdalena to break the bewitchment.

Getting the haircut changes things for Magdalena. The boys stop teasing her, which is a relief. However, Sue Ellen is annoyed that Magdalena didn’t tell her that she was going to get her hair cut. Magdalena explains that it was a sudden decision and a possible bewitchment by Miss Lilley. Sue Ellen thinks that Spook is probably the one who bewitched Magdalena because she’s so spooky and that maybe Magdalena would rather be best friends with her. Magdalena says that’s not the case and that she doesn’t see why she can’t be friends with both girls. Sue Ellen still expects that Spook is going to do something to ruin the class, but Magdalena notices that Spook is becoming less spooky in their class. She stops skipping classes, does more of her homework, and cuts out some of her previous spooky behavior.

Samson, often called Sam, is a practical boy, and when Magdalena tells him how her grandmother thinks Miss Lilley is a witch and bewitched her, he says that she can’t be a witch. Sam sees her often because he shines shoes by the library, and he realizes that Miss Lilley is actually just a poor, old woman. She goes to the library all the time because she can’t afford proper heating for her apartment. She often has little to eat, and she partly survives off of candy that he gives her. Like Spook, she seems spooky because she looks odd and behaves oddly, but there are explanations for what she does that show that she’s actually unfortunate.

Magdalena’s grandmother meets Spook for the first time when Spook hangs out with Magdalena at her apartment after school. Nani isn’t home at the time, but the girls talk to each other about their lives and families. Magdalena gets to know more about Spook, and Spook admires the place where Magdalena lives. Spook’s family lives in a much poorer apartment, and it’s crowded with Spook’s younger siblings. Spook admires the nice bathtub that Magdalena and her grandmother have and says that she wishes they had one at her apartment. Part of the reason why she looks so strange is that she doesn’t get the opportunity to take baths often. Magdalena tells her that if she wants a bath, she can go ahead and take one. Nani arrives home before Spook is finished with her bath, but Nani stops her when she tries to get out and get her clothes. Nani can see how badly Spook needs some care, so she insists that she finish the bath, clean the tub, and let her shampoo her hair. When she’s done, Nani has Magdalena loan her some clean clothes, and the girls are amazed at the transformation.

After the bath incident, Spook avoids Magdalena for a while, and she can’t understand why, but it’s about Spook realizing what’s been lacking in her life and envying what Magdalena has: someone who really cares for her. She was so emotional when she looked at herself in the mirror that she spit at the image and then was embarrassed that she had done that. Nani surprisingly understands Spook’s behavior. She can see that Spook lacks impulse control and the ability to understand and manage her feelings. Nani comments that she’s angry with Spook’s mother because she can tell that the girl has been badly neglected. Having been a mother and grandmother herself, she knows exactly how to deal with this.

Meanwhile, Sam is correct about Miss Lilley. Miss Lilley is poor and not in very good health, but she also knows what Magdalena and Spook/Daisy need. She is eager to help the girls, but she also needs some help and attention herself. When Miss Lilley decides that it’s time to have a word with Nani about the needs of modern girls and her fears about her granddaughter becoming too American, a number of things get better.

The book is available to borrow and read for free online through Internet Archive.

The heart of this story is understanding and empathy. By the time it’s over, many of the characters come to a better understanding of each other and maybe themselves. Although Spook’s transformation is the most dramatic, the other characters are also changed after their experiences in the story.

Magdalena’s changes come with her admission to her grandmother that she really doesn’t like her braids and then with her decision to have her hair cut against her grandmothers wishes. She knew that her grandmother wouldn’t like it when she said that she didn’t want braids because her grandmother is a traditionalist, and she knew that Nani wouldn’t react well to the haircut. At first, it was easier for Magdalena to buy into the idea that Miss Lilley was a witch who bewitched her into doing it, but that’s not really the truth. It wasn’t even that Magdalena was getting her hair cut just because of the teasing. When Magdalena and Spook are talking about whether or not they truly understand the reasons why they do things, Magdalena acknowledges that she has reasons for the things she does, and the truth is that she got the haircut because she herself really hated wearing braids. If she had really loved her braids, she could have kept them in spite of the teasing, and she could have turned down the offer of a haircut, but she really wanted to change her hairstyle, and she just took advantage of the opportunity to do it.

Nani understands from the first time she meets Spook that she has not had nearly the level of care and attention that she has needed in life. Spook doesn’t even really understand all of the motivations she has for the things she does. Her behavior is odd partly because she acts on impulse, not fully thinking about the consequences or the affect her behavior has on others. She initially doesn’t have much self-awareness because she has not had caring adults in her life to teach her how to behave, how to understand her feelings, and how to control herself. Because she hasn’t really had any friends before, she hasn’t really had anyone to talk to about these things and help give her some perspective. When Spook and Magdalena talk about why she spit on the mirror, Spook says at first that she isn’t sure why she did it. As they continue to talk about reasons for doing things, though, Spook admits that she did it because, while she was stunned at how nice she looked, she quickly became upset because she didn’t think that nice look could last.

Nani is the nurturing type of person, and she quickly sees that Spook is in dire need of some nurturing and guidance. She also recognizes that Spook doesn’t have much confidence in herself. She is bright, but she has grown used to hiding it. She also thinks, because she doesn’t really understand her feelings or behavior, that is can never really control herself. She thinks that she will always be a “stinker” who does things that she shouldn’t and acts weird. Nani has a frank talk with her and tells her that she can be herself without being a “stinker”, and the first step is believing that she can. Even if she’s not in the habit of understanding and controlling herself, she can learn. People have different sides to their personalities and different ways of expressing themselves, and Spook can learn how to show the best sides of herself in the best possible ways.

Magdalena appreciates that Nani is understanding and helping Spook, but she also has a frank talk with her grandmother about why she doesn’t understand her own granddaughter as well. When Magdalena tries to tell her what she wants or doesn’t want, Nani contradicts her or ignores her feelings. Nani is understanding with Spook because she can tell that Spook is a disadvantaged child, but she doesn’t see her granddaughter the same way, so she doesn’t try to understand why Magdalena sometimes does things she doesn’t like. Nani admits that she wanted her granddaughter to be “perfect”, but maybe she doesn’t really know what “perfect” actually is. She wants the traditional ways for her granddaughter because she really thinks that’s what’s best, but even grandmother doesn’t always know what’s best.

Miss Lilley is concerned about the girls and offers them attention and support. When she goes to see Nani and open her eyes to her grandmother’s needs and the ways of modern girls, she collapses because of her bad health. Fortunately, Nani is a nurturing person, and she nurtures Miss Lilley, making sure that she gets the treatment she needs and even looking after her when she gets out of the hospital. Miss Lilley’s health improves, and the two of them become friends. Although they are both older ladies, they each admit that they have things to learn in their lives, and they can learn from each other. Nani helps her to make changes to her living arrangements so she will be healthier and more comfortable, and Miss Lilley helps her understand what modern American life has to offer for girls like Magdalena.

Samson is always a very understanding character because he is genuinely interested in people, and he meets many different types of people through his shoe-shining business. Although Sue Ellen is the first person who brings up the topic of empathy, she is really the one who understands it the least. I think her relatively narrow view of empathy is because of her relatively narrow life experiences. She feels some empathy for Magdalena because she sees Magdalena experiencing something she understands, but she doesn’t seem to know what to do when she encounters something she doesn’t understand. Admittedly, Spook’s spooky act is off-putting, partly by design and partly because Spook has issues she herself doesn’t know how to handle. However, because Sue Ellen only wants to stick to the familiar and understandable, she doesn’t notice when Spook begins to change and doesn’t see how some support from her could influence her for the better. Sue Ellen’s attempts at friendliness and helpfulness often involve offering some kind of criticism, like pointing out that Spook isn’t dressed right. Magdalena can tell that Sue Ellen is trying to be helpful, but she’s also kind of snippy and smug in the way she does it, and that gets on Magdalena’s nerves, too. Sue Ellen kind of fades out of the story toward the end, so we don’t know if she continues being friendly with Magdalena or not or if she ever recognizes Spook’s transformation.

There is also a subplot that I haven’t mentioned about the literary magazine that the girls’ class starts. Their teacher has some thought-provoking descriptions about what good writing is and does, and the girls’ choices of what to write about are based on their experiences and the changes in their lives.

The book doesn’t shy away from the harsh realities of life. Magdalena’s mother is dead, and her father is away most of the time, so she is being raised by her grandmother. Her father never even makes an appearance in the story. Miss Lilley is a poor and lonely old woman who needs help and friends. It is acknowledged that Spook is a neglected child, and she even tells Magdalena that her favorite brother died at age three because he was asthmatic, and they were living in bad conditions. We don’t know exactly how her family came to be living in such bad conditions, but Spook says that, if she wrote a story about her family, the teacher would think she had a filthy mind.

Since the story is about understanding other people, one could consider whether we might view Spook’s neglectful mother more sympathetically if we knew her past and what led her to the situation they’re now in, but we do not see Spook’s mother at any point in the story. I think it’s also important to note that understanding does not equal approval. You can know a person’s history and reasons for doing things and still not agree with them. Maybe Spook’s mother is another unfortunate soul who needs some help, but if she is, she doesn’t seem to be looking for that help. Her vulnerable children are suffering for it, and one has died. Empathy doesn’t mean saying that things are okay when they really aren’t, and this mother’s neglect of her children is not okay.

When Aunt Lena Did the Rhumba

Sophie’s Aunt Lena loves music, dancing, movies, and theater, and she especially loves Broadway musicals. She goes to a musical matinee every Wednesday. After seeing a musical, she comes home, singing and dancing and acting out parts from the play she’s just seen.

One particular Wednesday, when she’s acting out a particularly dramatic dance in the kitchen, she accidentally slips and sprains her ankle. She has to stay home and rest until her ankle gets better, which means that she won’t be able to go to next Wednesday’s matinee.

Aunt Lena is so sad about missing the musicals she loves that Sophie gets an idea to cheer her up. Sophie recruits other members of her family to put on their own musical to entertain Aunt Lena.

Not everyone is enthusiastic about the idea at first, but when Sophie gets her grandmother to help her put together a costume fit for a Broadway musical and choose some music, they begin drawing other family members in.

Aunt Lena loves their performance, and when she’s better, she takes Sophie to a matinee so she can see a real Broadway performance, too!

This book is available to borrow and read for free online through Internet Archive (multiple copies). It was also a Reading Rainbow book, and the episode of Reading Rainbow is also available to watch online through Internet Archive.

I didn’t see the original episode of Reading Rainbow that included this book when I was a kid because this book was published after I was too old for that. However, I always liked Reading Rainbow when I was a kid, and later, after I started this blog, I decided to go back and check out some of the books covered by Reading Rainbow after I stopped watching it. If you’re not familiar with Reading Rainbow, it was a children’s television program on public television in the US that encouraged children to read by discussing books and showing children things that were related to the books they were reading. For example, if they were reading books related to animals in an episode, the host, Levar Burton, might take a trip to a zoo and talk to zookeepers about animals in the zoo.

The themes of this particular story and the Reading Rainbow episode are music, dancing, and theater. In the episode, they show a boys’ choir and dancing class and talk about how performing helps the boys and young men develop confidence and maturity. There’s also a comedian who specializes in physical comedy, who talks about how he does his stunts, and an actress who plays one of the cats in the famous Broadway musical Cats.

I love how the aunt in the book shares her love of dancing and theater with her niece. The two of them have similar personalities and interests, so when her aunt is injured, her niece knows how to cheer her up. The ending of the story implies that the niece will now be going to performances with her aunt, or at least, will sometimes go with her. I also liked how the rest of the family participated in the girl’s plans when they saw what she wanted to do, even if they weren’t as enthusiastic about the idea themselves at first. Enthusiasm can be contagious, and I do think that adults sharing their interests with kids can spark lifelong interests in the next generation.

I also noticed that this seems to be an unconventional family, although the family’s living arrangements aren’t the focus of the story. The girl’s parents are never mentioned. She seems to live with just her grandmother, her aunt, and a couple of uncles, and there is no explanation why because it’s not directly important to the story. In any case, it seems to be a happy, close-knit family, with family members caring for each other and supporting each other’s interests.

The pictures in the book are bright and colorful, fitting with the energy, enthusiasm, and theatricality of the story.

Stories of Rainbow and Lucky: Three Pines

This is the third book in the Stories of Rainbow and Lucky series. I’ve already started covering this series, and I have to do all five books in a row because the series is set up like a mini-series. That is, none of the books in the series can stand alone; they are all installments of one, longer story. They only make sense together.

It’s an unusual series from the mid-19th century, written on the eve of the American Civil War, by a white author with a young black hero. Rainbow is a teenage black boy who, in the previous installments of the story, is hired by a young carpenter who is just a few years older than he is to help him with a job in another town. The rest of the series follows the two young men, particularly Rainbow, through their adventures leaving their small town for the first time, learning life lessons, and even dealing with difficult topics like racism. (Lucky is a horse, and Lucky enters the story in this installment!) The story is unusual for this time period because it was uncommon for black people to be the heroes of books and for topics like racism to be discussed directly. It’s also important to point out that our black hero is not a slave, he is not enslaved at any point in the series, and the series has a happy ending for him. People don’t always treat him right, but he does have friends and allies, and he manages to deal with the adversity he faces and builds a future for himself. Keep in mind along the way that there are a lot of pun names in this series and that people’s names are often clues to their characters.

This particular installment in the series focuses on their arrival at their new town and what their neighbors are like. There is a racial slur in the story. Although there are hints in the earlier books, this story does particularly contain a lesson about the polite words to use when talking about black people by mid-19th century standards. I’ve explained this before, but the terms that they considered polite in the mid-19th century aren’t quite the same as what we would consider polite by 21st century standards, and the main reason for that was a cultural shift that took place in the mid-20th century with the Civil Rights Movement. Up to that point, “black” was unconsidered impolite and unflattering, and the terms “Negro” or “colored” were preferred. You can see remnants of this is the name of organizations formed prior to the Civil Rights Movement, such the National Association for the Advancement of Colored People (NAACP) and the United Negro College Fund (NCF), although those terms sound outdated today. During the Civil Rights Movements, people wanted to distance themselves from the older racial terms because they came with a lot of emotional baggage attached to them, and they wanted a fresh start. Because of that, from the late 20th century to the 21st century, the term African American has been considered the polite, formal term (some call it “politically correct”, but I think “polite” covers it well enough) and “black” has been used as the informal, generic term. One point this particular story makes, which I think applies to all eras and circumstances, is that the best policy is to refer to people by whatever terms the prefer themselves and to never call anyone something you think they wouldn’t like. One of the characters says that to do otherwise makes for “ill blood.”

This book is easily available to read online in your browser through NINETEENTH-CENTURY AMERICAN CHILDREN & WHAT THEY READ, I’m going to do a detailed summary below. If you’d rather read it yourself before you read my review, you can go ahead, but some people might want to know what it’s like in more detail.

The story picks up where the previous installment left off, with Tolie taking Handie and Rainbow into Southerton by wagon. On the way, Handie asks Tolie questions about the farm that he’s inherited, which is called Three Pines. The farm used to be much finer, but it has become run down, and Handie will have plenty of work fixing it up with Rainbow’s help. Handie’s plan is to get a room at the local tavern for a day or two, where he and Rainbow can stay until they get a chance to see the farm and fix it up enough for them to live there for the next two or three months, while they’re working there. His backup plan, if they can’t get a room at the tavern, is to make up beds from straw for them to sleep on at the farm because he doesn’t expect to find any furniture there. Tolie confirms that there probably won’t be any beds, but there won’t be any straw there, either. The place has been empty for some time, and it was probably cleaned out by the neighbors. They stop at a farm that Tolie knows nearby, which belongs to Mr. Workworth, to buy some bundles of straw, just in case they need it, and Tolie tells them a little more about the Three Pines farm’s neighbors.

Tolie says that the woman who lives next door to the Three Pines farm is Mrs. Blooman (Tolie calls her “Ma’am Blooman”), and he describes her as “the crossest and ugliest old vixen in town.” They pass her farm on the way into town, and they see her looking out of the window at them.

When they come to the Three Pines farm, they decide to go up to the house to have a look at the place and drop off the straw. The house at Three Pines is painted red, and there’s a broad field between it and the Blooman farm. There’s also a little yard around the house, surrounded by a fence, and the yard is full of litter. Tolie doesn’t see how they can get in because it looks like the house is all locked up. (I don’t know why the lawyer didn’t provide Handie with a key to the house or tell him where to find one.) Handie looks over the situation and decides that their best bet is to try one of the windows on the upper floor because he thinks that they’re less likely to be locked. They look around the barn and the shed to see if they can find a ladder, and they find a jar of wheel-grease. When Handie sees the grease, he comments that this will be useful, and he comes up with an alternate plan. With Rainbow’s help, he removes one of the doors to the shed from its hinges. They prop this door against the house, and Handie uses it to climb up to an upper window and get inside and open a door for Rainbow.

Once they get into the house, Handie says that they should make a fire in the kitchen fireplace “to drive the spooks out of the house.” The story says that neither of them really believes in “spooks” as in ghosts, but the house has a lonesome atmosphere from being empty for so long, and they know that a cheery fire will make the place feel more cozy and lived-in. Handie sends Rainbow out into the yard to pickup some chips and kindling from the yard litter that they can use to start a fire.

Since they got into the house successfully and have straw to make beds for themselves, they decide to forgo renting a room at the local tavern and just camp out in the house instead. Handie has Rainbow fetch a few things that they found while exploring the shed and barn, including the jar of grease and an old tin mug, and he uses them to make a primitive oil lamp so they will have a light while they explore the rest of the house. He explains to Rainbow what he’s doing as he works on the lamp. It’s sort of a thrown-together lamp with a short wick, but it will do for one night, and Handie promises that they will get a better lamp later.

Handie says that they will explore the house together before they go to bed. Rainbow is relieved that they will have a look around, not because he thinks the house might be haunted, but because it occurs to him that there might be some trespasser hiding somewhere, like a drunk, a crazy person, or criminals hiding out. He knows he will feel better if they look in all the rooms and make sure that there’s nobody else there. Handie is less worried about trespassers and more generally curious to see what the house looks like, so he goes first in their exploring.

The house is generally a mess, with broken floor boards, a door with a half-broken hinge, signs of a leak in the roof, and litter everywhere. Handie can see that they have their work cut out for them, getting the house in shape. However, Handie is generally pleased with the layout of the house. There is a bedroom that connects to both the kitchen and parlor, and he thinks that, when he’s old enough to get married and come to live here with his wife, she will be pleased with that room and how easily it connects to the rest of the house.

They are startled by a cat, which dashes from the house out to the barn and shed. Handie asks Rainbow to try luring the cat back to the house with some cheese, which is the only food they have that might interest a cat. Rainbow is very good with animals, and he makes friends with the cat. Handie says that cats tend to belong to places rather than people, and they tend to stay in their territory, even if the people leave. He figures that the cat just belongs to the house, and he invites Rainbow to give the cat a name, something that would be appropriate to the Three Pines farm. Rainbow decides to call the cat Pineapple. The narrator reflects that pineapples don’t come from pine trees, which are the source of the farm’s name, but Handie and Rainbow are satisfied that the name has “pine” in it.

The next morning, Handie gets up early to meet the stage coach, which delivers their luggage and his tool box. Then, he and Rainbow begin setting up for the work that they’re going to do on the farm. They start cleaning up the yard and setting up Handie’s new workshop in a back room of the house. They haven’t even had breakfast yet, so they go into town to get some food at the tavern. After they eat, Handie sends Rainbow back to the farm while he goes to see the local lawyer. As explained in the first part of the series, the lawyer who is handling Handie’s inheritance until he is old enough to take full possession of the farm himself has made arrangements to send money from his uncle’s estate to him so that he can buy what he needs to fix up the farm and to support himself and Rainbow while they’re working on the project. 

When Handie returns to the farm, he tells Rainbow to start sweeping the house while he starts to prepare some wood to make a workbench for himself. They don’t have a broom, and they hate to bother the neighbors to borrow one, but Rainbow says that he knows how to make one himself from hemlock, and there is hemlock growing nearby. Handie sends Rainbow to collect the hemlock and says that he will make a handle for the new broom. When Rainbow returns with the hemlock, he says that he met Mrs. Blooman. She asked him who was at Three Pines and what they were doing there. Rainbow explained to her who they were, and Mrs. Blooman gave him a kind of wild look before saying that she hoped that Handie Level would have a good time working on the farm and went away. She behaves very oddly, and Handie says she is probably unhappy because people don’t like her. Handie thinks that they should do something nice for her when they have the chance so they can make friends with her and cheer her up.

They finish up their first day on the farm by walking around the grounds and taking note of all the things they will have to do. The garden has many good plants, but it will need weeding. There’s an old summerhouse that’s in such bad condition that Handie decides they will just have to pull it down. To their surprise, they see that someone has been mending the fence at the end of the lane, but they’re not sure who did it. 

As they approach the three pine trees that give the farm its name, they see a black colt that looks shaggy and wild. They wonder who owns the colt, and they notice an old man fishing nearby with a boy, so they decide to ask him. This leads to the part of the story I mentioned earlier, the conversation about the polite way to describe black people, by mid-19th century standards. The old man, called Old Uncle Giles by most people, is fishing with his grandson, Jerry. Old Uncle Giles is blind, and Jerry is helping him. When he hears someone approaching, Old Uncle Giles asks Jerry who is coming:

“I don’t know who they are, grandfather,” said he, after gazing at Handie and Rainbow a moment intently. “One of them is a black fellow.”

“Call him a colored fellow, Jerry,” said the old man. “They all like to be called colored people, and not black people. Every man a right to be called by whatever name he likes best himself.”

“But this is a boy,” replied Jerry.

“The same rule holds good in respect to boys,” added the old man. “Never call a boy by any name you think he don’t like; it only makes ill blood.”

Handie greets them and introduces himself, and Uncle Giles tells him more about the history of Three Pines farm. The story behind the three pine trees is that they were planted by the young daughter of a former owner of the farm. The man’s wife died, and he was so upset that he nearly gave up the farm and moved away. However, he had a young daughter to support, so he decided to keep the farm and tend it as best he could. As he was clearing trees from the land to plant fields, he brought his little daughter along with him because there was now nobody to take care of her at the house. His daughter asked him why he was cutting down all the pretty trees, and he explained how they had to make space for planting crops. However, his daughter saved three very small pine trees and planted them in a special little garden she made for herself. She made her father promise not to touch those three little trees, so he left them for her and protected them. That was over 70 years ago, and now, the three pine trees are tall and strong. The girl herself grew up and moved away, and how she’s 80 years old, about 5 years younger than Uncle Giles is.

A few days later, a little boy comes to the Three Pines farm and says that his “ma’am” asks to borrow a saw. When Rainbow and Handie try to question him about who is “ma’am” is and why she needs a saw, he doesn’t seem to know quite what to say. The little boy says that his name is Tom and points in the direction of Mrs. Blooman’s house when they ask him where he came from. Rainbow expects that Handie will lend Mrs. Blooman a saw because he said that he would like to do Mrs. Blooman a favor, but instead, Handie explains to the boy that he doesn’t have the kind of saw Mrs. Blooman needs. Handie’s saws are special carpenters’ saws, not the ordinary wood saws that someone might use for cutting up old lumber or firewood. They would be dulled if they were used for that purpose because that kind of wood probably contains old nails or sand and dirt. The boy seems a little confused, so they can only hope he understands well enough to repeat Handie’s message to his mother.

Rainbow knows that Handie could easily resharpen one of his saws if Mrs. Blooman dulls it, but Handie explains to him that’s not the point. He says that it wouldn’t really be doing someone a favor in the long term to humor an unreasonable request, and this particular request is unreasonable. She’s asking to use tools which are important to him and his work in a way that they are not intended to be used and which would damage them. Yes, he could repair the damage, but he doesn’t want her to get in the habit of thinking that it’s okay to use his tools in this way. There are limits to what another person can ask for and what favors Handie is willing to grant. ”We must help our neighbors all we can, but we must not let them loll upon us and make us carry them, instead of doing what they can for themselves.” He fully expects Mrs. Blooman to argue with him about his refusal to loan her a saw, but he also knows that’s because she doesn’t understand the nature of his trade and tools and doesn’t know how unreasonable her request is. He expects that she will come to understand and accept it eventually, and then, the neighborly relationship between them will improve.

A short time later, Tom returns and tells them that his mother says that Handie’s type of saw will do. Handie and Rainbow puzzle over what she means by “that’ll do.” Handie says maybe they’ve misunderstood what kind of task Mrs. Blooman is trying to do, since Tom isn’t able to describe it well. Since Handie is busy, he tells Rainbow to go over to Mrs. Blooman’s farm with Tom and see what the task is. If it’s a simple task that would be appropriate for a carpenter’s saw, like cutting a piece of clean lumber, they can can do that for Mrs. Blooman. If it isn’t the right kind of task for the saw, like cutting up old wood for firewood, he should explain to Mrs. Blooman herself why that type of saw isn’t appropriate for the job.

Rainbow goes over to Mrs. Blooman’s with Tom, who doesn’t really talk the entire way, even though Rainbow tries to talk to him. When they reach Mrs. Blooman, Rainbow explains the situation to her, and she reacts angrily, becoming the only person to use n-word that has appeared so far in the series:

She called Handie and Rainbow all manner of hard names, and wound up by telling Rainbow himself never to dare to show his sooty face upon her premises again. “For if there is any thing in the world that I absolutely hate,” she said, “it is a nigger.”

She is being deliberately insulting, and when she’s done with her tirade, she turns around and goes straight back inside her house. Rainbow returns to Three Pines farm and tells Handie what happened. Handie says that he is relieved that Rainbow didn’t give her any retort or that she didn’t allow him the chance to do so. Some people think that having a clever retort to crush someone who has said something rude or cruel is the best response, but Handie disagrees:

“The best thing to do when any body says any thing angry or cruel to us is not to make any reply, but to leave the sound of the words which they have spoken remaining their ears, without doing any thing to disturb it. If we say any thing ourselves we take the sound away, whereas, if we leave it there them to hear and think of, it makes them feel worse than any thing we can possibly say pay them back.”

Handie assumes that Mrs. Blooman, left alone with her own words echoing in her ears, will regret what’s she’s said and will be more civil the next time they meet her. Rainbow says that this might be likely, but he doesn’t care whether she is not. The truth is that he’s angry about the way Mrs. Blooman talked to him, although he doesn’t want to say so out loud. He is not eager to try to make friends with Mrs. Blooman.

While Handie and Rainbow are talking, the narrator says that Mrs. Blooman is feeling guilty about her behavior. It’s not because she thinks that she was unreasonable so much as she realizes that Rainbow was just the messenger for the person who refused her demands. It occurs to her that Handie is the one to blame for not lending her the saw, and it was just Rainbow’s bad luck to be the one who had to tell her. This doesn’t mean that she has any better feelings toward black people, just that Rainbow isn’t the person to blame for the immediate problem, and that she should make it up to Rainbow for that reason. Using another slur mentally, she thinks, “I need not have scolded poor blacky about it, after all … It was not his fault, I suppose, that the young curmudgeon would not lend me a saw.”

A few days after this nasty incident with Mrs. Blooman, Rainbow sees Mrs. Blooman running down the road, trying to stop the black colt that they saw earlier. She calls to Rainbow to help, but he is also unable to catch the colt. Mrs. Blooman doesn’t blame him for this. She says that the colt, whose name is Lucky, has a habit of escaping, and it’s always difficult to get him back. Eventually, he will be caught by someone and taken to the pound, and then, she’ll have to pay to get him out again. (The narrator adds the information that Lucky’s behavior is Mrs. Blooman’s fault. She has encouraged Lucky to jump fences into other people’s pastures to graze or to just to graze along the roadsides. She has not just allowed him to be free roaming but actually encouraging in this, so she has encouraged him to develop habits that are causing problems with her neighbors, creating situations that have caused her neighbors to be angry with her.)

Rainbow volunteers to go after Lucky anyway and either try to catch him or drive him in the direction of home, provided that Handie is willing to let him go. Mrs. Blooman doubts both whether Handie will let Rainbow off work and whether Rainbow will be able to accomplish the task, but Rainbow is determined to try. As established in the previous book in the series, Rainbow loves horses and knows how to handle them. Handie allows Rainbow to go in search of the colt and lets him take some bread with him to try to lure him.

Rainbow has some strong cord, and he uses it to make a kind of halter for Lucky. When he finally spots the colt, he approaches him very carefully. He’s just making some progress with the colt when a group of boys comes along. They recognize Lucky and think it would be fun to drive him toward the pound. Rainbow speaks up and says he already has charge of the horse. The boys argue a little about it, but they finally leave Rainbow alone with the colt. Gradually, Rainbow begins feeding some bread to Lucky. He talks to him, saying:

“Now, Lucky … why can’t you and I be good friends at once, without any more playing off and on? … I’m a colored boy, it is true, Lucky; but then you can’t complain of that, for you are blacker than I am, and nobody likes you the less on that account. I am not heavy to carry, and then I shall never whip you unless you really deserve it, and then, you know, it will be for your good.”

That last part didn’t sound very reassuring to me, the reader. However, Rainbow is able to get his harness on Lucky. When Rainbow gets up on Lucky’s back to ride him home, Lucky starts running in the opposite direction from home. Lucky tries to throw Rainbow off or scare him at first, but when he realizes that Rainbow isn’t scared and loves being on his back, Lucky begins to calm down and enjoy the ride himself.

Eventually, Rainbow is able to take Lucky back to the Blooman farm. Mrs. Blooman is glad to see that he has caught Lucky and offers to pay him for his help, but Rainbow refuses. Instead, he asks if he can lead the horse around while Tommy rides him. Mrs. Blooman isn’t sure that’s safe at first, but Rainbow says it will be fine and Tommy wants a ride, so she allows it. Then, she invites Rainbow into the kitchen and gives him a big piece of pie. Rainbow is a little surprised at how tidy the kitchen is and how good the pie is, and the narrator says:

“it was very natural that he should be so, for when we find that a person is marked with bad or disagreeable qualities of one kind, we are very apt to form an unfavorable opinion of him in all respects. But when we do this we usually make a great mistake, for good and bad qualities are mixed together in almost all human characters, and nothing is more common than for a woman who is rude and selfish, and makes herself hateful to all who know her by her ugly temper and her perpetual scolding, to be very neat in her housekeeping, and an excellent cook.”

Yes, Mrs. Blooman is a definite pain-in-the-butt, obviously rude and selfish, outwardly hateful and bad-tempered to her fellow human beings, but at least, she knows how to cook and keep her house clean. I guess that’s some consolation, although I can’t help but think that the ability to make a pie doesn’t matter much in situations where you don’t actually need a pie but just need to be able to communicate with someone without them flying off the handle and becoming verbally abusive.

Mrs. Blooman asks Rainbow where he got the halter for Lucky. When Rainbow says he made it, Mrs. Blooman asks him if she can keep it for Lucky. Rainbow says that the cord he used wouldn’t be strong enough to prevent Lucky from breaking it, but he could make another one, if she has some stronger rope. She says that all she has is the rope she uses for clothesline. Rainbow has a look at it and decides that it looks strong enough, so he makes her a new halter.

There is another house near the Three Pines farm, and that’s the house that belongs to Mrs. Fine. Mrs. Fine’s house is on the edge of Southerton, and unlike Mrs. Blooman, Mrs. Fine is a very polite woman. However, beneath her politeness, she is also cunning and scheming. It’s more that she has discovered that having pleasant manners can help her to get what she wants.

One day, Mrs. Fine wants to go somewhere in her wagon, but the man who works for her isn’t there, and she can’t harness the horse to the wagon by herself. She happens to see Rainbow passing the house on an errand for Handie, and she decides to get him to help her. Instead of just explaining the problem and asking him for help, she starts by chatting with him in a friendly way and offers him some flowers because she knows that Handie is replanting the garden at his house. Rainbow is reluctant to stop on his errand, but he feels that he has to because she’s being friendly and offering something for Handie. Then, while they’re looking at the flowers, Mrs. Fine comments that she knows Rainbow likes horses, and she invites him to come look at her horse. Rainbow says that he really needs to continue with his errand, but Mrs. Fine says that it won’t take long. Rainbow can tell immediately that the horse is difficult to handle, and then, Mrs. Fine brings up that she would like to go somewhere but can’t manage the horse herself. After all this maneuvering, Mrs. Fine could finally ask Rainbow if he can help her harness the horse, but she draws it out, step by step, first getting him to lead the horse out of the barn for her, and then, asking him if he would put on the horse’s collar. At this point, Rainbow cuts to the chase:

“If you wish to have the horse harnessed, ma’am, I can harness him for you just as well as not,” said Rainbow. “If you had told me so at the gate, I should have been perfectly willing to come and do it.”

Rainbow does harness the horse for Mrs. Fine, and later, he tells Handie about the incident. Handie thinks that it’s very funny, although Rainbow is impatient with Mrs. Fine’s roundabout way of asking for what she wants or needs. He says that, between the two of them, he thinks he likes Mrs. Blooman better than Mrs. Fine because at least she’s straight-forward. 

The narrator agrees with Rainbow on this point. Mrs. Fine is in the habit of pretending that things are better than they really are, and she pushes other people to agree with her in what she pretends. Her children are often the targets of this behavior. She will often offer them something great in exchange for them doing chores, but what she gives them isn’t as good as what she promised. Then, she just pretends that she gave them what she promised. She also often assigns difficult or distasteful chores in a way that, at first, makes it seem like she’s doing them a favor or letting them have a treat. She has a smooth manner, but she takes advantage of people, even her own children. The worst part is the deceptiveness. Nobody (again, not even her own children) can trust her when she’s being nice or promising something because there’s probably going to be a catch somewhere.

While they’re talking about the differences between Mrs. Fine and Mrs. Blooman, Handie asks Rainbow what he thinks about Mrs. Blooman’s cooking. Since Rainbow liked Mrs. Blooman’s pie, Handie is thinking about making arrangements with Mrs. Blooman for them to buy their meals from her instead of going to the tavern in town all the time. They can’t really cook at the Three Pines farm, and if they could get their meals next door, it would save them a lot of time going back and forth to town. Rainbow agrees that Mrs. Blooman’s cooking is good and the plan to buy meals from her would work for him.

Handie goes to see Mrs. Blooman about arranging to buy meals from her. When he gets there, Mrs. Blooman is immediately suspicious about his reasons for visiting, bracing herself for some complaint, because that’s usually why people come to see her. She invites Handie inside, and he compliments her about how neat her house is. His compliments soften her a little, but she’s still suspicious and raises the question with him about whether or not he’s come to complain about something. Handie asks her what he could complain about. Mrs. Blooman isn’t sure, but people do often complain to her, mostly about Lucky getting into their pastures. (As established earlier, this is her fault.) Handie says he’s not complaining about anything and that he thinks she’s a good neighbor. He says he’s looking forward to living next door to her when he’s old enough to take full control of his farm, although he speculates that she might have married and moved away by then. Mrs. Blooman is surprised by that comment, but Handie says he doesn’t see why she shouldn’t marry. To his mind, the only thing stopping her is her obvious capability and independence, that she seems to be managing things on her own and wouldn’t be interested in marriage. Handie is young yet, too young to get married himself, but he offers this thought about what men are looking for in a wife:

“You see, when a man looks out for a wife, he wants somebody to take care of, not somebody to take care of him. He likes to have his wife a little timid and gentle, so that she will lean upon him, and look to him for help and for protection. When a woman shows that she is perfectly able to go alone, and fight her own way through the world, he lets her go. He wants one who will lean upon him, and look to him, and let him fight for her.”

(I also think it’s important to point out that we don’t really know much about Mrs. Blooman’s backstory. We know that she must have been married at some point because she’s a “Mrs.” and she has a little boy, but we don’t know what happened to Mr. Blooman. Pressumably, Mr. Blooman is dead, and Mrs. Blooman is a widow. Since she was married once before, I wouldn’t think that the idea that she could marry again would be so surprising. She has a child, which might be a complication if she wants to remarry, but my idea is that her biggest barrier to remarriage is that she has a uncontrolled temper. I’ll have some further thoughts about Handie’s assessment of her marriage prospects in my reaction below. )

Since Mrs. Blooman brought up the subject of Lucky getting into the pasture, they discuss putting up fences, although Handie says that he will allow Lucky to graze in the pasture at regular intervals. Then, Handie brings up the topic which he really came to discuss, which is buying meals from Mrs. Blooman.

Mrs. Blooman is surprised about Handie’s request to buy meals from her, but she agrees to the arrangement. Handie will pay her regular amounts of money on top of allowing Lucky grazing time in his pasture, and Mrs. Blooman says that he and Rainbow can come to her house for their meals.

This arrangement works out well for all of them. Handie and Rainbow enjoy her cooking, and they notice that Mrs. Blooman starts dressing better and taking more care of her appearance when they come to her house. She doesn’t often receive visitors (as previously established), and Handie and Rainbow make it a point to dress as nicely as they can when they call at her house, making her feel like she should take more care to look nice as well. Handie also makes it a point to compliment Mrs. Blooman on her appearance when she looks nice, to encourage her to continue to take care of her appearance. (This is similar to how he encouraged his mother to take better care of their clothes and house in the first book by showing his appreciation every time she did something nice and complimenting the behavior he wanted to encourage. He’s using positive reinforcement.) The narrator points out:

“This is the true way to promote improvement in those who, though within the reach of our influence, are not in any sense under our control. It is not by pointing out their faults and exhorting them to amend, but by noticing what is right, and commending it, and thus encouraging them to love and to cultivate the virtue, whatever it is that you wish them to acquire.”

Handie and Rainbow also help Mrs. Blooman with some repairs to her house and yard while they’re there, and they encourage young Tommy by giving him some simple jobs to do to help and praise him when he does well. Rainbow also takes the opportunity to become better friends with Lucky. He gives him little crusts of bread as a treat, so Lucky always looks forward to Rainbow coming.

There is an upsetting incident where Rainbow comes to Handie and tells him that someone has shot a couple of robins he was caring for near the pine trees. Rainbow is so angry and upset about the deaths of the robins that he wishes he could shoot the shooter himself. Handie is alarmed, and Rainbow amends that to saying he would shoot the person in the legs with salt. It’s all talk because Rainbow doesn’t have a gun, and Handie is relieved about that. Handie says that he doesn’t think shooting someone would teach them to behave better, and Rainbow agrees, but he still feels like there should be some punishment for this.

When the shooter comes along, they see that it’s a boy who lives in the area named Alger. Handie and Rainbow confront him about what he did, Handie saying that it was a “good shot” in the sense of accuracy but not in the sense that it was a good thing to do. They explain that those two robins were parents, and they had a nest with babies in it. With the parents gone, the babies will starve if they don’t help them. Alger says that he didn’t know about the babies and wouldn’t have shot the robins if he had known. Handie and Rainbow say that Alger should get the nest and raise the babies since he made them orphans. Alger doesn’t think he can get to the nest when Rainbow points out where it is, but Rainbow helps get it down.

Alger is charmed by the babies when he sees them, and Rainbow makes him promise to take care of the baby birds and feed them properly. Alger agrees, and he plans to make pets of them. Unfortunately, he carelessly puts the nest where a cat can get at it when he gets home, and the cat eats the babies. Alger feels terrible about this, realizing that, with one shot, he destroyed an entire family of adorable birds. If he hadn’t shot the parents, they wouldn’t have taken the babies out of the tree, and if they were still in the tree, they wouldn’t have been eaten by the cat. Alger thinks to himself that he’ll never shoot another robin. “Thus, although Handie’s mode of managing the case proved unhappily unsuccessful, so far as saving the lives of the little birds was concerned, it had the effect of awakening the dormant sentiments of humanity in Alger’s bosom …” Alger’s sadness at seeing the full, awful consequences of his actions directly teaches him an important lesson about thinking before he does things and understanding that his actions affect other living creatures, something that the author reflects, he couldn’t have learned by getting shot in the legs.

The narrator tells us that other boys in Southerton didn’t like Rainbow when he first arrived in the area, presumably because he’s black. However, Rainbow is generally a friendly and helpful person, and he gradually won them over by helping them with problems that they had. Rainbow is physically strong and also clever, and the local boys discovered that he could help them do things that they couldn’t do themselves, causing them to turn to him when they need help with things and develop a friendlier relationship with him.

One day, some younger boys come to Three Pines farm and ask Rainbow for some wood shavings from Handie’s carpentry work because they want to make a bonfire. Rainbow asks them where they plan to make this fire, and they say that they want to make it out in the street. Rainbow says that’s too dangerous because a fire in the street would scare horses that might come along. Instead, he says that he will help them make a space in the garden for their bonfire. He takes them to a clear space in the middle of the garden and gives them some wood shavings and some matches. Then, he goes back to his work and lets them have their fire. (This sounds dangerous, too, leaving them unsupervised with matches and fire, but fortunately, nobody gets hurt or burns anything down.)

When Rainbow sees how much the younger boys enjoy the bonfire, he thinks that he should make a large one for them some evening. He plans a bonfire party and starts inviting other boys, but he only invites boys who are twelve years old or younger. The younger boys are relieved that the older boys aren’t invited because the older boys give them a hard time. Rainbow doesn’t tell them about the bonfire right away, either, because he wants that to be a surprise. He just tells them that he wants to have a party, and he says that they should bring some bread and butter for their supper because the kitchen at Three Pines still isn’t set up for cooking. When Rainbow discusses his plans with Handie, Handie approves of the party and buys some gingerbread in town for the boys’ dessert. Mrs. Blooman, whose son Tommy is also part of the party, lets the boys take some milk from her cow when they ask.

The story describes how the boys set up their bonfire, and the boys play hide-and-seek until it’s dark enough to light the fire. Everyone has a good time, and the bonfire is impressive. When the fire has burned out, Rainbow gives the boys rides on Lucky. Generally, the party goes well, nothing goes wrong, and it’s just a pleasant interlude in the story.

The narrator says that, all the time that Handie and Rainbow have been at Three Pines, they spend an hour in the evening helping Rainbow to improve his writing skills. Sometimes, Rainbow writes letters to his mother or works on accounts, but other times, he copies quotations with some moral lesson, which he often decorates with little drawings and hangs on the walls of the room where he’s staying. One day, Rainbow asks Handie about a poem by Pope, which says:

“Teach me to feel another’s woe,
To hide the fault I see:
That mercy I to others show,
That mercy show to me.”

Rainbow asks Handie if he thinks they should always hide other people’s faults. Handie, says, yes, unless there’s a good reason for calling attention to them. As an example, he reminds Rainbow of how he revealed when he saw a thief hiding a bag with the stolen goods in the last book in the series. In that case, he had to tell what he saw so that the stolen goods could be return to the owner. However, in lesser circumstances, there is no good reason to point out every little, petty fault in other people. The narrator agrees with the principle, although he notes that it can sometimes be difficult to tell when there might be a good reason to reveal someone else’s fault or wrong-doing.

“On the other hand, in respect to the ordinary faults and foibles of our friends and acquaintances, it is plain that we ought to do all in our power to conceal them. They who take pleasure in talking over these faults and in setting them out in a strong and ridiculous light among each other, merely for amusement, evince a very unchristian and a very hateful spirit, and do very wrong. But then there is a third class of cases, in which a conscientious person is sometimes quite at a loss to know whether a certain act of wrong-doing which has come to his knowledge ought to be divulged or concealed.”

This brings us to the incident with the “torpedos,” which tests that principle and presents a case where Rainbow wonders whether or not he should tell what he knows. The story explains that “torpedos” are small explosives that some of the local boys make for fun. They roll up fulminating powder (which is highly volatile) in some paper with sand and lead shot. Because the fulminating powder is so volatile, the torpedos explode with a loud bang when the boys just throw them on the ground.

One day, little Tommy Blooman sees some other boys setting off torpedos for the first time. He doesn’t know quite how they work, but he’s fascinated. He asks the boys to set off more for him, but the other boys need to go home, so they just give Tommy a couple of torpedos for himself. Tommy thinks at first that they need to be lit with a match, like “India crackers” (I think they’re referring to fire crackers), so he puts the torpedos in his pocket and plans to go ask Rainbow for a match to set them off. When he asks Rainbow for a match, Rainbow thinks that he’s going to make another little bonfire, like the local boys sometimes do, and gives him one. Tommy wraps the match up in his pocket with the torpedos, planning to light them later. (You can see the disaster impending, can’t you? See, this is why we, as a society, discourage children from playing with matches, especially unsupervised. You just can’t make assumptions about what kids are going to do with them.)

When Tommy gets home, Joseph, the man who works for his mother, is taking Lucky into the barn. Joseph asks Tommy to help him spread some straw for Lucky, and Tommy does, but somewhere, he loses the little paper bundle he made with the torpedos and the match. Tommy returns to the yard and the barn later, looking for it, but he doesn’t see it anywhere. Fortunately, he leaves the barn door unlatched when he leaves, so Lucky is able to get out later.

Lucky accidentally steps on the bundle with the torpedos in it because it’s in his stall, and he sets them off. The loud bang scares him, and he bolts, running for the Three Pines farm. Meanwhile, the explosion and Lucky treading on the match starts a fire in the Bloomans’ barn.

When Lucky runs to the Three Pines farm, he goes to the place along the porch where Rainbow usually gives him some food, and he begins pawing with his hooves to get Rainbow’s attention. Rainbow is asleep, but he wakes up when he hears the horse and wonders why Lucky is there in the middle of the night. He looks out the window and see the fire at the Blooman barn, and he wakes up Handie. The two them rush over to the Blooman farm to help.

When they get there, Mrs. Blooman is in a panic, and Joseph is starting to work on the fire. Handie clams Mrs. Blooman down, and they help Joseph fight the fire. Eventually, they manage to put it out. Mrs. Blooman and her son go back to bed because it’s still night, and Joseph sits up to keep watch, in case there are still sparks smoldering, which can start a new fire. Handie and Rainbow go back to their own farm. In the morning, they return to the Blooman farm to see how things are.

By this time, Rainbow has had time to think, and he remembers Tommy asking him for matches. Thinking that Tommy’s request might have something to do with the fire, Rainbow questions him about what he did with the matches. Tommy reluctantly admits that he lost them and tells Rainbow about misplacing the bundle with matches and torpedos. He thought he dropped them in the yard somewhere, but Rainbow correctly realizes that Tommy lost them in barn, and that’s how the fire started. 

However, Rainbow is reluctant to tell anybody what he knows. After all, Tommy didn’t start the fire on purpose, and Rainbow realizes that everyone might be really mad at Tommy for being careless with matches. On the other hand, though, Rainbow has to admit that Tommy was careless with the matches and should never have taken them into the barn. When Rainbow lets some of the boys have matches, he warns them to be careful. But, now that the fire is over, what good would it do to tell everyone about it? It’s not like the fire can be undone now. Rainbow has good intentions, although the narrator points out that there is a selfish motive in Rainbow’s concealment of what he knows because, as the person who let Tommy have matches, he is also partly to blame.

Handie later tells Rainbow that the damage done to Mrs. Blooman’s barn isn’t the problem. Mrs. Blooman had insurance, so she’s going to get some money to take care of rebuilding the barn. The real problem now is that the thinks Joseph is responsible for the fire. She thinks that he was smoking his pipe in the barn and got careless, since as far as she knows, Joseph was the last person in the barn before the fire. She is planning to send Joseph away because of his carelessness. Now, Rainbow is worried about Joseph losing his job and being falsely accused because he didn’t speak up about what he knows about Tommy and the matches.

To make sure that he really has the story straight, Rainbow talks to Tommy one more time, and Tommy admits that he went out to the barn to find the torpedos and matches after Joseph left, but he never found them. Tommy also admits that he’s the one who left the barn door unlocked because he was too short to latch it again, although he’s glad he did that now because that allowed Lucky to get out of the barn when it caught fire. Satisfied that he now understands the full situation Rainbow realizes that he needs to tell Handie what really happened so Joseph won’t take the blame. Rainbow is also willing to face whatever criticism he gets for supplying Tommy with the matches. First, Rainbow tells Handie what he knows, and then, Handie speaks to Mrs. Blooman about the situation.

Fortunately, neither Handie nor Mrs. Blooman are angry with Rainbow or Tommy. Handie believes that Rainbow has learned a lesson from this experience and doesn’t feel the need to lecture him. Mrs. Blooman no longer blames Joseph for the fire, and actually, she’s not really upset about the fire because it has allowed her the opportunity to rebuild her barn with some improvements, so she doesn’t lecture Tommy. (Personally, I thought she ought to talk to Tommy at least somewhat, pointing out that the fire shows him how dangerous fires can be and how she wants him to be careful with matches and explosives, regardless of whether or not the ones he had caused the fire. It’s not just about the fire in the barn but the future fires Tommy might cause, if he doesn’t understand that how he treated those matches and explosives was dangerous.)

With this incident behind them, Handie continues work on repairing his farm. In a few more weeks, it’s in pretty good shape, and he soon finds a suitable person to rent the farm. Before he and Rainbow return to their home town, Handie also works on the new barn for Mrs. Blooman. There are just a couple more matters to attend to. One of them is the cat, Pineapple. At first, Rainbow wants to take the cat home with him, but sadly, Pineapple is killed in an accident when a wood pile falls on her. The author describes how the accident was caused by the careless way a local girl removed wood from the bottom of the pile, probably a warning to child readers of the story. The other matter is the horse, Lucky. Rainbow has become extremely fond of Lucky, and now Lucky has a new barn to live in, but there’s more to the story between him and Rainbow, which the author promises to tell in the next installment in the series.

The story is episodic, like other installments in this series. Within the book, there are smaller stories and incidents. Overall, I liked it, and the author’s analysis of human nature and behavior are thought-provoking. I don’t agree with him on everything, but he does a good job of examining the feelings and motivations of his characters.

The criminal we met before, in the previous book, spoke contemptuously of black people and didn’t want to ride inside the coach with Rainbow, but Mrs. Blooman is even more over-the-top in her reaction to being told that she can’t borrow one of Handie’s tools. So far, she is the only character in the book to use the n-word. I’ve read other vintage and antique children’s books where characters’ language, including their choice of racial language is a clue to their personal character. Sometimes, as with the criminal in the previous book, it indicates a bad upbringing and a disreputable character. Mrs. Blooman’s language is also a clue to her character, but the author takes it in a somewhat different direction, and he also introduces another woman, whose behavior is opposite to Mrs. Blooman’s, to provide further insight into both of them.

Is Mrs. Blooman actually a racist? She certainly sounds like one, and she explicitly states that she doesn’t like black people, in very crude terms. On some level, she might be, but there’s more going on with her than that. Basically, Mrs. Blooman’s worst problem is that she’s bad-tempered and has little or no impulse control. In modern terms, she has no filter, and she lacks it pretty badly. Whenever something happens that gets her angry, even if it’s a situation that she created herself (maybe even especially when she’s caused the problem herself), she lets loose with the worst, most insulting language she knows. It might be debatable how much she means what she says literally, but she certainly means the emotion behind it, and that emotion is that she wants to hurt other people’s feelings whenever she feels bad.

Handie seems to see what’s behind Mrs. Blooman and her behavior, and he uses a kind of positive reinforcement with her to draw out her better nature. He finds parts of her behavior and her nature that he wants to encourage, and he makes it a point to praise her for them repeatedly, giving her an incentive to do more of what is pleasant and less of what is unpleasant. Through this technique, Mrs. Blooman’s behavior gradually improves, and she becomes helpful to both Handie and Rainbow.

One of the points that I find difficult to believe is the idea that Handie puts forth is that Mrs. Blooman probably regrets the nasty things she says to Rainbow soon after she says them and that, if she is left to consider them, she will probably change her behavior out of embarrassment over the way she acted. Personally, I have doubts about this. I don’t doubt that such a person might feel badly or embarrassed about saying something rude; I just don’t expect that their behavior will improve that quickly because of that embarrassment. I’ve seen similar people before just dig themselves in deeper, doubling down on their bad behavior, because they feel like they have something to prove. What they do indicates that they think that, if they make any attempt to change their behavior, they would be tacitly admitting that they were wrong to do what they did, and they can’t or won’t do that because it would compromise their egos. To avoid that, they often increase their bad behavior, trying to prove that there’s nothing wrong with what they’ve done, that nobody can stop them from acting any way they choose, and because nobody can stop them or give them any consequences for their behavior, they must have been right to do what they did all along. Even if nobody else buys it, they’ll do it if they can use that to convince themselves. I’ve seen this often enough that I would have expected Mrs. Blooman to behave the same way for the same reasons, doubling down on the bad behavior save face and/or prove that nobody can control her when she can’t control herself. Like other people I’ve seen, Mrs. Blooman has ingrained bad habits and a sense that she’s entitled to take out her own bad feelings on other people. So, if she’s feeling bad again, even if it’s because she’s feeling bad about her own behavior, I would expect her either to take it out on someone else or double down on her previous behavior to try to prove to herself and everyone else that she can do what she wants and not feel badly about it. Even if she does actually feel badly about it, she still might try to repeat the behavior to prove to herself that she doesn’t need to feel bad. Lather, rinse, repeat ad nauseum.

However, I did like the author’s suggestion that it’s best to make no reply to such people when they’re being rude and nasty. Handie’s idea is that it leaves their own rude words echoing in their ears with no one’s retort to distract them from what they said themselves. I do think there’s something to this idea. In modern times, a lot of people put their emphasis on having a good comeback to crush the offender, but those can be difficult to think of in the moment, and also, there are many offensive things a person can say which just don’t have any good response. The offender can also use any rude or harsh reply that someone might make to try to blame the other person for their own attitude problems or to try to prove that the other person is no better than they are. Handie is correct that this is likely to compound the problem and distract from the real issue, which is the original rudeness. I don’t take it as a guarantee that the person will come to their senses and realize that their behavior was inappropriate, but offering no reply would at least not add any potential distractions from the real issue or fuel for further arguments.

Mrs. Fine is the opposite of Mrs. Blooman in many ways. She is far more polite in her outward behavior than Mrs. Blooman, and she is far more controlled and calculating. Mrs. Blooman lashes out without a thought, while Mrs. Fine is a schemer. Mrs. Fine’s polite veneer is a tool to get people to do what she wants, and she’s not above lying to provoke people’s sympathy and get her way. When Rainbow realizes that’s what she’s doing, he says that he actually prefers Mrs. Blooman to Mrs. Fine. Yes, Mrs. Blooman is temperamental and offensive, but with her total lack of impulse control, she couldn’t scheme or manipulate to save her life. Rainbow appreciates that, as difficult as she is, at least he knows where he stands with her. Mrs. Fine uses politeness and promises to make people feel like they can’t refuse to do what she wants, but the worst part is that she is deceptive. She often misrepresents what she wants or doesn’t fulfill her promises to the people who help her, even her own children. I would argue that she’s not fooling people as much as she thinks because people who have dealt with her before are on to her tricks. It can still be difficult to refuse her because of the way she uses what seems like politeness to make people feel obligated to go along with her, but at the same time, people who are accustomed to her behavior can tell when she’s stringing them along, that she isn’t likely to follow through on promises, or that there’s going to be a catch somewhere in any offer or request she makes. Rainbow catches on after one encounter, and Mrs. Fine’s children don’t really believe anything she says to them anymore.

Handie and Rainbow interact more with Mrs. Blooman than with Mrs. Fine in the story, so Mrs. Blooman’s behavior is examined more, and Handie finds a solution to dealing with her. They don’t deal more with Mrs. Fine, Mrs. Fine’s behavior isn’t examined as much, and Mrs. Fine doesn’t change during the course of the story. I developed a few theories of my own regarding why Mrs. Fine acts the way she does. My main theory is that Mrs. Fine’s behavior is probably a reflection of the family that raised her. I suspect that her family probably insisted on good behavior in the sense of being polite and agreeable, or at least faking it, but also made it difficult for her to ask for things she wanted and needed openly. I think that she probably developed her behavior as a coping mechanism because she felt like it was the only way for her to get what she needed from other people when she couldn’t directly ask. She still uses it when she thinks that she can’t get her children to cooperate with her just by asking them or telling them what she wants them to do. Because she doesn’t expect people to accept her real requests or her real reasons, she invents them. It wouldn’t surprise me if her own mother did that or had the habit of pretending that bad circumstances are better than they actually are to cover up for some unpleasant realities. We don’t know for sure because the book doesn’t provide her background details, but I base that theory somewhat on times when I’ve been around people who were disrespectful to me and wouldn’t accept what I said when I was voicing real opinions or concerns. Those types of circumstances can lead a person to become a bit cagey to work around difficult people. It can be awkward and embarrassing, but as I said, there are some things and some people who simply have no good response. Maybe Mrs. Fine could learn to be a little more sincere if people made it clear that they want to know what her real needs are, that it’s safe for her to be honest with them, and that they refuse to play along with her when she pretends that things are other than they really are, but that’s just my theory.

So, do I agree with Rainbow’s assessment that blunt Mrs. Blooman with the faulty filter is easier to get along with than the slick Mrs. Fine? Actually, I didn’t like either of them. Mrs. Blooman improved her behavior, which made it easier to follow her the rest of the story, but I refuse to accept the premise that there’s a choice to be made between these two women just because they were both neighbors of Handie’s and their behavior was juxtaposed. Mrs. Blooman and Mrs. Fine are both examples of extreme behavior, just in opposite directs. Mrs. Fine is too controlled and too controlling where Mrs. Blooman represents a lack of control and self-awareness. Neither trait is really appealing. While the two are represented as a comparison with a choice between them, neither of them makes an easy neighbor when taking as individuals. Between Neighbor A and Neighbor B, my preference is for Neighbor C, someone different and more moderate in their behavior. In this case, Neighbor C is really represented by Handie himself.

Handie does use some flattery and politeness to smooth things over with Mrs. Blooman, but what makes his behavior less manipulative than Mrs. Fine’s is that it contains no deception. Being honest doesn’t have to mean being rude and nasty, which is a concept that Mrs. Blooman struggles with. Handie is just honest about the things he finds appealing, emphasizing the positive, but he didn’t lie about what he finds positive about Mrs. Blooman. Mrs. Blooman also hasn’t made the connection that her own negative behavior provokes the negative interactions she has with other people, while Handie understands that positivity brings out more positive reactions in other people. Mrs. Fine has a sense of that as well because she knows that politeness and a smooth manner bring cooperation, but she doesn’t use that technique in an honest way. Handie makes business arrangements with Mrs. Blooman that suit his needs, but he’s honest about what he wants and what he has to offer her in the arrangements, and he follows through on his promises, which Mrs. Fine never does. Of course, Handie is the most balanced character in the story because he’s the one who is meant to demonstrate to Rainbow and young readers of the stories how to behave and how to get along with other people. He’s not entirely perfect because the author has established that he sometimes tries too hard, but he is meant to set a good example.

I’m pointing out Handie’s role as the good example to follow because I’ve noticed that many people tend to like “no filter” people, seeing them as the alternative to people who are a bit too smooth and manipulative, like Mrs. Fine. I think it’s important to realize that the Mrs. Bloomans and Mrs. Fines of the world are the extremes they actually are, and most of life isn’t about choosing between them. They both have their problems, and Mrs. Blooman only becomes a helper when she changes her behavior in response to the opportunity that Handie gave her. Handie is more the ideal, balanced person, someone who has control of himself and his responses to other people but not in a deceptive way. He uses his abilities to promote positive outcomes and considers the benefits to everyone involved rather than merely using people for his own purposes or taking out his frustrations on them. Life isn’t about picking between Team A or Team B any more than everyone is neither Neighbor A or Neighbor B. It’s about trying to be something better than either of the extremes and maybe bringing out the best of everyone.

I was amused by Handie’s thoughts on the subject of marriage, especially because he is a nineteen-year-old who has never been married, and he was delivering them to a woman who had evidently been married before. I don’t fault him for having thoughts on what he’s looking for in a wife, and I think a nineteen-year-old can have a sense of what other young men are looking for in a wife, but Mrs. Blooman is a Mrs. with a young son, after all. It’s not like she hasn’t had a man in her life before. Handie uses his thoughts about marriage to flatter Mrs. Blooman, in a way, by pointing out that there are positive qualities that a man might see in her, but I just think that she probably knows that since at least one man has married her in the past.

One of the striking parts of what Handie says about marriage is that a man wants a woman he feels would need him to protect her and take care of her, whereas he might feel that a woman who is strong and independent wouldn’t need him in her life. I can see that a person likes to feel that their partner needs them and that they have a definite role to play in the other person’s life. However, it did strike me as odd that Handie would characterize Mrs. Blooman’s level of capability as the major barrier to her remarrying. 

As far as barriers to remarriage go in Mrs. Blooman’s life, there are far more obvious ones that Handie doesn’t mention. I considered whether or not Mrs. Blooman’s son might be a barrier to her remarriage. It’s debatable. Some men might be reluctant to commit to being an instant father, but on the other hand, there might be some men who would appreciate her son and also take it as a sign that they might have other children together. The biggest obstacles I can see for Mrs. Blooman come from herself and her own behavior. I think Handie doesn’t mention them because he’s trying to stick to promoting positives, but her temperament nature and lack of self-control are the first, most obvious aspects of her character that would make her difficult for another person to live with. Mrs. Blooman provokes other people with her bad behavior, lack of self-awareness, and lack of consideration for other people. She overcomes this by absorbing Handie’s emphasis on her positive qualities and changing her behavior to match his positivity and level of effort to put forth her best image, but she doesn’t change to become more dependent on him or any other man beyond her basic business arrangements. In fact, it’s her capability that gets Handie to make his business arrangement with her about meals for himself and Rainbow.

Farm wives have to be capable people because there are many jobs to be done on a farm, and everyone has a role to play. Like other farm wives, Mrs. Blooman has learned to cook and care for her house and her child. She has hired a man to work for her to help run the farm and manage the animals, but she’s still in charge as his employer. Even if Handie marries a woman to share his life on the farm and he sees himself as taking care of her by running the farm well, she will also have to do her part in taking care of the farm house, the cooking, any children they have, and possibly Handie himself during times when he might become sick or injured. Although the historical view would be that the man is the head of the household, providing for his family, the day-to-day reality is that everyone in the family is providing something for each other because everyone has a part to play. I know that, one day, Handie might well be grateful for a woman who will let him lean on her occasionally as well as her leaning on him because everyone needs someone to depend on for something. The image of a capable woman might sound like a modern one that evolved as more women started working outside the home or needing to work to provide an extra income, but women back then were workers as well, just not in a paid, official capacity, and their ability to do what they needed to do for their families was necessary. Handie might not be thinking about that right now because he is probably envisioning himself as the strong hero to the young woman of his dreams, but I think he might come to appreciate that aspect of a woman’s role in his life eventually.