Castle in the Air

This is the sequel to Howl’s Moving Castle, the second book in the Howl Trilogy, although the characters from the first book only appear in secondary roles in this one. The series is somewhat loose, sort of like the Chrestomanci series by the same author. Characters from earlier books appear in later ones, but the main characters change in each book. This story is set in a country to the south of Ingary, where the first book took place, in a sort of Arabian Nights type setting.

Abdullah is a carpet merchant, operating a modest booth in the bazaar. He did not receive much inheritance from his father, having disappointed him in some way before he died. Apparently, there had been some sort of prophecy about Abdullah when he was born, and Abdullah has not lived up to it. He doesn’t know what the prophecy was, and mostly, it doesn’t bother him much, although he sometimes likes to imagine what it could have been, building “castles in the air” in his daydreams, where he is the kidnapped son of a king. Abdullah is mostly content with his life, doing enough business to get by, slowly building his business to have better stock, and using his free time for his daydreams. The only part of his life that he doesn’t like is when his father’s first wife’s relatives stop by his booth and nitpick him, telling him what a disappointment he is, how he should be more prosperous, how his business should be better than it is, how he should already be married, everything they can think of to make him feel bad about himself.

Then, one day, a stranger comes by Abdullah’s booth to sell him a carpet. The stranger is rude and disparaging of Abdullah’s shop, and Abdullah is dubious about the quality of the carpet he is trying to sell. The carpet seems rather old and worn. The stranger tells him that it’s a magic carpet and can fly. At first, Abdullah thinks that’s just a story to make him pay more for the carpet than it’s worth, but the stranger shows him that the carpet can fly by making it hover in Abdullah’s shop. Abdullah checks the carpet over and tries it out himself to assure himself that it’s not some kind of trick, but the carpet can really fly! Abdullah wonders why someone would be selling a perfectly useful and valuable flying carpet, even if it is a bit worn, but he decides to buy it anyway. Since he doesn’t like the stranger and suspects that there is some kind of trick involved, he drives a hard bargain, but eventually purchases the carpet. That night, Abdullah decides to sleep on top of the carpet, just in case the stranger’s trick is to call the carpet back to him in the middle of the night after having made the sale.

When Abdullah wakes up in a beautiful garden, like the one he imagines in his daydreams where he is secretly a prince, he assumes that he is dreaming. When a beautiful princess comes to him in the garden, he is sure that this must be a dream, although she doesn’t look exactly like the princess he always imagined himself in his daydreams. He decides to alter his daydreams to suit the girl. Since he thinks this is just a dream, he introduces himself to the girl as his imaginary alter-ego, the long-lost prince of a distant kingdom.

To Abdullah’s astonishment, the princess is astonished when he says that he is a man. For one thing, Abdullah is still wearing his nightgown, which the princess thinks resembles a dress, and for another, Abdullah doesn’t resemble any man she’s ever seen before. The truth is that the princess has not seen many men before. In fact, the only man she’s ever seen in her life is her father, who is a much older man than Abdullah. She thinks that all men are older men, like her father. Abdullah has heard that royal girls are kept practically prisoners, hidden away from other people. The princess, who is called Flower-in-the-Night, says that her father has kept her away from other men because he has already chosen her husband for her and doesn’t want any other man to fall in love with her and carry her off first, ruining his plans. Even though she knows that she has lived a relatively sheltered life, she still suspects that maybe Abdullah is still not a man, although she admits that it could just be because he is from a different country. She says that she wants to know all about him and his country. Abdullah, still thinking this is a dream, tells her about his daydreams of being a prince as if they were true. Then, in spite of thinking that this encounter is all a dream, he offers to come again and bring the princess as many pictures of other men as he can find, both to prove that he really is a man and also so that the princess will have a more realistic idea of what men are, so she will know whether or not she really loves the man he father has chosen for her.

After he lays back down on his carpet again, he wakes up in his own booth in the bazaar, and the carpet is still there, underneath him. The only thing he can’t find is his nightcap. After his dream, which is the most realistic dream he’s ever had, Abdullah’s ordinary life suddenly seems incredibly drab. The more he thinks about his dream, the more Abdullah remembers that he took off his nightcap in his dream. It makes him realize that the dream was actually real, and he left the nightcap behind in a real garden he visited during the night!

Abdullah comes to the conclusion that, thinking about his daydreams while he went to sleep, he must have said something in his sleep that caused the carpet to take him to the garden of a real princess. Now that he knows that the princess is real, he goes to a local artist and asks him to draw portraits of all different types of men, young and old. It’s a strange request, so he explains that it’s for a friend who is an invalid and cannot go out and see people. The artist is intrigued (and also thinks that Abdullah may be crazy), so he agrees to do it for a low price. When other people learn that Abdullah is collecting portraits now, many people try to sell him their portraits, too. It just sounds that much crazier when Abdullah refuses to buy any female portraits. Abdullah tells people that he’s think of expanding his business to selling art as well as rugs.

Abdullah realizes that the magic carpet seems to require a kind of code word to work, something that the man who sold it to him didn’t tell him but which he’s been saying in his sleep. He tries all kinds of words when he’s awake, but he can’t figure it out. Fortunately, the carpet works again when he’s asleep. He once again finds himself in the garden with Flower-in-the-Night. After he shows her all of the pictures of different men he’s collected, Flower-in-the-Night admits that she was wrong and that he’s definitely a man. She now realizes that her father is not a typical example of what all men are like, and to Abdullah’s delight, she says that she likes him better than any of the other men in the pictures. She says that she wants to marry him! Although that’s what he wants, too, it’s awkward because, when he saw her before, he was acting out his daydream with her, and he’s not really a prince. Breaking it to her gently, Abdullah says that, even if he was once a prince, he is now a carpet merchant and not a wealthy man, like her father would want to marry. Flower-in-the-Night insists that she doesn’t care.

Abdullah explains to her how he comes to her on the magic carpet but that he can apparently only use it to travel when he says the right word when he’s asleep. Flower-in-the-Night is an educated and intelligent young woman, something that Abdullah admires in her besides her beauty, and she deduces from what’s she’s read about magic carpets that the secret word is some common word that is pronounced in an old-fashioned way. Unfortunately, Abdullah accidentally sends himself back home too quickly, without Flower-in-the-Night!

He consoles himself by thinking that he will just have to make some arrangements that day and visit her again the next night to elope with her. However, his father’s first wife’s relatives have also been making arrangements for him. Although Abdullah has not known what kind of prophecy was made about him when he was a baby, they have known for years. That day, they reveal to him that the prophecy was that he would not follow his father in his business (the thing that had always disappointed his father) but that he would be raised above everyone else in the land two years after his father’s death. They’re not exactly sure what being raised above others in the land means, but they think it must mean that he is destined for some kind of honor or high social rank or wealth. Now, two years after his father’s death, the news that Abdullah has started dealing in art and not just carpets, like his father did, signals to them that Abdullah’s fortunes are changing and that his destiny for some kind of greatness must be close at hand.

His father’s first wife’s relatives try to force him to marry a couple of nieces of theirs to keep that greatness or whatever wealth might be coming to Abdullah in their family. Abdullah is appalled, and to get out of the marriages they are trying to arrange, he lies and tells them that his father made him take a solemn vow not to marry until he has achieved the goal of the prophecy and been raised above all others in the land. This gets him a temporary reprieve, but he knows that the relatives will check all of the officially recognized vows to verify whether he’s telling the truth.

His only hope is to return to Flower-in-the-Night and elope with her, taking her as far away as they can go to start over beyond her father’s reach. Unfortunately, when he returns to her garden, he is just in time to see her abducted by a djinn! Horrified, he tries to chase after the djinn on his magic carpet to rescue Flower-in-the-Night, but he isn’t able to follow the djinn. Not knowing where the djinn has taken Flower-in-the-Night, Abdullah returns home without her. The next morning, he is arrested by the Sultan’s men for kidnapping the princess! The Sultan knows that he has been visiting Flower-in-the-Night because he left behind his nightcap, with his name on it.

Under the Sultan’s questioning, Abdullah admits to visiting the princess and bringing her all the portraits of men that the Sultan has found among the princess’s belongings, although really, the Sultan has found less than half of the pictures that Abdullah brought. Abdullah points out that the Sultan has a strange way of caring for his daughter, by raising her to be so isolated that she can’t even recognize a man when she sees one. The Sultan admits that he had to raise her that way because a prophecy when she was a baby said that she would marry the first man she saw, apart from her own father. He planned to introduce her to the man he picked for her before she could see anyone else, and Abdullah’s sudden appearance has ruined his plans. Abdullah is sure that the Sultan will execute him for what he’s done. To Abdullah’s relief, the Sultan knows that he can’t cheat the prophecy, so the Sultan plans to find his daughter and make her marry Abdullah. Unfortunately, that doesn’t rule out executing Abdullah after the wedding. The Sultan also doesn’t believe Abdullah’s story about the djinn kidnapping the princess. He’s convinced that Abdullah is hiding the princess somewhere, so he has Abdullah locked in the dungeon until he can find her.

Abdullah despairs in the dungeon, knowing that the Sultan and his men won’t find Flower-in-the-Night and that he can’t tell them where she is. Then, his friend Jamal’s dog accidentally brings him the magic carpet. From there, Abdullah sets off on a wild journey, fleeing from the Sultan’s men, becoming the captive of bandits, and finding a bottle with a genie in it who must grant his wishes. With the help of a genie, finding Flower-in-the-Night seems like it should be easier, but that doesn’t mean that’s going to be easy. Even if the prophecy guarantees that Abdullah will somehow be successful in finding and marrying Flower-in-the-Night, there are no guarantees for what will happen to him afterward. Even the djinn is a pawn in someone else’s game.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I first read this book not long after I read Howl’s Moving Castle in high school. At the time, I knew it was a sequel to Howl’s Moving Castle, and I was confused by the change in location and because it took a long time before Howl and Sophie appeared in the story. At first, it seems like this is a completely unrelated story to the first book, but actually, Howl and Sophie are very involved in Abdullah’s situation. It just isn’t obvious because neither of them are recognizable when they first appear in the story. About halfway through the book, Abdullah learns what has happened to Howl’s moving castle, but what has happened to Howl and Sophie isn’t clear until later. Howl’s moving castle has been commandeered by the true villain of the story, and the people of Ingary think that Howl is missing. By the end of the book, it is established that Howl is a royal wizard as well as Suliman, and he and Sophie are not only married, but they have a child of their own. Their son’s name is Morgan. Since the last book, Sophie’s sister Lettie has married Suliman and also has a baby.

Prophecies play important roles in the story, and I like how the characters realize that prophecies can be literal or figurative, and there are situation that the prophecies don’t cover. The Sultan accepts that his daughter must marry the first man she sees other than himself because of the prophecy about her, and while he’s disappointed that this man turns out to be Abdullah the carpet merchant, there’s nothing in the prophecy that says that he can’t execute Abdullah immediately after the wedding and marry his daughter to someone else. The prophecy that Abdullah will be “raised above” everyone else can also have many possible meanings. It could mean that Abdullah will come to some high status in life, or it could mean that the Sultan will follow through on his threat to have Abdullah impaled in the air on a 40-foot pole.

Of course, the story has a happy ending. I was concerned that Flower-in-the-Night would be upset that Abdullah wasn’t telling her the truth about being a kidnapped prince, but she actually realizes the truth before Abdullah admits it to her. She understands how Abdullah feels because she used to have a daydream of her own about being an ordinary girl with a father who sold carpets in the marketplace.