Moon Window

Joanna Ellen Briggs (usually called JoEllen or Jo) lost her father five years ago, when he died in a car accident. Since then, it’s just been her and her mother. Jo has adjusted to the loss, and she and her mother have been happy together. At least, that’s what Jo keeps telling herself. Now, her mother is getting remarried, and Jo feels like her life has been completely turned upside down. Her new stepfather, George, is a nice man, but Jo can’t stand the idea of her life changing. George is a law professor, and Jo’s other relatives like him, but Jo is afraid of what this marriage will mean for her. She and her mother will be moving to George’s house in Boston, and she is afraid that nothing will ever be the same again.

At the heart of her worries is the fear of losing her mother, just as she lost her father. The truth is that Jo has never fully adjusted to her father’s death. She participates in a wide range of classes and activities, but it’s not because she really loves any of these subjects or activities. Her gymnastics, choir practice, piano lessons, and the host of other classes and hobbies that she pursues with so much energy and perfectionism are to keep her mind occupied so she won’t have to think about her father or her worries about what might happen to her if something happens to her mother. Ever since her father died, there has always been the lingering fear of something happening to her mother, and that’s why Jo fears change in her life. She has settled into a routine that makes her feel relatively safe and keeps her from thinking too much about what might happen in the future. George’s entry into their lives has broken the routine, will bring even more changes, and has caused Jo’s tightly-controlled feelings to creep to the surface.

Even during the wedding, Jo privately hopes something will happen that will stop the ceremony and keep all of these frightening changes from happening, but nothing does. However, Jo’s grandmother has noticed how upset Jo is, even though Jo tries to keep a blank face and hide her feelings. Her grandmother realizes that Jo is bottling up her emotions, and she sees the moment when Jo finally lets loose, just as her mother and George leave on their honeymoon. Instead of throwing birdseed after the car, like everyone else, she turns and throws her little bag of birdseed at one of George’s young nephews, hitting him in the eye.

Originally, the plan had been for Jo to stay with George’s brother and his family while her mother and George are on their honeymoon. However, because of her bad behavior toward George’s nephews, the boys’ mother refuses to have her as a guest. Jo’s grandparents hurriedly consider other arrangements for Jo. They would take her themselves, but they will soon be traveling to a conference they are attending. Jo’s grandmother laments about Jo’s behavior and moods, and that reminds her of Witch Ellen, an ancestor in an old painting at Winterbloom, the old house where her frail great-aunt lives. Granty Nell, as they call her, is actually a distant cousin and is over 100 years old, but she loves children. Jo’s grandmother remembers that one of Jo’s cousins recently visited Granty Nell at Winterbloom and had a wonderful time. Winterbloom is a strange old house near Walpole, New Hampshire, but Jo’s grandmother has fond memories of the place, and Granty Nell has live-in help, so she won’t be dealing with Jo alone.

Granty Nell accepts Jo as a visitor, but Jo is stunned that she has so suddenly been dumped with a relative she doesn’t even know, in an old stone house in the middle of the woods. At first, Jo plans to run away and go back to the apartment where she and her mother have been living and stay there until her mother comes to get her so her mother will regret leaving her and think twice about ever leaving her again. However, Winterbloom is no ordinary place, and leaving is much more difficult than Jo realizes.

Granty is unexpectedly sharp in spite of her age, and she can read Jo like a book, noting her thinness and chewed fingernails. She speaks openly to Jo about her feelings about her new stepfather on her first day at Winterbloom. Granty lets her speak and doesn’t criticize her feelings. Instead, she tells Jo a little about the house and their ancestors, and she offers to let her explore the house and choose one of the guest bedrooms for herself. When she decides which room she wants, she can tell the housekeeper, Mrs. Craig. Mrs. Craig’s husband Thomas and son Tom take care of the grounds and garden of Winterbloom. The three of them live in a little cottage nearby, so only Granty and Jo will be living in the big house.

As Jo explores the old house alone, she notices that the furnishings are rich but old and shabby. She wonders why Granty hasn’t replaced them because she is supposedly wealthy. Each of the bedrooms has a fireplace that has an iron Franklin stove fitted inside and wardrobes instead of closets. The furnishings are all old-fashioned and a little shabby, but there is something in every room that catches Jo’s attention, like an interesting painting or an embroidered stool. In spite of herself, Jo finds herself liking things or becoming intrigued by them, although she is still determined to run away. Then, while exploring the attic, she finds an old turret room with a round window, the kind that her mother likes to call a “moon window.” Jo tries to open the window, but she discovers that someone has painted it shut. She manages to pry it open anyway, using a knife that she finds in Granty’s desk drawer. Outside the window, there is a large tree, good for climbing. Jo realizes that, with her gymnastics skills, it would be easy for her to climb down the tree and escape when it’s time for her to run away.

Thinking that she’ll probably only stay for one night before running away, Jo chooses the yellow bedroom, the one with a high bed with yellow brocade curtains that has a step stool for climbing into it. Granty tells her that is the room where her grandmother stayed when she came to visit Winterbloom when she was young. Winterbloom is undeniably charming, in spite of its shabbiness, and Jo can’t help but think that the dining room, with its tapestries and long, candlelit table looks like it’s set for a fairy tale feast.

To Jo’s surprise, Granty tells her a little of her own history at dinner. Like many of the women in their family, Granty’s first name is Ellen, although the younger generations think of her as Granty Nell. Jo had assumed that Granty had grown up at Winterbloom, but actually, she originally lived in New York. Like other young girls in the family, she also came to visit Winterbloom as a child when the woman that she once called Granty lived there. When Granty Nell was 17 years old and having one of her visits to Winterboom, both of her parents died in a flu epidemic. (I thought at first that she was referring to the 1918-1919 Influenza Epidemic, but later events in the story show that the dates don’t line up. Her parents must have died earlier.) As an orphan, she continued living at Winterbloom with her Granty until the following September, when she went away to college. She was a schoolteacher for a time until her Granty died, leaving her Winterbloom and all of her money, on the condition that she change her last name to Macallan, which is the family’s maternal surname. Granty Nell wasn’t originally happy about having to change her name, but she did it anyway because she loved Winterbloom. Jo wishes that someone would give her a house to live in so she wouldn’t have to live with George. George’s house in Boston is very modern and definitely not charming. Granty Nell tells her to be careful about what she wishes for because, since she returned to Winterbloom, she hasn’t traveled very far from it, and there are many interesting places she has never seen. Clinging too much to one particular place can keep a person from moving on to other, more exciting places.

Although someone (possibly Mrs. Craig or Granty) has tried to make the yellow room more cozy for Jo by moving all the things that she admired in the other rooms into that room, Jo is still determined to run away. She almost resents how comfortable Winterbloom is for her, making it difficult for her to leave. Early in the morning, Jo slips out through the moon window in the attic and climbs down the tree from the house. She originally planned to ride her bike the two miles from Winterbloom into town because her grandparents left her bike there for her to use, but she can’t find the bike when she reaches the ground. She assumes that the Craigs must have moved it and that she’ll have to walk to town to catch the bus.

However, during her early morning walk to town, it slowly begins to dawn on her that something isn’t right. She overhears some children talking about a cannon, which is strange. Then, she has an encounter with a man on horseback, who talks like he’s a local doctor who’s been out to see patients. Since when do doctors ride around on horses to see their patients? Jo becomes more uneasy, and when she reaches the town, she realizes why. The town doesn’t look the way it did when she passed through it with her grandparents. Suddenly, there is no Interstate highway, and there is a covered wooden bridge that isn’t there anymore in Jo’s time. Somehow, it looks like going through the window has sent Jo back in time, although she’s not sure when or if that’s really what is happening. Disoriented and terrified, Jo returns to Winterbloom and climbs back up to the moon window, leaving her knapsack hidden in some bushes to retrieve later.

The next day, Jo tries to tell herself that what happened early that morning was only a dream, but there are hints that it wasn’t. Not only is her bike exactly where she left it, like it never moved, but the bush where she left her knapsack isn’t there anymore, and there’s no sign of the knapsack. Jo searches the area to check if she was just mistaken about where she left the knapsack, but it really isn’t there. When Granty suggests that they go into town for lunch, Jo sees that the gate to Winterbloom isn’t the same in the present as it was in the past, and the road to town is paved while the road she walked along in the early morning wasn’t. Yet, there are aspects of the countryside that are eerily familiar, which indicates that what she experienced wasn’t just a dream. She might have been able to dream about the road and town as they were in the past, but she shouldn’t have been able to accurately dream about features of the area that she hadn’t seen before and that have been there for a long time.

Their trip to town is cut short because Granty becomes ill. Young Tom, who is driving them, says that Granty suffers from agoraphobia, which is why she gets ill or panics when she gets too far from Winterbloom. This is part of the reason why she has not traveled very far since she inherited the house. Granty later says that this isn’t entirely the case, but through many years of living at Winterbloom, it has become more and more difficult for her to leave it.

Jo still plans to run away, and she realizes that she left her flashlight in her knapsack, wherever that is now. She decides to search the attic for something she can use instead. In spite of herself, she finds the old clothes in the trunks in the attic charming and decides to try wearing some of them. Then, at the bottom of one of the trunks, she finds her knapsack! The knapsack isn’t the way it was when she last saw it, though. It has clearly aged, and so have the things inside. The flashlight no longer works, the clothes are yellowed with age, and the leather and rubber on her hiking boots has hardened and cracked. It’s like they’ve been stored in the attic for more than 100 years! The boots are wrapped in a newspaper, now deteriorated, but when Jo examines it, she finds the date of July 1809 and references to some of the people and things she encountered during her early morning excursion. Now, Jo is really scared.

Jo races to the turret room and looks out the moon window, but what she sees frightens her more. Although it’s afternoon in Winterbloom, it’s dark outside the moon window. More than that, there’s no tree outside the window, and the countryside that she sees isn’t the woods that surround Winterbloom. Jo recognizes what she sees as the same scene in a painting in her room at Winterbloom. The moon window is no ordinary window. It looks out on different times and places.

Once she gets over her fear, Jo is intrigued at this “window of time” and wants to know more about how it works. She even thinks that, if she can learn to control it, she might be able to go back in time to just the right moment to keep her mother from getting married again, which she thinks will solve all of her problems. However, the next time she tries the window, she finds herself meeting a young Granty Nell in 1897, when she was just a girl about her age called Nell, which is short for Ellen. Nell catches her sneaking around in a dress that looks very much like her dress. (Really, it’s the same dress, just aged about 90 years because Jo found it stored in the attic and tried it on.) Jo attempts to explain to her who she is and how she got there, taking Nell to the turret room in the attic and showing her the moon window. Jo is curious where the moon window will lead if they go through it in the past, wondering if it will take them to the future, but it ends up leading them further into the past. Jo and Nell end up in 1764, when the house was first being built. They are both caught sneaking around by a young Indian (Native American) and the stonemason who is building the house for Ellen Hawke. Ellen is a common name for women in their family, and this Ellen was the one who created Winterbloom and the one for whom all the other Ellens were named, including JoEllen. She is also considered a “wise woman”, and she is the Witch Ellen who appears in a painting at Winterbloom. Jo recognizes the stonemason’s last name as her grandmother’s maiden name, making her wonder if they are also somehow related. She wonders if maybe the stonemason will marry Ellen Hawke, making him her distant ancestor.

As Jo begins to consider people’s complex relationships across time, it occurs to her that, if she and Nell aren’t careful, they might accidentally change something in the past that will endanger their own existence. For the first time, she also begins to wonder what might happen if she successfully changes things so her mother never meets or marries George. Is it possible that she would be preventing the potential birth of a half-sibling, and if so, is that what she really wants to do?

Back in the present day, Granty Nell begins remembering an incident from her youth that she always thought of as a dream with a girl named Joanna and a trip back in time, and she begins connecting it with some strange questions Jo has been asking her. Years ago, Granty Nell had removed the furnishings from the turret room (the ones which Jo had delighted in and are now her the Yellow Bedroom that she is using) and scattered them through the house. She had the moon window painted shut and kept the door to the turret room locked, sensing that the moon window was magical and dangerous. Now, in spite of Nell’s precautions, things are coming full circle, and Jo is doing what Nell realizes she has done before.

Although Granty Nell loves having Jo at Winterbloom, she begins to realize that she must get Jo away from the place as soon as possible, before Jo becomes trapped in the same web that has kept Nell herself tied so tightly to Winterbloom all these years. Solving the mysteries of Winterbloom and the spell it has on the other Ellens in the family means exploring the past of the first Ellen, Witch Ellen.

The book is available to borrow and read for free online through Internet Archive.

I enjoyed this story and its atmosphere! I think fans of Cottagecore would enjoy Winterbloom, with its old-fashioned, comfortable shabbiness and rooms with quaint, magical touches. This is also one of those books that mentions what the characters eat. I’m not much of a foodie, but there were a couple of things that interested me about their meals at Winterbloom. I find it interesting when books mention unusual dishes or foods that they call by unfamiliar names. At one point, they have what Granty calls “Indian cake” for lunch. It’s described as a type of corn bread, so I think it’s named for Native Americans rather than Indians from India. (I ask that question almost every time I see “Indian” in writing, unless it’s specified.) I’d never heard of that before, so I tried looking it up, and from the description, I think it might be similar to this recipe for a corn bread pound cake from 1827. I’m not 100% sure it’s the same thing, but it seems reasonable because it’s described as both a corn bread and a cake. As charming as Winterbloom is, though, it also has a dark side that Jo must confront.

Jo’s immediate problem is obvious from the beginning of the story. There have been many other children’s books about children adjusting to changes in their lives, including the remarriage of a parent. It’s understandable that children who are accustomed to having only one parent might cling to that parent and be afraid of changes that might cause them to lose that parent or experience less of that parent’s attention and affection. Although adults might say that coming to love someone else doesn’t mean loving other people less, but Jo already knows that, when her mother spends more time with George, she spends less time with Jo. Her mother still loves her, but Jo feels neglected and forgotten, fearful of what this will mean for her future and her relationship with the only parent she has left. Even before her mother married George, there were times when her mother was so preoccupied, thinking about George, that she forgot to get breakfast for Jo or buy groceries, as she normally did, making Jo nervous about her mother still providing for her through this relationship with George. I’m sure that her mother doesn’t mean to give Jo this feeling. It’s just part of the awkwardness of making a major change in their lives and adjusting to a new normal. I’ve reviewed others on this theme before, including The Haunting at Cliff House, which also features time travel.

There are a couple of things that make this story different from others that I’ve read. One that surprised me at first is that Granty Nell knows about the magic of the window. In many books for kids that involve magic and time travel, the adults don’t know what’s going on and never learn. The magic or time travel is meant to give the children in the stories perspective on their lives and problems and teach them lessons, not to do anything for the adults. Typically, the adults either don’t know what’s going on, while the children learn about the magic or face their problems on their own, or the adults don’t find out what’s been happening until after the child has resolved the situation, like Rose in The Root Cellar, which is about an orphan adjusting to a new life with her relatives. In this story, Granty Nell has known about the magic of the moon window since she was young, when she first met Jo on one of her time travel excursions. At first, Nell thought that Jo was a dream, but through her years with the house, she came to understand the dangers of the window and the hold that the house can have on people, particularly on young girls named Ellen, who are coping with the loss of a home or a parent.

It isn’t obvious right away, but this is also a story about generational trauma, but with a magical/supernatural twist. Like other Ellens in the family, the first Ellen, Ellen Hawke (maiden name Ellen MacAlpin, also called Ellen MacAllan or Witch Ellen) also suffered the lost of her father and home early in life. The family’s ancestral home, Castle MacAlpin in Scotland, was destroyed by fire, and her father died in the fire. Ellen wanted to save him, but she couldn’t. The MacAlpins were unusual people, who possessed real magic, and Nell thinks that they might actually be descended from elves. After her father died, Ellen married, and later in life, after her husband died, she went to New Hamsphire to start over. People were always nervous about her and her magical abilities, so whenever it looked like people might be about to put her on trail for being a witch, she would move and start over.

Like Granty Nell, Witch Ellen has also lived an unnaturally long life, and (spoiler) she is still living secretly in Winterbloom. At least some of the other Ellens in the family were also her, pretending to be one of her own descendants. When she came to New Hampshire, she built a new version of the home that she had lost, which is Winterbloom. The shabby, old-fashioned belongings in the house are actually a clue to the house’s true problem. Granty can’t change things too much, even when she wants to, because Witch Ellen won’t let her. The house is a monument to her old life, and she can’t let go of it. However, Ellen eventually discovered that Winterbloom was a poor substitute for her lost home. It’s undeniably a charming house, but it’s not the original castle, so it just couldn’t be the same and would never feel the same to Ellen.

When Jo finally speaks to Witch Ellen directly, she admits that, rather than bringing her solace, Winterbloom haunts her because it can’t be what she wants it to be. Witch Ellen tells Jo that, for a long time, she has been waiting for a descendant of hers to undo a terrible mistake that she made years before, which has kept her bound to the house. That is, assuming that Witch Ellen is telling the truth.

For most of the book, readers don’t know what’s behind the magic of the house or if the witch in the family is in control of what’s happening. I expected at first that Witch Ellen would be a sympathetic character who would help Jo to understand the magic and maybe teach her something to help her cope with her situation, but that isn’t the case. Jo must confront the question of whether the mission that Ellen gives her would really break the spell of Winterbloom or if the curse of Winterbloom was always Ellen’s inability to accept life as it came and to try to control the outcomes. Ellen was always a controlling person, and her own children left her and Winterbloom years ago because she frightened them. Witch Ellen was never satisfied with her life, even the parts that were really good, because she couldn’t let go of the old home that she lost. Her new home, the men she married, and even her own children were never good enough for her because she was clinging to her memories of her old life and her plan to get it back. It was an obsession with her, and it has guided everything she has done. When Ellen became Nell’s guardian as her “Granty”, she began controlling her, keeping her bound to Winterbloom all these years to accomplish what she wanted. When Nell wouldn’t do it, Ellen began searching for another descendant who would, which is why she keeps inviting other young descendants to visit Winterbloom.

Jo is capable of doing what Ellen asks, but she has begun to see Ellen’s selfishness for what it really is. Ellen is prepared to sacrifice the lives and futures of her descendants to change the past, without regard for what that would mean for anyone else. Jo is different because she can see the bigger picture, and she does care about other people. She worries about her future, and that’s why she is afraid of the changes brought by her mother’s remarriage, but she has come to see that there are limits to what she’s prepared to do about that because of her concern for the welfare of other people. Jo realizes that she doesn’t want to be trapped at Winterbloom forever or to endanger her very existence and the existence of other people in her family to accomplish Ellen’s mission.

In many books about children coming to accept stepparents, the children come to suddenly love the stepparents at the end of the book, or at least find something about them to appreciate or an ability to see things as the adults around them do. That isn’t the case with this book. Maybe Jo will come to appreciate George once she becomes more accustomed to him and her new life, but for now, she has come to see that trying to control other people’s lives can be truly damaging, not just to them but also to other people around them and even to herself, and that it isn’t healthy to remain stuck in the past. Although accepting change can be difficult and can sometimes mean accepting bad outcomes along the way, Jo comes to see that she would rather keep moving forward in life and letting others move forward.

If something bad hadn’t happened in their family centuries before, maybe none of them would even exist now. Maybe accepting her mother’s marriage to George will one day mean accepting a younger half-sibling and having to share her mother with George and that sibling, but Jo recognizes that this half-sibling has the right to exist as much as she does. The half-sibling is only a potential idea at this point, not a firm reality, but the knowledge that there could potentially be one someday causes Jo to think about the effect that her decisions can have on people, including possible future generations. Letting her mother, George, and the potential half-sibling have their lives will mean having to make some changes to her own life, but Jo sees that it also allow her room to consider new possibilities for her own life in the future and to keep moving forward. The contrast between having the ability to move forward and being stuck in the past is enough to convince Jo to stop fighting her mother’s marriage and to focus on moving forward and seeing what life holds.

This is one of those children’s books that also references other children’s books. Because generations of children have visited Winterbloom, Jo finds old children’s books on the shelves there, like The Five Children and It by E. Nesbit and a Nancy Drew book from the 1930s. When Jo reads The Five Children and It, she reads a part about how people can make themselves wake up at a particular time without an alarm clock by really focusing on the time they want to wake up before they go to bed. I haven’t read this book yet, but I have done that before, made myself wake up at a particular time because I had it in my mind that was when I wanted to get up. It does seem to work at least sometimes, although The Five Children and It says that it only works if you really, really want to wake up at that particular time. If you don’t really want to get up, it won’t work. When Jo reads the Nancy Drew book, she tells Granty that she’s surprised that Nancy Drew is that old, and Granty tells her how the Nancy Drew books are periodically rewritten to update them with the current time and habits, changing language and technology to be current. This is true, and I’ve talked about that on this site before. As this story notes, in the original books, people were driving roadsters and using typewriters, and in the updated versions, they have sports cars and computers.

Ruth Fielding at College

Ruth Fielding

Ruth Fielding and her friends have graduated from their boarding schools, and now, they’re headed off to college! Ruth and her best friend, Helen, will be attending Ardmore, a college for young women only. Helen’s twin brother, Tom, will be going to Harvard. When they were at boarding school, they also attended girls’ only and boys’ only schools, but their schools were located near each other, and they were able to visit each other on weekends and attend joint social events held between the schools. Helen and Tom are close as twins, and Helen worries that she won’t be able to see her brother as often while they’re in college. Tom and Ruth are also fond of each other, and although they’re excited about college, they’re also a little sad at the idea of being apart.

While they’re having tea with Aunt Alvirah (the housekeeper), the hired hand working for Ruth’s Uncle Jabez, Ben, comes in and says that there is a boat adrift on the river that runs by the mill where they live. Everyone goes outside to have a look at the boat. At first, they think no one is in it, and Uncle Jabez says, if it’s abandoned, then he will go after it as salvage. Then, they see that someone is in it after all, just lying down in the bottom of the boat, but the boat is drifting toward the dangerous rapids below the mill! Whoever is in the boat seems incapacitated or unaware of their dangerous situation.

Uncle Jabez is less eager to go after the boat when he knows there’s somebody in it than he was when he thought he could get a free boat, but Ruth persuades him that they have to rescue whoever is in the boat. They manage to reach the boat, and they find an unconscious girl in it. They bring the girl back to the house with them, and Tom says that he will get a doctor. However, Aunt Alvirah doesn’t think that a doctor will be necessary because it looks like she has only fainted, and she thinks that the girl will be all right.

When the girl wakes up, she explains that her name is Maggie and that she was working at Mr. Bender’s camp for summer vacationers up the river. After the season ended, the vacationers left, and Mr. Bender paid her for her time at the camp, someone was supposed to give her a ride across the river with her luggage, but Maggie fell asleep while she was waiting in the boat. When she woke up, she was drifting down the river alone. She got scared, and she fainted. Ruth says, if her job is over, then she has no reason to return to Mr. Bender’s camp, and Maggie says that’s true and that she needs to find another job. Ruth says they can use their telephone to call Mr. Bender’s camp to explain the situation and reassure Mr. Bender that Maggie is all right.

Ruth likes Maggie, and she notices, from the way she talks, that she seems more refined than most poor working girls. Aunt Alvirah is getting older, and she often has trouble with her rheumatism. Ruth suggests to Uncle Jabez that they hire Maggie to help Aunt Alvirah at the mill this winter while Ruth is away at college. Uncle Jabez is still a miser and he grumps about Ruth spending his money. Ruth has money of her own now, and she is willing to pay Maggie’s wages, although she says that Uncle Jabez must make sure that Maggie has good food because she looks undernourished. Ruth and Uncle Jabez often butt heads over the issues of money and Ruth’s education because Uncle Jabez never had much education and is both proud of the money he has now and is tight-fisted with what he has. At this point, the story explains some of the history of the characters. Since Ruth retrieved a stolen necklace for the aunt of one of her school friends and received a reward for it (in Ruth Fielding and the Gypsies), Ruth has had enough money to be financially independent of her uncle and to fund her education. She is also correct about Aunt Alvirah’s age and health, and she is concerned for the older woman’s future.

Aunt Alvirah welcomes the idea of help at the mill, and Maggie accepts the position. Ruth notices that Maggie studies an Ardmore yearbook, and she is surprised that Maggie is interested in the school. She has the feeling that there is more to Maggie’s past than she knows.

When Ruth and Helen go to Ardmore, some of the girls have already heard about Ruth’s reputation as a writer of movie scenarios from the movie that Ruth wrote and her classmates helped make to raise funds to replace a dormitory that burned at their school. Some of them are prepared to despise Ruth as being stuck up about her writing, although some who saw the moving picture liked it.

A girl named Edith thinks that they’ll have to “take her down a peg or two” as soon as she arrives. One of the other girls, Dora, reminds the others about the rules against hazing at the school. The rules have been strictly enforced since a hazing incident went too far last year and traumatized a student, Margaret Rolff, who was trying to join the Kappa Alpha sorority. Since that incident, the college has forbidden sororities to initiate freshmen or sophomore students as members and cracked down on hazing rituals. Edith, a sophomore, thinks that’s a shame because the sororities are fun, while May sarcastically remarks about how fun “half-murdering innocents” is. The students aren’t really supposed to talk about what happened to Margaret, although the sophomores don’t see why not because everybody who was at the school when it happened knows about the incident.

Margaret’s nerves were apparently shattered by the incident, and a valuable silver vase, an ancient Egyptian artifact, disappeared from the college library the same night. It isn’t entirely clear what the Kappa Alpha sorority told Margaret to do, specifically, but it seems that Margaret’s initiation task involved both taking the vase from the library and going to nearby Bliss Island alone at night. She was found there the next day in a terrible state. Nobody is sure what happened to the vase, and Margaret was apparently unable to explain it. She left the school soon after, and nobody knows where she is now. The vase might have been stolen by somebody else that night, or it might have somehow been lost in the confusion of the initiation stunt that went wrong. Because the Kappa Alpha sorority was responsible for telling Margaret to commit a theft from the school (or, at least, borrow a rare and valuable object without permission), they are raising money to replace the vase. The students’ opinions about the incident waver back and forth between thinking that Margaret was a naturally nervous and delicate person to be so dramatically affected by the incident to thinking that maybe she faked her trauma as an excuse to get away with the theft herself.

When the other girls start discussing Ruth Fielding again and how grand she must think herself, being involved with the movie industry, a plump girl who is listening to them starts laughing, but she refuses to tell the other girls why. Then, a wealthy-looking girl with a lot of fancy luggage arrives at the school, brought by a chauffeur. Her luggage is stamped with European labels and has the initials “R. F.” on it, so the other girls assume that this must be the overly-grand Ruth Fielding. The plump girl struggles not to laugh as she watches their reactions because she knows Ruth and knows that this girl is someone else.

Meanwhile, Ruth and Helen have traveled to the school by train and are coming from the train station by bus. They arrive at their college dormitory, Dare Hall, just in time to see the other girls giving “R. F.” a hard time because of her fancy luggage. When Edith addresses “R. F.” as “Miss Fielding”, “R. F.” corrects her in front of the other girls, telling her that her real name is Rebecca Frayne. The plump girl, Jennie Stone, laughs at Edith’s presumptuous mistake and greets the real Ruth Fielding and Helen.

Jennie Stone was one of their fellow students at their boarding school, Briarwood Hall, in upstate New York. She was affectionately known as “Heavy” because she’s always been “plump” (or, as the book sometimes calls her, “fleshy”). Ruth and Helen are surprised to see Jennie at Ardmore because they thought that she was lacking some credits to go to college, but Jennie says that she made up those credits, and she wanted to go to college because she really had nothing to do after graduating from Briarwood but eat and sleep and put on more weight. There is some joking about Jennie’s weight, and Helen gives her a teasing pinch, but Jennie reminds her that she has feelings, too. People in Jennie’s family are naturally big, but she is determined that, as part of her college experience, she will lose weight. She wants to keep busy and reform her diet. The mathematics instructor at Ardmore has been advising her about her eating habits, urging her to eat more vegetables. The teacher seems to be hard on Jennie on the point of her weight, but the teacher openly tells her that’s only because she cares about Jennie. She knows that Jennie will want to make friends in college, and she won’t want to get a reputation as the heaviest girl in her class. It’s hard on Jennie, but she appreciates the teacher’s advice and the fact that she cares.

The mathematics teacher, Miss Cullam, also privately confides in the girls that she’s worried about the incident that happened on campus last year. She has some suspicions about the older classes of girls, although she can’t really prove anything against them. Few other people know this, but Miss Cullam admits that she had hidden some papers for last year’s mathematics exam inside the vase that disappeared from the library. It was an impulsive move and only meant to be temporary hiding place for them, but when she tried to get the papers out of the vase, she couldn’t because they were stuck. She went to get some tongs to retrieve them, but by the time she returned to the library, the vase was gone. At exam time, several students that she had not expected to pass her class did unexpectedly well on their final exam. She can’t prove that they got hold of the papers from the vase, and she hates to think that any of her students would cheat, but she still suspects they did. It bothers her that she doesn’t know for sure that they didn’t. Although the vase had value itself, the mathematics teacher’s story raises the possibility that someone knew that the exam papers were in the vase and that was the motive for the theft.

Ruth, Helen, and Jennie talk about the politics between the freshmen, sophomores, and upperclassmen in college. Edith seems undeterred by her earlier mistake and still gives Ruth a hard time about her writing and budding movie career. It doesn’t entirely surprise Ruth that people would give her a hard time because she is a noticeable figure among the freshmen, and having been to boarding school, she knows how things typically work among cliques and class levels at school. Although some of what Edith says embarrasses her and hurts her feelings, she knows that it’s best not to make too much fuss about the things people say, and just wait for it to blow over. It helps that Helen and Jennie stand by her and stand up to the other girls on her behalf. Ruth is somewhat reassured that hazing is forbidden at Ardmore, so she expects that little will happen other than occasional mean comments.

Although hazing is forbidden on campus, the college does allow the upperclassmen some privileges over the underclassmen. They do it with a purpose in mind, using it as a tool to get the freshmen to bond with each other and solidify their class leadership. Few freshmen pay attention to the elections for class president until the seniors put up notices to tell the freshmen that they must all wear baby blue tams (hats), that no other colors will be allowed, and that the freshmen only have three days to comply. The freshmen aren’t sure what the upperclassmen will do if they don’t comply, and some of them are resentful about the upperclassmen commanding them to buy new hats. Helen, like some of the others, initially thinks they should just ignore the command and not bother, showing the upperclassmen that they won’t be bossed around, but Ruth decides that she would rather buy and wear one of the tams because she doesn’t want to draw unnecessary attention to herself and maybe more resentment from the older girls on campus. When they go shopping in town, they see that every shop is selling baby blue tams, and one shop keeper (described as a “Hebrew” for no real apparent reason and having an accent that seems to indicate that he’s an immigrant) comments that blue is their class color, which gives the girls a clue that this is an organized campus tradition or stunt with the support of the local businesses. Because those tams are everywhere in town and other freshmen are buying them, even most of the reluctant freshmen end up with one of those hats. After that, the freshmen realize that they need to get serious about organizing their class leadership so the upperclassmen won’t be dictating everything to them.

There is one hold-out among the freshmen who doesn’t buy one of the tams, and that’s Rebecca Frayne. She just keeps wearing the same tam she was wearing when she arrived at school. When the three days are up, and Rebecca still doesn’t have a baby blue tam, the upperclassmen start boycotting her. If she comes to class in her usual tam, they all get up and walk out. They even walk out on meals when they see her. This seems like more of a punishment for the upperclassmen, who have to leave without finishing their meal, than it is a punishment for Rebecca, and someone does point that out.

(I see what the students say about these traditions being bonding experiences, but I really don’t have any respect for these catty and manipulative tactics because it looks dumb, and I think it just disrupts class for everyone to have so many students walking out. I think my college professors would have counted them as absent if they walked out of class over a dumb hat because student social activities need cannot impact the education they are supposedly here to receive and have no place in the classroom. Whatever they do needs to be done on their own time, not on the teacher’s or the class’s time. Actually, I did have a professor who used to award extra points to students who showed up on days when class attendance was low due to bad weather or people ditching class for sporting events. He would have us take notes or a short quiz and write a special phrase at the top of the paper as a sign that we were there that day when others weren’t, like “Rainy Day Faithful” or “Sports Day Faithful.” I kind of wanted to see the instructors in the story do something similar. On the other hand, if they self-punish themselves by sending themselves away from the dinner table, I’m inclined to think it’s deserved. I’d be inclined to let them do that until they get hungry enough to stop. It’s a rare example of a problem that will eventually solve itself.)

However, Rebecca’s apparent defiance of the social order even gets on the nerves of her fellow freshmen. The others have come to appreciate the bonding experience of buying the matching hats and solidifying their support of their own class leadership. It was a ridiculous and high-handed order from the upperclassmen, but ultimately, a fun and harmless one, a reason for a short shopping trip, and only a minor expense that supports local businesses. The other freshmen don’t understand why Rebecca isn’t joining in with them in class solidarity. Rebecca doesn’t mix much with the other students, and the others think that she doesn’t want to be friends, although Ruth can see that the boycotting she’s suffering is hurtful to her.

However, there may be another explanation for Rebecca’s behavior besides defiance or stand-offishness. Ruth begins to realize that Rebecca not only always wears the same hat but that she’s only ever seen Rebecca wear the same three outfits, over and over. They’re good quality clothes, but it’s odd that she never seems to wear anything else. Although they all saw Rebecca arrive at college with a lot of luggage, more than the other students had, she either doesn’t seem to have many clothes or never wears the other clothes she brought. From the way she arrived and the amount of luggage she had, everyone expected that Rebecca would be the wealthy fashionista of their class, but that hasn’t been the case. Is Rebecca not as wealthy as they thought, and could her choice to not buy a blue hat be because she can’t afford one? But, if her luggage wasn’t full of fashionable clothing, what was really in her large trunk? Ruth becomes concerned about her and tries to figure out what’s really going on with Rebecca.

Meanwhile, Ruth, Helen, and Jennie have been exploring the area around the college. One day, the three of them go to Bliss Island to have a look around. Jennie is hoping that hiking around the island will help her in her quest to lose weight. While they’re exploring, Ruth thinks that she sees someone else on the island. She doesn’t get a good look at this other person, but she thinks it looks a lot like Maggie. Helen thinks that she must be wrong because Maggie is supposed to be helping Aunt Alvirah back at the mill. Later, Ruth sees a light on the island at night and realizes that someone must be camping there.

When Helen and Ruth go to investigate who is camping on the island, Ruth expects to find Maggie. Instead, they find a strange girl who seems to bear a resemblance to Maggie. This other girl seems suspicious and doesn’t want to explain much about herself. What is she doing on the island, and does it have anything to do with what happened on Bliss Island during the hazing incident?

The book is in the public domain and is available to read for free online through Project Gutenberg.

In a way, this story is what I had hoped that Ruth’s first adventures at boarding school in Ruth Fielding at Briarwood Hall would be like. It doesn’t have any spooky stories, but there is an unresolved mystery involving the initiation rituals of a campus sorority, the theft of a valuable object, and a possible cheating scandal. There also also mysteries about the behavior of other students and girls Ruth knows. At first, I thought there might be a connection between all of these things, but the mysteries aren’t call connected.

Ruth is correct that Rebecca isn’t as rich as she looked at first. When Ruth speaks to Rebecca privately, Rebecca explains that her family was once wealthy, and they still live in the biggest house in their small town, but the family’s fortunes have diminished over the years. Her aunt, who takes care of her, thinks it’s important to keep up appearances, which is why she has a few nice clothes but not many. The family has to make real sacrifices to keep up the pretense that they have more money than they really have, and Rebecca arrived at college thinking that she would have to make an impression on the others at the beginning that she came from money so they wouldn’t think that she didn’t belong.

Ruth explains to her that college isn’t really like that. Not everyone at college has much money, and many other girls get part time jobs, like waitress, to pay for their education. Belonging at college comes from participating in activities with everyone else, and Rebecca is pushing other students and potential friends away by not joining in the traditions of the college. Personally, I thought the other students were being too militant about this silly hat thing. I get how people can bond over shared traditions and how school traditions and spirit events are meant to be bonding experiences, but I just think that they went overboard, making too much of a big deal about this one student, with only Ruth thinking to actually talk to her and find out what’s going on with her. It does beg the question of whether the students are really focusing on this as some kind of school initiation/bonding ritual for the fun of it or because the older students are on a power trip and trying to exert control and be exclusive. In a lot of ways, I share Olivia Sharp’s feelings about exclusive clubs and initiation rituals from The Green Toenails Gang. It’s one thing if a club has a particular purpose, but being pointlessly exclusive is something else. This is something that Ruth actually addresses with the upperclassmen later, which was a relief.

However, even though Ruth is sympathetic to Rebecca, Ruth points out to Rebecca that her resistance to participation with the other students is causing problems in her relationships with others. When she doesn’t do what everyone else is doing, she isn’t sharing in their experiences and doesn’t bond with them. That’s when Rebecca says she really can’t afford to buy one of the blue tams, and her aunt would never allow her to take a part time job because that would ruin the pretenses the family tries to maintain about their actual money troubles. Ruth thinks the Frayne family pretenses are as silly as I thought the students’ militant hat ritual was, but she can see that a more creative approach is necessary to solve Ruth’s problem. Rebecca knows how to crochet, so Ruth suggests that she crochet a tam for herself in the baby blue color of their class because that would be cheaper than buying a tam. This will allow Rebecca to participate in this campus ritual and tradition but on her own terms and within her budget.

Then, Ruth quietly has a word with some of the senior students and freshman students about Rebecca’s situation to keep them from harassing Rebecca further while she’s working on her new tam and so they won’t give her a hard time about anything related to money. She even stands up to the seniors and tells them that, if their enforcement of the tam rules was for the sake of campus tradition and creating a memorable bonding experience among the students, they should have compassion for Rebecca and her situation, but if it was only to bully and exert power over the younger students, she will tell the other freshmen that’s the case, the freshmen will completely rebel, and everyone will stop wearing the hats or doing anything else the seniors say to do. If the upperclassmen continue to insist on leaving the dining hall in the face of their disobedience, the freshmen will make sure that the upperclassmen don’t eat on campus for the rest of the year. The seniors understand the situation, appreciate Ruth standing up for her classmate, and like her spirit, so they finally lay off their boycott of Rebecca.

Ruth also helps Rebecca solve her money problems when she realizes that Rebecca has brought something with her to college that is worth real money. Rebecca’s trunks were from the attic of her house, and she brought them just to create the illusion that she had more money and belongings than she really does, but she hasn’t appreciated the value of what they contain. Rebecca has many lessons to learn about the real value of many things. The contents of the trunk seemed a little anti-climactic at first because I had initially thought the story was building up the idea that she might be carrying something more suspicious, maybe something illegal or a smuggled person, but I liked the theme that Rebecca and her family know more about the superficial look of things rather than their true value.

The mystery of Rebecca and her behavior is an interesting side plot that adds dimension to the main plot and mystery, which concerns campus politics and initiation rituals and what happens when they go too far. Most of the rest of the plot and mysterious happenings centers around what happened to Margaret and the vase. In some ways, the solution to that problem turns out to be disappointingly simple. Margaret was a very nervous person who, although academically bright, was too easily influenced by other people and unable to stand up for herself. When Margaret got nervous and messed up the initiation ritual, she didn’t know how to explain herself and fix things. The situation does get resolved, and Margaret is fine. (You might have even guessed where she is through most of the story.)

However, I thought the story did a good job of demonstrating how social initiation rituals and school stunts can get out of hand when closed societies don’t consider how the things they do or ask others to do affect other people. The sorority didn’t really know Margaret as a person before they set her a task that was more difficult for her to do than it might have been for someone else, and Margaret was too timid, nervous, and anxious to be accepted by others to explain how she really felt about it or refuse to do it. This is part of the reason why the school later forbids the sororities from initiating freshmen and sophomores, so the younger students have time to get to know the campus and its groups, develop some confidence, and understand what’s acceptable for a group to ask and what isn’t. Having the sororities only recruit upperclassmen also gives them time to get to know prospective members and set appropriate tasks for people who know their own limits and when the groups are asking too much. The task should also not have involved taking a valuable object that didn’t belong to the sorority and putting it in a position where it could be lost. That is the Kappa Alpha sorority’s fault for setting a task that really wasn’t appropriate under any circumstances.

I liked the multiple mysteries of the story, the ones that connected to each other and the ones that were more stand-alone. There’s also a brief subplot where some of Ruth’s friends fake a haunting to get a relative of a faculty member to move out of her room in their dormitory so they can use the space. Before she came, that room was being used as a public sitting-room for the students, and they resent her taking it. The students involved in the plot don’t tell Ruth what they’re doing or ask her to join them, but they explain it to her when they’ve accomplished their goal. I appreciated that the plot was subtle, just making subtle noises at night using a rocking chair.

Up to this point in the series, Ruth Fielding and her friends were teenagers at boarding school. Now, they’re becoming young women and young men in college. I liked how aspects of their college life resemble their experiences at boarding school, but the characters show that they are now more experienced. The things that happen with the social politics on campus build on the girls’ earlier boarding school experiences, but they are now more aware of the dynamics of these situations and how to deal with them. There are some times when it’s better to go along with the group for the sake of building friendships, but there are also sometimes when they have to stand up for themselves and others and tell the groups on campus that they’ve gone too far. There are times when it’s better to take some teasing and let it go, and there are times when teasing and enforcement of group conformity goes too far, and someone needs to be told to stop and go easier on someone. They still have things to learn, but it was nice to see their development and the use of things they have already learned. Students like Rebecca and Margaret suffer more at college at first because they are more new to the large school environment, and they don’t understand what others expect from them or when and how to stand up for themselves. They need some help from compassionate, experienced students to find their way.

Readers also see main characters are continuing to build their future lives and develop as people. Ruth has already started her writing career, and through the story, we are told that she is still working on a play she’s writing, and she and her friends also take part in the filming of another movie during a school break. Ruth is planning to go further in her writing and movie career, and she is serious about using her education to develop her career.

We don’t know as much about what Helen and Jennie are planning for their futures. Helen’s family is wealthy, so she technically doesn’t need a career, but she is a serious student. Jennie’s trait of being overweight, something which has helped to define her character through the series is interesting in this story both because Jennie stands up for herself and emphasizes that she has feelings and so more than just a fat person to be made fun of, and she’s also decided that she wants to change her image. While her teacher urges her to eat healthier, Jennie also starts joining in the sports on campus. At first, it’s difficult for her, but she gradually becomes stronger and more athletic, and she enjoys it. College is a time for people to experiment with their lives, habits, and self-image, and Jennie specifically wanted to go to college for that reason as part of her personal development.

I didn’t like the repeated references to Jennie as “plump” or “fleshy.” I did like seeing her try new activities to change her appearance and develop different sides of her personality, but the older Stratemeyer Syndicate books do have this odd focus on describing characters’ weight. Heroines are usually described as “slim” or “slender”, pleasant sidekicks are “plump”, and villains and unpleasant characters are actually fat. These designations appear repeatedly in various Stratemeyer Syndicate series, although I think they finally stopped doing it after people raised public awareness about fat shaming. In Jennie’s case, I minded it less than I’ve minded the weight references less than I’ve minded it in other books because she does remind people of her feelings and because her decision to try to improve her weight situation was her own decision rather than one she was bullied into making and is an extension of her trying new activities, experimenting with her self-image, and the college experience of personal development. Jennie was at a point in her life where she felt the need for a change, so she’s just going for it.

At this point, I want to remind readers that characters who develop and change are rare in Stratemeyer Syndicate books, at least the ones that most people remember from their childhoods, because in the series that are still in print, the characters’ ages are frozen.

I’ve pointed this out before, but one of the hallmarks of most of the classic Stratemeyer Syndicate books that most people remember reading when they were growing up is that the characters never age. In series like Nancy Drew and the Hardy Boys, they’re always in their late teens or early twenties, and their exact age often isn’t specified. Readers just know that they’re old enough to be traveling around and doing things without adult supervision, sort of like the characters in the Scooby-Doo cartoons. Also, like Scooby-Doo cartoons, the series get redone about every decade or so to update technology, slang, and world circumstances so that the books take place roughly around the time when they were written. (For example, you won’t find any Cold War references in books written after the 1990s, and existing books for series that were still in print were rewritten and reissued in the mid-20th century, around the time of the Civil Rights Movement, to remove unacceptable racial terms and stereotypes.)

However, it’s worth reminding readers that this wasn’t always true of Stratemeyer Syndicate books. The oldest series produced by the Stratemeyer Syndicate are often unknown or forgotten by modern readers because the characters did age. As the series ran their course, characters grew up, graduated from school, married, and became parents themselves. When Stratemeyer Syndicate characters got too old to be teen detectives or young adventurers, the Stratemeyer Syndicate would simply stop producing their series and start a new one, often with characters who were somewhat similar to characters in previous series but not exactly the same, so they could continue writing series with similar themes and a similar feel, but also a little different. Ruth Fielding is one of those forgotten characters because she did age, and her series ended around the time that the first Nancy Drew books were published. Nancy Drew was meant to be the next generation series to Ruth Fielding, a similar character who has investigates mysteries and has adventures with her friends, but by that point, the Stratemeyer Syndicate realized that, if they never let Nancy age, they would never have to end her series or replace her with anyone else. This is the reason why 21st century readers know who Nancy Drew is, but not many people know Ruth Fielding.

Also, because Ruth Fielding books weren’t being produced during the mid-20th century, when existing Stratemeyer Syndicate books were being revamped and modernized, the Ruth Fielding books were not modernized. The movie industry, which becomes increasingly prominent in the books, makes silent movies because the stories are set in the 1910s. There are some racial terms in books, while not being deliberately insulting, also don’t sound right because they’re not polite by modern standards. It did throw me a bit when the book referred to a shopkeeper as being “Hebrew.” I think I might have heard this before in relation to Jewish people (I can’t remember where right now, although I think it might have been an older book as well), but not often. Using the word “Hebrew” in this way is acceptable in some languages, but not in modern English, and it is considered a derogatory reference by modern standards. It took me out of the story temporarily when I got to that part because I had to stop and think it over. I came to the conclusion that the kind of person who would use “Hebrew” instead of “Jewish” to describe a Jewish person sounds like someone whose primary knowledge of Jewish people comes from reading the Old Testament rather than talking to them in life. Then, after I considered that, I had to stop and consider how Ruth Fielding could know that the shopkeeper was Jewish without even knowing his name or him saying anything about it. I suppose it might have been his general look, but that’s not always reliable. More importantly, it’s a case of the author telling us something as if it makes a difference to the character or the scene when it doesn’t. This goes absolutely nowhere. Ruth has never seen this shopkeeper before because she’s new in town, and we never see him again. This is why writers are discouraged from bringing up people’s racial or ethnic backgrounds unnecessarily because it sounds like they’re trying to make a point about something when there’s no point. This is also why I don’t mind rewrites of books that include outdated or unacceptable racial terms because I read them as a distraction that actually takes away from the story. I suppose, from a scholarly viewpoint, it’s kind of informative about the way people spoke in the past, but from the point of view of someone just trying to enjoy the story, it acts like a speed bump that shakes the reader out of it.

I don’t think the Nancy Drew or Hardy Boys books ever connect the characters with any world events with known dates because that would also mark the characters’ ages relative to events and make it obvious that they don’t age over time, but the Ruth Fielding books do connect to world events, and we’re almost to the point in the series when the characters become directly in World War I. I’ll have more to say about that when we reach that point in the series.

Understood Betsy

Elizabeth Ann is an orphan who lives with her Great-Aunt Harriet and her first-cousin-once-removed Frances, who she calls Aunt Frances. Her relatives took her in when she was only a baby, after her parents died, and her life with them is the only one she has ever known. Her relatives love her, and Aunt Frances is particularly devoted to her. Ever since Elizabeth Ann came to live with them, she has devoted her entire attention to the little girl. She reads anything she can find about how to parent a child and makes it a point to know everything that’s going on in Elizabeth Ann’s life at school and sympathize with her over ever difficulty and misfortune she encounters. Elizabeth Ann certainly doesn’t lack for attention and affection, but Aunt Frances’s devotion and sympathy often go a little too far.

Aunt Frances is rather an anxious person, and she has unintentionally transferred many of her worries and anxieties to Elizabeth Ann, making her a rather timid and fearful little girl. She has also made it such a point to shield Elizabeth Ann with so much attention that Elizabeth Ann is never allowed to go anywhere or do anything by herself, making her feel like she can’t do things alone. Aunt Frances tries so hard to shield Elizabeth Ann from anything difficult or unpleasant that any difficulty she does encounter seems unbearable. While Aunt Frances’s intentions are good, and she tries hard to always understand and sympathize with Elizabeth Ann about everything, but there are some things about both Elizabeth Ann and herself that Aunt Frances doesn’t really understand. Then, when Elizabeth Ann is nine years old, something happens that changes her life forever.

When Great-Aunt Harriet gets sick, the doctor says that she must go to a warm climate and that Aunt Frances is going to have to take care of her. However, the doctor is adamant that Elizabeth Ann shouldn’t go with them because he doesn’t want to risk the girl catching Great-Aunt Harriet’s disease. Elizabeth Ann can’t imagine life without Aunt Frances, and Aunt Frances worries about where Elizabeth Ann will stay. Her relatives in Vermont, the Putneys, say that they are eager to have her. They would have taken her when she was a baby, but Great-Aunt Harriet and Aunt Frances never trusted the Putneys. They say that they are not sympathetic enough and that life on their farm would be too harsh for the delicate, sensitive little girl they have decided that Elizabeth Ann is. Instead, they decide that she should go live with some other cousins who live in the same city they do.

However, these relatives aren’t particularly eager to have her, and after Great-Aunt Harriet and Aunt Frances have already left town on their train, they discover that a member of their household has come down with scarlet fever (what strep throat can turn into if it isn’t treated with antibiotics) and that the household must be quarantined. There is a brief moment of panic when they realize that they can’t even bring the girl into their house. Then, they remember the Putneys. If Great-Aunt Harriet and Aunt Frances couldn’t bring themselves to send Elizabeth Ann to these other relatives, these cousins can. In fact, they must, and there’s no way Elizabeth Ann can argue, even though she is afraid of the Putneys because of all the negative things she’s heard her aunts say about them.

A relative who is traveling on business takes Elizabeth Ann partway by train and then makes sure that she gets on the right train to go to the Putney’s town in Vermont alone. Timid, fearful little Elizabeth Ann finds herself traveling completely alone for the first time to go to a place she’s never been and meet relatives she is sure she won’t like. Fortunately, many of Elizabeth Ann’s preconceived ideas are turned on their head from the first moment she steps off the train and is greeted by Great-Uncle Henry.

If it had been Aunt Frances greeting her, Aunt Frances would have immediately worried and fussed over her and asked her how she stood the ordeal of traveling. However, Uncle Henry acts like Elizabeth Ann hasn’t been through any ordeal at all. Instead, he just greets her cheerfully and helps her into his wagon. In fact, as they drive along, he unexpectedly gives the horses’ reins to Elizabeth Ann and lets her drive while he does some math. (We don’t know why he needs to do this; he just says he does.) He just tells her to pull on the left rein to make the horses turn left and the right rein to make them go right. Being handed this unexpected responsibility is terrifying for timid little Elizabeth Ann, and she has a moment of panic, worrying that she doesn’t always remember her left from her right. Then, Elizabeth Ann has an unexpected revelation: it doesn’t really matter if she doesn’t remember the names for the directions or which is which because she can just look and see where she wants the horses to go and pull the reins in that direction, no matter what that direction is called. After all, it’s not like horses really understand the words “left” and “right” anyway, just the direction of the pulling. This is an important revelation for Elizabeth Ann, who is usually accustomed to Aunt Frances doing everything for her, including her thinking. She has never really had to figure out things by herself before. When she voices this revelation to Uncle Henry, he simply agrees that she is correct, and Elizabeth Ann feels a rare sense of pride in her accomplishment.

When they reach the Putney Farm, Great-Aunt Abigail and Cousin Ann are glad to see her, but they don’t overly fuss, either. They call Elizabeth Ann “Betsy” and show her the hook where she can hang her cloak. Betsy is a little offended that they don’t help her take it off and hang it up for her the way Aunt Frances did. Their lack of fussing and expecting her to do things for herself makes her feel at first as if they don’t really care about her. Their farmhouse is also fairly small, it’s lit with kerosene lamps, and they do their own cooking instead of having a servant, like Great-Aunt Harriet and Aunt Frances did. These things make Betsy realize that the Putneys are poor, and she has a moment where she is overcome, thinking that she will be miserable in a poor, deprived household. Then, Aunt Abigail hands Betsy a kitten and tells her that, if she likes it, it can be her cat.

Betsy always wanted a kitten, but Aunt Frances would never let her have one because she was afraid that they would carry disease. Betsy forget her worries and misery while playing with the kitten, which she names Eleanor. She is also relieved that her relatives don’t fuss about her not liking certain foods. Aunt Frances always tried to make her eat her beans for nutrition, but the Putneys don’t care when she avoids them because she has a good appetite for everything else on the table. In fact, Betsy eats much more at the Putney farm than she ordinarily does because she is allowed to eat more of what she likes and nobody fusses over how much she’s eating or if she’s eating the right things. For her first night at the farm, Betsy has to sleep with Aunt Abigail because her room isn’t ready yet, but she ends up finding Aunt Abigail’s presence reassuring.

In the morning, her relatives decide to let her sleep in because she’s tired from traveling. When Betsy wakes up, she lies in bed for a while, waiting for someone to tell her to get up. When no one does, she get the idea, for the first time, that she can get up when she’s ready and doesn’t need for someone to tell her to do it. She also dresses herself and does her own hair for the first time. In a way, it’s a little thrilling because Betsy realizes that she can do her hair the way she wants it instead of the way Aunt Frances does it, and she copies a hairstyle she envied on one of her old classmates. However, it does bother her a little that her relatives don’t seem to care about whether or not she needs help and aren’t stepping forward to help her automatically. She does fine, but she’s accustomed to an adult hovering over her as a sign of caring.

Her relatives explain that they were letting her sleep as late as she wanted that day because they knew she would be tired. Cousin Ann gives her breakfast and lets her have as much milk as she wants because, unlike in the city, they produce their own milk from cows rather than buying it in quarts, so they don’t have strict limits on how much they can have in a day. Betsy is pleased by this, but she has another moment of panic when Cousin Ann tells her to wash her dishes after breakfast. Betsy has never washed her own dishes before and doesn’t know how. Seeing Betsy’s hesitation, Cousin Ann offers a view brief instructions, and Betsy accomplishes the task.

On her first day, she also sees Aunt Abigail making butter, something that Betsy has never seen before. She is accustomed to buying butter, not making it, and she didn’t even know before what butter is made from. Aunt Abigail is astonished that Betsy doesn’t know these things, but Uncle Henry points out that city life is different, and Betsy has probably seen things they haven’t, like how roads are paved. Betsy gets excited because roads being paved is a familiar sight to her, but she becomes embarrassed and confused when her aunt and uncle try to ask her questions about how the workmen do it. While she has seen roads being paved before, she took the sight for granted and never really noticed the details. Aunt Abigail suggests to her that she watch the butter making process closely and even take part in it so, if someone asks her later how it’s done, she can tell them all about it. Betsy accepts the lesson and even has fun making butter.

Then, her relatives surprise her by telling her that it’s time for her to go to school for afternoon lessons. They let her miss the morning lessons so she could rest, but now that she’s rested and had some time to look around the farm, she should go to the afternoon lessons. Worse still, they tell her that she should walk there by herself. Betsy panics again because Aunt Frances never let her walk to school by herself, but her relatives just give her a few directions to the school and a sugar cookie to take with her and send her out the door. Betsy could balk at this and say that she can’t do this and won’t, but their expectation that she can and will and her hesitancy to tell them differently make her walk down the road in the direction they say.

She almost misses the schoolhouse because it’s a much smaller building that she expected. Her school in the city was a multi-story building, but the local school is just a small, one-room schoolhouse. Fortunately, the teacher has been expecting her and looking out for her arrival, so she calls Betsy inside as she passes. Betsy is astonished at how few students there are, compared to her old school, and because there are so few, all the grades are just in that one schoolroom.

Even more confusingly, Betsy learns that this little school doesn’t do grades the way her old school did. Because there are so few students, and they’re all sharing the same room, it doesn’t matter too much what grade each student is studying in which subject. The teacher just moves them up and down as necessary to help them learn at their own, individual levels. At her age, Betsy knows that she should be in the third grade at school, but when the teacher has her read out loud with the other students at the third grade level, Betsy does much better than they do. She loves reading, and she reads all the time on her own, so she has progressed much faster in her reading skills than other children her age. Her teachers at her old school just never noticed because they were trying to keep track of so many students that they couldn’t pay that much attention to individual students’ progress. Her new teacher decides that she can read at a seventh grade level. Betsy is stunned and proud. The idea that she could move up multiple grade levels at once never occurred to her before as an option, but then, she worries that she can’t move up to seventh grade because she isn’t very good at math. She tries to explain this to the teacher, but the teacher isn’t concerned because she doesn’t make students study at one, consistent grade level for every subject. They can move ahead faster in some subjects than in others. When they’re struggling with one subject, she holds them back in that subject alone until they’ve mastered it. She does put Betsy back one grade level in math when she sees that Betsy is struggling, telling her that she can move up later when she’s had some time to review the material and improve.

It’s what Betsy really needs, but Betsy finds it disorienting that she isn’t part of one, consistent grade level at school. She says that she doesn’t know what that makes her, and the teacher replies that she is simply Elizabeth. Before, Betsy’s concept of school was that, every year, the students would simply move up one grade level, and that the goal of school was just for the students to move up through the levels appropriate to their age. Now, she is being introduced to the concept that the goal of education is for her to master the concepts being taught to her, regardless of the grade level, so that she will have the ability to do things like math, reading, and spelling. As long as she can learn to do these to a satisfactory level and keep improving, her specific grade doesn’t matter. In fact, when Betsy is upset later about failing an examination at school because she was nervous and made a lot of mistakes, Cousin Ann tells her that there’s no need to be nervous and that her grade on a single examination doesn’t matter because, regardless of how she did on that particular test, she knows that she actually does know the material and can use that knowledge in daily situations.

Betsy is also unexpectedly given the responsibility of looking out for a younger girl at the school, Molly. Because Molly is so good at reading, the teacher has Betsy listen to Molly read at the first grade level and asks her option of how Molly did and if she seems like she could manage the second grade level reading. Betsy has never had an adult ask her to supervise anyone younger before, and she unexpectedly discovers that she likes it and likes teaching someone younger. Later, Betsy is asked to hold Molly’s hand while they cross a log over a stream because the teacher wants older children to hold the hands of the younger ones and help them. Actually, holding Molly’s hand helps Betsy more than it helps Molly because Molly has walked on this log before and Betsy hasn’t, but being responsible for someone younger makes Betsy more bold. Although she would have been afraid to walk that log if she had to do it by herself, she can’t refuse when she has the responsibility of helping Molly. Later, she also helps to rescue Molly when Molly falls in a hole and needs help to get out. Betsy wanted to run for help at first, but when Molly begged her not to leave her alone, Betsy decides that she should do what Cousin Ann would do and figure out how she can use the things around her to solve the problem, spotting a branch that helps the younger girl climb out. Even though Betsy gets scared, when she has someone smaller than herself depending on her, she finds her courage.

Betsy has other adventures with Molly and her other new friends while living with the Putneys. When Molly’s mother becomes ill and has to go to the hospital, Molly is upset because she will have to move in with some cousins in the city who don’t really want her. Having been in this type of situation before herself, Betsy is immediately sympathetic, and she gets her relatives to agree to let Molly stay with them. Molly becomes like a little sister to Betsy, and they share in other adventures together. Along with some other girls from their school, they form a sewing circle to make some clothes for a poor boy at their school who lives with a stepfather who spends all of his money on alcohol. The book doesn’t shy away from describing how the boy is neglected, and the girls in the sewing circle are moved to tears when they go to the boy’s house to deliver the new clothes and see the circumstances he lives in. The Putneys also become concerned about the boy’s welfare, and they help arrange for him to be adopted by a man they know who has been talking about adopting a boy. Later, for Betsy’s birthday, Betsy and Molly go to the fair with some neighbors, but they are accidentally left behind when the people who were supposed to give them a ride home had to leave to tend to an emergency. Betsy is terrified, but with Molly to look after, Betsy manages to keep her head and think of a way to earn some money so they can buy train tickets home.

Betsy has been living with the Putneys for about a year when she gets a letter from Aunt Frances, who says that she will arrive soon to reclaim her. Aunt Frances thinks that Betsy must have been having a miserable time without her, but Betsy has actually come to think of the farm as home and loves it there. She doesn’t want to hurt Aunt Frances’s feelings or seem ungrateful for all the love and attention that Aunt Frances has lavished on her over the years. It seems like Betsy has to resign herself to returning to her old life in the city … unless Aunt Frances has also been making some changes to her own life since they were last together. When Betsy and Aunt Frances meet again, they truly come to understand each other, and they find a way for them all to live their best lives.

This book is now public domain and is available to read for free online through Project Gutenberg and Internet Archive (multiple copies, including audiobooks).

I really enjoyed this book! I’d heard about it for years and never got around to reading it before. Dorothy Canfield Fisher was an early advocate of the Montessori method of education in the United States, and in particular, this book presents many of the principles of the Montessori method and how it can help children. The educational themes in the story are obvious when Betsy sees the differences between the one-room schoolhouse in the country and her old school in the city.

The benefits of the smaller class size are immediately obvious. Betsy loves reading but she always hated her reading class in school because each student took turns reading, so the most any particular student could read was one or two sentences, and even then, they might not get a turn if the class ran out of time before they got to all of the students. This description feels like an exaggeration of how reading classes might have gone at a bigger school, but there may be some truth in it. When I was at school, my classes typically had about 20 to 30 students in them, and when we took turns reading, we did more than that. It’s difficult to say for sure because I don’t think Betsy ever said exactly how many students were in her class, but I would think they would have to have at least twice as many as that to be as bad as she described. According to Going to School in 1876, some large city schools could have classes of 50 to 60 students during the late 1800s, so that is possible for a class in the early 1900s or 1910s as well. I do take the point that it’s easier for a teacher to keep track of the progress of individual students when the class size is smaller.

I also appreciated what the teacher said about allowing students to progress faster in subjects that are their strengths, even if they have to take extra time for problem areas in other subjects. When I reviewed The Beast in Ms. Rooney’s Room, there is a boy in that book who was held back a year in school because of his problems in reading, and he was embarrassed about not moving to the next grade with his classmates. If he could have moved forward in some subjects, it might not be so embarrassing for him to be held back in the one subject that gave him the most trouble. The problem is that he couldn’t do that because the classes at his elementary school are organized the way the ones at my old elementary school were – one single teacher at a particular grade level teaching all of the subjects for that grade level. Under that system, remaining at a particular grade level in one subject means remaining at that grade level, with that teacher for all subjects.

There is only one teacher at the one room schoolhouse in the story, so there’s no conflict about a student seeing one teacher for some subjects and another teacher for other subjects at a different grade level. All of the students are in just that one room with one teacher all the time, so the only difference when a student moves up or down in level for a subject is the book that the teacher gives them to study. That means that changes in grade level can be done informally for any or all subjects, whenever the teacher decides that a student is ready to move to the next level. The student just turns in their old book and gets a different one to study. If most grade levels were determined that easily for different subjects, I think there would be fewer parents who would be concerned about the prospect of holding a child back a grade temporarily to give them a better grounding for moving forward later, and students would experience less embarrassment about problem subjects if they could receive acknowledgement for better skills in other subjects. However, I can see that this system would be complicated in bigger public schools, and there would have to be a point when the student would have to master their series of subjects at a particular level to know when they could graduate from their school. I think that’s part of the purpose of the examinations Betsy describes in the book, but because the book only covers a single year, we don’t see what happens when a student is ready for graduation.

In the beginning, Aunt Frances, in spite of all of her good intentions and research into psychology and raising children, unintentionally transfers her personal anxieties to Betsy without really giving her the tools that she needs to manage them, so they feel overwhelming to Betsy. The solution to this problem, as presented in the book, seems to be mostly being around people who do not express worries about things (if they’re nervous about anything, they mostly cover it up and don’t talk about it, except for one time, which I’m going to talk about) and who present manageable challenges to Betsy to show her that she can handle more than she thinks she can. I like the part about giving Betsy manageable challenges and some basic instructions for how to accomplish them when she doesn’t seem to quite know what to do. If they had just thrown challenges at her with no instruction at all, in a kind of sink-or-swim fashion, I think she would have been just overwhelmed and more panicky. However, I think there’s a point in the story that could use more clarification.

The differences between Betsy’s sets of relatives is initially presented, particularly by the aunts she’s been living with, as one of understanding and sympathy. Great-Aunt Harriet and Aunt Frances initially don’t like the Putneys because they don’t seem sympathetic enough, especially with people who are sensitive and nervous. Aunt Frances dedicates herself to sympathizing with Betsy about everything and talking to her about everything in her life, and the book presents this as a negative because their sympathetic conversations about the worries they have end up being a way of making each other more nervous. I think, in real life, there’s a happy medium between never talking about worries and wallowing in them.

The first problem with Aunt Frances’s attempts to sympathize with Betsy is that she makes assumptions that things that bother her will also bother Betsy, and this becomes the way that she accidentally transfers her anxieties to Betsy. Second, when Aunt Frances sympathizes with Betsy about worries or problems, she tends to dwell too much on the problem itself and how bad it feels, magnifying the issue and making Betsy feel worse. What I’m trying to say is that Aunt Frances’s attempts to sympathize would have worked much better if she had been willing to listen to Betsy’s concerns and sympathize a little about how certain things can make a person nervous but then move on to offering practical tips to deal with these feelings and different ways of looking at situations to take some of the anxiety out of them.

I didn’t like it when Cousin Ann seemed to shut Betsy down when she was talking about how tests at school make her nervous because I don’t like the idea of shutting people down when they’re talking about something important to them, but what made it better to me was that she did listen to Betsy for a bit before that and had already offered her a different way to look at tests that makes them seem more fun and less scary. When Cousin Ann cuts the conversation short seems to be the point when discussing and sympathizing is about to turn into brooding and dwelling on the negative. My only thought on that conversation is that it might have helped for Cousin Ann to point that out. Rather than asking if Betsy really wanted to keep talking about this, which makes it sound like disinterest in what Betsy’s saying, I think it might have been better to point out that, if she keeps dwelling on the parts of the experience that make her feel bad, she won’t let herself move forward, to see the parts of the experience that could be exciting opportunities and possible triumphs. Perhaps, it would be good to add that one poor test experience doesn’t mean that others will feel the same way or that she can’t do better the next time, especially if she spends her time in between tests focusing on how much she enjoys what she’s learning and how it can be fun to show others what she’s learned and what she enjoys about her lessons, putting herself in a better frame of mind for the next time someone asks her questions about what she’s learned. I just think that approach would help emphasize the lesson that Cousin Ann would really like to teach Betsy about reframing challenges in her mind and also help clarify that she’s not ending the conversation because she’s not sympathetic but because it’s better to give the positive thoughts time to take hold rather than dwell on the worries.

I think it’s also important for both Betsy and Aunt Frances to recognize that it’s okay to feel nervous but that it’s possible to handle situations even though they make them nervous. As someone who has had life-long issues with anxiety, I can also attest that one of the best approaches is learning not to be afraid of feeling afraid of something. That is, learning to recognize that being nervous isn’t a sign that a situation is unmanageable or that the feeling of anxiety itself is necessarily going to be overwhelming, something that Betsy learns through practical experience in the story. There are still times in the story where Betsy is afraid and has to handle difficult situations, but she learns that she can proceed and do what she needs to do even though she’s nervous and isn’t sure at first how things will work out. It isn’t explicitly spelled out in the story, but this is probably the most important lesson that Betsy was missing from her time living with Aunt Frances.

There are no villains in this story. Although readers can see at the beginning that living with Great-Aunt Harriet and Aunt Frances has caused some emotional complications for Betsy because she has taken on their worries and anxieties, they do mean well and have made real efforts to understand Betsy and support her, as best they know how. Great-Aunt Harriet and Aunt Frances just have very different, more timid personalities than the Putneys and don’t find their style of communication reassuring or appealing. However, Betsy discovers, to her surprise, that she does come to appreciate the Putneys and that they are a good influence on her, helping her to come out of her shell, discover new abilities and interests, and develop some self-confidence.

At first, Betsy is a little offended that her Putney relatives don’t fuss over her like Aunt Frances did, and it makes her feel like they don’t care about her, but they do care. They are just more low-key in showing the ways that they care. They are a family that doesn’t like to fuss about anything. Personally, I thought that Cousin Ann should have let Betsy talk a little more when Betsy was distressed about doing badly on her exam, but I do see her point that Betsy’s talking about it seemed to be upsetting her more because she was dwelling on the problem rather than consoling herself and looking for solutions or new ways of thinking about the situation. Cousin Ann points out that exams aren’t always negative, and even when one doesn’t turn out so well, it’s not the end of the world, giving Betsy a new way of looking at the situation and defusing Betsy’s sense that every little setback is a tragedy.

The Putneys show how much they truly care when Betsy and Molly are accidentally left behind at the fair. When Betsy manages to get Molly home, she sees her relatives rattled and upset for the first time when they realized that the girls were lost, and they do some rare fussing over the girls, praising Betsy for her ingenuity in handling the situation. Although the Putneys normally make it a point to deal with things coolly and calmly, they do care about the girls and can get upset if they think there is a serious problem. They are not without feelings. They are also genuinely upset when they think Aunt Frances is going to take Betsy away, each finding their own way to show Betsy how much they care and how much they will miss her.

Fortunately, Betsy is allowed to stay with the Putneys in the end. When Aunt Frances comes to get her, she reveals that, in the year they’ve been apart, she has met a man and fallen in love. She is going to marry him, but marrying him means making some changes to her life, the greatest one being that they are not going to return to their old house. Great-Aunt Harriet has recovered from her earlier illness and has gone to live with another relative, and because her new husband has to travel constantly for business, Aunt Frances won’t be keeping a settled house at all. Aunt Frances, although usually timid, is actually looking forward to doing some traveling. She is still afraid of things like animals and would never be an outdoor/country kind of person, but travel to different cities sounds like her kind of excitement. However, she can see the difficulty of traveling with Betsy. Constantly moving would be difficult for her education, a complication that I was surprised that the characters didn’t spell out when they were talking to each other, given the educational themes of the story.

Betsy and Aunt Frances come to a new understanding of each other and the differences in the lives they want to live when they talk about what these changes would mean for their lives. Aunt Frances doesn’t want to simply abandon Betsy to the Putneys if she isn’t happy with them, but she can see that Betsy does like living there and would be happy to stay. Betsy hadn’t wanted to make Aunt Frances feel abandoned and unappreciated by telling her in the beginning that she wanted to stay with the Putneys, but when she learns that Aunt Frances will be happily married and enjoying the new experience of travel, she is able to tell Aunt Frances that she can see that having her come along would be inconvenient for her and that she would be happy to stay with the Putneys. Neither of them is offended or worried about living apart now because they can see that each of them will be happier with Betsy living with the Putneys. Aunt Frances is now free to get married and go where she wishes with her husband, assured that Betsy is doing fine and living in a stable home with people who care about her, even if it’s not quite living the lifestyle that she would like herself. Aunt Frances also promises to come visit sometimes, so it’s not a permanent goodbye.

Kirsten Saves the Day

Kirsten, An American Girl

It’s summer, and for a frontier family, the summer chores can be the most fun! Kirsten and her younger brother, Peter, are going fishing. They’re hoping to get enough fish for their family and their Uncle Olav’s family to have for supper. There is plenty of trout in the stream, and they should be able to get enough fish, although sometimes, disasters happen on their fishing trips. Once, Peter chased a skunk, and their mother also warns them to be careful of snakes and bears. Kirsten wears a whistle around her neck that she can blow if they get into trouble. Kirsten thinks her mother worries too much.

The children take their dog, Caro, fishing with them. Kirsten is a little concerned because Caro likes to chase things, but Peter insists that he can watch the dog and fish at the same time. When they don’t seem to have much luck getting big enough fish in the stream, they decide to go upstream to the pool. The fishing goes well, but Caro is stung by a bee.

Kirsten realizes that Caro must have found a “bee tree”, a tree where bees have built their hive. Kirsten is interested in finding the tree because it’s a source of honey and honeycomb that their mother can make into special treats. If they can collect enough honey, their father might even be able to sell some and buy some of the things the family needs. They need to be careful while looking for the tree, though, or they might get stung themselves. Kirsten is pleased when she finds the tree, but she notices that there are marks on it from a bear’s claws, so it looks like a bear was trying to get the honey, too. Kirsten could ask her father how to get the honey and get him to help, but she wants to figure out how to do it herself and surprise everyone. She asks Peter to keep the bee tree a secret while she tries to figure out how to get the honey, and Peter reluctantly agrees.

Meanwhile, Kirsten’s cousins tell her about the town’s Fourth of July celebration. Kirsten’s family hasn’t lived in America for very long, so her cousins have to explain the significance of the holiday to her. Every year, the nearby town holds a parade and picnic with music and games. A lot of the local farmers also bring things to sell, like pies, butter, or preserves, and they use the money they make to buy things they need. Kirsten thinks again about the honey tree and the things her family could buy. She really wants a straw hat, like her cousins wear.

Later, when Kirsten is picking berries with her cousins, she sees a little black bear cub. She thinks it’s adorable, but Lisbeth says they have to leave the area immediately. If the baby is near the berries, its mother is sure to be somewhere nearby, and mother bears get dangerous if they think someone might hurt their cubs. Kirsten doesn’t really take the warning seriously until she tries to take Peter and Caro back to the bee tree with her to get the honey, and they meet the mother bear face-to-face!

The book ends with a section of historical information about the wilderness on the American frontier in the 1800s. Wild plants and animals were sources of food, but they were also sources of danger, like the bears in the story. The attempts of the pioneers to control the land were about securing sources of food and reducing sources of danger. There is information in the book about how pioneers cooked and how they dealt with changing seasons and weather. It also discusses the Fourth of July and how trips to town were rare treats for pioneer farming families.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

It’s a good story about the difference between bravery and being foolhardy. From the beginning, even young Peter reminds Kirsten that being brave and being foolish are not the same thing. After their hair-raising encounter with the bear, in which the children have a narrow escape and their dog is injured (but fortunately not killed), the children’s father lectures Kirsten about putting both her life and her little brother’s life in danger. When Kirsten explains what she was trying to do with the bee tree, her father also tells her that she doesn’t really know what she’s doing. She took his equipment, but if she had carried out her plan the way she was thinking of doing it, she would have both destroyed the hive and ruined the honey as well as getting badly stung. Kirsten should have just gone to her father as soon as she found the tree and got his help from the beginning. Kirsten is ashamed for getting their dog hurt and putting herself and her brother in danger and almost ruining her special find, and she apologizes.

Because Kirsten’s father now understands the situation, he gets Kirsten’s older brother, Lars, to help him move the colony of bees to their farm. He knows how to set up hives and keep bees long term, so instead of this being just a one-time find and honey harvest, they will be able to get honey from the bees regularly. Kirsten goes with her father and Lars to watch them move the bees. She does it because she’s been having bad dreams about the traumatic escape from the bear, and she thinks it will help her to recover if she goes to the area again and sees it with her father and brother, when it’s safe.

Kirsten still feels bad that she wasn’t able to get the honey all by herself and that her attempt to do it was a disaster, but her mother consoles her. She says that she and Kirsten’s father understand that Kirsten was just trying to help and that her discovery has helped them. She just needs to learn to be careful as well as being brave. I thought that it was also a lesson in learning to share the glory instead of trying to take all the credit by going it alone and risking the success of the project, but the book didn’t quite say that. Kirsten wanted to be the one to say that she did it all herself, but because she couldn’t really do it all herself, everything went wrong. She could have accomplished her goals by talking to her father in the beginning and still been the heroine who found the bee tree, as her mother pointed out. She still gets credit for what she did without needing to take credit for what she couldn’t do alone.

The book ends with the family enjoying the Fourth of July celebration. Thanks to the discovery of the bees, they are able to buy the things they need.

Happy Birthday, Kirsten

Kirsten, An American Girl

It’s spring, and Kirsten’s family is planning to build a new barn on the farm that they share with Uncle Olav and his family, and her mother is expecting a new baby.

One day, while they are outside, working, dark clouds come, the wind picks up, and Aunt Inger thinks it might be a tornado. She urges everyone to get into the root cellar for safety. Miss Winston, the school teacher who is staying with Uncle Olav and Aunt Inger, joins them in the cellar. She brings her quilt with her for comfort and because it reminds her of home, so she wouldn’t want to lose it to a tornado.

She tells Kirsten and her cousins that her mother and other women and girls in her family made the quilt for her as a present when she left Maine. The scraps of cloth in the quilt came from clothes members of her family used to wear and things she used to wear when she was younger. Everyone who worked on the quilt signed it, making it a “friendship quilt.” Kirsten and her cousins ask Miss Winston if she could teach them to make a quilt like this one, and she agrees. She says that she will give them some muslin for the backing, but they’ll have to supply the scraps of cloth for the designs themselves. Because it takes a lot of work to make a big quilt, she suggests that they each make a square. Quilts are an unusual concept to the Swedish family because people in Sweden during their time usually use woven blankets. Kirsten’s mother also reminds her that she will need her help to sew more clothes for the new baby. Kirsten’s cousins, Anna and Lisbeth, suggest that they do their quilt sewing during recess at school, and Miss Winston agrees.

At school, the girls trade cloth scraps with each other and invite other girls to join them in quilting. One of the other girls, Mary Stewart, has done quilting before, so she helps the others. While the girls sew, they talk, and Kirsten talks about the baby that her mother is expecting. Mary says that the little girl her family calls her little sister is actually her cousin. She was born as one of a set of twins to Mary’s aunt, but the other twin died at birth, and their mother died shortly after, so Mary’s mother took the baby to raise with her family. Stories like that worry Kirsten because she worries that something might happen to her mother or the new baby.

Mary also brings up the topic of whether or not Miss Winston will move on. She’s been going to Powderkeg School for four years, and every year, the previous teacher moves on, and they get a new one. Although Kirsten initially had trouble with Miss Winston, she has become fond of her, and she wouldn’t like to see her go. With all the other changes happening in Kirsten’s life, she doesn’t want any other major changes now. Kirsten suggests to the other girls that they turn their quilting project into another friendship quilt for Miss Winston, signing it like her family members signed their quilt. The other girls debate about whether they could manage to finish a quilt like that by the end of the summer term. Lisbeth thinks they could, but Mary doesn’t want to rush the project because the best part of making a quilt is sewing it with your friends.

The talk then turns to Kirsten’s birthday. She will be turning ten years old soon. She didn’t celebrate her last birthday because that was during their voyage to America. Mary says that ten is a more important birthday anyway, although Kirsten isn’t sure if her family will do anything for her birthday this year, either. Everyone’s attention is taken up with preparations for the new baby.

When Kirsten’s mother tells her that the new baby is about to be born, she also tells her that she remembers the day Kirsten was born, too. She says that she will never forget that day because she had been hoping for a daughter, and she knows that Kirsten’s birthday is coming in two more weeks. Kirsten is happy that her mother remembers, and she hurries to get her aunt to help with the birth of the baby.

Fortunately, Kirsten’s new sister is born safely, although Kirsten has to take some time away from school to help her mother with the new baby and household chores. However, her mother tells her that her friends from school will be coming to the raising of the new barn, which is the day before Kirsten’s birthday, and she will allow Kirsten to have her birthday free to have fun with her friends.

At the barn raising, Kirsten and her friends have a chance to work on their quilt again. Kirsten is behind on making her quilt square, but her friends have arranged a special surprise for Kirsten’s birthday.

There is a section in the back of the book about babies and young children on the frontier during the mid-1800s. Children were born at home then, with the help of family members and midwives because there were few doctors and hospitals on the frontier. With limited access to medicine and without some of the modern medicines we have today, childbirth and early childhood were often risky. It was sadly common for families to lose a child or two before they were five years old. Because accidents as well as illness posed a threat to young children, parents were often strict with discipline so their children would listen to them and follow their instructions to avoid disaster.

This part of the book also talks about the phases of a child’s life on the frontier. Older children wore clothes that looked like smaller versions of their parents clothes, and they would often do the same kinds of chores that their parents did on their farms. Most children expected to become farmers or farm wives, like their parents. They were raised doing farm work, and they didn’t expect to do anything else when they were older.

Although their lives were filled with chores, there were still some opportunities for fun. Sometimes, neighbors would turn chores into social occasions, called “bees.” These work parties could center around any kind of chore that the community needed to do and could do together, like raising a barn or making quilts, like the characters in the story. Along with accomplishing their task, it was a chance for friends and neighbors to get together and talk and have a little fun.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I don’t think I read this particular book in the Kirsten series when I was young. I wasn’t as fond of the Kirsten books as I was other series in the American Girls franchise because there are some really sad parts in the series. However, I really enjoyed this particular book. Kirsten is worried at first about the welfare of her mother and her family’s new baby because she knows that life on the frontier can be dangerous, and sometimes mothers die in childbirth, and babies don’t always survive. Fortunately, everything turns out well for Kirsten’s mother and new little sister.

This is a happy spring story with a focus on new life and friendship. Even the smallest kitten in the new litter seems like it’s going to be fine. I liked it because, while life on the frontier could be very hard, it’s nice to see that not everything turned out as a tragedy. The book ends with the barn raising and birthday celebration for Kirsten.

Kirsten Learns a Lesson

Kirsten, An American Girl

It’s November, 1854, and now that nine-year-old Kirsten’s family has settled in their new home in Minnesota and the harvest season is over, it’s time for the children to go to school. Kirsten and her brothers, Lars and Peter, will go to the small local school with their cousins, Lisbeth and Anna. Powderkeg School is a one-room schoolhouse in a little log cabin. Lisbeth and Anna’s stories about what Powderkeg School is like worry Kirsten. They talk about how strict their teacher, Mr. Coogan, is. Sometimes, the boys in class get rowdy and fight, and Mr. Coogan uses physical punishment on them. However, the girls tell Kirsten that she probably won’t have any problems with Mr. Coogan because he likes children who are well-behaved, and Kirsten is well-behaved. Still, Kirsten is nervous about what her new school will be like.

When they get to school, they learn that Mr. Coogan was injured in a fall from his horse, so they will have a replacement teacher, Miss Winston, who has only recently arrived from Maine. When one of the mean boys in class says he hops the horse also stepped on Mr. Coogan, Miss Winston tells him that nobody talks out of turn in her class and, although they live in the country, “we are not savages like the Indians.” (This is a 19th century attitude toward Native Americans, but this concept is challenged later in the story.)

Miss Winston has each of the children in class introduce themselves so she can get to know everyone. When it’s Kirsten’s turn to say her name, she forgets to address her teacher as ma’am, like the other students. Miss Winston insists that she say “ma’am”, and when she sees Kirsten struggling with the language, she asks Kirsten if she speaks English. Kirsten says that she speaks a little, and her cousins explain that her family just came from Sweden and that they speak Swedish at home. Miss Winston says that “practice makes perfect”, so Kirsten will practice her English in school. For now, she will have the easiest lessons and share seven-year-old Anna’s schoolbook.

When the mean boy, Amos, laughs at Kirsten, Miss Winston glares at him and strikes the school’s iron stove with her ruler, startling the students. Miss Winston says that her father was a ship’s captain, so she knows how to be in charge of her students, like he was in charge of his crew. Then, she deconstructs the sentence “Miss Winston hit the stove”, pointing out which words are the subject, verb, and direct object of the sentence. Then she warns the class to “Be careful that the direct object of hit isn’t the student.” The implication is that Miss Winston is just as willing to use physical punishment against her students as Mr. Coogan was.

When Amos introduces himself to Miss Winston, we learn that he is nineteen years old, the same age as the new teacher, but the new teacher says that, in spite of being the same age, she’s still the teacher, and he’s the student. In spite of being more a young man than a boy in age, Amos has only just finished the third reader, and Miss Winston says her role is to help him read and do math like a man would, embarrassing Amos. (He can’t use his age to put himself on an equal footing with the new teacher because they are not intellectual equals. She’s the same age, but she has graduated from her own school and become a teacher, and he’s still struggling along with low level math and reading.)

Anna helps Kirsten with her lessons, and Miss Winston praises her for helping to teach Kirsten, but she doesn’t praise Kirsten for doing a good job. At the end of the school day, Kirsten and her cousins talk about the new teacher. Anna thinks that Miss Winston seems nice, but Kirsten thinks that Miss Winston doesn’t like her and that she seems very strict. She asks if that was what Mr. Coogan was like, and Lisbeth says he was worse. The best part of the day for Kirsten was lunchtime, when the children were allowed some play time. When she ran around and played tag with the other children, it didn’t matter if she didn’t speak much English.

When the girls play school with their dolls, Anna imitates Miss Winston and her comment about “savages.” Kirsten asks the other girls what that word means. They say it means “wild.” Kirsten asks them if the Indians (Native Americans) are really like that, and they say that some people say they’re kind and will help people if they need food but others day that they’re “cruel and bloodthirsty.” They’ve seen an Indian man before. He came to their house when their mother was roasting meat, and he left when their mother gave him some. They thought he looked pretty “savage” because his face was painted, and he had eagle feathers in his hair. The girls say that Native Americans also wear knives and live in tents. As a farmer, their father is concerned about the Native Americans. He knows that, if the farmers take too much of their usual hunting grounds for farming, it will drive away the animals, and the Native Americans will be starving and angry. While he is happy that he has been able to secure some farmland for his family (I explained a little about the famine conditions and lack of farmland in Sweden around this time that caused people like the Larsons to leave their country when I covered Meet Kirsten), he is aware that the Native Americans also need land for their survival.

At school, Miss Winston announces that each student will memorize a poem and recite it for the class. When they recite their poems, she wants them to say them with feeling and show the emotions their poem is trying to convey. Kirsten worries about this assignment because she’s still learning English. It’s hard enough for her to learn to read anything in English and understand the meaning of the words. She doesn’t know how she can also learn to memorize an entire poem and say it in front of everyone. Miss Winston gives Kirsten a short poem to learn, but having even a short one doesn’t seem to help Kirsten.

Meanwhile, Kirsten has her first encounter with a Native American when she spots an Indian (Native American) girl watching her while she’s getting water from the stream. The girl runs away, but Kirsten finds a blue bead that she dropped. Kirsten takes it and leaves her a little pretend cake that she and her cousins made for their dolls. Later, she finds that the cake is missing and that there’s a green duck feather in its place. She and the Indian girl trade little objects in this way, gradually becoming friends.

Kirsten’s secret friendship with the Native American girl becomes a comfort to her when school is stressful. Frontier teachers often board with families who live near the school, and when Miss Winston comes to stay at Kirsten’s aunt and uncle’s house, Kirsten feels like school is following her home. What’s worse is that Kirsten’s family will be joining them for dinner, and they will practice English during the meal. Kirsten knows that the meals, instead of being comfortable family time, will now be like lessons, and they will struggle to say things they would want to say because her family still hardly knows English. Worse yet, Miss Winston is cross with Kirsten because she can’t seem to memorize even her short poem.

Sneaking away to visit the Native American girl, who is called Singing Bird, gives Kirsten an escape from her struggles with English. Somehow, Kirsten and Singing Bird manage to communicate well enough with each other, even though neither of them speaks each other’s language. Then, Singing Bird takes Kirsten to see her village. To her surprise, Kirsten realizes that she has been gradually teaching Singing Bird English words without realizing it. However, Singing Bird’s people are going to be moving on soon. Kirsten’s uncle is correct that farming is driving away the animals the Native Americans depend on for food, and they’re suffering for it. Singing Bird invites Kirsten to come with her tribe when they leave, and it’s tempting to think of living an exciting life, traveling with Singing Bird and not going to school. But, is that what Kirsten really wants?

The book ends with a section of historical information about frontier schools in the mid-1800s.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Along with the first book in the series, this is the book that I remember the best of the Kirsten books. I think I either didn’t read the others or didn’t finish them because there are some sad things in the Kirsten stories that I didn’t like. In the first book, Meet Kirsten, another child Kirsten befriends on the journey to Minnesota dies of cholera. It’s historically accurate that some children died of disease on the journey west, but it was still hard to take. I also talked about how the reason why families like Kirsten’s wanted to come to America was that Sweden was experiencing famine around this time. The first book didn’t say much about that, but in this book, Kirsten remembers experiencing hunger in Sweden when her father’s crops failed and how her little brother cried from hunger.

Kirsten understands the plight of the Native Americans when they have to move to a new area when their food supplies run low. However, when Singing Bird invites Kirsten to come with them, she realizes that would mean leaving the rest of her family, and she can’t do that. While it’s tempting to go with her friend and escape the problems in her life, Kirsten can’t do that without also giving up the good things in her life and trading the problems in her life for a different set of problems. Although there are appealing aspects to their lives, the Native Americans also have their own struggles. To use an old adage, the grass isn’t always greener on the other side of the fence. People say it in different ways, but just because someone else’s situation is different doesn’t always mean that it’s better.

In this book, we also see what it’s like for Kirsten’s family as they begin learning English, so they can communicate with other people in their new country, and the children begin going to school. The little frontier school is different from other schools they’ve experienced before, and the teachers are strict. They have to be strict because some of the students are rough and fight with each other physically, and they have to make it clear that they’re not going to put up with that. This is a real-life aspect of schools from this time period. Fortunately, we never see the teacher actually using physical punishment against anybody. She just threatens to do it so her students will think twice about misbehaving.

When Miss Winston comes to board with Kirsten’s relatives, Kirsten thinks that everything is going to be worse, that she’s constantly going to be bombarded with lessons and the problems she’s been having at school. However, it turns into an opportunity for Kirsten and Miss Winston to get to know each other better. At first, Miss Winston can’t understand why Kirsten is having such a difficult time remembering her poem, even though it’s pretty short and easy. It’s partly because she’s still having difficulties with her English, but also, the content of the poem has no relation to anything currently happening in Kirsten’s life. It doesn’t interest her, and her mind is preoccupied with all the changes happening in her life, making it difficult for her to focus on the poem and remember it. When Miss Winston shows Kirsten a model of her father’s ship, it brings back memories of the ship Kirsten’s family traveled on when they came from Sweden. Miss Winston realizes that Kirsten has strong memories of the ship, so she gives her a different poem to memorize, one about a ship. Kirsten finds this poem easier to remember because it connects to memories she already has.

Although Miss Winston can be tough, she genuinely does care about Kirsten and looks for ways to help her learn. It just takes time to figure out the best way to help her, and Kirsten also needs time to adjust to her new language and new home. Once Kirsten sees that it’s possible for her to learn and for her new home to begin feeling like home, she begins to feel better about her new life in Minnesota.

I enjoyed the realistic aspects of the story and the references to historical events and real life conditions on the frontier. I think I liked this story better as an adult because I understood more about the historical background than I did when I was a kid. Parts of this series are still sad. Kirsten remembers people being sick and dying on the journey to America, and although she doesn’t go into detail about it, her family did suffer genuine hardship in Sweden.

Meet Kirsten

Kirsten, An American Girl

It’s the summer of 1854, and Kirsten Larson is traveling by ship to America from Sweden with her family. There have been storms during the voyage, and the sailing has been rough. It’s crowded on the ship, and people have been seasick. On board the ship, Kirsten makes friends with another girl her age, Marta. The two girls play with their dolls together and talk about the things they’ll do when they finally reach America. The reason why the Larsons are traveling to America is that Kirsten’s Uncle Olav is already there. He has established a farm in Minnesota, and he has married a widow with two daughters. He wrote to the Larsons and asked them to join him and his new family in Minnesota and help on the farm.

When their ship finally reaches America, it docks in New York. No one is allowed to leave the ship until the health inspector declares that they are healthy. Health inspectors will not allow anyone with a serious, contagious disease, like cholera or typhoid, to go ashore. When they are allowed ashore, Kirsten’s father finds an agent to help them change their money at a bank and buy train tickets for their trip west. The agent, who is also from Sweden, will even accompany the family to the Mississippi River as a guide. The family needs help because they can’t speak English yet.

When they go to buy food in New York, Kirsten is accidentally separated from her father and gets lost. Because she can’t speak English, nobody understands what she’s saying, so Kirsten can’t ask for directions. Kirsten is frightened, but a kind lady sees her distress and tries to ask her what’s wrong. Kirsten can’t tell her, but then, she realizes that she can draw a picture, so she draws a picture of a ship. The lady leads Kirsten back to the dock, and she manages to find the rest of her family in the nearby Battery Park.

The next day, Kirsten says goodbye to Marta because the Larsons are leaving the city before Marta’s family. Because Marta’s family is also going to Minnesota, they hope that they will meet again there or somewhere on the way.

Kirsten has never seen a train before, and her first ride on one is frightening at first. The trip lasts for days, but finally, they arrive in Chicago. There, they will meet up with other pioneers heading to the Mississippi River. At the boarding house in Chicago, Kirsten reunites with Marta, whose family will also be traveling with them!

The pioneer families take wagons to the Mississippi River, and then, they board a riverboat. Kirsten’s mother worries because, when they boarded the riverboat, she was sailors burying a passenger who died of cholera. (A disease caused by ingesting contaminated food and water.) Cholera is a serious risk, and her worries are justified. On their third day on the boat, Marta becomes ill with cholera and dies from it.

Kirsten is distressed at Marta’s sudden death, but fortunately, the Larsons all make it to Minnesota. All along, Kirsten has been struggling with homesickness and is still grieving the loss of the only friend she had in America, but she is cheered when she is greeted by her new cousins, Anna and Lisbeth. With her cousins as her new friends, Kirsten thinks that Minnesota might come to feel like home after all.

The book ends with a section of historical information about immigrant families, like Kirsten’s.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Although I liked the American Girl books when I was a kid, I didn’t like the Kirsten books, partly because of Marta’s death. I don’t think any of the other American Girl books has a child death in the first book. In fact, I don’t even remember any other children dying in any of the series, unless it happens in one of the newer books I haven’t read yet. It is realistic for a child to die while traveling west. Diseases like cholera were a real-like risk to pioneers. I’ve visited places along the old Oregon Trail, and I’ve seen the graves of real pioneer children who died of disease. There’s also a doll at one of the local historical museums in my area that once belonged to a little girl who died on the trip west. I know that children died on the journey west in real life, but it’s still depressing to read about, which is what bothered me about the Kirsten books. For this reason, I don’t think I read all of the Kirsten books when I was a kid, or at least, I don’t remember much about most them.

Reading this book again as an adult, I found it easier to deal with Marta’s death. I knew it was coming, so there was no shock to me. Marta’s illness is only a small portion of the book, and Kirsten doesn’t see Marta dead. We do get a picture in the book of the riverboat sailors carrying Marta’s coffin away for burial.

I always appreciate the sections of historical information in the back of American Girl books. This one discusses immigrants, the reasons why they wanted to move to a new country, and the conditions they encountered during their journey.

Earlier, when I covered Rasmus and the Vagabond, I mentioned that the characters hide in an abandoned village, and Oscar tells Rasmus that the reason that the village is abandoned is because, years before, the people in the village all decided to emigrate to America together, specifically Minnesota (a popular destination for Scandinavian immigrants).  The Library of Congress has more information about Swedish immigrants and the major periods of immigration.  Around the time that Kirsten’s family emigrated to the United States, Sweden was suffering problems from overpopulation, lack of adequate tillable farm land, and famine. We don’t hear the Larsons describe any particular problems they had in Sweden or suffering. We are told that they had a farm in Sweden with a house with a maple tree near the door and a barn, but we don’t know if the family was suffering in spite of owning the farm. The important point is more that conditions in general were bad in Sweden, so the promise of rich farm land in Minnesota was attractive to them. The historical information included in the back of Meet Kirsten doesn’t cover this information about conditions in Sweden. Instead it focuses on what immigrant families might pack to bring with them on such a journey and what the traveling conditions would have been like.

Kirsten’s Cookbook

Kirsten, An American Girl

This cook book is one of the activity books that was written to accompany the Kirsten series that is part of the American Girls franchise. The American Girls books were written to help teach American history (as well as sell the accompanying dolls and accessories), so this book has recipes of the type that people would have eaten on the American frontier during the mid-1800s, when the character of Kirsten lived, and some historical information.

The book begins with some historical information about cooking on the frontier. Pioneer families like Kirsten’s family ate what they grew themselves and things they could gather from the woods around them. They ate certain foods only in the season when they could get them, and it was hard work to produce food and process it before using it in recipes. There were certain types of food that they had often because the ingredients were simple and often available, like potatoes and bread, and they rarely had time to prepare special or elaborate meals. However, they would take the time to make some special treats for holidays.

There are special sections that describe what pioneer kitchens were like and the dishes and table settings they would use. Pioneer families like Kirsten’s lived in one-room cabins, so her family cooked, ate, and slept all in that one room. They had a wood-burning cookstove, but stoves like that did not come with temperature settings. (This is why you don’t see temperatures specified in old recipes from the 19th century, although this book does include that information for modern readers.) People learned to judge roughly whether the temperature was right to bake bread or cook other recipes by feel, and could regulate the approximate temperature through the type or amount of wood they burned.

There is also a section of cooking tips and kitchen safety tips for modern child readers. Then, the recipes are organized by type of meal with a section of Kirsten’s favorite recipes. Each section and recipe is accompanied with additional historical information and trivia.

  • Pork sausage patties
  • Hard-boiled eggs
  • Swedish rice porridge
  • Round rye bread
  • Homemade butter
  • Ginger cookies – Although cookies seem like an odd thing to see at breakfast, a pioneer family might have them and save some for a snack in the mid-morning, before lunch, or as they called it, dinner.

“Dinner” is usually the biggest meal of the day, but depending on when and where you live, that might be either the midday meal or the evening meal. In modern times, it tends to be the evening meal, after a family or individuals are home from work or school and have more time for a large meal. Modern people sometimes use the terms “dinner” and “supper” (the evening meal) interchangeably for that reason. In Kirsten’s time and, sometimes, in rural areas even in modern times, the biggest meal is the midday meal, what most of us would call “lunch.”

  • Baked ham slice
  • Swedish potatoes
  • Cabbage and apple salad
  • Fruit Soup
  • Swedish Almond Rusks – Swedish rusks are crunchy sweet breads, a little like biscotti.

This section just has an assortment of recipes for Kirsten’s favorite foods. Some of them are traditional Swedish foods, and others are more American. There is a mention in this section that pioneers learned how to make maple syrup from “Indians”, meaning Native Americans.

  • Potato soup – Soup with bread and cheese was a popular supper meal for farming families in the 19th century.
  • Swedish meatballs
  • Fresh applesauce
  • Swedish pancakes – These thin pancakes are rolled and filled with jam.
  • St. Lucia buns – These special buns are topped with raisins, and it’s a tradition in Sweden and other Scandinavian countries to serve them on St. Lucia Day, December 13.
  • Pepparkakor cookies – These are thin, spicy cookies that are cut into shapes and served at Christmas.

The book ends with a section of tips for having a pioneer-themed party. When real pioneers had parties, they were often organized around chores they had to do or tasks to accomplish. They called these work-play parties “bees”. Besides accomplishing a task, friends and neighbors would also bring food and share a meal, talk, and have fun. The suggestions in this section are organized seasonally. A Winter Baking Bee could involve everyone getting together to bake holiday treats, like the ones included in this book for St. Lucia Day and Christmas, or whatever the guests want to bake. At a Spring Gardening Bee, guests can get together to plant a garden or potted plants, with plants for guests to take home themselves. For a Summer Berry Bee, guests can pick berries (if they grow locally or at a “pick-your-own” farm) or make jam, with some for everyone to take home. For a Fall Apple Bee, guests can pick apples and make recipes with apples, like applesauce.

The book is available to borrow and read for free online through Internet Archive.

Samantha’s Cookbook

Samantha, An American Girl

This cook book is one of the activity books that was written to accompany the Samantha series that is part of the American Girls franchise. The American Girls books were written to help teach American history (as well as sell the accompanying dolls and accessories), so this book has recipes of the type that people would have eaten during the early 1900s, when the character of Samantha lived, and some historical information about cooking and dining during that period.

The first section in the book discusses innovations that made cooking easier in Samantha’s time than it had been in earlier time periods. The kitchen in Samantha’s house had running water, a gas stove, and an icebox for refrigerating food. Because Samantha comes from a wealthy family, who can hire people to cook for them, Samantha’s education focuses more on learning how to be a good hostess, meaning that she would be more likely to be in the dining room, helping to entertain guests, rather than in the kitchen, preparing food. However, Samantha would have been familiar with cookbooks, discussing new recipes and studying sections of cookbooks that offered advice about dining etiquette. There are sections in this book that discuss the role of servants in shopping for and preparing food and the proper way to set a table for an elegant dinner party.

After that, there is a section of cooking tips and kitchen safety tips. The recipes in the book are divided into sections based on meals, followed by a section of Samantha’s favorite recipes. The recipes are also accompanied by historical information.

The book explains that, because Samantha is from a wealthy family, her family’s cook begins making breakfast before Samantha wakes up in the morning, so it will be ready for her as soon as she’s awake and dressed. In her time, breakfast was typically the lightest meal of the day, but wealthy households had a variety of foods at breakfast. Breakfast was typically served with hot drinks. Adults usually had coffee or tea, while children might have hot chocolate.

  • Strawberries with cream
  • Ham slice
  • Cheese omelet
  • Saratoga potatoes – These are fried potato chips, which were a relatively new innovation in Samantha’s time. The book explains that potato chips were invented by a Native American cook at a resort in Saratoga Springs, New York in 1853 after a customer complained that the fried potatoes should be thinner.
  • Blueberry muffins

“Dinner” is usually the biggest meal of the day, but depending on when and where you live, that might be either the midday meal or the evening meal. In the past and in rural areas, “dinner” was often lunch. By Samantha’s time, as it typically is in modern times, it was the evening meal, after a family or individuals are home from work or school and have more time for a large meal. For wealthy families, like Samantha’s family, dinner was a very formal meal. They would often dress up for dinner, and at formal dinner parties, there would be name cards on the table to tell everyone where to sit. At a formal dinner in a household with servants, individual dishes and parts of the meal would be served in “courses”, but the number of courses could vary. Samantha’s family followed the English style, with fives courses at dinner. The book mentions Samantha’s family having soup, salad, appetizers, a main course with roasted meat, and dessert and coffee at the end of the meal. Some larger, fancier dinner parties could have many more, some as many as 18 courses!

  • Cream of carrot soup
  • Roasted beef tenderloin
  • Mashed potatoes
  • Fresh green beans
  • Corn oysters – These are fried corn patties.
  • French salad
  • Dressing
  • Ice cream snowballs – These are scoops of vanilla ice cream coated in shredded coconut.

This section has an assortment of recipes for Samantha’s favorite foods. The book explains that, while Samantha was being trained to be a hostess more than a cook, even wealthy girls like her would taught some basic cooking skills. Sometimes, Samantha would help the family’s cook in the kitchen and make some simple recipes.

  • Apple Brown Betty
  • Jelly biscuits
  • Cream cheese and walnut sandwiches
  • Chicken salad sandwiches
  • Gingerbread
  • Lemon ice

The book ends with a section about how to plan a tea party, like girls in Samantha’s time might have. The suggestions include themed tea parties, like afternoon tea, a color tea (a popular concept in the early 1900s, where everything at the party, from decorations to food, would be themed around a particular color), a garden tea party, and a doll tea party (girls would bring their dolls, and there would even be tiny treats to serve to the dolls).

The book is available to borrow and read for free online through Internet Archive.

Lady Margaret’s Ghost

Felicity, An American Girl

This book is one of the mystery stories published to accompany the American Girl series of historical books. The main character of this book, Felicity Merriman, lives in Colonial era Williamsburg, Virginia, around the beginning of the American Revolution.

Felicity’s mother is going on a trip to visit a relative, along with Felicity’s younger siblings. As the oldest girl in the family, Felicity will be in charge of the household while her mother is gone and her father and his apprentice, Ben, are working in the store her father owns. It’s a big responsibility and an honor that Felicity’s mother considers her capable of managing the household, but because Felicity is still young and some household tasks involve heavy work that is difficult for her to do alone, her mother has hired a temporary cook, Mrs. Hewitt, to help her. Because Felicity is known as a daydreamer who doesn’t always pay attention to what she should be doing, her mother reminds her to focus on the task at hand while she’s minding the house, although she has faith in Felicity and is sure that she will do a good job.

Soon after her mother leaves, a crate arrives at the house for Felicity’s father, along with a letter. The letter explains that a cousin of Felicity’s father has died and that the crate contains some family heirlooms that his cousin left to him. These heirlooms once belonged to a common ancestor of theirs, Sir Edward Merriman, a wealthy nobleman and the first member of their family to live in the colonies, more than 100 years earlier. Felicity’s father didn’t know his cousin well because they never lived very close, and his cousin was much older, but he does know the history of the heirlooms. The heirlooms include a lady’s silver vanity set and a silver cup and rattle for baby. The story is that Sir Edward’s wife, Lady Margaret, owned the vanity set, and the rattle and cup were for their infant son. Unfortunately, the baby was stillborn, and Lady Margaret died shortly after the birth. After her death, her husband and the household servants believed that she still haunted the house. The haunting may have been part of the reason why Sir Edward decided to leave his home in England and go to America, but even though he later remarried and had other children, he could never bring himself to part from the things that belonged to his first wife and child. Even before Felicity’s father tells her about the ghost story, Felicity gets a strange feeling from the vanity set, and she wonders if the objects could be haunted.

However, Felicity soon has to turn her attention to household issues. Mrs. Hewitt, the temporary cook arrives, and she is a brusque and unpleasant woman. She is rude and condescending to Felicity when they are working in the kitchen together. Because Mrs. Hewitt is so rude, Felicity is nervous and makes mistakes, making her look like more of a fool to Mrs. Hewitt. They can’t easily replace her because cooks are in demand right now because this is Publick Times in Williamsburg, and there are many visitors to the city. Everyone is busy tending to them. Mrs. Hewitt was the best they could find available. Felicity’s father does speak to her about her rudeness to Felicity. After that, Mrs. Hewitt is sullen and resentful, and she is even more pleased whenever she sees Felicity doing something wrong.

There is also an exciting event taking place. Felicity has entered her horse, Penny, in a horse race at the fair in town! Ben, her father’s apprentice, will ride her. The day of the race, Penny seems to be doing well, but then, she suddenly develops a problem during the race. When Felicity and Ben check her out to see what was wrong, they discover that someone put burrs under Penny’s saddle! Worse still, the wounds caused by the burrs become infected. Felicity is very upset and worried about Penny, and she wonders who would have hurt her horse. There were a couple of men looking at her before the race. There was also a boy named Dawson and a girl called Anne.

Dawson turns out to be a runaway, but he also has some knowledge of horses. Although Felicity is a little suspicious of him at first, Dawson helps to heal Penny’s wounds. He also says that he saw Anne gathering burrs, but it was probably on behalf of someone else.

When Felicity realizes that her treasured coral necklace, which her mother also wore as a girl, has disappeared, Felicity questions whether she carelessly lost it or if someone has stolen it. Felicity has been doubting herself and her ability to manage the household because of all the mistakes she has made since her mother left, and the clasp of the necklace was a little loose. This could just be another disastrous mistake, but it is suspicious that Anne seemed so friendly to her at the race and then ran away from her later. Anne also literally bumped into Felicity at the race. Could she have taken the necklace? Dawson seems to think so, but then again, can Felicity really trust everything he says?

Felicity still gets an odd feeling from Lady Margaret’s heirlooms, and she thinks that she sees something white moving around at night. At first, she thinks that it could be Lady Margaret’s ghost, but then, strange things begin happening around the house. Things disappear, and Felicity worries that maybe she carelessly mislaid them. Then, her necklace unexpectedly turns up, and Lady Margaret’s vanity set vanishes! Are these strange things part of the haunting of Lady Margaret or the work of a thief? If it’s a human thief, is it the work of the runaway Dawson, mysterious Anne, unpleasant Mrs. Hewitt, or the mysterious person who arranged for Penny to be hurt?

The book ends with a section of historical information about Colonial era Williamsburg. The story is set during Publick Times, which was when court was in session in Williamsburg. People would gather in Williamsburg during Publick Times to see the trials in court and attend a public fair in Market Square. The fair offered various kinds of entertainment, games, and races, like the horse race in the story.

The story leaves it a little ambiguous at the end about whether Lady Margaret’s ghost exists, but if she does, she is not harmful and has nothing to do with the thefts in the story or what happened to Penny at the horse race. As the section of historical information explains, there are many new visitors in Williamsburg during Publick Times. This was a good setting for the story because there are many strangers to the city with unknown pasts and motives, and crowds at the fair might harbor thieves.

Part of the story and part of the section of historical information in the back focuses on the subject of orphans. Both Dawson and Anne are orphans, and neither of them is really being cared for. Dawson admits that he used to steal to support himself after his father died, but he is seriously looking for work. Anne technically has a guardian, but her guardian is abusive and uses her as a servant rather than taking care of her.

When the thefts occur and mysterious things start happening around the Merriman house, both Dawson and Anne look like the best suspects, but there are also possible adult suspects. Even after Felicity realizes Anne’s situation, she isn’t entirely sure which of the men at the fair that day is Anne’s guardian. Mrs. Hewitt also looks suspicious because she is so unpleasant and seems to be trying to make trouble for Felicity. I though the book did a good job of supplying an array of suspects to consider. The solution to the mystery was one of the possibilities I thought was most likely, but there were enough other possibilities to make the story interesting.