Posted on by TracyC

Winter Cottage

Winter Cottage by Carol Ryrie Brink, 1939, 1968.

The Vincents own a summer cottage in Wisconsin. It was once an old farmhouse, so it is well-insulated and can be heated during the winter, but the Vincents only use it for about 2 or 3 months in the summer. The rest of the time it is empty and used by animals, like mice and woodchucks. However, that’s about to change.

The year is 1930, the Great Depression has started, and many people are out of work and desperate to provide for their families. One such family, a father with his two daughters, happens to be passing near the Vincents’ empty summer house in the middle of October, when the Vincents have already long left the house, when their car suddenly breaks down. They were originally on their way to an aunt’s house to stay with her, but with their car broken down, they’re unable to continue their journey. Mr. Sparkes is a pleasant and easy-going man but impractical and a failed plumber. His eldest daughter, Minty, tends to deal with the practical aspects of things. Minty’s younger sister, Eglantine, called Eggs as a nickname, is the first to notice the empty summerhouse and suggests that, if they could get in, they could make some food. Needing a place to stay for the night and finding a window unlocked, they decide that they’ll go ahead and stay in the house. Although Minty has some reservations about staying in a house that belongs to someone else without their permission, she doesn’t have any better options, and she soon gets caught up in the excitement of exploring this unfamiliar house.

Mr. Sparkes feels like a failure because he’s been in and out of work, and typical jobs just don’t seem to suit him. Their Aunt Amy, the sister of the girls’ deceased mother, thinks that Mr. Sparkes is a failure and a silly, impractical man because he’s always quoting poetry, and his main talent seems to be making his special pancakes. There is some truth to what Aunt Amy says, and Mr. Sparkes acknowledges it. It seems like his only real talent is for making incredible pancakes, although his daughters reassure him that they love him and don’t see him as a failure. They were traveling to stay with Aunt Amy because they have no one else to stay with, but it’s clear from Aunt Amy’s letter that she isn’t looking forward to their arrival, and she also would not welcome their dog, Buster. Eggs says that she wishes they could just stay in this lovely cottage all winter, and Minty wishes the same thing, although she knows it isn’t really right for them to stay in this house without the owners’ permission. Mr. Sparkes likes the cottage, too, because it has a wonderful collection of books, including books of poetry.

The next day, Mr. Sparkes tries to fix the car, but he’s a terrible mechanic. He takes the engine apart and doesn’t know how to put it back together. The girls go to a neighboring farmhouse and ask if anybody there knows anything about cars. Mrs. Gustafson sends her son Pete with the girls to look at the car, and he manages to put the engine back together again, but he isn’t skilled enough to figure out how to fix the original problem. He says that they had better call a mechanic in town to tend to it and that it would likely cost them about $10. The girls are worried because they know that’s about how much money they have left, and if they spend it all fixing the car, they won’t have enough left to buy more supplies and travel all the way to where Aunt Amy lives.

When they explain the situation to their father, Mr. Sparkes says that he thinks they should just stay in the cottage for the winter. Minty says that isn’t right because the house doesn’t belong to them, but their father says that it isn’t doing the owner any good to leave it empty all winter. To make it right, he suggests that they could rent it, so the owner would profit from their stay. The girls ask where he would get the money to rent the house, and their father says he doesn’t know, but he’ll have all winter to think of something. When they leave the cottage in the spring, he plans to leave the money in the cottage with a note, explaining why they stayed there. The girls are relieved that they don’t have to go to Aunt Amy’s house, but Minty is concerned that, by spring, her younger sister and impractical father will have forgotten all about the rent money for the cottage, and she makes up her mind that she will think of a way to get the money herself.

Eggs comes up with a possible way to make some money when she shows her father a contest magazine that she found at the last place where they camped. There are various contests in the magazine that offer prizes, like prizes for solving puzzles or adding the last line to a limerick. Mr. Sparkes is intrigued by the contests, and he says that they can pass the winter by trying them. He’s particularly interested in the contest to write a poem to advertise butter because he loves poetry and the prize is $1,000, which is an enormous sum to them.

Life in the cottage is idyllic. They have some groceries with them to get themselves started, and their father enjoys fishing in the nearby lake for more food. The girls find nuts and cranberries, and their father cuts wood for the stove in the cottage. Minty takes charge of the house, making sure that they keep it neat for the Vincents. The girls learn that the Vincents are the ones who own the house and that they have a daughter called Marcia when they find some of Marcia’s belongings. Sometimes, Minty and Eggs think of Marcia as a friend, and Minty sort of idealizes her in her imagination. Minty likes to imagine the comfortable life she thinks Marcia lives, wherever her family lives in the winter, and she is determined that they won’t let her down by not taking care of the cottage or finding a way to pay the rent.

Then, Mr. Sparkes gets sick, and the girls are frightened because they don’t have much medicine and don’t know what to do. They try to get help from Mrs. Gustafson, but she’s away from home. As Minty is leaving the Gustafson farm, she happens to meet a boy who’s been hunting partridges, and in her desperation, she begs him for help. At first, he is surly and suspicious with her, but when he begins to understand the situation, he agrees to come have a look at her father. The boy, whose name is Joe Boles, is carrying a professional-looking medical kit and seems to know what he’s doing as he attends to Mr. Sparkes. The girls are grateful for his help, and they invite him to spend the night in a spare room in the cottage.

It turns out that Joe is also down on his luck. His father was a doctor, and the medical kit Joe carries used to belong to him. He gets his basic knowledge of medicine from his father and from his grandmother’s home remedies. Joe also wants to be a doctor, but he’s alone now and doesn’t know how he’s going to manage to get the medical training he really wants. Although he’s initially reluctant to explain how he came to be alone, he explains that his father was killed in a car accident. His mother is still alive, but she remarried to a man Joe can’t stand. Eventually, Joe just couldn’t take living with him anymore, so he ran away from home. Joe tells the family that he’s been camping in the woods. Running away from home may not have been the best decision Joe could have made, but he’s determined not to go back, and the family can’t criticize him too much because they’re also sort of running away and hiding out right now.

Joe seems to know what to do to help prepare the cottage for winter, and Mr. Sparkes says that they could use his help around the place. However, Mr. Sparkes admits to Joe that he can’t do much more for Joe than just give him a place to say for the winter, and a borrowed place at that. Joe says that’s fine, and he would like to stay with them for the winter, and he would be willing to pay for his room and board with his labor. The Sparkes family is thrilled to have Joe stay with them and help them. The only point that Mr. Sparkes insists on is that Joe write a letter to his mother to tell her that he’s safe so she won’t worry about him. He says that Joe doesn’t have to be specific about where he’s staying right now, but he knows that Joe’s mother will feel better, knowing that he has somewhere to stay for the winter.

With Joe, Minty and her sister explore the area more and visit the nearby Indian (Native American) reservation. Eggs is a little nervous about the Indians (the term the book uses) at first, worrying about scalping, but Joe tells her not to worry and that the locals are just curious about them. Joe worries less about people recognizing him as a runaway in the reservation village than in the town nearby because it’s a little more remote, although they do accidentally meet the local sheriff in the reservation store, who recognizes Minty from an earlier shopping trip to town. Joe does his best to stay inconspicuous.

While they’re in the reservation store, they learn that the reason why the sheriff is there is that the storekeeper’s son is in trouble. The son, who is a young man in his 20s, got drunk, broke into somebody’s house, ate some of their food, and fell asleep in their bed. The young man’s father argues with the sheriff that the son didn’t actually steal anything from the house, but the sheriff says that what he did was trespassing and that it’s illegal to break into someone’s house, stay there, and use their things without permission. He says that, for that charge, the son will have to spend a week in jail. This incident is troubling to Minty because she knows that she and her family also don’t have permission to use the house where they’re staying, and they’ve been there longer than this young man was in the house where he trespassed. When the sheriff points out that the weather is getting bad and offers to take the kids home, Minty panics at the idea of him finding out where they’re staying and tells him that they plan to spend the night at the reservation.

Of course, the kids don’t really have a place to stay on the reservation, and the weather is bad for camping. They are rescued by the village priest, who says that Joe can stay with him, and the girls can stay with Sister Agnes, one of the nuns who runs the mission school on the reservation. (“Indian schools” like this have a rather scandalous reputation these days for reasons I can explain below.) Minty says that they don’t have any money to pay for a place to stay, but Sister Agnes says that doesn’t matter because “God is your host.” In other words, they’re offering the children a place to stay out of kindness and Christian charity and don’t expect payment. There are some Native American children who also board at the school, some because their houses are too far away for them to travel back and forth between home and the school daily and a couple of children who are orphans and live at the school full time.

There is a scene where some of the Indians are playing drums and dancing, but not the ones living at the school. One of the nuns says that the dancers are “heathen Indians” and that “our Christian Indians don’t dance,” although Minty can tell that the Indian students at the school are feeling the rhythm of the song and enjoying it. Joe takes Minty and Eggs to see the dancers, and they find it fascinating. I didn’t like the “heathen” talk (although I think it’s probably in keeping with the historical setting of the story), but I did appreciate an observation that Minty makes, “Indeed it seemed to be a not entirely un-Christian gathering, for here and there among the gaudy beads was the gleam of a cross on the neck of some forgetful dancer.” That observation contradicts the idea that the dancers aren’t Christians because at least some of them seem to be. That and Minty’s observation that the girls at the school were interested in the dancing and drumming but were being careful not to show it hints at more complex feelings and social dynamics in this village. The people who run the school have some strong opinions about how proper Christians should act, but the Native Americans are still maintaining some traditional practices, and some people are walking a fine line in what they practice and believe.

One of the Indian girls at the dance invites Eggs to join in, and she does. Minty finds that amusing, and Joe tells her to let Eggs have fun because she’s enjoying herself. Sister Agnes asks them later if they enjoyed the dance, and Eggs says she did. Eggs later says that it seems like they don’t have much to do on the reservation, with no “picture shows” (movies) to see and not many toys, so she thinks that the dancing is part of their entertainment. Sister Agnes says, “They are heathen, but God will forgive them.” Minty isn’t too concerned about whether or not the dance might be “heathen” or sinful, but what Sister Agnes says makes her think about what God must think of her family for living in someone else’s house. She hadn’t given it much thought before, but she knows God must know what they’re doing, even if nobody else does, so she prays that He will forgive them, too, and thanks Him for being their host. Before they leave the reservation the next day, a girl Eggs befriended gives them a basket of wild rice, and Eggs give the girl her doll in trade.

When the kids return to the Vincents’ cottage, Mrs. Gustafson is there, visiting with Mr. Sparkes. Mrs. Gustafson seems to accept the idea that they’re renting the house from the Vincent family, although Minty is nervous when she mentions that she writes to them sometimes. Mrs. Gustafson also warns them to beware of strangers because, sometimes, gangster and criminals hide out in the isolated cottages in the area when things get too hot for them in Chicago. Joe has heard stories about that, too.

When the family starts getting replies to their contest entries, the results are disappointing. Many of the contests have catches because they expect entrants to buy things or subscribe to things. There is another contest that they hear about on the radio from a flour company, offering a large cash prize for the best breakfast recipe. Minty thinks that sounds better than any of the other contest options because of her father’s wonderful secret pancake recipe, although her father has become disillusioned with contests. They don’t have much time left to enter that contest, and Mr. Sparkes is reluctant to share the secret recipe. The kids end up spying on Mr. Sparkes to learn his recipe so they can enter the contest on his behalf.

Then, one night, they see a man lurking outside the cottage in a blizzard. Minty warns her father not to let the man in, remembering Mrs. Gustafson’s warnings about criminals hiding out in the area and how they shouldn’t open the door for strangers. However, Mr. Sparkes worries about anyone who might be lost in the blizzard, and he has the children invite the man in. The man has a young girl with him, who is half-frozen and dressed as a boy, for some reason. When Minty realizes that the child is a girl and not a boy, the girl asks her not to tell anyone right away. Minty can tell that there’s something strange about this father and daughter pair, and it makes her uneasy. Then, Minty hears a report on the radio about a stolen car and a reward for information leading to the thieves. Is it possible that this man and his daughter are the ones who stole the car? Minty might consider turning them in for the reward money that her family badly needs, but with the blizzard, they’re now trapped in this cottage with this strange man and the girl. The girl, who goes by the name Topper, is fun and good at planning entertainment, but can she or her father really be trusted?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

This book isn’t a Christmas story, although the title and some of the themes would have set it up well to be a Christmas story. It fits well with cottagecore themes, with the family, down on their luck, staying the winter in a cozy cottage and getting by as well as they can, enjoying simple pleasures. There’s a line in the story that I particularly liked, toward the end of the book, when the children put on a shadow play for their fathers:

“What a lot of fun you could have, Minty discovered, if you made unimportant things seem important and went about them with enthusiasm!”

I think that sentiment embodies the spirit of cottagecore. To really enjoy some of the simple pleasures of life, you do have to put yourself into the mindset that you’re going to enjoy them to the fullest! I read a book about Victorian parlor games that said something similar. A lot of old-fashioned entertainment and games are quite silly when you analyze them, but if you just throw yourself into them whole-heartedly, they can be great fun!

The family in the story is down on their luck and has their troubles, but their stay in the winter cottage is still an adventure, and they enjoy it. Their consciences do trouble them throughout the story because they’re aware that they’ve been using the cottage without permission of the owners. Minty in particular considers the morality of their actions and has a desire to make things right with the owners of the cottage. Fortunately, the story ends happily for the family, with their lives changed for the better. The people who own the cottage find out about them staying there, but they forgive them, and Minty finds a way to repay them for letting them stay.

Native Americans

The part of the story that I think is most likely to cause controversy for modern readers is the part where the children visit the reservation and the mission school. “Indian schools” have a sinister reputation in modern times because of their harsh treatment of their students and deliberate attempts to eliminate Native American culture. In the book, the nuns at the school make it clear that they don’t approve of traditional Native American practices, like the dance the children watch, because they don’t consider them to be Christian. They call such practices “heathen.” Their focus on discouraging their students from participating in traditional cultural practices is based on religious differences and a desire to convert people strictly to Christianity. However, I appreciated that Minty and the other children see both sides of the story and that Minty observes that some of the Native American dancers are wearing crosses, showing that the actual beliefs among the Native Americans are more nuanced than the nuns’ attitudes suggest.

This part of the story has some use of the word “squaw“, which is problematic because it has vulgar and derogatory connotations. The exact definition of the word varies in different Native American languages, but because it is considered vulgar and derogatory, modern people avoid it. At the time this story was first published, in the mid-20th century, many white people had the idea that “squaw” was sort of a generic word for women among Native Americans and didn’t realize the more vulgar side of the word, which is why it appears in some old children’s books, like this one. The word isn’t meant to be intentionally insulting here, although modern readers should understand that this word isn’t polite or appropriate. Apart from that, I appreciated how the main characters, especially Minty, see some of the prejudiced ways people, especially the nuns at the school, look at the Native Americans and their traditions and their realization that there are sides to their culture and practices that the adults have overlooked.

Posted on by TracyC · 1 Comment

The Gift of the Christmas Cookie

The Gift of the Christmas Cookie by Dandi Daley Mackall, illustrated by Deborah Chabrian, 2008.

This is a sweet Christmas story that discusses the meaning of Christmas along with the history of Christmas cookies.

The story doesn’t provide a year, but it seems to be implied that it takes place during the Great Depression because Jack’s father is described as hopping a freight train to find work and send money home. Since then, Jack and his mother have lived alone, saving every penny that Jack’s father sends to them.

Then, before Christmas, Jack arrives home to find his mother making cookies. Jack is thrilled at the idea of having a rare treat, but his mother says that the cookies are for the needy at church. It’s disappointing because Jack has been feeling rather needy himself.

Then, his mother shows him the wooden cookie board molds that they will use. They are big with elaborate carvings of Christmas symbols. Making the cookies is labor-intensive, and Jack wonders why they’re working so hard to make such elaborate cookies that people will just eat anyway.

Jack’s mother tells him a story that takes place in the “Old Country” of their ancestors during the Middle Ages. (It’s in Germany, although Germany didn’t exist as the single country it is today back then.) Times were very hard, and people couldn’t afford much, but one family wanted to do something special for their neighbors for Christmas. The father of the family was a woodcarver, so he considered carving Nativity figures, but his wife said that many people were hungry, so it would be better to bake something they could eat. The woodcarver made wooden molds in the shapes of figures associated with Jesus’s birth, and his wife made the sweet dough to put in them, and they made cookies to share with their neighbors.

Jack’s mother saves one cookie from their batch in the shape of an angel for Jack so he can have a treat, but when a hungry man comes beginning for something to eat, Jack considers his own father, who might be traveling and hungry.

Jack is inspired to share his special Christmas cookie with someone who might need it more than he does and to pass on the story that goes with it.

My Reaction

I like stories that include some history, and I enjoyed this story about the origins of Christmas cookies and a lesson in generosity, giving to someone else as he hopes other people will be generous with his father. The invention of Christmas cookies can’t be traced back to any particular family, like the story in the book tells it, and Christmas cookies might have actually originated in Medieval monasteries because the monks would have had greater access to the sugar and spices needed than most people. However, the general concept of Christmas cookies made with molds is accurate. There is a brief note in the back of the book about the cookie boards or springerle molds that come from the Schwabian region of Germany, Switzerland, and Austria and how these molded cookies have had religious shapes since the Middle Ages. The book also notes that some cookie molds take the form of specially-carved rolling pins rather than the flat boards shown in the book, and this was the type of cookie mold that my grandmother used to use. When she made molded cookies, they were anise-flavored, which is traditional and tastes like licorice, although I prefer to make ginger cookies with my cookie mold rolling pin. The book includes a simple recipe for cookies that you can use with cookie molds or cookie cutters, and it uses the traditional anise flavoring.

Posted on by TracyC

Willie Bea and the Time the Martians Landed

Willie Bea and the Time the Martians Landed by Virginia Hamilton, 1983.

It’s Halloween 1938, and Willie Bea’s relatives have gathered at the old family farm, near where she lives. Money is tight because of the Great Depression, but one of her aunts lives and works in the city, making more money than the others, and is willing to help fund family dinners and provide a little extra for her nieces and nephews when they need something, like new clothes. The aunt is a little scandalous in their family for her multiple marriages, but the others appreciate her generosity, and the nieces and nephews like getting some extra attention and a few treats from her.

The family gathering is a bit chaotic with children running around and getting into trouble. One of Willie Bea’s cousins gets into particular trouble with her mother for using his bow and arrow set to shoot a pumpkin off of Willie Bea’s younger brother’s head. Their mother panics when she catches them doing it because he could have missed and killed the little boy, but Willie Bea tries to calm her mother. Willie Bea was less worried because she knows her cousin’s archery skill and that he wasn’t going to miss, but she understands that adults think of the risks and aren’t fully aware of what the kids are capable of doing. (I’m siding with the mother on this one. Even people who are very good at something can miss now and then, and it’s a big risk to take with someone’s life.) Willie Bea also realizes that the decision to use her little brother for the William Tell act actually came from another cousin because the cousin doing the archery wouldn’t have thought of it himself, and it’s not fair that her mother doesn’t know to blame this other cousin.

Willie Bea talks to her father about the incident, hoping that he’ll understand how unfair it is. However, her father tells her that what her cousin did was dangerous, no matter why he did it. Even though he has a reputation for being good with archery, even people who are good can still miss, and accidents can happen. (See?) Her father lets Willie Bea know that he’s aware that she and her cousins do risky things sometimes when they’re playing with each other, but as an adult, he and the other adults have a responsibility to tell them when something they’re doing is too risky and to put a stop to it. No matter how many times they’ve done some of these things without having an accident, some things are just accidents waiting to happen. They should never assume that an arrow can’t go wrong just because it hasn’t yet or that they can’t fall from a high place just because they haven’t fallen yet.

Willie Bea is a little embarrassed by the talk and feels like her father still doesn’t understand. However, Willie Bea herself has been starting to understand a few things about her relatives this Halloween, things that she either hasn’t noticed before or only half noticed. She can see that one of her cousins is too manipulative, noting the little tricks she uses to get her way and the things she says and does when she wants to be spiteful. She can see that her other cousin has trouble asking up for himself and is particularly vulnerable to manipulation.

Willie Bea also begins to notice things about the adults in the family and their relationships with each other. Aunt Leah, the aunt who has more money than the others and has been married multiple times seems glamorous and fascinating to Willie Bea. Aunt Leah is into horoscopes and fortune telling, and when she reads Willie Bea’s palm, she predicts something special for her. Although Willie Bea loves her own mother, she is intrigued by the family gossip that her father was seeing Aunt Leah before falling in love with her mother, and Willie Bea fantasizes about what it would be like to live with Aunt Leah in the city. She imagines that it would be exciting, and she asks her father why he chose her mother instead of Aunt Leah. Her father knows that Willie Bea doesn’t entirely understand what it’s like to make that kind of choice and what living with a woman like Aunt Leah would really mean. (It occurred to me that the multiple divorces Leah has had might be a clue.) He just explains to Willie Bea that his choice became clear after he got to know her mother as well as her sister, Leah. He knew her mother was the right choice because she was the kind of steady woman who would always be there for him.

That evening, while Willie Bea is putting together her hobo costume and the ghost costumes for her younger siblings and her parents are listening to the radio, Aunt Leah suddenly bursts in and starts having hysterics about it being the end of the world! It takes Willie Bea’s parents a while to get a clear answer from Aunt Leah about why she’s so upset. When she recovers enough to explain things, she says that she was listening to the radio, and she heard that Martians have invaded New Jersey! She describes the horrible, terrifying reports that the radio announcer made about the Martians destroying army troops with their deadly heat ray. Aunt Leah was so terrified by what she heard that she not only turned off the radio but unplugged it, and she says that she’ll never plug it in again, which might be a moot point, if aliens really are here to destroy the world. (If you know what was infamously broadcast on Halloween 1938, you know what Leah heard and that it’s not what she thinks it is.)

While Willie Bea’s parents are trying to decide what to make of Aunt Leah’s story, Willie Bea’s Uncle Jimmy arrives. He says that the rest of the family has also heard what Aunt Leah heard and that they’re all gathering at the old family farm. Rumor has it that people have seen the terrible invaders over at the Kelly farm. Willie Bea’s mother gathers the children and heads to the family farm that Willie Bea’s grandparents own to be with the rest of the family, while Willie Bea’s father tries to see if he can find the station that Leah was listening to and hear the reports for himself. It occurs to him that it might not be an invasion of the Martians but could actually be Germans and German war machines because they’ve all heard about the Nazi takeover of Germany, and he remembers the horrible Hindenburg disaster. If Germans could make a blimp that explodes into a fiery terror like that, then he thinks maybe they could make something that resembles an alien invasion.

At her grandparents’ farm, Willie Bea watches as various relatives panic, cluster around the radio, trade rumors, and try to figure what’s going on. Rumor has it that there are Martians on the Kelly farm, so Willie Bea convinces young Toughy Clay to go over there and try to see them for themselves. At Willie Bea’s insistence, they use the stilts that the children like to walk on to give themselves longer legs, so they can get there faster. Nothing is as it seems this Halloween, and Willie Bea’s expedition to see the Martians definitely doesn’t go as planned.

The book is available to borrow and read for free online through Internet Archive (multiple copies, including a short picture book version).

My Reaction

Almost of the characters in this book are African American. I don’t think it’s ever stated directly because there’s no need in the story to describe them, compared to anyone else, but I think it’s subtly implied. There is only one point in the story where race is mentioned at all, and that’s when Willie Bea is hurt, and the doctor comes to see her. Willie Bea describes the doctor as an old man who delivered most of the babies in her family and knows everybody in the community, and she says that he visits everyone, black or white, rich or poor. Willie Bea’s family is at the poorer end of the community because the doctor knows that people like them don’t normally call the doctor unless it’s something that they really can’t handle by themselves.

I found the family relationships in the story confusing at first. The kids are all referred to by nicknames, and when they are first introduced, it’s difficult to keep it straight who is whose sibling and who is a cousin, and who is older and who is younger. At least, that’s how it seemed to me. Relationships are explained gradually as the story continues, along with characters’ real names as well as nicknames, but it takes some time to get to the explanations.

The story has a slow start, and the real adventure doesn’t begin until about halfway through the book. In some ways, it’s a coming of age story for Willie Bea because she finds herself seeing her family in ways that she never has before, becoming more aware of different sides of their personalities and gaining more insights into their relationships with each other. She also comes to see firsthand what her father means about the stunts that she and her cousins pull and how she should never assume that they can’t get hurt just because they haven’t before. Much of this book is what I would call “slice of life”, a sort of glimpse into Halloweens of the past in a rural community, especially one particular Halloween that would have been memorable for anyone who was alive at the time in the United States.

The radio broadcast that has Willie Bea’s family and others in the community panicking over an alien invasion is The War of the Worlds, a play based on the novel of the same name by H. G. Wells. This type of panic over this particular radio performance was a real, historical incident because the radio play was presented in the format of news broadcasts at the time, and some people who tuned into the program late misunderstood what they were hearing and thought that it was a real news broadcast about an actual emergency. It wasn’t a widespread panic because, first, people who started listening to the broadcast from its beginning knew what they were listening to, and second, not everyone was listening to the broadcast at all. Still, there was enough panic over the radio performance that it became newsworthy and has become a piece of American history and lore.

I enjoyed the historical details in the story, particularly all the radio play references throughout the story. Willie Bea’s family likes to listen to radio shows, and I’m familiar with some of them because I also enjoy old radio plays. Her family likes to listen to The Shadow and Little Orphan Annie. Willie Bea likes to amuse her siblings by imitating people from the radio, singing theme songs and reciting jokes from Jack Benny, like the famous “your money or your life” joke.

Posted on by TracyC

Picking Peas for a Penny

Picking Peas for a Penny by Angela Shelf Medearis, drawings by Charles Shaw, 1990.

This picture book is based on stories from the author’s family and is told from the point of view of her mother, when she was a child in Oklahoma in the 1930s. The story is told in rhyme with a kind of sing-song counting from one to ten as they pick peas and put them in their baskets.

The 1930s was the time of the Great Depression. Many people were out of work, but this African American family has a farm and makes money by growing and harvesting crops. It doesn’t pay much, and everyone needs to help, but because times are hard, they are glad that they are able to do the work and earn the money.

It’s hard work that takes all day in the hot sun, but the girl telling the story says that she and her brother have a little fun while they’re doing it, too. Their grandmother tells them not to goof off because they work to finish. The grandfather of the family offers the children a penny for every pound of peas they pick and says that he’ll take them into town to spend it, so the children start a pea-picking race with each other.

After the work is done, they visit the general store in town, and the children have the opportunity to buy treats for themselves. They only have pennies, but it’s enough to buy some penny candy and soda pop. After the hard work they’ve done, it feels like a rich reward.

In the back of the book, there’s a picture of the author’s family. Although the story itself doesn’t mention it, the name of the girl in the story is Angeline.

The book is available to borrow and read for free online through Internet Archive.

Posted on by TracyC

Kathleen: The Celtic Knot

KathleenKathleen: The Celtic Knot by Siobhan Parkinson, 2003.

Twelve-year-old Kathleen lives with her family in Dublin, Ireland in 1937. Like the rest of the world, Ireland is suffering under the Great Depression, and Kathleen’s father has been having trouble finding work. Her mother helps to support the family by working as a midwife.

One day, when Kathleen’s mother is off delivering a baby, Kathleen accidentally burns the porridge at breakfast, making her and her sisters late for school. Although they should have been marked as being on time, they are considered one minute late because the nun’s watch was fast. Discipline is harsh at the Catholic school they attend, and after a harsh lecture to Kathleen, the headmistress, Mother Rosario, calls for a conference with her mother. Kathleen is very upset about it, but Mother Rosario softens somewhat and says that she merely wants to see that everything is alright with Kathleen’s family because a nice girl like her shouldn’t be acting up.  Kathleen still worries because she knows that the nuns look down on poor families like theirs and consider their authority higher than the parents of the children they teach.  They are often unaware of the circumstances that families live in.

However, Kathleen’s mother isn’t fazed by the nuns’ attitude and is blunt with the Mother Rosario, telling it like it is. The headmistress does show that she has some compassion and is somewhat aware of their circumstances because she says that Kathleen’s lateness was only part of the reason she wanted this meeting. She has guessed that Kathleen’s father is looking for work, and there is a position for an assistant gardener open at the school. It doesn’t pay much, and it’s not as good as her father’s old job was before the factory where he worked closed, but he agrees to take it because it’s better than nothing.

The headmistress also says that she has noticed that Kathleen is musically-talented. She likes to sing and has a good voice. Mother Rosario thinks it would be a good idea for her to take piano or dance lessons. The family doesn’t have a piano, so the headmistress suggest that Kathleen join the Irish dancing lessons because it’s a wholesome activity that reflects her heritage and that would keep her out of trouble. Kathleen’s mother isn’t big on heritage, but she agrees that dancing might be a good activity for Kathleen.

Kathleen isn’t happy about the dance lessons at first because the other girls who are involved are snobs. But, once she tries it, she realizes that she actually loves dancing. The problem is that the lessons aren’t free, like the other girls told her. At first, Kathleen feels cheated, finding out that she loves something that she can’t have after all, but her teacher says that she’s talented, so she offers Kathleen some free lessons anyway. She’s been looking for new talent so that her dancers can do well in the next dancing competition, and she doesn’t want to let a promising dancer like Kathleen slip through her fingers.

The snobby girls in class are all the more irritated when Kathleen is among those chosen to enter the next competition, but everyone also knows that there is one more obstacle for Kathleen: she doesn’t have a proper dancing costume or any money to buy one. She prays for one, even promising God that she’d become a nun if he gives her the costume she wants. Her mother has her eye on some beautiful cloth that she hopes to buy as a remnant, but the cloth gets snapped up by some of the wealthier, snobby girls, and her mother comes down with a serious illness shortly before the competition.

Kathleen begins to think that she was wicked for being so concerned about dancing and costumes when there are much more serious things in life. However, her aunt, Polly, understands how she feels and comes up with a plan to make the needed costume for Kathleen, using her favorite book, Gone With the Wind, as inspiration. Remember what Scarlett O’Hara did when she needed a new dress and couldn’t afford one?

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One of the themes that runs through the story is questions and answers. Kathleen has a lot of questions about life. She knows that her mother deliveries babies for money, but she doesn’t really understand much about it, and her mother doesn’t answer the questions she asks. In fact, Kathleen notices that most of the adults she knows (with the exception of her father) brush aside her questions about the way the way the world works or the things people do because they simply don’t want to be bothered with them. They have too many concerns of their own, and they don’t really know most of the answers themselves. It kind of contrasts with the answers that Mother Rosario demands from Kathleen and immediately dismisses upon getting. Most of the time, she doesn’t really want to bother with answering questions or even dealing with the answers to questions she’s just asked. Only once does she answer a question that Kathleen had asked about St. Patrick, and Kathleen is astonished at getting an answer about something.

I have to admit that the attitudes about questions and answers from most of the adults in the story really irritated me, especially the way Mother Rosario demanded answers from Kathleen about her lateness and then dismissed everything that Kathleen said, angry that she had “answers.”  I’ve met people like that before in real life, and they’re just as illogical and crazy-making as this headmistress. I’m not talking about teachers who refuse to listen to flimsy excuses like “the dog ate my homework,” but people who get angry at others who have real explanations just because they have real explanations. People who demand to know the reasons why things happen and then immediately reject any explanation offered without a real reason for doing so are obnoxious. I’ve encountered people like that before, and it’s hard to have anything resembling a meaningful conversation with them.   They don’t want to talk to you; they just want to yell or lecture at you.  They don’t really care what the answers or explanations are for anything, and no answer would make any difference to them because what they really want is for the other person to just feel bad. It’s an unethical one-upmanship tactic, and it loses my respect the moment I hear someone use it because I recognize what they’re attempting to do. It’s so obvious, but frustrating at the same time (Kathleen in the story wonders why Mother Rosario is trying to torture her in this way) because there’s nothing you can say to stop the other person once they start (at least, I haven’t figured it out). Kathleen’s approach was probably the most effective.  She just stopped talking and prepared herself for the headmistress to hit her, which caused the headmistress to wake up a bit to the fact that the message that she was sending to Kathleen was that her only intentions were to hurt her.  Fortunately, those were not her only intentions, but I have to admit that I never really had any respect for Mother Rosario after that, in spite of what she did to help Kathleen’s family.  You can tell this is one of my pet peeves.  One-upmanship really bothers me in all of its forms, and I have even less time for that kind of nonsense than these characters do for answering a twelve-year-old’s questions.  At least you can talk to a twelve-year-old. Getting back to that, part of Kathleen’s trouble with some of her questions is that her elders often underestimate her, thinking that she’s really too young to understand anything, but the fact that she’s asking questions says that she’s really not. In fact, she might even be putting more thought into some issues than the people who have decided that some things aren’t worth thinking about in the first place.

Another theme of the story is growing up and changing goals in life. By discovering her talent as a dancer, Kathleen has found something that she would like to dedicate her life to, and if she becomes a dance teacher herself, it would give her a job to do in her future that could make her life better. Her aunt, Polly, who is twenty years old, also changes her mind about what she wants in life. As a single young woman, she likes to go out and have fun with her small earnings, hoping to meet a man as elegant as Rhett Butler.   However, when her latest young man turns out to be a cad, she accepts a proposal from the very shy but much nicer young man who she had previous thought wasn’t handsome enough. Polly’s experiences make her realize that handsomeness by itself isn’t much, and she and her new husband have plans for building a life together. At first, Kathleen is disappointed because she and Polly had talked about leading a carefree life together as single ladies when Kathleen was grown, but Polly explains to her that things will be better this way and that grown-ups have to build real lives for themselves, not live on dreams alone. Kathleen is still in the process of discovering the possibilities that life might hold for her and the talents that she can use to build her life.

I also found the parts about Irish history and politics during 1930s interesting.  One of the reasons why Kathleen’s family isn’t big on the Irish heritage movement is because her grandfather fought during World War I and wasn’t treated well as a veteran when he returned. During the meeting with Mother Rosario, Kathleen’s mother is blunt about her views on things, and Mother Rosario is surprised how much she understands of politics, showing that she looks down on poor people (possibly the source of her general rudeness and bullying tactics, even when she’s trying to be helpful – she’s decided that she’s superior and will remain so, whether she’s right or wrong), thinking that they aren’t smart enough to understand what’s going on around them.  The story makes it clear that the nuns at school are often out of touch with what ordinary families go through in their daily lives.  They underestimate what people know or read about, they have trouble understanding their daily struggles with money and how they are barely able to keep food on the table, and they seem unable to grasp what it’s like to be part of a family where any family member’s actions can affect all of the others.  For me, they were far more aggravating than the snobby little girl characters because I usually expect adults of a certain age to have grown out of some of these behaviors.

While reading the story, I was kind of comparing Kathleen’s circumstances in Ireland in the 1930s to life in America during the Great Depression, and many of their struggles were the same.  I was also kind of fascinated by Polly’s fascination with Gone With the Wind because it shows how pieces of culture and entertainment could become popular in other countries during this time.

This book is part of a series by the same publishers of the American Girls Books.  There is a section in the back of the book with historical information about the period.

KathleenHistorical

Posted on by TracyC · 1 Comment

The Secret of the Strawbridge Place

SecretStrawbridgePlace

SecretStrawbridgePlacePic1The Secret of the Strawbridge Place by Helen Pierce Jacob, 1976.

This story takes place in Ashtabula, Ohio during the Great Depression. Kate is frightened of the hobos who pass through town looking for work, but at the beginning of summer, her brother Josh dares her to come with him to spy on the hobo camp. The two of them witness a fight between three hobos, and in their haste to get away, Kate falls and breaks her arm. At first, she is sure that her summer is ruined, but when she considers the place where she fell, she realizes that she has stumbled on an important clue to a secret surrounding the old house where they live.

Locals say that during the Civil War, the Strawbridge family, who lived in the house before Kate’s family, were part of the Underground Railroad, hiding runaway slaves. However, no one has ever been able to find the place where the slaves were hidden. When Kate fell, she discovered the opening to a cave near the river that she never knew was there before.

SecretStrawbridgePlacePic2Oscar, a boy visiting his grandfather nearby, becomes Kate’s friend. Since he was also injured in one of Josh’s escapades (having broken his leg when the kids were fooling around in the haymow), she invites him to join her in the search for the secret. They form a partnership called Cripples Incorporated and have fun inventing code words and writing secret messages about what they’ve discovered. Pursuing the secret comes with some risks, and before Kate can discover the whole truth about Strawbridge Place, she has a serious brush with danger.

It’s an interesting mystery that invites readers to try to figure out the clues along with Kate and Oscar as they ponder the sampler with the strange motto left behind by the Strawbridge twins. Oscar also introduces Kate to Sherlock Holmes stories, one of which provides her with the inspiration to solve the mystery. Kate also develops better feelings for the hobos, who, like the runaway slaves, turn out to be mostly ordinary people just looking for a better life.

The book is available to borrow and read for free online through Internet Archive.  There is also a prequel book that focuses on the original adventures of the Strawbridge family when the house was operating as a stop on the Underground Railroad called The Diary of the Strawbridge Place.

Posted on by TracyC

A Year Down Yonder

YearDownYonderA Year Down Yonder by Richard Peck, 2000.

This is the sequel to A Long Way from Chicago. The story takes place shortly after the Great Depression, in 1937.

Times are still hard, and a recession has left a lot of people out of work again. Mary Alice’s father is out of work, and her brother Joey is out west working for the Civilian Conservation Corps. Because her family has to move to a smaller apartment, fifteen-year-old Mary Alice leaves Chicago to stay with her Grandma in the country for the year. Times are hard in Grandma’s small town as well, but Mary Alice’s Grandma is as wily and eccentric as ever.

Like the first book, this book is really a series of short stories about Mary Alice’s adventures with her Grandma during their year together. The stories generally have a hilarious turn as Grandma gets the better of everyone, often in the name justice or a good cause.  (Although, Grandma’s sense of justice is debatable since it involves “borrowing” pumpkins from the neighbors in the dead of night and other questionable activities.)

These stories present a detailed picture of rural life during the 1930s, from pranks played on Halloween to how Armistice Day was celebrated in the years following World War I, when people were still alive who had strong memories of that war. The stories also capture some of the personalities and politics of life in a small town, from a disreputable family of outcasts to the local elite, who have more money than the others and brag about having ancestors who fought in the Revolutionary War (which may or may not be so).

Rich Chicago Girl: Mary Alice arrives in Grandma’s small town and is enrolled in the local school.  She meets the class bully, and Grandma helps her to deal with her.

Vittles and Vengeance: At Halloween, Grandma gets revenge against a group of pranksters and raids her neighbors for ingredients to make the school Halloween party better.

A Minute in the Morning: Armistice Day, November 11, has more meaning for people who have actual memories of The Great War (World War I).  Grandma makes sure that those who can afford it pay what they owe to the veterans of that war and shows Mary Alice the price that some soldiers paid for supporting their country.

Away in a Manger: Mary Alice is picked to play Mary in the school’s Christmas Nativity play.  The baby Jesus turns out to be a surprise for the whole town, and Grandma arranges a special surprise for Mary Alice.

Hearts and Flour: The head of the local branch of the DAR pushes Grandma to make cherry tarts for their annual tea in honor of George Washington’s birthday.  Since she will neither allow Grandma to join the DAR (because Grandma doesn’t have the proper lineage) nor pay Grandma for her work (she thinks Grandma should ‘volunteer’ her services as part of her patriotic duty), Grandma insists that if she bakes, she must host the tea as well . . . with a couple of special surprise guests.  Meanwhile, a handsome new boy named Royce joins Mary Alice’s class at school.

A Dangerous Man: An artist working for the WPA rents a room from Grandma, treating Mary Alice and Royce to a scandalous but hilarious sight when his subject matter gets out of hand.

Gone with the Wind: A tornado sweeps through the town, and Grandma and Mary Alice go to check on residents who live alone.  Mary Alice also prepares to return home to her parents in Chicago.

Ever After: The final story in the book is about Mary Alice’s wedding, years later, toward the end of World War II.

This book is a Newbery Award winner.  There are multiple copies currently available online through Internet Archive.

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A Long Way from Chicago

LongWayChicagoA Long Way from Chicago by Richard Peck, 1998.

Joey and Mary Alice live in Chicago during the Great Depression, but every summer, they go to stay with their grandmother in a small town in Illinois. At first, the kids think that staying with their grandmother will be boring, but they soon find out that Grandma is anything but. She’s an eccentric woman who doesn’t let anyone boss her around and doesn’t have much respect for any rules but her own. Although she’s pretty tough, Joe and Mary Alice learn that, deep down, Grandma really does care about other people and tries to help them, even though she often gets into a lot of trouble in the process. Each chapter is a short story from each of the summers that the kids spend with their grandmother, from 1929 to 1935:

Shotgun Cheatham’s Last Night Above Ground (1929): When a reporter comes looking for information about a recently deceased local character, Grandma volunteers to hold a wake for him in order to teach everyone a lesson about truth and gossip.

The Mouse in the Milk (1930): When a group of local pranksters needs to be punished, Grandma decides to play a little trick of her own to get even.

A One-Woman Crime Wave (1931): Grandma turns to trespassing and illegal fishing in her quest to feed the hungry.

The Day of Judgment (1932): Grandma enters a baking contest at the county fair for the glory of her home town and a chance to ride in an airplane.

The Phantom Brakeman (1933): Mary Alice tries to help a young woman escape from her abusive mother, and Grandma brings a ghost story to life for the sake of young love.

Things with Wings (1934): Effie Wilcox, a neighbor of Grandma’s, loses her house to the bank, but Grandma comes to the rescue by demonstrating the power of rumors.

Centennial Summer (1935): As Grandma’s town celebrates its centennial, Grandma decides that uppity Mrs. Weidenbach, the banker’s wife, needs to be taught a lesson.

The Troop Train (1942): Joe, now much older, has enlisted in the Army Air Corps during World War II. As the train taking him to his basic training passes Grandma’s town, she’s there to wave to him.

During the course of the stories, the author includes details about how Prohibition and the Great Depression affected people and other details about life in the early 1930s. This book is a Newbery Honor Book.  There are multiple copies available online through Internet Archive.