history – Page 11 – Jestress's Forgotten Books and Stories

Posted on August 13, 2018January 19, 2019 by TracyC · 1 Comment

Immigrant Kids

Immigrant Kids by Russell Freedman, 1980.

One of the best parts about this book is the pictures. The preface of the book specifically talks about photography at the turn of the 20^th century, how cameras were still fairly new technology but growing in popularity. Cameras that were small enough to be held in a person’s hands were an 1880s innovation, and the book mentions that small cameras like that were known as “detective cameras” because they were small enough that they could be used to take pictures without the subjects noticing. Over time, it became easier for amateurs to learn to use cameras, and it became more common for people to take pictures of their ordinary, everyday lives. Pictures like these open up a window on the past. The pictures in this book are of children whose families had only recently arrived in America from countries around the world. The photographer for many of these pictures was Jacob A. Riis, a journalist in New York City who wanted to document the living conditions of poor immigrants. He published a book called How the Other Half Lives in 1890, in which you can see more of his work. Other pictures in this book are by Lewis Hine, who is known for his photographs of child laborers. They are not the only photographers whose work appears in this book, but they are the most famous.

The book is divided into sections, covering different aspects of the lives of immigrant children. In the chapter called Coming Over, the author describes what the journey to America was like. One of the primary motivations for people to come to America around the turn of the century was money and employment opportunities. If a family had little money and little or no chance of getting better jobs in their home country, they would decide to try their luck somewhere else. Because most of the immigrant families were poor, it was common for families to immigrate gradually. Often, the father of the family would come first, find a job, start establishing a life and home for his family, and eventually send for his wife and children when he’d saved enough money. The actual journey was by ship, often in “steerage,” the cheapest form of passage available, in cramped rooms in the ship’s hold.

Although the journey could be harrowing, one of the most nerve-wracking parts was the immigrant processing that took place at immigrant ports like Ellis Island. There were routine questions that immigrants were expected to answer and exams for them to take, and if the questioners weren’t satisfied, the immigrants could be sent back to the country they came from. Doctors would examine the immigrants to evaluate their health and look for signs of possible mental defects. They were particularly concerned about signs of infectious diseases. Sometimes, it was difficult for immigrants to answer all the questions because of language barriers and the immigrants’ own nerves at being interrogated. If an immigrant seemed too agitated, the examiners would typically let them rest for a while before trying again.

The other chapters in the book are At Home, At School, At Work, and At Play, which give more details about the lives of immigrant children as their families settled in America. They often settled in large cities because those were where the most employment opportunities were to be found. Because they didn’t speak much English and needed help learning how things worked in America, such as how to find jobs and places to live and how laws worked, they tended to settle in neighborhoods with others from similar backgrounds who could help them. That is why, even to this day, there are certain areas of large cities, such as New York, Boston, or Chicago, which are known for people of a particular nationality (like the Irish neighborhood, the Jewish neighborhood, Chinatowns, etc.). New arrivals often joined friends or relatives who had already been living in the US for a while, seeking help in getting themselves established. These ethnic neighborhoods were located in poor parts of town because the people there didn’t have much money. People lived in small, crowded apartments called tenements, sharing water and toilet facilities with other families because the apartments were not provided with individual facilities. However, once these groups of immigrant families became established, they remained established for a long time, and they gave these neighborhoods their own distinctive style.

School was often difficult for new arrivals because the children had to learn English before they could study other subjects. There were some special English language learning classes for them at larger schools with enough demand for them. At smaller schools which didn’t have these classes, they often had help from other children who had arrived in America earlier and could act as translators. They were also frequently put into classes for children who were younger than they were, studying easy subjects, until they had learned enough English to move up to classes with children their own age.

Typically, immigrant children aimed to stay in school until they were fourteen years old because that was the age when they could officially get full-time work. However, because their families were poor, the children might have to leave school early to find jobs and help their families make ends meet. The book describes how rules were frequently bent or broken because the laws were not well-enforced, and children often worked at younger ages, even under harsh conditions. For immigrant children, the most important education was that which taught practical, vocational skills that would help them find jobs quickly. Some agencies, like the Children’s Aid Society (known for the Orphan Trains), would help them with vocational training.

However, immigrant children still like to play. Boys and girls usually played separately. Boys frequently played games like baseball in the street, or stickball, which was a variant that could be played in smaller spaces. In stickball, the “bat” was a stick or the handle of an old broom, and the ball was rubber and allowed to bounce before it was hit. Girls would play other games, like “potsy,” which was a version of hopscotch.

Because of the lessons they were taught in schools and because the immigrant children mixed with children outside of their immigrant groups in school, the children absorbed the local culture and became Americanized faster than their parents. Many of them experienced the feelings of being torn between their parents’ traditions and wanting to fit in with society around them.

In each of the chapters in the book, there are anecdotes from people who had arrived in the US as children around the turn of the century, telling stories about different aspects of their lives.

The book is currently available online through Internet Archive.

Posted on August 10, 2018January 19, 2019 by TracyC

Under Copp’s Hill

Under Copp’s Hill by Katherine Ayres, 2000.

This book is part of the American Girl History Mysteries series.

The year is 1908, and eleven-year-old Innocenza Moretti lives with her relatives in Boston. They are immigrants from Italy. Innie, as her family calls her, is an orphan. According to the story that her grandmother told her, she was the only one of her parents’ children to survive infancy, her siblings being born prematurely and dying shortly after birth. Innie’s mother was so grateful that Innie survived that she promised her to the Holy Mother at her baptism. Then, Innie’s parents died in a fire in their tenement building when she was about two years old. Innie and her grandmother, Nonna, survived the fire only because little Innie had started crying in the night, and she took her outside to walk her around so that she wouldn’t wake her parents. Because of that experience, Nonna is deathly afraid of fire and also has become convinced that the Holy Mother must have spared Innie (as well as herself). She thinks that Innie is destined to become a nun and has continued to promise her to the Holy Mother in prayer, repeating the promise regularly. Although Nonna thinks that the miracles surrounding Innie’s life are signs of a future life in the Church for Innie, her grandmother’s promises in prayer terrify Innie.

Innie feels trapped by her grandmother’s expectations for her, expectations that the rest of her family don’t even know about. She doesn’t want to be a nun, but her grandmother is sure that she will be. Because of her fears that her grandmother may force her to become a nun when she grows up, Innie is never on her best behavior. She thinks that if she gets a reputation as a trouble-maker, the Church will decide that she is unsuited for a religious life. Unfortunately, Innie’s long-practiced habit of ignoring rules and her problem child reputation lead her to be suspected of something worse than just minor misbehaving.

Innie’s family owns a boardinghouse where they provide food and lodging for young immigrant men. Innie and Nonna live on the ground floor, and Innie’s aunt, uncle, and cousins live above them. Innie spends a lot of time with her cousins, especially Teresa, who is about her age. Her older cousin, Carmela, persuades both Teresa and Innie to join a library club at a new settlement house with her. The settlement house helps girls and young women from immigrant families by teaching them work skills and aspects of American culture that they can use as they become American citizens in exchange for some of the work that the girls do on behalf of the settlement house. Carmela has taken a new job as a pottery painter there and tells her parents that it will be good for Teresa and Innie to go there as well because they will receive help with their schoolwork and they will also have classes to teach them skills like sewing, knitting, and pottery, that they can use to make money later. However, the real attraction of the club for the girls is that they get to listen to music, have dancing lessons, read books, and socialize with other girls about their age. The prospect of sewing classes isn’t appealing for Innie, but she loves books and looks forward to borrowing some from the settlement house library.

At the settlement house, Innie meets a variety of girls from other immigrant families, not just Italian ones. In particular, Innie makes friends with a girl named Matela, who is a Jewish girl from Russia. As the girls talk about a recent, large fire in town, Matela talks about the czar’s soldiers burning things back in Russia and how she misses her grandfather, who is still there. Innie understands Matela’s feelings because she knows what it’s like to miss someone. She doesn’t really remember her parents, but she feels the lack of them in her life. Teresa also becomes friends with Matela, but the three girls agree to keep their friendship secret because each of their families prefers them to associate with girls from backgrounds similar to their own. Innie’s uncle wants the girls to spend time with other Italians, and Matela admits that her father prefers her to spend time with other Jewish girls. The adults don’t really understand the cultural mix at the settlement house.

However, from the very first day that the girls begin going to events at the house, strange things start happening. Things disappear or are oddly moved about. Food disappears. A silver teapot belonging to the ladies who run the settlement house is stolen. Then, someone steals some pottery and a shawl.

To Innie’s horror, she ends up becoming the prime suspect for the thefts because she was caught snooping in an area of the house where she didn’t belong and because she accidentally broke one of the pieces of pottery that the others girls made and tried to sweep it up without telling anyone. When she and her friends snoop around and try to find the missing objects, Innie discovers one of the missing pottery pieces. However, instead of being happy for the clue, the ladies who run the house just think that Innie must have broken more of the pottery and tried to cover it up, like she did before, by hiding the rest of the set. After all, if she was doing some things she shouldn’t have been doing, it’s plausible that she could be a thief, too.

If Innie is going to remain a member of the library club (and continue to have access to books that she can read), she’s going to have to prove her innocence. In fact, proving her innocence may also be important for Carmela, who is supposed to have a citizenship hearing soon. If Innie’s bad reputation causes problems for her at work, she may lose her job and be denied American citizenship!

Matela thinks that the thief could be a ghost from the nearby Copp’s Hill graveyard, but Innie is sure that it must be a human being. There are secrets at the settlement house that even the ladies who run it are unaware of and someone who desperately needs help and can’t ask for it.

Teresa and Matela continue to help Innie, and in the process, Innie confesses to Matela her fears about becoming a nun. It is Matela who helps Innie to find the solution to her problem, urging her to step outside of the small community of Italian immigrants that her family clings to and to seek advice from a priest in the Irish area of the city. As a priest, he has the knowledge that Innie needs to understand her faith, and because he doesn’t know Innie’s family personally, he has the objectivity to help Innie to see her grandmother’s promise in a new light and to understand that her future destiny is still in her own hands. No one can speak for another person or make important promises on their behalf. A religious vocation is a serious decision that only a mature adult can make for herself, or not make, as the case may be. The priest tells her that, as young as she is, Innie should focus on learning to be a good person, and then she will see what direction life leads her. With that knowledge, of course, Innie realizes that she will have to put more effort into behaving herself, but it’s a relief to her to realize that she doesn’t need to purposely misbehave in order to control her life.

Eventually, Innie’s aunt also learns about the grandmother’s promise and Innie’s worries and reassures her that, although her grandmother can be an intimidating woman with what she wants, Innie’s family loves her and that she shouldn’t be afraid to come to them with her questions and concerns. Innie has thought of herself as parentless, at the mercy of her grandmother’s wishes and expectations, but her aunt says that she loves Innie like she does her own daughters and that Innie is as much a part of their family as they are. If Innie has problems, her aunt will be there for her, helping her find whatever answers she needs.

There is also a subplot about how girls in immigrant families (at least, in ones like Innie’s family) aren’t as highly-regarded as boys. When the family is discussing important matters, Innie often tries to comment on what she thinks, but her grandmother keeps telling her to be quiet because it isn’t a girl’s place to comment on business that men should handle and her male cousins sneer at her because they don’t think she knows anything. However, when Innie’s uncle is worried about the legal papers he has to sign in order to open his new grocery business because his English still isn’t good enough to understand them, Innie points out that Carmela’s English is the best of the family because of all the books she had to read and the paperwork she had to complete when she was applying for citizenship and that she would be the best person to study the paperwork. At first, her grandmother makes her try to be quiet and her male cousins laugh, but Carmela speaks up and says that she can help her father, if he wants her to, and her father agrees, on the condition that she act as translator and adviser and let him make the final decisions about the business. Carmela is happy because the arrangement allows her to use her skills without taking her away from the pottery painting that she loves. The point of this part of the story is about acknowledging the talents that people possess and not disregarding them because they are outside of the usual roles and expectations. It fits in with the subplot about the grandmother’s expectations for Innie’s future, which are not really in keeping with either her talents or character. The young people in the story are growing up under different circumstances than their parents, and they will have to learn to find their own way in life, using the abilities they have and the education they can find.

In the back of the book, there is a section with historical information about Boston in 1908. The fire that happens around the time that the story takes place was a real event. The settlement house with its library club was also real, and the ladies who run the settlement house, Miss Brown and Miss Guerrier, were also real people. The book explains more about what life was like for immigrant families like Innie’s and about what the future held for girls like her. Many of the girls who attended the library clubs later became librarians and teachers themselves, which may be Innie’s eventual destiny when she grows up. The book also mentions that the area of Boston where Innie’s family lived still has many Italian restaurants and groceries that were started by immigrant families like Innie’s, so we can imagine that the grocery store that Innie’s uncle wants to open will be successful.

The book is currently available online through Internet Archive.

Posted on August 3, 2018January 19, 2019 by TracyC

Daily Life in a Victorian House

Daily Life in a Victorian House by Laura Wilson, 1993.

The book begins by giving some background on the Victorian era, which lasted from 1838, when Victoria became Queen of England, to Queen Victoria’s death in 1901. It was a time of expansion and colonization for the British Empire. Society was becoming increasingly industrialized and urban, although there was still great inequality about who had voting rights, and there were great gaps between rich and poor people.

To explain what a typical day might be like for people living in the Victorian era, the book introduces a fictional upper middle class family, the Smiths. It explains some of the background of the Smith family and the members of the Smith household. Mr. George Smith, the head of the household, is a lawyer. His wife, Florence, does not need to work, so she spends her time overseeing the household servants, managing the household accounts (how much money is needed for household expenses such as food, clothes, and supplies), visiting friends, and shopping. Mr. Smith’s income is good enough to afford for the family to have a cook, two maids, and a nurse to look after the youngest children in the family.

The Smiths have three living children. One of their daughters died in infancy, which was sadly common for that era. The eldest boy in the family, Albert, spends most of his time away at boarding school. The two youngest children, Alice and John, are cared for by their nurse. When John is old enough, he will go away to boarding school, like Albert, but Alice will probably be tutored at home. Their parents spend surprisingly little time with them, even in the general course of a day.

There is a map of the Smiths’ house, and then the book begins explaining what each of the members of the house do at different times of the day. Each day, the servants are the first to get up because they need to light the fires to heat the house and start cleaning and making breakfast, which would be a large meal.

Something that I thought was interesting was that the cook typically purchased food from tradesmen who sold their goods door-to-door. This was also important to the maids, who are in their teens, because they worked such long hours that they really wouldn’t have had time to get away and met young men in any other way. Their suitors would likely be the young tradesmen. Of course, the young tradesmen would have met many young female servants at all of the households they visited during their daily rounds.

The maids would have spent their days cleaning, tasks that would have been more time-consuming without more modern inventions. Vacuum cleaners were invented toward the end of the era, in 1899. Cooking was also a time-consuming job, although the book does explain some innovations for the Victorian kitchen. Because Mrs. Smith had servants to do all of her cooking and cleaning for her, she never even went into her own kitchen at all. It was considered improper for a lady with servants to handle menial tasks herself, and the servants wouldn’t have welcomed her interference in their work.

I liked the sections of the book that explained about the lives of children in the Victorian era the best, although I was surprised at how little time children from well-off families would have spent with their parents. Generally, young children would see their parents in the morning for prayers and spend about an hour with their mother in the late afternoon. Other than that, they would spend most of their time in the nursery with their nurse, who would take care of them and didn’t welcome much parental interference any more than the cook would welcome the lady of the house supervising her work.

I also liked the sections about toys and games and entertainment as well as the description of what young Albert’s life would have been like at boarding school. The book also explains what life and childhood were like for less fortunate people during the Victorian era.

Overall, I really liked this book. It’s a good introduction to Victorian history and life, and it does one of the things that I really wish adult books would do more often: have pictures. Pictures really are worth a thousand words, and actually showing the objects that people of this time would have used in their daily lives is far more effective than pages of lengthy descriptions of them in words only.

The book is currently available online through Internet Archive.

Posted on August 1, 2018November 28, 2021 by TracyC · 1 Comment

Chimney Sweeps

Chimney Sweeps by James Cross Giblin, 1982.

This book explains about the history and traditions of chimney sweeps. I love books that cover odd topics from history like this!

It starts by explaining the origins of chimneys in the Middle Ages. Before they were invented, people would have to have simple holes in the roofs of their houses to let out smoke from heating and cooking fires, or they would have had to rely on windows or doors to perform the function of venting smoke. Chimneys vent smoke more efficiently, but the more they are used, the more soot collects inside them, and they need to be cleaned out from time to time. If they aren’t cleaned, the build-up inside could either block air from getting to the fire in the fireplace, causing the fire to go out sooner, or it could pose a fire risk because the build-up inside the chimney is still flammable. Sometimes, home owners could clean their own chimneys, if they weren’t very tall, but the taller the chimney is, the more professionals are needed to clean it.

Modern chimney cleaners have vacuums that they can use to clean soot out of a chimney, but originally, people were basically relying on brushes. The book explains the evolution of the profession and variations in the profession between England, Germany, and the United States. Germany is significant to the profession because it was one of the first places where chimney sweep became a recognized profession and there were laws even in the 1400s that all chimneys had to be cleaned twice year. (Remember that chimneys that haven’t been cleaned can be a real fire risk, posing a danger not only to you but your neighbors, especially during a time when most buildings are made of wood and other highly flammable materials.) When chimney sweep became a recognized profession during the Middle Ages, members of the profession formed a guild (as was traditional for different professions in general during the Middle Ages) and established rules and standards for the profession. One of the responsibilities of a guild was to decide on the training and qualifications that the profession requires, and in the case of chimney sweeps, the only way to learn was by serving an apprenticeship. The apprentice would live with a master sweep for three years, learning the trade, and at the end of his training, he would have to prove that he could clean a difficult chimney all by himself with thoroughness and reasonable speed.

There are many traditions and superstitions that came to surround the profession of chimney sweep. One of them that you can still sometimes see even in modern times is the image of the chimney sweep in a top hat. The exact reasons for adopting a top hat and tailcoat as part of their uniform are uncertain, but it began back in the 1500s in Europe. The sweeps often got their top hats and tailcoats as secondhand clothing from undertakers (yes, really). Part of the reason for wearing them might have been as an effort to look professional, but the color black was also suitable for a person who was going to end up covered in soot. According to superstition, the top hat would help to protect the chimney sweep from falling when he was on the roof of a house. Chimney sweeps were often thought to be lucky because their jobs were dangerous, yet they survived.

However, chimney sweeps’ lives and work were often hard. In 18^th century England, their jobs became more difficult because chimneys were purposely being built in narrow, crooked zigzags. The idea behind the crooked chimneys was that they would keep more heat in, but that made them much harder to clean. Because brushes couldn’t make it around the bends of these chimneys and adults couldn’t get into the narrow flues, sweeps became reliant on young boys to climb up into them and clean them by hand. Although the law required boy apprentices to be no younger than eight years old, many sweeps used boys as young as four or five. Sometimes these boys were official apprentices with the permission of their parents (typically from poor families with many children) or even the sweep’s own children (sometimes, they used their daughters because girls were often smaller than boys). If they couldn’t get children any other way, sometimes sweeps would get children from orphanages or might even resort to kidnapping. The author of this book includes a short story about what a day in the life of a child chimney sweep was like.

The plight of child chimney sweeps came to light during the early 19^th century, when people were starting to become concerned about child labor of all kinds. At first, there was strong opposition to banning child chimney sweeps and using new cleaning devices because the adult chimney sweeps saw it as a threat to their livelihoods and home owners were worried that new methods would be more expensive for them (of the two, I think I’m more offended at the home owners’ attitudes because of the implication that they were more upset about a possible slight increase in expense than the risk to the lives of the children they knowingly endangered). Many of the child chimney sweeps suffered severe and permanent health problems because they were forced to do this kind of work at an early age, while they were still growing, and because they inhaled and were covered with soot for such long periods.

In the back of the book, there is a poem by William Blake called “The Chimney Sweeper,” which was published in Songs of Innocence in 1789. Knowing the risks to young children, like the little boys in the poem, makes the poem seem pretty disturbing, which may actually be the author’s intention. Eventually, after long years of struggles in which children were still exploited in chimney sweeping spite of regulations against it, in 1875, Parliament tightened regulations against child labor even further, forcing chimney sweeps to apply for licenses in order to practice their trade, listing each of their apprentices and their ages.

Chimney sweeping in American history was a little different from the way things were done in Europe. The American colonists sometimes tried some strange tactics for cleaning their chimneys. One of the oddest methods was to tie a rope to a goose’s feet and lower it down the chimney. The goose would become frightened and flap its wings, thus knocking the soot loose. When the job was done, the home owner would pull the goose out of the chimney and wash it off. Another tactic was to actually burn the excess soot out of the chimney, although there was a risk of simply setting the house on fire. Later, American cities had official chimney sweeps who were licensed and regulated. On Southern plantations, slaves were used as chimney sweeps, and some of them continued to work as chimney sweeps after they gained their freedom.

Later, when homes began to be heated by other sources than fireplaces, chimney sweeps were in less demand, although there was increased demand in the 1970s, during the energy crisis, because people started using their fireplaces more instead of relying on other heating methods that involved scarce or expensive fuel. Chimney sweeps can also perform other duties beyond simply cleaning chimneys, depending on where they live. For example, in Germany, sweeps perform inspections of factories and homes to make sure that they are using fuels efficiently, looking for sources of needless pollution, which can lead to fines for the owners of the buildings if the problems are not corrected. Some people might also become chimney sweeps as a seasonal part-time job, while they also have another career.

The book is available to borrow and read for free online through Internet Archive.

Posted on July 30, 2018January 19, 2019 by TracyC

Great Imposters

Great Imposters by George Sullivan, 1982.

This is one of those unusual history books that I like about odd, little-covered topics. The author begins by explaining what an imposter is: “a person who practices deception under an assumed name or character.” Each of the people in the following collected stories is pretending to be someone they’re not, for a variety of different reasons. The author points out the differences in the imposters’ motives, which range from pure greed to a desire for fame and attention to thrill-seeking behavior. Each of these stories really happened, and the people involved were real people, even if their claimed identities weren’t. The stories skip around in time and location, so they can be read in any order.

Willie the Actor – Willie Sutton started out as a petty thief while growing up in a tough Brooklyn neighborhood and later graduated to pulling a series of daring robberies while wearing various disguises during the 1930s through the early 1950s.

Bad Habit – Ferdinand “Fred” Waldo Demara, Jr. was the son of a fairly wealthy man who later lost the family’s money. Sis family’s loss of their previously well-off position was hard for Fred, and it led to a lifetime of him trying his hand at various professions (winging it without proper qualifications) and adopting (or stealing) new identities. The movie The Great Imposter was based on his life and exploits.

Princess of Pretense – Sarah Wilson was a maid in the household of Queen Charlotte in England during the 18^th century. When she stole some clothes and jewelry belonging to the queen, she was exiled to the American colonies as an indentured servant. However, she used her knowledge of royal and the objects she stole to run away and pose as an exiled younger sister of the queen.

Lord Gordon-Gordon – Philip Guy spent his youth stealing and selling stolen goods for extra money until he ended up stealing a trunk that happened to contain gentlemen’s clothes that happened to fit him. When he noticed how much better everyone treated him when he was dressed as a wealthy gentleman, he created a new identity for himself as an English lord, undertaking greater thefts and frauds to maintain it.

The Counterfeit Count – Victor Lustig acquired a skill for languages when he was young and later used them when he masqueraded as an impoverished nobleman, covering up his gambling habits and confidence swindles in Europe and America, including his daring scheme in 1920s Paris to sell people materials from the Eiffel Tower, which was supposedly going to be dismantled. He also once successfully swindled Al Capone.

The Claimant – During the mid-1800s, Arthur Orton pretended to be Roger Tichborne, the long-lost (and probably deceased) heir to an English baron.

The Baron of Arizona – James Addison Reavis, a former Confederate soldier from the American Civil War, learned that he had a talent for forgery and tried to use it to forge land grants, giving himself a large section of land in the Arizona Territory and the title the “Baron of Arizona.”

The Actress – Constance Cassandra “Cassie” Chadwick was a girl from a poor family in the 1800s who posed as a spiritualist, swindling people while claiming to save them from terrible fates, and later, pretended to be a lover of Andrew Carnegie. (This book doesn’t mention it, but other sources say that Cassie’s real name was Elizabeth Bigley, and they say that she claimed to be Carnegie’s daughter, not his lover.)

Electronic Trickery – Reginald Jones was a scientist in Britain during the 1940s. He was also a practical joker who enjoyed taking on new identities in order to play pranks on friends and colleagues over the phone. Later, during WWII, he found ways to put his practical joking to practical use.

The Skywayman – Frank Abagnale took on a variety of new identities while writing bad checks during the 1960s and 1970s. The story of his life was later turned into a book called Catch Me If You Can and a movie of the same name.

Dangerous Game – This chapter is about WWII intelligence agents, who also had to assume new identities to do their jobs without being caught.

The Man of a Hundred Lies – Stanley Clifford Weyman was an imposter from the 1920s through the mid-20^th century who held a variety of prestigious positions . . . all self-appointed.

The book is currently available online through Internet Archive.

Posted on July 25, 2018December 20, 2018 by TracyC

In Darkness, Death

InDarknessDeath

In Darkness, Death by Dorothy and Thomas Hoobler, 2004.

This book is part of The Samurai Detective Series.

One night, after a party, Lord Inaba is killed in his room by a mysterious intruder. The only clue to the intruder’s identity is a red origami butterfly left at the scene. Lord Inaba’s death is an embarrassment to the shogun because Lord Inaba was in Edo under his protection.

It doesn’t take Judge Ooka long to decide that the murderer was a ninja. Ninjas are hired assassins known for their stealth and great skill with weapons. The butterfly left at the scene was to purify the spirit of the dead man and keep it from coming after his killer.

However, Judge Ooka says that it is not enough to know that that the murderer was a ninja; what they have to find out is who hired the ninja. He assigns Seikei the task of finding the source of the butterfly and learning who Lord Inaba’s enemies were. Judge Ooka finds a ninja he knows, Tatsuno, and convinces him to accompany Seikei on a journey through Lord Inaba’s territory and to teach him what ninjas are like. Although Seikei is not sure that he trusts Tatsuno, he learns to be grateful to him for his help and for saving him from the real danger, which comes from a surprising source.

While many children’s movies glorify the ninja, in real life, they were mercenaries, assassins for hire. They used clever tricks in order to gain access to their victims and to get away without being caught, which ended up giving rise to a number of legends about them, attributing an almost supernatural quality to their skills. While searching for the assassin and the person who hired him, Seikei learns a number of the tricks that ninjas used and the security measures that people would take to try to guard against them, such as nightingale floors (here is a video of a nightingale floor in a Japanese castle and another where you can hear the floor even better).

The book is currently available online through Internet Archive.

Posted on July 23, 2018December 20, 2018 by TracyC

The Demon in the Teahouse

DemonTeahouse

The Demon in the Teahouse by Dorothy and Thomas Hoobler, 2001.

This is the second book in the Samurai Detective series. Like other books in this series, it is not a book for young children!

Seikei is trying hard to learn all the things he must know as a samurai and Judge Ooka’s adopted son. One evening, while the judge is in Edo (now called Tokyo), he sends a message that Seikei and the other samurai must come immediately. Edo is in a state of emergency because of a series of fires that have been deliberately set in shops around the city. Although Judge Ooka helped to design a system of watch towers and fire brigades to help the city in case of fire, the threat of fire is still very serious because most of the buildings in Edo are made of wood.

The only clue they have to the person setting the fires is a geisha who was in one of the shops before it burned. Judge Ooka and Seikei go to the city’s pleasure district, Yoshiwara, where there are theaters and teahouses where geishas provide entertainment. While they are there, they learn that geishas have been dying under mysterious circumstances, and the people of Yoshiwara are afraid.

Judge Ooka has Seikei take a job as a servant at a teahouse in order to learn more. He soon discovers that the dead girls were all friends of Umae, one of the most popular geishas. Then, one of Umae’s many admirers brings her a present, and she is horrified to discover that it is the kimono that one of the dead girls was wearing. Who brought her the kimono, and what connection does she have to the fires?

The nature of the villain and the villain’s motives is rather dark for a middle school level book (although some middle school level books do get fairly dark). Although the reading level of the book would be fine for someone aged twelve to fourteen, the subject matter might make the story more appropriate for someone a little older. I recommend parental discretion on this one. (Remember, it takes place in the “pleasure district” of Edo.) It’s an exciting story, and it contains an interesting picture of feudal Japan, but it’s definitely not for young children!

The part about Judge Ooka organizing watch towers and fire brigades is something that the real, historical Judge Ooka actually did.

The book is currently available online through Internet Archive.

Posted on July 6, 2018December 20, 2018 by TracyC

The True Tale of Johnny Appleseed

JohnnyAppleseed

The True Tale of Johnny Appleseed by Margaret Hodges, 1997.

This American folktale was based on the life of a real person, John Chapman.

Johnny Appleseed was born as Johnny Chapman in 1774. His family lived in Massachusetts. There were plenty of apple trees there, and Johnny loved them. When he was grown, he started traveling west with the idea of spreading apple trees.

He carried very little with him, and some people said that he wore the pot that he used to cook his meals on his head as he walked. Everywhere he went, he planted apple seeds.

His reputation spread, and although people thought that traveling around just to plant apple seeds sounded crazy, they sometimes let him stay with them on his travels. Even Native Americans seemed to like him because he was friendly and helpful and interested in learning their languages. His legacy continued long after his death with trees that were enjoyed by generations of families across the Midwest.

There is a section in the back of the book that explains more about the history behind Johnny Appleseed’s story, including the end of the Revolutionary War and the beginning of westward migration in America. One of the things they mention is the effect that the War of 1812 had on relations between pioneers and Native Americans. Because pioneers were already pushing into the territory of Native Americans in the area that later became Ohio, the tribes there sided with the British in the war, hoping to push out the invading pioneers. After the war was over, though, the pioneers continued to come west, and when they did, they retaliated against the tribes that had been on the side of the British. The pioneers could be brutal, and part of the reason that Native Americans liked Johnny Appleseed was that he was different. He wasn’t trying to hurt anyone or take land for himself; he just wanted to plant trees. After he planted trees, he would build fences around them to keep animals from eating them while they were growing.

John Chapman’s life was unconventional. He never married, and he acted as a Christian missionary in his travels as well as a planter. Although he could be regarded as something of an oddball in the itinerant way he lived his life, he became a legend.

The book is currently available online through Internet Archive.

Posted on June 18, 2018June 4, 2021 by TracyC

Hitty, Her First Hundred Years

Hitty

Hitty, Her First Hundred Years by Rachel Field, 1929.

Sometimes, I debate about how much detail I should use when describing the plots of books, but since this is such an old book and a more recently released version has altered the events in Hitty’s life significantly, I’ve decided to cover it in detail. I do not have the updated version and haven’t read it, so what I describe below is the older version. The book is episodic in nature, following the life and travels of a small doll named Hitty. This book is a Newbery Award winner and is currently available online through Internet Archive (multiple copies).

These are the memoirs and adventures of a hundred-year-old wooden doll, which she writes as she lives in antique shop. She doesn’t recall exactly when she was made, but she knows that it was about a century earlier and that she was carved by a peddler in Maine for a little girl named Phoebe Preble.

HittyMemoirs The peddler did some odd jobs for the Preble family on their farm that winter, while the weather was too bad for him to travel. They named the doll Mehitabel (a Biblical name from the Old Testament), and Phoebe nicknamed her Hitty. At her mother’s insistence, Phoebe made clothes for Hitty and embroidered Hitty’s name on the doll’s petticoat. Phoebe’s mother says that as long as she has her name on her clothes, she’ll always know what it is, whatever happens to her. Phoebe doesn’t see what could happen to Hitty because she wants to keep her forever, but Hitty is destined to live an adventurous life.

Phoebe misplaces Hitty more than once during their time together. The first time, she accidentally leaves her at church (when she wasn’t even supposed to bring her there in the first place). Then, Phoebe takes Hitty out to play one day, but she and her brother are frightened when they see some American Indians. (Phoebe lives in the early 1800s.) When they run away from the Indians, Phoebe accidentally leaves Hitty behind. Then, Hitty is picked up by a curious crow and carried to the tree next to the Preble house. She hangs from a tree branch for awhile before they realize that she is there and rescue her.

HittyShipwrecked Then, Phoebe’s father, who is the captain of a whaling ship, convinces his family to join him on a voyage. Life aboard ship turns out to be both exciting and perilous. One day, the ship catches fire, and the Preble family and all the crew abandon it. Hitty, once again, is unfortunately left behind. Although Hitty sees Phoebe gesture back at the ship and knows that Phoebe wants to return for her, it is too late for that.

However, luck is with Hitty, and instead of being burned, she is washed overboard as the ship goes down. Miraculously, she is washed ashore and found once again by the Preble family, who are now castaways on an island. They hope for rescue but fear the “natives” on the island. (Yep. “Savages”, “natives”, etc. These are sadly a common feature in vintage children’s literature. See Edward Eager’s Magic by the Lake for a funnier spoof version. The scene in this book is the sort of generic “savage natives” or “native savages” scenes he was making fun of, except that nobody tries any silly ooga-booga talk to communicate with them, and they don’t turn out to be cannibals. But, it does occur to me that if this book had been written in modern times, people would have insisted that the author give the proper name for the civilization on this island instead of just calling them “natives” and thoroughly research their actual habits and customs and present them in an informative, realistic way for the education of children reading this book, while writers and parents during this period didn’t seem to care about any of that. Keep this in mind the next time someone tells you that younger generations are lazier and not as well-educated.)

One day, the natives come to have a look at the castaways, and their leader catches sight of Hitty and demands (through gestures) that she be handed over to him. Phoebe doesn’t want to give up her doll, but her father tells her that she has to. It turns out that the natives think that Hitty might be an idol that gives the castaways power, which is why they want it for themselves. Hitty is taken back to the natives’ village, and they use her as an idol themselves, making a little shrine to house her.

Hitty probably would have remained there if she had not been stolen from the temple by some curious monkeys and once again found by members of the Prebles’ party, who return the doll to Phoebe. Fortunately, the family sees a passing ship and manages to get rescued before the natives can come after Hitty again.

However, Hitty’s adventures are still not over. The ship that rescues them is going to India, and unfortunately, this is where Hitty and Phoebe are permanently separated when Phoebe loses her in a bazaar. Instead of being found by Phoebe or her family again, Hitty is found by a snake charmer, who uses her in his act, positioned near the snake. Even though Hitty is made of wood and not vulnerable to snake bites, she still finds the experience frightening.

From this point on (we’re about halfway through the story), Hitty changes hands repeatedly, gaining and losing owners every few years or so. Most of her new owners give Hitty a change of clothes, but they always keep her petticoat with her name still embroidered on it so, as Mrs. Preble once said, Hitty and her new owners always know her name.

An American missionary couple spot Hitty with the snake charmer and realize that her design looks like dolls in America. They have no idea how she got to India, but they buy her from the snake charmer and give her to their daughter, Thankful. Hitty lives with Thankful for a couple of years, and she enjoys her time with her, even though she really misses Phoebe.

HittyOtherDolls Then, Thankful gets sick, and her parents decide that it might be time to send her home to the United States to stay with her grandparents. Thankful takes Hitty with her when she goes home to Philadelphia. Because Thankful’s early life was spent entirely in India, she has been unaccustomed to spending time with American girls her age, and she doesn’t know how to behave around the American children she meets when she first arrives in Philadelphia. When the some of these (still 19th century) American girls first meet Thankful and Hitty, they think that Thankful is strange and make fun of her for her unusual habits and the way she dresses, telling her that her doll is ugly, too. Hitty has to admit that she isn’t as fancy as the other girls’ dolls. Thankful is so embarrassed by what the other girls say that she decides to hide Hitty in a sofa. After that, the sofa is taken up to an attic for storage, so Hitty remains hidden for a number of years.

HittyQuaker During her time in the attic, Hitty resents Thankful for abandoning her, in spite of all the charitable talk of her missionary parents. However, when Thankful is grown, Hitty is finally found by one of Thankful’s younger cousins, Clarissa Pryce, who really appreciates her. She doesn’t know how Hitty came to be in the attic, but thanks to the name still embroidered on Hitty’s petticoat, knows what to call her. Clarissa is a quiet, conscientious girl in a family of Quakers. She dresses Hitty as a Quaker girl, and Hitty lives with her for many happy years, learning to write as Clarissa goes through her schooling.

By now, the time of the Civil War is approaching, and Clarissa’s family are abolitionists. Hitty doesn’t really understand what the war was about, but she remembers being with Clarissa and watching soldiers march off to war. (This is where the updated version of the book differs greatly. In the older version, Hitty doesn’t witness the war directly, but in the newer one, she does when she is sent to Charleston.)

Eventually, Clarissa gets older and is sent away to boarding school. Hitty is put into storage for awhile and then sent to the Pryces’ relatives in New York, along with some other things. However, Hitty’s package is misdirected and ends up being delivered to the wealthy Van Rensselaer family by accident. There, she is found by Milly Pinch, a seamstress doing some sewing for the Van Rensselaer family. Miss Pinch makes some stylish new clothes for Hitty, although she still lets her keep the petticoat with her name on it.

The Van Rensselaers’ young daughter, Isabella, sneaks into Miss Pinch’s room one day and finds Hitty, and a debate ensues about who really owns her. Mr. Van Rensselaer, on hearing where Miss Pinch found Hitty, says that rightfully, Hitty belongs to their family but that the clothes she is wearing are obviously Miss Pinch’s because she made them. Miss Pinch is gratified that he is being fair about it, but because Isabella really wants both the doll and clothes together, the family purchases them from Miss Pinch and gives her an excellent employment recommendation for her sewing.

Isabella is rather spoiled and has several dolls already, but she genuinely likes Hitty and takes care of her. Unlike Thankful, she even speaks up for Hitty when others say disparaging things about her plainness. While living with Isabella, Hitty even gets the chance to meet Charles Dickens. However, Hitty is stolen from Isabella by a gang of mean boys.

One of the boys in the youth gang takes the doll home with him and gives her to his younger cousin, Katie. The family is poor, but Katie loves her and gives her plenty of attention. When Katie gets sick and goes to live in the country for awhile, Hitty is accidentally lost in some hay and spends a long time in the barn, living with the mice.

When she is finally found, a pair of traveling artists are staying at the farm, and one of them keeps her to use as an artist’s model. He uses her to amuse children when he paints their portraits and even adds her into still life paintings. Hitty worries about how her painted features have faded, but the artist thinks that she’s much easier to paint than newer china dolls because the light doesn’t glare off of her. She stays with him for many years while he travels around the country, but he eventually leaves her with a pair of spinster ladies, Miss Hortense and Miss Annette, in New Orleans when he rents a room from them.

HittyBride While living with these ladies, Hitty learns that Miss Annette’s fiancé died young, fighting for the Confederacy in the Civil War, and she still feels bitterly toward the North because of it. From her time with Clarissa, Hitty knows that many people in the North could say the same about the South, but of course, she can’t actually say so out loud. The ladies make new clothes for Hitty, dressing her as a bride, with her clothes made from an heirloom handkerchief, and put her on display at the Cotton Exposition (aka the 1884 World’s Fair). From there, Hitty is stolen by a little girl named Sally, whose father is the captain of a riverboat that carries cotton up and down the Mississippi River.

Hitty learns that Sally is a lonely child who travels with her father frequently because her mother is an invalid and cannot always take care of her. Sally knows that it was wrong for her to steal Hitty, but she so badly needs a companion that she is even willing to risk jail if it means that she can keep Hitty. However, after attending a revival meeting where there are warnings against the evils of theft and getting caught in a sudden thunderstorm, Sally panics, thinking that God may be about to strike her down for her sins, and throws Hitty into the river. (I found this scene a little disturbing because, when Sally fears that God will smite her with lightning for stealing, she not only makes a desperate apology but asks if anyone has to be struck, couldn’t it be one of the newly-baptized kids, who are sinless and would know that they were going to heaven? The fearful apology is understandable, but it’s a little disturbing to hear this little girl try to throw someone else under the bus like that.)

From the river, Hitty is rescued by a couple of black boys (the book says “Negro” because it was written in the 1920s) who are fishing. One of them gives Hitty to his sister, “Car’line.” (Her name is probably really Caroline, but Hitty just says the name as she hears it, and the boys have a Southern accent. This is one of those books where they try to give the impression of accents with odd spellings like, “How you come by dat doll?” It’s not the worst example I’ve seen of this, but I have to admit that I’ve never really liked the use of odd spellings like that.) Car’line’s family is the poorest one that Hitty has ever lived with, with a fairly sizable family living in a small cabin. However, Hitty likes the way Car’line treats her and how close her family is, and she loves the music that they sometimes play and the old spirituals that they sing.

At Christmas, Car’line’s family goes to a big party at a house that was apparently once an old plantation. The wealthier owners of the house give presents to the poor children of the area, like Car’line. While they are at the party, one of the women at the house, Miss Hope, recognizes Hitty from a newspaper report that a doll in heirloom clothing had disappeared from the Exposition in New Orleans. Car’line is upset when Miss Hope tells her that the doll really belongs to someone else and should be returned, but Miss Hope understands Car’line’s feelings toward Hitty and soothes her by giving her the doll she had played with as a child, a fancy French doll named Mignonette, as a replacement for Hitty.

As the end of the book draws closer, Hitty changes hands more often than before, and she doesn’t describe her time with new owners in as much detail, partly because her new owners tend to be adults and mostly display her, not play with her. Miss Hope attempts to return Hitty to the ladies in New Orleans, but since the heirloom handkerchief clothes are ruined, they decide that she should really be returned to the artist who had her before. When they try to mail Hitty to his address in New York, it turns out that he has moved without leaving an accurate forwarding address. Hitty spends some time as a package in the postal service, ending up in the dead letter office, where she is sold off, along with other undeliverable packages, to people who are willing to take a chance that there might be something interesting or valuable in them. She doesn’t spend much time with the man who bought her because her package is accidentally left behind at a tobacconist’s shop, where she is accidentally delivered to a house with an order of pipes. The lady of the house has been wanting to try a craft project for turning a doll into a pincushion, so she adds padding to Hitty and puts some pins in her (terrifying but not actually painful for Hitty). From there, Hitty is sold at a craft sale, where she is bought as a present for someone’s great aunt. The great aunt doesn’t think much of the pincushion, but her friend collects dolls and recognizes that Hitty is a collectable. For awhile, Hitty lives happily with the friend as part of her collection, until she is lost out of a car on her very first automobile ride. Then, she lays alone in the countryside, fearful that this is going to be the end for her, until she is found and rescued by some picnickers.

HittyCollectable It is at this point that Hitty learns something astonishing: not only is she now about a hundred years old, but she has actually managed to make it back to her home state of Maine. To her further astonishment, she even returns to the Preble house where she originally lived, which is now the summer home of an elderly woman. Hitty knows that it’s far too late for her to have any hope of seeing Phoebe Preble again, and she never learns what exactly happened to Phoebe in her later life (which I thought was kind of a shame, bu it fits with the story of a doll, drifting from one owner to the next, unable to control her destiny or ask any questions of the people around her). The elderly lady collects antiques, and Hitty becomes a part of her collection, although the lady has no idea that this is Hitty’s original home.

Eventually, the elderly lady dies (it’s implied, but not stated – one summer, she simply never comes back), and her collection is auctioned off. Hitty is again surprised when she discovers that people view her as a valuable antique now. An Old Gentleman buys her at the auction, and when he takes her with him to New York, he comments that he supposes that it’s probably the first time she’s been outside of Maine and that her travels are about to begin. Hitty is amused.

At the end of the story, it is revealed that the Old Gentleman has purchased her for Miss Hunter’s antique shop, which is where she is now writing her memoirs. Miss Hunter and the Old Gentleman are delighted by Hitty and consider her a “museum piece.” Even though they could sell her, they don’t seem anxious to do so. She has become their shop’s mascot, and many people who visit the shop like to say hello to Hitty. Still, Hitty knows from her experiences that change is a part of life, and she is looking forward to seeing more changes in the world around her and the new adventures she may have with future owners!

My Reaction

In some ways, I was surprised by how much I enjoyed this story. The length may seem a little daunting at first (262 pages about the adventures of a doll!), but the reading time is faster than you think, partly because of the episodic nature of Hitty’s life. Books that are episodic can sometimes be a drag because, no sooner are the characters out of one situation, they plunge straight into another. If it isn’t done right, it can leave the reader feeling like it’s all getting tiresome and repetitive and wondering where it’s all heading. It’s a little different with Hitty, partly because the writing quality is good and partly because her owners and their lives are so varied. I didn’t think much of the whole “natives” episode (because I never like “savage native” scenes in anything), but her other owners are a eclectic range of people, young and old, who have different interests and uses for Hitty. Hitty ends up in some worrying situations, but you can feel reassured that she is going to be all right in the end because you know from the beginning that these are her memoirs that she is writing during the course of the story.

Hitty is unable to move around much on her own, which is part of the reason why she moves from place to place because of accidents or intentionally being carried or shipped by people. However, she does seem to have the ability to move by herself in some small ways, such as writing her memoirs and when she tries to imitate Isabella’s dancing lessons, only to discover that she can’t quite do it because a doll’s legs aren’t jointed in the same way that human ones are.

Apart from the “savage native” scene, I don’t think the book was too bad, racially speaking. I can’t recall any really objectionable terms being used. Black people, when they appear, are called either “black” or “Negro”, and nothing insulting is said about them. They are not treated cruelly in the course of the story. Hitty enjoys her time as Car’line’s doll and doesn’t think badly of her or hold her in lesser esteem than other owners because she was poor. The people in India aren’t described too badly, either, although Hitty thinks that the snake charmer was weird, and she seems to think well of the Indian nurse who took care of Thankful. Thankful’s parents never discover that the Indian nurse gave her additional herbal remedies when she was ill, but Hitty appreciates the nurse’s devotion to the girl, doing everything she could to help her. Hitty even says that she doesn’t know which medicines helped Thankful the most or if it was really the combination of all of them that saved her from her illness.

Some of Hitty’s owners are obviously nicer than others, with Thankful being arguably among the worst of them. Even though Thankful’s upbringing is very religious, she and her new American friends are apparently rather shallow and thoughtless. Even though her new “friends” in Philadelphia aren’t even nice to her, Thankful still worries about how she looks to them and is ready to chuck her beloved doll to please them. Even spoiled little Isabella takes better care of Hitty and is more loyal to her, standing up to mean people as best she can instead of trying to appease them.

Mostly, Hitty prefers to be owned by young girls because she likes it when they play with her and carry her around, but she does enjoy being with adults who pay attention to her and treat her as a personality instead of as a mere object. I was glad that none of the children Hitty lives with dies young, which could have been a risk in real life but would have been tragic. Even with the elderly owner who presumably died, which was probably why her collection was being auctioned, Hitty never sees her die and doesn’t explicitly know that she is dead. Whether Hitty will ever be owned as a child again now that she is considered an antique is unknown, but the author leaves the end of the story open, so just about anything could happen in Hitty’s future.

In a way, though, Hitty’s fate is already known. Great Cranberry Island is the part of Maine where Hitty is supposed to have come from, and the Preble house is based on a real house. The story was based on a real doll that the author found in an antique store. This doll is now at the Stockbridge Library Museum in Stockbridge, Massachusetts. There is also a cafe that is named after Hitty. There are fan sites dedicated to Hitty, some of which have tips for creating a doll very much like her.

Posted on June 11, 2018January 19, 2019 by TracyC · 3 Comments

The Time Garden

The Time Garden by Edward Eager, 1958.

About a year after the events in the previous book in the series, Roger and Ann are excited when their father writes a play and announces that it will be performed in England. Unfortunately, their parents aren’t planning to take the children to England with them because the trip there will be just business, focusing on getting the play together. If the play is a success, they plan to send for the children so they can do some sightseeing in England, but until then, the children will need to stay somewhere else during summer vacation. Their mother, Martha, calls her sister Katharine to see if the children can come visit their cousins, but it turns out the Katharine is also looking for a place where Eliza and Jack can spend the summer. By coincidence, Katharine and her husband are also planning a business trip to Europe.

The adults talk it over and end up arranging for all four children to stay with Katharine’s husband’s great aunt, Mrs. Whiton, who lives in a house by the sea, not far from Boston. The children don’t find this prospect very exciting. Then the adults tell them that Mrs. Whiton writes children’s books, Eliza is sure that she’ll be trying to analyze them for inspiration for her stories, but Mrs. Whiton turns out to be better than they thought. She is unsentimental, something that Eliza appreciates, and her house is very nice. There is a pretty garden there, and a staircase that leads right down to the beach.

One day, when Mrs. Whiton sends them out to play in the garden, they find an old sundial that has a motto written on it: “Anything Can Happen When You’ve All the Time in the World!” The children have had experience with magic before, so they begin to suspect that this garden isn’t quite what it appears . . . and they’re right. A strange, toad-like creature call the Natterjack introduces himself to the children and tells them that the thyme garden, where there are many varieties of thyme growing, is also a time garden. He explains that he and his family have helped this garden grow since his grandfather’s grandfather was brought there from England along with a shipment of primroses and that they’ve put all of their magic into the garden and its plants. If the children would like to visit another time, all they have to do is to pluck a sprig of thyme and smell it.

Jack, who has decided that he’s too old for magic and is now only interested in girls, refuses to try it at first, denying the existence of magic, even in spite of the talking toad. The other children try it and find themselves at the same house during the time of the American Revolution. Everyone who sees them seems to think that they are the Whiton children of that time, and they end up participating in a ride very much like Paul Revere’s, riding through the countryside to alert people that the British are coming. At first, their ride is thrilling and successful, but if you know the other books in this series, you can guess that things are going to go wrong at some point.

When the kids reach a tavern, they try to tell the drunken men inside that the British will be at Lexington soon, and they say that they don’t care. As far as they’re concerned, if the British are going to Lexington, let the guys in Lexington deal with it. The children are offended that they don’t want to help and try to appeal to their patriotism and fellowship with other Americans. It turns out that they don’t have much patriotism (the United States isn’t a separate country yet, so there is that) or feelings of fellowship because their plan for if the British are defeated is basically “every man for himself.” (I understand this scene so much more now as an adult than I did when I read this as a kid. I think I’ve met their descendants.) The children are angered at this mercenary attitude, and Ann accuses them of being pro-British. One of them insists that they’re not because, “We ain’t pro-anything.” (Yep, this is familiar. Some people just want to be contrary until there’s something in it for them to gain.)

It gets worse when the anti-British talk causes the Natterjack, in a surge of British patriotism, to cry, “Rule, Britannia!” The drunks in the tavern then decide that the kids were trying to deceive them about the British coming because they’re actually on the side of the British, trying to distract them from the British army’s real plans. When they discover that the voice actually came from a talking toad, they declare that it’s witchcraft and decide to throw the children into the pond to see if they will float (an old test in witchcraft trials).

In a bizarre twist, they are saved by a band of attacking American Indians. (Native Americans ex Machina?) There’s no real reason for a tribe of American Indians to be attacking at this particular moment, and the kids in the story seem to realize that. This incident, like many others in this series, is partly based on other books in classic children’s literature, especially the works of E. Nesbit, the author’s favorite children’s author. A similar incident occurs to the children in E. Nesbit’s Five Children and It, although under different circumstances. The author of this story frequently pokes fun at tropes of classic children’s literature in his books and makes pop culture references from the 1950s, so the more old books you’re familiar with, the more you see the jokes, although I admit that, even knowing the background, this scene still bothers me. In the grand tradition of cheesy 1950s westerns, there’s a vague description of the carnage of the attack with the requisite scalping and tomahawking (yes, they use it as verb). Ann is upset about the attack and covers her eyes, although Roger says that he doesn’t think that this attack could really have occurred in real life because they would have heard about it if it were a real, historical event. Ann worries that they somehow caused it by messing with history. When the tribe is done tomahawking their attackers, the children are worried that they’ll be next, but the Natterjack tells the children that they can escape by smelling the thyme again.

Before we move on, I should point out here that, in different books in this series, it’s never entirely clear how much of the children’s adventures occur in the real world or in some kind of magical, alternate reality or maybe in their own minds, and this is actually intentional. The idea of sniffing a magical herb and being transported through time sounds kind of trippy. The whole “savage painted Indians” (their words, not mine) trope was a staple of old western shows, the kind that kids growing in the 1950s might have watched because that genre was popular, particularly in the late 1950s, when the book was published, so the children’s experiences may be partly patterned after what a 1950s kid might have imagined after watching those shows. (Sort of like the Arabian fantasies that their mothers had in previous books in the series, probably inspired by The Sheik.) So, this incident in the book is partly a take-off on similar ones in other children’s books, but it might also be the author’s commentary on the types of shows that were popular and children’s expectations. Perhaps some of the implication is that the children’s expectations, based on things they’ve read or seen on tv are what caused this weird, otherwise inexplicable attack in the first place. (It’s like on tv, kiddos, and now you can see it in full color! You expected it, so you got it. Still think this stuff is fun?) Part of the problem with this scene for me is that it’s difficult to tell exactly how the author means it. I can guess a little, given the author’s taste for making literary references and parodying tropes of children’s stories, but even as a parody, it’s uncomfortable by modern standards and still makes very little sense why it’s even happening at all. This scene is just plain needless and cringe-worthy in my opinion, but you sometimes run into things like that with older children’s books. It’s some consolation that this is the worst scene in the entire book, so it’s good to get it out of the way early.

Before we return to the main plot again, I’d also like to say that the children themselves don’t seem to understand exactly how the magic works (like other children in this series) or whether what happened to them was completely real or not. They debate about it periodically and wonder about the children that they replaced on this adventure (and on later ones as well). They never quite know if those children went somewhere else while they took their place or if both sets of children were just living out the same adventure at the same time, just seeing it in slightly different ways. These time travel questions are fun to ponder, but are never really explained, just theorized.

When the children get back to their own time from the Revolutionary War period, the Natterjack apologizes for getting them into trouble and asks them to put the plant sprig back in the ground, where it grows again (no “wasting thyme”, ha, ha). He also further explains that the name of the particular variety of thyme they pick in the garden is important because it has some bearing on where in time they will go. The thyme they had chosen was “wild thyme”, and they had to admit that their time was pretty wild. Ann borrows a gardening catalog from Mrs. Whiton’s old gardener and begins studying the different varieties of thyme. When they ask the Natterjack about the massacre at the tavern, he tells them that the mistakes they make or bad consequences of their interference will be erased by the good deeds they do, so their timely warnings about the British coming will have an effect, but that massacre has been erased from history. (Too bad it’s still in the book. There’s still no real reason for it to be there, dang western trope.) Good deeds performed during their adventures will earn them more adventures, so they have to remember to do some good in every time they visit.

So, while Jack spends most of his time getting to know the local teenage girls and doing normal teenage things and trying to ignore his sister and cousins when they talk about magic, the others get to spend their summer having magical time adventures. The next variety of thyme they pick is “splendid thyme.” Once again, they are taken back in the history of the house, where they are again mistaken for past Whiton children. The time period is around the Civil War, and the house is being used as a station on the Underground Railroad. The children help some escaping slaves to flee to Canada. (Their sentiments are strongly anti-slavery, which is a relief after that massacre scene. The escaping slaves aren’t portrayed too badly, although mostly, they’re in hiding during the adventure and are oddly unquestioning of how the kids managed to use magic to get them to Canada so fast, just embarrassingly grateful for it.)

After that, Eliza wants to know if they’re restricted to historical adventures only or if they can visit times that are fictional as well, referencing their adventures with Ivanhoe in the previous book. It turns out that the time garden is very accommodating, and they are able to go back in fictional time to visit the characters in Little Women (which, fortunately, took place not far from where they are staying), especially since Louisa May Alcott based the characters on herself and her sisters, giving the book a sense of semi-reality. Jack, who has been denying the magic all along, comes with them on this adventure, and spends all of his time fawning over the teenage Meg and Jo. The children help to reform an ungrateful family that has been taking advantage of the girls’ generosity (and, as Jo says, reforming “is punishment enough”).

Sharing in this adventure with the other children is enough to get Jack to admit that they’re having adventures, although he still refuses to look at it as being magic, preferring more scientific terms. At one point, he describes a theory of time as looking down on the world from an airplane. From high above, you can see many different places at once, but it would take a person on the ground a long time to get from one place to another. Similarly, Jack thinks that everything in history is happening all at once, but it just takes people a long time to get from one event to another because of their vantage point.

Then, the children get the idea to go visit their mothers in England. However, when they use Common Thyme with their wish, they end up seeing their mothers in the past, not the present. This is the point in the story where it crosses over with their mothers’ magical adventures as children in Magic By the Lake.

Eliza then gets the idea of using thyme seeds to travel through time instead of using a full-grown plant. She and Jack end up traveling to England. However, they end up in the wrong period of history, and because the magical rules are broken, everyone sees them as the modern children they really are and not as people from the appropriate time period. When Eliza manages to offend Queen Elizabeth I and ends up in the Tower of London, they need the help of Ann, Roger, and the Natterjack to straighten things out!

I think my favorite part of the story is really the thyme/time garden itself. Not only is it a fun pun, but I thought that it was clever how the titles of particular varieties of thyme relate to the times and places where the children end up. Different varieties of thyme plants really do have some incredible names in real life. At the end of the book, after the children go to England to join their parents because the play was successful, the Natterjack waits in the garden for the next set of children who will go on adventures, and after looking up other varieties of thyme that the book never mentioned, the possibilities for new adventures are tantalizing: Leprechaun Thyme (for adventures with leprechauns), Elfin Thyme (either for adventures with elves or maybe becoming smaller?), and Woolly Thyme (Want to go see a woolly mammoth? On the other hand, maybe it just goes to a sheep farm. This magic stuff never works like you think it will).

The book is currently available online through Internet Archive.

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Chimney Sweeps by James Cross Giblin, 1982.

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Hitty, Her First Hundred Years by Rachel Field, 1929.

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