Kiki’s Delivery Service by Eiko Kadono, English translation by Lynne E. Riggs, 1985, 2003.
More Americans would probably recognize the title as the title of a Studio Ghibli animated film for children than as a book title, but the book came before the movie, and it is actually the first in a series, which continues the story about Kiki’s life and adventures, although I don’t think the later books in the series have been translated into English (at least, I haven’t found them in English). The original Japanese version of this book was written in 1985, and I read the English translation from 2003.
Kiki is a young witch, and in keeping with the traditions of young witches, she is expected to leave home at age 13 and live for a year in a city with no other witches. It will be a test of her developing skills and a coming-of-age experience, helping her to recognize her talents and find her place in the world.
When Kiki sets out for her journey with her cat, Jiji, she doesn’t know exactly where she is going to go or what she will find when she gets there. Some young witches know early on what their talents are and how they plan to support themselves during their year away from home, but Kiki is less sure (like so many of us who “don’t know what we want to be when we grow up”). The term “witch” just refers to a person’s ability to do magic. It’s not a job title by itself, and witches are expected to develop a specialization, such as brewing potions or telling the future. Kiki’s mother has tried to teach Kiki her trade, growing herbs and making medicines from them, but Kiki hasn’t had much patience with it. The only major ability Kiki has is flying, which is something that witches are expected to do anyway. Still, she has an adventurous spirit and is eager to set out and see what life has to offer.
Once Kiki locates a city with no other witches, she has to find a place to stay and a job to earn money. She finds a city by the sea, which seems exciting to her. As she explores the city, she meets Osono, a woman who owns a bakery with her husband. When she helps deliver a baby’s pacifier to a bakery customer who left it behind, flying to the customer’s house on her on her broom, Osono offers to let her stay in a small apartment attached to the bakery. Kiki feels a little overwhelmed by the big city at first, but she realizes that, in a large city like this, there are probably a lot of people who have small delivery errands that wouldn’t be covered by ordinary parcel delivery services.
Kiki opens a delivery service, delivering small packages and running errands for people around the city. At first, business is slow, and some people are afraid of her as a witch. During a trip to the beach, a curious boy borrows her broom and breaks it. Kiki is distressed, and the boy apologizes. The boy’s name is Tombo, and he is part of a club of other kids who are interested in flying. He has made a study of flight and had hoped to learn more about how witches fly by trying Kiki’s broom, but Kiki expains that only witches can fly with brooms and that the ability is inherited. Kiki has to make a new broom, and it takes her a while to break it in, but it actually works to her benefit. People who were initially afraid of her for being a witch become less afraid of her and more concerned about her when they see that she is just a young girl, clumsily trying to master a new broom. Kiki gets some additional support and business from people who feel moved to help a struggling young witch. Tombo also makes it up to her and becomes a friend when he helps Kiki to figure out a way to carry a difficult object on her broom.
During her very first delivery assignment, Kiki was supposed to carry a toy cat to a boy who was having a birthday, but she accidentally dropped it. When she searched for it, she met a young artist, who was enchanted by Kiki as a young witch and painted a portrait of Kiki with Jiji. When the artist asks Kiki to take the painting to the place where it will be on exhibit, Kiki isn’t sure how to carry it at first. It’s kind of a bulky object to carry on her broom. Remembering that Tombo has made a study of flying, she asks him for help. Tombo ties balloons onto the painting to make it float and tells Kiki that she can now pull the painting along on a leash, as if it were a dog. The idea works, and when people see Kiki pulling a painting of herself along through the sky with balloons tied to it, it acts as advertising, bringing her more business.
Some of Kiki’s new jobs are difficult or awkward, and some customers are more difficult to deal with than others. There are times when Kiki finds herself missing home or trying to remember how her mother did certain things, wishing that she had been better at watching and remembering what her mother did. Still, Kiki learns many new things from her experiences and acquires new skills.
Kiki’s experiences also help her to realize a few things about herself and life in general. Like other girls, Kiki worries about how boys see her. When Tombo makes a comment that he can talk to her when he can’t talk to other girls, Kiki worries that he doesn’t see her as a girl at all. A job delivering a surprise present to a boy from another girl her age helps Kiki to realize that everyone is a little shy and uncertain about romance and even people who act confident feel a little awkward about first relationships.
As her first year away from home comes to an end, Kiki wonders how much she’s really changed over the year. Although she has successfully started a new business and done well living away from her parents, she still experiences a sense of imposter syndrome, where she doesn’t quite feel like she’s really done all of the things she’s done. Her first visit home to her parents reminds her that her new town has really become her new home. She has become a part of the place, and she feels her new business and friends calling her to return.
In 2018, the author, Eiko Kadono, was awarded the Hans Christian Anderson for her contributions to children’s literature.
My Reaction
I think of this story as one of those stories that takes on more meaning the older you get. Young adults can recognize Kiki’s struggles to make her own way in the world and establish herself in life as ones that we all go through when we start our working lives and gain our first independence. It can be a scary, uncertain time, when we often wonder if we really know what we’re doing. (Life Spoiler: No, we don’t, but no one else completely does, either, so it’s normal and manageable. Some things just have to be lived to be really understood, and that’s kind of the point of Kiki spending a year on her own, to see something of life and how she can fit into it.) However, it’s also a time of fun and adventure as we try new things, build new confidence, make new friends, and learn new things about ourselves. Like so many of us, Kiki doesn’t always do everything right, but she learns a lot and endears herself to the people of her new town.
The Miyazaki movie captures the feel of the story well, although the plot isn’t completely the same. There are incidents and characters that are different between the book and the movie. Tombo appears in both the book and the movie, but there are other characters who appear in the book who weren’t in the movie. In the book, Kiki makes friends with a girl named Mimi, who is her age, and the two of them discuss crushes on boys and how each of them was a little envious of the other because, while each of them is struggling with their own uncertainties in life, they each thought that the other acted more confident. The movie version developed the character of the young artist more. Kiki also didn’t lose her powers during the book, although that might be a part of one of the other books in the series, since I haven’t had the chance to read the others yet.
“Sooner or later everyone has to go away from home for the first time. Sometimes it happens when a person is young. Sometimes it happens when a person is old. But sooner or later it does happen to everyone. It happened to Victoria North when she was eight.”
Victoria North is attending boarding school for the first time at the Coburn Home School. Victoria is only eight years old, and this is her first time being away from home at all, so she is very nervous and shy. When she arrives at the school, she is met by an older girl named Ann, who shows her where her room is in the dormitory. Ann shares a room with Victoria and is supposed to show her around and tell her the rules, but she doesn’t really explain much. Victoria still feels lost and has trouble even finding the table where she is supposed to sit at dinner.
At dinner, one of the other girls, Martha Sherman, starts uses funny words, and she tells the other girls that they are part of a secret language that she made up. However, she refuses to tell anybody what they mean. Martha is moody and rude to the other girls at dinner, so the housemother sends her to her room before the meal is over.
Overcome with homesickness, Victoria cries at dinner and during the songs they have to sing afterward. No one has any patience with poor Victoria. Ann tells her that she’s being a crybaby. Other girls laugh at her when they see that she’s been crying. Victoria doesn’t know how she’ll be able to handle boarding school if every day is going to be like this!
The other girls in the dormitory say that Miss Mossman, the housemother, is strict. She blows her whistle at them and makes them line up for inspection every morning. Miss Blanchard, another teacher, is nicer, and she tries to reassure Victoria that things will get better when she gets to know the other students and makes some friends. However, nobody seems to want to be friends with Victoria. Nobody except Martha.
Martha is the only girl who seems interested in talking to Victoria. Martha doesn’t like Coburn Home School, either. More than anything, Martha wants to live at home and just go to an ordinary day school instead of being boarder. Victoria knows just how Martha feels! The other girls are surprised at how well Martha seems to get along with Victoria because Martha doesn’t usually want to be friendly with anyone.
The two of them start to talk about their homes and families. Martha’s father is an importer. She keeps saying that her parents are going to let her come home from boarding school and just go to day school, but it quickly becomes apparent that it isn’t likely. Victoria only has her mother, who works and sometimes needs to travel for work. She doesn’t even remember much about her father. Martha likes math, a subject which Victoria finds hard, but Martha says that she doesn’t reading, which is Victoria’s favorite subject. The two complement each other well.
Although Martha misses home, like Victoria does, and doesn’t really want to be a boarder, she is more experienced about boarding school life, and she helps Victoria to adjust to the school. Martha starts teaching Victoria about pieces of boarding school lore, like school rhymes and the traditions made up and passed down by students, and she also begins teaching her the secret language that she made up. There are only three words in Martha’s secret language, but Martha explains to Victoria what they mean, and the girls decide that they’ll make up more together. Martha becomes Victoria’s best friend all through the rest of her first year at boarding school.
Being friends with Martha makes boarding school feel better to Victoria. Martha still constantly talks about hating boarding school and how she definitely won’t come back next year, although Victoria realizes that’s just a wish of hers. Victoria also comes to realize that many other kids at the boarding school feel the same way. Even the ones who like the school admit that they’d really rather be at home with their parents. They daydream about just going to school during the day and coming straight home afterward, where they can just relax at home and eat what they want and not have to answer to whistles or line up for inspections. When Ann’s family decides to bring her home, Martha and Victoria ask Miss Mossman if they can share a room, and she agrees as long as the girls behave themselves.
Victoria is fascinated at the things that Martha knows about life at boarding school. Martha teaches her about “pie beds.” (I always heard it called “short-sheeting” when I was a kid, although I was never good at making beds the normal way in the first place, so I never fully grasped how to pull off the trick, and I didn’t go to summer camp or boarding school, where people typically did this anyway.) The girls argue about what costumes to wear to the school’s Halloween party, but the school’s handy man helps them make ice cream cone costumes that win a prize for the most original costume. The costumes are uncomfortable to wear, but Victoria is pleased and thinks that Martha should get the credit because the costume concept was her idea. Martha says that, next year, they’ll start planning their costumes earlier and come up with an even better idea. That’s the moment when Victoria realizes that Martha is no longer talking about how she’s definitely not coming back next year.
After the girls come back from Christmas vacation, Victoria is homesick again, but it turns out that their old, strict housemother has left to take care of her father, who is ill. Instead, they get a new housemother, Miss Denton, who is much nicer. She doesn’t blow whistles at the girls to wake them up. Victoria likes Miss Denton right away, and even the other girls in the house start calling her “Mother Carrie” as Miss Denton requests, even though the name strikes them all as silly at first. Martha finds Miss Denton to be overly sweet (“ick-en-spick” in the secret language), although she admits that she’s better than Miss Mossman.
Martha also finds herself liking Miss Blanchard, who teaches math. Miss Blanchard was nice to Victoria in the beginning, but Victoria can’t bring herself to like her much because she has so much trouble in math. Victoria has a fanciful imagination and likes to imagine that certain numbers are boys and others are girls, and Martha finds it frustrating because the idea doesn’t make sense to her, and Victoria doesn’t even follow an exact pattern, like odds vs. evens in her designation. Meanwhile, Victoria is confused by the math tricks that Miss Blanchard teaches Martha. Martha thinks they’re fun, but Victoria isn’t as good at math and has trouble following them.
The two girls find themselves arguing sometimes because of their different preferences, but they remain friends. It’s more that, now that they’re getting comfortable with each other and their school, more of their individual personalities are coming out. Victoria is also surprised to realize that, while she still frequently misses her mother, she no longer agrees with her mother about certain things. When her mother comes to visit the school, she worries about Victoria sleeping in the top bunk of their bunk bed, but Victoria herself loves it and has to assure her mother that she likes the top bunk. One thing that boarding school has done for Victoria is to give her a sense of independence and room to develop her own identity and preferences. She no longer has to get her mother’s permission for everything she does, as long as her housemother approves.
Victoria and Martha are both imaginative, and they begin enjoy their shared adventures at school. They try to hold a midnight feast in their room and search for hidden passages or secret compartments in the dormitory because Martha has heard or read that these things happen in boarding schools. Neither of those adventures goes as planned, but Miss Denton allows the girls to build a little play hut of their own with help from the school’s handy man. Miss Denton also gives the girls a little lockbox to keep some of their treasures in, and they hide it so they can have a buried treasure.
As the year comes to an end, Victoria knows that she’ll be coming back to boarding school next year, and the prospect doesn’t seem so bad as it did before. Martha isn’t sure whether she will or not, talking sometimes about what they’ll do next year but still hoping to live at home with her parents. But, if Martha doesn’t come back to school, it just wouldn’t be the same for Victoria!
The book is available to borrow and read for free online through Internet Archive.
My Reaction and Spoilers
One of the things I found interesting about this book is that it is set in the US. The iconic boarding school stories for children tend to be British stories, but the Coburn Home School is in New York state. The girls’ parents live in New York City.
Most of the story focuses on the girls’ relationship with each other and their growing sense of self-identity and confidence at their boarding school. They talk about classes they take and how they each feel about the other’s favorite subject, but they aren’t shown in classes themselves. The school is also a co-ed school, with both boys and girls, but the boys don’t enter into the story much because most of the action takes place around the girls’ dorm. The boys live in a different dorm. There is only one instance where a boy is shown talking to Victoria, with a hint that he might have a crush on Victoria, another new development in Victoria’s life at school. The little developments in the girls’ lives and attitudes through the school year and each little experience and adventure they have are the main focus of the story. These are the things that are helping the girls understand and develop their identities, self-confidence, and sense of independence.
Toward the end of the book, Miss Denton encourages the girls to think about all of the things they’ve learned this year, and not just the ones they’ve learned in class. The girls don’t fully understand and appreciate that Miss Denton is talking about personal growth and development, but they do consider things they’ve learned, like how to make beds, that midnight feasts aren’t as fun as they sound, and how Victoria learned not to be homesick. These are some of the little things that are part of their school experience and that are slowly making them more grown up and independent than they used to be.
Although Martha is a little older than Victoria and sometimes chides her for being babyish about some things (like putting a lose tooth under her pillow) or still homesick, the truth is that Martha has been just as homesick the entire time. Martha doesn’t appear to be as upset about boarding school as Victoria because she is not a new student in this book, like Victoria. She already went through her first year at boarding school before Victoria got there, so she no longer openly cries about being away from home. Still, the reason why she keeps talking about going home and living with her parents all the time is that she misses them. While the girls’ adventures during the school year and Victoria’s realizations about how boarding school gives her the opportunity to do things and be with people she wouldn’t at home make her feel better about coming back next year, Martha still feels uncertain about it. Martha has also come to love being friends with Victoria and even loves Miss Denton, but her feelings of homesickness leave her feeling torn about what she really wants.
There are hints that Martha will probably return to boarding school anyway, but Miss Denton reassures Victoria that she will be fine at boarding school even if Martha decides not to come next fall, reminding Victoria that she is now one of the “old girls” instead of a scared new one, like she used to be. Victoria also starts to feel that way herself. Martha will probably be back the next year to be with Victoria, Miss Denton, and Miss Blanchard, but readers can be reassured that, even if she doesn’t return, Victoria will be all right with her new sense of identity and independence. This first year at boarding school with Martha may be the beginning of a lifelong friendship or just one step to Victoria finding herself and building other friendships. Maybe it’s both. Victoria’s future life will be fine in general as she continues growing up and finding her way, learning to manage her life one step at a time.
There is a modern 21st century documentary about young children going to boarding school for the first time at 8 years old, What’s Life Like in a Private British Boarding School? | Leaving Home at 8 Years Old, on YouTube. The school in that documentary is British, but I was struck by the common feelings in the documentary and the book, even though they take place decades apart in different countries. There are just some parts of the human experience that last through the generations. The documentary also shows the parents’ side of the boarding school experience, the reasons why they choose to send their children to boarding school, and how they cope with their feelings about sending their children away and being separated from them.
Boarding school isn’t always easy for parents in terms of emotions, and there are hints of that in The Secret Language. We never see Martha’s parents in the book, so we don’t know what’s going on with them, but Victoria’s mother fusses over Victoria when she gets the chance, and she talks about how great it would be if she could arrange things so that Victoria can be home with her all the time again, too. If Victoria’s mother wasn’t a working single mother who has to travel for work, she probably wouldn’t have sent her away to boarding school at all. Miss Denton is very in tune with people’s feelings, and I think that she’s aware of all the complexities in the lives of the girls and their parents. She does her best to look after the girls emotionally, and that’s part of her urging the girls to consider other people’s feelings, to be thoughtful about each other, and to think about the ways they’ve been changing inside as well as outside. I think that the universal nature of the girls’ and adults’ feelings in the book are a sign of the author’s emotional awareness, understanding of how different types of people feel.
Ursula Nordstrom, the author of the book, was actually a famous children’s book editor. She is credited with helping to transform mid-20th century children’s literature to have more of a focus on children’s feelings, experiences, and imagination instead of being morality tales, focused on what adults want children to know or understand. The Secret Language was the only children’s book that she wrote herself. This YouTube video explains about her life and career.
The Richleighs of Tantamount by Barbara Willard, illustrated by C. Walter Hodges, 1966.
The Richleighs are a wealthy Victorian family in England, their enormous wealth the product of generations of marriages between wealthy families. There are four children in the family (from oldest to youngest): Edwin, Angeline, Sebastian, and Maud. The four Richleigh children are accustomed to their family’s wealthy and luxurious lifestyle, brought up by their fond parents and the governesses and tutors they hire to oversee the children’s education. Overall, the children are happy and appreciate their privileged lifestyle, but there is one thing that bothers all of them. It has bothered them for a long time. They don’t understand why their parents won’t take them to see their family’s ancestral home, Tantamount.
The wealthy Richleigh family owns several grand houses (including one in Scotland and one in Italy), but Tantamount is a mystery to the children. They know it exists because their family has a painting of it, and their grandfather talked about it once. A distant ancestor built this castle-like mansion in Cornwall, on a cliff overlooking the ocean and in a mixture of styles from around the world, and it’s supposed to contain some amazing things. Yet, the children’s father says he has never been there himself. The children’s parents don’t even like to talk about the place, and they’ve never taken the children there. The children know that something mysterious must have happened there at some point, but they have no idea what it is. They just know that they would love to see the place and find out what all the mystery is about! They often speculate about what the place is like, what once happened there, and why they’ve never been allowed to see it.
One day, Sebastian, who is the one who usually asks the most questions, decides to press their mother for answers about Tantamount. She tells him that his great-great-great grandfather, who built the place, was an eccentric and that the mansion is just too big, too inconvenient, and too remote to be of any comfort or use. This inconvenience is one of the reasons why most of the Richleigh family just cannot be bothered to go there. Also, his mother admits that the Richleighs are actually a little ashamed of the house because it is so hideously, overly elaborate and vulgar, even by the luxurious standards of the Richleighs. Sebastian says that he would still like to go there for an adventure, but his mother sees no point to it. She tells him that he can’t always have everything he wants, that he’s already a very indulged boy, and that he should just be happy with what he has. However, the children’s burning desire to see Tantamount and experience what they imagine as its mysteries isn’t really about the physical ownership of the house or the fantastic things that are supposedly kept there but about the spirit of mystery and adventure. As wonderful as everything the Richleigh family has, the children are chasing something else: excitement!
The children’s parents are actually the ones who don’t seem to understand the emotional attachment that people can have to physical belongings. Twice a year, they have their children donated old toys of theirs to the poor, which is a good thing, but poor Maud is traumatized when her parents tell her that she must give up her old rocking horse, Peggy, and that they will replace it with a brand new one. It’s not because Maud has outgrown rocking horses, but Peggy is looking a little shabby from use, and they want the children’s toys to all be in the best condition. They don’t consider the emotional attachment that Maud has to Peggy from her hours of playing with her or that Peggy’s shabbiness is a sign of Maud’s love for her. When they tell Maud that old toys are dangerous for children to play with, Maud asks why they aren’t dangerous for poor children to play with, her mother just tells her not to answer back. (Meaning that she doesn’t have a good answer, and she knows it.) Sebastian says maybe it would be better to just buy the poor children a new rocking horse instead of sending them Peggy, but his father tells him not to be impertinent, showing that this ritual about giving toys to the poor isn’t really about doing something nice for the poor so much as updating the children’s toys for the newest and “best” when that isn’t really what the children themselves want.
Soon after the children’s father gives away Peggy, he falls seriously ill, apparently from something he caught from the family he gave Peggy to. The children worry about what his illness will mean for their family, especially if he dies. Their first thoughts seem fairly petty. They first think that maybe this wouldn’t have happened if he hadn’t decided to give away Peggy. Then, they realize that, with their father ill, they won’t be able to travel to Italy this summer, as the family planned. Then, they think that, if their father dies, they will all have to wear gloomy black, and either Edwin will become head of the family at age 16 or that their uncle will look after the family. Their uncle is a more dour man than their father, so that’s also a gloomy prospect.
Fortunately, the children’s father recovers, and the children are relieved. His doctors advise him to take a sea voyage to recover. The parents will be traveling without the children, and they won’t be going to Italy, but the children say that they understand that this is important to their father’s health. However, this does leave the question of what the children will do while their parents are traveling. The parents ask the children for their opinions about what they would like to do this summer because they want the children to have a pleasant time together while they are gone. There is only one thing that all of the children want, and this time, the children’s parents agree: the children will spend the summer at Tantamount.
The parents make arrangements with Mr. Devine, the agent who manages the property on behalf of the family, for the children to go there for the summer. The children will be chaperoned by their governess, Miss Venus, and Edwin’s tutor, Mr. Gaunt. Before they leave, the children’s father tells Edwin that, since he is 16, he’s no longer just a child, and if any situation should arise which requires him to take charge, he should, as the heir to Tantamount. If anything serious happens, and they need help, they can also send word to Mr. Devine. The children’s mother tells them that there will also be a housekeeper at Tantamount who has a daughter of her own, who will also be helping out.
From the moment their parents leave for their voyage and the children make their final preparations to leave on their trip, they feel like everything is changing. Although they were always aware that they were privileged, they never really noticed much about the details of their lives or home or thought very much about the people who served them. Alone for the first time with Miss Venus and Mr. Gaunt, Angeline is struck with the thought that she never really noticed much about Miss Venus as a person, even what she truly looked like. Before, she was always just the governess, just another part of the steady routine of the children’s lives, but now, dressed for travel and just as excited as the children, she really seems to be a real person. Even Mr. Gaunt is excited and not so much his usual somber self. The children quickly realize that, without their parents there to insist on proper behavior, stiff manners, and a certain appearance, the governess and tutor are relaxing and become more themselves. Mr. Gaunt tells the children stories about his past travels across Europe, and they’re much more fun to hear about than his usual dull lessons. As they step outside of their usual rigid routine, it seems like everything has magically come to life for the children.
When they first arrive at Tantamount, it’s dark, and the place seems sinister. However, they receive an enthusiastic welcome from the housekeeper, Mrs. Pengelly. In the morning, the children see how grand the place truly is. The rooms are big and elaborately decorated, and there are amazing views of the sea.
Even more exciting than that, the children also quickly realize that life at Tantamount offers them the opportunity for more freedom than they’ve ever had in their lives. Without their usual nurses to pick up after them or fuss over what they’re wearing, they are free to make these simple choices for themselves. The idea of looking after themselves for a change and doing things as they want to do them is exciting by itself. Some parts of looking after themselves seem a little daunting at first, but Angeline realizes that it’s also good for them. Young Maud worries about what “they” will say about things the children are doing, but the older children point out that there is no “they” to worry about. Their parents and nurses aren’t there, and everyone who is there technically works for them.
Eagerly, the children begin to explore Tantamount. It is filled with strange and wonderful things, but most of it is in shabby and neglected condition. There are magnificent statues that are crumbling and a beautiful chandelier lies smashed where it fell on the floor of the ballroom. Angeline first thinks that their father will blame Mr. Devine and Mrs. Pengelly for the condition of the house, but Edwin points out that the house has been neglected for generations by the Richleighs themselves. Who knows how many years ago the chandelier fell when nobody in their family even cared whether it was still hanging or not? Edwin himself says that if their ancestral home was neglected to the point where it started falling apart, their own family was to blame. The children discuss which is more of a “folly”, as Mr. Gaunt put it, to build such a grand place in such a remote location or to forget forget about it and let it fall apart. The word “folly” can refer to an unnecessary building like this, and Edwin says that Tantamount is a “folly” in the sense that the family has done well enough without it for years. Edwin says that their ancestor probably had fun building it and that men like that build grand things for travelers to marvel at, but apart from that, they have little use. Since then, most family members have barely even thought about Tantamount. The children begin to feel sorry for the mansion, almost like it’s a neglected animal with a personality of its own. The place starts to feel sad to them.
Edwin also points out that Tantamount is actually dangerous in its crumbling condition. He even saves Maud from stepping onto a section of floor that would have crumbled underneath her. The children realize that they will have to be very careful of everything they do in Tantamount.
Tantamount is a sad and scary place, but still exciting because the children’s adventure is only just beginning. When Miss Venus and Mr. Gaunt see the condition of Tantamount, they decide that they and the children cannot possibly stay there for the summer. However, the children have only just had their first look at the place and have only just begun to delve into its secrets and consider what might be done with the crumbling old mansion. Even more importantly, they have had their first real taste of the freedom and responsibility that Tantamount has offered them, and they won’t give it up so soon. Edwin asserts himself as the de facto head of the Richleigh family and tells the governess and tutor that they may leave if they find it too uncomfortable, but he and his siblings will be staying because they are family and this is their home.
At first, the children are nervous at sending the adults away, but Edwin has thought it out. He has noticed that Miss Venus and Mr. Gaunt are fond of each other, and he suspects that they might take this opportunity to run away and get married. The other children wonder if they will tell their parents that they are at Tantamount alone, but Edwin doubts it. It would take awhile for any message to reach their parents, and the tutor and governess also wouldn’t be too quick to admit that they had abandoned the children, even if the children did request it themselves. The children have also begun to suspect that Tantamount might not be all that it seems. Although their family neglected the place badly themselves, what exactly has Mr. Devine been doing as the steward?
The Richleigh children befriend Nancy and Dick, two sailor’s children who live by themselves nearby. Nancy and Dick are a little afraid of the Richleigh children at first, partly because Edwin attacks them when they first meet, thinking that they’re trespassers, and partly because they know more about the dark history of the Richleighs and Tantamount than the Richleigh children do. However, the children all become friends, and Nancy and Dick teach the Richleighs many things that they need to know to survive on their own at Tantamount. The Richleigh children are happy to get help from Nancy and Dick, and they’re especially happy that, for one in their lives, they’ve made friends on their own instead of just associating with the people their parents have picked out for them to meet. Nancy and Dick are far less fortunate than the Richleighs, and they open the children’s eyes to what poverty really means. Nancy and Dick are also on their own because their mother is dead and their father hasn’t yet returned from the sea.
The Richleighs are impressed with the things that Nancy and Dick know and can teach them, and they also enjoy the carefree summer that they spend with Nancy and Dick. While they’re happy to accept help from them, the last thing the Richleighs want is any adult finding out that they’re living alone at Tantamount. There are still mysteries there for the children to solve, and the last thing they want is to give up the first real freedom that they’ve ever experienced!
The book is available to borrow and read for free online through Internet Archive.
My Reaction and Spoilers
The Richleighs are practically the personification of a privileged Victorian family. Readers are told that the Richleigh children are accustomed to luxury, although the book is also quick to say that they aren’t spoiled because readers might find them insufferable if they were. However, in the first few chapters, readers might also realize that the Richleigh children are living a rather repressed and highly controlled life. They have all kinds of toys to play with but no control over whether or not they get to keep their favorite old toys. Their parents get rid of anything that they personally think is getting too shabby without regard for sentimentality. Peggy wasn’t just a toy to Maud; she was like an old friend, and she and her siblings are sure that her new owner won’t appreciate her as much or might do something horrible, like sell her for drinking money or turn her into firewood. The parents are unconcerned about Maud’s feelings. They and the children’s nurses are always telling children not only what they should do but how they should feel. When Angeline expresses an opinion, her nurses tell her that “Ladies don’t have opinions – they’re nasty things to have.” When Sebastian tries to make his mother understand how much it would mean to him and his siblings to see Tantamount, he talks about “adventure”, but the book hints that he may have also been thinking of “escape” – escape from the luxurious monotony of their lives, from the constant supervision and control of the adults, and from constantly being told who they are, what they should do, and how they should think and feel. The two oldest children, Edwin and Angeline, realize that their parents are prepared to give them anything they want, but only provided that the children want the things their parents think they should want, like the new rocking horse.
When the children are left to the own devices at Tantamount, they have to take responsibility for themselves and manage everything by themselves for the very first time in their lives. Rather than finding it frightening, however, the Richleigh children find it exciting. Young Maud is the one who’s the most worried because there has never been a time in their lives when the children haven’t had someone taking care of them and telling them what to do. Angeline thinks that learning to do things for themselves will be good for them, and she delights in making simple choices, even deciding what to wear without someone to tell them. However, Maud doesn’t even know how to dress herself without help, and she worries about what “they” would say. Sebastian points out that there is no “they” to say anything. The children themselves are in charge, and Sebastian is looking forward to them doing what they want to do. Maud doesn’t know how they’ll even begin to know what to do without someone telling them, but Edwin reassures her that they’ll figure it out.
Since Edwin is the oldest boy and he already has their father’s permission to act as the heir to Tantamount, the children immediately decide that he’s in charge. It fits the general pattern of Victorian society that they’re all accustomed to, and it makes Maud feel a little better that someone’s in charge. However, because Edwin now gets to run things the way he wants, he doesn’t just want to give his siblings orders. He establishes the group as a family council so they can discuss things and make decisions together. Although he maintains his position as the head of the family council, he cares about how the others feel, and over the course of the summer, he particularly comes to value the thoughts and advice of Angeline, who proves herself to be a sensible and practical young lady.
It isn’t long before the children discover the dark secret of Tantamount that they always suspected was there: it is being used as a hideout for smugglers and has been for some time. The reason why Mr. Devine hasn’t tried to maintain the house or a staff there is that he doesn’t want anybody snooping around and learning the truth about what he’s been doing there. When the children figure it out, they also realize that no one else is aware of their discovery yet. The locals might have their suspicions, but so far, nobody knows that the Richleigh children have made this discovery and that the children are staying at Tantamount all by themselves. However, this situation can’t last. Eventually, the smugglers will come back or Mr. Devine is bound to check on them, and the children will have to decide what they will do when that happens.
The children also must confront the knowledge that their own ancestors must have been the ones who started the smuggling and wrecking business and were responsible for the deaths of many sailors. There was a hint to the dark history of Tantamount in the painting the children have admired for years, but the children just didn’t understand the meaning of it before. The children’s parents don’t seem to be aware of any of this, or they would never have allowed the children to go to Tantamount at all. The children realize that the reason why Tantamount was abandoned by the family was that, at some point, some of the Richleighs decided that they didn’t want any part of this nefarious business anymore, so they got as far away from Tantamount as they could, created new lives and homes for themselves, and tried to prevent the younger generations of the family from finding out what happened there. This is the dark side of privileged families. Although much of the Richleighs’ wealth has come from wealthy marriages, not all of it has, and some has come from some dark sources.
The children still love Tantamount, even for its darkness, and they wish they could do something to cleanse it of all the bad things that happened there. Tantamount has changed them and allowed them their first tastes of freedom, independence, and self-discovery. The oldest children realize that their time there can’t last because their parents will come for them at the end of the summer, and there is still the matter of the smugglers. They try to think of a way to preserve some of the feelings of this transformative summer even when it’s time for them to go home.
In the end, the real villain eventually brings about his own end while trying to destroy Tantamount and hide its secrets forever, and the children pledge to themselves that they will rebuild it someday, but in their own way and for much better purposes. This is a secret that they keep from their own parents, just between the four of them, because this is something that they want and will pursue independently at some point in the future.
There are sad parts to the story as the children reflect on the abandoned and neglected nature of Tantamount and the evil that has happened there. However, there is also adventure and mystery and the kind of magic that comes from a carefree summer spent in a fantastic place!
The small cottage used to be a church rectory, but it when Dr. Tucker was hired as the new minister, his family with eight children was too large to fit in the old cottage. By that point, the old cottage was in disrepair anyway, so the people of the church decided it was time to build a new, bigger rectory. Some people consider the small, old rectory to be an eyesore, but Bettie, the only daughter of Dr. Tucker, is fascinated by it. It’s true that the old house is run-down and that some of the windows are broken, but to Bettie, it looks almost like a little playhouse.
One day, Bettie suggests to her friends Jean, Marjory, and Mabel that it would be great if they could have the old cottage, now known as Dandelion Cottage for all of dandelions growing around it, as their own special place to play. All of the girls have noticed that, when the four of them play together, they tend to get on the adults’ nerves, making too much noise or seeming to be underfoot. Marjory is an orphan who lives with a strict aunt, and Bettie has seven older brothers. There just never seems to be enough room for the girls anywhere or adults willing to put up with them for very long. Marjory thinks that the chances of them being able to use Dandelion Cottage for themselves are slim, but she suggests that maybe they could arrange to rent the cottage somehow. None of the girls has very much money, so they aren’t sure how they can rent the place.
Mr. Black, the church warden, sees the girls looking at the cottage and asks them what they’re doing. They explain that they want to rent the cottage so they’ll have somewhere to play. They tell him how Marjory’s aunt won’t let her make paper dolls because cutting paper in the house makes a mess, and Bettie says that her brothers like to play Indians and pretend to “tomahawk” her dolls. (The books in this series sometimes get criticism for racial stereotypes and language, and this is one example. I do understand the part about brothers and dolls, though. My older brother once held one of my dolls for ransom when we were kids.) Not having any money to rent the cottage, the girls offer to clean it up in exchange for being allowed to use it. Mr. Black knows that some of the neighbors have been complaining about how the place has been overgrown with weeds. The church could hire someone to take care of the weed problem, but that would cost money, and they don’t have a lot to spare. Mr. Black tells the girls if they’re willing to pull all the weeds, he’ll let them play in the cottage all summer. The girls aren’t enthusiastic about pulling weeds, but they’re very enthusiastic about having their own playhouse, so they agree to do it. Mr. Black says that he’ll turn over the cottage key to them after they’ve pulled the weeds.
While the girls are pulling weeds, some of them play pretend games, like they’re fighting soldiers or Indians (as in Native Americans, another one of the objectionable points), and finally, they get the job done. Mr. Black is satisfied with the job they’ve done and pleased with their willingness to sow grass seeds and flowers where the weeds once were, so he gives them the key to the cottage for the summer.
The girls are thrilled at having a whole house to themselves all summer, although it needs serious cleaning before they can really use it. Mr. Black, a lonely widower with a fondness for children, (especially Bettie, who reminds him of his own daughter, who died young) stops by to see how the girls are doing. When he finds them exhausted from cleaning and trying to decide if they can manage to clean the floor before they give up for the day, he gives them some peanuts to eat and finishes the cleaning himself. He tells the grateful girls that they can thank him by inviting him to dinner at the cottage some day.
The girls’ parents completely support them playing in the playhouse because it does mean less noise and mess at home, although they refuse to allow the girls to stay in the cottage overnight for safety reasons. They let the girls have some old furniture to furnish the house, including chairs that are missing legs, beds that sometimes have the slats falling out of the bottom, and six clocks, four of which don’t work. The little cottage soon begins to look cheerful and lived-in, although the girls have to warn their visitors about which chairs are unsafe to sit in.
The girls worry at first that they won’t be able to afford to buy food to give Mr. Black dinner as they promised. They know that they could ask their parents for supplies, and even nice Mr. Black would probably provide something for them to cook if he knew that they couldn’t afford anything, but they feel like they really should find a way to buy the supplies for dinner by themselves. They try holding a lemonade stand, which works for a little while, but then, they misplace the money they earned.
Fortunately, their money problems are soon solved when they receive a request for a room to rent from a nice young lady. She is the daughter of the traveling organ tuner who is working on the organs at some local churches. She has arranged to take her meals at the boarding house where her father is staying, but she was unable to get a room there herself, so she is looking for somewhere inexpensive to stay nearby. She will only need the room for three weeks. The girls explain their arrangement regarding the cottage to her, and they show her their best bedroom. Miss Blossom, their new boarder, says that it will suit her just fine. Because the furniture is old and the house is still not in very good repair, they only charge her half rate to stay there, but that’s still more money than the girls have ever earned before! When Dr. Tucker learns who their lodger is, he approves of the arrangement, and Mrs. Tucker and the other parents give the girls some proper bedding and a few other supplies for their boarder. Miss Blossom turns out to be a nice boarder, who sometimes joins the girls in their games, delighting at her stay in their playhouse.
Then, an older woman who lives nearby moves away, and a new family moves into the house next door to the cottage. The Milligans aren’t a very good family. Mr. Milligan swears (the girls’ mother tells them not to listen and to keep the windows of the cottage closed while he’s chopping wood because of the things he says), and Mr. and Mrs. Milligan argue frequently. Laura, the daughter of the family, is the same age as the other girls, and she plays with them for a time, but the other girls stop playing with her because she’s mean to them. She teases them meanly, tries to boss them around, and eventually, steals from them. The stealing ends their friendship. Laura lies to her mother about what happened, blaming the other girls for slapping her and her baby brother and throwing them bodily out of the cottage. Mrs. Milligan comes to the cottage to lecture the girls about their behavior and refuses to believe them when they tell her the truth about Laura. To get revenge on the girls, Laura kills a plant in the girls’ cottage garden. The girls hadn’t purposely planted the plant, and they had been looking forward to seeing what it was as it grew.
Laura continues to do horrible things to the girls, breaking a window of the cottage, throwing dirt through the window, messing up their porch, spreading molasses on their door, and sending her dog through their flower beds. One day, Laura starts a fight with the girls by yelling mean and insulting poems at them. Laura throws tomatoes at the girls, and Mabel throws apples back at Laura. Mabel isn’t normally good at throwing anything (something that Laura taunted her about), and she accidentally hits Mr. Milligan. Mr. Milligan, for once, sees his daughter misbehaving and is angry at her for throwing the tomatoes and wasting food, but he also threatens to have the other girls thrown out of the cottage for their misbehavior. Mrs. Milligan lies to their landlord, Mr. Downing, telling them that the girls have been playing with matches in the cottage. Mr. Downing manages the books for the church, so he evicts the girls from the cottage while Mr. Black is out of town.
The girls go to see Mr. Downing and argue that they’ve already paid their rent in full for the summer with their labor, but Mr. Downing says that their agreement with Mr. Black didn’t make good business sense and it’s “not binding”, so he’s breaking it. He wants to rent the cottage to a paying tenant, and Mr. Milligan himself has offered to rent it while someone else rents the house the Milligans are currently in.
The girls are heartbroken, but they have no choice but to move out. Although, the Milligans’ scheme backfires on both the Milligans and Mr. Downing. Mr. Downing wouldn’t believe the girls when they said that the cottage wasn’t in good enough condition to be anything more than their playhouse, and they were telling the truth. The cottage looked nice when the girls had their things there, but when they take them back and the girls’ brothers strip the house of some repairs that they had made for the girls’ sake, its real condition shows. The Milligans are stuck with a cottage that leaks in the rain, and they can’t move back into their own house because the new tenants have already moved in and don’t want to leave. The Milligans are forced to move out of the neighborhood entirely, so the girls never have to see Laura again. Mr. Downing, angry at the hassle the Milligans gave him over the whole issue, even blaming him for their furniture being ruined by the leaking roof, yells at the girls when they ask if they can move back into the cottage, which is now empty. However, when Mr. Black returns to town, he gives the girls the second key to the cottage, tells them that they can move back in, and has a talk with Mr. Downing about his treatment of the girls and their agreement about the cottage. The girls’ grateful families fix up the cottage even better than it was before, and Mr. Downing gives the girls an embarrassed apology and a peace offering, admitting that they are far better tenants than the Milligans.
The girls have made friends with a lonely older woman who lives near the cottage, Mrs. Crane. Mrs. Crane is a widow who has very little money, and she offers the girls friendship and sympathy during the time when they were evicted from the cottage. The girls feel sorry for her, having no children or other family to look after her. They try to help look after her themselves, and they become increasingly concerned about her when her boarder moves out. She relies on keeping a boarder for income, and she doesn’t know what she will do when he leaves. The girls wish that they were old enough to take her in themselves. One of the best things they do for her is to invite her to the dinner that they finally give for Mr. Black to thank him for all his help. The girls don’t know that Mrs. Crane and Mr. Black have a history with each other, but their parents realize that the two of them having dinner together is something that would be good for both of them.
My copy of this book was a present from my grandmother, who told me that she had read it and liked it when she was young. My grandmother was born in November 1918, so the book was already about 20 years old or more by the time she could read it. She grew up on a farm in Indiana, so she was accustomed to small town life in the Midwest, much like the girls in this story. It was very different from my own childhood in a city in the Southwest, but I thought the story was charming, and I wished that my friends and I could have a house all to ourselves!
The books in this series receive some criticism for racial terms. I haven’t read all the books yet, but the issues I’ve spotted in this particular book relate to stereotypes about Native Americans when the children in the stories are playing pretend. The issues I’ve seen so far seem pretty tame compared to some parts in the Little House on the Prairie series, so anyone who is okay with Little House on the Prairie would probably be okay with these books, but since I haven’t read all the books yet, I can’t be completely sure how the rest of the books are. I recommend that adults read through the books first before giving them to children and be prepared to talk about things with child readers. As long as child readers understand that they shouldn’t imitate everything that they read in old books, I think they will be fine. There are also instances of bullying and fat-shaming in the mean things that Laura says to the girls, which kids should know not to imitate, either.
Apart from that issue, this book is a pretty calm, charming story. The book fits with the Cottagecore aesthetic that has been popular in the early 2020s. Modern kids and adults may still enjoy the girls’ sense of independence in their own cottage and how they fix it up and give it new life.
The cottage in the stories is based on a real cottage in Michigan, in the author’s hometown, Marquette. My copy of the book has an About The Author section on the back, with a picture of the author. The girls in the story and their adventures are fictional, but the town did once have a dandelion problem that may have been the inspiration for this story.
Father’s Arcane Daughter by E.L. Konigsburg, 1976.
Winston Carmichael lives a very sheltered life during the 1950s. His family is wealthy. They live in Pittsburgh, and he attends a good school, but much of his free time is also taken up trying to entertain his sister, Hilary, called Heidi. He particularly has to look after Heidi every week on Thursday, while his mother leaves to get her hair done. Heidi has some developmental disabilities and is hard of hearing, so Winston’s overprotective family is especially overprotective of her. Because of that and because of her frustrations with her own limitations, Heidi is spoiled and frequently acts out when she doesn’t get her way, making her a pain for Winston to help care for. Even servants have often quit over Heidi’s behavior. However, Heidi’s disabilities are only part of the reason why the children’s parents are overprotective. The other reason is the mysterious disappearance of Caroline, Winston and Heidi’s much-older half sister, from their father’s first marriage. Winston is aware that Caroline was kidnapped years before he was born and is now presumed dead, a traumatic incident in their family. Then, one day, a woman claiming to be Caroline comes to the house to see their father.
The story is actually told in the form of flashbacks as Winston recounts it to a woman, who is at first unnamed. Winston explains how he knew about Caroline’s disappearance and how he wanted to know more about this mysterious woman claiming to be Caroline, partly in the hopes of reducing the shadow that Caroline’s disappearance has cast on all of their lives. The children’s father tells them the story of how Caroline was kidnapped 17 years earlier on her way home from the exclusive college that she was attending in Philadelphia. The kidnappers demanded a large ransom in cash, and it took longer than they thought for Mr. Carmichael to assemble that amount of cash because rich people don’t have all of their money in cash and getting large amounts of cash attracts attention from the authorities. Then, the ransom drop went badly and turned into a shootout between the police and the kidnappers at the house where the kidnappers were hiding. At some point, the house caught fire (no one is quite sure what started the fire), and everyone inside the house was killed. At the time, they assumed that Caroline was one of the people who was killed in the fire, but Mr. Carmichael was never sure because the kidnappers had said something earlier about moving Caroline. He always hoped that maybe Caroline wasn’t in the house and somehow survived, but having heard nothing from her for years, it has seemed likely that she died. After Caroline’s presumed death, her despondent mother died of alcohol-related causes. Mr. Carmichael remarried, and he and his new wife had Winston and Heidi. Still, Mr. Carmichael always hoped that maybe Caroline was alive and he would find her one day.
Caroline’s sudden reappearance, although happy for her father, is strange, and Mrs. Carmichael is suspicious that this woman’s real purpose is to claim the inheritance that Caroline was supposed to inherit from her mother’s family. The deadline for claiming the inheritance is approaching, so the woman claiming to be Caroline could be an imposter who is just after the money. Winston studies his mother’s scrapbook, containing all the known details of Caroline’s life, and he comes to understand his father and his family a little better. Caroline becomes more of a real person in his mind, not just a shadowy figure from the past, but he’s still not sure if the woman claiming to be Caroline is the real Caroline.
“Caroline’s” story is that she was rescued from her kidnapping situation by one of the kidnappers, who apparently had a change of heart, but that she had a kind of identity crisis and a sudden realization that she didn’t know who she wanted to be or what she really wanted out of life. She changed her name to Martha Sedgewick, using information given to her about a dead woman by the kidnapper who released her, and went to Ethiopia. There, she taught English for a time and then worked as a nurse. She says that she found it a very liberating experience. Winston, who feels trapped in his stifling, sheltered life understands that feeling. Caroline said that she fell in love for a time but never married the man she loved because there was a war and he died.
Caroline says that when she finally returned to the United States, she found a job as a nurse at the nursing home where her Grandmother Adkins was living. Caroline says that, at first, she wanted to see her grandmother again and get her opinion about whether or not to reveal herself to the rest of the family. However, Grandmother Adkins was senile when she finally saw her, and Caroline merely acted at her caregiver. Mrs. Carmichael thinks this is suspicious and continually quizzes “Caroline” about old acquaintances, trying to catch her slipping up and revealing herself as an imposter. Surprisingly, “Caroline” never seems to slip, and Winston finds himself becoming fond of her. Caroline has had a wide experience of life and is very well read, and she is a very interesting person to talk to. Winston blossoms intellectually under her influence.
I particularly liked the part where Winston realizes that many of his relatives have given him books to read as presents that they have never read themselves. They like to give him books that have a reputation for being “good” books, and it seems like the proper thing to do and something that will enhance their own reputations, but they never actually read the books themselves and can’t talk about them. Caroline hasn’t read all the books that have been deemed “good”, the kind that people read in order to become educated or have a reputation for being educated. However, Winston can tell by talking to Caroline that she has done a great deal of general reading just because she has a curiosity and a desire to know things. She has become a much more knowledgeable person than the people who collect all the “right” sort of books just to have them and never even open them. Many people in the Carmichael family are largely about appearance, but Caroline has substance.
However, Caroline’s presence in the house makes things uncomfortable for the family, not only because of their doubts about her true identity, but because she challenges the life the family is living and the habits they take for granted. Even though some of those habits have been making life uncomfortable for them, the changes that Caroline subtly begins to make also make them uncomfortable by bringing them out of their shells and forcing them to confront things that they have been trying not to confront. For example, Heidi is never scolded for bad habits like snatching things from others’ plates at dinner because she is young and has disabilities. Caroline doesn’t make those allowances, freely telling the family that she doesn’t like it.
Eventually, Caroline’s father is satisfied that she is his daughter and grants her the Adkins’ inheritance, although at his wife’s insistence, there is a proviso that the fortune will revert to the Carmichaels if any evidence surfaces in the future that Caroline isn’t the real Caroline. Caroline accepts those terms, but a battle of of personalities and wills still continues between her and Mrs. Carmichael over the children. Caroline insists that Winston be allowed more freedom, pointing out that Mrs. Carmichael has been using him as an unpaid babysitter while she goes to get her hair done every week. Caroline recognizes that Winston is young and needs to have some freedom and fun, and Mrs. Carmichael is pained that Caroline has caught on to the fact that her hair appointments are also a convenient excuse to get some freedom for herself.
At Christmas, Winston feels sorry for Heidi, watching other people at the family’s Christmas party, but not being able to understand what is being said around her, and knowing that she can’t understand them. On impulse, he gives her the book of poetry that he had intended to give Caroline. To his surprise, she really likes it. He knows that she can read, but he never thought of her as having the mental capacity to understand anything really complex because of her babyish behavior and fits when she doesn’t get her way on something. However, Heidi really does understand the poems and is able to read them to Caroline and tell her what they mean. At first, Winston refuses to believe it, jealous of the attention and coddling that Heidi has always received and not wanting to share Caroline and the intellectual discussions they have with Heidi.
Heidi continues to listen to their discussions and follow them as best she can. Gradually, in their company, Winston notices that her behavior begins to normalize and more of her true intelligence shows, although she reverts to her old habits around their mother. Hilary/Heidi has always been underestimated by her family because of her disabilities as well as being overprotected. Under Caroline’s influence, she learns that she is capable of more than anyone, including herself, believed possible.
Unfortunately, Mrs. Carmichael still distrusts Caroline, and in her determination to protect Heidi from her influence, will not allow her to spend time with her anymore. Caroline tells Winston that she is tired of all the Carmichaels’ pretenses, the way they try to ignore the real issues with Heidi, and she gives him an envelope, which she says will provide Winston with all the evidence he needs to decide whether she’s the real Caroline or not. Winston has to decide which is more important to him, learning whether the Caroline he knows (or thinks he does) is a pretense or accepting the realities of his family’s problems and the help Caroline can offer in learning to deal with them.
There is also a movie version of the book called Caroline? I saw the movie before I read the book, but I’ll explain the difference between the two below because it involves some spoilers.
The book is available to borrow and read for free online through Internet Archive.
Themes, Spoilers, and My Opinions
The everyone in the story, even the children, speak in a very educated and deep-thinking way, which I found interesting. At first, I thought that the children, especially Winston, should speak a little more colloquially, but then, I decided that it’s really right for him to speak in a more erudite way because of the school he attends and because much of the story emphasizes that he has been very sheltered and largely cut off from forming the sort of childhood friendships that children his age have, so he would probably use much less slang than most kids his age.
During the story, Winston is in the habit of thinking of Heidi by insulting terms, like “troglodyte”, because she is strange and awkward and her weird habits and temperamental fits cause problems for him, like preventing him from bringing friends to the house. At a couple of points, he thinks of her as a “golliwog”, which is an insulting racial term, based on a style of old dolls that look like black-faced minstrels, and later, even Heidi describes herself that way. (The term was actually coined in an old children’s book, where one of these dolls comes to life with some other toys. The doll character was actually a nice character, but since the dolls are considered ugly, its meaning has become an insult.) Winston doesn’t mean that in the racial sense here. He’s trying to convey that Heidi has an awkward, abnormal appearance.
As Winston opens up to Caroline, he finally admits to her that he knows that Heidi is “damaged”, not “special.” In other words, he understands that Heidi has disabilities and that she has been deliberately spoiled by their mother who wants to protect her from having to deal with them. Their mother herself has trouble facing the realities of Heidi’s disabilities and is actually ashamed of her daughter for not being normal, so she tries to ignore them, covering them up with cuteness, pretty dresses, presents, and indulgence. Heidi’s babyish behavior early in the story is not because her mind is infantile, but because of the coddling and overprotection she has received and poor socialization, and also because her family is afraid to face the difficulties that lie ahead for her because of her condition and underrates her capacity to do what other children can do and learn what they learn. It’s true that Heidi has some physical disabilities from birth, and she needs a hearing aid to help her hear (she reads lips up until the point that Caroline insists on her getting a hearing aid) and braces to help correct the way she walks, but her mind is excellent. Through Caroline’s attempts to help her, Heidi herself comes to realize how limited her life has been and the potential she has to expand it if she gets the help she really needs to learn how, and she eventually stands up to insist on what she wants for herself, asking her brother to kidnap her and take her to Caroline to get the help she needs and wants. Caroline acknowledges to Heidi, without being ashamed of her or trying to hide the truth, that she is not “normal” and never will be completely normal, but tells her that if she’s willing to work at it, she can realize her true potential in life, and ultimately, that’s what Heidi wants.
The movie followed the themes of the book very well, showing the effect that Caroline has on the lives of the Carmichaels, helping Hilary/Heidi to realize her true potential, helping her parents to realize what she is capable of and what she needs to make the best use of her real talents, and helping Winston to find his own sense of independence. There are some differences. In the movie, for example, Caroline wasn’t kidnapped. Supposedly, she was killed in a plane crash, although her body was never positively identified, and there was some doubt in her family about whether or not she got on the plane. In the movie, Caroline gives a similar story about feeling the need to go out and find herself, but I think she says that she became a nurse in India, not Ethiopia. (It’s been a while since I’ve seen the movie.)
One thing I am grateful for is that both the book and the movie do give a definite answer to the question of whether “Caroline” is the real Caroline or not. I’m often frustrated with movies and stories that leave loose ends like that, like Disney’s Candleshoe, where they never completely establish whether Casey/Margaret is really Margaret.
When Hilary/Heidi decides that she wants the help of Caroline and a friend of hers, who is a doctor, she asks Winston not to open the envelope. Winston keeps it sealed for years, but Hilary (who long since dropped her childhood nickname) is the women he’s talking to when he’s telling the story from his perspective, and at the end, they decide to open the envelope together and find out the truth.
Do you want to know the truth about Caroline?
The Real Spoilers
So, is Caroline actually Caroline, the same Caroline who was kidnapped and evidently killed years before? No, actually she’s not. She really is Martha Sedgewick, the identity that she supposedly took when she said that she was going off to find herself in Ethiopia. However, she is not posing as Caroline for the sake of the inheritance; she’s doing it for the sake of the family and the children. Grandmother Adkins put her up to it.
Martha really was a nurse in the nursing home where Grandmother Adkins lived before her death. She had lived in Ethiopia with her parents, who had died, and so had the man she loved, as she had said before. She had returned to the United States, alone, lonely, and depressed, before getting a job at the nursing home. Grandmother Adkins noticed her striking resemblance to Caroline, and in her confused stated of mind, sometimes thought that she was Caroline. She talked to Martha about the family all the time, which is how she knew all the right details for playing the part of Caroline. Grandmother Adkins knew that if Caroline never returned to claim her inheritance from her mother, that money would pass to Mr. Carmichael, and by extension to his new wife, whom Grandmother Adkins detested. Toward the end of her life, Grandmother Adkins urges Martha to go claim the Adkins inheritance as Caroline – revealing that, in spite of her supposed senility, she has been deliberately coaching Martha to be Caroline for that purpose. Martha decides to go through with the pretense, not because it was Grandmother Adkins’ dying wish or because she really wanted the money, but because she saw Mr. Carmichael at the funeral and was touched by how sad and lonely he looked. Martha didn’t have a family, so she decided to give Mr. Carmichael his daughter back.
In the end, she actually developed romantic feelings for Mr. Carmichael, but she could never admit to them because of their established relationship as father and daughter. Mr. Carmichael might have felt the same way, but he also couldn’t admit to those feelings without destroying the pretense that Martha was his daughter and admitting that Caroline was really dead. Martha came to love the children, and since she realized that they would never be her stepchildren, she did her best to be their big sister.
Miss Trollope, Caroline’s old headmistress, figures out the truth, and “Caroline” openly discusses the situation with her, including her desire to return to college and learn to educate children with disabilities, like Hilary. The real Caroline’s grades were never good enough to attend a university, but Miss Trollope approves of what “Caroline” wants to do and the good she is doing for the Carmichael children, so she does nothing to reveal the pretense or hinder Caroline’s education. However, Miss Trollope later admitted the truth to Hilary when she pressed her for answers.
The reason why Hilary and Winston are discussing this situation and telling the story in the book is that “Caroline” has just died. Hilary is now a business executive, and Winston is a writer. Hilary is a decisive person as well as intelligent, and she decides to put the papers proving Martha/Caroline’s true identity in her coffin, under her head, to be buried with her. Winston says that Hilary is mysterious and arcane, providing the title of the book. Caroline’s life was hidden and arcane, but Hilary’s true depths are also hidden and arcane because of the person she is.
This is the final book in the Journey to America Saga. Annie, the youngest of the Platt girls, is more of a tomboy than her older sisters. Her father thinks that she’s been growing up too wild in America, running around and climbing like a boy. This summer, in 1945, while her best friend goes to visit their family’s farm in Wisconsin, Annie’s father wants her to stay home and help him with sewing for his coat business, and Annie’s mother has a list of chores for her to do. It all sounds so boring and dreary. Twelve-year-old Annie longs for excitement, but because of her recent appendix operation and her migraine headaches, her parents worry about her health.
Then, Annie gets the opportunity to attend summer camp. She wants to go and do all the fun summer camp activities that other girls do, but her parents worry at first. They worry about Annie’s health, and they don’t know who is running the camp or what they do there. Annie’s older sisters, Ruth and Lisa, tell their parents that it’s normal for girls in America to go to summer camp and that the experience might do Annie some good. When the family doctor says that Annie is healthy enough to go, her parents finally agree.
At first, camp is hard. Annie faints soon after her arrival, and she worries that maybe her parents were right about her being delicate. However, one of the counselors tells her that these things happen and that she was probably just overtired, overheated, and still suffering from the rough bus ride to the camp and that she will be fine after she rests. Annie is physically fine, although one of the other campers, Nancy Rae, makes a big deal about the incident, calling Annie a “sickie” and other names. Nancy Rae is a terrible bully, and Annie nearly drowns in the lake after accepting a dare from Nancy Rae to swim across it, in spite of not being a good swimmer. Annie overhears the counselors saying that Nancy Rae should probably be sent home for goading Annie into a dangerous stunt, but they know that Nancy Rae comes from a bad home and that her father abuses her. For her own sake, they decide to give her another chance.
However, even knowing Nancy Rae’s troubled history doesn’t help Annie when Nancy Rae keeps picking on her and a black girl named Tallahassee (Tally, for short). Nancy Rae calls Tally and her younger brother (who is also at the camp) “nigger” and says that Annie is a “nigger-lover” when she tries to protect the younger brother from one of Nancy Rae’s tricks that could have really hurt him. (Note: I’m not using the n-word here because I like it. I’m just quoting because I want you to see exactly how bad this gets. Nancy Rae uses this word multiple times, and so do others when quoting her. This book is not for young children. Readers should be old enough to understand this word and beyond the “monkey see, monkey do” kind of imitation some kids do when they learn about bad words. The management assumes no responsibility if they aren’t.) Nancy Rae is a thrill-seeker, who frequently does wild stunts to get attention and tries to make other girls hate Annie as much as she does. At one point, she snoops through Annie’s things and tries to take her diary. Eventually, she figures out that Annie is Jewish and makes fun of her for that, painfully reminding Annie of what it was like living in Nazi Germany and of her relatives, who died in the concentration camps.
Finally, Annie reaches the breaking point with Nancy Rae. At a camp talent show, she arranges with other kids to dump horse manure on Nancy Rae’s head after she finishes singing a song. Nancy Rae is so humiliated by the experience that she ends up leaving camp. Annie is relieved that she is gone, but one of the camp counselors, Mary, makes her feel guilty about her revenge because she sees Annie as being stronger and more talented than Nancy Rae and wishes that she could have made Nancy Rae her friend instead, giving the bully a chance to improve herself. (I disagree with what the counselor says, but I’ll explain more later why.) Annie feels badly about how things turned out, but the incident blows over, and the rest of camp is a great adventure for her.
At camp, Annie mixes with different kinds of children from the ones she usually sees in her neighborhood and at school, and everything is a learning experience. She becomes friends with Tally and gets a crush on a boy named John. There is an ugly incident in which an assistant in the camp kitchen tries to molest Annie when he finds her alone (this really isn’t a book for kids), but the camp counselors dismiss him for what he did. Annie and Tally talk about many things together, and Tally is very understanding. The incidents with Nancy Rae and the kitchen assistant bring up the subjects of people who try to victimize others and how to deal with them. Annie resents that people like that force others to be on their guard, limiting them in ways that they can behave in order to avoid being victimized, but Tally says that there’s no help for that. As long as people like that exist, she says, protecting yourself is a necessity. They also compare the way Annie feels when John gives her a little kiss to the repulsed and frightened way that she felt when the kitchen assistant tried to force himself on her. Both incidents involved a kiss, but the way it was delivered and the person delivering it made each experience feel very different. In the end, Annie’s crush on John turns into friendship rather than love as she realizes that the kiss was just a friendly gesture. It is a little disappointing to her at first, but it is still a learning experience for her.
Annie learns that everyone at this camp has been through something bad in their lives. Annie’s family are war refugees, but Tally’s father has been married three times, and she’s often the one to take care of the house and her younger brother, while her current stepmother cleans other people’s houses for money. Other kids are poor or orphans or have fathers in jail. The camp gives them a chance to get away from their problems for awhile, to make new friends, and to develop talents that they can be proud of. Annie really blossoms at camp, learning to ride horses and work on the camp newspaper. As Annie’s session at camp comes to an end, Mary offers Annie a position as a junior counselor for the final session of camp, helping the young children. Annie is enthusiastic about the prospect, but family dramas at home threaten to derail her plans. Ruth’s fiancé is shell-shocked from the war and has broken off their engagement. Lisa is tired of arguing with their parents about every small piece of independence in her own life and has decided to move to a place of her own. With all of this going on, and their parents upset about everything, what chance is there that they will sign the permission slip that Annie needs to become a junior counselor?
This book shows how much the lives of the girls in the Platt family have changed since they first left Germany for America. It’s partly because they are living in a different country, partly because times and habits are changing everywhere, and partly because all of the girls are growing up and making decisions about what they really want to do with their lives. The older girls in the family, Ruth and Lisa, are women now and thinking about careers and marriage. As the girls suffer disappointments and changes of heart, their parents suffer along with them, and Annie realizes that she has to make up her own mind about what she really wants. As Annie tries to decide what she really does want, her parents struggle to cope with all of the changes in their daughters’ lives and in the changing world around them. They fight against it in a number of ways, and when things go wrong, whether it’s Annie’s illnesses or the older girls’ romantic problems, they tend to get angry or panic. As the book goes on, it becomes more clear that what the parents really feel is helplessness. More than anything, they’ve wanted life to be better for their daughters in their new country, and it upsets them when things don’t work out. They want to help guide their daughters and make their futures work out for the best, but in the process, they often come across as too controlling or making the wrong decisions because they don’t fully understand the girls’ feelings or situations.
Ruth and Lisa each suffer romantic disappointment before they settle down. Ruth had a fiancé, Peter, who went away to fight in World War II, but having seen the prisoners in the concentration camps, he has returned disillusioned and dispirited. He was Jewish, but now comes to associate his religion and heritage with pain and suffering and wants to give it up, breaking off his engagement to Ruth in the process. At first, Ruth is angry with him, saving that it’s like he wants to give up on his whole life, on the whole world. The girls’ father says that he wants to kill Peter for leading his daughter on, but part of his feelings turn out to be his own feelings for somehow failing his daughter, that he is somehow to blame for allowing this disappointment. When Lisa is upset because the young man that she’s been seeing says that he doesn’t want to get married, she argues with her parents about the course of her life and leaves home to live on her own. Her parents see that as turning her back on their love and protection, but Lisa says that she just wants the independence that other girls have. Even Annie feels abandoned by Lisa because Lisa was always there to comfort her as a sister and help her persuade their parents to listen to her, but Lisa says that she has to deal with problems on her own and that Annie will understand someday, when she’s in the same position. Annie realizes that, in a way, she already is in the same position.
The one time that Tally comes to visit Annie at her house and the girls go to the beach together, Annie’s parents make a scene when she gets home because she’s left sewing all over the house and eaten more food than she should have. Tally was going to apply for a sewing job with Annie’s father, which would have helped both of them, but Annie’s parents send her away, thinking that she’s a bad influence who encouraged Annie to goof off. Then, Annie hears her own parents use the n-word. It’s the final straw for Annie, and she runs away to camp.
The people at camp are glad to have her because they need her help, but being there, helping them, and thinking about her own life and future help Annie to realize what’s really important to her. She’s been feeling bad about the hate she got from Nancy Rae and the hate that she felt from her parents with their insults to her friend. However, her parents don’t really hate her, and in spite of what they’ve done, she doesn’t really hate them. She realizes that, before she does anything more with the camp, she needs to go back and see them.
Annie rethinks what Nancy Rae was really about, how she was filled with hate for everyone, dealing out hatred because of all that she’d received from everyone else. The counselors realized that she needed love more than anything, but Nancy Rae’s own hateful behavior pushed away the people who would have given her more positive attention and Annie’s revenge (although provoked) ended her camp experience. Annie realizes that she doesn’t want to go down the same path and that she must mend her relationship with her family.
I said before that I disagreed with the counselor’s approach to the problem of Nancy Rae and what she said to Annie about her revenge. I see what they were trying to do with giving Nancy Rae another chance, but what bothers me about it is that they act like Annie was in a much less vulnerable position to Nancy Rae and that she should have been strong enough to take what Nancy Rae dished out without hitting back, and I don’t think that’s true. All of the kids at the camp were there because they had something troubling in their lives, some vulnerability, including Annie. To say that Annie was more fortunate and more talented and that it should have been enough was to discount the harm that Nancy Rae was doing. I know that the counselors were trying to make the camp experience positive for Nancy Rae, but she was making the camp experience more negative for everyone else around her and needed to be stopped. Everyone suffers from something in life (as this book also demonstrates), but not everyone chooses to become a bully because of it. Nancy Rae made that decision herself, within herself, and for herself alone.
Part of the problem, I think, was that there were no obvious consequences for Nancy Rae’s bad behavior, and therefore, she had no reason to stop doing what she was doing. The lack of punishment and the inequity of the situation was what finally sent Annie over the edge with her. Since the counselors didn’t make it obvious that Nancy Rae was in the wrong, Annie felt that she had to, and that says to me that there was a lack of responsibility and accountability. I think that life is a balance and that both positive reinforcement (giving rewards to people who do good) and negative reinforcement (punishment for bad behavior) are necessary. I believe in plain speaking, and if I were in the counselors’ position, I would make it plainly and specifically clear that no campers were to use the n-word, to mess with others’ belongings, or to do the other things that Nancy Rae was doing and that there would be consequences for doing so, telling them exactly what those consequences were so that no one could say that they were surprised. I would also make it clear to Nancy Rae that I knew exactly what she was doing and why she was doing it and that it was unacceptable. When we choose what we do and say in life, we all consider (or should consider) what we want to happen in life, and I would put it plainly to Nancy Rae how she really expects others to react to her and how their reactions would change if she did things differently. Clearly, no one has ever told her that in her life before, and it was about time that she heard it from someone. I suppose we could guess that the counselors may have said something of the sort to her out of hearing of the others, but I would also say the same thing to Nancy Rae’s victims. Letting them know that I’d dealt with her adequately might head off their attempts to deal with her themselves and talking about what our behavior might lead others to do might also discourage revenge.
Also, the counselors were counting too much on the idea of friendship with Annie to get Nancy Rae to stop treating her badly, but that’s not at all the way that bullies work. One of the primary reasons why people bully is that they know that there are a lot of people who like mean humor, and they use their bullying to bond with those people, not their victims. Their friendships are formed on mutual contempt for the victim and the fun of humiliating that person. They’re getting everything they want through their bullying, so there’s no reason for them to stop until someone else gives them consequences and puts an end to their bully support network. I think that the counselors should have also talked to the people Nancy Rae was trying to bond with, explaining that they know what Nancy Rae is attempting to do and telling them that they would also be punished if they tried to help her, further cutting off one of Nancy Rae’s incentives to keep doing what she’s doing.
I’m not saying that it’s a perfect solution or that it would be guaranteed to work, just that I believe in being direct rather than letting things slide and just hoping that people will someday see the light. Sometimes, people just need to have things spelled out for them in no uncertain terms. If they chose to ignore what you say, then it’s on their own head, and they can’t say otherwise because you were clear and backed up your words exactly how you said you would. I do think that the counselors were right that, in the long term, revenge never turns out well. It often turns into a vicious cycle, as Annie later considers. However, in this case, some proper handling in the first place, with consequences as well as words, might have headed off the situation before it got that far.
We don’t know what eventually happened to Nancy Rae by the end of the story, but I’m not sure that Annie is right to think that she wronged her. In fact, she might have actually done her some good. Sometimes, seeing others react badly to bad treatment can make a difference to someone’s future. In my experience, people sometimes don’t realize that they’ve pushed another person too far until that other person finally reacts and says or does something. Realizing that they’ve pushed someone too far can give them a reason to change because they realize that people won’t put up with their behavior forever. Part of me thinks that maybe, at some point in the future, Nancy Rae might look back on this experience and quietly admit to herself that she had provoked it, being more careful the next time not to pick fights because she can be humiliated or excluded when people get fed up. It might even help Nancy Rae to realize that she doesn’t have to put up with her father’s ill treatment forever because she also has the right to lose patience with bad treatment, too. At least, I hope that this was a learning experience for her.
Annie realizes that both her parents and Nancy Rae are angry and hateful because of what they’ve suffered in their lives, but the problem is that both of them are taking it out on the wrong people. Annie’s parents, at least, seem to realize that what they did was going too far and taking out their feelings on someone who didn’t deserve it. By the time that Annie arrives home, they are also ready to make their peace with her and even support her return to the camp as a junior counselor, if that’s what she really wants to do.
The final days of World War II frame this story, beginning with the reports of Hitler’s death in the late spring of 1945 and ending with the bombings of Hiroshima and Nagasaki and the Japanese surrender in August. With the end of the war comes a new chapter in the lives of the Platt family. They’ve been through a lot together, but in spite of the girls growing up, moving out, and arguing with their parents, they still are a family. There are no more books in the series, but Annie explains that Lisa gives up the dream she once had of being a dancer because she doesn’t think that she’s star material and because she decides that what she really wants is to get married and have children of her own. In the end, she and her boyfriend get married, and she is happy with her life. Similarly, Ruth, who is now a nurse, meets a new love when she visits Annie at camp and later marries him. Annie realizes that she has found what she loves most in teaching young children, taking care of animals, and writing, and these things will form the basis of what she does with her future life.
The year is 1843. Thirteen-year-old Lyddie’s father left home to go West and seek his fortune, and he hasn’t been heard of since. Lyddie helps her mother to take care of their farm in Vermont and the younger children, but they are very poor, and her mother has given up hope of their father returning home. The children’s aunt and uncle, Clarissa and Judah live nearby, but they are of little help, full of fire-and-brimstone talk. Lyddie and her brother Charlie, who is ten, more often turn to their Quaker neighbors, the Stevenses, for help. They are kinder than their aunt and uncle, although their mother disapproves of them for being abolitionists and, in her mind, heathens. Lyddie and Charlie are just grateful for their help. Because of their mother’s depression at the loss of their father, she pays little attention to the things that her children do to keep the farm going and the family together.
However, when a bear enters their house and eats the oatmeal that Lyddie was preparing, their mother, primed by Clarissa’s and Judah’s talk of signs of the end times and such, goes into a panic and sure that the world is going to end. Lyddie and Charlie let her go with their younger sisters to stay with Aunt Clarissa and Uncle Judah while they continue managing the farm as best they can. However, even though their mother sees that the world doesn’t end, she decides that she’s going to hire Lyddie out as a maid at the Cutlers’ tavern and Charlie to work at the mill because the family has too many debts and they will have to rent out their fields and animals.
Luke Stevens, the youngest of the Stevens sons, although much older than Lyddie and Charlie, gives them a ride to their new homes and employment at the mill and the tavern and promises to keep an eye on their house while they’re away. Lyddie is lonely and unhappy working at the tavern, badly missing the family farm and her siblings, especially Charlie. Then, one day, a woman visiting the tavern mentions that she’s one of the factory girls from Lowell, Massachusetts. The woman tells Lyddie that she seems like a good worker and that she could earn a good wage in the factories herself. At first, Lyddie doesn’t believe what the woman says that girls can earn there.
When Lyddie is allowed a brief visit home to her family’s farm, she discovers that Luke Stevens has been allowing a runaway slave to hide there. Lyddie isn’t sure what she thinks of it at first. Ezekial, the fugitive, frightens her because she has never met a black man before, and she knows that if she were to turn him in, there would be a handsome reward that could solve her family’s money problems. However, Ezekial seems to understand the situation that her family is in without her father. Although Lyddie and Charlie are not technically slaves, they have become a kind of indentured servant because of their family’s debts. Ezekial is a father himself, hoping to send for his family when he has found a safe place for them. Lyddie still wonders if her own father is alive, perhaps hoping to send for his family when he can. Having come to a better understanding of Ezekial, she knows that she can’t turn him in, even for the reward money.
Her talks with Ezekial make Lyddie understand that working in the tavern won’t solve her problems, though. As a maid there, she basically works all day for her room and board and has nothing else to show for it. Mrs. Cutler just sends a little money to her mother now and then and even then, she doesn’t always bother, and her mother is in little position to insist on proper wages, making Lyddie little better than a slave. Mrs. Cutler cares nothing about Lyddie or her family’s welfare, just trying to get as much labor out of her for as little as she can. Lyddie finally makes up her mind to seek factory employment in Lowell, Massachusetts, seeing it as her only chance to earn some real wages.
Life in Lowell turns out not to be as glamorous as the woman she met at the tavern made it sound, although the wages are definitely better. The company that owns the fiber mill where Lyddie gets a job has all sorts of rules and regulations for the girls who work there, even ones that intrude on their personal lives outside of work. Anxious to give the impression that all of their workers are of good moral disposition, they insist that the girls attend church on Sundays. Lyddie never had the money to pay pew fees back home, so she is unaccustomed to going to church, but finds that other girls in her position tend to go to Methodist churches, where there are no pew fees, saving their precious wages. Lyddie, who never had much time for schooling when she and her brother were trying to keep the farm going, has trouble understanding all of the terms of the employment contract that she signs but signs it anyway. Her employment turns out to be an education that changes Lyddie’s life, although not in all the ways that she had hoped.
Like Mrs. Cutler, the bosses at the factory have little real care for their workers, trying to get as much work out of them as they can for the least amount of pay they have to give them. The work is hard and the hours are long, but Lyddie keeps at it because the pay is the best she’s ever had and she is starting to save up for her family’s future. The poor working conditions contribute to health problems among the girls, and some of them petition for better working hours, but Lyddie is reluctant to do so because girls who are dismissed “dishonorably” from the factory are blacklisted all over town, and she fears not only risking the loss of her job but the potential to find a new one.
Through her interactions with the other girls and young women at the factory, Lyddie also develops into a young woman. She had previously wished that she’d been born a boy instead because a boy would have a better chance of running her family’s farm, but she comes to realize that there are opportunities out in the world for young women who are willing and able to go out and seek them. In Lowell, Lyddie gets a taste for literature through the books that her friend Betsy reads to her and acquires more lady-like behavior by watching the lady-like Amelia. Neither of them plan on working at the factory forever, and their ambitions, to get married or continue their education, cause Lyddie to consider what she really wants for her own future. Through the difficulties she encounters and everything she learns while facing them, Lyddie really becomes her own woman.
In the end, Lyddie is unable to save her family’s farm and reunite their family there. Her mother dies, and her father’s whereabouts are still unknown, so her uncle sells the farm to pay the debts. However, Charlie and her younger sister Rachel are provided for, the Stevenses decide that they will purchase the farm themselves, and Lyddie becomes reconciled to the loss of the farm through her new vision of the future. She is unfairly discharged from the factory after she catches an overseer molesting another girl and stops him because he blackens her name in retaliation. But, by then, Lyddie has acquired some money and new confidence in herself, and she begins making other plans for her future, which may include both further education and the possibility of marriage. One thing that she knows for certain is that, whatever she does with her life, she wants to move forward as her own, independent person.
The book is currently available online through Internet Archive (multiple copies).
Pippi Longstocking is an iconic figure in children’s literature, a little red-haired girl with amazing strength (she can lift a horse all by herself) and a quick wit, who can “always come out on top” in any situation and is frequently doing exciting and hilarious things without adult supervision. The books in her series were originally from Sweden, with the first one written in 1945, but I’m reading a later English translation.
In the first book, she comes to live by herself in a house, which she calls Villa Villekulla, in a small town in Sweden when her father, a ship’s captain, is washed overboard at sea. Although others fear that he is dead, Pippi thinks it more likely that he was washed up on an island of cannibals, where he will soon be making himself their king. (Of course, Pippi turns out to be right, but that’s getting ahead of the story.) Her mother died when she was a baby, so Pippi now lives all by herself, except for her pet monkey and horse. She pays for the things she needs with money from the suitcase of gold coins that her father left for her and spends her time doing just as she pleases.
Tommy and Annika, the children who live next door to Ville Villekulla, are perfectly ordinary, basically obedient children, who live normal lives with their parents. When Pippi moves in next door, their lives get a lot more exciting. The first time they meet her, she’s walking backward down the street. When they ask her why she’s doing that, she says that everyone walks that way in Egypt. Tommy and Annika quickly realize that she’s making that up, and Pippi admits it, but she’s such an interesting person that they accept her invitation to join her for breakfast. They’re amazed when they find out that Pippi has no parents, only a monkey and a horse living with her, and are entertained by the tall tales that she tells.
When they go back to see her the next day, Pippi tells them that she’s a “thing-finder” and invites them to come and look for things with her. Basically, Pippi is a kind of scavenger, looking for valuable things, things that might be useful, or (which is more likely) just any old random junk that she might happen across. Pippi does find some random junk, although she makes sure that Tommy and Annika find better things (probably by hiding them herself).
Then, the children see a group of bullies beating up another boy and decide to intervene. The meanest of the bullies, Bengt, starts picking on Pippi, but picking on a girl with super strength isn’t the wisest move. She picks him up easily and drapes him over a tree branch. Then, she takes care of his friends, too.
Word quickly spreads through town about this strange girl. Some of the adults become concerned that such a young girl seems to be living on her own. A couple of policemen come to the Ville Villekulla one day to take Pippi to a children’s home, but she saucily tells them that she already has a children’s home because she’s a child and she’s at home. Then, she tricks them into playing a bizarre game of tag that ends with them being stuck on the roof of the house. The policemen decide that perhaps Pippi can take care of herself after all and give up.
Tommy and Annika try to persuade Pippi to come to school with them, but that doesn’t work out, either. Pippi, completely unfamiliar with the routine of school, thinks that the teacher is weirdly obsessed with numbers because she keeps demanding that her students give her the answers to math problems that Pippi thinks she should be able to solve on her own. The teacher concludes that school may not be for Pippi, at least not at this point in her life.
Tommy and Annika delight in the wild things that Pippi does, like facing off with a bull while they’re on a picnic, accepting a challenge to fight a strongman at the circus, and throwing a party with a couple of burglars. When they invite Pippi to their mother’s coffee party, and their mother’s friends begin talking about their servants and how hard it is to find good help, Pippi (having already devastated the buffet of desserts and made a mess in general) jumps in with a series of tall tales about a servant that her grandparents had, interrupting everyone else. Tommy and Annika’s mother finally decides that she’s had enough and sends Pippi away. Pippi does leave, but still continuing the story about the servant on the way out, yelling out the punchline from down the street.
However, Pippi becomes a local hero when she saves some children from a fire after the fireman decide that they can’t reach them themselves.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I have to admit that, as a character, Pippi sometimes annoys me with her obvious lies and some of the stuff she does. She openly admits that she lies after telling some of her tall tales, but it’s the parts where she admonishes her listeners not to be so gullible that get to me. You can tell that her listeners aren’t really fooled at all; they’re just trying to be polite by not calling her a liar directly, and then she insults them for it. Maybe it’s Pippi who’s really the gullible one, thinking that she’s fooling people when she isn’t really.
Admittedly, Pippi’s wild stories are sometimes amusing. I liked the one where she claimed that the reason why other people don’t believe in ghosts is that all of the ghosts in the world live in her attic and play nine-pins with their heads. When Tommy and Annika go up there to see them, there aren’t any, of course, and Pippi says that they must be away at a conference for ghosts and goblins.
I just don’t like it that Pippi seems to be deliberately trying to make people look dumb when she’s the one saying all the stupid stuff and it’s really obvious that people know it. I also don’t like the part where she makes such a mess at the coffee party because she seems to be trying to be a messy pain on purpose. She insists that it’s just because she doesn’t know how to behave, but I get the sense that it’s just an excuse and that Pippi just likes to pretend to be more ignorant than she is, pushing limits just because she likes to and because she usually gets away with it. I didn’t think it was very funny. But, Tommy and Annika seem to just appreciate Pippi’s imagination, enjoying Pippi’s antics, which bring excitement and chaos to a world controlled by sensible adults, which can be boring to kids, and accepting Pippi’s stories for the tall tales they are, playing along with her.
Pippi herself is really a tall tale, with her super strength, her father the cannibal king, and her ability to turn pretty much any situation her to advantage. Part of her ability to “come out on top” is due to her super strength and part of it is that Pippi approaches situations from the attitude that she’s already won and isn’t answerable to anyone but herself. This approach doesn’t always work in real life (I can’t recommend trying it on any of your teachers, or worse still, your boss – not everyone is easily impressed, especially the people who pay your salary), and nobody in real life has Pippi’s super strength to back it up. The adults in the story frequently let Pippi win because they decide that fighting with her just isn’t worth it. (Admittedly, that does happen in real life, too. I’ve seen teachers and other people give in to people who are just too much of a pain to argue with because they’re too impatient or find the argument too exhausting.) Kids delight in Pippi’s ability to get the better of the adults, who usually have all the control, and in Pippi’s freedom to do what she wants in all situations.
One thing that might surprise American children reading this story is that the children in the story drink coffee. Tommy and Annika say that they are usually only allowed to drink it at parties, although Pippi has it more often. It isn’t very common for American children to drink coffee in general because it’s usually considered more of an adult’s drink and because of concerns about the effects of too much caffeine on young children. Children in Scandinavia tend to drink coffee at a younger age than kids in the United States.
Felicity, or Lissie as her family sometimes call her, is the daughter of a prominent store owner in Williamsburg, Virginia in 1774. Sometimes, her father allows her to help in the shop, which is something that she enjoys. However, that has happened less since her father took on a new apprentice named Ben Davidson. Ben is fairly quiet and shy, and Felicity is only just getting to know him. She sometimes envies boys for the more exciting opportunities they have while she has to help with more routine chores, like sewing, at home.
One thing that Felicity loves more than anything else is horses. One day, she goes with Ben while he makes a delivery to Jiggy Nye, the tanner. Jiggy Nye has a new horse that he says he won at gambling. However, Jiggy Nye is cruel to any animal he gets, and Felicity fears for the beautiful horse he now has. When Felicity tries to see the horse, which she calls Penny because of the color of its coat, Jiggy Nye drives her away.
That the horse is a fine animal and that Jiggy Nye is treating it badly are obvious, but at first, there doesn’t seem to be anything that Felicity can do about it. Then, Jiggy Nye shouts at the horse one day that it’s worthless because he can’t handle it and that he’d give it to anyone who can ride it. Taking Jiggy Nye at his word, Felicity sets out to tame Penny.
Every morning for about a month, Felicity sneaks out of the house early, dressed in a pair of breeches that she borrowed from Ben without his permission. She goes to visit Penny and gradually gains her trust. When Penny finally allows her to ride her, Felicity thinks that she has won ownership of her, but Jiggy Nye accuses her of theft and takes back the horse. He denies that he ever promised to give her to anyone who could ride her, although Felicity’s younger siblings agree that they heard him say so.
Felicity fears more than ever that Jiggy Nye will kill Penny, but now that she no longer has a chance of getting her from Jiggy Nye for herself, can she find another way to give Penny her freedom?
There is a section in the back of the book that describes life in Colonial America, particularly in Williamsburg, Virginia. It also mentions the Colonial Williamsburg living history museum. Another book about life in Colonial Williamsburg, with photographs from the living history museum, is Mary Geddy’s Day.
This book is currently available online through Internet Archive.
This is the first book in the 
Every morning for about a month, Felicity sneaks out of the house early, dressed in a pair of breeches that she borrowed from Ben without his permission. She goes to visit Penny and gradually gains her trust. When Penny finally allows her to ride her, Felicity thinks that she has won ownership of her, but Jiggy Nye accuses her of theft and takes back the horse. He denies that he ever promised to give her to anyone who could ride her, although Felicity’s younger siblings agree that they heard him say so.
Jestress's Forgotten Books and Stories 