The Crime That Has No Name

This is the second book in the Gosick series. Only two of these Japanese light novels were printed in English, but there is also an anime based on the series that has been dubbed in English.

It’s 1924, and mysterious things happen around the fictional European country of Sauville. The students at the elite boarding school called St. Marguerite Academy are obsessed with ghost stories and spooky legends, as are many of the people of Sauville. Kazuya Kujou, a Japanese student attending the school, is among the few who doesn’t enjoy these stories, but he can’t help but become involved. One of his closest friends is the mysterious and enigmatic Victorique, who is the subject of some spooky legends herself. Victorique is both a student and prisoner at the school. She is a child genius, and rather than attend classes with the other students, she prefers to spend all of her time reading and studying by herself in the conservatory at the top of the library. Kazuya is one of the few people who ever sees or speaks to Victorique because he brings her assignments from class.

The reasons why Victorique is allowed to skip class, have special library privileges, and housing away from the other students but is still a prisoner, forbidden to leave the school, are partially, but not completely, explained in this book. Victorique is not a normal girl or a normal student, and there are some dark secrets in her past that even she doesn’t fully understand.

When the story begins, Kazuya has just received his allowance from home, and another friend at school, Avril, convinces him to come shopping with her. Avril is one of the students who really loves ghost stories, and she insists on telling them to Kazuya, even though he doesn’t want to hear them. Avril knows about Victorique, and she tells Kazuya that the rumor is that Victorique isn’t really a human but a legendary creature call a “gray wolf.” Kazuya doesn’t think Victorique is anything other than an extremely smart but also extremely temperamental girl.

While they are shopping, Avril is a little offended that Kazuya has her help pick out a present for Victorique. Kazuya wants to give Victorique something because she’s normally not allowed to leave the school. Avril and Kazuya study some items being offered for sale by a nun, and Avril suggests that Kazuya give Victorique a fancy turban. As they look over the other items, a music box that is apparently some kind of magic trick bursts open and releases a pigeon. Then, the nun cries out that the most expensive item for sale, a fancy plate with historical value, has been stolen! Kazuya thinks that Victorique will enjoy hearing about the theft even more that getting a present.

When Kazuya tells Victorique about the theft, she says that it’s not that interesting because it’s a very simple matter. Before she can explain why it’s simple, her half-brother, Inspector Grevil de Blois, comes to the library to once again indirectly consult with his sister about the case. When he walks in and sees Victorique sitting there, wearing the fancy turban that Kazuya bought for her, he panicks, mistaking her for someone called Cordelia Gallo. Kazuya has no idea who he’s talking about, but neither of them seems to want to explain. Once Grevil realizes that he was mistaken, he pretends like nothing happened and starts talking about the case. Victorique simply explains that the thief was the nun, and that she was the one who set up the distraction with the music box and the pigeon.

The next day, Kazuya looks at the newspaper, and he sees that Grevil was unable to catch the nun before she got away. Then, something else in the newspaper catches his attention, a notice that says, “Descendants of the Gray Wolves. Midsummer Feast is near. We welcome you all with open arms.” The people of Sauville, and the school in particular, are obsessed with legends and ghost stories. The story of the Gray Wolves is a popular legend about a mythical race of people who are smarter than normal humans. The basis of the legend is that people who were unnaturally smart were said to be human-wolf hybrids. Kazuya remembers that people at the school call Victorique a “reincarnation of a Gray Wolf”, like they’ve been calling him “the Reaper” based on their stories and legends. He decides to show the notice to Victorique.

When Kazuya shows the notice to Victorique, she is shocked. After she accidentally trips and falls and throws a childish fit about it, she shows Kazuya a centuries-old account of a village of gray wolves who spoke human language. Kazuya doesn’t know what to think about the stories. To be honest, he’s never been very interested in the legends and ghost stories of Sauville, even though everyone else is obsessed with them. Instead, he finds himself wondering if Victorique is unnaturally sensitive to pain because it seemed like she really overreacted from her trip and fall. As an experiment, he gives her forehead a slight flick. When he does that, Victorique reacts as if he had just slapped her and tells him that she’ll never speak to him again. He tries to apologize, but Victorique ignores him, so Kazuya just storms out of the library.

Later that night, while Kazuya is studying, he looks up and sees what looks like a large suitcase moving on its own outside the window. It turns out to be Victorique, trying to sneak out of the school with way too much luggage. She’s still not speaking to Kazuya, but Kazuya is concerned about her because even normal students aren’t allowed to leave the school grounds after hours, and Victorique isn’t supposed to leave the school at all. Kazuya doesn’t know exactly why Victorique is sneaking out of the school, but he knows that, while she is extremely intelligent, she has very little knowledge of or experience with the outside world. He worries that she won’t be able to cope on her own. Even though Victorique still isn’t speaking to him, he leaves the school with her and finds out that she’s taking a train to the village that is hosting the Midsummer Feast and inviting the descendants of the Gray Wolves.

Victorique and Kazuya find themselves on a train with the thieving nun from before. She’s heading to the same town they are because she says that she grew up there. She introduces herself as Mildred Arbogast. When they get to town, the innkeeper says that they had better get inside because there’s a storm coming and the Gray Wolves come out on nights like that. He says that the Gray Wolves live in a village in the mountains and that they’re werewolves. They look like normal humans, but they hunt people when they come out. When the innkeeper describes them as being short with golden hair, it suddenly occurs to him that Victorique looks just like them.

In spite of Victorique looking like a Gray Wolf, the innkeeper allows them to rent rooms for the night. He lets Kazuya know that, since that notice appeared in the newspaper, other people who have been curious about the Gray Wolves have been showing up, but he thinks that they’re asking for trouble because the Gray Wolves won’t tolerate anyone looking into their affairs. When Kazuya says that the nun is from this town, the innkeeper says that isn’t true. It’s a small town, so everyone knows everyone else, and the nun is a total stranger.

When Victorique finally starts talking to Kazuya again, she says that the reason why she wanted to come to this place was to clear her mother’s name. Her mother is Cordelia Gallo, which is why Grevil mistook her for Cordelia. Victorique shows Kazuya a pendant she has made from a gold coin. On the other side of the pendant is a picture of Cordelia Gallo, and she really does look like Victorique. For the first time, Victorique talks to Kazuya about her mother. Cordelia was a dancer, but at some point, she became involved with Victorique’s father, the Marquis de Blois. After she gave birth to Victorique, she mysteriously disappeared, and Victorique was raised in isolation in her father’s mansion. (This is why Victorique is so naive about the outside world and awkward and temperamental around other people. She’s extremely learned in terms of book knowledge but low on experience with the outside world and other people.) Victorique only remembers seeing her mother once, when she sneaked up to her window one night and gave her the pendant, but she knows that her mother still watches over her. Victorique also knows that her mother was originally from the village of the Gray Wolves. Apparently, Cordelia was once a maid there, but she was banished from the village for committing a terrible crime. Her father became involved with Cordelia because he wanted a child with the blood of the Gray Wolves, although he has always been a little afraid of Victorique, which is why he keeps her at a distance, either held prisoner in his mansion or at the school for her entire life. (The Marquis de Blois is a nefarious character with grandiose schemes of power, which are addressed further in other stories in the series and in the anime based on them, and he wanted a child like Victorique as part of those schemes.) Now that an invitation has been extended to the descendants of the Gray Wolves, Victorique is determined to see the village where her mother came from and, if possible, clear her name of the crime she supposedly committed.

The next day, Victorique and Kazuya travel to the village of the Gray Wolves along with the nun and three young men, who say that they’re college students. The village has a Medieval look to it, and the people there wear old-fashioned clothes. People there recognize Victorique as Cordelia’s daughter immediately. It makes them uneasy, but they say that they do not hold her responsible for what Cordelia did and say that she is welcome to stay for the Midsummer Festival, even though her mother is a murderer.

The leader of the Gray Wolves, Sergius, explains that the Gray Wolves aren’t really werewolves. They’re normal people, but they prefer to live in isolation from the outside world. People just assume things about the Gray Wolves because they have odd, old-fashioned lifestyles, don’t mix with other people much, and inhabit a village in a mountainside surrounded by real wolves. The Midsummer Festival is one of the few times that they allow other people in from the outside. The purpose of the festival is to welcome home the spirits of their ancestors and pray for a good harvest.

Sergius invites Victorique and Kazuya to stay with him for the festival. In his manor, a maid called Harminia says that Cordelia murdered the previous village chief, leaving gold coins scattered around his body. Cordelia was an orphan who worked as a maid for the village chief at the manor. She was blamed for the chief’s death because she was the only other person who had access to his study, where he was murdered. Victorique says that they only have until the end of the festival to investigate the murder her mother was accused of committing because the village won’t let them stay any longer. However, there are more crimes afoot in the village, and the original murderer is still there after all these years.

There is an English translation available to read for free online at Internet Archive.

This is not a series for young kids. It’s more for teens and young adults because parts get truly violent and disturbing. I find the series interesting for its references to other detective series, ghost stories, and legends, but I have to admit that the plots of the stories get a little over-the-top. As the series goes on, the stories get weirder.

This particular story fills it parts of Victorique’s back story, which even she doesn’t fully understand at first. As I said, the Marquis de Blois is a nefarious character with an over-the-top, long-term plan to seize power in Sauville, using his young daughter’s mysterious heritage and Sauville’s obsession with legends and stories. His plot is revealed later, but this book focuses on Victorique’s mother backstory. Years ago, Cordelia was framed for a murder she didn’t commit. If she hadn’t been, she would never have left the village, and Victorique wouldn’t have been born. Victorique eventually discovers who committed the original crime and clears her mother’s name, but nobody from the outside will be able to return to the village for a long time because the drawbridge to the village gets destroyed. At the end of the book, Victorique still doesn’t know where her mother currently is, but she learns a few things about her life.

The motive for the original murder concerns prophecies and fortune-telling, like the first story in this series, although in a different way. The Gray Wolves believe in prophecies, just like the rest of Sauville believes in legends. In a similar way, there is at least some truth to these prophecies just like there is always at least some basis for Sauville’s legends. The previous chief of the village was murdered because he gave his murderer a prophecy at a past Midsummer Festival that person couldn’t bear to hear. As Victorique explains it, “It’s just fortune-telling. You didn’t have to take it seriously. But you had strong faith in the laws of the village and the words of the village chief. You could not doubt the divination.” Because this person didn’t doubt what the village chief said, they believed that the only way to change their fate was to kill the person who made the prophecy. Ironically, it is that crime that makes the prophecy come true.

The story raises the questions of whether fate is unavoidable and whether prophecies are self-fulfilling. If the murderer had asked the previous chief a different question at the festival or just refused to believe what he said, would things have turned out differently for everyone? There’s no real answer to that, but the murderer’s belief that the prophecy had power is what set everything in motion. Victorique and Kazuya also receive prophecies about their futures that cause them some worry. Because I know how the rest of the series goes, I know that there is some truth in the prophecies for them, that they will be caught up in events larger than themselves that will separate them, but that’s not the entire story for them. There is a separation coming for them in this series, but it’s only a temporary one. As strange as this series is, it actually does have a happy ending for our heroes. Whether the two of them might be separated again once WWII starts is a matter of speculation because the series doesn’t extend that far. It’s possible, but they will have plenty of time together first, and as Victorique points out, you don’t really have to believe fortune-tellers.

Gosick: the Novel

The year is 1924, and a boy from Japan named Kazuya Kujo is attending a prestigious boarding school called Saint Marguerite Academy, in the small European country of Sauville (fictional). The students at this school have an obsession with ghost stories. Kazuya is a very serious boy, and he doesn’t see the appeal of all of these gruesome stories, although his friend, Avril Bradley (an international student from Great Britain) loves them and insists on sharing scary stories with him. Part of the reason why Kazuya doesn’t like all the scary stories is that other students insist on calling him “the Reaper” based on a character from one of the more popular ghost stories. However, he’s not the only student at school who stands out, and some of the school’s ghost stories have more truth behind them than Kazuya would have dreamed.

There is one seat in Kazuya’s class which is always empty. That seat belongs to Victorique, and Kazuya is one of the few people at the school who has ever seen her. Victorique never comes to class, preferring to spend her time reading and studying by herself in the conservatory at the top of the library. One day, when their teacher gives Kazuya some papers to take to Victorique, Avril tries to ask Kazuya what Victorique is like. Kazuya doesn’t want to explain much about Victorique, just saying that she can be blunt and kind of mean, which is true. Victorique is brilliant, a child genius, and she looks like a little china doll, but she’s not easy to get along with. She’s temperamental and not used to dealing with other people in general. She smokes a pipe, like Sherlock Holmes, and makes deductions using her “fountain of knowledge”, even about places she hasn’t been and things she hasn’t witnessed, like Nero Wolfe.

Victorique is not allowed to leave the school grounds (for reasons which are explained as the series continues), and aside from Kazuya, there’s only one other person who visits her: her older half-brother, a local police detective. He never admits that he gets help from Victorique on his cases, and he typically prefers to act like he’s talking to Kazuya rather than speak to Victorique directly. Victorique, who is often bored, enjoys solving puzzles and mysteries, so she does give her brother help, although there is little affection between them.

One day, Victorique’s brother, Grevil de Blois, comes to consult with her, through Kazuya, about the murder of an elderly fortune teller. After hearing a description of the murder, Victorique correctly realizes that the fortune teller was killed by her maid. However, that isn’t the end of it. Kazuya thinks that it’s unfair that de Blois always takes the credit for Victorique’s solutions to mysteries. This time, when he finds out that the grateful family of the fortune teller has given de Blois a yacht as a present and that he’s planning to spend the weekend on it, Kazuya decides that he’s going to make de Blois share this present with Victorique. Victorique is normally forbidden to leave the school grounds, but with Kazuya threatening to reveal the true secret of his success, de Blois agrees to take Kazuya and Victorique with him on the weekend yachting trip. Neither of the two kids really likes de Blois, and the thought of spending an entire weekend with him, even aboard a luxury yacht isn’t great, but it is one of the rare opportunities Victorique has to leave the school.

Victorique has rarely been anywhere other than the mansion where she was born and the school, so everything is new and fascinating to her as they take a train to the seaside to meet de Blois at the yacht. When they get there, de Blois informs them that they’ve been having trouble understanding the maid who murdered the fortune teller because she only speaks Arabic, but apparently her motive was revenge for something she calls “the box.” Then, de Blois suddenly gets word that the maid has escaped. He has to leave the kids aboard the yacht, but he tells them to just stay there and wait for him.

Victorique realizes that the yacht once belonged to the fortune teller and that some of her belongings are still on it. Among them, they find a strange invitation to a dinner party called “Evening at the Bottom of the Box” on a luxury cruise ship anchored nearby. The invitation also mentions that the main dish will be rabbit. This is chilling because it is known that the fortune teller kept rabbits and periodically allowed her dog to hunt them. It was part of her fortune telling – she would predict things based on which rabbits survived the hunt and which did not. (There is a graphic description of this at the beginning of the book that I hated. Although I found the overall mystery intriguing, there are some very gross and violent things in it.) Since they are bored and want to learn what the mystery is about, Victorique and Kazuya decide to use the invitation and attend the dinner in the fortune teller’s place.

When Victorique and Kazuya join this mysterious dinner party on the luxury ship, Kazuya suddenly recognizes that the name the of ship is the same as the one of a ghost ship in one of the scary stories that Avril told him at school! The ghost stories that have been going around the school have more truth to them than Kazuya or even the students who are obsessed with them have guessed. Some dark things have happened in the history of Sauville which have become part of its local legends. Events that resemble the ones that happened years before and are described in the ghost story are starting to repeat themselves. There is at least one murderer among the dinner party guests, and someone is playing a deadly game. Now, Victorique and Kazuya will have to play along to find the answers and save their own lives!

This is the first book in the Gosick series of Japanese light novels and one of only two that were published in English. There is a full set in Japanese, of course, and I think the German language translation is also a complete set. There is an English translation of this first book available to read for free online at Internet Archive. Because not many copies were published in English, English copies are collectors’ items and can be expensive. As of this writing (September 2023), the cheapest copies on eBay are about $30, and they can go for much higher on Amazon. All of the stories in the series have been made into an anime, and that is available in the US on Amazon Prime. Because of the violence in the story, I would recommend this book and the anime for teens or young adults. It’s not for young kids!

This was the first book in this series that I read, one of only two published in English. The first time I read it, I was surprised at how many tropes of old ghost stories and detective stories that the series references. Victorique uses a pipe, which is an obvious reference to Sherlock Holmes and his famous pipe, but Victorique is also frequently a Nero Wolfe type of detective, relying on an assistant to go places that she can’t go and give her information. She spends most of her time amassing knowledge through reading, and she is able to use that knowledge to make order out of the “chaos” of a mystery.

The basis of this mystery is in fortune telling, and at the beginning of the story, Victorique is reading a book about fortune telling. She explains to Kazuya Kujo how fortune telling actually works. Basically, it’s all about psychology. People think that fortune telling works because they believe it will work, and they make things happen to cause the predicted future to happen. It’s like all prophecies are self-fulfilling prophecies – they may or may not have happened except that people believed that they would, so they made sure they did. People remember and record accurate predictions because those are the most exciting and amazing, and they forget all the inaccurate ones. Fortune tellers are also good at reading people and telling people what they want to hear, which is what they already think will happen or what they’re hoping and working to make happen.

Fortune telling is at the heart of the mystery. Mysteries in this series tend to have over-the-top plots, and this one is no exception. The grudge against the fortune teller and the other guests invited to the dinner goes back to when the fortune teller staged a very large experiment in fate at the request of some very wealthy and influential clients. This past fortune telling experiment was along the lines of the ones that she did with rabbits, only it was with human children. As I said, there are violent and gruesome aspects of this story, and in this case, they were playing with human lives.

As with other books and stories in this series, the ghost stories that the kids pass around at school turn out to have at least some basis in fact. Sauville (remember, it’s a fictional country) and some of its leading citizens have violent histories. There is a long history of conspiracies, power struggles, and general skullduggery in this place. Because of the citizens’ long obsession with stories and legends, much of what has happened there has become legendary, and important people have used the citizens’ superstitions and stories to obscure the truth. Solving the crime means exposing what really happened and the truth behind the legends.

What I found most interesting about this story was its references to some classic characters in detective fiction and ghost stories, and I appreciated Victorique’s thoughts on the nature of fortune telling and human expectations. In the end, it may be more important what people believe and work to make true than what was actually predicted. However, I have to admit that the over-the-top plots of these mysteries are probably a large part of why this series wasn’t printed beyond the second book in the United States. In the beginning of the book, there is also a reference to Kazuya being suspected of a crime. This incident was in the Gosick manga, not the light novels. It is shown in the anime, but I don’t think the manga was printed in English.

Kiki’s Delivery Service

More Americans would probably recognize the title as the title of a Studio Ghibli animated film for children than as a book title, but the book came before the movie, and it is actually the first in a series, which continues the story about Kiki’s life and adventures, although I don’t think the later books in the series have been translated into English (at least, I haven’t found them in English). The original Japanese version of this book was written in 1985, and I read the English translation from 2003.

Kiki is a young witch, and in keeping with the traditions of young witches, she is expected to leave home at age 13 and live for a year in a city with no other witches.  It will be a test of her developing skills and a coming-of-age experience, helping her to recognize her talents and find her place in the world.

When Kiki sets out for her journey with her cat, Jiji, she doesn’t know exactly where she is going to go or what she will find when she gets there. Some young witches know early on what their talents are and how they plan to support themselves during their year away from home, but Kiki is less sure (like so many of us who “don’t know what we want to be when we grow up”).  The term “witch” just refers to a person’s ability to do magic.  It’s not a job title by itself, and witches are expected to develop a specialization, such as brewing potions or telling the future. Kiki’s mother has tried to teach Kiki her trade, growing herbs and making medicines from them, but Kiki hasn’t had much patience with it.  The only major ability Kiki has is flying, which is something that witches are expected to do anyway.  Still, she has an adventurous spirit and is eager to set out and see what life has to offer.

Once Kiki locates a city with no other witches, she has to find a place to stay and a job to earn money. She finds a city by the sea, which seems exciting to her.  As she explores the city, she meets Osono, a woman who owns a bakery with her husband. When she helps deliver a baby’s pacifier to a bakery customer who left it behind, flying to the customer’s house on her on her broom, Osono offers to let her stay in a small apartment attached to the bakery. Kiki feels a little overwhelmed by the big city at first, but she realizes that, in a large city like this, there are probably a lot of people who have small delivery errands that wouldn’t be covered by ordinary parcel delivery services.

Kiki opens a delivery service, delivering small packages and running errands for people around the city.  At first, business is slow, and some people are afraid of her as a witch. During a trip to the beach, a curious boy borrows her broom and breaks it. Kiki is distressed, and the boy apologizes. The boy’s name is Tombo, and he is part of a club of other kids who are interested in flying. He has made a study of flight and had hoped to learn more about how witches fly by trying Kiki’s broom, but Kiki expains that only witches can fly with brooms and that the ability is inherited. Kiki has to make a new broom, and it takes her a while to break it in, but it actually works to her benefit. People who were initially afraid of her for being a witch become less afraid of her and more concerned about her when they see that she is just a young girl, clumsily trying to master a new broom. Kiki gets some additional support and business from people who feel moved to help a struggling young witch. Tombo also makes it up to her and becomes a friend when he helps Kiki to figure out a way to carry a difficult object on her broom.

During her very first delivery assignment, Kiki was supposed to carry a toy cat to a boy who was having a birthday, but she accidentally dropped it. When she searched for it, she met a young artist, who was enchanted by Kiki as a young witch and painted a portrait of Kiki with Jiji. When the artist asks Kiki to take the painting to the place where it will be on exhibit, Kiki isn’t sure how to carry it at first. It’s kind of a bulky object to carry on her broom. Remembering that Tombo has made a study of flying, she asks him for help. Tombo ties balloons onto the painting to make it float and tells Kiki that she can now pull the painting along on a leash, as if it were a dog. The idea works, and when people see Kiki pulling a painting of herself along through the sky with balloons tied to it, it acts as advertising, bringing her more business.

Some of Kiki’s new jobs are difficult or awkward, and some customers are more difficult to deal with than others. There are times when Kiki finds herself missing home or trying to remember how her mother did certain things, wishing that she had been better at watching and remembering what her mother did. Still, Kiki learns many new things from her experiences and acquires new skills.

Kiki’s experiences also help her to realize a few things about herself and life in general. Like other girls, Kiki worries about how boys see her. When Tombo makes a comment that he can talk to her when he can’t talk to other girls, Kiki worries that he doesn’t see her as a girl at all. A job delivering a surprise present to a boy from another girl her age helps Kiki to realize that everyone is a little shy and uncertain about romance and even people who act confident feel a little awkward about first relationships.

As her first year away from home comes to an end, Kiki wonders how much she’s really changed over the year. Although she has successfully started a new business and done well living away from her parents, she still experiences a sense of imposter syndrome, where she doesn’t quite feel like she’s really done all of the things she’s done. Her first visit home to her parents reminds her that her new town has really become her new home. She has become a part of the place, and she feels her new business and friends calling her to return.

In 2018, the author, Eiko Kadono, was awarded the Hans Christian Anderson for her contributions to children’s literature.

My Reaction

I think of this story as one of those stories that takes on more meaning the older you get.  Young adults can recognize Kiki’s struggles to make her own way in the world and establish herself in life as ones that we all go through when we start our working lives and gain our first independence.  It can be a scary, uncertain time, when we often wonder if we really know what we’re doing. (Life Spoiler: No, we don’t, but no one else completely does, either, so it’s normal and manageable. Some things just have to be lived to be really understood, and that’s kind of the point of Kiki spending a year on her own, to see something of life and how she can fit into it.) However, it’s also a time of fun and adventure as we try new things, build new confidence, make new friends, and learn new things about ourselves. Like so many of us, Kiki doesn’t always do everything right, but she learns a lot and endears herself to the people of her new town.

The Miyazaki movie captures the feel of the story well, although the plot isn’t completely the same. There are incidents and characters that are different between the book and the movie. Tombo appears in both the book and the movie, but there are other characters who appear in the book who weren’t in the movie. In the book, Kiki makes friends with a girl named Mimi, who is her age, and the two of them discuss crushes on boys and how each of them was a little envious of the other because, while each of them is struggling with their own uncertainties in life, they each thought that the other acted more confident. The movie version developed the character of the young artist more. Kiki also didn’t lose her powers during the book, although that might be a part of one of the other books in the series, since I haven’t had the chance to read the others yet.

The Little Red Hen

The Little Red Hen pictures by Tadasu Izawa and Shigemi Hijikata, 1968.

This cute picture book is part of a series of Puppet Storybooks. What makes it distinctive from other picture books is that the pictures are all photographs of tableaux with detailed puppets. The story is a retelling of the classic Little Red Hen folktale.

A hen finds a grain of wheat, but no one is interested in helping her plant it, so she does it herself. When it’s time to harvest the wheat, none of the other animals will help her, so she also cuts the wheat herself.

Because no one wants to help her, she takes the wheat to the mill to be made into flour and bakes it into bread all by herself.

When she has the nice loaf of bread that she has made, all of the animals who didn’t want to help before suddenly come to help her eat it. However, since none of them helped with making the bread, the Little Red Hen eats the bread herself with her chicks.

My Reaction

I’ve had this book since I was a little kid, and I always liked the pictures! The puppets are detailed and posed in realistic ways. The picture on the cover of the book is a 3D hologram, and I was fascinated by it as a young child. It was one of the first holographic images that I saw as a child!

(In my defense, I might not have been the one who scribbled crayon on that cover image. I was pretty good about not drawing on books when I was little, and most of my childhood books were used, so that scribble might have happened before I got it. I don’t remember anymore, so it’s hard to deny it completely, but according to my memory, my messy scribbles were done on the back wall of my closet, behind my clothes, because I knew that drawing on walls wasn’t allowed, and I was realized that if you’re going to draw on the wrong surface, it’s best to do it where nobody’s going to see it and complain. I was sneaky like that.)

While my copy of this book was printed in English, the books in the series were originally written, illustrated, printed, and bound in Japan. I never noticed that when I was a kid because I never bothered to look at the names of the illustrators and had no interest in where it was printed, but I found it interesting as an adult. It makes me think that there are probably also versions of this book written in Japanese, but I’ve never seen any.

Aria Volume 6

Aria Volume 6 by Kozue Amano, 2005, English Translation 2011.

This is the sixth volume of the second part of a fascinating manga series that combines sci-fi, fantasy, and slice of life. The series takes place about 300 years in the future, when Mars has been terraformed and renamed Aqua (because of all the water on its surface). The human colonies on Aqua are designed to resemble old-fashioned cities on Earth (called Manhome here). The people of Aqua prefer a much slower pace of life than people on Manhome, and aspects of life on Aqua more closely resemble Earth’s past.

The series is divided into two parts. The first two books are the Aqua volumes and introduce Akari Mizunashi, the main character, a young girl who came to Aqua to learn to become a gondolier in the city of Neo Venezia (which resembles Venice). Female gondoliers, called Undines, give tours of the city, giving Akari plenty of time to admire the beauty of her new home and meet interesting people. The two Aqua books are the prequel to the main series, Aria. Aqua covers Akari’s arrival on the planet, her introduction to life on Aqua, and the beginning of her training. The main Aria series show Akari’s continuing training, her progression to becoming a full Undine, her evolving relationships with her friends, and as always, her delight in learning more about her new home and admiring its beauty.

The series has received some criticism for being slow and lacking danger and adventure, but that is not really the point of the series. The main purpose is to show people how to appreciate the small pleasures of life. The sci-fi and fantasy elements (the spaceships, advanced environmental controls, intelligent Martian cats, and even the occasional appearances of the legendary Cait Sith) are mainly background to the stories about the magic of friendship and simple pleasures. Each volume contains a few short stories about Akari and her friends and the little adventures they have on a daily basis and the life lessons they learn. It’s a great series for relaxing when you’re stressed out.

Unfortunately, although this book is only about halfway through the series, this is the last book of the series that I actually own because the others haven’t been printed in English yet, although I think that additional volumes will be published in English.

The stories included in this volume are:

Orange Days

Athena comes to visit Alicia at Aria Company, and the trainees’ mentors reminisce about how they first met when they were trainees.

Akira was just as prickly and competitive when she was young as she is as an adult. Although trainee Akira said that she was just observing the “losers” at Aria Company, she kept coming around and became friends with Alicia. When she heard about a new trainee at Orange Company with an amazing singing voice, Akira wanted to seek her out, worried about the competition.

While she was telling Alicia about it, the two of them accidentally had a collision with young Athena’s gondola, which is the first time either of them had seen her. Athena was knocked over by the collision, so the other two girls treated her to lunch, partly to make it up to her and partly because Akira wanted to pump her for information about the new trainee at Orange Company, not knowing that Athena herself was the new trainee.

However, Athena didn’t answer their questions about the new trainee. Even back then, she was a person of few words, and she just made a drinking straw crawly snake to amuse President Aria. Still, Athena became friends with Alicia and Akira, joining them in their practice sessions, like Akari, Aika, and Alice share their practices together. Alicia and Akira only discovered that Athena was the trainee with the amazing voice when they decided to practice singing canzones one day.

The mentors end their reminiscences by saying that it seems hard to believe that, now that their training is over, they are so busy that they hardly have time to see each other. When they were trainees, it felt like they would always practice together every day, but now, their lives are different. These comments make the present trainees uncomfortable because they realize that the same thing is likely to happen to them when their training is complete. Alice, Aika, and Akari have come to value each other’s friendship and companionship, and they find it difficult to imagine being without each other.

However, Alicia and Athena tell the girls to not worry too much about it. Time is always moving forward, and it’s true that things will change for them, but that’s not entirely a bad thing. Even though they sometimes miss their training days when they spent so much of their time together, they are also happy with their current lives. They enjoy their careers, and they like helping to train new Undines. In fact, helping to train the next generation of Undines helps them to connect to their own pasts because the young Undines remind them of their own training days. Alicia’s advice is to enjoy where you are and what’s currently happening around you as much as you can. Life will eventually move on, and things will change, so you might as well make the most of where you are now and enjoy it to the fullest, so you will be ready to move on to the next stage of your life and enjoy that as well. Athena says, “Fun times really aren’t meant to be compared. Just enjoyed.”

The young trainees are still affected by the story of their mentors’ friendships and the changes in their lives. Aika points out to Akari that their lives aren’t changing just yet, but the girls have come to a greater realization that their lives will eventually change.

It’s just like how, when people are young and in school, surrounded by the same other students every day, it can be hard to imagine that there will come a day after you graduate when you won’t all be working at the same place and you won’t all be eating lunch together every day. As you get busy building careers and families, it will be harder to see each other and keep in touch. However, that’s not entirely a bad thing. As some people like to say, “You can’t begin the next chapter of your life if you keep rereading the last one.” There are many things in life to enjoy and accomplishments to be made, and like Alicia and Athena explain, you might as well enjoy where you are right now and make the most of it so you won’t look back with regret when it’s time to move on.

Venetian Glass

Akatsuki’s elder brother comes to Aria Company to hire Akari to transport some delicate Venetian glass. Akari is excited because this is the first time that anyone has specifically hired her, although, because she isn’t a full Undine yet, Alicia will have to accompany her on her errand.

When they go to pick up the glass, Akari sees glass-blowing and Venetian glass for the first time.

One of the workers from the glass factory seems kind of surly, but he accompanies them while they transport the glass and explains the history of Venetian glass and what makes it so special.

The reason why the glass worker is so surly is that he feels like a lot of people don’t appreciate his craft. He and his master put their heart and soul into their work, but people say that their “Venentian glass” is fake because it’s made in Neo-Venezia, not in the real Venice, which sank beneath the ocean years ago. The worker laments that the craftsmen who left the sinking city were scattered across Earth before making their way to Neo-Venezia and that details of their craft have been lost over time. Neo-Venezian glass will never be quite the same as the original Venetian glass, and people will never look at it the same way, which the worker finds depressing.

However, one of Akari’s great strengths is finding the beauty in everything and bringing it out for other people to see. She tells the worker that the glass is kind of like Neo-Venezia itself. It’s true, it’s not the original Venice, only re-created in its image. Some aspects of it are the same, but it’s also a different place, on another planet. To some people, that might make it seem like a fake city, just an imitation of the original, but Akari doesn’t think that the real vs. fake concept matters because she loves the city for the beautiful treasure it is. Similarly, Akari thinks that Neo-Venezian glass is a treasure by itself and likes it for what it is, regardless of what the original was or what others say about it.

The worker finds Akari’s viewpoint inspirational and is enchanted by Akari herself, remarking that she’s also a unique treasure. Akatsuki’s brother jokes that Akatsuki might have a rival now for his affection for Akari. Akari knows that Akatsuki has had an unrequited crush on Alicia, so she doesn’t think too much about it. Although it’s true that Akatsuki has a crush on Alicia, Akatsuki’s brother is also correct that Akari inspires greater feelings in others than she realizes and Akatsuki values Akari more than he lets on, maybe more than even he realizes himself. Akari is unique because of her unusual way of looking at things, and her optimistic point of view influences others.

Snow White

One day, while they’re practicing together, Akari asks Aika what kind of adult she wanted to be when she was a kid. Aika, who has admired and even hero-worshipped Alicia ever since Alicia was kind to her when she was a young child, says that she’s always wanted to be an elegant woman like Alicia. Akari says that she wants to be like Alicia, too, but Aika criticizes her for wanting to copy her ambition and says that it’s not likely that Akari would ever be as elegant as Alicia because she still does kid-like things, like collecting stuffed animals.

Their discussion causes Akari to wonder what sort of adult Alicia wanted to be when she was a little kid, and she asks Alicia about it while they’re out walking one day. Instead of answering her directly at first, Alicia demonstrates by starting to build a snowman and pointing out how the people around them react to it.

Each time Alicia and Akari start to make a large snowball for the base of the snowman, different adults stop and help them to make it a bit bigger.

Alicia says that she noticed people like this when she was a child. There are always adults who, when seeing a young girl making a snowman, feel compelled to help her because she can make a much bigger snowball with their help. That’s the type of adult Alicia always wanted to be.

Alicia genuinely enjoys not only her career as an Undine but her role as a teacher and mentor in Akari’s life and in the lives of her friends, helping them to develop in their trade and to become better Undines because of her influence.

Stray Cat

Alice finds a tiny stray Martian cat one day while waiting for Akari and Aika to meet her for practice. The cat’s mother doesn’t seem to be around, and Alice doesn’t know whether the little cat is lost, orphaned, or abandoned. When Aika arrives for practice, she finds both Alice and Akari lying on the ground next to the cat because it looks so happy lying in the sun that Alice thinks they should also try it.

Although Aika warns Alice that she won’t be able to keep the cat because she lives in a dorm at Orange Company and isn’t allowed to keep pets, Alice becomes attached to the cat, names it Maa, and hides it in her room.

At first, she is afraid that her mentor, Athena, will be angry with her, and Aika scares her by saying that Athena will probably kill the cat because she doesn’t like cats. However, Alice loves Maa because she misses the previous president cat of Orange Company, who recently passed away, and Maa reminds her a little of him.

When the secret gets out, and Alice is confronted by Athena about the cat, Alice is scared because Athena is holding a knife for slicing fruit and runs away to leave the tiny Maa where she found him, thinking that it might be the only way to save his life. However, she finds herself unable to abandon Maa and returns to get him, only to find him missing from the box where she left him. In a panic, she spends all night searching the city with her friends to try to find Maa.

However, when they finally give up the search, they discover that Athena has Maa. When she had tried to talk to Alice before, she wasn’t angry. She followed Alice to the place where she left Maa and retrieved him and has been waiting for Alice to return to Orange Company. In Alice’s absence, Athena has persuaded Orange Company to keep Maa as their new company president. Like the other cats used as the presidents/mascots of gondola companies, Maa also has blue eyes.

A Night on the Galactic Railroad

When Akari hears the sound of a train at night, she imagines that it’s a magical train like one she read about in a book, A Night on the Galactic Railroad by Kenji Miyazawa.

Aika has a more practical explanation for what it is, that the sounds of freight trains are more noticeable at night, when everything is quiet, but Akari discovers the truth when President Aria gives her a special train ticket.

It turns out that the mysterious train is a train of cats. (Guess who the conductor is?) Akari could use the ticket from President Aria to ride the train, but instead, she gives it to a sad little kitten who lost his ticket.

Because Akari doesn’t board the train, she never finds out where the train was going. The next morning, it all seems like a strange dream, except both Akari and President Aria have the stamps on their foreheads that Cait Sith gave them.

A Parallel World

President Aria accidentally finds a parallel world in which all the people he knows who are girls are boys and vice versa. Frightening!

President Aria has always wanted to find a gateway to another world, but everything seems so strange that all he wants to do is get back to his world.

He ends up returning to the world he knows when someone tosses him too high in the air while playing with him. Did any of it really happen, or was he just dazed from when he fell?

This one isn’t one of my favorite stories in this series because I think that the premise is kind of goofy. The characters don’t really look all that different when their genders are switched. Most of the difference is in hair styles, and the uniforms of the Undines have pants when they’re normally just long dresses.

Aria Volume 5

Aria Volume 5 by Kozue Amano, 2004, English Translation 2009.

This is the fifth volume of the second part of a fascinating manga series that combines sci-fi, fantasy, and slice of life. The series takes place about 300 years in the future, when Mars has been terraformed and renamed Aqua (because of all the water on its surface). The human colonies on Aqua are designed to resemble old-fashioned cities on Earth (called Manhome here). The people of Aqua prefer a much slower pace of life than people on Manhome, and aspects of life on Aqua more closely resemble Earth’s past.

The series is divided into two parts. The first two books are the Aqua volumes and introduce Akari Mizunashi, the main character, a young girl who came to Aqua to learn to become a gondolier in the city of Neo Venezia (which resembles Venice). Female gondoliers, called Undines, give tours of the city, giving Akari plenty of time to admire the beauty of her new home and meet interesting people. The two Aqua books are the prequel to the main series, Aria. Aqua covers Akari’s arrival on the planet, her introduction to life on Aqua, and the beginning of her training. The main Aria series show Akari’s continuing training, her progression to becoming a full Undine, her evolving relationships with her friends, and as always, her delight in learning more about her new home and admiring its beauty.

The series has received some criticism for being slow and lacking danger and adventure, but that is not really the point of the series. The main purpose is to show people how to appreciate the small pleasures of life. The sci-fi and fantasy elements (the spaceships, advanced environmental controls, intelligent Martian cats, and even the occasional appearances of the legendary Cait Sith) are mainly background to the stories about the magic of friendship and simple pleasures. Each volume contains a few short stories about Akari and her friends and the little adventures they have on a daily basis and the life lessons they learn. It’s a great series for relaxing when you’re stressed out.

The stories included in this volume are:

Mailman-San

When Akari’s mailman friend has a hole in his gondola, he tries to hire Alicia to help him deliver the mail. However, Alicia is busy, so she allows Akari to help him instead, even though she’s only a trainee.

Akari gets to visit the post office and spends the day helping the mailman deliver the mail. During the course of the day, Akari thinks about the number of letters that people in Neo Venezia send and wonders why they send physical letters instead of e-mail. The mailman explains to her that physical letters feel different from e-mail, and Akari understands.

People in Neo Venezia like the feel of doing things the old-fashioned way, often because the old-fashioned ways have more of a personal touch. The mailman tells Akari that she has really become a part of Neo Venezia.

Canzone

Alice’s mentor, Athena, is also one of the three greatest Undines on Aqua, the Three Water Fairies, like Akari’s and Aika’s mentors. However, Alice has little patience for her because she is clumsy outside of a gondola. Alice hates clumsiness and weakness, even punishing her own left hand for not being as strong as her right.

Akari is concerned about Alice when she sees what she’s doing to her left hand, and she has a sleepover with Alice to learn more about what’s happening with her. That’s when she meets Athena for the first time, although she had earlier seen her in her gondola, singing an enchanting canzone. Athena’s singing ability is one of the reasons why she is so famous as an Undine.

Akari observes the little things that Athena does for Alice, like singing to her at night, and points out to Alice that her left hand helps her more than she realizes.

Alice doesn’t believe it at first, but the next day, she begins to notice that Akari is right. While Alice eats with her right hand, her left hand holds her bowl. When she writes with her right hand, her left hand is holding the page. Her left hand isn’t inactive or useless; it’s been providing support that allows the right hand to do its job.

This revelation also causes Alice to see her mentor in a different light. Like her left hand, clumsy Athena has also been giving Alice quiet support that Alice often fails to notice. Alice reflects on how Athena’s singing comforted her when she first arrived at Orange Company and was homesick. Alice asks Athena why she sings to her, and Athena tells her that she’s just singing as she pleases, that she doesn’t need a reason to sing, that songs don’t really need to be noticed or thanked, and that she should just let the song do its work. However, Alice gains a new sense of gratitude toward her mentor and begins to treat her much better.

The Night of the Meteor Shower

Akari and her friends find out that there is going to be a meteor shower, and Aika suggests that they invite Al the Gnome to watch it with them.

Of all the boys the girls know, Aika likes Al the best. Al isn’t temperamental like Akatsuki or spacey like Woody. Aika is kind of fascinated by how he looks younger than they are even though he’s older and also talks like an old man or an old-fashioned gentleman.

Plus, after living in the underground city, Al has really good night vision, which is helpful as the girls search for a good place to view the meteor shower, away from the lights and crowds of the public square.

Aika finally suggests that they go up on the roof of one of the Himeya Company buildings, which has an excellent view.

Akari explores the rooftops a little on her own, leaving Aika and Al alone together. When Al, whose work as a Gnome is managing the gravity of Aqua, talks to Aika about gravity and attraction and how the gravity of Aqua pulls, the meteors in, she understands a little more about the attraction she feels for Al.

Margherita

Aika’s mentor, Akira, is tough, but she genuinely cares about her students. After a day of training in which many things go wrong, she finds a way to show the trainees how much she appreciates their hard work.

Akira has Aika, Akari, and Alice show her how they would handle a real customer, from helping them into the gondola to giving them a pleasant tour with interesting information. However, she is critical of the way they do things and particularly, some of the safety regulations they forget, like speed limits, not warning other approaching boats of their presence, and allowing themselves to be stuck when high tide comes and makes it impossible for them to pass beneath certain bridges.

Akira says that the reason why she’s being tough is that, when the girls become full Undines, they will be completely on their own in their boats with their customers, with no one else to help them. When there’s a problem or when they make a mistake, it will be their job to fix the situation themselves with their own skill and ingenuity.

When they become stuck on a section of canal because of the rising tide, Akira challenges them to find a way to solve the problem themselves. They find a side waterway that’s been closed off, and take the gondola through that way.

Akira rewards the trainees by taking them to a pizza parlor for a Margherita pizza. (Named for a queen, it’s topped with tomatoes, basil, and olive oil.) The trainees ask her why she didn’t punish them for making a serious mistake in their practice, and she tells them that there would be no point in punishing them because they realized what they did wrong and made an effort to improve, learning from their experience.

I quibble a bit with the teaching method just telling the students to find a way to fix the problem themselves without guidance. It kind of works here because Aika and Akari are now journeyman Undines and have had basic training and experience of the waterways of Neo Venezia to call on, but you can’t do this sort of thing with real beginners who haven’t had that grounding. I’ve had teachers who have tried, and I know the frustration of having them expecting me to call on a grounding I hadn’t received. When I was a kid, I felt terrible about those situations, like I was an idiot, but as an adult, who has since had gaps in my early education filled, I’ve come to realize that the fault wasn’t with me but with the teachers who had not taught me what to do but still expected me to somehow already know. I couldn’t figure out what to do because I didn’t know enough about what I could do yet. You can’t progress well in your education or training for anything without having someone explain the basics to give you the right grounding to build on. You can’t do algebra without knowing your basic operations. You can’t understand how to cook from memory or improvise a dish without first learning how to follow basic recipes. Akira’s approach to letting the students figure out the solution to a problem themselves calls attention to what the girls already know and encourages them to use it, but when that doesn’t work in real life, when you just don’t know what to do at all, it’s time to take a step back and reacquaint yourselves with the basics. You can figure out what to do if you know what’s possible to do, but I’d like to point out that if you don’t know what’s possible, you need some help and guidance to learn.

Shadow Chasing

Akari never minds waiting for people because there are always interesting things and people to watch. One day, when Alicia has to attend a Gondola Association meeting at a famous cafe, Akari says that she and President Aria will just wait for her instead of heading home.

Akari drinks lattes and watches the people going by, just enjoying the ambiance of the square.

There is a man there who seems familiar to Akari, and the two of them begin talking to each other about people watching in the square. The man introduces Akari to the custom of “shadow chasing”, where the restaurant employees move the cafe’s tables into the shade as the shadows move.

Akari reflects on the history of the cafe, Caffe Florian, which she says is actually the same cafe that once stood in the original Venice (which, in Akari’s time, is now submerged beneath the ocean), having been dismantled and moved years ago.

It turns out that her new friend is actually the manager of the cafe.

Aria Volume 4

Aria Volume 4 by Kozue Amano, 2004, English Translation 2008.

This is the fourth volume of the second part of a fascinating manga series that combines sci-fi, fantasy, and slice of life. The series takes place about 300 years in the future, when Mars has been terraformed and renamed Aqua (because of all the water on its surface). The human colonies on Aqua are designed to resemble old-fashioned cities on Earth (called Manhome here). The people of Aqua prefer a much slower pace of life than people on Manhome, and aspects of life on Aqua more closely resemble Earth’s past.

The series is divided into two parts. The first two books are the Aqua volumes and introduce Akari Mizunashi, the main character, a young girl who came to Aqua to learn to become a gondolier in the city of Neo Venezia (which resembles Venice). Female gondoliers, called Undines, give tours of the city, giving Akari plenty of time to admire the beauty of her new home and meet interesting people. The two Aqua books are the prequel to the main series, Aria. Aqua covers Akari’s arrival on the planet, her introduction to life on Aqua, and the beginning of her training. The main Aria series show Akari’s continuing training, her progression to becoming a full Undine, her evolving relationships with her friends, and as always, her delight in learning more about her new home and admiring its beauty.

The series has received some criticism for being slow and lacking danger and adventure, but that is not really the point of the series. The main purpose is to show people how to appreciate the small pleasures of life. The sci-fi and fantasy elements (the spaceships, advanced environmental controls, intelligent Martian cats, and even the occasional appearances of the legendary Cait Sith) are mainly background to the stories about the magic of friendship and simple pleasures. Each volume contains a few short stories about Akari and her friends and the little adventures they have on a daily basis and the life lessons they learn. It’s a great series for relaxing when you’re stressed out.

The stories included in this volume are:

Neverland

Alicia and Akira arrange a special, surprise trip to the beach for the trainees, a happy day that reminds Akari of Neverland. It starts out with an invitation for each of the trainees that supposedly comes from Peter Pan, inviting them to Neverland, but it turns out to be a fun day at a beach that President Aria found.

Akira wanted the day to be a day of training, but Alicia convinced her that a day of rest and relaxation would benefit the trainees more. The girls put on their swimsuits and enjoy a day of swimming.

Akari thinks that the beach and their day there really is like Neverland, and Alicia realizes that it is because of the way that Akari looks at things. Akari’s strength is the ability to enjoy the simple pleasures in life for what they are, finding the magic in daily life.

This story emphasizes the theme of the series, which is that the most important thing is to choose to be happy.

Traveling Water

Summer on Aqua is very hot, and Akari experiences her first mirages. People on Aqua sometimes call them “traveling water” because they can look like water that you can never reach. (I grew up in Arizona, and I grew up seeing that. On a straight road, the heat waves will look like distant water, waving and reflecting the scenery, but they appear to dry up or move further away as you go toward them.)

On a very hot day, Akari sets out to buy a night light chime and, oddly, seems to find herself all alone, except for President Aria. She follows President Aria, hoping that he will lead her to a place where she can cool off.

Akari finds herself at a mysterious cafe, which is nice and cool. The server gives her and President Aria ice cold milk, and Akari feels better, but the cafe is no ordinary cafe.

It turns out that the cafe is a secret hangout for cats and their king, Cait Sith. Humans do not ordinarily find their way there. They give Akari a special night light chime and urge her to go on her way …

Unless it was all just another mirage.

I love this story for its “was it all a dream” theme and for the cat-shaped chime that helps confirm that it all really happened. I also like the idea/warning that the server offers to Akari, that maybe it’s a good thing not to completely catch up to a mirage. Akari is sometimes a special guest of the magical characters that inhabit their world, going to places and seeing things that others don’t, but she can’t stay among them because her life is in the human world, and she has to let the fantasy elements slip away to return to her ordinary life that is a little less ordinary for the experiences she’s had.

Flying Fish in the Sky

Akari notices that some of the professions on Aqua relate to the four elements: water, fire, earth, and air. The Undines represent water because they spend their time rowing their gondolas, the Salamanders represent fire because they control the heat levels in the atmosphere to control the weather, and the Gnomes represent earth because they work underground to control gravity. The fourth element-based profession is Sylph, which represents air. They are flying deliverymen.

Akari helps a sylph called Woody, a flying deliveryman with a poor sense of direction, after he falls off his flying bike and loses the map he depends on in order to make his deliveries. It’s kind of a scary ride, but it’s also exciting, and Akari gets a bird’s-eye view of her city.

Woody also appears in later stories.

The Legendary Major Fairy

The trainees go to meet the founder of Aria Company, who is considered the Legendary Major Fairy, the grandmother of the younger Undines. She now lives in the countryside, and as the girls help her with some chores and enjoy other activities, Aika keeps looking for hidden tests of their skills or lessons slipped into the activities.

When hidden tests and lessons don’t seem to be in these activities, and the activities just are what they appear to be, Aika gets impatient and worries that maybe the older woman thinks that they’re hopeless and not worth teaching. She asks the Legendary Fairy, who asks them to call her “Grandma”, directly for some advice about being a great Undine, and what she tells them is both simple and yet something that is easy for people to forget.

Grandma’s advice is another repetition of the themes of the entire Aria series, but it’s worth repeating. She tells the girls to enjoy themselves in everything they do (the activities she gave them earlier were for them to enjoy, nothing more), remember that the world and life itself is full of things to enjoy, give yourself credit for your hard work, and when you encounter pain and sadness, try to turn it into something better.

The Redentore

The Undines celebrate Rendentore, a special festival of thanksgiving, with a party on a boat for all of their friends, organized by the trainees. In keeping with the tradition, the trainees invite special guests and use the opportunity to improve their hostess and entertaining skills, designing invitations and planning the meal and entertainment.

The party is a success, and one of the best parts is that the girls have brought together a group of people who otherwise would not have spent time together, except they are tied together by their roles in the lives of the girls.

Aria Volume 3

Aria Volume 3 by Kozue Amano, 2003, English Translation 2004.

This is the third volume of the second part of a fascinating manga series that combines sci-fi, fantasy, and slice of life. The series takes place about 300 years in the future, when Mars has been terraformed and renamed Aqua (because of all the water on its surface). The human colonies on Aqua are designed to resemble old-fashioned cities on Earth (called Manhome here). The people of Aqua prefer a much slower pace of life than people on Manhome, and aspects of life on Aqua more closely resemble Earth’s past.

The series is divided into two parts. The first two books are the Aqua volumes and introduce Akari Mizunashi, the main character, a young girl who came to Aqua to learn to become a gondolier in the city of Neo Venezia (which resembles Venice). Female gondoliers, called Undines, give tours of the city, giving Akari plenty of time to admire the beauty of her new home and meet interesting people. The two Aqua books are the prequel to the main series, Aria. Aqua covers Akari’s arrival on the planet, her introduction to life on Aqua, and the beginning of her training. The main Aria series show Akari’s continuing training, her progression to becoming a full Undine, her evolving relationships with her friends, and as always, her delight in learning more about her new home and admiring its beauty.

The series has received some criticism for being slow and lacking danger and adventure, but that is not really the point of the series. The main purpose is to show people how to appreciate the small pleasures of life. The sci-fi and fantasy elements (the spaceships, advanced environmental controls, intelligent Martian cats, and even the occasional appearances of the legendary Cait Sith) are mainly background to the stories about the magic of friendship and simple pleasures. Each volume contains a few short stories about Akari and her friends and the little adventures they have on a daily basis and the life lessons they learn. It’s a great series for relaxing when you’re stressed out.

The stories included in this volume are:

First Gale of Spring

It’s been a full year (full Martian year, which is equal to two Earth years) since Akari moved to Aqua and began her Undine training, and she’s happy that it’s spring again! While Akari and Aika are practicing their rowing one day, they meet another trainee Undine, Alice.

Alice is a young prodigy, only 14. Even though she is rather young and still in school, she’s really good at handling a gondola. However, Aika takes an instant dislike to her, partly because she belongs to Orange Company, a rival of Aika’s gondola company, Himeya. Akari tries to be friendly to Alice and tries to invite her to join them for lunch, but Alice is rude and unfriendly to them.

Aika thinks that Alice has an uppity attitude and is disrespectful to them even though they’re higher level trainees than she is. (There is some mild swearing in this part of the story. Most of the Aria series doesn’t have any swearing at all.) To prove her point and put Alice in her place, Aika decides to challenge Alice to a race.

Part of the reason why Alice is so prickly and unfriendly is that she thinks that people look down on her for being young and because they’re jealous of her skills , but she doesn’t realize how her abrasive attitude affects the people around her and their perceptions of her.

Aika has Akari row their gondola in the race, partly so she can use her secret ability to row a gondola backwards really fast, but Akari has her own ideas of how the race will end. Akari is still thinking of the beauty of spring, and even though she makes sure that her gondola will come in second by stopping to pick flowers (the fact that they had time to pick an entire boatload of flowers indicates just how much of a lead they had), she uses them to remind the other girls

Alice actually appeared in one of the prequel books to the Aria series, Aqua Volume 2, as the friend who went with Akari to visit Aika when Aika had a cold. It was the only Aqua story she was in, and this story in the third volume of the Aria series is the true introduction to her character.

Under the Cherry Blossoms in Full Bloom

Alicia and Akari decide to go on a picnic to enjoy the beauty of nature in spring. Alicia has a special place in mind for a picnic, but the two of them get lost on the way. Although Alicia remembers that getting to her special spot involves following some old train tracks, when they split off in different directions, she can’t remember which way to go.

Akari picks a random direction. It turns out that the direction she picks doesn’t take them to Alicia’s special place, but they find something else interesting: an abandoned train car underneath a cherry tree in full bloom.

The girls explore the train car and find that part of the roof is missing. They lie in the train car and enjoy the cherry blossoms raining down on them. Akari apologizes to Alicia for not finding her special place, but Alicia says that’s fine because this place is nice, too. She says that sometimes, you have to get a little lost to find something new.

Town Treasure

Akari, Aika, and Alice find a message in an old gondola that they borrow from the gondola repairman while Aria Company’s gondolas are being service. The message is in a small box in a hidden compartment of the gondola, and it turns out to be the first clue in a treasure hunt with a special surprise at the end.

Curious to find the treasure, the girls follow the clues through Neo Venezia, and their search leads them to take a second look at places they pass by all the time with little notice and takes them to lesser-known parts of the city that even Aika and Alice, who were born there, haven’t seen.

The treasure hunt finally ends on an often over-looked stairway that actually provides an excellent view of Neo Venezia, and the treasure they find there is the one that made Akari enjoy the treasure hunt from the very beginning.

The girls decide to put all the clues back where they found them, and to their surprise, they notice that there are marks that indicate that many other people have done the same.

Three Water Fairies

Akari and Aika are training under two of the Three Water Fairies, the best-known Undines on Aqua. However, Aika’s mentor, Akira, is much more strict than Alicia. One day, Aika gets fed up with Akira’s strictness and decides to run away and train under Alicia.

When Akira shows up to reclaim her wayward trainee, Akari learns more about Alicia, Akira, and especially about Aika. Akira was seen briefly in Aqua Volume 2, when Aika snuck out of her room to go buy some pudding, and she was the person Aika was trying to avoid because she was the one making her rest from her cold. However, Akira wasn’t actually introduced until this book, like Alice. This story reveals that Alicia and Akira were friends as trainees, like Akari and Aika, and have had a bit of a rivalry, being considered among the three best Undines, but they haven’t seen each other much in recent years.

Aika had reveals that the reason why she admires Alicia so much is that Alicia was nice to her when she was a child. One day, when she was upset about something, Alicia found her and gave her a ride in her gondola and cheered her up by trying different hairstyles with her hair. This experience is what made Aika want so badly to become an Undine herself. However, Aika could not train under Alicia at Aria Company because her parents actually own Himeya Company, something that Aika has never told Akari before. Aika’s family expects her to work her way up through the ranks as an Undine and eventually take over Himeya Company.

To settle the matter of Aika’s future training, Akira proposes a contest, a race between Aika and Akari, to determine whether Aika will become Alicia’s student or return to Himeya Company with Akira. As Alicia guesses, the “race” between their trainees gives Aika an opportunity to return to Himeya without sacrificing her dignity. It also gives both Akira and Aika an opportunity to consider how they really feel about each other and how much they appreciate each other.

While Akira and Alicia talk about Aika and how she’s both similar to and different from her mentor, Akari and Aika aren’t really having a race. Instead, they talk about how Aika feels about Akira.

Aika says that her position as the future heir of Himeya Company doesn’t matter much to her because she just wants to be an Undine, like Alicia, but she admits that people at Himeya treat her differently from the other trainees because they know who she is. They are extra nice to her and try to avoid getting on her bad side because they want to be friends with the boss’s daughter, who will be their future boss someday. Aika admits that, strict as Akira is, she’s also the one who’s the most honest with her, correcting her when she needs it and not worrying about making her angry. Aika realizes that she needs that honesty in her life and that Akira’s training is helping her. At Aika’s insistance, the girls end their “race” and go buy some walnut pastries for Akira, which Aika offers to her as an apology before returning to Himeya with her. Akari realizes the the bond between Aika and Akira is stronger than either of them wants to admit, and she hopes that, someday, she’ll have a bond that strong with Alicia.

This story is important for explaining more of the backstory of the characters and how they relate to each other. There is a running theme in these stories of having characters whose names begin with the letter ‘A’. In most cases, I don’t mind because the names are usually different enough that it doesn’t matter, but Akira and Akari are rather close.

Festa del Boccolo

Festa del Boccolo is the time when men give red roses to the women they love. Akatsuki has had a crush on Alicia for a long time, and he enlists Akari’s help to give her a boatful of roses to impress her. He needs her help because the town is flooded during high tide again, as it is every year during late spring.

Unfortunately, his elaborate gesture doesn’t go as planned because Alicia has already received many other roses from other people, and she assumes that Akatsuki has bought all of his roses for Akari.

Akatsuki accidentally spills the roses in the water, while trying to get Alicia’s attention. He thinks that he’s completely screwed everything up, but Akari points out that his gesture wasn’t futile because, like the roses floating on the water, his love for Alicia spreads out around him and touches everyone, and one day, Alicia is bound to notice. Akatsuki gives Akari a single rose to thank her for her help, and the two of them enjoy a walk together through the flooded city.

Aria Volume 2

Aria Volume 2 by Kozue Amano, 2003, English Translation 2008.

The is the second volume of the second part of a fascinating manga series that combines sci-fi, fantasy, and slice of life. The series takes place about 300 years in the future, when Mars has been terraformed and renamed Aqua (because of all the water on its surface). The human colonies on Aqua are designed to resemble old-fashioned cities on Earth (called Manhome here). The people of Aqua prefer a much slower pace of life than people on Manhome, and aspects of life on Aqua more closely resemble Earth’s past.

The series is divided into two parts. The first two books are the Aqua volumes and introduce Akari Mizunashi, the main character, a young girl who came to Aqua to learn to become a gondolier in the city of Neo Venezia (which resembles Venice). Female gondoliers, called Undines, give tours of the city, giving Akari plenty of time to admire the beauty of her new home and meet interesting people. The two Aqua books are the prequel to the main series, Aria. Aqua covers Akari’s arrival on the planet, her introduction to life on Aqua, and the beginning of her training. The main Aria series show Akari’s continuing training, her progression to becoming a full Undine, her evolving relationships with her friends, and as always, her delight in learning more about her new home and admiring its beauty.

In the second volume of the Aria series, winter comes to Neo Venezia, and Akari experiences the delights of the changing season and the celebration of a New Year as well as continuing to learn more about her new home.

The series has received some criticism for being slow and lacking danger and adventure, but that is not really the point of the series. The main purpose is to show people how to appreciate the small pleasures of life. The sci-fi and fantasy elements (the spaceships, advanced environmental controls, intelligent Martian cats, and even the occasional appearances of the legendary Cait Sith) are mainly background to the stories about the magic of friendship and simple pleasures. Each volume contains a few short stories about Akari and her friends and the little adventures they have on a daily basis and the life lessons they learn. It’s a great series for relaxing when you’re stressed out.

The stories included in this volume are:

Snow Bug

Snow Bugs (a kind of fluffy aphid) appear on Aqua at the onset of winter. They are larger than Earth aphids, and they look like cute little puff balls with eyes.

Akari makes friends with one of them when she and Alicia go out to gather some firewood, and she brings her Snow Bug friend home with her for awhile.

However, the Snow Bugs appear at this time of year because they are migrating to their winter home, and as snow comes to Neo Venezia, Akari has to accept that her little friend must move on with the other Snow Bugs as it gets colder. Fortunately, Snow Bugs have long life spans, so Akari can count on seeing her little friend again next winter.

Utopia

Akari has trouble adjusting to the winter in Neo Venezia because it’s much colder than the winters she is accustomed to on Earth. Aika suggests visiting a hot spring, which Akari has never done before because people on Earth are more technological and not so much into the beauties of nature. Alicia takes Akari and Aika to visit a very special hot spring where the baths are built into a magnificent old mansion.

The mansion has been there for years, and parts of it are now crumbling with disuse, but the hot water from the spring beneath it is now allowed to flow through the lower floors of the old mansion, giving it a mysterious atmosphere, yet it’s still a very relaxing hot bath.

The girls indulge themselves in the baths and have dinner on one of the upper floors with a grand view of the ocean. (Alicia is older than the other girls and a legal adult, so she drinks alcohol. She lets the teenage trainees try a small amount to see what it’s like, but mostly, the younger girls have iced coffee milk.)

After the younger girls have a nap, they go back in the baths, and Alicia shows them a special part of the hot springs. Akari feels a little guilty for taking the day off and indulging themselves, but Alicia says that a break now and then is good.

This is one of my favorite stories in the Aria books because I just like the idea of a mansion being turned into a giant hot spring bath, with water flowing through it. The crumbling bits look a little dangerous to me, but it’s fun to imagine what the rest of the house might be like.

A Day in the Life of the President

President Aria may be an intelligent Martian cat, but he is still a cute kitty. He does cute kitty things, like climbing into bags and boxes, worrying about Akari’s hair dryer, and fighting with a hair brush. It even says that he doesn’t like baths, although he didn’t mind going to the hot spring in the previous story.

Martian cats are supposed to be as intelligent as humans, and it’s established in the series that President Aria and other cats have their own community with Cait Sith, the king of the cats, sneaking off sometimes to meet with each other, but President Aria also does things that people would expect from ordinary pet cats, and it’s not clear why. Then again, it might not matter. The Aria stories are mostly atmospheric and about emotions, so not everything has to be completely explained.

Voices of the Stars

Akari learns about the Gnomes, a group of people who control the gravity on Aqua. Alicia tells her about the gnomes one day when she explains why the gravity on Aqua seems to be the same as on Earth even though its natural gravity would be much less strong. The Gnomes live in their own community underground and only come up to the surface from time to time to go shopping.

One day, Akari and Aika see a group of Gnomes shopping. They help one of them, who is having trouble loading his supplies into his boat. Akari offers to take him home in her gondola, and he accepts, taking her and Aika to see where the Gnomes live underground.

The Gnome, Al, is a trainee Gnome, just a few years older than Akari and Aika, although he is short and looks younger and, oddly, speaks like an older, old-fashioned man. He explains to the girls how the Gnomes control the gravity on Aqua by conducting special high-mass gravitational rocks through a network of pipes surrounding Aqua’s core. As always, the science and technology on Aqua are borderline magical.

Al shows them where he works, and the machinery that controls the sending of rocks through the pipes is like a large pipe organ, making beautiful musical sounds as it works. Al becomes a recurring character in the Aria stories.

Auguri Di Buon Anno

Akari celebrates New Year’s Eve with her friends. It’s interesting how they compare Japanese New Year’s traditions with ones from Venice, from the types of food eaten during the holiday to the way that Japanese people traditionally consider New Year’s Eve a family holiday, while Akari’s friends consider it a holiday to spend with friends in public. Alicia explains to Akari that one of the traditions of Neo Venezia is similar to a traditional Italian custom of throwing out old things on New Year’s Eve as a way of throwing off bad memories from the previous year.

Akari and Alicia join their other friends in the public square on New Year’s Eve, and Akari reflects on how much her life has changed during the last year, since she came to Aqua. During that time, she’s had many new experiences and made many new friends, and she’s grateful for everything that’s happened and all of the good memories she’s had.

Akari and her friends stay out all night and see the sun rise on the first day of the new year.

Carnival

Akari is introduced to the traditions and wonders of a Venice Carnival! Alicia explains the origins of the tradition to her.

However, Akari becomes intrigued by mysterious figure dressed as Casanova. Rumor has it that the same person has played the role of Casanova for 100 years, but no one knows who it is.

Aika and Akari try to follow a member of Casanova’s entourage to see if they can find out who Casanova really is. The two girls get separated, but Akari meets up with Casanova, and he invites her to join his entourage to parade through the crowd.

In the end, Akari does get a look at Casanova without his mask, and it’s a magical end to Carnival!

Aria Volume 1

Aria Volume 1 by Kozue Amano, 2002, English Translation 2004.

The is the first volume of the second part of a fascinating manga series that combines sci-fi, fantasy, and slice of life. The series takes place about 300 years in the future, when Mars has been terraformed and renamed Aqua (because of all the water on its surface). The human colonies on Aqua are designed to resemble old-fashioned cities on Earth (called Manhome here). The people of Aqua prefer a much slower pace of life than people on Manhome, and aspects of life on Aqua more closely resemble Earth’s past.

The series is divided into two parts. The first two books are the Aqua volumes and introduce Akari Mizunashi, the main character, a young girl who came to Aqua to learn to become a gondolier in the city of Neo Venezia (which resembles Venice). Female gondoliers, called Undines, give tours of the city, giving Akari plenty of time to admire the beauty of her new home and meet interesting people. The two Aqua books are the prequel to the main series, Aria. Aqua covers Akari’s arrival on the planet, her introduction to life on Aqua, and the beginning of her training. The main Aria series show Akari’s continuing training, her progression to becoming a full Undine, her evolving relationships with her friends, and as always, her delight in learning more about her new home and admiring its beauty.

The series has received some criticism for being slow and lacking danger and adventure, but that is not really the point of the series. The main purpose is to show people how to appreciate the small pleasures of life. The sci-fi and fantasy elements (the spaceships, advanced environmental controls, intelligent Martian cats, and even the occasional appearances of the legendary Cait Sith) are mainly background to the stories about the magic of friendship and simple pleasures. Each volume contains a few short stories about Akari and her friends and the little adventures they have on a daily basis and the life lessons they learn. It’s a great series for relaxing when you’re stressed out.

The stories included in this volume are:

Neo-Venezia

As autumn comes to Neo Venezia, Akari encounters a grumpy old man, a visitor from Earth, who has gotten separated from his daughter and lost in the city. He is frustrated with the confusing and inconvenient nature of Neo Venezia.

Akari says that she can help him find his daughter and gives him a tour of the city, showing him the beauty of the city and changes his mood with the help of some baked potatoes and green tea. A slower pace of life and appreciation for the little pleasures has benefits.

Drydocking

It’s time for the gondolas to be cleaned, so they are moved onto dry land. Akari and her friend, Aika are in charge of the cleaning, but it is Akari who makes it fun.

The Bridge of Sighs

Like the original Venice, Neo-Venezia also has a “Bridge of Sighs.” Akari goes there one day to meet Aika and finds her friend, Akatsuki, waiting for someone. Akatsuki is impatient while he is waiting, so he convinces Akari to give him a short tour to pass the time. Akari tells him about the original Bridge of Sighs and how she thinks the name is still appropriate but for a different reason.

The original Bridge of Sighs, as Akari explains, was between an old courthouse and a prison, and the prisoners were said to sigh as they crossed the bridge because they were being led away to be incarcerated. However, Akari sighs because she likes living in the beautiful city of Neo-Venezia and feels like she’s lucky to be there. Her sigh is a sigh of contentment.

When the person Akatsuki is waiting for shows up, it turns out to be his older brother, who also appears in later stories.

Sun Shower

Although Akari lives in Neo-Venezia, which is designed to look like Venice, there are other parts of Aqua designed to look like different parts of Earth. Alicia takes Akari to an area much like Japan to see the changing autumn leaves and get some inarizushi.

They see a shrine on the island, and the woman at the sushi shop tells them a Japanese legend about the fox’s wedding, giving them a warning that the Inari fox might spirit them away to another world.

While admiring the red autumn leaves, Akari finds herself separated from Alicia, and she witnesses a strange wedding procession. When she seems to be invited to join it, she thinks quickly and gives the procession her inarizushi instead.

The story explains that a Japanese term for a sun shower (when it rains while the sun is still shining) is “the fox’s wedding.” Sun showers happen quite often when it rains where I live in Arizona, and I now think of this when I see one. I also know where to get some inarizushi. The Aria stories are good for making me want different types of food, whether it’s inarizushi or baked potatoes and green tea or pudding (from a previous book).

Vogare Longa

This story is based on a real gondola race that takes place in Venice.

Akari and Aika are told about the Vogare Longa gondola race, which all of the gondoliers, including the trainees, will participate in. Aika is determined to make a good showing in the race because there’s a rumor that it is used to judge trainees, but Akari gets caught up in the beauty of the day.

In the end, Akari admits to herself that she never forgot what Aika said about the race being used to judge trainees, but she just didn’t want to hurry because she was enjoying herself, and that’s the way she feels about her training in general. Akari wants to become a full Undine, but she wants to do it at her own pace and enjoy herself along the way.

It turns out to be just as well because the rumor about the race being used to judge trainees was only a rumor.