Posted on by TracyC

The Mystery of the Cupboard

The Mystery of the Cupboard by Lynne Reid Banks, 1993.

This is the fourth book in the Indian in the Cupboard series. It’s also the longest book in the series and the one that reveals the most about the history of the magical key and cupboard and how their secrets tie into the secrets in Omri’s own family. It was my favorite book in the series when I was a kid!

Omri’s parents have surprised him by telling him that they’re planning on moving to a new house again. Omri wasn’t exactly happy with their last move, and his room and other parts of their new house were damaged after his last adventure with time travel, when his friend Patrick brought back a tornado with him. However, now that the house has been repaired and he’s settled in, Omri doesn’t like the idea of having to pack up and leave and get used to a new place again. His parents want to move to the country, but it’s not even the area where Patrick now lives. Instead, they’re planning to move to a house that his mother has just inherited.

The house Omri’s mother has inherited belonged to an older cousin of hers she never actually knew. He didn’t leave his house specifically to her; it’s just that he died and left no will, and Omri’s mother happens to be the nearest living relative his lawyers could find. When they finally see the house and find out how much land is attached to it, it turns out to be much better than Omri expected.

There are just two things that concern Omri. The first is the package that he asked his father to store at a bank for him – the magical cupboard and key. Although Omri asked his father to put them in a bank deposit box to keep them safe and prevent himself from being tempted to use them again because it’s too dangerous, he doesn’t like the idea of them being too far away from where he’s living. His father promises to have them transferred to a bank near their new home. The second thing that worries him is that his cat mysteriously disappears soon after they move into the new house. (The cat is okay, she just sneaked away to have kittens.) His parents say that she’s just roaming her new territory and might be a little angry for being moved from her old home and that she’ll come back to Omri once she’s settled in, he still worries about her.

One night, he think he hears his cat crying and goes looking for her. He doesn’t see her, but he stumbles on something that was hidden in some old thatch that fell of the roof of the house. It turns out to be a metal box and a notebook belonging to someone named Jessica Charlotte Driscoll, written in 1950. Omri doesn’t know who she is, but the notebook is a story of her life, in which she describes incredible things happening to her which her family doesn’t believe. Omri wonders if she could be a relative of his, and the name Charlotte reminds him of his grandmother, Lottie. He never knew his grandmother and his mother doesn’t even remember her mother because she died in a bombing during WWII, when she was very young. The woman who wrote the notebook couldn’t have actually been his grandmother because she would have been dead for several years by 1950, but perhaps it was a family name.

Omri questions his mother about the cousin who owned the house and her family’s history. Jessica Charlotte turns out to be the sister of Omri’s great-grandmother, his mother’s great-aunt. Great Aunt Jessica Charlotte was the younger sister of his mother’s grandmother. After her mother was killed in the war, Omri’s mother was raised by her grandmother. Omri’s mother had asked her about her younger sister when she was a girl, but her grandmother didn’t like to talk about her. Apparently, Jessica Charlotte had been an actress with a somewhat scandalous past. However, the cousin who used to own this house was Jessica Charlotte’s son, Frederick. Frederick never married, and although Omri’s mother thought that Jessica Charlotte had lived abroad somewhere, it’s possible that she lived at this house for a time.

Much of the story is told through entries in Jessica Charlotte’s notebook. When Omri begins to read the notebook, written toward the end of Jessica Charlotte’s life, he learns, to his shock, that Jessica Charlotte was the original owner of the magic cupboard and that she had her own Little People who visited her from other times and were her friends. After Omri reads that, he questions Gillon, the brother who gave him the cupboard, and he admits that he didn’t really find it in an alley, like he said. He actually found it in the basement of their old house with a bunch of other junk. He just didn’t have the money to buy Omri a birthday present at the time, and Omri had kind of a fascination for secret drawers and boxes, so Gillon thought that he might have some fun with the old cupboard, and he made up the story about mysteriously finding it to make it more interesting. (I suspect that the author was just retconning this part to make it agree with the idea that the cupboard was passed down through Omri’s family, but I like the way this comes out, so I’m okay with that.)

The notebook further explains that Jessica Charlotte had been envious of her older sister because she was prettier, luckier, and often seemed favored by everyone. However, in mocking the young men who came to court her older sister, Jessica Charlotte discovered that she had a talent for mimicry, which led her to become an actress, although her family thought that it was a disreputable profession and disapproved. Jessica Charlotte also discovered that she was psychic and sometimes had visions of the future. She eventually left home and became an actress. Her sister, Maria, still visited her secretly sometimes, against their parents’ wishes.

After awhile, Jessica Charlotte became pregnant with Frederick, which was when she first came to the old house where Omri’s family now lives. She didn’t have any money and couldn’t work while pregnant, and because she was unmarried, she would have been considered shameful if people knew. At that time, the house was a farmhouse belonging to a relative of Frederick’s father. By that point, Jessica Charlotte realized that her boyfriend wasn’t a good person and wasn’t going to be a good father to their son, but he did arrange for this relative of his to help her through her pregnancy. Frederick was born in the house, and because he was illegitimate and sensed his mother’s complicated feelings about him and the circumstances of his birth, he and his mother were never as close as they really should have been.

Meanwhile, Maria got married and had a daughter, Lottie, who was Omri’s grandmother, the one who was killed in the war. Jessica Charlotte says that she did something that wronged Maria and Lottie, and Omri stops reading the diary for a time, but he decides that he really has to continue and know the full story.

Over the years, Jessica Charlotte lived a hard life, supporting Frederick through a mixture of acting and other odd jobs, including fortune telling because of her psychic abilities (although she never used her gift to see into the future for herself or anyone close to her because she was afraid she might see something bad happen to them and be unable to stop it). Meanwhile, Maria was living a very comfortable life with her husband and daughter. Even after their parents died, Maria still had Jessica Charlotte visit secretly because of her tainted reputation, and she never wanted to meet Frederick or talk about him because his birth was the cause of her sister’s scandal. Still, Jessica Charlotte continued to see her sister and became fond of Lottie.

However, Maria was basically a pampered snob who didn’t understand her sister’s life and hardships and also had a streak of self-centeredness. One day, when Lottie was a young child, Maria said that when Lottie was older, she didn’t want her to see so much of her aunt, implying that Jessica Charlotte would be a bad influence on her. Jessica Charlotte was deeply offended by that, but she was also fearful about losing the last family members who were still speaking to her. She had lost so many of her other relationships that she still felt the need to be close to Maria and Lottie as much as she could and visit their pampered and comfortable little world, enjoying occasional tastes of their happier and more comfortable lives.

Yet, Jessica Charlotte’s jealousy for Maria’s pampered life and anger at her callousness continued to eat at her. One day, when Maria was showing her all of her nice jewelry, Jessica Charlotte got the urge to steal a beautiful pair of earrings. First, Maria was being, at the very least, thoughtless and callous for showing off all of her nice jewelry to her much poorer sister, who could never have things like that herself. Maria not only had no concept about what her sister’s life was like outside of her occasional visits, but she purposely never asked her about how she was doing, how her son was doing, or even where they were living, how they were getting by, if they needed anything, or if she could help them in any way. She didn’t know because she didn’t want to know any of these things, and the fact that she didn’t want to know any of that indicates that she knew enough to understand that their circumstances weren’t pleasant. To show off all of her pretty things like that just seems like rubbing it in. Second, Jessica Charlotte had been in need for so long that she saw all of the pretty jewels as symbols of Maria’s comfortable life, something she hungered for herself. The pair of earrings weren’t something that Jessica Charlotte wanted just for the sake of having them but because of what they represented to her, the life that she couldn’t share in and which she knew that Maria would soon shut her out of when she declared that her visits with her young niece would have to stop soon.

Jessica Charlotte planned out the theft in advance, making a duplicate key for her sister’s jewelry box and thinking that her sister would just assume that she’d mislaid that one pair of earrings somewhere. Unfortunately, when Maria noticed that the earrings were gone, she thought Lottie had done something with them, and when she kept insisting that Lottie tell her where they were, Lottie got upset and ran out of the house into the street. Matt, Maria’s husband and Lottie’s father, chased after her and was hit by a cab and killed. Jessica Charlotte felt terrible when she heard the news because she hadn’t meant for anyone to get hurt, but there was nothing she could do to take it all back.

Omri knows how Maria and Lottie’s lives went after that point because of what his mother told him about their family history. After Matt died, Maria and Lottie didn’t have very much money to live on, just a little pension, and then their house was burgled, and many of Maria’s nice things were stolen, including the rest of her jewelry, so she couldn’t sell them for extra money. Maria had to move to smaller, cheaper lodgings and get a job for the first time in her life in order to support herself and her daughter, living a life closer to what her sister had been doing. When Lottie was grown and married, she and her husband helped to support her mother, but after they were killed in WWII, Maria took in Lottie’s daughter (Omri’s mother) and had to keep working in order to raise her. Although they were now living in more equal circumstances, the two sisters did not become close again because of Jessica Charlotte’s guilt about what she’d done. Jessica Charlotte ended up buying the old house in the country where her son had been born and told her sister that she was going to live abroad, never telling her exactly where. She had not expected to see Maria again anyway since Maria was planning to cut her out of her daughter’s life before Jessica Charlotte stole the earrings, and after Matt died, Jessica Charlotte couldn’t bring herself to face Maria. Jessica Charlotte lived in the country house until her death in 1950.

When Jessica Charlotte became too weak to write any longer, shortly before her death, she had Frederick finish the story in the notebook. Aside from the difficult feelings between Frederick and his mother because of the circumstances of his birth and the rough and poor childhood he endured, Frederick also says that the two of them don’t really get along because they are very different types of people. When he was grown, Frederick went into business as a metal smith, eventually owning his own factory that made toy soldiers and other metal toys. During WWII, the government had him convert his toy factory to manufacture munitions. He wasn’t happy about it, but it did make him fairly well-off. After the war, Frederick had hoped to go back to making metal toys, but plastic was coming into vogue as the material of choice for toys, and Frederick couldn’t stand the stuff. He thought that the newer plastic toys were cheap and shoddy compared to his detailed works of art in metal. (It was kind of true.) There were basically two choices before Frederick: convert to making the cheap plastic toys he hated or switch to making different types of metal products. He switched to making metal boxes and cabinets.

Frederick never really believed in his mother’s supposed psychic powers, but when he was upset about plastic ruining his metal toy business, he admits that he let his mother talk him into participating in a silly ritual. He was so angry and upset that his emotions were ruining his health, so his mother told him to build something to put his feelings into and shut them away. Frederick built Omri’s magical metal cupboard. When he was finished making it, his mother had him visualize cleansing himself of all of his anger and hatred of plastic and shutting that feeling away in the cupboard. To his surprise, his mother shut and locked the cupboard with a different key from the one that he’d made to put in the cupboard’s lock (her key to her sister’s jewelry box). He thought that this ritual was kind of crazy at first, but he did feel better after he did it. He felt weak for a time, but then he recovered. He still didn’t like plastic, but not to the point where it harmed his health anymore.

Jessica Charlotte had said her son had also inherited her psychic “gift”, even though he didn’t believe in it. Apparently, his strong feelings about plastic produced a kind of magic spell or curse that affected the key and the cupboard and created the effect of bringing plastic toys to life. Jessica Charlotte discovered this herself because her son had given her a set of plastic figures in order to demonstrate to her how these little figures were inferior to his metal ones. Jessica Charlotte put them in the cupboard and brought them to life, and these little friends of hers brought her some happiness in her final days. Frederick thought that her mother was imagining that she was talking to fairies or something and never found out about his mother’s little friends or the magic of the cupboard.

When Jessica Charlotte realized that she was dying, she used the cupboard to send her little friends back to their own time periods, except for one little maid named Jenny, who refused to go back because she’d had a terrible life in her own time. Instead of making her go back, Jessica Charlotte confided in one of the workmen fixing the thatch on her roof and gave Jenny to him. This man, Tom, was lonely because his wife left him for someone else, so Jenny was good company for him for many years, until one day, she simply turned back to plastic suddenly. When Omri finds Tom as an old man and introduces himself as Jessica Charlotte’s distant nephew, Tom explains all of this to him, saying that all he can think of is that Jenny’s physical body must have died in her own time after having been in an apparent coma for years. He buried her little plastic figure respectfully. Tom is also the one who sent the cupboard and key to Maria after Jessica Charlotte died along with a note dictated to him by Jessica Charlotte, hinting at the nature of the cupboard and key and tacitly admitting to the theft of the earrings, so Maria knew the truth of the theft before her own death.

Omri comes to realize that the metal box that Jessica Charlotte left behind, and which was sealed with wax, must contain her collection of little figures. When his friend, Patrick, comes to visit him at his new house, Omri explains the whole situation to him, and Patrick suggests that Omri’s magic key will probably open this metal box, too. Of course, he also points out that if Omri opens the box with that special key, it will bring the figures inside to life, just as it has with the cupboard and Omri’s old trunk. Omri sees Jessica Charlotte’s old figurines as a way of finishing her story and feels compelled to bring them back to life one last time, although he knows that bringing figures to life always comes with complications, and he will have no way of knowing who or what the figures are until the box is open.

When Omri gets the chance to talk to Jessica Charlotte’s little friends, he not only learns more about his great-great-aunt’s past and the history of the cupboard but also sees an opportunity to change the past of his mother and great-grandmother by preventing the robbery that made them poor. But, if he meddles in the past, what will that mean for his future?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction:

This is my favorite book in the Indian in the Cupboard series. I suspect that the author of the series didn’t originally have an explanation for why the cupboard and key were magic, but that’s just a guess on my part. The explanation behind the magic in this book makes sense, and those parts that didn’t quite mesh with the earlier books (like Omri’s brother’s original explanation of finding the cupboard in an alley) were briefly explained. Sometimes, when book or movie series try to explain something magical or a mysterious secret they’ve left hanging, it turns into a let-down because the explanation feels rushed or implausible or fits clumsily into the earlier parts of the story, but this one was pretty smooth, intriguing, and also opened up some new story possibilities.

In previous books, Omri and Patrick both did impulsive things with the cupboard that put their small friends, themselves, and other people in danger, but in this book, both of the boys seem to have matured. Although Patrick thinks of Jessica Charlotte as a bad person and a thief for stealing her sister’s earrings, Omri tries to explain to him that she was a much more complex and conflicted person than that. Yes, Jessica Charlotte was a thief, but her motives were beyond mere greed, and it wasn’t long before she regretted what she’d done and the lasting hurt that she’d caused her family. In considering Jessica Charlotte’s theft and the theft that the burglar who was one of Jessica Charlotte’s little friends later committed against Maria, partly out of personal greed and partly as retribution against Maria on Jessica Charlotte’s behalf, Omri and his mother both come to terms with their family’s history. Patrick, who in previous books had been the more impulsive one when he and Omri interacted with the little people from the past, acts as a restraining influence in this book when Omri is tempted to change his family’s past for the better by preventing the thefts that left his great-grandmother without money. Patrick is the one who makes it clear to Omri that, just as Jessica Charlotte’s theft of a single pair of earrings radically changed the lives of her sister and niece, if Omri tries to stop those events from happening, he might change his family’s past so much that he might accidentally prevent himself or even his own mother from being born in the first place. After Omri tells the thief to give back the jewel box he stole, Omri worries that he’s gone too far, but it turns out that one request was actually fated to happen, just as it turns out that Jessica Charlotte later realized that she had met Omri briefly in what she thought was a dream when he brought her plastic figure to life. Not all of Omri’s “meddling” with the past was really meddling but was actually part of what was fated to happen and has already had an effect on the past even before he knew it.

At the end of this book, something that Omri has alternately dreaded and wanted to happen: his father discovers the secret of the cupboard and meets Omri’s small friends. In books, there is usually this assumption that if parents ever find out about their children’s magical adventures, they will end because the parents will put a stop to them or somehow, the magic will be ruined. However, in this case, the magic is not ruined, and there is one more book in this series where both Omri and his father take part in the magic.

Posted on by TracyC

Nellie’s Promise

American Girls

Nellie’s Promise by Valerie Tripp, 2004.

This book is a companion book to the Samantha, An American Girl series, focusing on Samantha’s best friend, Nellie. Personally, I don’t like the companion books to the main American Girls books as well as the original books, but this book does follow up on the events to the main series. At the end of Samantha’s series, Samantha’s aunt and uncle took in Nellie and her sisters, Bridget and Jenny, after their parents died. Nellie and her sisters were from a poor family and had to start working from a young age before their parents died. After their parents died, their disreputable uncle abandoned them, and they were sent to an orphanage before Samantha discovered where they were. Samantha’s aunt and uncle are wealthy, and the girls’ lives have improved considerably.

Nellie’s happiness is threatened by the sudden reappearance of her Uncle Mike. Uncle Mike sees Nellie walking down the street in her nice new clothes and wants to know what rich family the girls are living with. Nellie runs away from him, but he threatens to find out where she’s living and to take her and her sisters back, saying that it’s his right as her uncle. He says that he means to put the girls to work earning money for him. Nellie is afraid that he might be able to reclaim them from Uncle Gard and Aunt Cornelia because he is a blood relative.

At first, Nellie is afraid to tell anyone that she’s seen her uncle and that he threatened to take her and her sisters back. Before her parents died, her mother made her promise to look after her younger sisters, so Nellie makes up her mind that’s what she’s going to do.

Nellie worries about the future for her and her sisters. She feels like she doesn’t fit in with the wealthy girls at Samantha’s school, who have had very different lives from hers, and the lessons they learn are the type of lessons for fine young ladies who will marry rich men and spend most of their time raising families, overseeing a house with servants, and entertaining friends and their husbands’ business associates, not preparing for practical professions outside the home. Nellie thinks that it’s important that she have some kind of job skills because the future can be very uncertain, and she wants to know that she can provide for her sisters, no matter what happens.

Samantha senses that Nellie is unhappy, and she asks her if she likes living with Uncle Gard and Aunt Cornelia. Nellie tells her that she does, but she hesitates to explain what’s really worrying her. Instead, she lets Samantha think that she just wants to feel like she’s doing something useful for the family. Before her parents died, Nellie used to get sewing lessons at a settlement house (a place where immigrant families could go to learn English, new job skills, and other skills they would need in their new lives in the United States) run by Miss Brennan. Aunt Cornelia is involved with many good causes, and she wants to visit a settlement house and get an introduction to Miss Brennan. Because Nellie knows Miss Brennan, she can help arrange that. It’s in a rough part of town, but Nellie is more accustomed to navigating rough neighborhoods than Samantha or her aunt. It also occurs to Nellie that she could ask Miss Brennan what to do about Uncle Mike.

Miss Brennan is glad to see Nellie, and she lets her show Aunt Cornelia and Samantha around the settlement house. They have many different types of classes for children as well as adults. Nellie says that she likes the practical classes that she used to have there, and even the types of dances that they do seem more practical than the more purely artistic ones that they do at the school she now attends with Samantha. Aunt Cornelia is pleased with the classes that they offer for women, and because she is interested in women’s education, decides that she wants to help out at the settlement house. However, the visit to the settlement house leaves Samantha irritated for reasons that Nellie doesn’t fully understand.

As Nellie begins spending more time with Aunt Cornelia at the settlement house, Samantha begins spending more time with Bridget and Jenny, and Nellie becomes jealous of how Samantha seems more like their older sister than she is. However, the others still don’t know about Uncle Mike’s reappearance, and Nellie is still fearful of what he might do and what will happen to her and her sisters if Uncle Mike tries to take them away. She feels like her only option is to try to prepare herself for a better job than that of factory worker.

When Nellie finally gets the courage to tell Miss Brennan about her worries, Miss Brennan tells her that she needs to discuss the situation with Uncle Gard. Uncle Gard is a good man, but he’s also a lawyer, and he will know how to legally stop Uncle Mike from trying to take custody of the girls. However, Miss Brennan adds that, whatever else happens, Nellie will still need to make some decisions about her future and what she wants to do with her life and education. The more Nellie thinks about it, the more certain she is about what she wants to do. She wants to become a teacher, like Miss Brennan.

Nellie provokes more drama by applying to the boarding school in Boston where Miss Brennan said that she trained to be a teacher without talking to Aunt Cornelia, Uncle Gard, or Samantha about her decision or about her uncle. However, when the truth comes out about Uncle Mike, everyone understands that she was trying to hide and protect her sisters from him. It turns out that Uncle Gard has actually been looking for Uncle Mike because he already has the documents that he needs to legally adopt Nellie, Bridget, and Jenny, and he just needs Uncle Mike to legally release them into his custody. At first, Uncle Mike tries to extort money from Uncle Gard for the girls, but Nellie gets up the courage to tell him off, promising that if he doesn’t sign the papers and leave, she’ll tell everyone about how he stole all of their money and abandoned them to freeze the last time they were in his custody. The book ends happily, with Aunt Cornelia and Uncle Gard adopting the girls and understanding Nellie’s ambition to be a teacher. They enroll Nellie in a school in New York that teaches the skills she really wants so that she can continue living with them and not go to Boston. It also turns out that Samantha was mostly uncomfortable at the settlement house because she felt so sorry for the young children there and that spending time taking care of Bridget and Jenny was part of her way of trying to help Nellie by leaving her more free to do some of the things that she felt like she had to do. With everything out in the open, Nellie and her sisters are able to more fully become part of the family.

In the back of the book, there is a section with historical information about orphans and adoption in the early 1900s. There were not many laws and regulations governing care of orphans. Usually, orphans would be taken in by relatives, like Samantha was when her parents died. If a child didn’t have any relatives who were willing and able to take them, the child might be sent to an orphanage and possibly sent west on an orphan train as Nellie almost was at the end of the Samantha series. Families didn’t usually adopt children from different levels of society.

Settlement houses were important resources for poor immigrant families, and the education they received allowed immigrants to enter higher professions than servant or factory worker, which had been the primary source of income for many of them. It was common for settlement houses to help train young women to become teachers. There are still similar institutions and organizations in operation in 21st century America.

The book is available to borrow for free online through Internet Archive.

My Reaction and Further Historical Information

Part of the reason why I don’t like the companion books as much as the original American Girls series is that they tend to get more dramatic than the original books, and sometimes, I feel like the attitudes of the characters are less realistic for their time periods than they were in the original books. I think what made the original books more realistic was the restraint of the stories – they had their share of excitement and sometimes drama, but they never went overboard. The return of Nellie’s disreputable uncle struck me as both unlikely and unnecessary to Nellie’s and Samantha’s larger stories.

The historical details in this book are good. What they say about orphans of the time is basically true, although they note in the historical information section in the back of the book that Nellie’s experience of being adopted by a wealthier family was not typical of the time, and I think that’s part of what bothers me. Adoptions in general during the early 1900s were less formal than they are in modern times, and the idea of Uncle Gard hiring a private detective to find Uncle Mike and get him to sign legal documents doesn’t seem entirely realistic. I think it would have been more realistic to me the way that the last Samantha book ended, with Uncle Mike leaving and the assumption that none of the characters would see him again.

The reason why Nellie and her sisters were sent to the orphanage and why the orphanage was considering sending Nellie west on the orphan train was that no one expected that Uncle Mike would ever want to see the girls again. He’d already taken everything he could from them and left with them with no concern for what would happen to them. In the time that has passed since then, I would have expected that Uncle Mike would already have gotten into trouble that would keep him busy and out of their lives, maybe ended up in prison for being drunk and disorderly or hopping from job to job or begging for money as their little money ran out. Even if Uncle Mike had some thought of finding the girls, I don’t think it’s likely that he would have succeeded or even gotten close on his own because he is not that bright and he is not the kind of person who makes friends in places where he’s been before. I doubt that his former neighbor who took his nieces to the orphanage would have told him much if he had shown up again, looking for them. She knew that he was a drunk who abandoned the girls, and she made it clear that she didn’t like him. The people at the orphanage would have probably sent him away with no information because they would probably view the situation as closed since the girls are already placed out and Mike may not even have any proof of his identity and relationship to the girls. There is no such thing as a driver’s license during this period and many people did not even have birth certificates, so it’s possible that the people at the orphanage could simply choose to disbelieve this disreputable character and send him away. When I was watching a documentary about the orphan trains, former orphan train riders said that the orphanages that sent them west deliberately took notes from them that had their living parents’ addresses and otherwise cut off contact with living parents because they wanted the children to sever their ties to their difficult pasts and devote their attention to their new families, not maintain contact with the parents who were unable to care for them financially, so I wouldn’t expect that anyone at the orphanage in these books would go out of their way to reunite the orphaned girls with a rather shady uncle when they knew that the girls were already placed with a wealthy family and no longer their responsibility. Without help, which would be unlikely to be forthcoming, it doesn’t seem likely that Uncle Mike would be able to stumble on the girls by accident. As mentioned in Changes for Samantha, New York is a big city, people can be difficult to find if you don’t have a hint of where to look, and the wealthier part of the city where Nellie and her sisters live now is not a part of town where a guy like Uncle Mike would be likely to hang out. They could all easily live in New York City for years without meeting each other.

I feel like the situations in the story were a little contrived. By now, I would have thought that Nellie would know that Uncle Gard is a lawyer and would be the best person to ask about the laws. I don’t recall the earlier books saying what Uncle Gard did for a living, but Nellie lives with him now, and I would think that someone would have mentioned Uncle Gard’s profession by now. In the book, it oddly seems like as much of a surprise to Nellie as it is to the readers. I could believe that Nellie would go to the settlement house and do volunteer work there with Aunt Cornelia because it was already established in the previous books that Aunt Cornelia supports good causes, and although women of her level of society didn’t usually work for living, supporting good causes and charitable works would have been acceptable. Nellie’s level of knowledge seems a little odd, considering that she needed extra tutoring in basic subjects, like reading, in Samantha Learns a Lesson. In that book, Nellie never mentioned settlement house lessons, which she would have done if it hadn’t been a sudden decision to insert that this in book. Here, Nellie talks about classes that she had at the settlement house, where I would have expected to have more lessons to improve her reading, and it seems like she learned more there than she seemed to know before, even knowing a few words of foreign languages. In Samantha Learns a Lesson, one of Nellie’s skills was her ability to do math quickly handle money because she used to do the shopping for her mother, and in this book, she mentions that she helped to teach immigrants about American money, which she never mentioned before. These things are necessarily contradictory, but it all just seems a little off because they don’t quite fit into Nellie’s established character and history, and it implies that Nellie has had more education and training than she seemed to have before. It’s not necessarily impossible for a girl of Nellie’s time to know some of these things, but it’s the departure from what was already established about Nellie and her situation in life than kind of grates on me.

I think it could be reasonable for Nellie to develop the ambition to be a teacher. Even Samantha has previously some interest in that direction, having helped to tutor Nellie before. Not all women of this time went on to higher education, but those who did might attend a normal school, which is basically a college that focuses on training teachers. By contrast, the daughters of wealthy, high society families would be more likely attend a finishing school that emphasized social skills and entertaining more than academics. Both Samantha and Nellie are about twelve years old during this story and would be a little young for either of these options, but Samantha’s school seems to be more inclined toward preparing the girls for a finishing school. Given Aunt Cornelia’s interest in education and social causes and Uncle Gard’s support of it, I would expect that Samantha would be more likely to attend a women’s liberal arts college when she gets older, preparing her to marry a well-educated and culturally aware man as well as a wealthy one and probably engage in some form of social work and/or the arts in her spare time, but that’s just a guess. (I discussed some of this already in my review of Happy Birthday, Samantha. See also the book Daddy-Long-Legs for a description of what that might have been like for a girl of Samantha’s and Nellie’s time. The book was written a little later in than the time period of this book, but it’s set at about the right time for Samantha and Nellie to be old enough for college and includes characters of approximately their social backgrounds.) This book doesn’t really go into the subject, but if that’s the case, Samantha’s future might not be as different from Nellie’s as it first seems, and there might be a kind of middle path that both of them could choose. The Finch College in Manhattan, which was a fairly new preparatory school in Samantha’s and Nellie’s time, seems like it would have been a good option for both Samantha and Nellie, catering to upper-class girls while focusing on a more practical liberal arts education than the less academic finishing schools. Its founder, Jessica Finch, was a women’s rights activist and may have moved in similar circles to Aunt Cornelia. Her attempts to balance theoretical and practical knowledge sound like they would have appealed to the characters in the story. I’m not an expert on the Finch College, only having heard a little about it, but I think a school like that would present an intriguing possibility for the girls’ futures.

Posted on by TracyC

Sawdust in his Shoes

Sawdust in his Shoes by Eloise Jarvis McGraw, 1950, 1977.

Disclosure: I am using a newer edition of the book, published by Plough Publishing House.  Plough sent a copy to me for review purposes, but the opinions in the review are my own.

At fifteen years old, Joe Lang is a rising star in the circus, a trick rider. Circus life is the only life he’s ever known because his father is a lion tamer. Many of the children whose parents work for the circus also work for the circus, competing for the spotlight and top billing, and Joe loves that type of life, even though it means hard training, an element of risk, and constantly moving.

Unfortunately, things change for Joe when his father is killed during an accident in one of his performances. (Mercifully, the accident is not described in the book. Joe does not witness his father’s death. In the story, he hears screams from the circus patrons and is shortly informed that his father has been killed.) Because Joe is still only fifteen, his father’s death raises the question of who will have custody of Joe. Joe’s mother is dead, and his stepmother, who did not grow up with the circus herself, was never fond of circus life or of Joe. After the death of Joe’s father, his stepmother leaves to go live with her sister, and Joe never hears from her again. Mo Shapely, an older man who works for the circus as a clown, wants to assume responsibility for Joe, and Joe would be happy with that because Mo is an old family friend who helped raise and train him. However, the local authorities are not convinced that Mo is a suitable guardian for the boy because of his age, his unsettled lifestyle, and lack of savings.

Mo waits in town with Joe while the authorities make up their minds, but they soon run short of money, and Mo is forced to catch up with the circus and return to his job. Since Joe’s guardianship is still unsettled, the authorities send him to the County Industrial School for Boys, where he will stay until Judge Reynolds has completed his inquiries into Mo’s background. The boarding school offers vocational training, but Joe finds the place dull and bleak and the people unfriendly. When the other boys find out that he used to be with the circus, they are envious and tease him, and even the teacher mocks him. Only one boy tries to be friendly with him, and Joe asks him if any boys ever escape from the school. The boy tells him that some have tried, but no one has succeeded. However, Joe realizes that he just can’t stand life at the school, and all he wants to do is run away and try to rejoin the circus.

When Joe runs away from the school, he cuts across some farmland, loses his way, and ends up getting caught on some barbed wire, where he is found by the Dawson family. The Dawsons treat his wound, and Joe despairs, realizing that he has gone the wrong way and that he has no chance to catch up with the circus before they move on. The Dawsons ask Joe what his name is and offer to help him get home, but Joe is reluctant to tell them the full truth because he doesn’t want to be sent back to the horrible school. Instead, he tells them that he has no home or parents but that he’s worked before, since he was young, and that he hopes to find a job when he’s recovered from his wounds and exhaustion. The Dawsons are concerned about Joe and curious about his mysterious past and vague answers, but Mr. Dawson decides to offer Joe a position as farm hand. Joe is surprised at the offer and a little suspicious, and he asks Mr. Dawson why he’s so willing to take in a perfect stranger. Mr. Dawson answers him in an equally vague way, saying that if Joe really feels like he needs to steal their silver, he must need it more than they do, and he’s welcome to it. Joe decides to accept Mr. Dawson’s offer of employment.

Joe isn’t used to farm work, but he’s strong from his work with the circus (Mr. Dawson had noticed his athletic build), and he is good with horses and other animals. Although Mrs. Dawson is concerned that they know so little about Joe or his background, Mr. Dawson tells his family to allow Joe to have his privacy and not question him too much about his past. Still, Joe can’t resist showing off and trying one of his old tricks on horseback one day, accidentally making his injury worse because it isn’t healed yet. He begins to worry that the injury might be bad enough that he’ll never be able to be a trick rider again. By the time he has fully recovered, he is also long out of practice.

Eventually, Joe’s secrets are exposed, and he must make some choices about his future. Although Joe had lived many different places when he traveled with the circus, living on the Dawsons’ farm provides him with new experiences and broadens his horizons in unexpected ways. He had never had much respect for non-circus people before (partly because of his bad experiences with his non-circus stepmother). He still dislikes some of the Dawsons’ neighbors for their unfriendliness and suspicious toward him, but the Dawsons themselves are very different from most of the people Joe has met before. Joe comes to realize that he has not forgotten everything that he learned from his old life and that he can apply his old skills in new ways. He even starts to consider that there are more ways of living than he had previously thought, and he begins to see the appeal of non-circus life. Still, the circus is what he always loved first, and he feels torn between what he’s always wanted and the people who have loved and supported him when he needed it the most.

Children today probably don’t look at the circus in the same way as past generations. Some of the larger, mainstay circuses, like Ringling Brothers and Barnum and Bailey, have closed. People make jokes about how scary clowns are, and animal acts aren’t considered humane to the animals. Circuses still exist in the early 21st century, but they’re not quite what they used to be, and they aren’t looked at in quite the same way. Even when I was a young child, in the 1980s and early 1990s, I wasn’t particularly wild about the circus. A large part of that is temperament. I’m not fond of loud noises or large crowds, and I tend to avoid places where there are both. I’m very different from my grandmother, who absolutely loved circuses and parades and excitement of all kinds, dragging her children with her, even when they didn’t always feel like going. In my grandmother’s youth (1910s and early 1920s), there were few things more exciting than a circus coming to town!

However, this story isn’t just about love of circuses or a look back on the forms of entertainment that people used to enjoy. There’s always some nostalgia of that type to vintage books, but this book is about more than that. This is about a person finding his way in life and facing an unpredictable future, who has to decide what’s really important to him. I’m sometimes fascinated by people who seem to know what they want to do in life from an early age. They are born to parents with a profession they want to follow or who have connections to a profession they want to follow, and they start training very early for something they truly love. At first, that seems to be Joe’s situation in life. He loves the circus, he was born into that kind of life, he gets that early training, and there’s nothing else he would rather do. Some people like that become early success stories, just being lucky enough to be born in the right place and with the right connections for the life they want to live, and it all looks like smooth sailing. Most people aren’t that lucky, though, and even for people who think they know what they want, life has a way of throwing a monkey-wrench into their plans. That is what this story is really about.

Joe’s life abruptly changes when his father dies and his guardianship remains in limbo. Things often happen in our lives that we can’t fully control, taking us down paths we never thought that we’d travel. There are times when many of us start to question what we really want out of life, whether our first choices were really the best ones, or if there’s something else that we really want. Sometimes, these unexpected detours make us feel like we’re headed for a dead end, like when Joe fears that he has lost his skill and he’ll never live the life he once dreamed he would. However, sometimes, these things are just a temporary bend in the road. In some ways, an adult who has been through this sort of process would understand it better, but even children know what it is to have a dream and not know whether or not it will become reality.

Children need time to discover and develop their talents, and, as they grow and step into the wider world, they routinely discover that they have to make other decisions that they knew nothing about before. Children also know what it’s like to be at the mercy of adults who can either help guide them on their way or who stand as an obstacle to their dreams and efforts, like the judge who takes so long to decide what he thinks is best for Joe that Joe feels he must take his fortune into his own hands. Right up until the very end, Joe’s ultimate choice remains uncertain as readers wonder what he’s really going to decide to do and what his destiny is going to be. At first, Joe seems like he’s in a bad situation, with limited options, but his experiences show him that his options in life are broader than he thinks. It seems like saying yes to one of the choices confronting him means saying no to something else he cares about, but even that isn’t as straight-forward as it seems. I think this is one of those timeless books that can appeal to all ages because what it’s really about is a person finding his way in life and discovering that a difficult, unpredictable path may be just the path he needs to take.

In the end, it’s not just about what Joe chooses or where he ends up; it’s about what he does along the way. When Joe runs away from the school, he is the one who is injured and in need of help, but he also has a positive impact on the people who were kind enough to help him when he needed it. In fact, there are some situations that would have turned out much worse for everyone if Joe hadn’t been there and been able to help. Joe’s unexpected detour in life changed everyone else’s lives as well, and it was well worth doing, in spite of the struggle.

This book is available to borrow for free online through Internet Archive, but it’s also back in print and available for purchase through Plough. If you borrow the book and like it, consider buying a copy of your own!

Posted on by TracyC

The Mystery of the Crimson Ghost

The Mystery of the Crimson Ghost by Phyllis Whitney, 1969.

Janey Oakes loves horses and wishes that she had one of her own.  Her family lives on Staten Island in New York, so they don’t have room to keep a horse.  The only horses that she has ridden are rented ones.  However, her parents are now considering moving to the countryside in northern New Jersey, where Janey’s Aunt Viv lives.  If they do, there will be room for Janey to keep a horse, so she is hopeful.

Janey’s parents take her to visit Aunt Viv during the summer, while they decide if they want to move.  Along the way, they stop to ask directions at a half-ruined house.  The people there, Mrs. Burley and her grandson Roger, aren’t too friendly, and when Janey thinks that she hears a horse there, they seem oddly resentful and say that she should ask her aunt about it.

Aunt Viv seems oddly evasive on the subject of horses when Janey asks, saying that she doesn’t ride anymore.  She does tell Janey more about the strange, half-ruined house.  It was once a hotel for people who came to take the spring waters.  However, it eventually lost its popularity and was partly destroyed in a fire.  Mrs. Burley’s husband died in the fire, but she has remained living in the part of the house that is still standing, raising a couple of grandsons there after the death of her younger son.  Her older son is a doctor in New York City.  Aunt Viv says that she used to be friends with the younger of the two grandsons, Denis, but that ended when she did something wrong and something bad happened which she doesn’t want to talk about.

Aunt Viv introduces Janey to a girl who lives nearby named Coral, in the hopes that they will be friends.  Coral isn’t interested in horses, but when Janey questions her about the Burleys, she confirms that they do have a horse called the Star of Sussex.  She takes Janey up to the Burleys’ house again (partly in the hopes of seeing the older Burley boy, Roger, who she has a crush on).  There, Denis and Roger each explain to Janey that their grandmother had hoped to train Star as a racing horse.  Star is an excellent horse and had a lot of potential for racing, but Denis allowed Aunt Viv to ride her one day, and the horse stepped in a woodchuck hole and injured her leg.  The leg has healed, and the horse is able to gallop, but she still limps and can’t run at the same speeds she used to, ending Mrs. Burley’s racing hopes.  Since then, Mrs. Burley has been very bitter, especially toward Aunt Viv.  She behaves strangely, driving people away, and is also angry toward Denis for allowing Aunt Viv to ride the horse in the first place.  It was just an accident, but she blames them both.  Roger realistically thinks that they should sell Star for breeding because she has a good bloodline, and Denis’s real interest lies with airplanes, which fascinate him in the same way that horses fascinate Janey.  Their differing interests seem to support what Aunt Viv says about how the family should move and that the boys would probably have a better life away from the old, ruined hotel and Mrs. Burley’s obsession with the past.

Coral also tells Janey about a ghost dog that supposedly appears on nights when a strange red light appears on the Burleys’ property.  Later, Janey hears the howling at night. Aunt Viv doesn’t think it’s a ghost.  She says that people have tried to talk to Mrs. Burley about her dog, but she denies having one and gets really angry with people for accusing her of having one.  Yet, the howling does seem to come from the Burleys’ property, and Denis even says that he’s seen the ghost dog, that it seems to be covered in flames.  He claims that it’s the ghost of his grandfather’s dog, who died in the fire years ago.  Aunt Viv thinks that Denis is just saying that to try to protect his grandmother and because he can’t handle what other people have come to believe about her: that she’s losing her mind.  Mrs. Burley’s behavior is undeniably odd, and she’s prone to sudden mood swings.  People are worried that she’ll drive newcomers away from the area and drive down property values, and they think that she might need professional help.

Janey doesn’t think that Mrs. Burley’s mind is gone as much as people believe.  When she sneaks over one day to visit Star, Mrs. Burley is angry but notes that she has a good manner with horses.  To Janey’s surprise, Mrs. Burley agrees to let Janey ride Star.  Denis almost ruins things by making Janey believe that Mrs. Burley has changed her mind about the invitation and also by not telling his grandmother that Janey asked to meet at a later time.  Janey isn’t sure why Denis seems to have a grudge against her, although it might have to do with his own guilt for allowing the horse to be ridden and injured in the first place; his own grandmother still seems to have a grudge against him for that.  Neither one of them tells Janey that Star has a particular trick for throwing riders, even though she had specifically asked if there was anything that she should know about the horse or if it had any tricks.  After she’s thrown by the horse, however, Janey gets back on and proves to both the Burleys and to Star that she’s not intimidated and not going to fall for the trick again.  (The Burleys have deep, personal hurts, but I wouldn’t call them nice people.  There are people who would probably view this is a test of Janey’s skills and her ability to stick with a challenge, but I think that their lies and deliberate deception when Janey was asking the right questions show only their immaturity.  It may not bother some readers as much as it did me, but I have a very low threshold of patience for such things, and the characters lost a lot of my sympathy right there.)

Mrs. Burley warms up to Janey after that and confides in her some of the reasons why she has been so unfriendly, trying to drive people away, and why the horse meant so much to her.  Years ago, she and her husband made quite a lot of money, raising racing horses.  Star is from the same bloodline as their original horses.  Mr. Burley lost quite a lot of their money on various business ventures that didn’t work out, even before the hotel fire that killed him, but for a long time, Mrs. Burley was always able to keep one horse from that bloodline, hoping to get at least one last racing horse.  Star is an excellent horse who really would have made a good racing horse, but Mrs. Burley’s hopes were destroyed when Star was injured.  Mrs. Burley thinks that she’s too old now to raise another, that she wouldn’t live to see any of Star’s offspring become racers.  Janey still thinks that Star has the potential to be a racer, but Mrs. Burley says that the effects of her injury won’t let her get the speed she once had.  Mrs. Burley resents outsiders hanging around because she fears their “interference” in her life, and the injury of Star while Aunt Viv was riding her seems to prove that her fears are justified.

Janey tries to talk to Mrs. Burley about the ghost dog, but she gets angry with Janey for believing the things that people have been saying about her.  Worse still, Roger tells her that Mrs. Burley will probably sell Star soon.  She needs money badly and has been refusing to let anybody help her, even her son in New York.  Her pride at her independence may be her undoing.  Now that Janey has ridden Star successfully, she can’t bear the thought that the horse might be sold and sent away.  If only she could unravel the mysteries surrounding the Burley family, the strange red light, and the ghost dog!

My Reaction and Spoiler

Toward the end of the story, one of the characters talks to Janey about Mrs. Burley’s attitude, saying that “it’s important in life to have something to fight for.  Something we care about and want.  I don’t mean fight for with our fists, but something to try for, struggle for.  Something we can do that uses whatever we are to win the fight.”  He means that people need a purpose in life, something like a cause to believe in or a way of life to pursue that is suited to their talents. Janey says that she doesn’t like struggles, but the person points out to her that everything in life that you want involves a struggle, including the horses Janey loves. Janey has focused mostly on the struggle of getting her parents to agree to let her have a horse and Mrs. Burley to agree to let her ride Star, but even if she ended up owning a horse, including Star, there would still be the struggle of caring for the horse, devoting time to keeping the horse happy and healthy. Janey might enjoy that kind of struggle because it appeals to her talents and interests, but it would still require time and sacrifice on her part. Mrs. Burley loves horses as much as Janey does, and she loves the area where she lives to the point where she can’t image living anywhere else. All of her efforts focus on allowing her to continue living in the place she loves, although she feels like her horse dreams are lost.

Much of the emphasis of the book is placed on Mrs. Burley’s determination to maintain her independence as part of the lifestyle she loves, but I wish that there was a little more emphasis on the methods that people use to get what they want in life because that is central to the secret of the “ghost.”  That the “ghost” isn’t really a ghost isn’t too much of a spoiler, but while people in the area think that Mrs. Burley is faking the ghost because she’s mentally unbalanced, the real culprit is someone who wants Mrs. Burley to leave because there’s something that he wants very badly and doesn’t think that he’ll get it otherwise.  Once his scheme is exposed, the others make sure that he doesn’t get what he wants because, after what he has done, he doesn’t deserve a reward.  However, I wish that they had explained a little more plainly that there were other ways of getting what he wanted besides the scheme he planned.  The culprit thinks that no one was listening to him and what he wanted, but from my perspective, what he wanted was simply a matter of time, and he wasn’t willing to wait.  His scheme would have ended with Mrs. Burley being declared mentally incompetent and being put away in a home, which is a cruel thing to do to someone.  The other characters tell him that, but I wanted someone to explain to him that harming others for his own benefit would make him no better than someone who robs a bank because they want money.  That is, crime and fraud are still wrong even if they succeed because the ends don’t justify the means.  In some ways, I think that Mrs. Burley was selfish, but she still didn’t deserve to be labeled as crazy, and even if people weren’t listening to the culprit and taking him seriously as much as they should, the scheme still wasn’t his only option. 

To say more would be to tell you who the culprit is, and it’s not as obvious as it might seem. It was one of my favorite suspects, but I changed my mind a few times, going back and forth between suspects up until the end. In the end, Mrs. Burley is prepared to forgive the culprit and start over again, and there are hints that he may get what he wants in the future if he behaves better.  Personally, I think he probably would have gotten it eventually, anyway, so his situation is relatively unchanged, although he is now under pressure to prove his behavior to everyone. 

As for Star, she does become Janey’s horse as a gift from the one person who is in a position to give the horse to her while making sure that Mrs. Burley gets the money she needs.  Because of Janey’s help in revealing the culprit to Mrs. Burley and because of her devotion to the horse, Mrs. Burley is fine with the arrangement.

Posted on by TracyC

Annie’s Promise

AnniesPromise

Annie’s Promise by Sonia Levitin, 1993.

This is the final book in the Journey to America Saga.  Annie, the youngest of the Platt girls, is more of a tomboy than her older sisters.  Her father thinks that she’s been growing up too wild in America, running around and climbing like a boy.  This summer, in 1945, while her best friend goes to visit their family’s farm in Wisconsin, Annie’s father wants her to stay home and help him with sewing for his coat business, and Annie’s mother has a list of chores for her to do.  It all sounds so boring and dreary.  Twelve-year-old Annie longs for excitement, but because of her recent appendix operation and her migraine headaches, her parents worry about her health.

Then, Annie gets the opportunity to attend summer camp.  She wants to go and do all the fun summer camp activities that other girls do, but her parents worry at first.  They worry about Annie’s health, and they don’t know who is running the camp or what they do there.  Annie’s older sisters, Ruth and Lisa, tell their parents that it’s normal for girls in America to go to summer camp and that the experience might do Annie some good.  When the family doctor says that Annie is healthy enough to go, her parents finally agree.

At first, camp is hard.  Annie faints soon after her arrival, and she worries that maybe her parents were right about her being delicate.  However, one of the counselors tells her that these things happen and that she was probably just overtired, overheated, and still suffering from the rough bus ride to the camp and that she will be fine after she rests.  Annie is physically fine, although one of the other campers, Nancy Rae, makes a big deal about the incident, calling Annie a “sickie” and other names.  Nancy Rae is a terrible bully, and Annie nearly drowns in the lake after accepting a dare from Nancy Rae to swim across it, in spite of not being a good swimmer.  Annie overhears the counselors saying that Nancy Rae should probably be sent home for goading Annie into a dangerous stunt, but they know that Nancy Rae comes from a bad home and that her father abuses her.  For her own sake, they decide to give her another chance.

However, even knowing Nancy Rae’s troubled history doesn’t help Annie when Nancy Rae keeps picking on her and a black girl named Tallahassee (Tally, for short).  Nancy Rae calls Tally and her younger brother (who is also at the camp) “nigger” and says that Annie is a “nigger-lover” when she tries to protect the younger brother from one of Nancy Rae’s tricks that could have really hurt him.  (Note: I’m not using the n-word here because I like it. I’m just quoting because I want you to see exactly how bad this gets.  Nancy Rae uses this word multiple times, and so do others when quoting her. This book is not for young children.  Readers should be old enough to understand this word and beyond the “monkey see, monkey do” kind of imitation some kids do when they learn about bad words.  The management assumes no responsibility if they aren’t.)  Nancy Rae is a thrill-seeker, who frequently does wild stunts to get attention and tries to make other girls hate Annie as much as she does.  At one point, she snoops through Annie’s things and tries to take her diary.  Eventually, she figures out that Annie is Jewish and makes fun of her for that, painfully reminding Annie of what it was like living in Nazi Germany and of her relatives, who died in the concentration camps.

Finally, Annie reaches the breaking point with Nancy Rae.  At a camp talent show, she arranges with other kids to dump horse manure on Nancy Rae’s head after she finishes singing a song.  Nancy Rae is so humiliated by the experience that she ends up leaving camp.  Annie is relieved that she is gone, but one of the camp counselors, Mary, makes her feel guilty about her revenge because she sees Annie as being stronger and more talented than Nancy Rae and wishes that she could have made Nancy Rae her friend instead, giving the bully a chance to improve herself.  (I disagree with what the counselor says, but I’ll explain more later why.)  Annie feels badly about how things turned out, but the incident blows over, and the rest of camp is a great adventure for her.

At camp, Annie mixes with different kinds of children from the ones she usually sees in her neighborhood and at school, and everything is a learning experience.  She becomes friends with Tally and gets a crush on a boy named John.  There is an ugly incident in which an assistant in the camp kitchen tries to molest Annie when he finds her alone (this really isn’t a book for kids), but the camp counselors dismiss him for what he did.  Annie and Tally talk about many things together, and Tally is very understanding.  The incidents with Nancy Rae and the kitchen assistant bring up the subjects of people who try to victimize others and how to deal with them.  Annie resents that people like that force others to be on their guard, limiting them in ways that they can behave in order to avoid being victimized, but Tally says that there’s no help for that.  As long as people like that exist, she says, protecting yourself is a necessity.  They also compare the way Annie feels when John gives her a little kiss to the repulsed and frightened way that she felt when the kitchen assistant tried to force himself on her.  Both incidents involved a kiss, but the way it was delivered and the person delivering it made each experience feel very different.  In the end, Annie’s crush on John turns into friendship rather than love as she realizes that the kiss was just a friendly gesture.  It is a little disappointing to her at first, but it is still a learning experience for her.

Annie learns that everyone at this camp has been through something bad in their lives.  Annie’s family are war refugees, but Tally’s father has been married three times, and she’s often the one to take care of the house and her younger brother, while her current stepmother cleans other people’s houses for money.  Other kids are poor or orphans or have fathers in jail.  The camp gives them a chance to get away from their problems for awhile, to make new friends, and to develop talents that they can be proud of.  Annie really blossoms at camp, learning to ride horses and work on the camp newspaper.  As Annie’s session at camp comes to an end, Mary offers Annie a position as a junior counselor for the final session of camp, helping the young children.  Annie is enthusiastic about the prospect, but family dramas at home threaten to derail her plans.  Ruth’s fiancé is shell-shocked from the war and has broken off their engagement.  Lisa is tired of arguing with their parents about every small piece of independence in her own life and has decided to move to a place of her own.  With all of this going on, and their parents upset about everything, what chance is there that they will sign the permission slip that Annie needs to become a junior counselor?

This book shows how much the lives of the girls in the Platt family have changed since they first left Germany for America.  It’s partly because they are living in a different country, partly because times and habits are changing everywhere, and partly because all of the girls are growing up and making decisions about what they really want to do with their lives.  The older girls in the family, Ruth and Lisa, are women now and thinking about careers and marriage.  As the girls suffer disappointments and changes of heart, their parents suffer along with them, and Annie realizes that she has to make up her own mind about what she really wants.  As Annie tries to decide what she really does want, her parents struggle to cope with all of the changes in their daughters’ lives and in the changing world around them.  They fight against it in a number of ways, and when things go wrong, whether it’s Annie’s illnesses or the older girls’ romantic problems, they tend to get angry or panic.  As the book goes on, it becomes more clear that what the parents really feel is helplessness.  More than anything, they’ve wanted life to be better for their daughters in their new country, and it upsets them when things don’t work out.  They want to help guide their daughters and make their futures work out for the best, but in the process, they often come across as too controlling or making the wrong decisions because they don’t fully understand the girls’ feelings or situations.

Ruth and Lisa each suffer romantic disappointment before they settle down.  Ruth had a fiancé, Peter, who went away to fight in World War II, but having seen the prisoners in the concentration camps, he has returned disillusioned and dispirited.  He was Jewish, but now comes to associate his religion and heritage with pain and suffering and wants to give it up, breaking off his engagement to Ruth in the process.  At first, Ruth is angry with him, saving that it’s like he wants to give up on his whole life, on the whole world.  The girls’ father says that he wants to kill Peter for leading his daughter on, but part of his feelings turn out to be his own feelings for somehow failing his daughter, that he is somehow to blame for allowing this disappointment.  When Lisa is upset because the young man that she’s been seeing says that he doesn’t want to get married, she argues with her parents about the course of her life and leaves home to live on her own.  Her parents see that as turning her back on their love and protection, but Lisa says that she just wants the independence that other girls have.  Even Annie feels abandoned by Lisa because Lisa was always there to comfort her as a sister and help her persuade their parents to listen to her, but Lisa says that she has to deal with problems on her own and that Annie will understand someday, when she’s in the same position.  Annie realizes that, in a way, she already is in the same position.

The one time that Tally comes to visit Annie at her house and the girls go to the beach together, Annie’s parents make a scene when she gets home because she’s left sewing all over the house and eaten more food than she should have.  Tally was going to apply for a sewing job with Annie’s father, which would have helped both of them, but Annie’s parents send her away, thinking that she’s a bad influence who encouraged Annie to goof off.  Then, Annie hears her own parents use the n-word.  It’s the final straw for Annie, and she runs away to camp.

The people at camp are glad to have her because they need her help, but being there, helping them, and thinking about her own life and future help Annie to realize what’s really important to her.  She’s been feeling bad about the hate she got from Nancy Rae and the hate that she felt from her parents with their insults to her friend.  However, her parents don’t really hate her, and in spite of what they’ve done, she doesn’t really hate them.  She realizes that, before she does anything more with the camp, she needs to go back and see them.

Annie rethinks what Nancy Rae was really about, how she was filled with hate for everyone, dealing out hatred because of all that she’d received from everyone else.  The counselors realized that she needed love more than anything, but Nancy Rae’s own hateful behavior pushed away the people who would have given her more positive attention and Annie’s revenge (although provoked) ended her camp experience.  Annie realizes that she doesn’t want to go down the same path and that she must mend her relationship with her family.

I said before that I disagreed with the counselor’s approach to the problem of Nancy Rae and what she said to Annie about her revenge.  I see what they were trying to do with giving Nancy Rae another chance, but what bothers me about it is that they act like Annie was in a much less vulnerable position to Nancy Rae and that she should have been strong enough to take what Nancy Rae dished out without hitting back, and I don’t think that’s true.  All of the kids at the camp were there because they had something troubling in their lives, some vulnerability, including Annie.  To say that Annie was more fortunate and more talented and that it should have been enough was to discount the harm that Nancy Rae was doing.  I know that the counselors were trying to make the camp experience positive for Nancy Rae, but she was making the camp experience more negative for everyone else around her and needed to be stopped.  Everyone suffers from something in life (as this book also demonstrates), but not everyone chooses to become a bully because of it.  Nancy Rae made that decision herself, within herself, and for herself alone.

Part of the problem, I think, was that there were no obvious consequences for Nancy Rae’s bad behavior, and therefore, she had no reason to stop doing what she was doing.  The lack of punishment and the inequity of the situation was what finally sent Annie over the edge with her.  Since the counselors didn’t make it obvious that Nancy Rae was in the wrong, Annie felt that she had to, and that says to me that there was a lack of responsibility and accountability.  I think that life is a balance and that both positive reinforcement (giving rewards to people who do good) and negative reinforcement (punishment for bad behavior) are necessary.  I believe in plain speaking, and if I were in the counselors’ position, I would make it plainly and specifically clear that no campers were to use the n-word, to mess with others’ belongings, or to do the other things that Nancy Rae was doing and that there would be consequences for doing so, telling them exactly what those consequences were so that no one could say that they were surprised.  I would also make it clear to Nancy Rae that I knew exactly what she was doing and why she was doing it and that it was unacceptable.  When we choose what we do and say in life, we all consider (or should consider) what we want to happen in life, and I would put it plainly to Nancy Rae how she really expects others to react to her and how their reactions would change if she did things differently.  Clearly, no one has ever told her that in her life before, and it was about time that she heard it from someone.  I suppose we could guess that the counselors may have said something of the sort to her out of hearing of the others, but I would also say the same thing to Nancy Rae’s victims.  Letting them know that I’d dealt with her adequately might head off their attempts to deal with her themselves and talking about what our behavior might lead others to do might also discourage revenge.

Also, the counselors were counting too much on the idea of friendship with Annie to get Nancy Rae to stop treating her badly, but that’s not at all the way that bullies work.  One of the primary reasons why people bully is that they know that there are a lot of people who like mean humor, and they use their bullying to bond with those people, not their victims.  Their friendships are formed on mutual contempt for the victim and the fun of humiliating that person.  They’re getting everything they want through their bullying, so there’s no reason for them to stop until someone else gives them consequences and puts an end to their bully support network.  I think that the counselors should have also talked to the people Nancy Rae was trying to bond with, explaining that they know what Nancy Rae is attempting to do and telling them that they would also be punished if they tried to help her, further cutting off one of Nancy Rae’s incentives to keep doing what she’s doing.

I’m not saying that it’s a perfect solution or that it would be guaranteed to work, just that I believe in being direct rather than letting things slide and just hoping that people will someday see the light.  Sometimes, people just need to have things spelled out for them in no uncertain terms.  If they chose to ignore what you say, then it’s on their own head, and they can’t say otherwise because you were clear and backed up your words exactly how you said you would.  I do think that the counselors were right that, in the long term, revenge never turns out well.  It often turns into a vicious cycle, as Annie later considers.  However, in this case, some proper handling in the first place, with consequences as well as words, might have headed off the situation before it got that far.

We don’t know what eventually happened to Nancy Rae by the end of the story, but I’m not sure that Annie is right to think that she wronged her.  In fact, she might have actually done her some good.  Sometimes, seeing others react badly to bad treatment can make a difference to someone’s future.  In my experience, people sometimes don’t realize that they’ve pushed another person too far until that other person finally reacts and says or does something.  Realizing that they’ve pushed someone too far can give them a reason to change because they realize that people won’t put up with their behavior forever.  Part of me thinks that maybe, at some point in the future, Nancy Rae might look back on this experience and quietly admit to herself that she had provoked it, being more careful the next time not to pick fights because she can be humiliated or excluded when people get fed up.  It might even help Nancy Rae to realize that she doesn’t have to put up with her father’s ill treatment forever because she also has the right to lose patience with bad treatment, too.  At least, I hope that this was a learning experience for her.

Annie realizes that both her parents and Nancy Rae are angry and hateful because of what they’ve suffered in their lives, but the problem is that both of them are taking it out on the wrong people.  Annie’s parents, at least, seem to realize that what they did was going too far and taking out their feelings on someone who didn’t deserve it.  By the time that Annie arrives home, they are also ready to make their peace with her and even support her return to the camp as a junior counselor, if that’s what she really wants to do.

The final days of World War II frame this story, beginning with the reports of Hitler’s death in the late spring of 1945 and ending with the bombings of Hiroshima and Nagasaki and the Japanese surrender in August.  With the end of the war comes a new chapter in the lives of the Platt family.  They’ve been through a lot together, but in spite of the girls growing up, moving out, and arguing with their parents, they still are a family.  There are no more books in the series, but Annie explains that Lisa gives up the dream she once had of being a dancer because she doesn’t think that she’s star material and because she decides that what she really wants is to get married and have children of her own.  In the end, she and her boyfriend get married, and she is happy with her life.  Similarly, Ruth, who is now a nurse, meets a new love when she visits Annie at camp and later marries him.  Annie realizes that she has found what she loves most in teaching young children, taking care of animals, and writing, and these things will form the basis of what she does with her future life.

Posted on by TracyC

Under Copp’s Hill

UnderCoppsHill

Under Copp’s Hill by Katherine Ayres, 2000.

This book is part of the American Girl History Mysteries series.

The year is 1908, and eleven-year-old Innocenza Moretti lives with her relatives in Boston.  They are immigrants from Italy.  Innie, as her family calls her, is an orphan.  According to the story that her grandmother told her, she was the only one of her parents’ children to survive infancy, her siblings being born prematurely and dying shortly after birth.  Innie’s mother was so grateful that Innie survived that she promised her to the Holy Mother at her baptism.  Then, Innie’s parents died in a fire in their tenement building when she was about two years old.  Innie and her grandmother, Nonna, survived the fire only because little Innie had started crying in the night, and she took her outside to walk her around so that she wouldn’t wake her parents.  Because of that experience, Nonna is deathly afraid of fire and also has become convinced that the Holy Mother must have spared Innie (as well as herself).  She thinks that Innie is destined to become a nun and has continued to promise her to the Holy Mother in prayer, repeating the promise regularly.  Although Nonna thinks that the miracles surrounding Innie’s life are signs of a future life in the Church for Innie, her grandmother’s promises in prayer terrify Innie.

Innie feels trapped by her grandmother’s expectations for her, expectations that the rest of her family don’t even know about.  She doesn’t want to be a nun, but her grandmother is sure that she will be.  Because of her fears that her grandmother may force her to become a nun when she grows up, Innie is never on her best behavior.  She thinks that if she gets a reputation as a trouble-maker, the Church will decide that she is unsuited for a religious life.  Unfortunately, Innie’s long-practiced habit of ignoring rules and her problem child reputation lead her to be suspected of something worse than just minor misbehaving.

Innie’s family owns a boardinghouse where they provide food and lodging for young immigrant men.  Innie and Nonna live on the ground floor, and Innie’s aunt, uncle, and cousins live above them.  Innie spends a lot of time with her cousins, especially Teresa, who is about her age.  Her older cousin, Carmela, persuades both Teresa and Innie to join a library club at a new settlement house with her.  The settlement house helps girls and young women from immigrant families by teaching them work skills and aspects of American culture that they can use as they become American citizens in exchange for some of the work that the girls do on behalf of the settlement house.  Carmela has taken a new job as a pottery painter there and tells her parents that it will be good for Teresa and Innie to go there as well because they will receive help with their schoolwork and they will also have classes to teach them skills like sewing, knitting, and pottery, that they can use to make money later.  However, the real attraction of the club for the girls is that they get to listen to music, have dancing lessons, read books, and socialize with other girls about their age.  The prospect of sewing classes isn’t appealing for Innie, but she loves books and looks forward to borrowing some from the settlement house library.

At the settlement house, Innie meets a variety of girls from other immigrant families, not just Italian ones.  In particular, Innie makes friends with a girl named Matela, who is a Jewish girl from Russia.  As the girls talk about a recent, large fire in town, Matela talks about the czar’s soldiers burning things back in Russia and how she misses her grandfather, who is still there.  Innie understands Matela’s feelings because she knows what it’s like to miss someone.  She doesn’t really remember her parents, but she feels the lack of them in her life.  Teresa also becomes friends with Matela, but the three girls agree to keep their friendship secret because each of their families prefers them to associate with girls from backgrounds similar to their own.  Innie’s uncle wants the girls to spend time with other Italians, and Matela admits that her father prefers her to spend time with other Jewish girls.  The adults don’t really understand the cultural mix at the settlement house.

However, from the very first day that the girls begin going to events at the house, strange things start happening.  Things disappear or are oddly moved about.  Food disappears.  A silver teapot belonging to the ladies who run the settlement house is stolen.  Then, someone steals some pottery and a shawl.

To Innie’s horror, she ends up becoming the prime suspect for the thefts because she was caught snooping in an area of the house where she didn’t belong and because she accidentally broke one of the pieces of pottery that the others girls made and tried to sweep it up without telling anyone.  When she and her friends snoop around and try to find the missing objects, Innie discovers one of the missing pottery pieces.  However, instead of being happy for the clue, the ladies who run the house just think that Innie must have broken more of the pottery and tried to cover it up, like she did before, by hiding the rest of the set.  After all, if she was doing some things she shouldn’t have been doing, it’s plausible that she could be a thief, too.

If Innie is going to remain a member of the library club (and continue to have access to books that she can read), she’s going to have to prove her innocence.  In fact, proving her innocence may also be important for Carmela, who is supposed to have a citizenship hearing soon.  If Innie’s bad reputation causes problems for her at work, she may lose her job and be denied American citizenship!

Matela thinks that the thief could be a ghost from the nearby Copp’s Hill graveyard, but Innie is sure that it must be a human being.  There are secrets at the settlement house that even the ladies who run it are unaware of and someone who desperately needs help and can’t ask for it.

Teresa and Matela continue to help Innie, and in the process, Innie confesses to Matela her fears about becoming a nun.  It is Matela who helps Innie to find the solution to her problem, urging her to step outside of the small community of Italian immigrants that her family clings to and to seek advice from a priest in the Irish area of the city.  As a priest, he has the knowledge that Innie needs to understand her faith, and because he doesn’t know Innie’s family personally, he has the objectivity to help Innie to see her grandmother’s promise in a new light and to understand that her future destiny is still in her own hands.  No one can speak for another person or make important promises on their behalf.  A religious vocation is a serious decision that only a mature adult can make for herself, or not make, as the case may be.  The priest tells her that, as young as she is, Innie should focus on learning to be a good person, and then she will see what direction life leads her.  With that knowledge, of course, Innie realizes that she will have to put more effort into behaving herself, but it’s a relief to her to realize that she doesn’t need to purposely misbehave in order to control her life.

Eventually, Innie’s aunt also learns about the grandmother’s promise and Innie’s worries and reassures her that, although her grandmother can be an intimidating woman with what she wants, Innie’s family loves her and that she shouldn’t be afraid to come to them with her questions and concerns. Innie has thought of herself as parentless, at the mercy of her grandmother’s wishes and expectations, but her aunt says that she loves Innie like she does her own daughters and that Innie is as much a part of their family as they are.  If Innie has problems, her aunt will be there for her, helping her find whatever answers she needs.

There is also a subplot about how girls in immigrant families (at least, in ones like Innie’s family) aren’t as highly-regarded as boys.  When the family is discussing important matters, Innie often tries to comment on what she thinks, but her grandmother keeps telling her to be quiet because it isn’t a girl’s place to comment on business that men should handle and her male cousins sneer at her because they don’t think she knows anything.  However, when Innie’s uncle is worried about the legal papers he has to sign in order to open his new grocery business because his English still isn’t good enough to understand them, Innie points out that Carmela’s English is the best of the family because of all the books she had to read and the paperwork she had to complete when she was applying for citizenship and that she would be the best person to study the paperwork.  At first, her grandmother makes her try to be quiet and her male cousins laugh, but Carmela speaks up and says that she can help her father, if he wants her to, and her father agrees, on the condition that she act as translator and adviser and let him make the final decisions about the business.  Carmela is happy because the arrangement allows her to use her skills without taking her away from the pottery painting that she loves.  The point of this part of the story is about acknowledging the talents that people possess and not disregarding them because they are outside of the usual roles and expectations.  It fits in with the subplot about the grandmother’s expectations for Innie’s future, which are not really in keeping with either her talents or character.  The young people in the story are growing up under different circumstances than their parents, and they will have to learn to find their own way in life, using the abilities they have and the education they can find.

In the back of the book, there is a section with historical information about Boston in 1908.  The fire that happens around the time that the story takes place was a real event.  The settlement house with its library club was also real, and the ladies who run the settlement house, Miss Brown and Miss Guerrier, were also real people.  The book explains more about what life was like for immigrant families like Innie’s and about what the future held for girls like her.  Many of the girls who attended the library clubs later became librarians and teachers themselves, which may be Innie’s eventual destiny when she grows up.  The book also mentions that the area of Boston where Innie’s family lived still has many Italian restaurants and groceries that were started by immigrant families like Innie’s, so we can imagine that the grocery store that Innie’s uncle wants to open will be successful.

The book is currently available online through Internet Archive.

Posted on by TracyC · 2 Comments

The Westing Game

The Westing Game by Ellen Raskin, 1978.

It all starts when a mysterious person invites six sets of people to live in the new apartment building, Sunset Towers.  Sunset Towers is a luxury apartment building, but the rent for these individuals and families is surprisingly affordable.  That is because these people are special, and the owner of these apartments is preparing for a very special game.  Although there doesn’t seem to be anything to tie these people together at first, they do share a special connection that isn’t immediately obvious, a connection to the wealthy but mysterious Samuel Westing.

Among the new tenants of Sunset Towers is young Turtle Wexler.  Although she is often in the shadow of her overly-shy but pretty older sister, Angela, she has ambitions of her own in life.  While her mother dreams of making it in high society, Turtle (whose real name is also something of a mystery to the other tenants for most of the book) wants to become a successful businesswoman when she grows up, and one of the things she wants most is a subscription to the Wall Street Journal.  To raise the money she needs, Turtle accepts a bet to sneak into the supposedly empty Westing House on Halloween night, earning $2 for every minute she spends there.  There are stories that the place is haunted and that Mr. Westing’s body lies rotting on an oriental rug there, but Turtle doesn’t believe them.  As it turns out, she’s right.  Instead, she finds Mr. Westing dead in bed.

To everyone’s surprise, the tenants of Sunset Towers are all named in the will, but not in an ordinary way.  In order to determine who the final heir will be, they must all play The Westing Game.  The heirs are divided up into teams of two and given $10,000 and a set of clues.  They must use these to give an answer at the end.  But, what kind of an answer?  Mr. Westing’s will implies that he was murdered, but is that really true?  Could his murderer even be among the heirs/game players?

As the book continues, readers learn more about each of the contestants.  Each of them has their own personalities, ambitions, and problems.  For example, Angela Wexler is about to be married but seems less than enthusiastic about the wedding.  Cristos Theodorakis suffers from a strange malady that keeps him confined to a wheelchair.  Sydelle Pulaski was actually invited to join the tenants by mistake, but it might be the best mistake of her life.  Mr. Hoo is worried about his restaurant, and Madame Hoo dreams of returning to China.

The competition is fierce in the Westing Game.  Players are suspicious of other players cheating.  Things around the apartments start disappearing, and some mysterious person has even started planting explosives in unlikely places!  Whether the thefts and explosions have anything to do with the contest itself is for the reader to discover, but there is an answer to the Westing Game, and only one of the contestants will discover it.

The book is a Newbery Award winner.  There is a movie version of the book called Get a Clue! (1997), although it doesn’t follow the book completely.  There are multiple copies of the book currently available online through Internet Archive.

My Reaction

One of the great things about the Westing Game is how the seemingly mismatched pairs of contestants actually complement each other, giving people new perspectives on their lives and the answers to problems that some of them have been struggling with.   Lonely Flora Baumbach, grieving for her deceased daughter, is paired with young Turtle, who finds in her a more motherly person than her own mother, someone who values her for her intelligence and her unique skills in a way that no one else does.  Mrs. Baumbach enjoys having someone to care for again, and Turtle blossoms under her care and attention.  Mr. Hoo, meanwhile, finds some unexpected support for his business from Mrs. Wexler, who develops broader interests in life than her previous social ambitions and an unexpected flair for business and marketing.  Judge Ford, who was educated by Mr. Westing and always worried about how to repay the debt, finally finds a way to repay his kindness, a way that Mr. Westing would have approved.  Bertha Crow, an unhappy woman who turned to religion to atone for past sins, finds new happiness with someone who understands and accepts her past and is willing to help her continue her good works.  Even Angela, who seems to have everything a young girl would want (good looks and a kind fiance with a promising future in medicine), figures out what she really wants in life and finds the courage to stand up for it.