The Perilous Gard

Kate Sutton and her sister, Alicia, live in the household of Princess Elizabeth in the year 1558. Alicia hates the Hatfield palace because it’s dreary and poorly maintained, apparently on purpose because Queen Mary Tudor resents Princess Elizabeth and wants her and her household to be uncomfortable. Kate and Alicia are maids in the household, and Alicia decides to write a complaining letter to Queen Mary about the condition of the house. Alicia thinks of herself at trying to help Princess Elizabeth by explaining how bad the conditions there are, but her letter gets heated and insulting toward the queen. Alicia is accustomed to getting away with things and with people not being angry with her because she’s pretty. However, Kate has to be the one with a brain, and she sees immediately that Alicia’s letter is bound to cause trouble.

When Princess Elizabeth receives a reply to Alicia’s letter, she summons the sisters to see her. Queen Mary is very direct in her letter about what she thinks of Alicia Sutton’s letter, but she ultimately blames Kate for it because Alicia is a favorite of hers and Kate reminds her too much of her father, who she never liked. She believes that Alicia is only a sweet innocent and that Kate is a corrupting influence, which is unfair. Queen Mary has decided to separate the sisters, taking Alicia into her own household and sending Kate to Sir Geoffrey Heron at his house, Elvenwood Hall, in Darbyshire. The queen wants Kate to stay at Elvenwood Hall and out of her sight or hearing from now on. Kate has no idea where Elvenwood Hall is, other than in Darbyshire, and she doesn’t know Sir Geoffrey Hall. Although Alicia is initially pleased that the queen doesn’t blame her, she becomes remorseful when she realizes that Kate is taking the blame for the letter, when she knew nothing about it. She offers to write to the queen again and confess everything, taking full responsibility for the letter, but Princess Elizabeth, Roger, and Kate herself all tell her not to. The queen’s mind is made up, and another of Alicia’s letters might make it worse.

Princess Elizabeth asks her tutor, Roger, if she knows anything about Sir Geoffrey Heron, and he says that he’s heard of him. The house, Elvenwood Hall, has another name, Perilous Gard. The word “gard” indicates that the place was once a castle, but Roger knows that the house has been rebuilt with old parts cleared away. The other part of the name “perilous”, indicates that there is a superstitious element to the place, like places rumored to be inhabited by fairy folk or associated with pagan religion. One of his old pupils told him some stories about the place, but Roger would rather not repeat them. The accounts that Roger has heard of Sir Geoffrey say that he is an honorable man, so he thinks that Kate will be safe in his household.

Other than that, Kate has little idea of what to expect from Elvenwood Hall. She doesn’t think that Alicia’s dire fears that Kate will be thrown into a dungeon are true. The queen wants her out of her sight, and that’s why she’s sending her to a relatively remote area where she won’t have to deal with her and putting her under the supervision of a supporter of hers, who is supposed to keep her out of trouble. Kate isn’t actually under arrest.

The journey to Elvenwood Hall is rough. On the way, the traveling party meets an old harper, Randal, who Sir Geoffrey says is a little addled since he suffered from a serious illness. When they tell the harper that Kate is coming to stay at Elvenwood, Randal asks if she might be lost like the last girl. Sir Geoffrey seems upset about what Randal says and hurries Randal away to get some food. Then, Kate hears a laugh and sees a strange woman looking at them from the hill. Then, her horse acts up, and when Kate looks again, the woman is gone.

When Kate sees Elvenwood Hall, it doesn’t seem to be very old due to the recent rebuilding, and its interior is luxurious, compared to the house where Princess Elizabeth is living. It is surrounded by ancient stone walls and battlements, and the older parts of the house are more castle-like and crumbling. Sir Geoffrey is still in the process of renovating the castle and turning it into a luxurious manor. The elderly Dorothy, former nurse to Sir Geoffrey’s wife, is the manor’s housekeeper, and Master John is the estate’s steward. Master John seems cold and unfriendly, but he is in charge whenever Sir Geoffrey is away.

Much to Kate’s dismay, Sir Geoffrey will be leaving Kate under Master John’s supervision while he makes a trip to Norfolk. Kate gets the impression that Sir Geoffrey doesn’t like being at Elvenwood, in spite of its renovations, but under the queen’s orders, Kate is required to stay at Elvenwood and not to travel away from it. Sir Geoffrey also tells her that the queen will not allow her to write to anyone or communicate with anyone outside of Elvenwood without Sir Geoffrey’s permission, of in his absence, Master John’s permission. Sir Geoffrey says that he will not be back at Elvenwood until All Saints’ Day, so Kate will be under Master John’s authority for months.

Elvenwood used to belong to Sir Geoffrey’s wife’s family, the Wardens, and old Dorothy doesn’t like Sir Geoffrey or any of the Heron family. Dorothy says that Sir Geoffrey’s brother, Christopher Heron, was responsible for the death of Sir Geoffrey’s daughter, that he had admitted it, and that Sir Geoffrey never punished him for it. Sir Geoffrey knows that Dorothy has been gossiping with Kate, but he is not upset with Kate for it. He also doesn’t offer any further explanations about what Dorothy said before he leaves on his trip to Norfolk.

Elvenwood Hall is pretty comfortable and nobody there mistreats Kate, but she is often lonely because the place is isolated. The farthest Kate is allowed to go from Elvenwood Hall is to the nearby village, but there isn’t much there. When Kate visits the village, people stare at her and act like they’re afraid of her. Even the village priest makes the sign of the cross at her, as if he thinks that she is something evil. Mostly, Kate has Dorothy as her companion.

Then, one day, she notices a pair of visitors, and Dorothy says that they are pilgrims, coming to visit the holy well on the grounds. Kate knows that some people believe that holy wells have the power to heal or make people more beautiful. Dorothy says that the holy well in the cave here will take away sorrow and pain, if a visitor offers a gift in exchange. The gift is for “those who rule over the well”, who Dorothy says were in this land long before saints and Christianity, but she hesitates to say more about it. She says that Kate can ask Master John, if she wants to know.

When Kate decides to take a look at the well herself, Christopher Heron finds her, grabs her, and hauls her away from it. Kate is startled, and he explains that he thought that she would fall in and be lost in the chasm under the rocks there. Kate thinks that’s silly because the well has a wall around it, but Christopher explains that’s what happened to Sir Geoffrey’s daughter, Cecily. At least, that’s what Christopher thinks happens to her.

He explains that Cecily was a little girl and that her mother was dead when he and his brother came to live at Elvenwood. One day, Sir Geoffrey left on one of his trips, and Christopher was responsible for Cecily. Cecily liked playing a kind of hide-and-seek game, but that day, Christopher found her antics irritating. He left her with Master John and went for walk to visit the well. However, he spotted Cecily following him, so he made a mock wish at the well that Cecily, being a spoiled child, would be in the care of someone else. And, that was the last time he saw Cecily. He supposes that she must have fallen when he wasn’t looking, although he didn’t actually see her fall, and they never found her body. They only found one of her shoes on the path. Christopher feels horribly guilty about losing Cecily, and he knows how her loss has hurt his brother, who has been the only person who loved and cared of him since his mother died giving birth to him. For him to lose Cecily when Geoffrey trusted him to take care of her was terrible, and he knows that his brother has not looked at him in the same way since. As a penance, Christopher has been living in the old leper’s hut on the estate whenever his brother is not in residence.

It’s sad, but Kate thinks that Christopher has been spending too much time feeling sorry for himself. She thinks it would be more sensible if he made a confession to the local priest to clear his conscience rather than brooding over what he could have done or should have done. Christopher says that it’s none of her business what he does, and he will give himself whatever penance he thinks is fitting. Kate thinks that Christopher is indulging in pride and self-pity over what was merely an accident.

When Kate helps to rescue a local boy from a flooded river, his grateful mother talks to her about the guardians of the well, insisting that it’s really the fairy folk. She says that they live in a cave under the hill, that the strange woman Kate saw on the hill is their queen, and that they sometimes steal away children to be their slaves … or worse. She and others in the village think that’s what really happened to little Cecily and that the people at the castle know it, too. She thinks they’re purposely letting Christopher blame himself so that Sir Geoffrey won’t learn that his daughter is really alive and a captive of the fairies.

It does seem to Kate that everyone but the Herons genuinely believes in the fairies and that’s what Dorothy was talking about when she was talking about the guardians of the well being older than the saints. She reflects that Roger believed that the stories about fairies are just references to pagan gods and religious practices, and she starts to wonder if the people of Elvenwood, or the Perilous Gard, are secretly practicing pagan rituals with their traditions about the well. If the fairies are only superstition and the remnants of old religion, though, who was the mysterious woman who was watching Kate’s arrival? Could that have actually been a real fairy queen?

Kate tries to discuss it with Christopher, but he’s convinced that he knows what must have happened to Cecily. Then, they have an encounter with Randal, who tells them that the fairies have stolen away his wits. He knows he’s a bit addled and missing some memories, but he insists that the fairies did it to him because they couldn’t use a musician as one of their sacrifices, so they sacrificed his wits instead. Then, he claims that he has seen a little golden-haired girl dancing with the fairies and that she gave him her slipper to show to someone. To their astonishment, Randal produces a little girl’s slipper that matches the one Cecily lost on the path the day she disappeared! This slipper is much more worn than the other one, indicating that the girl who wore it continued to wear it after she disappeared.

Realizing that Cecily is still alive, Christopher wants to make a thorough search of the chasm beneath the well, but Kate urges caution. Whatever is going on at the well and whatever happened to Cecily, she’s sure that the people at the castle know about it, like the woman from the village said. If they don’t want to find and rescue Cecily themselves, it’s because they have something to hide. Sir Geoffrey’s wife seemed eager to leave this place, where Kate is now trapped by the queen’s orders, after her marriage, and Sir Geoffrey only returned here after she was dead, apparently unaware of the dark things that have happened here and still may be happening. Whatever is going on, the people of Perilous Gard are involved, and Kate and Christopher cannot expect any help from anyone in the castle.

People leave coins and gold as gifts to the well when they ask it for something, and Christopher wonders if that could be the secret source of money for the estate that has funded all the luxurious renovations. Master John could be secretly taking all of the offerings the pilgrims leave. On the other hand, the name of the family that once owned this estate was “Warden”, a name that indicates the caretaker for something. Were they once the caretakers of the well, of a remaining cult of pagans that still practices the old religion and its rituals … or perhaps of actual fairies? What was Sir Geoffrey’s wife afraid of in her old family home, and where is little Cecily now? Was she taken as a hostage to ensure that Sir Geoffrey wouldn’t interfere with whatever the people at the castle are doing … or as a potential sacrifice to fairies or pagan gods? They reflect that the story of Tam Lin, about a lover who rescued her beloved from the fairies, was set on All Hallow’s Eve (Halloween). Cecily’s father plans to return on All Saint’s Day, the day after All Hallow’s Eve (November 1). Kate and Christopher need to get word to Sir Geoffrey or rescue Cecily themselves before it’s too late!

This is a Newbery Honor Book. It is available to borrow and read for free online through Internet Archive (multiple copies).

This book was fascinating and suspenseful! From the beginning, I wasn’t really sure whether or not this was a fantasy story. It turns out that it’s what I call pseudo-fantasy. It has all the trapping of fantasy, and there are points when it seems like something supernatural might be happening. However, it seems that, in the end, the “fairies” are humans practicing pagan rituals and who have convinced themselves that they are somehow different from the other humans who live above ground, out of the caves. There may be things that indicate that they might be more than that, but overall, Kate believes from the very beginning, that they are merely humans with strange and dangerous practices. As she puts it, “There were never any heathen gods, only heathen people who believed in them.”

In their attempts to free Cecily, Christopher and Kate become the captives of the “fairies”, and Christopher is in danger of being used as one of their sacrifices. During their captivity, Kate gets to see some of their practices, and she realizes that they control people through things they give them to drink that affect their minds, and she learns what she needs to know about their rituals and beliefs to thwart their plans. In real life, there are a lot of gaps in our knowledge of pre-Christian religion in Britain because the practitioners didn’t leave written records. Mostly, what know about them is based on archaeology and accounts left by the Romans, which may not be entirely accurate. In the story, the “fairies'” beliefs are based around the idea of sacrifices, energy from humans and the earth, pieces of folklore, and probably the use of some kind of psychedelics. The most interesting and revealing part of their beliefs comes when Kate discusses the need for sacrifice with the fairy queen, and the two of them face off with their respective religious beliefs. During their discussion, they compare their beliefs on the subject of God/gods, power, and the purpose of sacrifice.

The fairy queen says that sacrifice is necessary to take the power from a human life and put it into the land and people through to keep them alive. In spite of her group’s isolation and life in the caves, she seems to understand some of the basics of Christianity, and she says that Kate should understand the notion of sacrifice because Christianity is built around one particular sacrifice. The fairy queen compares Christ’s sacrifice to the sacrifices that her cult holds – one person must give their life for the sake of the others as a way of transferring their life energy. Kate is a Christian, and she knows this description of Christ’s sacrifice isn’t completely accurate, but she tries to convince the queen that Christ’s sacrifice makes other sacrifices unnecessary. She says, since Christ gave Himself for the sake of humanity, He has guaranteed humanity’s safety so no others need to pay the price He paid. The queen argues that Christ’s sacrifice happened a long time ago, that His life energy has passed, and their cult holds a sacrifice on All Hallow’s Eve every seven years to renew the energy. Kate argues that Christ was special as the son of God, the only God that truly exists, and that His energy never dies, that it has transferred to living humans. She uses the story of Christopher’s namesake, St. Christopher, as an example of Christ’s power extending to humans. Unfortunately, the queen takes that to mean that Christopher holds some of Christ’s power in him, so sacrificing Christopher would not only give them the power of his life force but the power of Christ as well. Kate realizes that she can’t persuade the fairy queen or make her understand because the queen will just take everything she says and try to fit it into her views and what she has already decided needs to be done.

The philosophical and theological discussion between the two of them was fascinating, but the only way Kate can disrupt the sacrifice and save Christopher is to use the power of stories these people already believe. Kate never cared much for folk tales and ballads before, but she knows that the queen believes in the legend of Tam Lin and that the method the heroine from that story is the only one that can save a sacrifice like Christopher. When Kate finds out that the queen completely believes in that story, she realizes that she has to use the heroine’s solution from the story to rescue Christopher.

This is a point where the actual ritual differs from the magic in the story of Tam Lin. In the story of Tam Lin, he is physically changed into various forms that are frightening or difficult to hold onto, but his lover has to keep hold of him for him to be released from the magic. In this story, Christopher is not actually transformed into anything. It’s more psychological. The fairies believe that people who are going to be sacrificed need to give themselves to the sacrifice willingly, so they use psychological manipulation to convince Christopher that he has nothing to live for, playing on his feelings of guilt for not protecting his niece better and other traumatic pieces of his past, like his mother dying while giving birth to him and his father resenting him because of it. To hold on to him, like the heroine in the story, Kate has to speak up and convince him that the fairies are lying to him and that he does have things to live for. She needs to hold on to his mind and get him to assert his own will to survive while the fairies try to convince him that the only purpose he has left is to offer himself for sacrifice. “Holding on” in this case means holding on to one’s sense of self and one’s purpose, even in the face of doubts, insecurities, personal trauma, and the toxic influence or manipulation of other people.

In her arguments with Christopher to get him to see that his life is worth living, Kate also confronts her own inner demons and insecurities – that everyone prefers her pretty sister, that she was blamed for things her sister did, etc. Their experiences with the fairies and confronting their personal demons are traumatic for Christopher and Kate, but they grow through them and come away with a better sense of self and greater self-assurance. Kate’s growth shows in the end both because she other women realize that she no longer fits into her clothes and will need new ones and in her maturity with dealing with her old insecurities when she sees her sister again.

There is a point when, because Alicia is thoughtless in the way she talks and has a habit of giving people the wrong impression about things, Kate thinks that Christopher has fallen in love with Alicia as the prettier sister and that he is going to marry her. This is crushing for Kate because Alicia is often favored by people and because she has fallen in love with Christopher through their shared experiences. The fairy queen makes a last appearance in which she offers to give Kate something to make Christopher fall in love with her, but Kate rejects it. While it would hurt for Christopher to reject her in favor of Alicia, and it would add to past hurts she’s had about Alicia being the favored girl, Kate has grown emotionally through the story. She is above the manipulations of the fairies, and whatever she encounters in her life that might cause her hurt, she has the emotional strength to handle it and do the right thing in spite of it. Her rejection of using dirty tricks is rewarded when Christopher proposes to Kate. Her doubts of his love were only because Alicia is thoughtless in the way she says things to people and because of Kate’s remaining insecurities. Kate is happy that she can accept Christopher’s honest love for what it is without attributing it to any manipulation. They’ve been through the worst together, they’ve seen each other’s insecurities, and they love each other all the more for it.

It isn’t just Christopher and Kate who grow through their experiences. Sir Geoffrey realizes that his own bad decisions and blindness to what was going on contributed to the danger his daughter was in. He had no idea what his steward was involved in and what was going on around the castle. He also realizes that little Cecily needs the attention of someone who can devote herself more to the little girl without distraction and a life in a more settled place with greater access to broader society, so he sends Cecily to her aunt’s house in London. Sir Geoffrey’s acceptance of his own failings absolves Christopher of the last of his guilt over Cecily’s disappearance/abduction.

I also appreciated that characters in the story didn’t hate each other even when they had suffered hut because of them. Sir Geoffrey didn’t stop loving his brother when he thought that Christopher had failed to protect Cecily. He found the loss of his daughter difficult to take, and his brother’s role in that was hard on his feelings for his brother. However, Sir Geoffrey never sought to banish or punish Christopher for it, and when he finds out that Christopher is in trouble, he races to the rescue! In the end, Kate also cares about Alicia. Even when she was punished for the letter that Alicia wrote and thought that she might lose Christopher to her, she didn’t let spite and resentment take over. I appreciate the characters’ growth, and I also liked the way they dealt with their emotions when they were hurt and things were difficult. They still care for their family members because, deep down, they still love them and want to do right by them, even when it isn’t easy.

The Half Child

The Half Child cover

Lucy Emerson (Lucy Watson after her marriage) and her family live in an English village in the 17th century. As an elderly woman in her early 60s, she looks back on her sister, Sarah. She has actually had two sisters named Sarah, but it’s her first sister Sarah that she thinks of.

Little Sarah was always a strange child. From when she was very small, she would do odd things, like rocking back and forth while singing odd little wordless songs and being very clumsy. She could never talk clearly, and most people couldn’t really understand her. Because she is abnormal, she is quickly labeled as a “changeling” – a fairy baby substituted for a regular human child. Those who don’t call her a changeling call her a “half-wit.” Only Lucy really values Sarah, whether she’s a little human child or a fairy child, and she tries hard to understand her and take care of her. What Sarah likes best are the little “stone dollies” – small statues of praying children – in the local church, and she always asks Lucy to take her there to see them.

Lucy and Sarah’s mother is often harsh with Sarah out of frustration because she’s difficult to understand and difficult to deal with. Some people in the community think that she should be even more harsh with Sarah than she is because, if she really is a changeling, the fairies or Little People might snatch her back if she isn’t being treated well, being beaten or starved. Their Granny believes that Sarah is a changeling, and she implies it often, comparing a changeling child to a cuckoo’s egg, substituted in the next for another’s bird’s egg. However, their mother never refers to Sarah as a changeling and doesn’t seem to believe that Sarah isn’t really her daughter.

Then, one day, they can’t find Sarah. It seems like she’s wandered off by herself. Lucy looks in the church to see of Sarah went there to look at the “stone dollies.” Sarah isn’t there, but one of the dollies has the daisy chain that Lucy made for Sarah. According to superstition, a daisy chain helps to protect a child from the fairies, and Lucy thinks that, without it, maybe the fairies did carry Sarah away. On the other hand, maybe Sarah fell in the river, and it carried her away. Worried, Lucy desperately searches the village for Sarah, until one woman says that she saw Sarah in the churchyard. She would have walked Sarah home, but Sarah didn’t want to come with her, so she came to get Lucy to take her. Lucy hurries back to the churchyard and finds Sarah there, waiting for her. Lucy demands to know what Sarah has been doing, and she says that she’s been playing with the “little people.” Fearing that Sarah is talking about the fairies, Lucy demands to know if she’s seen them before or had anything to eat from them, but Sarah just says, “Not telling.” Lucy considers that maybe Sarah meant something other than fairies when she said, “little people.” Maybe Sarah just met some other young children, or maybe she was talking about playing with the stone dollies again.

One day, Lucy leaves Sarah at home with their mother when she goes to visit their older sister, Martha, who is working at a farm near a neighboring town. Lucy’s mother tells her that Sarah should stay home because it’s such a long walk to the farm, and Sarah is too little to handle it. When Lucy returns home from the visit, she discovers that something disastrous has happened while she was away. Lucy’s mother, who was pregnant and due to give birth in another month or so, accidentally tripped over Sarah in some way and fall, bringing on the birth of the baby too soon. A neighbor who came to borrow some salt found her and called the midwife to come and tend to her. The baby is safely delivered and survives, but Lucy’s mother is in bad condition.

While everyone was busy attending to the mother, little Sarah apparently ran away from the house and disappeared. Lucy is too worried about her mother and the baby at first to leave the house and go looking for Sarah, although she sends her brother to ask the neighbors if they’ve seen her. Her uncle promises to look for her in the countryside and to send out criers to the neighboring towns if she isn’t found. However, the town is also disrupted that day by soldiers who vandalize the town’s church! Later, Lucy goes to look for Sarah in her usual favorite spots, but she doesn’t find her. When Lucy returns home, her brother tells her that their mother has died.

Their father says that their mother’s last wish was that this new baby girl will be named Sarah. Lucy is shocked because she is sure that the sister named she already has is still out there somewhere, lost. Lucy’s father isn’t so sure. He seems to suspect that the rumors were right, that Sarah was always a changeling, that maybe she has gone back to the fairies now, and that this new baby may be the Sarah they were always meant to have. At least, Lucy’s mother seemed to believe that when she told him that this new baby was to be named Sarah. Lucy never thought that her father believed the changeling stories, but he privately admits to Lucy that he doesn’t really know what to think. None of it makes sense to Lucy because, after all, her mother was pregnant with this new baby while Sarah was still at home with them. If the first Sarah was taken away and the “real” Sarah left her in place, surely there would be two babies now – the “real” Sarah plus this other new sister. As it is, there’s only one baby and one missing sister. Lucy father says that if Sarah returns before the baby’s christening, they will choose another name for the baby, but if she’s still gone, she is probably gone for good, and the baby will be named Sarah.

Sarah is not found by the time the baby is christened, so the new baby becomes the “new” Sarah. Sarah’s father and sister, Martha, try to console Lucy about the loss of the first Sarah, saying that it might be for the best and that Lucy’s life will be easier now because Sarah was too wild, too strange, and too difficult to care for. Lucy feels even worse then they say that because, although Sarah was difficult to look after, Lucy truly loved her and didn’t think of her as a burden. Lucy takes care of her new sister for a couple of years, never giving up hope that she will find the first Sarah or at least learn what happened to her. When Lucy’s father decides to remarry, Lucy goes to work on the farm where Martha is working, leaving the new Sarah to be cared for by their stepmother.

It’s only after Lucy goes to work on the farm that she eventually meets someone who is able to tell her at least some of what happened to the first Sarah after she was lost.

The book is available to borrow and read for free online through Internet Archive.

I first read this story as a young teen in middle school, and I found it fascinating for the historical and folkloric connections. This story takes place over a period of years. The year when the older Lucy reflects on her sister Sarah is 1700. During the year that the first Sarah disappeared, Lucy is talking to someone else, and they mention the Roundheads and that the king was executed the year before, so they are referring to the execution of Charles I in 1649, putting the year of that conversation at 1650. Most of the book is set around the middle of the 17th century.

In real life, there were stories about changelings, fairy children substituted for human children as infants, and stories like this seem to have been used to explain human children born with deformities or disabilities of various kinds. Modern people might recognize that young Sarah was born with some kind of developmental disability, which is why she’s not like her siblings, but people in the past didn’t have as much ability to diagnose or understand people who were born “different” from others. They couldn’t understand how children with disabilities could be born to apparently healthy parents, especially ones who had produced other healthy children, so they explained it by saying that those children were not the “real” children but substitutes left by the fairies in exchange for the healthy human children, like a cuckoo lays its eggs in the nests of other birds, to be raised and cared for by them. In the story, Lucy’s grandmother makes the comparison between Sarah and the cuckoo bird, although Lucy is very upset by that description.

During the course of the story, Lucy, as the one who seems to understand Sarah the best and love her the most, struggles to find her missing sister and learn what happened to her. At various times, she also struggles to reconcile what other people tell her about Sarah being a changeling or being taken away by fairies with her own love for Sarah as her sister, a real sister and not just a changeling, and her own worries about the more mundane tragedies that can befall a lost and neglected child. There are times when Lucy finds it difficult to ignore the superstitions of the people who raised her, and she finds herself at least halfway believing in fairies and that the girl she loves as a sister is in danger from them. While Sarah is with her, she makes daisy chains for her to wear as a precaution against the fairies taking her, although those who seem to most believe that Sarah is a changeling would be happy to see her reclaimed by fairies in the hopes of getting the “real” child back.

When their dying mother insists that the new baby girl be named Sarah, Lucy is heart-broken, realizing that her mother believes that Sarah was a changeling all along and that this new baby is the “real” daughter that Sarah should have been. However, to Lucy, who always loved the first Sarah, this new baby is the imposter Sarah, the “new” Sarah, taking the place of the Sarah she has loved and cared for. She never feels the same way about the new Sarah as she did for the first Sarah.

What always interested me about the story since I read it when I was young was how it demonstrates that real phenomena and the more inexplicable parts of human nature are part of the basis behind folklore. All through the book, people refer to children like the first Sarah as being “changelings” because they simply don’t understand why these children are the way they are, but the superstition is ultimately less about people genuinely trying to understand something and more finding a way of taking out their emotions on the “problem” or finding an excuse for not really dealing with it. Beyond the adults simply failing to understand children like Sarah and help their development to the best of their ability, their superstitions lead some of them to be deliberately cruel to children like her in the hopes that the fairies will decide to reclaim them. When a child like that runs away or is lost and never recovered, the adults tell themselves that the child was simply taken by the fairies, apparently both as an excuse to stop looking for a child they don’t know how to handle and also to soothe themselves that they don’t have to worry about her anymore because she is being taken care of by her “real” supernatural family. Whether they really believe that’s what is happening on an intellectual level or not, if they can convince themselves and others that it’s true on an emotional level, then they’re basically letting themselves off the hook and getting rid of an unwanted responsibility without guilt, which sounds a lot less noble than trying to understand and help make the situation better. I think that attitude comes from the sense that these people didn’t think it was even possible for them to understand or deal with the situation. From that attitude, the notion of the “problem child” magically vanishing would be appealing.

It’s sad because, as readers realize, that is not actually the case. Sarah’s disappearance isn’t magical. What Lucy learns about Sarah after the time she disappeared contradicts that idea because she did almost die but was rescued by a kind stranger who happened to be in the right place to find her. Sarah’s eventual whereabouts are unknown at the end of the story because she seems to have wandered off when her caretaker died or shortly before that. Until the very end of the story, elderly Lucy thinks that Sarah is probably dead, having spent some time wandering wild somewhere, but the fact that she never learns for sure leaves it open that Sarah could be alive or for Lucy to convince herself that maybe she finally got Sarah back in the end. When another child, who is very like Sarah, is born into the family, elderly Lucy finds herself wondering again about changelings. Is this new child just another unfortunate child who happened to inherit the developmental disability that Sarah had, or has the original Sarah managed to come back to Lucy in another form? They are so much alike that Lucy begins speaking to her as Sarah, and the new child answers just like Sarah always did, leaving the situation ambiguous in Lucy’s mind.

Although Lucy is ambivalent in her feelings at the end of the story, modern readers will likely side with the more scientific explanation of heredity and genes that sometimes reappear in later generations, producing lookalikes and people with similar health conditions. However, I think that the author did a good job of depicting the uncertainty that affects people confronted by situations and conditions they have no capacity to understand. The people of Lucy’s time did not understand what causes developmental disabilities. Because they needed to come up with an explanation for something they couldn’t understand, they developed the superstition about children like Sarah not being fully human or being substitutes for the “real” children, who were abducted by supernatural beings. Lucy finds herself torn between her own sense that Sarah is her real, human sister and that there must be more logical explanations and her own inability to understand what ultimately happened to her sister.

The book is a little sad because readers can recognize that, with better understanding and support, the original Sarah would have lived a much happier life and that Lucy (and others who appear later in the story) wanted to give her the support she needed but just didn’t know how. At the end of the book, Lucy reflects that times have changed since she was younger. Most people don’t believe in changelings and other old superstitions in 1700, not as much as they did in 1650. The Puritans, in particular, reject all such ideas as “pagan superstitions.” Society seems to be moving more in the direction of rationalism. Lucy says, “So there are plenty boasting nowadays that they cannot believe in such hocus-pocus, and that they have what they call a scientific reason for explaining any strange happenings that occur, instead of blaming the fairies, duergars or witches even. Though much that some call scientific I would say was just plain common sense.”

Even though Lucy generally believes in the rational explanations for what likely happened to the first Sarah, she experiences some doubt again at the end of the story, when she’s confronted with the young relative who looks so much like her. I liked the way the story ends on a slightly ambiguous note, with Lucy reconsidering whether or not Sarah was a changeling and if she has come back to her in another form. Modern readers know that’s not likely, but it does speak to the lifelong uncertainty that Lucy has lived with and the element of uncertainty that often surrounds the human experience in general. Even in modern times, there are many things that we don’t fully understand. In the 21st century, we’re more likely to accept the idea that, just because we don’t know the explanation for something doesn’t mean that there is no explanation that humans can understand but that we just don’t understand it yet. Still, that feeling that there are things beyond our mental grasp still appeals to the human imagination. If Lucy wants to believe that she has found Sarah again, after a fashion, it might give her some peace. For me, though, I just feel a little reassured that this member of the next generation might get more of the love, attention, and support that Sarah always needed, at least from Lucy, and less of the superstition surrounding her condition.

In the section at the back of the book about the author, it says that Kathleen Hersom used to volunteer at a hospital working with mentally disabled children. She was inspired to write this story both because of that experience and because of her interest in folklore.

Ella the Elephant

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Ella the Elephant by Kurt Wiese, 1931.

EllaElephantMotherElla is a happy baby elephant in India.  Her mother takes good care of her, and she enjoys moving with the herd.  However, Ella’s carefree life with her mother ends abruptly when the herd is captured by humans!

Because Ella is small, she is able to escape when the other elephants can’t, but she finds herself alone and frightened in the jungle.  She doesn’t know what has happened to her mother, and she is in danger from predators in the jungle.

Other jungle animals help her, warning her of dangers and helping her to find out where her mother is.  She knows to look out for crocodiles in the river, and a peacock and some monkeys warn her about the presence of the tiger.  A kind water buffalo looks after her at night, using its size to intimidate and keep away the tiger.  The parrots help her to find the village where her mother is being held.  Eventually, she reunites with her mother in the human village after she is captured a second time.

I found this book at an antique store and included it here because I’d never seen it before, but I have mixed feelings about it.  The part about other animals helping little Ella is fun, but it’s somewhat disappointing that the story ends with both Ella and her mother in captivity.  The story ends with Ella’s reunion with her mother, and we don’t know exactly what happens to them after that. It appears that Ella and her mother will both be treated well by the humans who now have them, and they are relieved to see each other.  Still, to have them now living in captivity seems anti-climactic.

The Case of the Lost Lookalike

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The Case of the Lost Lookalike by Carol Farley, 1988.

“I want to swoop in and spout out the answers to baffling mysteries while everyone around me blinks in befuddlement.  I want to reveal the amazing solutions to puzzles while everyone gasps in admiration.  Except the criminal, of course, who gasps for other reasons.”
— Flee Jay Saylor

This is the second book in the the Flee Jay and Clarice Mysteries.

In The Case of the Lost Lookalike, Flee Jay and Clarice are spending the summer at a lake with their aunt, and someone there says that Clarice is the very image of a little girl named Caroline who was apparently kidnapped 40 years ago.  Little Caroline disappeared from her own bedroom one night after her mother died under rather suspicious circumstances.  Most people assume that Caroline is dead, too.  The girl’s father is now a strange recluse who lives on an island in the middle of the lake.

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But, as the girls puzzle over this old mystery, other mysterious things begin to happen.  A woman produces pictures of the missing girl which look nothing like Clarice.  Then, her shop is broken into, and the pictures of Caroline disappear.

When someone persuades their aunt to let the girls visit the old recluse on the island, the man’s reaction is surprising, and they come to realize that Caroline’s disappearance might not be the real issue at all.  Clarice takes some frightening risks to get to the bottom of the mystery!

My Reaction

In a way, this story is two mysteries in one because Clarice figures out what really happened to Caroline when she disappeared years ago at the same time that the girls unravel the mystery that is affecting people who live in the small town by the lake now.  The mystery of what happened to Caroline would not have resurfaced at this particular time if someone else hadn’t brought up the issue as a distraction from something else.

What I like best about this series is the sense of humor and the way that Flee Jay says things as she narrates the story: “I mean, new cottages and magic lakes are terrific and all that, but nothing can ever take the place of a peanut-butter, brown sugar, and banana sandwich.”