The Secret of the Indian

The Secret of the Indian by Lynne Reid Banks, 1989.

This is the third book in the Indian in the Cupboard series.

This book immediately picks up where the last book in the series left off, with Omri injured after witnessing the battle in Little Bear’s time and he and Patrick and their small army having just fended off the gang of local hoodlums who had tried to break into Omri’s house and rob it. Omri’s parents return home from the party they had attended and are appalled to see Omri hurt, although the story of the burglary covers up the real reason for Omri’s injuries, which the boys don’t think they can tell Omri’s parents. Omri still can’t adequately explain how part of his head got burned, but he makes up a story about him and Patrick trying to light a bonfire and accidentally getting burned. His parents are occupied, alternately angry with the babysitter who was supposed to come and didn’t and with themselves for leaving before they were sure that she had arrived. The police come to question the boys and inform the parents that the reason why the babysitter didn’t come was that she was mugged that night. Omri knows who the thieves are, but hesitates to turn them in.

First, Omri needs to deal with Little Bear and his band of warriors. Some of them were killed in the battle, and others are injured. Patrick and Omri bring the Matron who treated Little Bear before to life to help them, but although she does her best, she says that her skills aren’t adequate to help them all and that they need a real surgeon. The Matron is sharp and tells the boys that it’s useless to insist that this is all just a dream because she knows that, strange as this situation is, it’s all real and that the death and pain she’s witnessed around her are real. The boys explain to her about the key and cupboard that bring plastic figures to life, and she asks them if they can get a doctor. It’s Sunday, so the boys can’t just go buy one, but the Matron came from a set owned by Patrick’s cousin, Tamsin, and there were other medical professional figures in it. When Patrick’s other cousin, Tamsin’s twin, Emma, comes to Omri’s house to see Patrick, Omri is forced to let her in on the secret and recruit her to help him.

Meanwhile, Patrick has gone back in time with Boone the cowboy. In Boone’s time, Patrick is tiny, the size of the figures in his own time. Unfortunately, Patrick made a terrible mistake by going back to Boone’s time with Boone as a plastic figure. That meant that Boone became a real person in the chest, trapped under Patrick’s body and almost smothered to death and needs to be treated by the Matron in order to survive.

In Boone’s time, tiny Patrick ends up in the company of Ruby Lou, a woman who likes Boone. Patrick knows that Boone is unconscious in the desert and helps Ruby Lou to find him. The doctor in their time doesn’t know what’s wrong with Boone and can’t figure out why he’s unconscious, suggesting only that they let him rest for the present and recover. Ruby Lou presses Patrick for answers, and he explains everything to her about how they travel through time using the magic key and how Boone has just left his full-size body behind to go into the future in the form of a little figurine. It’s an incredible story, but Ruby Lou believes him and expresses concern about getting Boone back safely. But soon, they’re all in trouble when there’s cyclone threatening.

Also meanwhile, Mr. Johnson, the headmaster of Omri’s school, has learned about Omri’s story that won the contest. Back in the first book of this series, Mr. Johnson actually saw Little Bear. At the time, he thought that he was hallucinating, but Omri’s supposedly fictional story has now convinced him that he really saw what he saw. He demands that Omri tell him the truth about his “Red Indian.” (Omri corrects him, saying that it isn’t right to say “Red Indian” and that they prefer to be called “American Indian” or “native American”, but Mr. Johnson angrily insists that he’s always said “Red Indian” and will continue to do so, establishing him as an unsympathetic villain in the story.) Mr. Johnson is relieved to know that he wasn’t hallucinating before, but since Omri is reluctant to explain anything, he decides to call Omri’s mother. When she answers, she demands that Omri tell her where Patrick is because his mother is frantically looking for him.

Of course, Omri knows that Patrick is still in the trunk in his room, in a coma-like state because he’s still in the past and there are living miniature people in his room who will also be discovered if people start searching. Can Omri fix everything in time to rescue Patrick and his little friends and prevent their secret from being exposed?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

Although the story takes place immediately after the previous one left off, the rules of the magic in this world have changed a little. Before, when a person from Omri and Patrick’s time went back to the past, they kind of became part of the scenery. This time, when Patrick visits the Old West, he is there as a tiny person, although no figurines of the boys exist in the past. What this book does emphasize is that the magic key does change real people from modern times into little people into people in another time and real people from other times into tiny people in modern times. At this point in the series, it’s all still mysterious why the key is magic and why the little cupboard in particular only seems to affect plastic items and people. Some of those explanations come in the next book.

I did like the parts where other people, including Patrick’s cousin Emma and Mr. Johnson in the present and Ruby Lou in the past, catch on what’s happening with Omri and Patrick and their plastic figures. In so many children’s books, the magic absolutely depends on secrecy. In this series, Patrick and Omri both know that they don’t want most people to know their secret because they don’t want people either interfering or thinking that they’re crazy. With Patrick disappearing mysteriously and other things happening because of their interactions with the little people from the past, it makes sense that people would start noticing that the boys have become involved in something really strange, even thought some of them don’t know what it is. However, the magic still works for them even when other people find out and the people who could pose a threat to their activities either never find out the truth or are distracted or apparently discredited.

At the end of this book, Omri becomes more serious about the risks of the cupboard and decides that he wants the key put away, to be give to his future children in the event of his death. However, there are other books in this series to come, so they do use the key again.

The Return of the Indian

The Return of the Indian by Lynne Reid Banks, 1986.

This is the second book in the Indian in the Cupboard series.

Omri’s family has moved to a new house, but Omri doesn’t like it. The new house is bigger than the old one, but the neighborhood around it is a bit run-down and shabby. Most of the kids in the area go to the state school (public school in the US), but Omri attends a private school, and his school uniform makes him stand out from the other kids. The other kids in the neighborhood view him as an outsider and like to push him around, especially the group of bigger boys who like to hang out near the arcade. Omri is a little afraid of the local bullies, but he doesn’t like to show it. Instead, he remembers how brave his small American Indian friend, the one who came to life from his plastic figurine, was with him, even though Omri was many times bigger than he was. Still, Little Bear was a real warrior, who knew how to fight. Ormi wishes that he could fight like an American Indian or maybe a cowboy, like Boone. If he could do that, he wouldn’t have any reason to fear the local bullies.

Patrick, Omri’s best friend, is also living in a new house in the country and is now going to a different school because his parents have divorced. (The story indicates that Patrick’s father was abusive, hitting his wife and children.) When the two of them meet again, Patrick denies remembering their plastic figures that came to life. That bothers Omri, although he thinks that Patrick really does remember but doesn’t want to admit it because talking about things like that would make him seem weird when he’s trying to fit in with his new home.

Then, Omri wins a writing contest for a story that he wrote about his plastic Indian. He’s thrilled, although he also feels a little guilty because the contest was supposed to be for fiction, and his magical adventures with Little Bear were real. Although, his story is his own work, even if he didn’t exactly make up Little Bear.

Ever since his adventures with Little Bear the previous year, Omri has asked his mother to keep the key to the cupboard “safe” for him. Really, he has wanted to remove the temptation to bring Little Bear to life again. After their previous adventures, they had all decided that it would be better for Little Bear and Boone to remain in their own lives in the past. Yet, having won this contest, Omri has the sudden desire to see Little Bear again and tell him all about it. His mother usually wears the key as a pendant around her neck, and one day, when she takes it off, Omri decides that he’s going to use it.

However, when he brings Little Bear and his wife, Bright Stars, back to life from plastic, he finds that time has moved forward for Little Bear, just has it has for him. Little Bear is badly injured, having been shot by a soldier. Bright Stars begs Omri for help. Since Omri once brought a WWI medic to life to help with a wound before, he tries it again. Unfortunately, this time, all Omri gets is an empty pile of the medic’s clothes. Shocked, Omri realizes that this is a sign that the medic was killed in action. Time moved forward for him since their last encounter, and the medic, Tommy, who was a real person in the past, was killed during the war.

Still desperate to help Little Bear, Omri rushes to see Patrick at his aunt’s house and explains the situation. At first Patrick tries to pretend that the figures coming to life was just their imaginations, but when Omri impresses on him that Little Bear is in trouble and needs help, Patrick takes him seriously and comes up with a solution. One of his cousins got a set of plastic figures for her birthday, and they all have different professions. Among them, there is a nurse and two doctors. If they borrow one of those figures, they will have medical help. The cousin finds them messing with her toys and fights with them, so they have to rush off in a hurry, taking the nurse figure instead of one of the doctors, but she’s better than nothing.

After the nurse, known only as Matron, gets over the shock of finding herself very small, Omri explains Little Bear’s condition to her. She’s reluctant to try to operate on him herself because she’s not a surgeon, but since there is no one else to help, she does so anyway. Omri gives her Tommy’s medical bag so she’ll have the implements she needs. She manages to help Little Bear, and Little Bear recovers.

Although Patrick says that his mother got rid of most of his plastic figures when he stopped playing with them, he still has the cowboy, Boone, because he was special. Patrick uses the cupboard to bring him back to life, and they explain to him about Little Bear. When Little Bear is well enough to talk, he explains that his village was attacked by French soldiers, and many of his people are dead. Boone spots Omri’s collection of plastic figures, with soldiers from different periods and suggests sending them back with Little Bear to fight the French. Patrick is all for it, but Omri points out that there are problems with that. All of those figures aren’t just toy soldiers; they represent real people from history. They all come from different periods of history, and they all have their own goals and personalities. They would all be shocked at finding themselves in an unexpected place and a completely different time period than their own, and there’s no telling how these armed people might react. What would a Medieval knight, who might be on his way to the Crusades, understand about American Indians from the 18th century, and why would he be willing to fight on their behalf? Which side would a member of the French Legion pick? They wouldn’t be able to even speak to all of Omri soldiers because they come from different countries and speak different languages, and even if they choose modern British soldiers using modern weaponry, what would that mean for history? They don’t belong in the 18th century, and because they’re real people, they would be killing other real people and might get killed themselves.

Patrick thinks that Omri thinks too much, but Ormi knows that Patrick is too impulsive. Patrick does impulsively bring some modern soldiers to life, and they almost shoot everyone because they’re in the middle of a battle. Patrick quickly turns them back to toys and apologizes. Then Omri has another idea: they can’t explain to people from other time periods that Little Bear needs their help to fight in the French and Indian Wars, but they could appeal to other American Indians. Finding allies for Little Bear is fine, as long as they’re the kind of allies who could reasonably appear in Little Bear’s time and understand and be willing to aid him.

There are complications in this plan when Little Bear says that he wants modern weapons his people can use and a modern soldier to teach them how to use them. Omri has misgivings about this but gives in to Little Bear’s request. While Little Bear goes back to his time with his new allies and weapons, the boys worry about what’s happening in the battle and Bright Stars, who is still in their care, gives birth to Little Bear’s son. Boone suggests to Omri that, if he’s concerned about how the battle is going, there might be a way to go back in time and see it.

Ormi has an old wooden chest in his room, and Boone suggests that he could see if the key fits the box and use it to send himself back to Little Bear’s time. Not only does Omri help Little Bear and the others, but this odd army also helps Omri when the local bullies try to rob his house in the middle of the night.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction:

I read the first book in this series when I was in elementary school as part of a class assignment. There are parts of this series I like, but parts I don’t.

I like the way Omri thinks about the little people from his cupboard. He remembers that all of the plastic figures are only plastic when they’re toys, but as soon as they come to life, they are real people, pulled out of their own lives and into his, and they have a responsibility to them. He feels terrible when he realizes that his old friend, the WWI medic called Tommy, died during the war because he wasn’t just a toy, he was a real person who helped them when they needed him, and Omri realizes that he probably died not long after they returned him to his own time. Patrick is less thoughtful, but he does wonder if their interaction with him played a part in his death, and Omri thinks it probably didn’t because his full-sized body must have remained in the past and would have died anyway. When they last talked to him, Tommy said that he’d heard the sounds of an attack, and that could have been the attack that killed him. When Omri sends Little Bear back with his new allies and weapons, Omri feels guilty because he realizes that he’s basically playing God, sending real people to kill other real people in past, but he goes through with it because he feels committed to it at that point, having assembled and armed this fighting force and promised it to Little Bear.

I didn’t like some of the stereotypical stuff about cowboys and American Indians. This is one of those books where they try to write characters speaking with an accent, and that always feels awkward to read, and I’m not sure that everything Omri says about American Indians is true. At first, Omri says that American Indians gave birth alone, so he’s not too worried about Bright Stars. When I read that, I wasn’t sure if any American Indian tribes had that as a custom, so I looked it up. Apparently, there is some basis for that happening, although sometimes women would also help each other, and since most of the white people who said that Native Americans gave birth alone were men and wouldn’t have been involved in assisting the birth anyway, they may not have been fully aware of who else would have been involved. When Bright Stars starts giving birth, Omri remembers hearing that, when women give birth for the first time, it can take a long time for the baby to arrive, and he wonders if that’s true of American Indians as well as white women. That question made me cringe a little. As an adult white woman, I would assume it probably is because there many aspects of the human condition that are just universal, but again, Omri’s a boy who doesn’t have any relevant life experience experience, and even I can’t swear what Native American births are like, so I suppose I can’t fault him for wondering.

This is the book that establishes that the key used with the cupboard is magic by itself. It seems to fit in any lock and can send people back in time. When they’re sent back from the present day, Omri observes that the person sent to the past is cold and motionless in the chest, which scares him. Also, the boys observe that when they go to the past, they seem to be part of the scenery, part of the paintings on the side of Little Bear’s teepee, unable to speech or move by themselves, just watching what happens. It’s odd, but in stories where there’s magic, there are still rules, and as the boys experiment more with the key, part of the rules start becoming more clear to the readers.

The Indian in the Cupboard

The Indian in the Cupboard by Lynne Reid Banks, 1980.

Omri thinks that he’s starting to get tired of collecting and playing with plastic figures when his friend Patrick gives him a plastic American Indian figure that he doesn’t want anymore for his birthday. At first, Omri doesn’t think much of the Indian figure because it’s just a used plastic figure that doesn’t match any other figure sets he has, so he’s not sure how he can use it in his games. Then, his brother Gillon gives Omri a wooden cupboard that he rescued from an alley. Omri likes the cupboard, and his mother lets him have an old key that happens to fit the cupboard so he can lock it. His mother says that the key used to belong to her grandmother’s jewelry box, which fell apart years ago. As Omri tries to decide what he wants to keep in the cupboard, his mother suggests putting his American Indian figure in it because she found it in the pocket of his other pants. Omri puts the toy in the cupboard and locks it. Later, he hears sounds coming from the cupboard, and when he opens it, he discovers that his toy Indian figure has come to life!

Omri is startled to see that the Indian has come to life, and the tiny Indian is afraid of him. The Indian pricks him with his tiny knife and threatens to hurt him if he comes closer. The Indian insists that he’s not small, it’s Omri who is big. When Omri’s mother comes into the room, Omri quickly shuts and locks the cupboard so his mother won’t see that his toy has come to life. Later, when he opens the cupboard again, the Indian is just a plastic toy again. Omri is sure that he didn’t imagine the figure coming to life, but he’s not sure why that happened or why it’s just a toy again now.

Then, that night, after Omri locks the Indian in the cupboard again, he comes to life once more. This time, when Omri opens the cupboard and talks to the Indian, he asks the Indian what happened. The Indian replies that nothing happened, he just went to sleep. Then, he asks Omri for food and a blanket. Omri asks the Indian more about himself and learns that the Indian is named Little Bear and is the son of an Iroquois chief. He offers Little Bear a plastic teepee from his collection of toys to sleep in, but Little Bear recognizes that it’s not a real teepee and besides, Iroquois sleep in longhouses, not teepees. Omri can’t provide a longhouse, so he makes a better-looking teepee out of sticks and a piece of felt, so it’s at least not plastic. Little Bear accepts it.

Omri begins to realize that either his new cupboard or the key that he’s been using with it or both are magical and can bring toy figures to life. He begins doing experiments to see how it works and what else he can make real. The plastic teepee becomes a real one after being locked in the cupboard, but a metal toy car doesn’t change at all, making Omri realize that, for some reason, the cupboard only works with plastic toys.

Omri tells Little Bear that he’s in England now, not America, and Omri discovers that Little Bear approves of the English because the Iroquois fought with the English against the French and the Algonquins. Omri asks Little Bear if he also fought, and Little Bear brags about what a fighter he is and how many scalps he’s taken, but adds that they were French and not English. It sounds kind of stereotypical, but the author is referring to real battles that took place during the 17th century and 18th century around the Great Lakes area, during the French and Iroquois Wars and the French and Indian War, giving Little Bear a rough time period and location. This is meaningful not only for historical reasons, but also because it indicates that Little Bear isn’t just a toy with no personality or history. As far as Little Bear is concerned, he’s a real person with a past and memories and a life beyond being Omri’s toy. In fact, he doesn’t really know anything about being a toy sometimes in Omri’s time period. Omri also realizes that Little Bear’s history makes him a real person, somehow pulled more than 200 years into the future in miniature form, instead of just a toy brought to life.

Still, Omri delights in having adventures with Little Bear, introducing him to things Little Bear otherwise wouldn’t have. When Little Bear says that he’s never hidden a horse before because the Iroquois don’t have them in his time, Omri brings one of his plastic horses to life so Little Bear can ride. When Little Bear gets hurt, Omri brings a WWI medic from his set of toy soldiers to life so he can treat the wound. The medic, Tommy Atkins, is alarmed when he sees Omri and confused when he’s asked to treat an American Indian, but he does so anyway, deciding that it’s all just a dream. Omri lets him think so and then puts him back in the cupboard to send him home.

Omri does some research about Iroquois to learn more about Little Bear and his history. Patrick wonders about Omri’s obsession with the little toy figure he gave him, but Omri is reluctant to tell him. Then, when Omri buys another Indian figure, an old Indian chief, and brings it to life, the poor old man goes into shock at the site of Omri and dies. Omri feels terrible about causing the old man’s death, coming to recognize that the old man was also a real person, sometime and somewhere, and he wouldn’t have died if Omri hadn’t put him in the cupboard and brought him into his time as a miniature person. Then, Patrick gives Omri a plastic cowboy figure. Omri doesn’t want it because he doesn’t want the cowboy to come to life and hurt or kill Little Bear. Patrick is impatient, saying that’s how the game of cowboys and Indians goes and that’s what people do with figurines of cowboys and Indians, have them fight. That’s when Omri realizes that he needs to explain to Patrick that it’s more than just a game and there are real people involved.

Patrick is stunned when Omri shows him Little Bear, and when Omri tells him about the dead chief, he comes to realize that this game is serious. In spite of that, Patrick asks Omri to let him bring just one figure to life. At first, Omri tries to prevent Patrick from bringing another figure to life because the situation is already complicated enough, but Patrick does so anyway when Omri leaves him alone in his room … and the figure that Patrick picks is the cowboy.

Having an American Indian and a cowboy both in Omri’s room, even in miniature form is just as much trouble as Omri feared it would be. The two of them pose a very real threat to each other, and Omri tries to do his best to help them get along with each other. To make things more complicated, Little Bear says that he wants a wife, and the boys take him to the store to pick out a female American Indian from the plastic figures. The school principal sees the figures, but fortunately, decides that he’s just unwell and hallucinating. Meanwhile, Omri has to impress on Patrick that their little people are actually people and not toys simply to be played with. Of course, there’s only one way to ensure that their new little friends will be able to safely continue their lives: send them home!

Personally, I would have ended the game and sent Little Bear home as soon as I realized that he could die, like the chief in the story, but the boys keep their miniature living people for much longer. In fact, this is the first book in a series, and the boys have further adventures with Little Bear, Boone the cowboy, and other figures/people.

This book was commonly used in schools when I was a kid, and it might still be. When I was a kid, my teacher didn’t go into detail about Little Bear’s time period or explain about the context of his life and the conflicts with the French and Algonquin that he described. Now, as an adult, I have more context for understanding what he’s talking about. I also appreciate the author of the book pointing out that different types of Native Americans lived in different types of homes in the past, something that Omri didn’t understand at first, and I liked that Omri started doing his own research to better understand the Iroquois. The book never gives an exact date to Boone the cowboy or Little Bear’s time periods, but by context, Boone has to be more than 100 years younger than Little Bear, from sometime in the late 19th century. I appreciate having some historical details added to a fantasy story about toys coming to life, but the book isn’t very specific, focusing more on the complications involved in keeping miniature people from the past alive and secret in Omri’s bedroom.

There is also a movie version of this book. The book is available to borrow and read for free online through Internet Archive.

Murder at Midnight

Murder at Midnight by Avi, 2009.

This story is a prequel to Midnight Magic.

Fabrizio was an orphan living on the streets of the medieval city of Pergamontio before he was taken in as a servant by Mangus and his wife, Sophia. It was really Sophia’s idea that Mangus needed a personal servant. Mangus says that he is able to take care of himself, and he is impatient with Fabrizio because Fabrizio is ignorant and uneducated.

When Sophia goes to visit her sister, Fabrizio tries extra hard to please Mangus so that Mangus will continue to let him live in his house. Mangus is primarily a scholar, but he supplements his income by performing magic tricks at a local tavern. That evening, a black-robed figure appears at the magic show, warning of danger coming to Mangus. The next day, the magistrate, DeLaBina, accuses Mangus of spreading papers with treasonous messages about the king around the city. During this time, all writing is by hand, and no one can understand how these papers can all look so identical unless they were produced by magic.

At first, DeLaBina offers to let Mangus go if Mangus gets rid of the papers and reveals the identity of the traitor. When Mangus protests that he cannot do real magic and that he knows nothing about the papers, he is arrested. Shortly afterward, DeLaBina is murdered. Fabrizio’s only hope of saving his master, and himself, is to find the real traitor.

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

I didn’t like this book as well as I liked the original Midnight Magic.  Partly, the problem was that I feel like some of the events of this story should have changed people and events in the other book, and they don’t because this book, which is supposed to take place earlier than the other story, was actually written after the other story. It all just seems out of order, and I didn’t like the addition of Prince Cosimo to the royal family.  In this book, Prince Cosimo is the crown prince of Pergamontio, not Prince Lorenzo from the previous book.  Prince Cosimo did not appear in Midnight Magic (although his absence is explained by the end of this book) and was never even referred to in that book (which is the part that really bothers be me everyone in that book would have known all about him and what happened to him, and I feel like Fabrizio should have at least thought about him in passing, it’s just weird when characters suddenly exist in a series that you know didn’t exist before).

Basically, there is a plot (although not by the person who did the plotting in the other book) to overthrow the king, who is wildly superstitious. The printing press is a relatively new invention in this time period, and Pergamontio has never had one before, which is why no one can understand why the writing on the papers is so strangely uniform.  This is the other thing that bothers me about this book.  Pergamontio is supposed to be somewhat backward in comparison to other kingdoms, partly because the king is so superstitious, but it just seems like going a bit far for people to suspect that oddly-uniform writing would be a sign of witchcraft because people of that time would already be aware of the existence of signet rings and official seals which were used as stamps in wax to mark documents, like a kind of signature.  Like a printing press, those would also produce an identical image, time after time of use.  Basically, they’re all just complex forms of stamps.  Superstitious or not, I think that people of that time who were capable of reading probably would have been able to tell that a stamp of some kind was being used, even though they might not have seen one as complex as a printing press before.

In the story, a family has recently brought a printing press to the city, and printing the treasonous papers was the first job they were hired to do. Shortly afterward, Maria, the daughter of the family, was arrested while passing out the papers. Her parents are taken into custody by Count Scarazoni, who is a sinister character in his own right but is actually in opposition to the real traitor in this book.

Scarazoni was the figure in the black robe who tried to warn Mangus. Fabrizio is arrested when he tries to gather up more of the papers for Mangus so they can learn where they came from.  He is nearly executed for treason, but he is saved by Scarazoni because Scarazoni realizes that the real traitor wanted him dead because he feared that Fabrizio might know too much. At the prison, Fabrizio meets Maria and helps her to escape as well. Maria explains to him the true origins of the papers, and they find DeLaBina’s body.  This is the murder referenced in the title of the book, and they must solve it to uncover the identity of the real traitor!

As in the other book in this series, Fabrizio and Mangus use a magic trick at Mangus’s trial to shock the traitor into revealing himself.  Although, at the end of the story, the king still believes that Mangus is a real magician, Scarazoni points out that without Mangus’s “magic” the real traitor might not have been discovered. The king tells Mangus that he will let him go provided that he confine himself to his own home and no longer practice magic, setting events up for the beginning of the other story.

The Enchanted Forest

The Enchanted Forest by La Comtesse de Segur, translated by Beatrice Schenk de Regniers, 1856, 1974.

This is an English translation and retelling of one of La Comtesse’s stories.  I can’t read French, and I’ve never read the original version of the story, but the translator, Beatrice Schenk de Regniers, had a note in the book that she altered the story slightly from its original version.

King Goodheart has a lovely little daughter named Goldenhair, who he loves very much.  Unfortunately, his wife dies, and his people urge him to remarry.  His new wife, Queen Meanette, is as mean as her name sounds, and she does not like Goldenhair at all.  The King, realizing this, does his best to keep her away from his daughter and puts his daughter in the care of some trusted servants. 

Meanette, still jealous of the love and attention the King gives Goldenhair, plots to get rid of her.  One of the princess’s attendants is a boy who takes her out in her little carriage in the garden every day.  The boy is greedy for sweets, and the queen bribes him into tricking the princess into going into the enchanted forest.  People who go into the forest have been known to disappear forever.  When the princess becomes lost in the forest, she is befriended by a cat who takes her to a palace where he lives with a doe.  They are very kind to her, but Goldenhair still longs for a way to return home.

One day, while Goldenhair is living with the cat and the doe in their palace, a parrot comes and claims that he knows a way that the princess can return home.  He insists that she leave the palace, against the doe’s wishes, and pick a single rose that grows in the forest.  What the girl doesn’t know is that the parrot is an evil wizard in disguise.  When the girl picks the rose, the doe’s palace is destroyed, and the evil wizard reveals himself. 

Thinking that she has killed her friends, Goldenhair wanders, lonely and miserable, through the forest.  Then, a large tortoise comes and tells her that her friends are still alive and that she can find out what happened to them if she’s willing to take a long journey on the tortoise’s back without saying a single word the whole time.  Goldenhair does so and arrives at a fine palace where she learns that the doe was really Fairy Kindheart and the cat was really her son, Prince Charming.  They had been turned into animals by the evil wizard, and they had been freed when the princess picked the rose.  However, the princess had then fallen under the spell of the evil wizard, and the other trials were necessary to free her.  Fairy Kindheart takes the princess home to her father, who is overjoyed to see her.  The King marries Fairy Kindheart, and Goldenhair marries Prince Charming, and they all live happily ever after.

The book is currently available online through Internet Archive.

My Reaction and Further Information

The life of La Comtesse de Segur, the original author of this story, is almost like a fairy tale itself. Her first name was Sophie, and she was born in 1799 in Russia.  Her father was a Russian Count, and she grew up with her seven siblings on his vast estate.  However, even though her family was wealthy, her mother believed that children shouldn’t have life easy.  Sophie and her brothers and sisters had to sleep on small, hard beds and were never given much food to eat or any sweets.  When she was 18, Sophie went to live in France, and she married a French Count named Eugene de Segur.  It was not a particularly happy marriage, but she had four daughters and four sons and many grandchildren.  She wrote stories for them and became the most popular children’s writer of her time in France.  She died in 1874, but her stories are still popular with children in France.

I found the story of La Comtess’s life even more interesting than the story in the book, although the story in the book isn’t bad. It seems like a pretty obvious variation on the story of Snow White, but it is a charming story.

The Thief Lord

The Thief Lord by Cornelia Funke, 2000.

Prosper and Bo (short for Boniface) are orphans, running away from their caregiver. They were living with their aunt, a wealthy woman who likes little Bo and treats him like a little doll but doesn’t like Prosper because he is too old to treat like a toy. When the aunt starts considering sending Prosper away to boarding school, they run away to Venice to hide. There, they meet up with a band of orphans who live in an old movie theater. The other orphans/homeless children are Riccio, Mosca, and Hornet. Each of them is running from something in their past, and lacking adults to take care of them, has made their home in the theater, stealing and picking pockets to survive. The Thief Lord, the leader of this group, is the mysterious Scipio, a boy with his own secrets.

Many of the adults in this book are varying degrees of unhelpful and threatening as the children struggle to take care of themselves and their own lives. The boys’ aunt hires a detective to find them, and he does eventually figure out where they are living. Scipio turns out to be the son of the wealthy man who actually owns the disused theater. However, in spite of his father’s wealth, he does not have a happy home life. His father ignores and neglects him because he is too obsessed with his business concerns. At one point, the boy’s beloved cat is very sick, and Scipio fears that she might die, but his father brusquely tells him that he has no time to take it to a vet, and he’ll just buy him another one. (Don’t worry, the cat gets saved.)

One of the thefts that Scipio has the children attempt is the theft of a lion’s wing owned by a woman named Ida Spavento. A man known as the Conte, a customer of the man who buys the band’s stolen goods, specifically requested this item, although the children do not initially know why. Ida catches them in the act and tells them that the wing was once part of a magical merry-go-round that can change the ages of the people who ride it, making older people younger and younger people older. When Ida learns that the children received a request to steal the lion’s wing, she allows them to have it on the condition that she is allowed to come with them to see who hired them.

The Conte and his sister have discovered the merry-go-round and need the missing wing to complete it. Once the wing is restored, the merry-go-round turns them into young children. When Scipio sees that the merry-go-round really changes a person’s age, he insists on riding it himself. After a ride on the merry-go-round, Scipio becomes a young adult, able to live independently from his hard-hearted father and take care of his beloved cat. Barbarossa, the man who fences their stolen goods, also rides the merry-go-round and becomes a little boy again, far more adorable than the man he used to be. However, he accidentally breaks the merry-go-round so that the magic no longer works.

With the exception of Ida and the detective, Victor, the other adults in the story are irresponsible and self-centered, really more like children than the children. When the merry-go-round changes the ages of some of the characters, the changes end up suiting their personalities. Scipio was always more mature, and his new status as an adult reflects that. He ends up becoming an assistant to the detective in his agency, who understands the whole situation. Ida adopts Prosper, Bo, and Hornet and takes care of them. Prosper and Bo’s aunt is charmed by the now adorable Barbarossa and takes him in. Barbarossa, who is as shifty as a child as he was as an adult, is more than happy to let the aunt pamper him and fuss over him because he knows that he’ll get to enjoy her money in the process. The end does reveal that the aunt catches Barbarossa stealing from her and sends him to boarding school for some discipline, but he bullies and dominates the other boys into doing his bidding and even stealing for him, becoming the new Thief Lord.

The book is available to borrow for free online through Internet Archive.

Mazemaker

Mazemaker by Catherine Dexter, 1989.

Twelve-year-old Winnie Brown loves mazes, and she is very surprised when one shows up among all the other graffiti on the schoolyard.  The maze is painted on the ground in silver and is big enough for a person to walk through.  Winnie and her friend, Harry, try to walk the maze, but it makes them dizzy at first.  Then, a cat they’ve befriended finds its way to the center of the maze and disappears right before their eyes!

When Winnie tries to tell her mother about it, her mother doesn’t really pay attention.  Although Winnie and Harry try to explain it away as an optical illusion of some kind, Winnie is still convinced that there is something strange about the maze.  She feels drawn to it, and she tries to walk it one more time, even though Harry is afraid. 

The next thing Winnie knows is that she’s in a hedge maze.  She faints, and when she wakes up, she finds that she is being cared for by members of the Taylor family, who owned a large house in the area about a hundred years ago.

Somehow, Winnie must find the path through the maze again in order to go back home.  According to the Taylors’ creepy housekeeper, Violet Minot, the only person who really knows the maze is the mazemaker, a distant cousin of hers who disappeared many years ago.  Winnie wants very badly to return to her own time, but she fears that Mrs. Minot may have diabolical plans of her own for the mazemaker.

The book is available to borrow for free online through Internet Archive.

Themes and Spoilers

Winnie learns that a couple hundred years before the time of the Taylors and Mrs. Minot, a cousin of Mrs. Minot’s family came to live with them.  He was an orphan, and the father of the family liked him better than his sons because he was a good worker, and they were trouble-makers.  The cousin, William Sparrow, was afraid of his cousins because he knew they were jealous of him.  His grandmother was a witch, and she had taught him a little magic about mazes, like the one that was made near the village in England where he grew up.  William built the maze and used its magic to escape from his cousins, who were about to kill him.  He came to the Taylors’ time, when the maze had been built into a hedge maze and found work as the Taylors’ groundskeeper. 

However, even though William was not murdered by his cousins, they were blamed for his disappearance and looked at with suspicion for the rest of their lives. The locals, having noted their hostility toward their cousin, believed that they probably murdered William and hid his body somewhere. In the end, they were silently judged for the crime that they wanted to commit but didn’t actually commit because they never had the chance to do it. In a way, it’s a kind of justice, although Violet Minot doesn’t see it that way.

Violet Minot, one of their descendants, has been searching for years for the secret to the maze.  She believed that if her ancestors hadn’t been blamed for William’s disappearance, her family might have owned the big house and the estate around it.  She recognized William when he appeared in her time and threatened to tell everyone in the village who he was if he didn’t share the secrets of the maze with her.  To escape her, William went through the maze again and ended up in Winnie’s time.  He painted the maze on the ground where it was supposed to be, although it had been covered up by concrete for the schoolyard.  Then, William was picked up by the police for defacing public property.  His cat roamed the area and made friends with Winnie and Harry.

When Winnie goes back in time through the maze, Violet tries to use her to learn the secrets of the maze.  Winnie eventually figures out how to get home because Violet’s great-aunt tells her that there should be an extra turn in the maze, one that isn’t marked, which she made by accident before. Can Winnie and William both outwit Violet and get back to the times where they both belong? Where does William even belong? If he can’t go back to where he came from, where should he go?

The story ends happily and something that Winnie knows from her time settles the matter of where William should live the rest of his life. There is one person in time who loves him and never stopped looking for him when he disappeared from her time. William’s time quandary and the existence of his magic maze have accidentally trapped other people in time, and when he resolves his problem and decides where he really belongs, he is able to free the others who were trapped and put an end to the magic.

The Nutcracker

The Nutcracker by E.T.A. Hoffmann, retold by Anthea Bell, 1816, 1987.

The reason for the two dates of this book is that the original Nutcracker story was written by a German writer, E.T.A. Hoffmann, in 1816, as the novella The Nutcracker and the Mouse King. Some places, including the back of this book note different publishing dates for the original story because it was published more than once during the 1810s, as part of different story collections. This article gives more details about the original version of the story and different publications. Since then, it has been retold many times and in many different forms, including the famous ballet based on the story. In ballets and plays, the name of the heroine is often Clara, but in this picture book, as in the original story, the heroine’s name is Marie.

In the beginning of the book, which is set in the 19th century, Marie and her brother Fritz, are opening their Christmas presents on Christmas Eve. (The book explains that opening presents on Christmas Eve is a German tradition. A friend in Germany also explained that to me once because, in Germany, presents are supposedly brought by the Christ Child, not by Santa Claus. Since then, I’ve read that explanation may vary, depending on whether the household is Catholic or Protestant.) The children receive many wonderful presents, including a toy castle from their godfather, Mr. Drosselmeier. Marie’s favorite present is a nutcracker that looks like an odd little man. When Fritz is too rough with the nutcracker and breaks it, Marie takes care of it.

Marie stays up late, and when she finally puts the nutcracker away at midnight, she is astonished to see an army of mice coming out of the floorboards. The leader of the mouse army is the Mouse King, who has seven heads. The Nutcracker leads an army of toys against the mouse army. The mouse army appears to be winning, so, to save the Nutcracker, Marie takes off her shoe and throws it at the mice. Then, her arm hurts, and she apparently faints.

When Marie wakes up, she is in her own bed, and her mother tells her that she apparently put her arm through the glass door of the toy cabinet, cutting herself badly. When Marie tries to tell her mother about the battle between the toys and the mice, her mother and the doctor think that she’s ill and confine her to her bed for a few days. Mr. Drosselmeier repairs the Nutcracker and returns it to Marie, telling her the reason why nutcrackers look so strange and ugly, calling it The Tale of the Hard Nut.

Year ago, there was a royal banquet given by the King and Queen who were the parents of Princess Pirlipat. A mouse who claimed to be the queen of Mousolia demanded some food from the banquet as the Queen was preparing it. The King was angry that the mouse took some of the food and wanted revenge. The King asked his Court Watchmaker, who was also named Drosselmeier, to build some mousetraps to catch the mouse queen’s seven sons. When the sons were caught, the mouse queen vowed that she’d take her revenge on Princess Pirlipat. Princess Pirlipat was a pretty baby, but the mouse queen turned her ugly. The King took out his anger on the Court Watchmaker, ordering him to find a way to change Princess Pirlipat back to normal and threatening to behead him if he failed. After consulting the Court Astronomer, the Court Watchmaker learned that the key to breaking the spell on the princess was a special nut, which had to be cracked by being bitten by a man who filled certain special requirements, which all happened to be met by the son of the Watchmaker’s dollmaker cousin. The King had promised that the person who could break the spell could marry his daughter, but the mouse queen interrupted the last part of the ritual, causing the young cousin to turn ugly himself. When pretty Princess Pirlipat saw her rescuer turn ugly, she didn’t want to marry him anymore. The Court Astronomer said that the only way to break the spell on the young man was for him to defeat the new Mouse King – the mouse queen’s youngest son – and for him to find a woman who would love him regardless of his appearance.

Marie knows that the story is true because she has seen the Mouse King herself. She loves the Nutcracker and wants to help him. The Nutcracker returns to visit Marie during the night and makes repeated demands of her for her candy and toys. Marie knows that, no matter what she gives him, the Mouse King will keep returning to demand something else. The Nutcracker tells her that he needs a sword to fight the Mouse King. They borrow one from a toy soldier, and the Nutcracker successfully defeats the Mouse King, giving Marie his seven golden crowns.

As a reward for helping him, the Nutcracker takes Marie to the land where he is from, leading her there through a magic staircase in an old wardrobe. The Nutcracker’s land is beautiful, filled with candy and sweets and gold and silver fruit. (The Christmas Wood that they pass through reminds me of the woods in the wardrobe in The Lion, the Witch, and the Wardrobe.) The Prince Nutcracker’s home is Marzipan Castle in Candy City, where his beautiful princess sisters live. They welcome Marie and the Nutcracker home.

Then, suddenly, Marie wakes up, as if it were all a dream. However, Marie knows that it wasn’t a dream because she still has the Mouse King’s crowns. Marie tells the Nutcracker that she loves him. There is a sudden bang, and Marie faints. When she wakes up, she is told that Mr. Drosselmeier’s nephew has come to visit them. The nephew is the Nutcracker, restored to human form and now a handsome young man, thanks to Marie’s love. Marie later marries the nephew, and the two of them rule magical Kingdom of Sweets.

There is a section in the back of the book that explains a little more about E.T.A. Hoffmann and the original version of the Nutcracker story.

This book is available to borrow for free online through Internet Archive.

No More Magic

NoMoreMagic

No More Magic by Avi, 1975.

Chris has a fun time on Halloween with his best friend, Eddie.  The two of them are dressed as superheroes.  Eddie is Batman, and Chris is the Green Lantern.  However, the next morning he discovers that his bike is missing.

Chris loves his bike because of its wonderful green color.  He thinks of green as a magical color, and the bike has a great shimmery kind of green paint that reminds him of the Green Lantern.  Although his green bike was a little old and his mother gets a good deal on a newer yellow bike, Chris misses his old one and begins investigating, trying to figure out who could have taken it.

At first, the challenge seems difficult.  On Halloween night, lots of people were running around in costume.  However, Chris’s community isn’t too big, and he is able to identify many of the people who came to the house around the time that the bike disappeared.  One kid that he doesn’t know well is Muffin, a new girl at school, who came to the house in a nurse costume.  There was also a mysterious kid who came in a warlock outfit, with a cape and a tri-cornered hat.

When Chris interviews Muffin to see if she knows anything about his missing bike, he learns that the warlock costume originally belonged to her.  She had made it herself and was proud of it, but someone stole it while it was hanging up to dry.  The nurse costume was a last-minute substitute.  Chris thinks that whoever was wearing the warlock outfit is the most likely suspect for stealing his bike because the local police chief told him that a man had complained that someone riding a bike like his and wearing a costume like the warlock costume ran into him.  He suggests that the two of them team up to find the mysterious warlock/thief and get their stuff back.

Muffin is kind of a strange girl and is oddly evasive about her life and family.  At first, all she will tell Chris is that her real name is Maureen (but she doesn’t like that name) and that she has come to town to live with her aunt because her parents “aren’t around.”  Her aunt seems somewhat strict, and Chris donates some of his own money to Muffin to help her buy a used bike so the two of them can ride around together, looking for clues.

One of the first things they learn is that the person wearing the warlock costume won the prize for the best costume at the Halloween parade downtown.  Chris didn’t attend the Halloween parade, but his friend, Eddie, says that he went.  However, Muffin and Chris notice that Eddie’s name wasn’t on the list of attendees.  When they try to ask Eddie about it, he becomes strangely angry.  Chris doesn’t want to think that his best friend could have stolen his bike or the warlock costume or both, but why would he try so hard to avoid answering their questions if he didn’t have something to hide?

Then, Chris learns why Muffin is so secretive about her life.  The school counselor has noticed that Chris has made friends with Muffin, which she thinks is good, but she tells Chris’s mother about Muffin’s circumstances because she thinks that they should know.  Muffin’s parents recently split up.  For unknown reasons, her mother walked out on her father.  Muffin’s father was distraught when his wife left, and he decided that he should go after her and try to straighten things out with her.  He left Muffin with her aunt and went to try to find his wife, although no one really knows exactly where they went or when Muffin’s father might be back to get her.  The part that worries the school counselor is that Muffin seems to be blaming her parents’ problems and their mysterious absence on magic.  She thinks that magic made her mother go away and that magic is what’s keeping her father away.  The school counselor thinks that being friends with Chris, who is a pretty practical kid (even though he also believes in magic a little), will help bring Muffin down to Earth, and Chris’s mother encourages him to be nice to Muffin and bring her over for dinner.

Still, Chris can’t shake the thought of magic from his head.  He has the strange feeling that, somehow, his magic bike and the magic that Muffin is looking for to get her parents back are connected.  One night, he even thinks that he sees the warlock flying across the sky with his bike, although his father thinks that he dreamed the whole thing.  Neither of his parents believes in magic, and Chris even comes to question whether Muffin is to be trusted.  However, as Chris’s father says, it’s often a matter of asking the right questions before ending up with the wrong answers.

Muffin’s belief in magic comes from what her father said after her mother left.  He said that “the magic had gone,” and he blamed himself for being too self-centered to realize it.  Adults would realize that “the magic” the father was talking about is the romantic feelings that come with love, but Muffin had interpreted the phrase literally.  When her father decided to go after her mother and try to work things out, he said that he was going to “go and find the magic and make it work again.”  Again, Muffin believed that was literally what he was going to do.

It turns out that there are perfectly logical explanations for what happened to both Chris’s bike and the warlock costume, and the two missing objects are not necessarily connected.  Much of what happened on Halloween night involved a series of coincidences, deceptions, and misunderstandings, but even when the full truth becomes known, Chris and Muffin can’t shake the thought that there was a kind of magic behind it all.  Plus, as the kids had guessed, Muffins parents return when they find Chris’s magic bike.

The book is available to borrow online for free through Internet Archive.

The Wicked, Wicked Ladies in the Haunted House

The Wicked, Wicked Ladies in the Haunted House by Mary Chase, 1968.

Nine-year-old Maureen Swanson has a bad reputation in her neighborhood, mostly deserved.  The other kids don’t like her because she tells lies and picks fights with them.  Maureen is fascinated by an old, abandoned house in her neighborhood where the wealthy Messerman family used to live.  Sometimes she likes to pretend that she lives there herself. 

One day, while trying to avoid punishment for her latest antics, she finds her way inside the Messerman estate.  There, she meets a little man who turns out to be a leprechaun.  He tells her that she should leave immediately and not come back, but instead, she ends up exploring inside the house.  To her amazement, she finds paintings of the seven Messerman sisters, who disappeared from the house long ago, and the ladies in the paintings move when she turns her back on them.

When Maureen tries to tell others about it, no one believes it.  When she leaves the house, Maureen takes with her a strange bracelet that she finds on the ground, the same one that she had seen on one of the ladies in the paintings, a gold chain with pigeon feathers.  Later that evening, the same lady from the painting shows up at Maureen’s house, asking for her bracelet back.  The rumors Maureen has heard about the Messerman house being haunted are more true than she knows, and the wicked Messerman girls will stop at nothing to get what they want.

Years ago, the leprechaun came to the Messerman house along with a maid who was from Ireland.  Mrs. Messerman was a very kind woman, and Nora, the maid, was his friend, so he decided to stay.  However, the Messerman girls were always selfish and wicked.  One day, the eldest of the girls stole the leprechaun’s magic bag of tricks and turned herself and her sisters into birds so that they could always go where they wanted and do what they wanted without anyone stopping them.  Mr. and Mrs. Messerman were broken-hearted when their girls disappeared.  Years later, after their parents were dead, they finally returned.  They were not sad at all, but continued their selfish and wicked ways.  Because of the magic, they never age and can turn into birds whenever they like. 

Maureen is afraid to admit that she has the bracelet because she knows that her parents will punish her for trespassing on the Messerman property.  The next day, the women trick her into entering the estate again, only this time, Maureen enters the estate as it was in the past, when the girls were young.  Mr. and Mrs. Messerman are very kind to Maureen and offer to look after her until they can find where she lives.  Mrs. Messerman seems to know that her daughters are mean but doesn’t seem to know what to do about it.  She asks Maureen to help them if she ever has the chance.  It’s a touching moment for Maureen, who suddenly realizes that no one has ever asked her for help before.

Maureen, frightened by the girls, finally gives back the bracelet, and they all fly off again, leaving her alone in the past. How is Maureen going to get home?

This book also goes by the title The Wicked Pigeon Ladies in the Garden. It is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

This is partly a story about personal transformation. Maureen has definitely been the resident mean girl, but she gains a new perspective on her own life and behavior when confronted with the frightening wickedness of the Messerman girls.

The leprechaun tells Maureen that the only way to get out of the pretend past created by the Messerman girls is to think about what is going on in the real world.  When Maureen thinks of her mother, she hears her mother calling her and returns to her own time.  The leprechaun catches the birds in a net and almost drowns them in a pond, but Maureen stops him, telling him that Mrs. Messerman had asked her to help them.  The leprechaun releases the birds and tells Maureen that they will continue to be, literally, flighty birdbrains, but that their mother’s love will always be with them.  Maureen, having seen how cold and cruel the sisters were, never appreciating their mother’s love, learns to appreciate her own family more and to behave better. At the end of the story, she acknowledges that she heard her mother calling her and that call, the product of her own mother’s love and concern for her, was what helped her to return home. Maureen ends up better off than the wicked and flighty Messermans because she not only has a home where people care for her but she has learned to appreciate that home and those people and will now treat them better.

One of the things that I appreciated most about this book was the unusual way the leprechaun was used in the story. The story starts out seeming like it will be about ghosts in a haunted house, but that’s not quite what’s happening. Also, when leprechauns appear in stories, they usually have a pot of gold or play tricks on people, but the leprechaun’s role in this story isn’t quite the same.