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The Princess and the Goblin

The Princess and the Goblin by George MacDonald, illustrated by Jessie Willcox Smith, 1872, 1920, 1986.

“But, Mr. Author, why do you always write about princesses?”
“Because every little girl is a princess.”
“You will make them vain if you tell them that.”
“Not if they understand what I mean.”

The Princess and the Goblin, Chapter 1: Why the Princess Has a Story About Her

This is an enchanting fairy tale-type story about a princess. One of the best parts comes at the beginning of the book, when the reader supposedly interrupts the author as he starts to tell the story, asking him why he likes to tell stories about princesses. The author explains that princess stories remind every little girl that she is a princess, that they are all the daughters of kings (apparently in the sense that any man can be the king of his family with all the dignity and wisdom that implies, and it reflects well on them when their daughters behave well, as if they were raised with the manners of royalty), even if they sometimes forget that and behave in very un-princesslike ways. He wants to remind them that they are all princesses and can behave with the grace and dignity of princesses, and he can also pamper them a little because, in the course of the story, he can give them every beautiful thing he wants all the little princesses of the world to have. There’s kind of a behavioral caution in that explanation, but also a sweet sentiment. Even if you’re just an ordinary girl, you can still act with royal dignity and grace, and through the story, you can vicariously enjoy all the riches and adventure that a fairy tale princess can have.

The princess in the story, Princess Irene, is about eight years old, being brought up in a castle or manor house in the countryside because her mother was not physically strong when she was born and is now dead. She is largely raised by her nurse and only sees her father, the king, occasionally. Her father spends his time traveling between his castles and manors, visiting various parts of his country to make sure that everything is in order. Princess Irene cannot go with him because she is still too young to travel that much.

There are caverns under and around the castle-like manor house where Princess Irene lives. There are mines in the area, and the caverns are inhabited by creatures like kobolds or goblins. The story says that there are legends that these creatures once lived above ground, but having some quarrel with requirements imposed on them by the king or human society, they retreated underground to live there in secret. From generations of living underground, they have become physically altered into deformed creatures, but they have also acquired arcane knowledge and delight in playing mischievous tricks. Because of fears of the goblins coming out at night, Princess Irene is kept safely indoors before the sun goes down and has never seen the night sky by the age of eight.

One rainy day, Princess Irene is sitting in her nursery, bored. She has many fabulous toys (so amazing that the author of the book declines to describe them and cautions the illustrator against attempting to draw them, so readers can imagine any fabulous toys they like), but Irene in not in any mood to be amused by anything. Princess Irene is restless and doesn’t even quite know what she wants. When her nurse leaves the room, Irene takes the opportunity to run off and explore parts of the castle she has never before explored. She runs up some stairs into a passageway full of doors. She continues running through the passageways with doors leading to rooms with nobody in them until she becomes lost and confused. The corridors are empty, and there is no sound but the rain. One of my favorite quotes from this book says, “It doesn’t follow that she was lost, because she had lost herself though.” Just because Princess Irene doesn’t know where she is or where she’s going doesn’t mean that she isn’t heading in the right direction, where she needs to be.

Frightened, Princess Irene tries to find her way back to the nursery. Eventually, she finds her way to a room where she hears a humming sound. When Irene enters the room, she finds a beautiful old lady with silver hair sitting at the spinning wheel. Irene isn’t sure how old the lady is because she seems almost ageless. The lady notices that she’s been crying and asks her why, and Irene explains that she is lost. The lady is kind to her, washing her face and hands, and she introduces herself as Irene, too. She says that she is the princess’s great-great-grandmother and that Princess Irene was named after her. Princess Irene wonders why she’s never seen her before, and the elderly Queen Irene says that no one else knows that she is here. She shows Princess Irene the pigeons she keeps and promises that Princess Irene will see her again. Then, she guides the little girl to the stairs back to the nursery.

When Princess Irene is back in her nursery, her nurse is relieved because she’s been looking for her. The princess explains that she was with her great-great grandmother, but her nurse doesn’t believe her. Princess Irene is offended that her nurse thinks she made up the whole story. The next day, Princess Irene tries to find the old lady’s room again, but she can’t. She almost starts to wonder if she did just dream about her.

After the rain is over, the princess and her nurse spend some time outside. They wander farther than they should, and the nurse realizes in a panic that they cannot get back to the castle before the sun sets. The nurse grabs the princess’s hand and begins running for home. She becomes even more panicked when the princess thinks she sees little men and hears a sound like laughing. In their haste and panic, they get lost. The princess doesn’t understand why her nurse is so panicked because no one is supposed to scare her by telling her about the goblins.

Fortunately, they meet up with Curdie, a young miner boy. It scares the nurse that Curdie is singing about goblins, but Curdie says that goblins can’t stand singing. Goblins don’t bother Curdie because he’s used to them and doesn’t let them frighten him. This is the first time Princess Irene learns about the goblins. When the nurse tells him who the princess is, Curdie says that they wouldn’t have gotten lost if they weren’t frightened and that it was a bad idea to say the princess’s name because the goblins might have heard and will recognize her if they see her again. Curdie guides them back to the castle before anyone realizes that they are missing. Irene likes Curdie and wants to give him a kiss for helping them, but the nurse stops her. Curdie tells her that there will be another time, and she can keep her promise of a kiss later.

Curdie can tell that the goblins are angry with him for interfering with their pursuit of the princess by their behavior toward him the next day. It doesn’t bother him much because he knows exactly how to deal with them. Goblins are intimidated by songs and rhymes, probably because they can’t make any themselves. Miners who are good at remembering songs and rhymes or making new ones for themselves don’t need to worry about the goblins, and Curdie has a talent for this sort of thing.

While Curdie is in the mine after the other miners have left, he overhears a goblin family talking, and he learns some useful things. First, he finds out that goblins’ feet are a vulnerable point on their body. Their heads are very hard, but their feet are very soft, and they have no toes. The only one who wears shoes is the goblin queen, and the goblins say that’s because the goblin king’s first wife wore shoes, and the second queen doesn’t want to seem inferior to the first. The goblin king’s first wife was a human woman, who died giving birth to their son. Second, the goblins are building new homes further away from where the miners have been mining. Third, the goblins are planning some kind of disaster against the miners. Curdie secretly follows the goblins to find out where the goblin palace is and learn more of their plans. At the goblin palace, he hears them discussing their plans. They don’t offer many new details, but it is clear that they are planning some sort of revenge against humans.

Princess Irene finds her way to her great-great-grandmother’s room again one night. This time, the old Queen Irene shows Princess Irene what she is spinning. She is spinning spiderwebs to make something for Princess Irene. She heals a wound on the princess’s hand and invites her to spend the night with her. When Princess Irene wakes up, she is back in the nursery, but she now believes that it wasn’t just a dream.

Later, the princess is frightened by a horrible goblin creature that enters her nursery through a window that the nurse left open when it was getting dark. Terrified, Princess Irene runs out of the castle into the darkness (somehow missing the extra guards that her father left at the castle for her protection). Fortunately, her great-great-grandmother sends her a magical lamp that guides her back to the castle. There, she gives the princess the present that she has finished making: a ball of finely-spun spider silk. She also gives Princess Irene a ring with a fire opal. She tells the princess that these things will guide her to safety any time that she is frightened.

The magical spider silk thread helps Princess Irene to find Curdie when he is captured by the goblins. Curdie has been trying to learn more about the goblins’ plans. Curdie discovers that the goblins are planning to kidnap Princess Irene as both a hostage and a bride for their half-human, half-goblin prince. Worse still, if their plot to abduct the princess doesn’t work, they plan to flood the mines and drown the miners!

This book is in the public domain. It’s available to read online through Project Gutenberg (multiple formats) and Internet Archive (multiple copies). You can also hear a LibriVox audio reading of this book online through YouTube and other audio recordings at Internet Archive. The story was made into an animated movie in 1991, and you can see it online through Internet Archive. There is only one sequel to this book, The Princess and Curdie. Personally, I think the original is better than the sequel.

My Reaction

This is a classic children’s fantasy story! The princess is sweet, the villains pose a real threat, and the story doesn’t shy away from the goblins’ evil. When they’re describing what to do with the princess when they get her, they talk about how they’re going to make her toes grow together so she’ll be like them. As princess stories go, this one isn’t as sparkly and pink as many modern princess books. Still, as the author notes in the beginning, this story allows all little girls to think of themselves as princesses and imagine themselves going through the adventure with Princess Irene.

As with many other Victorian era children’s stories, there are moral lessons in this one. The author periodically reminds readers about how princesses should behave with bravery and should keep their promises. There are also various other morals in the story, like the value of hard work and duty to others, learning to understand other people and give them the benefit of the doubt, and having the courage to admit mistakes and make them right. All of these values are described as being noble, and it’s implied that Curdie might have princely blood for exhibiting these values. The book uses royalty or the behavior of princesses and princes as a sort of metaphor for moral behavior.

Princess Irene’s great-great-grandmother is never fully explained. At one point, Princess Irene brings Curdie to see her, but he can’t see her, even when the princess is sitting on her lap. However, the king himself goes to see her without the princess. The princess knows that’s where he’s going because he’s heading in that direction. He is aware that the old Queen Irene is there, but he doesn’t share that knowledge with anyone else. When Curdie tells his mother that the princess tried to show him her great-great-grandmother but nobody was there and he thought that she just made it all up, his mother tells him that there is something very odd about the royal family. She says that they’re not sinister, but there are rumors and implications that there is something magical about them or that they are not quite normal humans. At the end of the story, we never get a firm answer about what Queen Irene really is. When I first read this book, I thought that she might be a ghost because, as an ordinary human, she shouldn’t be alive anymore, and I figured that she only shows herself to members of her own family. However, that doesn’t fully explain her magic, and from what Curdie’s mother says, maybe she’s some kind of fairy or elf or maybe a powerful sorceress, who can either live forever or for a long period beyond the normal human lifespan.

One of the parts that I always liked best about this book is the illustrations. They’re charming and magical! These particular illustrations were made by Jessie Willcox Smith, a famous illustrator of children’s books in the early 20th century, in 1920.

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Ruth Fielding at Silver Ranch

Ruth Fielding

Ruth Fielding at Silver Ranch, or Schoolgirls Among the Cowboys by Alice B. Emerson, 1915.

In the last Ruth Fielding book, Ruth and her friends met a girl named Jane Ann who had run away from home. In this book, Ruth and her friends go to Silver Ranch in Montana, Jane Ann’s home, which is owned by her uncle, Bill Hicks. Ruth’s best friend, Helen, is surprised that Ruth’s Uncle Jabez let her come on the trip because he’s been very upset about the money he lost investing in a mine. Helen says maybe the investment will turn out fine after all, and Ruth says that the mine he invested in, the Tintacker Mine, is coincidentally nearby. It’s supposed to be a silver mine, although Uncle Jabez now doubts whether the mine is real or some kind of scam. The young man who talked him into investing hasn’t answered Uncle Jabez’s letters for months. So, while they’re staying at the ranch, Ruth plans to ask some questions in the area about the mine and see what she can learn.

On their first evening at the ranch, while they’re playing music, singing, and enjoying themselves, they suddenly get word that there’s a prairie fire up by Tintacker, and a cowboy says that it was probably set by “Bughouse Johnny.” (“Bughouse” is an old-fashioned slang word meaning “crazy”, so this is a descriptive nickname.) Ruth and her friends go to help the cowboys with the fire, and they watch as they slaughter three steers and use the carasses to smother the flames.

Ruth asks some questions about Tintacker, and the cowboys mention a new man who’s been hanging around that area. They don’t know much about him, but he’s pretty young, and they call him “the tenderfoot.” Ruth thinks he might be the young man her uncle has been looking for. She also asks them about Bughouse Johnny, but they don’t tell her much more than he’s a crazy guy who camps out in the area of Tintacker.

Ruth explains her uncle’s situation to Jane Ann’s uncle. Bill Hicks says that, as far as he knows, there’s no more silver left in the Tintacker Mine, and he thinks that Ruth’s uncle has been cheated. Ruth asks him if there’s any way that she can see the official papers associated with the mine, and Bill Hicks introduces her to a friend of his who is a lawyer, Mr. Savage. Mr. Savage confirms that ownership of the mine belongs to a man named John Cox, who bought out the other heirs of the mine’s original owners. Like Bill Hicks, Mr. Savage thinks that the mine isn’t worth anything, but if the young man Uncle Jabez invested with is John Cox, the investment is valid, just not one that’s likely to see a return. Ruth says that she will give the lawyer’s information to her uncle and that her uncle may ask him to act on his behalf later, depending on how he decides to handle this investment.

Ruth and her friends have some Western-style fun and adventures with Jane Ann, the cowboys, and the other locals. Jane Ann gets to show off her riding and ranching skills, and they all attend a local dance, where Ruth and her friends play matchmaker between a shy cowboy and the haughty schoolmistress he admires. They have a hair-raising encounter with a wild bear, and the man who saves them by shooting the bear turns out to be the man from Tintacker who Ruth wants to see.

When Ruth and one of Hick’s men go to see this man later, they find him deathly ill. If the man doesn’t recover, and if the mine turns out to be worthless, Uncle Jabez will lose his money, and there will be no way for Ruth to continue attending the boarding school she loves with her friends! However, the answer to the truth about John Cox’s identity is closer than Ruth and her friends suspect.

The book is available to borrow and read for free online through Internet Archive (multiple copies) and Project Gutenberg (multiple formats).

My Reaction

Like many other early Stratemeyer books, this story contains elements of a mystery but is really more of an adventure. I didn’t like parts of the adventure because there were repeated instances of characters being attacked by animals and then the animals needing to be killed. At one point, Ruth herself beats an attacking wolf to death, and I thought that was a shockingly violent scene for a Stratemeyer Syndicate book! Although, earlier Stratemeyer Syndicate books are quite different from the later ones.

The mystery part of the story focuses on the identity of John Cox, the man who convinced Uncle Jabez to invest in his mine, and the truth about his mine. I actually felt a little silly for not figuring out the true identity of John Cox sooner because he actually shares the same last name as one of the other regular characters in this series, and it’s not a coincidence. John Cox is Mary Cox’s brother.

Mary Cox, nicknamed “The Fox” by her schoolmates for being sly, is along on the trip with the other Briarwood Hall girls, although she is a nasty rival for Ruth in particular. Even though she has gotten along better with some of the other girls in the past, her snooty attitude and bad behavior have finally gotten on everybody’s nerves in this book.

When Mary is temporarily in control of a wagon Ruth and Helen are in, she does something reckless and almost gets them all killed until Ruth takes control of the reins and saves them. Everyone knows that the situation was Mary’s fault and that Ruth saved the day, and this is not the first time that Ruth has saved Mary from something. (By my count, it’s the third time.) However, Mary is ungrateful for her help and in denial that she did anything wrong (as usual). Just when everyone has decided that they’re completely fed up with her, the discovery of her brother changes things. While Mary is unmoved by Ruth saving her life, she is genuinely grateful to Ruth for saving her brother when he was ill and alone, which is astonishing for a girl who has never seemed to genuinely care about anybody else before. John Cox is an honest man, and Uncle Jabez’s investment turns out better than expected, guaranteeing that Ruth will be able to return to boarding school with her friends.

I want to warn readers that this is one of the Stratemeyer Syndicate books that has characters using racial slurs. The Ruth Fielding books were written before the Stratemeyer Syndicate revised its books in the mid-20th century to remove language like that. As in other Stratemeyer books, the use of inappropriate racial language is used to show which characters are crude and antagonistic, and in the case of this book, that character is Mary.

Mary Cox sneers at one of Bill Hick’s men, Jib, because he is of Native American descent, although Helen’s brother Tom stands up for Jib, pointing out that he’s much better educated than most of the men Mary knows, even though he works as a cowboy, and that Native Americans used to own the entire country before white people came, which is nothing to sneer at. Mary still insists on calling him a “savage”, mostly because Mary’s habitual method of communicating with people is to put someone else down so that she can look superior. This entire exchange takes place during an episode when Mary is trying to flirt with Tom, and bringing up racial slurs to put someone down during a flirtation with someone else is a very weird thing to do. It’s mostly a part of the story to show why Mary is such a pain. Tom just ends up being disgusted with her. It’s not the last time Mary uses racial slurs. At one point, she also calls the ranch cook a “fat and greasy Mexican squaw.” It’s pretty bad to see that kind of language in a kid’s book, even though it’s there to show that Mary has a nasty personality and behaves badly, which irritates and embarrasses people around her.

On a lighter note, the story is peppered with all sorts of Western words and slang. Since slang changes over time, and I’m not sure how people said things in the 1910s, I’m not sure how accurate the slang is for the time, but I’d like to call attention to a couple of words in the story that will be familiar to readers, but not in the way that they usually see them. “Cañon” is actually the Spanish word for “canyon”, pronounced the same way that we say in English, but the little tilde symbol over the ‘n’ adds the ‘y’ sound. The word that confused me the most was “kiotes,”, not because I didn’t know what they were talking about, but because that is not the Spanish version of the word. It looks like a phonetic spelling of the way we pronounce “coyotes” in English, but the Spanish word is also spelled “coyotes”, just pronounced a little differently. I didn’t know where the spelling “kiotes” came from, and I’d never seen it anywhere else before. I tried Googling it to find out more, and I saw a few mentions of the word with that spelling. One mention said that it was a Native American word, but it didn’t explain much more than that, so I can’t be sure. The book also uses the plural of “beef”, which is “beeves“, a word that used to be a joke with my brother and my friends the first time we heard it years ago because we thought it sounded funny. It also mentions the girls wearing “furbelow“, a word that I’d never heard before that means ruffles, pleats, or flounces in women’s clothing.

Posted on by TracyC

Miss Bianca in the Salt Mines

Miss Bianca in the Salt Mines by Margery Sharp, illustrated by Garth Williams, 1966.

This book is part of the Rescuers series.

When this story begins, Miss Bianca, who is Perpetual Madam President of the Mouse Prisoners’ Aid Society, is evaluating candidates for the Tybalt Stars award, which is given for mice who are brave in the face of cats. Bernard, the secretary of the society, is helping her. Each of the candidates is undeniably brave, but Miss Bianca notices that each of them also had a self-serving motive behind their bravery, which seems disappointing for a benevolent society. When they stop for lunch and Bernard goes to fetch some salt for them, he finds a note in the salt that says, “Someone please get me out of the salt mines.” The note is signed “Teddy (age 8).” Naturally, Miss Bianca is eager to help the poor boy! Bernard is a little more doubtful about the mission because the salt mines are about a thousand miles away, extremely dangerous, and extremely well guarded. Nevertheless, the Mouse Prisoners’ Aid Society cannot refuse to help a prisoner, and neither can its President.

Soon, Miss Bianca has members of the society trying to learn anything they can about a missing boy named Teddy, but apparently, no one has reported a boy by that name or age as missing. Bianca uses the lessons of the boy who owns her to learn more about the salt mines and how to get there. In order to get to the salt mines, they’d have to go by train, and it’s a very dangerous route. At the next meeting of the society, Miss Bianca asks for volunteers to go rescue Teddy, but everyone is reluctant to go, and many members of the society don’t like it that Miss Bianca doesn’t even seem to have any facts about Teddy or his situation that could help them. Miss Bianca says that, even though she can’t be more specific about Teddy’s background or how he came to be in the salt mines, the important fact is that he shouldn’t be there, and he needs help getting out. Since no one else wants to volunteer for the rescue mission, Miss Bianca says that she’ll go herself, and of course, Bernard insists on coming with her.

To Miss Bianca’s surprise, her biggest opponent, a curmudgeonly mouse called the Professor (his real name is George) who teaches mathematics, also volunteers to join the mission. Bernard and Miss Bianca are even more surprised when the Professor insists on bringing his friend Caerphilly along. Caerphilly is very elderly, but he’s also a professor of geology. Caerphilly has never actually been to the salt mines before, but he’s always wanted to see them and study them. Bernard and Miss Bianca aren’t sure that Caerphilly is up to handling the dangers that they’re likely to encounter on the mission. Miss Bianca reminds Caerphilly that this is supposed to be a rescue mission, not a scientific expedition. Caerphilly is unconcerned, saying that they can handle the rescue, and he’ll handle the science. Miss Bianca says that the Professor should warn his friend just what risks a rescue mission involves, but the Professor is also unconcerned, saying that the geology department at the university thinks too much of itself, and he wouldn’t mind seeing his friend chased by bloodhounds. (Some friend he is.) Miss Bianca is concerned both because of the danger and because their self-serving motives are just what she was concerned about before.

In spite of that, they decide to proceed with the mission, bringing the two professors. They take some time to make their preparations. Bernard and Bianca research the trains they’ll need to take. The Finance Committee allows them to take along the society’s Treasure – there’s only one, a single gold coin they found in a ruined building. Teddy might need this to pay for his train fare after they get him out of the mines. The Ladies’ Guild also knits mittens for the unfortunate boy because the salt mines are reportedly very cold. Miss Bianca tells the boy she lives with not to worry if he doesn’t see her for a week or so because she’s going to be writing an epic poem and needs privacy.

As they finally set out on their mission, the Professor is pessimistic, but the train journey is uneventful. When they arrive at the salt mines’ train station, it’s a very bare and gloomy building. Bernard finds a wooden door with some steps heading down.

At the bottom of the steps, they find themselves in an underground cavern filled with stalactites and stalagmites. There is also an underground lake surrounded by crusts of salt. The Professor realizes that they have entered the salt mines through a disused and forgotten entrance. In the distance, they hear the sounds of prisoners mining the salt.

It’s a long walk to the active part of the mine, but along the way, they make an important discovery – a mouse-sized city carved out of salt! Each of the buildings in the miniature town are unique and resemble famous buildings from around the world. Miss Bianca thinks that the buildings were probably carved by prisoners who made buildings to resemble the places where they used to live. It’s the perfect place for the mice to stay, though.

Bernard, inspired by this strange place, tries to write a poem for the first time in his life, which isn’t very good. Miss Bianca tries to be nice about it, but he can tell that she doesn’t like it. Bernard is upset enough to try to drown himself (that part of the story struck me as rather shocking, although it’s handled so matter-of-factly as just a product of the weird atmosphere of this place), but he can’t because he just floats in the salt water. It seems like most of the members of the expedition temporarily forget about Teddy. Only Miss Bianca isn’t affected by this strange little town because she lives in a porcelain pagoda at home that her boy gave to her, so these buildings are very much like what she already knows.

Fortunately, the expedition gets some help from some friendly bats who live in the mines. The younger bats in the group say that they’ve seen little Teddy serving the governor of the salt mines, who tends to stay apart from most of the prisoners because the prisoners have attacked him before. This is fortunate news because it means that Teddy is closer to the little salt town than they thought, and it won’t be as difficult to find him as they anticipated. He’s on an island in the middle of the lake of salt water, and that’s not too difficult to reach because Bernard has already proven that it’s easy to float in salt water.

Once they find Teddy, they also have to get him onto a train to get him away from the salt mines, which may not be as easy.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

I generally prefer the plots of the Disney movies to the original books in this series, but this was still a fun story. I was a little disappointed that they never actually used the two professors’ specialties. I thought at first that they would use the geology professor to spout some interesting and useful facts about caves or mines, but they didn’t, and there was nothing in the story where a mathematics professor would be particularly useful. It just seems like a missed opportunity there.

There were some funny moments in the story. I liked the part where one of the bats, not really seeing Bianca clearly because bats are near-sighted, comments to another that, whatever it, if it moves, you should salute it, and if it doesn’t, you should paint it. Bianca takes that as a sign that this particular bat has completed his National Service, also noting that being near-sighted isn’t a barrier for bat National Service because, if it was, no bat would be able to participate.

In a twist at the end of the story, it turns out that Teddy used to live with his uncle and that Teddy’s uncle is the tutor for the boy that Miss Bianca lives with. Once Teddy is restored to his uncle, he comes to the house with his tutor and becomes friends with Miss Bianca’s boy.