The Mystery of the Lost Village

The Boxcar Children

Grandfather Alden is going on a fishing trip with a friend, and he arranges for his grandchildren to stay with a family on a Navajo reservation. They’ve never been to a reservation before, and there will be hiking and a powwow. The kids are all eager to go!

The family the Aldens are staying with is the Lightfeathers, and they have two children about the same age as the Aldens, Joe and Amy. The Lightfeathers tell the Aldens interesting things about Navajo history, culture, and crafts. What grabs their attention the most is a story about an ancient village nearby that was abandoned due to drought. The stories that have been passed down through the generations tell them roughly where the village was supposed to be, but the remains of the lost village have never been found.

Joe, Amy, and the Aldens ask if they could try digging for the lost village. Mrs. Lightfeather once studied archaeology, and they ask her if she can help them. Mrs. Lightfeather says that, although the village may be gone, traces of it should be left. The children begin laying out an orderly dig and start their search. They find some arrowheads and pottery, but when they show Mrs. Lightfeather what they’ve found, she says that they can’t continue their dig for much longer. The adults have just heard that a developer is taking over the land to build vacation homes. The children are dismayed when they find out that the developer is going to clear all of the trees. Of course, if the children can find signs of the lost village, the site would become an archaeological site, and the developer would have to stop. They only have two weeks to find some evidence of the lost village before the development starts!

There are some suspicious people hanging around. Michael Runningdeer, who works for the real estate developer, has been checking the boundaries of the reservation to check where they can develop. While they’re working on their dig, the kids meet a woman called Rita Neville, who says that she’s working on a documentary. Ted Clark is a genealogist who says that he has come to the reservation to trace his family’s roots, but Amy thinks it’s strange that he doesn’t seem to know things that someone with Navajo roots would usually know.

As the children work on their dig, they start finding more things, but someone also starts filling in places where they’ve been digging. In other places, someone has been digging where they haven’t dug yet. Then, someone steals an impressive bowl that Violet found. Is someone trying to prevent them from making a discovery that would stop the development, or is this a case of greed for Native American artifacts?

I liked this mystery as a kid, but I have a bone to pick with this story now. Perhaps the rules have changed since the book was written, but I know from living in Arizona that it’s routine to call in professional archaeologists to survey sites before digging and development take place. Because this area was inhabited by different groups over the centuries, archaeological finds can be just about anywhere.

I was attending ASU when they build the bio-sciences building, and people were allowed to watch the archaeologists survey the site. They did find an old Native American burial ground on the site. It didn’t stop the development completely, but they did record and catalog all of their finds before reburying them in the same locations where they were found. The logic of that is that Arizona is a very dry climate, and it preserves things buried in the ground very well. Putting a building over the site will prevent the site from being disturbed again for a long time. In the future, there may be better archaeological tools and scientific techniques that can be used to reevaluate the site and the things in it, and by then, the building may no longer be there.

What I’m saying is that there are rules and practices regarding archaeology and development in this region. Because this book was written about 30 years ago, when I was a kid, I’m not sure how different the rules were then, but I’m sure that archaeological surveys of this type were conducted back then, too. One of my old college teachers was an archaeologist, and he told us about digs he participated in around one of the reservations years before. I’d be surprised that development so close to a reservation, as in this story, would be allowed to go ahead without an archaeological survey from one of the universities or other archaeological organizations in the state. I just think that there should have been professionals working in the area before the kids started their dig.

I liked the pieces of information that the Lightfeathers explain to the Aldens about Navajo history and culture. My favorite piece of trivia was the explanation about how, rather than putting clay cooking pots directly over the fire, historical Navajos would heat a stone in a fire and then put the stone into a pot of water to heat the water for cooking. I think it’s a creative solution to cooking in a vessel that can’t be used directly over fire.

Jessie is allowed to participate in a dance at the powwow as a guest of a Navajo family, and Amy helps her put together regalia for the dance. (See Jingle Dancer for an example of this in a different tribe.) I sometimes find it a little cringey now when characters in stories too easily participate in Native American events and are quickly called honorary members of the tribe, but in this case, the Aldens do help make an important discovery.

Sing Down the Moon

Sing Down the Moon cover

Sing Down the Moon by Scott O’Dell, 1970.

The story begins with a young Navajo girl, Bright Morning, admiring the beginning of spring, but she is caught in a storm and hurries home without the sheep she was supposed to be tending. When the girl’s mother realizes that she abandoned the sheep, she takes the girl back to the sheep, and they watch them all night. The sheep are very important to the family, and the girl’s mother refuses to allow her to take the sheep out by herself again for the rest of that spring.

When Bright Morning finally proves that she can be responsible and not leave the sheep to tend themselves, she is allowed to take them out again. Bright Morning likes to talk to the other girls, Running Bird and White Deer, as they watch all of their sheep together. The girls like to talk about their futures, who they will marry and what kind of children they have. They like to tease each other. Bright Morning’s friends know that she is likely to marry a young man called Tall Boy. The rumor is that Tall Boy’s parents want him to marry her because her mother owns so many fine sheep. Bright Morning knows that her friends tease because they are curious about Tall Boy and want her to talk about him, but she refuses. The girls know that he is supposed to be riding out with the warriors soon, and they tease that maybe he will bring back some other girl from the Ute tribe, but Bright Morning ignores them.

After the warriors have left for their raid on the Utes, the girls see some white men on horses approaching the village. The girls recognize them as oldiers and are worried that their village could be vulnerable to attack without the warriors. Later, the girls encounter more white men, but these men are not dressed as soldiers. They stop to talk to Bright Morning and Running Bird, asking them for directions, but the girls realize that they are slavers. They kidnap both girls and ride away with them!

They take the girls to a town of Spanish people and separate them from each other. They sell Bright Morning to a woman who uses her as a servant. The woman has other Native American girls as slaves, including a younger girl called Rosita. Rosita doesn’t mind her captivity or her life as a servant much. She came from a tribe that was very poor, and since she was brought to this woman’s household to work for her, she has had better food and clothing than she did at home. Rosita tells Bright Morning that the family they work for isn’t bad, and Bright Morning is allowed to keep her dog, who followed her when she was abducted. However, Bright Morning can’t stand her captivity. The woman who owns the house gives her new clothes, but Bright Morning doesn’t care. All she wants to do is find a way to go home.

Bright Morning is reunited with Running Bird when another captive girl comes up with a plan for the three of them to escape. They manage to steal horses and ride away from the town. Along the way, they meet up with Tall Boy and one of his friends, and the boys help fight off the Spaniards who are pursuing the girls. Unfortunately, Tall Boy is badly injured in the fight. He loses the use of one of his arms, and the other Navajos know that he can no longer be a warrior. Bright Morning still cares about Tall Boy, but her mother and sister tell her that she should no longer consider marrying him.

However, the Navajos’ troubles are just beginning. They haven’t heard the last of the soldiers. The American soldiers return and drive the Navajos off their land. They destroy all of their homes and eventually round them up and start them on a long march with little food, where many of them die. The Navajos fear that all of them will die. How will Bright Morning and her family survive, and will they ever see their homeland again?

The book is a Newbery Honor book. It’s available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I remember reading this book when I was about 13 years old, in middle school! It takes place in my home state, the northern part, where the Navajo reservation is now, in the Four Corners region. I’ve been to Canyon de Chelly (“Chelly” is pronounced like “shay”, like in French) before, although I hadn’t been there at the time when I first read this book. Since I read this book as a kid, I’ve been to places and seen things that helped me understand the setting of the story better. As an adult, I appreciate the historical aspects of the story even more because I know more about the background. The book doesn’t give a date for the story until the postscript at the very end of the book, but the death march described in the story is Long Walk of 1863 to 1865.

The second half of the book is very depressing because there are horrible conditions and many deaths, including the deaths of children. I wasn’t sure that I really wanted to revisit this book at first because I remembered that it was depressing, but the book is well-written. The narrator describes events in an exciting, compelling way.

I had forgotten many details of the story, but there were some things that jumped out at me as an adult that I hadn’t noticed the first time. The postscript at the end of the story explains how life and Navajo culture changed after this traumatic event. If you see photographs of Navajo in “traditional” costumes now, they often include velveteen clothing, but that’s actually a relatively new tradition. The velveteen was adopted from white people during their captivity because they didn’t have access to wool to make their older style of traditional clothing. When Bright Morning was held captive in the Spanish town, she was given velveteen clothing there.

Another odd topic that is touched on only very briefly but that I know more about from other sources concerns the subject of flour. The book mentions that the Navajo were unused to eating wheat flour until it was their only form of rations during the Long Walk. Until then, their staple grain was corn, and when they started eating wheat flour, it made them feel sick. Their bodies just weren’t used to it. The book doesn’t explicitly explain this, but I know from other sources that the Long Walk and those flour rations were the origins of Navajo fry bread. Fry bread was not part of Navajo diet until that point. I grew up eating it on special occasions as a treat because it is greasy but good with powdered sugar, and it’s often served at carnivals and fairs here. However, as an adult, I came to realize that its origins as a food come from a very dark source. It was starvation food. It can keep you alive if there’s nothing else, but it’s not going to keep you healthy if you eat nothing else. It’s greasy and fatty, and it has little nutritional quality. Even now, I don’t have as much tolerance for it as I did when I was a kid. I can’t stomach it well these days if it’s too greasy or I eat too much.

That’s actually not a bad metaphor for the events described in this book. They’re heavy, and the more of it you understand and absorb, the sicker you feel. I absorb much more now than when I was a kid and only half understood the full significance of the events, and it makes me feel much worse than I did the first time.

So, do I recommend this book for kids? Actually, yes. I’m not a fan of depressing books with a lot of death, and I struggled through some depressing books when I was in school. If you had asked my 13-year-old self whether books with this much death and suffering were worth it, she might have had trouble answering that question, but time and further understanding have changed the way my adult self feels. There are some depressing topics that are worth the struggle to absorb them, but if I were the one teaching the lessons, I think I would do it a little differently than my teachers did for me back then.

I think this book is still a good introduction to topics that can be difficult to discuss. It’s worth reading once to understand the historical background of these events and what they really meant to the people who experienced them directly. It’s painful to read the bad parts, but it’s the kind of pain that leads to something better: real understanding. I recommend the book for kids in their early teens because I think that’s the best level for understanding it and accepting the bad parts. I think it should also be accompanied by nonfiction history lessons about the time period and events and discussion about their feelings about the story and historical events. I remember being told some of the history the first time I read this book, but I think that maybe there should have been more discussion about feelings.

I think it’s important to discuss feelings because they’re the hardest part of this book and they’re also the reason why it’s difficult to study some of the darker parts of history. I had a hard time with this when I was younger, and I still do in some respects, but I think understanding what causes those feelings is key to handling them. Reading books like this while discussing tools to handle difficult feelings could help students to better handle their emotions in other areas of life as well.

One of the first points that I think is important to understand and which my teachers didn’t really explain to me is that it’s natural to feel bad when you hear about bad things happening to other people, even when the bad things happened generations before you were born or even when those individual characters are fictional. (Bright Morning and her friends and family are fictional characters even though the events around them are historical. Real Navajos did experience what they experienced.) Empathy is a natural human emotion, and it’s an important tool for living with other people. Humans are social creatures. We live as part of larger groups, and we need at least some empathy to understand other people’s emotions and circumstances, how our actions affect them, and how to treat other people as we ourselves would truly like to be treated. The ability to experience empathy is a sign that you are mentally and emotionally healthy. It’s really only worrying when someone can’t feel it.

One of the most disturbing feelings about this story comes from realizing that the soldiers who are inflicting all of this death and pain either don’t feel empathy for the people they are harming or have actively chosen to ignore it to further their own purposes. That’s not a sign of being mentally or emotionally healthy or behaving in a moral way. When the readers feel repulsed by the soldiers and what they’re doing, it’s because they recognize that these people are a serious danger to others, and they are not functioning in a normal way. Your brain is warning you of a threat. It’s a past threat rather than an immediate one, but if you find the soldiers and their actions upsetting, it’s a sign that your brain has accurately assessed the risk associated with these people and the harm they do. You have accurately connected the suffering of other people for whom you feel empathy with the people who are the direct cause. I’m not saying that the soldiers were necessarily psychopaths, but lack of empathy and remorse and calculated manipulation are all symptoms of psychopathy and should raise alarms for anyone confronted with those signs. So, feeling bad about this situation and the people causing it is a sign that you yourself are mentally and emotionally healthy and have correctly recognized the seriousness of the situation and the harm being done to other people. What I’m saying is that, even when you’re feeling bad, it’s for good reasons, and that deserves recognition.

When I was young, I felt angry and frustrated by stories where people were doing terrible things to others. I still do because that’s part of empathy, but I also came to realize that part of my frustration when it came to historical situations came from my inability to change the situation. When harm has been done, it’s impossible to undo it. What was done was done. I can’t help the people who died, and I can’t even punish the wrong-doers because they’re dead now, too. It’s frustrating to find yourself confronted by a situation where nothing can change. But, I think it’s important to realize that change has happened and is currently happening. History is being written all the time, not even just through writing but through the ways that people live their lives every day. Even when a particular event is over, events and people keep moving. Bad events can cast long shadows, causing harm long after the initial event. That’s part of what makes them so bad. However, as time moves on, new people enter the scene, and new things happen, including things that people in the past would never have foreseen. It eventually reaches a point where the things that continue to happen rely on what we, the living, continue to do or allow to be done. History takes the long view, and I think people need to be reminded of that.

Do you suppose that the people in this story who act as villains thought of themselves like that? Further point, how much does it matter how they thought of themselves? Maybe they thought of themselves as winners at the time because they were getting their way and the people they were hurting were unable to stop them from hurting and killing them, but is that really “winning”? Lazy historians frequently brush things off by saying that “history is written by the victors“, but if that were really true, would we even be hearing or reading stories like this? Would we ever hear about slaves or care about the victims of war and atrocity? Would we ever consider the perspectives of people who died at all? Or does it change your mind about what “winning” really is and who’s really a “winner”? Maybe, in life and history, there aren’t any “winners” because neither of those was ever really a contest to begin with. (Or, as some put it, life is a collection of contests that people can simultaneously be both winning and losing. Personally, I think life is just for living, not for winning against someone else who is also trying to just live and probably couldn’t care less about you “winning” or not.) Apparent victories aren’t always real accomplishments, and people who see that reality are the ones who write the most accurate histories. Individual human lives only last so long, so any apparent “win” by an individual or group is never more than temporary. Our sense of what history includes and what people in the past were really like changes as we increase our knowledge of it and reconsider the context, not unlike the way my 40-year-old self has a deeper understanding of this book than my 13-year-old self did.

Remember that, at the beginning of this particular story, the Navajo warriors were going to raid the Utes. We never really find out in the book why they were going to do this, but does it matter anymore when the Navajos themselves get raided and subjected to something that might be even worse than what they were originally planning to do to their enemies? The story drops this subplot when the march begins. Life is like that, constantly moving, ever changing. History goes on and on. Sometimes, a young warrior who was praised for his prowess gets shot in the arm and can’t pull a bow anymore. Sometimes, a 40-year-old woman from the 21st century looks back on 19th century soldiers who may have thought of themselves as heroes and wants to tell them, to their faces, that they couldn’t be more wrong about that. If they’re not evil psychopaths, they’re doing a dang good job of pretending, and I never once thought of them as being “heroes” in my entire life. That’s life for you. Each of the people who have read this book or ever will read it are among the new people entering the story and its sequels, and we all have the ability to decide what role we want to play in the on-going story of history.

What happens after the book ends, is important, too. If I were teaching this, I would follow up this particular chapter of Native American and Navajo history by talking about some of the developments that continued to happen in their history, including some of the better moments, like the development of the written form of the Navajo language (for much of it’s history, Navajo was only a written language – that’s why the soldiers in the story couldn’t leave a written message in Navajo) and how code talkers used the Navajo language during WWII. The people who realized that these things were possible and something worth working toward were creative individuals. Rather than seeking to destroy something or repress it, they found creative ways to make use of what was there and put people’s talents to good use, helping others. The worst moments of history have been when people without empathy use others or seek to destroy them for personal gain, but the triumphant moments are when people take what they have and find a way to make it better. Noting these positive moments doesn’t make the bad parts of history any better than they actually were, but what we want is more of these positive moments of creativity and development and the type of people who are willing to work to make them happen.

It helps to balance out the explanations of what went wrong and people who did wrong with examples of what was better. Some teachers stress how we teach the bad moments so people learn from the past and don’t repeat it, and that’s true. However, I think we also need to add on what has worked and what we want people to do instead. A “don’t do this” needs to be followed up by “do this instead” to be an effective instruction. As a society, we don’t want more destroyers and takers. We want innovators and makers. We want creative people who find new uses for resources, including human resources and talents, and who are dedicated to truly helping others and human society as a whole instead of merely helping themselves to what others have that they want. This book demonstrates the dark side of humanity, but as I said, history is still being written every day with new players.

On the lighter side of this story, I enjoyed the descriptions of the coming-of-age ceremony for young women that Bright Morning has and the marriage ceremony later. During her time in captivity in the Spanish town, Bright Morning also attends Easter celebrations. She doesn’t understand Christianity and has never heard of Jesus before, and she doesn’t understand what the holiday is about or what’s going on. Rosita tries to explain to her who Jesus is in terms of Navajo religion. I found the explanation fascinating, but Bright Morning is still confused.

Knots on a Counting Rope

Knots on a Counting Rope by Bill Martin, Jr. and John Archambault, 1966, 1987.

The reason for the two copyright dates is that this book originally had somewhat different text and different illustrations.  I don’t have a copy of the original version, so I’m not sure how it compares to the 1987 version.

The story is told in the form of dialog between a young Navajo boy and his grandfather.  The story doesn’t explicitly say that they are Navajo, but they refer to hogans, which are a traditional type of Navajo house.  There are no words in the story other than what the characters say to each other, not even to indicate who is speaking, but you can tell who is speaking based on what they say.

The boy asks his grandfather to tell him the story of when he was born. The grandfather says that he already knows the story, but the boy persuades him to tell the story again.

The grandfather tells him that, on the night he was born, there was a storm, and it sounded like the wind was crying the word “boy.”  The boy’s mother knew that she was going to give birth to a son.  The grandfather quickly brought the boy’s grandmother to be there for the birth, and when the boy gave his first cry, the storm suddenly stopped.

When the boy was born, he was very frail, and everyone was afraid that he would die.  Then, when morning came, the grandfather carried him outside, and although he did not open his eyes to the morning sun, he lived his arms up to two horses that had galloped by and stopped to look at him.  The grandfather took it as a sign that the boy was a brother to the horses and would live because he had the horses’ strength.  The boy did become stronger and was given the name of Boy-Strength-of-Blue-Horses.

However, the boy was born blind. It is a hardship that he will always have to deal with.  Even though the word “blue” in his name, the boy says that he doesn’t really know what “blue” is or what it’s like because he’s never seen it.  The grandfather describes it as being like morning because the sky in the morning is blue, and the boy says that he understands what mornings are like because they feel and sound different from night to him.

The boy has a horse of his own, and the two of them have a special bond.  The two of them perform well at races, and the horse acts as the boy’s eyes when he’s riding.  His grandfather says that it’s like the two of them are one.

As the grandfather tells the boy stories about himself, he ties knots on the counting rope.  He says that when the rope is full of knots, the boy will have heard the stories enough that he will be able to tell them himself.  The grandfather says that he will not always be there to tell the stories, and the boy is frightened, wondering what he will do without his grandfather. The grandfather says that he will be all right because his love will be with him.

The book is partly about the relationship between the boy and his grandfather and the grandfather preparing his grandson for the day when he will be gone, making sure that he knows the family stories about himself and the knowledge that he will need for the future. It’s also about the boy’s own struggles in life, which the grandfather refers to as the “dark mountains” that he must cross. Because of the boy’s blindness, he lives in a world of darkness, and there are things that are challenging to him that would be less challenging to a person with normal vision. Yet, the boy has innate skills which allow him to do things that some people with normal vision can’t do. Not everyone has the affinity for horses that the boy has. He shares a special bond with horses, and when he rides, he and his horse are a team. Because he has skills and a strong spirit, the grandfather knows that his grandson will be all right in his future, in spite of the challenges of his blindness.

The book was featured on Reading Rainbow, and it is currently available online through Internet Archive.

The Mystery in Arizona

Trixie Belden

TBMysteryArizona

#6 The Mystery in Arizona by Julie Campbell, 1958.

TBMysteryArizonaRanchDi’s Uncle Monty (the real one, not the fake from previously in the series) has invited her and the other Bob-Whites to spend Christmas at his dude ranch near Tucson, Arizona. At first, Trixie is worried that she won’t be allowed to go with the others because her grades in school are bad and she needs to study. However, her parents finally agree to allow her to go when the boys offer to tutor her over the holidays, and Trixie can get information that she needs on Navajo Indians for her theme. It won’t be easy, though.

From the very start of their visit, problems plague the ranch, and it seems as though everyone has a secret. Most of the members of the Orlando family, who usually take care of cooking, cleaning, and other tasks on the ranch, have mysteriously disappeared, except for Maria and her young son. Maria refuses to say where the others are, but the little boy is unhappy that he couldn’t go with the rest of his family and makes strange comments about skeletons and other frightening things. Also, Rosita, a Navajo girl working as a maid at the ranch, is deeply unhappy and in need of money for reasons that she doesn’t want to explain.

Meanwhile, there is a trio of lonely and unhappy guests in need of cheering up. In an effort to help, the Bob-Whites volunteer to take over the Orlandos’ chores to keep the ranch running during the holidays. As Trixie gets drawn further into the mysteries plaguing the ranch, she finds it difficult to balance her work and her studies. Trixie worries that this might turn out to be a terrible way to spend Christmas, but with some help from the Bob-Whites, things might work out even better than anyone hoped.

One of the things that they discover is that the Orlando family is celebrating a family tradition similar to Dia de Los Muertos (Day of the Dead, similar to All Souls Day and Halloween) but their family celebrates it at a different time of year than is customary because they want their celebration to coincide with the birthday of one of their ancestors.  They left without explaining because they were worried that no one would understand their traditions or approve of them.  Maria Orlando did not go right away because she was worried about leaving her job, but when her son tries to run away and join the rest of the family, she decides that it isn’t fair to keep him away from the family celebration.  After making sure that the Bob-Whites can handle the chores on the ranch, she takes her son to join the others in Mexico.

The three unhappy guests, Jane Brown, Mr. Wellington, and Mrs. Sherman, also have their problems solved.  Jane learns to get over her shyness and enjoy herself.  Mr. Wellington’s children, who had decided at the last minute to spend the holidays with friends, change their minds and come to spend Christmas with their father instead, cheering him up.  After Maria leaves, Mrs. Sherman cooks Christmas dinner for everyone, allowing her to once again do the work she loved when she and her late husband ran a restaurant.  Rosita’s secret is that she feels responsible for an accident that her father suffered when he was working with some  more modern tools that she gave him for his silversmithing work.  She took a job at the ranch to get some money for his medical treatment, but she is worried that she cannot earn all the money she needs during the holidays so that she can return to school.  She sold some of her silver jewelry to Mrs. Sherman, but she refused to take more than $100 dollars for it, although Mrs. Sherman would gladly have given her all the money that she needed.  Rosita is too proud to ask for or accept help from others.  The Bob-Whites solve her problem by giving her the money that they earned working at the ranch as a Christmas present.  In spite of all these distractions, Trixie manages to improve her math and get enough information for her theme on Navajos from Rosita.

This is the last Trixie Belden book written by Julie Campbell, the original author of the series.  From this point on, the series continues with other authors.

The book is currently available online through Internet Archive.

The Unbreakable Code

UnbreakableCode

The Unbreakable Code by Sara Hoagland Hunter, illustrated by Julia Miner, 1996.

A young boy, John, is upset because his mother has recently remarried, to a man from Minnesota.  Now, John is faced with the prospect of moving to Minnesota, and he doesn’t want to go.  He would much rather stay with his grandfather on his farm on the Navajo Reservation.  His grandfather points out that he’ll return in the summer, but that hardly seems good enough.  Then, his grandfather tells him that he’ll be okay because “You have an unbreakable code.”

UnbreakableCodeJohnGrandfather

John asks what his grandfather means by that, and he says that the Navajo language is the unbreakable code.  John worries that he’ll forget how to speak Navajo, but his grandfather says that he never did even though he had to attend a government boarding school at a young age and that the language saved his life during World War II.  John’s grandfather was a code talker.

John’s grandfather tells John the story of how he became a Code Talker, starting with when he was at boarding school.  The purpose of the government “Indian Schools” was to assimilate Native Americans into white American culture.  They were known for forcing their students to abandon traditional clothing, cut their hair, take English names, and speak only English.  John’s grandfather describes having to chew on soap whenever he was caught speaking Navajo.  He was only allowed to return home during the summer to help his family with their sheep and crops.

UnbreakableCodeBoardingSchool

Then, when he was in his teens, during World War II, he heard an announcement on the radio that the Marines were looking for young Navajo men who could speak both English and Navajo.  Seeing it has a chance to escape, he ran away from school and enlisted.  After life at a harsh boarding school, the military marches and drills were no problem, and all of the Navajos already had wilderness survival skills.

After they had completed basic training, they were told that they were needed for a secret mission in the Pacific.  The Japanese had intercepted American radio transmissions and broken the codes they were using.   The Marines wanted Navajo speakers because the language was almost unknown outside of the United States, not many non-Navajos had ever learned it, and at that point in its history, the language had not been recorded in writing, so there was no way that the Japanese could research it and learn it.  The Marines and code talkers developed a system of code words in Navajo and military terms to use, so it wasn’t as simple as just speaking the language plainly.  The system was highly effective.

UnbreakableCodeTalker

John’s grandfather goes on to tell John about how bloody the war was and how his life was constantly at risk.  Once, another American soldier even mistook him for a Japanese spy because he didn’t know what language he was speaking.  Fortunately, one of his friends intervened and saved his life.

UnbreakableCodeWar

The code was never broken during the war, and John’s grandfather eventually made it home safely.  However, the code talkers were not hailed as heroes because, for many years, the government wanted to keep the code a secret.  No one was allowed to talk about it.  John’s grandfather was glad to return to a peaceful life on his farm.

UnbreakableCodeReturnHome

His grandfather’s story gives John the courage that he needs to face moving to a new place.  After all, his grandfather had been to far more frightening places and faced them with courage.  Knowing his family’s history gives John a new sense of his own identity and the knowledge that his identity and language will remain with him wherever he goes.

This book is available to borrow and read for free online through Internet Archive.

My Reaction and Additional Information

Even though this is a picture book, it isn’t really a book for very young children.  There are descriptions of the blood and violence of the war that would be more appropriate for older children.  There is a brief note from the author at the beginning of the book that explains a little about World War II and code talkers, and at the end of the book, there are charts that demonstrate how the code worked.  This book is an a good way to introduce students to the topic of code talkers if they have never heard of them before.

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In modern times, there is a written form for the Navajo language, and since I grew up in Arizona, the colleges I attended had classes in Navajo for those who wanted to study the language.  I used to see the books for the classes in the school book stores, although I never studied Navajo myself.  I met one of the code talkers once when he came to speak at our college.  I believe that there are a few who are still alive at the time of this writing.

Monster Slayer

MonsterSlayer

Monster Slayer retold by Vee Browne, illustrated by Baje Whitethorne, 1991.

This is a retelling of a Navajo folktale.  An Editor’s Note at the beginning of the book explains a little about the original legend.  It is actually part of a much longer story.  The book only focuses on the Walking Giant part.  The Walking Giant threatened the villages of the Anasazi.  The author and illustrator of this book are both Navajo.

Changing Woman, who created both humans and monsters, had twin sons, but they did not know who their father was until they were twelve years old, when their mother told them that their father was the Sun.

MonsterSlayerAnasaziVillage

The twins went to see their father, but they were returned to Earth to help their people to fight the monsters which plagued the land.  The monsters prevented the Anasazi from planting their crops, and people were starving.  The people appealed to Changing Woman and her sons for help.  The twins’ father gave them his lightning arrows to use in the fight.

MonsterSlayerVillagers

Hearing the sound of thundering footsteps, Changing Woman told her sons that it was the sound of the Walking Giant.  The twins took their armor, sacred magic feathers, and lightning arrows and set out to find the giant.  Eventually, they found him by a lake.  The twins hid behind a rock, but the giant could smell them.

MonsterSlayerMagicFeathers

As the fight began, the twins let the giant shoot the first arrow at them because their father told them to, since Walking Giant was older that they were.  However, their magic feathers helped them to evade the giant’s boomerang.  Then, one of the twins used a lightning arrow to finish off the Walking Giant.  To commemorate their victory, Changing Woman named this twin Monster Slayer.  (The other boy was already named Child Born of Water.)

MonsterSlayerGiant

This story is interesting but felt a little disjointed to me. That may be because it is a shortened version of the legend.  I wish that the beginning note explained a little more about the context of the story.  This book won the Best Juvenile Book Western Heritage Award from the National Cowboy Hall of Fame.

The book is available to borrow and read for free online through Internet Archive.