Posted on by TracyC

Song and Dance Man

Song and Dance Man by Karen Ackerman, illustrated by Stephen Gammell, 1988.

A grandfather likes to tell his grandchildren stories about when he was a young man and he was a vaudeville performer, a “song and dance man.” Back before the invention of television, live vaudeville performances were a major form of public entertainment in the United States during the late 19th century and early 20th century. A typical vaudeville performance in the United States was like a variety show with short skits, music, singing, dancing, comedy routines, juggling, magic acts, ventriloquists, and various other stunts, acrobatics, and miscellaneous acts.

When his grandchildren come to visit, he likes to take them up to the attic, where his old costume pieces and tap shoes are stored, and he gives them a private performance of his old vaudeville act.

He sings songs, plays the banjo, tells jokes, and also does small magic tricks for the children, like pulling coins out of their hair.

The grandfather loves performing for his grandchildren, and they love seeing him perform. The children can tell that he misses the “good old days” when he was a performer, although he says that he wouldn’t trade the time he has with his grandchildren for his life in the past.

In a way, the fact that the children’s grandfather was a former vaudeville performer dates this story. In the early 21st century, children’s grandparents are mostly people who were born in the mid-20th century, probably between the 1940s and 1970s, depending on the age of the grandchildren and how old the grandparents were when they were born. By the mid-20th century, vaudeville had already gone out of fashion, declining in popularity during the late 1920s and early 1930s, around the time when sound movies were first being produced, although some earlier vaudeville performances actually included short silent films among the other skits and acts. The book talks about television ending vaudeville’s popularity, but it was really movie theaters that were the main competition for vaudeville. Some movies produced during the 1930s and into the mid-20th century carried on some of the vaudeville traditions, like certain types of comedy and song and dance routines, as former vaudeville performers, including Fred Astaire and Bob Hope, transitioned into movie performers. Vaudeville elements show up frequently in Shirley Temple movies, and the Road series of movies with Bob Hope, Bing Crosby, and Dorothy Lamour also features many call-backs to vaudeville variety acts, which is part of the reason why they’re so episodic, light on over-arching plot, and punctuated with song and dance routines. The people who were adults when vaudeville was still big would have been the parents or grandparents of modern, early 21st century grandparents. I first saw this book when I was a child, and my grandparents would have been among those old enough to remember vaudeville. The book was published in the late 1980s, a little over 30 years ago. The children in this book would be from my generation, about the age I was when this book was new, not the current 21st century generation of children. Even so, it is a fun glimpse at the past and can be a good opportunity to introduce children to the idea of changing tastes in entertainment and occupations that used to exist but either don’t exist now or have taken different forms in modern times. Modern grandparents could still use this book to talk about family history and memories of the past.

This book is a Caldecott Medal winner. The book is available to borrow for free online through Internet Archive.

Posted on by TracyC

Grandfather’s Journey

Grandfather’s Journey by Allen Say, 1993.

A man describes how his grandfather traveled by ship from his home in Japan to the United States. The time period isn’t specified, but from the context of the story, the grandfather’s original journey would have taken place either at the end of the 19th century or at the beginning of the 20th century.

As a young man, the future grandfather travels all over the United States, seeing the sights and meeting all kinds of interesting people. It’s a bit of an adjustment for him, wearing Western style clothing and getting used to life in a new country, but he enjoys the adventure of it. He decides to settle in California, the part of the United States that he likes the best. He briefly returns to Japan to persuade his girlfriend to marry him and return to the United States with him.

The grandfather and his wife have a daughter in the United States, and they enjoy living there, but as the daughter grows older, the grandfather realizes that he misses Japan and wants to return home. He and his wife move back to Japan with their daughter.

The daughter has to learn to adjust to life in Japan after having lived all of her life so far in America. The family moves to the city because life there is more what their daughter was accustomed to than life in the countryside, where they were originally from.

Later, the daughter grows up, gets married, and has a son, who is the author of the book. The grandson describes being young during World War II and the devastation in Japan during the war. (This is part of what dates the earlier part of the story.)

Toward the end of his life, the grandfather finds himself growing nostalgic about his time as a young man in the United States and wishes that he could return to California one more time. Unfortunately, the grandfather dies before making the trip. Instead, his grandson goes to the United States to see the places that his grandfather told him about.

Like his grandfather, the grandson stays in the United States for a time and has a daughter of his own. He comes to understand how his grandfather felt, missing Japan when he is in the United States and missing the United States when he is in Japan. The world is vast and full of fascinating places to explore, but there is always something to miss and feel nostalgic about, no matter where you are. The grandson continues to travel back and forth between the United States and Japan, enjoying both of them.

The book is a Caldecott Medal winner. It is available to borrow for free online through Internet Archive.

Posted on by TracyC

Patrick

Patrick: Patron Saint of Ireland by Tomie dePaola, 1992.

This picture book is about the life and legends of St. Patrick, who is the patron saint of Ireland and the reason for St. Patrick’s Day, which is mainly celebrated in modern times by wearing the color green, and often, a shamrock or shamrock symbol. Some places also hold parades and other special celebrations.

The historical St. Patrick was born in Britain during the time when it was ruled by the Roman Empire. When he was young, he was abducted and sold into slavery in Ireland.

In Ireland, Patrick was forced to work as a shepherd for the man who bought him. Roman Britain was Christian, but Ireland was still pagan at this time. Patrick found it a strange and lonely place, and he prayed that he would be able to go back home.

Later, Patrick got his chance to return home aboard a ship that was carrying hunting hounds to be sold in France. Patrick tried to buy passage on the board, but the captain was reluctant to take him at first because he thought that Patrick was probably an escaping slave, and he didn’t want to get in trouble for taking him. However, the dogs on ship kept howling when Patrick was sent off, and the captain noticed that when Patrick was on the ship, the dogs were quiet, so he changed his mind.

When they reached France, the area where they landed was deserted because there had been a war. The men and dogs were hungry and couldn’t find anyone to help them. The captain said to Patrick that if his God was so powerful, why didn’t he pray and get God to help them? Patrick did, confident that God would help, and a herd of pigs appeared, providing them with food.

Patrick eventually returned home to Britain and rejoined his family, but he had dreams about Ireland in which a man called Victoricus appeared with letters from the Irish people, asking Patrick to return. Patrick felt that he was called to bring knowledge of God and Christianity to Ireland. He decided to become a missionary.

Patrick studied and worked his way up to become a bishop, and when he returned to Ireland, he brought others with him to help in his work. Upon his return to Ireland, he became friends with an Irish chieftain named Dichu, who also became a Christian. He gave Patrick a barn, which Patrick turned into the first church in Ireland.

Patrick and his followers suffered opposition in Ireland. At one point, a king tried to kill Patrick and ended up killing his chariot driver and friend, Odran, instead. In spite of that, Patrick persevered.

Patrick died on March 17, 461. After his death, he was declared a saint, the patron saint of Ireland, and the date of his death became his saint’s day. Many legends grew up around him, and the book explains the most popular stories.

Among the most popular stories about St. Patrick are that he drove all of the snakes out of Ireland, frightening them away by beating on a drum. Another story says that he used the shamrock to explain the concept of the Holy Trinity, which is why the shamrock is an important symbol of Ireland and St. Patrick’s Day.

The book is available to borrow for free online through Internet Archive.

Posted on by TracyC

Charlie the Tramp

Charlie the Tramp by Russell Hoban, illustrated by Lillian Hoban, 1966.

Disclosure: I am using a newer edition of the book, published by Plough Publishing House.  Plough sent a copy to me for review purposes, but the opinions in the review are my own.

One day, when Charlie Beaver’s grandfather comes to visit, his grandfather asks him what he wants to be when he grows up. The grandfather assumes that he knows the answer to the question because everyone in the family is a beaver, and beavers naturally do beaver work. (Beaver is apparently both species and profession in books where beavers talk and wear clothes.) However, Charlie stuns his family when he declares that he wants to be a tramp.

Few families would be happy to hear a child say that he wants to be a tramp. Charlie’s grandfather says that he’s never heard a child want to be tramp, and his mother says that she doesn’t think he means it. However, Charlie thinks that being a tramp would be good because he wouldn’t have to learn how to chop trees or build dams or other routine jobs. Charlie thinks that tramps have a lot of fun and just work now and then at little jobs when they need something to eat. Charlie thinks that the little jobs would be much more fun than the ones his father really wants him to do. Charlie’s grandfather says that kids these days just don’t want to work hard.

However, Charlie’s parents decide that if he wants to be a tramp, they’ll let him try it out. Charlie makes himself a little bundle with some food, and his parents let him sleep outside, telling him to come back for breakfast. Both the father and grandfather quietly admit that they both wanted to be a tramp when they were his age, so it’s not just kids these days.

Charlie has some fun, roaming the countryside, sleeping under the stars, and enjoying his freedom. In the morning, he comes home and does some chores to earn his breakfast, lunch, and dinner. In between, he goes out to roam the countryside again.

Charlie begins to notice that something keeps waking him up in the night, an odd sound that he can’t identify at first. Eventually, he realizes that it’s the sound of a nearby stream. For some reason, the trickling sound of the stream seems nice but makes him feel restless. It inspires him to swim in the stream and begin building his own dam, working through the night.

When Charlie sleeps through breakfast, his family comes looking for him and admires the good job that Charlie did on his dam and the pond that he has created. When they ask him about why he was making a dam when he was trying to be a tramp, Charlie says that he likes doing both and can do either sometimes. His family is satisfied that Charlie is a good worker, and his grandfather says, “That’s how it is nowadays. You never know when a tramp will turn out to be a beaver.”

It isn’t that Charlie expects to go through life without doing work because he insisted on working to earn his meals even when he was being a tramp. It was more that Charlie wanted the freedom to decide when he wanted to work and what kind of work he was going to do. However, he is a beaver and has a beaver’s instincts. In the end, he sees the appeal of doing a beaver’s work, building dams, enjoying it because he made the dam himself in the way he wanted to make it. I think it shows that when a person has the knowledge and ability to do something and the interest in doing it, they will eventually use their skills, perhaps in surprising ways. I remember reading some advice to writers that said that people write because “they can’t not do it,” and that’s true of many aspirations in life. Sometimes, when people know what they really want to do with their lives, they can’t resist doing it, and sometimes, people realize what their aspirations are when they find something that they can’t resist doing. Charlie is a beaver because it’s a part of who he is, and he can’t not do it. As he grows up, he will continue growing into that role, just as human children eventually grow up to be the people they are going to be.

This book is available to borrow for free online through Internet Archive, but it’s also back in print and available for purchase through Plough. If you borrow the book and like it, consider buying a copy of your own!

Posted on by TracyC · 3 Comments

Goodnight Moon

Goodnight Moon by Margaret Wise Brown, pictures by Clement Hurd, 1947.

This is a classic children’s bedtime book and has been for generations!

It all starts with a green room that has a red balloon.  The book describes everything in the room in rhyme.  There are kittens and mittens and a picture of bears in chairs.  It’s a cozy, peaceful room.

Then, the book says “goodnight” to everything in the room (and some things outside, like the moon), one thing at a time.

It’s just a cute, gentle book that is perfect to read to children who are going to bed. Reading it slowly can be very soothing.  The book never says it, but the “people” in the story are rabbits.

The book is currently available online through Internet Archive.

Posted on by TracyC

The Little Engine That Could

The Little Engine That Could by Watty Piper, 1930.

A little train is pulling a load of things for children over a mountain. The train is carrying toys of all kinds and also good, healthy food for the children.

Unfortunately, something goes wrong, and the engine pulling the train breaks down. The toys aboard the train know that the children over the mountain are waiting for them and that they will need the food on the train, too. Other train engines pass by, and the toys try to get them to help pull the train.

However, even though these other train engines are not currently pulling loads of their own, each of them has a reason why they cannot help to pull the train with toys and food for children. One engine is old and doesn’t think that he’s strong enough to pull even this small train. The bigger, stronger engines think of themselves as being too important to pull this small train because they handle more important things, like passenger cars or freight for adults, not children.

The toys are despairing, but then, a small blue engine comes along, and they ask her if she can help them. At first, the little engine isn’t sure that she can help because she is only a small engine and has never been over the mountain before, but the toys explain how important it is to get the toys and food to the children, so the Little Engine agrees to try.

As the Little Blue Engine pulls the toy train over the mountain, she gives herself positive self-talk, telling herself “I think I can-I think I can.” When she succeeds in her mission, everyone is happy, and she says, “I thought I could!”

This classic picture book is often used to show children the benefits of positive thinking and being willing to try. Instead of focusing on doubts about herself or reasons not to try, the Little Blue Engine makes the decision to try and tells herself that it’s possible for her to succeed. The Little Blue Engine doesn’t know if she can accomplish the mission (she “thinks” she can, although she doesn’t “know” if she can), but when she is willing to try, she discovers that she actually can. Even though she is small and seems less important than the bigger trains, she accomplishes more because she is willing to do what the bigger trains will not, taking part in something that is outside of her basic, required job. I also like how the book shows that it is sometimes the small, less prestigious tasks that make the biggest difference. Taking food and toys to children doesn’t seem important to the big trains, but it matters to the children and their families over the mountain.

However, this is not the first form of this story. The story of the little train engine that is able to go over the mountain because it thinks it can is actually based on an earlier form of the story that was originally part of a sermon from the early 1900s.

The book is available to borrow for free online through Internet Archive (multiple copies). There are also different cartoon versions of the story.

Posted on by TracyC · 1 Comment

The Mystery of the Backdoor Bundle

Three Cousins Detective Club

#28 The Mystery of the Backdoor Bundle by Elspeth Campbell Murphy, 2000.

Sarah-Jane’s mother owns a decorating business, but recently she and her business partner have started repairing dolls because he has discovered that he has a talent for it. One day, while the Sarah-Jane and her cousins, Timothy and Titus, are sitting in the kitchen, someone knocks on the door and leaves a basket with a doll inside it. There is a note with the doll that says, “Please help me!”

When the kids show it to Sarah-Jane’s mother and her business partner, the partner says that the doll is an antique. The question is why anyone would simply abandon the doll with a note asking for help. The only clues they have are some footprints, a button, and a scrap of paper outside with logo of a blue kangaroo.

The doll is hiding a secret, and it’s up to the cousins to learn what it is and to help someone who cannot ask for help directly. This person has done something that they can’t admit to doing, but they’re trying to do the right thing and need some help to make it right.

The theme of the story is Psalm 147:3, “[The Lord] heals the brokenhearted and binds up their wounds.”

Posted on by TracyC · 4 Comments

The Mystery of the Dancing Angels

Three Cousins Detective Club

#4 The Mystery of the Dancing Angels by Elspeth Campbell Murphy, 1995.

Sarah-Jane, Timothy, and Titus are visiting their grandparents over the summer when their grandmother’s cousin comes over to discuss some information she has found about their family’s genealogy. The kids’ great-great-great-grandfather was a woodcarver, and he did some work in a large house that is now being restored. There is a story that an expensive ruby necklace that belonged to the former owners of the house may be still hidden somewhere on the property.

The prospect of exploring the old house and maybe finding the missing necklace sounds exciting, but the kids also must spend their time looking after their distant cousin, Patience, who is only four years old and has a tendency of getting into trouble.

When little Patience disappears inside the house, the kids are worried, but she soon returns with the answer to a riddle that has been passed down in their family for generations. Dealing with little kids requires patience, but Patience herself notices details in the woodwork in the house that the adults and older children haven’t noticed.

The theme of the story is patience.

The book is available to borrow for free online through Internet Archive.

Posted on by TracyC

The Mystery of the Silent Nightingale

Three Cousins Detective Club

#2 The Mystery of the Silent Nightingale by Elspeth Campbell Murphy, 1994.

Sarah-Jane’s baby-sitter and friend, Kelly, is graduating from high school. Soon, she will be going away to college. Sarah-Jane is sad that she is leaving, but she is happy her family was able to find her a nice graduation present.

After they pick out their present, Sarah-Jane sees a locket with a nightingale on it in a store window. The nightingale is a Christian symbol for joy, and Sarah-Jane thinks that it would have made a nice present for Kelly if they didn’t already have one.

To everyone’s surprise, someone else buys the locket and leaves it at Kelly’s house. Sarah-Jane feels a little strange that someone else took the idea that she’d had for Kelly’s present. However, it is even more mysterious that there is no note or card with it to say who it is from. Kelly asks the cousins to help her find out who gave her the locket so that she can thank them. As it turns out, the present isn’t just an ordinary graduation present. It’s actually a thank you from someone who has been grateful to Kelly for a long time for a kindness she wasn’t even aware that she had done. Sarah-Jane even had a hand in it herself although she also wasn’t aware of it. Sometimes, it’s the smallest good deeds that can make the biggest difference in someone’s life.

The theme of the story is joy.

The book is available to borrow for free online through Internet Archive.

Themes and Spoilers:

The person who left the present for Kelly is Janice, who works for Kelly’s father. The kids had wondered why she seemed to recognize them when they stopped by Kelly’s father’s office early to show him Kelly’s graduation gown. It turns out that Janice has been grateful to Kelly for years for something kind that Kelly did for her when the cousins were very young. Kelly always used to read to the cousins when they were small, particularly Sarah-Jane. She took Sarah-Jane and the others to the library the day that Sarah-Jane got her first library card. That same day, Janice was also at the library.

Janice had never learned to read and was unable to finish her education. For a long time, she was ashamed to admit to anyone that she couldn’t read. Then, she heard about classes at the library for adults who had never learned to read and decided to go there. When she got to the library, she didn’t know where the classes were being held. She couldn’t read the signs, and she was too embarrassed to ask the librarian. There were some people she knew in the library, and she was so afraid of any of them finding out why she was there that she almost left. Then, Janice saw Kelly with Sarah-Jane and the boys. She saw how happy Sarah-Jane was to get her new library card, and she decided that she really wanted to learn to read, too. Janice knew that Kelly wouldn’t look down on her like some adults would, so she asked Kelly to help her find the class. Kelly helped her, even though she forgot about it later, and Janice was grateful to her for keeping her from backing out.

After Janice learned to read, she was able to finish her education. When she realized that the girl who had helped her years ago was her boss’s daughter, she wanted to give her a present. She wanted it kept secret at first because she was still embarrassed that it took her so long to learn to read. She was worried about what her boss would think of her. However, Kelly’s father doesn’t hold it against her, and Janice’s strict supervisor, Dorothy, even asks her to help tutor her grandson, who has been having learning difficulties.

Posted on by TracyC · 1 Comment

Mystery of the Secret Dolls

Mystery of the Secret Dolls Cover

Mystery of the Secret Dolls by Vicki Berger Erwin, 1993.

Bonnie Scott is visiting her great-aunts, Nell and Mollie, in Callaway County over the summer. Aunt Nell invited her to come and help set up her new doll museum, but Bonnie also wants to take advantage of the trip to work on a project about family history. Aunt Mollie has a restaurant, and Bonnie wants to talk to her about old family recipes that she uses and make a book about them. Unfortunately, when Bonnie arrives in her aunts’ town, she learns that Aunt Mollie has closed her restaurant and is helping Aunt Nell with her doll museum. From Bonnie’s awkward arrival, when no one comes to meet her at the bus stop and Marc, the grandson of the local doctor, Dr. Allen, has to help her find her way to her aunts’ house, she begins to see that things aren’t quite what she thought they were in her family and in her aunts’ town.

The reason why no one came to meet Bonnie is that Aunt Nell accidentally injured herself when she fell off a table she was standing on in order to change a light bulb. She broke her leg and had to go to the doctor. Now that Aunt Nell is in a wheelchair, she says that she will especially need Bonnie’s help, although Aunt Nell and Aunt Mollie also have a young black girl, Lynette Key, staying with them and helping out. Lynette is the daughter of an old family friend, and her family’s history is intertwined with Bonnie’s family. Through her aunts and Lynette, Bonnie comes to understand a little more about her family’s history with dolls and the relationship between Aunt Nell and Aunt Mollie.

Aunt Nell is the older of the two sisters, and she’s been bossing Aunt Mollie around for years, and she’s apparently the one who convinced Mollie to close her restaurant and help her with the doll museum project. The old family home belongs to both of them, although Mollie lived in another house while her husband was still alive. Now that both women are childless widows and Mollie has moved back into the family home, Nell has gone back to her old ways of bossing Mollie around. Bonnie is alarmed when Mollie reveals that there has been a break-in, vandalism, and a fire, apparently deliberate, at the museum, and she thinks that Nell should put off the opening, but Nell is trying to ignore the situation and charge ahead with the project, dragging Mollie and Bonnie with her. The aunts are going to have a security system installed at the museum.

Aunt Nell says their family, the Scotts, have made dolls for about 150 years. She shows Bonnie her doll collection, including the portrait dolls, startlingly realistic dolls made of every member of their family, including Bonnie’s ancestors, like her great-great-great-grandfather who fought for the Confederacy during the Civil War. Aunt Nell apparently strongly identifies with the South and Confederacy because she keeps trying to blame the troubles at the museum on “some Yankee.” Not in a specific sense and not necessarily with any particular person in mind (although there is one person who is also labeled as a Yankee who is a suspect for awhile), it’s more that she just generally associates Yankees with bad stuff, and she says that she hopes that Bonnie hasn’t turned into a Yankee from living in a big city like St. Louis. Although the dolls belong to both of the sisters, Aunt Nell really thinks of the dolls as being hers, and she’s determined to make Bonnie’s family history project about the dolls, whether Bonnie wants it to be or not. Aunt Nell says that Lynette’s grandmother used to work for her, making dolls, and she’s pleased that Lynette shares her interest in dolls, but Lynette privately tells Bonnie that the situation goes deeper than that.

As you might have guessed, Aunt Nell’s mental version of history, including the history of her own family, isn’t entirely accurate. Marc lends Bonnie a history book about the area written by his grandfather, but Lynette tells Bonnie not to let Aunt Nell see it because she and Dr. Allen have very different views about history, and Dr. Allen is a “Yankee.” Bonnie asks her what she means by that, and Lynette says that the Scotts have never gotten over being on the losing side of the Civil War. Dr. Allen, by contrast, believes that the Civil War turned out just fine with the South losing, which makes him a Yankee. It matters because Aunt Nell’s interpretation and attitude toward the past is affecting life in the present.

Although Aunt Nell is mentally on the side of the Confederacy, she doesn’t say anything in support of the idea of slavery and doesn’t seem to have bad feelings about Lynette being black. Nell is actually very fond of Lynette, treating her almost like a young niece, and I suspect that Nell probably mentally replaces the word “slave” with “servant” in her head, as some of the other characters in the book do until Lynette reminds them that there’s a difference and it matters. Nell’s attachment to her family’s grand history (which may not be quite what she makes it out to be) and her feeling that the doll-making business must pass to a blood relative keep her from fully seeing the potential that Lynette has to continue the doll-making traditions that their families both share, something that Lynette really wants to do.

Lynette says that women in her family have worked for the Scott women for generations, making dolls. They were originally slaves belonging to the Scott family, and they even shared the same last name because slaves were sometimes given the surnames of their masters. (In my home town, I’ve met black people with the surname White, which might seem a little odd and contradictory, but this is the probable reason why they have that last name.) Some slaves changed their last names after Emancipation, but not all. Lynette says that even after her ancestors were freed from slavery, one of her ancestors, Rosa, chose to keep the last name Scott because of her connection to the doll-making business.

Lynette points out a section in Dr. Allen’s history book about the Scott dolls having a connection to the Underground Railroad because some of them seemed to have been used as signals for escaping slaves. Margaret Scott, an ancestor of Bonnie’s, used to make black dolls, each with a distinctive little red heart sewn on the chest, and after she made one, a slave would mysteriously disappear. She eventually had to stop doing it because people in the area were getting suspicious of her and put pressure on her to stop. In fact, Lynette says Margaret’s own father, the Confederate colonel, tried forced her to stop, saying that he’d close down her doll-making business if she didn’t, but that Margaret and Rosa actually continued making the black dolls in secret, something that Aunt Nell doesn’t believe. The history book notes that the dolls are rare and valuable collectors’ items. Lynette says that Aunt Nell only has one of these black dolls, and she keeps it locked up for safe-keeping, denying that there even are others, but Lynette is sure that there are more, possibly hidden somewhere. Lynette wants to find these dolls, not only because they are valuable but because they can help prove her family’s connection to the Scott doll-making business. Lynette says that her ancestors never got the credit for the beautiful dolls they made because they were only ever slaves or employees of the Scotts, and the entire doll business was in the Scott family name.

Lynette wants to become a doll maker herself, but Aunt Nell really wants Bonnie to take over the family tradition, even though Bonnie has never really been interested in dolls and would prefer to talk cooking and recipes with Aunt Mollie. The realistic dolls portrait dolls actually kind of give Bonnie the creeps, but Lynette has a sentimental attachment to them because she’s been around them all her life, since her grandmother was a doll maker. Once Bonnie understands the history between her family and Lynette’s and Lynette’s doll-making ambitions, she sees why Lynette seemed a little cold to her at their first meeting, but she isn’t interested in learning the doll business or competing with Lynette to be Aunt Nell’s successor. Even though Aunt Nell is bossy and doesn’t understand Lynette’s deep desire to be a doll maker and continue the Scott doll-making business, Lynette kind of likes her and wants to show her that she is just as attached to the doll-making traditions as she is. Lynette and Bonnie make a deal that Lynette will help Bonnie get the recipes she wants from Aunt Mollie if Bonnie will talk to Aunt Nell about the black dolls and try to get more information about them.

Bonnie thinks that hunting for the long-lost dolls sounds exciting. It occurs to her that the valuable dolls might be the reason why someone broke into the doll museum. The aunts’ old house is spooky, right next to a graveyard, and on Bonnie’s first night there, someone leaves Margaret’s portrait doll (which looks a great deal like Bonnie) in Bonnie’s room with a note that says, “Don’t believe everything you hear.” What does the note mean? Who left the doll, and is it connected to the other strange things happening around the doll museum? Is someone trying to scare Bonnie? Are the missing black dolls still somewhere nearby, and can Bonnie and Lynette find them? What is the real truth about the dolls and what happened in Callaway years ago?

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

Although this story doesn’t quite deal with racism in the sense of people hating other people because of race, there is a lot in here about the nature of prejudice, on several levels. Aunt Nell has many preconceived notions about her family and how things in her family ought to be. She assumes from the beginning, when Bonnie contacts her aunts to talk about family history, that Bonnie will do her project about the dolls and the family’s doll-making history and that Bonnie will help her with her doll museum and eventually take over the dolls from her. Aunt Nell started out their relationship with a lot of assumptions, and her assumptions about Bonnie have blinded her to the possibility that Lynette could be the successor to the doll-making business and doll museum that she really wants because they share a common love of dolls and skill in making them. Lynette has already started learning the doll-making business, first from her grandmother and then from Nell, because she loves it, and she is willing to work at developing her skills. She has a similar vision to Nell about the doll business and museum, and the two of them get along well, in spite of Aunt Nell’s bossy personality. It’s only Aunt Nell’s narrow vision of family and sense that the doll-making business should pass to family that keep her from considering the possibility at first. Meanwhile, Bonnie and Mollie are both being forced to go along with Nell’s plans because of what Nell thinks they should do as family, while they both have very different interests and would like the freedom to pursue them. Aunt Nell also has been assuming many things about her sister Mollie for years.

Over 100 years earlier, Margaret Scott also belonged to a family that did not share her interests and her vision of the future. Although she used slave labor in building her doll-making business, she and Rosa found a way to use their craft to help escaping slaves. The Scott family took pride in the doll-making business for generations, but there were sides to Margaret and the dolls that they didn’t understand and appreciate. Before the end of the book, Aunt Nell comes to understand that their family has more variety than she had ever considered and that her goals might not be everyone’s goals.

The ending of the story makes sense and is realistic, but I’ll admit that there were a couple of points that I might have clarified or done differently if I had written the ending. Sometimes, when I’m not entirely satisfied by the ending of a book, I like to say what I would have changed about it, but it’s difficult to do that here without giving too much away. Part that I can say is that I wished that Nell and Mollie had thought of more creative ways to combine their separate interests, like how Bonnie’s final family history project ends up being a combination of both – a cookbook of family recipes, illustrated with pictures of the portrait dolls that represent the people who invented or enjoyed the different recipes. In fact, a cookbook of historical recipes with pictures of historical dolls sounds like a book that many people would actually be interested in buying if they published it professionally and even sold copies through the doll museum, and I found myself wishing that one of the characters would mention that before the end of the book.

The story ends with the impression that Lynette will keep working with Nell and the dolls because, while Bonnie says that she’ll come back and visit, she doesn’t have the interest in doll-making that Lynette does, but I also kind of wished that they would clarify more definitely that Lynette would be continuing the doll-making business. The girls are young yet, so maybe they didn’t feel the need to decide their futures definitely, and it’s enough just to show that’s how things are looking at the end of the book. I had half expected that it would turn out that Lynette and Bonnie are actually related because sometimes slave owners did have children with their slaves, and I suspected that one of the Scott family secrets might have been that Rosa was actually a blood relative and that was part of the reason why she was so close to Margaret and why she kept the Scott family name. The story doesn’t bring up that possibility, focusing on a different secret relationship instead, but I’m still keeping it in mind as a private theory. I like the idea because, if it was true, then it would strengthen Lynette’s ties to the doll-making business she loves, and I think that Nell would appreciate the idea of bringing her more fully into the business as a relative. But, perhaps it’s enough that they just both share the same interest in life