Ghosts, Witches, and Things Like That

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Ghosts, Witches, and Things Like That by Roderick Hunt, 1984.

This is a collection of information about the history of Halloween and other things related to Halloween, like folklore, games, recipes, crafts, and poems.  There are sections about specific topics, starting with the section about Halloween itself (spelled Hallowe’en, this is a British book).  The section about Halloween talks about the origins of the holiday and has tips for holding a Halloween party, including how to make costumes and decorations, the rules for games to play (including some old traditional games), and recipes for various Halloween treats.

Other sections of the book focus on various monsters and mythical creatures associated with Halloween, such as witches, ghosts, fairies werewolves, and vampires.  There is a section of ghost stories and some fascinating historical information about spiritualists and how people have faked ghosts in the past, including the Pepper’s Ghost illusion that is still used in the haunted house in Disneyland.  The sections about witches, fairies, and monsters also include a mixture of history and folklore along with some jokes and poems about the various creatures.

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This is a fun book to read around Halloween.  It’s a mixture of historical background, folklore, party-planning tips, games, and recipes.  I think that the information about traditional games is still my favorite part.

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Encyclopedia of Legendary Creatures

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Encyclopedia of Legendary Creatures by Tom McGowen, 1981.

This book is organized into brief encyclopedia-style entries, describing legendary creatures from around the world.  Everything is in alphabetical order, not organized by country or any other over-arching categories.

There are two things that I particularly like about this book.  One is that the mythological creatures in the book aren’t just limited to the common ones, like giants, vampires, werewolves, and unicorns (although they each have entries of their own); there are also some lesser-mentioned creatures like the Hulder Folk and the Abatwa People.  The Hulder Folk, who come from Norse folktales, look like ordinary humans, but they have tails like cows.  According to the book, they love to sing and dance, but their songs are always sad, which makes me think of country music.  They also can intermarry with humans, although their marriages are usually unhappy, which also, oddly, makes me think of country music.  The Abatwa People are part of the folklore of the Zulus in South Africa.  They are tiny people, but fierce warriors, and they get offended if people don’t treat them like they are the same size as humans.  (There are also real people in Africa called Abatwa who are pygmies.  The legendary people in this book may be connected to old legends about them, exaggerating their shorter-than-average height.)

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The other thing that I really like about this book is the pictures.  There are many books about mythology and folklore that don’t have pictures of the creatures, and it really makes a difference being able to see what something looks like (or supposedly looks like, since these are legendary creatures) as well as read a description.

As a side note, there is an episode of the kids’ cartoon show, Arthur, where his friend, Sue Ellen, who isn’t usually frightened by scary stories, hears a strange noise that makes her think about various mythological monsters that she’s heard about in the different countries that she’s visited with her parents.  These unusual monsters, like Baba Yaga, Kappas, and Bashees, which most of her friends haven’t heard about before, do frighten her.  When I saw Kappas described in this book, it reminded me of that.

Blossom Culp and the Sleep of Death

BlossomSleepDeathBlossom Culp and the Sleep of Death by Richard Peck, 1986.

This book starts shortly after the previous book in the series ends.  After Blossom’s old history teacher was run out of town for his scandalous behavior, he was replaced by Miss Fairweather.  Miss Fairweather is a tough, no-nonsense woman who pushes her students to study hard and take history seriously.  Unexpectedly, she comes to appreciate Blossom, an outcast from a poor family, because Blossom demonstrates some knowledge of Ancient Egypt.  Little does Miss Fairweather know that Blossom’s comments in class were inspired by one of the visions that Blossom occasionally gets because of her psychic gifts.

Blossom experiences a visitation from the spirit of an Ancient Egyptian princess who says that she needs Blossom’s help.  Years ago, her mummy and some precious objects were stolen from her tomb.  The princess doesn’t seem to know exactly where her “earthly form” is now, but she’s sure that it’s somewhere nearby.  She’s very concerned because she senses that archaeologists in Egypt are digging to find her tomb and knows that when they finally reach it, they will discover that she isn’t there.  Rather than being concerned about her tomb being violated by the archaeologists, the princess senses that they are searching for her remains in order to venerate them, that if they find her mummy, they will take it to a place of great beauty where it will be treated with the utmost care and respect (a museum).  She wants that and fears that she will miss her chance at the kind of immortality that this form of glorification, care, and study will provide.  So, she asks Blossom to find her earthly remains and inform the searchers of her true whereabouts.  At first, Blossom has no idea how she can accomplish that, but the princess threatens her with a true Egyptian curse if she doesn’t try.

Then, Blossom receives a clue to the mystery in the form of a beautiful Egyptian scarab that her mother found one day while she was out scavenging.  If Blossom can find the place where her mother found the jewel, she can also find the princess’s mummy.  Fortunately, Miss Fairweather has assigned the class special projects about Ancient Egypt, and she is thrilled when Blossom says that she wants to study grave robbers.  Blossom sees this as a good way to collect some extra information about grave robbers that she can use to find the princess’s mummy as well as get a good grade in Miss Fairweather’s class.  It also proves to be an excellent way to draw Alexander Armsworth into her search for the mummy.

Alexander still denies to Blossom that he has real psychic abilities like hers, even after their previous adventures together.  He insists that it was just a phase that they were going through, one that he wants to leave behind.  He’s been busy flirting with Letty, the class snob, and he’s trying hard to get into a prestigious fraternity so that he can give Letty his fraternity pin.  Not only does Blossom think that the boys in the fraternity are a bunch of idiots who do stupid things, but the idea of Alexander giving Letty his pin as a sign of their relationship is just sickening.

Blossom is reluctant to admit her real feelings for Alexander, but the two of them are close in ways that Letty and Alexander never will be because of their shared abilities and adventures, and Blossom has a sense that their futures will be intertwined as well.  Alexander is angry that Blossom is roping her into yet another supernatural escapade, but he has to go along with her project idea because he has already gotten on Miss Fairweather’s bad side and needs to do well on the project to save his grade in class.

Along with the supernatural adventure, there is also a look into the past, the world of 1910s America as well as Ancient Egypt.  First, there are the traditions of stunts associated with Alexander’s initiation into his fraternity and the tradition of giving a girl a fraternity pin as a precursor to engagement (“engaged to be engaged”).  Then, they discover that Miss Fairweather is a suffragette, which is the reason why she left her previous teaching job.  Her feminist ideals cause problems for her in her new, small town when they become known, but with Blossom’s help, she wins over some of the influential women in town as well as a male admirer.

The book is currently available online through Internet Archive.

The Dreadful Future of Blossom Culp

DreadfulFutureBlossomCulpThe Dreadful Future of Blossom Culp by Richard Peck, 1983.

This book is part of the Blossom Culp Series.

It’s 1914, and Blossom Culp is just starting high school. Although the principal of her old school tells her that this is a chance for her to make a fresh start, it looks like Blossom’s future is going to be very much a continuation of her immediate past.  In high school, she’s still a social outcast, looked down on by girls from better-off families, like Letty, the class president.  Also, despite her principal’s assertion that Blossom’s previous forays into the occult were imaginary, the product of the mental confusion that accompanies puberty, and that she is bound to grow out of them, Blossom knows that her psychic abilities are a natural gift and will not be ignored.

Blossom begins high school friendless because Alexander Armsworth has been ignoring her lately because of his important new position as class vice-president, his infatuation with Letty, and his friendship with a couple of local hooligans, Bub and Champ. Alexander is looking forward to his role in planning the school’s Halloween Festival, telling Blossom that he’s over their earlier, childish occult escapades and the Halloween pranks he used to pull.  Meanwhile, all of the other girls in school are infatuated with their handsome history teacher, Mr. Lacy, and so is the girls’ gym teacher, much to Blossom’s disgust.  Blossom thinks that Mr. Lacy is full of himself and denies that she has any such silly crush on Alexander.

Blossom makes an unexpected friend in a girl called Daisy-Rae, a girl from the country who has brought her younger brother into town to attend school and hoped to get an education herself but has been too afraid of the big town to actually attend classes.  Daisy-Rae hides in the school during the day and lives alone with her brother at night in the old chicken coop at the abandoned Leverette house.  It is through Daisy-Rae that she learns that Alexander and his friends aren’t so above childish pranks as they claim to be.  Blossom also discovers that Mr. Lacy has been romancing her old principal.  Mr. Lacy isn’t quite what he appears to be and has some unsavory secrets in his past.

Matters come to a head when Alexander (at Letty’s urging) tries to persuade Blossom to dress up and become the fortune teller for the haunted house that the freshmen class is doing for the Halloween Festival.  The haunted house is also a fundraiser, and Letty figures that they can get extra money from people if they’re willing to pay to have their fortunes told, and who would be better for the job than Blossom?  However, Blossom isn’t one to go out of her way to please others, especially Letty, and it turns out that they’re holding the haunted house in the Old Leverette place.  For some reason, that old house makes Blossom’s mother uneasy.  She seems to think that it’s haunted, but in an unusual way.  Blossom tells Alexander that she will not agree to be their fortune teller until he agrees to check out the house with her before Halloween and find out what’s wrong with it.  She figures that, since both of them are psychic, they can learn what’s so unusual.

As Blossom learns, her abilities don’t confine themselves to the past and people who have died but extend to the future and the people who haven’t yet been born.  Inside the Old Leverette house, Blossom suddenly finds herself entering the distant future, the 1980s.  In the 1980s, the Leverette house is once again lived in, and Blossom meets a boy named Jeremy who is a lonely social outcast, like herself.  Jeremy is a computer nerd, living with his divorced mother.  He takes Blossom on a tour of their town as it is in Blossom’s future, much larger than it used to be and with many familiar landmarks missing.  However, what Blossom sees in the future gives her the inspiration she needs to solve her problems in the past and hope that things will improve.  In return, she also proves to Jeremy that he is far from alone and has had a friend for longer than he ever imagined.

The time travel to the 1980s comes off as being a little corny (or so it seemed to me), but the writing quality of the book is excellent.  The author has an entertaining turn of phrase, and the book, like others in the series, is humorous and a lot of fun to read.

Besides being a kind of fantasy story, there are some interesting tidbits of history in the book, showing how people lived in the 1910s.  Blossom explains about the things she and her classmates did at school, like wearing beanies on their heads to show which year they were (freshmen, future graduating class of 1918).  At one point in the story, Blossom takes Daisy-Rae and her brother to their first movie, a silent film with an episode of The Perils of Pauline serial.  While Blossom worries about the future, readers can get a glimpse of the past!

As for what Blossom learns about her own future, she avoids finding out too much because she’d rather not know the details.  However, there are implications that she and Alexander may eventually marry and live in his family’s old house.

The book is currently available online through Internet Archive.

The Ghost Belonged to Me

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The Ghost Belonged to Me by Richard Peck, 1975.

The book takes place in the 1910s in a small town on the Mississippi River. Alexander Armsworth, a boy in his early teens, is approached by a girl from his class who tells him that the barn on his family’s property is haunted and that Alexander himself has the ability to see the “Unseen.” The girl, Blossom Culp, is a poor girl from a family of outcasts who has been known to tell tall tales, so Alexander isn’t sure he believes her at first. However, he can’t help but be curious, and when he sees a light coming from the barn at night, he decides to investigate.

Inside, he finds the ghost of a young girl who warns him of danger on the trolley tracks near his house and tells him that he must act fast to save everyone. Frightened, Alexander gets the trolley to stop and learns that by doing so, he has saved the lives of everyone on board from a disaster at the bridge further on. Naturally, everyone wants to know how Alexander knew to warn them. When Alexander explains, he is met with skepticism from his social-climbing mother and sister and unwelcome attention from news people and curiosity-seekers from town.

The ghost, who tells Alexander that her name is Inez Dumaine, is also in need of help before she can rest peacefully. Alexander will need the help of those who believe in him and the ghost to find Inez’s body and return it to her home in New Orleans.

In this first book in of the Blossom Culp series, Alexander is the main character, but the other books focus more on Blossom, who discovers that she also has the ability to see ghosts.  The book is available to borrow and read for free online through Internet Archive.

This is the movie that the Disney movie Child of Glass was based on, and the movie is available on dvd. Sometimes, you can also find it on YouTube, at least clips and reviews of it.

My Reaction

The story has sad and scary points, but those are balanced out by humorous situations. Alexander’s sister’s turmoil over the fiasco at her coming-out party is hilarious, and his mother’s change in attitude when she realizes that, instead of making them social outcasts, the ghost business actually attracts attention from one of the town’s leading citizens is a hoot. Blossom, of course, is wonderfully nosy, elbowing her way into Alexander’s life and selling tours of the haunted barn.

I was very young when I saw the Disney movie based on this book, Child of Glass (a live action movie that aired on television), and I was afraid of ghosts. However, years later, I took another look at the movie and decided to read the book that it was based on. When I did, I saw things I didn’t appreciate when I was young. The dialog and depiction of life in the early 20th century in the book are wonderful. It conjured up memories of Meet Me in St. Louis, especially the Halloween scene (which took place only about a decade earlier than this story). Unfortunately, this early 20th century setting wasn’t present in the movie version of this book because Child of Glass was placed contemporary with the time it was made, during the late 20th century.

The Disney movie was also different from the original book because it added the feature of the “child of glass” which didn’t exist in the original book. The “child of glass” was mentioned in a poem at Inez’s grave that explained how to lay her ghost to rest. At first, the Alexander and Blossom in the movie don’t know what it means, but it turns out to be Inez’s doll, which was lost when she was murdered by her wicked uncle. In the book, Inez died under different circumstances. However, the discovery of the doll in the movie uncovers the secret motive behind her murder, which is similar to the reason why Inez’s body was hidden in the book after she died in a riverboat accident.  In the book, Inez’s spirit finds rest after her body is found and taken to her family’s cemetery in New Orleans.  The Disney movie also turns this story specifically into a Halloween story, which wasn’t the case in the original book.

Who’s Haunting the Eighth Grade?

Junior High Series

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#13 Who’s Haunting the Eighth Grade? by Kate Kenyon, 1988.

A group of eighth graders are going on a field trip to see a Shakespeare play in another town, but right from the start, everything seems to be going wrong. The teachers who are accompanying them on their trip are in a foul mood and spend a good part of the trip arguing with each other, which bothers the kids because they know that the teachers have recently become engaged to each other. Then, the bus breaks down in a small town before they can reach their destination.  The entire class is going to have to spend the night somewhere in the small town.

At first, things look like they’re going to improve when the group decides to spend the night at a local bed and breakfast in a big, beautiful, old house. However, their spirits are almost immediately dampened again when they are told that the house is haunted and that anyone who tries to stay there is scared away by the ghost. Still, they proceed with their plan to stay there in order to avoid staying at the dumpy local motel, the only other choice of accommodation.

Needless to say, before the night is over, the ghost puts in an appearance, and strange things start to happen.  By then, the students have come to feel sorry for the owner of the bed and breakfast, a nice older lady who grew up in the house but can’t really afford to keep it unless she can make her inn a success. Can the eighth graders catch the ghost, stop the hauntings, save the bed and breakfast from having to close, patch up the relationship between their feuding teachers, and still make it in time to see the play?

The book takes place in the 1980s, and the kids in the story are 14 years old. They mention the decade somewhere during the course of the story, and the descriptions of the clothes and some pop culture references make the time period fairly obvious. It also has some of the stock characters that books for pre-teens and early teens in the 80s have (ex. a boy-crazy space cadet, a level-headed health nut, a class clown, and a couple of young punks). Still, even though there are some things about the book that are a bit dated, it is still pretty enjoyable. The author has a sense of humor, and she plays with the characters’ stereotypes a bit. The class clown is secretly quite sensitive and even a bit perceptive. There are also a couple of fun scenes when the girl who is only interested in boys is shocked to discover that the boys are more interested in the mystery than in her.

Heckedy Peg

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Heckedy Peg by Audrey Wood, 1987.

A mother leaves her seven children, all named after days of the week, alone at home while she goes to the market.  Before she leaves, each of the children asks her for something special, and the mother warns them not to let strangers in or touch the fire.

However, while she is gone, a witch, Heckedy Peg, comes to the house and asks the children to light her pipe for her, offering them a sack of gold in return.  At the sight of the gold, the children let her in, and she turns each of the children into a different kind of food, which she takes back to her hut in the woods.

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When the mother returns home and discovers that the witch has taken her children, she goes into the woods to get them back.  Heckedy Peg says that the mother can reclaim her children if she can determine which type of food on her table is which child.  At first, the mother doesn’t know what to do, but then she realizes that the things her children wanted from the market are the clues to determine their identities.

The book is currently available online through Internet Archive.

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My Reaction

The pictures in the book are wonderful, but the most interesting part for me is in the note on the back, which explains that the story is based on a 16th century game that children still play which involves guessing the identities of children within a certain category of things.

I wouldn’t recommend the book for very young children because the way the children in the story were turned into food might be frightening.  Also, when the mother goes to the witch’s hut the witch refuses to let her in until she cuts off her feet, which she only pretends to do, but the idea is a little disturbing.  The part about cutting off the feet is a reference to part of the original game.

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Monster Manners

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Monster Manners by Joanna Cole, 1985.

Rosie Monster’s parents worry about her because she just can’t seem to understand how monsters are supposed to behave. Monsters are supposed to be fearsome. They’re supposed to growl, fight, and break things. Rosie is just the opposite. She’s endlessly polite and sweet.

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Rosie’s friend Prunella tries to teach her real monster manners, but no matter what, Rosie just can’t stop being polite.

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It wouldn’t be such a problem for Rosie, except that she knows that her family and friends are disappointed in her.

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Then, a water pipe breaks at Rosie’s house. Although her parents, and even Prunella, try calling a plumber, they can’t get him to come to the house and help them no matter how loudly they growl into the phone.

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It takes Rosie’s politeness to get the message across and get the help they need!

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A friend of mine who works in customer service wishes that more callers would be polite or, failing that, that he could just hang up like the plumber in the story.  Trying to help people who are determined to make the process of helping them harder than it has to be and who will curse and insult you for even trying is a frustrating experience.

The book is currently available online through Internet Archive.

Meet Molly

Molly, An American Girl

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Meet Molly by Valerie Tripp, 1986.

MeetMollyThreatMolly McIntire misses her father, who is a doctor stationed in England during World War II.  Things haven’t been the same in her family since he left.  Treats are more rare because of the sugar rationing, and she now has to eat yucky vegetables from her family’s victory garden all the time, under the watchful eyes of the family’s housekeeper.  Her mother, while generally understanding, is frequently occupied with her work with the Red Cross.  Molly’s older sister, Jill, tries to act grown-up, and Molly thinks that her brothers are pests, especially Ricky, who is fond of teasing.  However, when Molly and her friends tease Ricky about his crush on a friend of Jill’s, it touches off a war of practical jokes in their house.

MeetMollyHalloweenTrickHalloween is coming, and she wants to come up with great costume ideas for herself and her two best friends, Linda and Susan.  Her first thought is that she’d like to be Cinderella, but her friends are understandably reluctant to be the “ugly” stepsisters, and Molly has to admit that she wouldn’t really like that role, either.  Also, Molly doesn’t have a fancy dress, and her mother is too busy to make one and also doesn’t think that they should waste rationed cloth on costumes.  Instead, she suggests that the girls make grass skirts out of paper and go as hula dancers.  The girls like the idea, but Halloween doesn’t go as planned.

Everyone loves the girls’ costumes, and they collect a good number of treats in spite of the war rationing, but Ricky takes his revenge for their earlier teasing by spraying them with water and ruining their costumes and all of their treats.  When the girls get home, and Mrs. McIntire finds out what happened, she punishes Ricky by making him give the girls the treats that he’s collected, except for one, which she allows him to keep.  However, to the girls, this seems like light punishment, and they’re offended that he got off so lightly.

MeetMollyRevengeBecause he laughed at the girls, saying that he could see their underwear after he sprayed them with water and ruined their skirts, the girls decide to play a trick that will give Ricky his just desserts.  The next time that Jill’s friend comes to visit, the girls arrange to have Jill and her friend standing underneath Ricky’s bedroom window when they start throwing all of his underwear out the window, right in front of Ricky.  Ricky screams at the girls that “this is war!” just as their mother arrives home.

Their mother makes it clear that war is a serious thing, not a joke.  There is a real war on, and their childish pranks are wasting time and resources (like the food that Ricky ruined on Halloween – sugar is rationed, and some of their neighbors had gone to a lot of trouble to save their rations to give the kids a few treats).  She also points out that this is how real wars start, with “meanness, anger, and revenge.”  Faced with the reality of what they were doing, Molly and Ricky apologize to each other and clean up the messes that they each made under their mother’s direction.

In the back of the book, there is a section of historical information about what life was like for civilians in America during World War II.  People with relatives overseas worried about them, but people in service had to be careful about what they said in letters home, in case those letters were intercepted by enemy forces.  Some of the luxury goods that people were accustomed to having became more scarce, although the rationing wasn’t as bad in the United States as it was in Europe (this is covered more in a later book in the series) because certain types of materials had to be saved for the war effort (like the metals used to make cans for food, which is why victory gardens were important) and because factories that ordinarily made civilian goods were converted to make equipment for the armed forces.  For example, they mention that car factories were making things like tanks and airplanes and clothing factories were making tents and uniforms.  People referred to the efforts that civilians were making to save needed materials for the war as “fighting on the home front,” reminding themselves and others that the small sacrifices that they made each day, like driving their cars less to save gas or raising food for their families, helped to make a big difference for a larger cause.

The book is currently available online through Internet Archive.

Are You There, God? It’s Me, Margaret

MeMargaretAre You There, God?  It’s Me, Margaret by Judy Blume, 1970.

This is one of the more controversial children’s books because parents raised concerns about the discussions of religion and puberty which are central to the story, and it has been banned or challenged in some libraries.  (Read to the end and see the spoilers before you decide if you agree with that.)

I wouldn’t recommend this book for young children because they wouldn’t understand the issues the story discusses, but it does speak to the concerns that pre-teen girls typically have about growing up, finding their place in the wider world, and fitting in with their friends as well as that haunting fear kids often have that they aren’t normal, compared to everyone else.  This isn’t a spoiler for the story (although there are plenty of those later on because I can’t really describe my thoughts about this book without them), but I just have to say that, in my experience, by the time people are done with college, maybe even by the time they’re done with high school, most of them come to realize that nobody out there is completely “normal.”  Some are just better at giving that impression.  Everyone out there has their quirks or issues, so if you think you’re a little odd in one way or another, or if you think your family is a little weird, you’re in pretty decent company.  Generally, it’s best not to worry too much about it and just get on with life.  In a way, I think that does fit in with the ending of the book.  But, I’ll talk a little more about my personal opinions about the controversial parts later.

When Margaret Simon is eleven years old, her parents decide to move from New York City to a suburb in New Jersey.  Margaret is accustomed to living in an apartment in a big city, and her new town and house seem a little odd to her.  She isn’t sure that she’s going to like her new home, and she knows that part of the reason why her mother wanted them to move was that she was worried that Margaret was becoming too close to her grandmother in New York and too easily influenced by her.

Margaret’s family is a little unusual in that her mother is Christian but her father is Jewish. (This is a little more unusual for when the book was first written than now because marriages of mixed religions are more common now than they were before, although they can still be complicated.)  The religious differences between her parents caused conflicts in their family even before Margaret was born.  Neither side of the family really approved of the match, so Margaret’s parents had to elope to get married.  Margaret’s mother’s parents disowned their daughter because of her marriage and haven’t seen or spoken to the couple in years or met their granddaughter.  However, Margaret’s father’s mother (his father is deceased) continues to spend time with the family, although she admits that it’s mostly for Margaret’s sake.  Margaret’s only close grandparent likes to spoil her and pays for her education at a private Jewish school, which is why her mother has become concerned that Margaret is influenced by her too much.  Margaret’s mother wants some separation so that she and Margaret can become closer as mother and daughter. The move and Margaret’s new friendships in New Jersey raise a number of troubling questions for Margaret about growing up, both physically and spiritually.

Because of the family religious conflicts, Margaret’s parents purposely raised her without a religion, telling her that she could choose for herself when she was old enough.  Until now, Margaret was not terribly concerned about it, but the move, the new friends she makes in New Jersey, and her increasing awareness of how religious differences have influenced her relationships with her family and other people cause her to question the choices she must make and what she really believes.  Throughout the book, she prays frequently in a casual, conversational fashion, telling God about the things that are happening in her life, the questions and problems she has, and what she really wants most.  Sometimes, she gets angry with God or disappointed when things don’t work out well, but the story makes it clear that her relationship with God is evolving, just as Margaret herself is changing as she grows up.  At one point, Margaret worries that, at age twelve, she is too old already to choose a religion and wishes that her parents had just given her one when she was little so she wouldn’t have this uncertainty.  However, growing up is a long process that Margaret is only beginning to appreciate.

The first new friend Margaret makes is a girl her age who lives next door, Nancy.  Nancy is eager to grow up and not at all shy about talking about things like boys, periods, bras, kissing, and even sex.  Sometimes, Nancy talks like she knows a lot about such things, although more mature people (and, eventually, Margaret) would realize that she doesn’t.  She introduces Margaret to two other girls, Gretchen and Janie, and the four of them form a kind of club that they call the Pre-Teen Sensations (PTS for short).  They give themselves secret names and hold meetings, talking about boys, people they know at school, and concerns that they have in their lives, especially related to growing up, periods, and sex (no one has any in the story, but the girls are fascinated by the idea).  One of the requirements of this club is that each of the girls has to wear a bra, and they feel each other’s backs at the beginning of each meeting to make sure.  Up until then, Margaret didn’t have a bra, so she has to buy her first one.  The girls worry about their breast size (none of them has much yet), and they try exercises to see if they can improve it (which is ridiculous, but it is the kind of thing that some pre-teen girls believe).  At the beginning, none of the girls has had their first period yet, and they’re looking forward to it with nervousness and anticipation, wondering what it’s going to be like.  They agree that whoever gets their period first has to tell the others about what it’s like.  Margaret nervously worries that she’ll be the last one to get hers or that she’ll turn out to be “weird” and never have one for some reason, although her mother assures her that it’s not likely and that it’s really just a matter of time.

Meanwhile, Margaret has some awkwardness at her new school, getting to know new people, sometimes making mistakes in the ways she relates to others, and figuring out which boys she likes the best. (She doesn’t get a boyfriend, just crushes.)  Her new teacher is also a little awkward because he’s young and this is his first teaching assignment, and he seems self-conscious that male teachers aren’t as common as female teachers.  Even adults can worry about being accepted by others.  He seems to be a good teacher, however, and he asks the students questions about themselves in an effort to get to know them better.  He learns early on that Margaret doesn’t have a religion and that it bothers her.  When he tells the students to choose a topic for a year-long research project into something that they care about, he allows Margaret to choose the topic of religion.

Margaret decides that her project for the year will be to learn about different religions and to finally choose one for herself.  Her focus is mainly on trying to decide between Judaism and Christianity because that’s what the two sides of her families are, that’s what most of the people her community are, and she says at one point that she doesn’t know anyone who is Muslim or Buddhist, so she can’t talk to them about their religions.   People in this community tend to belong either to the local YMCA or the Jewish community center, and Margaret thinks that if she figures out if she should be Christian or Jewish, she’ll be able to join one of those herself and fit in better.  Her friends help her in her project, some of them letting her come to church with them.  Each of the PTS girls is a different religion.  Janie is Jewish, and Nancy and Gretchen each attend a different Christian church.

Margaret’s friends aren’t particularly concerned about which choice Margaret will eventually make.  They find the story of her parents’ elopement romantic and are sympathetic to Margaret’s feelings.  However, Margaret notices that other people react differently to her project.  It seems like some of them view the idea of winning her to their side as some kind of personal victory for them, which hurts because she realizes that this is how her grandparents view her, even her beloved grandmother.  When her mother’s parents decide to visit them for the first time, there is an ugly scene where the family conflicts over religion come to a head, and Margaret feels so overwhelmed that she wants to give up on God and religion completely.  However, Margaret’s story isn’t over yet.  She’s really just started growing up, and whether she believes it or not at first, God hasn’t given up on her.  Getting what she wants most is really just a matter of time and patience.  Everyone grows up eventually.

So, what’s my overall opinion?  Generally favorable.  I read this book when I was about Margaret’s age and had the same concerns she did (or very similar, no two people are alike) and my friends and I were talking about the same kinds of things she and her friends were.  I think the key to this book is age-appropriateness.  Like I said, girls younger than about ten or eleven years old probably would not understand Margaret and her concerns because they just don’t share them.  It’s like Margaret and her friends themselves: they talk about the concerns that they all share, growing up and their new interests in boys and the idea of first periods.  If the reader isn’t a girl at that phase of her life, she just wouldn’t understand and connect with the story, and a few years later, those girls would likely move beyond all of that and on to other concerns (like whether or not they should go to college, what their major or career should be, etc. – life is full of things to figure out).  The things that seem so new and mysterious at age eleven, like real signs of growing up, later won’t matter so much because they’ve already lived it and found out that it’s not such a big deal.  Girls eager to get their first period or start shaving their legs at age twelve because they want to feel grown-up often start thinking of these things as hassles when they’re older and it’s all just become part of the routine of life.  They groan when a period starts on the day they want to go swimming or wear long pants on days when they’re too busy or just don’t want to bother shaving.  The novelty wears off, and you never look at it the same way again.  When older girls and women enjoy this book, it’s mainly as nostalgia for when they were Margaret’s age and still figuring things out.

The reason why this controversial story still remains popular even decades after its original publication is because it pretty accurately captures the thoughts and feelings of that pre-teen phase of life, when girls are just starting to grasp the complexities of life and the changes that lie ahead, alternately worrying about them and eager to get on with it and grow up.  It speaks to girls who are currently in that phase.  Reading it again as an adult, it reminds me of a time when I was in a similar place in life, although part of me now wishes that I could take young Margaret aside and tell her a few things that she eventually will come to realize:

  • That her friends are still finding their own way in life, just like she is, and even the ones who act like they know a whole lot really don’t (especially Nancy).
  • That growing up doesn’t end when you get your first period or even when you hit 18 or 21 because change is a life-long process and people mature at different rates, mentally as well as physically.
  • That many of the questions she’s struggling with are ones that everyone wonders about.  Some of them, like the religious issues and her own identity, are life-long struggles, even for people raised in more religiously-conventional households.  What human being can say that they thoroughly understand God and the mysterious ways in which He works?  It’s a worthwhile struggle, but not one that people resolve with complete certainty, certainly not by age twelve (Margaret’s age at the end of the book).  Margaret is far from being too old to consider these issues.  Philosophers and theologians have spent entire lifetimes on that subject.

But, even if I could say some of those things to young Margaret, they probably wouldn’t help completely because some things just have to be lived to be understood, which is the main reason why I would say banning the book is a mistake.  The issues Margaret deals with in the book are just common issues that come up in daily living, and the questions she asks about what she believes and what’s ahead for her are things that girls think about anyway and talk about with their friends, whether they read about them or not.  There’s no point in trying to get kids to stop thinking about these things because, at some point, they just have to because it’s a part of life, growing up, and the world around them.   Until they do consider some of these issues, it is difficult to move on to other, even more complex aspects of life, so I think it’s better to face them directly when the subjects come up instead of trying to dodge the subjects or put off thinking about them.

I think that Margaret’s elders were somewhat unhelpful in their approaches to Margaret’s religious life.  Her maternal grandparents are clearly selfish in their motives, caring only about winning the argument for their side, not really taking any interest in getting to know Margaret personally or caring about her feelings.  In fact, they only decide that they want to meet Margaret when they realize that she will be their only grandchild by blood, and even then, they make it clear that they expect the relationship to be on their terms alone.  Margaret’s paternal grandmother is better in her approach, nurturing Margaret from an early age in the hopes that she will grow up in the way she thinks best, but she endangers her relationship with her granddaughter when it seems like her previous nurturing and attention had the same selfish motive, wanting to win the argument in the same way that her other grandparents did.  Margaret wants them to like her for the person she is, not for what she might become or the ego boost they might get from her agreeing with their point of view.  Margaret’s parents are more interested in allowing her to develop her religious side on her own terms, loving her no matter what she chooses. However, Margaret might be correct in that they should have started discussing the issue honestly with her earlier in life, being a little too hands-off in order to avoid trying to win the argument or influence her too much one way or the other.

Even if the adults in Margaret’s life aren’t always the most helpful, children also learn the things that they don’t want to do from their elders.  Margaret at age twelve thinks that she’d like to raise any children she might have with a religion early in life so they won’t have to deal with the uncertainty and conflicts that she has, but she still has a lot of growing up to do, so anything can happen in her future.  Margaret’s future children (if any) will depend in equal measure on who Margaret’s eventual husband turns out to be and what he believes.  Life is a long journey, but Margaret seems headed for good things.

Many of Margaret’s growing-up issues will, like her first period, resolve themselves in time, and when she’s more experienced, part of her will look back and wonder why it all seemed so big and serious back then.  But, that’s just the phase of life she has to live through first.  Her religious issues will probably take a lot longer than physically growing up, but I think it’s important for readers to remember (as well as Margaret herself or anyone in a similar position) that Margaret is still young.  At the end of the story, Margaret still doesn’t know what religion she will choose (if any), but she’s still growing and changing, her life is changing, she’s becoming more aware of the larger world, and her mind may change many times with maturity and experience (like how many of us change majors about two or three times in college and then eventually end up in a completely different career).  Anything could happen in her life, and the range of possibilities in her life are part of the real magic of being young.  Because Margaret is a thoughtful person who seriously wants to understand the bigger issues in life, I think that she will probably be okay in the long run and that her personal relationship with God will continue to develop even if she finds it difficult to connect to an established religion.  That might not seem ideal to many people, but Margaret does the best she can with what she has in life, her circumstances and her understanding, and I think that’s a good sign.

Later editions of this book were revised to reflect new details of modern life, including how women and girls handle periods.  I’ve never actually seen the old belt-style of period pads that Margaret describes in the original version of the book, and later versions of the book describe the ones that are common today.  There is a movie version planned.