For as far back as Jean can remember, she was raised by her Aunt Constance Wainwright at her school for girls. Jean knows that she’s an orphan, and technically, Aunt Constance isn’t a blood relative, but the two of them are very close. Aunt Constance has always been like a mother to Jean, and Jean has no memory of her birth mother. Jean’s ambition is to become a teacher like Aunt Constance and continue working and living at Aunt Constance’s school. It’s the summer of 1894, when Jean is almost 13 years old, when events begin happening that change Jean’s life forever and give her a new perspective on her past.
Jean is young, but she receives an unexpected job offer for the summer from Daniel Thiel, one of the trustees of the school. He is a regular visitor at school dinners, where he and Aunt Constance tend to debate each other. He has asked for Jean to come and help him to sort through and process the Callender papers, which were left to him, along with the large house in the countryside, where he lives, after the death of his wife. The reason why he wants Jean’s help is that she’s had enough education and some knowledge of other languages to read through and process the papers, and she’s too young for the people in the small town nearby to gossip about her having a romantic relationship with him. Jean is tempted by the job because it’s the first real job offer she’s ever had, and she knows that she will need money to continue her education.
Before she accepts, however, her Aunt Constance talks to her about Daniel Thiel’s history and the history of the Callender family. Daniel Thiel is now an artist, but when he was a young man, he refused to fight in the American Civil War. (The book refers to it as “the War Between the States”, an old name for it.) He was one of the “Hiders”, young men who ran away and went into hiding rather than be pressured to fight. Jean isn’t sure that she approves of this, and she knows that Aunt Cynthia’s brothers died in the war. However, even though Daniel Thiel was considered a disgrace for running away and hiding, he later returned to the area where he had grown up and married Irene Callender, the daughter of the wealthy Callender family. Irene was somewhat unfortunate because her mother died when she was young, and she largely raised her younger brother, Enoch. She had not originally expected to marry, but she married Daniel Thiel later in life, after Enoch was grown and married himself. Together, she and Daniel Thiel had a child of their own, but Irene died under mysterious circumstances while the child was very young. Since then, Daniel Thiel has been a recluse, and nobody knows what happened to his child.
Aunt Constance has no objection to Jean taking a job from Daniel Thiel because she thinks he’s a good man, in spite of some of their personal differences. What worries her about this job is the other people in the area. She’s not sure that she approves of them. However, she agrees to let Jean accept the job.
Jean is excited at first about this job, which will allow her to earn money to further her education. However, when she actually leaves her aunt’s school, she becomes nervous. It’s her first time being away from her aunt and the school she’s called home for as long as she can remember, and Daniel Thiel seems like a strange, temperamental man, who mostly prefers to be left alone. He has a housekeeper who has her own sad history, having once been sent to prison for stealing something from Enoch Callender to help her sick brother when her family was desperate for money. Jean realizes that Daniel Thiel does support good causes and likes to help people, but he doesn’t like to get much attention for it.
When Jean begins working with the Callender papers, sorting through them, organizing them, and deciding what’s important, she’s a little nervous at first about her ability to discern what’s important. Daniel Thiel talks to her a little about it and assures her that she can understand what’s important. The more Jean reads through the documents, the more real the Callender family seems to Jean, and the more she is drawn to the details of their lives, wanting to know more about them.
Daniel Thiel’s brother-in-law, Enoch Callender, still lives nearby with his wife and children. Soon after Jean’s arrival, Enoch meets up with her, seemingly by accident and plays a game with her at guessing her name. Jean is amazed when he guesses correctly. Enoch asks Jean questions about her life and where she came from, and Jean finds herself telling him more about her background than she expected. Enoch also tells Jean a little about his own family. The Callender family used to live in New York, and Enoch really prefers life in the city. He has ambitions for his children and feels bored and stifled in the countryside. He has no real profession himself. He admits that he was spoiled by his sister, Irene, who raised him, and he explains that Irene died ten years before, under odd circumstances. His father died around the same time. Then, he shows Jean something that he says was a secret between himself and Irene – a board that acts as a bridge over a river. Jean thinks it looks dangerous, but Enoch crosses it himself and bounces on it to prove that it’s safe. He tells Jean that she can also use this crossing.
Jean finds Enoch Callender charming but at the same time disturbing, and she can’t forget that he is the one who sent Daniel Thiel’s housekeeper to prison for a minor crime that she committed out of desperation. Jean asks Daniel Thiel more about the history of Enoch Callender and the housekeeper. She learns that the Enoch’s father and sister had both tried to persuade Enoch to not press charges, and when he insisted on pressing charges anyway, Enoch’s father paid for the housekeeper’s defense in court. Jean realizes that the Callenders were caring people, but Enoch was the exception. Enoch was technically in the right legally but at the same time, he was needlessly cruel.
Jean befriends a local boy named Oliver, who prefers to be called Mack, and begins tutoring him in Latin. Mack witnessed the meeting between Jean and Enoch, and he comments that, what seemed like an accidental encounter to Jean was actually done on purpose by Enoch. Mack doesn’t trust Enoch, and although locals somewhat keep their distance from the housekeeper since she was in prison, they also blame Enoch for what happened. Jean is annoyed at Mack’s description of the charming Enoch as being untrustworthy, and they quarrel about it, but there is also some truth to what Mack says.
Jean is beginning to see what Aunt Constance meant about not being sure about the people living in this area. People here aren’t quite what they seem. The locals are suspicious of people like Daniel Thiel and his housekeeper, whose pasts are strange and tragic, but yet, Daniel Thiel and his housekeeper seem like good people to Jean. Charming people like Enoch also have dark sides, and past incidents seem to haunt everyone there. Mack explains more to Jean about the mysterious death of Daniel Thiel’s wife, who died from injuries from a fall. Local people think maybe she was actually murdered, and they look suspiciously at Daniel Thiel. They also wonder what happened to Daniel Thiel’s small child, who also mysteriously disappeared after his wife died. He brought in a nurse to take care of the child, and one day, the nurse and child both disappeared, nobody ever saw them again, and Daniel Thiel refuses to talk about them, as if they never existed.
When Enoch talks about the past, he thinks it’s unfair that his bringing charges of theft against the housekeeper has earned him disapproval from other people because, after all, she did steal from him, and he was only doing the right thing under the law. He also chatters and laments to Jean about his family’s prospects. His eldest son, Joseph, is charmer, like his father, and his family hopes that he will marry well. They think that will be the best solution to securing the family’s future. Joseph doesn’t have any particular profession in mind for his future other than that. Enoch’s daughter is also expected/hopeful that she will marry well. The younger son, Benjamin, is more ambitious but seems to have little idea how to go about his ambitions. Enoch thinks that their futures will be better elsewhere, but money is always an issue, and he is tied to this location because the old Callender fortune is here, and the family’s old will, which controls the family’s fortunes is complicated. Jean can tell that Enoch’s wife and children aren’t happy, and Enoch’s wife tearfully confides to Jean that she thinks that she and their children are disappointing to Enoch. Enoch admits that he spends more time ruminating on old wounds than trying to do anything useful with his life. Enoch says that he wonders and worries about what happened to his daughter’s missing child, and Jean feels for him. When she talks to Enoch, he charms her, and Jean finds it difficult to believe too badly of him, in spite of indications that he has done wrong.
As Jean continues to sort through the Callender papers and learns more about the Callenders, Daniel Thiel, and the past events that still haunt this community, she finds herself trying to sort through the good and evil people who surround her and trying to decide which is which. She finds herself questioning what she really knows about people and whether she can really tell what their true natures are. What really happened to Irene Callender Thiel ten years ago, and where is her child? Could Daniel Thiel have murdered them, or has he been wrongly suspected all this time? Could the answers to all of these questions and more be contained in the Callender papers that Jean has been hired to sort through? Jean must come to understand the truth about the Callenders because her life is now also in danger! There are things about the Callenders that someone doesn’t want anyone to know. Jean is getting too close to the answers and is a bigger threat to someone than she ever suspected.
The book won the Edgar Allan Poe Award in 1984. It’s recommended for ages 9 to 13. It is available to borrow and read for free online through Internet Archive.
My Reaction and Some Spoilers
I don’t want to spoil the mystery too much because that’s what makes the story exciting. The mystery is based on an understanding of past events in this family and community. The incident with the housekeeper was just part of a chain of quarrels, disappointments, and misdeeds that lead up to the tragedy of Irene’s death. Readers might also guess that orphaned Jean’s past is more intertwined with the Callenders than she knows, which is why Daniel Thiel asked for her to come and work with the Callender papers and why Aunt Constance allowed her to take the job. Both Aunt Constance and Daniel Thiel know more about Jean’s past than she does and the answers to questions that Jean hasn’t even thought to ask yet.
Much of the mystery is also a character study. Jean is correct that she’s unaccustomed to thinking of people in terms of good and evil. In Aunt Constance’s school, she realizes that she was surrounded by basically good people, and the worst that she ever had to complain about there was that some teachers were a little more strict than they needed to be and some of the other girls had petty quarrels with each other. In this small town and within the Callender family, Jean has to confront some of the harsh realities of life, the dark sides of human nature, people who have committed truly wicked deeds, people who have genuinely suffered wrongs, and how misdeeds of the past can haunt the present.
As Jean struggles to understand the members of the Callender family and their motivations, she finds herself questioning where the lines between “good” and “evil” are drawn. For various reasons, she finds herself being sympathetic toward people who have done wrong things. For example, she can readily understand why the housekeeper was driven to steal because of her desperation to help her sick brother, but at the same time, she knows that stealing isn’t right and that her decision ultimately put her in an even worse position.
Jean finds Enoch Callender both disquieting and fascinating at the same time. While she thinks that he should have been more forgiving to the housekeeper, she also comes to understand that much of his behavior comes from frustration and old quarrels with his own father, who put him in the position of living in a place and lifestyle that ultimately doesn’t suit him. He has lived a varied life and knows more about high society and low society than Jean has ever experienced. The stories he tells opens up the world to Jean, which is part of why she finds him so compelling. When it comes to concepts of right and wrong, Enoch has knowledge of the dark undersides of society, and in spite of his prosecution of the housekeeper, he says that he finds the desperate deeds of the lower parts of society far more compelling than the unethical but legal dealings of the upper classes. He is a thrill seeker, and he is fascinated by people willing to risk everything for what they want.
Jean finds a letter that Irene wrote to her father about her brother and their inheritance. Their father found Enoch’s ethics and way of living objectionable, and Irene argued with him that Enoch should still receive most of the estate because she felt that they were responsible for spoiling him as a child and, as an adult, she thinks that he needs more money than she does, whether for good or bad. Enoch is undeniably charming, which makes people, including Jean and his late sister Irene, inclined to make excuses for him rather than holding him to account. However, does his charm really excuse some of the things he’s done or just give him license to do worse? How much responsibility did his father and sister have for the man he has become, or was that always Enoch’s responsibility?
Jean discusses issues of right and wrong and good and evil with Daniel Thiel, and they debate about the various points that may make one person’s actions less wrong or more forgivable than others. Daniel Thiel holds more blame for Enoch than for his housekeeper because, while the housekeeper did something she shouldn’t, she faced up to what she did and took the consequences for it, even though they were harsher than she really deserved. Enoch is not in such a desperate situation and has been keeping his past misdeeds secret and doing nothing to atone for them. Jean’s discussions with Daniel Thiel also open her eyes to other aspects of the world, philosophy, charity, and human suffering. However, while Enoch’s discussions often leave her feeling more witty and sophisticated and taking herself and her own thoughts less seriously, Daniel Thiel’s discussions make her feel respected and help her solidify her own views and arguments.
This is a good book for starting a philosophical debate about the different degrees of wrong-doing that exist and how an individual’s circumstances, character/personality, and sense of accountability can play a part in how much leniency they are or should be allowed. Showing sympathy for one person may be warranted and more humane than thoughtlessly administering the harshest punishment, but on the other hand, too much leniency emboldens a wrong-doer with a different nature, especially a person who lacks sympathy and empathy himself. Daniel Thiel’s point of view is that there should be limits on what someone is willing to excuse. If we, as humans, automatically forgive any and every person who does wrong because they’re just too likable or have somehow suffered a misfortune or disappointment in life, we would never be able to hold anyone to account for anything, no matter how many innocent people that person hurts. Sympathy for one person shouldn’t grant them the license to continue harming or abusing other people.
The difficulty for Jean at first is that she has little information about who in this situation has actually done what. She is only just beginning to learn about the Callenders and the other people in this community, and she has to uncover the truth of what happened in the past, piece by piece. Even then, she finds herself questioning the truthfulness of her sources of information. Whose accounts of the past are more trustworthy, Daniel Thiel’s or Enoch Callender’s? Can she really believe either of them when one or both may have had something to do with the death of Irene and the disappearance of her child? The secret is in the terms of the Callender will and depends on whether or not the child is still alive.
Mystery of the Strange Traveler by Phyllis A. Whitney, 1951.
This book was originally published under the title The Island of Dark Woods.
Laurie Kane and her older sister, Celia, are traveling by train without their parents to visit their Aunt Serena in New York. Aunt Serena has invited the girls to come stay with her while their parents are traveling in Asia for one of their father’s newspaper assignments. In her letter to the family, Aunt Serena hints at exciting things that are happening. She used to be a schoolteacher, but she says that she’s starting a new business, and the girls can help her with it, although she won’t say what it is until they arrive. Also, Aunt Serena has recently moved to a new house. When their father sees where she’s living now, he’s intrigued because it’s the location of their “ancestral mystery.” He would tell the girls the story himself, but Aunt Serena says in her letter that she would like to be the one to tell them about it. There father says that Aunt Serena loves being tantalizing and mysterious. Laurie, who loves mystery stories, wonders about it all the way to New York.
Aunt Serena lives in a wooded area on Staten Island, near Clove Lakes Park. She has a small red brick house with another outbuilding on her property that she says used to be an old cobbler’s shop. Her new business idea is to turn it into a small bookshop. Laurie loves it immediately because she loves books. She wants to be an author herself, and Aunt Serena says that she might even get a chance to meet her favorite author, Katherine Parsons, because she lives in the area. Celia is the practical one, and she asks Aunt Serena all the practical questions about how she plans to get people to come to her little shop when there are no other stores around them to draw customers in. Aunt Serena says that she’s not expecting her shop to turn into a big business. It’s more of a small hobby business to bring in a little extra money and also be a fun activity.
Laurie and Celia begin unpacking some of the books that Aunt Serena will sell in her small shop, and Laurie is pleased to see a collection of books by Katherine Parsons. On the back of one of the books, there’s a picture of the author and a short biography. Laurie is pleased to note that Katherine Parsons is left-handed, like herself. There are times when Laurie has difficult with things because she’s left-handed, and she feels a kinship toward the author because she shares that trait.
Meanwhile, Celia has noticed that there is a boy next door, moving the lawn. Laurie is more interested in books than boys, so she doesn’t find this exciting news. Celia tries to get the boy’s attention, but he seems to be ignoring her. When he does seem to notice the girls, he turns away quickly, like he wants to avoid them. Celia points out to Laurie how the house where the boy is looks very different from the rest of the houses around it – big, old-fashioned, dark, and creepy. Laurie comments that it looks haunted, and their Aunt Serena surprises them by saying it is.
The boy, Norman, lives with his grandfather, Mr. Bennett, in the old house. Mr. Bennett is a difficult man, and Aunt Serena admits that she got on his bad side when she first moved to the area by asking him if she could buy his house. Aunt Serena admits that she didn’t actually want to buy Mr. Bennett’s house; she was only using her inquiry as an excuse to talk to him and maybe get a look inside the house. However, Mr. Bennett took offense at the inquiry.
There is another boy in the neighborhood called Russ Sperry, and he’s friendlier. His mother sends him to bring a cake to Aunt Serena, and Aunt Serena says that she hopes he will be friends with the girls and show them around. Russ stays awhile to have some cake and chat, and he mentions that Norman Bennett’s father is in South America because he has a job there, which is why he’s staying with his grandfather. Aunt Serena says that Norman’s mother is dead and that his father rarely comes home. She doesn’t approve of the lonely way Norman’s grandfather seems to be raising him because it seems like Norman doesn’t have any friends. Laurie thinks that Norman’s loneliness is at least partly his own fault because he seems to avoid contact with people when she and Celia try to approach him. Celia decides that Russ is cute, but Laurie finds herself intrigued by Norman, not because she wants to flirt with him but because there’s an element of mystery about him.
The girls try to ask Aunt Serena more about what she means when she says that the Bennett house is haunted, but she says that she would rather talk about that later. She gets the girls busy unpacking their belongings, arranging things in her shop, and talking to Russ about the area. Russ helps to explain the geography of Staten Island, and Aunt Serena tells the girls more about the history of the area. Aunt Serena mentions that there are dances in the park on Wednesday nights, which sounds exciting to Celia. When Laurie spots Norman passing by, wearing riding clothes, Russ explains that there are a couple of stables in the area, where people can rent horses. There are plenty of things for the girls to do in the area, and Aunt Serena begins planning an opening party for her bookshop, with Katherine Parsons there as a special guest to sign her books.
Laurie is excited about the party and the opportunity to meet Katherine Parsons, but she continues to think about the mystery of why Norman seems so unfriendly. Soon, other strange things start happening. One night, she sees a light in Aunt Serena’s bookshop, as if someone were sneaking around in there. However, when Laurie goes to wake Aunt Serena to show her, the light is gone, and the next day, there aren’t any obvious signs that anything in the shop was disturbed.
When Laurie has a chance encounter with Mr. Bennett, where she asks him if he’s ever seen the ghost that haunts his house, he says, no he hasn’t seen it. The ghost is supposedly a phantom stagecoach, but Mr. Bennett doesn’t believe it exists. Once Laurie knows that there’s supposed to be a phantom stagecoach, she tries to press Aunt Serena for more details, but Aunt Serena refuses to tell them the rest of the story until she can tell them on a gray, stormy day, when the atmosphere is right.
When a stormy day comes and Aunt Serena agrees to tell the story, she allows Celia and Laurie to invite Russ and Norman over to hear it, too. Norman comes to hear the story without his grandfather’s permission because he’s always known there was some story about the house, but his grandfather hasn’t wanted to talk to him about it. When Aunt Serena tells the ghost story, the connections between the Kane family and the Bennett family become clear.
About 100 years before, there was a stagecoach route that ran through this area. One stormy day, a stagecoach was passing through the area, and one of the passengers, a woman with an infant daughter, was seriously ill and had become delirious. The stagecoach driver sought help at the Bennett house. The Bennetts brought the sick woman inside the house, along with the infant daughter. The stagecoach driver sent a doctor to tend to the woman, but she died in the Bennett house. They had no idea who the woman was and were unable to trace her origins or family. If the woman had a husband or the infant girl had a living father, the man never showed up to inquire after his wife or to claim the baby. All the Bennetts had do go on were the meager possessions the woman was carrying with her, and the little girl herself, whose last name was unknown but the mother had called “Serena.”
At this point, Serena explains that this Serena was the ancestor of the Kane family, the great-grandmother of Celia and Laurie. Since nobody was able to discover where she and her mother came from or locate any relative, the Bennetts adopted the first Serena and raised her until she grew up, got married, and moved away from the island. However, local people still tell stories about the terrible day when the first Serena and her ill mother were brought to the area, claiming to have seen a ghostly stagecoach pull up to the Bennett house and a ghostly woman get out.
Laurie is intrigued by the mystery surrounding her family’s origins. Aunt Serena shows them some of the belongings that the first Serena’s mother had when she died, which have been passed down as heirlooms. There was a doll with doll clothes, a woman’s dress with bonnet and gloves, a sewing kit, a fan, an old novel the woman must have been reading at the time, and a purse containing a very old coin. The old coin is another oddity about this strange situation because it dates from before the Revolutionary War and would have been long obsolete by the time the woman died during the 19th century. Is it still possible to solve a mystery that’s about 100 years old? Will Laurie and her family ever learn who their ancestors really were? Why does Mr. Bennett not want them to visit his house or talk about the old mystery or the ghost story? Does he know more about them than he wants to admit?
The book is available to borrow and read for free online through Internet Archive.
My Reaction and Themes
The mystery in the story unfolds slowly, which might make people who are used to faster-paced modern stories a little impatient. Aunt Serena takes quite a while from the time when she first mentions that the house next door is haunted until she actually explains what the ghost is supposed to be and what the mystery surrounding their family is. However, Aunt Serena values atmosphere, so the story could appeal to people who don’t mind a slower-paced mystery as long as it has a good atmosphere.
When the mystery does begin, some parts are resolved quickly and others are more of a puzzle. The idea of an orphan with an unknown identity and a hidden past is always intriguing. The light in the bookshop at night, on the other hand, turns out to be less of a mystery, and Mr. Bennett’s reluctance to discuss the ghost story and the old mystery turns out to be nothing sinister. Mr. Bennett doesn’t really have any hidden knowledge about the orphaned child or her dead mother. It’s just that he’s a very reclusive person who craves peace and quiet so he can work on his private projects. He also has some resentment toward the Kane family because, while they used to be very close, Laurie’s grandfather was the one who inspired Mr. Bennett’s son to take a job in another country, which is why Mr. Bennett and Norman rarely see him. By the end of the story, though, things get patched up between them.
Every time the matter of the mysterious orphan and the question of whether or not the house is haunted by her mother is raised, Mr. Bennett has had to deal with a bunch of people and reporters stopping by his house, harassing him with questions and asking for tours of the place, and he’s sick of it. He doesn’t want Aunt Serena or the kids raising the issue again because he doesn’t want to deal with everybody’s questions anymore, and he has no more information to give anyone. As far as he’s concerned, the mystery is unsolvable because he thinks whatever trail there might have been has long since grown cold, and if it were ever possible to learn the dead woman’s identity or the real origins of the child, someone else would have figured it out a long time ago. However, Laurie tells Mr. Bennett that she thinks that there’s still a chance to figure it out, and that plays into one of the major themes of the story.
The Atmosphere and Location
The atmosphere of the story is pleasant, with Aunt Serena’s cheery little house decorated with bowls of wildflowers and her little bookshop. Aunt Serena greatly believes in establishing atmosphere, creating scene, and setting a mood. On the stormy day when Aunt Serena finally tells the girls the local ghost story, she makes it a point to set the atmosphere for the story by making popcorn and lighting candles.
Like other books by Phyllis Whitney, this story is set in a real location and uses some of the history of that location. The original title of this book came from the original Native American name for Staten Island, Monocknong, which the fictional author in the story, Katherine Parsons says means “The Island of Dark Woods.” Mr. Bennett disagrees, though, saying that it actually might mean, “The Place of the Bad Woods,” and they debate about different possible translations and meanings of the phrase. The history of the Staten Island plays directly into the story because it turns out that Laurie’s ancestors were involved with the historical events of the area, particularly Santa Ana’s stay on Staten Island after the Battle of the Alamo in Texas that was part of the Texas Revolution against Mexico.
A couple of other points I’d like to make regarding history are about race in the story. Toward the end of the book, Mr. Bennett hires “a young colored woman” as a housekeeper. “Colored” is a dated term in the 21st century, but this book was written in the 1950s, when that was considered one of the more polite ways to refer to black people. The popular terms we use now (“black” as the informal generic term and “African American” as the formal term specific to black people of African descent who live in the United States) came into use after the Civil Rights Movement as people tried to distance themselves from older terms as a way to shed the emotional baggage associated with them. The housekeeper, Anna, becomes friendly with Laurie, and she offers her a new perspective and some helpful advice about a different approach to tracing her family’s roots. Anna enters the story late, so she doesn’t appear much, but she is helpful, and I didn’t notice anything particularly stereotypical about her, although I suppose the idea of a black person in domestic service might be kind of cliche.
The other thing I wanted to mention is that American Indians are referred to multiple times in the story when the characters discuss the island’s history. The characters always refer to them as just “Indians” instead of “American Indians” or “Native Americans”, which is typical of the 1950s. At one point, Celia and Laurie are discussing their role in the island’s history. Celia talks about how she was glad that she wasn’t around then because there were massacres and “the Dutch kept buying the island from the Indians and the Indians kept taking it back.” However, Laurie says that was “because the white men cheated them.” I appreciated that Laurie acknowledged that, and I think that this exchange not only highlights some of the stereotypical views people had in the 1950s about Native Americans and history, but also differences between the ways Celia and Laurie look at other people. I have more to say about that below, but Celia tends to cling toward accepted views and the general social rules of society while Laurie has a talent for empathy and looking at situations from another person’s perspective. I’ve noticed that the author, Phyllis Whitney, has used this technique in other books of hers to subtly challenge stereotypes, pointing out that different groups of people have their own perspective and their own side of the story.
This book is fun for book lovers. Laurie’s favorite author, Katherine Parsons, is fictional, but the story captures the spirit of book lovers. It turns out that Norman is a book lover, too, and Laurie is able to draw him out and bond with him over their shared love of books. Aunt Serena also praises Laurie for her ability feel empathy for other people, a quality that she believes comes partly from Laurie being a book lover. After all, readers are accustomed to the idea of seeing circumstances through the eyes of someone else and experiencing their thought processes when they read a story. Aunt Serena believes that one of the benefits of reading it that it helps to cultivate a person’s skills in using empathy to understand other people and that readers carry that technique over into the real world.
I will say, though, that Laurie’s story took an unexpected turn. Laurie is a book lover, but through her association with Katherine Parsons, she unexpectedly realizes that, while she’s always dreamed of writing stories and being published, she doesn’t actually like the writing process. She enjoys the stories other people have written, and she has a knack for understanding characters, whether real or on the page, but she’s surprised to realize that the routine of writing doesn’t appeal to her. She feels a little sad at the realization because it means giving up an old dream but also a little relief because her life is now open to more possibilities that she might like better.
The Sisters and 1950s Social Rules
I also enjoyed the relationship between the two sisters in the story. They get on each other’s nerves and fight with each other sometimes, but they also care about each other and make up with each other after fighting. Celia, as the older sister, is more interested in boys than Laurie is, and she has all kinds of social rules about how to talk to boys and how to get their attention. Laurie knows that Celia and her friends talk about these things a lot, but Laurie doesn’t really understand all of their little rules and thinks a lot of them sound silly, like the idea that girls can’t invite boys to things but have to wait for the boys to ask them or that they should pretend like they’re not too interested in a boy so the boy will approach them first. This book was written in the 1950s, so a lot of Celia’s social expectations about how girls and boys should act around each other sound dated, but I enjoyed Laurie questioning Celia’s rules.
Laurie thinks it more important to know about what specific people like and how to appeal to them as individuals than to adhere to more general social rules. This is especially apparent when the girls try to get Mr. Bennett to let them in his house and talk to him. When the sisters compete to ingratiate themselves to Mr. Bennett so they can get access to the house and talk to him about the mystery, their different approaches play on their concepts of social rules and human empathy. Celia tries a very conventional approach, trying to appeal to Mr. Bennett in a general way, but Laurie decides that “Mr. Bennett was too much of an individual to be governed by rules that worked for most people” and tailors her approach to him as an eccentric individual.
Celia’s idea is to make some homemade cupcakes and take them to Mr. Bennett as a gift because she believes in the old axiom that the way to a man’s heart is through his stomach. As Laurie suspects, though, this approach falls flat because Mr. Bennett isn’t interested in baked goods. Laurie has a better idea of what Mr. Bennett really likes because she has talked to Norman about him, and she decides that the way to get his attention is to demonstrate a shared interest in something he likes. Knowing that he likes nature more than anything else, she starts putting together a collection of interesting leaves and asks Mr. Bennett if he can help identify them. Mr. Bennett isn’t really impressed by her collection because she didn’t mount the collection properly, most of her collection is very common leaves that he thinks she should be able to identify if she knew anything about trees, and she also included a sample of poison ivy, which she should have known better than to touch. However, he is sufficiently amused by her efforts and her mistake to talk to her for a few minutes.
No Man is an Island
One of the major themes of the story is that “No man is an island”, meaning that people do need other people. Aunt Serena is concerned that Mr. Bennett’s obsession with solitude is hurting his grandson because he’s making it difficult for Norman to make friends. Mr. Bennett has forbidden Norman to bring any other kids to the house because he doesn’t want to deal with the noise and disturbance. Because she’s been a teacher, Aunt Serena knows that Norman needs more opportunities to socialize with his peers. Mr. Bennett doesn’t even seem to pay much attention to Norman himself because he’s too absorbed in his own work.
What Laurie points out to Mr. Bennett when Mr. Bennett tries to tell the kids that the old mystery is unsolvable is that a group of people working together can accomplish more than any one person, working alone. They don’t have many clues to the past, but just because they don’t all make sense to any one of them doesn’t mean that parts of them wouldn’t make sense to different people. By pooling their knowledge and consulting other people, they could still put together the pieces of the past.
Along the way, Laurie also makes Mr. Bennett realize that there are many things he doesn’t know about Norman. Even though he and Norman have been living alone together for a long time, Mr. Bennett hasn’t paid much attention to Norman or things Norman has been doing. Norman has felt lonely and neglected, although he hasn’t wanted to admit how much. When Mr. Bennett realizes that Norman is an artist and has been developing his skills to an impressive degree without him even seeing any of Norman’s projects, he realizes that he has been too absorbed in his own concerns and starts to make an effort to learn more about what’s happening in the lives of the people around him. This is a similar situation to a grandmother in another of the author’s books, Mystery of the Angry Idol.
It’s summer, and the four Melendy children have some big plans! They’ve already started building a dam to make the swimming area on the property of their new house bigger. Their father, who travels frequently, giving lectures, tells them that he’s going to be away for most of the summer. He has to work hard to provide for his big family, and he has also taken a government job that will help the war effort. Mr. Melendy isn’t going to be a soldier because he’s a little old for that and the father of four children. He says that he can’t tell the children about his job, but it will keep him away in Washington for long periods of time. While he’s away, the children will be in the care of the housekeeper, Cuffy, and the handyman, Willy. They will also largely be left to entertain themselves, which is something they definitely know how to do.
Aside from swimming and enjoying themselves this summer, the kids decide that they should also do something useful, to help the war effort. Because of the war, patriotism is running high, and the children feel like they should take on some serious responsibilities. They’ve held events to help the war effort and bought bonds before. This summer, Rush and Randy decide that they’re going to go door to door, collecting scrap metal. Their collecting efforts help them to further get to know their neighbors, and they make friends with the Addison children and a nice, older man named Mr. Titus, who likes to spend his time fishing and baking things and invites the kids to join him sometimes.
However, there is a nasty man called Orin who yells at the children and scares them away when they come to ask him for scrap metal. Soon after this unpleasant incident, Rush and Randy meet Mark, the nice boy who lives with Orin. Mark is an orphan, and he lives with Orin because he’s a distant cousin. Orin’s wife was a nice lady, and Mark liked her, but she died a couple of years before. Orin is mean to everybody, and he mainly sees Mark as a source of unpaid labor on his farm. The Addison children, who know Mark from school, confirm that all of this is true. Orin doesn’t even let Mark go to school very often because he wants to keep him working most of the time. Their teacher and the school superintendent both tried to go see Orin and insist that Mark go to school regularly, but Orin is a violent and frightening man. He chased them both away and sent his mean dogs after them. Nobody really knows what to do about Orin, and most people are afraid to try. He also locks Mark in his room to keep him from running away, although Mark has found a way out and sneaks out sometimes.
The Melendy children feel sorry for Mark, although they try not to be too pitying so they won’t make Mark feel too self-conscious. Rush and Randy start meeting with him secretly to go swimming and fishing and hunt for arrowheads left by the Iroquois who used to live in the area. Rush and Mark also play at being soldiers on a secret mission and go stargazing. Mark knows about the constellations, and the boys watch the Perseid meteor shower in August.
Then, Mark reveals to Rush that Orin and his few friends are making illegal alcohol in a still. They do it because it costs less than buying alcohol. Orin’s friends include a couple of brothers who live in the woods and hardly ever come to town and a man who’s been suspected of bank robbery and murder although nobody was ever able to prove it. The boys spy on Orin and his friends at their still one night, and they hear Orin talking about selling his farm and maybe getting one of the new defense jobs. His friends ask him what he’ll do with Mark if he moves out, and Orin says that he’ll probably just turn him over to the county. One of his friends say that giving Mark to the county might not be so easy because they’ll ask questions, but Orin says he’s thinking of changing his name. The suspected criminal says that he might take Mark because he has trouble keeping workers around his place. Mark tells Rush that he’d rather run away that go live with that criminal, and Rush says that Mark can come stay with his family. The men almost catch the boys listening because the boys are wearing citronella to keep the mosquitos away, but the boys manage to get away before the men catch them.
Rush tells Mark that he’ll talk to his father to see if Mark can stay with the Melendy family or if he knows what else Mark can do. Then, a series of events happen that change everything. First, Cuffy has to go away for awhile to take care of an injured relative, leaving the children even more to their own devices, with Willy and the older children in charge. Then, the in the middle of the night, Rush wakes up to realize that something is on fire. It turns out that Orin’s farm is burning! Rush wakes Randy, and the two of them hurry down to Orin’s farm to see if Mark is safe. They find Mark hurrying to get the animals out of the barn, and neighbors and firefighters are already working on the blaze, but it’s a loosing battle. They manage to save the animals, but both the house and barn are destroyed. Willy, who was also there to help fight the fire, take the Melendy children and Mark back to the Melendy house. Later, Willy informs them that they have discovered that Orin was still in the house and was killed in the fire. (A short flashback informer readers, although the characters in the story don’t know it, that Orin accidentally started the fire when he returned home from his still, drunk, and passed out in the kitchen with a lamp too close to a wall calendar.)
Mark was never fond of Orin because Orin treated him badly, but without Orin, Mark’s custody is in doubt. Mark doesn’t have any other relatives. He’s still only 13 and not old enough to live alone. Rush decides to call his father to ask if Mark can live with them. Mr. Melendy tells Rush to keep Mark at their house for now, and when he returns home from Washington, he’ll straighten things out.
The Melendy children make Mark welcome at their fascinating house, the Four-Story Mistake, and Mark begins to enjoy all the new experiences they give him. He gets to try their books, enjoying classics like Tom Sawyer, Robin Hood, Eight Cousins, and various fairy tales. Mark also likes listening to Rush playing music on his piano. Above all, Mark gets the new experience of living with a family that really cares for him. Mark becomes part of the Melendy family’s idyllic summer, but the children worry about whether or not their father will allow them to stay with them permanently.
This book is different from the earlier two books in the series because, while the other adventures were all just treated as fun adventures without anything truly tragic happening when things go wrong, this book actually contains some serious issues. Mark is an orphan living with a violent and abusive guardian who frightens all of the local adults who have tried to intervene on Mark’s behalf. Mark’s guardian is also involved with some seriously shady people and illegal activities. The sudden death of Mark’s guardian frees him from the abuse but also leaves his future in doubt. This is the darkest book in the Melendy series. The book doesn’t shy away from Mark’s feelings and the sadness of Orin’s death, even though he was an awful person. Fortunately, because the tone of this series is optimistic, things work out for the best.
Of course, Mr. Melendy agrees that Mark can stay with the family, but in a realistic touch, adopting him isn’t as simple for the family as taking in a stray dog. Some of the local farmers offer Mark a place working on their farms, including the disreputable man and possible criminal who was one of Orin’s friends. Social service agencies want to know about the home and family Mr. Melendy has to offer Mark before they decide whether or not to allow Mark to remain with them, and a social worker comes to interview him. The social worker sees a taste of the family’s boisterous children and eccentric hobbies (at one point, Mona enters the room, practicing the part of Ophelia from Hamlet), but she is charmed by them and sees that Mark loves being with them, and she decides that the Melendy family will be good for him. There is extra legal work for Mr. Melendy to officially adopt Mark after Mark is allowed to stay with them as a ward or foster child, and the local bank is also interested in Mark’s custody because Orin had a mortgage on his farm, and there are financial issues to be arranged.
In the end, the bank claims Orin’s property because of the mortgage, but Mark inherits the animals because he’s Orin’s only relative. Mark keeps a few animals that can live on the Melendy property, and the Melendys help him sell the others in an auction held on their property. They turn the livestock auction into a fair to raise money for the war effort. Some of them make baked goods to sell, Mona dresses up as a fortune teller, and they hold a talent show with other children from school.
The element of raising money for the war effort continues a theme from earlier books in the series and emphasizes the point that this book was set contemporary to the time when it was written, during WWII. I find books that were written during major events and that take those events into account interesting because it shows how people felt about those events and what they wanted children to understand about them. The kids sometimes make references to the war in casual conversation in a way that seems realistic for a child’s observations, such as when they describe someone as having “teeth like a Japanese general”, although I know that what they’re probably referencing is anti-Japanese propaganda cartoons at the time rather than actual pictures of them. That isn’t mentioned in the story, but I’ve seen those cartoons before, so I can envision what kind of teeth the kids in the story are probably picturing.
The Lighter Side
In spite of the dark parts of the story, the book still has qualities of idyllic life in a big house in the country and the outdoor fun the children have. Some of the images in the story would fit well with cottagecore themes today, such as Mona weaving a strawberry plant in her hair. Oliver collecting caterpillars and watching moths. On Oliver’s 8th birthday, the whole family, including Mark, goes on a picnic to a cave that Mark knows.
There is also a theme around cooking and baking in the story. Mona develops an interest in cooking and baking, and Mr. Titus teaches her recipes and helps her and Randy when they experiment with canning vegetables from the garden. Mona had told her brothers to leave her and Randy alone in the kitchen when they were canning because it was women’s work, and Rush thinks it’s funny that it’s Mr. Titus who rescues them when the job gets too much for them and it becomes obvious that the girls don’t know what they’re doing. Mr. Titus tells the kids at one point that, when he was younger, he was a little embarrassed about his interest in cooking because it didn’t seem like men’s work, but now, he doesn’t care anymore, and he just appreciates doing what he really loves to do.
Another fun note is that the Melendy children like to play a game they call the Comparison Game. One child leaves the room, and the others think of a person they all know or know about. When the other child returns to the room, the others say whether they thought of a male or female person, and the other child starts asking them what that person is like. The child who left the room earlier asks the others what color the person is like, what animal the person is like, what type of weather the person is like, etc., until the child can guess which person they’re talking about by the comparisons made about the person.
Understood Betsy by Dorothy Canfield Fisher, 1916.
Elizabeth Ann is an orphan who lives with her Great-Aunt Harriet and her first-cousin-once-removed Frances, who she calls Aunt Frances. Her relatives took her in when she was only a baby, after her parents died, and her life with them is the only one she has ever known. Her relatives love her, and Aunt Frances is particularly devoted to her. Ever since Elizabeth Ann came to live with them, she has devoted her entire attention to the little girl. She reads anything she can find about how to parent a child and makes it a point to know everything that’s going on in Elizabeth Ann’s life at school and sympathize with her over ever difficulty and misfortune she encounters. Elizabeth Ann certainly doesn’t lack for attention and affection, but Aunt Frances’s devotion and sympathy often go a little too far.
Aunt Frances is rather an anxious person, and she has unintentionally transferred many of her worries and anxieties to Elizabeth Ann, making her a rather timid and fearful little girl. She has also made it such a point to shield Elizabeth Ann with so much attention that Elizabeth Ann is never allowed to go anywhere or do anything by herself, making her feel like she can’t do things alone. Aunt Frances tries so hard to shield Elizabeth Ann from anything difficult or unpleasant that any difficulty she does encounter seems unbearable. While Aunt Frances’s intentions are good, and she tries hard to always understand and sympathize with Elizabeth Ann about everything, but there are some things about both Elizabeth Ann and herself that Aunt Frances doesn’t really understand. Then, when Elizabeth Ann is nine years old, something happens that changes her life forever.
When Great-Aunt Harriet gets sick, the doctor says that she must go to a warm climate and that Aunt Frances is going to have to take care of her. However, the doctor is adamant that Elizabeth Ann shouldn’t go with them because he doesn’t want to risk the girl catching Great-Aunt Harriet’s disease. Elizabeth Ann can’t imagine life without Aunt Frances, and Aunt Frances worries about where Elizabeth Ann will stay. Her relatives in Vermont, the Putneys, say that they are eager to have her. They would have taken her when she was a baby, but Great-Aunt Harriet and Aunt Frances never trusted the Putneys. They say that they are not sympathetic enough and that life on their farm would be too harsh for the delicate, sensitive little girl they have decided that Elizabeth Ann is. Instead, they decide that she should go live with some other cousins who live in the same city they do.
However, these relatives aren’t particularly eager to have her, and after Great-Aunt Harriet and Aunt Frances have already left town on their train, they discover that a member of their household has come down with scarlet fever (what strep throat can turn into if it isn’t treated with antibiotics) and that the household must be quarantined. There is a brief moment of panic when they realize that they can’t even bring the girl into their house. Then, they remember the Putneys. If Great-Aunt Harriet and Aunt Frances couldn’t bring themselves to send Elizabeth Ann to these other relatives, these cousins can. In fact, they must, and there’s no way Elizabeth Ann can argue, even though she is afraid of the Putneys because of all the negative things she’s heard her aunts say about them.
A relative who is traveling on business takes Elizabeth Ann partway by train and then makes sure that she gets on the right train to go to the Putney’s town in Vermont alone. Timid, fearful little Elizabeth Ann finds herself traveling completely alone for the first time to go to a place she’s never been and meet relatives she is sure she won’t like. Fortunately, many of Elizabeth Ann’s preconceived ideas are turned on their head from the first moment she steps off the train and is greeted by Great-Uncle Henry.
If it had been Aunt Frances greeting her, Aunt Frances would have immediately worried and fussed over her and asked her how she stood the ordeal of traveling. However, Uncle Henry acts like Elizabeth Ann hasn’t been through any ordeal at all. Instead, he just greets her cheerfully and helps her into his wagon. In fact, as they drive along, he unexpectedly gives the horses’ reins to Elizabeth Ann and lets her drive while he does some math. (We don’t know why he needs to do this; he just says he does.) He just tells her to pull on the left rein to make the horses turn left and the right rein to make them go right. Being handed this unexpected responsibility is terrifying for timid little Elizabeth Ann, and she has a moment of panic, worrying that she doesn’t always remember her left from her right. Then, Elizabeth Ann has an unexpected revelation: it doesn’t really matter if she doesn’t remember the names for the directions or which is which because she can just look and see where she wants the horses to go and pull the reins in that direction, no matter what that direction is called. After all, it’s not like horses really understand the words “left” and “right” anyway, just the direction of the pulling. This is an important revelation for Elizabeth Ann, who is usually accustomed to Aunt Frances doing everything for her, including her thinking. She has never really had to figure out things by herself before. When she voices this revelation to Uncle Henry, he simply agrees that she is correct, and Elizabeth Ann feels a rare sense of pride in her accomplishment.
When they reach the Putney Farm, Great-Aunt Abigail and Cousin Ann are glad to see her, but they don’t overly fuss, either. They call Elizabeth Ann “Betsy” and show her the hook where she can hang her cloak. Betsy is a little offended that they don’t help her take it off and hang it up for her the way Aunt Frances did. Their lack of fussing and expecting her to do things for herself makes her feel at first as if they don’t really care about her. Their farmhouse is also fairly small, it’s lit with kerosene lamps, and they do their own cooking instead of having a servant, like Great-Aunt Harriet and Aunt Frances did. These things make Betsy realize that the Putneys are poor, and she has a moment where she is overcome, thinking that she will be miserable in a poor, deprived household. Then, Aunt Abigail hands Betsy a kitten and tells her that, if she likes it, it can be her cat.
Betsy always wanted a kitten, but Aunt Frances would never let her have one because she was afraid that they would carry disease. Betsy forget her worries and misery while playing with the kitten, which she names Eleanor. She is also relieved that her relatives don’t fuss about her not liking certain foods. Aunt Frances always tried to make her eat her beans for nutrition, but the Putneys don’t care when she avoids them because she has a good appetite for everything else on the table. In fact, Betsy eats much more at the Putney farm than she ordinarily does because she is allowed to eat more of what she likes and nobody fusses over how much she’s eating or if she’s eating the right things. For her first night at the farm, Betsy has to sleep with Aunt Abigail because her room isn’t ready yet, but she ends up finding Aunt Abigail’s presence reassuring.
In the morning, her relatives decide to let her sleep in because she’s tired from traveling. When Betsy wakes up, she lies in bed for a while, waiting for someone to tell her to get up. When no one does, she get the idea, for the first time, that she can get up when she’s ready and doesn’t need for someone to tell her to do it. She also dresses herself and does her own hair for the first time. In a way, it’s a little thrilling because Betsy realizes that she can do her hair the way she wants it instead of the way Aunt Frances does it, and she copies a hairstyle she envied on one of her old classmates. However, it does bother her a little that her relatives don’t seem to care about whether or not she needs help and aren’t stepping forward to help her automatically. She does fine, but she’s accustomed to an adult hovering over her as a sign of caring.
Her relatives explain that they were letting her sleep as late as she wanted that day because they knew she would be tired. Cousin Ann gives her breakfast and lets her have as much milk as she wants because, unlike in the city, they produce their own milk from cows rather than buying it in quarts, so they don’t have strict limits on how much they can have in a day. Betsy is pleased by this, but she has another moment of panic when Cousin Ann tells her to wash her dishes after breakfast. Betsy has never washed her own dishes before and doesn’t know how. Seeing Betsy’s hesitation, Cousin Ann offers a view brief instructions, and Betsy accomplishes the task.
On her first day, she also sees Aunt Abigail making butter, something that Betsy has never seen before. She is accustomed to buying butter, not making it, and she didn’t even know before what butter is made from. Aunt Abigail is astonished that Betsy doesn’t know these things, but Uncle Henry points out that city life is different, and Betsy has probably seen things they haven’t, like how roads are paved. Betsy gets excited because roads being paved is a familiar sight to her, but she becomes embarrassed and confused when her aunt and uncle try to ask her questions about how the workmen do it. While she has seen roads being paved before, she took the sight for granted and never really noticed the details. Aunt Abigail suggests to her that she watch the butter making process closely and even take part in it so, if someone asks her later how it’s done, she can tell them all about it. Betsy accepts the lesson and even has fun making butter.
Then, her relatives surprise her by telling her that it’s time for her to go to school for afternoon lessons. They let her miss the morning lessons so she could rest, but now that she’s rested and had some time to look around the farm, she should go to the afternoon lessons. Worse still, they tell her that she should walk there by herself. Betsy panics again because Aunt Frances never let her walk to school by herself, but her relatives just give her a few directions to the school and a sugar cookie to take with her and send her out the door. Betsy could balk at this and say that she can’t do this and won’t, but their expectation that she can and will and her hesitancy to tell them differently make her walk down the road in the direction they say.
She almost misses the schoolhouse because it’s a much smaller building that she expected. Her school in the city was a multi-story building, but the local school is just a small, one-room schoolhouse. Fortunately, the teacher has been expecting her and looking out for her arrival, so she calls Betsy inside as she passes. Betsy is astonished at how few students there are, compared to her old school, and because there are so few, all the grades are just in that one schoolroom.
Even more confusingly, Betsy learns that this little school doesn’t do grades the way her old school did. Because there are so few students, and they’re all sharing the same room, it doesn’t matter too much what grade each student is studying in which subject. The teacher just moves them up and down as necessary to help them learn at their own, individual levels. At her age, Betsy knows that she should be in the third grade at school, but when the teacher has her read out loud with the other students at the third grade level, Betsy does much better than they do. She loves reading, and she reads all the time on her own, so she has progressed much faster in her reading skills than other children her age. Her teachers at her old school just never noticed because they were trying to keep track of so many students that they couldn’t pay that much attention to individual students’ progress. Her new teacher decides that she can read at a seventh grade level. Betsy is stunned and proud. The idea that she could move up multiple grade levels at once never occurred to her before as an option, but then, she worries that she can’t move up to seventh grade because she isn’t very good at math. She tries to explain this to the teacher, but the teacher isn’t concerned because she doesn’t make students study at one, consistent grade level for every subject. They can move ahead faster in some subjects than in others. When they’re struggling with one subject, she holds them back in that subject alone until they’ve mastered it. She does put Betsy back one grade level in math when she sees that Betsy is struggling, telling her that she can move up later when she’s had some time to review the material and improve.
It’s what Betsy really needs, but Betsy finds it disorienting that she isn’t part of one, consistent grade level at school. She says that she doesn’t know what that makes her, and the teacher replies that she is simply Elizabeth. Before, Betsy’s concept of school was that, every year, the students would simply move up one grade level, and that the goal of school was just for the students to move up through the levels appropriate to their age. Now, she is being introduced to the concept that the goal of education is for her to master the concepts being taught to her, regardless of the grade level, so that she will have the ability to do things like math, reading, and spelling. As long as she can learn to do these to a satisfactory level and keep improving, her specific grade doesn’t matter. In fact, when Betsy is upset later about failing an examination at school because she was nervous and made a lot of mistakes, Cousin Ann tells her that there’s no need to be nervous and that her grade on a single examination doesn’t matter because, regardless of how she did on that particular test, she knows that she actually does know the material and can use that knowledge in daily situations.
Betsy is also unexpectedly given the responsibility of looking out for a younger girl at the school, Molly. Because Molly is so good at reading, the teacher has Betsy listen to Molly read at the first grade level and asks her option of how Molly did and if she seems like she could manage the second grade level reading. Betsy has never had an adult ask her to supervise anyone younger before, and she unexpectedly discovers that she likes it and likes teaching someone younger. Later, Betsy is asked to hold Molly’s hand while they cross a log over a stream because the teacher wants older children to hold the hands of the younger ones and help them. Actually, holding Molly’s hand helps Betsy more than it helps Molly because Molly has walked on this log before and Betsy hasn’t, but being responsible for someone younger makes Betsy more bold. Although she would have been afraid to walk that log if she had to do it by herself, she can’t refuse when she has the responsibility of helping Molly. Later, she also helps to rescue Molly when Molly falls in a hole and needs help to get out. Betsy wanted to run for help at first, but when Molly begged her not to leave her alone, Betsy decides that she should do what Cousin Ann would do and figure out how she can use the things around her to solve the problem, spotting a branch that helps the younger girl climb out. Even though Betsy gets scared, when she has someone smaller than herself depending on her, she finds her courage.
Betsy has other adventures with Molly and her other new friends while living with the Putneys. When Molly’s mother becomes ill and has to go to the hospital, Molly is upset because she will have to move in with some cousins in the city who don’t really want her. Having been in this type of situation before herself, Betsy is immediately sympathetic, and she gets her relatives to agree to let Molly stay with them. Molly becomes like a little sister to Betsy, and they share in other adventures together. Along with some other girls from their school, they form a sewing circle to make some clothes for a poor boy at their school who lives with a stepfather who spends all of his money on alcohol. The book doesn’t shy away from describing how the boy is neglected, and the girls in the sewing circle are moved to tears when they go to the boy’s house to deliver the new clothes and see the circumstances he lives in. The Putneys also become concerned about the boy’s welfare, and they help arrange for him to be adopted by a man they know who has been talking about adopting a boy. Later, for Betsy’s birthday, Betsy and Molly go to the fair with some neighbors, but they are accidentally left behind when the people who were supposed to give them a ride home had to leave to tend to an emergency. Betsy is terrified, but with Molly to look after, Betsy manages to keep her head and think of a way to earn some money so they can buy train tickets home.
Betsy has been living with the Putneys for about a year when she gets a letter from Aunt Frances, who says that she will arrive soon to reclaim her. Aunt Frances thinks that Betsy must have been having a miserable time without her, but Betsy has actually come to think of the farm as home and loves it there. She doesn’t want to hurt Aunt Frances’s feelings or seem ungrateful for all the love and attention that Aunt Frances has lavished on her over the years. It seems like Betsy has to resign herself to returning to her old life in the city … unless Aunt Frances has also been making some changes to her own life since they were last together. When Betsy and Aunt Frances meet again, they truly come to understand each other, and they find a way for them all to live their best lives.
This book is now public domain and is available to read for free online through Project Gutenberg and Internet Archive (multiple copies, including audiobooks).
My Reaction
Educational Themes
I really enjoyed this book! I’d heard about it for years and never got around to reading it before. Dorothy Canfield Fisher was an early advocate of the Montessori method of education in the United States, and in particular, this book presents many of the principles of the Montessori method and how it can help children. The educational themes in the story are obvious when Betsy sees the differences between the one-room schoolhouse in the country and her old school in the city.
The benefits of the smaller class size are immediately obvious. Betsy loves reading but she always hated her reading class in school because each student took turns reading, so the most any particular student could read was one or two sentences, and even then, they might not get a turn if the class ran out of time before they got to all of the students. This description feels like an exaggeration of how reading classes might have gone at a bigger school, but there may be some truth in it. When I was at school, my classes typically had about 20 to 30 students in them, and when we took turns reading, we did more than that. It’s difficult to say for sure because I don’t think Betsy ever said exactly how many students were in her class, but I would think they would have to have at least twice as many as that to be as bad as she described. According to Going to School in 1876, some large city schools could have classes of 50 to 60 students during the late 1800s, so that is possible for a class in the early 1900s or 1910s as well. I do take the point that it’s easier for a teacher to keep track of the progress of individual students when the class size is smaller.
I also appreciated what the teacher said about allowing students to progress faster in subjects that are their strengths, even if they have to take extra time for problem areas in other subjects. When I reviewed The Beast in Ms. Rooney’s Room, there is a boy in that book who was held back a year in school because of his problems in reading, and he was embarrassed about not moving to the next grade with his classmates. If he could have moved forward in some subjects, it might not be so embarrassing for him to be held back in the one subject that gave him the most trouble. The problem is that he couldn’t do that because the classes at his elementary school are organized the way the ones at my old elementary school were – one single teacher at a particular grade level teaching all of the subjects for that grade level. Under that system, remaining at a particular grade level in one subject means remaining at that grade level, with that teacher for all subjects.
There is only one teacher at the one room schoolhouse in the story, so there’s no conflict about a student seeing one teacher for some subjects and another teacher for other subjects at a different grade level. All of the students are in just that one room with one teacher all the time, so the only difference when a student moves up or down in level for a subject is the book that the teacher gives them to study. That means that changes in grade level can be done informally for any or all subjects, whenever the teacher decides that a student is ready to move to the next level. The student just turns in their old book and gets a different one to study. If most grade levels were determined that easily for different subjects, I think there would be fewer parents who would be concerned about the prospect of holding a child back a grade temporarily to give them a better grounding for moving forward later, and students would experience less embarrassment about problem subjects if they could receive acknowledgement for better skills in other subjects. However, I can see that this system would be complicated in bigger public schools, and there would have to be a point when the student would have to master their series of subjects at a particular level to know when they could graduate from their school. I think that’s part of the purpose of the examinations Betsy describes in the book, but because the book only covers a single year, we don’t see what happens when a student is ready for graduation.
Emotional Management
In the beginning, Aunt Frances, in spite of all of her good intentions and research into psychology and raising children, unintentionally transfers her personal anxieties to Betsy without really giving her the tools that she needs to manage them, so they feel overwhelming to Betsy. The solution to this problem, as presented in the book, seems to be mostly being around people who do not express worries about things (if they’re nervous about anything, they mostly cover it up and don’t talk about it, except for one time, which I’m going to talk about) and who present manageable challenges to Betsy to show her that she can handle more than she thinks she can. I like the part about giving Betsy manageable challenges and some basic instructions for how to accomplish them when she doesn’t seem to quite know what to do. If they had just thrown challenges at her with no instruction at all, in a kind of sink-or-swim fashion, I think she would have been just overwhelmed and more panicky. However, I think there’s a point in the story that could use more clarification.
The differences between Betsy’s sets of relatives is initially presented, particularly by the aunts she’s been living with, as one of understanding and sympathy. Great-Aunt Harriet and Aunt Frances initially don’t like the Putneys because they don’t seem sympathetic enough, especially with people who are sensitive and nervous. Aunt Frances dedicates herself to sympathizing with Betsy about everything and talking to her about everything in her life, and the book presents this as a negative because their sympathetic conversations about the worries they have end up being a way of making each other more nervous. I think, in real life, there’s a happy medium between never talking about worries and wallowing in them.
The first problem with Aunt Frances’s attempts to sympathize with Betsy is that she makes assumptions that things that bother her will also bother Betsy, and this becomes the way that she accidentally transfers her anxieties to Betsy. Second, when Aunt Frances sympathizes with Betsy about worries or problems, she tends to dwell too much on the problem itself and how bad it feels, magnifying the issue and making Betsy feel worse. What I’m trying to say is that Aunt Frances’s attempts to sympathize would have worked much better if she had been willing to listen to Betsy’s concerns and sympathize a little about how certain things can make a person nervous but then move on to offering practical tips to deal with these feelings and different ways of looking at situations to take some of the anxiety out of them.
I didn’t like it when Cousin Ann seemed to shut Betsy down when she was talking about how tests at school make her nervous because I don’t like the idea of shutting people down when they’re talking about something important to them, but what made it better to me was that she did listen to Betsy for a bit before that and had already offered her a different way to look at tests that makes them seem more fun and less scary. When Cousin Ann cuts the conversation short seems to be the point when discussing and sympathizing is about to turn into brooding and dwelling on the negative. My only thought on that conversation is that it might have helped for Cousin Ann to point that out. Rather than asking if Betsy really wanted to keep talking about this, which makes it sound like disinterest in what Betsy’s saying, I think it might have been better to point out that, if she keeps dwelling on the parts of the experience that make her feel bad, she won’t let herself move forward, to see the parts of the experience that could be exciting opportunities and possible triumphs. Perhaps, it would be good to add that one poor test experience doesn’t mean that others will feel the same way or that she can’t do better the next time, especially if she spends her time in between tests focusing on how much she enjoys what she’s learning and how it can be fun to show others what she’s learned and what she enjoys about her lessons, putting herself in a better frame of mind for the next time someone asks her questions about what she’s learned. I just think that approach would help emphasize the lesson that Cousin Ann would really like to teach Betsy about reframing challenges in her mind and also help clarify that she’s not ending the conversation because she’s not sympathetic but because it’s better to give the positive thoughts time to take hold rather than dwell on the worries.
I think it’s also important for both Betsy and Aunt Frances to recognize that it’s okay to feel nervous but that it’s possible to handle situations even though they make them nervous. As someone who has had life-long issues with anxiety, I can also attest that one of the best approaches is learning not to be afraid of feeling afraid of something. That is, learning to recognize that being nervous isn’t a sign that a situation is unmanageable or that the feeling of anxiety itself is necessarily going to be overwhelming, something that Betsy learns through practical experience in the story. There are still times in the story where Betsy is afraid and has to handle difficult situations, but she learns that she can proceed and do what she needs to do even though she’s nervous and isn’t sure at first how things will work out. It isn’t explicitly spelled out in the story, but this is probably the most important lesson that Betsy was missing from her time living with Aunt Frances.
Betsy’s Family
There are no villains in this story. Although readers can see at the beginning that living with Great-Aunt Harriet and Aunt Frances has caused some emotional complications for Betsy because she has taken on their worries and anxieties, they do mean well and have made real efforts to understand Betsy and support her, as best they know how. Great-Aunt Harriet and Aunt Frances just have very different, more timid personalities than the Putneys and don’t find their style of communication reassuring or appealing. However, Betsy discovers, to her surprise, that she does come to appreciate the Putneys and that they are a good influence on her, helping her to come out of her shell, discover new abilities and interests, and develop some self-confidence.
At first, Betsy is a little offended that her Putney relatives don’t fuss over her like Aunt Frances did, and it makes her feel like they don’t care about her, but they do care. They are just more low-key in showing the ways that they care. They are a family that doesn’t like to fuss about anything. Personally, I thought that Cousin Ann should have let Betsy talk a little more when Betsy was distressed about doing badly on her exam, but I do see her point that Betsy’s talking about it seemed to be upsetting her more because she was dwelling on the problem rather than consoling herself and looking for solutions or new ways of thinking about the situation. Cousin Ann points out that exams aren’t always negative, and even when one doesn’t turn out so well, it’s not the end of the world, giving Betsy a new way of looking at the situation and defusing Betsy’s sense that every little setback is a tragedy.
The Putneys show how much they truly care when Betsy and Molly are accidentally left behind at the fair. When Betsy manages to get Molly home, she sees her relatives rattled and upset for the first time when they realized that the girls were lost, and they do some rare fussing over the girls, praising Betsy for her ingenuity in handling the situation. Although the Putneys normally make it a point to deal with things coolly and calmly, they do care about the girls and can get upset if they think there is a serious problem. They are not without feelings. They are also genuinely upset when they think Aunt Frances is going to take Betsy away, each finding their own way to show Betsy how much they care and how much they will miss her.
Spoilers
Fortunately, Betsy is allowed to stay with the Putneys in the end. When Aunt Frances comes to get her, she reveals that, in the year they’ve been apart, she has met a man and fallen in love. She is going to marry him, but marrying him means making some changes to her life, the greatest one being that they are not going to return to their old house. Great-Aunt Harriet has recovered from her earlier illness and has gone to live with another relative, and because her new husband has to travel constantly for business, Aunt Frances won’t be keeping a settled house at all. Aunt Frances, although usually timid, is actually looking forward to doing some traveling. She is still afraid of things like animals and would never be an outdoor/country kind of person, but travel to different cities sounds like her kind of excitement. However, she can see the difficulty of traveling with Betsy. Constantly moving would be difficult for her education, a complication that I was surprised that the characters didn’t spell out when they were talking to each other, given the educational themes of the story.
Betsy and Aunt Frances come to a new understanding of each other and the differences in the lives they want to live when they talk about what these changes would mean for their lives. Aunt Frances doesn’t want to simply abandon Betsy to the Putneys if she isn’t happy with them, but she can see that Betsy does like living there and would be happy to stay. Betsy hadn’t wanted to make Aunt Frances feel abandoned and unappreciated by telling her in the beginning that she wanted to stay with the Putneys, but when she learns that Aunt Frances will be happily married and enjoying the new experience of travel, she is able to tell Aunt Frances that she can see that having her come along would be inconvenient for her and that she would be happy to stay with the Putneys. Neither of them is offended or worried about living apart now because they can see that each of them will be happier with Betsy living with the Putneys. Aunt Frances is now free to get married and go where she wishes with her husband, assured that Betsy is doing fine and living in a stable home with people who care about her, even if it’s not quite living the lifestyle that she would like herself. Aunt Frances also promises to come visit sometimes, so it’s not a permanent goodbye.
This story takes place during World War II and focuses on a child evacuee from London. The title of the book comes from a quote from Winston Churchill:
“Victory at all costs, victory in spite of all terror … for without victory there is no survival.”
Winston Churchill, May 13, 1940
It’s September 1939, and Liz Hawtin is an orphan living with her aunt, uncle, and cousins in London. Her mother died when she was a baby, and her father was killed when he was hit by a car a few years earlier. Liz’s overbearing aunt is making her life miserable and has been since she moved in with her relatives. It takes Liz some time to realize why her aunt doesn’t like her, but it has to do with social class, political philosophy, one-upmanship, and her aunt’s sense of fairness and entitlement – what sort of people are “deserving” and what sort of people aren’t.
The main problem is that Liz’s father was into socialism before he died. In fact, he used to give public talks about it, and Liz would watch them as a child, although she admits in hindsight that she doesn’t entirely agree with everything her father believed. One value that she and her father definitely shared was the belief that education is important. Liz’s entire family is working class, including her father, and none of them have ever had more than just very basic education. Her father was a very bright man, but like other members of their family, he had to leave school early and get a job because their family was poor. However, he urged Liz to study and get the best education she could because he realized that higher education is the way to move up in the world and get better jobs and a better position in life.
Liz’s current situation when the book begins is irritating to her aunt because Liz has both the academic potential to attend a better school than the ones her own children have attended and because Liz’s father had the foresight to take out an insurance policy on his life that has provided Liz with enough money to attend this better school and to buy good school clothes and the extra equipment and books that this better school requires. Every time Liz has needed something for school, her aunt gripes about how much it costs and what a waste of time and money it is. Liz gets her aunt’s permanent wrath by telling her straight out that the insurance money belongs to her and not her aunt and that it was meant for her education. This enrages her aunt because she had labeled her father as the foolish, idealistic socialist who was undeserving, so the idea that, because of him, Liz has both academic aptitude and the money to support her education seems supremely unfair to her. On some level, she probably realizes that Liz’s more advanced education will probably help her to be more prosperous than the rest of the family, and she hates it and is jealous. She takes every opportunity to criticize Liz and to tell her that her time spent reading and studying is wasteful. She encourages her children who, like other members of their family, all have to leave school early to get menial jobs, to give Liz a hard time. The only members of the household who like Liz are her gentle cousin Rose and her uncle, but it’s difficult for them to stand up for Liz and help her because the aunt bullies both of them as well.
At the beginning of the story, Liz is fifteen years old, and she is faced with a difficult decision. She is getting close to graduating from her grammar school. She badly wants to finish, but she knows that the insurance money is running out. Soon, she will be faced with the difficult decision of whether to leave the school without graduating and get a job, which is bound to be the menial work that her cousins are doing. Her aunt has always resented her and is eager to get rid of her, so she wants Liz to get work and start supporting herself as quickly as possible.
When World War II breaks out, Liz’s life is changed forever, and Liz realizes that, ironically, the changes are going to be for her benefit. Because Liz is still a student, she will be part of the government’s program to evacuate children from London to protect them from bombings. None of her cousins will be evacuated, even though they’re not much different in age from Liz, because they are no longer students, but Liz will be sent to the countryside with the rest of the students at her school. The government will also provide money for her support and education during the period of the evacuation, so Liz realizes that she will be able to finish her education after all. Rose and Liz’s uncle are sad at her leaving, but her aunt makes it clear that she is pleased that Liz will be leaving very soon and that she doesn’t want Liz to come back after the evacuation period is over. Once Liz is finished with her education and no longer part of the government program, Liz will be on her own in the world. It’s both a little scary but also liberating for Liz. She doesn’t know where she will be staying during the evacuation, but at this time in her life, it’s really better for her to leave her aunt’s house, finish her education, and establish an independent life.
Before she leaves, she says goodbye to her grandmother in London. She worries what will happen to her grandmother, her uncle, and Rose when she’s gone. Her grandmother isn’t worried for her own sake because she’s lived through war before, and nothing ever seems to happen to her. Besides, she knows where the shelters are for safety, and she’s sure that she can take care of herself. Liz knows that, once she is gone, her aunt won’t be able to pick on her all the time, and things are bound to get worse for her uncle and Rose, but there’s nothing she can do about that.
When she arrives at school, she and the other students are told that they are being sent to a small village called Chiddingford in Oxfordshire. It’s such a small town that it doesn’t even appear on the map in their school atlas. There, they will be staying in the homes of people living in the village. The headmistress reminds them all that this will not be an easy experience for them. Many children are being evacuated along with them, and all of them will experience homesickness and difficulties adjusting to the place where they will stay. She urges all of them to be kind to each other and considerate of their hosts in Chiddingford. The girls in Liz’s form (grade) are also going to be paired up with girls in the lowest form because these younger girls are new to the school and don’t even really know each other yet. The headmistress thinks that the experience will be easier on them if they have an older girl as a buddy, like an older sister. Liz pairs up with a shy girl named Veronica, who is wearing a school uniform that is way too big for her. Her parents were trying to save money by buying her a uniform that she could grow into. It makes Veronica a laughingstock among the other students, but Liz sympathizes with her, knowing what it’s like to worry about money and to feel different from everyone else.
The students are excited by their trip into the countryside. The village of Chiddingford is already expecting them, although they had originally been told that they would be hosting a boys’ school instead of a girls’ school. Lady Brereton’s daughter-in-law asked her to pick out a boy from the arriving students who would be a good companion for her sons. However, since there are no boys on offer after all, and she knows little about girls, having only a son and three grandsons, Lady Brereton decides that she’ll pick out a girl from the evacuees in the same way she would pick out a dog, which is something she does understand. She chooses Liz because Liz has an alert expression and stands with her head up and a look of spirit and resilience.
Liz finds the move to the countryside disorienting, although she likes the peacefulness of it. Her reception at the Brereton house is disappointing because Mrs. Brereton had her heart set on getting a boy. She has three sons and is single-mindedly devoted to them. A girl simply wouldn’t do as a companion for her boys. In fact, she thinks that having a teenage girl in their house might well lead her teenage sons astray. However, people are commanded by the government to take in evacuees, and Mrs. Brereton can’t just give Liz back or trade her for someone else just because she’d rather have a boy. It’s awkward for both of them because Liz knows that Mrs. Brereton really doesn’t want her and that she tried to get rid of her.
Mr. Brereton is an historian, and he once worked at a college near Liz’s old neighborhood. He describes the history of the area and the type of housing there to his sons. The Breretons are a genteel, highly-educated family. They’re also the sort of intellectuals Liz’s father used to disparage, the ones who came to the college in their area and observed their lower-class living like scientists watching an ant colony and would leave, thinking that they understood their lives, when they had only ever seen them from the outside.
The youngest of the Brereton boys, Miles, makes fun of Liz when he finds out that her school doesn’t teach Latin because he says that she’ll never be able to go on to university. It stings because Liz is more educated than the rest of her family and is proud of it. She angrily retorts that she doesn’t want to go on studying forever because she wants to do something that will help win the war. Unknowingly, she’s prodding a sore point in the Brereton family because the eldest boy, Simon, wants to enlist, but his family would rather that he continue his education at Cambridge and become a doctor. Simon does want to be a doctor, but he also feels called to aid the war effort. He feels torn because his family is telling him that he should let others take care of the war while he goes to school and learns something that will make a difference later, but he feels guilty for staying out of it. His grandfather, Sir Rollo, who was a brigadier general, says that 19-year-old Simon is a man now and must make up his own mind about what he wants and what he’s going to do. Liz wishes that she hadn’t said anything about helping the war effort because she didn’t know that it was a sore point for this family, and she certainly wouldn’t want to influence Simon to do something that was dangerous or wrong for him. He seems too gentle and intellectual to really be a soldier.
When her teacher, Miss Garnett, comes to check on her, and see how she’s doing in the Brereton house, Liz says that she doesn’t think she fits in with this family. Miss Garnett advises her to give it time. Liz realizes that the Breretons are a tempestuous family, and it’s not really her fault for setting them off. They get set off by other things and people, too. Liz’s family back in London wasn’t the nicest, and they had their fights and spurts of meanness, but Liz feels like the Breretons are more unpredictable. She doesn’t know their history, quarrels, and sore spots, so she has no way of knowing what will set them off next.
Liz feels a little better after talking to the other girls from her school, comparing their host families. As she describes the Breretons to her friends, their absurdities jump out at her, making the whole situation seem more humorous instead of tragic. Mrs. Brereton doesn’t want her, which is hurtful, but she’s stuck with her anyway, which is funny. Young Miles keeps teasing her about not knowing Latin by shouting random Latin words at her, which don’t even make sense when translated. Miles is learning Latin vocabulary and can conjugate verbs, but he doesn’t really speak it as a language. Mr. Brereton, the professor, reads in the bathroom, which is the girls say is pretty normal, but what he reads are heavy historical texts, and he keeps a notebook and pencil in there, too, so he can take notes. The other girls laugh at the silly habits of the Breretons and tell Liz about their own host family. Three of them are sharing a room over a local shop, and the family that keeps the shop are certainly not intellectual. They have no books at all in their house, and they seem to be slow thinkers, who have only “one thought about every two hours.” Liz, whose source of pride back in London was being more educated than the rest of her family and most of the people in her working-class neighborhood, realizes that the Breretons’ higher intellectualism has been making her feel inadequate, like just a silly school girl. However, she and her friends are really more in the middle, doing better than some people, if not as well as others, and that’s not a bad way to be. Their learning isn’t over yet, either.
There are also some consolations to life with the Breretons. The live in an old, converted mill, and Liz has her own room next to the wheel house. Mrs. Brereton thinks of it as a rough room, very simply furnished and really more suited to a boy than a girl, but Liz likes it and is grateful that she doesn’t have to share a room with anyone else. When she doesn’t want to talk to the Breretons, she can go to her room to be alone and read, burying herself in Pride and Prejudice and other books she enjoys. When Miss Garnett sees Liz’s room, she also thinks it seems fun, and the water sounds from the millstream and waterwheel remind her of being on a ship.
There is one other member of the family that Liz hasn’t met yet, the Breretons’ middle son, Ben. Ben is 17 years old, and from the way his family talks about him in his absence, he’s something of a disappointment to his parents. Although he is two years older than Liz, they are about the same level at school, which is hard for his rigorously intellectual family to accept. He also has a tendency to get into various scrapes. None of them are truly shocking, mostly ridiculous teenage escapades. Liz knows that she’s seen much worse in her old neighborhood in London, but Ben’s family disparages his foolish and embarrassing behavior.
The reason why he isn’t there when Liz first arrives is that he’s taking a bicycle tour of Wales. His family starts to worry about him because he doesn’t return when he was supposed to. Then, they get a call that explains his latest escapade. In a wave of patriotism because of the starting war, he tried to enlist in the RAF, even though he was underage. At the recruiting office, he tried to avoid telling the recruiters much about himself, so they wouldn’t know that he was really too young, but he forgot that he wrote his name and address on the outside of his kit bag. The recruiters contact his parents and send him home. It’s the sort of well-meaning but thoughtless mistake that Ben often makes. His parents again disparage his thoughtlessness, and Miles makes fun of him, but Simon angrily tells them all off. He says that he understands Ben’s feelings of wanting to make a difference. Even if what he tried to do was clumsy and not well-thought-out, it was still noble. The grandfather of the family says that he and their grandmother certainly won’t make fun of him when he returns home. Liz gets the feeling like Ben might be more her kind of person than the other Breretons.
Liz and Ben get along well with each other when they meet. Liz learns that the room where she is staying used to be Ben’s art studio. Liz feels badly that she’s taken his space, but he tells her that it can’t be helped. He tells her that he wants to be an artist, although his parents disapprove. His mother doesn’t think that it’s possible to make a living off of art, and his father doesn’t think his paintings are any good. Because his father is an historian and an intellectual, he thinks of art in terms of fine art. He had another professor he knows, an art expert, take a look at Ben’s work, and he didn’t think much of it, so Mr. Brereton concluded that his son had no art potential. Ben’s family whitewashed over all the artwork he did on the walls of his studio before Liz arrived. Liz thinks this is terribly unfair because there are many different styles and tastes in art. Just because Ben’s father and one art critic didn’t like Ben’s art doesn’t mean that he doesn’t have talent. Ben is still determined to be an artist in spite of what his parents say. He and his brother Simon are very close and understand each other because neither of them quite fit their parents’ expectations and have different priorities from their parents. Liz understands how both of them feel because her family also never understood her or supported what was important to her. She comes to view both Ben and Simon as brothers and enjoys spending time with them. Ben takes her out on the river in the family’s punt, and during the winter, he teaches her how to ice skate.
The book continues through the next year and a half, through the developments of the war and the lives and education of Liz and the Brereton boys. Although Mrs. Brereton didn’t initially want Liz, the Breretons become fond of her as she shares in their lives, and they come to understand one another. Each of them finds a way to make a difference in the middle of war, and through the hardships they face together and their shared lives, they become a family. When Liz gets a letter from her grandmother that lets her know that Rose is “in trouble” in London, she and Ben make a daring trip into the bombed city to rescue her cousin. The book ends at the beginning of 1941, just after the New Year, with the war still going on, but by that time, each of the young people in the story has found a direction in life and hope for the future.
The book is available to borrow and read for free online through Internet Archive (multiple copies). Because of the themes and some of the language in the story, I would recommend this book for teens and young adults. There are descriptions of bombings, war deaths, a teenage pregnancy (Rose, not Liz), and some mild swearing in several places. The violent parts aren’t as graphic as some descriptions I’ve seen in other books, but there is definite violence and death, so it’s not really a book for young children.
My Reaction and Spoilers
The Atmosphere
This story could fit well with both the Cottagecore aesethic and Light Academia. In the countryside, Liz is living in an unusual, atmospheric house, a converted mill, and the descriptions of her room sound enchanting! In some ways, the beginning of the book reminds me a little of Anne of Green Gables: an unwanted orphan who is taken in by a countryside family that originally wanted a boy, and a girl who loves books and is determined to pursue an education and make something of herself. Liz is a true book lover, and the story mentions the books that she reads and loves, like Pride and Prejudice by Jane Austen, Jamaica Inn by Daphne du Maurier, and Beau Geste by P. C. Wren. Liz doesn’t just read because she is required to read for her classes but because she really enjoys books. She also comes to understand things from books she reads, like the war around her and the feelings of some of the Breretons from reading Shakespeare’s Henry V. The insights that people gain from reading are part of the reason why literature is regarded as one of the disciplines of the humanities, the areas of study that provide insight into human nature and human potential. Liz combines the insight and knowledge she gains from reading and what she perceives around her to better understand the world and other people. In some ways, she fits a little better with the intellectual Brereton family than she thinks she will at first.
Later in the book, after Liz has seen more of the war directly, she wonders if there’s really a point to continuing her education or if she should just try to get a job in a factory and do her part. Studying things like poetry and Shakespeare in class just feel pointless and irrelevant in the face of the larger, life-and-death events happening around her. She could relate to the themes in Henry V, but Romeo and Juliet begins sounding pretty silly to her. Her teacher persuades her to continue her education, telling her that the more educated she is, the better she will be as a worker and an asset to her country. At first, Liz doesn’t see how, and her teacher explains that she is learning mathematics, which are used for the construction and calibration of weapons. She is also learning biology, which would be useful if she becomes a nurse or has to care for someone who is wounded. As for things like poetry and literature, anything she studies will teach her humility and give her mental maturity and greater understanding of other people – the goals of the humanities. We don’t know about all of her long-term career goals by the end of the book, but along the way, Liz continues her education, takes on part-time jobs, and finds ways to help the war effort and the people she loves.
Evacuees, Social Class, and Socialism
The experiences of the evacuees in the story are very realistic. It’s important to note that child evacuations went in waves throughout the war, and Liz and her friends are part of the very first wave of Operation Pied Piper. When the war started, people expected that bombings would start almost immediately, which was why they tried to hurry as many children out of London as fast as they could. However, the book covers the real events and attitudes of the early war years, including the fact that the bombings didn’t begin as quickly as expected. When the bombings didn’t start right away, people started to think that the fear of bombings was an overreaction, and many families brought their children back to London from the countryside. Some called this phase of the war the “Phoney War” because people on the home front didn’t feel like there was a war really happening yet, and even on the front lines, there was relative quiet because the large scale operations hadn’t started yet. Liz feels more alone in Chiddingford when some of her friends from school return to London and leave her behind in the country. Liz knows that there’s no point in going back to London herself because her aunt won’t want her, and remaining with the evacuation program will allow her to finish her education. Of course, readers know that the Blitz is coming before the characters in the book do, and the people who returned to London will probably end up regretting it.
In real life, some of the children who returned to London prematurely were killed in the coming bombings, and others were sent away again in the next wave of evacuations. In the case of the kids in the story, Liz’s friends Annette and Naomi return to London, thinking that the risks of bombings were overrated. After the bombings start in the Battle of Britain, Liz’s grandmother writes to Liz and says that Naomi has been sent away again, this time to Wales, which was a destination for many evacuees. We never hear what happens to Annette.
The book did a good job of showing how evacuees and their host families experienced some awkwardness with each other because of their different lifestyles and social classes. Not only is Liz not from an intellectual family like the Breretons, but she also comes to realize that she lacks some of the table manners and social graces of people of their class. The book also explains how Liz and her friends speak differently from the Breretons. Liz and her friends are described as being “bilingual in two kinds of English.” When they’re with family and friends, they speak cockney English, but at school, they speak a more “posh” version of English. However, even their more “posh” English isn’t as high class as the way the Breretons speak because they are a family of people who have been to boarding schools and have higher levels of education. You can hear what a cockney accent sounds like, how it works, and the social significance it has from these videos:
1976: COCKNEY accents from the BCC Archive (about 11 min.) – The people talking would have been alive during WWII, some of them probably around Liz’s age at the time. Some of them talk about the differences between the way they talk and how younger generations speak.
The Story of COCKNEY the (London) Accent and its People (about 35 min.) – Explains more about the social history and cultural identity of Cockney people. This includes some of the historical information that Mr. Brereton, history professor, could recite, although Liz knows that doesn’t mean that he fully understands the realities of day-to-day life in the East End. Toward the end of the video, at about 27 min., there is a clip from a 1930s film as an example of how the accent used to sound because accents change over time.
The Breretons are using “received pronunciation” (RP), which is called “received” because people in England don’t tend to speak that way until they are taught to do it in the higher-class schools. It comes directly from having an education, particularly a higher education, so people who speak that way are immediately announcing their social class and education level with the way they speak. You can hear it and get an explanation of how it works from these videos:
Make Do and Mend (about 3 min.) – A 1940s educational film about making and mending clothes, to save on material for the war effort. Received pronunciation (RP) is also sometimes called “BBC pronunciation” because this is the accent that radio announcers would use. The announcers in this short film, one male and one female, are using 1940s RP.
1967: John REITH explains the “BBC ACCENT” (about 10 min.) – From the BBC Archive, about why the BBC particularly wanted its announcers to speak RP. John Reith was the Director-General of the BBC, beginning in the 1920s and ending in the late 1930s. During WWII, he became Minister of Information, and from there, moved to various other governmental roles. This interview was his very last appearance on television. It took place when he become Lord High Commissioner to the General Assembly of the Church of Scotland. The interviewer asks him about the reason why, during his BBC years, he wanted his broadcasters to speak with an RP accent. Basically, the logic behind RP was to put more emphasis on education and ability to communicate clearly rather than the speaker’s regional origin. Particularly in radio, where listeners only have the voice to rely on and no visuals to clarify anything, it was important to have an accent that would be as clear as possible to the general population, where there would be no confusing regional pronunciations and slang. In the video, John Reith specifically says that they didn’t want there to be any accents that would seem comical or irritating to the listeners by seeming overeducated, undereducated, or too regional. They also debate the social implications of this and the effect of television, which was relatively new technology to them in the 1960s. Both of the men in the video are speaking a kind of RP, although they’re not completely the same as each other. John Reith admits that his speech still has regional influences because he’s from Scotland.
The RP English Accent (about 9 min.) – About who speaks RP, how it sounds, and the social implications. It also mentions how there are people, like the presenter, who speak a kind of RP but still with regional influence, which is similar to the way Liz and her friends are learning to speak in their school. It also discusses how WWII changed the way this accent was perceived and who would speak it because of social changes.
RP (Received pronunciation) vs POSH ENGLISH (about 23 min.) – Explains the origins and evolution of RP and the differences between standard received pronunciation (RP) and the more high-class or “posh” version that the upper classes would speak and how regional accents influence even RP. It also explains that, although this accent was known for being used by radio broadcasters, during WWII, radio broadcasters started using more regional accents to make it clear that they were authentic British people because Germans broadcasting propaganda were speaking English with an RP accent. This is one of the factors influencing changes in professional and social views about different types of British accents.
Why does all of this stuff about accents matter? It comes back to social class and education, both of which influence people’s prospects in life. A person’s accent, particularly during the mid-20th century and earlier times, reveals their background and the type of level of education they have. (Less so in the 21st century, after the influences of mass media – tv and the Internet – which enable people to hear more accents than they encounter in person in daily life, changes to the education system, and changing cultural attitudes.) Schools of the time knew that and would make sure that their students could speak in a way that would make them sound as educated at possible. A person who sounded as educated as they said they were would sound more skilled and competent to potential employers, enabling them to get “white collar” jobs, involving more clerical or specialized skills rather than manual labor, and rise up in the middle class. People who only had the the minimal level of education, like Liz’s relatives, wouldn’t have this influence on their speech, and that could be a barrier to finding better jobs, keeping them at a lower, working class level.
Liz and her friends have been learning some RP in school, which is why they can speak more “posh” than the general cockney spoken around them in daily life, but the Breretons speak a higher level of RP because of their boarding school backgrounds and college educations, so even Liz’s more educated version of English isn’t up to their level of RP. Liz and her friends are learning to speak at a middle class level because they’re being prepared for possible white collar jobs and middle-class living. The students’ cockney families speak like the working classes because that’s what they are, and they’re less likely to move up in the world because listeners can tell that they don’t speak in an educated way. The Breretons speak like academics because that’s what they are, that’s what they’ve trained to be, they’ve had higher-class education, and they’re relatively upper-class or upper-middle class. Although the girls’ families think that the girls are learning to speak “posh”, and they are when compared to their relatives, the Breretons can still hear their background in their speech and know they’re not from the same class. This ability to almost diagnose someone’s background and education from a person’s accent influences the way people in the story and society of the time would think of each other right from their first meeting. Because they can tell some significant factors of a person’s background immediately, there was a tendency to jump to conclusions about a persons’ life, habits, and capabilities. Part of this story is about how they assumed too much before getting to know the details of other people’s lives and personalities, and that’s a factor that influenced social attitudes before and after the war. As the videos that I’ve referenced explain, the modern, 21st century versions of the dialects and accents in this story wouldn’t be quite the same as the ones the characters would have spoken in the 1930s/1940s because language evolves over time, but the videos will give you a sense of how the characters hear each other.
When Liz tells Lady Brereton that her father was a Communist, Lady Brereton is intrigued and fascinated but not overly shocked or disparaging. Liz is happy that Lady Brereton appreciates that he was a good and loving father and that Liz badly misses him even if his political views were unorthodox. Today, Britain is more of a democratic socialist nation than the United States, and the social programs of WWII, like the child evacuations, are part of the reason. Britain was a country that was very focused on social class, and before the war, the social classes seldom mixed. However, the war was a nationwide effort. People of all social classes were expected to do their part and work together, and programs like the child evacuations brought people of different social classes together in ways they had never been before. The result was that people of different social classes learned more about the ways other people lived, and because the evacuation system saved many lives and led to improvements in living conditions for some children from poor areas of the city, people in Britain became more interested in social programs to help the poor and create a more stable society. This isn’t the only reason for such social programs, but it was a contributing factor.
In the book, when Liz looks back on her father’s political views, she realizes that she shares some feelings with him but wouldn’t agree on everything he used to say, and that’s because of her own experiences. The social programs of the war helped her to continue her education and find a more stable life than the one she had with her aunt, but she also knows that she can’t rely on that type of support for everything and starts to look for ways that she can earn money herself and live an independent life. Her experience with and approach to social programs seems like a broader, more blended view. She has had experience with different social classes and different systems and can see the benefits and downsides of different ways of living.
For more information about the conditions and experiences of child evacuees, I recommend the following videos:
This series of interviews with former child evacuees is much longer than the other one, about 40 minutes long. Part of this one brings up the subject of racial minority children who were evacuated. Children of different racial backgrounds or ones who looked like they might be could be discriminated against by people who were reluctant to host them because of the way they looked, but there were also some nice families who were willing to host them.
An hour-long documentary about evacuees’ experiences, good and bad, with interviews with individual evacuees as older adults. It includes the experiences of evacuees who were sent overseas and not just to the countryside. It also covers the effects that the experience had on their education and how they found it difficult to relate to certain types of lessons, like poetry lessons, because the themes were so far from their wartime lives. It also explains what happened to them after the war was over and the long-term effects that their experiences had on t hem.
Explains what conditions were like for those who remained in London during the war and what the evacuees were escaping. Timeline Documentary. About 50 minutes.
For other children’s books about WWII and child evacuees, I have a list of WWII books with additional resources. For books about child evacuees, I especially recommend Carrie’s War (1973) and All The Children Were Sent Away (1976).
Education and Children
A detail that I particularly liked about this book was the explanation of the the 1940s British school system at the beginning of the book. I’ve seen other explanations of the British school system online (like this one from Anglophenia on YouTube), but the explanation in this book does help because the main character’s education and future prospects are a major part of the story.
The attitudes about class and education surprisingly still resonate today. The type of education a child receives is often determined by the economic level of their parents and the type of life that the adults expect that the child will lead. All of the parents in the story have their own notions about what the young people should be doing with their lives, but the young people know that the world is changing, especially because of the onset of war. The things they want to do and the things they will have to do no longer match their elders’ expectations.
Liz knows that getting a good education is vital to her future, where she will have to make a living by herself, even though her aunt tries to shame her for being grand about her education and tries to make her feel like she should just go out and get a job like her kids did. The Breretons are just the opposite, seeing higher education as the only path to a secure future, while their sons realize that there are more immediate problems shaping their world and posing real threats to all of their lives. Each of the young people come to realize that there are decisions that they each need to make for themselves to take charge of their lives and handle what life has given them, even if the adults don’t understand.
Overall levels of education in society have risen in the decades since World War II. Technically, where I live, children are only legally required to attend school through 8th grade, but in actual practice, almost everyone gets at least a high school education because even the lowest levels of jobs in our society expect a high school level of education or an employee who is working toward one. There is very little that anyone can do with only an 8th grade education in the 21st century, and almost everything that provides a living wage requires either a college degree or some kind of vocational training beyond high school. There are almost no jobs that will take a person with a minimal level of education and no prior experience.
In 1940s England, there were more opportunities for people with little education to get jobs, which is how Liz’s cousins get jobs even though they leave school at about age 14, but even then, there aren’t many opportunities for jobs that pay well and little opportunity for advancement. Rose later has problems when she gets pregnant as an unmarried teenager, and her cruel mother throws her out of the house, into the bombed streets of London with no way to make her living. Liz and the Breretons help her, but they worry about her future prospects. She has little education and has worked in a shoe store, but she doesn’t know much else and has no other experience. Without an education or other means of support, there isn’t much else she can do. She doesn’t even have very many domestic skills and can’t sew or knit. The end of the book implies that Rose will learn to manage because she decides that she is determined to keep her baby and find a way to support them both, learning whatever she has to learn along the way, and Liz’s teacher, Miss Garnett, will also help her.
Liz loves her cousin enough to take some risks to reach her during the bombings of London and bring her to Chiddingford, but she comes to realize that she has underrated her cousin for being less educated and a bit foolish in her life choices. On the one hand, she is irritated with Rose for her foolish love affair with a man who doesn’t really seem to care about her and marries someone else instead. She and Ben face some real dangers going to London to find her and get her out of the terrible situation she’s in, so a foolish choice on her part does create some risks and hardships for others. However, she finds out that Rose understands some things about life and human relationships that Liz is just now beginning to understand. The reason why she had that love affair was that she felt emotionally neglected by her hard-hearted mother and desperately lonely after Liz left for the countryside. Her choice of lover turned out to be a bad decision, but she was so starved for companionship and affection that she was vulnerable. Part of the reason why Rose is now determined to keep her baby and not place it out for adoption is because she saw the awful way her mother treated Liz as an orphaned child and how badly Liz was starved for affection. Rose’s mother was cruel to her as well, but much more cruel to Liz because Liz wasn’t her own child. Rose wants her own child to know what it is to be genuinely loved and wanted, in spite of the hardships and stigma of being a single, unmarried parent in the 1940s. Liz is touched that Rose truly understands that important emotional need just to feel loved and wanted by someone, something Rose’s mother never seemed to understand or care about. Rose might turn out to be a better parent than her own mother.
The feeling of not being wanted and only reluctantly accepted was one that real-life evacuees experienced, and I thought that was well-represented in the book. When Liz first meets Mrs. Brereton, she reminds her of her aunt. She puts her own children first and is so absorbed with what she thinks are in her family’s best interests that she sees Liz as an inconvenience and possible threat instead of the vulnerable girl she really is. However, where Liz’s aunt never warmed up to her after they lived together for years, Mrs. Brereton does become fond of Liz and starts to think of her as part of the family. With her elder sons going off to war, she admits that it’s a comfort to her to have Liz there. Liz shares in the family’s ups and downs through the war and really becomes one of them. Her attitude contrasts with Liz’s aunt, who is self-absorbed and ready to abandon any of the children in the family, including her own, when they become too much of an inconvenience to her. Mrs. Brereton is different. There are times when she is disappointed or worried by decisions her sons make, but they’re still her sons. Once she starts thinking of Liz as one of the family, she extends the same loyal affection to her. She worries about Liz when she disappears for a time instead of being relieved that she’s gone, and she even takes in her cousin when Liz brings her from London.
It’s hard to say how much of the differences because Liz’s aunt and Mrs. Brereton are due to their relative social positions and how much are because they have different personalities. I’m inclined to think that it’s a combination of both. I can see that Liz’s aunt may feel more precarious in life because she’s a poor, working class woman and feels less able to provide for an extra person or someone in a situation that might require some sacrifices, like her orphaned niece or pregnant daughter. However, Liz’s gran, who is part of the same social class, thinks that Rose’s mother has behaved horribly, both for mistreating Liz for years and for sending her pregnant and penniless young daughter out into the streets while the city is being actively bombed, so it seems that not everyone in that social group would have the same reactions to these situations, and some might be willing to make more sacrifices to help someone in desperate circumstances.
There are themes all through the story about the human need for affection and relationships with other people. Partly, the ability to build relationships with others is recognizing the need for them and being open to building relationships. Mrs. Brereton isn’t really open to building a relationship with Liz at first, and Liz and the Breretons don’t really understand one another, but relationships are also built through shared experiences. Not all of the experiences that the characters in the story share are positive ones, but facing difficult situations together can also be a bonding experience. Mrs. Brereton bonds with Liz and Rose because, even though it’s difficult for her at first, she comes to recognize how Liz supports her family in difficult circumstances, and she’s willing and able to help them through difficult circumstances in return, as a family. Liz’s aunt loses her relationship with both girls because she never develops that appreciation for them or willingness to share in their lives and troubles.
War
The war is always around the characters, and the story is shaped by it. I thought the author did a good job of representing the early events of WWII and how characters would have reacted to them as they actually happened. Each of the young people in particular wants to actively participate in the events that are shaping their world, even though Mr. and Mrs. Brereton would prefer to keep their sons out of it.
The grandfather of the Brereton family understands how the young people feel, having once been a soldier himself. Ben and his grandfather are very much alike, noble-minded and eager to participate. Liz joins Ben and Sir Rollo when they take Sir Rollo’s boat to participate in the Dunkirk Evacuation as one of the “Little Ships.” They know that British soldiers need help returning to England, and they hope to rescue Simon, who has joined the army, and others like him. They end up leaving Liz behind at Ramsgate because they decide that it would be too dangerous to take her the rest of the way with them. Sir Rollo is in bad health and probably shouldn’t be undertaking such a long-shot mission, but family love and his desire to once again be in the thick of things, making a difference, override any thoughts for safety. In the end, he helps save many people, and because of his prior experience in war, he is able to teach Ben how to avoid the floating mines and sandbars in their way.
However, he doesn’t survive the mission himself. He is killed by enemy fire, but Lady Brereton reveals that he knew he was ill and dying anyway. One of the pen-and-ink pictures in the book is actually of Sir Rollo after he got shot, and I was a little surprised that the book would show a blood-stained dead body in that way. It’s not overly graphic, even in the illustration, and because it’s a black-and-white drawing, it’s a less alarming than seeing someone with a red blood stain. Still, I think sensitive readers should be aware that it’s there. The book doesn’t sugarcoat the nature of war at all.
Lady Brereton knew her husband very well and loved his noble qualities. Although he didn’t tell her ahead of time what he and Ben were planning to do, she suspected that he was going to attempt something of that sort. He was a veteran of the First World War, and he wanted his last act to be something heroic, to feel like he made a difference again before he died. Ben is injured during the mission, but he and his grandfather still manage to save many soldiers. It’s Ben’s first view of war directly, and although it was a terrifying experience, it doesn’t change his mind about wanting to join the RAF. His parents finally agree to let him enlist after he finishes his school exams that summer.
At the time the book ends, none of the young people are killed in the war. We don’t know what’s going to happen to all of them by the time the war is over because the story ends in early 1941, but their experiences have made them all realize what’s important to them and given them the determination to do their part in the war effort. The overall situation by the time the book ends is that Britain is feeling like it’s largely fighting the war alone because France has fallen to Germany and is now occupied, and while Britain is getting some supplies from the US, the US would not fully enter the war until the attack of Pearl Harbor in December 1941. For a more detailed explanation of the war situation in Britain in 1940, I recommend the Timeline documentary 1940: When Britain Stood Alone In WW2 on YouTube. Understanding the general course of events in context adds depth to the story.
Toward the end of the book, there seems to be a romance developing between Liz and Ben. Personally, I like to imagine that Liz and Ben might marry after the war. I’d like to imagine, too, that Rose might end up marrying Simon and have a comfortable life as a doctor’s wife after the war. That’s left to the imagination, though.
At St. Martin’s Orphanage, there are usually about 30 children at a time, and the matron does her best to nurture her parentless charges. Mandy is a ten-year-old girl who has lived in the orphanage her entire life. She is intelligent, and she loves reading and daydreaming. She is allowed to work part time at a grocery store, and she spends most of her money buying books. She also loves nature and taking walks by herself. She enjoys spending time alone because she likes to daydream and admire flowers and other beauties of the natural world.
However, Mandy isn’t really happy, either. Even though the orphanage is kind to her, she gets along well with the other orphans, and she has her books and other things to keep herself busy, she is lonely and still misses having parents and the family life she’s never known. Because she has no memory of these things, it’s difficult to say whether she truly understands what she’s missing, but she definitely feels the lack of them in her life. As she gets older, she begins to feel more and more melancholy about it. She knows only that something is missing from her life, and she becomes more desperate about it. She craves a place that she can call her own, a place where she really belongs.
There is a wall behind the orphanage, and Mandy, with her vivid imagination, becomes increasingly curious about what’s on the other side of the wall. She asks Ellie, the maid at the orphanage about it, but as far as Ellie knows, it’s just more of the countryside. She’s never actually explored it herself. Mandy likes to imagine that there might be a castle and a unicorn beyond the wall.
One day, Mandy decides to try climbing over the wall to see for herself. What she sees is an apple orchard and a path through it. When she climbs down from the wall and follows the path, she finds an old, disused cottage with the remains of a garden. The cottage is empty of furniture. Mandy lets herself into the cottage and finds it dusty and in need of repair, and there’s no sign than anyone has been there for years. However, there is a marvelous room in the small house that is decorated with real seashells! Mandy is fascinated, and she wonders who used to live there.
The idea comes to Mandy that she could “adopt” the house and care for it as if it was her own. Obviously, nobody has been there for a long time, and nobody would know or care if she cleaned it up, but she would feel good, having a place of her own and something to care for. When she returns to the orphanage, Ellie tells her that she asked the matron what was on the other side of the wall, and she says that it’s a large, old estate, where nobody lives anymore. Mandy is pleased with that because, if no one lives on the estate where the cottage is, there will be no one to notice when she goes to visit the cottage.
She asks for gardening advice from the gardener at the orphanage without telling him exactly why she wants to know, and he even lets her borrow some tools. Mandy loves tending to her very own garden, and she uses some of her pocket money from the grocery store to buy seeds for the garden and some things for the house. Mandy loves seeing how the cottage and garden improve under her care, but her roommate, Sue, begins to wonder where she keeps disappearing to, and the adults begin to wonder what she is doing with the things she buys and borrows.
The matron tells Mandy that she’s worried about what Mandy is doing because it could be dangerous for her to go off alone where nobody knows where she’s going. Mandy lies to her, saying that she had a project of making a garden for herself but that she gave it up because it was too much work. The matron says that she understands why she would want to have a place to call her own and offers her a spot in the orphanage garden to tend as her own. Mandy feels terrible about lying to the matron, but the thought that the matron might make her give up the special place she’s found because it doesn’t really belong to her or because it’s too dangerous for her to go there alone is just too much.
As the seasons change, Mandy enjoys slipping away to her cottage whenever she can, working in her garden and watching the animals that live nearby. However, the matron has become increasingly suspicious of Mandy’s odd behavior, Sue is angry with her for keeping secrets from her, and there are signs that someone has been at the cottage while she wasn’t there. There are footprints outside the cottage and the hoofprints of a horse, and there are signs that someone has been fixing things. Fortunately, this mysterious person doesn’t seem to mind her being at the cottage. Her mysterious friend leaves little presents and notes for her. More and more, Mandy fears that her secrets will be discovered, but when she becomes ill and needs help at the cottage, she becomes grateful for the help of a friend who knows where she is. Having a place to call your own is good, but having friends and a family who care make a place a real home.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
Update: A site reader pointed out that I should have explained that Julie Andrews Edwards is the same Julie Andrews who played Maria Von Trapp in The Sound of Music, Mary Poppins in the Disney musical, and the queen in The Princess Diaries movies. When I was younger, I didn’t realize that she also wrote children’s books. She is also known for writing The Last of the Really Great Whangdoodles, which I haven’t covered yet. Julie Andrews’s early life was difficult because her parents divorced and each married other people during WWII. At various times, Julie Andrews lived with each of her parents and stepparents and traveled around as she began performing with her family as a child. Her family was poor, and she later described her stepfather as being a violent alcoholic. Her chaotic early life may have been a factor in this story about a lonely girl looking for a place to belong and a real sense of family.
My Reaction and Spoilers
This is a sweet story about having a place to call home and a real family. Mandy craves for these things, even before she truly understands what it means to experience them. Parts of the story are sad and sentimental, but others are just enchanting. This book fits well with the Cottagecore aesthetic. The cottage in the orchard is charming, and Mandy’s care for it reminds me of other children’s books, like Dandelion Cottage, where children have their own secret places to fix up and care for.
Mandy gets wrapped up in her special secret place, tending the garden and watching the animals there, but it gets her into trouble with her friend and roommate, Sue, and with the matron of the orphanage because of the secrets she’s keeping and the way she keeps helping herself to things she really shouldn’t take and slipping away to spend time at the cottage without telling anyone where she’s going. Mandy loves the cottage because she can imagine it as her own home, a place that belongs to her and where she belongs, but Mandy needs people, too. Sue’s friendship for her helps her when she gets into trouble, the matron turns out to be more understanding than Mandy feared, and Mandy’s adventures with her cottage bring her into contact with people who become the family Mandy really needs. Once Mandy has the family she needs, she no longer feels compelled to keep the cottage all to herself, and she decides to share it with the other girls at the orphanage. Mandy’s new home with her new family is every bit as charming and magical as her cottage. It’s a big, old house with secret passages that she explores with her new brother.
However, I think that it’s important to note that not everything in the story is easy and happy for Mandy. All through the story, she struggles with her emotions, experiencing sadness and loneliness and trying to understand what they mean. Her new family doesn’t fully accept her immediately, either. They are never mean or rejecting of her. They are friendly and helpful people from the first time they meet Mandy, but it takes some time of them getting to know her before they decide that they want her to be a permanent part of their family. There isn’t a lot of high drama, and her new brother is never jealous of her or mean to her. However, the family does take some time to make their decision after Mandy spends Christmas with them, and that adds to Mandy’s inner distress.
There are points in the story when Mandy’s fate seems uncertain, and she considers running away from the orphanage. The headmistress becomes concerned about Mandy because of her melancholy and tells the family considering her that Mandy has begun asking her questions again about her parents and how they died, something that she hasn’t done for years, showing that she has become preoccupied with the concept of family life and her lack of it. The family is concerned for Mandy and understanding of her feelings, but I thought that having the family take time to get to know Mandy and to consider what having her join their family would mean was realistic. I think the drama was softened a little to keep the gentle feel of the story, but there’s enough emotion and inner turmoil that it doesn’t feel like Mandy’s problems resolve too easily.
Sue and Mandy bring up the question about whether Mandy’s discovery of the cottage and her new family was a matter of luck. Sue is envious because it seems like everything happens to Mandy. Mandy asks her new father if that’s a matter of luck, but he says that Mandy is special and that things happen to her because she is brave and goes looking for them. She is a quiet person, but she takes her life into her own hands and pursues what she wants, where other people might be too timid to do it. Technically, Mandy broke rules and took some risks to care for her secret cottage, but she did it because it was important to her, and it worked out in the end. Her new father seems to appreciate Mandy’s spirit and determination.
The Secret Garden by Frances Hodgson Burnett, 1911, 1987.
When Mary Lennox arrives in England following the deaths of her parents, people think that she is a peculiar child. She was born and raised in India. She is very thin, and her skin has a yellowish tint because she was frequently ill there. She also has a sour disposition, and it’s not just because she is grieving for her parents. Mary comes from a wealthy family, but she has been emotionally neglected for most of her life. She has not experienced real affection from anyone in her life, so she feels little affection for anyone. Her father worked for the British government in India, and between his work and his own illnesses, he never really had time for Mary. Her mother was a beautiful but frivolous woman who spent most of her time at parties or entertaining her friends. Her mother never really wanted a child at all, and she left Mary’s care and upbringing to an Indian nurse, with the instructions that the nurse keep Mary out of sight as much as possible. Her mother just didn’t want to bother with her. Because her mother didn’t want to be bothered with hearing Mary cry, even as a baby, the nurse and other household servants gave Mary anything she wanted and let her do as she pleased to keep her content. As a result, Mary became a spoiled and unmanageable child, and governesses who came to teach her never stayed very long because she was so temperamental.
Everything changed when Mary was nine years old. A cholera epidemic broke out, and Mary’s nurse was the first to die in their household. (Mary’s frivolous mother even admits, in Mary’s presence, that she was warned to leave the area weeks ago, but she wanted to stay for the sake of a dinner party. When the nurse dies, she realizes for the first time that she’s been a fool.) The other servants forgot about Mary in their panic, and people fled the area. Mary is discovered alone in the house by soldiers, who inform her that her parents died during the night. Mary is cared for temporarily by a clergyman and his family, but she doesn’t get along with the other children because she is spoiled and temperamental. She likes to play alone, pretending that she is planting a garden, so the other children tease her about being Mistress Mary, Quite Contrary from the nursery rhyme. Then, she is sent to England to live with her uncle, Archibald Craven, at Mistlethwaite Manor. She knows nothing about her uncle or England, only that her uncle supposedly lives in an isolated house and never sees people.
The trip to England opens Mary’s eyes a little to the world and the ways of other people. She begins to notice that other children are treated differently from the way she’s always been treated. Other children seem to belong to adults who care for them, their mothers and fathers. Mary has never really felt like she belonged to anyone. In fact, many of her mother’s friends were completely unaware that she even had a child because Mary was always kept out of sight, and her mother had always lived like she wasn’t a mother at all. Mary has so little connection to her own parents that she doesn’t miss them at all when they’re gone. People keep saying that it’s such a shame that her mother was so beautiful and charming and that her daughter is so unattractive and unpleasant, but the adults also comment to each other that if Mary’s mother had spent any time with her or cared for her, Mary might be very different. Mary doesn’t think of herself as being unpleasant, although she often thinks other people are unpleasant.
On her arrival in England, she is met by her uncle’s housekeeper, Mrs. Medlock, a no-nonsense woman. Mrs. Medlock tells her that her uncle’s manor is grand but gloomy and peculiar. It’s 600 years old, located near a moor, has over 100 rooms (most of them closed up and unused), is full of fine things, and has a garden around it. It all sounds very different from India, and Mary finds it hard to form an opinion about it. Mrs. Medlock is surprised at how unresponsive Mary is, and Mary says that there isn’t much point in her thinking or feeling anything because what she thinks and feels won’t change her situation. She has to go live at the manor whether she likes it or not. Mrs. Medlock admits that is true and that she doesn’t expect that Archibald Craven will pay much attention to her. He was married, and he and his wife loved each other very much, but his wife died, and that’s part of the reason why he lives like a hermit now. He also has a crooked back and doesn’t like for many people to see him. This begins to awaken some feelings in Mary. For the first time in her life, Mary feels a little sorry for her uncle, hearing about the sad death of his wife. It reminds her of something from a book. Mary begins to think that life at Mistlethwaite Manor sounds like it’s going to be lonely and dreary. Mrs. Medlock says that she will be expected to entertain herself most of the time.
Mary’s first impressions are indeed as lonely and gloomy as she expects. When she arrives, he is met by more servants, not her uncle. Mrs. Medlock is told that Mary’s uncle doesn’t want to see her and that she should be taken to her rooms. She is told that her uncle is leaving for London in the morning, and that she will be expected to keep to her rooms.
The only person who is pleasant to Mary is Martha, the house maid. Mary is surprised at Martha’s friendly and open manner because the servants in India always behaved in a servile way, even taking blows and abuse without complaint. When Mary sees the moor for the first time in daylight, Martha asks her if she likes it. Mary says that she doesn’t, but Martha tells her that it’s only because she’s not used to it and that she’ll like it better when she gets used to it. Mary asks Martha if she likes the moor, and Martha says she does. She describes to Mary all of the things that she likes about the moor, including the plants, the smells, the fresh air, and the sounds of the bees and birds. Martha waits on Mary a bit, but not in the way that the servants in India did. Mary is shocked to discover that there are some things that Martha expects her to do for herself, like dressing herself.
There is some racial talk at this point in the story, but the attitudes of the characters are somewhat mixed. Some of it seems to be inappropriate or derisive (mostly on Mary’s part), but some of it also seems friendly or interested in other races (mostly on Martha’s part). Martha says that things in India were different because there were more black people there inside of white people. The story uses the word “black”, apparently not making any distinction between people from Africa and people from India, like all non-white people are “black” by default. (My conclusion, from this part of the book and some later comments, is that Martha actually doesn’t know the difference.) Martha confesses that, when she first heard that Mary was coming from India, she might even be black herself. Mary is enraged at the idea that anyone would think of her as being “black” or a “native”, and she calls Martha a “daughter of a pig” because that’s what people in India would have thought of as one of the worst possible insults. Martha is unphased by this temper tantrum and just tells Mary that there’s no cause to be angry and that girls shouldn’t use language like this. Martha says that she wasn’t at all upset when she thought that a black girl might be coming to live at the manor because she’s never actually met a black person before and was looking forward to having that new experience. She says that she has nothing against black people and has heard that they are quite religious. Mary tells Martha that she doesn’t know anything about black people because they are only servants, not people, and she bursts into tears. Mary thinks this because the only non-white people she’s ever known were servants, and she doesn’t want to be thought poor and servile. To placate Mary, Martha admits that she doesn’t know much about these things, but Mary is the one who is about to get some new learning experiences.
Martha, who describes herself as being a somewhat common person, says that her mother always said that it’s a wonder that rich children don’t all turn out like fools because they don’t do many things for themselves, and she says that it will be good for Mary to learn how to do some basic things to take care of herself, like how to get dressed without help. Mary tells Martha that it was “not the custom” for children in India to dress themselves because that was only life she ever knew. The servants used to dress her and do things for her like she was a little doll instead of a person, and at first, Mary doesn’t know what to do or say when Martha speaks to her in a personal way, like a human being, or insists that she do things for herself. It helps that Martha comes from a large family with twelve children. She might know a lot about the world and other cultures, but she knows a lot about what to do with children and what children can be capable of doing, and these are things Mary needs to learn.
Mary is surprised when Martha tells her about one of her brothers, Dickon. Dickon has a way with animals, and he has tamed some wild animals, including a wild pony that he can now ride. Mary has never been allowed to have a pet before, although she has always wanted one. Mary has rarely been interested in anything, but Dickon begins to fascinate her.
Since there is little in the house to amuse a child, Martha insists that Mary go outside by herself and explore. Nobody will entertain Mary, so she must learn to play and amuse herself. For a start, Martha says that Mary can go look at the gardens. Intriguingly, Martha mentions that one of the gardens is locked. Mary asks why, and Martha says that the garden used to belong to Mrs. Craven and that Mr. Craven has kept it locked since she died ten years ago. He even buried the key somewhere. In spite of herself, Mary begins to be very curious about the locked garden and the reason why it is kept locked. As she explores outside, she discovers that the house is surrounded by several walled gardens, most of which have open doors in their walls. It is winter, so most of the gardens are bare. It is dreary, but Mary sees a robin and is cheered by its singing.
Mary is not accustomed to people liking her or to liking other people, but she begins making friends with the gruff old gardener, Ben Weatherstaff. He can whistle for the robin, and it comes to him, and that intrigues Mary. The gardener tells Mary about robins and about the friendly robin in particular. Seeing him interacting with the bird prompts Mary to mention that she is lonely, a revelation that surprises her. Her nurse didn’t like her, and she was never allowed to play with other children, so she has never had any friends. Ben Weatherstaff understands about loneliness because he doesn’t have much company, except for the birds. He is accustomed to plain speaking, and he comments that he and Mary have much in common, both being sour of disposition and plain looks. Mary is surprised at this candor and at the image it has given her of herself. The only people who interacted with her before were servants, who were paid to praise their employers. It never occurred to Mary before how other people really saw her and that her lack of human contact and affection is part of the reason why she feels so sour, behaves badly, and has trouble feeling emotional connections to other people because, to her, that was just normal life. The move to England is starting to show her that what she has always thought of as normal isn’t really, and her version of normal wasn’t even really healthy for her. She is touched when the robin acts like it wants to be friends with her, the first living thing that really seems like it wants to like her, and Mary finds herself liking a living thing for the first time, too.
It starts to become routine for Mary to explore the gardens every day, and she begins to grow healthier with the fresh air and activity. The cooler climate of England agrees with Mary more than the warmer climate of India, and her explorations and time alone awakens her mind and imagination. Martha’s practical mother hass Martha give Mary a gift of a skipping rope and tells her to have Mary spend as much time outside as possible. Mary begins to like Martha’s mother and Dickon from the stories Martha tells her about them. She’s not accustomed to liking people, and it surprises her that she can like someone just by description, without even seeing them. Martha poses a question to Mary about whether or not she likes herself, a question her mother once asked her when she was being critical of other people. Mary never thought about it before, but she has to admit that, now that she thinks about it, she doesn’t really like herself, and she can now see why other people didn’t like her before.
Mary begins to grow closer to Martha, who is also lonely, in her own way. She misses her mother and all her brothers and sisters when she’s working at the manor, and the other servants make fun of her for her common speech and Yorkshire expressions. Mary doesn’t make fun of her speech because, after living in India, she understands that some people just speak different dialects and doesn’t consider it unusual to not understand everything a person says, so Martha doesn’t mind spending time with Mary and talking to her, answering her questions as best she can. It isn’t always easy because, as she admits to Mary, there are things about the house and Mr. Craven that she’s not allowed to talk about. Mr. Craven is a very private person, and Mrs. Medlock won’t let the servants gossip too much.
Mary asks Martha more about the locked garden and why Mr. Craven hates it. Martha says that she might as well know that he used to love it when Mrs. Craven was alive because the two of them tended it together and spent a lot of time there. There was a tree with a branch shaped like a seat, where Mrs. Craven liked to sit. One day, the branch broke, and Mrs. Craven was hurt so badly by the fall that she died the next day. Ever since, Mr. Craven can’t bring himself to enter the garden or even hear anybody talk about it.
Something that Martha refuses to explain to Mary is the mysterious crying noises that Mary sometimes hears. She makes excuses, like it’s the wind or another maid with the toothache, but Mary is sure that it’s a child crying inside the house. Mary tries to explore the house, but Mrs. Medlock stops her from poking around too much. It’s only outside that Mary is truly free to explore.
Then, while watching the robin the garden, Mary finds both the key to the locked garden and the door inside. At first, the old garden looks dead, but then, she finds some tiny growing things. Mary begins tending the garden herself, realizing that, if she weeds the garden, there will be more room for the plants to grow. She asks Martha some questions about plants and gardening, and Martha explains some things, saying that Dickon knows more about gardening. Martha is pleased by Mary’s new interest in gardening. She doesn’t know that Mary has gotten into the locked garden, but her mother said that it would do Mary good to have a little space to make a garden for herself. Without telling Martha her secret, Mary says that’s just what she wants to do. Martha helps helps Mary write a letter to Dickon, asking for his help getting gardening tools and seeds and getting her garden started.
When Mary finally meets Dickon, she lets him in on the secret of the locked garden, but she swears him to secrecy about it. Mary has come to identify with the garden because, like Mary herself, it’s been neglected for a long time. For ten years, it was left alone, and nobody cared whether it lived or died, but Mary cares. She is determined to help it live, and she doesn’t want anybody to stop her. Dickon also finds the secret garden fascinating, and he is willing to help tend it in secret. He shows Mary how to tell which plants are alive or dead, and he explains what they will need to do to restore the garden to its former glory.
Mr. Craven inadvertently gives Mary permission for her secret activities when he sees her for the first time, to check on how she’s doing. He apologizes to Mary for being a negligent guardian, admitting that he has forgotten to hire a governess for her. He is forgetful because his health is poor, but he says that he does care about her welfare. Mary begs him not to give her a governess right away because her health is improving from playing outside in the gardens. Mr. Craven admits that what she says agrees with advice that Martha’s mother has given him about caring for Mary, so he says that she may go without a governess for now and may spend as much time outside as she likes. He asks her if she would like any toys, dolls, or books, and Mary asks him if she can have some earth for planting things instead. Mr. Craven says that she reminds him of someone else, but he agrees that she can have any patch of earth that she likes, as long as it’s not being used for anything else. He is going to be traveling abroad for his health until next winter, so Mary knows that she will have plenty of time for working in the secret garden and Mr. Craven’s technical, if unknowing, permission.
The mystery of the crying that Mary sometimes hears is solved when she boldly investigates the sound one night and finds a strange boy, about her age. She asks him who he is, and he says that he is Colin Craven, Archibald Craven’s son. When Mary explains that Mr. Craven is her uncle, the two of them realize that they are cousins. Colin explains that people aren’t allowed to see him or talk about him because he is ill. His father worries that Colin will have a crooked back, like he does, and Colin doesn’t want anybody to see him like that. He admits to Mary that people used to take him places when he was younger, and people would stare at him and whisper about him, and he hated it. He could tell that people thought he looked sickly and that they were sorry for him. Colin thinks that he is too sickly to live to adulthood because he has heard people talking about the possibility of him having a lump on his back and the possibility of him dying when they think he couldn’t hear them or couldn’t understand. However, he has understood all of it from a young age, and it has always terrified him. He doesn’t even trust his doctor because his doctor is a relative of his fathers and stands to inherit the manor if Colin doesn’t live to adulthood. Colin can tell that the doctor is hoping that will happen. The doctor hasn’t actively tried to harm Colin, but he hasn’t been very much help, either.
Colin is every bit as spoiled as Mary was when she first arrived in England. Like Mary, he has been shut away from most people and looked after by servants, who give him anything he wants and do whatever he says because they feel sorry for him and because he throws fits when they don’t. His father rarely sees him because he looks like his mother, which makes him sad, and he fears that he will see Colin become deformed or sicken and die. In meeting Colin, Mary finds herself confronted by a child very much like herself, but it turns out that she’s more than a match for him. In fact, she’s exactly what Colin has needed, to the amusement of all the servants. She doesn’t give in to Colin’s imperiousness nor his hysterics. She offers him the reassurance that he has needed that he is not deformed nor likely to die when he admits to her what his real fears have been. She provides him companionship and also gives him new things to think about besides his worries. Because he rarely leaves his room, he doesn’t know anything about the secret garden, but after she has determined that he can be trusted to keep the secret, she tells him about it. Colin badly wants to see it, and Mary asks Dickon to help take Colin out to see the garden in his wheelchair. As the children enjoy and work in the garden, restoring it to life, it also offers new life to the neglected children. As the flowers grow and bloom, the children blossom, too.
The book is public domain now, and you can read it for free online through Project Gutenberg and Internet Archive. You can also read it in your browser through Lit2Go, which also includes audio readings of each chapter. There have been many different printings of this book with different illustration. The edition I used for the pictures on this review was from 1987. It has been made into movies several times.
My Reaction
Benefits of Nature and the Power of Positive Thinking
I love the atmosphere of The Secret Garden! The old manor house is wonderfully old-fashioned and gloomy. Mary’s bedroom has tapestries on the walls, and the house is mysterious and maze-like inside and surrounded by walled gardens and the open moor. Like Mary at the beginning of the story, I’ve never lived anywhere with a moor, and Martha’s descriptions of the plants and smells of the moor helped.
One of the most prominent themes in the story is the love of nature. The children see miracles in nature, and they find their interactions with growing plants healing to their spirits and bodies. There is also a strong emphasis on the power of positive thinking. The children come to realize that many of their emotional and health problems stem from their negative thoughts, and they make a conscious effort to focus more on positive things, replacing old, negative habits with healthier ones. The improvements they experience in their lives and attitudes give them encouragement to keep working on improving their thinking habits.
Frances Hodgson Burnett’s thoughts on healing and the power of positive thinking come from a time in her life when she suffered from severe depression and “nervous prostration.” While struggling to recover from her emotional disorder, she researched Christian Science, metaphysics, New Thought, and spiritualism. The philosophies of the characters in the story seem to be an amalgamation of different philosophies and schools of thought, not strictly adhering to anything in particular. There isn’t anything particularly religious about the children’s thinking, which I think makes sense because these neglected children probably haven’t been schooled much in religion. The children’s thoughts seem to be based on bits and pieces that they’ve read or heard about from others and some pieces of Eastern philosophy from Mary’s time in India, along with some things which seem to be their own invention. Colin thinks that the healing he experiences and the power of nature are some form of magic, and he decides that he’s going to spend his life experimenting with this type of magic and telling others about his discoveries. I found this part of the story interesting because Colin’s scientific concepts of magic and magical experiments remind me of Gerald Gardiner and the origins of Wicca (this Timeline documentary on YouTube explains it – the part about his youth is 10:30 in – that’s the part that reminded me the most of this book). Gerald Gardner was ill as a child because he was an asthmatic. The climate in Britain, where his family lived, didn’t seem to suit him, so his parents arranged for him to travel with a nanny. He spent much of his youth living away from Britain, in areas with warmer climates. The change of climate helped him, but during his travels, he also developed an interest in ritual healing magic and folk remedies, which he also believed helped him, and he conducted magical experiments to perfect his rituals. He combined these ideas and experiments with his own research into spiritualism and philosophical systems to form Wicca. Gerald Gardner was born before The Secret Garden was written, but his magical experiments and promotion of the Wicca movement occurred decades after this book was written, in the 1930s and 1940s, so Frances Hodgson Burnett couldn’t have used him for inspiration. I think it’s more that he found inspiration from similar spiritualist and philosophical sources, and he also used the natural environment in dealing with a chronic illness, as the author and the characters in the book did.
I don’t really believe in the more magical/metaphysical aspects of this type of philosophy, but a person’s environment can have a very real effect on their emotional and physical health. In my list of Cottagecore books, I talked about how people found solace in nature during the stress of the coronavius pandemic, and people have sought comfort in nature and the countryside for other forms of stress for generations. It’s a theme that often appears in vintage children’s literature, which made assembling the list of books with Cottagecore themes easy. People are often calmed by environments with plants and rooms with windows that allow them to see the outside world because they feel more natural. The need to feel in touch with the natural world was something discussed in the documentary about Gerald Gardner. It seems to be a fundamental human need, although people may experience it in different ways or on different levels.
There are also some scientific reasons why a person’s environment and the amount of time they spend outdoors can influence their health. Colin thinks of his magical experiments as a form of science, but more measurable forms of science include temperature, humidity, and the influence of sunlight in producing vitamin D in the human body. It’s not as romantic to look at it from this point of view, but these things to make a real difference to a person’s health. Some people’s bodies seem better adapted to certain types of climate, and moving to a different environment can potentially improve their health, depending on what conditions they have. The reason why my family moved to Arizona from the Midwest was that my grandfather suffered from arthritis from a relatively young age, and he was told by his doctor that he would improve in a warm, dry climate. My mother was also frequently ill in the Midwest, and her doctor said that it was because the winters in Ohio were too long and the summers were too short, so she was vitamin D deficient. People absorb vitamin D through the skin from sunlight as well as food, so spending time outside regularly can help them absorb more vitamin D. (Don’t overdo the sun bathing. Some time in the sun is good and can give your vitamin D a boost, but too much can lead to sun burns and skin cancer. There are happy mediums.) After the move to Arizona, both my mother and grandfather improved in health because the climate was better for their health conditions, and both of them could spend more time outside throughout the year.
They’re not the only ones I know of who have experienced this. Arizona has also been a destination for people with asthma for decades because they also seem to benefit from a warm, dry climate with plenty of sunshine and outdoor activity. In the Timeline Documentary about Gerald Gardner, they mentioned that one of the things Gardner did for his health after he returned to live in England was to become a nudist. I wondered if part of that could have been to maximize the amount of exposed skin that could absorb vitamin D. From what I’ve read, there does seem to be a link between low levels of vitamin D and asthma, but I’m not a healthcare professional, so I can’t be completely sure. My knowledge of this sort of thing is mainly anecdotal.
In the story, Mary didn’t seem to do well in India’s hot climate, but she felt better in England, where the climate was cooler. (I wondered early in the book if it was partly because her parents had her dressed in fashionable English clothes that were unsuited to India’s environment, but the book doesn’t clarify that point.) In England, she spends more time outside, partly because she needs to find ways to entertain herself, and also because being outside feels more comfortable to her than it did in India, so she receives more of the benefits of outdoor, physical activity. It seems like the key is noticing what your body seems to need and finding an environment that supports those needs or making lifestyle changes that allow you to take better advantage of the environment where you are. Of course, if you’re dealing with an illness, you should discuss treatment and lifestyle with your doctor and follow their guidance.
Racial Issues
There are some racial issues in this book, as I described above. The characters in the story have some false notions about people from India, although I found it interesting that Martha, who has never met anyone from India or people from different races in general, seems more positive and open to the experience of meeting different types of people than Mary. Of course, Mary has met people from India before, so she’s not curious about them. She thinks that she knows what they’re like, but her attitude is colored by her dysfunctional upbringing and her overall negative view of life and people in general. Even though she speaks about the Indians she knew in a derogatory way, I notice that, as she and Colin begin healing, she draws on her knowledge of Indian mysticism. She didn’t like her life in India because she was unhealthy and unloved there, but it does seem to have left its mark on her.
I’m not sure whether different editions of this book have changed the parts about Mary’s racial attitudes or not, but I know that there are some simplified or abridged editions, for those who might enjoy the general story without dealing with the objectionable parts.
When the character of Maniac Magee is introduced, he is described as a legend or a tall tale. Even though he is a young boy, his origins are unusual, and people have built up stories around him. The story even admits that his personal story is part fact and part legend.
The truth is that “Maniac” is an orphan. His real name is Jeffrey Lionel Magee, and he was born a normal boy with normal parents, but his parents were killed in a trolley accident when he was only three years old. After that, he went to live with his aunt and uncle in Pennsylvania. However, his aunt and uncle had an extremely dysfunctional marriage. They didn’t believe in divorce, so they stayed married, but they lived a strange, separated life in their house. They divided their home in half so they could effectively live apart, avoiding each other most of the time. They shared Jeffrey by taking turns eating meals with him, but they never ate together as a whole family. Eventually, Jeffrey couldn’t take this weird life anymore, where his aunt and uncle never talked to each other. One day, he blew up at them at a program at his school, and he ran away.
For the next year, Jeffrey seems to have wandered around by himself. Nobody is sure exactly where he was during that year, but he eventually turned up in another town about 200 miles from where he started. He wore ragged clothes and worn-out shoes, but he greeted people with a cheery, “Hi.” One of the first people he meets is a black girl named Amanda with a suitcase, and he asks her if she’s running away. Amanda tells him that she’s not running away, just going to school. Her suitcase is full of books. Jeffrey is fascinated by the books, and he offers to carry her suitcase. Amanda thinks it’s strange that a white boy like him is in an area of town that is almost entirely black, and she asks him who he is and where he lives. Jeffrey doesn’t quite know how to answer her at first because he doesn’t really live anywhere.
He asks her why she carries so many books to school, and she explains that she has younger siblings who color all over everything and a dog who chews everything, so she feels like she has to carry her whole personal library around with her to protect it. Jeffrey begs Amanda to loan him a book. At first, she refuses because she doesn’t know if he’ll give it back, but he swears he will. After they argue about it, Amanda tosses him a book because she has to hurry off to school and can’t take time to argue anymore.
Jeffrey continues to wander around the town for several days. People begin to notice him, how he runs everywhere goes, how he’s always carrying a book, and how he shows off his sports prowess by bunting a frog during a baseball game he joins. He lives in the deer shed at the zoo and eats some of the food for the animals, although he also joins a large family at dinner one night because they’re always taking in people or inviting people to dinner, so one extra person doesn’t attract too much attention. Nobody knows what to call him, so they start thinking of him as that “maniac” and start calling him Maniac.
The bully who threw the frog at him in the baseball game gets angry because Maniac’s bunt ruined his perfect record of strikeouts, so he decides to beat up Maniac in revenge. When he and his friends chase after Maniac, Maniac runs in the direction of the invisible line that divides the town in half, into the white portion and black portion of town. Maniac doesn’t understand the division between the parts of the town, but the other kids do, and they won’t follow him across the line between their part of town and the other part of town. Maniac’s disregard of the racial separations in this town is one of the things that sets him apart from other people and accentuates his oddness. He’s not afraid to share food with a black kid, even eating over the same place where the other kid bit.
When one of the black kids fights with Maniac, trying to get the book away from him, a page is torn. Fortunately, Amanda knows immediately which of them ripped the book. Jeffrey/Maniac reassures her that they can fix the torn page, so Amanda invites Jeffrey home with her. He spends the rest of the day with Amanda and her family. In the evening, Amanda’s father offers to take him home, but Jeffrey doesn’t know how to explain that he lives the deer shed at the zoo. In the car with Amanda’s father, Jeffrey tries to pretend that he lives in a house a few blocks down the street, but Amanda’s father knows immediately that it can’t be true. Jeffrey still doesn’t understand the division in the neighborhoods in town, and the house he picked for his pretend house is in the black area of town. When Amanda’s father presses Jeffrey for an explanation, Jeffrey admits that he doesn’t have a home and explains about his past. Amanda’s father immediately takes Jeffrey back to his family’s house, and Amanda’s mother insists that Jeffrey stay with them.
For the first time in about a year, Jeffrey has a home! Jeffrey gets along well with the family and is good with Amanda’s little brother and sister. He likes reading Lyle, Lyle Crocodile to them. He doesn’t even mind taking baths with the little kids or untying their knotted shoelaces.
Maniac starts feeling at home in the black neighborhood, although he’s still regarded as an oddity. His new family calls him Jeffrey, but everyone else calls him Maniac. He is a strange kid, who turns out to be allergic to pizza and breaks out in a pepperoni-shaped rash when he eats it. He’s a very fast runner and good at sports, and he seems to have a special talent for untying knots. Because of his time spent living in a dysfunctional house where people didn’t talk to each other and his time living alone on the streets, there are many things that Jeffrey doesn’t understand about other people. He doesn’t understand social dynamics and racial issues, and it takes him some time to understand how other people look at him as well as at each other.
One day, when he’s playing with the other kids in the street, an older black man calls him “whitey” and tells him to go home, back to his “own kind.” He doesn’t believe that Maniac lives in the neighborhood. His new siblings tell the old man to go away, and the old man keeps ranting about people belonging with their “own kind” until a woman leads him away. The incident disturbs Maniac. Amanda says that the old man is a “nutty old coot” and that Jeffrey should ignore him, but the incident makes Jeffrey realize that there are some people in the neighborhood who don’t want him there. Jeffrey wants to stay with his new family, and they want him to stay, but Maniac worries that his presence is creating a problem for them. Can he find a way to truly become part of this new family he so desperately needs?
This book is a Newbery Medal winner. It’s available to borrow and read for free online through Internet Archive (multiple copies), and there is also a Literature Circle Guide for book groups and classrooms.
My Reaction and Spoilers
I remember reading this book in class when I was in elementary school. The story is interesting because it’s framed as a tall tale but about a contemporary boy. “Maniac” Magee is described as being a legendary child because of his unusual ability for untying knots and his strange allergy to pizza. No real human being can actually be allergic to pizza because pizza isn’t a single food. There are many different ways of making pizza using various combinations of common ingredients. People can be allergic to some of the ingredients in a pizza, but if they were, that wouldn’t be an allergy to pizza itself, and those people would also be allergic to other types of food containing those same ingredients. That’s not Maniac’s problem, though. He seems to be particularly allergic to just pizza by itself. Maniac does things that are impossible and inherently beyond the normal child in everything he is, even in his defects, a classic tall tale character. One of his famous feats, untying an infamous knot in the neighborhood, is like the legendary Gordian Knot. The story is dressed with humor and tall tale elements, but it has themes that are very serious and even heart-rending.
Tall tale elements aside, this is a story about racial issues and a lonely, neglected child who desperately needs a family and a place to belong. Because the story focuses on Maniac as a tall tale character, the racial issues in the story aren’t immediately obvious, although they begin entering the story as soon as Maniac finds his way to his new town and encounters the girl who will be his new sister. The one thing that Maniac really needs is a stable and loving home. He is an orphan, and he ran away from his aunt and uncle’s home because they were too dysfunctional. As a runaway, he wanders for a time, looking for a better home and people who really care about him. He eventually finds that loving home with a family of a different race. Some people might find it strange that he feels a sense of belonging with people who, on the surface, seem quite different from him, but a sense of family goes much deeper than surface appearances. Maniac himself, on the surface, is a very unusual boy compared to most boys in the world, but deep down, he’s still a kid who needs love, attention, a family, and a place to call home. His new family offers him all these things, regardless of how unusual he is, and what they look like doesn’t matter.
The opposition of some parts of the community messes up this loving home for Maniac partway through the story, and he runs away and spends time on his own again. For a time, he lives in the locker room of a baseball stadium, looked after by a groundskeeper who is an elderly, washed-up baseball player. The groundskeeper, Grayson, passes away during the course of the story, but their friendship helps Maniac to understand some things about people. Grayson was also a neglected child. His parents were drunks, and unlike Maniac, he never learned to read because his teachers never tried to teach him. He was placed in a class with kids who were considered unable to learn because they were troubled or had learned problems. Because his teachers never had any faith in his ability to learn, he never really tried. Maniac is like a grandson to him and opens his eyes to many things before his death.
After Grayson dies, Maniac returns to wandering again, believing that he is jinxed to lose any home he has and anybody he cares about. However, Maniac still cares about other people, and he discovers that other people also care about him. When he tries to introduce a tough black boy to some white boys he’s staying with, hoping to make a connection, it goes wrong, and Maniac starts to think it’s all hopeless. However, when Maniac is unable to help one of the white boys when he’s in trouble and the black boy saves him, the white boys come to see the black boy in a different light, grateful to him for saving one of them and taking care of them. The black boy also comes to look at Maniac differently. When he confronts Maniac about why he couldn’t rescue the boy, Maniac admits for the first time that he’s still haunted by the memory of how his parents died, and the situation reminded him too much of it, so he was unable to handle it. The black boy softens at seeing this human side to Maniac and the other white boys. He’s the one who brings Amanda to Maniac, and Amanda insists that he come home with her. Maniac hesitates at first because he thinks he’s jinxed, but Amanda won’t put up with any nonsense from him, and Maniac comes to realize that they really are a family and that he is really going home.
As a side note, I also remember my elementary school librarian reading Lyle, Lyle Crocodile to my class when I was in first grade. In fact, she said it was one of her favorite books, and she also read others in the series to us. I had forgotten that the book was mentioned in this story, which was published the year after I first heard Lyle, Lyle Crocodile, but it did bring back some nostalgia for me. When Maniac teaches Grayson to read because Grayson never learned when he was a kid, they find well-known picture books on the sale rack at the library, including The Story of Babar, Mike Mulligan’s Steam Shovel, and The Little Engine That Could.
The kingdom of Ingary is the land of fairy tales. There is magic, and in a family of three children, it’s always expected that the youngest of the three will be most successful. Sophie Hatter, as the oldest of three, is disappointed when she first realizes that, but she reconciles herself to her rather dull fate. She is devoted to her younger sister and half-sister, and she does her best to look after them and help prepare them for their futures.
When Sophie Hatter’s father dies, her stepmother Fanny has to decide what arrangements to make for the family’s hat shop and the three girls in the family: Sophie, her younger sister Lettie, and her half-sister Martha. Because Martha is very bright and expected to one day seek her fortune in the world, as third children generally do, Fanny arranges for her to become an apprentice to a respected witch. Lettie becomes an apprentice in a pastry shop, where she will learn a good trade and possibly meet a nice young man to marry. Sophie, as she had always expected, continues to work in the hat shop. None of the three girls are particularly excited about the arrangements, but they make the most of it. Sophie does have a talent for hat-making. In fact, she has a very unusual talent because, as she talks to the hats while she makes them, the things she predicts for the buyers come true. People become increasingly attracted to the hat shop because it seems like good things happen to people who buy hats there.
Sophie is good at working in the hat shop, but she has to admit that her life there is dull. She doesn’t really know what else she would want instead, but she feels isolated, hearing gossip from other people but not really talking to anybody herself. A visit to her sister Lettie on May Day puts Sophie’s life in perspective and calls the things that are expected of older and younger siblings into question. Sophie learns that her sisters, dissatisfied with the arrangements Fanny made for them and having ambitions other than the ones that are expected of them, have secretly switched places with each other. Lettie craves learning and adventure, so she has taken Martha’s place as the witch’s apprentice to learn magic. Martha doesn’t actually care about going out to seek her fortune at all. She doesn’t want adventure or riches. What she really wants, although she’s never admitted it before, is to marry, settle down, and have ten children. Working in the pastry shop, she has already attracted quite a following of young men, and she’s sure that she’ll find one who will love her and make her happy. Neither of them cares about fitting the tradition mold of three siblings, and they’re both concerned about Sophie’s future. Sophie has never had any particular ambitions of her own, but her sisters know that being shut up in the hat shop all the time isn’t good for her. They think Fanny is taking advantage of her because it’s Sophie’s work that’s attracting all the customers these days, and Fanny isn’t even paying her an apprentice’s wage! Apprentices like Lettie and Martha get wages at other businesses, but Sophie’s been working for free while Fanny takes all the profits. It gives Sophie a lot to think about, and she becomes convinced that she’s being exploited when she asks Fanny about wages, and Fanny puts her off. Sophie is so angry that she thinks maybe she should run away to seek her fortune, but she can’t shake the idea that eldest children can’t do that. Soon, circumstances intervene to force Sophie to be the one to go out and seek her fortune anyway.
Dangerous and mysterious things are happening in the kingdom. Rumor has it that the evil Witch of the Waste has threatened the king’s daughter and that the king’s personal wizard, Suliman, has vanished after going to deal with her. People think that the Witch of the Waste probably killed him. The king’ brother, Prince Justin, also went in search of Suliman and disappeared.
One day, the Witch of the Waste pays a visit to Sophie’s hat shop. Mistaking Sophie for one of her sisters, the witch curses Sophie, turning her into an old woman. Unable to explain to anyone what has happened (which is part of the curse), Sophie makes the decision to leave the hat shop, finding a new job as housekeeper to the mysterious wizard Howl, a sinister figure himself. Little is known about Howl, although he is known to live in a strange castle that moves from place to place, apparently of its own accord, and he has a reputation for breaking women’s hearts.
Howl is even stranger although somewhat less sinister when Sophie gets to know him. He allows Sophie to stay in his castle, not so much by requesting her to stay but by not telling her to leave, much like he did with his apprentice Michael, an orphan who came to live with him and gradually became his apprentice when Howl decided not to send him away. Howl is vain (using makeup and hair dye to make himself more handsome), immature, and somewhat cowardly, but he is still a powerful wizard and can accomplish great things when he makes up his mind that he wants to (or finds himself unable to refuse). He doesn’t real steal girl’s souls, as some of the rumors about him say, but he is definitely a flirt and a womanizer, who drops girls as soon as they fall in love with him because he likes pursuing them but is afraid of commitment. In fact, he even has Michael spread scandalous rumors about him in the towns where they do business so people will be more reluctant to try to get him to commit to anything or anybody.
Howl has other problems aside from his immaturity and fear of commitment. Calcifer, the mysterious fire demon that powers the moving castle, hints as much to Sophie. He hopes that Sophie will be able to help, although he, too, is unable to explain the reason why for magical reasons. Howl is not an ordinary person, but a traveler from another dimension, from a strange country called Wales, the same place where the king’s wizard, Suliman, was from. In Suliman’s absence and against Howl’s will, the king recruits Howl to be the new royal wizard, to find the missing Suliman and Prince Justin, and to deal with the Witch of the Waste.
Sophie struggles to convince/cajole/force/help Howl to save the kingdom and to learn the secret curse that Howl himself is living under even while suffering from her own curse. Surprisingly, it seems that Sophie is the key to breaking not only Howl’s curse but her own.
The book is available to borrow and read for free online through Internet Archive (multiple copies). It’s the first book in a loose series. Many people these days are familiar with the story because it was made into a Miyazaki movie, although the movie was very different from the book in a number of ways.
My Reaction and Spoilers
I first read this book when I was in high school, years before the movie version was made. In a way, the book is party mystery or puzzle as well as fantasy. Calcifer and Howl have a problem that they can’t talk about because of the magic around it. Only one rumor about Howl is true: Howl is literally heartless. But, Calcifer has a heart. It takes a long time for Sophie to make the connection and to realize what Calcifer actually is and what Howl did. Howl made a sacrifice years before that has left both Howl and Calcifer in a precarious position. The clues to Howl’s past and the arrangement between him and Calcifer are in a poem by John Donne that turns out to be part of Howl’s nephew’s school assignment. The Witch of the Waste, who turns out to be one of Howl’s former, discarded conquests, knows Howl’s secret and is trying to use it to get revenge on Howl.
Although the movie version is very good, and I enjoyed watching it, it is very different from the original book. The beginning part of the movie, where Sophie is working in the hat shop and cursed by the Witch of the Waste before going to work for Howl is very similar to the original book. However, the major problem of the war in the movie never happened in the book. War is a common theme in Miyazaki movies, but there’s nothing in the book about wizards making themselves into weapons of war. Instead, the main problems of the book are about lifting Sophie’s curse, figuring out what the secret contract between Howl and Calcifer is, evading the wrath of the Witch of the Waste, and finding the missing Suliman and Price Justin. The movie addresses the arrangement between Howl and Calicifer, but it doesn’t fully cover any of the rest of it. There are some characters and plot lines from the book which were combined or reduced in the movie in favor of the war plot, which I found less interesting because it has less intrigue. In the movie, the Witch of the Waste is tamed and redeemed as a character, but in the book, she really is evil and is never redeemed.
There’s also nothing in the movie about Howl being from Wales in our world and the land where he lives being a different dimension, but that’s a major part of Howl’s character in the book. In the book, Sophie even visits Wales with Howl and meets his family. His sister thinks that Howl, known as Howell Jenkins in his native Wales, is a wastrel, who hasn’t made anything of himself in spite of his college education. She’s only partly right. What she doesn’t know is that Howl started learning about magic at university, which is how he found out how to travel to other dimensions and make himself into a wizard. In spite of his immaturity and attempts to avoid certain types of service, he is actually very skilled and powerful. Howl can’t tell his sister the truth, so he just lets her think that he’s a wastrel.
Sophie finds Wales strange and mysterious. She is terrified when Howl takes her and Michael for a ride in his car. One of my favorite parts is when Howl needs to talk to his nephew about the poem he was assigned at school, but he doesn’t want to talk to Howl because he’s playing a computer game with a friend. Sophie and Michael don’t understand computers or that the boys are playing a game, so when the friend says that he can’t stop to talk or he’ll lose his life, they think that the boy’s life is really in danger. They almost panic when Howl pulls the plug on the computer to get his nephew’s attention, totally unworried about his nephew possibly dying. That’s one of the reasons why I prefer the book to the movie. Many of the humorous little moments like this are lost in the movie, although the movie did keep the episode where Howl has a temper tantrum and fills the house with green slime.
There are also intricacies of the plot that aren’t explained in the movie. The one I mind the most is that the movie doesn’t fully explain how the curse on Sophie works or how it gets broken, either. The book provided more information, which helps Sophie fully appreciate who she really is. As Calcifer realized soon after meeting Sophie, removing the curse on Sophie is complicated because it has two layers. Howl even admits later that he’s been quietly trying to remove Sophie’s curse himself, but he was never successful because Sophie was actually maintaining the curse herself. The first layer was what the Witch of the Waste did to her, but Sophie herself has magical powers that she has been unconsciously using throughout the book. The reason why good things kept happening to the people who bought her hats was that she was unconsciously casting spells on the hats when she talked to them while making them. The second layer of the spell on Sophie herself was her unconsciously reinforcing her sense of being old through all of the negative things she’d been telling herself about being the eldest child in her family. Sophie’s power typically manifests in the things she tells to people and things, and she’s been telling herself all the wrong things.
Because of all of the tales about how the youngest children are the ones who successfully go out to seek their fortune, Sophie has felt relegated to just being the eldest, helping other people, and not really thinking about what she wants for herself. Even as a young woman, she acted and felt old before her time because she didn’t have any confidence in herself or anything to look forward to in her future. Her sisters even worried about her for not having enough self-respect, no ambitions or dreams of her own, or ability to stand up for herself. Because she never expected to do much of anything with her life or any belief that she might have talents of her own, she and everyone else completely overlooked all of the magic that she’s been instinctively doing. When Sophie discovers that her sisters have switched places and learns about their real life ambitions, she is stunned to realize that she has badly misunderstood both of them for most of their lives, also making assumptions about them based on their birth order. She has also misjudged or underestimated other people, but the person she’s misjudged and underestimated is herself. Howl is the one who tells her that there’s nothing wrong with her being the eldest sister; the times when she gets things wrong have been when she acts without fully thinking things through. Part of the key to breaking her curse is to get rid of the negative feelings she’s had about herself and her ability and to see herself for who she really is: a person with powerful talents and a right to want things and achieve things for herself and her future. Once she sheds her doubts about herself and her abilities and stops thinking of herself as just the eldest and doomed to fail, she realizes how she can use her powers to save Calcifer and Howl, and Calcifer lifts the rest of her curse.
I couldn’t find a copy with its dust jacket intact.
Jessamy is a British orphan who is being raised by her two aunts, Millicent and Maggie. The two aunts aren’t really raising her together, though. Jessamy lives with Aunt Millicent during the school year, and she goes to stay with Aunt Maggie during school holidays. Truth be told, Aunt Millicent (her mother’s sister) and Aunt Maggie (her father’s sister) don’t really like each other, and they have different priorities and goals for Jessamy’s future. Aunt Millicent is doing her best to help Jessamy be pretty and popular, making sure that she wears a retainer to straighten her teeth and only allowing her to associate with “nice” children (apparently meaning ones from “good” families in the sense of social connections, who mostly don’t like Jessamy – Jessamy is usually not allowed to play with the children she actually likes and who like her). On the other hand, Aunt Maggie doesn’t care about beauty or popularity and just wants Jessamy to be well-behaved. Jessamy is confident that she is disappointing both of her aunts in all of these qualities. Her aunts are fond of her, but they are also occupied with their own lives. Aunt Millicent has her work, and Aunt Maggie has two children of her own, so Jessamy really has only half of their attention at any particular time.
However, Jessamy’s usual bouncing between her aunts is interrupted one summer when Aunt Maggie’s children, Jessamy’s older cousins Muriel and Edgar, catch whooping cough. Jessamy hasn’t had whooping cough herself, so she wouldn’t have any immunity. Rather than bring Jessamy into the household and have her end up sick, too, Aunt Maggie realizes that she has to find another place for her to stay until the other children are better. Jessamy can’t go back to Aunt Millicent because Aunt Millicent is leaving on a business trip, so Aunt Maggie arranges for Jessamy to stay with Miss Brindle, who is the caretaker of a large old house known to locals as Posset Place.
Miss Brindle is an older woman and is not used to spending time with children. Although Jessamy doesn’t really get along with her cousins, she isn’t sure if she’s going to like staying with Miss Brindle. However, Miss Brindle isn’t bad. She isn’t fond of Muriel or Edgar, either, and she says right up front that she’s glad that Jessamy seems different from her cousins. She also says that she’s going to treat Jessamy like an adult because she doesn’t know much about children, which suits Jessamy fine.
Miss Brindle tells Jessamy a little about the history of the old house. Posset Place was built in 1885 by a man named Nathaniel Parkinson, who made his money from producing a cough syrup called Parkinson’s Expectorant Posset. The house is largely empty now, except for the housekeeper’s quarters, where Miss Brindle now lives. Miss Brindle spends her time making sure the rooms are kept clean and well-aired.
Miss Brindle lets Jessamy explore the house a little before supper, and in particular, Jessamy is fascinated by the empty nursery. She finds herself imagining the children who used to live there and the toys and books the nursery once held. Then, she notices markings on the wall where the children’s heights were recorded, and she sees that one of the children was also named Jessamy. She tries to ask Miss Brindle about it, but Miss Brindle isn’t aware that there were any names written on the nursery wall.
During the night, Jessamy wakes up, still thinking about seeing her own name written on the wall of the nursery. She could have been mistaken, but it bothers her to the point where she feels like she has to go look at it again. Taking her flashlight, she goes upstairs again to look at the names. However, this time, the nursery is not empty, like it was before. There are clothes hanging on the wooden pegs on the wall and a line of shoes on the floor. When she checks the old measuring marks, she sees that there are fewer marks than she remembered before, but one of the names is definitely Jessamy, and the year next to that name is 1914. Jessamy lives in 1966 (contemporary with when the book was written), but the day in 1914 is the same day that she came to stay with Miss Brindle – July 23rd.
Then, to Jessamy’s surprise, she suddenly realizes that she is holding a lit candle instead of her flashlight. At first, Jessamy thinks that she must be dreaming, but then, an angry young woman comes and tells her that she should be in bed because she’s ill, not running around with a candle. The woman threatens to tell her aunt about this. When the woman lights her lamp, Jessamy sees that the nursery is now fully furnished.
It seems that Jessamy has gone back in time to 1914 and has been mistaken for the Jessamy who lived in the house in the past. The woman, who is Miss Matchett, the parlor maid, says that the other children named in the height markings – Marcus, Fanny, and Kitto – are all asleep and that it’s nearly midnight. The Jessamy of the past is the niece of the cook-housekeeper, which is why she is allowed to be with the children of the house. Jessamy’s head hurts, and she realizes that there is suddenly a bandage around it. Miss Matchett says that she fell out of a mulberry tree.
Jessamy realizes that the housemaid is only awake at this late hour and fully dressed because she had just returned from slipping out of the house secretly. When she points it out, Miss Matchett admits that she sneaked out to see her gentleman friend, and she says that if Jessamy doesn’t tell on her for doing that, she won’t tell her aunt that she was out of bed. Jessamy agrees, and Miss Matchett leads her back to her bed in the housekeeper’s quarters.
When Jessamy wakes up in the morning, she expects to find that everything that happened in the nursery during the night was a dream, but it isn’t. The room is the same one Miss Brindle gave her in the housekeeper’s quarters, but the bed and furnishings of the room are different. Jessamy is woken by a woman she’s never met before, not Miss Brindle.
This woman is the past Jessamy’s aunt, who tells her that she has had approval to stay on as the cook-housekeeper for the Parkinson family with Jessamy living with her. Not every household would accept a housekeeper with a young niece to raise, but as Nathaniel Parkinson himself says, the Parkinsons are not an ordinary family. Nathaniel Parkinson is a self-made man, from a humble background in spite of his current fortune, so he doesn’t put on airs, like other men of his current class. His granddaughter, Miss Cecily, at first disapproves of Jessamy, thinking that she might be too “common” (like the friends Jessamy’s Aunt Millicent disapproves of) and that she might not be a good influence on the children of the house, her younger siblings, who she is helping to raise. However, past Jessamy’s aunt defends her, and Nathaniel Parkinson says that she might actually be good for other children. He thinks Fanny has been acting too fine, and Kit could use the company of another child his age.
Jessamy is happy when she learns that past Jessamy has made friends with the Parkinson children and has really become part of the household. She is told that Fanny still thinks of her as being just the niece of a servant, but Kit (aka Kitto) is her special friend. Jessamy also likes this 1914 aunt better than her 1966 aunts because she seems nicer and more her kind of person. The realization that this is not a dream but that she has really traveled back in time is worrying, but Jessamy tells herself that she will somehow find her way back to her own time and that she should enjoy 1914 as much as she can while she can.
From the housemaid, Sarah, Jessamy learns that the Parkinson children live with their grandfather because their parents were killed in a carriage accident. Miss Cecily, the oldest girl in the family, takes care of her younger siblings and tries to manage the household while her oldest brother is away at Oxford. Miss Cecily is still learning about the running of a household, so past Jessamy’s aunt, Mrs. Rumbold, has to help her.
Jessamy also learns that she fell out of a tree house that she and Kit built together and that Fanny, who was also in the tree house at the time, was particularly upset by her accident. Fanny confesses to Jessamy that the reason she fell was because she pushed her. She hadn’t meant to push her out of the tree house or for her to fall, but the two of them were having an argument at the time. Fanny felt guilty about her getting hurt, but she’s still angry that Jessamy will be staying on at the house. She thinks that her grandfather and older sister decided to let her and her aunt stay partly because they felt badly about her getting hurt. Although Fanny is grateful that Jessamy didn’t tell on her for causing her accident, she still isn’t happy that Jessamy will be living with them. Fanny does put on airs, but she openly admits that she does it because everyone seems to be against her. Girls at school teasingly cough around her all the time because her grandfather made his money with his cough syrup, and since Jesssamy came, she feels like her brothers always side with Jessamy instead of her. Fanny has been in trouble before for bad behavior, and her brothers know that their grandfather has said if she does it again, he’ll send her to boarding school. Jessamy thinks that the idea of boarding school sounds exciting, but her brothers say that Fanny would hate it.
In spite of the drama with Fanny, Jessamy enjoys her time in 1914 and the other people there. She has the feeling that something important happened in 1914, and she remembers what it was when Nathaniel Parkinson and Kit talk about the possibility of war with Germany. Jessamy realizes that the coming war is going to be World War I and that it is going to start soon. Harry, the oldest boy in the Parkinson family, is back from Oxford, and he talks about how exciting it would be to be a soldier if there is a war, but Nathaniel Parkinson isn’t excited, understanding more about the nature of war than his grandchildren. Harry’s grandfather wants him to finish college, but Harry is in debt and wants to take his future into his own hands. Harry runs away, and at the same time, a valuable antique book belonging to his grandfather disappears. Jessamy doesn’t like to think that the pleasant young man stole his grandfather’s book, but what other explanation is there?
Just when Jessamy is getting caught up in the events in the Parkinson household and is concerned about the future of the past Jessamy and her aunt, Jessamy finds herself once again in 1966. Is it still possible for her to return to 1914 or learn what happened to the people she’s grown so fond of? Jessamy also begins to wonder who is the current owner of this old house and Mrs. Brindle’s employer? Learning the answers to those questions also explains a few things about Jessamy’s own family and past and gives her the one thing she really wants most.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction and Spoilers
This story is a combination of fantasy and mystery, a combination that I always like. In some ways, this story reminds me of Charlotte Sometimes because the time switching takes place between similar eras, but there are some notable differences between the two books. Charlotte Sometimes took place at a boarding school, and Charlotte went back in time to the end of WWI, not the beginning. There was also no mystery plot in Charlotte Sometimes beyond Charlotte trying to figure out how and why she is switching places with a girl in the past. Also, in Charlotte Sometimes, it isn’t clear whether Charlotte influenced or changed anything in the past, but Jessamy definitely does. The modern Jessamy had to be the one to solve the mystery because she has access to information that the past Jessamy didn’t have.
In the past, Jessamy begins investigating the mysterious theft of the valuable book. Although she knows that Harry isn’t the type to steal from his grandfather, it takes a second visit back in time for her to discover who the real thief is and to clear Harry’s name. Unfortunately, she is unable to actually find the stolen book in the past to return it to its first owner. It is through a new friend that she makes in 1966 that she learns what really happened to the book and is able to return it to the current owner of the house … an old friend of hers from 1914.
Along the way, Jessamy also learns a few things about the history of her own family. She realizes at the beginning of the story that Jessamy is an unusual name, which is why she is surprised that the girl in the past is also called Jessamy. It turns out that Jessamy is a name that is passed down through her family. She is not a direct descendant of the past Jessamy, as I first suspected, but the past Jessamy is a relative of hers. She also comes to understand that her family used to be more grand, but during the past, they fell on hard times. This is also important to the story because class differences figure into the plot.
Everyone in 1914 is concerned about class differences, but in different ways. Nathaniel Parkinson is actually the least concerned with class because he has actually shifted to a higher class during his lifetime, making him aware that people from different classes are really just people, only in different circumstances. His granddaughters are more class conscious, although both of them also soften on that after getting to know Jessamy better. Even the servants are also class conscious, with some of the servants putting on airs because they’re above other types of servants.
Something that surprised me in the story is the realization, toward the end of the book, that class differences are partly the reason why Aunt Millicent and Aunt Maggie don’t get along. Aunt Millicent’s efforts to make Jessamy more pretty and popular and have her be friends with certain people are social-climbing efforts, partly because Aunt Millicent is aware of their family’s past and wants the family to climb up from their humbled circumstances. Aunt Maggie’s disapproval of Aunt Millicent seems to come somewhat from her disapproval of Millicent’s efforts at social-climbing or trying to act like she’s more grand than she actually is. It isn’t stated explicitly, but it is heavily implied. We don’t meet Millicent in the book, but from her description, I suspect that she disapproves of Aunt Maggie because she thinks of her as being too “common.” From the characters’ descriptions of Maggie’s children, it seems like people who don’t like them think of them as being “common” or uncreative, indicating that this branch of Jessamy’s family is rather prosaic, being typical in a rather dull way.
The objective reality is probably that Jessamy’s two aunts are not very far apart in their social status, but they have different attitudes toward their social status. Aunt Maggie doesn’t care much about it. She fits in well where she is, she doesn’t care about moving up in society, and she just focuses on the children behaving well within their social status. Aunt Millicent, however, has a high opinion of who she is and where the family ought to be in society, and she is focused on moving up. Jessamy doesn’t really fit with either of her aunts’ philosophies of life. What she really wants is the chance to make real friends and fit in somewhere with people who like her and who like the sort of things she likes. She gets the opportunity at the end of the story when the current owner of the old house becomes her benefactor and arranges for her to attend boarding school, which she has said is something that she’s always wanted to do. At boarding school, Jessamy will be out from under the direct supervision of both of her aunts and will have the opportunity to develop independently and make new friends who suit her, rather than her aunts.
Even Fanny finds boarding school beneficial. We don’t know exactly how her life ended up in the 1960s, but when Fanny realizes that she’s caused problems for the past Jessamy in more ways than one and that she needs to admit the truth to her grandfather and older sister, her character develops for the better. She begins to develop empathy and compassion for the past Jessamy, looking beyond feeling sorry for herself to feeling something for another person she has directly harmed, and she reforms her character. She accepts the consequences for her actions, even though she was afraid to do so before, and it leads her to better things because the consequences are not as bad as she thought and actually help her. Although she was initially afraid of being sent away from her family, when her grandfather decides that she needs the discipline and sends her to boarding school, she discovers that she actually likes it. Going to boarding school allows her to get away from the girls who were bullying her at her local school and make new friends, and she develops some self-confidence from the experience, turning into a young lady who helps her older sister in her volunteer work for the war effort.
One final thought I had is that every time I’ve ever read a book with a sickness like whooping cough in it, I feel like it really dates the book. I know this book does have a specific date by design, and I know people still catch whooping cough in the 21st century if they haven’t been vaccinated (get your tetanus shot – in the US, the tetanus shot includes the whooping cough vaccine), but to me, this type of illness feels like a time travel back to my parents’ youths by itself. My parents and their siblings had whooping cough when they were young, but I’m almost 40 years old and have never seen a case of it myself.
Jestress's Forgotten Books and Stories 