Posted on by TracyC

The Key to the Indian

The Key to the Indian by Lynne Reid Banks, 1998.

This is the final book in the Indian in the Cupboard series. At the end of the previous book, Omri’s father learned the secret of Omri’s special cupboard and key, that it brings small plastic figures to life.

At the beginning of this book, Omri’s father suddenly announces to his family that he wants to take them on a camping trip. It seems like an impulsive decision because this isn’t something that the family usually does, and Omri figures that it must have something to do with the secret that the father and son now share concerning their small friends from the past.

After Omri’s father discovered his secret, the two of them had a serious talk, and Omri explained to him all about his past adventures and the very real consequences that they’ve had, both in the present and in the past. They need to consider carefully what they’re going to do because Little Bear has asked them for help with some trouble that his tribe in the past is having with the British. Knowing the history of the interactions between Europeans and Native Americans, both Omri and his father know that something serious is about to happen to Little Bear and his people, but how can they help? Omri explains to his father that they have the ability to go back into the past themselves, but in order to do that, they need to find something big enough to hold both of them, and someone else would have to turn the key for them to send them and bring them back.

Omri’s father later admits to him privately that he thought up the camping trip as a way for the two of them to disappear for a couple of days without anyone asking questions. Although he proposed the camping trip, he plans to arrange for him and Omri to have a private trip by themselves, discouraging the others from going along. Omri’s father also thinks that he’s figured out what they can use to send themselves back in time – the family car. It’s big enough to hold both of them, it locks with a key, and there’s even an LB in the license plate number, which they take as a hopeful sign. But then, Omri realizes that there’s a problem with that scheme. Even though the car locks with a key, it’s not the kind of lock that an old-fashioned skeleton key could open. They need a key with a different shape, something flatter. They decide that they need the help of Jessica Charlotte, who made the last key. Fortunately, Omri has a way to talk to her because he has the plastic figure of Jessica Charlotte.

When Omri brings Jessica Charlotte back, he finds that she has attempted to drown herself in a river (an event hinted at in the last book) because of her guilt at accidentally causing her sister’s husband’s death. Omri brings back a WWII Matron who has helped them before to treat Jessica Charlotte. When Jessica Charlotte recovers, she thinks at first that she must have died and that Omri is part of her afterlife. Omri assures her that it’s not the case, that she’s still alive. She is still lamenting over having caused Matt’s death and ruined her sister and niece’s lives, but Omri explains to her that he’s Lottie’s grandson. Jessica Charlotte feels better, hearing that Lottie grew up, married, and had children, so her life wasn’t completely ruined. Omri can’t bring himself to explain how Lottie was killed in a bombing during WWII, but he asks for her help to create a new key. Aunt Jessie, as she asks to be called, agrees to help Omri, and he and his father give her their car key to duplicate.

However, when Aunt Jessie returns with the key, they realize that they’ve miscalculated. When a person comes from the past with anything they make or bring with them, it’s always small, like the miniature people themselves. Aunt Jessie’s key is a duplicate of the key they gave her, but it’s small, too small to use in the car. Omri and his father aren’t sure how to get around this problem, so they decide to go on the camping trip with Omri’s brother Gillon, just camping like normal, while they think it over.

It turns out that something magic happened to the car key while it was in the past with Aunt Jessie. When Omri’s father turns the key in the car, Omri suddenly finds himself in the past, but not the past he was hoping to visit. Because they brought some things that belonged to his Great-Grandfather Matt with them on the camping trip, Omri suddenly finds himself in India, during the time that Matt was living there. Omri is inside a puppet in a marketplace, and his great-grandfather buys him. Also, to Omri’s shock, Gillon is also inside a puppet that his grandfather has.

Their mother eventually rescues them by opening the car and turning the key. She was alarmed because it seemed like her husband and sons all passed out in the car. Omri and his father don’t have a real explanation for her, not wanting to explain that the car key is now magic. (She decides that there must have been an exhaust leak, and they were all overcome by fumes.) Gillon was knocked unconscious when his puppet was dropped on its head, and his mother takes him to the hospital, using her spare car key. (When Gillon recovers, he thinks it was just a weird dream he had because of the car fumes.) Meanwhile, Omri and his father talk about the situation, and Omri’s father reveals that, while the boys were taken to India, he ended up in Little Bear’s time because he was carrying some wampum belonging to Little Bear.

So, know they know that it’s possible for them to use their car key to go back in time, but if they try it a second time, who will turn the key for them to bring them back at the appropriate time? The only other person who can come with them on their “camping trip” who knows their secret and can be trusted to help them is Omri’s friend, Patrick. However, Patrick isn’t happy that he’s only there to help Omri and his father go back in time and that he won’t be going himself. He does agree to help them, but unfortunately, he has plans of his own while Omri and his father are occupied elsewhere.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction:

Although Omri’s father wonders at first whether it’s a good idea to try to help Little Bear because of the risk of changing the past and affecting the future, Omri has learned that it’s not quite as simple as that. During his previous adventures, he has felt an irresistible pull to use the cupboard and the key, even when he wasn’t always sure it was a good idea, and there are indications that Omri’s interactions with people in other time periods seem fated to happen. He did save Jessica Charlotte’s life when she tried to drown herself, and other things Omri has done seem to fit with wider events.

When Omri and his father are figuring out how to help Little Bear with his problems with the British in his time, they do some research about Little Bear’s time and talk about the ways that 18th century British people treated Native Americans. Knowing what Little Bear is likely to face, they feel like they have a responsibility to help him as best they can. When Little Bear explains in more detail what his people have been suffering at the hands of the British and other settlers, Omri feels guilty, knowing that he’s also British, while at the same time knowing that he was not responsible for things that happened before he was born. This is something that people still struggle with today, hearing about difficult periods of history and knowing that their ancestors (or at least other members of their society, if not literally their direct ancestors) played a role in making life difficult for others, setting up situations where real people suffered or were killed. The best Omri can do is to help Little Bear make the best possible decisions to ensure the survival of his people. Of course, being able to help with that much is part of the time traveling fantasy of this story. Real people can’t actually go back in time and intervene to influence others and change the course of history.

The books in this series aren’t for young children, and as the series progresses, they get more serious in subject matter. There is discussion of suicide, not just with Jessica Charlotte’s attempt to drown herself but when Little Bear explains that his first wife killed herself after being raped by white men. There is violence in the story when the Native American village is attacked and people are shot. Overall, the story is pretty straight-forward in the way in confronts the dark sides of history. Omri and his father advise Little Bear to take his clan to a place where they know that they will be relatively safe and among other Iroquois, but they know and admit to Little Bear that even that won’t solve all of their problems and that there will be other hardships in the future. It’s an imperfect solution to a massive problem, but Omri senses that it is best choice that they could make and that Little Bear and his family will live the safest possible life because of the decision they made, and their descendants will survive.

Omri and his father struggle with knowing that things are going to be hard for Little Bear’s people no matter what choices they make. There is no magical solution to everyone’s problems in the story, and the book doesn’t offer a firm moral or solution to Omri’s guilty feelings when he sees firsthand how badly Native Americans were treated (a form of “white guilt“, although the book doesn’t use that term). Overall, I would say that the book confronts the dark parts of history and human guilt on a very individual level. Omri and his father can’t solve the large issues completely because they can’t control them. They can’t control the past, and they can’t control other people, not even the people who come through the cupboard as miniature ones, like living toys. Everyone is an individual with their own choices to make, and every choice, even the wrong ones, changes the course of history.

After Omri saves Jessica Charlotte’s life, she realizes that what she thought was a dream before she stole her sister’s earrings was real, that she saw and spoke to Omri, and that he could have warned her about what would happen if she went through with her theft, how Matt would have died and how everyone’s lives would be changed for the worse. However, Omri did choose not to warn her because not everything was changed for the worse. After Lottie’s father died and her family lost their money, Lottie still grew up, fell in love, got married, and had a daughter. It’s true that she did die young in World War II, while her daughter was still an infant, and changing the theft of the earrings might have changed that in some way, but not without changing other things. Omri has discovered that changing things about the past, even seemingly small things, can change larger parts of history, and his psychic gift seems to guide him toward making only choices that help the flow of history instead of working against it. If he had prevented the theft of the earrings, his great-grandfather might have lived longer and so might Lottie, but if that happened, would Lottie have ever met the man she eventually married and had Omri’s mother? Omri’s father wouldn’t be happy without his wife and sons, and if Omri never existed, would some of the other things he did that impacted history have happened? Also, if Lottie hadn’t died in the bombing during WWII, would someone else have been where she happened to be and died in her place? The bomb that killed her would have fallen anyway because that was part of someone else’s choices, a person who never enters this story and whose decisions can’t be controlled. Time and history and the ripple effects caused by individual choices are complex. Omri has his psychic gift to guide him, and even his father, who admits that he never used to believe anything he couldn’t see for himself, comes to trust it.

People without this sort of magical gift have only themselves to rely on to make the best choices they can to make the world as good as possible, even in the face of others’ bad decisions. I think that a large part of the choices that Omri makes in the story and dealing with “white guilt” in real life come down to the combination of frustration and the acceptance of choices made by other people who can’t be controlled. Modern people might hate what happened in the past and feel badly if people related to them were part of it, but we don’t have the option to change things that have already happened. There comes a point where you have to accept the knowledge that you can’t control others, no matter how much you might want to make better choices on their behalf. The only person you can control is yourself.

I’m a white person, descended from colonial settlers in America, and I don’t actually see “white guilt” as a negative thing. I see it as a human thing. If you can feel real emotion at someone else’s plight, a wish that bad things didn’t really happen, or a feeling that what happened shouldn’t have happened and an honest desire to change even the unchangeable past for the better, it means that you’re a real, thinking, feeling human being with a sense of right and wrong, and there’s nothing bad about that at all. Feelings are just tools, to give us hints of what we need to do or how we need to behave in our lives. Feelings aren’t always completely accurate, but sometimes, they give us hints of things that need to be fixed or clues that whatever we did before didn’t really work, that we made the wrong choice or did the wrong thing. I think what upsets and confuses other white people about “white guilt” is the conflict between loving ancestors and wanting to be proud of them and admitting that some of them had a real dark side and did some pretty awful things. Some people have trouble dealing with that, thinking that it’s impossible to feel two things at once, loving someone and being angry with them for things that they’ve done, but it really is possible. Two things can be true at once, and you can have mixed feelings about many things.

Feelings are complex, as complex as people are, and I think it’s as possible for a person to both like and hate another person for the things they’ve done as it is to both like a sweater for the way it looks but not want to wear it because it’s itchy and uncomfortable. I think that’s about the best advice that I can actually offer to other white people trying to make sense of that feeling. Sure, that sweater looks pretty impressive. It has a nice color and a cheerful pattern, and you might think it would look impressive on you if you wore it, but honestly, it’s better if you just leave it on the mannequin. It’s overpriced, out of style, and won’t look at all impressive when it makes you constantly want to scratch all of the places where it itches. Let it go.

“God, grant me the serenity to accept the things I cannot change,
courage to change the things I can,
and wisdom to know the difference.”

The Serenity Prayer

The frustrating thing about feelings about the past and about other people’s lives is that we can’t fix those particular things. In real life, we can’t go back in time, and we can’t even “fix” other people in our own time because that’s something they have to do themselves, if they’re going to do it. You can suggest things to other people, but there’s always a point where they have to make the decisions themselves. But, the good news is that, if you can’t control other people, nobody can completely control you! The way I see it, the most useful thing about this “white guilt” is remembering that this is something we don’t want. Maybe there’s something charming about the rosy, nostalgic view of the past, but honestly, you wouldn’t be happy living there, and if you actually had to live with your ancestors, you’d probably discover that you wouldn’t see eye-to-eye on a lot of things and maybe wouldn’t even get along at all. So, why would you want to try to carry their old baggage with you into your life and spend your life and your precious time constantly trying to explain or excuse their bad choices? You’ve got your own to life.

Give credit where credit is due for both the good and the bad things, and let our ancestors’ records speak for themselves. You won’t accomplish anything for twisting your feelings into knots for trying to protect the feelings of the dead and justify their actions. They don’t even feel anything anymore. They are dead. Let them rest. We don’t want to add to bad things that have been done in the past and to keep having things in our lives to feel guilty about, and that’s okay because there are new choices to be made every single day. Put your focus there. You have a present to live and a future to plan. Knowing about the past is interesting and informative, but the past isn’t where we really live. Admire it like a nice sweater on a mannequin, take note of the price tag, and move on. We don’t have to make the same old choices that have made people, including ourselves, unhappy just because that’s the way things have been before or because we feel like we have something to prove about our ancestors. They had their chance to make the choices in their time, for good or bad (and frequently, some of each, but you can’t help that), and now, it’s our turn to make the choices because this is our time.

Speaking of bad decisions, Patrick almost gets Boone and Ruby killed because of his recklessness when he brings them back while Omri and his father were with Little Bear, which he did just because he was bored and felt left out of their magical adventure, which wasn’t really pleasant and fun for them anyway. Boone and Ruby both make it clear how they feel about that, and Omri also makes it clear that this is the end of the magic for him and Patrick. Boone and Little Bear have their own lives to live, and Omri’s gift tells him that it’s time to let them get on with living their lives without interference. Omri still has the cupboard and the key, but he no longer feels the pull he felt before to use them because he has played his part in history and in the lives of his little friends, and there is nothing more he needs to do. He doesn’t feel the need to lock these things away as he did before because he already knows that he will never feel the urge to use them again. When something’s over and the moment has passed, you just know.

Before the end of the story, Omri’s mother admits to him that she knows all about the little figures and that the cupboard brought them to life, although she never actually saw any of them herself. She has also inherited the family gift and is aware of what the cupboard does, even though she has not used it herself. All along, she’s been pretending that she didn’t know what was going on, although she really did. She’s a little sorry that she didn’t see the little people herself, but she knew that not interfering was the right thing to do. She thinks that letting the magic go and not using the cupboard again are the right decisions, and she doesn’t want Omri or his father to tell Omri’s bothers about the magic because, if they do, it will never end, and it’s really time for it to all end. This really is the final book in the series.

Posted on by TracyC · 2 Comments

Shadow in Hawthorn Bay

Shadow in Hawthorn Bay by Janet Lunn, 1986.

Mary (or “Mairi,” they spell it both ways) Urquhart and her cousin Duncan had always loved each other.  They were always close as children, feeling more like two parts of one person than separate people, and they always imagined that they would spend the rest of their lives together.  Then, Duncan’s parents, Mary’s Uncle Davie and Aunt Jean, decided that they wanted to travel to Canada, while Mary and her parents stayed at home in the Scottish Highlands.  Duncan hadn’t really wanted to go.  He was only eleven, and he promised Mary that when he was older, he would work hard to earn enough money to come back.  However, Duncan never came.  He only sent Mary a brief letter about the dark forest where he now lives.  Mary feels like the Duncan she knew is gone forever.

Four years later, in 1815, when Mary is fifteen, she has a strange feeling, like Duncan is calling to her from across the ocean.  All of her life, Mary has had a strange gift for seeing into the future or reading others’ minds.  The “gift of two sights,” people call it, but Mary doesn’t feel like it’s a gift.  It makes her uneasy, and she can’t control it.  She hears Duncan’s calls to her through her “gift,” but she is afraid because she doesn’t want to leave Scotland.  She wants Duncan to come to her.

However, she is unable to resist Duncan’s calls.  She asks her parents for help with money for her passage to Canada, but they tell her that she is wasting her time and that, even if they sold their family’s most precious heirloom to give her the money, there would not be enough for the return journey.  A family friend gives her the money instead, and although Mary doesn’t really want to accept it and doesn’t really want to go, she can’t help herself.

The journey to Canada is miserable, and when she finally arrives at the place where her aunt and uncle live, alone and without money, she learns something which she thought she had sensed during the journey: Duncan is dead.  Duncan committed suicide while Mary was still on the ship to Canada.  Mary has arrived too late.  To make matters worse, one of the family’s neighbors, Luke Anderson, tells her that her aunt and uncle gave up the idea of farming in Canada and have already begun the journey back to Scotland.  Mary has no money to follow them, and they have no idea that she’s now in Canada, alone.

Luke takes Mary to Mrs. Colliver, who tells Mary a little about her family and their life in Canada and why they decided to leave.  Mary is devastated by the loss of Duncan and tries to tell Mrs. Colliver about how she felt that Duncan had been calling out to her, but Mrs. Colliver tells her that she doesn’t believe in ghosts or things like that.  Although Mary knows that her “gift” is real and so are spirits, she learns that others in the community share Mrs. Colliver’s no-nonsense, disbelieving attitude toward such things.  Mary, in her despair, wants to rush straight back to Scotland, but Mrs. Colliver, with her practicality, points out that Mary can’t possibly get there without money.  She tells Mary that she can stay with her family, that she will give her room and board in exchange for help with chores and that she can earn extra money for weaving and spinning.  Mary is clumsy at household chores because she was always better with animals at home, but when Mrs. Colliver sees Mary’s skills with animals, she is appreciative.

Life is hard in the small farming community.  Mrs. Anderson, Luke’s mother, explains to Mary that most of the people who live there are refugees.  When they were young, their families moved there from the Thirteen Colonies that now make up the United States because they were Loyalists.  When the Revolution came, they couldn’t stay, and so had gone north to Canada, where they struggled to establish a new community for themselves with their small homesteads. During her time there, Mary witnesses the death of a baby and the hardships of this strange place, seeing why Duncan didn’t like it there.  They tell her that Duncan was a strange boy who would seem bright and happy one day, but black with depression the next, something Mary remembers in him even before he went to Canada. 

The people are kind and welcoming to Mary, although they find her a bit strange.  As Mary struggles to make a life for herself, hoping to earn enough money to return home, she slowly comes to appreciate Luke’s kindness and help.  She learns healing arts and the use of herbs from another woman in the community, developing new skills.  In helping others, she earns their appreciation and a place in their community.  Luke Anderson becomes very fond of Mary, but she still mourns for her lost Duncan.  In spite of his kindness, she doesn’t see how she can make this strange, hard, dark forest of Canada her home, where it doesn’t even seem like the spirits she believed in and that seemed to protect her when she lived in Scotland exist.

Mary is melancholy and feels like she doesn’t belong in Canada.  It distresses her that she can no longer feel Duncan’s presence . . . although she can oddly hear him calling to her sometimes.  Mary also unnerves people when she makes predictions that come true and speaks about ghosts and spirits.  When she almost gives in to her homesickness and depression and kills herself, lured to the spot where Duncan drowned himself by his ghostly calls to her, she finally sees Duncan’s death for what it really was and finds the courage to refuse to follow him down the dark path that he chose for himself and to fight for the life she has been building, the one she really wants to live.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

This book is part of a loose trilogy, involving ancestors and descendants of the Anderson and Morrisay families.  All of the books take place in or near Hawthorn Bay in Canada, but at different time periods.  Some of the characters are psychic, like Mary, or have the ability to travel through time, like Susan in The Root Cellar, who is apparently Mary’s granddaughter.  The connection between Mary and Susan is never stated explicitly, but it’s implied by their last name, shared psychic abilities, and comments that a friend makes about Susan’s grandmother in The Root Cellar.  In this series, the characters from each of the books generally don’t appear in any of the others (except, perhaps, for Phoebe, who appears briefly in this book and is the main character in the third story).  Most of the time, you only know about the family connections by reading the books and taking note of the last names.  The books go backward in time as the series progresses, and the connection between the Anderson and Morrisay families is only obvious in The Root Cellar.

With the deaths that occur in the book, discussions of suicide, and the influence of Duncan’s selfish, malevolent spirit, this is not a book for young kids. I’d say that readers should be middle school level or older. There is also some implied sex and pregnancy out of wedlock when one of Luke’s brothers gets one of Mary’s friends pregnant. Her friend doesn’t give the details of what happened, but from what she says, it’s implied that Luke’s disreputable brother forced himself on the girl and that she went along with it because she didn’t know what else to do. The description of that incident is minimal, but older readers will understand what happened. There is a scandal in the community because of it, and the disreputable brother leaves rather than face the consequences of his actions.

Themes and Spoilers

I enjoyed the book for its references to Scottish folklore, which Mary believes in and seems to be in touch with through her “gift” and for Mary’s growing confidence in her abilities and more mature understanding of what her cousin was really like and what her relationship with him really was.  In some ways, I do feel sorry for Duncan because he seems to have been suffering from some kind of mental illness, possibly bipolar disorder or manic depression, which would explain how his moods could shift so abruptly and dramatically.  However, Duncan was also a selfish and controlling person.  Although Duncan’s death was sad, Mary realizes that his end was of his own making, and it’s not the future she wants for herself.  There are some disturbing scenes in the story.  Mary witnesses the deaths of others, including a baby, because it is a harsh environment, where people sometimes succumb to sickness or bad weather, although these deaths are not described in too much detail. 

There are also some frightening moments, like when Duncan’s ghost almost convinces Mary to kill herself and when he similarly lures a young boy, Luke’s younger brother, to the spot where he drowned and almost kills the boy because Mary finds the little boy comforting and Duncan doesn’t want her to be comfortable and happy.  In the beginning, readers see Duncan through Mary’s fondness for him, so the true darkness of his personality isn’t immediately apparent, although I had some misgivings about him from Mary’s first description of how they played together as children.  I didn’t like the way she described how he would tease her until she became angry or hurt and then he would sulk until she comforted him.  She says that wasn’t really fair, but to me, it was disturbing because I have seen that kind of selfish personality before, and it’s never a good sign.  It shows right from the first that Duncan doesn’t really care about Mary’s feelings.  He cares only about his own feelings, and he has no interest in changing his behavior out of consideration for her.  In fact, the very idea that he should consider her feelings seems somehow insulting to him, even though he supposedly loves her.  He just thinks that she needs to reassure him that everything he does is fine whether it is or not.  In his view, Mary is obviously wrong to feel hurt even when he tries to hurt her because he has more right to his feelings than she has to hers and he should be able to behave any way he wants with no consequences.  That’s what Mary’s first description of Duncan said to me.  As soon as I saw that, even though some might consider it just the actions of an immature child, I had some suspicions about him.

My suspicions were somewhat confirmed before Mary left home. Her mother told her that she didn’t think Duncan was worth chasing after, calling him sulky and thoughtless, but the full truth of that doesn’t strike Mary until she confronts his spirit where he died. Because people in Canada don’t like to talk about Duncan much, when Mary first hears about his death, it isn’t immediately clear that he killed himself or how.  At first, it’s just somewhat implied, but when Mary is almost lured to her death, she sees the full truth about Duncan. 

Mary comes to realize that, although everyone, including Duncan and herself, felt like the two of them were two parts of the same person, they really weren’t.  Mary sees that not only can she live without Duncan, she has been living without him for years.  She lived without him for a time in Scotland, and she’s been living without him in Canada, and she can continue to live without him wherever she chooses to live the rest of her life.  When she was younger, she had thought of Duncan as being the stronger of the two of them because he was not plagued by the same “gift” she was, but she realizes that she is actually the stronger of the two of them.  Duncan’s “love” for her had also always been a selfish one.  He couldn’t bring himself to work hard and return to Scotland for her sake, but he expected her to give up everything, even her own life, to join him in Canada and in death.

When Mary realizes all of this, Duncan’s spirit loses its hold over her, and she comes to see that the darkness in him was darker than the forests that had seemed so frightening to her before.  Free from the shadow of Duncan’s death and his selfish spirit, Mary is able to see the beauty of Canada and to be more open to the good people around her, forging a new future with a better man.

Posted on by TracyC

Voices After Midnight

Voices After Midnight by Richard Peck, 1989.

Three children, Heidi, Chad, and Luke, are traveling from their home in California to spend a couple of weeks in New York during the summer because their father has to do some work for his advertising firm there.  Heidi, the oldest child, didn’t want to go on the trip.  She would rather have stayed at home with her best friend, but her parents insisted that she go because she borrowed her mother’s car without permission and took it out driving without an adult in the car even though she only had a learner’s permit, not a real driver’s license, and barely even knew where the car’s controls were (she took her younger brothers along just so they could tell her about the controls, which shows her level of driving skill).  The resulting accident she had took out a flower bed.  Although her parents didn’t find out about the accident, she decided that perhaps it would be a good idea to get out of town for awhile while the whole incident blows over.

Chad is the narrator of the story, and he explains that his father’s company has rented a house for them to live in while they’re in New York, or rather, part of an old house.  It’s a very old house, and it’s five stories tall.  There is an old cage elevator that has been repurposed as a telephone nook.  It’s a nice place, but there’s something strange about it.  Even before they arrive in New York, both Chad and Luke begin dreaming about snow.  Then, on their first night in the house in New York, Chad hears voices in the house after midnight.  It sounds like a man and a woman.  They are trapped somewhere, and they are cold.  Even the family’s dog, Victoria Alexandrina (Al for short) is frightened in the house.

Luke loves old houses and places with history, and he seems to have an odd ability to sense the past, even being able to describe what places looked like in the past without doing any research to find out.  Luke tries to tell Chad that he has the same ability to get in touch with the past, but Chad doesn’t believe it at first.  Luke thinks that they have a special mission in New York, to resolve some kind of unfinished business, although he’s not sure what. 

Then, Luke admits to Chad that he’s been hearing the voices in the house, too.  The two of them sneak up to the upper floors of the house, the part that they haven’t rented, and they see that the rooms are all empty and in bad repair.  When they look out of the windows, they see the landscape as it was years ago, with buildings being constructed that are already old in modern times.  Heidi finds them up there and becomes fascinated by a dress that they find in an old trunk.

The boys’ abilities to see the past keep getting stronger, and more strange things happen in the house.  A bouquet of flowers suddenly appears in Heidi’s room with a message from a mysterious admirer, and then almost as suddenly, the flowers wilt and the card with the message fades, as if they had aged suddenly.  The boys keep seeing people and things from the past all over town as they explore New York City.

At night, Chad and Luke find themselves going back in time in the house’s history.  Chad is frightened, but Luke knows that they’re looking for an event in the house’s history, something that must be changed.

Back in the late 1800s, the Dunlap family lived in the house, with two teenage children, Emily and her older brother, Tyler.  Their family is fairly well-off, but not as wealthy as the family of the girl Tyler has a crush on.  One night, Chad and Luke witness a conversation between Emily and her mother about Tyler’s marriage prospects.  Emily thinks that Tyler is making the wrong choice, pursuing the wrong girl in his romantic life.  It doesn’t seem like an earth-shattering tragedy, but events are moving closer to an even greater tragedy.  It is Emily and Tyler’s voices that the boys have been hearing after midnight in the house.

Chad finds their trips into the past unnerving and he fears that he and Luke might accidentally become stuck in the past.  He wants to stop, but Luke insists that they keep going.  The situation becomes more urgent because Heidi has also found her way into the past and is falling in love with Tyler!  When Chad and Luke go into the past, they are invisible to the people there, but Tyler not only sees Heidi but dances with her at a New Year’s ball.  From then on, Heidi is also involved in the adventure.  Like Luke, she has a sense that there is something that they need to do in that house, in the past.

Something bad is going to happen to Emily and Tyler.  Somehow, they are going to die.  Cold.  Trapped.  During the Great Blizzard of 1888.  The kids are not sure quite what exactly is going to happen until almost the end, but they can feel it coming.  It has already happened in the distant past, but they need to find the right moment in time to stop it from happening again!

All three of the children, Chad, Heidi, and Luke, have psychic abilities and are able to see and travel through time, although Chad and Heidi have mostly worked to ignore it in their lives, trying to just be normal kids.  When they succeed in saving Tyler and Emily Dunlap, they not only change the past but the present, eventually meeting some of Tyler’s descendants (who he marries is a bit of a surprise, although it’s not either of the girls that Emily had expected it to be).  There is a kind of odd time loop, though.  At the end of the story, they learn about their own, special, previously unknown connection to the Dunlap family and the possible reason why they are gifted with their time-traveling abilities.  In saving Tyler and Emily, they are also saving themselves, which oddly, begs the question of how real they were before . . . but, maybe they were always fated to succeed.  In the end, the house in New York is still “haunted”, but the final joke (unknown to the current owners) is that Heidi becomes the beautiful but mysterious “ghost” who appeared at the right time and then suddenly disappeared and whose story has been passed down through the generations.

The book is available to borrow for free online through Internet Archive.

Posted on by TracyC

The Secret of the Floating Phantom

SecretFloatingPhantom

The Secret of the Floating Phantom by Norma Lehr, 1994.

Kathy Wicklow is going to be staying with her grandmother in Monterey for a while, helping her while she recovers from a twisted knee.  Kathy is disappointed about it because she only just got home from visiting her Aunt Sharon, and she was looking forward to some time at home with her dog, Snuggles.  Snuggles can’t even come with her to her grandmother’s house because of her grandmother’s allergies.

Kathy’s grandmother is a dance instructor, but someone else has to teach her classes until she’s better.  Her friend, Loretta, owns a Spanish restaurant and sometimes visits and brings dinner with her.  (The grandmother describes it as a “Spanish” restaurant, but they serve things like tacos and burritos with salsa, which is what people where I live think of as Mexican food.)  Kathy’s grandmother is sure that Kathy will like Loretta’s granddaughter and grandnephew.  However, she is strangely secretive about what she and Loretta have been doing during her visits, saying that their meetings, which they hold with a mysterious man called Mason, are financial discussions and are “not for children.”

Kathy learns that her grandmother and her friend are really holding séances. Loretta’s husband is dead, and Loretta fears that she might lose her property unless she can produce the original deed to it. She thinks her husband knew where the deed was, and she hopes to contact him so that he can tell her.  When Kathy spies on them during a séance, she sees a mysterious fog that seems to be trying to tell them something. No one else can see it but her. It appears to Kathy several more times, and it seems to be leading her not only toward the deed but toward a lost treasure from the early days of California.

Kathy is suspicious of Mason’s motives and the fact that he doesn’t seem to like her. It turns out that he is not really trying to help Loretta and her family but trying to find a treasure that was hidden by an ancestor of Loretta’s over a hundred years ago. At that time, the area where they now live in California was attacked by pirates. Loretta’s ancestor, Ambrose, was given the task of hiding the treasures from the local mission. He buried them under a tree and marked the tree with a cross. However, during the attack, he was badly injured and blinded. He was unable to find the spot where he buried the treasure himself, and the others who went to find it couldn’t locate the tree.

The fog-like spirit that Kathy sees is Ambrose. Lisa, Loretta’s granddaughter and Kathy’s friend, is spooked by Kathy’s visions, but she helps Kathy to follow the clues that the ghost provides to the treasure. In a hole in the trunk of the tree, Kathy also finds the deed that Loretta has been searching for. Mason tries to take the treasure himself, but he can’t move the heavy bricks on top of it by himself. Mason leaves before anyone can confront him. Digger, Lisa’s cousin, feels especially betrayed because Mason had seemed like such a good friend to him. Kathy notices that Mason seems to share some characteristics with one of the pirates from the attack in Ambrose’s time, which might be a hint that Mason is a descendant of the pirates, but it’s never fully explained.

The book is currently available online through Internet Archive.

Posted on by TracyC · 1 Comment

The Dreadful Future of Blossom Culp

DreadfulFutureBlossomCulpThe Dreadful Future of Blossom Culp by Richard Peck, 1983.

This book is part of the Blossom Culp Series.

It’s 1914, and Blossom Culp is just starting high school. Although the principal of her old school tells her that this is a chance for her to make a fresh start, it looks like Blossom’s future is going to be very much a continuation of her immediate past.  In high school, she’s still a social outcast, looked down on by girls from better-off families, like Letty, the class president.  Also, despite her principal’s assertion that Blossom’s previous forays into the occult were imaginary, the product of the mental confusion that accompanies puberty, and that she is bound to grow out of them, Blossom knows that her psychic abilities are a natural gift and will not be ignored.

Blossom begins high school friendless because Alexander Armsworth has been ignoring her lately because of his important new position as class vice-president, his infatuation with Letty, and his friendship with a couple of local hooligans, Bub and Champ. Alexander is looking forward to his role in planning the school’s Halloween Festival, telling Blossom that he’s over their earlier, childish occult escapades and the Halloween pranks he used to pull.  Meanwhile, all of the other girls in school are infatuated with their handsome history teacher, Mr. Lacy, and so is the girls’ gym teacher, much to Blossom’s disgust.  Blossom thinks that Mr. Lacy is full of himself and denies that she has any such silly crush on Alexander.

Blossom makes an unexpected friend in a girl called Daisy-Rae, a girl from the country who has brought her younger brother into town to attend school and hoped to get an education herself but has been too afraid of the big town to actually attend classes.  Daisy-Rae hides in the school during the day and lives alone with her brother at night in the old chicken coop at the abandoned Leverette house.  It is through Daisy-Rae that she learns that Alexander and his friends aren’t so above childish pranks as they claim to be.  Blossom also discovers that Mr. Lacy has been romancing her old principal.  Mr. Lacy isn’t quite what he appears to be and has some unsavory secrets in his past.

Matters come to a head when Alexander (at Letty’s urging) tries to persuade Blossom to dress up and become the fortune teller for the haunted house that the freshmen class is doing for the Halloween Festival.  The haunted house is also a fundraiser, and Letty figures that they can get extra money from people if they’re willing to pay to have their fortunes told, and who would be better for the job than Blossom?  However, Blossom isn’t one to go out of her way to please others, especially Letty, and it turns out that they’re holding the haunted house in the Old Leverette place.  For some reason, that old house makes Blossom’s mother uneasy.  She seems to think that it’s haunted, but in an unusual way.  Blossom tells Alexander that she will not agree to be their fortune teller until he agrees to check out the house with her before Halloween and find out what’s wrong with it.  She figures that, since both of them are psychic, they can learn what’s so unusual.

As Blossom learns, her abilities don’t confine themselves to the past and people who have died but extend to the future and the people who haven’t yet been born.  Inside the Old Leverette house, Blossom suddenly finds herself entering the distant future, the 1980s.  In the 1980s, the Leverette house is once again lived in, and Blossom meets a boy named Jeremy who is a lonely social outcast, like herself.  Jeremy is a computer nerd, living with his divorced mother.  He takes Blossom on a tour of their town as it is in Blossom’s future, much larger than it used to be and with many familiar landmarks missing.  However, what Blossom sees in the future gives her the inspiration she needs to solve her problems in the past and hope that things will improve.  In return, she also proves to Jeremy that he is far from alone and has had a friend for longer than he ever imagined.

The time travel to the 1980s comes off as being a little corny (or so it seemed to me), but the writing quality of the book is excellent.  The author has an entertaining turn of phrase, and the book, like others in the series, is humorous and a lot of fun to read.

Besides being a kind of fantasy story, there are some interesting tidbits of history in the book, showing how people lived in the 1910s.  Blossom explains about the things she and her classmates did at school, like wearing beanies on their heads to show which year they were (freshmen, future graduating class of 1918).  At one point in the story, Blossom takes Daisy-Rae and her brother to their first movie, a silent film with an episode of The Perils of Pauline serial.  While Blossom worries about the future, readers can get a glimpse of the past!

As for what Blossom learns about her own future, she avoids finding out too much because she’d rather not know the details.  However, there are implications that she and Alexander may eventually marry and live in his family’s old house.

The book is currently available online through Internet Archive.

Posted on by TracyC

Liars

LiarsLiars by P.J. Petersen, 1992.

Sam lives in the small town of Alder Creek in California. The town is so small that they only have a one-room school (well, two rooms, if you count the library/storage room). Sam’s friend, Marty, describes most of what happens there as SOT (Same Old Thing) or MOTSOT (More of the Same Old Thing). However, their town contains some disturbing secrets, which they are about to learn.

Uncle Gene, an old man in town, has a reputation for being a “water witch.” He has the ability to find good sources of water when they need to dig a new well. He lets the local kids watch him when he’s using his dowsing stick and even lets Sam and Marty have a try. Sam has never really believed that Uncle Gene has any special abilities, even kidding Marty for believing in it. However, when Sam takes hold of the dowsing stick, he finds it drawn toward sources of water, like a magnet. Uncle Gene says that Sam has the gift and is a water witch, too. Sam is still somewhat skeptical, thinking that there’s probably something more scientific behind what he experienced, but from that time on, he finds himself sensing other odd things from the people around him.

In particular, Sam can sense when people around him are lying. It sounds like it would be a handy gift to have, but it has some drawbacks. Even when he can tell that someone isn’t telling the truth, he can’t tell exactly what they’re lying about. Some lies are obvious, like those of classmates bragging about things or Mr. Lopez saying that he enjoys living in the small town when, apparently, he really doesn’t. However, Sam can’t always distinguish between small lies or serious ones. Some lies seem to affect him more than others, possibly because the liars themselves feel more guilty about those, but by itself, that doesn’t tell him whether the lie is serious or not. He knows about Mr. Lawlor poaching animals in the forest, so that lie is also obvious to Sam, and he later realizes that his wife is lying about her teaching credentials. When he exposes Mrs. Lawlor’s lies, everyone becomes aware of Sam’s gift.

This ability becomes disturbing for Sam because it seems like everyone around him is lying about something. It’s also somewhat unsettling for some of his friends, like Carmen, who worries about what he’ll think of her if he catches her in a lie. Even Sam lies somewhat himself, saying that he knows that Carmen wouldn’t lie to him when he’s already caught her. But, Carmen sees right through his reassurance, even without sharing Sam’s gift. She’s the one who points out to him that the problem with his gift is that, even though he can tell when someone lies, he can’t tell exactly what they’re lying about or why they’re doing it. She mentions the little white lies people tell to spare someone’s feelings, like saying that they like a person’s clothes when they really don’t, but also how people sometimes lie when the truth is none of someone else’s business. The lie that Carmen told Sam earlier was about why the two of them couldn’t hang out together one day. She said that her parents were expecting company that evening, but the truth was that her parents have been fighting a lot, and she didn’t want Sam to see it because their personal problems are no business of his. This incident, along with a time when Sam has suspicions about an innocent person because the person falsely thought that she might actually be guilty of a crime lead Sam to worry even more about his gift.

However, there are real crimes being committed in his town, and Sam’s gift might be the only way to find who is behind it all. First, someone tries to break into Uncle Gene’s house. Uncle Gene thinks he knows why. Supposedly, there’s a hidden mine in the area, and he’s been looking for it for a long time. He thinks that he’s getting close and that someone was after his maps. Later, his house is set on fire.

But, is the lost mine the real reason why someone is after Uncle Gene? He’s been poking around in some out-of-the-way places during his search, and the kids know that he’s reported someone for growing illegal marijuana. Is the grower out for revenge? With Sam’s own father lying to him about his whereabouts, Sam worries that he may have something to do with what’s going on. It’s only a pity that his gift can’t tell him what his father, or anyone else, is lying about. It only tells him that they’re liars.

With more places making marijuana legally these days, this part of the story might not seem so serious as it did back in the 1990s, when schools were emphasizing that kids should “just say no” to drugs. Marijuana was viewed as being as bad as any other drug, and in this book, the grower doesn’t seem concerned about the possible medical uses.

Sam’s father is not the villain of the story, although he is engaged in something that he doesn’t want to reveal to his son or the rest of the town immediately. There is also a subplot about the death of Sam’s mother. She is already dead when the story begins, but Sam and his father haven’t completely healed. At the urging of Marty’s mother, who also helps Sam to explore his gift, the two of them begin talking about her more, when they had been avoiding discussing her for some time because talking about her was too sad for them.

In the end, Sam thinks that he’s found a way to stop sensing people’s lies (the less he pays attention to what he senses, the less he feels it, so he thinks that ignoring his gift will cause it to fade over time), which is a relief to him because he didn’t like always wondering what people were really lying about, and as Carmen said, some lies are for the best and should be none of his business. I think that’s true, especially the part about lying about things that should be no one else’s business. Some people can be rather pushy in wanting to know the details of other people’s lives, and if they won’t accept “I don’t feel like talking about it” or “I don’t want to tell you” for an answer, a lie of some sort might be a person’s only recourse. Depending on the circumstances, a lie might be harmful or it might protect. Like with Sam’s gift, it may not be immediately obvious which it is, either. Not that people should make a habit of lying, but there are times when it might be the best course of action for all concerned.

I’d like to add that there are many different ways of being truthful as well as lying.  If there are partial lies, and there are partial truths as well.  Some people think that politeness is a kind of lying, like in Carmen’s example of pretending that you like someone’s clothes when you really don’t, but that’s not necessarily so.  Being polite doesn’t mean that you’re pretending but perhaps you’re just choosing which of your thoughts are the most important to mention. Many, perhaps most of us, don’t just think one thing when someone asks us what we think about something.  For example, when someone asks your opinion of their clothes, you might think something like, “Well, I like the color, but I don’t like the style.  At least, I don’t like the way that style looks on you.  But, maybe that’s just because I’m not used to seeing you wear things like that.  I might change my mind later.  Actually, later on, I’ll probably forget that you ever wore that because I don’t care that much about clothes anyway.  Still a nice color, though.”  At least, that’s what goes on in my mind frequently.  There’s no point in telling anyone those random, meandering thoughts, so I just pick the most important part and tell them that I like the color.  Why bother being critical in an effort to sound truthful when the real truth of the matter is that clothes in general aren’t that important to me and I’ll probably just change my mind later, if it sticks in my mind long enough for me give it a second thought?

Then, there are the lies that some people label as the truth for their own purposes. I’ve seen plenty of people say harmful and insulting things to others and then hide behind the defense that they are “just telling it like it is,” when they actually aren’t. Usually, when people say that, they’re actually telling it like it isn’t: lies, exaggerations, or just plain insults disguised as truth. In those cases, their intentions were not to point out some important truth for the benefit of anyone.  Often, they were just trying to hurt someone’s feelings and then further hurt them by accusing them of not being able to handle the truth.  My rule of thumb for distinguishing between people who are really “telling it like it is” and liars who are just pretending is the same as the one I use with assessing advertisements: If a company has to shell out lots of money to tell you something about their product, it’s because what they’re saying isn’t something that you’d ever notice by actually using it.  If it were obviously true, there would be no need to put so much effort into telling you because you’d just know.  I think it’s the same with people who “tell it like it is.”  If someone has to actually say that they’re “telling it like it is,” it’s a strong hint that they’re probably not.  Similarly, anyone who brags about being truthful and trustworthy is probably doing it because they know that no one else would ever think to associate those qualities with them without being told.

Posted on by TracyC · 4 Comments

The Headless Cupid

HeadlessCupidThe Headless Cupid by Zilpha Keatley Snyder, 1971.

This is the first book in the Stanley Family Mysteries series.  Some people might be put off by the occult themes in this book, but this is a mystery story, and all is not what it seems.  Read to the end or skip to the spoilers section to find out.

Eleven-year-old David Stanley has had to help take care of his younger siblings since his mother’s death.  In some ways, he feels like his mother knew that she was dying before anyone else did, preparing David to help his father by taking care of his younger sister Janie and the young twins, Esther and Blair.  David thinks that his mother might have been psychic because she tended to believe in some odd things and often knew things before other people did.

Now David’s father, a college professor, has remarried, to a divorced woman with a daughter of her own, Amanda, who is twelve years old.  David likes his new stepmother, Molly, who is an artist, and he appreciates having someone else to help take care of the other kids.  Amanda is a different story.  She was an only child before her mother’s remarriage, and she’s not happy to suddenly have step-siblings, some of whom are rather young.  Amanda has been unhappy in general since her parents’ divorce, and she wishes that she could go to live with her father full time. Her father says that he can’t take care of her because he has to work so much, but he spoils her whenever they spend time together.  David has doubts about the things Amanda says about her father, but he and the others try to make her welcome in their new home.

HeadlessCupidNewsWith their family suddenly much larger, David’s father bought a new house for them to live in.  Actually, it’s a very old house just outside of a small town.  People call it the Westerly house after the former owners.  Not long after the family moves in, they find out that people used to say that the Westerly house was haunted.  Mr. and Mrs. Westerly used to travel around the world with their two daughters because Mr. Westerly worked for the government, but after they settled down to a quieter life in this small town in the late 1800s, strange things started happening in their house.  Rocks would fly around the house, seemingly thrown by invisible hands, and someone (or something) cut the head off the carved cupid on the fancy staircase banister.  The head was never found.  These incidents were reported in the local paper, and people believed that the Westerly family was haunted by a poltergeist.  These hauntings seemed to center around the two Westerly girls, particularly the older one, Harriette, which made some people think that the girls were faking the poltergeist.  However, they were never able to catch either of the girls doing anything.  The strange activities finally ended when the girls were sent away to boarding school, but now that the Stanleys have moved into the house, strange things are starting to happen again.

HeadlessCupidAmandaAmanda is fascinated by stories of the poltergeist.  A friend of hers where she used to live (one her mother didn’t approve of) was teaching her about the occult and how to do magic spells.  When David tells Amanda that he thought that his mother was psychic, Amanda is surprised, and she offers to teach David and the other kids about magic over the summer.  David eagerly accepts the offer because he finds the subject fascinating and because it’s the only thing that Amanda really seems interested in.  The other kids are also fascinated at the idea, even the littlest ones, which takes Amanda by surprise.  She had expected them to be scared.

Still, Amanda begins leading the kids through a series of rituals that will supposedly initiate them into the occult world, all of which have to be done in secrecy, without the parents’ knowledge.  They have to do some bizarre things like spend an entire day not talking (they have to take turns so the adults won’t notice, and it’s harder for some kids than others), spend a day where they can’t touch anything metal (mealtimes are awkward), offer “sacrifices” to the spirits (basically giving Amanda things she likes), and find animals to be their “familiars.”  As some of these rituals and the kids’ strange, secretive behavior cause problems, particularly for David’s stepmother, David begins to suspect that Amanda’s “rituals” have an ulterior motive that has nothing to do with magic at all.  Then, the poltergeist activity begins.

HeadlessCupidKidsJust as with the Westerly family years ago, rocks are thrown around the house or found just laying around.  Things are broken in the middle of the night.  Have Amanda’s rituals somehow awoken the poltergeist once more?  David has his doubts, suspecting that it’s part of Amanda’s playacting, but she is accounted for when some of these strange things happen.  The younger kids are still more fascinated than frightened by these strange happenings, but their stepmother finds them particularly unnerving.

Then, just when David thinks that he understands the situation and Amanda seems to be calming down her occult talk and behaving more normally, something happens which is really inexplicable: the missing head of the cupid suddenly reappears.

This is a Newbery Honor Book.  It is available to borrow and read for free online through Internet Archive.

My Reaction, Themes, and Spoilers

The reason why I want to explain some of this is because I think this book has received some unfair criticism because of the “occult” themes in the book, and I want to clarify the situation for the benefit of parents and teachers who have not yet read the book and may be concerned.  I’m putting “occult” in quotes because, as I said before, that’s not really what’s going on.  The book is a mystery story, and the “supernatural” stuff is largely window dressing for the real themes of the story, which have to do with unresolved feelings and revenge.  The story even contains a kind of warning about getting involved with the occult, which is another reason why I think the criticism of this book is unfair.

That Amanda is faking at least part of the haunting is pretty obvious even early on, so I don’t think it’s much of a spoiler to say that.  Amanda is an unhappy girl whose life abruptly changed with her mother’s remarriage, and her occult talk and fake witchcraft are part of her way of dealing with her feelings.  She admits to David at the end of the story that she was purposely trying to frighten her mother, trying to “get even” with her for turning her life upside down, first by divorcing her father and then by getting married again, forcing Amanda to move to a strange town where she has no friends and live with a bunch of kids she hardly knows.  Getting to know her new siblings better and sharing adventures with them helps, but it takes the frightening moment when the cupid’s head suddenly reappears to get Amanda to admit that real occult stuff scares her, too, and to confess the truth of what she did and her real feelings to her mother.

HeadlessCupidDavidAmandaThere are some elements of the happenings, particularly the reappearance of the cupid’s head, that are never fully explained, although David ends up knowing more than Amanda by the end.  Some aspects of the situation are hinted at.  There may be a real supernatural event at the end of the story.  Blair appears to have inherited psychic abilities from his mother, and there is a distinct possibility that the Westerly sisters who once lived in the house were just as unhappy with their parents for the changes in their lives as Amanda was with her mother.  Although the “poltergeist” as it first appears doesn’t exist, it may be that the “poltergeist” of the past remembers what it was like to be young and unhappy and that she wanted to make amends for past wrongs and to help another troubled young girl to make peace with her life and family.  But, if you don’t like that explanation, there is a more conventional, non-supernatural explanation that David considers, which equally possible.  Personally, I think it’s a combination of the two, but it’s not completely clear.  I think the author left it open-ended like that to make readers wonder and to preserve the air of mystery after the other mysteries have been cleared up.

As a kid, I enjoyed the creepy aspects of the story and the sense of wonder the kids experience as they go through their “rituals,” trying to bring some magic to their regular lives, wondering if things like ghosts and magic can really exist.  Now, I more appreciate how Amanda researched tricks used by fake psychics and mediums and used them creatively to her advantage.  When I was a kid, I liked magic tricks, and psychics and mediums make use of those types of stage illusions and psychological tricks in their acts.  I still have some books on the subject myself.  I also like the way David sensed the truth behind Amanda and the strange happenings even though he didn’t really understand how or why it was done at first.  David has some genuine curiosity about magic, but even after he realized that Amanda was faking things and was disappointed by it, he didn’t immediately tell the others.  He could have unmasked her as a fraud, but he knew that would only earn her resentment.  He wanted to understand her motives and help her feel better, giving her the chance to make peace with her mother herself and become part of their family.

This book has been frequently challenged because of the children’s inquiries into the occult, but I would like to point out that their “occult” experiments were all fake, pretty obviously so, and it is acknowledged that Amanda’s interest in the occult was fueled by her emotional distress (part of her urge to “get even” with her mother by causing problems).  By the end of the story, Amanda and her mother have an honest talk with each other about everything.  Amanda admitts her true feelings and makes peace with her mother, and she also says that her mother explained some things that Amanda didn’t know before.  The book doesn’t say exactly what Amanda’s mother told her, but from the context, it’s probably something about the circumstances behind her parents’ divorce, something that they might not have wanted to explain to her earlier.  I have a theory about it, although there’s nothing explicit that I could point to to prove it.  I suspect that Amanda’s father had an affair and that the affair is continuing, which I think is the real reason why he doesn’t want Amanda to live with him full time.  If Amanda were to live at his house, she would be sure to find out the truth.  Maybe his girlfriend is even the housekeeper Amanda referred to, the one who doesn’t help take care of children because she’s “not that kind of housekeeper.”  That possibility didn’t occur to me when I was a kid, but it seems kind of odd for a single man, living without children or other people in his house or other household staff to manage and who spends a large amount of time working away from home, to even have a housekeeper instead of simply hiring a maid or cleaning service to come in from time to time.  Households with fewer people require less maintenance.  There is less laundry to do, and single people who work tend to eat out or order in pretty often or make very simple meals, so I doubt he even needs much help with cooking.  But, that’s just my theory.  No one ever says why Amanda’s parents divorced in the story.  The reasons are less important to the story than Amanda’s feelings concerning the divorce.  Some of Amanda’s earlier resentment toward her mother was fueled by things that her father told her, making it seem like her mother was the one who caused the divorce.  After talking with her mother, Amanda seems to realize that some of the nasty things that her father said about her mother may not have been true and that her resentment toward her mother for causing the divorce was needless.  Much of the story involves unresolved feelings and the need to communicate them honestly.

The difference between reality and perceptions is also important to the story.  Although Amanda at first tries to convince the other kids that she is an expert on all things magic, David soon realizes that she’s not: she acts like ordinary, easily-identifiable wild flowers are rare herbs, she can’t control her “familiar” because she has no idea how to handle animals, and when things happen that Amanda can’t explain, she’s the first to be terrified.  In the end, Amanda gives up on the idea of the occult completely, realizing that the things she did were wrong and that she had gotten involved in something that she really didn’t want to be involved in.  Many kids wonder about the supernatural when they’re young, and I don’t think it’s bad to point out to them that they if they experiment with such things, they may be getting involved in something they could regret and that they should consider their motives for wanting to do so.  Playacting when you know it’s pretend is one thing, but not knowing if the scary stuff is real is another.

For further discussion of the dynamics of the blended family in this story, I recommend the SSR Podcast about this book.  The podcast also points out that there is an incident in this story which might be racially problematic.

Anti-Plagiarism Check

I’ve been thinking about how my reviews could be used for plagiarism ever since I caught a couple of those essay-writing companies trying to follow my blog.  It’s difficult for me to review certain books without giving spoilers, but I’d like to point out that none of my reviews explain everything there is to know about the stories.  That would be completely impossible without reprinting the entire text of the book, which plagiarists are too lazy to read anyway.  There are certain plot points which only a person who has actually read the book would understand and be able to explain.  Teachers who suspect that a student has plagiarized a book review or only pretended to read the book should ask them to verbally explain the points that I have not covered in my review, giving them no chance to try to look up the answers elsewhere or try to find them by quickly skimming the book.  I’m not going to print suggestions for questions to ask here because I don’t want to give the plagiarists a hint, and I doubt that teachers who have read the book recently themselves would really need a hint, but any teacher who contacts me via their official school e-mail address can discuss it with me.  I know these stories well because I’ve loved them for years, and I’ve started a file with suggested plot points to discuss.  I will not send this information to anyone who does not contact me from an official school e-mail address.  Keep in mind that I can easily look up the name of the person who contacts me to determine whether I’ve been contacted by a teacher or a student.

It’s one thing for a student to want to discuss the book with someone to clarify confusing plot points, but it’s another to ask someone to do their homework for them.  I know the difference, and I know homework when I see it.  Let me explain something.  All WordPress blogs have built-in analytics, and I’ve been studying SEO, so I pay attention to who has been visiting my site and how they get there.  I know whether you came here by using a search engine or whether you were referred by another site, and I can also see search terms that you used.  I added this note to this review specifically because I noticed that someone has been trying to Google what are plainly homework questions, and I just got a site referral from an online plagiarism checker.  Yeah, I see what you did there.  This is the Information Age, and when you go looking for information, sometimes, there’s someone else looking back at you, even if you can’t see them.  Not everyone with a blog pays that kind of attention to their traffic, but some of us do, and while some may not say anything about it, some of us are also a little more vocal.  I saw what you did, and I didn’t like it.  I don’t know you, but I know you’re a fool, and your teacher has just discovered it, too.  Now, we’re all aware.  It’s your own fault, and it’s too late to whine about it now.  I do sometimes help people who ask for it.  You should have asked for help when you needed it instead of cheating and stealing my words.  Maybe next time you’ll ask for what you need instead of just taking what you want.