
The Whispering Cloth: A Refugee’s Story written by Pegi Deitz Shea, illustrated by Anita Riggio, and stitched by You Yang, 1995.
Mai and her family are Hmong refugees from Laos, living in the refugee camp of Ban Vinai in Thailand. Some of her relatives have gone to the United States, but Mai and her grandmother are still waiting in the refugee camp. Mai’s parents are dead, and Mai doesn’t really remember her family’s life in Laos. Almost as far back as she can remember, she’s always lived in the refugee camp. She only has vague memories of her parents’ deaths and how she and her grandmother fled to the refugee camp.

Mai’s grandmother teaches her how to do embroidery, and she begins helping her grandmother make pa’ndau, a kind of tapestry that tells a story. Together, she and her grandmother pa’ndau to sell to traders for money. They hope to use the money to get out of the refugee camp and join their relatives in the United States.

Their pa’ndau tapestries have beautiful floral borders and images that tell a story. Mai asks her grandmother if she can do one all by herself and if he grandmother will tell her a story she could use. Her grandmother says that she’ll be ready to do a pa’ndau of her own when she has a story of her own to tell.

As Mai thinks about how much she misses her parents, she realizes that she does have a story to tell in her own pa’ndau. She begins embroidering a pa’ndau that tells the story of her parents’ deaths and how her grandmother carried her away in a basket, fleeing as soldiers shot at them. She embroiders their arrival at the refugee camp, and the people and things she sees there.

When she asks her grandmother how much money they can get for her pa’ndau, she says that they cannot sell it because it isn’t finished yet. At first, Mai thinks that there isn’t anything more to tell because they’re still living in the camp, and she hasn’t experienced life beyond it. Then, she realizes that she can embroider the life she hopes to have when they finally join her cousins, based on the things they’ve told her in their letters.
The book is available to borrow and read for free online through Internet Archive.

My Reaction
The foreword to the story explains that the Hmong people of Laos were driven out by the Lao Communist government, and many of them were killed before they had a chance to leave. The government drove them out because they sided with the Americans fighting in Laos and Vietnam. Many people, like Mai’s family, found refuge in refugee camps like Ban Vinai, waiting until they could find another country willing to take them on a permanent basis. However, at the time this story was published in 1995, the Ban Vinai camp was set to close. The refugees there were set to be either transferred to different refugee camps or sent back to Laos, to face whatever the government there had in store for them. Understandably, many of them didn’t want to be sent back to the country they had escaped from. This article explains more about the generation of children who, like Mai, grew up in the refugee camp, disconnected from the lives their parents knew in Laos, and with ambitions to go to other places, like the United States, to start new lives.
Although this is a picture book, there are violent themes of war in the story, so I wouldn’t recommend it for very young children. The pictures in the book are beautiful, an unusual combination of paintings and actual embroidery. The artist who did the embroidery, bringing Mai’s tapestry to life, was also a refugee in camps in Thailand before coming to the United States in 1992.
I thought this was an interesting way to introduce readers to part of the history of the Hmong people and the fallout of the Vietnam War through a traditional Hmong artform/craft that tells stories in a unique way.

Silver Days by Sonia Levitin, 1989.
Journey to America by Sonia Levitin, 1970.
But, getting on the train out of Germany is only the first step of their long journey. Lisa and her mother and sisters live as refugees in Switzerland, waiting for her father to help arrange for their passage to America. Often, they have too little to eat because they don’t have much money. There are some people who help them, and they make some new friends, but the long wait is difficult. Meanwhile, they must face the frightening events taking shape around them, around the people they left behind, and their own uncertain future.
The Night Crossing by Karen Ackerman, 1994.
This is a pretty short chapter book. Although the subject matter is serious, and parts might be frightening to young children (the part where Clara and Marta are chased and perhaps some of the parts where the family is hiding), there are only vague references to more dark subjects like concentration camps (people who already know what they are and what happened there would understand, but children who haven’t heard about them wouldn’t get the full picture from the brief mentions). The book would be a good, short introduction to the topic of the Holocaust by putting it in terms of the way it changed the lives of ordinary people who had to flee from it. Actually, it wouldn’t be a bad way to start a discussion of the Syrian refugees in Europe by putting it into the context of ordinary people fleeing the violence of war.