The Lottery Rose by Irene Hunt, 1976.
Young Georgie Burgess has been abused his entire life by his mother, Rennie, and her boyfriend, Steve (who is not Georgie’s father, whose identity is unknown, Rennie says that she is a widow). Rennie is an alcoholic, and she and Steve (who is the source of most of the violence in Georgie’s life) once deliberately burned the side of Georgie’s face when he was a baby because he wouldn’t stop crying and they were angry that they had run out of whisky. Sometimes, they tie him up in a closet for days at a time with no food. Other times, they beat him, even leaving scars. When Rennie is confronted by the school nurse about Georgie’s injuries, she claims that Georgie is a problem child who gets into fights. Georgie’s teacher believes that because Georgie is always acting up and doesn’t appear to learn anything, although he is actually smarter than he pretends to be. Because the other adults in Georgie’s life either do not see his condition for what it is or do not want to acknowledge the truth of it, it is a long time before he gets the help he really needs.
Georgie’s early life is bleak, and at first, his future seems equally bleak. The only people who seem to care about him at all are the school librarian and Mrs. Sims, who works at the grocery store. Georgie’s real love in life is flowers. He likes to borrow a book from the school library about flowers, and one day, he enters a drawing at the store and wins a rose bush of his very own!
It’s the best thing that ever happened to Georgie, but shortly afterward, Steve beats him so badly that the police are finally called. Georgie is taken away from his mother, and for the first time, his life becomes different. Georgie insists on bringing his precious rose bush with him when the police take him away, and it becomes instrumental in helping him reshape his life.
For a time, Georgie has to stay in the hospital to recover from his injuries, and then he stays with Mrs. Sims. Unfortunately, as much as Mrs. Sims and her husband care for Georgie, they can’t afford to take care of him. Instead, Georgie is sent to a Catholic boarding school with his new teacher and guardian, Sister Mary Angela. Sister Mary Angela assures Georgie that he will be taken care of at the school and so will his rose bush.
Georgie thinks the school is ugly, but there is a beautiful house nearby with a beautiful garden. It belongs to Mrs. Harper, who lost her husband and one of her sons in a tragic car accident. Although Georgie isn’t supposed to go there, he can’t help himself. It seems like the the perfect place for his rose bush . . . and maybe even for himself.
The tragedies and descriptions of child abuse in this story make it inappropriate for young children. This would be a good book for kids at the middle school level, probably age twelve and up.
Georgie, who has never really known kindness in his life, blossoms like a rose at the school, making new friends for the first time and coming to terms with his past. At the same time, Mrs. Harper, who is still suffering from the loss of her husband and son and also loses her other son (a child with developmental disabilities) during the course of the book, finds her heart warmed by Georgie. Georgie has desperately needed a mother who acts like a real mother and really loves him, and Mrs. Harper comes to realize that she also needs a boy like Georgie to love. While he is not a replacement for the sons she has lost, he does help to fill an empty place in her life, and the two of them become the family that each of them needs.
The book is currently available online through Internet Archive.

















Blossom Culp and the Sleep of Death by Richard Peck, 1986.
The Dreadful Future of Blossom Culp by Richard Peck, 1983.
In 1944, everyone is concerned with finding ways to help the war effort. In Molly’s third grade class at school, her teacher announces that their class is invited to participate in the Lend-a-Hand contest. The class will be divided in half, and each half will compete against the other to find the best way to help the war effort. The class decides to make the contest boys against girls, and Molly immediately starts trying to figure out a spectacular idea that will impress everyone. Unfortunately, one of the other girls says that the girls in class should knit socks for soldiers, and the teacher accepts that as the goal for the girls’ team, before Molly can say anything.
Molly is appalled at the idea of knitting socks. It’s partly that she had wanted to be the one to come up with the best idea, and it’s also partly because she has tried knitting before, and she knows that socks are difficult, time-consuming projects, especially for beginning knitters. Molly is sure that the other girls are going to find it too difficult and that, in the end, they’ll have nothing to show for their project. Her friend Susan doesn’t think that the project sounds so bad, but Linda also dreads the idea of knitting because she’s not very good at it. Talking it over in their secret hideout in the storage area of Molly’s garage, the three girls decide that they’ll work on a secret project by themselves, something that will save the day when the other girls’ project falls through.
The other girls are certainly a lot more comfortable, knitting inside. However, as Molly predicted, they are finding their project harder than they thought it would be. None of them has completed an entire sock yet; all they really have are the square shapes at the top of the sock, and they’re getting discouraged. That’s when Molly gets a better idea: why not take the squares they’ve made and turn them into a blanket? Simple squares are much easier to make than socks, they can make a lot of them quickly with everyone helping, and the girls who can’t knit well can sew the squares together. A blanket is still a good war effort project because Molly’s father has told her that the hospital where he works is always in need of blankets for the wounded soldiers. With this new idea, the other girls become much more excited, and they make more progress.
Queen of the Sixth Grade by Ilene Cooper, 1988.




