Posted on by TracyC

The Lighthouse Mystery

The Boxcar Children

The Lighthouse Mystery by Gertrude Chandler Warner, 1962, 1994.

The Boxcar Children and their grandfather have been visiting the children’s Aunt Jane. They are there to see her get married, and now they’re on their way home again. While driving home, they stop to look at a lighthouse and see a For Sale sign. The children are intrigued at the idea of owning a lighthouse, and their wealthy grandfather decides to ask a nearby storekeeper what he knows about the place. It turns out that the storekeeper has recently purchased the lighthouse himself, so it’s no longer for sale, but he’s willing to rent it out to visitors. The children’s grandfather is as fascinated at the idea of living in a lighthouse as the children are, so he decides to rent it for them to stay in.

During their first night at the lighthouse, the children’s dog, Watch, suddenly starts barking and growling. They can’t figure out what is upsetting watch, although Benny thinks that he smells food. They wonder if someone could be cooking something at the little old house near the lighthouse, but after a while, Watch calms down, and they all decide to go back to bed and check out the situation in the morning.

The next day, they go shopping for food, and the children find themselves looking suspiciously at everyone they meet, wondering if someone was near the lighthouse the night before. The first suspicious person they see is a man who almost knocks Violet over because he’s not looking where he’s going. Then, they meet a young man who seems angry about something. The storekeeper says that the young man graduated from high school early because he’s very smart, but his father won’t let him go to college. Grandfather Alden explains to the storekeeper that they had a prowler the night before, and he’s thinking about talking to the police about it. The children persuade their grandfather not to talk to the police because they want to investigate the mystery themselves.

The next night, the children see a woman outside the lighthouse, but when they investigate, they can’t find anyone. They think maybe she went into the little house nearby. Later, they look through the windows of the old house, which are mostly boarded-up. Inside, they see food and cooking equipment, which means that someone might have been cooking there the night that Watch started barking. Strangely, they also see a microscope, seaweed, and something that looks like its glowing. They think maybe someone is doing an experiment of some kind. It could be the woman they saw, or it could be the clever but angry boy who isn’t allowed to go to college, Larry Cook.

When the town holds a special Village Supper, the children learn that Larry loves to cook. They make friends with him while helping him to prepare the food. As the kids become friendlier with Larry and talk with other people in town, they learn more about Larry’s father’s opposition to him attending college and how Larry has been trying to study on his own. They’re pretty sure that Larry is the one who’s been conducting some kind of experiment in the little old house, but what is he trying to do?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

This is one of the early Boxcar Children books, written by the original author. Because it’s one of the early books, the children in the story age. In the books written by other authors after the original author’s death, the children’s ages are frozen, and Henry is always 14, but in this book, he’s in college. That means that he’s not too different in age from Larry, and the kids find out that the college Larry wants to attend is the same one that Henry attends.

At first, I thought that Larry’s father objects to him attending college because they can’t afford tuition, but someone else who knows the family says that Mr. Cook is just a selfish man. I’ve noticed that some people who never went to college take other people’s levels of higher education as some kind of personal insult, like people who go to college are just trying to make them look bad or somehow discredit their personal life choices. It doesn’t seem to occur to them that people might do things for themselves and make decisions for the sake of their own lives that have nothing to do with them in any way. I think that might be the kind of selfishness that the story is trying to describe. Mr. Cook is one of those people who makes everything about himself and feels the need to control other people’s lives to make himself feel good or justify his choices. I’ve also noticed that people who haven’t been to college often don’t understand how changing technology and job requirements cause people to need more education to do jobs that used to require less. They also don’t have the imagination to see how more education can help someone progress further and faster in their field or how it might open the door to new fields they haven’t experienced or even thought about. Because they haven’t sought more education themselves and aren’t accustomed to stretching themselves and looking for new ways to skill up, they don’t think that there might be possibilities beyond their scope. Mr. Cook even admits all of that later, saying, “I just made up my mind that he couldn’t go, and I hated to give in. You see I never had a chance for much schooling. I’ve done all right. I couldn’t see why Larry needed to go to college. A waste of money, I thought. I guess I’m quick to lose my temper and slow to change my mind.”

In spite of his selfishness, this acquaintance says that he thinks Mr. Cook really loves his son. He’s just accustomed to putting his son and his son’s future second to himself. What causes Mr. Cook to change is when Larry is in danger, out on the family’s boat in a storm. Faced with the prospect of losing his son completely, Mr. Cook promises that, if Larry is rescued, Larry can have whatever he want. College turns out to be the right course for Larry. It not only helps him to pursue his field of study but to connect with professors and students who also share his passions and love of learning. It suits him and the life he wants to live.

In some ways, this story is more adventure than mystery. By the time that Larry is rescued from the storm, the Aldens think they have a pretty good idea what Larry is trying to do, but Larry explains it all to them after his rescue rather than the Aldens needing to prove anything themselves. There is also no crime in this story. The mystery part is more about unexplained or mysterious circumstances. Larry hasn’t done anything wrong or illegal. He’s not even trespassing in the little house because his family owns it. Larry’s experiments combine his love of science with his love of cooking. He’s trying to produce new kinds of foods using seaweed and plankton that can help to feed the world.

Posted on by TracyC

Island of Adventure

Enid Blyton’s Adventure Series

Island of Adventure by Enid Blyton, 1944.

Philip Mannering is spending part of his summer holidays at the home of one of his teachers, doing some extra studying, which is a bit depressing.  He has fallen behind in school because he recently suffered from Scarlet Fever and Measles, and he is trying to catch up.  He’s not the only boy studying at the teacher’s home, but he isn’t really friends with the others.

One day, he’s doing some studying on the hillside and hears a strange voice telling him to shut the door and not whistle.  There is no door on the hillside, and he wasn’t whistling.  Philip is very confused until he realizes that the voice is coming from a big, white parrot sitting in a tree.  Then, he hears a child’s voice calling the parrot from the garden of the teacher’s house.  Philip is happy, thinking that another boy has joined the study group, but it turns out that he’s only half right.

The voice in the garden belongs to Lucy-Ann Trent, who isn’t a student and isn’t there to study.  Her brother, Jack, is the one who needs to catch up in school because he never focuses on his studies.  Jack has only one interest in life, and that’s birds.  Jack owns the parrot, Kiki, and wants to be an ornithologist when he grows up.  He is bright but disinterested in anything that isn’t related to his chosen field.  Lucy-Ann is only there to spend time with him and keep him company while he gets extra tutoring.  The two of them are orphans.  They don’t remember their parents because they died in a plane crash when the children were very small.  Most of the time, they live at boarding school, which is why they don’t spend as much time together as they like.  Usually, during their holidays, they live with a fussy uncle, which is why the parrot is always barking orders at the children.

Philip also usually lives with an aunt and uncle when he’s not at school.  His father is dead. His mother is still alive, but she spends most of the time working at her art agency.  He also has a sister named Dinah, but they don’t usually get along.  Philip is surprised at how well Jack and Lucy-Ann get along with each other because he’s always fighting with his sister, who has a temper. (Although, admittedly, he does push Dinah to lose her temper.)  Strangely, Philip finds himself wishing that Dinah were also there because, when he becomes friends with Jack and Lucy-Ann, it occurs to him that she would nicely round out the group.

Philip, Jack, and Lucy-Ann become friends by bonding over their shared love of animals. Philip likes the parrot and tells Jack and Lucy-Ann that they would probably like his aunt and uncle’s house because they live by the sea, and there are many sea birds in the area.  Philip doesn’t know much about birds in general, but he likes collecting various small pets, including mice and caterpillars.  The teacher isn’t too happy about these animals because they disrupt study sessions.

Then, Jack and Lucy-Ann get a letter saying that they’re going to have to continue staying with the teacher through the rest of the summer because their uncle has broken his leg and can’t take them back.  The children aren’t happy about that and neither is the teacher because he had other plans after the summer tutoring session ended, even though the uncle has provided a generous check for the children’s care.

Then, Philip has a wonderful idea: maybe Jack and Lucy-Ann can come visit him and his sister at his aunt and uncle’s house.  Dinah has written to him that she’s bored and lonely and misses him, even though they usually fight.  She would like the company, and Philip knows that his aunt and uncle could use the money the children’s uncle is willing to offer for their boarding.  Jack and Lucy-Ann like that idea, but they’re not sure that their uncle and teacher would agree to let them go because they don’t know Philip’s aunt and uncle, and they think maybe Philip’s aunt and uncle wouldn’t want two strange children staying with them.  The children know their plan would be best for everyone, but since they’re not sure that they can persuade the adults, they take the attitude that it’s easier to ask for forgiveness than permission and plot for Jack and Lucy-Ann to run away and join Philip on the train home.  Jack and Lucy-Ann secretly send their trunks to the train station along with Philip’s and tell the teacher that they’re just going down to the station to say goodbye to Philip when he goes.  Then, they quietly buy their train tickets and leave.

When the children arrive at Philip’s home, Aunt Polly is irritated because she isn’t prepared for unexpected guests.  There are no rooms or beds for them, and she says that they can’t stay.  However, she is surprisingly won over by Kiki, who says, “Poor Polly!” over and over in a sad tone.  Not knowing that Kiki is also sometimes called Polly, Aunt Polly thinks that the bird knows her name.  She often feels overworked and rarely gets any sympathy, so she appreciates this gesture from Kiki, who repeats the phrase more often, seeing that it pleases Aunt Polly.  Aunt Polly is also charmed that Polly tells people to get a handkerchief when they sniffle or sneeze because she’s always saying that to Dinah.  When she telephones the children’s teacher to discuss the situation and learns about the fee the children’s uncle is willing to pay for caring for the children, she decides that maybe the children can stay after all.  The relieved teacher promises to endorse the check over to her.

Aunt Polly is relieved to get the extra money, and she reveals to the children that she’s been very worried about expenses because Philip and Dinah’s mother has been ill and hasn’t been able to send the money she usually sends from her job.  Her doctor says that she’s run-down and needs a rest, but her job is an important source of money to the whole family.  Everyone is relying on her, but since she hasn’t been able to send her usual support money for the children, Aunt Polly is worried about how she will afford the children’s school fees.  Philip bravely says that he’s willing to quit school and get a job instead to help out the family, but Aunt Polly says he’s still too young.  Philip has wished before that he was old enough to be the man of the family and provide for his mother.  His uncle isn’t much help with money and doesn’t pay attention to family expenses, too absorbed in his academic work.  Aunt Polly says that the money she’ll get from boarding the Trent children will help out.

Philip says that part of the trouble is that the house where they live is really too large. About half the house is crumbling into ruins from neglect, and the other half is really too big for Aunt Polly to maintain.  Aunt Polly agrees but says that moving would be difficult because few people would want a house like this one, crumbling and located in a rather lonely spot along the coast.  Besides, the children’s uncle loves it because he knows all the history of the area, and he wouldn’t want to leave.  Philip thinks the only thing that will really help is when he and Dinah are old enough to get jobs.  Then, the two of them will be able to help their mother afford a place for three of them.

Philip’s aunt and uncle have a gloomy man named Joe working for them, and he tells the children that the tower room where the boys will sleep on an old mattress (a prospect that seems adventurous to them instead of an inconvenience) isn’t a good room because it’s the only room where they can see the Isle of Gloom.  He says that bad things are associated with the Isle of Gloom because bad people who did terrible things lived there.  Jack asks Philip about the Isle of Gloom.  Philip says that it’s difficult to see, even from the tower room, and it’s always covered in mist.  Nobody lives there now.  Jack thinks it sounds great because the birds on the island have probably never seen people before and won’t be afraid of them, so he could get some amazing pictures.  He thinks maybe he’ll even find some rare birds.  Philip says that he and Dinah have never been there before themselves, and he’s not sure whether there are birds there or not. 

Staying at the house by the sea isn’t easy.  All of the children are expected to help with the chores.  There is no electricity, and they use oil lamps that need to be cleaned.  The water has to be pumped from a well.  Still, Jack and Lucy-Ann think that it’s just part of the adventure.  They enjoy going swimming and fishing with Philip and Dinah, and Jack has fun bird-watching, but Joe the handyman is always spying on them and acting creepy.  He keeps telling the children spooky stories about things lurking in the dark.  For some reason, Joe tries to discourage the children from exploring the area or going out in a boat, but they soon make an interesting discovery. 

While the children are exploring a cave, Philip teases Dinah, and she hits him.  He stumbles back and ends up in a hidden tunnel.  Philip and Jack explore the tunnel and discover that it leads to some carved stone steps and trapdoor that leads up to a storeroom that’s part of the cellars at the house.  Philip says that he never knew this part of the cellar existed.  The boys discover that the door to the storeroom is usually hidden by boxes, but Joe has the key and comes in.  Kiki, who is with Jack as usual, makes some sounds that terrify Joe, who thinks that there are strange and spooky things in the cellar.  The boys think that it’s hilarious that Joe got scared when he’s always trying to scare them.  They steal the key that Joe left in the door so they can come and go whenever they like, but they wonder why Joe even hides the door to the storeroom in the first place.  Philip is sure that even his aunt doesn’t know about that storeroom, or she would have mentioned it before.

Joe is definitely doing something suspicious, going out at night in a boat, fearful that the children will find out what he’s doing. The children make friends with a nice man named Bill, who is staying in an old shack nearby. Bill says that he’s there for bird-watching, but he doesn’t seem to know that much about birds or talk about them as much as Jack does. Bill has a boat and takes the children out sailing, but he doesn’t want to take them to the island and warns them to be careful of Joe. Does Bill know something the children don’t, or does he have some dangerous secrets of his own?

The book is available to borrow and read for free online through Internet Archive (multiple copies). It was first published in Britain, and some US copies use the title Mystery Island instead. The book was made into a movie in the 1980s, and you can see it on YouTube. The movie has John Rhys-Davies as one of the villains.

My Reaction

First, I’d like to get it off my chest that I didn’t like many of the family relationships throughout the book. Aunt Polly’s marriage is a little disturbing because she doesn’t have enough money to run the household, but her husband not only says that he has none to give her and wouldn’t give her any even if he did have money. He doesn’t seem to care about the welfare of either Polly, who is eventually revealed to have a heart condition, or the children in his care. He buries himself in his study most of the time and has almost no idea of what’s going on in the rest of the house or even who’s there. He’s not just obsessed with his studies, but at times, it seems like he’s deliberately hostile toward everyone else, including his wife, like their existence in the house is a terrible inconvenience to him.

I didn’t like the way Philip and Dinah were portrayed as always fighting physically in the book. Admittedly, my brother and I got into physical fights when we were little, but Dinah is twelve years old, and Philip is older than she is. Both of them seem to be too old to be acting the way they do in the story. Dinah is very emotional and has a hair-trigger temper, and Philip, knowing this, intentionally baits her into losing his temper. He likes to put creepy-crawly creatures on her or act like he’s going to, knowing she doesn’t like it and that she’ll react, and then he’s not happy when she lashes out and hits him. While Dinah shouldn’t react by hurting people physically, I could sort of understand it if she constantly has to put up with this from Philip. Living with someone who is always baiting you and escalating his behavior until you break would probably leave anyone broken in the end, and I can’t help but think that Dinah’s emotions would stabilize more if she didn’t have to deal with someone always trying to throw her off balance. Maybe she’d still be an emotional person, but I notice that it’s particularly Philip who gets her to fight physically while nobody else does because they don’t bait her into it. I found that sibling relationship kind of disturbing because Philip seems to know exactly what he’s doing, and as I said, he’s too old to be doing this stuff innocently.

Jack and Lucy-Ann seem to have a more fond sibling relationship. Lucy-Ann sometimes seems a little clingy with Jack, but I think that might be because the children are orphans and are not fond of their stern uncle, so they don’t really have anybody else to be close to except each other.

My copy of the book is one of the later editions that had some of the names and language changed to remove racially-problematic aspects of the story. In the original version of the book, the sinister handyman was a black man called Jo-Jo, and his race was unduly emphasized. I prefer the version where he’s just a weird guy named Joe.

The mystery isn’t bad. I knew right away that Joe was suspicious because he kept acting suspiciously, but the mystery is one of those type where it’s not so much about “whodunnit” as about “What is this person doing?” Readers know that Joe is up to something, but it isn’t clear for much of the book what it is. I had a couple of ideas early in the story, but neither was right.

Bill is also an interesting addition to the story. For part of the book, he looks a little suspicious because readers can tell that he’s not the bird-watcher he pretends to be, but he doesn’t seem to be allied with Joe. Bill is actually a good character, although he’s not what he appears to be, and he becomes one of the important characters in other books in the series.

Posted on by TracyC · 1 Comment

Ruth Fielding at Lighthouse Point

Ruth Fielding

Ruth Fielding at Lighthouse Point or Nita, the Girl Castaway by Alice B. Emerson (the Stratemeyer Syndicate), 1913.

When this story begins, Ruth’s friend Helen is finally being initiated into the society that Ruth and some of their friends founded at their boarding school, Briarwood Hall. In the second book of the Ruth Fielding series, when the girls started attending Briarwood, they found themselves caught between two rival social groups. One of them had the reputation for being led too much by the school faculty instead of the students themselves. Ruth, Helen, and some of the other girls craved more independence from the teachers. However, the other main social group, which was more student-led, was led by a sly bully of a girl named Mary Cox. That group had basically turned into a cult of personality centered around Mary Cox, where everyone else had to do whatever she said. The initiation into Mary Cox’s group was a mean trick, and Mary Cox, known as “the Fox” to many girls at school because of her slyness, used bullying tactics to dominate the other girls.

For awhile, Helen was a member of Mary Cox’s group, finding it exciting, but Mary Cox took exception to Ruth very soon after they first met because Ruth is more independent-minded and not easily led or intimidated by Mary. Although Ruth was one of the new girls at school and one of the youngest, she decided to assert her independence and create a new society without some of the problems that plagued the older ones. She found other interested girls who felt the same way she did, and they soon attracted more members who were similarly tired of the old groups. Ruth’s group is called the Sweetbriars, or S.B.s for short, although Ruth frequently reminds people that the group is not hers exclusively. To avoid the problem with Mary’s group, having everything monopolized by one person, Ruth established in the rules that leadership of the Sweetbriars will rotate, with no member serving as the club president for more than one year. That way, no one will have total control, and there will be opportunities for new people with fresh ideas to get more involved.

Helen, who eventually figured out what kind of person Mary was, stuck with her group for awhile anyway, out of loyalty to the membership, but since then, Mary’s group has fallen apart. Helen was one of the last to leave it, but Mary is still resentful that many of her old members have joined the Sweetbriars, including Helen.

Shortly after Helen’s initiation, Ruth and her friends are talking about taking a summer trip to a friend’s beach house. They started talking about their summer plans over the winter break, and now, they’re making the final arrangements. Mary, still looking for ways to cause trouble for Ruth and the Sweetbriars and regain her social dominance, tells Helen that the only reason she’s being invited to the beach house is because she’s now a Sweetbriar, implying that the other girls wouldn’t have wanted her around if she hadn’t joined their club. Frankly, Helen is a bit of a sucker and falls for Mary’s manipulation. She confronts the other girls about what Mary said.

The other girls all remind her that, first of all, they started planning this trip well before her initiation. Second, they are inviting people who aren’t part of the Sweetbriars. They’ve invited Madge, who is the student leader of the faculty-led social club, and she’s coming. They’ve also invited some boys, brothers of girls at the school and their friends, who attend the nearby boys’ boarding school. Helen says that Madge is also an honorary Sweetbriar, even though she’s in another club, and the other girls correctly realize that Mary’s comments to Helen were a manipulation to secure her own invitation. The girl whose family owns the beach house, Jennie Stone (nicknamed “Heavy” by the other girls because she’s “stout”), is actually one of Mary’s roommates at school, and she reminds Helen that she also invited Mary but that Mary was non-committal about accepting.

The girls debate among themselves whether or not Heavy should renew the invitation and encourage Mary to come with them. It’s pretty obvious to the girls (except maybe Helen) that Mary is being manipulative and probably has a trick up her sleeve. (They don’t call Mary “the Fox” for nothing, and if the reader has any doubts that this is a ploy, Mary is listening to this whole conversation through the keyhole.) Mercy, known for her outspokenness, thinks they should all just forget about Mary because her meanness will spoil the fun. Ruth doesn’t like Mary, either, but she can see that Helen will feel bad if they act exclusionary, and Mary will try to use that against them. Ruth tells Heavy that it’s only right for her to invite her roommate, and not only does Ruth want her to invite Mary, she insists on it.

So, Mary will be going to the beach house with the other girls, but before their trip even gets started, the situation is rocky. When the girls get on the boat that will take them from the school to the train station, Mary goofs off, teasing one of the other girls, and she ends up falling overboard. Since Mary can’t swim, Ruth has to jump in and save her. This is the second time that Ruth has saved Mary’s life since she arrived at the school. The first time, Mary credited the rescue to Helen’s brother, Tom, who also helped, but this time, Ruth gets the credit alone, and everyone witnessed it. One of the other girls says that Mary will have to change her attitude toward Ruth now, but Ruth knows that isn’t likely. Just because Mary might owe her some gratitude for the rescue doesn’t mean that Mary will like her, and Mary is the kind who would resent “owing” a person she doesn’t like.

Worse still, Ruth learns that her Uncle Jabez has lost a considerable amount of money in a bad investment, and he might not be able to afford to sent her back to Briarwood Hall! It’s a heavy blow because she’s finally settled in there and has a good group of friends. He’s become so paranoid about money again that he might also stop the money he was contributing toward Mercy’s education, which would be a double blow.

Ruth is an ambitious girl and determined not to give up on her education so easily. Raising the money for her next year’s tuition would be difficult all on her own, but Ruth knows that she has to find a way to do it over the summer. At first, she isn’t sure that she should go to the seaside with the others as planned, but Uncle Jabez surprises her by giving her some money and telling her to go. As the girls set out on their trip, Heavy also tells Ruth that Mary Cox’s family is having trouble. Mary’s father died a year ago, leaving the family with money problems, and her brother left college to tend to his father’s business affairs. Now, her brother has disappeared on a business trip, and she and her mother are worried about him. With the girls’ problems hanging over their heads, they all set off for Heavy’s family’s seaside bungalow at Lighthouse Point.

When the party arrives at Lighthouse Point in Maine, there’s a storm, and they hear that there’s a shipwreck on a nearby reef. The young people all go down to the seaside to watch the rescue efforts. At first, they think it’s all very exciting, but then, the destructive power of the storm and the real risk to the rescuers makes them realize the seriousness of the situation. They watch, horrified, as a lifeboat overturns in the storm. It seems like there won’t be any survivors of the wreck, but some people are saved.

Among the survivors is a girl who calls herself Nita. Nita, who is about the same age as Ruth and her friends, admits to being a runaway, but she is evasive about where she came from and what her situation is. The ship captain’s wife, Mrs. Kirby, is also rescued, and she says that it’s her impression that Nita was not well cared for when they first met and that Nita was trying to go to New York, possibly to stay with some relatives there. Nita says that she wants to go to New York, but she is still evasive about why, what she plans to do there, or if she knows anyone there.

In spite of her recent traumatic experience, Nita is very self-controlled, mentally sharp, and even a bit sly. The party of young people and Heavy’s Aunt Kate take Nita with them to the bungalow where they give her a bed and question her more about her past. She lets a couple of things slip, referring to a man named Jib Pottoway, who was a “part Injun” (that’s how Nita puts it, she means that part of his family is Native American, saying that “Jib” is short for Jibbeway, which is apparently either an older version or slang corruption of Ojibwe) “cow puncher” who lent her books to read. Nita apparently came east from somewhere in the western United States, having romantic notions from books about how poor girls can make friends with wealthy families in the east who can help them with their education and help them rise up in society. She’s been finding out that the realities of the east are very different from what she’s read in books, but she still has her stubborn pride. Nita says that she can move on if the others don’t want her around or if they’re getting too nosy about her past, but Aunt Kate is reluctant to let her go until she knows whether Nita is going to be able to manage on her own or has somewhere to go.

Since Nita has only the clothes she was rescued in and those are ruined, the part gets her some new clothes to wear. They notice that a somewhat disreputable man named Jack Crab seems strangely interested in Nita, as if he recognizes her from somewhere. There is an explanation later when Tom picks up a newspaper clipping that Jack Crab drops about a girl named Jane Ann Hicks, who has run away from her wealthy uncle who owns a ranch in Montana. Nita certainly first the description of the missing Jane Ann. In her uncle’s and the reporter’s words, “‘Jane Ann got some powerful hifalutin’ notions.’ She is now a well-grown girl, smart as a whip, pretty, afraid of nothing on four legs, and just as ignorant as a girl brought up in such an environment would be. Jane Ann has been reading novels, perhaps. As the Eastern youth used to fill up on cheap stories of the Far West, and start for that wild and woolly section with the intention of wiping from the face of Nature the last remnant of the Red Tribes, so it may be that Jane Ann Hicks has read of the Eastern millionaire and has started for the Atlantic seaboard for the purpose of lassoing one–or more–of those elusive creatures.” They’ve got her pegged, although the “or more” part of lassoing millionaires makes her sound more like a gold-digging adventuress than an overly-romantic teenager who’s read too many novels. However, if Nita really is Jane Ann Hicks with a wealthy, ranch-owning uncle, why would she need to find a wealthy benefactor to buy her the piano she says she wants and fund her education?

Nita runs away from the beach house, but unfortunately, she trusts the wrong person and is soon in need of Ruth and her friends to rescue her again.

The book is now public domain and is available to borrow and read for free online through Internet Archive (multiple copies) and Project Gutenberg.

My Reaction and Spoilers

Racial Language and Other Issues

I think I should start with a warning that there are some issues with racial language in this book, which is pretty common with early Stratemeyer Syndicate books. I already mentioned the word “Injun” and the newspaper article that mentions “Red Tribes” above. I also noticed that in the article that describes Jane Ann’s disappearance, it is mentioned that she was raised by her uncle alone at his ranch “for a woman has never been at Silver Ranch, save Indian squaws and a Mexican cook woman.” I’m sure they’d be thrilled to find that they don’t count. The Stone family’s cook at their beach house is a black lady called “Mammy Laura” who speaks in a stereotypical way with phrases like “lawsy massy.” (Although, to be fair, Mr. Hicks the rancher also speaks like a stereotypical cowboy, so stereotypes are being used in a very general way and not directed at any group in particular. I know, it’s still not great.)

It’s also a little uncomfortable how they keep referring to Mercy as “the lame girl” or “the cripple.” They don’t seem to mean it as an insult, more as a general description, and it’s true that it’s one of Mercy’s characteristics and a major part of her storyline in the first book. Her health has improved since then, although it’s established that she’s never going to be able to walk as well as other people and will always need some assistance, like crutches. It’s just that it feel like we’re being beaten over the head with it when they keep repeating that she’s “lame.” I think they’re trying to do it as a descriptor, trying to make the writing a little more colorful by referring to characters by some part of their appearance and not just by name, like how they keep calling Ruth “the girl from the Red Mill”, but it falls flat because it seems insensitive and shallow. First of all, this isn’t something that readers are likely to forget and need to be constantly reminded about Mercy. Second, it gives the impression that this is Mercy’s main characteristic. Mercy is the most blunt and sarcastic character among the girls, and she has quite a lot of personality, so she does have characteristics beyond her disability. Third, in the first book, they establish how much Mercy hates her disability and how bitter she was about it until she found a way to improve her situation, make friends, and move forward with her life and education. It doesn’t seem like she’d enjoy people constantly calling her “cripple” and “lame”, and it would be completely in character for her to bluntly say so if asked, so it’s a little uncomfortable when the invisible narrator of the book keeps doing it.

Heavy’s nickname is also a little irritating. She doesn’t seem to mind it, but this is a good opportunity to point out that older Stratemeyer Syndicate books do have a tendency to use characters’ weights as one of their defining characteristics. Even up through later series, like Nancy Drew, characters are often specifically described in terms like “slender”, “slim”, “stout”, etc. Typically, in Stratemeyer Syndicate stories, the slimmer characters are either the main characters or the nicer or more talented ones, while the fatter ones are either more comic relief, socially awkward, or villains. Actually, one of the things I like about Heavy is that she doesn’t fall into this pattern. Heavy is pleasant, cheerful, practical, and generous.

The Runaway

As Ruth considers Jane Ann’s position and why she would run away from her uncle, she remembers that she also considered running away from Uncle Jabez when she first came to live with him. Both Ruth and Jane Ann are orphans who depend on their uncles, who control the family finances and their education. Jane Ann’s uncle is far richer than Uncle Jabez, but he also has firm ideas about the kind of life Jane Ann is going to live as the future heiress to his ranch and what kind of education she’s going to need. He rejects the kind of education a girl would have on the east coast of the US as being too “effete” for a young woman who will someday have to manage a ranch with tough “cow punchers.” However, Jane Ann wants some of the refinements of east coast culture, like her own piano, an education, and the company of other girls her own age who share her interests, none of which are available at her uncle’s ranch. It’s true that Jane Ann has a lot of unrealistic notions about life from the books she’s been reading, but that’s largely because cheap romantic novels have been her main source of information about life outside of her uncle’s ranch. Getting an education and more interaction with the outside world would do her some good. Actually, I think Jane Ann’s problem does reflect a problem that exists even in modern education, when parents and instructors are so focused on job training and the roles they think the young are going to fill in life that they neglect the subjects that give students a broader view of life and how the world works, their roles as human beings outside of career roles, and their relationships to other human beings in the world.

When Mr. Hicks comes to the beach house later, looking for his niece, Ruth talks to him about what she knows about Jane Ann/Nita and what Jane Ann really wants. Mercy also adds some criticism because she has “a sharp tongue and a sharper insight into character”, pointing out to Hicks in no uncertain terms what a young girl needs and how she feels about things. Her criticism of the name “Jane Ann”, which seems as dull and plain to the other girls as Jane Ann thought it was herself, seems a little overdone. Jane Ann’s uncle picked that name because it was his grandmother’s name, and it is traditional for certain names to be reused in families. It’s not as romantic and modern as the girls think it should be, but it’s also simple and classic and could really belong to just about any time period, so I don’t think it’s as old-fashioned as they’re implying. I do appreciate Mercy’s straightforward talk and how she speaks her mind without being intimidated by either Hicks’s age or wealth. Mercy really is a character with a personality, which makes her different from some of the other cookie-cutter characters in Stratemeyer Syndicate books with little variation in their personalities, and she’s one of my favorites in this series.

Like other books in the series, there is an element of mystery, but the book tends to lean more toward adventure. However, as the series goes on, the stories are becoming more mystery, and this one is more mystery than previous books. There is first the question of who Nita really is. The newspaper clipping provides a clue, although it’s not a firm answer until Jane Ann’s uncle shows up, looking for her. Then, there is the question of where Jane Ann went after she left the beach house. Ruth is sure that Crab had something to do with her disappearance, but she and her friends have to do some intentional investigating and searching for Jane Ann to rescue her. In spite of some of the problematic language, I like the direction this series is heading.

At the end of the story, there is still something unresolved, and that’s how Ruth is going to pay for her boarding school. Jane Ann’s uncle offers a reward for rescuing her, but Ruth can’t bring herself to accept it because she doesn’t want it to appear that she was only helping Jane Ann for the sake of the money. Instead, she and her friends will be rewarded with a trip to the ranch where Jane Ann and her uncle live.

Odd Piece of Trivia

When Jack Crab tries to pester Nita about what her name is, Mercy bluntly tells him off using a children’s retort:

“Puddin’ Tame!” retorted Mercy, breaking in, in her shrill way. “And she lives in the lane, and her number’s cucumber! There now! do you know all you want to know, Hardshell?”

I not only appreciate that she pokes fun at Crab’s name, calling him “Hardshell“, but she brings up an interesting piece of children’s lore. The “Puddin’ Tame” retort was old-fashioned when I was a kid in the 1980s and 1990s, but it was a popular playground retort for decades, maybe over a hundred years, although I’m not sure of its actual age, and it’s possible that it’s still circulating in schools and playgrounds somewhere. When kids say it, the quick rhyme is more important than the meaning, although there are theories that “Pudding Tame” or “Pudding Tane” (as some people say it) is a reference to a devil character called Pudding of Thame.

Posted on by TracyC · 3 Comments

Run Away Home

Run Away Home by Elinor Lyon

Run Away Home by Elinor Lyon, 1953.

When I first read this book, I didn’t have a copy of it because copies are collector’s items, and many of them are too expensive for me to afford, but after I read this book online, I managed to find a physical copy at an affordable price! I didn’t read this book as a child, but it’s exactly the kind of book I would have loved with atmospherically magical places (although no real magic), mysterious memories, and an orphan with a hidden past. This book was my introduction to the the Ian and Sovra series, although it’s the third book in that series. It’s available to borrow and read for free online through Internet Archive.

Thirteen-year-old Cathie lives at St. Ursula’s Home for Female Orphans in Birmingham, England. She has lived there ever since she was a young child and was found wandering the streets of London after a bombing raid during World War II. When she was found, she was wearing only a nightgown and clutching a locket that held a picture of a dark-haired woman and some dried flowers. She was unable to tell anyone her full name, only calling herself something that sounded like “Cathie.” (Hint: It “sounded like” Cathie. It wasn’t actually “Cathie.”) There was a label attached to her clothes, but it was torn. It only had the first part of her name (“Cat”) and the words “Passenger to” followed by what looked like the beginning of a place name that started with the letter “K” followed by “via” and what looked like the beginning of King’s Cross. If the label had been intact, there would have been no trouble identifying the child at all. The authorities made inquiries for her family or anyone who could identify her, but no one came forward. The conclusion was that her parents must have been killed in the bombing raid and that she had no other living relatives. Her family, whoever they were, was probably not from London because she was found near some railway station hotels, which had been destroyed. Most of the people staying there were killed, and the hotel records were also destroyed, leaving no further clues to Cathie’s identity. Cathie was sent to the orphanage and given the full name of Catherine Harris, but she knows that isn’t her real name. She has no recollection of the traumatic night of the bombing, but she has a vague sense that she has a real home and family somewhere else and a desperate need to discover her real identity.

One day, while reading a poem by Wordsworth aloud, a description of the seaside awakens a memory in Cathie of her early childhood. She’s had dreams of the seaside before, but she’s never been to the seaside since coming to the orphanage. Her memory of it is so clear that she’s sure that it’s not a dream but a place she’s actually been in the past, perhaps even the place where she used to live. She clearly remembers playing in the white sand on the beach, but she just can’t remember where the beach is.

When Miss Abbott, the headmistress of the orphanage, chides her for stopping her reading of the poem aloud, Cathie is upset that she disrupted her vision and her attempts to remember and screams, throwing the book across the room. Later, when she is called to the headmistress’s office to explain her fit of temper, she explains about the memory. The headmistress once again tells her the story of the night when she was found and shows her the locket and label that were found with her. The authorities honestly tried everything to locate her family and learn her original name, but since all attempts failed, the headmistress tells Cathie that she’s going to have to reconcile herself to not knowing. They’re not even completely sure whether the locket is Cathie’s or not because she was carrying it instead of wearing it, so it might have been something that she just found in the rubble after the bombing and picked up.

The headmistress says that she’s known other girls before whose birth names and parents were unknown, and it’s common for them to imagine some grand past or wealthy relations, pretending that they’re the long-lost daughters of a duke or something, but she wants Cathie to be more practical than that. Her parents are almost certainly dead, and if Cathie had any living relatives, Miss Abbott thinks they would have claimed her before. Miss Abbott thinks it’s unlikely that Cathie will ever get the full story of her past, no matter what she may or may not remember from a seaside holiday. Even if she somehow managed to locate the beach she’s thinking about, Cathie’s parents are dead, and there would be no one waiting for her there. Miss Abbott wants Cathie to focus on the here and now, applying herself to making a future for herself and making friends with other girls. Miss Abbott says that family isn’t everything because even blood family members aren’t always supportive to each other, but learning how to make and keep supportive friends will ensure that Cathie won’t be lonely. She says that Cathie will have a much easier time making and keeping friends if she improves her attitude and learns to keep her temper. It’s actually not bad advice if it’s really impossible for Cathie to learn about her past or if she genuinely has no relatives, but Cathie has a strong sense that isn’t the case for her.

Cathie can’t stop wondering about her memory of the sea and her mysterious past. She’s sure that the locket really did belong to her, but she can tell that the picture in it is much too old to have been her mother because of the woman’s hairstyle, which looks like styles from about 100 years earlier. The woman is standing in front of some mountains, and Cathie wonders if those mountains are a real place as well. She keeps thinking that, if she can get away from the orphanage and see other places, maybe she could find the place she remembers and learn who she really is.

As punishment for her temper tantrum, Cathie is sent to do some mending work for Miss Langham, who owns a big house nearby, instead of going to the pictures with the other girls. Cathie doesn’t mind too much because they were going to see a movie that she didn’t really want to see, and she also likes sewing and Miss Langham. While the two of them have tea in Miss Langham’s garden, Cathie brings up the topic of mountains, and Miss Langham mentions that she likes mountains, too. When she was younger, she used to go for mountain hikes. Cathie shows Miss Langham some embroidery work that she’s been doing with a floral design based on the little flowers in her locket, which look like silver buttercups. Miss Langham recognizes the flowers as Grass of Parnassus, which grows in marshy places, but not in Birmingham. She says that she used to see those flowers when she was younger and went hiking in the mountains in Scotland.

For the first time, Cathie realizes that she might not be English at all. If she had come from somewhere else, that might explain why no one in England knew who she was. The place that she’s remembering might be somewhere in Scotland. If she had really been a passenger from King’s Cross station in London, the train that brought her there might have been the Flying Scotsman, which Cathie knows comes to that station. Cathie tries to think of a place in Scotland that starts with ‘K’, which might have been where she was originally from. Feeling increasingly stifled by the strict rules of the orphanage, the lack of privacy at the orphanage, the bleak city, and Miss Abbott’s attempts to get her to stop dreaming about her past, Cathie begins plotting how she can run away to Scotland and start looking for the secrets of her past.

The next time she sees Miss Langham, she shows her the locket with the flowers, and Miss Langham confirms that the flowers are Grass of Parnassus. She also notices something that no one else who has looked at the locket has noticed – the little ribbon that’s holding the flowers together has a tartan pattern (a special kind of plaid pattern). When Cathie looks closer, she sees that the woman in the picture in the locket is wearing the same tartan. Cathie is excited because she realizes that this is confirmation that she was originally from Scotland. Even better, Miss Langham tells her that there are tartans that are specific to certain families or clans. Miss Langham doesn’t know enough about tartans to recognize which clan’s tartan is in the locket, but Cathie realizes that if she can find someone who can identify tartans, she has the key to learning who her family is! (Yes, the tartan pattern in the story is a real tartan, and it is one of the tartans shown on the tartan site page I linked. I checked after I knew what family to look for. But, it’s tricky to figure it out based only on the description in the book because some clan tartans share color combinations. To really identify which is which, you’d have to actually see and recognize the patterns of the colored lines and squares in the tartan. There are no pictures in the book.)

Miss Langham begins to like Cathie and sends an invitation to the orphanage to invite her to spend a few days with her in her home. Since Cathie has been pretty well-behaved lately, Miss Abbott decides to let her visit Miss Langham for a few days, although she has some misgivings because she can tell that Cathie has been acting oddly, as if she were keeping a secret. This visit to Miss Langham is critical because it gives Cathie the means to go to Scotland and try to find her home and family.

When Cathie goes to Miss Langham’s house, she isn’t there. Instead, Mrs. Riddle meets her and apologizes to her on Miss Langham’s behalf. The visit is canceled because Miss Langham’s brother is ill, and Miss Langham has gone to see him. There was no time to inform the orphanage of the change in plans before Cathie left because they don’t have a telephone. Cathie is bitterly disappointed because she had been looking forward to the visit, but Mrs. Riddle gives her some tea and cake and a note that Miss Langham left for Cathie. The note tells Cathie where to find some money that Miss Langham left for her to pay for purchasing the embroidered place mats that Cathie had been making with the Grass of Parnassus design. Suddenly, Cathie realizes that she now has money that no one else knows about. Her clothes already packed in her luggage for a few days away, including some holiday clothes that are different from the orphanage uniform, and no one is expecting her back at the orphanage for days because they all think that she’s with Miss Langham. Her opportunity to escape has come!

Feeling obligated to let everyone know that she isn’t dead when they discover that she’s missing, she adds a note of her own onto Miss Langham’s note that asks her to tell Miss Abbott that she has gone back to the place where she came from. Cathie thinks that, when the message reaches Miss Abbott, Miss Abbott will assume that Cathie has gone to London, the place where she was found as a young child. But, she has a few critical days to reach Scotland before her disappearance will even be discovered. She changes into her plain holiday clothes and goes to the train station in Birmingham. After she gets on the train, she uses her sewing things to remove the distinctive red trim on her coat so it won’t look like it’s part of an orphan uniform anymore.

The first place she goes is Derby, and she decides to hitchhike further north from there to save some money. She gets a ride from a truck driver (lorry driver, this is a British book), but he gets concerned that she might be a runaway or in some kind of trouble. He notices that the name she gives him isn’t the same as the one written on her luggage, a detail that Cathie had forgotten. At least, the driver has no bad intentions toward her and is kind enough to be genuinely concerned for her welfare. He tries to take her to a police station in Sheffield, but Cathie slips away from him and hides in the back of his truck, so he’s tricked into taking her further. When she gets the chance, she gets out and hides in the back of another truck that takes her almost to the border of Scotland. When this driver discovers her, she makes up a story about hitching rides to Scotland because she’s going there for a job in Edinburgh. She decides to take a train the rest of the way to Edinburgh, but by this time, Miss Abbott has already discovered that Cathie is not with Miss Langham. At first, Miss Abbott does think that Cathie might be going to London because of her note, but the police report of a possible runaway in Sheffield gives Miss Abbott the idea that Scotland might be Cathie’s intended destination. Cathie narrowly avoids being picked up by the police as she falls asleep in the waiting room of the train station because they think that she’s already left on an earlier train.

Once Cathie successfully reaches Edinburgh, she isn’t quite sure what to do next, but she enjoys being in the city, feeling like Scotland is the right place for her to be. Then, she spots a boy and a girl who are about her age, noticing that the boy is wearing a tartan kilt (but not the tartan in Cathie’s locket). When the boy, Ian, trips and drops the parcels he’s carrying, Cathie helps him. She makes friends with Ian and Sovra (the girl), and they invite her to come with them to see Edinburgh Castle. They notice that she speaks with an English accent and ask her about where she’s from. She confides in them about running away to find where she’s from, hoping that the answers lie in Scotland. Ian and Sovra are thrilled by Cathie’s story.

Ian and Sovra Kennedy don’t actually live in Edinburgh but on the west coast of Scotland. They’re only in Edinburgh temporarily to help their Aunt Effie. The name of their town is Melvick, and they live in a house called “Camas Ban”, which they tell Cathie means “White Bay” because of the white sand on the beach there. More than ever, Cathie is sure that she’s headed in the right direction!

Ian and Sovra catch the train home while Cathie returns to the cafe where she ate breakfast, searching for her locket, which she lost earlier. By the time she finds it and returns to the station, they are already gone, but Cathie asks about other trains to Melvick. There is going to be another train to Melvick early in the morning, and Cathie is told that it goes straight through to Melvick via Kinlochmore, with no changes necessary. Kinlochmore is the first Scottish place name Cathie has heard that starts with a ‘K’, and from the description of the area that Ian and Sovra gave her, which include a beach with white sand and mountains, Cathie is convinced that is where the secrets of her past can be found!

Cathie is on the right trail for finding the answers that she seeks, but getting caught is still a concern. The police and Miss Abbott are still looking for her, and she’s running out of money. Ian and Sovra help her and hide her in their secret hidden cottage (from the first book in the series), but unbeknownst to all of them, they’ve actually met Cathie before. Cathie really is remembering the beach near their home, and while she doesn’t remember the two of them, there was a time when they were all there, back before Cathie’s parents were killed in the Blitz and Cathie was known by her real name … Catriona, or as her parents used to call her, Catri.

My Reaction and Spoilers

One thing that I appreciated about this story is that there are no evil characters in it. None of the strangers Cathie meets wish her harm, and they even try to help her, although she dodges some of their help because it would take her back to the orphanage instead of allowing her to move forward on her mission. The orphanage where Cathie lives isn’t terrible. It’s kind of like a boarding school, so she is being educated, and she is not starved or beaten there. The worst Cathie can say about it is that the discipline is somewhat strict and she never has real privacy from the other girls.

Miss Abbott is the closest that Cathie comes to having an antagonist, and she does give Cathie punishments early in the story for the emotional and discipline problems she has while trying to revive her memories and reconnect with her past. In modern times, I think most caregivers would recognize the emotional turmoil Cathie is experiencing and be more patient and supportive to help her work through her feelings and memories, but Cathie’s orphanage doesn’t seem to offer professional counseling. Miss Abbott isn’t trying to harm Cathie. She does repeat the story of Cathie’s past when she asks her to, and when she lectures her on her behavior or gives her punishments, it’s not blind, unfeeling discipline; she explains her reasons to Cathie and tells her not just what she doesn’t want her to do but how she wants her to act and why. Miss Abbott is strict, but she actually does care what happens to Cathie and is trying to do what she thinks is best for her. The only reason why she doesn’t want Cathie to pursue the past in the beginning is that she thinks that it’s hopeless, and she’s pretty clear about that. She’s seen other girls pine for families they just don’t have or who are never going to reclaim them, for whatever reason. She thinks that there just isn’t enough information for Cathie to reconnect with her past and that she has no living relatives to find. Thinking about what she’s lost and will never find could just lead to more frustration, anger, and depression for Cathie. Even if she could find the beach she once visited as a young child, what would she do if there’s no one there waiting for her? Miss Abbott wants Cathie to reconcile herself to her loss and focus on the present and the future, building skills and relationships with the people around her, because she thinks that is what will lead Cathie to a better life. Cathie admits that Miss Abbott is nice, but she likes to plan other people’s lives, and she didn’t like the life that Miss Abbott had planned for her. In some books, that might actually be the moral of the story, learning to reconcile with the past and move forward without getting all of the answers, but this is is a sort of mystery/adventure story, so Cathie is on the path to finding the answers she seeks. It is a pretty calm, relaxing sort of adventure story, though, because no one is trying to harm Cathie, and the only threat is that they will put an end to her inquiries and take her back to Birmingham.

I liked the part of the story where Ian and Sovra are talking about which of the adults in their family and community would be most likely to give Cathie away to the authorities if they found out about her, and Ian says that even the two of them might turn Cathie in if they were a lot older. Cathie demands to know what he means by that, and Ian explains that it has to do with priorities. Kids and adults have different priorities. The biggest concern for the adults would be that Cathie is running around unsupervised and might get into all kinds of dangerous situations on her own, with no adult to supervise and take care of her. They would feel like they have to reign her in for her own good, and they’re also probably angry with her for causing them worry about her. However, Ian says, explaining the priorities that he and Sovra share with her as children, “You see, we know what’s more important. It doesn’t matter a bit if people are worried about you and rushing around looking for you. It does matter a lot for you to find out who you are.” Maybe he and Sovra would feel differently about it if they were older than Cathie and directly responsible for her safety, but as friends and equals in age, they put their concentration on helping her to accomplish her mission instead. It’s not that the kids and adults have different understandings of the situation. Both understand what Cathie is trying to do and both know know that there are risks involved in what Cathie is doing, but the main difference between them is that the children think that it’s still possible for Cathie to accomplish her mission to find out about her past, and the adults in Cathie’s life have already given up on that possibility and are just concerned with keeping her safe.

One of my early thoughts about the book was that Cathie’s parents might not necessarily be dead, since we don’t know in the beginning why Cathie was in London during WWII or how she got there. However, they really were killed in the bombing attack the night that Cathie was found, and they really are dead. For a long time, Cathie’s other relatives have assumed that Cathie/Catri died with them because the place where she was found wasn’t the place where they expected her to be and where they had been making inquiries for her and her parents. When they never heard from any of them again and they found out that there also had been a bombing in the area where they were supposed to be around the time when they disappeared, they had assumed that the whole family had been killed. Not everyone who died in bombing raids was able to be identified, so there were times when families weren’t notified of deaths and had to assume them from the circumstances and lack of contact from their relatives.

Stories about mysterious orphans with unknown pasts are staples of children’s literature and make great topics for mystery stories, but one of the fascinating things about this particular story is that it’s the kind of thing that could and did happen around the time of WWII. The time period really makes this story because it’s not only plausible that an orphan could go unidentified for a long period of time, but this is just the time and place where that would actually make sense. England was a war zone in World War II. It wasn’t actually invaded, but it was bombed frequently. People were killed, and children were separated from their parents in the chaos. In this era of chaos and sudden death, children were sometimes born out of wedlock to parents having a wartime fling and grew up without knowing who their parents were, or at least not knowing who their fathers were. That could account for some of the other children at the orphanage with unknown parents, but not Cathie. Some children were abandoned by desperate parents or were accidentally left when arrangements for unofficial adoptions suddenly fell through. Those are all things that really happened around that time, but that isn’t Cathie’s story, either.

In modern times, DNA evidence can help solve mysteries of this type, and it has helped to solve some past mysteries for people who were adopted as children, but back in the 1940s and 1950s, that wasn’t an option. Also, in modern times, Internet news stories and televised communication methods would also have helped the story of the found girl travel further, making it more likely that it would reach her relatives or someone who knew them. During this time, they would have been relying solely on newspapers and radio, and there might not have even been a picture to accompany a news story about the found child that would help someone recognize her. Modern methods don’t always solve every mystery, but they can help a great deal. That’s why this story really only works for this time period – a time when chaotic events happened that separated families and orphaned children and when modern investigative tools were unavailable.

Early in the story, I had thought that Cathie might have been about to head on her way out of London to somewhere else at the time of the bombing as a child evacuee because many children were sent away from London for safety from the bombings around that time. That wasn’t the case with Cathie, but it would have been a plausible explanation for the tag on her clothes. Child evacuees were known for having tags with their names attached to their clothes, and some children never returned home to their families when the war ended because their parents had died or had abandoned them. However, that’s not the case in this story, either. At the time her parents were killed, young Catri was actually traveling with her parents en route to another destination. The stop in London was unplanned, and they never made it to the place where they were supposed to be because of the bombing. It was just a case of bad luck and being caught up in the larger chaos of the war happening around them. The story does provided details of exactly how that happened, but since the book is available online, I decided not to include some of that information to preserve some suspense for people who want to read the story.

The special magic of this book isn’t just that Cathie discovers her identity, but how she does it. Readers know that when Cathie sets out on her journey, she’s likely to find some answers or at least a new home that will be better for her than the orphanage because the title of the book is “Run Away Home.” But, in the beginning of the story, readers are not quite sure how Cathie will do it and exactly what waits for her at the end of her journey. It’s the journey toward the truth and her special connection to the other children who help her that make the story satisfying. Little by little, Cathie uncovers pieces of the past. There are some lucky coincidences where she connects with people who were already connected to her and who can explain the past to her. When she comes to Melvick, Ian and Sovra hide her in a shieling or hut that they found hidden behind a waterfall in the first book of this series, which is a magical place to stay. For the first time in her life, Cathie has time alone where she can explore the beach and nearby mountains, and she enjoys the peace and serenity of the countryside more than the big city where she had been living. The characters in the book mention that, during WWII, parts of the west coast of Scotland were blocked off to visitors, except people who lived there or had relatives in the area, due to military exercises. The fact that Cathie definitely remembers being there during that time tells her and others that she either lived there or had family there, and it wasn’t just a one-time beach holiday.

At one point, Alastair Gunn and Dr. Kennedy figure out that Cathie is some sort of runaway, and Ian is physically punished for hiding her. I thought at that point in the book, Alastair handled the situation clumsily, saying too soon that Cathie can’t stay hiding there without first questioning her more closely about what she’s doing there and where she came from. I habitually ask a lot of questions, and it seemed to me that the adults in the book act too soon without finding out what they need to know about the situation. In their place, I would have wanted to get the situation straight before declaring anything or punishing anyone. At that point, the adults hardly know what the kids have been up to. By the time Miss Abbott arrives in Melvick, there is no need for her to return to the orphanage. Just when Cathie is thinking that she’ll have to reconcile herself to not knowing about her past and build a new future in the new home she’s been offered, the final pieces of the puzzle of her life fall into place, and Cathie gets the answers she’s been looking for. Even Miss Abbott is satisfied that Cathie has finally found the home she’s been looking for. After this book, Cathie becomes one of the major characters in this series.

I also liked this book for explaining the meanings of some Gaelic terms and place names. The Scottish characters do use some words that American readers might not be familiar with, like “dreich” and “havering,” but their dialogue is still easy to understand. The book doesn’t go overboard with trying to write to show the characters’ accents, which can get confusing and annoying in some books. The Scottish characters use “och” as an expression sometimes, but they don’t overdo it.

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The House in Hiding

The House in Hiding by Elinor Lyon, 1950.

This is the first book in the Ian and Sovra series, which takes place in Scotland.

Ian and Sovra Kennedy are brother and sister, and they live by the sea in western Scotland. Their father is the doctor in their small town. One day, after Ian and Sovra have been asking their dad to rent a boat for them so they can explore some of the islands just off the coast where they live, their father tells them that he has bought a boat for them. It’s just a small boat for rowing, but it’s theirs, and it gives them the freedom to explore that they want. There is one island in particular that they want to explore, the one they call Castle Island. Its real name is Eilean Glas, which means “Gray Island”, but they like to call it Castle Island because there’s a square-shaped rock in the middle of the island that looks somewhat like a castle. However, their visit to this particular island has to wait for the end of the book because other events intervene to distract them.

When the children come back from trying out their boat for the first time, they hear their parents arguing about how to accommodate some house guests. Their father’s fishing friend wants to come for a visit. He was going to rent rooms in town for himself, his wife, and their daughter, but the innkeeper has had a stroke and can’t handle guests right now. So, Dr. Kennedy has offered to host the family, but the Kennedy house isn’t very big. If the guests use the children’s rooms, Ian and Sovra will have to camp out in the bothy, which is an old hut in back of the house. Ian and Sovra sometimes camp there anyway for fun, but it does get damp when it rains. Mrs. Kennedy doesn’t like the idea of the children sleeping there if the weather gets bad, but the children think that it sounds like fun and tell their mother that they’ll be fine and that they want to do it.

Dr. Kennedy’s friend is named Tom Paget. Dr. Kennedy doesn’t like Mrs. Paget, although it isn’t completely clear why. All he says about her is that she likes to wear a cloak and paint with water colors, which doesn’t sound very objectionable by itself. (I was actually a little irritated at Dr. Kennedy because he makes repeated comments about how much he doesn’t like Mrs. Paget without offering any more information than that. If she’s just a little eccentric in her style of dress and likes art, so what? I found the parts in the book where they get nitpicky and really down on her irritating.) Their daughter Ann is about the same age as Ian, and because Dr. Kennedy hasn’t yet met her, he’s not sure what she’s like until the family arrives, although he makes a point of saying, to his children, directly, that he hopes Ann isn’t like her mother. (Nope, no further information about why, and Dr. Kennedy sounds rather rude.) Dr. Kennedy’s comments about Ann and her mother leave Ian and Sovra feeling unenthusiastic about their guests, so they plan to spend most of their visit staying out of their way and possibly avoiding Ann, too, if she turns out to be like whatever her mother is like. (Way to go, Dr. Kennedy. Let’s start this whole experience off on a bad foot with everyone primed to hate your house guests, shall we?) Ian thinks that their whole camping outside the house experience would be even more fun if they were further from the house, so they won’t have to deal with the guests poking their noses into the bothy to see where they’re staying or worrying about whether Ann will want to join them because that would be bad for vague reasons.

Ian and Sovra start camping out in the bothy before the guests actually arrive to get things in order. However, they accidentally set fire to the bothy during an accident with their camp fire. With the bothy burned, where are Ian and Sovra going to camp out while the guests use their rooms? Their parents won’t let them have a tent because it won’t be dry enough if it rains. Fortunately, an important discovery that Ian and Sovra make turn this misfortune into an adventure.

While their parents worry about finding them another place to stay during their guests’ visit, the kids go exploring further in their boat. Their boat gets caught in a whirlpool and is drawn around the back of a waterfall, where they find a hidden cave. More importantly, someone else discovered this cave a long time ago. There are stone steps carved into the rock and a metal ring set into the wall for tying up boats, showing the children that this is an intentional landing spot. When they go up the stone steps, they discover an old, abandoned cottage hidden in a green hollow. (They call it a shieling.) The old cottage is in remarkably good condition for being abandoned for a long time, and Ian thinks that if they clean it up, it would be the perfect place for the two of them to stay during the guests’ visit. Sovra thinks that their parents aren’t likely to agree because the cottage is too far from their own house and rather isolated, and the landing place behind the waterfall is too dangerous. However, Ian is sure that there’s a better landing place somewhere else, if they approach from another side. Upon further exploration, the kids find a collection of cottages that were once a tiny village, older than the shieling they found and abandoned for a long time. The little abandoned village does have a landing place, and they decide that was probably how the people who once lived in the shieling got to where they built their home. They have to be careful, though, because the area is surrounded by a bog that might contain quicksand, and they’re not sure how to get across or around the bog. In the end, they decide that the waterfall entrance is actually the best way to reach the shieling, and they learn to navigate the currents around the waterfall safely.

The children’s father finally gives them permission to camp out in the old shieling, although their mother still has misgivings because the parents aren’t completely clear on exactly where the children will be camping and haven’t seen it yet themselves. The children describe the shieling to their father and tell him that it’s over near Lochhead, another town nearby. Dr. Kennedy is satisfied from their description that the house will be safe to camp in and says that they can communicate with them daily by sending them a message by the postal van from Lochhead, and if they need anything, the parents will send it to them by the same van the next day. Their mother is still uneasy, but since their father is convinced that it will be fine, she finally agrees to let them go. Ian and Sovra are thrilled at having this secret house all to themselves, but Ian says that they will need to keep it a secret and be careful not to leave signs that they’re there, just in case someone still owns the old house and doesn’t want them there, even if they’re not using the house themselves right now.

The children’s discovery and use the shieling is not only the beginning of this story but also the rest of the series. The children’s secret hiding place not only provides them with a secret place of their own but also leads them to some important discoveries about their own family and other people. This book in particular focuses on the missing chieftain of the Gunn clan, who has been presumed dead, but it takes awhile for that mystery to enter the story.

While Ian and Sovra are enjoying their freedom in their secret house, the Pagets arrive with their daughter, Ann. Mrs. Paget turns out to be a somewhat eccentric woman, sometimes overly enthusiastic about little things, raving about them with some cutesy talk. She often elaborates her daughter’s name from Ann (which is what it really is) to the longer Annabel or Annabella (neither of which is her actual name) and referring to the absent Ian and Sovra as the “dear little children.” (Yeah, it’s kind of an annoying cutesiness, but I still think that Dr. Kennedy shouldn’t have been maligning her before she arrived.) Mrs. Paget isn’t just a hobby painter; she has actual shows of her work and has been successful at selling her paintings. When she arrives, she tells the Kennedys that she wants to find the best places in the area to paint, and she’s particularly interested in things like old castles, old bridges, and waterfalls. (I think you can see where this is going.) The Kennedys mention that there are abandoned villages in the area.

Mrs. Paget thinks that sounds exciting and asks about the history of these villages. The Kennedys say that they don’t know the full story behind them, but Donald, the old man they bought the boat from, might know. They think that the people who used to live there probably moved to the bigger cities to find work or something. (This is something that actually did happen to small villages in Scotland in real life. If you’d like to know more about the circumstances and see pictures, I suggest looking at Hirta Island. Although it looks like a pretty spot, living conditions there were harsh, and after a young woman died there who might have been saved if she had lived near a city with a hospital, the people decided that it was too isolated, and they didn’t have the population levels and support they needed to stay there.)

Poor Ann is bored and disappointed by the absence of Ian and Sovra. (Yeah, thanks again, Dr. Kennedy, for all the negative talk that made them not want to even meet poor Ann and be friends with her. In his first message to the children after the guests arrive, Dr. Kennedy makes fun of Mrs. Paget’s sandals, which he says are “made of pink string” and says he doesn’t know why Mrs. Paget wants them to meet Ann. Oh, I don’t know Dr. Kennedy. Let’s all think hard about this. Could it possibly be because Ann is lonely, there are no other kids in the area, and she could use a friend? Why is Dr. Kennedy so mean and weird about this? He’s an adult, for crying out loud! Ian and Sovra think that it would be “frightfulness” if they have to meet Ann and actually “be nice to” her if she’s like her mother. Keep in mind that they still don’t even know what Mrs. Paget is really like because they haven’t met her, and oh, noes, how awful to be nice to somebody who’s a little strange or eccentric during a temporary visit. What a family!) Ann often finds family holidays boring because she’s an only child. When her mother is busy painting and her father is busy fishing, Ann has very little to do and nobody to talk to. Ian and Sovra know that the Pagets have arrived, but they try to avoid meeting them, both because they think that they won’t like the Pagets, not even Ann, and because they want to keep the house where they’re staying a secret.

The very first time Ian sees Ann, he tries to run away from her and ends up falling and getting hurt. Ann tries to help him, although he resists at first, partly because he is afraid that if his mother finds out that he’s hurt, she’ll put an end to the camping trip. Ian messes up Ann’s name, calling her “Animosity,” and I’m not sure if he did it on purpose or because he actually has a head injury from his fall. (Actually, it was probably on purpose because he does it repeatedly from this point on in the story. No, Ian, “animosity” is what your family cultivates for other people and what I’ve been feeling each time your dad criticizes Mrs. Paget behind her back.) Ann messes up Sovra’s name, asking if Ian is saying “Sofa”, but I cut her more slack because Sovra is a more unusual name, and she’s not doing it deliberately. She’s just asking if she heard that right. Ian does explain that although Sovra mostly spells her name “Sovra” for school, her name is really supposed to be the Gaelic word “Sobhrach”, which means “Primrose.” Same name and pronunciation, but different spelling. Ann likes the name for being unusual. Ann goes to get some water for Ian, and while she’s gone, Sovra finds Ian and helps him into their boat. By the time Ann gets back, they’re gone.

Sovra worries about whether Ian has given away their secret to Ann. Ian says he doesn’t think so, but he has been rambling and not thinking straight since he hit his head, so he can’t be sure. He’s dizzy and disoriented and definitely showing signs of having a concussion. He should be checked out by a doctor, who happens to be his dad in this area. However, Sovra takes Ian back to the shieling. Ann worries about where Ian disappeared to, but she realizes that he couldn’t have gone anywhere by himself in his condition, so someone else must have come and helped him. She doesn’t mention what happened when she returns to where her mother is painting by the abandoned village because she doesn’t know where Ian is and can only assume that someone took him somewhere to get help. Both she and her mother spot smoke rising from the hollow where the shieling is, and Ann wonders if that could be Ian and Sovra’s campsite, although she isn’t sure. When Ian and Sovra get another note from their parents, it says nothing about Ian’s injury, so they realize that Ann didn’t tell the adults about it, and they begin to think more highly of her for keeping their secret. (Yeah, as if that was the smartest or most caring thing she could have done. But, these are kid priorities. You’d think with a father who’s a doctor that they’d know better than to be too cavalier about head injuries, though.)

However, soon, there are other things on the kids’ minds. When Ian went to go see Donald about a bung for their boat, he noticed that Donald has a special two-handled cup called a quaich, and his quaich has a symbol on it that’s the same as a symbol that was carved into the hearth of the shieling. Ian and Sovra wonder if that means that Donald actually owns the shieling. When they ask him about it, he tells them that the symbol is a juniper sprig and it’s the badge of the Gunn clan. Donald questions them about why they want to know, and they carefully say that they’ve seen the symbol carved somewhere else. Donald realizes what they’re talking about, and he tells them that he once helped to build the little house where they’re staying. Years ago, his cousins lived in the little abandoned village, and he found that secret cave behind the waterfall himself when he was young. He’s the one who created the secret landing place and stone steps. The Gunns once owned the village and the land around it, but the head of the family, Colonel Gunn, died without children. Since then, Kindrachill House, the bigger house where Colonel Gunn lived, has been empty. Colonel Gunn did have a nephew named Alastair, but everyone believes that he died somewhere in the Far East. Alastair used to live in the shieling where Ian and Sovra have been staying. Donald gives the kids permission to continue staying there, since it seems that the original owner isn’t coming back. He also tells them that there’s a superstition in the Gunn family that, when Kindrachill House is empty, the heir to the estate will not arrive until someone lights a fire in the hearth. Ian wonders if they really have to light a fire only in the hearth at Kindrachill to make the legend come true or if it would count that they’ve been lighting fires in the hearth at the shieling, where Alastair used to live and where he carved his family’s crest in the hearth. Sovra says that it doesn’t really matter since Alastair’s dead and can’t come back … but is that really true?

When things in the shieling are moved around when Ian and Sovra aren’t there, they assume that Ann has found their hideout. They know that she’s been looking for it. Later, she admits to them that she has been there, having figured out a way to get there that Ian and Sovra don’t even know about, but she didn’t move all of the things that have been moved. Someone else who knows about the shieling has been there. They know it’s not Donald because he has trouble walking and can’t make the trip to the shieling by himself. So, who else could it be?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

The location of the story gives it an almost timeless quality. The children spend much of their time in nature, with few references to modern technology, so the story could take place in many time periods. However, the book is set contemporary to the time when it was written, in the mid-20th century, after WWII. That time period is especially important in the third book in the series. This first book in the series could take place during many possible decades, but the third book can only be set during the 1950s because WWII is important to that story.

There is a slight element of mystery to the story, but the kids aren’t actively trying to solve the mystery element. Mostly, it’s a kind of adventure story with elements of slice-of-life about how these kids spend their summer in an exciting location with a somewhat mysterious history. Little pieces of the situation are gradually revealed to the characters during their adventures. Kids like stories about other kids who have adventures without adult supervision, and parts of the story are about the fun things they do, setting up house in the old cottage and enjoying themselves in and around the secret hideaway.

The Kennedys’ Attitude Problems

I have to say that I didn’t like the attitudes of any of the Kennedys. I actually read the third book before this one, and I liked the characters better in that book. In this book, both the parents and the kids seem to be some kind of snobs. They’re negative and mean about Mrs. Paget and her daughter for little reason. Granted, I don’t like cutesiness much, but Mrs. Paget just seems to be a mildly eccentric artist who dresses a little oddly and acts overly enthusiastic about some things. I didn’t think there was any call for a medical man like Dr. Kennedy, who should be at least somewhat understanding about human nature because of his profession, to be so mean about the way Mrs. Paget dresses or try to discourage his children from being nice to Ann. There’s almost a mean girl exclusiveness quality to the Kennedys’ behavior. Most of the men I know have little knowledge about women’s clothes, but Dr. Kennedy sounds like a middle school mean girl, nitpicking the way the poor woman dresses. He even writes about it in the notes that he sends to his kids during their camping trip. The pink rope sandals bother him so much that he wants to put that in writing to his kids who aren’t even there and who should be polite to this guest when they actually meet. Dude, you live a “simple” life in a cottage near a small town on the coast of Scotland. You’re not exactly in a high society fashion district, and there are few people around to see or care what anybody dresses like. So what if she likes to wear cloaks with sandals? It’s an odd clothing choice because it seems to indicate that she’s dressing for two different types of weather at once, but it’s harmless. Calling the landscape “delicious” and the children “dear little children” (“dear” seems overly generous to me, but Mrs. Paget doesn’t know any better) might seems a little sappy, but again, so what if she’s somewhat sappy and romantic in her speech? Calling her daughter Ann by much longer names which she could have just named her in the beginning, like Annabel or Annabella, is also a little odd, but if Ann doesn’t seem to care, why should anybody else? Families do sometimes have odd nicknames for kids, and it’s not the worst I’ve ever heard. Going from a shorter name to a longer one is the opposite of what most nicknames do, but again, it’s just harmless eccentricity. None of the things Mrs. Paget does seem really that bad. Mrs. Paget doesn’t do anything rude or mean, and she seems like a pretty unobtrusive guest. Mostly, she just wants to find pretty spots where she can sit most of the day and work on her paintings while her husband fishes, so if they don’t like her cute, sappy talk, they don’t have to hear it much. She only seems to return to the Kennedy house to eat and sleep, and that’s literally the least a host can provide a house guest.

The Kennedys are fine in the scenes when they’re just by themselves, but when their guests are around, they’re barely holding back inner meanness and rudeness for the guests that seems completely undeserved. That was a constant source of tension for me while reading the book. When Mrs. Paget is asking about beautiful spots in the area with enthusiasm and interest in their history, Dr. Kennedy is thinking about the best way to answer her questions quickly so he can just talk to her husband (about fishing, I guess), like he just wants her to shut up. The men are going to go off fishing together, during which they’ll have hours to talk about anything they want, and Dr. Kennedy thinks it’s such an imposition to talk to Mrs. Paget for a few minutes when they first arrive about the area where he lives and its history, for which Mrs. Paget has only expressed admiration and interest. Mrs. Kennedy also seems oddly defensive to Mrs. Paget about the “simple” life they lead, which she seems to think is too simple for Mrs. Paget, but Mrs. Paget reassures her that isn’t the case, that she thinks the area is charming and the children’s camping trip sounds like fun. Mrs. Paget seems overly enthusiastic about how great it all is. Whether she’s really that enthusiastic on the inside, I couldn’t say, but at least she speaks positively and makes an effort to show interest. She is definitely interested in the artistic possibilities of the area and sincerely curious about its history. She follows up her curiosity by asking Donald about what he knows, which shows effort.

Meanwhile, the Kennedys are trying to hide their negativity, which seems to spring from ideas they have about Mrs. Paget that aren’t born out in real life. There’s little indication of how the Kennedys got these ideas except their own inner negativity and insecurity. When I was a kid, my mother would tell me to be nice to other people and to make visitors feel welcome, and even if I wasn’t having fun with particular visitors, to remember that their visit was only temporary and make the best of it until it’s over. You can feel any way you want, but you still have to behave yourself. Being nice to a temporary guest is not a terrible imposition, and putting up with a less-than-ideal guest is completely bearable and encourages return hospitality. The Kennedys don’t impart these lessons to their children, and the father seems to particularly discourage this thinking. This is the type of family that breeds little bullies, people who think that generally being nice to people is a terrible burden to endure. It really struck me as pretty rotten for Dr. Kennedy, a grown man in a position of trust and responsibility for the welfare of people in their community, to try to discourage his children from meeting and being nice to Ann, a lonely child who never did anything to Dr. Kennedy and doesn’t deserve this bad treatment from him, smearing her reputation and making it difficult for her to make friends. Why is Dr. Kennedy trying to get his kids to be mean to Ann instead of telling them to be kind to a guest and make friends?

Of course, I really know why the Kennedys have to be this way. It’s a plot device. Their reasons for not liking Ann and her mother don’t have to be fair or make complete sense because it’s the results that matter. It’s all to set up part of the conflict of the story. If Dr. Kennedy was nicer about Mrs. Paget and encouraged his kids to be nice to Ann, they wouldn’t be so worried about having Ann around or joining them on their camping trip. Ian wouldn’t have been so worried about Ann seeing him that he tried to run from her, fell, and got that concussion. If the kids were friendlier with each other, Ann wouldn’t have needed to get a ride from a stranger or might have told them about the man she met who gave her a ride and who turns out to be important. Quite a lot of the problems the kids encounter would have been different or simplified if characters were nice with each other and worked together more. It’s a theme that appears often in literature, and actually, quite a lot in real life, too. It doesn’t make it any less annoying for me.

Character Development

The parts where I thought Ian and Sovra were at their best were when they were completely by themselves. They seem to have a good brother-and-sister relationship and know how to function as a team. Even when one of them messes something up and they criticize each other, they still have each other’s back and work together to clean up their messes. However, I never really got to like Ian and Sovra as people during this book because of their meanness and snobbishness, which is ironic because they later say that they don’t like Ann because she thinks that she’s better than they are. This seems to be a retroactive decision by the author because she doesn’t show that trait right away. It seems to surface later in the story, long after Ian and Sovra have decided that they don’t like Ann and need to avoid her and think it would be frightful to be nice to her.

My favorite characters in the story are thoughtful Ann and kind Alastair. Yes, Alastair does appear in the story. He’s not dead. Ann is the first to meet Alastair on his arrival back in the area, and he helps her when Ian and Sovra have been mean to her, stealing her shoes so she can’t follow them back to their secret house from the beach and leaving her to limp back to the Kennedy house over rocks with a hurt foot. Ann vents to Alastair about her troubles with the Kennedys without knowing who he really is, and he tells her that he’s sorry that she’s having such a bad time and that the Kennedys have been unpleasant to her. Finally, a voice of reason and compassion in the story! Ann doesn’t mention this encounter with Alastair to anybody at first because she doesn’t know who he is, that they all think he’s dead, or that his return has any special meaning.

Little by little, Ian and Sovra do start to feel guilty about the way they’ve treated Ann and start looking at her differently, noticing the things she does well and acknowledging some of the skills and knowledge she has. Eventually, Sovra does apologize to Ann for stealing her shoes. When Ann is seasick the first time they take her out in their boat, she admits that she’s not as used to sailing as they are, which makes her seem less superior than Ian and Sovra thought she was. Ann even apologizes for talking like she knows everything when she doesn’t, but I still thought it was weird because that wasn’t the impression that I was getting from her until after Sovra and Ian started saying that’s what she was doing. The apologies they each give each other and their mutual acknowledgement of each other’s faults and strengths help them come to a better understanding of each other and resolve their conflicts.

Ann also proves to Ian and Sovra that she does know things that even they don’t know about the shieling and the area around it because of the questions her mother asked Donald about the history of the area. Donald told Mrs. Paget that there was once a pathway between the abandoned village and the shieling that was lost years ago, apparently swallowed up by the bog, and nobody knows quite where it is now. However, this summer has been drier than normal in the area, and Ann realizes that the path might have been exposed again by the lower water levels in the bog. She carefully observes the area from a high vantage point when they go hiking in the mountains until she spots where the path goes and marks it on her map. Then, the next time her mother goes to the village to paint, she scouts for the beginning of the path from the ground, finding a series of stepping stones through the bog.

When Ian and Sovra ask her later how she got to the shieling when she didn’t know about the waterfall entrance, she explains to them what she did, and they ask her to show them where the path is. I liked this part because Ian and Sovra were smug earlier about Ann’s map, saying that they didn’t need any local maps like that because everyone knows where everything around here is anyway, and their big source of pride with Ann was that they know more about the area than she does. (They thought that her explanations of what’s on her map when they asked her to show it to them earlier was just her trying to be “superior” to them.) They do know a lot from living there for their whole lives, but the problem is that they count too much on that sometimes and don’t think to ask the questions Ann and her mother do because Ann and her mother are aware of what they don’t know and are actively trying to learn.

I also liked it that when Ian and Sovra finally let Ann join them camping at the shieling, they also let her take over the cooking. Earlier, they took exception to her father saying that she’s an excellent cook because they saw it as bragging and acting superior, but Ann really is good at cooking and likes doing it, and Sovra admits that she isn’t terribly good at it and doesn’t really like it herself. I was relieved when the characters stopped worrying about who was superior to who and who was acting superior when they shouldn’t and just let people do what they’re good at and interested in doing, acknowledging when someone does something well without adding a kind of put-down onto it, like Ian and Sovra did earlier.

Alistair

Getting back to Alastair’s return, he eventually shows up at the shieling and talks to the children, explaining what happened to him. He says that he tried to talk to them before, but they weren’t at the shieling the last time he stopped by. His plane was wrecked in the Pacific (They don’t say that it happened during the war, so it might not have been. I thought they might have been implying that he was a pilot in the war, but that would play with the timing of later books in the series.), as they heard, and he spent some time living with a native group on an island. The natives were friendly enough and helped him, but it took him awhile to learn enough of their language to really communicate with them and figure out how to get to a place where he could arrange passage home. That was when he first learned that he’d been declared dead. Since then, he’s been reestablishing his identity and checking on the estate that he’s inherited. By the time that Alastair finally shows up at the shieling and introduces himself to the children, they’ve heard that Kindrachill House is supposed to be sold to pay the mortgage. When they ask Alastair about it, he confirms that he doesn’t have the money he needs to pay the mortgage. He almost didn’t come back to the area at all because he didn’t think there was anything there for him. However, it turns out that he’s an art lover, and when he went to a showing of Mrs. Paget’s paintings in Glasgow, he saw the painting she did of the old village and how she included the smoke rising from the shieling where Ian and Sovra were staying. That made him want to return to his old cottage and see who was there. So, the legend about a fire in the hearth bringing the Gunn heir home comes true.

There is an argument among the four of them whether Ian and Sovra should get the credit for Alastair’s return because they lit the fire in the hearth at the shieling or whether Mrs. Paget should get the credit because her painting is what drew it to Alastair’s attention, but it’s a good-natured debate. There is still the problem of the mortgage that needs to be paid, but Ian, Sovra, and Alastair find the solution to the problem when they finally go take a look at Castle Island, and Ann rescues them when they accidentally maroon themselves there. Since Ian was the first to spot the solution to their problem, Alastair thanks him by giving him the shieling so he and his sister can use it whenever they want. Alastair is able to save Kindrachill House and takes up his role as chieftain of the Gunn clan, which sets up the other stories that follow in this series.

My Favorite Parts

The best parts of the book for me were its timeless quality and the location. A secret house, forgotten by everyone, accessed by going behind a waterfall and climbing a hidden stone stairway is just the sort of place I would have loved as a kid. Even as an adult, I love the idea of a secret hideaway in a picturesque spot. The location and atmosphere are what I recommend to other readers the most. The imagery of the setting is wonderful, and it’s a great place to escape to mentally, if you can’t get to such a spot physically.

I also like books that bring up interesting facts and bits of folklore for discussion. At one point in the book, Ian explains singing sand to Sovra, which is dry sand that makes a sound when people walk on it under the right conditions. (This YouTube video demonstrates what singing sand can sound like on Prince Edward Island.) A less pleasant but still informative part is when Sovra breaks the necks of the fish they catch to kill them quickly. I’m not sure if I’ve heard of other people doing that when they fish or not. It makes sense when they explain it, but I know very little about fishing. I’ve never lived near bodies of water and haven’t gone fishing, and I get squeamish about things, so I’ve never asked.

On a day of heavy mists, Ian and Sovra are also fascinated with how muffled and mysterious the land looks and talk about how it probably inspired stories they’ve heard about ghosts and “second sight” and doppelgangers (although they say it as “doublegangers”). Ian explains how doppelgangers are like “the wraith of someone who’s still alive, so there are two of them.” This piece of folklore is why we refer to people who bear a strong resemblance to each other without being actual twins as doppelgangers. (Some people also call them “twin strangers.”)

Posted on by TracyC · 2 Comments

The Secrets of the Pirate Inn

The Secrets of the Pirate Inn by Wylly Folk St. John, 1968.

One day, Jack, Amy, and Sally’s mother receives some surprising mail for her deceased father.  The children never met their grandfather, who died before they were born, but the letters concern their grandfather’s Uncle Will.  Uncle Will is an 88-year-old man, and one of the letters is from Miss Dibble from the Welfare Department in Port Oglethorpe, Georgia, the seaside town where Uncle Will is living.  Miss Dibble is concerned that Uncle Will is no longer in his right mind and not capable of taking care of himself, and she is hoping that his family will persuade him to go live in a retirement home. 

The children’s mother says that Uncle Will was an adventurer and a wild character even in his younger years, always playing games and doing eccentric things, so the situation may not be as bad as Miss Dibble thinks it is.  The mother has never met Uncle Will, either, because her grandmother disapproved of him and discouraged him from hanging around the rest of the family years ago.  She knows that her father always thought of him as being a fun uncle and that he used to own some land in North Georgia, where he found a priceless diamond.

The second letter comes from Uncle Will himself.  It contains a strange rhyme and a letter to his deceased nephew, saying that he sold his land and that the money from that sale and his diamond will go to him upon his death.  Uncle Will says that Miss Dibble is pressuring him to turn over his money to the state and to go live in the old folks’ home.  He’s been resisting her efforts, but he admits that he has gotten absent-minded and has forgotten where he hid his money and diamond.  He knows that the rhyme he wrote down is a clue that he made to remind himself of the hiding place, but now he’s confused, and he’s hoping that his nephew can help him figure it out because it’s based on a game they used to play years ago.  Because it’s been so long since he last spoke to the family, he has no idea that his nephew has died.  Uncle Will also says that he is currently living in an old pirate’s inn near Port Oglethorpe that has its own secret passage where pirates used to shanghai sailors.

The children think that Uncle Will and his pirate’s inn sound exciting, and they’d like to go meet him.  Their mother says that she’ll have to talk to their father about it, but she thinks that it might be a good idea for them to go and check up on Uncle Will and talk to Miss Dibble.  She makes up her mind when Miss Dibble sends an urgent telegram in which she says that Uncle Will is under the delusion that someone is now hiding in his house and trying to kill him for his money. The mother and the children decide to go see Uncle Will, although the father of the family can’t go because he has a business trip.

Of course, Uncle Will isn’t delusional, and there is someone after his hidden money. The old inn where Uncle Will lives is called The Bucket of Blood. When the children and their mother arrive, Uncle Will pretends to be an old pirate parrot, calling out “Pieces of eight! Pieces of eight!” (Yes, he’s definitely an eccentric, and it’s a little more understandable why Miss Dibble thinks he might not have all of his faculties.) They introduce themselves to Uncle Will, and Uncle Will is sorry to hear that his nephew is dead, but he is pleased to meet his nephew’s daughter and her children. The children tell him that they want to help him to solve the rhyme and find his money.

The inn is full of fascinating things, although it’s lacking in modern conveniences. The mother asks Uncle Will if they can stay there, saying that they’ve brought sleeping bags with them. Uncle Will tells them that they can use the bedrooms upstairs but warns them that he’s worried that someone might be hiding somewhere upstairs (as Miss Dibble had said earlier). Uncle Will rarely goes upstairs these days because he finds it difficult to climb up there. However, the children realize that Uncle Will is not deluded when they notice footprints in the dust on the stairs, meaning that someone has been there recently. However, the footprints seem to be only going up, not down. When the search upstairs, they don’t find anyone. Where the footprints left by a ghost? Was someone really hiding in the inn, and if so, how did they leave?

There is a live action made-for-tv Disney movie based on this book. You can see the entire movie online at Internet Archive. The movie is different from the book in a number of ways. In the movie, there are three children, but it’s two boys and a girl (a brother and sister and the brother’s friend) instead of two girls and a boy (all siblings), and none of them are related to the old Irish sea captain living in the old inn. (Note: The child characters in the movie, Scott, Tippy, and Catfish, also appeared in another made-for-tv Disney movie called The Strange Monster of Strawberry Cove, which was also based on a book for children, The Mad Scientists’ Club, but that book was written by a different author, and none of those children actually appeared in either this book or that one.) The old captain in the movie has recently inherited the inn from his brother. The location was moved to Louisiana instead of Georgia, and the treasure they’re looking for was hidden by the pirate Jean Lafitte. There are rhyming clues to the treasure’s location, but they’re not the same as the rhymes in the book. The money and the diamond are also hidden in separate locations in the book. In fact, although the bulk of the money is in one place, some of it is hidden in other places.

In the book, there are also extra characters, a man named Miles who is staying with Uncle Will while he’s working on writing a book and a young runaway nicknamed Hop who is afraid that he will be sent to another foster home like the one he ran away from if Miss Dibble catches him. At first, I suspected one of these characters of being the villain of the story, trying to steal Uncle Will’s money. However, the real villain is someone we don’t really know until the end, although he has connections to other people in the story. This is different from the movie, where the villain is a suspect we meet and see often before his guilt is established. Because of this, I think that the movie was playing more fair with the readers about the mystery.

Near the beginning of this book, the characters reference The Joyous Season by Patrick Dennis (also the author of Auntie Mame), which was published only a few years before this book was. Sally thought that the book was hilarious, but Jack thought that it was boring because the boy in the story, who was his age, “didn’t have a thing to do every day but listen to grownups talking.” I think this is meant to be a sign that the children’s parents are pretty modern and progressive, letting their children read a book about divorce and mixed-up family life in the 1960s. At one point, the mother tells Jack not to use euphemistic swear words like “Cripes!” just because characters in books to it. It gets on the mother’s nerves because she thinks that “They sound even worse than the words they’re being used to avoid.” She actually tells Jack, “When you’re old enough to swear by any words you like, I hope you’ll manage without euphemisms.” I mentioned in my page of 1960s children’s books that the 1960s were a turning point both in society and children’s literature, and this is an example of people’s changing attitudes. Sally, the oldest of the children, is allowed to wear lipstick, and Amy, who is twelve, is also allowed to wear it, although she thinks of it as being too much trouble to bother most of the time. (I can relate. I still sometimes throw out old make-up that I just plain forgot that I had because I’m too busy and preoccupied most of the time to think about it.)

Posted on by TracyC

Mrs. Armitage and the Big Wave

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Mrs. Armitage and the Big Wave by Quentin Blake, 1997.

Mrs. Armitage goes the beach with Breakspear in order to go surfing.  She explains to Breakspear that they have to swim out and wait for the “Big Wave.”  But, waiting takes longer that Mrs. Armitage expected, and soon Breakspear is tired, and they’re both hot.

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Of course, Mrs. Armitage finds a solution for everything.  With an inflatable toy for Breakspear to ride on and some protective gear, they wait some more.  Needless to say, Mrs. Armitage doesn’t stop there.  As they wait for the perfect wave, there are plenty of other things that they need to keep themselves busy and make themselves more comfortable.

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When the Big Wave finally comes, Mrs. Armitage not only makes an incredible show, but she also has what she needs to save a little girl who swam out too far and needed to be rescued.

The book is available to borrow and read for free online through Internet Archive (multiple copies, including one in Spanish).

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