The Bobbsey Twins’ Adventure in the Country by Laura Lee Hope,1907, 1961.
Before I explain the plot of this story, I have to explain that this is one of the early Bobbsey Twins books, originally published in the early 20th century, and like other Stratemeyer Syndicate books that were still in print during the mid-20th century, it was revised from its original form to update the language, culture, and technology in the story and, especially, to remove questionable racial terms and caricatures. The physical copy of the book I read as a kid was the revised version, and I didn’t know about the revisions until I was an adult. When I describe the plot at first, I’m talking about the revised version, but I’m also going to explain some of the differences between the original version and the revised version, so you can see what changed.
The two sets of Bobbsey Twins (Nan and Bert are the elder set of twins and Freddie and Flossie are the younger set) are enjoying their summer vacation at home when their mother receives an invitation for the family to visit the children’s aunt and uncle on their farm and to attend an auction that will be held somewhere nearby. The aunt says that there is something that will be sold at the auction that she thinks will interest the family, but the adults are keeping it as a surprise. The children are excited because they like visiting the farm, and they’ve never been to an auction before.
Mr. Bobbsey has to work at his lumber yard, so the children and their mother take the train to the farm ahead of him, accompanied by their cook/housekeeper, Dinah. (Dinah is black and is a recurring character in the series. The book refers to her as “colored.”) The train trip is a bit chaotic because they nearly forgot to bring their packed lunch, and then, Fred’s cat escapes from its carrier and is nearly left behind when they reach their destination. However, they do get there safely.
At the farm, the children enjoy seeing their cousin, Harry, and visiting all the animals. Freddie loses one of the calves when he tries to take it for a walk, like it’s a dog, and at first, the children fear that it fell in the river and drowned. Fortunately, someone from a nearby farm finds the calf and brings it home. These unrelated misadventures are just the beginning of the children’s summer because there is a mystery that seems to be unfolding at the farm.
On their first night at the farm, Flossie wakes up in the middle of the night because she hears someone playing the piano. She wakes Nan, and the two of them go downstairs, but by the time they get there, whoever was playing the piano is gone. At first, the children’s uncle thinks that it was just a dream, but Nan knows that it wasn’t because a piece of sheet music was knocked off the piano. Later, when they hear the piano at night again, there are smudges on the keys.
The auction is fun. The children each have a little money to buy something small for themselves, just for the experience of bidding on something at an auction. They all find something to buy, and some of the things they find are funny and eclectic. The mystery object that their mother is there to buy is a pony and cart. A neighbor of the aunt and uncle had a pony and cart that his grandchildren used, but they’ve moved away, and the Bobbseys have decided to buy it for their children. The twins’ aunt and uncle are willing to keep them at their farm because they can’t have a pony in the city, and their cousin can use them when the twins aren’t there. The children love the pony, and they have fun with him and the cart with some other kids. However, when they return to the farm after they auction, they discover that the family’s prize bull has been stolen!
The story is somewhat episodic, but there is a thread of mystery that runs through the whole book as the children try to find the missing bull. There’s a boy from New York City who was lost from a group heading to a nearby Fresh Air Camp (part of a charity that has existed since the 19th century to provide poor city children with enriching summer experiences in the countryside – I referred to it before in another vintage children’s book, Ruth Fielding at Sunrise Farm) who witnessed the theft but didn’t realize that the men he saw didn’t own the bull. There’s a Fourth of July celebration and a picnic with other kids, including a local bully. There is some real danger, where Flossie falls over the edge of a cliff and has to be rescued, and the family has to evacuate the farm temporarily when they fear that a nearby dam might break after a fierce storm. Along the way, the Bobbsey twins gather pieces of information that help them find the missing bull.
The book is available to borrow and read for free online through Internet Archive (multiple copies). The original edition of the book is public domain and available online through Project Gutenberg.
My Reaction
The Mystery
The mysteries in the story are pretty simple. The story is pretty episodic, and the nighttime piano-playing is unrelated to the theft of the bull. The reasons for that are partly related to the way the book was written in the original version. Originally, the book was more of a general collection of stories about how the Bobbsey Twins spend their summer on their aunt and uncle’s farm and have little adventures there, and it wasn’t really a mystery story. One of the features of Stratemeyer Syndicate books is that chapters are always supposed to end on cliffhangers to keep the stories exciting and encourage children to keep reading. That format lends itself well to the mystery genre, which is why some Stratemeyer series that originally started as more general fiction or adventure gradually evolved into mysteries, but some of the early books, like this one, kind of end up being somewhere between mystery and general fiction and read almost like collections of shorter, interrelated stories.
The theft of the bull didn’t occur at all in the original story, but there was a thread through the book about the piano playing at night. In both the new and the old versions, they eventually find out why, but there are different explanations between the versions. In both versions, the nighttime piano player is an animal, not a human.
Original Version vs. Revised
Like other Stratemeyer Syndicate books that were in print in the mid-20th century, the early Bobbsey Twins books were revised and reprinted around the time of the Civil Rights Movement, both to update the technology and slang in the stories and to remove inappropriate racial language. The 1960s edition of the book uses the word “colored” to refer to the housekeeper/cook who works for the Bobbsey family and her husband, which was an acceptable term in the early and mid-20th century (as in The National Association for the Advancement of Colored People, or NAACP), but the word “black” became the common accepted informal, generic term and “African American” became the accepted formal, specific term post-Civil Rights Movement because people were trying to distance themselves from racial words that, while they were not meant to be derogatory, had some emotional baggage attached to them. In the case of this particular book, the changes from the original version to the version I have include making Dinah more intelligent and eliminating the use of stereotypical black people speech. In the original book, even though she’s an adult, Dinah seems childlike in her reactions to things and seems to need the children to explain things to her, like the scale they see at the train station. When she speaks, her speech is spelled out with a strong accent (ex. “dat chile” instead of “that child”), and she throws out phrases like, “Lan’ o’ massy!” In the revised version, she acts and speaks more like the other adults.
Something else that changed from the original version is how much emphasis there was on poor people vs. upper middle class people, like the Bobbseys. The older version of the story emphasizes more how poor the kid from the Fresh Air Camp is and how charitable the Bobbseys are toward him. There are also other instances of charity toward the poor, like when Nan lends another girl a dress because they need to wear white dresses for the Fourth of July celebration, and the other girl doesn’t have a white dress. The book is careful to mention that nobody else knows that the other girl was borrowing a dress from Nan, with the implication that it would have been embarrassing or a mark of shame for people to know that it was a borrowed dress instead of one of her own. Things like this appear in many vintage children’s books from the 19th century and early 20th century, but it’s not something you find much in modern modern books, at least not described like that. Even when I was a middle-class kid in the late 20th century, it wouldn’t be assumed that a kid would necessarily have certain types of clothes for a special occasion or that their family would be able to just quickly buy something new for one-time use. It was also normal for people to borrow things from friends, even just on whims, so borrowing a dress for one-time use for a special occasion wouldn’t have been regarded as either an act of charity or anything to cause embarrassment, if other people just happened to know about it.
Even though there are things in the stories that were changed to make the stories contemporary with the time of the revisions, the 1960s, there are still aspects of the stories that would be out-of-date culturally by 21st century standards. One of those issues relates to how the adults in the story handle the children. One of the adults in the story tries to resolve the bully situation by letting Bert physically fight the boy who was picking on him, telling both the boys to wrestle with each other to settle their differences and get it all out of their systems. This is not advice that most modern adults would give to kids, and one good reason for not giving that advice is that it doesn’t work, not even in this book. First of all, the kid being bullied might not be the winner of the wrestling match in real life, and no kid should be forced to fight physically just because some bully wants to beat them up. In the book, Bert wins the wrestling match because he’s had wrestling classes before, but as the case would probably be in real life as well, it resolves nothing. The bully is resentful about losing the fight and continues to bully him and play mean tricks on the other kids. The bully episodes are basically there just to add conflict and excitement to the story, and they don’t do much more than that.
I was a little surprised that they left in the part from the original story where the kids put on their own circus, and they have an act they call the “Sacred Calf of India.” In the revised version, Nan wears an improvised sari for this act, and they teach the calf to do a trick. Animals doing cute little tricks are just fine, but adding in the exoticism seems in poor taste. I suppose that they left this part in the revised version because it’s not trying to be insulting to people from India, more that the kids are trying to play on the concept of circus acts and snake charmers, but it is another example of something that you find sometimes in vintage books but wouldn’t be likely to find in modern ones.
The Richleighs of Tantamount by Barbara Willard, illustrated by C. Walter Hodges, 1966.
The Richleighs are a wealthy Victorian family in England, their enormous wealth the product of generations of marriages between wealthy families. There are four children in the family (from oldest to youngest): Edwin, Angeline, Sebastian, and Maud. The four Richleigh children are accustomed to their family’s wealthy and luxurious lifestyle, brought up by their fond parents and the governesses and tutors they hire to oversee the children’s education. Overall, the children are happy and appreciate their privileged lifestyle, but there is one thing that bothers all of them. It has bothered them for a long time. They don’t understand why their parents won’t take them to see their family’s ancestral home, Tantamount.
The wealthy Richleigh family owns several grand houses (including one in Scotland and one in Italy), but Tantamount is a mystery to the children. They know it exists because their family has a painting of it, and their grandfather talked about it once. A distant ancestor built this castle-like mansion in Cornwall, on a cliff overlooking the ocean and in a mixture of styles from around the world, and it’s supposed to contain some amazing things. Yet, the children’s father says he has never been there himself. The children’s parents don’t even like to talk about the place, and they’ve never taken the children there. The children know that something mysterious must have happened there at some point, but they have no idea what it is. They just know that they would love to see the place and find out what all the mystery is about! They often speculate about what the place is like, what once happened there, and why they’ve never been allowed to see it.
One day, Sebastian, who is the one who usually asks the most questions, decides to press their mother for answers about Tantamount. She tells him that his great-great-great grandfather, who built the place, was an eccentric and that the mansion is just too big, too inconvenient, and too remote to be of any comfort or use. This inconvenience is one of the reasons why most of the Richleigh family just cannot be bothered to go there. Also, his mother admits that the Richleighs are actually a little ashamed of the house because it is so hideously, overly elaborate and vulgar, even by the luxurious standards of the Richleighs. Sebastian says that he would still like to go there for an adventure, but his mother sees no point to it. She tells him that he can’t always have everything he wants, that he’s already a very indulged boy, and that he should just be happy with what he has. However, the children’s burning desire to see Tantamount and experience what they imagine as its mysteries isn’t really about the physical ownership of the house or the fantastic things that are supposedly kept there but about the spirit of mystery and adventure. As wonderful as everything the Richleigh family has, the children are chasing something else: excitement!
The children’s parents are actually the ones who don’t seem to understand the emotional attachment that people can have to physical belongings. Twice a year, they have their children donated old toys of theirs to the poor, which is a good thing, but poor Maud is traumatized when her parents tell her that she must give up her old rocking horse, Peggy, and that they will replace it with a brand new one. It’s not because Maud has outgrown rocking horses, but Peggy is looking a little shabby from use, and they want the children’s toys to all be in the best condition. They don’t consider the emotional attachment that Maud has to Peggy from her hours of playing with her or that Peggy’s shabbiness is a sign of Maud’s love for her. When they tell Maud that old toys are dangerous for children to play with, Maud asks why they aren’t dangerous for poor children to play with, her mother just tells her not to answer back. (Meaning that she doesn’t have a good answer, and she knows it.) Sebastian says maybe it would be better to just buy the poor children a new rocking horse instead of sending them Peggy, but his father tells him not to be impertinent, showing that this ritual about giving toys to the poor isn’t really about doing something nice for the poor so much as updating the children’s toys for the newest and “best” when that isn’t really what the children themselves want.
Soon after the children’s father gives away Peggy, he falls seriously ill, apparently from something he caught from the family he gave Peggy to. The children worry about what his illness will mean for their family, especially if he dies. Their first thoughts seem fairly petty. They first think that maybe this wouldn’t have happened if he hadn’t decided to give away Peggy. Then, they realize that, with their father ill, they won’t be able to travel to Italy this summer, as the family planned. Then, they think that, if their father dies, they will all have to wear gloomy black, and either Edwin will become head of the family at age 16 or that their uncle will look after the family. Their uncle is a more dour man than their father, so that’s also a gloomy prospect.
Fortunately, the children’s father recovers, and the children are relieved. His doctors advise him to take a sea voyage to recover. The parents will be traveling without the children, and they won’t be going to Italy, but the children say that they understand that this is important to their father’s health. However, this does leave the question of what the children will do while their parents are traveling. The parents ask the children for their opinions about what they would like to do this summer because they want the children to have a pleasant time together while they are gone. There is only one thing that all of the children want, and this time, the children’s parents agree: the children will spend the summer at Tantamount.
The parents make arrangements with Mr. Devine, the agent who manages the property on behalf of the family, for the children to go there for the summer. The children will be chaperoned by their governess, Miss Venus, and Edwin’s tutor, Mr. Gaunt. Before they leave, the children’s father tells Edwin that, since he is 16, he’s no longer just a child, and if any situation should arise which requires him to take charge, he should, as the heir to Tantamount. If anything serious happens, and they need help, they can also send word to Mr. Devine. The children’s mother tells them that there will also be a housekeeper at Tantamount who has a daughter of her own, who will also be helping out.
From the moment their parents leave for their voyage and the children make their final preparations to leave on their trip, they feel like everything is changing. Although they were always aware that they were privileged, they never really noticed much about the details of their lives or home or thought very much about the people who served them. Alone for the first time with Miss Venus and Mr. Gaunt, Angeline is struck with the thought that she never really noticed much about Miss Venus as a person, even what she truly looked like. Before, she was always just the governess, just another part of the steady routine of the children’s lives, but now, dressed for travel and just as excited as the children, she really seems to be a real person. Even Mr. Gaunt is excited and not so much his usual somber self. The children quickly realize that, without their parents there to insist on proper behavior, stiff manners, and a certain appearance, the governess and tutor are relaxing and become more themselves. Mr. Gaunt tells the children stories about his past travels across Europe, and they’re much more fun to hear about than his usual dull lessons. As they step outside of their usual rigid routine, it seems like everything has magically come to life for the children.
When they first arrive at Tantamount, it’s dark, and the place seems sinister. However, they receive an enthusiastic welcome from the housekeeper, Mrs. Pengelly. In the morning, the children see how grand the place truly is. The rooms are big and elaborately decorated, and there are amazing views of the sea.
Even more exciting than that, the children also quickly realize that life at Tantamount offers them the opportunity for more freedom than they’ve ever had in their lives. Without their usual nurses to pick up after them or fuss over what they’re wearing, they are free to make these simple choices for themselves. The idea of looking after themselves for a change and doing things as they want to do them is exciting by itself. Some parts of looking after themselves seem a little daunting at first, but Angeline realizes that it’s also good for them. Young Maud worries about what “they” will say about things the children are doing, but the older children point out that there is no “they” to worry about. Their parents and nurses aren’t there, and everyone who is there technically works for them.
Eagerly, the children begin to explore Tantamount. It is filled with strange and wonderful things, but most of it is in shabby and neglected condition. There are magnificent statues that are crumbling and a beautiful chandelier lies smashed where it fell on the floor of the ballroom. Angeline first thinks that their father will blame Mr. Devine and Mrs. Pengelly for the condition of the house, but Edwin points out that the house has been neglected for generations by the Richleighs themselves. Who knows how many years ago the chandelier fell when nobody in their family even cared whether it was still hanging or not? Edwin himself says that if their ancestral home was neglected to the point where it started falling apart, their own family was to blame. The children discuss which is more of a “folly”, as Mr. Gaunt put it, to build such a grand place in such a remote location or to forget forget about it and let it fall apart. The word “folly” can refer to an unnecessary building like this, and Edwin says that Tantamount is a “folly” in the sense that the family has done well enough without it for years. Edwin says that their ancestor probably had fun building it and that men like that build grand things for travelers to marvel at, but apart from that, they have little use. Since then, most family members have barely even thought about Tantamount. The children begin to feel sorry for the mansion, almost like it’s a neglected animal with a personality of its own. The place starts to feel sad to them.
Edwin also points out that Tantamount is actually dangerous in its crumbling condition. He even saves Maud from stepping onto a section of floor that would have crumbled underneath her. The children realize that they will have to be very careful of everything they do in Tantamount.
Tantamount is a sad and scary place, but still exciting because the children’s adventure is only just beginning. When Miss Venus and Mr. Gaunt see the condition of Tantamount, they decide that they and the children cannot possibly stay there for the summer. However, the children have only just had their first look at the place and have only just begun to delve into its secrets and consider what might be done with the crumbling old mansion. Even more importantly, they have had their first real taste of the freedom and responsibility that Tantamount has offered them, and they won’t give it up so soon. Edwin asserts himself as the de facto head of the Richleigh family and tells the governess and tutor that they may leave if they find it too uncomfortable, but he and his siblings will be staying because they are family and this is their home.
At first, the children are nervous at sending the adults away, but Edwin has thought it out. He has noticed that Miss Venus and Mr. Gaunt are fond of each other, and he suspects that they might take this opportunity to run away and get married. The other children wonder if they will tell their parents that they are at Tantamount alone, but Edwin doubts it. It would take awhile for any message to reach their parents, and the tutor and governess also wouldn’t be too quick to admit that they had abandoned the children, even if the children did request it themselves. The children have also begun to suspect that Tantamount might not be all that it seems. Although their family neglected the place badly themselves, what exactly has Mr. Devine been doing as the steward?
The Richleigh children befriend Nancy and Dick, two sailor’s children who live by themselves nearby. Nancy and Dick are a little afraid of the Richleigh children at first, partly because Edwin attacks them when they first meet, thinking that they’re trespassers, and partly because they know more about the dark history of the Richleighs and Tantamount than the Richleigh children do. However, the children all become friends, and Nancy and Dick teach the Richleighs many things that they need to know to survive on their own at Tantamount. The Richleigh children are happy to get help from Nancy and Dick, and they’re especially happy that, for one in their lives, they’ve made friends on their own instead of just associating with the people their parents have picked out for them to meet. Nancy and Dick are far less fortunate than the Richleighs, and they open the children’s eyes to what poverty really means. Nancy and Dick are also on their own because their mother is dead and their father hasn’t yet returned from the sea.
The Richleighs are impressed with the things that Nancy and Dick know and can teach them, and they also enjoy the carefree summer that they spend with Nancy and Dick. While they’re happy to accept help from them, the last thing the Richleighs want is any adult finding out that they’re living alone at Tantamount. There are still mysteries there for the children to solve, and the last thing they want is to give up the first real freedom that they’ve ever experienced!
The book is available to borrow and read for free online through Internet Archive.
My Reaction and Spoilers
The Richleighs are practically the personification of a privileged Victorian family. Readers are told that the Richleigh children are accustomed to luxury, although the book is also quick to say that they aren’t spoiled because readers might find them insufferable if they were. However, in the first few chapters, readers might also realize that the Richleigh children are living a rather repressed and highly controlled life. They have all kinds of toys to play with but no control over whether or not they get to keep their favorite old toys. Their parents get rid of anything that they personally think is getting too shabby without regard for sentimentality. Peggy wasn’t just a toy to Maud; she was like an old friend, and she and her siblings are sure that her new owner won’t appreciate her as much or might do something horrible, like sell her for drinking money or turn her into firewood. The parents are unconcerned about Maud’s feelings. They and the children’s nurses are always telling children not only what they should do but how they should feel. When Angeline expresses an opinion, her nurses tell her that “Ladies don’t have opinions – they’re nasty things to have.” When Sebastian tries to make his mother understand how much it would mean to him and his siblings to see Tantamount, he talks about “adventure”, but the book hints that he may have also been thinking of “escape” – escape from the luxurious monotony of their lives, from the constant supervision and control of the adults, and from constantly being told who they are, what they should do, and how they should think and feel. The two oldest children, Edwin and Angeline, realize that their parents are prepared to give them anything they want, but only provided that the children want the things their parents think they should want, like the new rocking horse.
When the children are left to the own devices at Tantamount, they have to take responsibility for themselves and manage everything by themselves for the very first time in their lives. Rather than finding it frightening, however, the Richleigh children find it exciting. Young Maud is the one who’s the most worried because there has never been a time in their lives when the children haven’t had someone taking care of them and telling them what to do. Angeline thinks that learning to do things for themselves will be good for them, and she delights in making simple choices, even deciding what to wear without someone to tell them. However, Maud doesn’t even know how to dress herself without help, and she worries about what “they” would say. Sebastian points out that there is no “they” to say anything. The children themselves are in charge, and Sebastian is looking forward to them doing what they want to do. Maud doesn’t know how they’ll even begin to know what to do without someone telling them, but Edwin reassures her that they’ll figure it out.
Since Edwin is the oldest boy and he already has their father’s permission to act as the heir to Tantamount, the children immediately decide that he’s in charge. It fits the general pattern of Victorian society that they’re all accustomed to, and it makes Maud feel a little better that someone’s in charge. However, because Edwin now gets to run things the way he wants, he doesn’t just want to give his siblings orders. He establishes the group as a family council so they can discuss things and make decisions together. Although he maintains his position as the head of the family council, he cares about how the others feel, and over the course of the summer, he particularly comes to value the thoughts and advice of Angeline, who proves herself to be a sensible and practical young lady.
It isn’t long before the children discover the dark secret of Tantamount that they always suspected was there: it is being used as a hideout for smugglers and has been for some time. The reason why Mr. Devine hasn’t tried to maintain the house or a staff there is that he doesn’t want anybody snooping around and learning the truth about what he’s been doing there. When the children figure it out, they also realize that no one else is aware of their discovery yet. The locals might have their suspicions, but so far, nobody knows that the Richleigh children have made this discovery and that the children are staying at Tantamount all by themselves. However, this situation can’t last. Eventually, the smugglers will come back or Mr. Devine is bound to check on them, and the children will have to decide what they will do when that happens.
The children also must confront the knowledge that their own ancestors must have been the ones who started the smuggling and wrecking business and were responsible for the deaths of many sailors. There was a hint to the dark history of Tantamount in the painting the children have admired for years, but the children just didn’t understand the meaning of it before. The children’s parents don’t seem to be aware of any of this, or they would never have allowed the children to go to Tantamount at all. The children realize that the reason why Tantamount was abandoned by the family was that, at some point, some of the Richleighs decided that they didn’t want any part of this nefarious business anymore, so they got as far away from Tantamount as they could, created new lives and homes for themselves, and tried to prevent the younger generations of the family from finding out what happened there. This is the dark side of privileged families. Although much of the Richleighs’ wealth has come from wealthy marriages, not all of it has, and some has come from some dark sources.
The children still love Tantamount, even for its darkness, and they wish they could do something to cleanse it of all the bad things that happened there. Tantamount has changed them and allowed them their first tastes of freedom, independence, and self-discovery. The oldest children realize that their time there can’t last because their parents will come for them at the end of the summer, and there is still the matter of the smugglers. They try to think of a way to preserve some of the feelings of this transformative summer even when it’s time for them to go home.
In the end, the real villain eventually brings about his own end while trying to destroy Tantamount and hide its secrets forever, and the children pledge to themselves that they will rebuild it someday, but in their own way and for much better purposes. This is a secret that they keep from their own parents, just between the four of them, because this is something that they want and will pursue independently at some point in the future.
There are sad parts to the story as the children reflect on the abandoned and neglected nature of Tantamount and the evil that has happened there. However, there is also adventure and mystery and the kind of magic that comes from a carefree summer spent in a fantastic place!
“We are the Wouldbegoods Society, We are not good yet, but we mean to try, And if we try, and if we don’t succeed, It must mean we are very bad indeed.”
By Noel Bastable
The previous book in the Bastable Children series, The Story of the Treasure Seekers, ended with the children and their father going to live with their “Indian uncle.” The uncle isn’t identified by name, but he is apparently their real uncle, and he had only recently returned from living in India in the previous book, when he invited the Bastables to come live with him at Christmas. Since then, he has been helping the children’s father with his business, and the children are once again going to school, but not boarding school because their father doesn’t believe in boarding schools. However, the six Bastable children are still motherless and not accustomed to being supervised much in their free time.
During the spring, the children of one of their father’s friends come to stay for a visit. The Bastable children don’t like the other children much at first because they seem too timid and too well-behaved. The imaginative Bastable children decide that what these other kids need is a good game of pretend to get them out of their shells. One of the Bastables’ favorite books is The Jungle Books by Rudyard Kipling, so they decide to make their own jungle and act out scenes from the book. They give their guests the book to read, pointing out parts that they want to act out, while they go set up the jungle. They use the garden hose to create a waterfall, and they haul a bunch of their uncle’s taxidermy animals out of the house to set the jungle scene. They also set loose some guinea pigs and a pet tortoise and cover their dog in coal dust so he can be a wolf. Their father’s friend’s son, Dennis (called Denny), starts really getting into the game, but his sister, Daisy, prefers just to read the book. Matters come to a head when the boys frighten Daisy too much with their tiger costumes, and she faints. It is at that moment that their father and uncle arrive with some friends, seeing the children all gathered around Daisy, whom they first fear has died of fright. Some of the boys are nearly naked, their skin covered in brown dye so they’ll look like Mowgli from the book (no modern children should dye their skin for a costume like that, and that should be something adults explain to them, if they read this book), the taxidermy animals are all wet from the hose, the coal-covered dog is on the sofa inside, and the tortoise and one of the guinea pigs are never seen again.
Naturally, the adults are angry at the situation, and the children admit that their game went too far. The uncle swats the boys with his cane (not the girls because it would be ungentlemanly to hit a girl), and all of the children are sent to their rooms and put on a temporary diet of bread and water as punishment. Their father briefly talks of the possibility of boarding school, which shocks the children because they know how he feels about it. What the adults decide to do instead is to send the children to the country for the summer. Their friend from the previous book, Albert’s uncle, is an author, and he has rented a house in the country, where he will be writing. He always appreciates the children’s imagination and playacting, and he agrees to take all eight children, both the six Bastables and Denny and Daisy. (Albert isn’t there, so he’s probably somewhere with his mother.) Of course, since Albert’s uncle (who is never identified by any other name) will be writing much of the time, readers can guess that the children will have little supervision in the country.
The old manor house that Albert’s uncle has rented is a fascinating place. It has a moat around it, and a secret staircase, although it’s not really secret anymore because people already know about it. The eight children immediately begin doing things wrong in the country because they don’t know what they’re supposed to do and what they aren’t supposed to do, and adults usually only tell them what they’re not supposed to do after they’ve already done it. They ring a bell that is only supposed to be rung in emergencies, and they play in some hay that the horses are supposed to eat. Then, the girls in the group bring up an idea they’ve had.
The girls are still feeling guilty over the earlier bad behavior that got them sent to the country in the first place, so they’ve decided that it’s time for them all to reform their characters. Daisy in particular suggests that they form a society to do it because she knows that when people are serious about undertaking a good cause, they form a society for it. The boys aren’t as enthusiastic about the idea of forming a society around just being good, which doesn’t sound very fun or interesting, but the girls talk them into it. Oswald wants to know how it will be organized and who will be in charge, so they begin setting out some rules. Basically, all of the children are in the society, and nobody is allowed to leave it without telling the others. As long as they are in the society, they must always try their best to be good, and every day, they must try to do some good deed, which they will record in special book. After a debate about the name of their society, they decide to call it the Society of the Wouldbegoods. They also decide that this society must be kept secret from the adults, which is a major reason why their efforts turn out the way they do.
The first evening after they form the society, the children are unusually well-behaved but glum because they’re working so hard to be good. Albert’s uncle notices their odd mood, but they can’t explain to him why they feel this way, and he doesn’t press them. They also quickly have trouble finding good deeds to do, especially ones that are fun or interesting.
Dicky’s first good deed effort is to try to fix a window that seems broken to him, but it turns out that he doesn’t understand the reason why the window is the way it is. Because he changes it, a milk pan accidentally falls out the window into the moat. Oswald decides that the only good deed they can do is to retrieve the milk pan and fix Dicky’s mistake. They immediately recruit the other children to help them drag the moat, but none of them really knows how to do that, and by the terms of the society, they can’t ask the adults or tell them what they’re trying to do. The only thing they can find to use for dragging the moat is a bed sheet, which they ruin by getting it dirty and tearing it, and it still doesn’t help them retrieve the milk pan. Failing that, they decide to make a raft and use it to reach the pan. This works better, but when they reach for the pan, the raft overturns and dumps everyone in the water, and Dora hurts her foot badly on an old tin in the water. Fortunately, the cook sees them fall in the moat, and she hurries to get Albert’s uncle, who gets the boat from the boathouse and rows out to rescue the children. (Apparently, the kids didn’t know there was a boat before they built the raft.)
Their next good deed goes better, although they don’t entirely think of it as a good deed. The children become fascinated with some soldiers who are training nearby. They like to watch the soldiers as they ride by and have their drills and exercises. When they wave to the soldiers, the soldiers blow kisses to the girls, which gives them a thrill. The kids dress up as soldiers and ask Albert’s uncle if they can borrow the old armaments that are decorating the walls of the old manor house as their weapons, and he says yes. (Oh, Good Lord, why? Nothing bad happens to the kids because of those old weapons, and they apparently don’t damage any of the antiques, but given their track record, this was taking a real risk.) The soldiers are amused by the children, and the next time they pass by, they stop and take a rest with the children. The captain of the soldiers takes some time to explain the soldier’s weapons to the children and tells them that they will soon be sent to the front overseas. (This is way too early to be World War I, and they refer to the Southern Hemisphere, so I think they’re talking about the Second Boer War, which was happening while this book was being written and published.) Before the soldiers leave, the children decide that they want to give them a parting gift, so they get some money from their father and give each of the soldiers a pipe and some tobacco, because the soldiers were all smoking during their rest break. Modern children’s books wouldn’t have the kids encouraging their smoking habit, but in this turn-of-the-century book, the gift goes over well. Sadly, the children never see any of the soldiers again after they leave for the front and don’t know what happened to them. Still, they did something nice for the soldiers.
The children’s experiences with the soldiers sets up their next attempt at a good deed, with mixed results. Part of it gets very uncomfortable, but it has a happy ending. The children notice an older woman who also watches the soldiers and seems to get very emotional when she sees them. They find out that her son is also a soldier who is already at the front, and she is very worried about him. The children decide that they should do something nice for her, so they try to weed her garden without permission. The problem is that the children don’t know how to tell the difference between vegetables and weeds, so they also pull up her turnips and cabbages. The woman is angry with them, but they apologize and say that they’ll talk to their father about making things right with her.
Then, the children have to bring her a postcard addressed to her that was accidentally delivered to them with the mail for the manor house. They don’t even read it ahead of time although they could because they don’t want to do anything else wrong. This is a rare serious moment in this series because the postcard is from the army, and it says that the woman’s son is dead. The woman is very upset, and the children sympathize with her.
Then, the children decide that they can do something else nice for the woman by making a tombstone for her son. They know that he must have been buried at the place where he was killed on the battlefield, so he won’t have a normal tombstone in England, and they think it would be nice to make a memorial for him. The concept of making a memorial for someone who is buried elsewhere is actually a real thing. It’s called a cenotaph (although I don’t think these children know that word because they keep calling it a “tombstone”), and they are commonly done for soldiers who are killed overseas and buried there or whose bodies can’t be retrieved. (The musician Glenn Miller has one because his plane went down in the English Channel during WWII, and his body was never recovered.) Making a memorial of this type for the grieving family of a soldier would be a nice gesture, if it was done well and with the input of the soldier’s family. The kids do the best they can, carving a wooden tombstone and inscribing a beautiful message on it, but they don’t tell the soldier’s mother about it until after they’re finished. At first, the older woman thinks that they’re making fun of her grief, but Alice persuades her that’s not the case and convinces her to take a look. They decorate the tombstone with flowers and offer a lovely message about the soldier’s service to his country. The soldier’s mother is touched, and she appreciates the sentiment, although she has the children move the memorial to a more private spot. She likes it that the children continue to put flowers on the memorial, and she becomes friendly with them.
This episode also has a happy ending because it turns out that the reports of the soldier’s death were wrong. He was actually missing and injured, not killed. His mother and the children learn the truth when he comes home and sees the children decorating his “tombstone.” Fortunately, he is amused by the memorial and the touching sentiment expressed by the children, and his mother is overjoyed at his return. The children celebrate by chopping up the tombstone and using it for a bonfire.
Around this time, the children realize that they don’t have very many good deeds to record in their book, so they decide that they can make notes about any good thing that they notice someone else doing. Nobody is allowed to write about themselves or to persuade someone else to write something about them because bragging about their own good deeds wouldn’t be good or noble. It’s a fortunate decision because many of the children’s other adventures in the country aren’t directly related to the Society of the Wouldbegoods or their good deed efforts, but they count some of the things that certain children do during their adventures as good deeds (and Oswald gripes about things he did which he thought should have been counted but weren’t).
One day, the children are sent out on a long walk because Albert’s uncle has a headache and the children are making too much noise in the house. They decide to check out a tower that has some spooky local legends about it because it contains a tomb about halfway up the tower. The others credit Denny for a good deed because he offers to go first into the spooky tower. (This tower is somewhat based on a real landmark, but the author took some creative liberties with it. The man who is supposedly entombed there, Richard Ravenal, isn’t a real person. He was created for this book, but he gets a mention in the lore of The League of Extraordinary Gentlemen.) The children have a frightening encounter there with a beggar. They give him a coin as a good deed, but he sees that the children have more money with them, so he locks them in the tower from the outside, telling them that he won’t let them out until they give him the rest. Oswald notices that there are bolts on the inside of the tower door as well as the outside, so he quickly locks them to make sure that the beggar can’t get inside. This turns out to be a good decision because, when the children toss the rest of their money to him, it isn’t as much as he thought they had, and he pounds angrily on the tower door. (Oswald thought that the others should have counted his locking the door as a good deed because it saved them, but they decide not to because it was really more “clever” than “good.” Oswald thinks that’s an unfair technicality.) The children are safe inside the spooky old tower until the beggar leaves, and they are able to signal to someone else to unlock the door from the outside. This incident wasn’t the children’s fault (for a change), but the adults insist that, from this point on, they take the dogs with them when they go very far from the house.
The children make some other attempts at doing good deeds on purpose, but again, they go horribly awry because the children don’t know what they’re doing, and they don’t talk to anybody else about their ideas before they do them. After they cause a disaster that ruins a fishing contest and wrecks a barge full of coal, which costs their father a lot of money to fix, Albert’s uncle explains to them the full consequences of what they did and how much trouble they caused for a lot of people. The children feel terrible about it, and Alice starts to cry. She doesn’t fully reveal the existence of their society to Albert’s uncle, but she does say that they’ve been working so hard at being good and doing good things, but nothing they do works out. She says that they must be the worst children in the world and dramatically says that she wishes they were all dead. Everyone is shocked by this, and Albert’s uncle calmly tells her that they’re not the worst children in the world. He says that he knows they’re all feeling bad about what they’ve done, and he does want them to feel badly because they have seriously caused some real problems, and he doesn’t want them to do these things again. However, he says that he doesn’t want them to give up on the idea of being good because that’s something that they will learn better how to do over time. Also, he notes that, in all the time he’s known then, none of them have ever done anything intentionally mean or wicked, they’ve never lied about what they’ve done, and they’ve always been sorry when things have gone wrong. Being truthful and genuinely regretful for causing harm are worthy qualities.
Oswald feels bad abut that part because he has realized that there’s one thing he’s done that caused a disaster, and he hasn’t admitted it to the others yet. What he did was unintentional, and he didn’t know the incident was his fault at first, but he’s been trying to work up the courage to confess since he realized what he did. Albert’s uncle’s kind words make Oswald confess right away, and Albert’s uncle is appreciative of his honesty for that, too. The others call credit Oswald’s confession as a good deed. He doesn’t think it is, but they say it counts because it was a difficult thing for him to do, and technically, he didn’t have to do it. At that point, nobody had guessed that he was responsible for one of the problems, and if he had kept quiet, it wasn’t likely that anybody would have found out. He had been honest because he simply wanted to be honest and do the right thing, even knowing that people might get mad at him or punish him for what he did.
Albert’s uncle forgives the children, although he still expects them to learn from their misadventures. At this point, the children also begin to consider just how far the Society of the Wouldbegoods will go. So far, it hasn’t been a great success, but they do appreciate what Albert’s uncle says about not giving up on the idea of trying to be good. Still, the children (especially Oswald), decide that it’s time to set an ending point for the society. They decide that each of them will try to do one more good deed of some kind, and when each of them has one more deed to their name to put in their book, they’ll dissolve the society. From that point on, if any of them want to be good, they’ll do it on their own, when and how they choose do it. (The boys in the group are particularly relieved at this idea, although they’ve all been feeling some strain from the society.)
The children’s escapades still continue, some related to good deed efforts and some just part of summer activities that they do for fun. They try to hold a circus with some farm animals, which get loose. There’s a bonfire that gets out of control and burns a farmer’s bridge (although the children put it out themselves before it gets worse). Dora finds a baby who’s been left alone in his carriage and kidnaps/cares for it. At first, she thinks that maybe he’s the long-lost heir of a noble house who was kidnapped by gypsies, like in books, and has been abandoned, so she must adopt him and care for him until he can be reunited with his family. Like many of the children’s good deeds, it has mixed results, but this one ends up being more on the side of good. She shouldn’t have just taken the baby from its carriage, and he technically wasn’t kidnapped until she took him. However, it turns out that his nanny was neglecting him, leaving him all alone while she flirted with her boyfriend. When the adults discover that the children have the baby and why they have him, the nanny’s neglect is exposed, and she gets fired.
A couple of the boys later buy a pistol, which they make all the children promise not to tell the adults about. (I thought at first that it was a toy pistol, but it apparently fires real bullets. God only knows why anybody thought it would be a good idea to sell these boys a real gun.) The boys were thinking at first that it would be handy to have if there was a burglar, but one of the boys accidentally shoots a fox with it and kills it. The other children, although they were pretending to be fox hunters, are upset at finding a real dead fox and bury it with a proper funeral before they know that it was one of the other boys who killed it. They get into some trouble over it from the master of fox hounds. The boy who shot the fox explains that, at the time he shot it, it was caught in a metal trap, and it bit him when he tried to let it loose, which is when he accidentally shot it. Albert’s uncle confiscates the pistol because none of this would have happened if the boys hadn’t been playing with a gun, and Oswald thinks that it would serve him right if they really did get a burglar in the house and were unable to fight him off. (I’m pretty sure that they’d be more likely to accidentally shoot one another or one of their own dogs before they shot anybody else.)
Toward the end of the summer, Albert’s uncle agrees to be a host for an antiquities society that wants to see the old manor house and investigate a nearby site for possible Roman ruins. Albert’s uncle is beside himself when he discovers that, rather than being host to a small club, more than 100 people show up to accept his invitation to have tea before touring the grounds. The children, inspired by a book called The Daisy Chain, decide that it would be amusing to bury some pottery that they made themselves, just so the antiquarians will definitely have something to find. That part turns out fine because the antiquarians can easily tell the pottery made by the children from actual antiquities, and they are amused by the children’s “relics.” The problem is that the children also decide to bury some pottery they found in the library along with their own pottery, and those were real relics. The antiquarians get excited when they find those, but Albert’s uncle realizes that those pieces of pottery belonged to the real owner of the rented manor house. The children have to go to the head of the antiquarian society to admit what they’ve done to get the antique pottery back.
From there, the children are inspired by something a tramp says to them to open up a stand offering free drinks (lemonade and tea), but it goes wrong when some people take advantage of their kindness. They also take part in some war games without realizing that it’s all a game or training exercise. Then, while acting out the pilgrimage from The Canterbury Tales, they meet a kind lady, who turns out to have a romantic past with Albert’s uncle! They’re not sure that they like the idea of Albert’s uncle getting married, but they’re willing to try to help him reconnect with his lost love if it will make him happy and for goodness’s sake!
THE EPITAPH
‘The Wouldbegoods are dead and gone But not the golden deeds they have done These will remain upon Glory’s page To be an example to every age, And by this we have got to know How to be good upon our ow—N.’
This book reminds me of a couple of more modern books, The Adventures of the Red Tape Gang by Joan Lowery Nixon from the 1970s and Why Did the Underwear Cross the Road? by Gordon Korman from the 1990s, which are both books about kids trying to do good deeds with unintentional and hilarious results.
Just as in the first book in the Bastable Children series, much of what the children do in this story is due to the children’s naivety and imagination and a lack of adult supervision. Oswald makes it a point to say that they were not entirely neglected by the adults while they were in the country. Although Albert’s uncle frequently had to spend time writing, he did spend plenty of time with the children, and their father and Denny’s father came to see them regularly, along with some other adults. The children enjoyed spending time with the adults and doing things with them, but Oswald doesn’t describe much of what they did with the adults because the things they did on their own were the most interesting. (In the sense of dangerous and disastrous, but also exciting.) At various times in the story, they meet up with adults who are happy to talk to the children and explain things about their business or how things work, but the children also like acting on their own initiative, without asking adults for advice or opinion or taking time to really prepare for things they want to do, like when Oswald didn’t want to take the time to actually train an animal to do something when the children decided that they wanted to have a circus with animals. The children’s innocence and ignorance are played for comedy, but child readers would probably appreciate the children’s sense of independence. Few modern children would be given even half of the opportunities the Bastables have to do things on their own and cause as much trouble as the Bastables do.
Racial Issues
In the first book of the series, I talked about some racial issues in the story, and there are also issues with racial language and attitudes in this book. I don’t know whether or not this book has been reprinted with altered language, like the first one. Some of the incidents in this book might take more editing than the first one, like where the kids darken their skin for acting out scenes from The Jungle Books or giving pipes and tobacco to the soldiers.
There is an instance of the use of the n-word in this book, and this time, it’s something Oswald says rather than something the adults say. Basically, he was talking about hard the children were working, and he was trying to imply that they were working like slaves, but instead of saying the word “slaves”, he says the n-word. Children’s word choice is influenced by the books they read reads and the things adults say around them, and we’ve already established that adults around them use the n-word in a casual way.
Again, this brings up the question of whether or not the author herself this that using the n-word is acceptable or if she’s just trying to portray the way some people around her talked. In a way, I think she does address this topic indirectly, although that might be unintentional. There is a point in the story when the children talk about unpleasant things found in poetry, like death and the devil, and they note that a person doesn’t always have to like the things they read or write about. It struck me that, perhaps, the author was trying to explain that she doesn’t always like, advocate, or believe in things that occur in her stories. This conversation isn’t directly related to the use of the n-word, so I’m not sure whether that would be one of the things that the author didn’t really like or not. It might have been a more general notion, like when authors write about sad things that happen or the things the children do that they really shouldn’t. It is a reminder, though, that characters are not exactly the same as their characters, and they may differ in important ways. The nature of the characters suits the story, but may not be a reflection of the author’s life and attitudes.
There is also one instance of an anti-Catholic attitude, but it’s played for humor. The kids are on a tour of Canterbury Cathedral, and their tour guide says, “This is the Dean’s Chapel; it was the Lady Chapel in the wicked days when people used to worship the Virgin Mary.”
(I’ve heard this accusation about Catholics worshiping the Virgin Mary before, all too many times, mostly from my Protestant grandmother. I belong to a family of mixed religions, and I had experiences like this from a very young age. Catholics don’t worship Mary. Catholics honor Mary, which is different. We also have a sense that those who were bound together by faith never lose that spiritual connection to the living members of the church when they die, so living Catholics can still communicate with the departed spiritually through prayer, which is what the whole thing about praying to saints is about. It’s about communication and spiritual support rather than worship. Catholics don’t have to do this if they don’t want to, but it’s always an option, if they feel the need of spiritual support from another soul who might understand their situation, because there is a sense that the spiritual connection is always there. Mary and the other saints are not substitutes for God or Jesus but rather part of an extended spiritual family that supports its other, younger, and more vulnerable living members in a spiritual way as they all, living and dead, serve and worship the same God. I suppose a simpler way of putting it is the concept that those who love us never leave us, or as C. S. Lewis put it in the The Chronicles of Narnia, once a king or queen of Narnia, always a king or queen of Narnia. Some bonds are unbroken by death. The punchline to the tour guide’s comment is in H. O.’s response.)
When the children think about the connotations of changing the name of the chapel from Lady Chapel to Dean’s Chapel because of changing worship styles, H. O. speculates, “I suppose they worship the Dean now?” You can imagine how well that question is received. Yeah, do they worship the Dean, or is the Dean just someone they’ve honored by naming something after him? You tell me if there’s a difference.
War and Soldiers
The scenes with the soldiers and war games remind me of something that the author couldn’t have known when she wrote the book. In the following decade, Britain would be involved with World War I (called the Great War before WWII), and many boys, like the kids in this story, would end up going to war. Oswald thinks that it would be exciting to be a soldier, but real war isn’t a game, and he might have many of his illusions shattered. Knowing what I know about this generation’s future, I have some real concern for the children in this story. There’s a very real risk that they could be killed in battle, just as the young soldier in this book that they built that tombstone for in this story could have died in the war that was being fought during his time. This story doesn’t go that dark because the Bastable Children series is a humor series, but there are moments of real sentimentality in the stories. E. Nesbit couldn’t have known about the war that was coming, but she did know about wars that existed during her lifetime. Introducing the children to the soldiers in this story introduces some serious concepts to the children, who are largely naive about many aspects of life, still thinking of many dangerous things as sources of excitement and adventure. We don’t know what happened to any of the soldiers the children befriended, but the knowledge that the old woman’s son almost died brings it to the children’s awareness that death is a very real possibility in that type of “adventure.” It’s a lesson that will accompany them into their future.
The Story of the Treasure Seekers by E. Nesbit, 1899.
This story (the first in a series) is told by one of the six Bastable children: Dora, Oswald (who won the Latin prize at his school), Dicky, the twins Alice and Noel, and Horace Octavius (called H.O. for short). The narrator initially refuses to identify which of the Bastable children he is, saying that he might admit it at the end, but his constant self-praise (which begins immediately) and the way he refers to his siblings kind of gives it away. At various points in the story, he forgets that he’s trying to be mysterious about his identity and just refers to himself in the first person, although he goes back to the third person when he remembers. The children live with their father, but their mother is dead. The narrator says, “and if you think we don’t care because I don’t tell you much about her you only show that you do not understand people at all.” The story isn’t about missing their mother, but about their search for treasure. (“It was Oswald who first thought of looking for treasure. Oswald often thinks of very interesting things.”)
The Bastables are in need of money. After their mother died, their father was ill for a time. Then, his business partner went to Spain, and his business hasn’t been very good since. The children can tell that their father is economizing on household goods. He’s sold some things from the house, there doesn’t seem to be money to have broken things fixed or replaced, and he’s let the gardener and other servants go. He’s not even sending the children to school right now because he can’t afford the school fees, and people have been coming to the house about unpaid bills. Oswald thinks that the best thing to do is to look for treasure to restore their family’s fortunes.
The children all think of ways that they can look for treasure. Oswald wants to become a highwayman and hold people up, but Dora, as the eldest, rejects that idea as wrong. His next suggestion is that they rescue a rich old gentleman and get a reward, but that’s a long shot. Alice thinks they should try using a divining rod. H.O. is in favor of the idea of being bandits. Noel likes books, and he wants to either write poetry and publish it or possibly marry a princess. Dicky is more practical with things like math and money, and he tells the others about an advertisement in the newspaper about a way to earn money in your spare time. Since the children aren’t going to school and have plenty of time, he thinks they should try it. He also has another idea, but he refuses to explain to the others exactly what the scheme is. Dora, as the eldest, decides that they should just try digging for treasure, not even bothering with a divining rod, because it seems like people always find treasure by digging. Since that’s the most straight-forward method any of them have thought of yet, they decide to go with that.
They recruit Albert, the boy from next door, to help with the digging. They don’t always get along with Albert because Albert doesn’t like reading and isn’t good at games of pretend. (The children seem to know that this treasure hunt is a game, although they’re still half-way hopeful that they’ll actually find something.) Still, they manage to persuade Albert, and the children begin digging a tunnel. It’s Albert’s turn to dig when the tunnel collapses, half-burying the unlucky Albert, who screams and keeps on screaming while Dicky runs to get Albert’s uncle. Albert’s father is dead, so he lives with his mother and his uncle, who used to be a sailor and now writes books. The children all like Albert’s uncle because they like his books, and he seems to know a lot. Albert’s uncle matter-of-factly digs Albert out of the hole and asks the children how he came to be buried. The Bastable children explain about their search for treasure. Albert’s uncle says that he doubts they’ll find any treasure in the area, but as he unearths Albert, he seems to find a couple of coins, which he gives to the children to divide among themselves and Albert. (It’s hinted that Albert’s uncle is just giving the children pocket money that he pretends to find.) It’s an uneven amount, so they agree that Albert can have the larger share because he got buried.
The Bastable children could have used their new pocket money as stake money for the venture Dicky saw in the newspaper, but there are some other things they want to buy, so they spend it all and have to try something else. One of the children (they disagree later about who it was) brings up the subject of detectives, like Sherlock Holmes. They think that detectives must earn a lot of money, so some of them think they ought to try being detectives. Alice says that she doesn’t want anything to do with murders because that would be dangerous, and even if they did kill someone, she would feel bad if she had to be the one to get them hanged for it. After all, surely nobody would want to kill someone more than once anyway, so there’s probably little risk that they’d do it again. (Oh, boy. Alice has apparently never heard of serial killers. Jack the Ripper had already committed his murders by the time this book was written and published.) The others tell her that detectives probably don’t get to choose which crimes they investigate. They just have to look into any mysterious situations they encounter and see what they turn out to be. That reminds Alice that she did see something mysterious herself. She got up during the night because she suddenly remembered that she’d forgotten to feed her pet rabbits, and she saw a light in a nearby house, where the entire family is supposedly away at the seaside. The children think that some criminals may be hiding in the empty house and decide to investigate. It turns out that there is an innocent explanation. Oswald accidentally falls and gets knocked unconscious during the investigation, so Albert’s uncle is again recruited to carry him home, and the uncle lectures them about spying on people.
Since another money-making scheme has failed, they decide to move on to the next idea, publishing Noel’s poetry. He doesn’t have enough poems for a book, but they remember that they’ve seen poetry published in a newspaper, so they decide to talk to the newspaper editor. Oswald and Noel go to see the editor together. Along the way, they meet a woman who also writes poetry. She reads Noel’s poems and says that she likes them, giving the boys a little stake money to get Noel’s literary career started. At first, Oswald refuses the money because he remembers that he’s not supposed to accept gifts from strangers, but the woman insists that the gift is that from a fellow writer, not a stranger, and she gives them her card. The children’s father later says that she’s famous for her poetry, although the boys had never heard of her before.
When they see the newspaper editor, he seems amused by Noel’s poetry (which includes an elegy to a dead beetle) and very interested in how and why he came to write poetry. He invites the boys to join him for tea, and they explain about how they’re trying to restore their family’s fortunes. The editor says that he’s willing to buy Noel’s poems and publish them, and he asks what Noel thinks would be a fair price. Noel isn’t sure because he originally just wrote the poems because he likes poetry, not to sell. The editor offers him a guinea, which is more money than they’ve ever had before, and the boys are impressed and accept it. The editor says that his paper doesn’t normally publish poetry, but he can arrange for it to be published in a different paper. They later see a story in a magazine about them, written by the editor, with all of Noel’s poems with it. Oswald isn’t happy at how the story describes them, but Noel is pleased that he’s been published.
The book continues from the summer through the fall, and the children continue trying various money-making schemes, with varying degrees of disaster and success. Noel finds a princess to marry, but they only get a few chocolates out of that adventure. While Dora is away, visiting her godmother, the other children turn bandits on Guy Fawkes Day. The only person they can find to kidnap and ransom as bandits is Albert, who doesn’t like this game at all. (The children again seem to realize that this is only a game, but at the same time, they hope for a little money out of it.) They write the ransom note for Albert using H.O.’s blood because this adventure was his idea (although they also have to use red ink to finish it because they don’t get enough blood from H.O.’s finger). Albert’s uncle, who enjoys a good game of pretend, comes to ransom Albert, although he can’t pay the enormous sum mentioned in the ransom note. He tells the children that he knows it’s all a game, and he thinks a little more pretend play would do Albert good (Albert doesn’t have much imagination), and the rough play is also punishment for Albert sneaking out of the house while he should have been inside, nursing his cold. However, the uncle says they should have realized how scary that ransom note could have been for Albert’s mother if he hadn’t seen Albert with the children and knew where he was and what was really happening. The children apologize and admit that they don’t think much about people’s mothers since they lost their own. (Although the book is mostly funny, there are sentimental bits, too.)
Albert’s uncle suggests a more harmless money-making scheme to the children – starting a newspaper, and they let Albert join them. Their newspaper contains a couple of serial stories (that don’t entirely make sense, and some of the children can’t think what to contribute to them), some poetry by Noel, some “Curious Facts” (that aren’t entirely factual but are very curious), and an editorial piece on the subject of education by Alice, who says that if she had a school, nobody would learn anything they didn’t want to learn, but there would be cats, and the students would sometimes dress up like cats and practice purring. The newspaper turns out to be not very lucrative, and the children run out of things to write about, so they give that up and return to more hair-brained schemes.
Oswald tries to rescue an elderly gentleman so that the wealthy old gentleman will richly reward him, just like in books, but not finding any danger to save him from, he sets their dog on him, so he can easily save him. The gentleman, a local lord and politician, figures out pretty quickly that this was a scheme and that the dog belongs to the children, and he demands an explanation. The children explain to him about trying to restore their family’s fortunes by doing the things that seem to work for people in books, only nothing they’ve tried works like it does it books. The old gentlemen gives the a lecture about honesty and honor and consideration for other people, and the children make their apologies to him.
From there, they try the part-time job advertised in the newspaper, which turns out to be getting people to place orders for wine by giving them free samples. The children try a little of the wine themselves, but they don’t like it, so they add a bunch of sugar to try to improve the taste. You can imagine how well a group of children trying to give various strangers free wine goes. Eventually, someone confiscates the bottle and tells their father what they’ve been up to.
Although they promise their father that they won’t attempt to go into business again without talking to him about it, they start thinking that they could make a lot of money if they invented a wonderful medicine that would cure something. After arguing about what they’re going to cure, they decide they’re going to cure the common cold. The only way they can think of inventing the medicine is for one of them to get a cold and then for all the others to try various things to cure it. Noel is the one who catches cold, and the others try to cure him. When they can’t cure Noel’s cold, they worry that he’s going to die from it, but fortunately, he does recover.
However, there are times when the children do things that are helpful, typically by accident. The best thing they do is to be extra friendly to a man who comes to see their father. The children come to the conclusion that he’s a poor man and that their father is being kind to him, but they’re not satisfied with the level of hospitality that their father offers. The children decide to invite him to their kind of dinner, and the fun they have together encourages him to give their father the help he needs. The children come to the conclusion that, sometimes, life can be like books.
The book is now public domain, so it is available to read online through Project Gutenberg (also in audio format) and Internet Archive (multiple copies, including audiobooks). There is also a LibriVox Audiobook on YouTube. It’s the first in a series of books about the same children. The story has also been made into movies multiple times. The original book contains some inappropriate racial stereotypes and language, which I discuss below. However, recent reprintings of the book have changed some of the inappropriate language, so the book would probably be okay for modern children, if you pick a book with a recent printing date.
My Reaction
I really enjoyed this story, even though there are some problematic racial issues, which I’m also going to describe and discuss. The descriptions of the children’s schemes and escapades are very funny, and I laughed out loud at some parts. The story reminds me of some of the MacDonald Hall books where the boys do some bizarre fund-raising efforts or try to get publicity for their school. The children’s efforts to find or earn money in this book are based on books that were popular with children in the late Victorian era and money-making schemes that existed at that time. Not all of them would be as familiar to modern children as they would have been to children of the late Victorian era, but I think modern children could understand most of them, with the possible exception of the man who I think was supposed to be a money lender.
If this book was set in modern times, in the early 21st century, I think that their bizarre money-making schemes would be a little more like those in the MacDonald Hall books, although I can think of a few more. Alice’s description of the ideal school, with cats who teach students how to purr, makes me think that, if she were a modern girl, she would want to start a cat cafe out of their house using a bunch of stray cats (or maybe some borrowed from neighbors without permission), which would also be hilarious. I would like to see a book with someone doing something like that because the opportunities for things to go wrong would be both boundless and guaranteed to happen. (Corralling the cats, possibly abducting cats from neighbors, messing up the tea and food, health violations, lack of business license, cats biting and clawing people and messing up the house and trying desperately to escape, etc.)
One thing that I like about the Bastable Children series in general is that there are many references to books that children from the late Victorian era would have known and enjoyed. This book references things that I think came from the Arabian Nights, and the children refer directly to Sherlock Holmes, The Jungle Books, and The Children of the New Forest, which was a 19th century historical novel.
Reality vs Pretend
Much of the book is about the difference between reality and pretend, and the Bastable children often end up about halfway between the two with most of their schemes. They draw much of their inspiration from books they’ve read, and they seem to be aware that much of what they do is a game of pretend, although they also seem to halfway hope that their schemes will work out for them the way they would if they were children from the books they’ve read.
The children’s innocence and naivete about the way the world works is a major reason why they don’t understand how things work differently between the real world and the world in stories. It’s also the reason why they only seem to halfway grasp their father’s money troubles and the reasons for them. Adults often find the innocence of children to be charming, and the adults in the story are often charmed by the children for that reason. It works in their favor in the end because they receive kindness from adults for being charming, innocent children, who know how to have fun. However, the adults in the story also understand the children’s family situation, seemingly even better than they do, and they frequently humor them and help them out of pity. It’s both funny and also a little sad and touching at times for adults reading this book. It’s funny because you can see what the children are really doing and follow their logic as they map out their plans, while at the same time spotting how it’s all going to go wrong before the children see it themselves. It’s also a little sad and worrying because you can also see how little the children are being supervised and how much they turn to the kindly uncle who lives next door for help when they’re in real trouble because their mother is dead and their father is wrapped up in his own troubles.
The subject of the children’s deceased mother comes up periodically throughout the book, as the children think about how things have changed for the family since she died. Dora admits to Oswald that, before their mother died, she asked Dora to look after the younger children. That’s why Dora has been trying to be responsible and to stop the other children from doing things she knows are wrong (like turning into bandits to rob people for money). The other children often get irritated with her for stopping them from doing things they want to do, and they frequently do the wrong thing anyway, even if they have to go behind her back to do it. Oswald develops some sympathy for Dora when he realizes that she’s been trying to do a difficult job that she doesn’t really know how to do, and he talks to some of the other children about going easy on her.
Racial Issues and Gender Stereotypes
This book has been reprinted many times since its original publication, and modern editions have been edited to remove inappropriate racial language. The original book has multiple places where there are racial issues and gender stereotypes, although they mostly come from two very specific sources. The gender stereotypes, which are found in other books in this series as well, come from our narrator, Oswald. Oswald has noticed that his sisters and other girls have different standards from him and his brothers, and it sometimes irritates him. Like other boys in vintage children’s books, he also has a tendency to try to show that boys are better than girls, sometimes saying things like, “Girls think too much of themselves if you let them do everything the same as men.” I partly think that the author, who was a woman, put things like that in her stories to show how boys of her time behaved, but maybe also to poke fun at men who felt threatened by women doing things that were considered for men only, like they’re little boys, feeling threatened by sisters who can do what they do.
Much of the racial issues in the story come from the children’s playacting, which is again based on the books they’ve read. They frequently refer to “Red Indians”, by which they mean Native Americans. Based on what they’ve read from books, American Indians are fascinating and exciting but also savage, and they love all of that. Actually, now that I think of it, that stereotype isn’t a bad description of the Bastable children themselves. They are somewhat savage or semi-feral in their behavior at times, although they would probably hate being called that. They’re certainly not tame children. I don’t entirely blame the children in the story for having misconceptions about other people because children can get misconceptions from things they read, see, or are told by adults. I don’t entirely blame the author for depicting the kind of misconceptions children have, either, especially because the Bastable children’s misconceptions make up a large part of the story and its humor. What is more concerning to me is the original sources of these misconceptions, the things that children get from people who should know better, who might even actually know better but who spread misconceptions anyway for their own purposes.
Whether the author of this book could be considered a source of misconceptions, or at least for perpetuating them, is a matter for debate. The references to other pieces of real literature and how the children use them for inspiration for what they do point to earlier books that sparked these misconceptions and racial stereotypes. I’ve always thought that the things children read early in life set them up for many of their attitudes as adults, and that’s why I think it’s unfair to expose children to literature that creates these misconceptions without an accompanying explanation about why certain attitudes are wrong or harmful and how spreading them causes problems. As adults, we often forgive children for things they do and think because we know they’re young and still learning, but children don’t stay little forever, and they need to know what is expected of them as they grow older. When they’re no longer little kids, people expect them to have a certain level of understanding about the world, the people in it, and how to treat others and speak respectfully about them. If they don’t demonstrate that kind of understanding by a certain age, many people will not take it that they’re still in the learning phase but will think that they’re being deliberately insulting or trying to provoke others when they speak inappropriately. In many cases, those people will be correct because there are people of all ages who like to push other people’s buttons to get a reaction, but I think it’s doing a great disservice to set children up for that type of conflict by trying to keep them “innocent” for too long. I’ve seen that even kids who know that there are certain words they shouldn’t use don’t always seem to understand why they’re not supposed to use them, and that half knowledge is part of the reason why they sometimes throw around nasty terms like they don’t know what they mean. The truth is, some of them really don’t. Kids like that don’t sound charmingly innocent in the 21st century. They sound dumb and clueless because they are these things. The things they don’t know are painfully obvious, and people, even possibly other kids their own age, will definitely notice and openly comment on it. The reason why they’re so clueless is that the adults in their lives who knew enough to tell them, at some point, that these were bad or shocking words to use around other people apparently didn’t explain to them why or make it clear what the social consequences for using these words would be. What I’m trying to say is not that reading this book or others of this vintage is bad, but if you’re going to share books like this with kids, with the original wording, you can’t do it properly without talking to the kids and being very direct about certain subjects. If you’re not, it could lead to problems, and it will be no favor to the child to set them up for that. The things people don’t know will almost certainly hurt them eventually and probably damage their relationships with others along the way.
The Bastable children don’t end up with damaged relationships or social consequences for the things they do because they are still young enough to be considered charmingly innocent and naive in their antics, although at least some of them would be considered old enough to know better about some things by their age. The children don’t even seem to understand the difference between Native American Indians and Indians from India until it is explained to them toward the book, when their “Indian uncle” comes to see them. The Indian uncle is the source of another racial issue in the language he uses. He’s one of the adults who says things he shouldn’t, and I need to talk about what he says and why he says it.
Readers should be aware that the original printing of this book contains the n-word. There is one use of the n-word by an adult character, toward the end of the book. It happens just once in the story, although it threw me when I reached that point because there wasn’t really anything leading up to it, so its use seemed rather sudden. It’s a shame because, up to that point, I was prepared to make some allowances for what the children say about “Red Indians” as part of their innocent ignorance, but as I said, we make allowances for the things children do that we don’t for people who are old enough to know better. The “Indian uncle” just throws out the n-word in a casual expression he uses, like “If Oswald isn’t a man, then I’m a monkey’s uncle,” except he uses the n-word instead of “monkey’s uncle.” A more recent edition of the book I’ve seen replaces the n-word with the word “fool.” I could forgive the children some of the racial stereotypes they use in some of their games because the entire premise of the story is that the Bastable children are naive and somewhat clueless, getting most of their sense of how the world works from storybooks instead of guiding adults, but things that adults say and do are different. To say that this was simply part of the way people talked during this period of history would be taking the easy way out and providing an apparent excuse for the behavior. Everyone has reasons for the things we say and do, and I’m not letting either the author or this “Indian uncle” off the hook that easily without prodding deeper into both of their motives.
The n-word isn’t something that appears in many of the children’s books I’ve read, even the vintage and antique books, because it’s a crude term. Technically, the n-word isn’t even really a word by itself but a slang corruption of a word, and it’s been considered a crudity and an insult since much earlier in the 19th century. By the early 20th century, its use was associated primarily with uneducated and unrefined “poor white trash” in the United States, and whatever their personal racial attitudes, people who wanted to be seen as educated would avoid its use. Those who did use it tended to use it in a derogatory and hostile way. Even in children’s books as old as this one, the use of crude racial terms (when they appear) are often used to establish the personality and background of the character who uses them. They appear as hints of crudeness, lack of good upbringing and moral character, and even violence and criminal tendencies (see books in the Rover Boys series for examples). Even when other characters use racial stereotypes in these stories, the use of the n-word in particular tends to signal something crude and nasty in the user’s character, something that goes beyond the other characters’ level of acceptability, especially when it comes from a character who is portrayed as being old enough and educated enough to know better. A contrast would be the Little House on the Prairie series, where characters sometimes use crude racial terms without being the villains of the story. However, the characters in the Little House on the Prairie books can still fall under the description of uneducated and unrefined. They are a poor farming family who lives much of their lives in the backwoods and on relatively isolated farms. When they associate with other people, it is most often people who are very similar to themselves, so they’re rarely in a position to get feedback from a wider society. The while the Ingalls family does try to better themselves and seek out educational opportunities later in the series, characters in those books could be considered “innocent” about certain things in much the same sense as the Bastable children are. That is, none of them know any better. The term “innocent” implies a lack of knowledge and experience as well as a lack of guilt. The Bastable children are, once again, proof that what you don’t know is obvious to others who do know, and it can hurt your image.
With that in mind, when I have seen the n-word or similar words in print, my main approach is to use it as a clue about the personality of the character who says it or about the author who wrote the dialog or both. One of the difficulties that I encountered with this particular book, compared to others, is that the author sets up the “Indian uncle” who uses the n-word to be one of the “good” characters, a rich and kindly relative who saves them all from poverty. He would seem to be in the position of someone who should know better than to use the n-word, but he does so anyway, in a casual and thoughtless way. That makes this book different from other books, where the n-word is used by characters who are definitely villains and whose use of crude language is portrayed as part of their rough and ill-mannered character. The uncle’s age and position in society wouldn’t seem to put him in the position of an ignorant innocent, and yet, he’s not portrayed as a rough villain. However, there is something else at play in this situation that I think explains who this “Indian uncle” really is and what his deal is, and that’s Victorian British colonialism.
In this series of books, adults are not always referred to by name but by their relationship to the children or the role they play in the children’s lives. In this case, the “Indian uncle” (who is never called anything else by the children, not even by his personal name) is not an “Indian” of any kind. This is just another of the children’s misconceptions because of what their father told them about him. He is apparently really an uncle of the children, and he has recently returned to England from India, but he is white and British, like the rest of their family. This is revealed in hints that go over the children’s heads at first, but which are explained more toward the end of the book.
First, the children listen in on some of the things their father and uncle say to each other when they’re having dinner, and they hear them talking about “native races” and “imperial something-or-other.” The children don’t understand what they’re talking about. Because of the books that they’ve been reading, they’re still under the impression that “Indian” means that this uncle of theirs is a Native American, but adults will put together the bits and pieces and realize that, since this story is late Victorian, the uncle has just come from India, which is under British imperial rule, and like an imperialist, he’s probably not saying many complimentary things about the “native races” there. 19th century British racial concepts were shaped by their colonization and quest for empire and were frequently expressed in a pseudo-scientific form of social Darwinism, that some races of people on Earth had evolved to be more successful than others, with the British at the top of the heap because they had successfully conquered other people and took over their land for their own use. (By this definition, I note that highwaymen and robbers should also be considered vastly superior to the people they rob because they successfully took something away from someone else. I’m sure that the Victorians would be insulted by that comparison, but I think it accurately shows the problems with this type of thinking.)
Second, when the uncle’s house is described, it’s full of taxidermy animals, most of which he killed himself (this is discussed further in the second book in the series) during his travels. That’s when it is revealed that the uncle has actually come from India and is not Native American at all, as the children had supposed. He is a wealthy man who has traveled as an adventurer, which is exciting for the children to hear about, but this is also another clue to the uncle’s personality. I noticed that the author made it a point to say that the uncle’s study was very different from the children’s father’s study because it didn’t have books in it but had those taxidermy animals. I took this as an indication that the uncle is not as much of a man of learning or business as the children’s father. He doesn’t use his study for reading and studying anything. He has money, but I’m guessing that he didn’t get it from having a profession. The children mention that their father went to Balliol College, and they meet a friend of his from his student days. Their father spends most of his time working, even though his business is suffering, and his old friend is also a family man with job (he is described as a sub-editor in the next book in the series). However, the “Indian uncle” is not described as having any profession. We don’t know if he ever attended college, but if he did, it probably wasn’t to be educated for a career. He is a man of leisure or relative leisure, who has apparently spent a good part of his life traveling around the world, shooting things and having them stuffed, and has little interest in books and studying. He’s had the money to live this kind of life, so he does it, fully confident in his superiority and ability to go where he wants and do what he likes. What I’m thinking is that this man is probably their father’s elder brother, who probably inherited money and indulged himself, while his brother studied and worked. Travel can broaden a person’s perspective, but the uncle seems to have traveled for self-indulgent adventure and excitement rather than learning about the world and the people in it. He’s got enough money that he probably doesn’t have to learn anything he doesn’t want to, and as the man who pays the bills and hires people to do things for him, he’s probably not held accountable for much. He can say and do what he likes, so he does that, without giving it a second thought, and maybe not even a first one. This isn’t explained in the course of the book, and I can’t point to much more than I already have to support it, but I think this man is meant to represent a type of wealthy British imperial adventurer.
Ultimately, what I’m saying is that the children think their uncle is a great man because he brings the family to live with him in his big house and helps their father with his business (probably by providing financial backing), so the family’s circumstances improve. He can invest money in their father’s business (the nature of which isn’t specified), and he showers the children with presents, which they love. However, as an adult, I’m noting his apparent relative lack of interest in books, intellectualism, and refinement of manners. I’m sure that the children will find him exciting to be around, but he doesn’t strike me as a learned man, a well-read one, or even a very well-behaved one. He has a lot of money, which can be used to fund the children’s education, but I don’t really trust his guidance or ability to be a role model. I also wonder if the children, who are being given an education and were definitely raised to love books, will continue to see their uncle in a romanticized way as they grow older. Few people can spend their lives traveling around, shooting things, and hiring “native races” to carry their baggage along the way. If that’s most of the uncle’s experience of life, it’s not really going to prepare the children for the future. At the time E. Nesbit wrote this book, she couldn’t have known that, about 15 year later, Europe would erupt into World War I, and boys who were children around this time, like Oswald, Dicky, Noel, and H.O., may very well have ended up being soldiers and had many of their illusions about life shattered. (I have more to say about that when I cover the next book, The Wouldbegoods.) People talk about past people being a product of their times, and in this case, the uncle and his racial attitudes are both a product of this time of imperial Britain and his own wealth, and nobody outside that bubble would see either the way he does.
That brings up the question of what the author, E. Nesbit, really thinks about these things. Does she also share the uncle’s view’s of British imperialism and other races, or is she just portraying the uncle as a type of person she observed around her in society? It’s not entirely clear because everything in the story is presented from young Oswald’s point-of-view, and he is uncritical of these things and seems to have little idea of the larger picture of things. But, there are things in The Wouldbegoods that I think help clarify some aspects of that, some possibly intentionally and others possibly not.
That was a long rant/explanation, but I thought it was important to delve into the issues a little deeper. The tl;dr of it is that, while people were the products of their times, they were also the ones who made their times what they were for their own purposes, even if they didn’t think as deeply about it at the time as we do today, and what we observe about them and their behavior are clues to their personality, life circumstances, and motivations. Overall, I found the racial issues with this story to be aggravating distractions from what is otherwise a fun and funny story, and their removal from modern printings actually improves the story by removing these distractions from the plot. The modern printings are fine for kids to read.
The Movie Version
I watched the 1996 version of the movie, which emphasized the more serious portions of the book and included the character of a female doctor, who helped the family in place of the uncle from India. It wasn’t bad, but it wasn’t as funny as the original book. I’m not sure about other movie versions.
Three children in England live a comfortable and happy life with their parents. Roberta is the eldest, followed by Peter and Phyllis, the youngest. Their family has servants, their mother enjoys helping the children with their lessons and making up stories for them, and their father is clever at fixing broken toys. When Peter turns 10 years old, he is given an electric toy train (a relatively recent innovation for their time and the type of toy only a wealthy family could afford), which is a wonderful present because Peter wants to become a mechanical engineer. However, something goes wrong with the toy train, and it explodes at his birthday party! When Peter’s father comes home, he looks at the toy train and says that he thinks he can fix it, but before he can say much more, some strange men come to the house and want to talk to him. They spend a long time talking while the children’s mother takes the children upstairs. Then, their mother goes downstairs to see their father. When she returns, she seems very upset, but she doesn’t want to discuss it with the children. She only says that their father has been called away and that the children should go to bed.
The next day, their mother is gone for a long time, and the children are worried about what is happening with their parents. Their mother finally returns in the evening, tired and still upset. She tells the children that the men who came the night before brought very bad news and that their father will be away for some time, so she is going to need them to help her. She says that there will be times when she will have to be away for long periods and that she wants them to behave themselves and not fight while she’s gone. She doesn’t want to tell the children what the problem is or for them to ask her or anyone else any questions about it. She only says it’s about their father’s business and none of them really understand their father’s business. They know that their father works in a government office, so his business has something to do with the government, but their mother doesn’t want to say more than that.
Over the next several weeks, their mother is gone for long periods, leaving the children with the servants and with an older aunt who will soon be taking up a position as a governess for another family overseas. The children don’t get along with their strict aunt. The servants are usually more pleasant, but the children have the uncomfortable feeling that the servants know more about their father’s situation than they do. One day, in spite of his promise to behave himself for their mother’s sake, Peter plays a prank on the parlor maid, and the parlor maid angrily tells him that if he doesn’t fix his behavior he’ll go where his father has gone. The children don’t know what she’s talking about, and when they ask their mother, she dismisses the parlor maid. She wasn’t going to keep the parlor maid much longer anyway because she tells the children that they’re going to move to the country.
When they move, they can’t take everything from their house with them because the house in the country is smaller, and their mother says that they have to take the most useful things, leaving many of their prettier things behind. She tells the children that they’re going to have to “play at being Poor.” Readers will understand that they’re not just playing, but the children’s mother tries to frame their move as a great adventure rather than the misfortune it really is. For the children, it is a kind of adventure.
They take a train to the countryside, but when they arrive, they have to walk from the trains station to their new little house because there are no cabs there. A man brings their luggage in a cart. When they arrive at the house, which is called Three Chimneys, it is night, and the woman the mother hired to clean up the house and make supper for them is gone. The man with the cart says that she probably left because their train was late and that she probably left the house key for them under the door step, as people in the countryside tend to do. The key is there, but they discover that the woman hasn’t really done any cleaning for them, and she didn’t make supper. Fortunately, they do have some provisions, packed by the strict but thoughtful aunt, so they are able to put together a small meal for themselves.
In the morning, Roberta wakes Phyllis and points out that they have no servants in this new house, so they had better get up and make themselves useful. They get things together as best they can for breakfast, although they don’t really know what they’re doing or where everything is. They start the kettle going too soon, burn the kettle, and let the fire go out. The children explore the house’s yard and garden. They can see the train tracks and a tunnel down the hill from the house, and they fall asleep outside because they got up too early. When their mother wakes up, she gets everything ready, fixing their clumsy efforts, and finds a note from Mrs. Viney, the cleaning woman. In her note, Mrs. Viney apologizes for not having everything ready for them the night before because there was a family emergency. She had to leave early because her son-in-law broke his arm, but she promises to be there later that morning to help them.
Life in the country is very different from life in their old home. Their mother now tells them that they are really poor. It’s summer, and the children are not going to school, and their mother spends most of her time writing because she wants to sell stories for money. The children still don’t know where their father is, and it still worries them, but they gradually get used to their new life and to not asking questions about their father. Deep down, Roberta knows that something terrible has happened and that their mother is very upset about it, but because her mother seems like she would be even more upset if the children knew the full truth or just how upset she is, Roberta makes a deliberate decision not to notice anything that her mother doesn’t want her to notice. Whenever it seems like her mother has been upset or crying or whenever there’s been any hint about her father, Roberta deliberately looks away and pretends that she didn’t see anything. She tries to keep cheerful and enjoy this “adventure” that they’re living.
The children develop a fascination for the trains that run by their house, and they go to have another look at the train station. They are not accustomed to being at train stations just to observe them, only to either catch trains or arrive on trains. They are fascinated to notice the details of the station and the train signals. They notice a white mark where the coal is stored, and Peter asks the porter what the mark is for. The porter tells him it’s to mark the level of the coal so they can tell if someone has taken some, giving them a friendly warning not to steal any.
The children’s new poverty doesn’t mean much to them at first because they still have plenty to eat, but when there’s a wet and chilly morning and Peter wants to light a fire, their mother tells him that they can’t afford to light fires in June and that they must save their coal for when it’s really cold. There are other little economies that the family must make. The mother tells the children that they can have either butter or jam on bread, but not both at the same time. If they eat too much at once, they’ll run out before they can afford more.
These small things that they can no longer afford give Peter an idea. He decides to stage a daring raid on the coal at the train station for the sake of their family. Although he knows that it isn’t really right, he doesn’t think of it as stealing but more like coal mining because he digs through the coal pile for the pieces underneath, which he figures they won’t miss. However, the station master catches him and insists that he and his sisters come into the train station and explain themselves. Peter explains how his family used to be able to afford fires on wet and cold days, but now they can’t because they’re poor. The station master becomes a little more sympathetic, but he gives the children a lecture about taking things that don’t belong to them. It’s still stealing, even if they think of it by another name. He lets the children keep what they’ve taken so far and lets them go with a warning not to do it again. Peter is horribly embarrassed by the incident, and he is uneasy for a while whenever he sees the station master, but the station master eventually lets him know that he is forgiven and gives them permission to visit the train station again.
The children enjoy visiting the train station and asking the friendly porter questions about the trains and how they work. The porter, whose name is Perks, likes chatting with them and answering their questions. The children watch the trains so much that they begin to recognize that each train is distinctive in its appearance. The trains no longer look all the same to them, and they start giving them nicknames, like the Green Dragon, because it’s pulled by a green engine. When Peter notices that individual trains have numbers written on them, Perks introduces him to the hobby of train-spotting, where people write down the numbers of trains that they’ve seen in a little notebook. (He doesn’t call it by that name, but that’s what he describes.)
The children become especially fond of the train they call the Green Dragon. Every day, they wave to this train, imagining that it’s a magical dragon that will carry their love to their father, wherever he is. Every day, a pleasant-looking older man who rides that train sees them and waves back to them. They begin to think of the man as a friend, waving to him and imagining that he’s also going somewhere to work on “business”, possibly with their father.
Their new train friend turns out to be very important. When their mother becomes ill with a serious case of influenza, the doctor gives them a list of things they should get for her, most of which they just can’t afford. The children are willing to make do with a diet of bread and water to get her some of the things she needs, but even doing that won’t get her everything she should have. Then, the children come up with a desperate plan. They use a sheet to make a sign to tell the old man on the Green Dragon to look out at the station. When the train comes through the next time, everyone on that side of the train sees the sign, and they all look out at the station, confused because they don’t see anything unusual. It’s just Phyllis at the station, and she slips a note to the old man, explaining their situation and asking if he could get the things they need for their sick mother. The children promise that their father will pay him back or, if he’s lost all his money (as the children are starting to suppose is the case), Peter will pay him back when he’s a man. The nice older man is amused and touched by the message, and he sends them a package with all the things they asked for, plus a few more that he thought of himself. In the note accompanying the package, he says that they should tell their mother only that a friend who heard she was ill sent these things, although they should tell her the full story when she’s feeling well enough to hear it. The old man says that he knows their mother probably won’t be happy that they asked a stranger for help, especially not without asking her first, but he says that he thinks the children did the right thing.
The old man is right about their mother’s feelings. When their mother is well and realizes what the children did, she is angry, and she starts to cry. She says that, while they’re poor, they’re not destitute, and they shouldn’t go around asking strangers for things. Part of that is personal pride and shame at their family’s reduced circumstances. She still can’t bring herself to talk about what really happened to the children’s father and why they’re so poor now. However, they do come to rely on help from strangers and new friends, and they learn that people will help others if they’re asked. Even when they’re not rich themselves and could use some extra money, some people, like the local doctor, still let them them have services at reduced rates and take some pride in their ability to help someone who needs it and who appreciates the help.
When Roberta decides to get help to fix Peter’s broken toy train, she accidentally hitches a ride on a train engine because she thinks that the train engineers know how to fix trains. The book explains that there are different types of engineers, from people who build engines to people who drive train engines and people who build things like bridges. Not all engineers do the same things, and the people who drive the engines don’t repair them. Fortunately, one of the train engineers has a relative who can fix things. Touched at the young girl’s request for help fixing her brother’s toy, he arranges for his relative to fix it.
The family also comes to experience what it’s like to help someone else who’s less fortunate when a man gets off at their train station, obviously ill and speaking a language that nobody understands or even recognizes. The only language the children have studied in school is French, so they decide to ask him if he speaks any French, even though they can tell that’s not the language he’s speaking. It turns out that the man does also speak French. Their mother speaks better French than the children do, and when she speaks to the man, she recognizes who he is. He is an author from Russia. He wrote a book about the plight of poor people and how to help them, which the mother has read and really appreciates. However, this book put him on the wrong side of the ruling class in Russia, and he spent time in jail as a political prisoner. He was later exiled to Siberia and put in a forced labor camp. The mother is surprisingly frank about the conditions in the camp and the forced marches where prisoners were whipped and left to die if they couldn’t go on. Since this man was able to get away, he has come to England in search of his wife and child. He heard that they had fled to England after his arrest, but he doesn’t know exactly where they are in England. At the train station, he was trying to explain that he was ill and that he lost his train ticket. The family lets him stay with them for a time while he recovers his health.
The children become heroes to the railroad when they witness a landslide that blocks the tracks and use the girls’ red flannel petticoats to make warning flags to stop the train. The children averted a terrible accident, and they are publicly thanked and given gold watches as a reward. The old gentleman from the Green Dragon is there, and the children learn that he is a railway director. They write him another note, asking if they can talk to him about an unfortunate prisoner.
The old gentleman meets with the children at their train station the next time his train comes through, and the children tell him about the Russian author, who is still looking for his missing family. The children say that the gold watches are a wonderful reward, but they’re willing to sell them or trade them back to the old gentleman in exchange for help locating the author’s wife and children. The old gentleman recognizes the author’s name and says that he has also read his book. The old gentleman knows some people in the Russian community in London, and since the author is a famous man, people in the Russian community are likely to know where his wife is currently living. He’s happy that the children’s mother is helping the author, and he says he will be glad to make some inquiries on his behalf. The old gentleman also asks the children for more information about themselves. He soon follows through on his promise to help the author, bringing the man’s wife and child to him.
Much of the book is about giving and the ways people help each other. When the children arrange a birthday surprise for Perks, he gets angry at first because he thinks they’re giving him charity. He changes his mind when the children tell him how they collected the birthday presents from various people in the community because they wanted to show him how much they all appreciate him and help that he’s given them in the past. His wife says that he’s been ungrateful for rejecting the presents, but Perks says that it’s not just about being given things but how and why they’re being given. If people gave him things because they thought that he couldn’t afford them or couldn’t work for them, it would have been an insult because he works very hard. If they’re given out of friendship and returned favors, it’s different.
In the background of the story, there is always the question of what happened to the children’s father and why they had to leave their old home. At one point, their mother worries about why the children have stopped talking about their father and is afraid that the children are forgetting about him. Roberta admits that they talk about him when their mother can’t hear them because she can tell that their mother is sad whenever they mention him around her. Their mother admits that’s true, and she still doesn’t want to tell them the full reason why, only that something bad did happen, and it will be a while before their father can be with them again. The reason for the father’s disappearance adds an element of mystery to the story, although most of the book focuses on the children’s adventures in the countryside. There are clues along the way, from the men who came to get their father to the clothes that Roberta discovers that her mother is keeping for him. There is her mother’s reluctance to be sociable with other people and the way she talks when she describes how awful it is to be in prison, away from your family, and the reasons why a person might be arrested, which aren’t quite the same in England as the reason why the Russian author went to prison. These are the things that Roberta tries to ignore … until she finds something that starkly tells her what all of the adults already know. When Roberta understands the real problem, she can only think of one person who might be able to help: the kind old gentleman who helped them before.
The book is now public domain, so it is available to read online through Project Gutenberg and Internet Archive (multiple copies). There is also a LibriVox Audiobook on YouTube. It’s been made into a movie multiple times, and you can see the 2000 version online through Amazon Prime. It fits well with the cottagecore aesthetic! There is also a sequel movie, not based on an E. Nesbit book, which takes place during WWII, when the children in this story are adults and other children are evacuated to the countryside from London.
My Reaction and Spoilers
The Children’s Father
There are clues all the way through the story to what happened to the children’s father. He was framed for being a spy and a traitor in relation to his work with the government, although he didn’t do was he was accused of doing. People thought he was a traitor because there were letters found in his office that incriminated him, placed there by some unknown person, and these letters convinced the jury at his trial that he was guilty. The trial was conducted during those weeks when the children were at their old home with their aunt and were being told not to ask any questions. They left for the country after he was sentenced to prison. Their mother turns to writing, something that she already enjoyed, to earn money to support herself and the children, and she doesn’t want to see much of anyone because she doesn’t want to face their questions about her husband.
Roberta learns the truth about her father when Perks gives her some old papers with pictures in them to amuse Peter after he is injured by a rake the children were fighting over. The newspaper that is wrapped around the bundle has an article about her father. Roberta reads the article and then asks her mother for the full story. Roberta understands why her mother didn’t want to tell the children what happened because she also can’t bring herself to tell Peter and Phyllis what she now knows, but Roberta still wants to understand the situation herself, now that she knows about it. Her mother tells her that her father suspects that the real traitor and the person who framed him is the man who took his job when he went to prison, but he can’t prove it, and nobody believes him. Although her mother has told her not to ask people for things, the situation is dire, and Roberta can’t let her father stay in prison for a crime he didn’t commit, so she asks the kind old gentleman if he can make some inquiries into the situation on behalf of her father. She just can’t keep the matter to herself, and he’s the only person she knows who seems to have some authority and connections and might be able to do something. The old gentleman is happy to help, especially after the children help his grandson when he is injured.
In the end, the real villain is discovered, and the father is released from prison, but the readers and the children don’t see exactly how that happens because the old gentleman seems to take care of it in London, away from the children and their mother. The book ends with the father arriving at Three Chimneys, so the family is happily reunited, but we also don’t see what their lives are going to be like after that point. They no longer have their old home, and I find it difficult to believe that the father would want to return to his old job, like nothing had happened. If all of your co-workers believed that you were some kind of traitorous spy and seemed to like the guy who framed you, returning to that office would be far too awkward. It’s a life-altering event that might have potentially been life-destroying, not just a small misunderstanding. In the end, it seems like the family will be okay. The family has a wealthy supporter now, so the old gentleman might be able to help the father find a new job. The family has also come to enjoy living in the country and has some friends there, and the mother indicates that she wants to continue her writing, so they might not move somewhere else, at least not right away. It will take the family some time to sort out what they’re going to do, rebuild their family finances, and move on from this incident. We just don’t get to see all of that happening as readers. The book ends on the happy note that things are being set right, and the family is reunited.
The Meaning of Charity and Helping Others
I’d like to point out that there is a theme of rich people coming to the rescue of deserving poor people in many books from the 19th century and early 20th century, like in this book and The Five Little Peppers. People in these stories take pride in being self-sufficient and doing their best on their own, but in the end, it’s the recognition of their worthiness from someone with money and authority who is willing to supply support them that really makes a difference in their lives and saves the day. I’ve thought sometimes that the rich-person-to-the-rescue theme seems to contradict the do-it-all-yourself attitudes that the characters in these stories often have, but I think the key to understanding it is in what Perks says about his birthday surprises – it matters how and why gifts are given.
The same gift or act of kindness can take on different meanings, depending on the motives and attitudes of the giver. Perks would have been insulted if people gave him charity because, to him, it would be like people telling him that he was incompetent at getting things for himself and his family, which isn’t true. However, the same gifts take on different meanings when they’re meant as a salute to his friendship and helpfulness to others because he can tell himself that he did things to earn them. The children in this story earn the help they get from the kind old gentleman (who is never named in the story) and others in the community through their acts of kindness and heroism to the community, so they are demonstrating their usefulness and competence instead of asking for things they haven’t earned and don’t deserve. They can take pride in their competence and good deeds, so they’re not mere “charity” cases, who take without giving. At least, I think these are the implications of stories like this. I get the concept about personal pride, but I don’t feel the same way about it because I think there are more important priorities.
Personally, I don’t have negative associations with the concept of “charity”, either giving or receiving. I’m more like Perks’s wife, who’s just grateful that somebody cares and that people think of them and are willing to give. I appreciate when things are getting accomplished, people are being helped, and objects are being put to good use by people who will actually use them. In situations like that, I’m more oriented toward the results than concerned about image. (My personal image has always been that of an oddball eccentric anyway. A basically pleasant and helpful oddball, but still an oddball. I like to maintain a certain level of eccentricity because I’ve discovered that there’s a kind of freedom in that. It’s like choosing to be a character actor instead of a teen heartthrob. Nobody can be a teen heartthrob forever, but being a character lasts a lifetime, and the ways you can do it are almost endless.) I have no objection to people giving me things I need or helping me accomplish things I want to do, and I’ve done the same for other people. It’s just life to me, and I think it’s best to focus on the good being accomplished and get on with doing things. (By the way, if you enjoy my nostalgic children’s book blog, please consider buying me a coffee to support the site! Proceeds will help support my book addiction, site maintenance, and future reviews and would be greatly appreciated.)
I’ve worked for nonprofits before, and people who work for nonprofits are there to do good and get the job done. They see needs in their communities, and they want to step in and supply them. There are people who make their lives and careers around making positive change. I certainly wouldn’t want people trying to stop those who are trying to do something good for others just because they have a negative attitude and no plan or effort for accomplishing positive change themselves. Of course, when you have a nonprofit or work for one, people come to you for things they need or to support your cause. They come to you because they’re in the mindset for making positive changes to their own lives or in the community, and that can also play into the concept of how giving is done. If someone just isn’t in the mindset of accepting help or gifts or making positive changes, there isn’t much to be done about it until they are in the mindset to do something.
I think this book actually does a good job of presenting that concept. The mother’s and Perks’s sense of pride and attitude toward the concept of charity contrast with the old gentleman, who seems willing to just go ahead and get the job accomplished when he sees what people need or what they’re trying to do. Both Perks and the mother seem to feel a blow to their pride when someone helps them or gives them something, yet both of them are happy to offer help to others who need it. Being the one offering something rather than receiving it seems to make them feel like they’re in a position of strength and competence. The mother takes in both the ill Russian author and the old gentleman’s injured grandson, not seeing those as insulting acts of charity. It’s when she’s both poor and ill herself and doesn’t feel strong or competent that receiving help from someone seems to remind her that she’s vulnerable. I think that’s the feeling that gives her a negative attitude toward charity – perhaps not that she’s fine without help but the thought that she’s in a position to need some help is scary. While she’s sick and has a high fever, Roberta tends to her through the night, and she hears her mother calling out for her own mother. It’s a moment of revelation to Roberta that, no matter how old a person gets, they still have moments of vulnerability, when they need someone else to comfort and help them, like a mother would. It can be a bit humbling to go through those vulnerable moments and have someone see you being vulnerable, but it’s human. The revelation that mothers are also humans who sometimes need other adults doesn’t make Roberta love or respect her mother any less. In fact, it makes her appreciate her mother more for what she goes through for her family and makes her more determined to be helpful and supportive to her mother.
I think Perks experiences a similar a similar attitude to the children’s mother. There are hints that he’s had a rough life himself and has worked hard for the level of stability he has now. When the children try to give Perks money for carrying the old gentleman’s gift to their mother to the house, he gruffly refuses it because he doesn’t want to take money for helping their sick mother. His refusal of their money for his service could be seen as an act of charity to them, but it’s framed more that he’s doing a personal favor or like Perks thinks that the children are offering him a kind of charity by trying to pay him for a service he is willing to provide for free. He also helps other people in the community, and helping others makes him feel strong and competent. Receiving something from others makes him feel like there’s something wrong with him or his life or like other people think there is. Perhaps it reminds him of hard times in his youth. It really seems like it’s only the attitudes of the giver and the receiver that determines what forms of giving are acceptable, and it’s bit subjective. The old gentleman understands that when he writes the note to the children that he sends with his gift to their mother, but he also says that he thinks they did the right thing. Maybe there are some kinds of giving or asking for help that are objectively good or right for reasons other than people’s opinions.
This is a good time to point out that the author of this story, E. (Edith) Nesbit, believed in socialism, although she wasn’t a radical on the subject. I think that’s why she examines the subject of helping others and receiving help from the point of view of people from different classes in society in this story. All of the adults in the story take some pride in their positions in society and in maintaining the appearances associated with those position. Victorian society was very class-based, but the family’s poor circumstances take them out of their usual class and changes the situation for them and others. The children and their mother sometimes really do need the help of other people, whether they like it or not, but they still have the capacity to help others in different ways. One of the themes in the story seems to be that everyone needs something from other people at some times. There are times when what they need might be help and support from others, and there are times when it might be a chance to show that they have the capacity to help others or appreciation for help they’ve already given.
This story raises many questions about giving which don’t have firm answers and can be viewed from different perspectives. Are all of the various forms of giving and receiving only different forms of charity, or are they just the interactions of human beings who all care about each other? Are people’s intentions or the image of giving really what’s important, or is it the giving itself? It may be better to give than to receive, but without someone willing to receive, what is the point of the act of giving?
For another early 20th century book that considers the differences between different classes of people and the meaning and benefits of charity, I recommend Daddy-Long-Legs, which is about an orphan whose college education is funded by a mysterious benefactor. That book is set in upstate New York, and it falls under the Light Academia aesthetic.
Fun Stuff
I always like seeing old books and historical books with scenes where people are playing games because I made a website about Historical Games. In this book, the children play a game that resembles Dumb Crambo (which was a precursor to modern Charades) called the Advertisement Game. In the Advertisement Game, the children act out characters they’ve seen in advertisements for each other to guess. There is also a scene with some boys from a nearby boarding school having a Paper Chase, which is a cross-country outdoor game. One player is the Hare, and he leaves a trail of bits of paper for other players to follow as the Hounds.
The kingdom of Ingary is the land of fairy tales. There is magic, and in a family of three children, it’s always expected that the youngest of the three will be most successful. Sophie Hatter, as the oldest of three, is disappointed when she first realizes that, but she reconciles herself to her rather dull fate. She is devoted to her younger sister and half-sister, and she does her best to look after them and help prepare them for their futures.
When Sophie Hatter’s father dies, her stepmother Fanny has to decide what arrangements to make for the family’s hat shop and the three girls in the family: Sophie, her younger sister Lettie, and her half-sister Martha. Because Martha is very bright and expected to one day seek her fortune in the world, as third children generally do, Fanny arranges for her to become an apprentice to a respected witch. Lettie becomes an apprentice in a pastry shop, where she will learn a good trade and possibly meet a nice young man to marry. Sophie, as she had always expected, continues to work in the hat shop. None of the three girls are particularly excited about the arrangements, but they make the most of it. Sophie does have a talent for hat-making. In fact, she has a very unusual talent because, as she talks to the hats while she makes them, the things she predicts for the buyers come true. People become increasingly attracted to the hat shop because it seems like good things happen to people who buy hats there.
Sophie is good at working in the hat shop, but she has to admit that her life there is dull. She doesn’t really know what else she would want instead, but she feels isolated, hearing gossip from other people but not really talking to anybody herself. A visit to her sister Lettie on May Day puts Sophie’s life in perspective and calls the things that are expected of older and younger siblings into question. Sophie learns that her sisters, dissatisfied with the arrangements Fanny made for them and having ambitions other than the ones that are expected of them, have secretly switched places with each other. Lettie craves learning and adventure, so she has taken Martha’s place as the witch’s apprentice to learn magic. Martha doesn’t actually care about going out to seek her fortune at all. She doesn’t want adventure or riches. What she really wants, although she’s never admitted it before, is to marry, settle down, and have ten children. Working in the pastry shop, she has already attracted quite a following of young men, and she’s sure that she’ll find one who will love her and make her happy. Neither of them cares about fitting the tradition mold of three siblings, and they’re both concerned about Sophie’s future. Sophie has never had any particular ambitions of her own, but her sisters know that being shut up in the hat shop all the time isn’t good for her. They think Fanny is taking advantage of her because it’s Sophie’s work that’s attracting all the customers these days, and Fanny isn’t even paying her an apprentice’s wage! Apprentices like Lettie and Martha get wages at other businesses, but Sophie’s been working for free while Fanny takes all the profits. It gives Sophie a lot to think about, and she becomes convinced that she’s being exploited when she asks Fanny about wages, and Fanny puts her off. Sophie is so angry that she thinks maybe she should run away to seek her fortune, but she can’t shake the idea that eldest children can’t do that. Soon, circumstances intervene to force Sophie to be the one to go out and seek her fortune anyway.
Dangerous and mysterious things are happening in the kingdom. Rumor has it that the evil Witch of the Waste has threatened the king’s daughter and that the king’s personal wizard, Suliman, has vanished after going to deal with her. People think that the Witch of the Waste probably killed him. The king’ brother, Prince Justin, also went in search of Suliman and disappeared.
One day, the Witch of the Waste pays a visit to Sophie’s hat shop. Mistaking Sophie for one of her sisters, the witch curses Sophie, turning her into an old woman. Unable to explain to anyone what has happened (which is part of the curse), Sophie makes the decision to leave the hat shop, finding a new job as housekeeper to the mysterious wizard Howl, a sinister figure himself. Little is known about Howl, although he is known to live in a strange castle that moves from place to place, apparently of its own accord, and he has a reputation for breaking women’s hearts.
Howl is even stranger although somewhat less sinister when Sophie gets to know him. He allows Sophie to stay in his castle, not so much by requesting her to stay but by not telling her to leave, much like he did with his apprentice Michael, an orphan who came to live with him and gradually became his apprentice when Howl decided not to send him away. Howl is vain (using makeup and hair dye to make himself more handsome), immature, and somewhat cowardly, but he is still a powerful wizard and can accomplish great things when he makes up his mind that he wants to (or finds himself unable to refuse). He doesn’t real steal girl’s souls, as some of the rumors about him say, but he is definitely a flirt and a womanizer, who drops girls as soon as they fall in love with him because he likes pursuing them but is afraid of commitment. In fact, he even has Michael spread scandalous rumors about him in the towns where they do business so people will be more reluctant to try to get him to commit to anything or anybody.
Howl has other problems aside from his immaturity and fear of commitment. Calcifer, the mysterious fire demon that powers the moving castle, hints as much to Sophie. He hopes that Sophie will be able to help, although he, too, is unable to explain the reason why for magical reasons. Howl is not an ordinary person, but a traveler from another dimension, from a strange country called Wales, the same place where the king’s wizard, Suliman, was from. In Suliman’s absence and against Howl’s will, the king recruits Howl to be the new royal wizard, to find the missing Suliman and Prince Justin, and to deal with the Witch of the Waste.
Sophie struggles to convince/cajole/force/help Howl to save the kingdom and to learn the secret curse that Howl himself is living under even while suffering from her own curse. Surprisingly, it seems that Sophie is the key to breaking not only Howl’s curse but her own.
The book is available to borrow and read for free online through Internet Archive (multiple copies). It’s the first book in a loose series. Many people these days are familiar with the story because it was made into a Miyazaki movie, although the movie was very different from the book in a number of ways.
My Reaction and Spoilers
I first read this book when I was in high school, years before the movie version was made. In a way, the book is party mystery or puzzle as well as fantasy. Calcifer and Howl have a problem that they can’t talk about because of the magic around it. Only one rumor about Howl is true: Howl is literally heartless. But, Calcifer has a heart. It takes a long time for Sophie to make the connection and to realize what Calcifer actually is and what Howl did. Howl made a sacrifice years before that has left both Howl and Calcifer in a precarious position. The clues to Howl’s past and the arrangement between him and Calcifer are in a poem by John Donne that turns out to be part of Howl’s nephew’s school assignment. The Witch of the Waste, who turns out to be one of Howl’s former, discarded conquests, knows Howl’s secret and is trying to use it to get revenge on Howl.
Although the movie version is very good, and I enjoyed watching it, it is very different from the original book. The beginning part of the movie, where Sophie is working in the hat shop and cursed by the Witch of the Waste before going to work for Howl is very similar to the original book. However, the major problem of the war in the movie never happened in the book. War is a common theme in Miyazaki movies, but there’s nothing in the book about wizards making themselves into weapons of war. Instead, the main problems of the book are about lifting Sophie’s curse, figuring out what the secret contract between Howl and Calcifer is, evading the wrath of the Witch of the Waste, and finding the missing Suliman and Price Justin. The movie addresses the arrangement between Howl and Calicifer, but it doesn’t fully cover any of the rest of it. There are some characters and plot lines from the book which were combined or reduced in the movie in favor of the war plot, which I found less interesting because it has less intrigue. In the movie, the Witch of the Waste is tamed and redeemed as a character, but in the book, she really is evil and is never redeemed.
There’s also nothing in the movie about Howl being from Wales in our world and the land where he lives being a different dimension, but that’s a major part of Howl’s character in the book. In the book, Sophie even visits Wales with Howl and meets his family. His sister thinks that Howl, known as Howell Jenkins in his native Wales, is a wastrel, who hasn’t made anything of himself in spite of his college education. She’s only partly right. What she doesn’t know is that Howl started learning about magic at university, which is how he found out how to travel to other dimensions and make himself into a wizard. In spite of his immaturity and attempts to avoid certain types of service, he is actually very skilled and powerful. Howl can’t tell his sister the truth, so he just lets her think that he’s a wastrel.
Sophie finds Wales strange and mysterious. She is terrified when Howl takes her and Michael for a ride in his car. One of my favorite parts is when Howl needs to talk to his nephew about the poem he was assigned at school, but he doesn’t want to talk to Howl because he’s playing a computer game with a friend. Sophie and Michael don’t understand computers or that the boys are playing a game, so when the friend says that he can’t stop to talk or he’ll lose his life, they think that the boy’s life is really in danger. They almost panic when Howl pulls the plug on the computer to get his nephew’s attention, totally unworried about his nephew possibly dying. That’s one of the reasons why I prefer the book to the movie. Many of the humorous little moments like this are lost in the movie, although the movie did keep the episode where Howl has a temper tantrum and fills the house with green slime.
There are also intricacies of the plot that aren’t explained in the movie. The one I mind the most is that the movie doesn’t fully explain how the curse on Sophie works or how it gets broken, either. The book provided more information, which helps Sophie fully appreciate who she really is. As Calcifer realized soon after meeting Sophie, removing the curse on Sophie is complicated because it has two layers. Howl even admits later that he’s been quietly trying to remove Sophie’s curse himself, but he was never successful because Sophie was actually maintaining the curse herself. The first layer was what the Witch of the Waste did to her, but Sophie herself has magical powers that she has been unconsciously using throughout the book. The reason why good things kept happening to the people who bought her hats was that she was unconsciously casting spells on the hats when she talked to them while making them. The second layer of the spell on Sophie herself was her unconsciously reinforcing her sense of being old through all of the negative things she’d been telling herself about being the eldest child in her family. Sophie’s power typically manifests in the things she tells to people and things, and she’s been telling herself all the wrong things.
Because of all of the tales about how the youngest children are the ones who successfully go out to seek their fortune, Sophie has felt relegated to just being the eldest, helping other people, and not really thinking about what she wants for herself. Even as a young woman, she acted and felt old before her time because she didn’t have any confidence in herself or anything to look forward to in her future. Her sisters even worried about her for not having enough self-respect, no ambitions or dreams of her own, or ability to stand up for herself. Because she never expected to do much of anything with her life or any belief that she might have talents of her own, she and everyone else completely overlooked all of the magic that she’s been instinctively doing. When Sophie discovers that her sisters have switched places and learns about their real life ambitions, she is stunned to realize that she has badly misunderstood both of them for most of their lives, also making assumptions about them based on their birth order. She has also misjudged or underestimated other people, but the person she’s misjudged and underestimated is herself. Howl is the one who tells her that there’s nothing wrong with her being the eldest sister; the times when she gets things wrong have been when she acts without fully thinking things through. Part of the key to breaking her curse is to get rid of the negative feelings she’s had about herself and her ability and to see herself for who she really is: a person with powerful talents and a right to want things and achieve things for herself and her future. Once she sheds her doubts about herself and her abilities and stops thinking of herself as just the eldest and doomed to fail, she realizes how she can use her powers to save Calcifer and Howl, and Calcifer lifts the rest of her curse.
Day of the Dragon King by Mary Pope Osborne, 1998.
Since Jack and Annie first found the magic tree house full of books, they have managed to solve the ancient riddles and become Master Librarians. The owner of the tree house, Morgan Le Fay, has sent them on missions to retrieve lost stories from ancient libraries. This time, Morgan is sending them to ancient China to retrieve a legendary tale before the Imperial Library is destroyed. They have a guide book about the first emperor, called the Dragon King, to help them, but Morgan tells them that they will need the legend they are retrieving to rescue themselves in the end.
When they arrive in the past, a man asks them to take a message to the silk weaver as a favor. They agree and ask him where they can find the Imperial Library. The man doesn’t answer them, but he acts scared and tells them to beware of the Dragon King. They take the message to the silk weaver, telling her to meet the man at twilight, and she thanks them by giving them some silk thread. They ask her about how silk is made, and she tells them a little about it, but she also says that the method of producing silk is supposed to be a secret. If the Dragon King finds out that they know, they might be put to death!
When someone spots them talking to the silk weaver and chases them, Jack and Annie hide in a cart, and they are taken into the emperor’s city. To their surprise, the driver of the cart turns out to be a scholar in disguise. Scholars have gone into hiding because the emperor fears them and their learning. He wants to control people’s knowledge, and to keep people dependent on him, he has decided to burn all the books in the Imperial Library! When the scholar sees their Master Librarian cards, he understands who they are and promises to help them save the legend from the library before it is burned.
Unfortunately, the burning of the library has already started. Annie grabs the book they’re looking for, and the children are forced to run away from the king’s soldiers, who chase them and shoot arrows at them! When they take refuge in a tomb, they are shocked to see something that neither of them expect.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction
The surprising discovery the children make is the collection of terracotta soldiers that the Dragon King has prepared to populate his tomb. Although there is no paint left on the statues now, the children describe seeing them with their original, life-like paint. The same is also true of Ancient Greek statues. People think of classical statues as being just plain marble, but when they were first made, they were also painted with life-like colors.
Jack and Annie are able to save the book they came to find, which is in an unusual format, made with bamboo strips. Before Morgan le Fay sends them on their mission, she tells them a little about the history of paper and books. The reason why the book they find is made with bamboo strips is that is what Chinese people used to make books before they invented paper.
Unfortunately, Jack and Annie can’t prevent the burning of the rest of the Imperial Library. I didn’t know before about the burning of the Imperial Library by the Dragon King, and I was fascinated to find out about this other side of the reign of the emperor who commissioned the creation of the terracotta soldiers.
After the previous adventure that Jack and his sister Annie had in the Magic Tree House, Jack is still puzzled about how the tree house travels though time and who owns it and the books inside. He also wonders about the gold medallion with the letter ‘M’ on it. Both Jack and Annie are having trouble sleeping because they’re wondering about these things, so Annie suggests that they go to the tree house early in the morning to see if they can catch the owner there.
However, when the kids get there, nobody is there, and the books are still where they left them. Annie points out a book about knights and castles that she likes. Although Jack tries to warn her to be careful, Annie wishes that they could see the knight, and the tree house takes them back in time to the Middle Ages. They see a large castle outside the tree house and a knight on a black horse.
Jack thinks that they should use the book about their home town to go home immediately and make some plans before they do anything else in the past, but Annie wants to stay and look around before they leave. She climbs out of the tree house, and Jack has no choice but to follow her.
They discover that there is a feast at the castle, and Annie wants to see the feast for herself. As the children spy on the feast, a servant spots them and demands to know who they are. Jack and Annie run away and hide in the armory, but they are found by guards, who take them to the dungeon. Annie startles the guards with her flashlight, and they are able to escape.
They find their way out of the castle through a secret passage and encounter the knight on the black horse. But, is he a friend or an enemy?
My Reaction
The Magic Tree House series is meant to be educational as well as fun fantasy stories, and I enjoyed the pieces of Medieval trivia throughout the story. As the kids explore this new time period, Jack reads the book about knights and castles to learn more about where they are and what’s happening there.
However, not all the facts in the book are true. The part where Jack was reading about how heavy a knight’s armor was isn’t right. His book says that a knight’s helmet could weigh forty pounds by itself. Jack remembers that he weighed forty pounds when he was five years old, so he thinks wearing a knight’s helmet could be like having a five-year-old on someone’s head. However, according to The Metropolitan Museum of Art, entire suits of armor weighed roughly 45 to 55 pounds, with the helmet weighing about 4 to 8 pounds. That’s still a heavy amount for someone to carry on their head, but far more reasonable than 40 pounds.
This book starts with the four Pevensie children from the previous book in the series heading to their boarding schools by train. The girls are going to one school, and the boys are going to another. As they’re waiting for their trains at the station, they suddenly feel themselves being pulled and dragged by some unseen force. They feel like it’s magic of some kind, and they all join hands to stay together. The next thing they know, they’re in a forest. They wonder if they might have returned to Narnia.
They explore the area and realize that they are on an island. When they search for food, they find an abandoned apple orchard and the ruins of a castle. Something about the ruins seems strangely familiar to the children. When Susan finds a golden chess piece, they realize that the castle is the ruins of Cair Paravel, the castle where they used to live as kings and queens during their previous time in Narnia. The children are sad that the castle is now ruins. They’re also puzzled at how it can be ruins when they last saw it intact, and when they lived there, the castle was on a peninsula, not an island. Even though their previous adventures only took place a year before for them, it looks like many years, maybe centuries, have passed in Narnia.
They find their way into their old treasure room and discover that it is undisturbed. They leave the jewels and riches there, but they find the special presents that they were given during their last adventure and take them because they may be helpful during this adventure. The one thing they can’t find is Susan’s magic horn, which can be used to summon help in desperate times. Susan realizes that she had it with her during the stag hunt right before they returned to their own world from Narnia, and it was probably lost in the woods.
When they rescue a dwarf from some men holding him captive, the dwarf thanks them. He says that they were planning to drown him as a criminal, but he doesn’t fully explain. Instead, he offers to catch some fish for them all to have breakfast because all the children have are apples. When the children mention that there is firewood at the castle, he is amazed. He’s heard stories about an old castle there, but he wasn’t sure that it was real. The rumors are that the forest around the castle ruins is haunted.
After they eat, the dwarf explains that he is a messenger for Caspian, the king of Narnia. He then qualifies that by explaining that Caspian should be the king. The old Narnians recognize him as the rightful king, although he is considered one of the new Narnians himself. Prince Caspian was an orphan raised in the castle of his Uncle Miraz. He was mostly raised by his nurse and wasn’t very close to his aunt and uncle, but his uncle acknowledged him as his heir because he had no children.
According to the dwarf’s story, Prince Caspian has a fascination for the old days of Narnia from his nurse’s tales, when there were fauns and talking animals in Narnia, but his uncle says those are just fairy tale stories for little kids. The Pevensie children realize that the legends that Prince Caspian was told as a young child were about them and their adventures. People still tell stories about them, but not everyone believes them.
Miraz forbids Caspian from believing in those stories or talking about them again and sends away Caspian’s nurse. Instead, he hires a tutor for Caspian called Doctor Cornelius. Caspian misses his nurse, but he enjoys his lessons with Doctor Cornelius. From Doctor Cornelius, he learns that his ancestors and other humans came to Narnia from another land and conquered it. However, Doctor Cornelius is reluctant to explain exactly whom his ancestors conquered. Doctor Cornelius quietly admits that Miraz forbids anyone from talking about Old Narnia because it’s supposed to be a secret. Over time, Doctor Cornelius lets Caspian know the secrets of Old Narnia, which confirm to him that his nurse’s stories were true.
Caspian’s ancestors were the ones who silenced the taking animals and drove away or killed other races who inhabited Narnia. The reason why Miraz won’t let anybody talk about the history of Old Narnia and denies that other species once lived there is to cover up that his ancestors stole Narnia from its rightful inhabitants and that most of the humans are merely transplants to this land, not its rightful heirs. Doctor Cornelius reveals himself to be a dwarf, one of those few who still live in Narnia in secret. He is also part human, which is how he is able to pass for a human. He says that there are others there in disguise. Caspian feels like he should apologize to Doctor Cornelius, although he knows that what his ancestors did to the dwarves was not his fault. Doctor Cornelius says that apologies are not necessary, but he knows that Caspian will one day be king and can help the remaining Old Narnians who still live there, hiding from Miraz.
The stories about the woods around Cair Paravel being haunted were invented by Caspian’s ancestors to hide Narnia’s past and also because they want the forest to separate them from the sea. Caspian’s people fear the sea because, although they deny that Aslan exists, the legends all say that Aslan will return from across the sea. They fear the wrath that Aslan may visit on them for what they did to Narnia and its peoples. However, not all humans have this fear of Aslan and Old Narnia. Others, like Caspian, are fascinated and would like to see Narnia become more like its past self, with magic and talking animals and dwarves and fauns. As Caspian gets older, he realizes that many people in Narnia are unhappy with Miraz and the way he rules Narnia. He is a cruel king.
One night, while Caspian’s aunt is very ill, Doctor Cornelius wakes him and prepares him for a journey. He tells Caspian that he is not just the prince but the true king of Narnia. His father was the true king, and after Caspian’s parents were dead, Miraz took the throne for himself. Miraz murdered or exiled Caspian’s father’s old friends and supporters. Caspian was too small at the time to understand or have any memory of this, but now, Miraz is planning to murder Caspian. His aunt’s “illness” was actually childbirth, and now that she has given birth to a son, Miraz is planning to eliminate Caspian so his own son can be his heir with no opposition from the true heir. Doctor Cornelius says that Caspian has no other choice but to flee to another, friendly kingdom. To help him on his way, Doctor Cornelius gives him some food, a purse of gold, and Susan’s magic horn, an Old Narnian artifact found after she and her siblings disappeared from Narnia.
While Caspian is fleeing, he has an accident and is knocked unconscious. He is found by a dwarf and talking animals. They almost kill him as one of their enemies, but Caspian explains who he is and why Miraz wants to kill him. The dwarf still wants to kill him, but the badger realizes that Caspian is a hopeful sign. The golden age of Narnia was when human children ruled, and young Caspian’s belief in the Old Narnian stories and assertion that he has longed to meet Old Narnians like them are signs that he could be a true high king like King Peter. The badger says that he would be willing to follow King Caspian if he remains true to Old Narnia and its people.
Caspian is allowed to stay among the Old Narnians in hiding. He gradually makes friends with different species, and they begin to form a rebellion against Miraz. Doctor Cornelius finds Caspian and warns him that his uncle is searching for him. Caspian’s supporters convinced him that it was time to blow Susan’s horn to summon help, and that was how the Pevensie children were summoned back to Narnia.
The dwarf explaining all this to the Pevensie children is the same doubting dwarf who almost killed Caspian and ended up joining his supporters. The men trying to kill him were Miraz’s people. Trumpkin, the doubting dwarf, now doubts that the Pevensie children are the help they were hoping for. They are children again, not the great kings and queens they were when they left Narnia. The children aren’t too troubled by his doubts because they know who they are and the victories they have already achieved in Narnia. They have not lost all the skills they gained in Narnia before, and the more time they spend in Narnia, the more they become like the kings and queens they once were and still are. They outfit themselves from their old treasury and prepare to once again battle again evil in Narnia in support of Aslan.
The book is available to borrow and read for free online through Internet Archive (multiple copies, including some in different languages).
My Reaction
The books in The Chronicles of Narnia are famously Christian allegories, and Christian themes continue through this book. There are people who are doubters, but those who remain faithful believers in Aslan (who represents Jesus in this series) are the ones who prevail in the end. Like Jesus, Aslan wants his followers to do what they can on their own but is often near to offer them strength, support, and hints about the right thing to do. However, some people are more perceptive to his guidance than others, especially Lucy, and there is a theme that runs through the story about belief in things from people who have not seen them directly and are relying on other people’s experiences. As Lucy has a greater capacity for perceiving Aslan, some other people have a greater capacity for general belief. Edmund has learned his lessons from the previous book. Feeling badly about his earlier doubting of Lucy and how he had once belittled her, he becomes her biggest supporter during times when she can see Aslan and others can’t, urging his older siblings to listen to her. Some people, including Peter and Susan, doubt whether Lucy has actually seen Aslan when they haven’t seen him himself. Trumpkin, the doubting dwarf, is the classic Doubting Thomas of the story. He doubts everything, every step of the way, from Caspian’s intentions to the existence of the Pevensies and Aslan, but he keep son going until he sees the Pevensies himself and has the opportunity to see their abilities in action. Among Caspian’s followers, there are some, like the badgers, who have always believed in Aslan and always will, and there are others who are won over when they see for themselves.
There are also themes in the story that can apply equally to religious issues and political ones. Miraz struggles from the beginning to control the narrative of how his family came to rule Narnia and how he himself became the king when his brother’s son was actually the true heir. There are people who know the truth about both of these issues, but he’s not above censoring people, exiling them, and even killing them to prevent people from talking about the truth openly. Miraz is not a good king and has his self-interest in mind more than his subjects’, but he’s sharp enough to know that nobody really likes him or wants him to be king except he has convinced them that he has the authority to be king and that their self-interest lies with him. If people came to see him and his family for who and what they truly are and what they’ve actually done, he would lose all of that, and he knows it. Authoritarian rule is like that. It relies on maintaining the sort of image that, realistically, they can’t maintain if people know what the individuals involved are really like. Authoritarians try to make themselves look stronger and better than normal humans to cover up for their flaws, but the image collapses when they can’t or won’t deliver what they promise, and people see them for the flawed humans they really are, often more flawed than the people they tried to convince were weaker.
Aslan eventually reveals that Caspian and his people are not just from a foreign country in the world of Narnia, but their distant ancestor were actually pirates from our world. They had conquered and looted an island in the South Seas, murdered many of the inhabitants, and taken the women for their own. Then, they had argued and fought among themselves. Some of the pirates took their women and tried to hide in a cave from the others, but it was a gateway to the world of Narnia, and that was how they got there to later conquer Narnia. When Caspian hears this, he says that he wishes that he had come from a more noble lineage than murdering pirates, and Aslan tells him that, further back than the pirates, he is also a son of Adam and Eve, just like the Pevensies, and that lineage is noble enough. I liked this explanation because, in modern times, people have struggled with the concept of having slave-owning ancestors, fearing criticism, punishment, or some form of reparations for it. I’ve heard some people saying that they don’t want to be ashamed of themselves or their ancestors. They are hung up on one part of their family’s history, a history that, when you think about it, goes back as far as humans go, and they fear blame and shame for that. I don’t think I’ve heard many consider that their family didn’t always own slaves. They were something other than slave-owners before that, even if some of them can’t quite remember what that was. I’m not big on ancestor veneration and imitation, but everyone’s ancestry goes back too far to remember every generation. Even if some generations weren’t good examples, they’re not the only past generations, if you see what I mean. Maybe, instead of looking at what their family used to be and lost and might be blamed for even having, they should consider that what they’ve become since then might just be a return to what they were before that period in their family’s history, which might just be better and noble enough.
Earlier in the story, when the Old Narnians talk about whether to support Caspian or continue to support him, there are some who waiver in their support or withhold it, also out of self-interest. While nobody really likes Miraz, Narnian history and legends influence the way that the Old Narnians feel about Aslan and his supporters. Most of the Old Narnians remember the White Witch from the previous book as a wicked ruler, but the dwarves and wolves fared better under her than other species. Their descendants forget that their relatively better treatment came from their collaboration with the witch and their participation in her wickedness, and even then, the relatively better treatment still wasn’t that great. (Plus, some of the wolves are actually werewolves, not just talking animals, like the others.) They just vaguely remember that there was a time when a ruler put them in a better position relative to other species, which they are not now. In fact, they feel like they are now treated worse and given fewer supplies than the other groups. The other groups say that’s not true, but it feels like it is to them because they are no longer better off than the others. They miss that and want it back. When they become impatient with Caspian and feel like he won’t give them the treatment they want, they rebel, and some of them are killed. Prince Caspian and the others feel badly about that because the might not have rebelled and been killed in the struggle if circumstances were different and they had felt more satisfied, but they had no choice but to defend themselves from their attack.
The book also looks at the type of people who support authoritarian rulers. Much of their support also has to do with self-interest or apparent self-interest. Miraz does have supporters among the human nobility who helped him accomplish his rise to power and who helped do his dirty work in getting rid of his brothers old allies. Since then, some of them have become disillusioned with Miraz. Miraz has not followed through on what he promised them before in exchange for their loyalty and support, furthering his own self-interest instead of theirs, and that’s the one thing they can’t accept. The thing about supporting someone who is selfish and is willing to throw former supporters to the wolves or even kill relatives in pursuit of power … is that you end up being one of those former supporters who may be thrown to the wolves or killed when your leader pursues self-interest and power. Some people never think anything through. They may have assumed that they would be a special exception to the leader because of their support, but nobody is special to Miraz but himself. Everyone else is just a tool to be used until he can’t find a use for them or they seem to be a hindrance.
When Aslan reveals the true history of Caspian’s people to them, many of them are afraid that Aslan is going to kill them all for what they’ve been and what they’ve done, which is another factor in their support of Miraz and his narrative. Even some of those who knew the truth before were too scared to say anything or do anything about it because they feared the blame, guilt, and consequences that might follow acknowledging the truth. A major reason for their fear is that they and their ancestors have not been merciful to anybody, so it never occurs to them that someone else might have better intentions for them.
At the end of their adventure, when it’s time for the Pevensies to go home, Aslan tells them that Peter and Susan will not be returning to Narnia next time because they are getting too old, but Edmund and Lucy will return someday. It’s a common theme in children’s fantasy books that only children can experience certain types of magic, and when they get older, they can no longer experience it or believe in it. It’s a trope that is meant to explain why grownups don’t experience this type of magic in the real world and why the adults in stories think that the children are just imagining things when they experience magic, but to me, it doesn’t logically follow in this story. We already know that at least one adult the Pevensie children have met believes in Narnia and magic because he has also experienced them, and we know that the ancestors of Caspian’s people arrived in the world of Narnia as adults. The Chronicles of Narnia don’t seem to have a consistent principle about who can visit the world of Narnia or believe in it, not in age or even in moral character because Caspian’s ancestors were murdering pirates. I think, in the case of Caspian’s ancestors, it might have something to do with explaining how even flawed and immoral people can rise to power or even seemingly have God’s favor, when it seems like they’re the last ones who should. It seems to be a combination of random chance (happening to wander into the right cave, in this case), their own choices (conquering other people), and possibly, part of a much longer game on Aslan/God’s part (eventually producing Caspian, who is the kind of ruler Narnia needs, even though it involved a lot of evil along the way – the evil being the humans’ choice, not a requirement). That’s some speculation and interpretation on my part, but I think the story kind of sets that up. Aslan seems completely aware of what’s going on and what has been happening but hasn’t tried to interfere until the critical moment in this story when Prince Caspian needs his help to fulfill his destiny.
The Lion, the Witch, and the Wardrobe by C. S. Lewis, 1950.
During WWII, the four Pevensie children are sent away from London to the countryside as child evacuees. They end up staying in a strange old house with an unmarried professor. The children are fascinated by the professor’s big, old house, and on their first rainy day there, they decide to go exploring. In a spare room, the children see a big, old wardrobe. While her older siblings move on to look in other rooms, Lucy can’t resist looking inside the wardrobe. The wardrobe is full of old coats, but Lucy enters the wardrobe and pushes past the coats to see how far back the wardrobe goes.
As Lucy continues trying to find her way to the back of the wardrobe, she feels like the old coats are starting to feel like tree branches. When she emerges from the wardrobe, she is in a snowy forest. She sees a faun hurrying by with some parcels, and she talks to him. The faun, Mr. Tumnus, is surprised to see her and asks her if she’s a “daughter of Eve”, meaning a human girl. Lucy finds that question confusing at first, but she confirms that she is a human girl. Mr. Tumnus convinces Lucy to join him at his house for tea. While she’s there, Mr. Tumnus plays music for her. Lucy is enchanted, and she almost falls asleep, but then, she suddenly realizes that she should return to her siblings. To her surprise, Mr. Tumnus is upset and guilty. He explains that he has been forced into the service of the White Witch, who has commanded him to charm any human children he finds until she can come and collect them from him. Lucy is shocked and disbelieving because Mr. Tumnus has been so nice to her. Mr. Tumnus hates having to work for the evil White Witch, but she does horrible things to anyone who defies her, often turning her enemies into stone statues. The White Witch controls the land of Narnia, where they currently are, and she’s the one who has made it eternally winter but never Christmas. However, Mr. Tumnus just can’t bring himself to turn Lucy over to her, so he agrees to help her get back to the wardrobe without telling the witch about her.
Lucy returns to her own world through the wardrobe and eagerly rushes to her siblings to tell them where she’s been. When she sees her siblings, she learns that almost no time has passed since she first went into the wardrobe, and nobody has missed her. Her siblings can’t believe that she’s been to a magical land and that no time has passed while she was having this adventure. They go to the wardrobe themselves and look at it, but when they look, it’s just an ordinary wardrobe with a back. They think that Lucy was just playing a prank, but Lucy is very upset because she knows that it wasn’t a joke or a dream. Her oldest siblings, Peter and Susan, would be ready to forget the entire matter, but Edmund can’t resist teasing Lucy about it.
During a game of hide-and-seek later, Lucy goes through the wardrobe again, and this time, Edmund follows her. Edmund is shocked to find himself in the same snowy woods and to realize that Lucy was telling the truth. At first, he looks for Lucy, having lost track of her, but then, he encounters a strange white lady in a sleigh. This is the White Witch. Not knowing who she is, Edmund accepts the witch’s offer of a hot drink and his favorite treat, Turkish Delights. The treats that the witch gives him are enchanted to give him a terrible craving for more. The witch is careful about how many she gives him, but that craving and her promise of more keeps Edmund wanting to please her and to tell her everything she wants to know. He tells the witch about Lucy and her earlier trip to Narnia. The witch asks him if he has any other siblings, and she is strangely interested when he says that he is one of four. The witch tells Edmund that she is the queen of Narnia, but she has no children. She says that if Edmund will bring all of his siblings to meet her, she will make him the prince of Narnia, and he can live in her palace and eat Turkish Delights all day. Edmund is reluctant to bring her his siblings because he craves her treats so much he would rather just go to her palace at once, but the witch insists that he must bring her his siblings.
Lucy and Edmund meet back at the wardrobe entrance to Narnia, and Lucy is pleased at first that Edmund has now seen that Narnia is real. However, when they return to their own world and see Peter and Susan, Edmund spitefully tells them that Narnia isn’t real and that they were just playing pretend. After all of his earlier teasing, he can’t bring himself to admit that he was in the wrong for saying that Lucy was just making it all up before. Lucy is deeply hurt that Edmund is denying something they both know is true and becomes very upset.
Peter and Susan know that Edmund is being mean to Lucy, but they are also concerned about why Lucy seems to suddenly be making up these strange fantasies, when she’s never done anything like that before. Thinking that maybe the stress of being sent away from home is making Lucy crazy, they talk to the professor about what’s been happening. The professor listens to their story and their concerns very seriously, and they are surprised when the professor asks them how they can be sure that Lucy isn’t telling the truth. He admits that this old house is very strange, and he hasn’t even lived there very long himself, so he can’t say for certain what might be happening there. There have been some strange stories about this house before, and sometimes, they even get tourists stopping to see the house. Peter and Susan say that they doubt Lucy’s story because Edmund says it wasn’t true and because they saw nothing in the wardrobe when they looked themselves. They think if the wardrobe was really a portal to a magical world, surely it would be there all the time, for anyone who looked. The professor says that might not be true, that there might be thinks that are real that aren’t necessarily there or visible all the time. Part of his reasoning is that, if Lucy was playing a prank of some kind, she would have hidden for longer before coming to tell them of her adventures so that her story would seem more plausible. Lucy’s story is so implausible that the professor is inclined to believe it. The professor says that time might work differently in Narnia and that’s why it seemed like no time has passed. As for Edmund’s word, the professor asks Peter and Susan whether they would have thought Lucy or Edmund more reliable before. They say that Lucy is usually more reliable than Edmund, so the professor dismisses Edmund’s story in favor of Lucy’s. Peter and Susan still aren’t sure what to do about the situation, even if Lucy really has visited a magical land. The professor’s suggestion is that they mind their own business for now. Not knowing what else to do, Peter and Susan decide to wait and see what happens.
The truth is revealed when the children find themselves in the room with the wardrobe again while trying to avoid a group of tourists the housekeeper is leading on a tour of the house. Hearing the housekeeper approaching they all decide to hide in the wardrobe, and this time, they all find their way to Narnia. Peter and Susan are amazed and apologize to Lucy for not believing her before. It’s cold in the snow, so Susan sensibly suggests that they borrow some of the coats in the wardrobe to wear. Edmund gives away his earlier lie about not having been to Narnia by mentioning the position of a street lamp that is oddly in the forest. Peter is angry with Edmund for lying to them and trying to make Lucy look like either a liar of crazy person. Like a lot of people caught doing something bad, Edmund becomes sullen and resentful that the others are rightfully angry with him for what he’s done.
Lucy wants to introduce her siblings to Mr. Tumnus, but when they reach his house, they learn that he has been arrested. Lucy knows that he was arrested for defying the White Witch, and she explains about the witch to her siblings. Edmund doesn’t tell the others that he has met the White Witch himself, although he tries to introduce the idea that none of them really know what’s going on in this land, asking how they know if the witch is really evil or not. The others don’t listen to him and agree with Lucy that they should try to help Mr. Tumnus, if they can.
At first, they don’t know where to go or what to do, but a friendly robin guides them to meet a beaver. Animals talk in Narnia, and the beaver takes the children to his house, where he explains to them what happened to Mr. Tumnus and the truth about the White Witch. Although the White Witch calls herself the queen of Narnia, the actual ruler of Narnia is Aslan, the emperor. The beaver is vague about exactly what Aslan is, but he says that Aslan is not human, and neither is the White Witch, although she looks sort of human and would like people to think she is human. The truth is that, while humans are “sons of Adam” or “daughters of Eve” (referring to the Biblical Adam and Eve), the White Witch is actually a descendant of Lilith, Adam’s first wife. (According to folklore/mythology, as this video explains, Lilith was created by God at the same time as Adam, but she was not faithful to him. She left him and mothered a race of demons with other creatures. Therefore, in Lewis is following folklore, the White Witch is actually a demonic enchantress. The book doesn’t go into all this backstory. The beaver describes the White Witch as being the product of a djinn and a giant, but based on folklore, that’s the implication that she’s demonic. The White Witch is not just a human who practices evil magic; she’s a non-human demon. Being half-djinn and half-giant sounds less scary for kids, but it’s really more sinister, if you know the folklore and think more deeply about it. That’s what the beaver means when he refers to being careful about things that look human but actually aren’t. In folklore, demons and other evil creatures can sometimes make themselves look human to get people to trust them.) The reason why the White Witch is so concerned about human children is that there is a prophecy that four human children will take the thrones in the castle of Cair Paravel, and that will bring her evil reign to an end. Any time human children come to Narnia, the White Witch tries to get her hands on them to prevent the prophecy from coming true. (She has no intention of adopting Edmund as a prince. If she gets her hands on all four Pevensie children at once, she’ll turn them all into stone statues, as she does with all of her enemies, to prevent them from taking the thrones.) However, the word is that Aslan is returning, and the presence of the four children is a sign that the prophecy will soon be fulfilled.
During the course of this explanation, Edmund slips away from the others, wanting to seek out the White Witch because of her promises to him and his irresistible craving for what she has offered him. When the others realize that he is gone, Peter thinks that they should search for him, but the beaver has accurately realized that Edmund is under the influence of the witch. There is no point in going after him because he is not in a state where he will listen to them and is in the process of betraying them all. Their only hope is to leave before the White Witch comes and to seek out Aslan!
This book is the first book in the Chronicles of Narnia, although the books in the series jump around in time. The book is available to borrow and read for free online through Internet Archive (multiple copies). It has been made into movies multiple times.
My Reaction
When I was in high school, my history teacher brought up this book, saying that it was more than just a fantasy book, asking the class if we knew what it was supposed to be an allegory for. I said that it was religious allegory, and she told me that I was wrong and that it was an allegory for World War II. The story takes place during World War II, but it is definitely religious allegory. All the talk about “sons of Adam” and “daughters of Eve” and the references to Lilith are not coincidence. C. S. Lewis was a lay theologian and also wrote nonfiction books on the subject of religion. This book was written for his goddaughter, Lucy Barfield. Aslan is a lion in the story, but he also represents God, and toward the end of the story, he performs a Christ-like sacrifice of himself for the sake of Edmund’s sins (Edmund’s betrayal of his siblings has made him the property of the White Witch and a sacrifice for her until Aslan voluntarily takes his place to free him from the witch) before rising to life again and restoring life to all the people who had been turned to stone.
The Chronicles of Narnia is a popular Christian series, and some Sunday schools even use the series to teach Christian lessons. However, because of the fantasy themes and the style of the stories, not all Christians approve of them. Reception among atheists and people of other religions has been mixed, although the series is generally famous and has become a classic among children’s literature. One of the chief problems people have with the stories occurs toward the end of the series, where children who grow up and become interested in dating are at least temporarily lost to godliness or Heaven or the magic of Narnia, and the children who die young are the ones who live in Narnia eternally. It does creep me out a little that dying young instead of growing up is depicted as a virtue. It probably would have creeped me out even more if I had read the last book in the series as a child instead of an adult. As an adult, I see it more as a result of the author’s possible disillusionment with the habits adults develop when they lose their youthful sense of innocence and, even more likely, that problem that fantasy authors often seem to struggle with, explaining how these magical lands and adventures can exist without grown adults knowing about them. Many fantasy authors include an element in their stories that only children can experience certain magical things and that those children will forget about them as they age, allowing young readers to indulge in a belief in magic they can experience that adults living in the real world don’t experience. But, as I’ll discuss more later, the end of this series does bother me because the author kills off most of the characters that we have come to know and love, which I don’t think should be necessary. The girls in the story are also not allowed to take an active part in the battle at the end of the story, fulfilling more support roles, and the story itself admits that it’s because they’re girls. The roles that the girls in the story play are important, and they have their share of excitement, but few modern stories would make this type of distinction between boys’ and girls’ roles like this.
Time functions differently in Narnia, and there are odd jumps in time, both within this book and the rest of the series. Whenever characters are in Narnia, no time passes in our world. The four Pevensie children become kings and queens in Narnia and live full lives there for decades (which helps me feel a little less sad that they don’t live as long in the real world, but still not great). They are adults in Narnia when they find the way back to our world, and suddenly, they find themselves children again in the professor’s house during WWII. Returning to their old lives is a shock, but the professor tells them that they will return to Narnia again someday. The professor knows about Narnia because he was there as a child himself. His backstory is covered in a later book, which also includes an explanation about why there is a street lamp in the forest in Narnia. During later books, when the children and their friends return to Narnia, centuries have passed there, and their adventures from this book have become legends for the people of Narnia.
As a side note, I also liked how the book repeatedly warns readers that smart people realize that, if you ever explore a wardrobe, you should always leave the door open behind you because you don’t want to get shut in. It’s a practical point and one worth making to kids who might want to try exploring a wardrobe or two to see if they can find magic doors.