Magic by the Lake by Edward Eager, 1957.
Jane, Mark, Katharine, and Martha are finally going to spend the summer at a lake with their mother and their new stepfather! The children were never able to do that before because their widowed mother always had to work during the summer. When they arrive at the cottage by the lake that their stepfather, Mr. Smith, has rented, there is a sign that says, “Magic by the Lake.” The children think that it could just be the name of the cottage because sometimes cottages are giving interesting or amusing names, but having had experience with magic before (this being the second book in the series), they consider the idea that they could be headed for more adventures. Of course, they are correct, but it turns out to be the lake that’s really magical, not the cottage.
The children are playing by the lake when they wish for more magic, and a talking turtle comes up to tell them that, because of their wish, the entire lake is magic. That sounds amazing, but too much magic all at once can be overwhelming. Fortunately, the turtle is also magical, and he has some ability to influence magic in the lake. The children make a deal with him that he can arrange for them to have adventures with magic in the lake, but only one at a time, because that’s what they feel that they can handle. Also, the adventures won’t happen every day, so they can have a chance to rest in between. The grown-ups around them won’t notice any of the magical happenings, and little Martha insists that nothing truly scary will happen to them. Jane protests at that request because she thinks that it will make their adventures as boring as overly-tame children’s books, but the turtle says not to worry because what he thinks of as “not scary” isn’t necessarily what Martha would think of as “not scary.” The turtle tells the children that when they’re ready for adventure, they should think about what they wish for and then touch the lake, and if the time is right for it to happen, it will.
That sounds simple enough, but what they consider the right time and what the lake considers the right time aren’t always the same thing, and just as before, their wishes and adventures don’t go quite as planned. In their first adventure, a mermaid takes them to an island of pirates, the stuff of high adventure. The children are delighted when they discover that the pirates, being adults, can’t really see them, as per their earlier wish for adults not to see their magical activities. It opens the potential for playing dirty tricks on rotten pirates, who seem to perceive them as some sort of ghosts. It’s all fun and games until the pirate captain decides to see if he can make ghosts walk the plank. Their turtle friend saves them by turning them into turtles, which, while magical, makes the rest of the day rather difficult for them because they have to go home and on errands with their mother. Walking on land can be difficult for turtles, and their mother has no idea that they’ve changed at all, still seeing them as children. Whatever magic the children get during the day seems to last until the sun sets, even when they wish it would end sooner.
Then, while watching their mother and Mr. Smith at a dance, Jane and Katharine wish that they were old enough to join in, about age sixteen. Suddenly, the two of them are teenagers in evening dresses, getting attention from some teenage boys. The girls seem to enjoy the romance of it, but Mark and Martha follow them around, trying to convince the boys that the girls are really younger than they seem to be and dreading the moment when they will inevitably change back to themselves.
The children discover that they don’t even need to be at the lake in order to make the magic happen as long as they’re touching water from the lake. On a rainy date, when the roof of their cottage is leaking, the children realize that the rain water is also lake water. By making a wish on that, they end up at the South Pole in time to save a lost explorer and help him make an important discovery.
The children enjoy their adventures, but they become worried about Mr. Smith, who has been making the commute back and forth from the lake to his bookshop, and it seems that business hasn’t been good at his bookshop this summer. They consider the idea of using the magic of the lake to solve Mr. Smith’s problems, perhaps by going back to the island where they saw the pirates bury a treasure chest. They figure that if they could bring Mr. Smith an entire chest of pirate treasure, he wouldn’t have to worry about money anymore.
But, of course, that idea doesn’t go as planned. When Martha argues with the others and goes to the island by herself to get the treasure, she breaks all the rules associated with the magic. Because the rules that previous protected her and her siblings are gone, there is nothing to prevent her from being captured by the cannibals that live on the island. When her brother and sisters try to save her, they are also captured. It’s only the sudden appearance of Martha’s future children and Katharine’s future daughter (although they don’t know it yet), who are on a magical adventure of their own, in a cross-over from another book in the series, The Time Garden.
The children make one more attempt to get treasure for Mr. Smith in a kind of Arabian Knights adventure, but that doesn’t work, either. However, although the children seem to have used up their wishes on the lake, they have the feeling that the magic might allow them one last opportunity to get what Mr. Smith needs. It does in a way that may or might not be magical, although the buried treasure that they find and get Mr. Smith to dig up may be a representation of the pirates’ treasure and not of the old miser (now deceased) who was said to have lived at the old, abandoned cottage by the lake that the children decide to explore. It does seem like quite a coincidence that the old miser’s initials would match those of the pirate captain, and they are carved on the stone over the buried treasure, just like the marker the pirate captain left.
In the scene with the cannibals on the island, the cannibals are stereotypical “savage natives” (or “native savages”, or something generic of that sort, since the terms are used pretty interchangeably in the story). You find things like this pretty commonly in old children’s books, especially prior to the 1960s. But, what made this more palatable for me was that the entire scene is written as a joke on the usual stereotypical books that children of the era would have read. The cannibals speak kind of like American Indians in cheesy old Westerns, using words like “heap” for “very” and randomly adding “-um” to end of words. You know that it’s not really how anybody, even cannibals living on some remote island in an indeterminate ocean, would talk, but it might be how children raised on adventure stories and movies from the 1920s might imagine they would (adding to my earlier theory from the last book that at least some of the children’s adventures might actually take place in their own minds, not in their “real world”). It may also be a reference to things in tv shows from the 1950s, the time period when the story was written. The best part for me is when the children try to remember what shipwrecked explorers do when confronted with cannibals in some of the stories they’ve read. They start throwing out random words that are meant to sound impressive combined with some gobbledy-gook in an effort to communicate/impress the cannibals. Then, Mark tries to convince them that he’s a powerful god with the ability to control fire. The cannibal chief is unimpressed, telling him that he recognizes what Mark has as an ordinary safety match, which he blows out. So much for the old adventure stories.
The book is currently available online through Internet Archive.
Half Magic by Edward Eager, 1954, 1982.
These early experiences and a series of odd wishes Mark makes when he doesn’t realize that he has the coin demonstrate to the children not only that the coin is magical but that they have to be extremely careful what they wish for when they have it. They have to word their requests very carefully, asking for twice as much of anything they want in order to counteract the half magic of the coin. Even so, they can’t help but make mistakes and get themselves into trouble.
There is one more disastrous experience when the children go to the movies (a silent film because this is 1920s), and Martha accidentally wishes that she wasn’t there while touching Jane’s purse, which holds the coin. Martha, of course, ends up being only halfway “not there,” almost like a living ghost, which terrifies onlookers. Straightening out that mess brings them into contact with Mr. Smith, the nice man who gave their mother a ride home. He owns a bookstore, and he enjoys fantasy stories as much as the children do. He becomes the only adult who knows that the children have been using magic, and he’s fascinated by it, enjoying witnessing their adventures.
When Jane argues with the other children about Mr. Smith and rashly wishes that she belonged to another family, the other children call upon Mr. Smith to help them rescue Jane from her foolish wish, her unsuitable new family, and from herself.
It’s 1851, and Professor Carver of Boston is living in an apartment above a candle shop with his wife and two children, his son Jamie and daughter Lorna. One day, a man named Mr. Giddings comes to see Professor Carver to request his help. For years, he has wanted to buy a particular farm with a beautiful house called Windy Hill. However, when he finally succeeded in buying the house and he and his wife went to live there, his wife became very upset. She said that she felt strange in the house and that she had seen a ghost. Now, she is too upset to return to Windy Hill. Mr. Giddings has heard that Professor Carver once helped a friend get rid of a ghost haunting his house, and he asks the professor if he would be willing to do the same for him.
Jamie and Lorna are thrilled by the house, which is much bigger than their apartment in town. They can each have their own room, and there is an old tower in the house that was built by a former owner, who was always paranoid about Indian (Native American) attacks (something which had never actually happened). However, their new neighbors are kind of strange. Stover, the handyman, warns them that the house is haunted and also tells them about another neighbor, Miss Miggie. Miss Miggie is an old woman who wanders around, all dressed in white, and likes to spy on people. There is also a boy named Bruno, who apparently can’t walk and often begs at the side of the road with his pet goat, and his father, Tench, who is often drunk and doesn’t want people to make friends with Bruno.
Then, strange things do start happening in the house. The quilt that Lorna has been making disappears and reappears in another room in the middle of the night. At first, the family thinks maybe she was walking in her sleep because she had done it before, when she was younger. However, there is someone who has been entering the house without the Carvers’ knowledge, and Jamie and Lorna set a trap that catches the mysterious “ghost.”
The Headless Cupid by Zilpha Keatley Snyder, 1971.
With their family suddenly much larger, David’s father bought a new house for them to live in. Actually, it’s a very old house just outside of a small town. People call it the Westerly house after the former owners. Not long after the family moves in, they find out that people used to say that the Westerly house was haunted. Mr. and Mrs. Westerly used to travel around the world with their two daughters because Mr. Westerly worked for the government, but after they settled down to a quieter life in this small town in the late 1800s, strange things started happening in their house. Rocks would fly around the house, seemingly thrown by invisible hands, and someone (or something) cut the head off the carved cupid on the fancy staircase banister. The head was never found. These incidents were reported in the local paper, and people believed that the Westerly family was haunted by a 
Amanda is fascinated by stories of the poltergeist. A friend of hers where she used to live (one her mother didn’t approve of) was teaching her about the occult and how to do magic spells. When David tells Amanda that he thought that his mother was psychic, Amanda is surprised, and she offers to teach David and the other kids about magic over the summer. David eagerly accepts the offer because he finds the subject fascinating and because it’s the only thing that Amanda really seems interested in. The other kids are also fascinated at the idea, even the littlest ones, which takes Amanda by surprise. She had expected them to be scared.
Just as with the Westerly family years ago, rocks are thrown around the house or found just laying around. Things are broken in the middle of the night. Have Amanda’s rituals somehow awoken the poltergeist once more? David has his doubts, suspecting that it’s part of Amanda’s playacting, but she is accounted for when some of these strange things happen. The younger kids are still more fascinated than frightened by these strange happenings, but their stepmother finds them particularly unnerving.
There are some elements of the happenings, particularly the reappearance of the cupid’s head, that are never fully explained, although David ends up knowing more than Amanda by the end. Some aspects of the situation are hinted at. There may be a real supernatural event at the end of the story. Blair appears to have inherited psychic abilities from his mother, and there is a distinct possibility that the Westerly sisters who once lived in the house were just as unhappy with their parents for the changes in their lives as Amanda was with her mother. Although the “poltergeist” as it first appears doesn’t exist, it may be that the “poltergeist” of the past remembers what it was like to be young and unhappy and that she wanted to make amends for past wrongs and to help another troubled young girl to make peace with her life and family. But, if you don’t like that explanation, there is a more conventional, non-supernatural explanation that David considers, which equally possible. Personally, I think it’s a combination of the two, but it’s not completely clear. I think the author left it open-ended like that to make readers wonder and to preserve the air of mystery after the other mysteries have been cleared up.
Fudge-A-Mania by Judy Blume, 1990.
In the Kaiser’s Clutch by Kathleen Karr, 1995.
Summer is difficult for the Muskrat kids this year. Their friends are away for the summer, and Harvey and his older sister Mildred are getting on each other’s nerves. But, there’s nothing that says they have to spend the whole summer with each other.
#3 The Secret at the Polk Street School by Patricia Reilly Giff, 1987.
The Secret of the Strawbridge Place by Helen Pierce Jacob, 1976.
Oscar, a boy visiting his grandfather nearby, becomes Kate’s friend. Since he was also injured in one of Josh’s escapades (having broken his leg when the kids were fooling around in the haymow), she invites him to join her in the search for the secret. They form a partnership called Cripples Incorporated and have fun inventing code words and writing secret messages about what they’ve discovered. Pursuing the secret comes with some risks, and before Kate can discover the whole truth about Strawbridge Place, she has a serious brush with danger.
Jestress's Forgotten Books and Stories 