Adam of the Road by Elizabeth Janet Gray Vining, illustrated by Robert Lawson, 1942.
The story takes place in England in 1294. It’s summer, and eleven-year-old Adam Quartermayne is waiting for his father, Roger the minstrel, to come see him at the dormitory where he’s been living while he’s going to school at the Abbey of St. Alban. Roger Quartermayne has been in France, attending a minstrels’ school, where he has been learning new songs and stories. More than anything, Adam wants to go on the road with his father, traveling from town to town, playing their musical instruments.
Roger is a higher class of minstrel than most, truly skilled in his art, welcome even in noble manor houses and castles, and well-paid for his performances. Roger plays a viol, while Adam can play the harp. Adam practices his playing while at school and tells stories to the other students. Although his teachers would prefer that he spent his story-telling time talking about the saints, they allow him to entertain the other boys as long as his stories are tasteful and not rude or mocking. Adam’s father has impressed on him that a minstrel’s job is not to tell his own feelings but to choose entertainment that suits the mood of his audience, whether it’s happy or sad. (In other words, they know how to read a room, and a good minstrel can make the audience feel like he’s saying what’s on the minds of the listeners.)
Adam’s closest companions at school are his best friend, Perkin, and his dog, Nick. Since Nick isn’t allowed in the dormitory, Adam pays for him to board with a woman in town. He and Perkin go to visit Nick when they can. Adam has taught Nick to do entertaining tricks, as befits a minstrel’s dog.
When Adam’s father comes, he tells Adam that he has taken a position with Sir Edmund de Lisle and is now traveling with his party. Roger invites Adam to join him on their journey to London, and Adam eager accepts. His only regret at leaving the school is that Perkin cannot come with them, but Perkin says that they’ll see each other again. Perkin’s father is a ploughman (this video, from Crow’s Eye Productions, explains a little about the life of a ploughman and how they dressed), and he says that, if they pass through the village where he lives, they can stop and visit his parents and the parson who sent him to the abbey school.
The open road is like home to minstrels like Roger and Adam. They spend their journey entertaining Sir Edmund’s party with stories. Adam develops a crush on Sir Edmund’s pretty niece, Margery, although her brother, Hugh, is an annoying snob. Adam’s first efforts to join his father in playing music are awkward and embarrassing, but Roger says he will improve. Adam is also lonely without Perkin to talk to. There are other boys at Sir Edmund’s manor house, but they all ignore him. They become friendlier when Adam takes the advice of a friendly squire to lend them his horse for their jousting practice when Hugh’s horse is lame. At first, Hugh thinks that a minstrel like Adam wouldn’t know anything about martial arts, but Adam demonstrates that he has also had some training, causing Hugh to give him more respect. From then on, he is able to join the other boys in their games.
At the wedding of Sir Edmund’s daughter, Emilie, Adam has the chance to see many other minstrels and entertainers of various kinds. Although both Adam and his father are richly rewarded for their performance, Roger gambles away his share of the money playing dice with the other minstrels. He tells Adam to keep his own money close to him and not to hand it over to him, even if he asks for it. Roger recognizes that he has a gambling problem and can’t be trusted with money. Worse still, he gambled away their horse, too. It’s upsetting to Adam because they had never had a horse before, and he was fond of it. He also knows that Hugh was fond of that horse. Roger is embarrassed about what he has done, and Hugh worries that Jankin, the man who won the horse, will ride him to death because he doesn’t know how to take care of horses.
Although they are still in the employ of Sir Edmund, he will not be needing them for a while, now that the wedding of his daughter is over. Roger and Adam go on the road again, although they are supposed to return to Sir Edmund’s manor after traveling their route. In London, they meet up with Jankin again, and he tries to get Roger to gamble with him again for ownership of Adam’s dog, but Roger refuses, saying he doesn’t want to play anymore and the dog belongs to his son. However, when they happen to be staying at the same inn later, Jankin steals Adam’s dog!
Roger and Adam hurry after Jankin to get Nick back, asking people they meet on the road which way he went with their dog. They almost catch up to him at a ferry, but he gets on the boat and it leaves before they can reach it. Not wanting to wait for the ferry to return and desperate to reach his dog, Nick jumps in the water and tries to swim after the ferry, but he is still unable to catch up. When he climbs out of the river, he is alone and too tired to continue the pursuit anymore. He is separated from his father, but he still has his harp, thanks to a kind woman who helped him. What is he going to do? Will he ever find his dog or father again?
The book is a Newbery Medal winner. It is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction and Spoilers
The story offers a ground-level view of Medieval society. Through his travels, Adam mixes with children and adults from various levels of society. Adam begins at a monastery school, taught by monks. Then, he joins his father, working for a noble family and living at their manor, where Adam becomes friends with noble boys training to be knights. They meet other minstrels, and when they travel on the road, they also meet traveling pilgrims, stay at inns and speak to the innkeepers. When Adam is on his own, he briefly stays with a ferryman and his wife, travels with a merchant, is robbed by highwaymen and has to get help from local law enforcement, gets information from a shepherd, attends a large fair with people of all kinds, and toward the end of the book, spends time with Perkin and his family, helping his father with ploughing. Along the way, Adam learns many things about people and different members of society, including how girls are treated differently from boys, even in noble families and what common people think about the king and parliament and how they make laws.
During the course of the story, Adam and his father also discuss some of the philosophy behind their own profession. It begins with Adam’s reflection on what his father said about choosing his selections of songs and stories to appeal to his audience because his job is to please others, not merely himself. However, when Adam briefly joins up with some poorer minstrels, he comes to understand that it’s not just a matter of giving people what they want. A better minstrel not only gives people material they like but which appeals to the better sides of their personalities, elevating them to their highest versions of themselves, instead of just catering to everyone’s lower tastes. Understanding other people and their lives and tastes are critical to the job of being an entertainer. Adam also learns a little about the use of humor and how it can benefit both himself and others when used well. At one point, when Adam is recovering from an incident that was embarrassing to him, he makes a joke about it that amuses a new friend, and when his new friend laughs, Adam realizes that he feels better about the embarrassing incident. His use of humor softens his feelings of embarrassment and also provides a useful tool for entertaining and bonding with someone else. The story compares it to an oyster turning an irritant into a pearl that is both less irritating to the oyster and something beautiful for someone else. Although Adam goes through genuinely terrible circumstances through his travels, the experience shapes his views of life and the type of minstrel he wants to be.
I was genuinely worried about the animals in the story because I find it stressful to read about animal cruelty. Fortunately, both the horse and dog survive their experiences with Jankin, and Adam is reunited with his father and Nick.
I enjoyed the pieces of real Medieval songs that appear throughout the story, like Sumer is I-cumen In (You can hear the song in this YouTube video. This one explains what the Old English words mean. It’s about the beauties of nature and lively animals at the beginning of summer, apparently with a confusing line about farting billy goats.) and an old version of London Bridge is Falling Down, which also includes an explanation of the story behind the the song.
As another piece of trivia, Jankin is actually a Medieval nickname for John. In Medieval times, it was common to get new nicknames for certain common names by changing just one letter or sound in the name and/or adding “-kin” to the end of a name as a diminutive, like we might add a “-y” for Johnny. In fact, the name Jack that is used as a nickname for John comes from this earlier nickname – John to Jan to Jankin to Jackin to Jack. We get other nicknames that don’t completely resemble the original name from this same method of creating new nicknames, like the nickname Peggy for Margaret – Margaret to Maggie to Meggy to Peggy.
This is the final book in the Indian in the Cupboard series. At the end of the previous book, Omri’s father learned the secret of Omri’s special cupboard and key, that it brings small plastic figures to life.
At the beginning of this book, Omri’s father suddenly announces to his family that he wants to take them on a camping trip. It seems like an impulsive decision because this isn’t something that the family usually does, and Omri figures that it must have something to do with the secret that the father and son now share concerning their small friends from the past.
After Omri’s father discovered his secret, the two of them had a serious talk, and Omri explained to him all about his past adventures and the very real consequences that they’ve had, both in the present and in the past. They need to consider carefully what they’re going to do because Little Bear has asked them for help with some trouble that his tribe in the past is having with the British. Knowing the history of the interactions between Europeans and Native Americans, both Omri and his father know that something serious is about to happen to Little Bear and his people, but how can they help? Omri explains to his father that they have the ability to go back into the past themselves, but in order to do that, they need to find something big enough to hold both of them, and someone else would have to turn the key for them to send them and bring them back.
Omri’s father later admits to him privately that he thought up the camping trip as a way for the two of them to disappear for a couple of days without anyone asking questions. Although he proposed the camping trip, he plans to arrange for him and Omri to have a private trip by themselves, discouraging the others from going along. Omri’s father also thinks that he’s figured out what they can use to send themselves back in time – the family car. It’s big enough to hold both of them, it locks with a key, and there’s even an LB in the license plate number, which they take as a hopeful sign. But then, Omri realizes that there’s a problem with that scheme. Even though the car locks with a key, it’s not the kind of lock that an old-fashioned skeleton key could open. They need a key with a different shape, something flatter. They decide that they need the help of Jessica Charlotte, who made the last key. Fortunately, Omri has a way to talk to her because he has the plastic figure of Jessica Charlotte.
When Omri brings Jessica Charlotte back, he finds that she has attempted to drown herself in a river (an event hinted at in the last book) because of her guilt at accidentally causing her sister’s husband’s death. Omri brings back a WWII Matron who has helped them before to treat Jessica Charlotte. When Jessica Charlotte recovers, she thinks at first that she must have died and that Omri is part of her afterlife. Omri assures her that it’s not the case, that she’s still alive. She is still lamenting over having caused Matt’s death and ruined her sister and niece’s lives, but Omri explains to her that he’s Lottie’s grandson. Jessica Charlotte feels better, hearing that Lottie grew up, married, and had children, so her life wasn’t completely ruined. Omri can’t bring himself to explain how Lottie was killed in a bombing during WWII, but he asks for her help to create a new key. Aunt Jessie, as she asks to be called, agrees to help Omri, and he and his father give her their car key to duplicate.
However, when Aunt Jessie returns with the key, they realize that they’ve miscalculated. When a person comes from the past with anything they make or bring with them, it’s always small, like the miniature people themselves. Aunt Jessie’s key is a duplicate of the key they gave her, but it’s small, too small to use in the car. Omri and his father aren’t sure how to get around this problem, so they decide to go on the camping trip with Omri’s brother Gillon, just camping like normal, while they think it over.
It turns out that something magic happened to the car key while it was in the past with Aunt Jessie. When Omri’s father turns the key in the car, Omri suddenly finds himself in the past, but not the past he was hoping to visit. Because they brought some things that belonged to his Great-Grandfather Matt with them on the camping trip, Omri suddenly finds himself in India, during the time that Matt was living there. Omri is inside a puppet in a marketplace, and his great-grandfather buys him. Also, to Omri’s shock, Gillon is also inside a puppet that his grandfather has.
Their mother eventually rescues them by opening the car and turning the key. She was alarmed because it seemed like her husband and sons all passed out in the car. Omri and his father don’t have a real explanation for her, not wanting to explain that the car key is now magic. (She decides that there must have been an exhaust leak, and they were all overcome by fumes.) Gillon was knocked unconscious when his puppet was dropped on its head, and his mother takes him to the hospital, using her spare car key. (When Gillon recovers, he thinks it was just a weird dream he had because of the car fumes.) Meanwhile, Omri and his father talk about the situation, and Omri’s father reveals that, while the boys were taken to India, he ended up in Little Bear’s time because he was carrying some wampum belonging to Little Bear.
So, know they know that it’s possible for them to use their car key to go back in time, but if they try it a second time, who will turn the key for them to bring them back at the appropriate time? The only other person who can come with them on their “camping trip” who knows their secret and can be trusted to help them is Omri’s friend, Patrick. However, Patrick isn’t happy that he’s only there to help Omri and his father go back in time and that he won’t be going himself. He does agree to help them, but unfortunately, he has plans of his own while Omri and his father are occupied elsewhere.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction:
Although Omri’s father wonders at first whether it’s a good idea to try to help Little Bear because of the risk of changing the past and affecting the future, Omri has learned that it’s not quite as simple as that. During his previous adventures, he has felt an irresistible pull to use the cupboard and the key, even when he wasn’t always sure it was a good idea, and there are indications that Omri’s interactions with people in other time periods seem fated to happen. He did save Jessica Charlotte’s life when she tried to drown herself, and other things Omri has done seem to fit with wider events.
When Omri and his father are figuring out how to help Little Bear with his problems with the British in his time, they do some research about Little Bear’s time and talk about the ways that 18th century British people treated Native Americans. Knowing what Little Bear is likely to face, they feel like they have a responsibility to help him as best they can. When Little Bear explains in more detail what his people have been suffering at the hands of the British and other settlers, Omri feels guilty, knowing that he’s also British, while at the same time knowing that he was not responsible for things that happened before he was born. This is something that people still struggle with today, hearing about difficult periods of history and knowing that their ancestors (or at least other members of their society, if not literally their direct ancestors) played a role in making life difficult for others, setting up situations where real people suffered or were killed. The best Omri can do is to help Little Bear make the best possible decisions to ensure the survival of his people. Of course, being able to help with that much is part of the time traveling fantasy of this story. Real people can’t actually go back in time and intervene to influence others and change the course of history.
The books in this series aren’t for young children, and as the series progresses, they get more serious in subject matter. There is discussion of suicide, not just with Jessica Charlotte’s attempt to drown herself but when Little Bear explains that his first wife killed herself after being raped by white men. There is violence in the story when the Native American village is attacked and people are shot. Overall, the story is pretty straight-forward in the way in confronts the dark sides of history. Omri and his father advise Little Bear to take his clan to a place where they know that they will be relatively safe and among other Iroquois, but they know and admit to Little Bear that even that won’t solve all of their problems and that there will be other hardships in the future. It’s an imperfect solution to a massive problem, but Omri senses that it is best choice that they could make and that Little Bear and his family will live the safest possible life because of the decision they made, and their descendants will survive.
Omri and his father struggle with knowing that things are going to be hard for Little Bear’s people no matter what choices they make. There is no magical solution to everyone’s problems in the story, and the book doesn’t offer a firm moral or solution to Omri’s guilty feelings when he sees firsthand how badly Native Americans were treated (a form of “white guilt“, although the book doesn’t use that term). Overall, I would say that the book confronts the dark parts of history and human guilt on a very individual level. Omri and his father can’t solve the large issues completely because they can’t control them. They can’t control the past, and they can’t control other people, not even the people who come through the cupboard as miniature ones, like living toys. Everyone is an individual with their own choices to make, and every choice, even the wrong ones, changes the course of history.
After Omri saves Jessica Charlotte’s life, she realizes that what she thought was a dream before she stole her sister’s earrings was real, that she saw and spoke to Omri, and that he could have warned her about what would happen if she went through with her theft, how Matt would have died and how everyone’s lives would be changed for the worse. However, Omri did choose not to warn her because not everything was changed for the worse. After Lottie’s father died and her family lost their money, Lottie still grew up, fell in love, got married, and had a daughter. It’s true that she did die young in World War II, while her daughter was still an infant, and changing the theft of the earrings might have changed that in some way, but not without changing other things. Omri has discovered that changing things about the past, even seemingly small things, can change larger parts of history, and his psychic gift seems to guide him toward making only choices that help the flow of history instead of working against it. If he had prevented the theft of the earrings, his great-grandfather might have lived longer and so might Lottie, but if that happened, would Lottie have ever met the man she eventually married and had Omri’s mother? Omri’s father wouldn’t be happy without his wife and sons, and if Omri never existed, would some of the other things he did that impacted history have happened? Also, if Lottie hadn’t died in the bombing during WWII, would someone else have been where she happened to be and died in her place? The bomb that killed her would have fallen anyway because that was part of someone else’s choices, a person who never enters this story and whose decisions can’t be controlled. Time and history and the ripple effects caused by individual choices are complex. Omri has his psychic gift to guide him, and even his father, who admits that he never used to believe anything he couldn’t see for himself, comes to trust it.
People without this sort of magical gift have only themselves to rely on to make the best choices they can to make the world as good as possible, even in the face of others’ bad decisions. I think that a large part of the choices that Omri makes in the story and dealing with “white guilt” in real life come down to the combination of frustration and the acceptance of choices made by other people who can’t be controlled. Modern people might hate what happened in the past and feel badly if people related to them were part of it, but we don’t have the option to change things that have already happened. There comes a point where you have to accept the knowledge that you can’t control others, no matter how much you might want to make better choices on their behalf. The only person you can control is yourself.
I’m a white person, descended from colonial settlers in America, and I don’t actually see “white guilt” as a negative thing. I see it as a human thing. If you can feel real emotion at someone else’s plight, a wish that bad things didn’t really happen, or a feeling that what happened shouldn’t have happened and an honest desire to change even the unchangeable past for the better, it means that you’re a real, thinking, feeling human being with a sense of right and wrong, and there’s nothing bad about that at all. Feelings are just tools, to give us hints of what we need to do or how we need to behave in our lives. Feelings aren’t always completely accurate, but sometimes, they give us hints of things that need to be fixed or clues that whatever we did before didn’t really work, that we made the wrong choice or did the wrong thing. I think what upsets and confuses other white people about “white guilt” is the conflict between loving ancestors and wanting to be proud of them and admitting that some of them had a real dark side and did some pretty awful things. Some people have trouble dealing with that, thinking that it’s impossible to feel two things at once, loving someone and being angry with them for things that they’ve done, but it really is possible. Two things can be true at once, and you can have mixed feelings about many things.
Feelings are complex, as complex as people are, and I think it’s as possible for a person to both like and hate another person for the things they’ve done as it is to both like a sweater for the way it looks but not want to wear it because it’s itchy and uncomfortable. I think that’s about the best advice that I can actually offer to other white people trying to make sense of that feeling. Sure, that sweater looks pretty impressive. It has a nice color and a cheerful pattern, and you might think it would look impressive on you if you wore it, but honestly, it’s better if you just leave it on the mannequin. It’s overpriced, out of style, and won’t look at all impressive when it makes you constantly want to scratch all of the places where it itches. Let it go.
“God, grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference.”
The frustrating thing about feelings about the past and about other people’s lives is that we can’t fix those particular things. In real life, we can’t go back in time, and we can’t even “fix” other people in our own time because that’s something they have to do themselves, if they’re going to do it. You can suggest things to other people, but there’s always a point where they have to make the decisions themselves. But, the good news is that, if you can’t control other people, nobody can completely control you! The way I see it, the most useful thing about this “white guilt” is remembering that this is something we don’t want. Maybe there’s something charming about the rosy, nostalgic view of the past, but honestly, you wouldn’t be happy living there, and if you actually had to live with your ancestors, you’d probably discover that you wouldn’t see eye-to-eye on a lot of things and maybe wouldn’t even get along at all. So, why would you want to try to carry their old baggage with you into your life and spend your life and your precious time constantly trying to explain or excuse their bad choices? You’ve got your own to life.
Give credit where credit is due for both the good and the bad things, and let our ancestors’ records speak for themselves. You won’t accomplish anything for twisting your feelings into knots for trying to protect the feelings of the dead and justify their actions. They don’t even feel anything anymore. They are dead. Let them rest. We don’t want to add to bad things that have been done in the past and to keep having things in our lives to feel guilty about, and that’s okay because there are new choices to be made every single day. Put your focus there. You have a present to live and a future to plan. Knowing about the past is interesting and informative, but the past isn’t where we really live. Admire it like a nice sweater on a mannequin, take note of the price tag, and move on. We don’t have to make the same old choices that have made people, including ourselves, unhappy just because that’s the way things have been before or because we feel like we have something to prove about our ancestors. They had their chance to make the choices in their time, for good or bad (and frequently, some of each, but you can’t help that), and now, it’s our turn to make the choices because this is our time.
Speaking of bad decisions, Patrick almost gets Boone and Ruby killed because of his recklessness when he brings them back while Omri and his father were with Little Bear, which he did just because he was bored and felt left out of their magical adventure, which wasn’t really pleasant and fun for them anyway. Boone and Ruby both make it clear how they feel about that, and Omri also makes it clear that this is the end of the magic for him and Patrick. Boone and Little Bear have their own lives to live, and Omri’s gift tells him that it’s time to let them get on with living their lives without interference. Omri still has the cupboard and the key, but he no longer feels the pull he felt before to use them because he has played his part in history and in the lives of his little friends, and there is nothing more he needs to do. He doesn’t feel the need to lock these things away as he did before because he already knows that he will never feel the urge to use them again. When something’s over and the moment has passed, you just know.
Before the end of the story, Omri’s mother admits to him that she knows all about the little figures and that the cupboard brought them to life, although she never actually saw any of them herself. She has also inherited the family gift and is aware of what the cupboard does, even though she has not used it herself. All along, she’s been pretending that she didn’t know what was going on, although she really did. She’s a little sorry that she didn’t see the little people herself, but she knew that not interfering was the right thing to do. She thinks that letting the magic go and not using the cupboard again are the right decisions, and she doesn’t want Omri or his father to tell Omri’s bothers about the magic because, if they do, it will never end, and it’s really time for it to all end. This really is the final book in the series.
Herculeah’s friend, Meat, decides to take a comedy class at a local comedy club called Funny Bonz. While he’s at the club for his class, he finds a dead body in the men’s restroom. He quickly runs to get help, but when the club’s owner (who is also the teacher of the class), Mike Howard, goes to check, the body is gone. It happens to be April 1st, so everyone assumes that it was just an April Fool’s Day prank. However, Meat is sure that what he saw was a real dead body.
He
tells Herculeah what happened, and he also remembers that he has proof of what
he saw: a blue wallet that he picked from the floor near the body. The ID in the wallet says is for a woman
named Marcie Mullet. Meat never got a
clear look at the identity of the body because it was lying face down, but he
remembers that it had a ponytail, so they assume that it was Marcie. Marcie was supposed to be a student in the
class, too, but she never showed up.
Meat and Herculeah assume that the body must have been Marcie.
However,
Herculeah is somewhat preoccupied by something else. She’s been getting strange vibes from a
camera that she bought at a secondhand shop.
The camera was cheap, only a dollar, and there’s still a
partially-exposed roll of film inside.
The camera was a great deal, but Herculeah’s hair is frizzling, and she
senses danger approaching.
When
she develops the film left in the camera, she realizes that the camera had once
belonged to Meat’s mother, and the pictures show Meat’s father. Meat has very little memory of his father
because his parents separated when he was very young, and his mother has
refused to talk about him for years.
Herculeah knows that Meat badly wants more information about his father,
but she hesitates to show him the pictures because she doesn’t think that he’ll
like what he sees. He’s imagined that
his father could have all kinds of cool professions, and she doesn’t know how
he’ll react to his real one.
Self-perception
is also very important to the solution to the murder. Meat is the first to learn the killer’s true
identity and is able to get the killer to confess and confide in him. The killer was tired of the victim’s mean-spirited
jokes, all of which were about the killer, who is fat. The murder was unintended; the person just
snapped when the victim gloated about using the mean-spirited comedy routine to
become famous. Meat understands how the
killer feels because he hasn’t had a very good perception of himself and knows
what it’s like to be fat. There is a
series of fat jokes in this part of the book, the meanest of which (the killer
quoting the victim) are about a fat woman’s bra size.
When his father’s true identity is revealed, Meat is actually glad, which surprises Herculeah. Meat’s father is very different from what he had imagined, but oddly, finding out that his father is a professional wrestler gives Meat something new to aim for. Meat is sometimes self-conscious of his large size, but seeing his father makes him realize that he can change his fat to muscle and be really impressive. The two of them meet, and Meat’s father apologizes for leaving so suddenly when Meat was young. He explains that, much like his own father, he has trouble living anywhere for very long. His own father had similarly abandoned his family when he was young. Both of them just reached a point when they had an irresistible urge to pick up and move on. However, Meat’s father makes it clear that he really does love him and is proud of him and says that he will continue to see him. It’s a strange explanation, but Meat accepts it and forgives his father.
This book is available to borrow for free online through Internet Archive.
Can’t You Sleep, Little Bear? By Martin Waddell and Barbara Firth, 1988.
Big Bear and Little Bear live in their Bear Cave. (Big Bear is apparently the father of Little Bear, but they don’t call him that.) After Big Bear puts Little Bear to bed at night, Little Bear has trouble sleeping. Little Bear says that he can’t sleep because he’s afraid of the dark.
Big Bear gives Little Bear a lantern, but that doesn’t work. Little Bear says that the lantern isn’t big enough. Big Bear tries to bring two larger lanterns, but neither of those helps, either.
Little Bear says that the dark beyond the cave bothers him. To prove to Little Bear that the darkness outside isn’t scary, Big Bear takes him outside.
Outside, he shows Little Bear the moon and the stars, so he’ll know that it’s not completely dark. Little Bear falls asleep in Big Bear’s arms.
This is one of those cute bedtime stories that can help to reassure young children at bedtime. Sometimes, it is a big, scary, dark world out there, but it’s not always as dark as it seems when you take a second look, especially if you’re with someone you can really trust. Because the bears appear to be father and son, it also makes a nice father/son story.
The book is currently available online through Internet Archive. There is also an animated version of this story. I haven’t seen it for sale (if anyone knows where to get it, let me know), but it sometimes appears on YouTube (link repaired July 18, 2024).
Owly is a curious young owl. He is always asking his mother questions, like how many stars there are in the sky or how high the sky is.
Owl’s mother tells him to go and see these things for himself, but there are too many stars in the sky to count, and he can’t fly high enough to reach the sky.
The story continues with Owly’s questions and attempts to find the answers, but all of his questions are unanswerable because they involve amounts too big to count or measure.
In the end, Owly and his mother talk about how much they love each other, and they compare it to the number of stars in the sky and the other things that couldn’t be counted or measured.
This is one of those children’s books where the story leads up to how much the parent loves the child (and vice versa). I’ve seen other books where the author sets up a cute way to talk about how much parents love their children, and sometimes, the set up is pretty obvious in this type of story. However, the message is still sweet, and this gentle story might make nice, calming bedtime reading. The pictures are as gentle and calm as the story itself.
A well-known actress, Michaele, who is also an old friend of Sebastian Barth’s mother, has come to town to be in a play. She’s staying with Sebastian’s family, and Sebastian has a role in the play as Michaele’s son. His friends will be working on the sets for the play, and everyone is really excited. However, Michaele herself is nervous because she hasn’t done live theater for some time. She is also struggling to get to know her nine-year-old son, who has recently come to live with her.
Then, someone begins sending her strange notes. At first, they come in the form of secret admirer notes and are accompanied by little presents. Later, the notes take a nasty turn, and Michaele becomes the victim of suspicious accidents. Someone even calls her son pretending to be his father, who lives in another state, to get him to go off on his own to meet him somewhere. Although nothing bad happens to the boy and no one comes to meet him, his sudden disappearances cause Michaele to worry that he has been kidnapped. Someone seems to be trying to frighten Michaele out of doing the play, but who is it and why?
The theme of the story is the difference between what people imagine is true and what is really true. A lot of the people in the story have unrealistic expectations of others. For instance, Michaele is impatient with her young son, who has had a troubled history of being torn between his divorced parents, who are both busy with their careers. By the end of the story, she has come to understand him better and plans to spend much more time with him.
Michaele, as a well-known actress, also attracts many admirers, most of whom have different illusions about what she is really like and what she really wants. In the end, after Sebastian reveals the culprit, Michaele decides not to let what happened stop her from going for what she knows she really wants, whether her efforts succeed or not. Michaele’s confidence is restored, and she’s looking forward to a brighter future with her son.
The book is currently available online through Internet Archive.
This book was the basis for the Disney made-for-tv movie The Secret of Boyne Castle. However, the book and the movie are very different. Although they have a similar premise, many details were changed in the movie version, the first of which is that the location of the story was moved from Scotland, as it was in the original book, to Ireland.
Jonathan Flower, sometimes called “Posy” by his friends, spends most of his time at various boarding schools. His mother died when he was very young, and his father has a government job that takes him all over the world, so Jonathan has been in boarding schools in various countries, seeing his father whenever he can during school breaks. For the most part, Jonathan doesn’t really mind it. He and his father get along pretty well, and he knows that his father’s work is important.
Right now, he’s at a boarding school in Scotland. He’s made a lot of friends there, spending holidays like Christmas and Easter at various friends’ homes. He’s also developed an interest in rugby and cricket. He anticipates that his father will meet him at the end of the school year so that they can go mountain climbing together over the summer break. However, shortly before his father is expected to arrive, Jonathan receives a telegram from him, saying that he is to go to a certain place and meet a Mr. Finch. Because the telegram contains certain words that this father uses when a situation is urgent, Jonathan goes to meet Mr. Finch and is kidnapped.
Mr. Finch, who also goes by the alias Dr. Fisher, holds Jonathan captive in a house, pretending that Jonathan is a patient who has volunteered for an experimental treatment. Fortunately, Jonathan’s father, disguised as a milkman, soon rescues him.
While Jonathan’s father, who is actually a government agent, attends to some of his duties, Jonathan tries to go to the American embassy, only to be misled and almost recaptured. For a time, he is on his own, unsure of who to trust and how to reconnect with his father. When the two of them finally meet again, they both seek shelter with friends, but their enemies aren’t far behind, no matter where they go. They end up staying with friends who own an old castle, but their enemies are planning a siege.
My Reaction
The style of the writing in this book doesn’t make for a particularly easy read. It’s not overly difficult, but it starts off slow and is very dense, unlike many more modern books. The scenes also change quickly throughout the book, and I had trouble keeping track of who some of the characters were. Overall, I preferred the movie, even though it didn’t follow the book very closely.
In the Disney movie version, a strange man drives onto the grounds of an Irish boarding school, stumbles out of his car, and whispers an urgent message to a teenage American exchange student (played by a young Kurt Russell and renamed Richard Evans) that is meant for his older brother. Then, the man dies from a bullet wound. Another man, who is ostensibly from the American embassy in Dublin, abducts Richard after saying that he needs to go to the embassy to make a statement about the stranger’s death. Richard is also accompanied by an Irish friend, Sean, when he is lured away from the school, and his friend helps him as they escape from the enemy spies holding them captive. The two of them search for Richard’s older brother (who they have only just learned is a spy, whereas Jonathan was aware that his father worked for the government) to give him the dead man’s message. In both the book and the movie, there is a final showdown with the bad guys at a castle, but in the movie, they go to the castle to retrieve a secret message that the dead man left there. I don’t think that the movie is available on dvd, but I have seen it on YouTube and Internet Archive.
Guns in the Heather by Lockhart Amerman, 1963.
Jestress's Forgotten Books and Stories 